Latest / Spoil Me! One Piece / One Piece, 610-612

Transcript

One Piece, 610-612 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an unspoiled network podcast. This is spoil Me,
• 0:10
  Speaker 1: covering one piece episodes six own No. Six ' ten
• 0:16
  Speaker 1: through six ' twelve. Fists Collide, a battle of two
• 0:20
  Speaker 1: vice admirals, a small dragon Mamu Nosuki appears, and mamon
• 0:29
  Speaker 1: Nosuke a deadly fight in a blizzard, the straw hats
• 0:33
  Speaker 1: versus the snow Woman. In these episodes, our friends are
• 0:41
  Speaker 1: still in this damn lab and we get to see
• 0:43
  Speaker 1: a bunch of flashbacks regarding how everybody got here. And
• 0:48
  Speaker 1: I really appreciate that Caesar actually is able to behave
• 0:54
  Speaker 1: as if he is a sane and decent person, because
• 0:58
  Speaker 1: the reason why folks fell for everything makes a lot
• 1:01
  Speaker 1: more sense.
• 1:02
  Speaker 2: Now, welcome to spoil.
• 1:05
  Speaker 1: Me, Welcome to the show everyone. Thank you very Oh wait,
• 1:27
  Speaker 1: I'm Natasha. Thank you very much to Florian for commissioning
• 1:31
  Speaker 1: this episode. Guys, I swear to God my brain lately,
• 1:36
  Speaker 1: I do this intro so often, and yet here I
• 1:39
  Speaker 1: am fucking it up. I really these episodes. First things first,
• 1:50
  Speaker 1: it turns out that the dragon everybody was beating the
• 1:54
  Speaker 1: shit out of isn't actually the child, So thank God
• 1:59
  Speaker 1: for that. I just want to mention that right out
• 2:01
  Speaker 1: of the gate. I really thought, I really really thought.
• 2:06
  Speaker 2: But also, this.
• 2:09
  Speaker 1: Dragon is voiced by the same voice actress who does
• 2:14
  Speaker 1: Lufy's voice, and I just don't think that was a
• 2:18
  Speaker 1: great call, you guys, Like, I'm curious how you all
• 2:23
  Speaker 1: feel about it. But personally, she does her best to
• 2:29
  Speaker 1: make them both sound distinct like as much as she can,
• 2:33
  Speaker 1: but I really found myself getting a little bit mixed
• 2:38
  Speaker 1: up sometimes. I feel like the moment that they are
• 2:41
  Speaker 1: first introduced to each other was probably the worst, because
• 2:44
  Speaker 1: they sound the most similar at that point. But I
• 2:50
  Speaker 1: just don't really know why they decided to use the
• 2:54
  Speaker 1: same voice actress, Like it may make a little bit
• 2:59
  Speaker 1: more sense later on, perhaps there's going to be a
• 3:02
  Speaker 1: section of the story where Loofy isn't around the dragon
• 3:06
  Speaker 1: as much and it's mostly other actors or other characters,
• 3:11
  Speaker 1: But like, from where I'm at right now, it just
• 3:14
  Speaker 1: seems really like you would pick anybody but Loofy because
• 3:20
  Speaker 1: he is spending so much time with this character. Why
• 3:24
  Speaker 1: would you set it up this way? So you know,
• 3:27
  Speaker 1: like I said, this may turn out later on to
• 3:31
  Speaker 1: have some reasoning behind it that I'm not able to
• 3:33
  Speaker 1: see yet, And that's perfectly fine, but I did want
• 3:37
  Speaker 1: to share how I felt about it because I can't
• 3:41
  Speaker 1: be the only one. I assume that in the subversion
• 3:46
  Speaker 1: this is not an issue because they are two completely
• 3:49
  Speaker 1: different voice actors, although I'm assuming that with no evidence.
• 3:53
  Speaker 1: I may be totally wrong. Actually, but I just the
• 4:01
  Speaker 1: decision making their feel strange, and I don't really get
• 4:05
  Speaker 1: it right now. So okay, let's jump into Monet and
• 4:12
  Speaker 1: her snow powers, who uh steps in at the end
• 4:17
  Speaker 1: of the last episode to stop the children from escaping
• 4:22
  Speaker 1: and to stop Mocha from As she is putting it, Monet,
• 4:27
  Speaker 1: she's like, stop hoarding all the candy for yourself. You're
• 4:30
  Speaker 1: really greedy. Make sure to share. And it's so funny
• 4:35
  Speaker 1: to me that at this point Monette is trying to
• 4:39
  Speaker 1: keep up this pretense that actually, I'm doing this for
• 4:43
  Speaker 1: your own good, like you're I'm still pretending to be
• 4:48
  Speaker 1: your friend.
• 4:50
  Speaker 2: Uh. I really feel like that ship has sounds, you know,
• 4:55
  Speaker 2: like is that just me?
• 4:57
  Speaker 1: I just give it up, Monette. Everybody knows what's happening here.
• 5:03
  Speaker 1: It's time to just let it go.
• 5:05
  Speaker 2: Girl.
• 5:06
  Speaker 1: I admire your tenacity in wanting to continue this farce,
• 5:11
  Speaker 1: but and maybe if it was just the children here.
• 5:15
  Speaker 1: Even that might feel a little bit more understandable, but
• 5:19
  Speaker 1: where I'm coming from right now, it just seemed like
• 5:22
  Speaker 1: we're already in the midst of rescuing these kids, and
• 5:26
  Speaker 1: you see the other straw hats here, and that one
• 5:31
  Speaker 1: of them knows the score and is keeping the candy
• 5:34
  Speaker 1: away from them. She's not able to like, you can't.
• 5:39
  Speaker 1: Oh my god, I was about to say, you can't
• 5:44
  Speaker 1: keep snowing them. I swear to God, you guys, I
• 5:48
  Speaker 1: didn't mean to. I really didn't.
• 5:49
  Speaker 2: That was an accident.
• 5:50
  Speaker 1: Please don't get mad at me. I can practically hear
• 5:53
  Speaker 1: people booing from here. Look I I'm very sorry, but
• 5:59
  Speaker 1: also I stand by it, and I regret nothing. So
• 6:05
  Speaker 1: we wind up getting this this fight, and it takes
• 6:08
  Speaker 1: a while to get here, but eventually what Nami winds
• 6:13
  Speaker 1: up doing is using this like I think she just
• 6:16
  Speaker 1: calls it a heat egg to burn through Monette. And
• 6:21
  Speaker 1: it's not like it does any real permanent damage, which
• 6:24
  Speaker 1: was disappointing. I didn't think it would. It doesn't seem
• 6:29
  Speaker 1: like logia types really sustained damage. I'm probably wrong about
• 6:37
  Speaker 1: that generalization, but in this case anyway, she is able
• 6:42
  Speaker 1: to recover quite quickly, and it's just basically that they
• 6:46
  Speaker 1: bought enough time to like get out of the room.
• 6:48
  Speaker 1: But that's about it. So let's see. Robin says, go
• 6:56
  Speaker 1: find some sea prismstone handcuffs. I will handle the children,
• 7:01
  Speaker 1: and she says, Lufy asked me to find some. So
• 7:07
  Speaker 1: this really I thought, guys, that whatever Robin was up to,
• 7:12
  Speaker 1: by the time we next saw her, her mission.
• 7:15
  Speaker 2: Would be completed.
• 7:17
  Speaker 1: Imagine my surprise when it turns out that she has
• 7:21
  Speaker 1: still hasn't done the thing and is actually requesting help
• 7:25
  Speaker 1: with completing it. And this isn't me trying to like
• 7:28
  Speaker 1: dunk on her exactly. It's just that normally, the way
• 7:32
  Speaker 1: this sort of narrative works is that you give the
• 7:36
  Speaker 1: audience a hint that something else is going on, that
• 7:39
  Speaker 1: there is some kind of other plan in play. The
• 7:44
  Speaker 1: audience is meant to kind of, in the excitement of
• 7:46
  Speaker 1: the rest of the plot, forget that that is happening,
• 7:50
  Speaker 1: and then you suddenly come back in like the crucial
• 7:55
  Speaker 1: moment with this completed mission that saves the day, and
• 7:59
  Speaker 1: it winds up being like the clutch thing that made
• 8:03
  Speaker 1: all the difference and got everybody out alive. So it
• 8:07
  Speaker 1: was very funny to me in a way that we
• 8:10
  Speaker 1: just don't do that at all here, and that she
• 8:12
  Speaker 1: is just asking for help on doing the thing that
• 8:15
  Speaker 1: she was assigned, essentially handing it off to someone else.
