Latest / What's Your (Least) Favorite Scary Movie? / #310: Rest Stop (2006)

Transcript

#310: Rest Stop (2006) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello. What's your least favorite scary
• 0:08
  movie? Grandpa used to say everybody's
• 0:11
  got their own private demon. For him, it was the war he
• 0:14
  fought in Vietnam. For Grandma, I guess it was
• 0:17
  Grandpa and all the shit he put her through.
• 0:20
  For my mom and dad, was there a private demon?
• 0:22
  I guess that'd be me. Well then, what's your least
• 0:25
  favorite scary movie? The podcast where we talk about
• 0:27
  the good, the bad, the ugly and the absurd and all of our
• 0:30
  favorite. And least favorite?
• 0:31
  Scary movies. Because we believe every horror
• 0:33
  movie rightfully has its fan base even.
• 0:35
  We don't always get it. My name's Travis and.
• 0:36
  I'm Jesse and welcome back. Yeah, second week in November.
• 0:40
  Yeah, we're continuing our theme of traveling because that's it's
• 0:44
  travel time, holidays, planes, trains, automobiles and whatnot.
• 0:49
  So that's where we're continuing with our Patreon voted episode,
• 0:53
  Rest stop. Important part of traveling is
• 0:56
  rest stops. That's true, yeah.
• 0:59
  So we'll talk about that, but I need to give a couple quick
• 1:03
  announcements. 1, our TV or not to be episode was this past
• 1:07
  weekend. Go check it out.
• 1:09
  We talked about glamping. It's actually a Tubi original.
• 1:11
  That's right, yeah. We have kind of actually some
• 1:15
  deep discussions on it in a way that I wasn't prepared for.
• 1:18
  But it touches on some deep stuff, so yeah, it was ripe for
• 1:23
  it, yeah. Also, I'm just going to plug it
• 1:25
  again. I was on Lex Basil Price's new
• 1:28
  podcast. I guess you can find the link to
• 1:31
  that in the show notes here. We talked about TV show theme
• 1:34
  songs. You all should remember Lex.
• 1:37
  He and JW Crump guested on our episode covering Halloween
• 1:42
  Resurrection. He is also one of the Co hosts
• 1:45
  of Pod Liedum, so go check that out.
• 1:48
  His new show is a lot of fun. It's a great time, yeah.
• 1:52
  All right. Cool, now we guess what?
• 1:54
  Guess what, guys, Guess what? We did it.
• 1:55
  We got a pole. Fucking pole.
• 1:57
  And even more, Travis remembered what the pole was going to be.
• 2:00
  That's right. It was an easy one that sung
• 2:02
  because we made it up on the spot on the episode last week.
• 2:05
  So it was about House of 1000 Corpses because that's what we
• 2:09
  talked about last week. We wanted to know when you see
• 2:12
  Rainn Wilson, do you think fish? And I tell Travis I accidentally
• 2:18
  voted out of instinct on my personal Instagram.
• 2:21
  So he was like, well, I'll go vote out of instinct on mine
• 2:24
  because we're pretty sure that we cancel each other out.
• 2:27
  But we'll see. The problem is that there's
• 2:30
  three options, so the math is fucked regardless.
• 2:34
  True. And OK, so I had three options.
• 2:37
  It's fish without a doubt. I don't see it or all I see is
• 2:42
  Dwight. So 40% say fish without a doubt,
• 2:46
  10% I don't see it, 50% all I see is Dwight.
• 2:50
  Dwigged. Dwigged yeah.
• 2:53
  That's just dwigged. I even included that little like
• 2:56
  55 chin thing that he had because I like that shot of him.
• 3:00
  So it reminds me of Dwight. I just wanted to like, but this
• 3:02
  is Dwight right here. And then I also had Fish Boy up
• 3:04
  there. Yeah.
• 3:06
  I mean, we're not all Otis or Bill Mosley when we look at
• 3:09
  Rainn Wilson, but some of us are.
• 3:11
  Some of us feel. The artists, The artists out
• 3:13
  there, see the fish. All right, OK, we ready for rest
• 3:17
  stop. We are.
• 3:18
  All right, Rest Stop released October 17th, 2006 on TV.
• 3:25
  On TV. On TV this is a made for TV or
• 3:29
  direct to TV. Do we know the channel to video?
• 3:32
  Because this is a harsh TV movie if that's the case.
• 3:36
  I'm not. Entirely sure.
• 3:37
  I've got a little bit of information when we get down to
• 3:40
  the fun facts, which is also kind of amazing because that's
• 3:42
  hard for the direct to video movies.
• 3:45
  Yeah, yeah, for sure. So rest stop is available
• 3:49
  currently to rent only, so you can rent it from prime, YouTube,
• 3:54
  Google TV, Apple TV or Fandango at home.
• 3:57
  Written and directed by John shavon, music by Barry mccreery
• 4:00
  and special effects makeup by Jamie kalman.
• 4:05
  Starring Jaimie Alexander as Nicole Joseph, George Mendocino
• 4:09
  as Jess, Joey Lawrence as Deacon and uncredited Nick Orifice is
• 4:17
  the killer. Who's Nick Orifice?
• 4:19
  It doesn't matter. He's uncredited.
• 4:21
  He's the fucking killer and he's uncredited.
• 4:23
  That is weird though, why would they not give him a credit?
• 4:26
  I mean, he's a big part of the movie.
• 4:28
  He does a full Gollum, or well smeagol I guess, and bites her
• 4:32
  finger. Off he does, and he does a lot
• 4:34
  of sniffing. He does a Talia.
• 4:35
  Too. Yeah, less Talia's, less pervy.
• 4:39
  Yeah, yeah. His intentions are not.
• 4:41
  That's pure. Yeah.
• 4:43
  So I just thought that was bizarre that he's uncredited for
• 4:45
  it. That is weird.
• 4:46
  That's kind of rude, really. I mean, he's like without him.
• 4:49
  What's the movie? Exactly.
• 4:51
  And Joey Lawrence, I he's a The first thing that popped up into
• 4:57
  my head was Melissa and Joey on Freeform slash ABC Family not.
• 5:03
  Familiar. OK I never watched that show.
• 5:06
  He was also in Got some older show.
• 5:10
  Awesome. Maybe.
• 5:11
  Wait, so you're talking about the guy that plays Jesse?
• 5:13
  No, the guy that plays the cop Deacon.
• 5:15
  He looked familiar to me. Yeah, yeah.
• 5:17
  Yeah, all right, time for our favorite game.
• 5:20
  Budget or Buckhead? Buckhead.
• 5:27
  Listen, I had a rough time gathering information for both
• 5:31
  the movies we recorded for this weekend.
• 5:33
  I don't have budget or box office or gross information for
• 5:37
  it. Yeah, that's not surprising.
• 5:38
  I have an IMDb score 4.6. Only four point.
• 5:42
  Six only 4.6. Wow, OK.
• 5:44
  I went ahead and pulled three other movies from 2006 just to
• 5:48
  see some of the common themes. And you know what a common theme
• 5:51
  I think 2006 had? What should have gone to Disney
• 5:55
  Should. Have gone to Disney.
• 5:56
  Should have gone to Disney. OK, the first one is Dark Ride.
• 6:01
  Oh yeah. I think that's one we actually
• 6:04
  randomly owned on DVD. I don't know if we do or not,
• 6:07
  but I remember we have watched that.
• 6:09
  Yeah, yeah, it's a decent little movie.
• 6:12
  That released October 20th, 2006.
• 6:15
  I don't have a budget, but it made money worldwide.
• 6:20
  Oh, it made monies. IIMEV, a little sketchy here
• 6:26
  because it says opening weekend in US and Canada made 2.4
• 6:30
  million. Wow.
• 6:31
  But then it said worldwide it made something like 330,000.
• 6:36
  So I'm kind of leaning towards that second number, but I want
• 6:39
  to give it the 2.4 million benefit of the doubt.
• 6:42
  I'm wondering if that too is the budget.
• 6:44
  They just accidentally swapped it, put it in the wrong place.
• 6:48
  It's possible. Yeah, anything's possible.
• 6:50
  It has a 4.6 out of 10 so same as rest stop.
• 6:52
  Yeah, that feels about right for that.
• 6:55
  The second movie. Taristas.
• 6:58
  Oh, Taristas, Yes. That released December 1st,
• 7:02
  2006, so it's almost at its birthday.
• 7:06
  Budget of 10 million. Worldwide gross of 14.7 million,
• 7:10
  IMDb of 5.4. That is 1 I know for a fact we
• 7:12
  have on DVD. It's not a bad movie either.
• 7:14
  Yeah, it's the problem is in my head.
• 7:17
  I always for some reason compare it to The Ruins and the Ruins is
• 7:21
  just so much better. Yeah, yeah, it is kind of
• 7:25
  similar. It's just instead of like
• 7:28
  nature, it's just people. Yeah.
• 7:29
  Just people. And it's kind of pulling on the
• 7:32
  whole urban legend thing, so. Yeah, yeah.
• 7:36
  And then the final movie, Final Destination 3.
• 7:39
  Hey, hey, yeah. That released February 10th,
• 7:43
  2006. Budget of 25,000,000.
• 7:46
  Worldwide gross of 118 million. IMDb.
• 7:51
  Is it not good? 5.9.
• 7:54
  Oh, that's actually not as bad as I was just saying.
• 7:55
  OK, you Jesse, like held my hand here.
• 7:58
  It's like your. Favorite of the franchise?
• 8:00
  I don't it's I thought it would hurt your feelings.
• 8:02
  It's one of the best definitely, but 5.9?
• 8:06
  That's a solid IMDBI guess. OK.
• 8:10
  I have a tagline. OK, kind of kind of OK.
• 8:16
  So the tagline is listed as dead ahead.
• 8:21
  But here's The thing is, if you buy the 2 pack of rest stop in
• 8:25
  at sequel Don't look back, it's listed as the rest stop 2 pack
• 8:31
  Dead Ahead and Don't Look back. Yeah, I've always read the dead
• 8:34
  ahead as like part of the nail. Yeah, like I've never took that
• 8:37
  as a tagline. Yeah, so, but I just, I couldn't
• 8:42
  be empty handed with both the movies, both the movies this
• 8:48
  weekend. That is surprising.
• 8:50
  It's. Rough.
• 8:52
  I can't even say it's a lost art because this is an older movie.
• 8:55
  Yeah, yeah. I guess maybe the fact that it
• 8:57
  went to TV instead could be a factor.
• 9:01
  Yeah. Who knows?
• 9:03
  All right, so. Yeah, let's.
• 9:06
  Do this. I actually found an interview
• 9:08
  with the director John Sheehan. He did an interview with Robert
• 9:13
  G Galluzzo and so I got some information about it from there.
• 9:18
  It was his it was the first direct to video horror film from
• 9:22
  Warner Studios, Raw Feed. So they made like a little
• 9:25
  subdivision of Raw Feed. Raw Feed was actually a three
• 9:29
  Man Group. It was John Sheehan, Tony Kranz
• 9:32
  and Don Merrick. Don Merrick.
• 9:35
  If the name sounds familiar, he's one of the Co directors for
• 9:38
  the Blur Witch Project. OK, I was gonna say that did
• 9:40
  sound familiar to me. So this was Shebin's first
• 9:43
  feature length film. He came from a TV series
• 9:47
  background. He worked on Supernatural and
• 9:49
  X-Files. Wow.
• 9:50
  Cool. Yeah.
• 9:53
  Combined their combined experience, they have 24 which
• 9:56
  is considered thriller, X-Files considered sci-fi, and Blair
• 10:00
  Witch Project considered horror. So those were the elements that
• 10:02
  they were wanting to bring into all of their raw feed
• 10:04
  productions. Oh, that's interesting.
• 10:06
  Yeah, so they're trying to. That's why we have like, those
• 10:07
  supernatural elements in this movie, because they wanted to
• 10:11
  combine all of those together. Oh, that's cool.
