Latest / 70 80 / SETTANTAxOTTANTA: 1971. Quando Raffaella Carrà scandalizzò l’Italia con il ballo del Tuca Tuca insieme ad Alberto Sordi

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SETTANTAxOTTANTA: 1971. Quando Raffaella Carrà scandalizzò l’Italia con il ballo del Tuca Tuca insieme ad Alberto Sordi · 70 80

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  Grainger. For the ones who get it done. 7080
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  .it presents 70 for 80. Remember, a KVOX production.
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  Welcome to 70 per 80, the 7080 .it section that
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  deepens the topics discussed on the portal. I
• 1:45
  am with journalist Enzo Mauri, who introduces
• 1:48
  the current topic. Good morning, today I am talking
• 1:50
  to you about Raffa, unforgettable Raffa. The
• 1:53
  disappearance of Raffaella Carran in 2021, icon
• 1:56
  of international fame television, has struck
• 1:58
  everyone as a lightning bolt in Celserino, arousing
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  a lot of memories. Raffaella, a bit of pepper
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  for song 70, that's how the newspapers entitled
• 2:07
  it. of the time, when it became official the
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  participation of Raffaele Carrà to the famous
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  Kermes Canora, alongside Corrado Mantoni, after
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  the success obtained a few months earlier in
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  the broadcast Io Aga Tai Tu with Nino Ferrer.
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  And to think that the presence of Raffaele Carrà
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  in Canzonissima was nothing more than a surprise.
• 2:24
  Interviewed by La Domenica del Corriere, the
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  showgirl had stated that she had not yet accepted
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  it because it is my good time and I do not have
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  to take false steps, the fortune must be managed
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  well, she declared. Raffaele Acarrai, Pepe Lomise,
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  as if introducing himself in a white, tiled suit
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  that was exalting the provocative, umbilical
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  discovery. Someone, on the high floors of the
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  Rai, began to moan while the verticals of the
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  Vatican were taken away from that show, considered
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  indecorous. The best happened in Cansonissima
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  71, when Raffaele Carrà, strong of the triumph
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  achieved in the previous edition, dared to challenge
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  the common sense of honour not only by stinting
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  the ummelico, but also by drowning himself in
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  the sensual dance of the tucatucca. The strangest
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  dance I do with you is called... 1971 was also
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  the year of Chissà Se Va, written by Franco Castellano,
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  Pipolo and Franco Pisano, the initial theme of
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  the program, with that passage, Forza Ragazzi
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  Spazzoa e chi mi fermerà, entered shortly in
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  the common language. It is said that an hour
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  before the start of the broadcast, Raffaele Carrà
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  decided to propose a dance invented and written
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  by Gianni Boncompagni. For the occasion, the
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  conductor was accompanied by Enzo Paolo Turchi.
• 4:46
  During the show, the two touched each other in
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  a bad way, but in Italy, in the middle of the
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  period, the scandal broke out, the Rai headquarters
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  were subjected to indignant calls, and the Tuka
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  Tuka was suppressed. To solve the situation,
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  Alberto Sordi arrived, the popular actor, and
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  threatened not to participate, as guests at Canzonissima
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  71, if the Tuka Tuka had not been postponed.
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  That evening, he and Carrà gave the show. Now,
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  however, we want to present you something new,
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  something that really made Raffaele happy. happy
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  especially because he has the opportunity to
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  teach you something. A new dance added by the
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  Antilles which is entitled Tukka Tukka. So I'll
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  explain to you how to do it. I'll remind you
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  for a moment because maybe you've spent so much
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  time. So I like it, drum. Do you like drum? No
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  drum that does it to the drums. Then you do knee
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  to knee, sides to sides, shoulders to shoulders,
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  forehead to forehead and then you look and open
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  your arms and smile. But not like this because
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  otherwise. I have to touch you here. By crossing
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  my hands? Cross? Yes. Then cross on the sides.
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  Not always like this. Cross on the sides. Cross
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  on the shoulders. It's a bit more safe. Is it
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  better? Then cross here. No? No. Give me a slap.
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  No. Then do this. Touch my forehead. Your forehead.
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  And open your arms. mi piace mi piace mi piace
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  tanto tanto sembra incredibile ma sono cotta
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  di The fifth episode of Canzonissima 71 remains
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  in the annals of television. The newspapers of
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  the day after instead wrote, Raffaella Carrà
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  is literally evaporated in the void like champagne
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  left without cap. We have a year to forget her.
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  But the prophecy was more wrong. Raffaella Carrà
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  became one of the symbols of the Italian show.
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  Her fame surpassed national borders and left
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  an enormous void. Thank you Enzo Mauri for the
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  modern theme. See you in the next episode of
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  Valley. And I'm Bob Garfield. Are you one of
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