• 8:20
  Speaker 1: So Oosup and Brooke take off to get those and
• 8:25
  Speaker 1: the Samurai goes with them because he is determined to
• 8:28
  Speaker 1: find his son. So this leaves Robin, Nami, Zorro and
• 8:36
  Speaker 1: Chopper here in this room going up against Mocha. I
• 8:41
  Speaker 1: really must protest again the fact that Mocha's tick is
• 8:44
  Speaker 1: to lick her lips. It's so creepy. It's like, actually, great,
• 8:49
  Speaker 1: you know that, because I like that. It makes her
• 8:53
  Speaker 1: a little bit creepier. It adds something to her character
• 8:57
  Speaker 1: that I think she might be kind of flat without.
• 9:00
  Speaker 1: So I don't actually have an issue with it, but
• 9:05
  Speaker 1: it is very off putting. I was truly surprised how
• 9:10
  Speaker 1: such a small thing could make me just be like ugh,
• 9:13
  Speaker 1: but truly hated it. So then we jump over to
• 9:19
  Speaker 1: Smoker and he is this is so funny to me.
• 9:24
  Speaker 1: I love this so much. He's in this room, he
• 9:27
  Speaker 1: has caught up with Virgo, and he looks around at
• 9:33
  Speaker 1: all of the tanks of this like glowing green liquid.
• 9:37
  Speaker 1: And then he looks at Vigo and says, what's going on?
• 9:42
  Speaker 1: Those look mighty ominous, and Vergo just says they are,
• 9:50
  Speaker 1: but they're none of your concern, y'all. I don't know why.
• 9:57
  Speaker 1: The fact that a character straight up replies, oh they
• 10:01
  Speaker 1: are ominous was so funny to me. But I would like,
• 10:06
  Speaker 1: if anything, I would have expected him to ignore that
• 10:09
  Speaker 1: part of the statement and only say it's none of
• 10:13
  Speaker 1: your business. But the fact that he went ahead and
• 10:17
  Speaker 1: responded with like, oh, yeah, you should be worried, except
• 10:20
  Speaker 1: he doesn't say it that way. He doesn't say it
• 10:23
  Speaker 1: like a threat. He says it like, oh, yeah, these
• 10:26
  Speaker 1: things they are ominous, which something about that in particular
• 10:32
  Speaker 1: that delivery is really hilarious to me. And he is
• 10:39
  Speaker 1: like Law is over in the.
• 10:41
  Speaker 2: Corner and he has fucked up. You guys.
• 10:47
  Speaker 1: This man is so busted, and he's saying, he's yelling
• 10:52
  Speaker 1: up to Virgo, I'm not giving up. I'm your opponent,
• 10:56
  Speaker 1: you bastard. Vigo just winds up squeezing his heart again.
• 11:01
  Speaker 1: I have to assume there is some reasoning behind the
• 11:05
  Speaker 1: way that he keeps kind of like trying to get
• 11:09
  Speaker 1: Virgo's attention. Maybe he's trying to give Smoker an advantage
• 11:14
  Speaker 1: by distracting Virgo. But you know, the man literally is
• 11:19
  Speaker 1: holding your heart in his hand. How do you think
• 11:25
  Speaker 1: you are going to be able to like one up
• 11:28
  Speaker 1: this guy. I just I kept watching it, like thinking,
• 11:32
  Speaker 1: did he drop his heart? Why is he acting as
• 11:34
  Speaker 1: if this is something that he can negotiate? And no,
• 11:38
  Speaker 1: it's just just just for future reference everybody. I am
• 11:45
  Speaker 1: personally of the opinion that if someone is actually holding
• 11:50
  Speaker 1: your literal heart in their hand, you maybe just want
• 11:53
  Speaker 1: to back.
• 11:54
  Speaker 2: Off and you lost.
• 11:56
  Speaker 1: I think you've lost at that point ahead of time.
• 11:59
  Speaker 1: I'm so sorry. I don't like to break this news
• 12:01
  Speaker 1: to you, Law, but that's how it is. But yeah,
• 12:04
  Speaker 1: Law basically squeezes it, not not even just to like
• 12:08
  Speaker 1: do anything, just to shut Law up. He says to
• 12:12
  Speaker 1: sit there and be quiet until I'm ready to deal
• 12:15
  Speaker 1: with you. So Smoker then starts talking to is it oh, yeah,
• 12:22
  Speaker 1: to Vigo, and I kind of enjoyed the tack he
• 12:26
  Speaker 1: takes here because instead of trying to be like, I
• 12:30
  Speaker 1: can't believe that you're doing this, like all of the
• 12:34
  Speaker 1: sort of appeals to his actual morality. Whether that exists
• 12:41
  Speaker 1: or not. What he appeals to is how saddened all
• 12:46
  Speaker 1: of the soldiers are going to be when they find
• 12:49
  Speaker 1: out that Vigo is a traitor, which, like I know,
• 12:55
  Speaker 1: Vigo doesn't give a shit about, because Vigo thinks, as
• 12:59
  Speaker 1: we have heard him say that basically all of the
• 13:02
  Speaker 1: Marines are like brainless meat heads who don't know what
• 13:07
  Speaker 1: the fuck is going on most of the time and
• 13:09
  Speaker 1: are too stupid to live. But like, coming at it
• 13:14
  Speaker 1: from that standpoint, when you're looking at it through Smoker's eyes,
• 13:18
  Speaker 1: kind of makes sense because.
• 13:20
  Speaker 3: He is.
• 13:23
  Speaker 1: Like assuming that there is still some affection for this
• 13:29
  Speaker 1: his subordinates in Vigo's.
• 13:32
  Speaker 2: Heart, and I think that's kind of like, kind of
• 13:36
  Speaker 2: adorable in my opinion.
• 13:40
  Speaker 1: That kind of just shows us who Smoker is, because
• 13:43
  Speaker 1: he values the respect of his own men enough that
• 13:46
  Speaker 1: this might I think that we tend to use arguments
• 13:51
  Speaker 1: on other people that would work on us, Right, you
• 13:55
  Speaker 1: approach things in a way that sounds convincing to you,
• 14:00
  Speaker 1: of course, so this feels to me like Smoker kind
• 14:07
  Speaker 1: of sharing something about himself inadvertently. So also, well, I'm
• 14:16
  Speaker 1: getting ahead of myself. But yeah, so he says, if
• 14:19
  Speaker 1: they especially if they learn you're one of jokers dogs,
• 14:22
  Speaker 1: they are going to be really upset, and of course
• 14:26
  Speaker 1: Vigo has to be like, well, they already know they
• 14:30
  Speaker 1: found out moments ago. This is when Smoker attacks Virgo
• 14:37
  Speaker 1: and Vigo defends with this bamboo cane. Now, there has
• 14:42
  Speaker 1: been nobody in the chats on these these crowdcasts as
• 14:47
  Speaker 1: of late. I think that Florian has been kind of
• 14:50
  Speaker 1: in and out. So I am super apologetic if this
• 14:55
  Speaker 1: turns out to be something that you guys have indeed
• 14:58
  Speaker 1: brought up or that happened in previous episodes that I
• 15:01
  Speaker 1: missed somehow, But I don't know how I missed it.
• 15:06
  Speaker 1: I had been saying, what's the deal with calling him
• 15:11
  Speaker 1: like Bamboo? Like demon Bamboo?
• 15:15
  Speaker 2: I think, and.
• 15:18
  Speaker 1: I feel like this might be the first time that
• 15:20
  Speaker 1: we see this weapon from him, because, like, if I'm
• 15:23
  Speaker 1: not mistaken, he really doesn't have to fight well no,
• 15:28
  Speaker 1: because he he uses his like finger pistols mostly with
• 15:34
  Speaker 1: the Marines. I'm trying to remember if he uses this
• 15:36
  Speaker 1: with them. I'm pretty sure he doesn't use it on
• 15:38
  Speaker 1: Law because there's no need because he has Law's heart.
• 15:41
  Speaker 1: So what's the point of actually getting into a fight here?
• 15:45
  Speaker 2: Right, like, I think that's it.
• 15:49
  Speaker 1: So anyway, he says to Smoker, I'm sorry it had
• 15:54
  Speaker 1: to end this way, but now that you know my secret,
• 15:56
  Speaker 1: I must kill you. He says this, and and then
• 16:00
  Speaker 1: he sort of like jutters forward in this really bizarre
• 16:06
  Speaker 1: and I don't know if that is supposed to be
• 16:08
  Speaker 1: uh shave that movement, if it's supposed to be his
• 16:13
  Speaker 1: use of hockey, or if shave is a hockey movement perhaps,
• 16:18
  Speaker 1: But all of a sudden, he is directly in front
• 16:21
  Speaker 1: of Smoker, and Smoker doesn't seem ready for this at all,
• 16:25
  Speaker 1: but he blows through his bamboo and it seems to
• 16:29
  Speaker 1: create like a sort of bazooka that shoots fire.
• 16:32
  Speaker 2: I really thought a Smoker was out of it already.