• 10:13
  And actually, this movie was a result of a lot of brainstorming
• 10:16
  between the three of them, plus John Shebin's love for the movie
• 10:21
  Duel by Steven Spielberg. OK, he drew a lot of inspiration
• 10:24
  from that. That's the one that is about
• 10:27
  like the truck driver, right? Yeah.
• 10:28
  Man, we need to watch a. And he was also really into
• 10:31
  Asian horror this time, so. He was.
• 10:34
  Bringing all of those together. No, no, if I feel any Asian,
• 10:37
  maybe there's some Asian horror there.
• 10:39
  Yeah, it didn't. The interview didn't get any
• 10:41
  more specific than that. I wish he had like said like.
• 10:43
  These what it was, yeah. Like he he went on a long time
• 10:46
  about duel and he was like also Asian horror and my business
• 10:49
  partners. OK.
• 10:50
  Well, that's, you know, that's really interesting to see where
• 10:53
  the inspirations came from. Now that you say that water,
• 10:55
  that becomes obvious. Yeah, this was shot in 15 days
• 11:00
  and he was like, you know, the general warfare television is 8
• 11:04
  days. So you if you can shoot a 45
• 11:05
  minute episode in eight days, it seems like you should be able to
• 11:08
  shoot a feature length in twice the amount of time.
• 11:10
  But it's not that easy, especially when you're
• 11:12
  contending with things like weather and, you know, casting
• 11:15
  through availability and everything.
• 11:17
  The 16th day they set aside specifically for like, special
• 11:21
  features for the DVD because. Because apparently John Sheeven
• 11:24
  fucking loves a special feature. Hell yeah.
• 11:26
  And that makes me really sad that we rented this from Prime
• 11:29
  instead of like getting a DVD getting a DVD of it, because
• 11:32
  apparently there are just like a ton of special features on it.
• 11:34
  We need to find the DVD at Half Price Books sometime.
• 11:37
  If we find the DVD on Half Price Books, we will make a Patreon
• 11:40
  bonus episode for The Bubble. Oh, that sounds fun.
• 11:43
  On the on the special features. Yeah, hopefully.
• 11:45
  It's not like the happening where they're like, this is our
• 11:47
  special features day and it's just like the same shit over and
• 11:50
  over again for every single special feature.
• 11:52
  Just M Nightsham all and having fun just goofing.
• 11:54
  Yeah. But those are those are all the
• 11:57
  fun facts I have. Because, you know, then the
• 11:58
  interview went on to talk about his other projects, which is
• 12:01
  fair because, you know, he's got things going on.
• 12:03
  But I was happy to find that much and it it actually
• 12:06
  explained a lot of the movie for me.
• 12:08
  Yeah, that was actually a pretty good amount of stuff considering
• 12:11
  what we're dealing with today. Yeah, generally it's really hard
• 12:14
  to find background information for movies like this.
• 12:16
  So it very much like a vial where the guy has such a
• 12:20
  different career and it's like we're gonna just erase.
• 12:23
  But he seems pretty proud of Rest Stop.
• 12:25
  So good. I'm glad for that.
• 12:26
  Yeah, I'm happy. Cool.
• 12:28
  All right, so with all of that out of the way, Travis, we're
• 12:33
  gonna kick it off with you on our good, bad, ugly and absurd,
• 12:36
  starting with good. All right, this movie, I like
• 12:41
  that it's a shorter movie. Like I feel like saying like I'm
• 12:45
  happy that it's short makes it sound bad, but I feel like if
• 12:48
  you like, you know, you don't have a lot to work with.
• 12:50
  So like don't draw it out if you don't have to.
• 12:53
  Exactly, and this would be such an easy movie to meander with.
• 12:56
  Yeah, and they don't. I mean, there's a little bit of
• 12:58
  meandering here and there, but like for the most part, they do
• 13:01
  a pretty good job with the time that they have.
• 13:03
  I did like watching her get drunk and Moody while she thinks
• 13:06
  she's waiting for. Causes yeah, it wasn't bad.
• 13:08
  Yeah, that wasn't a bad moment, right?
• 13:09
  That's not exactly the part I'm thinking of either.
• 13:12
  I'll actually mention it and I'll point it out in my bads.
• 13:14
  But I mean, this movie, it's simple.
• 13:18
  The plot, not really strong, but it's OK.
• 13:20
  It doesn't need to be a strong plot.
• 13:22
  It's just a situational experience that you know,
• 13:25
  everybody, I mean, not everybody's been through this,
• 13:28
  but you can relate to it. You can understand why this is
• 13:30
  scary and like it knows it's bread and butter.
• 13:33
  It is about the guy stalking and then doing some like sadistic
• 13:38
  killing shit. This is also around the time
• 13:40
  where the. Is super fucking popular.
• 13:43
  So. We're getting stolen's out.
• 13:45
  We're getting the splatter board yeah, genre coming out and
• 13:48
  everybody's like OK, let's like add a little bit of that to this
• 13:50
  right here and the. Second one amps it up times 10
• 13:53
  so if you want more of that definitely get don't look back.
• 13:56
  Yeah, they really here, it's not even that featured.
• 14:00
  It's just like a this is a scary thing that he does to his
• 14:03
  victims, but we don't really see most of what happens if we we
• 14:07
  get glimpses. Yeah.
• 14:08
  But like it, it was nice. Like it knew what it needed to
• 14:11
  be. It did what it wanted to do well
• 14:14
  enough. And I I had a good time with it.
• 14:17
  I agree. I think that we have a decent
• 14:20
  set up with this. You know, we see her and her
• 14:22
  boyfriend, they're driving. She puts on a really strong
• 14:25
  performance, which is good because she's got to carry most
• 14:27
  of the. She has, yeah.
• 14:29
  And I think that also goes into the writing too, because to be
• 14:32
  able to write something for a single person for the most part.
• 14:36
  In like a single location. In a single location it takes a
• 14:38
  lot of work and there there were more story pieces to it than I
• 14:43
  remembered. Like I forgot about the
• 14:45
  Winnebago completely. Yeah, I did too.
• 14:48
  I forgot about that. I forgot about the ghost people.
• 14:51
  Yes, I, well, I remembered them being ghost people.
• 14:53
  But Speaking of that, that moment with Joey Lawrence's
• 14:57
  character where he like, opens his eyes like you missed.
• 15:02
  Yeah, I just. Scared the shit out of me.
• 15:04
  It scared the shit out of me the first time I watched this with
• 15:06
  my mom at like midnight on sci-fi and it scared the shit
• 15:09
  out of me two nights ago when we watched this.
• 15:11
  Yeah, oh boy. Yeah, yeah, it's pretty intense.
• 15:15
  And I think it's just, and I'm always going to be upset at
• 15:17
  thingy bitey I I will never not hate seeing that in a movie.
• 15:22
  What was it? Fingy Bitey?
• 15:23
  Oh, fingy bitey. OK, yeah, biting off her finger.
• 15:26
  Yeah, it bites it off. Yeah, it's not good.
• 15:30
  And I just overall, I remember this movie being really, really
• 15:34
  effective because she's trapped there and she's trying to do the
• 15:36
  things and, you know, she's so isolated and it's just a scary
• 15:42
  situation. Yeah, yeah.
• 15:44
  And I think, especially as women, we're taught public
• 15:47
  restrooms are a place that you need to be on high alert at all
• 15:49
  times because shit can happen. Yeah, you're, I mean, you're
• 15:52
  very vulnerable they. Yeah, like I remember reading a
• 15:55
  story in maybe YM or something where a teenage woman was
• 16:03
  assaulted or teenage girl must be accurate.
• 16:06
  She was assaulted when she was alone in the movie theater
• 16:09
  bathroom. And so I like stories like that
• 16:13
  all the time. And this is not one of those
• 16:15
  like, bullshit, like, oh, it's men pretending to be trans
• 16:19
  women. It's not that kind of fucking
• 16:21
  bullshit. Trans women or women get the
• 16:22
  fuck over it. But it's one of those like, oh,
• 16:26
  man sees that the bathroom is empty and is going to go prey on
• 16:30
  an individual. Yeah.
• 16:31
  So. But yeah, I I think this movie
• 16:34
  has a lot of like, really effective elements to it.
• 16:37
  Yeah, I agree. OK, bad stuff.
• 16:40
  Yeah. With the guy with the killer,
• 16:45
  they don't do enough with them, I don't think.
• 16:48
  There's a lot of driving up and then driving away.
• 16:50
  Like he like, just like does this thing kind of appears
• 16:54
  menacing for a moment and then he just goes on and fucks off
• 16:56
  for a little bit. You know who would have the
• 16:58
  follow through for this rusty nail?
• 17:01
  Yeah, I got Rusty Nail vibes big time from this guy.
• 17:04
  He's a Rusty Nail wannabe. He, yeah, he's a copycat, I
• 17:07
  think. But like, yeah, I just feel like
• 17:09
  they could have done more interesting things with them.
• 17:11
  Yeah. I do feel like it kind of does
• 17:13
  pad the time, even though it is a shorter movie.
• 17:16
  But like, I thought that they drew out the cop dying just a
• 17:21
  tad bit too much. Maybe they were trying to make
• 17:24
  him relatable when he was like, you know, like showing the
• 17:26
  picture of his kid when he's like in the bathroom and you
• 17:30
  know, just kind of like laying on the floor.
• 17:31
  It was about 5 minutes of him giving like a sob story about
• 17:34
  his life basically. Look, Joey Lawrence, he, he
• 17:38
  wanted his Oscar. Nobody told him that.
• 17:40
  This was straight to video. Well, that's that's funny you
• 17:44
  should say that because one of the like, there was a moment
• 17:46
  that I genuinely laughed just because of his delivery and it
• 17:49
  was not like Oscar material. I'll bring it up here in a
• 17:53
  moment. OK, OK.
• 17:55
  But that's like mostly the bad stuff for me.
• 17:59
  Yeah, I think that maybe there are just like some random things
• 18:03
  thrown in, like the Winnebago stuff.
• 18:07
  Yeah, it doesn't really make much sense.
• 18:10
  It doesn't make sense. It doesn't add anything to the
• 18:13
  movie. Even at the end it doesn't make
• 18:15
  any sense because the father is definitely not the same guy
• 18:19
  driving the truck later. So it's not it.
• 18:22
  Like none of it makes sense. It just seems like it's like, a
• 18:25
  waste of time. And the same thing with Jess's
• 18:30
  characterization. They made him so unlikable that
• 18:34
  it was hard to, like, feel bad for Nicole.
• 18:39
  Yeah, like, I mean, I felt bad for Nicole with him.
• 18:42
  I mean like feel bad that she's lost her boyfriend.
• 18:44
  I don't think that they made him unlikable exactly.
• 18:47
  They didn't make him likable. He was just like, AI don't know.
• 18:51
  I didn't really think there was anything that terrible about the
• 18:54
  dude. I think part of their problem is
• 18:55
  that they were teenagers. That's what I was thinking, the
• 18:58
  it's two teens that are running away from home like they're
• 19:00
  going to be. Teens, and they're not like
• 19:02
  they've never had to deal with any actual life hardships
• 19:07
  together. And the second things get rough,
• 19:08
  he's like calling her a fucking crybaby.
• 19:10
  And he does it so many times. It's like Jesus Christ, dude.
• 19:13
  Yeah, he is mean to her there for sure.
• 19:15
  Yeah. Ugly.
• 19:18
  I believe I just have the killer sniffing like, yeah, it's just
• 19:22
  like, that's like a small detail.
• 19:24
  But the fact that he, like, sniffs everything about these
• 19:26
  women is just so upsetting, so icky.
• 19:29
  Yeah, so icky. It's just whoa dude, keep your
• 19:32
  nose to yourself. Yeah, it's that's, it's
• 19:35
  upsetting in that way for sure. I think I'm also going to add to
• 19:40
  the ugly, whatever is happening in that Winnebago, something
• 19:48
  with that family there's. The remix are off they in.
