Latest / Children of the 80s / The Downside to 80s TV Fame
Transcript
- 0:00Speaker 1: Children of the Eighties is brought to you by Q
- 0:02Speaker 1: one O six point five Internet Radio. You can find
- 0:06Speaker 1: it online at Q one o six five dot com
- 0:09Speaker 1: or download the app.
- 0:29Speaker 2: Welcome back to Children of the Eighties. I am one
- 0:31Speaker 2: of your hosts, Jim, and I am joined as always
- 0:36Speaker 2: by the lady who wishes she could get rid of
- 0:39Speaker 2: me and get Donnie in this seat to do a murder,
- 0:44Speaker 2: Death Kill podcast. It's my co host, Lindsay. Okay, you
- 0:50Speaker 2: know I'm not lying. You know everything I said is true.
- 0:52Speaker 1: Okay, So here's the problem. You don't know what today's
- 0:56Speaker 1: topic is about, and that opening is extreme, dreamly inappropriate
- 1:01Speaker 1: for the topic of the show. Just leave it. We'll
- 1:06Speaker 1: go with it. People will get a kick out of it.
- 1:08Speaker 1: But I don't know. Donnie may may put out a
- 1:12Speaker 1: restraining order against me afterwards.
- 1:16Speaker 2: You told me last week that you wanted to do
- 1:18Speaker 2: a true crime podcast about the attempted kidnapping of So
- 1:29Speaker 2: then you told me yesterday that you did research on
- 1:32Speaker 2: said topic. Yeah, and then I open with that of
- 1:38Speaker 2: the belief that we are doing that topic. And now
- 1:41Speaker 2: you are telling me that the opening does not fit
- 1:46Speaker 2: the topic that we are discussing.
- 1:48Speaker 1: It fits it a little too. Well, that's all I'm
- 1:50Speaker 1: going to say. So I commented on another recent post
- 1:57Speaker 1: that Donnie made on Instagram and he he hearted it again.
- 2:02Speaker 1: So that's twice now in what is many months? Would
- 2:08Speaker 1: you say about two months?
- 2:09Speaker 2: No, I'd say about four months.
- 2:11Speaker 1: Okay, Anyways, all I'm saying is I think I got
- 2:15Speaker 1: a chance.
- 2:18Speaker 2: I don't think so, Tim.
- 2:22Speaker 1: How excited was I though? And he hearted my comments? Oh?
- 2:26Speaker 2: You took a screenshot of it and sent it to.
- 2:29Speaker 1: Me, Because all a woman my age wanted back when
- 2:35Speaker 1: she was ten, eleven, twelve years old, was for Donnie
- 2:38Speaker 1: Wahlberg to heart one of her comments, even though we
- 2:43Speaker 1: didn't have that ling go back then. So it's like, Lord,
- 2:47Speaker 1: if you take me today, I can go happy.
- 2:54Speaker 2: You interrupted my first week at work to text me
- 2:58Speaker 2: a screenshot of Donnie Wahlberg herding your comment on his
- 3:04Speaker 2: Instagram page.
- 3:05Speaker 1: So now my next goal I gotta get him to comment.
- 3:11Speaker 1: Got to get him to comment.
- 3:12Speaker 2: And then eventually he comes in and sits in my
- 3:16Speaker 2: seat and takes over the podcast.
- 3:18Speaker 1: Well, I've been in cahoots with a listener. We've been
- 3:22Speaker 1: working on a design a logo for the podcast.
- 3:25Speaker 2: Yes, Donnie comes in, I saw that Patreon or John
- 3:30Speaker 2: sent that in via email, which he knows that I
- 3:34Speaker 2: appreciate email, so he sent that in via email, and
- 3:38Speaker 2: I have to say that I did get a kick
- 3:39Speaker 2: out of it, and we'll post that on all the socials.
- 3:42Speaker 1: The only issue I have with it is I look
- 3:44Speaker 1: a little angry in my headshot, and I'd like to
- 3:48Speaker 1: just remind John, I'm going to be real happy if
- 3:52Speaker 1: Donnie Wahlberg's my co.