• 16:34
  Speaker 2: I thought he was done.
• 16:36
  Speaker 1: Not so bitches in the air behind this man and
• 16:39
  Speaker 1: he does a sort of like matrix style backbend here.
• 16:44
  Speaker 1: And the fight actually between the two of them is
• 16:46
  Speaker 1: pretty fun because we're dealing with this like hulking brute
• 16:51
  Speaker 1: type versus a logia type, and the brute has hockey,
• 16:56
  Speaker 1: so we've got a couple of different approaches. He and
• 17:01
  Speaker 1: I was very surprised at the fact that Smoker is
• 17:04
  Speaker 1: able to knock him down at all. I just you know,
• 17:09
  Speaker 1: he stands up and he's got some blood pouring down
• 17:11
  Speaker 1: his head, and he touches it in a way that
• 17:13
  Speaker 1: seems to like indicate to me he didn't expect to bleed.
• 17:17
  Speaker 1: He really just didn't think that this was going to
• 17:21
  Speaker 1: you know, that he was going to get got at all.
• 17:24
  Speaker 1: And good for you, smoker, on drawing some blood on
• 17:27
  Speaker 1: the sky. Whether or not you're actually able to beat
• 17:29
  Speaker 1: him as a whole other question. But as of right now,
• 17:32
  Speaker 1: I'm feeling kind of impressed with you, sir, because I
• 17:35
  Speaker 1: really thought that that fucking shave plus what do you
• 17:40
  Speaker 1: call it? I keep using the word bazuka, but like
• 17:43
  Speaker 1: that's the best I can come up with. Is that
• 17:46
  Speaker 1: was a pretty fierce tech in my opinion.
• 17:49
  Speaker 2: So we go back to.
• 17:50
  Speaker 1: Sanji, who's with a bunch of the Marines and with Tashigi,
• 17:55
  Speaker 1: and they all begin to collect the and run.
• 18:01
  Speaker 2: They got to get out of here.
• 18:02
  Speaker 1: Of course, Sanji, with his hard eyes, we've got to
• 18:04
  Speaker 1: protect to Shigi, the lovely lady, the fact that she
• 18:09
  Speaker 1: is yelling at her men not to agree with Sanji
• 18:13
  Speaker 1: because he is our enemy, because he's a filthy pirate.
• 18:17
  Speaker 1: T Shigi, babe, this man has saved your ass.
• 18:26
  Speaker 2: Okay.
• 18:27
  Speaker 1: Granted, Vigo took off, so it's not like Sonji actually
• 18:33
  Speaker 1: beat him, but he distracted the guy enough that he
• 18:39
  Speaker 1: wasn't continuing to attack your men, and then he got
• 18:44
  Speaker 1: distracted even more and took off. I would call this
• 18:50
  Speaker 1: a win, and I would be quite grateful if I
• 18:55
  Speaker 1: were you to Sangi. So the fact that she is
• 18:58
  Speaker 1: still holding on to this like, well, you know you
• 19:02
  Speaker 1: are a pirate, therefore you are our enemy and evil girl.
• 19:07
  Speaker 1: This is played out. Get with a program, sweetie, this
• 19:11
  Speaker 1: is like it. You are very, You're very two thousand
• 19:16
  Speaker 1: and late. I know that that is the silliest thing,
• 19:20
  Speaker 1: but I'm going to say it because I think she's
• 19:23
  Speaker 1: acting as silly and she deserves it.
• 19:24
  Speaker 2: That's that's all there is to it.
• 19:28
  Speaker 1: And all of the men are like hyping up Sanji.
• 19:35
  Speaker 1: It's such a weird moment. I don't know what we're
• 19:37
  Speaker 1: doing here. I feel like it's meant to be sort
• 19:40
  Speaker 1: of reminiscent of the cross dressers on the island that
• 19:46
  Speaker 1: Sanji had been on. But the Marines are yelling at
• 19:50
  Speaker 1: Sanji like gotta admit you looked so cool fighting Virgo.
• 19:55
  Speaker 1: It made my heart skip a beat. That was pretty sexy.
• 19:58
  Speaker 1: If you asked me.
• 20:00
  Speaker 2: And what like, what do you?
• 20:03
  Speaker 1: What do you? Why are we saying it like this?
• 20:06
  Speaker 1: This is not the way these characters would ever compliment
• 20:09
  Speaker 1: him if this were set up in a different way.
• 20:12
  Speaker 1: I have to assume this is all meant to just
• 20:15
  Speaker 1: kind of make Sanjy in particular uncomfortable, which is just like,
• 20:21
  Speaker 1: it's just problematic, you know, I just really don't like it.
• 20:27
  Speaker 1: So at this point, like the fire that's happened causes
• 20:31
  Speaker 1: an explosion. There's a hole in the wall now, and
• 20:35
  Speaker 1: so this this uh fog gas is coming through and
• 20:43
  Speaker 1: they have to really begin to pick up the pace. Unfortunately,
• 20:48
  Speaker 1: not all of our guys are getting out of here
• 20:50
  Speaker 1: because the gas is moving really really quickly. I felt
• 20:54
  Speaker 1: bad because these dudes really thought that they were out.
• 20:56
  Speaker 2: Of harm's way.
• 20:58
  Speaker 1: And I maintain they will be fine, will absolutely be
• 21:03
  Speaker 1: able to like make them human again. This thing will
• 21:07
  Speaker 1: be something it's possible to reverse. But this, uh, the
• 21:13
  Speaker 1: expression on their faces when they realize that they're still
• 21:16
  Speaker 1: not out of the woods yet. After all of this,
• 21:17
  Speaker 1: I was like, Oh, these poor dudes. So he turns
• 21:21
  Speaker 1: around and he's gonna like help deal with the guys
• 21:24
  Speaker 1: who are kind of falling behind, and he sends Tashigi
• 21:29
  Speaker 1: on ahead. We then go to Caesar and he's like,
• 21:35
  Speaker 1: oh sweet, these idiots fucked things up so bad that
• 21:39
  Speaker 1: they brought Land of the Dead into the building for me,
• 21:42
  Speaker 1: and I didn't even have to fucking do anything.
• 21:45
  Speaker 2: So he says, close the.
• 21:47
  Speaker 1: Gate C and D and keep R open. I can't
• 21:52
  Speaker 1: have them getting lost, so we'll lure them to the
• 21:55
  Speaker 1: building's first floor. They're looking for gate R sixty six,
• 21:59
  Speaker 1: and the lay out of this lab is confusing. There's
• 22:03
  Speaker 1: something about the way he says that that's funny.
• 22:07
  Speaker 2: We'll just have to guide them.
• 22:08
  Speaker 1: There and let me jump from there over to Loofy
• 22:14
  Speaker 1: and he is in the sea building and this is
• 22:17
  Speaker 1: when he meets the dragon. It's such a weird encounter. Reminder,
• 22:24
  Speaker 1: the way that this happened is that the last time
• 22:27
  Speaker 1: he was on screen, he was fighting Monet. He punches
• 22:31
  Speaker 1: through the floor to get away from her, and because
• 22:35
  Speaker 1: she keeps making these like igloos basically above his head
• 22:38
  Speaker 1: that he has to punch up through, and because he
• 22:42
  Speaker 1: goes downward she basically is like, oh, all right, well
• 22:47
  Speaker 1: he killed himself for me, I don't have to worry
• 22:50
  Speaker 1: about it anymore. I'm going to take off and go
• 22:53
  Speaker 1: deal with some bigger fish that I have to fry,
• 22:58
  Speaker 1: and we it like. I can't emphasize enough what a
• 23:05
  Speaker 1: silly thing that is to do. Anyway, You guys know,
• 23:11
  Speaker 1: the principle of walking away from an enemy who isn't
• 23:14
  Speaker 1: actually dead and assuming they're dead is always silly. But
• 23:19
  Speaker 1: in this particular case, she knows how resourceful and impressive
• 23:24
  Speaker 1: these people are. She has seen the way the straw
• 23:28
  Speaker 1: hats work, and she is still not taking this seriously
• 23:33
  Speaker 1: enough at all.
• 23:34
  Speaker 2: And you know, you get what you get.
• 23:37
  Speaker 1: You dumb bitch, because this is just lazy. She basically
• 23:41
  Speaker 1: feels like, to me, it was like, h he went
• 23:43
  Speaker 1: all the way downstairs and not like just like downstairs
• 23:47
  Speaker 1: one he went like six flights down.
• 23:51
  Speaker 2: What a pain. I just don't want to do it,
• 23:53
  Speaker 2: so I'm not gonna do it.
• 23:55
  Speaker 1: Ah annoying, like you know that's the vibe for me,
• 23:59
  Speaker 1: and I just girl, you literally have wings, like you
• 24:04
  Speaker 1: could just fly down there.