• 19:51
  An unhealthy, not in a this is different and I don't like it.
• 19:53
  But in these children, I'm concerned about their welfare
• 19:57
  and safety, kind of. Way they're Mccoyles.
• 20:00
  Oh, Oh my God. Oh my God.
• 20:03
  I mean, really, That's exactly, I mean, like the two like sons
• 20:06
  that are just like sitting there, They're probably drinking
• 20:08
  milk and they're just like sipping on it and just like
• 20:10
  staring at her the entire time. Which to draw back to the It's
• 20:14
  Always Sunny connection and Jaimie Alexander actually is in
• 20:17
  two episodes of It's Always Sunny, she is in underage
• 20:21
  drinking both of them like the initial one and then the 120
• 20:26
  years later she's. Christ, we have not seen that.
• 20:28
  One haven't seen it yet but she comes back so OK.
• 20:30
  Interesting. All right, absurd.
• 20:34
  OK, well this one immediately is explained.
• 20:38
  I I wrote it in the moment, but it was like that moment when
• 20:42
  Tracy, the first ghost person, like she starts vomiting of
• 20:45
  blood and it's just like a fucking human's worth amount of
• 20:49
  blood. And I'm like, how are they
• 20:52
  making this like person going to survive this?
• 20:54
  How is this actually a thing? Like you don't just bombing up
• 20:57
  your entire body's amount of blood on the spot like that, But
• 21:00
  then she's a ghost. So it ended up making sense.
• 21:03
  Now this is the part with the guy you're talking about, the
• 21:05
  cough guy. Yeah, like, you know, like I, I
• 21:08
  laughed at that moment when he first shows up and he just like,
• 21:12
  she's like, aren't you going to arrest him?
• 21:14
  And he's like, oh, there's nothing really I can do to
• 21:16
  arrest him. I don't know, like he's just
• 21:17
  whatever. And then he gets ran over and
• 21:19
  then the same monotone delivery is like, help me.
• 21:23
  Just like the shot, like the camera just pans over to him and
• 21:26
  it's just like, man, this is this is spoiler to you.
• 21:29
  But like, I feel like you've seen it.
• 21:30
  Like the picture of like Yamcha just like curled up in a ball.
• 21:32
  Yeah, just like defeated. And I just like got that imagery
• 21:35
  of him right there. And it's just like help me.
• 21:37
  Well, and then his his legs get run over a few times by just a
• 21:41
  truck. And listen, I say just a truck
• 21:43
  because we've read and watched the Long walk recently.
• 21:47
  So if you know, you know. And then like from his kneecaps
• 21:53
  down, he's bloody like they like squeezed a tube of toothpaste or
• 21:56
  something. And this is dark, but I've seen
• 21:58
  people have their legs run over and that's not what it looks.
• 22:00
  Like that is dark. Just yeah, I'm usually the one
• 22:03
  that sees that shit. I don't expect that out of you.
• 22:06
  I feel like I had. I do have told you that story
• 22:08
  because it is like. In person or video.
• 22:10
  Or memory in person. What?
• 22:13
  Oh no. No, I saw my friend in fifth
• 22:16
  grade. We got off the bus together and
• 22:20
  it was like, we're in an apartment complex and somebody
• 22:23
  was, you know how, like, parents will be down there with their
• 22:25
  cars or you pick up their kids. Yeah.
• 22:27
  So somebody picked up their kid and didn't see my friend had
• 22:30
  bent down to tie her shoe and, like, oh, my God, hit her and,
• 22:33
  like, ran over her leg. And it was like flipped up by,
• 22:36
  like, her head. Yeah.
• 22:38
  It was really fucked up. Did the car stop?
• 22:40
  Yeah. OK, go ahead.
• 22:41
  Yeah. And like, she went to the
• 22:42
  hustle. She's like, I mean, her leg was
• 22:44
  fucking broken, but she she was more or less OK.
• 22:48
  But yeah, I remember, like, going home.
• 22:50
  I like sobbing, calling my mom because she was still at work.
• 22:53
  And my mom was like, I'm going to come.
• 22:54
  I'm going to come home. My God no, I don't remember you
• 22:57
  telling me this. I thought you were talking about
• 22:59
  videos. No, I've seen it in person.
• 23:02
  Every time I picture it in my head, it's like, you know, Kill
• 23:05
  Bill when her sight goes red. Yeah, that's how I see it in my
• 23:10
  head every time. Well, well, another piece of the
• 23:13
  puzzle falls into place. So anyway, she didn't bleed like
• 23:19
  that. That time she got lucky.
• 23:24
  Clearly that's something that happens that happened in a
• 23:27
  movie. It's got to be true.
• 23:28
  No, sorry, go one. More.
• 23:29
  Go ahead, go ahead, keep going. You're absurd.
• 23:31
  Sorry I had to trauma dump on it.
• 23:32
  No, that's great. I'm glad that you had that story
• 23:35
  to share. Like, that might be the only
• 23:36
  time you're going to be able to share that, unless we talk about
• 23:38
  the long walk on here. No, because I can't bring that
• 23:41
  up to the long walk because that dude was wasted.
• 23:45
  Like done. Yeah, gone.
• 23:47
  Not the. Scale person.
• 23:49
  Different reasons, Lug. Yeah, OK.
• 23:53
  The final one is we are with them at this rest stop for what,
• 23:58
  like 2 days right? And we never see anybody.
• 24:03
  But at the end of the movie it is bumping.
• 24:05
  There's people all over this place.
• 24:08
  Like I just don't get it. Yes, I'm gonna.
• 24:11
  All right, so mine beyond the the leg bleeding.
• 24:19
  So she sees these ghosts and her whole moment of like, I'm not
• 24:23
  going to be a fucking baby anymore, like her growth, her
• 24:25
  hero moment. She was like, I'm going to stop
• 24:27
  listening to people tell me what to do.
• 24:30
  My guys, first of all, you're seeing these ghost people, but
• 24:34
  you have like you've conjured them in your head, like you came
• 24:38
  up with these things. So you're already telling
• 24:41
  yourself what to do. It's not other people telling
• 24:43
  you what to do. And that leads me into what is
• 24:45
  potentially going to be a controversial, yes, brave
• 24:47
  opinion. Controversial yet brave opinion.
• 24:52
  Is this a better, earlier version of the Black?
• 24:55
  Phone. I was thinking the same thing.
• 24:58
  Oh my God, I can't believe you made the same connection I was.
• 25:01
  I mean, it really did feel like that exact thing.
• 25:05
  But The thing is, these people weren't helpful.
• 25:07
  They were a little the cop was a little bit and the ghost somehow
• 25:11
  knew that the bus was a thing because we find out in the
• 25:13
  sequel well and in the video later that the killer tosses or
• 25:17
  there is a bus, there's a torture chamber bus.
• 25:19
  So and like the cop is like do these things So like they do
• 25:25
  kind of help her. It's less intricate, like it's
• 25:28
  less of a like piece meal plan, but.
• 25:31
  Why did the dream have to traumatize her though?
• 25:33
  Isn't that fucked up? Like she conjured us up, but
• 25:35
  she's like, I'm gonna shoot this guy in the head but not actually
• 25:38
  kill him, so I'm gonna have to do it a second time.
• 25:40
  You're fucking yourself over this.
• 25:41
  Subconscious. Yeah, man, like you're your,
• 25:44
  you're your own demon. Yeah, right.
• 25:46
  Not Jesse. Yeah, she was like, I wonder if
• 25:48
  my dead boyfriend's my demon. Oh no, it's me.
• 25:51
  I have. My own demon too.
• 25:53
  I got some problems. All right, all that said, yeah,
• 25:58
  what are you rating this out of 10?
• 25:59
  I'm giving A-77. I like this movie, it's pretty
• 26:02
  solid. I'm gonna give it a 7 also OK
• 26:05
  because this this is a movie that I've seen like 3 or 4 times
• 26:08
  total, but it has stuck with me hard since the first time I saw
• 26:11
  it. Yeah, I think the only other
• 26:13
  time I watched it was when we first started dating, when we
• 26:15
  did that one. And that was because I'd seen it
• 26:19
  a couple times with my mom, and I was like, no, listen, yeah,
• 26:21
  you gotta watch this one. And it was RIP.
• 26:24
  It was at Hastings for rental. Man, I missed that place.
• 26:28
  Pour one out. Yeah, but yeah.
• 26:30
  OK. So we got a starting average of
• 26:31
  seven. She haven't.
• 26:32
  She haven't already. This is pretty solid.
• 26:34
  OK. All right, let's get into it.
• 26:37
  All right, so we start off with a black key needle drop.
• 26:40
  That is the thing that I remember the most from this.
• 26:42
  We are immediately with a girl is on my mind.
• 26:45
  Fuck yeah, I'm into it. Let's go.
• 26:46
  Which, OK, this is the start of their sell out era, and I don't
• 26:50
  mean that negatively. They literally refer to it
• 26:53
  themselves. They're like, yeah, no, we sold
• 26:55
  out. We wanted the money.
• 26:55
  Like you get a chance to have your song in a movie.
• 26:58
  Yeah, this was OK, 2006. This was, I mean, the only album
• 27:03
  that they have in this movie from them.
• 27:04
  This guy, I'm pretty sure a killer is a fan because he's
• 27:07
  like rocking Rubber Factory because that's what the ending
• 27:10
  song is too. It's from that same album.
• 27:12
  Yeah, yeah, I I get it. Like, go for it, man.
• 27:16
  Get your fucking money. Like, yeah, I I don't blame them
• 27:19
  at all. But this was a time where, like,
• 27:20
  people were like, oh, you're so out If you like, do anything to
• 27:23
  get financial success. Yeah.
• 27:25
  And they're like, yeah, I guess we are then, Cuz you know what?
• 27:28
  We need money. We need money.
• 27:29
  That's why I say like, I don't mean it in a derogatory way that
• 27:32
  this is their sell out moment. Like they have called it that.
• 27:35
  Yeah, no, it's it's true. But anyways it swaps.
• 27:38
  But it also doesn't make sense because we find out later that
• 27:41
  this is meant to have taken place in 1971.
• 27:43
  And this just tells me that raw feed couldn't afford the stones.
• 27:50
  Damn. Because this is Tracy that we
• 27:51
  see who like, she goes in there, she checks herself out and she
• 27:57
  gets sniffed at while she's trying to pee and she's like,
• 28:00
  dude, what the fuck? Gross, get out.
• 28:02
  And then he, you know, hits her on the back of the head.
• 28:05
  Is he also supernatural because he leaves or does he just like
• 28:09
  fake out? And just like, fake out for
• 28:11
  sure. OK, Yeah.
• 28:13
  Fake out for sure. But yeah, so and we find out
• 28:16
  later that she was like one of his first victims in 1971.
• 28:20
  She was headed to the see the stones.
• 28:22
  So maybe he is supernatural if he was listening to Rubber
• 28:25
  Factory back then. Good on you bro.
• 28:29
  Then I wrote grandpa's talking about demons and generational
• 28:33
  trauma again. Yeah, there we go.
• 28:35
  You were, you were like, I don't think I'm going to understand
• 28:38
  what this is and. Then I ended up making that my
• 28:39
  opening quote, so. So that's fine.
• 28:41
  Yeah. I just picture like grandpa
• 28:44
  being like, all right, I was in Vietnam.
• 28:46
  And the demons. And then then grandma's like,
• 28:50
  shut your trap, Joe. So she's running away with her
• 28:53
  boyfriend Jess. They're saying goodbye.
• 28:55
  Goodbye to Texas y'all. Goodbye to Yeah, yeah, they're
• 28:59
  leaving that place. They're going to California
• 29:01
  because Jesse wants to be an actor.