- 3:53Speaker 2: Host, not if he comes on and says I'm still
- 3:56Speaker 2: gonna be married to Jenny.
- 3:59Speaker 1: I'd be happy. Just to be in his presence would
- 4:03Speaker 1: be a blessing.
- 4:13Speaker 2: I'm wrong, wrong, wrong, wrong, wrong, wrong, wrong, You're wrong,
- 4:20Speaker 2: You're wrong, You're all.
- 4:24Speaker 1: Listen. I got a big problem.
- 4:26Speaker 2: What's that.
- 4:27Speaker 1: I got a big problem we got to talk about.
- 4:30Speaker 1: Forget Donnie. I got problems. I got problems Donnie can't solve.
- 4:36Speaker 2: Is it about the heat here in Georgia.
- 4:38Speaker 1: I'm dying. Well back up in the upper nineties again,
- 4:41Speaker 1: I am dying. I went to a well see now
- 4:44Speaker 1: you got me off on the heat. I went to
- 4:46Speaker 1: an estate sale Friday afternoon with someone and she just
- 4:49Speaker 1: looks at me. She's like, are you okay.
- 4:53Speaker 2: Because usually these estate sales they don't have Yeah.
- 4:58Speaker 1: I sweated through my shirt, were just like wet blotches
- 5:02Speaker 1: all over, and I said, yes, but I understand why
- 5:05Speaker 1: you felt like you had to ask. It's bad. It
- 5:11Speaker 1: is bad. You got nothing, You got nothing, Okay, I
- 5:23Speaker 1: got nothing. The heat. The heat's just brutal and uh.
- 5:26Speaker 1: I followed up with my asthma doctor, who said, yeah,
- 5:30Speaker 1: I'm just out of luck until the humidity dies down some,
- 5:34Speaker 1: and I don't think that's in the forecast for anytime soon.
- 5:37Speaker 2: So mid November.
- 5:39Speaker 1: Oh good, So I'll sound like I've smoked what two
- 5:42Speaker 1: packs a day until then. That's fun to listen to
- 5:46Speaker 1: on a podcast. Okay, No, I got I got bigger
- 5:49Speaker 1: issues than even that.
- 5:50Speaker 2: All right, hit me with them.
- 5:57Speaker 1: I may like yacht rock. Hi, my name is Lindsay Butler,
- 6:09Speaker 1: and I may like yacht rock.
- 6:11Speaker 2: Listen to that, folks, it's a miracle. It's a day
- 6:14Speaker 2: that I never thought would see happen. Our loyal listener, Sean,
- 6:18Speaker 2: also known as the yacht Rock Playlist Consultant, he will
- 6:21Speaker 2: be very happy to hear that.
- 6:23Speaker 1: Okay, okay, okay, okay, okay before we just finalize this
- 6:27Speaker 1: and it goes on my grave marker to that's what
- 6:35Speaker 1: they're gonna do.
- 6:35Speaker 2: Here lies Lindsay Butler nineteen seventy nine to whatever day,
- 6:42Speaker 2: beloved mother, beloved wife, beloved daughter of blah blah blah
- 6:46Speaker 2: blah blah, fan of yat rock.
- 6:49Speaker 1: I'm afraid it, Mike, I need to clarify if the
- 6:55Speaker 1: Little River Band is considered yacht rock or not or not.
- 7:00Speaker 2: Now, they may have some songs that land on the
- 7:05Speaker 2: Yachtsky scale. I bet that they probably do, and I'm
- 7:09Speaker 2: sure Sean will ping me on X and let me know.
- 7:14Speaker 2: But I bet you they have some songs that land
- 7:17Speaker 2: on the Yachtsky scale. But no, they're just smooth. I
- 7:19Speaker 2: don't think they're yacht.
- 7:21Speaker 1: So I got to the point where, so, okay, wait,
- 7:24Speaker 1: back up, back up, back up. I listen to podcasts
- 7:28Speaker 1: every time I'm in my car, and I had gotten
- 7:31Speaker 1: to the point where I felt like it might be
- 7:34Speaker 1: impacting my well being, my emotional and mental.