• 24:05
  Speaker 2: What is the matter with you? It's weak? It's weak,
• 24:08
  Speaker 2: sauce I am not impressed. So this is.
• 24:13
  Speaker 1: Where he runs into this weird little dragon that turns
• 24:18
  Speaker 1: out to be the samuraiz Sun. And I'm just gonna
• 24:23
  Speaker 1: be honest, you guys, I don't know. I think what
• 24:26
  Speaker 1: they're trying to do here is just basically have the
• 24:30
  Speaker 1: son have the same overly formal, self serious personality as
• 24:36
  Speaker 1: his father. And I understand that, but I think that
• 24:43
  Speaker 1: this is the kind of performance that maybe works better
• 24:49
  Speaker 1: in the sub when you have like the real understanding
• 24:55
  Speaker 1: of the sort of energy they're meant to project, because
• 24:58
  Speaker 1: I don't feel like the is quite getting it, and
• 25:03
  Speaker 1: it makes this kid, I think he is meant to
• 25:06
  Speaker 1: be seen as a.
• 25:08
  Speaker 2: As a weirdo.
• 25:09
  Speaker 1: You know, he's got the same issue where he like
• 25:11
  Speaker 1: denies things for no reason the same way his dad does,
• 25:14
  Speaker 1: just to like save face and to save face in
• 25:17
  Speaker 1: a way that nobody cares. Actually, you know this, this
• 25:23
  Speaker 1: saving face is not materially changing anybody's opinion of you.
• 25:28
  Speaker 1: In fact, everybody can see right through it. So you
• 25:31
  Speaker 1: keep insisting on like a lah, I'm not upset, and
• 25:35
  Speaker 1: it's just like who cares? But the way that the
• 25:40
  Speaker 1: samurai behaves, he tends to be much more like he well,
• 25:48
  Speaker 1: you know what, I was gonna say something, but I'm
• 25:50
  Speaker 1: realizing as I say it that that's not exactly true.
• 25:53
  Speaker 1: I was going to say that his son seems a
• 25:55
  Speaker 1: lot more off putting to other people, but then I
• 26:00
  Speaker 1: had to step back and remember that the samurai was
• 26:02
  Speaker 1: like really rude to the straw hats, to the point
• 26:04
  Speaker 1: that later on, Soanji feels the need to point it
• 26:08
  Speaker 1: out to him and be like, do you remember being
• 26:10
  Speaker 1: a massive asshole to us? Because I fucking proper farm remembers.
• 26:16
  Speaker 1: So yeah, maybe he is imitating his father more closely
• 26:21
  Speaker 1: than I was sort of thinking he is. But overall,
• 26:25
  Speaker 1: I just found this kid to be so off putting
• 26:31
  Speaker 1: in so many different little weird ways. That and also
• 26:39
  Speaker 1: the fact that this is so incredibly petty. I realize that.
• 26:44
  Speaker 1: Forgive me, but they made this dragon like very close
• 26:51
  Speaker 1: to flesh tone, and that makes him less cute by
• 26:58
  Speaker 1: like a large margin for me. If he had also
• 27:03
  Speaker 1: changed colors significantly and been green, blue, purple, anything, that
• 27:10
  Speaker 1: would have been something. But this dragon really looks too
• 27:15
  Speaker 1: close to an earthworm for comfort, and I don't like it.
• 27:22
  Speaker 1: So let me have this very interesting thing where the
• 27:30
  Speaker 1: men who are working underneath Caesar. Caesar's telling all of
• 27:34
  Speaker 1: his men like, I've got Joker on my time and
• 27:37
  Speaker 1: now on my side. Now I have the opportunity to
• 27:40
  Speaker 1: kill all of these people in the ideal manner. And
• 27:43
  Speaker 1: these dudes say, Master, were waiting orders, ready for combat.
• 27:47
  Speaker 1: Why have you summoned us here to the command room?
• 27:51
  Speaker 1: This is Vega Punk's room. Wasn't he responsible for what
• 27:54
  Speaker 1: happened years ago? We've got a score to settle with
• 27:57
  Speaker 1: him too, And this dude is just like, we're sitting
• 28:02
  Speaker 1: on our asses. We should be fighting. And we get
• 28:07
  Speaker 1: a great bit where Caesar turns around and says, you, gentlemen,
• 28:11
  Speaker 1: are my backup plan. You're the best soldiers I have,
• 28:15
  Speaker 1: so I cannot risk losing you. Guys. I am so
• 28:22
  Speaker 1: delighted by how often Caesar is shown to actually be
• 28:28
  Speaker 1: good at the actual tricking people part. You know that
• 28:34
  Speaker 1: I have no issue with our goofy villains like Buggy
• 28:40
  Speaker 1: the clown who always accidentally says the wrong thing right
• 28:44
  Speaker 1: in front of his men, and they are apparently too
• 28:47
  Speaker 1: dentse to really like pick up on it.
• 28:50
  Speaker 2: But you can only do that so much.
• 28:53
  Speaker 1: And between this and a later the later bit where
• 28:58
  Speaker 1: we see the way that he brought the children in
• 29:01
  Speaker 1: and pretended that he lost his own child to this
• 29:06
  Speaker 1: alleged disease that they all have. I just really understood
• 29:13
  Speaker 1: why these children believed him and took his word for it. Now, granted,
• 29:20
  Speaker 1: this is all setting aside the fact that Caesar looks
• 29:22
  Speaker 1: like a fucking maniac, but this is one piece world,
• 29:27
  Speaker 1: and everybody looks like a fucking maniac. Like, It's just
• 29:32
  Speaker 1: it's barely even worth remarking on after a certain point.
• 29:36
  Speaker 1: So I'm not mad at these kids for just setting
• 29:38
  Speaker 1: aside his appearance, because you've got a lot of real
• 29:42
  Speaker 1: weirdos in this universe that are fluttering around, So I
• 29:47
  Speaker 1: am I'm not blaming these kids for that one little bit.
• 29:52
  Speaker 1: And yeah, with for me, it's just like often kind
• 29:56
  Speaker 1: of the sticking point when somebody has apparently like tricked
• 29:59
  Speaker 1: a bunch of folks into believing something, I just will
• 30:03
  Speaker 1: be like, how did you ever buy that story coming
• 30:07
  Speaker 1: out of that man's mouth? And here I definitely get it.
• 30:15
  Speaker 1: I well, I say get it might be too strong.
• 30:19
  Speaker 3: But.
• 30:21
  Speaker 1: It's much much more understandable and believable. And that's really
• 30:26
  Speaker 1: all I have ever asked so he says, now, allow
• 30:32
  Speaker 1: me to explain my plan to all of you. Once
• 30:34
  Speaker 1: the gates to C and D have been closed, the
• 30:38
  Speaker 1: only open routes through the laboratory will lead to the
• 30:41
  Speaker 1: first floor of building R, which is directly beneath us.
• 30:46
  Speaker 1: The straw hats g five the children. It doesn't matter
• 30:51
  Speaker 1: whether they're friend or foe. All the survivors will be
• 30:54
  Speaker 1: forced into that room. The first floor has external events
• 30:58
  Speaker 1: which can bring in out side air. In other words,
• 31:02
  Speaker 1: we'll be able to fill the room with land of
• 31:04
  Speaker 1: the dead, and there will be no way for them
• 31:06
  Speaker 1: to escape. All of them will be caught in a
• 31:11
  Speaker 1: giant gas chamber and they will all die, and we'll
• 31:15
  Speaker 1: be broadcasting it to my shadow brokers who can witness
• 31:20
  Speaker 1: the slaughter. Then they'll respect me, they'll know my greatness.
• 31:25
  Speaker 1: And he says all of this and doesn't notice until
• 31:29
  Speaker 1: a moment passes that his men are staring at him,
• 31:33
  Speaker 1: open mouthed and sweating and looking really unhappy. And one
• 31:38
  Speaker 1: of them is like, Caesar, I need to ask this.
• 31:41
  Speaker 1: I don't want to put you on the spot, but like,
• 31:44
  Speaker 1: did you create that poison gas? And he says, yes,
• 31:49
  Speaker 1: I did, And they look at each other, and another
• 31:52
  Speaker 1: one speaks up and is like, okay, well, so that
• 31:57
  Speaker 1: seems a lot like Vega Punk's gas, the one from
• 32:01
  Speaker 1: that accident four years ago. And the thing is master
• 32:06
  Speaker 1: it freaks us out and sees it just truly like wait,
• 32:12
  Speaker 1: what what do you mean? And he gets this expression
• 32:14
  Speaker 1: on his face that is hilarious to me. He just
• 32:20
  Speaker 1: looks like it's not even like he's definitely angry, but
• 32:24
  Speaker 1: it's more disgruntled, you know. It's like the sort of
• 32:30
  Speaker 1: energy of like, you guys just don't appreciate what I'm doing,
• 32:33
  Speaker 1: you know. And uh, he begins like this whimpering, and
• 32:41
  Speaker 1: he says, damn it, just allow me to explain everything, please,
• 32:49
  Speaker 1: and he's got fucking tears in his eyes. That day
• 32:53
  Speaker 1: still haunts me. How I tried to stop the mad sighs. No,
• 33:02
  Speaker 1: what if this dangerous weapon exploded?