• 29:04
  And she's going with him. She brought her riding ribbon
• 29:07
  that she won when she was 13 and she tries to hang it from the
• 29:11
  rear view and he's like, you don't want that shit.
• 29:13
  And she's like, I like it, I'm proud of it.
• 29:15
  And eventually, like it gets hung back up.
• 29:17
  So I guess if they get over this shot.
• 29:19
  She won the battle. But she's also saying that she
• 29:21
  wants to call her parents. He's like, you don't call your
• 29:23
  parents when you're running away from home.
• 29:24
  She's like, I can call and let them know I'm OK.
• 29:26
  I'm not running away for shock value.
• 29:29
  And I think that's really interesting, their difference in
• 29:31
  minds, because it feels like he really wants to like, like,
• 29:35
  stick it to his parents. Yeah.
• 29:37
  And she is just like, I just don't want to be home anymore,
• 29:40
  but I also don't want them to be afraid.
• 29:43
  She made it sound like she was bad for them I guess, which
• 29:46
  you're not really making it any better by just running away.
• 29:49
  Yeah, I, I think, yeah, I think she's probably got a history of
• 29:53
  being impulsive and things like that and that's why she's saying
• 29:56
  she might be her parents personal demon.
• 29:58
  Yeah, well, either way, they pull over for a shag, they go.
• 30:02
  For it. Boy, we watched Austin Powers
• 30:05
  recently. Travis just doesn't casually say
• 30:07
  shag. Oh.
• 30:08
  Behave. Yeah, but I just need everybody
• 30:12
  to know that about you that you don't casually say Shaq.
• 30:15
  No, I don't no, but this is actually they make this sex
• 30:19
  scene somewhat important here because I mean, it's gratuitous.
• 30:22
  I I did see that they did body double S because I was in the
• 30:26
  credits. OK, but like we are getting like
• 30:29
  some pretty detailed shots. I thought we were actually going
• 30:31
  to see some like, unsimulated sex, right?
• 30:34
  Here it was kind of hard to imagine that body parts didn't
• 30:38
  touch. It felt like sexual ways with
• 30:40
  some of these ankles. I mean it felt like a porn just
• 30:42
  started playing here. Do you think maybe John Sheeban
• 30:45
  was just really excited to be making a non TV show?
• 30:48
  And he was like, I can have all the boobs and pee pee as I want,
• 30:52
  Yeah. You know I mean.
• 30:54
  He's like, what if I don't get to make another movie?
• 30:56
  You know, the times have changed.
• 30:57
  I feel like I see pee pees in TV shows more than I do in movies
• 31:00
  anymore. Oh my God.
• 31:01
  Like everybody who fucking loves to show a Dick these days.
• 31:04
  That was like spoiler for the end of The Hunting Wives if
• 31:08
  anybody's not watched it yet. Yeah, there's a guy with a big
• 31:11
  Dick. I miss the big Dick.
• 31:15
  I'm loyal to you. I didn't rewind it to go check
• 31:17
  out the big Dick, No. It's OK.
• 31:19
  If you wanted to take a peek, I wouldn't be there.
• 31:23
  I get it. I do.
• 31:24
  I see boobs all the time with my little tree.
• 31:26
  I mean, I saw some tits right here.
• 31:27
  You know what I mean? Yeah.
• 31:28
  Tits. That's also not something Travis
• 31:31
  just. Says Casualty, if anything.
• 31:33
  I'm the one who says tits casualty.
• 31:35
  Man, this movie is bringing out the vulgarity right here.
• 31:38
  I don't know it is this is I'm. Gonna I'm gonna call it the
• 31:41
  Sheeven syndrome, this. Guy's sniffing this really got
• 31:43
  me going. Oh, no, I'm sorry.
• 31:46
  All right, All right. So I like this moment here.
• 31:50
  This is something that makes me relate to Jesse.
• 31:53
  It's like he does like the naked cold run out to go pee and like
• 31:56
  that is like an actual cold run right there, the way that he
• 31:59
  just like shimmies all the way behind a tree.
• 32:01
  It makes me think that it was actually cold when they filmed
• 32:03
  with that. Yeah, he was actually naked for
• 32:05
  sure. Because like you see, he's full,
• 32:08
  full blown naked. He's got the Christian, like
• 32:10
  cupped up, monkey pee down. So it's not like Wangling, Yeah,
• 32:15
  there's a truck that's just been kind of slow cruising by them
• 32:18
  throughout all of this also. Yeah, yeah.
• 32:21
  So next morning they start driving again.
• 32:23
  They enter California and Jess gets a cous a call from his
• 32:27
  cousin who says his wife won't let them crash with them.
• 32:30
  Which is a really shitty thing to find out when you've already
• 32:34
  like they can travel along. Texas is fucking huge.
• 32:38
  Yeah. I'm wondering where in Texas
• 32:39
  because that also makes a big difference.
• 32:41
  Like if you're at the western edge of it and it's less
• 32:44
  impressive, but. You still had to drive through
• 32:46
  another full state before you get to California.
• 32:48
  Yeah, no, it it's something to sneeze at, that's for sure.
• 32:52
  Yeah, well, there. Travis also doesn't casually say
• 32:54
  the phrase nothing to sneeze. At Are you sure?
• 32:58
  I I've said it a few times. I don't remember you ever saying
• 33:02
  it. Boy, you.
• 33:04
  And that's what Jesse does do every time she drops her fucking
• 33:07
  clipboard every episode. You just don't know a must of
• 33:10
  time I've. Gotten better, I've gotten
• 33:12
  better. I didn't drop it last episode.
• 33:15
  That's true. That's true.
• 33:16
  OK, he's he's in his post, not clarity.
• 33:19
  Which I guess like in in his clarity, he's an asshole.
• 33:22
  So, OK, so they're arguing about this, trying to figure out what
• 33:25
  they're going to do. And then the yellow truck drives
• 33:27
  at them, like, down the wrong lane, head on.
• 33:31
  Jesse swerves, and he gets out like, he's going to go yell at
• 33:34
  the truck. But then the truck drives away.
• 33:37
  And Nicole is really, like, shaken up.
• 33:41
  And, you know, he, like, tries to calm her down.
• 33:43
  They have a moment. They get lost because this is
• 33:46
  2006 so it's not like cell phones didn't have GP s s on
• 33:49
  them. And if you didn't have Agps
• 33:50
  system yourself, sorry that was redundant.
• 33:54
  The S and GPS stands for your system.
• 33:56
  Yes. Global Positioning System.
• 33:58
  OK. Yeah, if you didn't have Agps.
• 33:59
  If you didn't have Agps already and it would have to be like
• 34:03
  inexpense to get one, they weren't cheap.
• 34:05
  That was a graduation gift I had.
• 34:07
  Yeah, I remember. They were pretty awesome.
• 34:09
  Yeah, it was a very revolutionary invention.
• 34:12
  At the time, and like, you had to, like, make a point of
• 34:14
  bringing it in, connecting it to your computer if there was an
• 34:17
  update to the map. So it was.
• 34:19
  It was just a whole fucking thing.
• 34:21
  Yeah, So they're lost and they're arguing, which that I'm
• 34:25
  not even gonna blame on them being teenagers.
• 34:27
  I think most couples end up arguing when they're lost.
• 34:29
  Yeah, it's, it's like stressful. Yeah.
• 34:31
  He's not wanting to admit that he's wise.
• 34:33
  He's like, I'm fully in control. And she's like, look, we're not
• 34:35
  in fucking control right now. She's like, I need to pee and
• 34:38
  he's like, well, I'll pull over. She's I'm not peeing in dirt and
• 34:42
  she goes, I'm not a baby for that.
• 34:44
  And I like how she sounds like she's about to cry.
• 34:46
  She's. Saying that.
• 34:48
  And I relate. So I'm, I'm an angry crier and
• 34:51
  it's the most fucking humiliating thing because when
• 34:54
  I'm really mad, I start crying and I'm like, I'm not, I'm not
• 34:57
  crying because I'm a baby. I'm crying because I'm mad.
• 35:00
  And this is how my body, this is what my body does.
• 35:03
  Yeah, I I get you. It is.
• 35:06
  It is the worst. Well, anyways, they come across
• 35:10
  a rest stop, so they stop there. Yeah, she goes in to go pee
• 35:14
  herself and. She would have been better off
• 35:15
  peeing in the dirt. She would have, Yeah.
• 35:17
  He sticks by the car, pulls out a cigarette and starts to light
• 35:21
  it so we see her in the rest stop.
• 35:23
  It is nasty. It's.
• 35:26
  So bad. It is so gross.
• 35:27
  Yeah, the sinks are gross, the toilets are all fucked up.
• 35:30
  She finds the least fucked up one and then she's like golden
• 35:33
  herself with the edge of the stalls and like hovering the way
• 35:37
  you do. I guarantee there was no toilet
• 35:39
  paper, no. Surely not.
• 35:41
  She's idly looking at the graffiti, which has something
• 35:44
  about like he's stalking me, he killed them all.
• 35:47
  Like ominous kind of bullshit. I.
• 35:50
  Think I wrote them down here. OK.
• 35:52
  Yeah, where we at? Oh wait, that hasn't happened
• 35:56
  yet. No, she has looked at graffiti
• 35:58
  she but she's not like paying attention to it at this point.
• 36:01
  Oh, OK. Yeah, that's fine.
• 36:02
  OK. When we get there, I'll OK, I'll
• 36:04
  talk about. That she washes her hands in
• 36:07
  this real. Like again, this is one of those
• 36:09
  that I'm glad in 2025 one of us almost always has hand sanitizer
• 36:13
  on hand because if that was the bathroom and I'd be like, fuck
• 36:15
  that. Give me your Purell.
• 36:16
  Yeah. No, no.
• 36:17
  No, no, no, no. And it's also got one of those,
• 36:20
  oh, these are the grossest things ever.
• 36:22
  I generally as much as I am about like like non consumables,
• 36:28
  like, you know, in theory the the air dryer is better because
• 36:34
  it's you're not using paper. Those filters are disgusting.
• 36:38
  So I won't use the air dryers. I will just dry off on my pants.
• 36:42
  But what's worse, what's worse is those machines where it's
• 36:46
  like a single cloth and you pull it through and it rotates itself
• 36:51
  through. It is so gross.
• 36:53
  Who came up with that? Who did that?
• 36:56
  I think we need to, we need to have a public shaming moment for
• 36:59
  whoever invented that. Thankfully I don't really see
• 37:01
  those that often. Not anymore.
• 37:03
  They were definitely. I saw plenty of them in 2006.
• 37:07
  I've always thought they were disgusting and I was a child in
• 37:09
  2006. Yeah, it's nasty.
• 37:11
  Yes, OK, sorry, I had to. I had to talk about this is
• 37:17
  like, and it's not even just that it was like a gross one in
• 37:19
  that bathroom. They're gross in general.
• 37:20
  It could be the cleanest bathroom ever and it would still
• 37:22
  be fucking disgusting to see that.
• 37:24
  It's funny that you brought that up because like isn't the whole
• 37:26
  thing with like the air blowing ones that gets like the
• 37:29
  containment like the germs from below like up on you?
• 37:34
  Yeah, like the Dyson ones are supposed to be the best ones
• 37:36
  because those don't even really have filters and you stick your
• 37:38
  hands in it. See, there's a bathroom here in
• 37:42
  town that is very cramped and the blow dryer.
• 37:47
  The air dryer is placed directly above the urinal.
• 37:52
  What? Where is.
• 37:53
  This villainous. OK, Yeah.
• 37:55
  And so like, if you go to dry your hands, the I, I, I actually
• 38:00
  just don't because I don't want like pee to be blown back up
• 38:04
  onto my hands, you know what I mean?
• 38:06
  All I remember from the bathroom in Villainous is that the
• 38:08
  mirrors are placed in unflattering locations.
• 38:11
  I guess both bathrooms have their own problems.
