Latest / I Am All In with Scott Patterson / I Don't Like Babies (S4 E18 "Tick, Tick, Tick Boom”)

Transcript

I Don't Like Babies (S4 E18 "Tick, Tick, Tick Boom”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in. Oh, I am all in with
• 0:18
  Speaker 1: Scott Patterson and I heart radio podcast. Everybody. Oh, hey,
• 0:22
  Speaker 1: that's so you're so casual there, who You're given us
• 0:26
  Speaker 1: a hey? Everybody usually like hey everybody, I'm just you know, Scott,
• 0:32
  Speaker 1: how are you feeling. I'm coming out of it. I
• 0:35
  Speaker 1: went to the gym yesterday for about twenty minutes. I
• 0:37
  Speaker 1: feel good. Yeah, you gave it to Tar and me
• 0:40
  Speaker 1: through the zoom. Yeah, it was my intention. You were
• 0:46
  Speaker 1: sick for like two weeks, though more than two weeks.
• 0:49
  Speaker 1: I was going into my third week with it. Yeah.
• 0:53
  Speaker 1: Last night wasn't first night I didn't take night. Will
• 0:57
  Speaker 1: oh shut up? And I and I woke up this
• 1:01
  Speaker 1: morning thinking it was Saturday and I had to get
• 1:03
  Speaker 1: Nick to karate. No, he literally did not know day.
• 1:08
  Speaker 1: That's a good feeling sometimes though, when it's like summer
• 1:10
  Speaker 1: and you're like, I don't know where I am. Yeah. Wait, okay,
• 1:13
  Speaker 1: I have a very fun question that Danielle and I
• 1:16
  Speaker 1: just thought of because Danielle and I are together again.
• 1:20
  Speaker 1: We have a question for you guys. Everyone has to
• 1:24
  Speaker 1: say the Gilmore girl's character that they are most similar
• 1:28
  Speaker 1: to m in real life? Are boy that's a good
• 1:34
  Speaker 1: question you Uh, Tara, that's a hard one. Not like
• 1:41
  Speaker 1: I can't think of anyone who I'm like exactly alike. Yeah, same,
• 1:45
  Speaker 1: Like my gut says to say, Rory, but I'm definitely
• 1:49
  Speaker 1: not like Rory. Then I'm like maybe Lane, but then
• 1:53
  Speaker 1: I'm not like Lane. I think a combo between Rory
• 1:56
  Speaker 1: and Lane is my answer. I was good. Yeah, I
• 1:59
  Speaker 1: was gonna say, like, I feel like I'm a little
• 2:00
  Speaker 1: bit of Rory, but not like, like, not fully like Rory.
• 2:05
  Speaker 1: I feel like mine is so braggy. If I say it,
• 2:09
  Speaker 1: it's gonna sound like I'm so literally love her. I
• 2:15
  Speaker 1: want to be her. I think I am her. You
• 2:17
  Speaker 1: guys dressed the same like Lor. I literally go on
• 2:21
  Speaker 1: I literally go on eBay and try and buy her clothes, everything,
• 2:25
  Speaker 1: everything in the house, everything, And I love her personality.
• 2:29
  Speaker 1: I think it's mine. And then I do feel like,
• 2:33
  Speaker 1: what's this saying? Art is imitating life? Yeah, Scott and Luke,
• 2:39
  Speaker 1: I kind of agree. No, I'm nothing like that guy.
• 2:42
  Speaker 1: What do you think? Who do you think you're like?
• 2:45
  Speaker 1: I've got to recuse myself from this because I'm too
• 2:49
  Speaker 1: close to it. I mean true, but I think you are.
• 2:52
  Speaker 1: I think you are too. I love babies, and he
• 2:56
  Speaker 1: walked in and he's hating on babies. I don't get it.
• 2:59
  Speaker 1: That part true, little pieces, that's garrouchy than him. But
• 3:05
  Speaker 1: you're sarcastic as heck, and you're very funny like him,
• 3:08
  Speaker 1: and you're also very caring, like, oh, it's true, Like
• 3:12
  Speaker 1: maybe not thirty thousand dollars, but if I was like Scott,
• 3:15
  Speaker 1: I need a thousand dollars to like put food on
• 3:17
  Speaker 1: the table, I think you would do that. I have
• 3:20
  Speaker 1: done that. Yeah, you see, I feel like you are
• 3:22
  Speaker 1: your character too. Yeah, I do that kind I know,
• 3:27
  Speaker 1: we know. That's why I think a lot of people do.
• 3:29
  Speaker 1: If Danielle goes into the slammer, I guess who she's
• 3:31
  Speaker 1: going to call, just like you, Just like Luke when
• 3:40
  Speaker 1: he had to go to the slammer, I'd bail you out.
• 3:44
  Speaker 1: I would to build everybody on this zoom out. We
• 3:49
  Speaker 1: would too, favorite favorite go to New York and commit
• 3:53
  Speaker 1: the crimes because they have no bail laws. Is that true?
• 3:56
  Speaker 1: You just get out? Yeah. Yeah, it's like crime is free.
• 4:00
  Speaker 1: You can just do crime. That's wonderful. Should we talk
• 4:04
  Speaker 1: about tick tick boom. There's one more tick in there,
• 4:07
  Speaker 1: tick tick tick boom. Why don't think it was only
• 4:10
  Speaker 1: two ticks? Yeah? I think it a name three tick
• 4:18
  Speaker 1: tick tick boom, because man, that was some fireworks. Just
• 4:25
  Speaker 1: thought like something wasn't gonna happen, like something else kept happening,
• 4:28
  Speaker 1: but you didn't you know it was coming. It was
• 4:32
  Speaker 1: like this is all too good, this is everybody's having
• 4:34
  Speaker 1: too good a time with each had me shook, especially
• 4:40
  Speaker 1: when there was no music with it. Yeah, did you
• 4:43
  Speaker 1: notice that? It was just like, yeah, I have to say,
• 4:49
  Speaker 1: this is one of the finer episodes. I agree, really terrific,
• 4:53
  Speaker 1: and it's just like it's so you take it out
• 4:55
  Speaker 1: of kid world, you put it in the adult world,
• 4:57
  Speaker 1: and it's still firing on alls wanders. It's it's such
• 5:01
  Speaker 1: a versatile show. The writing is so versatile. It's so good.
• 5:05
  Speaker 1: Season season four is extraordinary. Yeah, so I agree, and
• 5:10
  Speaker 1: I want to say that I fully agree with this
• 5:13
  Speaker 1: person who messaged us that the best is coming the
• 5:17
  Speaker 1: next like four episodes are in this It's just I'm
• 5:23
  Speaker 1: worried for Danielle. I know I'm stressed for you. How
• 5:28
  Speaker 1: many we're on episode eighteen? How many are this season?
• 5:30
  Speaker 1: Like twenty two. I think there's there's always twenty two.
• 5:33
  Speaker 1: I think the first season we did four, I think,
• 5:37
  Speaker 1: and then we did twenty two every year after that.
• 5:39
  Speaker 1: So I have another question, which Danielle and I am
• 5:42
  Speaker 1: not gonna lie, we did talk about yesterday. So you know,
• 5:46
  Speaker 1: on the previously on you see Digger without facial hair,
• 5:52
  Speaker 1: and he does not look as good at all without
• 5:55
  Speaker 1: facial hair as he does with agree, disagree, opinion, I agree,
• 6:00
  Speaker 1: I agree, we agree. So we did a little game
• 6:05
  Speaker 1: of other celebrities that look better with facial hair, and
• 6:08
  Speaker 1: I'm going Chris Evans hard, Chris Evans amazing, and then
• 6:13
  Speaker 1: I through this at her I'm like, I think every
• 6:17
  Speaker 1: person looks better with facially. I disagreed with that. I disagree.
• 6:21
  Speaker 1: I disagree with that too, Thank you, Scott. I think
• 6:25
  Speaker 1: Jake Jillenhall better without. I think it looks good with
• 6:27
  Speaker 1: facial hair, but it's not good. It's better with or without.
• 6:33
  Speaker 1: Have you noticed that facial hair is a a an
• 6:35
  Speaker 1: American phenomenon. It's a really well French don't do it well.
• 6:41
  Speaker 1: Look at European rockers and they don't have facial hair,
• 6:47
  Speaker 1: but neither does John bon Jovi. And then Okay, then
• 6:53
  Speaker 1: touche guys. Guys, we owe everybody a huge apology again.
• 6:58
  Speaker 1: Once again, I'll fall the sword because this was my fault.
• 7:01
  Speaker 1: We totally forgot to mention the shins last week and
• 7:04
  Speaker 1: I am so sorry. Everyone was like pissed and it
• 7:07
  Speaker 1: was in my notes. I got distracted, like I don't
• 7:10
  Speaker 1: know about the French toast or something, but yeah, my
• 7:14
  Speaker 1: apologies anyway, apologic accepted. Thank you. Okay, should we get
• 7:19
  Speaker 1: into this. I got so much to talk about. Let's
• 7:22
  Speaker 1: rock and roll? Should I sit upsize? Yeah? Oh no,
• 7:26
  Speaker 1: it sounds like you already have our coal. Everybody through this. Okay, guys.
• 7:33
  Speaker 1: This is season four, episode eighteen, tick Tick Tick Boom
• 7:37
  Speaker 1: air date April four. Richard and Jason's business is in
• 7:41
  Speaker 1: jeopardy after a threat by Jason's father, Floyd, plus a
• 7:45
  Speaker 1: major reveal for Lorelai and Jason's relationship. But after the threat,
• 7:50
  Speaker 1: another plan is set in motion to oust Jason. Meanwhile,
• 7:54
  Speaker 1: Kirk disappoints Taylor because the town smells like rotten eggs,
• 7:58
  Speaker 1: but Luke comes and saves the day. Seriously, that was
• 8:01
  Speaker 1: amazing of Luke. We'll get to that. We'll get to that.
• 8:04
  Speaker 1: So Scott, was that a new angle, a new camera
• 8:09
  Speaker 1: angle at the open? Yes, yes, I've never seen that.
• 8:13
  Speaker 1: That sweeping shot, that's a film shot. I've never seen
• 8:17
  Speaker 1: that before in Gilmore. That is not a Gilmore shot.
• 8:20
  Speaker 1: It was great. It really was unusual to see that. Yeah,
• 8:23
  Speaker 1: I noticed that too. It was really cool. I loved it.