• 33:05
  Speaker 2: I said, just think of.
• 33:07
  Speaker 1: All the innocent people who would be killed.
• 33:11
  Speaker 3: Please, Vga Punk to Jesus, tears pouring down his face,
• 33:19
  Speaker 3: you guys, But there was no stopping him.
• 33:23
  Speaker 1: And now he's the head of the Navy Science Division
• 33:26
  Speaker 1: and widely considered the world's greatest scientist.
• 33:30
  Speaker 2: It's not fair. It should have been me. I cannot
• 33:35
  Speaker 2: accept it.
• 33:36
  Speaker 1: How could someone so heartless come to be praised Does
• 33:40
  Speaker 1: the best of all after what he's done, does he
• 33:43
  Speaker 1: still deserve to be called the greatest? I mean, it
• 33:52
  Speaker 1: is so amazing for this man in this gas cloak,
• 33:57
  Speaker 1: with his maniac smile and the words gas gas on
• 34:01
  Speaker 1: his front to be talking about how some other guy
• 34:04
  Speaker 1: was a parable mad scientist, truly wild shit, and they
• 34:10
  Speaker 1: buy it, They fucking believe it.
• 34:13
  Speaker 2: And this is this is.
• 34:14
  Speaker 1: One of those sort of phenomenons that happens with people
• 34:19
  Speaker 1: where we decide that we want to like somebody and
• 34:22
  Speaker 1: so we will kind of let them tell us whatever.
• 34:26
  Speaker 1: And I'm not trying to be mean, because I do
• 34:29
  Speaker 1: this too. This does not mean like indicting other people
• 34:33
  Speaker 1: and acting like I'm so much smarter, excuse me, so
• 34:37
  Speaker 1: much smarter than you all. I don't get tricked by
• 34:40
  Speaker 1: this kind of oki doo.
• 34:42
  Speaker 2: I do.
• 34:44
  Speaker 1: I do, and I know that, and it's I'm not
• 34:48
  Speaker 1: proud of that. But it is a fact that you
• 34:53
  Speaker 1: can be predisposed to, like trust somebody's word, so that
• 34:57
  Speaker 1: even as what they tell you begins to really transcend
• 35:01
  Speaker 1: past believability, you have almost gotten to a point where
• 35:07
  Speaker 1: you've invested so much in believing in them in the
• 35:10
  Speaker 1: past that now it sort of seems like, well, I
• 35:14
  Speaker 1: can't stop now.
• 35:17
  Speaker 2: Do you know what I'm saying?
• 35:20
  Speaker 1: I don't know, And maybe that is something that like
• 35:25
  Speaker 1: I won't say, maybe that's something that only I do
• 35:27
  Speaker 1: because I don't believe that for a second. But I'm
• 35:31
  Speaker 1: not sure how many of you have really kind of
• 35:34
  Speaker 1: caught yourself in those sort of situations.
• 35:37
  Speaker 2: The way that.
• 35:37
  Speaker 1: This tends to happen usually is when you are in
• 35:41
  Speaker 1: a romantic relationship, especially if somebody is being dishonest with
• 35:46
  Speaker 1: you and you have your suspicions about it, but you
• 35:48
  Speaker 1: are so entrenched in some other way in that relationship
• 35:53
  Speaker 1: that you don't feel there's a reasonable way out, and
• 35:58
  Speaker 1: or if there is, it's something that's really high effort,
• 36:01
  Speaker 1: and you know, deciding to push that button is going
• 36:05
  Speaker 1: to be a major source of chaos in your life.
• 36:09
  Speaker 1: And unfortunately, but understandably, we want to trust the people
• 36:17
  Speaker 1: that we have already invested time and energy in. This
• 36:21
  Speaker 1: is what's called the sunk cost fallacy, and it's often
• 36:25
  Speaker 1: talked about in this sort of like tone of voice
• 36:28
  Speaker 1: of like, oh yeah, that as if people who fall
• 36:33
  Speaker 1: prey to that are fools.
• 36:37
  Speaker 2: But it's just like the way our minds work.
• 36:42
  Speaker 1: It's not a flaw to want to believe in the
• 36:47
  Speaker 1: people that you have chosen to trust and build a
• 36:51
  Speaker 1: life with. And I don't blame people for that at all.
• 36:56
  Speaker 1: I just feel sad because some are just really good
• 37:01
  Speaker 1: at exploiting that. And anyway, I'm sorry, I just went
• 37:04
  Speaker 1: off onto like way too serious event here, but anyway,
• 37:08
  Speaker 1: that's what I feel is happening, is that these guys
• 37:11
  Speaker 1: are in this place now where they have just invested
• 37:14
  Speaker 1: too fucking much and this man has helped them. And
• 37:18
  Speaker 1: I'm putting that very much in quotes they think he
• 37:20
  Speaker 1: has helped. I don't really believe it, not the way
• 37:23
  Speaker 1: they like, how much is it helping to give you
• 37:26
  Speaker 1: a new set of legs and like assist with rebuilding
• 37:29
  Speaker 1: your body if you are just going to be used
• 37:32
  Speaker 1: for like cannon fodder and medical experimentation later, I don't
• 37:37
  Speaker 1: consider that a favor. But clearly these dudes are in
• 37:41
  Speaker 1: a different headspace. So yeah, these guys are all just like, yeah, yeah,
• 37:50
  Speaker 1: you're gonna bring peace and unity and they begin like
• 37:53
  Speaker 1: chanting to the Master and then we get the actual
• 37:58
  Speaker 1: flashback where there is some marine who is yelling at
• 38:03
  Speaker 1: Caesar to stop it. As Caesar is combining these chemicals
• 38:07
  Speaker 1: and this like purple gas. That is clearly the beginnings
• 38:11
  Speaker 1: of what is it that he keeps calling it? Oh
• 38:18
  Speaker 1: my god, I forgot already, but Smiley. Basically he says,
• 38:23
  Speaker 1: the Navy wants to kill as many pirates as they
• 38:25
  Speaker 1: possibly can. I'm simply creating a new weapon for them
• 38:27
  Speaker 1: designed to do just that. And this guy is like, uh,
• 38:31
  Speaker 1: it will kill pirates, but it'll also kill a bunch
• 38:34
  Speaker 1: of civilians. That's called collateral damage. If people don't evacuate,
• 38:41
  Speaker 1: they deserve what's coming. Man, you guys. If this isn't
• 38:47
  Speaker 1: in other countries, I'm not really sure how much of
• 38:50
  Speaker 1: a thing this is, because I don't know what the
• 38:53
  Speaker 1: MO is for dealing with this sort of situation abroad.
• 38:57
  Speaker 1: But in the United States, this is very much an
• 39:02
  Speaker 1: attitude that you can come across with some people when
• 39:06
  Speaker 1: we are dealing with stuff like tornadoes or hurricanes in
• 39:13
  Speaker 1: our country, there is just this sort of attitude that like, well,
• 39:17
  Speaker 1: they were given fair warning.
• 39:19
  Speaker 2: We know when one of those.
• 39:21
  Speaker 1: Is headed in our direction. So if people choose to
• 39:24
  Speaker 1: stay and risk their lives. That's their choice, and they're
• 39:30
  Speaker 1: given all kinds of like you know, word ahead.
• 39:35
  Speaker 2: To get out.
• 39:36
  Speaker 1: If they wind up dead or their home destroyed or something,
• 39:41
  Speaker 1: what do they expect. And obviously that's not exactly the
• 39:46
  Speaker 1: same scenario as what we've got going on here, but
• 39:50
  Speaker 1: it is one of those things that I definitely also
• 39:55
  Speaker 1: used to say before I really understood the reality of
• 39:59
  Speaker 1: the way many people in our country live. If you
• 40:02
  Speaker 1: are a paycheck to paycheck human being, as at this
• 40:05
  Speaker 1: point most of us are, you don't have the extra
• 40:09
  Speaker 1: income to like buy a plane ticket out. You may
• 40:13
  Speaker 1: not own a car, so you can't drive away, and
• 40:16
  Speaker 1: you're gonna take a bus along with how many other
• 40:19
  Speaker 1: people do you think that they're all going to be
• 40:21
  Speaker 1: running normally, that things are going to be available the
• 40:24
  Speaker 1: way that they usually are, probably.
• 40:26
  Speaker 2: Not and not like all that.