• 38:14
  They have their own demons. I love villainous, by the way.
• 38:19
  Yeah, it's cool. We love villainous.
• 38:20
  Yeah, but it's a strange placement, I'm not gonna lie,
• 38:23
  guys. Yeah.
• 38:24
  OK. So yeah, she leaves and she
• 38:27
  notices that Jesse's vehicle is gone and he's gone, but his
• 38:30
  cigarette that he was about to smoke is on the ground.
• 38:34
  Which is just that's just littering.
• 38:35
  That's just littering. That's irresponsible.
• 38:37
  Her cell phone has no signal, and she's just kind of all alone
• 38:40
  except for a Winnebago. Winnebago.
• 38:43
  Winnebago. That is, like the white trash
• 38:46
  version of Austin Powers instead of the Shagwar.
• 38:49
  He's got a Winnebago. Yeah.
• 38:54
  Anyway, nobody's answering her, and she's just kind of, like,
• 38:58
  chilling along. She sees that yellow truck
• 38:59
  again, It pulls up and it leaves.
• 39:02
  She goes over to the pay phone, but it's line is cut and she has
• 39:05
  this moment, sells the shit out of that and like just slams it a
• 39:11
  few times. We've all been there.
• 39:12
  Oh yeah, we've all been there. She walks to the road and sees
• 39:15
  60 miles till next services. So she's like, I guess I'm stuck
• 39:19
  here. Yep.
• 39:21
  And then she sees from the RV there's like pictures being
• 39:24
  taken in one of the. Rooms like a flash.
• 39:25
  A flash bolt is coming off and she again knocks on the window,
• 39:29
  knocks on the door, gets no answer.
• 39:32
  And then Mr. Yellow Truck drives by again, and this time he like,
• 39:36
  drives at her. She dives out of the way and
• 39:39
  then he circles back and drives past her and tosses out a cell
• 39:42
  phone with the battery. Removed.
• 39:43
  And it is Jesse's phone. Yeah.
• 39:46
  So she memorizes the license plate KZL 3O3 and she runs back
• 39:52
  to the bathroom and she rereads the graffiti and she realizes
• 39:56
  that he has done this before. There's a few scenes of her
• 39:59
  looking at the graffiti, so this might not even be the note where
• 40:02
  you have it yet. I is not where I have it yet,
• 40:05
  but like I, I do have them here. He followed me and I don't know
• 40:08
  why. Dated September 1992.
• 40:11
  This one, it started, he followed and then I kind of
• 40:16
  didn't see it so I filled in the rest.
• 40:18
  So I made it. He followed.
• 40:20
  He followed me to call TP. Hey Ryan.
• 40:24
  He followed me to call TP OK 1986.
• 40:27
  So you filled in the gaps much the way Nicole is filling in the
• 40:30
  gaps? Pretty much, yeah.
• 40:31
  And then there's also He's Gonna Kill Me 1971.
• 40:35
  OK, yeah. So she breaks into the ranger's
• 40:39
  office. That's right there.
• 40:40
  And she makes a call on the radio.
• 40:42
  Oh. No, I just want to give them
• 40:44
  credit in this moment here because this is like something
• 40:46
  that always drives me crazy. She busts in and when she
• 40:49
  reaches in she cuts her arm on the glass.
• 40:52
  That is a nice detail because there are so many movies I get
• 40:55
  like irrationally mad by people just like busting the windows
• 40:58
  out and just like putting their arms and everything all over and
• 41:00
  not getting cut at all. The This is 90% of the way.
• 41:05
  They are to be 100% of the way. For realism, we have to look at
• 41:10
  what's face in the Nice Guys. Ryan Gosling.
• 41:14
  Ryan Gosling, yes, thank you, because he does the same thing
• 41:19
  that he actually winds up at the hospital.
• 41:20
  Yeah, exactly that. And also I've just seen so many
• 41:23
  videos of people like either punching through a window or
• 41:26
  like being thrown through a window.
• 41:28
  It always fucks you up. There's blood everywhere.
• 41:30
  You know how easy it is to hit an artery when you do that shit?
• 41:33
  I have stepped on like the tiniest pieces of glass and it
• 41:38
  has ruined my fucking day. Yeah.
• 41:41
  Can you imagine several of those raining down upon you and then
• 41:46
  you putting your body weight into a Shard of it?
• 41:48
  Yeah. No, no, you're, you're fucking
• 41:50
  your day. Up, yes.
• 41:52
  Kudos for doing that. Yes.
• 41:53
  All right. And you're I I'm with you here.
• 41:56
  I enjoy this moment. She's just kind of checking
• 41:58
  things out. She sees there's a radio.
• 41:59
  This is something I meant to bring up in my absurd because
• 42:02
  one thing she finds is a bottle of Wild Turkey and clearly they
• 42:06
  were trying to cover the label, but it was so, so obviously Wild
• 42:10
  Turkey because you had old key and then the old label with the
• 42:14
  picture of the Turkey on. It yeah, they like scratched it
• 42:17
  off with like a like 1/4 or something to try and make it
• 42:20
  look weathered. I'm surprised they got away with
• 42:23
  that much. Because it was so clear what it
• 42:24
  was. When I've done extra stuff like
• 42:27
  it was always been, make sure the labels turn the fuck away,
• 42:30
  yeah. Yeah, it was pretty obvious, but
• 42:33
  yeah, so she finds that there. She finds the radio.
• 42:37
  She makes a mayday call and gets no answer at first so she's
• 42:40
  looking around. She turns on the TV and it's a
• 42:44
  video of her and Jess fucking in the car earlier.
• 42:48
  How does this happen? Yeah, Yeah.
• 42:50
  That's a great question. Is this real?
• 42:52
  Is yeah, that's is this real? That's a good question.
• 42:56
  Because like, there's so much shit that just kind of happens
• 42:58
  in this movie, like because. It's at the same angles is what
• 43:01
  we saw it with. And I need you guys to
• 43:03
  understand that we had up close shots of nipple.
• 43:08
  Yeah, like that camera has to be like within inches of you, so.
• 43:13
  And that's when the camera panned all the way down to like,
• 43:15
  her butt riding on top of. Him and that's the part that I
• 43:18
  was thinking of and I said I don't know how you filmed that
• 43:20
  without. This grinded for sure.
• 43:22
  Yeah, that's. That's a moment where you need a
• 43:25
  fucking intimacy coordinator, and those weren't around in
• 43:27
  2000. 6 But you know what? Jesse got his dream.
• 43:29
  He's on TV. And he did say every actor has
• 43:32
  to do at least one nude scene. And she said if you're going to
• 43:35
  do 1 and it has to be with me, Bada Bing, bada boom.
• 43:37
  Here we go. You guys are famous.
• 43:39
  Everything happened. Yeah.
• 43:41
  So the radio starts back up, gives a call back, like, hey, I
• 43:45
  heard a heard a mayday from here.
• 43:46
  That's not how this works, sweetie.
• 43:48
  Yeah, sweetie pie. Like, it's not.
• 43:51
  You didn't leave a voicemail for somebody to check?
• 43:54
  Yeah. But she is young and dumb and
• 43:58
  desperate so. Doing what she thinks is right
• 44:01
  here, yeah. So she explains what's
• 44:02
  happening. He's like, well, I'm a trucker.
• 44:04
  I'm a few 100 miles away from you, but I'll go ahead and call
• 44:07
  the cops. And she's like, thank you.
• 44:09
  He's like, they'll be there soon.
• 44:10
  She goes, thank you so much. What's your name?
• 44:12
  He says Jesse, dumb, sweet little innocent Angel baby.
• 44:16
  It's like, that's my boyfriend's name.
• 44:17
  I know, come on man, you should like even the way that he paused
• 44:20
  before he says like, oh, Jesse like and he also kind of sounds
• 44:24
  like Rusty now he doesn't even it feels like they were
• 44:27
  channeling the Rusty. Now it really does.
• 44:30
  Yeah, so in the meantime, she's like, fuck it, I got help on the
• 44:34
  way I'm partying. She opens up that bottle of
• 44:36
  bourbon and starts chugging them.
• 44:39
  She also eats some snacks. The snacks are apparently stale.
• 44:42
  And again, we're meant to think that this rest off has been
• 44:44
  abandoned for a while, but they are very quickly renovating at
• 44:49
  the end of this movie. Yeah, I know.
• 44:51
  So that just means that this Ranger does not clean out his
• 44:53
  desk often. At all He didn't.
• 44:55
  He's not even there. What if he's just not been
• 44:58
  showing up for like years and then this fire happened and he
• 45:03
  was like. Shit, he's like pretty Brad.
• 45:05
  He's like the one decade I decided not to go in and this
• 45:08
  shit happens. Yeah.
• 45:12
  So yeah, this. Is where she goes into the stall
• 45:14
  and does her own stall graffiti but.
• 45:16
  Here's the thing. So all of the graffiti she saw
• 45:19
  was helpful. Like, oh, he followed me, I
• 45:22
  think he's going to kill me. KZL 3O3 And what does she write?
• 45:26
  I think I found him my own personal demon.
• 45:29
  That's cryptic as shit. Yeah, that's not helpful.
• 45:32
  Graffiti for the next person that comes along.
• 45:34
  No, it is not. Yeah, I I don't even know what
• 45:36
  she's doing. She's so hung up on this one
• 45:39
  thing right here, like finding the personal demon.
• 45:41
  Like come on, like she's. Just a teenager and she thinks
• 45:44
  this is deep. I'm going to hope she's 18.
• 45:47
  Just I don't even think that they're 18.
• 45:48
  I think that they're. Need it to be because they had
• 45:51
  that like very graphic sex scene.
• 45:54
  Jessie B. Watchers, Buffy.
• 45:56
  I understand that actors are 18. No, I'm talking about Buffy,
• 45:59
  where the characters are not even 18 and we're seeing some
• 46:01
  like 100 year old people boning, shagging if you will.
• 46:05
  Stop. Saying that.
• 46:09
  All right, this is where Jesse's car is now.
• 46:11
  Outside. Yeah, she comes back out and the
• 46:13
  car's back and she gets in there and she's real excited until she
• 46:16
  realizes that it's bloody inside and she tries to turn it on and
• 46:20
  the battery is dead and she's panicking a little bit.
• 46:25
  And then the car again. He wishes he was rusty.
• 46:28
  Now the truck comes and hits the car on T-bone style.
• 46:32
  She manages to get out. And then from his like, little
• 46:37
  rooftop floodlight bullhorn type thing, he plays the recording of
• 46:42
  their radio conversation. So maybe, you know what?
• 46:47
  Maybe there was a voicemail that happened because clearly he's
• 46:49
  recording everything on the radio.
• 46:52
  Boy, man, I don't. Know I don't know how this
• 46:54
  works. This seems like one of those
• 46:55
  things that we're not meant to think too hard about it.
• 46:58
  Yeah, that's I think that's what.
• 46:59
  But again, like it's this even real?
• 47:01
  Like I just don't even know. This movie made me question.
• 47:04
  Part of me was expecting a, a high tension twist at the end
• 47:09
  where she she was all her, all of it.
• 47:11
  Yeah. Oh.
• 47:11
  Man, yeah. But anyway, then he drives away
• 47:15
  and then the RV starts up and she's like Oh my God.
• 47:17
  And she, like, begs to get put on.
• 47:19
  And they're being real odd. Yeah.
• 47:22
  And she's like, that guy just hit me.
• 47:24
  And they're like, we didn't see anything.
• 47:25
  And she's like, no, but we need to call the police.
• 47:30
  It's so hot. You know what I do?
• 47:34
  Take off my control. Tops.
• 47:36
  Listen, you are not catching me in Spanx if it is above 60°
• 47:40
  outside, so good on you woman if you can make it to 100° before
• 47:44
  need to take them off. This is just such a This moment
• 47:48
  is good at making you feel weird.