• 8:27
  Speaker 1: And then it kind of brought us into that table
• 8:29
  Speaker 1: and guys, that was not a rubber baby. That was
• 8:33
  Speaker 1: a real baby. But you know, one thing, I noticed
• 8:37
  Speaker 1: a lot of the scenes that they like when I
• 8:41
  Speaker 1: saw that scene, I saw the edits because I and
• 8:45
  Speaker 1: I wanted to ask you, Scott, did they film some
• 8:48
  Speaker 1: scenes without a baby in the stroller and then cut
• 8:51
  Speaker 1: to probably Yeah, so there was a bunch of takes
• 8:55
  Speaker 1: without an actual baby in the show because you can't
• 8:57
  Speaker 1: afford that baby. Then we'll cut off the stroller a
• 9:00
  Speaker 1: lot of the time because the babies aren't allowed to work. Well,
• 9:05
  Speaker 1: I mean they've obviously cannot baby can were like no hour,
• 9:10
  Speaker 1: like they that are you making that? I that's like
• 9:16
  Speaker 1: the kid rule. It's a baby. I wonder if it's
• 9:19
  Speaker 1: like thirteen to eighteen, it might be different for babies.
• 9:22
  Speaker 1: They're not on set for if they're on set at all,
• 9:26
  Speaker 1: it's not a rubber baby. If it's a real baby,
• 9:28
  Speaker 1: then it's like they're not there very long. I always
• 9:30
  Speaker 1: thought eight hours was the rule rubber babies. You can
• 9:33
  Speaker 1: have a rubber baby for a week, two weeks about
• 9:38
  Speaker 1: the baby, I guess the answer. If this is correct,
• 9:42
  Speaker 1: it's four hours a day. Guys, do you think anyone's
• 9:45
  Speaker 1: listening right now? Going? What is wrong with all those
• 9:48
  Speaker 1: people's voices? They literally sound like the nasal least, but
• 9:56
  Speaker 1: it's going around. Everybody's got it, He's got it. Okay, Okay,
• 9:59
  Speaker 1: I'm sorry, did grass Because I'm listening to Scott and
• 10:01
  Speaker 1: then Daniel's got a little I think I have it
• 10:03
  Speaker 1: in the tower is coming in out with it. It's like,
• 10:05
  Speaker 1: darn nasal episode number one, actually number four. It's like,
• 10:16
  Speaker 1: can somebody get them a decongestion anyways? That is called
• 10:19
  Speaker 1: a decongestent. I don't. I don't do that. It makes
• 10:23
  Speaker 1: me stress. Okay, So so why so hate a raid
• 10:27
  Speaker 1: over the baby? I don't know. It's just made me
• 10:29
  Speaker 1: very uncomfortable. I did not enjoy that aspects. Yeah, it
• 10:34
  Speaker 1: doesn't also seem accurate, it doesn't. It really doesn't you
• 10:38
  Speaker 1: know what, You're right, it feels off totally. That's why
• 10:41
  Speaker 1: you hated it because it's like, no, he doesn't hate babies.
• 10:43
  Speaker 1: It's maybe he just wants one. It's too extreme, but
• 10:47
  Speaker 1: to hate and to hate on somebody's baby in front
• 10:49
  Speaker 1: of the mother and father, but he hates babies. True?
• 10:54
  Speaker 1: Who hates babies? Nobody? I mean, that's just weird and
• 10:58
  Speaker 1: like you're so mean to them, like order fast and
• 11:00
  Speaker 1: get out of here. No proprietor is doing this. Anybody
• 11:06
  Speaker 1: anybody that hates babies. It's just deranged, you know, and
• 11:10
  Speaker 1: he's not. He's not deranged so at all. He doesn't.
• 11:14
  Speaker 1: Here's the thing. He doesn't hate babies. So it's just
• 11:18
  Speaker 1: like what but I mean, you know he's skulking around
• 11:22
  Speaker 1: his diner like you got a minute or you're out
• 11:24
  Speaker 1: of here, get rid of the baby. I mean, what
• 11:26
  Speaker 1: kind of a person is that? It's like who says
• 11:29
  Speaker 1: that to anybody? What are the customers and their small
• 11:32
  Speaker 1: town and they're all friends and everybody knows each other.
• 11:35
  Speaker 1: You know, she has a baby, is not celebrating the
• 11:37
  Speaker 1: baby reluctantly made There's been like a million babies before
• 11:41
  Speaker 1: that baby. He doesn't hate babies like Suki's baby, like
• 11:45
  Speaker 1: shows some respect, like it's not a random person's baby,
• 11:48
  Speaker 1: it's Sukians and Jackson's right, all right, that was just
• 11:52
  Speaker 1: like them trying to be funny. But what else It
• 11:55
  Speaker 1: wasn't Taylor's tupe so bad? It was good? Why is
• 12:01
  Speaker 1: it a different color that when he turned around and
• 12:04
  Speaker 1: it was like black? And then like, although it make
• 12:07
  Speaker 1: him look a little more youthful, that bit was so
• 12:10
  Speaker 1: funny because it was that was funny because everyone talking
• 12:15
  Speaker 1: about it and he's just like I came back from
• 12:17
  Speaker 1: the Caribbean, just like not being able to answer his
• 12:23
  Speaker 1: question and just staring at it. Sorry again, so good?
• 12:32
  Speaker 1: And then yeah, eggs stink, guys, eggs do? I don't
• 12:36
  Speaker 1: think I ever realized that, Like I might have pulled
• 12:38
  Speaker 1: a kirk in that situation. Have you never been in
• 12:41
  Speaker 1: a kitchen when someone's making eggs salad? Yeah? Yeah, but
• 12:47
  Speaker 1: smell different. Rotten egg smelled different than hard boiled eggs.
• 12:50
  Speaker 1: But I'm thinking they were hard boiled. But they were
• 12:52
  Speaker 1: hard boiled then turned rotten. It's been three weeks for
• 12:55
  Speaker 1: two weeks, right, and they stink? Why would you make
• 12:59
  Speaker 1: an egg hunt with raw eggs. Nobody does that. They're
• 13:02
  Speaker 1: all hard boiled. I don't think that they did do
• 13:06
  Speaker 1: it with raw eggs. They did it with hard boiled eggs. Boiled, yeah,
• 13:10
  Speaker 1: it is, they go bad too. Hard boiled is the
• 13:14
  Speaker 1: stinkiest stink. But I think I would have thought like Kirk, like, oh,
• 13:18
  Speaker 1: they're just like an animal will eat it, you know
• 13:21
  Speaker 1: what I mean? Like like because Kirk's holding was, oh,
• 13:24
  Speaker 1: just decomposed. Like that's what I would ask question. Would
• 13:27
  Speaker 1: they decompose? Who wants a hard boiled egg and leave
• 13:30
  Speaker 1: it in their yard for like three weeks? Absolutely not, Scott,
• 13:34
  Speaker 1: do you want to do that? No? Absolutely, Sara, looks
• 13:39
  Speaker 1: like it's you girls, hard boiled eggs in the fridge
• 13:42
  Speaker 1: right now? Can you leave one in your yard? Do
• 13:44
  Speaker 1: you think your parents will care? Really confused? Do it? Dude?
• 13:50
  Speaker 1: Let's see and dangerous animals as well, like coyotes. I'm
• 13:57
  Speaker 1: going to attract the coyote memelal rotten eggs, you think? So?
• 14:03
  Speaker 1: I don't know raccoons. Are you going to try it
• 14:06
  Speaker 1: or not? I'm not in my neighborhood. No, that's not
• 14:12
  Speaker 1: you know, I'd get a letter from the if you
• 14:15
  Speaker 1: really chicken out. I might do it, but I think
• 14:19
  Speaker 1: an animal will eat it, and they're going to eat
• 14:22
  Speaker 1: it before it goes right, the rats would come out
• 14:25
  Speaker 1: and nibble. Yeah, I'm more afraid of like rodents than
• 14:28
  Speaker 1: like the smell. Same had be Groundhog Day, y'all did
• 14:33
  Speaker 1: we miss that? Is it good? Is it eight more?
• 14:36
  Speaker 1: Is it eight or six more weeks in winter? I
• 14:38
  Speaker 1: don't know, but six Deans moving that shelf around pe.
• 14:47
  Speaker 1: See now I'm rooting now, I'm rooting for the two
• 14:49
  Speaker 1: of them. Now it's not so inappropriate anymore because it's
• 14:51
  Speaker 1: like the damn has broken on that and Rory Scott,
• 14:57
  Speaker 1: you're so hilarious. I agree, it's before it was inappropriate.
• 15:01
  Speaker 1: Now it's like they're meant to be together. You kidding me?
• 15:04
  Speaker 1: I disagree. No, he loves her man, they love each other.
• 15:08
  Speaker 1: At the end of this episode, I was like, Dean,
• 15:10
  Speaker 1: I'm very upset with you right now, but he's realizing
• 15:16
  Speaker 1: that he's happy. It's wrong. But yeah, but but if
• 15:22
  Speaker 1: love and you was wrong, I don't want to be right.
• 15:24
  Speaker 1: That's right, Scott, thank you. No, I literally have a
• 15:28
  Speaker 1: really bad taste in my mouth after this episode with
• 15:31
  Speaker 1: Mr Dean. We'll get to that, but out in the
• 15:34
  Speaker 1: doocees with Lindsay so much to talk about. Okay, so
• 15:38
  Speaker 1: we'll get to that. So so Dean's moving the thing
• 15:40
  Speaker 1: around and now Lindsay bops in and they seemed real happy.
• 15:45
  Speaker 1: Why she kind of she kind of bugged me when
• 15:47
  Speaker 1: she walked and like, why is she always at his work?
• 15:49
  Speaker 1: Like always I'd be so peas and be liked because
• 15:53
  Speaker 1: because Rory's around. Well, no, Rory wasn't there. That was
• 15:56
  Speaker 1: at the end. That's right, gonna be around. She's picking
• 16:00
  Speaker 1: up on him, she's checking. Yeah's just like she's just always.
• 16:03
  Speaker 1: First of all, why are they married. They're nineteen years
• 16:06
  Speaker 1: old at most twenty they have no business to be married. Sorry,
• 16:10
  Speaker 1: if you got married at twenty anybody. It works for
• 16:13
  Speaker 1: some people, but this clearly is is not the right move. Also,
• 16:18
  Speaker 1: like she's I mean not to jump ahead of it
• 16:20
  Speaker 1: Rory at a point when it's like, what's what's Lindsay
• 16:23
  Speaker 1: doing If Sean has to pay for the townhouse? We'll
• 16:27
  Speaker 1: get there, we'll get to it now. Funny line when
• 16:36
  Speaker 1: when loril I said Annett and Frankie really found each other,
• 16:44
  Speaker 1: I have no idea what that's shut up, shut up.