• 40:29
  Speaker 1: Then to go where if you don't have family that
• 40:32
  Speaker 1: you can go and stay with, well, fuck.
• 40:34
  Speaker 2: You, I guess.
• 40:35
  Speaker 1: And if you have like no money for a hotel,
• 40:41
  Speaker 1: where are you meant to go? What are you supposed
• 40:44
  Speaker 1: to do? And you know a lot of the people
• 40:48
  Speaker 1: who who can so blithely say, well, what did they expect.
• 40:54
  Speaker 1: They just don't think about folks who have like no income,
• 41:01
  Speaker 1: no vehicle, no family support network. Even if you do
• 41:05
  Speaker 1: have family, if there is this major disaster coming your way,
• 41:09
  Speaker 1: it's possible they're putting up six cousins of yours already
• 41:13
  Speaker 1: you can't fit too, you know, like how much is
• 41:17
  Speaker 1: are they meant to put up with? And so this
• 41:21
  Speaker 1: is the kind of thing that he just reminded me
• 41:25
  Speaker 1: of with what he was saying. Even though I know
• 41:28
  Speaker 1: that's not exactly what we're dealing with here, and even
• 41:33
  Speaker 1: though he is a super villain and this is meant
• 41:36
  Speaker 1: to be like a very extreme case, I still couldn't
• 41:39
  Speaker 1: help but be like, that's not that far off from
• 41:42
  Speaker 1: the way a lot of folks talk. Honestly, in the
• 41:45
  Speaker 1: Year of Our Lord twenty twenty four, more and more
• 41:48
  Speaker 1: of the normal talking points of Americans sounds like super
• 41:54
  Speaker 1: villain shit. It really, it's that close. You know, it's
• 42:00
  Speaker 1: really a shame. So anyway, this dude, you know, as
• 42:07
  Speaker 1: is his want decides, well, you think I'm cruel, but
• 42:12
  Speaker 1: so are you. You're using the You're using the prisoners
• 42:15
  Speaker 1: as their guinea pig as your guinea pigs.
• 42:17
  Speaker 2: Oh my god, I'm sorry.
• 42:20
  Speaker 1: A fleet admirals and Goku may be soft, but Admiral Akayenu,
• 42:24
  Speaker 1: on the other hand, I bet he would love one
• 42:27
  Speaker 1: of my weapons. Now, scram I don't need you interrupting
• 42:31
  Speaker 1: my work.
• 42:31
  Speaker 2: Vega.
• 42:31
  Speaker 1: Punk's just jealous, and I can't blame him. I am
• 42:36
  Speaker 1: a genius. Besides, his silly human enlargement experiment is nothing
• 42:42
  Speaker 1: but a failure. You'd need to be a real magician
• 42:44
  Speaker 1: to make the human body grow that much in such
• 42:46
  Speaker 1: a short time. I tried to tell him what to do.
• 42:50
  Speaker 1: What he needs is children, those who are growing, and
• 42:54
  Speaker 1: fill them with drugs.
• 42:55
  Speaker 2: That's the only way.
• 42:57
  Speaker 1: So there we get our info on what is being
• 43:00
  Speaker 1: done to the children. I mean, we already knew that
• 43:04
  Speaker 1: some shit was up, but still so uh yeah, he
• 43:10
  Speaker 1: starts with his like adding the chemicals together, and somebody
• 43:15
  Speaker 1: is like trying to pull him out. He's in one
• 43:18
  Speaker 1: of those I don't know what you are called, but
• 43:21
  Speaker 1: one of those tanks that has the holes with the
• 43:23
  Speaker 1: gloves that you can stick your hands in and manipulate
• 43:28
  Speaker 1: something that is still completely sealed away from the air
• 43:32
  Speaker 1: that you're breathing. So yeah, he gets yanked away and
• 43:38
  Speaker 1: Vega Punk is there telling him, I can't cover for
• 43:41
  Speaker 1: you anymore. Man, You've gone too fucking far. You've been
• 43:44
  Speaker 1: pulled from the science division. And he fucking yanks open
• 43:50
  Speaker 1: this like spot with this red button and smashes his hand.
• 43:54
  Speaker 1: He being Caesar, so he is the one who releases
• 43:58
  Speaker 1: this gas on purpose. It turns out it wasn't even
• 44:01
  Speaker 1: like accidental. It wasn't even because, like I had, I
• 44:06
  Speaker 1: knew Caesar would be behind the gas, but I assumed
• 44:10
  Speaker 1: it was going to be that he took it too
• 44:13
  Speaker 1: far from his own ambition and that there was a
• 44:18
  Speaker 1: terrible accident, and he decided to sort of retroactively use
• 44:23
  Speaker 1: this to his advantage as best he could. But the
• 44:26
  Speaker 1: idea that he purposely released the gas in that moment
• 44:29
  Speaker 1: just because he was pissed at getting fired is hilarious
• 44:33
  Speaker 1: and idiotic. I sir, you are a disaster, all right.
• 44:41
  Speaker 1: So let's I'm trying. I'm just realizing now, Oh my god,
• 44:45
  Speaker 1: you guys, I have so much left to talk. Well,
• 44:49
  Speaker 1: I talked about a fair amount already. The Dragon, uh Mamonosuke,
• 44:57
  Speaker 1: I think is the way that you say I'm sorry,
• 44:59
  Speaker 1: but I'm gonna call him the dragon because I don't.
• 45:01
  Speaker 1: I'm not confident in pronouncing that right, and I also
• 45:03
  Speaker 1: don't think I'm going to be able to remember it
• 45:05
  Speaker 1: unless he is around a lot longer, which he may be,
• 45:08
  Speaker 1: But as of right now, I'm just gonna call him
• 45:10
  Speaker 1: like the little Dragon or Samurai's son. But yeah, I
• 45:15
  Speaker 1: really feel like his whole appearance is very it's too
• 45:19
  Speaker 1: earthworm like.
• 45:20
  Speaker 2: I don't.
• 45:21
  Speaker 1: I don't like it, and his personality is lacking. It's
• 45:27
  Speaker 1: just all of his situation. I want to care more
• 45:33
  Speaker 1: about him than I do. And if I hadn't met
• 45:35
  Speaker 1: his father first, I don't know how much I would
• 45:39
  Speaker 1: give a shit, to be honest. But apparently he had
• 45:43
  Speaker 1: been like a stowaway and he gets brought here and
• 45:47
  Speaker 1: he tries to distance himself from the other children, but
• 45:51
  Speaker 1: they were so kind and quite insistent, and so we
• 45:54
  Speaker 1: get to see the way that he was like just
• 45:56
  Speaker 1: straight up rude to them, and how they were all
• 46:02
  Speaker 1: told that they were sick. And Caesar pretends to have
• 46:06
  Speaker 1: lost his own son, YadA, YadA, and eventually, uh, like
• 46:13
  Speaker 1: you know, he wanders off and he goes into this
• 46:16
  Speaker 1: room and he finds a devil fruit and eats it.
• 46:20
  Speaker 1: I had been so certain y'all that this was a
• 46:27
  Speaker 1: result of a like experiment of some kind that turned
• 46:32
  Speaker 1: him purposely into a dragon, But that is not it
• 46:37
  Speaker 1: at all. So it turns out like he's really hungry,
• 46:41
  Speaker 1: but he doesn't want to eat what they're being given,
• 46:43
  Speaker 1: so that's part of He sees this fruit and he
• 46:46
  Speaker 1: breaks the tank that it's being kept in and goes
• 46:49
  Speaker 1: and eats it. And he is just like as.
• 46:51
  Speaker 2: Stubborn as his dad, so.
• 46:54
  Speaker 1: He was unwilling to participate in a lot of the
• 46:56
  Speaker 1: shit the other kids were. So this is the one
• 47:01
  Speaker 1: where the little girl like spots him and is like, hey,
• 47:04
  Speaker 1: you do you remember me. He finishes eating this fruit
• 47:08
  Speaker 1: and he turns around and they have a little bit
• 47:12
  Speaker 1: of a chat where he's saying like, I'm gonna escape
• 47:14
  Speaker 1: this place, and.
• 47:19
  Speaker 2: She says, come back.
• 47:20
  Speaker 1: They have something to eat, and I'm sure if you
• 47:22
  Speaker 1: go you'll feel much better in no time. And then
• 47:26
  Speaker 1: a couple of guards pass by, clearly sort of looking
• 47:29
  Speaker 1: for the two of them, and she's like, come on
• 47:32
  Speaker 1: quick before they find us, and she grabs him by
• 47:35
  Speaker 1: the hand. And the way that this all is done
• 47:37
  Speaker 1: is that he is in like shadow in this way
• 47:41
  Speaker 1: that I'm not totally sure what I'm supposed to make
• 47:43
  Speaker 1: of it. But he collapses and is like, she's saying,
• 47:51
  Speaker 1: come on, dude, they're coming in. They're gonna catch you here,
• 47:53
  Speaker 1: let's go. And he's like, don't waste your time on me.