• 47:50
  Yeah, it is very uncomfortable. And the weirder they are, at
• 47:54
  least it explains her reaction to this because she starts
• 47:56
  hearing a sound back there and she goes, Jesse, is that Jesse?
• 48:00
  Which the first time I'd be like, you know, that this
• 48:02
  motherfucker didn't just try and hit you with the yellow truck
• 48:04
  and then you're like, well, no, cuz they're being really weird.
• 48:07
  They could be in cahoots. They could be a cahoots
• 48:09
  situation. Yeah, and you're also hearing
• 48:11
  the pictures being taken. Yeah.
• 48:13
  And she's like, I gotta go back there.
• 48:14
  And they keep telling her don't go back there.
• 48:17
  And what's she do? She goes back there.
• 48:19
  And it's not Jesse. It's just their child, Scotty.
• 48:22
  Scotty with a camera. He's just like taking pictures.
• 48:26
  Yep, and the mom apparently thinks any woman who looks at
• 48:30
  Scotty is a whore. Yeah, I don't understand the
• 48:34
  thought process that's going on here.
• 48:35
  I don't know, but the Mcpoil brothers are like just sipping
• 48:39
  their milk and staring and I'm not even kidding.
• 48:41
  Like they look like Mcpoils and they're definitely drinking
• 48:43
  milk. Yeah, yeah.
• 48:45
  They're slightly better dressed Mcpoils.
• 48:46
  They're like Mcpoils at the wedding.
• 48:49
  Yeah, I wish they had the eye patch all right.
• 48:55
  So they drop her off back at the rest stop.
• 48:58
  Yeah. Which they had to have driven at
• 49:00
  least a few miles, so they turned around.
• 49:02
  Did a full circle basically. So she goes back into the
• 49:05
  bathroom, and she peels the paint and finds even older
• 49:07
  graffiti going as far back as 1971 talking about this guy.
• 49:10
  There we go. Yeah.
• 49:11
  And then she hears somebody in the supply closet in there.
• 49:14
  Yeah, somebody's going. Hey.
• 49:16
  It's somebody named Tracy Chris. And she is terrified when she
• 49:20
  hears that there's a yellow truck outside.
• 49:21
  She's like, no, no, no, no. He, he got me.
• 49:25
  He's got this bus where he tortures people.
• 49:27
  He tortured me. She's like, I deserved it.
• 49:30
  I was on my way to see the stones in Tucson.
• 49:32
  I stole $50 from my mom. Like, girl, you don't deserve to
• 49:37
  be torture murdered just for stealing from your mom.
• 49:40
  Like, they'll steal from your mom.
• 49:42
  But I'm sure that's not what she wanted you to experience as a
• 49:46
  punishment. Unless she was a real rat
• 49:48
  bastard, yeah. Yeah, it's a little extreme for
• 49:52
  sure. Like, I've never stolen from my
• 49:54
  mom, but I guarantee you if I did, she wouldn't be like, well,
• 49:56
  I hope you don't get tortured on a school bus.
• 50:00
  Yeah, like, I guarantee Naomi, if if that if you would want me
• 50:03
  to torture on a school bus. Please feel free to text me
• 50:05
  right now as you're listening to this.
• 50:06
  You have an obligation. So tell Jesse at this point.
• 50:10
  Yeah. So she's, like, definitely
• 50:12
  scarred and freaked out by it. And then they hear the truck
• 50:14
  pull out or pull up outside, and Nicole, thinking quickly, takes
• 50:19
  one of the loose stall doors on the bathroom and you sit to jam
• 50:24
  the door. Yeah, good thing that the
• 50:26
  bathroom is laid out the way it is.
• 50:27
  And honestly, it's kind of surprising that the rest stop
• 50:30
  because it has that like type of entrance where you walk in there
• 50:33
  and then you have to turn and turn again to get to the stalls.
• 50:36
  A lot of those usually don't even have doors.
• 50:38
  So the fact that there is like an entrance slash exit door that
• 50:41
  she can wedge this stall door up against is a good thing for the
• 50:45
  movie anyway. Yeah, for sure.
• 50:47
  She's peeking through the little hole.
• 50:50
  It's like a keyhole or whatever, and then she sees him, they make
• 50:53
  eye contact and then he just sticks his nose up and starts
• 50:55
  sniffing. It's so icky, yeah.
• 50:58
  Nicole asked Tracy how she escaped before, but Tracy can't
• 51:01
  remember. And Nicole's like, listen, I'm
• 51:03
  gonna go outside. I've got extra clothes in the
• 51:07
  trunk of my car. And then Tracy starts throwing
• 51:10
  up a lot of blood. Like so much blood.
• 51:12
  Like more than a human's worth of blood.
• 51:14
  It is insane. It's all over the.
• 51:16
  Ford and it's like very oxygenated, like it's got a lot
• 51:19
  of bubbles in it, which I think is meant to be a problem.
• 51:21
  Like, oh really? Yeah, I might be immersed in
• 51:25
  around doing that. I don't know.
• 51:26
  I'm not a medical person. She's also saying like the guy's
• 51:29
  not human. Yeah, so Nicole runs out and she
• 51:33
  doesn't grab the clothes like she said she's going to and says
• 51:35
  she grabs the tart iron and but she uses it to remove the lock
• 51:38
  for Tracy, but the blood is on when she gets back.
• 51:42
  In Imagine she's like tossing it right here.
• 51:43
  Put this on. Yeah, come on.
• 51:45
  So the closet's empty. There's no blood on the ground.
• 51:48
  She goes outside and she checks on the flares and sees it.
• 51:50
  Tracy Chris went missing in 1971.
• 51:53
  So she made this person up probably from like having seen
• 51:56
  the graffiti and having seen the missing Flyers earlier.
• 51:59
  She's also drunk. That's true.
• 52:01
  Yeah, like you don't get like drink the amount of wild Turkey.
• 52:04
  Wild Turkey is high percent right there.
• 52:08
  Wild Turkey. Listen, I don't want to talk
• 52:11
  shit about bourbon from my own state, but it is not the
• 52:16
  smoothest Burbank, Kentucky has. It is not.
• 52:18
  I like it, but you know, it's one of those ones that you just
• 52:21
  kind of have to, you have to get used to, I think.
• 52:24
  It is rough, but I'm much more of a maker's person, so.
• 52:28
  Yeah, well, she's The thing is, I mean, she's wasted.
• 52:31
  Here, Yeah, like I, yeah, she drank.
• 52:33
  There was like half a bottle of it and she drank all of what was
• 52:37
  left. Yeah.
• 52:38
  So that's a lot. So she heads back outside, and
• 52:43
  what do you know, the cop pulls up on his.
• 52:45
  Motorcycle yeah and he's checking out the office and
• 52:49
  she's like hey no listen here's the situation that happened.
• 52:52
  She it describes this truck so well.
• 52:55
  I made that made me realize I would be a shit witness cuz I
• 52:59
  wouldn't have come up with the term floodlights.
• 53:01
  No, I wouldn't be there. I was thinking, I must like in
• 53:04
  this moment, she starts off terribly.
• 53:06
  She's like, all right, can you describe the truck?
• 53:08
  She's like, well, it's a truck. And I'm like, OK, all right, so
• 53:12
  there we go. But then she's like, it's
• 53:13
  yellow. It's.
• 53:15
  Old. It's old.
• 53:16
  It's got the big lights on top. There's a man driving it wearing
• 53:19
  a trucker's cap. And it has the license plate
• 53:21
  number of. KZL three O 3 So she did good
• 53:27
  drunk drunk as a skunk she still did really good.
• 53:29
  It probably helps that there was also like that license plate
• 53:32
  number was written multiple times in the bathroom.
• 53:34
  But she did good. So he is like, OK, cool, we're
• 53:39
  going to get you taken care of. And they start to go outside.
• 53:43
  Oh, what do you know? The truck's there.
• 53:45
  So the cop, Officer Deacon, goes out.
• 53:47
  He talks to the guy, and the truck drives off.
• 53:50
  And Nicole comes down and goes, why aren't you arresting him?
• 53:52
  She goes, he said he's lost. I can't just arrest him like
• 53:55
  that. That's not how this works.
• 53:57
  He's a like reasonable suspicion.
• 53:59
  You can detain him. Yeah.
• 54:01
  It's the thing like wait wait, you can detain him until a shit
• 54:03
  gets solved. Is he being detained?
• 54:05
  Is he being detained? I'm a corporation.
• 54:08
  I'm just traveling. I'm lost.
• 54:10
  I'm a lost corporation. I'm a lost sovereign citizen,
• 54:14
  yeah. And then here's that moment I
• 54:18
  was talking about before. Yeah.
• 54:19
  Well, because he's like, I'm going to call for crack up.
• 54:21
  It'll be OK. We're still gonna get you taken
• 54:22
  care of. And we'll we'll get to the
• 54:23
  bottom of what happened to your boyfriend and then the truck
• 54:26
  just for. It's so predictable.
• 54:28
  You can see it coming, but then I just love like I think the
• 54:31
  thing that also makes it funny is that she doesn't react to it.
• 54:34
  She doesn't scream no or anything.
• 54:36
  She just stares and looks over at him and like the camera like
• 54:39
  slowly pans and it's like, help me.
• 54:41
  It's just like. Maybe maybe it's ghost Tracy
• 54:45
  talking in her, but she's like, well, you kind of deserved that.
• 54:48
  This out of proportion response to you doing something bad,
• 54:53
  which in this case is not believing me.
• 54:55
  Yeah, I tried to tell you. Yeah, I tried to tell you.
• 54:58
  And so she's like, all right, cool, let me move you.
• 55:02
  And before she can move him very far, the truck make sure to run
• 55:05
  back over his legs a few times. Those kneecaps are fucked.
• 55:10
  So she ends up driving or dragging him into the bathroom.
• 55:14
  The truck drives off again and this is where we have this long
• 55:18
  moment of him just kind of talking about his kids drag.
• 55:22
  Him so far into the bathroom instead of into the office.
• 55:27
  I know, I feel like you're better off in the office.
• 55:29
  Man, yeah, Bad things haven't happened to you in the office.
• 55:32
  Bad. Like Bob Belcher said, bad
• 55:36
  things happen in the bathroom. It's true.
• 55:40
  Yeah, it's strange, I guess because we're watching a movie
• 55:43
  called Rest Stop. We got to make it happen at the
• 55:45
  rest stop, the whole. Rest stop is the rest stop, not
• 55:48
  just the restroom. No, the whole thing is the rest
• 55:50
  stop. The rest stop is the area.
• 55:52
  All right, all right. True, true.
• 55:55
  Either way, they're in there. He's talking about his kids and
• 55:58
  he's just talking about. Yeah, he's retiring soon, right?
• 56:02
  No, his son just had a birthday. That's a pop.
• 56:04
  Cliche he. Was bored of them.
• 56:05
  I knew he was bored of them. There's something like cheesy
• 56:10
  that's happening with this guy, right?
• 56:11
  Here. Yeah.
• 56:12
  Well, first he was like when I was in the war, my Sergeant said
• 56:17
  when you're hurt and bad, it's an OK thing, but it's when you
• 56:21
  when it don't hurt so bad that you're in trouble.
• 56:23
  And Nicole, it don't hurt so bad.
• 56:30
  Oh, boy. And then she's like, well, let
• 56:32
  me scooch you a little bit more on the floor.
• 56:34
  And he goes and she's like, see, you're not going to die.
• 56:37
  And then he's like, my son just turned 3.
• 56:40
  I got him a little toy motorcycle.
• 56:43
  And he's like, pull out my wallet.
• 56:47
  And you at this point, you're like, is he paralyzed?
• 56:49
  And I was like, I think we're meant to believe that.
• 56:51
  Yeah, they didn't make it super queer.
• 56:53
  Yeah, but like he's not moving anything.
• 56:55
  Anymore so. It's.