• 16:47
  Speaker 1: You have Franklin Blanket bingo exactly, Scott, What is wrong
• 16:56
  Speaker 1: with these youngsters? You don't know a net and rank?
• 17:02
  Speaker 1: They didn't grow up with it, you know, my god,
• 17:05
  Speaker 1: you gotta grow up with it. You know. It always
• 17:08
  Speaker 1: makes me think of that. So did you ever see
• 17:11
  Speaker 1: the movie stand by Me? No? Oh my god? Scott
• 17:15
  Speaker 1: asked me about spy kids, asked me about any Mary
• 17:20
  Speaker 1: Kane Ashley movie. I got you there, Scott. What do
• 17:25
  Speaker 1: we do with them? I don't know? Alright, So we
• 17:28
  Speaker 1: got the whole thing going on. At the end we
• 17:30
  Speaker 1: were talking about the greatest Mouseketeer of all times. I
• 17:34
  Speaker 1: think I was just I literally had a whole Mouseketeer thing.
• 17:39
  Speaker 1: Was the greatest mouse you know there was there was
• 17:42
  Speaker 1: a mouse gteers before j C and Justin and I
• 17:46
  Speaker 1: knew that. Did you know that? Like the Mickey Mouse Club? Yeah,
• 17:50
  Speaker 1: that's a net get your way? And do you know
• 17:55
  Speaker 1: the movie Greece? Of course? Do you know Beauty School Dropout? Yes?
• 18:00
  Speaker 1: Beauty School? Yeah, it's a song that's Frankie Avalon. Oh god,
• 18:04
  Speaker 1: I got it. It's a song when uh what's her
• 18:06
  Speaker 1: name with the red hair is singing and She's like,
• 18:08
  Speaker 1: it's like beauty school drenching. Go back to Frenchy. There
• 18:10
  Speaker 1: we go. There were all these what were these movies
• 18:13
  Speaker 1: on the late fifties, early sixties, mid sixties, there were
• 18:16
  Speaker 1: all these beach movies with Frankie Avalon and means nothing
• 18:23
  Speaker 1: and they all shot him out at Sir Fryder Beach
• 18:24
  Speaker 1: out in Malibo. Yeah, Scott, it's fine. At least we
• 18:28
  Speaker 1: have each other. So then we go to Friday night
• 18:31
  Speaker 1: dinner and the whole anvil thing was hilarious. But what
• 18:36
  Speaker 1: isn't Annville? I have no idea what, Scott? Do you
• 18:39
  Speaker 1: know that? Of course I know what an ant villa that?
• 18:41
  Speaker 1: I don't know what was it? It's an anvil is
• 18:45
  Speaker 1: something that? Yeah, like she said, in the Old West,
• 18:49
  Speaker 1: all the all those uh dudes that made the horse
• 18:54
  Speaker 1: shoes banged him out on top of anvil's It's it's
• 18:57
  Speaker 1: a massive iron or uh kind of a table, but
• 19:01
  Speaker 1: it's got a sharp edge on a point on one end. Oh,
• 19:07
  Speaker 1: they're just bearing on top of it. It's just this
• 19:10
  Speaker 1: big iron ore platform. Easton's description of it is bugs
• 19:16
  Speaker 1: bunny drops it on people. Yeah, yeah, yeah, okay, I
• 19:19
  Speaker 1: got you now. I got you now, all right? All right?
• 19:22
  Speaker 1: And then I thought interesting, Okay, so they're having this
• 19:24
  Speaker 1: funny conversation at dinner and there was a mention of
• 19:27
  Speaker 1: metro sexual. I remember when that was like a real term. Yeah,
• 19:31
  Speaker 1: when guys actually cared about their hygiene, you'd be like,
• 19:34
  Speaker 1: you're so metro Yeah, that was the whole thing that's
• 19:38
  Speaker 1: gone now. Yeah, I think they cared a little bit
• 19:40
  Speaker 1: more about more than hygiene. No one says that word.
• 19:45
  Speaker 1: I think that word is done. Let me get my
• 19:49
  Speaker 1: notes out, peeps, look at my notes. Unbelievable. All right. Oh,
• 19:56
  Speaker 1: this is where we find out at the dinner that
• 20:00
  Speaker 1: Richard and Digger have acquired Bob, Yes, and that Bob
• 20:05
  Speaker 1: has a trophy wife, which I'm a little bitter about
• 20:08
  Speaker 1: that we never saw the trophy wife. I really wanted
• 20:12
  Speaker 1: to see who, Like, I agree with Barbie, we're going
• 20:15
  Speaker 1: to be at the dinner. I was really looking forward to.
• 20:19
  Speaker 1: Can we just talk about layalized complete inability to be
• 20:23
  Speaker 1: involved in a conversation for their parents in any real
• 20:27
  Speaker 1: way other than mocking everything they say. You're so right,
• 20:31
  Speaker 1: it's funny. It's not funny, but it's it does seem
• 20:36
  Speaker 1: a little out there. It's totally her coping mechanism. It's
• 20:39
  Speaker 1: just how she gets through the dinners. She must have
• 20:42
  Speaker 1: such anxiety. That was my favorite line when she's like
• 20:45
  Speaker 1: when Richard was like, the girls aren't about the big
• 20:47
  Speaker 1: news and loyalized like you're pregnant, and he's like and
• 20:50
  Speaker 1: then he's like, we're crying another company and she's like,
• 20:52
  Speaker 1: I was close. Like that was my favorite line. Oh god,
• 20:58
  Speaker 1: it's so good. But yes, Scott, if if, if I'm
• 21:02
  Speaker 1: going to take you serious for a minute here, You're right,
• 21:06
  Speaker 1: everything is Penny Penny, sarcasm, sarcasm, Penny Joe. But it
• 21:11
  Speaker 1: wouldn't be the show without it, right, I love it,
• 21:14
  Speaker 1: and it's and it's kind of neat that it's now.
• 21:18
  Speaker 1: She doesn't do that with you, and she doesn't do
• 21:20
  Speaker 1: that with or the time. She does correct, but she
• 21:24
  Speaker 1: can have very real correct correct but she really can
• 21:28
  Speaker 1: have real conversations with both of you and Suki for
• 21:32
  Speaker 1: that matter. Right, it's rare. She just never does with
• 21:35
  Speaker 1: her parents. How much longer is Richard's mustache lasting, probably
• 21:40
  Speaker 1: throughout the movie he's also working on during this season
• 21:42
  Speaker 1: of Gilmour Girls. That's my take on that he's got
• 21:45
  Speaker 1: a second project. Wait, do you like his? Do you
• 21:48
  Speaker 1: like his facial hair? I don't. Richard looks better without
• 21:51
  Speaker 1: facial hair. Yeah, I agree, There you go. I'm trying
• 21:56
  Speaker 1: to think of another one that looks better without Ryan Reynolds. Yeah, yeah,
• 22:03
  Speaker 1: I give that. Yeah, like Mamoa with Jason Mamoa Mamoa
• 22:08
  Speaker 1: just Eddie Manly. So then we go to the Candy Shoppy,
• 22:14
  Speaker 1: my favorite. Literally that place is looking good too. It's
• 22:19
  Speaker 1: I would definitely go in there, you would, Yeah, places
• 22:24
  Speaker 1: the jam I wonder if he has yogurt. I'm sure
• 22:28
  Speaker 1: he had ice cream? Right? Do you want it? Do
• 22:32
  Speaker 1: you love? When you guys were at um Stars Hollow,
• 22:35
  Speaker 1: did they open up the Candy Shoppy? No? They show
• 22:38
  Speaker 1: like each each store on that street was like a
• 22:41
  Speaker 1: different like I think they had the names, but it
• 22:43
  Speaker 1: was all stores to shopping. But they should have made
• 22:47
  Speaker 1: a candy store. They should have. No, that was where
• 22:49
  Speaker 1: the merch store was. That was the merch Yeah, they
• 22:53
  Speaker 1: made they made Dozies Martin. The merch store was Dozies
• 22:56
  Speaker 1: Market or not not Josie, but it was the candy shop.
• 22:59
  Speaker 1: That's what merchant. Did you get? Did you get merch
• 23:02
  Speaker 1: I'm oh, let's see. Warner Brothers is no joke with
• 23:10
  Speaker 1: the merch. They know what they're doing. Yeah, because it's
• 23:12
  Speaker 1: like top quality merch. Like if people are listening and
• 23:16
  Speaker 1: they want to spend a little money on a Gilmore
• 23:18
  Speaker 1: Girls merch, just get it from Warner Brothers rather than
• 23:22
  Speaker 1: like some of the knockoffs, because it's it's top not Yeah,
• 23:26
  Speaker 1: there's a million knockoffs. I know, I've bought it all
• 23:29
  Speaker 1: at Target in those places. But the Warner Brothers is better. Yeah.
• 23:33
  Speaker 1: Their legal department's going crazy every day. By the way,
• 23:39
  Speaker 1: did it seem weird to anybody that it's already past
• 23:41
  Speaker 1: Easter on the show? Yeah, I feel like, whoa. I mean,
• 23:46
  Speaker 1: I know it's spring break, but they just had spring break.
• 23:48
  Speaker 1: Springbreak can go between like March to April, Like we
• 23:52
  Speaker 1: have a Valentine's Day. I know we never got Valentine's Day.
• 23:56
  Speaker 1: Well there was like no one's well actually Bigger and
• 24:00
  Speaker 1: warlike could have celebrated. Yeah, I'm Richard and Emily. I
• 24:04
  Speaker 1: like that. You know. I think this was a tour
• 24:07
  Speaker 1: to force for for Kirk. This is my favorite, my
• 24:11
  Speaker 1: favorite Kirk episodes just hysterically funny and also just Luke
• 24:17
  Speaker 1: looking out for his boy. Yeah, we'll get to that.
• 24:21
  Speaker 1: But we'll get to that. But okay, so we got
• 24:23
  Speaker 1: a little golf first with Digger, who total whiffed it.
• 24:27
  Speaker 1: Are you Are you better at golf, Scott than Digger?
• 24:31
  Speaker 1: Everybody is. I'm just going to go ahead and mention
• 24:34
  Speaker 1: that Richard is not good either, well not at first. No.
• 24:38
  Speaker 1: The first swing that that we see Richard do was
• 24:41
  Speaker 1: it actually a really nice golf swing, but the ball
• 24:44
  Speaker 1: didn't go anywhere. No, No, that was on the last one.