- 7:38Speaker 2: Well being well especially the type of podcasts that you
- 7:40Speaker 2: listen to. You don't listen to happy Yeah podcasts.
- 7:43Speaker 1: So I thought, okay, I need to probably take a
- 7:45Speaker 1: little bit of a step back from that, and I
- 7:47Speaker 1: don't know how the CD because we're too cheap to
- 7:51Speaker 1: pay for serious. We don't pay for serious. And I
- 7:55Speaker 1: don't like regular radio. I can't. I can't do that.
- 7:59Speaker 1: I don't know how to see got in my car.
- 8:01Speaker 1: But there's a little river band. Is it their greatest hits?
- 8:04Speaker 2: It is their greatest hits?
- 8:05Speaker 1: And I have been listening to it on repeat now
- 8:09Speaker 1: for like a month, and I'm obsessed. I walk around
- 8:13Speaker 1: the house singing it, don't.
- 8:15Speaker 2: I Yes, you do, which makes me happy. But this
- 8:18Speaker 2: is much like when you had the Oasis What's the
- 8:21Speaker 2: Story Morning Glory CD and your CD player for like
- 8:25Speaker 2: a year and a half.
- 8:26Speaker 1: Yes, and that's all I listen and Emmy.
- 8:28Speaker 2: Knows every single word to that entire album, which makes
- 8:31Speaker 2: me happy because at one time I knew every single
- 8:34Speaker 2: word to that entire album.
- 8:36Speaker 1: Yeah, I'm all or nothing. So when this CD pops
- 8:40Speaker 1: out of my car, I'll probably never listen to it again.
- 8:43Speaker 2: No you won't. I have to get something else in there.
- 8:45Speaker 1: Oh my goodness, I'm loving this CD. I'm loving this
- 8:49Speaker 1: band the band. Have you guys heard of this band?
- 8:54Speaker 1: I'm saying it like they're new new on the Sea.
- 8:57Speaker 2: Yeah, they're new on the Seed. Well, we have discussed
- 9:00Speaker 2: the band on the show before, probably a couple of times.
- 9:04Speaker 2: So yes, I'm sure our listeners know who the Little
- 9:08Speaker 2: River Band is. They're not some new underground band they
- 9:12Speaker 2: just came up. Now, they're they're from down Under, but
- 9:16Speaker 2: they're not an underground Are they Australian? They are.
- 9:19Speaker 1: They don't sing with an accent.
- 9:21Speaker 2: Nobody sings with an accent. Just everybody sings has a
- 9:26Speaker 2: singing voice.
- 9:27Speaker 1: Now everybody sings as if they're American.
- 9:30Speaker 2: Yes, or or that's the that's the selfish way to
- 9:36Speaker 2: look at it. Or you can say Americans sing like
- 9:39Speaker 2: they're British and Australian, or you could just say everybody
- 9:43Speaker 2: sings the same. Because even Roxette, who's from Sweden, Orse Switzerland,
- 9:49Speaker 2: one of those two UH bands from Denmark, all over
- 9:53Speaker 2: the place they sing. They all sound the same.
- 9:56Speaker 1: I mean, blow my mind.
- 9:57Speaker 2: It's not the same type of music, but they all
- 10:01Speaker 2: sound like they have just a singing accent.
- 10:04Speaker 1: I thought the Little Riverband was from Lower Alabama.
- 10:07Speaker 2: No, they are from Australia.
- 10:11Speaker 1: And it.
- 10:13Speaker 2: Disturbs me a little bit that we did maybe in
- 10:18Speaker 2: the first season or early In the second season, an
- 10:21Speaker 2: episode called the Australian Invasion, and Little Riverband was featured
- 10:27Speaker 2: on that podcast. On that episode, yes, and here you
- 10:31Speaker 2: are with your mind being blown that they are Australian. Listen,
- 10:34Speaker 2: I don't remember what I did week before last. I
- 10:38Speaker 2: don't either, but I remember everything about our episodes.