• 56:56
  It makes sense. Yeah, the vertebrae up near the
• 57:00
  neck after you've been snapped. So yeah, he's just talking about
• 57:06
  his son, his wife and his regrets.
• 57:08
  And of course we know he's going to end up dying, but he's like,
• 57:11
  I'm going to call for backup first.
• 57:12
  I feel like if you have your radio on you, you can do that
• 57:16
  now. That's the thing, like, I don't
• 57:18
  think, I don't even know. But he, I think it's also funny.
• 57:21
  He's like, it's OK, backup's coming.
• 57:22
  And she's like, no, they're not. She's like never called backup.
• 57:26
  And of course, at this point, we don't know that he's a figment
• 57:29
  of her imagination. We think that he's real.
• 57:32
  And so he's like, grab my gun. You, you got to be ready to
• 57:37
  shoot him. The guy comes back and he starts
• 57:42
  locking the door like he's wrapping a wire around.
• 57:45
  And he's like, don't let him trap you in here.
• 57:46
  Don't let him trap you in here. So she pries off the plate of
• 57:49
  the door and that's when the killer comes up and he just
• 57:51
  bites off her finger for fun. She should have known.
• 57:54
  I saw that one coming. Like come.
• 57:56
  On he's pretending he's not there yeah and that happens and
• 58:00
  she's. Despondent.
• 58:02
  She's like, I don't there's nothing we can do now it's all
• 58:06
  over and he's like, no, listen, you got to take the gun and
• 58:10
  shoot at him next time he comes by.
• 58:12
  And she does, but she's a bad shot because her trigger finger
• 58:16
  has been bitten off. Yeah, that's actually fair.
• 58:19
  I mean, she's also. Just shooting blindly through
• 58:21
  the door. Yeah, she's doing.
• 58:22
  She's actually being pretty terrible here.
• 58:24
  But she's. Also like underwater, this this
• 58:26
  gun is also a figment of her imagination, so I'll give her.
• 58:29
  Air some leeway. That's true.
• 58:30
  You would think that she would imagine shooting the guy, but I
• 58:33
  guess she needs that realism for once the cop is gone.
• 58:37
  Like I mean we we established already.
• 58:39
  Her mind is her worst enemy. She is her own.
• 58:41
  She is her own demon. Yeah.
• 58:44
  And the guy drops in a camcorder and she looks at the camcorder
• 58:50
  and it's video of just being tortured, presumably, like,
• 58:54
  recorded over their sex tape just for the added, like, insult
• 58:58
  to injury. Yeah.
• 59:00
  Yeah. This is better material here.
• 59:01
  Yeah. And he's like, fucking
• 59:06
  boyfriend. I thought that this was video
• 59:10
  was going to end with him going Nicole, if you're listening to
• 59:13
  this, I'm so fucked. He does say that.
• 59:17
  I thought it was just going to end.
• 59:19
  There he then. Does go on to say I love you and
• 59:22
  I'm sorry, but I thought it was just going to end with him
• 59:24
  saying I'm so fucked. Yeah, I wasn't expecting that to
• 59:29
  come from. Him there but like man, yeah,
• 59:31
  you are fucked. Yeah, so.
• 59:36
  Then we start getting gasoline into the bathroom, and Nicole
• 59:40
  was like, all right, cool. There's a skylight.
• 59:42
  I've got this popped open. He's like, I can't.
• 59:45
  Deacon's like, I can't climb that.
• 59:46
  I can't. What are you?
• 59:48
  I couldn't even get my wallet out of my pocket.
• 59:50
  What are you talking about? She goes, I'll go get help.
• 59:52
  He goes, he is going to burn me. Don't let me burn.
• 59:54
  I do not want to burn. Please shoot me.
• 59:57
  And she's like, I don't want it. He goes shoot me.
• 59:59
  And so she sticks the gun in his mouth and shoots him, and we see
• 1:00:03
  Brain on the floor and she's crying.
• 1:00:05
  And then you miss. There's something.
• 1:00:10
  Kind of funny about it too. You miss It is horrifying and
• 1:00:14
  hilarious at the same time. It is, yeah.
• 1:00:17
  And so she shoots him again. Those were the last two.
• 1:00:19
  Bullets. This is like bringing it back to
• 1:00:22
  Austin Powers. Mustafa or whatever.
• 1:00:25
  It's like I'm badly burned. I'm badly burned, but I'm still
• 1:00:28
  alive. All right, so now.
• 1:00:32
  The fire is like really started, Yeah.
• 1:00:34
  So she's climbing up and she's starting to climb through the.
• 1:00:37
  Skylight and she sees no sign of beacon on the floor at all.
• 1:00:41
  She just imagined a whole ass man and a weapon and a back
• 1:00:44
  story and a child and additional trauma.
• 1:00:47
  I said he Yeah, like it's just trauma all the way down.
• 1:00:51
  Yeah. And this place, I swear, was it.
• 1:00:54
  Rigged with explosives? Did they store all of the gas
• 1:00:56
  canisters in the county in this one rest stop running across the
• 1:01:00
  ceiling and or the roof and jumps?
• 1:01:02
  Off Joseph's the whole thing explodes every.
• 1:01:05
  It's a big explosion, like the whole.
• 1:01:06
  Thing is just demolished. The truck drives away thinking
• 1:01:10
  she's exploded. And she rests and reminisces
• 1:01:13
  about Jess and it's just sad and in the dirt.
• 1:01:18
  And then the truck is back and she wors it out.
• 1:01:23
  And when the driver comes out, she hits him over the head a lot
• 1:01:26
  with the tire and boom, she, you know, makes sure that she double
• 1:01:30
  taps is Jesse with his mouth sewn shot.
• 1:01:34
  Yep, Yep, Yep, Yep. And then the truck drives away.
• 1:01:39
  And then she has her like, all right, we're going, let's get
• 1:01:44
  down to business to defeat the Huns.
• 1:01:46
  She goes back in the office. She takes the the empty wild
• 1:01:49
  Turkey can. She rips up her shirt.
• 1:01:51
  She goes to one of the vehicles out there and pulls out its gas
• 1:01:55
  line and fills the thing with gas, 'cause she's making a
• 1:01:58
  Molotov cocktail. You got to know about cars to be
• 1:02:00
  able to do that. I was impressed.
• 1:02:02
  I I also. I also again.
• 1:02:06
  Appreciate the real moment here of her like doing that and being
• 1:02:09
  like she busts it open dripping and she's like trying to hold
• 1:02:13
  it. She's like fuck, and then she
• 1:02:14
  like. She has to kick the bottle.
• 1:02:15
  Up to her and she's like grab it and get it just in place like
• 1:02:17
  that felt so real and she is out in the.
• 1:02:22
  Middle of the road they have, they're like face off.
• 1:02:24
  It's like the end of 31 when Richard breaks out there in the
• 1:02:27
  middle of the road 'cause he's furious that that she got away
• 1:02:32
  and she gets the matches lit just on time, throws it at the
• 1:02:36
  truck, sees it burn. He's not in there, he's behind
• 1:02:41
  her. Then we cut to an unknown amount
• 1:02:45
  of time later, supposedly not super long, but but enough for
• 1:02:49
  them to rebuild an entire they say.
• 1:02:51
  Badly burned, but that wasn't valuable.
• 1:02:53
  And that thing was, it exploded like they had to rebuild dude.
• 1:02:57
  But it's like the guy he like comes out just painted.
• 1:03:00
  He just slapped a fresh coat of paint everything.
• 1:03:01
  But there's like even new sinks the door for the supply.
• 1:03:04
  Closet is a whole different door.
• 1:03:06
  Yeah, it's actually nice. It's not.
• 1:03:07
  Yeah, this is and then. All of a sudden.
• 1:03:10
  If you build it, they will come. All of these people are using
• 1:03:12
  this rest stop. It's like a tourist attraction.
• 1:03:14
  Yeah, it is so busy. And this person in the.
• 1:03:17
  Car asked him and he's like, Oh yeah, no, there's a fire here.
• 1:03:20
  Probably just Drifters. It's a rest stop.
• 1:03:23
  Who else is there? Yeah, it is literally for people
• 1:03:27
  drifting through and Rangers who don't show up to their jobs for
• 1:03:29
  a decade. Yeah, Mr. Ranger, if you did
• 1:03:31
  your fucking job, you know. Who did it?
• 1:03:33
  Yeah, you would still have your Wild Turkey and you wouldn't.
• 1:03:36
  Have had stale, poor friends in there.
• 1:03:38
  Yeah. Anyway, she goes in there and
• 1:03:40
  she hears the sound in the supply closet and she goes out.
• 1:03:44
  The Ranger comes in, he unlocks it, and it's empty.
• 1:03:47
  And she's like, I swear I saw somebody.
• 1:03:49
  I swear I heard them. And then right before credits,
• 1:03:53
  we cut to Nicole in the bank's supply closet bleeding out of
• 1:03:57
  her mouth. And then we get an after credit
• 1:04:00
  shot. With the.
• 1:04:01
  Father in the RV burying Jesse's body and Scotty taking pictures.
• 1:04:06
  He's like Scotty, Scotty, this is our secret.
• 1:04:08
  This is our secret. Yeah.
• 1:04:10
  What? Yeah, I don't like why are you?
• 1:04:13
  I. Don't need this guy.
• 1:04:14
  I don't need the. Winnebago family.
• 1:04:16
  It it just didn't need to be done.
• 1:04:19
  Yeah, I. I would have appreciated
• 1:04:20
  something just like with the trucker.
• 1:04:22
  Yeah. Also, I mean, we see the truck
• 1:04:24
  driver drive off with. Keep me playing.
• 1:04:26
  Yeah. Booking it with more Black Keys
• 1:04:29
  here this time it's actually historically accurate.
• 1:04:32
  Yeah. Yeah.
• 1:04:33
  OK. All right.
• 1:04:35
  So after all that, how are you feeling about this movie?
• 1:04:38
  I still like this movie, you know, I think that.
• 1:04:40
  The the moments right there where like the people don't
• 1:04:44
  exist, That's the type of thing that they like would typically
• 1:04:47
  piss me off. But I think that's the way that
• 1:04:49
  they handled in this movie. I thought it was actually
• 1:04:50
  interesting. Yeah, yeah.
• 1:04:52
  I mean, it does remind me a lot of like the black phone thing.
• 1:04:56
  It just, I do think they did it better.
• 1:04:59
  Yeah, honestly, yeah. I'm I'm sorry, I'm just not a
• 1:05:03
  big fan of the black phone, but. Like, yeah, I I like this movie.
• 1:05:07
  OK. What about you?
• 1:05:09
  What are you keeping your score at?
• 1:05:11
  What are you? Oh, I thought.
• 1:05:11
  I said 7 no, you said no. Overall I still.
• 1:05:14
  Like it? Oh, I'm.
• 1:05:15
  Sorry, I thought I said seven. I'm keeping it at 7:00.
• 1:05:17
  OK, yeah, I am too. I think it's a really good
• 1:05:20
  movie. It's got a few things, as we
• 1:05:21
  pointed out, that could be, you know, changed up.
• 1:05:23
  But for the most part, I think especially for something that
• 1:05:25
  was meant to go straight to TV like this is solid.
• 1:05:29
  It's really solid, yeah. More people need to watch it.
• 1:05:31
  I can't. Believe it's under A5.
• 1:05:33
  On IMDBI know I figured it would at least be a good like mid.
• 1:05:36
  Middle range one. Yeah.
• 1:05:39
  Talia, she was actually, she was pretty sleepy during this movie
• 1:05:42
  until part way through in which she threw a tantrum.
• 1:05:44
  Yeah, she did. She was she.
• 1:05:48
  Listen, she's. Terrified of the go potty man.
• 1:05:51
  That's true. She warns us about the go potty
• 1:05:53
  killer all the time when she goes outside at night and barks.
• 1:05:56
  It's also just like the fact that a car ride went wrong.