• 24:48
  Speaker 1: On the last one, he duffed it. On the last one,
• 24:52
  Speaker 1: he duffed it, he topped it. But on the first,
• 24:54
  Speaker 1: first one, it looked like I didn't see where the
• 24:56
  Speaker 1: ball went. I'm surprised when I watched it, I was
• 24:59
  Speaker 1: like a surprised they showed where the ball went because
• 25:02
  Speaker 1: that was on the last one. On the last one. Yeah, yeah,
• 25:06
  Speaker 1: that it was a horrible shot. Yeah, And then they
• 25:09
  Speaker 1: tried to admire it, like I'm gonna have to You'll
• 25:12
  Speaker 1: have to hit four golf shots to get up to you, Richard.
• 25:15
  Speaker 1: The thing about a hundred yards, like I could have
• 25:18
  Speaker 1: done better. Missed that, And I saw a Digger just
• 25:21
  Speaker 1: with it. But yeah, and usually when when a guy
• 25:25
  Speaker 1: whips it like that, you don't stand there and laugh
• 25:27
  Speaker 1: at him openly. Oh my god, you don't. God no,
• 25:31
  Speaker 1: I mean if if if you're were your buddies and
• 25:34
  Speaker 1: you know you're having a couple of beers and somebody
• 25:36
  Speaker 1: whips then you crack up laughing. But yeah, I don't
• 25:38
  Speaker 1: know in that situation, I don't know. I've definitely, in
• 25:41
  Speaker 1: my like three times I played golf, have totally missed it.
• 25:44
  Speaker 1: I can't do golf. I hate to brag, but I'm
• 25:46
  Speaker 1: kind of good. Should we send you and Scott out
• 25:49
  Speaker 1: for a round? You know what, Danielle and I should
• 25:51
  Speaker 1: play next year's Pebble Beach program. Oh yeah, we'll get
• 25:54
  Speaker 1: you in because I saw some of those celebrities playing
• 25:58
  Speaker 1: and they were stinking up the yard. Man, Oh my god.
• 26:04
  Speaker 1: Make a good little top golf situation. Top I can
• 26:08
  Speaker 1: hit it, daniel you can do that. I can do that.
• 26:10
  Speaker 1: I can I can hit it. The four of us
• 26:12
  Speaker 1: can go to top golf. Is there a California top Golf? Yeah, Scott,
• 26:16
  Speaker 1: let's do it. Let's do it. So I didn't realize
• 26:20
  Speaker 1: Carol and Emily were so biffles best friends for life?
• 26:26
  Speaker 1: What's Biffles again? Best friends for life? Tar? What's Biffles
• 26:32
  Speaker 1: best friends for life? But have we what? We haven't
• 26:34
  Speaker 1: seen them before? We haven't seen her before. But Floyd's
• 26:38
  Speaker 1: just Floyd and Richard are talking about how they miss
• 26:41
  Speaker 1: each other. So Floyd does all that just to be
• 26:46
  Speaker 1: an ass. So he's just pretending all that knowing he's
• 26:51
  Speaker 1: just going to drop the lawsuit bomb. Floyd's kind of
• 26:55
  Speaker 1: an ass. No, No, he had a he had a strategy.
• 27:00
  Speaker 1: He's playing chess, so you think he knew going in
• 27:05
  Speaker 1: that at the end he would get what he wanted,
• 27:07
  Speaker 1: which was Richard back out. And I really do think
• 27:13
  Speaker 1: the wife new too, because the second Carol heard, Carol
• 27:17
  Speaker 1: was like, oh okay, yeah, and Emily was caught off guard.
• 27:22
  Speaker 1: I felt so bad for her because I think she
• 27:25
  Speaker 1: genuinely like loved being like, oh, entertaining happy, and they
• 27:30
  Speaker 1: wanted Floyd and Carroll back and then oh god, we're
• 27:33
  Speaker 1: not there yet. But it's just the outing of the
• 27:35
  Speaker 1: whole thing was horrendous. We do have to talk about
• 27:38
  Speaker 1: how we got our first dinner outside on the patio. Yea, yeah,
• 27:43
  Speaker 1: that was but like really like that, I think they
• 27:49
  Speaker 1: had he lamps too, So okay, so Scott good, No,
• 27:55
  Speaker 1: it's just okay. So you think that Floyd was very
• 27:58
  Speaker 1: crafty and knew how this was all going to play. Oh, sure,
• 28:02
  Speaker 1: that's why he was so confident in every single scene.
• 28:06
  Speaker 1: He was in total control. He's not a sociopath. He's
• 28:11
  Speaker 1: just a guy who's a smart one of his business. Right.
• 28:14
  Speaker 1: He just wanted Richard back? Ye did sorry? I say?
• 28:18
  Speaker 1: At the end, I like, I was like, Oh, he
• 28:20
  Speaker 1: totally had this all planned out, like he knew Yeah, wow,
• 28:24
  Speaker 1: he played them both like that still really shook me.
• 28:27
  Speaker 1: But did you see Digger and Richard making sandwiches? They
• 28:30
  Speaker 1: didn't look there was like no mayo or mustard or
• 28:33
  Speaker 1: anything on those sandwiches. They were just dry. They were
• 28:37
  Speaker 1: so giddy with the possibilities of hap. That's when you
• 28:43
  Speaker 1: knew they were being because they didn't really know what
• 28:45
  Speaker 1: the shot was. And I think you know the couda
• 28:50
  Speaker 1: gras for what's his name? What's his Jason's dad's name,
• 28:54
  Speaker 1: Floyd was when he dropped the bombshell that they were
• 28:58
  Speaker 1: dating right in front of every Oh that was gnarly.
• 29:02
  Speaker 1: What is kuda gram mean? Like the pist to Resistance. Yeah.
• 29:06
  Speaker 1: I think the Kuda gras like the final bomb mic drop,
• 29:12
  Speaker 1: Yeah yeah, yeah, alright, So then Dean shows up at
• 29:14
  Speaker 1: the dorm. What yeah, how about that, guys? Was that
• 29:20
  Speaker 1: Rose's excuse? Laurela I said to come drop this off
• 29:23
  Speaker 1: or something, but it doesn't fit and Laurel I never
• 29:27
  Speaker 1: gave her the heads up, which I thought, I know,
• 29:29
  Speaker 1: I thought that was really weird too. I was I
• 29:32
  Speaker 1: thought Dean was maybe lying at first and using that
• 29:35
  Speaker 1: as an excuse, but I was like, why would he
• 29:38
  Speaker 1: lie because Rory will find out that he lied? And
• 29:46
  Speaker 1: was Rory right to be so pissy about him not
• 29:49
  Speaker 1: going to school right now? Involved I think it was
• 29:53
  Speaker 1: like a little I was in the middle because they've
• 29:57
  Speaker 1: always talked about like he wasn't going to go going
• 30:00
  Speaker 1: to go to school and like he wasn't gonna go
• 30:02
  Speaker 1: to college at first, and then he remember when he
• 30:05
  Speaker 1: told her like I'm going to school, and so she
• 30:06
  Speaker 1: was so proud of him and he's such a good,
• 30:09
  Speaker 1: you know, good student. And I think that it was
• 30:13
  Speaker 1: more of her past relationship. Yeah, it was her delivery,
• 30:17
  Speaker 1: but also like in her brain, like her past relationship
• 30:19
  Speaker 1: with Dean kicking in of like yeah, so like, yeah,
• 30:23
  Speaker 1: I think it was okay that she said you're making
• 30:26
  Speaker 1: a mistake, don't do that. But then she just like
• 30:28
  Speaker 1: she was literally like hammering him, like don't do this,
• 30:32
  Speaker 1: and it's like that's not your role anymore. She was
• 30:35
  Speaker 1: a step aside. What do you think I think she
• 30:39
  Speaker 1: cares about him and even as a friend, I think
• 30:43
  Speaker 1: she and she knows that statistics, she knows that people
• 30:46
  Speaker 1: to drop out a large percent of the percentage of
• 30:49
  Speaker 1: them don't go back, and his whole life, he's making
• 30:53
  Speaker 1: a decision based on on statistics that he's not aware
• 30:58
  Speaker 1: of and his fate. You know, he's like an overt
• 31:02
  Speaker 1: yeah in yeah, sure, but as a friend, you know,
• 31:06
  Speaker 1: why wouldn't you get into it with somebody that you
• 31:08
  Speaker 1: care about and say, listen, you know I care about you.
• 31:12
  Speaker 1: This is important. You may not realize how important, as
• 31:14
  Speaker 1: I understand you have some pressures with your wife and
• 31:18
  Speaker 1: all that. And yeah, but like Danielle said, I think
• 31:21
  Speaker 1: it really was the delivery, Like I think there was
• 31:23
  Speaker 1: a so nasty about it, and like once he said,
• 31:28
  Speaker 1: you know, Lindsay and I want to get a town house,
• 31:31
  Speaker 1: like we talked about it, like I need to work.
• 31:34
  Speaker 1: I need to pay for things for my family. I
• 31:36
  Speaker 1: would have been support. That's the queue where you go, Okay,
• 31:39
  Speaker 1: he's in a different point in his life right now.
• 31:41
  Speaker 1: He's not just my boyfriend who I'm trying to make
• 31:43
  Speaker 1: sure it goes to school. Like at that point when
• 31:46
  Speaker 1: he throws the wife card and like real life, like
• 31:49
  Speaker 1: that's when you just stop, like you don't give your
• 31:51
  Speaker 1: two cents anymore. Exactly, I disagree. I think she. I
• 31:57
  Speaker 1: think in that moment, she she couldn't stop herself because
• 32:01
  Speaker 1: she still has feelings for him. I love that Scott's
• 32:05
  Speaker 1: done a full one E D No. I I believe.
• 32:08
  Speaker 1: I kind of believe in their relationship now. I believe
• 32:11
  Speaker 1: in their connection now. I think it's very strong on
• 32:14
  Speaker 1: both parts. And he basically he's having an emotional affair
• 32:19
  Speaker 1: with another woman. He's having an emotional affairs he's getting
• 32:24
  Speaker 1: from or what he can't. He doesn't have the depth
• 32:27
  Speaker 1: of feeling for Lindsay. He just doesn't. There's no there's
• 32:32
  Speaker 1: no reason for him to dislike or or stray on Lindsay.
• 32:36
  Speaker 1: She's wonderful in every way right and completely supportive, and
• 32:42
  Speaker 1: but I mean his heart is with Rory it's clear.
• 32:45
  Speaker 1: But that's why I'm not okay with it, because it's like, okay, right,
• 32:48
  Speaker 1: because it's just life, it's nature working itself out. These
• 32:52
  Speaker 1: two are drawn to one of the very powerful. Should
• 32:55
  Speaker 1: he divorced? Yes, he's young, he's having an emotional fairy.