• 47:56
  Speaker 1: I'm gonna be fine. And this is when the devil
• 47:59
  Speaker 1: fruit begins to do it to work on him. There's
• 48:01
  Speaker 1: this like yellow light that springs up around him, and
• 48:04
  Speaker 1: then he turns into a dragon, and evidently, bless him,
• 48:09
  Speaker 1: doesn't realize that it's probably within his power to change
• 48:12
  Speaker 1: back into a person. So when Lufy says, like, you
• 48:16
  Speaker 1: could just use your power to turn back, he's like, wait,
• 48:19
  Speaker 1: what can you show me how to do that? And
• 48:22
  Speaker 1: Lufy is like, I don't. I don't have his own powers.
• 48:25
  Speaker 1: I'm sorry, So no, I'm not. I can't teach you that.
• 48:30
  Speaker 1: I'm sorry about it.
• 48:33
  Speaker 2: And then he.
• 48:34
  Speaker 1: Mentions how he stumbled across Caesar talking about how the
• 48:38
  Speaker 1: children aren't weren't going to do anything useful with their lives,
• 48:42
  Speaker 1: that they're foolish idiots, and that he's making some use
• 48:46
  Speaker 1: of them with his experiments, and so he's doing a
• 48:50
  Speaker 1: favor for the world. The kids are nobly sacrificing their
• 48:53
  Speaker 1: lives for the greater good, even if it's mandatory, and
• 48:56
  Speaker 1: they don't realize that's what they're doing, you know, all
• 48:59
  Speaker 1: of the stuff where it's just him demonstrating his contempt
• 49:06
  Speaker 1: for his test subjects. And when we come back, I'm sorry,
• 49:15
  Speaker 1: I'm trying to find the spot here. So he begins
• 49:18
  Speaker 1: to sort of freak out, and I'm not really sure
• 49:21
  Speaker 1: what happens here. Loofy says that he's going to help him,
• 49:27
  Speaker 1: and he the dragon collapses. Lufy's calling him Momo, so
• 49:33
  Speaker 1: maybe I'll just do that. It's weird because I associate
• 49:36
  Speaker 1: that name with the like Leamur guy from AVATARO Last
• 49:38
  Speaker 1: Air Vendor. But nevertheless, he collapses and then he's like
• 49:42
  Speaker 1: comes awake again, and he begins to glow and this
• 49:47
  Speaker 1: sort of smoke appears around him that he can walk on.
• 49:51
  Speaker 1: So it's not he doesn't exactly fly, you know, like
• 49:56
  Speaker 1: it's just a walking on the clouds, but it is
• 50:01
  Speaker 1: the equivalent of flying, really, And I am not sure.
• 50:06
  Speaker 2: If this was like a result of his.
• 50:10
  Speaker 1: Did he eat some of that drug and is he
• 50:13
  Speaker 1: going through withdrawals? I feel like the whole thing was
• 50:16
  Speaker 1: that he refused to eat anything. Is it possible that
• 50:19
  Speaker 1: he's just supposed to be having an over the top
• 50:21
  Speaker 1: reaction to Lufy being like honorable and generous or what
• 50:28
  Speaker 1: Brooke is in his spirit form, he is helping to
• 50:33
  Speaker 1: look for this little boy. And it is so funny
• 50:36
  Speaker 1: this voice actor. Every time, you guys, he is so good.
• 50:40
  Speaker 1: He's like in the urinals and stuff, just saying little
• 50:42
  Speaker 1: samurai boy. So we go back to Smoker here, still
• 50:48
  Speaker 1: in the midst of this fucking fight with a Virago.
• 50:51
  Speaker 1: Law is not moving a muscle, just watching this, and
• 50:58
  Speaker 1: and Vigo says, is this some kind of like pathetic
• 51:03
  Speaker 1: attempt to avenge the death of those scumbags, because from
• 51:08
  Speaker 1: the way he spoke, Choker, Choker, oh my god, Smoker
• 51:12
  Speaker 1: understandably put it together that these guys had been attacked
• 51:16
  Speaker 1: and might be dead.
• 51:17
  Speaker 2: I don't think they're actually dead.
• 51:19
  Speaker 3: But.
• 51:20
  Speaker 1: Yeah, he says, those boys could take a punch. I
• 51:23
  Speaker 1: wouldn't write them off just yet, and then continues with
• 51:26
  Speaker 1: his smoke attack multiple fists and whatnot coming out of
• 51:30
  Speaker 1: the smoke.
• 51:31
  Speaker 2: It's very fun.
• 51:32
  Speaker 1: Eventually we have the like blow that should be if
• 51:36
  Speaker 1: this were somebody else, that we were dealing with like
• 51:39
  Speaker 1: a killing blow, it's not. He lands it, and Vigo
• 51:44
  Speaker 1: does indeed go flying across the room, but it's not
• 51:48
  Speaker 1: really like doing anything. He just stands up and seems
• 51:52
  Speaker 1: unmoved by it. So I'm trying to like kind of
• 51:59
  Speaker 1: push through some things here because I'm overtime, well almost
• 52:02
  Speaker 1: overtime already, So let's see we'll deal with first, fucking
• 52:09
  Speaker 1: Mocha making the snowstorm in the biscuit room and Nami
• 52:13
  Speaker 1: has grabbed up Chopper and she's trying to hustle it
• 52:17
  Speaker 1: out of here, and Robin is standing still, and she's
• 52:23
  Speaker 1: sort of thinking like perhaps I can slow them down,
• 52:26
  Speaker 1: and she starts to use her power, but from behind
• 52:31
  Speaker 1: her comes Monet with these like swords I guess on
• 52:39
  Speaker 1: her legs. It's like she's I'm trying to see what
• 52:43
  Speaker 1: they are, because they're spikes that she's holding in each
• 52:47
  Speaker 1: claw that have a big base to them, and I
• 52:52
  Speaker 1: don't know these are weapons built specifically for her to
• 52:54
  Speaker 1: use with these claws. I couldn't figure out what objects
• 52:58
  Speaker 1: these were supposed to be. But she drives it right
• 53:02
  Speaker 1: through Robin's shoulder and she doesn't kill her, but she
• 53:05
  Speaker 1: hurts her pretty badly, and the episode ends with her
• 53:12
  Speaker 1: going once more in with a dive to try and
• 53:14
  Speaker 1: finish Robin and nom me off because not me. He
• 53:16
  Speaker 1: turns around and tries to help Robin, and Zoro interrupts
• 53:22
  Speaker 1: and she calls him Pirate Hunter Zoro, which I had
• 53:25
  Speaker 1: forgotten that was even like the name he went by.
• 53:27
  Speaker 1: And it's so weird because he's an actual pirate now
• 53:31
  Speaker 1: and not a pirate hunter at all, So you'd really
• 53:34
  Speaker 1: think that name would have slid off and something else
• 53:36
  Speaker 1: would have taken his place by now. But no, we're
• 53:39
  Speaker 1: just going to keep going with this very inappropriate title.
• 53:43
  Speaker 1: So Mocha, we have the flashbacks with her and what
• 53:48
  Speaker 1: it was like for her to first come to the island.
• 53:50
  Speaker 1: I am just going to reiterate how much I hate
• 53:55
  Speaker 1: Mocha's crying. It was absolutely excruciating. I couldn't take it.
• 54:01
  Speaker 1: I had to like kind of tune out for a
• 54:03
  Speaker 1: bit of her thing until that stopped because it was
• 54:06
  Speaker 1: so grating. Anyway, So yeah, we get to see the
• 54:13
  Speaker 1: alleged kindness of I love the way that fucking Caesar
• 54:18
  Speaker 1: Clown is, Like, my name is Caesar Clown, but you
• 54:21
  Speaker 1: can call me the Master, and I was like, that
• 54:24
  Speaker 1: is not better? What And we also see Monette and
• 54:29
  Speaker 1: she still has like her regular human form here. I
• 54:33
  Speaker 1: don't know how they explain what the fuck happens to her,
• 54:36
  Speaker 1: and Mocha, for her part, is just realizing like how
• 54:39
  Speaker 1: much they've been lied to and the fact that this
• 54:41
  Speaker 1: candy was supposed to be like a reward and now
• 54:44
  Speaker 1: she's seeing how they've been played and lied to. We
• 54:49
  Speaker 1: jump back to Monette fighting Zoro still in the snow,
• 54:55
  Speaker 1: and there's a point where Zoro is coming straight for
• 55:02
  Speaker 1: Nammy and you guys, this is so funny to me
• 55:07
  Speaker 1: because he turns around and he is looking for Monet.
• 55:11
  Speaker 1: He sees Nammy and Robin running away.