• 1:05:59
  Yeah, so not good. This is terrifying for her.
• 1:06:02
  I think she would actually give this a nine.
• 1:06:04
  Yeah, I think so too. Yeah.
• 1:06:06
  Who is Zoe's ultimate? Warrior I think.
• 1:06:12
  That's a good one. It can't be Nicole because
• 1:06:15
  Nicole found food and then spat it.
• 1:06:17
  Out. She didn't actually eat it.
• 1:06:19
  No, that's what Zoe's been doing with our fucking.
• 1:06:21
  Bread. Zoe's been stealing our bread.
• 1:06:23
  She broke. Into our place.
• 1:06:25
  Stole bread even though she lives here.
• 1:06:26
  She broke into the cabinet is what I'm talking about.
• 1:06:28
  Stole our bread multiple times in a week and she just spat it
• 1:06:32
  back out. It's not even like a Jean
• 1:06:34
  Valjean situation where she was. Trying to feed her sister's
• 1:06:36
  child? No, no, it.
• 1:06:40
  Is it's Nicole? Yeah.
• 1:06:42
  All right. OK.
• 1:06:45
  What is your dream? Sequel to this movie or?
• 1:06:47
  Rather do. You want to know who you related
• 1:06:49
  to 1st and then we'll do Dream Sequel.
• 1:06:50
  Yeah, I related to the killer's. Music.
• 1:06:54
  Musical tastes. OK.
• 1:06:56
  Yeah. OK.
• 1:06:57
  Come on. Man, like that was just.
• 1:06:59
  This is an easy 1 for me. This time, what about you?
• 1:07:04
  I guess you can relate. To Nicole for.
• 1:07:08
  Witnessing somebody get a thorough ex ran over.
• 1:07:13
  Except I don't. Who handled it better?
• 1:07:16
  Are you? I was.
• 1:07:18
  You didn't drag your friend away.
• 1:07:20
  Yeah. No, I was not an adult.
• 1:07:21
  I was there until. The ambulance got there man.
• 1:07:28
  I guess I related to Jesse because my name is Jesse.
• 1:07:31
  OK, here we go. And the phone had no.
• 1:07:34
  Battery. OK, you're also an actor.
• 1:07:40
  You've acted I'm a background. Actor no you've.
• 1:07:43
  Done other things. Either way, you've got an
• 1:07:45
  acting. You've got a filmography, OK?
• 1:07:47
  You got one more than Jesse. His is just a sex tape that
• 1:07:51
  ended up over cable TV or some shit.
• 1:07:54
  OK. All right, now Dream sequel OK
• 1:08:00
  I. Man, I was like.
• 1:08:04
  AI want to say like maybe? Nicole's parents.
• 1:08:07
  And Jesse's parents are looking for them, and it leads them to
• 1:08:11
  the rest stop. And we see, like, a mature,
• 1:08:16
  adult approach to the same situation, you know, as opposed
• 1:08:19
  to, like, young adults and teenagers, like, freaking out,
• 1:08:22
  like, an actual group instead of just being hurt.
• 1:08:24
  Yeah. An actual group instead.
• 1:08:26
  Of a solo and more grown. Adults versus like young
• 1:08:29
  teenagers. Not saying that that necessarily
• 1:08:32
  makes a difference, but I think that combination of things will
• 1:08:34
  give us like, different reactions to the stuff happening
• 1:08:37
  and it'll make the killer have to be more innovative on his
• 1:08:39
  own. Him too, because he's facing
• 1:08:41
  four people at once. That's true.
• 1:08:44
  Yeah. OK.
• 1:08:45
  I, I I. Can think that OK, I also want
• 1:08:48
  to see like some of the bus stuff like have him take one of
• 1:08:52
  them to the bus and that's actually be there.
• 1:08:55
  OK, I was also thinking like it could be cool if like he like
• 1:08:59
  took over like a like he he started tracking down like a bus
• 1:09:03
  full of people that were like going on like a cross country
• 1:09:05
  trip. Oh my God.
• 1:09:07
  I mean, up the numbers. You know what?
• 1:09:08
  I mean, but. I like your idea a lot too.
• 1:09:11
  OK, all right, cool. All right.
• 1:09:15
  Tagline. Tagline this.
• 1:09:17
  Movie needs one, apparently. Ain't no rest for the wicked.
• 1:09:24
  It's a. Long Road home life is a
• 1:09:27
  highway. That's stupid and cheesy and I
• 1:09:31
  want to go with that one. I mean, she's cheesy, you know
• 1:09:36
  what I mean? Yeah.
• 1:09:36
  That's what I'm saying. Like she's cheesy.
• 1:09:39
  Unless we want to figure out something to incorporate.
• 1:09:41
  Demons. Yeah, my inner demon.
• 1:09:44
  Something about that. What was it?
• 1:09:46
  What was the graffiti that you finished?
• 1:09:49
  Off like he followed me, he followed me, stole the TP, took
• 1:09:52
  all the TP, he followed me, took all the.
• 1:09:54
  TP OK with that? Followed me, took all the TP.
• 1:10:02
  Oh, OK, can we change? It are you trying to do it?
• 1:10:04
  I was trying to see if that. We I I don't want to try and
• 1:10:07
  come up with. 17 syllables right now, I yeah, we can't.
• 1:10:12
  Do that. I'm going to run that through,
• 1:10:13
  through some checkers if I'm going to get it right.
• 1:10:16
  So he followed me. And he took all the TPK ZL33 no,
• 1:10:27
  KZL 3 three. You have to do a dash.
• 1:10:30
  We can't do a no. It's too many syllables.
• 1:10:33
  I'm just going to say Cuzzle. It's not how that works.
• 1:10:37
  You can just make things the number of.
• 1:10:39
  Syllables you want them to be. I can.
• 1:10:44
  I'm the only one that's going to believe it.
• 1:10:47
  OK, whatever. I like that.
• 1:10:48
  Let's just do that, OK? It's close enough to haiku that
• 1:10:52
  we'll. We'll, we'll count.
• 1:10:53
  This one time I think you should just do KZL 3 and then put like
• 1:10:57
  a. Dash.
• 1:10:58
  So KZL 3 three. OK, let's do that.
• 1:11:00
  Let's do that, and it's our. Own bad graffiti much like.
• 1:11:04
  Yeah, OK. Yeah, unhelpful.
• 1:11:06
  All right. Cool.
• 1:11:08
  Well, or do. Like a question mark?
• 1:11:10
  Like he can't remember the inner number.
• 1:11:13
  Yeah, there we go, JZL 3. 3/3. OK, all right, time for reviews.
• 1:11:19
  Time for reviews. I found one on.
• 1:11:21
  Reddit that I really. Liked and I wanted to go with
• 1:11:24
  that because I was like, you know what?
• 1:11:26
  This is such an old movie. It's really before Reddit's
• 1:11:28
  heyday. So I want to, I want to see what
• 1:11:30
  people on Reddit think. OK cool, this movie is my go to
• 1:11:36
  for utter. Shit, film it.
• 1:11:38
  Felt like 4 drunk people wrote this with different ideas than
• 1:11:40
  had someone who was more drunk and high off turpentine mash
• 1:11:43
  them all together. This movie made me feel hungover
• 1:11:45
  at the end and angry. Like I just felt for someone's
• 1:11:48
  mean joke. Shit movie.
• 1:11:49
  It was a cinematic version of being the designated driver for
• 1:11:52
  your friend's bachelor party. God damn brutal.
• 1:11:56
  Not entirely inaccurate with it being a bunch of like, ideas
• 1:11:59
  tossed together. That's The thing is like he did
• 1:12:01
  call some of it, yeah. Damn, so it is multiple people
• 1:12:06
  in there. You can see some unfinished.
• 1:12:07
  Ideas and some things that don't necessarily mesh super well, but
• 1:12:10
  I think it's fun still. I think it's actually really
• 1:12:13
  effective for what they were working with.
• 1:12:14
  Yeah, I I liked it. I have a good time with it.
• 1:12:18
  All right. Well, I guess that means it's
• 1:12:20
  time for a listener reviews. Yes, OK, we do have one.
• 1:12:23
  OK, it is from Cube saves on Instagram.
• 1:12:26
  Who says feels like part of this 2000 sub genre of they're
• 1:12:30
  already dead movies? I love 2000s horror.
• 1:12:33
  Me too man. I I people should on that decade
• 1:12:36
  for horror but like I like it. And here's the thing, we didn't
• 1:12:39
  expect 2 fake outs of people already being dead.
• 1:12:42
  That's true. The second one got me.
• 1:12:46
  What was the driver doing when he supposedly hit the cop?
• 1:12:50
  Maybe he was, like, stunned. Like you're just like, there's
• 1:12:54
  like going back and forth in front of her.
• 1:12:56
  Like, and she's just going, he's like, why is she so freaked out?
• 1:13:01
  Like, oh, well, I guess I'll keep going.
• 1:13:02
  Yeah, yeah, he's, he's just trying to impress.
• 1:13:06
  All right, he also towed. The motorcycle he did, he towed.
• 1:13:11
  The motorcycle? Wait, what was he actually doing
• 1:13:14
  when? She was seeing him tie the
• 1:13:16
  motorcycle up to a chain on the back of his truck.
• 1:13:22
  Maybe he was just putting the chain on the back of the truck
• 1:13:25
  'cause he's like, well, she didn't like me going back and
• 1:13:26
  forth. She really won't like the sound
• 1:13:28
  of chains. What if this guy is also just
• 1:13:30
  killing imaginary people in his mind?
• 1:13:33
  It's somebody else entirely, like they're having a group
• 1:13:35
  psychosis. Yeah.
• 1:13:36
  This is just like something right here.
• 1:13:38
  That's just maybe. Maybe.
• 1:13:39
  There was something in the old wild.
• 1:13:42
  Turkey. And on one of her trips to the
• 1:13:43
  bathroom, he went in and drank the wild Turkey.
• 1:13:46
  So they're actually, like, hallucinating together.
• 1:13:48
  Could be, could have been spiked.
• 1:13:50
  Yeah, OK, all. Right, that's it.
• 1:13:54
  So we're still. Not saying yet on air what our
• 1:13:58
  next franchise is. We're going to put together at
• 1:14:01
  least a little kind of announcement.
• 1:14:03
  So be on the lookout for that. And you can do that on all of
• 1:14:05
  our social media. We're on Instagram and Threads,
• 1:14:07
  at least favorite Scary Movie podcast.
• 1:14:09
  We're on Blue Sky, at least Favepod, our websites which
• 1:14:12
  release favorite Scary movie.com.
• 1:14:13
  And you can e-mail us at least favorite scarymovie@gmail.com.
• 1:14:16
  Yeah, we want to shout out our buppies over on the Patreon.
• 1:14:19
  We have Joe. Rigatron as is his name, Amber,
• 1:14:21
  Michael, Tyler, Chad, Johnny, Jason and Lord Zombie.
• 1:14:25
  Thanks everybody for being supporters of the show means so
• 1:14:28
  much to us. We really appreciate everything
• 1:14:31
  you guys do for us. If you are unable to support
• 1:14:34
  like they are, you can do other things like like us on whatever
• 1:14:37
  platform rate US positively. Subscribe to us, just interact
• 1:14:43
  with us, be here, have fun with us.
• 1:14:44
  We like it. We like you guys.
• 1:14:46
  You guys are cool. If you want to find us online.
• 1:14:48
  Jesse already did that stuff. Yeah.
• 1:14:49
  So I did it out of order. So I threw off Travis's.
• 1:14:52
  Yeah. So that's it.
• 1:14:55
  All right, Yeah. We'll see you next week with our
• 1:14:57
  new franchise. All right, bye.
• 1:14:58
  Bye. Listen, you made fun of me
• 1:15:11
  dropping my Flipboard and it's like my body is dropping in more
• 1:15:14
  out of spite.