• 33:04
  Speaker 1: They want to be together. They should be together. You know,
• 33:09
  Speaker 1: sucks for Lindsay, but that's the risk you take. You know,
• 33:12
  Speaker 1: all's fair in love and war, right. I just did,
• 33:14
  Speaker 1: like a little bit. It feels a little fast for me,
• 33:17
  Speaker 1: like all of a sudden, this happened so fast, and
• 33:21
  Speaker 1: Dean's just like all up in Rory's business and we're
• 33:24
  Speaker 1: ready to just ship Lindsay down the river. Feels like
• 33:28
  Speaker 1: they need a little more time to realize their marriage
• 33:32
  Speaker 1: is not great. I just wouldn't want to be Lindsay.
• 33:36
  Speaker 1: Let's just say that. I don't know where I stand
• 33:39
  Speaker 1: on it. I think I was with Scott last week
• 33:43
  Speaker 1: when Scott felt like the Dean's doing the wrong thing.
• 33:47
  Speaker 1: You said inappropriate, and you don't think it's still inappropriate.
• 33:51
  Speaker 1: I don't at this point. I don't think it's inappropriate anymore.
• 33:54
  Speaker 1: I think it's spilled over into inevitability. Oh, inevitability. Does
• 34:00
  Speaker 1: inevitability make it wrong or right? No, there's no there's
• 34:04
  Speaker 1: you can apply a moral standard to this. It's just
• 34:08
  Speaker 1: how things are. It's just inevitable. It's where people's hearts
• 34:14
  Speaker 1: are going. If there's no moral structure for that, you
• 34:20
  Speaker 1: can't apply morality to that, right, It's just so Am
• 34:29
  Speaker 1: I going to say that your team Dean? I think
• 34:33
  Speaker 1: right now? I am. Yeah. Well, we're spending a lot
• 34:37
  Speaker 1: of time with them, they're struggling, they're together, they obviously
• 34:40
  Speaker 1: both feel it. Um, you know, there's nothing particularly bad
• 34:47
  Speaker 1: about it. What's so bad about it? It's actually kind
• 34:50
  Speaker 1: of funny because I have been team Dean since the
• 34:54
  Speaker 1: day we met him, but not I like this episode.
• 34:58
  Speaker 1: I was like, I just and idea. It's like, this
• 35:02
  Speaker 1: really has me perplex Scott because I'm I like what
• 35:05
  Speaker 1: you're saying, but I'm surprised actually why it's inevitable? Now
• 35:11
  Speaker 1: they're both in love, they should be together. Okay, Okay,
• 35:14
  Speaker 1: So that's my question. If he look, if he's doing
• 35:17
  Speaker 1: this this often with Rory, he should chuck his marriage.
• 35:20
  Speaker 1: Do you think she is too? I think he is.
• 35:23
  Speaker 1: I think you're right, I think he is. Do you
• 35:26
  Speaker 1: think she is. She is in lindsay. Look, look, people
• 35:31
  Speaker 1: that if you respect your wife, you do not carry
• 35:35
  Speaker 1: on like this with an X. It doesn't happen. If
• 35:39
  Speaker 1: the X has any respect for your marriage and has truly,
• 35:45
  Speaker 1: you know, gotten over her feelings are you, she does
• 35:47
  Speaker 1: not get involved with you in this way and in
• 35:50
  Speaker 1: these intimate ways, with these kinds of conversations. It doesn't happen.
• 35:54
  Speaker 1: But the fact that they're both doing it, and they're
• 35:56
  Speaker 1: both going out of their way to have these conversations.
• 35:58
  Speaker 1: I mean, he took her down an alley and said,
• 36:01
  Speaker 1: I'm not gonna, you know, listen to my wife. I'm
• 36:05
  Speaker 1: going to continue to interact with you in this way.
• 36:08
  Speaker 1: Because he obviously he's very confused, she's confused. They both
• 36:12
  Speaker 1: ali sort of makes me more dean, what are you doing?
• 36:18
  Speaker 1: But there's something real happening there. There's real love happening there.
• 36:21
  Speaker 1: There's really Remember what Jess did. Jess said, I gotta
• 36:26
  Speaker 1: go do something. I'll be right back, and he goes
• 36:29
  Speaker 1: and breaks up with makeup girl makeup Shane Shane, beauty
• 36:34
  Speaker 1: supply store girl. Right, It's like Jess did the right thing.
• 36:38
  Speaker 1: That wasn't like he was getting out of a marriage
• 36:41
  Speaker 1: with somebody. That was being super sweet tone. But here's
• 36:46
  Speaker 1: here's the problem with with Dean at that in that alley,
• 36:50
  Speaker 1: he said, Lindsay essentially doesn't want me to talk to
• 36:54
  Speaker 1: you anymore, and and Rory said, like, I understand, and
• 36:59
  Speaker 1: he's going he literally said, that's not going to stop me.
• 37:03
  Speaker 1: That was no bueno. Very it's very bueno because he's
• 37:11
  Speaker 1: expressing how he feels. He's being him get divorced. He will,
• 37:18
  Speaker 1: I'm sure that he will. It's like I said, not
• 37:23
  Speaker 1: a not a good it is bueno. There's there's nothing,
• 37:30
  Speaker 1: there's nothing good. There's no good outcome for Lindsay. Here.
• 37:33
  Speaker 1: She's she's getting the short end all the way. But
• 37:38
  Speaker 1: that's you know, he's doing something wrong. Dean. Roy's not
• 37:43
  Speaker 1: doing anything. She's just trying to be friends with this guy.
• 37:45
  Speaker 1: And she even said I understand if I understand if
• 37:50
  Speaker 1: it's like you can't talk to me, and then he's like, no,
• 37:53
  Speaker 1: I don't care about my wife, and it's like oh god, yeah,
• 37:58
  Speaker 1: Like she literally gave him the out like I understand,
• 38:01
  Speaker 1: Like you need to do what's right for you and
• 38:03
  Speaker 1: your wife. And it's really on Deane because even Rory. Like,
• 38:07
  Speaker 1: like you said, Danielle, She's like, I get it all good, right,
• 38:11
  Speaker 1: yeah's gonna make a move here. I don't know what's
• 38:16
  Speaker 1: going to happen, but I kind of feel like Lindsay
• 38:19
  Speaker 1: is not long for this, and they're definitely gonna have
• 38:21
  Speaker 1: some kind of Red's this is his first marriage. Now, Scott,
• 38:26
  Speaker 1: I have a sidebar question for you, because I know
• 38:28
  Speaker 1: you don't totally know what everyone's storylines are, but do
• 38:33
  Speaker 1: you remember like actors and actresses not being around, Like,
• 38:37
  Speaker 1: obviously you know that Ariel whatever name is, Cabell Cabell
• 38:43
  Speaker 1: wasn't there for the next five years or three years,
• 38:47
  Speaker 1: So it's like, does that play into your mind at
• 38:50
  Speaker 1: all when you're watching it? Well, obviously you know obviously, Look,
• 38:55
  Speaker 1: they wouldn't. I don't think that the writers would do
• 38:58
  Speaker 1: this to these characters and make them sort of morally
• 39:04
  Speaker 1: suspect or you know, walking that fine line unless they
• 39:09
  Speaker 1: were going to end up together, or at least he
• 39:11
  Speaker 1: was going to be liberated. He would liberate himself from
• 39:15
  Speaker 1: this marriage, give it a go with Rory, and maybe
• 39:18
  Speaker 1: it didn't work, and then they're just sort of both free,
• 39:20
  Speaker 1: but at least he's free of his marriage and free
• 39:22
  Speaker 1: to you know, seek a new relationship or something. But
• 39:25
  Speaker 1: if if you know she's the you know, he's spending
• 39:31
  Speaker 1: a lot of time with her and he wants to
• 39:33
  Speaker 1: be with her, she wants to be with him. This
• 39:35
  Speaker 1: is this is a sure sign that his marriage is
• 39:38
  Speaker 1: not what he thought it would be or what he
• 39:41
  Speaker 1: hoped it would be. It's you just don't know until
• 39:45
  Speaker 1: you get into the into the day to day living
• 39:48
  Speaker 1: with a person, and it's like, hey, I don't feel
• 39:50
  Speaker 1: this way about I love you and I care about you,
• 39:52
  Speaker 1: and we'll be friends for our whole lives, but I
• 39:54
  Speaker 1: really feel this way about Rory. And it's complicated, and
• 39:58
  Speaker 1: I am very curious what y'all are going to to
• 40:00
  Speaker 1: say as we go on. All Right, so we get
• 40:02
  Speaker 1: sort of a little reprieve and there's fifty nine missing
• 40:06
  Speaker 1: rotten eggs down to fifty eight, and then some really
• 40:10
  Speaker 1: serious serious you've got the heavy, you got the light.
• 40:16
  Speaker 1: Then we go into the apartment, Jason's apartment, and they're
• 40:19
  Speaker 1: like trying to find a place for that plant and
• 40:23
  Speaker 1: the fireplace with the fires going, and they're sort of
• 40:26
  Speaker 1: having this conversation and Loria Lae learns that his parents
• 40:29
  Speaker 1: always hate all the girl friends. Perfect thing to say
• 40:33
  Speaker 1: to your current girlfriends, right, are you, Scott? Are you
• 40:39
  Speaker 1: feeling like Digger and Loria Lee are going to be
• 40:41
  Speaker 1: going in the long haul here for a minute? How
• 40:43
  Speaker 1: are you feeling about them? Um? It seems that way,
• 40:49
  Speaker 1: But there are just too many um land mines that
• 40:54
  Speaker 1: have been planted, Yeah, within their relationship and when it
• 40:59
  Speaker 1: got started, like the very the very fact that they
• 41:02
  Speaker 1: hit it, I think it's going to be a landmine
• 41:05
  Speaker 1: that blows up beneath both of them, and I think
• 41:07
  Speaker 1: we saw that it did. Um And I really think
• 41:14
  Speaker 1: that's the main one. You know. Yeah, we'll talk about
• 41:18
  Speaker 1: the scene the dinner later. But I like them together.
• 41:22
  Speaker 1: I enjoy them together. I enjoy their banter together. I
• 41:26
  Speaker 1: enjoy him. I've come around a Digger for sure. There's
• 41:29
  Speaker 1: something good. I don't know. I still a little peeved
• 41:33
  Speaker 1: at how he dealt with tricks Is death. I feel
• 41:36
  Speaker 1: like he kind of I had a little turning point
• 41:39
  Speaker 1: for him. There also sidebar and Scott, you may know this.