- 10:41Speaker 1: I know, I know. Well, that's where we balance each
- 10:44Speaker 1: other out, because you remember everything about our episodes. I
- 10:47Speaker 1: remember everything about things that have to get done in
- 10:50Speaker 1: the home.
- 10:51Speaker 2: I'd rather remember everything about the episode.
- 10:54Speaker 1: Hi, Well, yeah, that's crazy. And then right before we
- 10:57Speaker 1: hit record, I was singing one of their songs and
- 11:01Speaker 1: you commented that the name of it is Lady, and
- 11:05Speaker 1: how did you not know that? And I'm like, that's
- 11:07Speaker 1: a Kenny Rogers song and you're like, wow, well it's
- 11:11Speaker 1: also a Little Riverband song.
- 11:13Speaker 2: It's also a stick song.
- 11:14Speaker 1: I had no idea that the name of that song
- 11:16Speaker 1: was Lady. But that is my favorite. Because I hope
- 11:19Speaker 1: everybody's gonna want to know, Lindsey, what is your favorite
- 11:23Speaker 1: Little Riverband song?
- 11:24Speaker 2: Well, it's about time that you came around to that.
- 11:26Speaker 2: That is that is the best song by Little Riverband.
- 11:30Speaker 2: Although help is on its way and Man on Your
- 11:33Speaker 2: Mind are really really close. Man on your Mind is
- 11:36Speaker 2: a close second for me.
- 11:39Speaker 1: Oh my god, I.
- 11:39Speaker 2: Bet it is, because it's always that Man on your
- 11:42Speaker 2: Mind is Dimond.
- 11:43Speaker 1: Oh, it's Donnie Wahlberg always. Oh wow, we've gone down
- 11:49Speaker 1: some trails today.
- 11:50Speaker 2: I feel like we need to go back and redo
- 11:57Speaker 2: that episode so then you can be all excited.
- 11:59Speaker 1: About probably probably Do you have anything that you want
- 12:04Speaker 1: to touch on before we get into.
- 12:09Speaker 2: I don't know what the episode is about. I have
- 12:11Speaker 2: no clue. I'm sitting over there. For the first time
- 12:13Speaker 2: in my life, I'm sitting over here with no computer,
- 12:16Speaker 2: with no ideah, and all I have is headphones and
- 12:21Speaker 2: a microphone. I did start to type some notes in
- 12:24Speaker 2: my phone just so I remember to hit the stuff
- 12:28Speaker 2: that we always hit right, like, for instance, I do
- 12:32Speaker 2: want to throw out. If you haven't already, go ahead
- 12:34Speaker 2: and join our Patreon. We're doing some fun stuff over there.
- 12:38Speaker 2: We just released another poll for our paid members only.
- 12:44Speaker 2: We are going to be starting possibly next week, if
- 12:49Speaker 2: not for sure the week after. We're going to be
- 12:51Speaker 2: starting our attempt to find out what is the greatest
- 12:55Speaker 2: year for music in the nineteen eighties, And we list
- 13:00Speaker 2: did the number twenty five song for all ten years
- 13:03Speaker 2: of the eighties and had our Patreon members rank them
- 13:07Speaker 2: one through ten. I'm gonna calculate all those up because
- 13:10Speaker 2: you know how I love doing that. I know, and
- 13:12Speaker 2: then we're gonna calm them down. On our episode ten
- 13:15Speaker 2: to one, we're going to talk about the songs. We're
- 13:16Speaker 2: going to talk about our ratings, We're going to talk
- 13:18Speaker 2: about lots of stuff about that, and then we'll do
- 13:21Speaker 2: that for the twenty four songs. It's gonna be like
- 13:22Speaker 2: a two year project because I said, we're gonna do
- 13:24Speaker 2: it like once a month, but eventually we're gonna find
- 13:27Speaker 2: out what year is the best year of pop music
- 13:31Speaker 2: for the nineteen days, or at least a Billboard the
- 13:33Speaker 2: nineteen eighties.