• 55:15
  Speaker 2: And he chases them.
• 55:16
  Speaker 1: I'm assuming because he thinks in the snow that that's
• 55:20
  Speaker 1: actually Monete. Nami picks up Chopper and holds him out
• 55:25
  Speaker 1: in front of her as a shield, which is the
• 55:27
  Speaker 1: rudest thing I've ever heard, and then just as he
• 55:31
  Speaker 1: is about to connect, it looks like and chop up Nommy.
• 55:37
  Speaker 1: It turns out he is coming in to try and
• 55:39
  Speaker 1: defend her again and blocking against an attack from Monet,
• 55:44
  Speaker 1: and Monete seems to be like, oh, you know what,
• 55:48
  Speaker 1: I really thought that I would be able to pick
• 55:52
  Speaker 1: off the weak ones first, and that.
• 55:54
  Speaker 2: That would be the witting strategy.
• 55:56
  Speaker 1: I love how Nami is just so indignant about being
• 55:59
  Speaker 1: called one of the weak ones. But she finally is like,
• 56:03
  Speaker 1: you just keep on defending yourself and you're not actually
• 56:07
  Speaker 1: attacking me, Like, am I Am I able to beat you?
• 56:10
  Speaker 3: Is that?
• 56:10
  Speaker 1: What's happening In the midst of this is when Nami
• 56:14
  Speaker 1: does her heat egg and like creates a hole in
• 56:19
  Speaker 1: one of Monette's wings, and she's running off, saying over
• 56:24
  Speaker 1: her like shoulder, h there's more where that came from.
• 56:29
  Speaker 1: I think she calls her bird brain, which I do
• 56:32
  Speaker 1: actually quite like. So Monette does snow fence to close
• 56:38
  Speaker 1: up the doorway and then grabs up Nammy by the
• 56:42
  Speaker 1: ankle robin by the way she had been pierced to
• 56:44
  Speaker 1: the shoulder. There's no blood, there's no nothing indicating that
• 56:47
  Speaker 1: she's even injured anymore. She looks perfectly fine. So I
• 56:50
  Speaker 1: don't know what's up with that. But everybody who has
• 56:54
  Speaker 1: been caught up in this snow winds up being frozen
• 56:57
  Speaker 1: in place and unable to move. And then all of
• 57:00
  Speaker 1: a sudden, the camera pulls back and you see Monet
• 57:03
  Speaker 1: in this like Bonker's cloud form, not snow obviously form,
• 57:08
  Speaker 1: but like what she's looking like to me. Here is
• 57:12
  Speaker 1: one of the angels from Doctor Who. When they actually
• 57:17
  Speaker 1: lift their face out of their hands. She looks so
• 57:20
  Speaker 1: scary here, and I loved this form, and like eventually
• 57:24
  Speaker 1: when the Marines come in, she like sinks her teeth
• 57:26
  Speaker 1: into one of their shoulders and begins to freeze them
• 57:29
  Speaker 1: from lee inside. I thought this was one of the
• 57:32
  Speaker 1: coolest attacks of this show. I just like the women
• 57:36
  Speaker 1: are so infrequently really scary looking, and the transformation into
• 57:41
  Speaker 1: this like snow demon sort of, you know, I just
• 57:46
  Speaker 1: thought this was really really cool.
• 57:48
  Speaker 2: I like this a lot.
• 57:50
  Speaker 1: I don't want to lose her. I know that she's
• 57:53
  Speaker 1: just sort of a sidekick, so we won't probably see
• 57:57
  Speaker 1: her after this arc. But I just think that's real
• 58:00
  Speaker 1: shame because I like her a lot. So all right,
• 58:05
  Speaker 1: I'm having to jump around here again. Uh so Lufy
• 58:09
  Speaker 1: is hanging on to our little guy who's using these
• 58:12
  Speaker 1: orange clouds. He's like climbing up them to get out
• 58:17
  Speaker 1: of this.
• 58:17
  Speaker 2: Uh, what's the word I want? It's it's there.
• 58:21
  Speaker 1: It's like they're down a chute kind of, but all
• 58:25
  Speaker 1: of a sudden he stops and it seems like he's
• 58:27
  Speaker 1: run out of gas because he's hungry, I think is
• 58:30
  Speaker 1: what is supposed to be happening, even though he's saying
• 58:32
  Speaker 1: he is not hungry. So they're sort of hovering in
• 58:36
  Speaker 1: mid air for a second, and he's got one finger
• 58:40
  Speaker 1: in one of the orange clouds, and then let's go
• 58:44
  Speaker 1: and they just go plummeting back down again. And I
• 58:48
  Speaker 1: was really puzzled. I was like, I thought we were
• 58:49
  Speaker 1: making some progress here, What is what is even going on? Meanwhile,
• 58:53
  Speaker 1: in the rest of the lab, that purple gas is
• 58:56
  Speaker 1: really coming in and Monette is determined to fucking get
• 59:03
  Speaker 1: the children back. We have Sanji showing up with all
• 59:06
  Speaker 1: of the marines and he tells them to all make
• 59:08
  Speaker 1: it like stupid faces at Zoro, but Zoro points out
• 59:13
  Speaker 1: where Nami and Robin are, Soanji is like, oh, sweet, great, thanks,
• 59:18
  Speaker 1: I appreciate it. And then he spots Monette and that
• 59:23
  Speaker 1: is the end of that. He immediately begins to get
• 59:27
  Speaker 1: a nosebleed. We have a hottie right here. Why do
• 59:31
  Speaker 1: I need to go anywhere? And yeah, one of the
• 59:38
  Speaker 1: Marines does call her a harpye, which is what I
• 59:41
  Speaker 1: had said before, and I expected that to beat her name,
• 59:44
  Speaker 1: but apparently not. They're all talking about how she's the
• 59:47
  Speaker 1: sexiest bird they've ever seen, and one of them says, yeah,
• 59:51
  Speaker 1: I could be into that, and she blushes and turns away.
• 59:56
  Speaker 1: She does not seem at all upset, and Zorro says,
• 59:59
  Speaker 1: call me crazy, but I think you're actually enjoying this,
• 1:00:03
  Speaker 1: which was truly funny. I don't know why, but the
• 1:00:07
  Speaker 1: idea of her being flattered by them never occurred to me.
• 1:00:11
  Speaker 1: It was just very unexpected, and I did find it
• 1:00:14
  Speaker 1: genuinely funny. So yeah, this is when she begins to
• 1:00:20
  Speaker 1: do her like real crazy tooth attack, which is awesome,
• 1:00:26
  Speaker 1: and they're blowing like holes in the side of her
• 1:00:29
  Speaker 1: head and they just reform and stuff. She looks crazy.
• 1:00:33
  Speaker 1: It is so awesome. I love this thing so much.
• 1:00:37
  Speaker 1: And then she eventually like kind of gets gotten. She
• 1:00:42
  Speaker 1: stops and is like, wait, what the fuck somebody's using
• 1:00:45
  Speaker 1: hockey on me because there's some blood that comes down,
• 1:00:49
  Speaker 1: and all of the guys start cheering because apparently it's Tashigi.
• 1:00:54
  Speaker 2: I didn't know that she worked with.
• 1:00:56
  Speaker 1: Hockey but I guess so it was supposed to be
• 1:01:00
  Speaker 1: Zorro that did that, but I really feel like it
• 1:01:02
  Speaker 1: was her. I don't know why Zoro if he can
• 1:01:05
  Speaker 1: use hockey, he hadn't up until this point, but it
• 1:01:09
  Speaker 1: seems like we're entering a zone where like that's kind
• 1:01:11
  Speaker 1: of the only thing that's going to work on anybody.
• 1:01:15
  Speaker 2: So yeah.
• 1:01:16
  Speaker 1: The episode ends with Zoro being like, so, what do
• 1:01:19
  Speaker 1: you plan to do because they're still stuck in this room,
• 1:01:23
  Speaker 1: and Tashigi gets her sword ready and it's just like,
• 1:01:27
  Speaker 1: I'm going to cut this bitch up and really ruin
• 1:01:30
  Speaker 1: her day.
• 1:01:30
  Speaker 2: That's what I'm going to do.
• 1:01:32
  Speaker 1: And she tells him I could use a little help,
• 1:01:36
  Speaker 1: and that's the end.
• 1:01:38
  Speaker 2: So I'm over time. But these were fun.
• 1:01:41
  Speaker 1: I enjoyed these. Thank you again so much to Florian
• 1:01:45
  Speaker 1: for commissioning this one. Appreciates you a lot. Thank you
• 1:01:48
  Speaker 1: to everybody who is listening. I hope you're enjoying the coverage.
• 1:01:51
  Speaker 1: And until next time to the loom motherfuckers. That was
• 1:02:24
  Speaker 1: an unspoiled network past