• 41:43
  Speaker 1: The stairs and Digger's apartment do not look code. Did
• 41:48
  Speaker 1: you guys see that? Because there's no railing and they're
• 41:52
  Speaker 1: so narrow. I don't know not to code at all.
• 41:59
  Speaker 1: I didn't know does the no railing? Yeah, and it's
• 42:02
  Speaker 1: just not to code. They look so in the living room.
• 42:04
  Speaker 1: They can't seem to get out of their kitchen. So
• 42:07
  Speaker 1: it's like, although that fireplace is beautiful. Um, then oh,
• 42:12
  Speaker 1: we got a little Lane. We have a little moment
• 42:14
  Speaker 1: with Lane where Rory and Lane are talking about death
• 42:17
  Speaker 1: to Disco, which I thought was sort of rando but amusing.
• 42:23
  Speaker 1: Lane's in a puffer vest and they're kind of walking
• 42:25
  Speaker 1: through town too amidst the eggs. Taylor's getting his reports.
• 42:34
  Speaker 1: Oh pardon me. And then this is the moment where
• 42:37
  Speaker 1: Lane and going the doses. Oof. That was It's like, Rory,
• 42:44
  Speaker 1: you have to realize that town you're in pretty loud? Yeah,
• 42:49
  Speaker 1: and mean mean it would have taken me. You don't
• 42:57
  Speaker 1: call that a flood. And Ski I feel like she's
• 42:58
  Speaker 1: just stick in her head and where she was concerned
• 43:01
  Speaker 1: until she said and what is Lindsay doing? Like can
• 43:03
  Speaker 1: she get a job? That is when you go mean
• 43:06
  Speaker 1: she loves the guy. I love that Scott is, so
• 43:13
  Speaker 1: she actually thinks she's much better for him. Two, so
• 43:17
  Speaker 1: that he can realize his potential and that this you
• 43:21
  Speaker 1: know that this this Barbie doll is stifling him. Scott,
• 43:26
  Speaker 1: I really thought you would have been mad about this.
• 43:30
  Speaker 1: It's just interesting because when we met Dean season one,
• 43:34
  Speaker 1: like Lindsay, Lindsay is the perfect girl for who he
• 43:39
  Speaker 1: was then, you know what I mean, like all the
• 43:41
  Speaker 1: things he wanted, he didn't really care about college, like
• 43:44
  Speaker 1: she was perfect. But now that he got into relationship
• 43:49
  Speaker 1: with Rory, he realizes something different and he's no longer that.
• 43:56
  Speaker 1: Look a lot of a lot of the relationships that
• 43:58
  Speaker 1: you get into, uh, where you know your girlfriend or
• 44:02
  Speaker 1: your boyfriend or whatever whoever you are, or see some
• 44:07
  Speaker 1: real potential in trying to improve you. That those relationships
• 44:10
  Speaker 1: might not last, but those people influence you in a
• 44:13
  Speaker 1: positive way. Um, and I'm all for that. You know.
• 44:18
  Speaker 1: It doesn't necessarily have to work out between Rory and Dean,
• 44:22
  Speaker 1: but Rory is showing real care for his entire life
• 44:27
  Speaker 1: and stressing and stressing education as Look, you're smart, and
• 44:32
  Speaker 1: I love you, and I see this potential in you,
• 44:35
  Speaker 1: and you and you have to have more confidence academically,
• 44:39
  Speaker 1: and I see it in you, and you just need
• 44:41
  Speaker 1: to stay exposed to academia because you might find a
• 44:44
  Speaker 1: professor that really lights a fire, and a light bulb
• 44:47
  Speaker 1: goes off and you become and you go get your
• 44:49
  Speaker 1: pH d. And I could be responsible for that. And
• 44:52
  Speaker 1: I really believe in that, you know, And that's why
• 44:54
  Speaker 1: I love it. I like what you're saying and that
• 44:57
  Speaker 1: Rory really does have his best interest. She wants the
• 45:00
  Speaker 1: best for him. But here's my concern. So she wants
• 45:03
  Speaker 1: the best for him, which is also driving a wedge
• 45:05
  Speaker 1: between him and Lindsay. So him and Lindsay, he and
• 45:07
  Speaker 1: Lindsay forget my grammar break up. But then Rory doesn't
• 45:12
  Speaker 1: actually want him. Correct, she didn't want him before. Now
• 45:16
  Speaker 1: she's at Yale. She doesn't want Simpleton Dean. As much
• 45:19
  Speaker 1: as I love the guy, I don't even think he
• 45:22
  Speaker 1: needs to go to college. He can just work for Tom.
• 45:24
  Speaker 1: It's all fine. Doesn't want him to settle and then not,
• 45:28
  Speaker 1: But that's not problem. She's not gonna She's gonna have
• 45:32
  Speaker 1: him make all these changes and then she's not gonna
• 45:33
  Speaker 1: want him, and then he's gonna be like, oh my god,
• 45:36
  Speaker 1: I dumped my wife for you at the college. I
• 45:39
  Speaker 1: don't want to be doesn't matter as long as he
• 45:41
  Speaker 1: gets on that other track and gets back to school
• 45:46
  Speaker 1: that it doesn't matter, and what do you mean it
• 45:49
  Speaker 1: doesn't matter? It doesn't matter if together college. What matters
• 45:54
  Speaker 1: is that he gets his ass back to school and
• 45:57
  Speaker 1: and and works on himself and and learns. But not
• 46:01
  Speaker 1: everyone's path is that either, But it could be, but
• 46:06
  Speaker 1: it doesn't have to be. Scott really wants Yeah, you
• 46:10
  Speaker 1: know what, Scott, You want Dean to be the best
• 46:12
  Speaker 1: Dean he can be. And I think you think Rory
• 46:14
  Speaker 1: can get him there. But what's going to happen is
• 46:17
  Speaker 1: Rory doesn't want him. Yeah, so he's gonna do all
• 46:19
  Speaker 1: these things to get Rory and then she's going to
• 46:21
  Speaker 1: be with Logan. We know Logan's coming. Sorry spoiler. Yeah,
• 46:27
  Speaker 1: but at least he got this gift of Rory and
• 46:29
  Speaker 1: the gift of education, and the gift of not settling
• 46:32
  Speaker 1: with the Barbie doll, which already has turned into which
• 46:39
  Speaker 1: is already turning into a nightmare for him because he's
• 46:43
  Speaker 1: not vibing with it the way he vibes with Rory.
• 46:45
  Speaker 1: He's already had this experience of really being sole mates
• 46:49
  Speaker 1: with somebody right that parts correct and and well and
• 46:53
  Speaker 1: and and he doesn't like the mothers around all the time,
• 46:56
  Speaker 1: so that's only gonna get worse when they have children
• 46:58
  Speaker 1: and he's gonna lose his mind. The part you are
• 47:00
  Speaker 1: correct on is it Rory showing him he doesn't actually
• 47:02
  Speaker 1: want to be with Lindsay, even if he doesn't end up.
• 47:11
  Speaker 1: So okay, we go back to the diner. Kirk hasn't
• 47:13
  Speaker 1: slept in a day and a half, and I did
• 47:16
  Speaker 1: think it was interesting Taylor's order with his turkey on
• 47:19
  Speaker 1: rye and the let us in, the tomato and the
• 47:22
  Speaker 1: cucumber and the cole slaw and the two pickles. I
• 47:27
  Speaker 1: felt for Kirk's, like so badly when he was like,
• 47:32
  Speaker 1: I'm gonna have to cancel the flower show. And Kirk
• 47:35
  Speaker 1: literally was like the men left, No men left, so
• 47:41
  Speaker 1: mean Taylor's mean. Okay, well get ready, everybody here it comes.
• 47:47
  Speaker 1: So now we got the dinner and we're on the
• 47:49
  Speaker 1: patio with the heaters and the drink carts moving back
• 47:52
  Speaker 1: and forth. The moon is bright. Lore Liz and her
• 47:57
  Speaker 1: very ten out of ten dress, which I love that
• 47:59
  Speaker 1: everybody everyone noticed. She's like, it's normal, there's nothing about anyway.
• 48:06
  Speaker 1: It's a hot mass. Did Scott, did you know going
• 48:08
  Speaker 1: in this is not going to go well. No, um,
• 48:13
  Speaker 1: when it was going so well, that's when I knew
• 48:16
  Speaker 1: it was so cold. That's when I knew it was
• 48:18
  Speaker 1: all going to blow up because it was just going
• 48:21
  Speaker 1: too well, and I thought, oh God, something. I didn't
• 48:27
  Speaker 1: know what it was gonna be, but I knew that
• 48:29
  Speaker 1: it was going to end up in a fight. I
• 48:30
  Speaker 1: knew it was going to end up in a shouting match.
• 48:34
  Speaker 1: So I didn't know how it would transpire. But it
• 48:38
  Speaker 1: all made sense, didn't it. Did it shock you when
• 48:42
  Speaker 1: Floyd said he was suing them a little bit? Yeah,
• 48:46
  Speaker 1: but perfectly understandable, you know, Yeah, I knew I was
• 48:50
  Speaker 1: nervous from the start. Yeah, yeah, yeah there, well, yeah,
• 48:55
  Speaker 1: there was always something about Floyd that's a little manipulative anyway, right, Well, yeah,
• 49:00
  Speaker 1: because he's such a jerky dad that you're like, this
• 49:02
  Speaker 1: guy is not just going to come in and be
• 49:04
  Speaker 1: all unicorns and rainbows and love and everybody. But I
• 49:10
  Speaker 1: can't believe he hired a p I against his own son.
• 49:15
  Speaker 1: Oh I can, like what a dweebo? Like, seriously, you're
• 49:19
  Speaker 1: going to do that to your son? But that's his son,
• 49:23
  Speaker 1: you know what? I thought, to go open a business
• 49:27
  Speaker 1: with a former executive. You know what there was. That's true,
• 49:31
  Speaker 1: It was true, true, true. You know it was a
• 49:33
  Speaker 1: screw up though when they say to lord la oh,
• 49:36
  Speaker 1: we haven't seen you since camp or something. They saw
• 49:39
  Speaker 1: him at that dinner, fancy dinner. You're right, yeah, that's true.
• 49:47
  Speaker 1: She was sitting right next to him. Good callback, thank you.
• 49:51
  Speaker 1: And where was Bob? I thought Bob was going to
• 49:53
  Speaker 1: be at that dinner. Bob didn't show up. M hmm,
• 49:57
  Speaker 1: interesting again Bob's wife. I really wanted to um the
• 50:03
  Speaker 1: mic the mic drop moment, which one which I was,
• 50:07
  Speaker 1: let's say which one that Lloyd was like, you know
• 50:14
  Speaker 1: his name is Floyd. It's Floyd. I wrote down Lloyd.
• 50:18
  Speaker 1: Floyd revealed that Lorela is dating Digger. Dude. I know.
• 50:23
  Speaker 1: That's like. Emily was just frozen the second he said
• 50:26
  Speaker 1: p I though I knew it was coming same same.
• 50:29
  Speaker 1: I was like, oh no, oh no, yeah yeah, I
• 50:30
  Speaker 1: was just waiting for its. He just dropped it. So
• 50:33
  Speaker 1: whoever played that guy like kudos, I gotta look it up.
• 50:39
  Speaker 1: It was quite a mortal, just just Emily and Laurel
• 50:41
  Speaker 1: I standing there and then ticked and Richard just was
• 50:45
  Speaker 1: shocked and the whole thing was right when you're so
• 50:47
  Speaker 1: shocked you can't even say anything. Laurence's friend. We need
• 50:51
  Speaker 1: to get Lawrence Pressman on. That was the baller. Here's
• 50:55
  Speaker 1: the thing. And then Richard and Digger have that sort
• 50:58
  Speaker 1: of heartfelt talk and He's says, you got my trust,
• 51:01
  Speaker 1: go get him. Trust was broken. Richard was just saying that,
• 51:08
  Speaker 1: which is oh my god. Like I literally was like
• 51:10
  Speaker 1: this is so sweet, Like they're gonna they're gonna beat
• 51:13
  Speaker 1: this guy, and you know, YadA YadA, I get as
• 51:18
  Speaker 1: successful and rich as Richard without being a little bit
• 51:22
  Speaker 1: of a screwy. Do you think it's because, um, what
• 51:26
  Speaker 1: was it like he gave away his shares or what
• 51:28
  Speaker 1: was it the Emily put his retirement of his close
• 51:34
  Speaker 1: Do you think it's like that? Do you think that's
• 51:37
  Speaker 1: why he went with Floyd because he's like, I'm not
• 51:40
  Speaker 1: going to mess this up. I'm not gonna lose that money.
• 51:42
  Speaker 1: Screw Digger. He had to. Yeah, it was it was
• 51:47
  Speaker 1: he was checkmated. He's not going to lose his life
• 51:51
  Speaker 1: by what's his name. He was outplayed by Floyd, but
• 51:54
  Speaker 1: in the end he Richard wins too. Because Richard's getting
• 51:58
  Speaker 1: all the money, bringing all the clients. He's back in
• 52:00
  Speaker 1: the business, he's got all his partners. He's going to
• 52:02
  Speaker 1: make tons of dough As of now, Diggers the one
• 52:05
  Speaker 1: that's screwed. So as to why Richard left in the
• 52:10
  Speaker 1: first place, because they didn't have skin in the game.
• 52:12
  Speaker 1: Now he's coming back with skin in the game. And
• 52:15
  Speaker 1: I think there's a little bit of motivation to like, Okay, one,
• 52:18
  Speaker 1: he doesn't want to be completely broke, and you know,
• 52:20
  Speaker 1: he doesn't want to lose his pension and whatever all
• 52:23
  Speaker 1: those things. But I think he also was like you
• 52:26
  Speaker 1: dated my daughter, wow without telling me. Yeah, And I
• 52:32
  Speaker 1: think he's like, you know what we're done because breaking
• 52:35
  Speaker 1: yours now because he's not going to blame Laurela. He's
• 52:39
  Speaker 1: gonna blame Digger because like that's his business partner exactly right,
• 52:44
  Speaker 1: And I'm going to go back with your father in
• 52:46
  Speaker 1: business and dump you and I'm not going to tell
• 52:47
  Speaker 1: you make all the day. And that one scene where
• 52:50
  Speaker 1: Emily was like Richard, do we have to be worried?
• 52:53
  Speaker 1: And she's all and he literally and I was like
• 52:56
  Speaker 1: he knew at that point I'm gonna about to screw
• 52:59
  Speaker 1: over Digger. And I didn't realize in that scene. I
• 53:02
  Speaker 1: was like, oh, this is sweet, this is sweet, and
• 53:03
  Speaker 1: then no bom, Richards tech boom. All of Richard's fears
• 53:11
  Speaker 1: initially when Jason approached him, which he expressed, m hm,
• 53:15
  Speaker 1: came true, came true, came to the four Yeah, and
• 53:18
  Speaker 1: he's I think he's a little mad that Digger went
• 53:20
  Speaker 1: to lunch with that guy, even though they're just friends.
• 53:25
  Speaker 1: Has bad. Look. You could have put the company in jeopardy.
• 53:29
  Speaker 1: It displays a pattern of reckless behavior. Does anyone know
• 53:33
  Speaker 1: what kind of fancy car the Gilmore's have in that driveway?
• 53:36
  Speaker 1: Did you guys see that? Some eagle eyed person needs
• 53:40
  Speaker 1: to help me out? They showed it. I didn't see anything.
• 53:42
  Speaker 1: You can see it very blurally. I think through the
• 53:46
  Speaker 1: car window it looks like a model T. But I
• 53:48
  Speaker 1: don't that seems too old timeya. I know that seems
• 53:52
  Speaker 1: like is that like nies? I think that seems too
• 53:56
  Speaker 1: old timy. But there's a very fancy, old fashioned car
• 54:00
  Speaker 1: the driveway anyway. And then our dear Luke Danes saving
• 54:04
  Speaker 1: the day, handing Kirk the eggs twelve eggs. I knew
• 54:08
  Speaker 1: he would do it. That was actually one of my
• 54:10
  Speaker 1: favorite Luke scenes, you know, because you don't normally see
• 54:15
  Speaker 1: those camera angles on because they were shooting up and
• 54:18
  Speaker 1: it was just kind of a cool scene. Yeah. Dan
• 54:23
  Speaker 1: Palladino directed this, he also wrote it. Yeah, it was
• 54:27
  Speaker 1: just he was taking it was a little more filmic
• 54:30
  Speaker 1: than what we're used to. Yeah, it was really quite excellent.
• 54:34
  Speaker 1: And also, there's no way Luke hates babies because look
• 54:38
  Speaker 1: how what a good guy he is. I just don't
• 54:39
  Speaker 1: buy that, you know, It's such an inconsistency in his character.
• 54:44
  Speaker 1: So then so then we have the Rory sort of
• 54:46
  Speaker 1: pulls over the car Dean moment, and that we've we've
• 54:51
  Speaker 1: kind of talked it to We've talked it into the ground,
• 54:53
  Speaker 1: but I don't know, we don't totally agree on it.
• 54:58
  Speaker 1: Like I just stopped in the middle of road and
• 55:00
  Speaker 1: she just stopped. I know, there's no one in that town. Yeah,
• 55:03
  Speaker 1: it's just stop their creepy alley. It's like where that
• 55:07
  Speaker 1: out where that creepy alley come from? An alley when
• 55:11
  Speaker 1: you need one, you know, I don't know. I don't
• 55:16
  Speaker 1: know about this Dean Rory mess. I like it. I
• 55:21
  Speaker 1: like it. It adds tension and and it gives hope,
• 55:25
  Speaker 1: you know, and she has hope, he has hope. It's
• 55:29
  Speaker 1: it's it's the tension created, that struggle to get out
• 55:32
  Speaker 1: of something that isn't fully expressed or realized. And you know,
• 55:37
  Speaker 1: people do this all the time. They compromise their lives.
• 55:39
  Speaker 1: They get into these situations where they're not completely in
• 55:43
  Speaker 1: love with their partner, but they do it because they
• 55:45
  Speaker 1: love them and they respect them. Yeah, and you know
• 55:49
  Speaker 1: these two are living. It's we can people can live.
• 55:55
  Speaker 1: Um god, I can't even think anymore to pull across
• 55:59
  Speaker 1: there um vicariously through these two. You know, it's all
• 56:02
  Speaker 1: wish yeah, yeah, no, very true. All right. So then
• 56:06
  Speaker 1: another question I have, because I can't solve the Rory
• 56:08
  Speaker 1: Dean thing, is who's the biggest jerk, Richard, Floyd or Digger. Well,
• 56:13
  Speaker 1: it's got to be Digger. I think it's Floyd. And
• 56:17
  Speaker 1: I was gonna argue maybe Richard, How how's it Digger? Digger.
• 56:29
  Speaker 1: Digger was always out to just screw his dad and
• 56:31
  Speaker 1: that was like his whole m O. And then he
• 56:33
  Speaker 1: just got he got what was coming to him. The
• 56:36
  Speaker 1: Dad's like, I'm not going to take that. Wait minute,
• 56:37
  Speaker 1: So I don't understand what let's let's be clear about this.
• 56:41
  Speaker 1: So Floyd owns the insurance company that Richard used to
• 56:46
  Speaker 1: work on, and then he kind of pushed Richard's massive
• 56:49
  Speaker 1: this massive company. So Floyd is an extremely powerful guy, right,
• 56:55
  Speaker 1: extremely wealthy, powerful guy. Richard leaves because he's disgruntled. He
• 57:00
  Speaker 1: wasn't getting pushed out. No, they asked him to retire.
• 57:03
  Speaker 1: They're like, you're out. And then Jason came in. His
• 57:06
  Speaker 1: son came in and replaced him, or his father was
• 57:09
  Speaker 1: grooming him for it anyway, and then Jason left, came
• 57:13
  Speaker 1: to Richard. Okay, all right, so now I kind of
• 57:16
  Speaker 1: get the picture a little better. And then Floyd is
• 57:21
  Speaker 1: coming and saying, I'm suing you because you took my
• 57:23
  Speaker 1: clients or whatever they did wrong. And then Richard said,
• 57:27
  Speaker 1: you know, Richard was very by the book, but I
• 57:29
  Speaker 1: guess this incident where Digger went to lunch is problematic.
• 57:34
  Speaker 1: And look, I think that there is some chess game here,
• 57:37
  Speaker 1: like you're saying, Scott that like in this lawsuit, it's
• 57:41
  Speaker 1: it is posturing that he doesn't really want to spend
• 57:43
  Speaker 1: the money. He's he's banking on the fact that they're
• 57:46
  Speaker 1: going to cave. Digger is supposed to go figure it out,
• 57:49
  Speaker 1: and then instead Richard pulls the double double agent and
• 57:54
  Speaker 1: goes back to Floyd and says, screw your kid, I'm
• 57:57
  Speaker 1: coming back, but you can't sue me, and I get
• 57:59
  Speaker 1: all this money. I I think, out of the three
• 58:01
  Speaker 1: of them, Richard comes off the cleanest, the most honorable,
• 58:06
  Speaker 1: and he left for good. He left for a good reason.
• 58:09
  Speaker 1: He worked his whole life and didn't get what he
• 58:12
  Speaker 1: thought was his his due, and he left and that's
• 58:15
  Speaker 1: he's a principled, honorable guy. Um and now he's back
• 58:20
  Speaker 1: in the This is nasty. Maybe none of them are jerks,
• 58:23
  Speaker 1: that's just business is nasty. You mean the typebreaker, who's
• 58:26
  Speaker 1: the who's the jerk? Like it's it's it's it's Digger ultimately,
• 58:31
  Speaker 1: But it's Floyd as well, Floyd. It's Floyd. I think
• 58:34
  Speaker 1: both of them dad dad. Floyd's a mean dad. I mean,
• 58:38
  Speaker 1: like they don't even He even says he doesn't have
• 58:40
  Speaker 1: a relationship with Floyd. Yeah, you know, And I think
• 58:43
  Speaker 1: I think Floyd started the fire for sure. Well you know,
• 58:49
  Speaker 1: at the fire. Sometimes you spend you know, when you
• 58:54
  Speaker 1: have young children and you're building, trying to build an empire,
• 58:58
  Speaker 1: that the children get left behind, and that looks like
• 59:01
  Speaker 1: the case I left him. I don't know these are
• 59:05
  Speaker 1: all valid. Point, Yeah, I think I think Digger left
• 59:08
  Speaker 1: him because he felt his father abandoned him as a
• 59:10
  Speaker 1: kid to build his insurance. Very messy, everyone's everyone's hands
• 59:15
  Speaker 1: are are not clean. Messy is Rory and Dean. It's
• 59:19
  Speaker 1: a messy, messy tick tick to everyone. Yeah, lots of
• 59:24
  Speaker 1: great storylines going on in these episodes. Now, they're all
• 59:27
  Speaker 1: sort of intersecting and conflicting and enhancing each other. It's
• 59:32
  Speaker 1: all just great stuff. And when they shift gears on
• 59:34
  Speaker 1: this show and go to a Rory Dean or they
• 59:37
  Speaker 1: go to a you know, a Kirk tailor or Luke
• 59:40
  Speaker 1: Kirk or whatever, it's just it's just wonderful, you know,
• 59:43
  Speaker 1: it's it's just such a it all feels like, ah, yeah, okay,
• 59:47
  Speaker 1: now we get to enjoy this. Now we go back
• 59:49
  Speaker 1: to this. Oh it's you know, it's it's all great.
• 59:53
  Speaker 1: It's just it's I completely agree. How many rotten eggs
• 59:57
  Speaker 1: are you giving it? I think Daniel is a real
• 59:59
  Speaker 1: man master. I think he's a master at dramedy. He
• 1:00:04
  Speaker 1: really really Yeah, hack of a director, because that was
• 1:00:08
  Speaker 1: a beautifully directed episode. Yeah it really was. Um wow,
• 1:00:13
  Speaker 1: hats off to Dan Palladino. Um how many? How many?
• 1:00:20
  Speaker 1: How many? I don't know, Tara? How many? What are
• 1:00:23
  Speaker 1: you going to use? Are you gonna use? You're gonna
• 1:00:26
  Speaker 1: use eggs? Spoiled eggs? Yeah? I give it a seven
• 1:00:31
  Speaker 1: point five. Wow, Wow, you're tough. So why is seven
• 1:00:37
  Speaker 1: point five? She doesn't have to explain herself, she does,
• 1:00:43
  Speaker 1: I'm with Scott, she does. Oh yeah, you come up
• 1:00:47
  Speaker 1: with a seven point five on a quality episode. At
• 1:00:49
  Speaker 1: least you better? You better. I am definitely a hard
• 1:00:55
  Speaker 1: greater on this, but like, it wasn't a memorable episod
• 1:01:00
  Speaker 1: out for me. It had memorable moments, but as a whole,
• 1:01:03
  Speaker 1: Oh my god, how much Nike will are you on?
• 1:01:07
  Speaker 1: And then disagree all those episodes? When I watched back,
• 1:01:10
  Speaker 1: I was like, oh yeah, like I forgot about it.
• 1:01:13
  Speaker 1: M hm, okay eight and three quarters rotten eggs? Eight
• 1:01:20
  Speaker 1: point seven five? And why why do you give it
• 1:01:24
  Speaker 1: any point seven five? Not higher? Not lower? I think
• 1:01:28
  Speaker 1: the Dean and Rory stuff really just didn't make me happy.
• 1:01:33
  Speaker 1: Ye nine rotten eggs for me, nine rotten eggs because
• 1:01:36
  Speaker 1: I don't look I don't have to love it to
• 1:01:38
  Speaker 1: love it, you know what I mean, Like, I don't
• 1:01:42
  Speaker 1: have to love or and Dean to love the I
• 1:01:45
  Speaker 1: think the whole digger Richard, all that jazz is gnarly,
• 1:01:49
  Speaker 1: but but I love it. And a lower lized dress
• 1:01:52
  Speaker 1: is a was a ten out of ten out of ten,
• 1:01:55
  Speaker 1: so I'm going nine rotten eggs. So I'm experiencing this
• 1:01:59
  Speaker 1: sort of metamor purfaces here as I watched these episodes,
• 1:02:02
  Speaker 1: because I think I started off as a critic of
• 1:02:05
  Speaker 1: the show, and now I've become a true fan of
• 1:02:09
  Speaker 1: the show. So I so I feel like I can
• 1:02:12
  Speaker 1: see things more clearly now because I'm not so judge
• 1:02:17
  Speaker 1: of them are so critical. So I'm enjoying it a
• 1:02:21
  Speaker 1: lot more. Um and uh, I'm going to rate this
• 1:02:28
  Speaker 1: in uh the beautiful golf shots, oh three yards right
• 1:02:35
  Speaker 1: down the middle. Um And I don't mean to sound
• 1:02:39
  Speaker 1: redundant and and listen, I naturally, you know, I I
• 1:02:43
  Speaker 1: look for flaws. Okay, That's what I'm looking for here.
• 1:02:47
  Speaker 1: I just didn't see any. So this was a hole
• 1:02:51
  Speaker 1: in one. It's it's it's it's a hole in one. Yeah,
• 1:02:55
  Speaker 1: it's a ten. It's a ten. Beautiful golf shots out
• 1:02:58
  Speaker 1: of ten. Where were the flaws? I didn't I didn't
• 1:03:01
  Speaker 1: find a single flaw. This was a seamless episode, not
• 1:03:05
  Speaker 1: to code stairs. Did the crack staff have anything? Um, gosh,
• 1:03:09
  Speaker 1: you know what. I don't know that they had a lot.
• 1:03:12
  Speaker 1: But talk amongst yourselves while I find I will. What
• 1:03:16
  Speaker 1: what is next week's episode? Oh? I think it's after boom.
• 1:03:23
  Speaker 1: Oh my gosh, Scott. We do have some exciting news
• 1:03:26
  Speaker 1: for you that we will tell you off air that
• 1:03:28
  Speaker 1: people are going to like. But we want to tell
• 1:03:29
  Speaker 1: you off air first. Sorry. Yeah, I know that's a
• 1:03:32
  Speaker 1: terrible tease, but that's tease me all day. Leave it,
• 1:03:40
  Speaker 1: l girl. To talk amongst ourselves. There's nothing more frustrating
• 1:03:46
  Speaker 1: than we can't tell you guys this, but we're going
• 1:03:49
  Speaker 1: to talk about it. But then they wonder, you know.
• 1:03:54
  Speaker 1: I also like to hear from everybody on where they
• 1:03:58
  Speaker 1: stand on Floyd versus Richard versus Digger, where they stand
• 1:04:03
  Speaker 1: on Dean versus versus Lindsay, where they stand on what
• 1:04:08
  Speaker 1: weird old timey car was that in the Gilmour's driveway
• 1:04:13
  Speaker 1: beard facial hair versus no facial hair. There's a lot
• 1:04:17
  Speaker 1: of things I'd love to hear about. Yeah, we need
• 1:04:18
  Speaker 1: everyone's like input for sure. I just listen. I'm good
• 1:04:23
  Speaker 1: at finding flaws. I like picking things apart, I like detail.
• 1:04:27
  Speaker 1: I I just you know. Dan Palladino to me, is
• 1:04:31
  Speaker 1: so impressive. And he built and he wrote and he directed,
• 1:04:36
  Speaker 1: and I'm sure he had a big hand in the
• 1:04:37
  Speaker 1: editing as well. I just didn't find a flaw in it.
• 1:04:41
  Speaker 1: It's a perfect episode. Um. Unfortunately, nothing's coming up for
• 1:04:48
  Speaker 1: Crackston and the crack staff probably also has a cold.
• 1:04:50
  Speaker 1: Will join them next week. I just got hang on
• 1:04:52
  Speaker 1: text message from crack staff. We agree, Scott, this was flawless.
• 1:04:59
  Speaker 1: There was nothing, okay, all right, all right, so after
• 1:05:03
  Speaker 1: boom next week, after boom, all right, everybody, thank you
• 1:05:06
  Speaker 1: so much for downloading. Uh Tara, good seeing you, Danielle Amy,
• 1:05:11
  Speaker 1: nice seeing you again, and give our best to your
• 1:05:14
  Speaker 1: support staff who was at Grand Central station over there.
• 1:05:19
  Speaker 1: It was a little hectic here. Button. I also have
• 1:05:21
  Speaker 1: next week. We all feel we'll check in. Yeah, we'll
• 1:05:24
  Speaker 1: be better, all right, everybody, best fans on the planet.
• 1:05:27
  Speaker 1: Thanks for downloading. We will see you next time and
• 1:05:30
  Speaker 1: stay safe. M hey everybody, and don't forget follow us
• 1:06:03
  Speaker 1: on Instagram at I Am all In podcast, and email
• 1:06:07
  Speaker 1: us at Gilmore at I heart radio dot com. Oh
• 1:06:11
  Speaker 1: you gil More fans. If you're looking for the best
• 1:06:13
  Speaker 1: cup of coffee in the world, go to my website
• 1:06:16
  Speaker 1: for my company, scott ep dot com. S C O
• 1:06:19
  Speaker 1: T T y P dot com, scott ep dot com
• 1:06:22
  Speaker 1: Grade one Specialty Coffee. Yeah.