- 13:34Speaker 1: Sounds like to me, you got your work cut out
- 13:36Speaker 1: for you over there.
- 13:37Speaker 2: I do. But it's fun work. So it's not you
- 13:40Speaker 2: know somebody what said, do what you love and you'll
- 13:43Speaker 2: never work a day in your life. Well, yes, well
- 13:45Speaker 2: this is what I love to do, so it's not worked.
- 13:48Speaker 2: To me, it's all fun.
- 13:49Speaker 1: I love that. That's awesome. Speaking of work, you had
- 13:53Speaker 1: your first week back in the office this week, and
- 13:55Speaker 1: you know you did really well.
- 13:57Speaker 2: I I mean, I mean yeah, looking at it from
- 14:01Speaker 2: the outside, yes, I did very well. Looking at it
- 14:04Speaker 2: from my point of view, I'm disappointed that I had
- 14:07Speaker 2: some fatigue problems.
- 14:08Speaker 1: Oh good grief. We knew that there was no way
- 14:11Speaker 1: around having fatigue. I think you did really well balancing
- 14:16Speaker 1: and pushing through it a good bit of the time.
- 14:18Speaker 2: Well, I can tell you that I picked the right
- 14:22Speaker 2: time to come back because I believe the salespeople were
- 14:25Speaker 2: on their annual President's Club trip where they take them
- 14:28Speaker 2: because they sell so much and so they're gone for
- 14:31Speaker 2: a week so they don't bug me for a week.
- 14:33Speaker 1: Uh. We were able to get in and get saddled.
- 14:36Speaker 2: Yeah, okay, yes, and actually look for no I don't
- 14:41Speaker 2: want to say look for stuff to do, but be
- 14:43Speaker 2: able to do stuff that I don't that I'm not
- 14:46Speaker 2: normally able to do, or that maybe I put on
- 14:48Speaker 2: the back burner. I was able to just jump in
- 14:50Speaker 2: and help people, which is my job, but I very
- 14:53Speaker 2: rarely get to do it because I get hammered, you know,
- 14:56Speaker 2: with emails from sales.
- 14:57Speaker 1: Okay, I have a question. I don't know if you
- 14:58Speaker 1: can share this o the airwaves or not, but where
- 15:01Speaker 1: did they go on their trup.
- 15:02Speaker 2: I don't know. If I knew, i'd say it, but
- 15:05Speaker 2: I don't know. I'm sure, I'm positive it was probably
- 15:08Speaker 2: somewhere in the Caribbean.
- 15:09Speaker 1: Oh, do you think that maybe you could arrange to
- 15:14Speaker 1: take the children of the eighties salespeople to the Caribbean.
- 15:19Speaker 2: If they raise enough and revenue.
- 15:22Speaker 1: Absolutely, yes, I got it. I got it.
- 15:25Speaker 2: Get the children of the eighty sales team to raise
- 15:28Speaker 2: enough revenue and I will take them to the Caribbean.
- 15:30Speaker 1: Sweet.
- 15:31Speaker 2: You heard it here first, folks, as president of this podcast.
- 15:35Speaker 1: Wait now as vice president?
- 15:38Speaker 2: Yes, you as vice president? Prod Oh all right, well
- 15:43Speaker 2: are you ready to get to it? Then?
- 15:45Speaker 1: As ready as I'll ever be. This is a podcast
- 15:55Speaker 1: that looks back on the decade of the nineteen eighties.
- 15:58Speaker 1: We talk about things that were important to us as
- 16:01Speaker 1: children and what we look back on with fond memories
- 16:05Speaker 1: as adults. Ultimately, this is a nostalgia podcast.
- 16:11Speaker 2: That's right, and today we are getting nostalgic about I
- 16:15Speaker 2: have no idea. I know I was gonna say, but
- 16:18Speaker 2: before we do that, I.
- 16:21Speaker 1: Know, because I'm middle aged.
- 16:23Speaker 2: Man, I have another nominee for the middle Aged Man
- 17:05Speaker 2: Hall of fame and it actually came from two different people.
- 17:09Speaker 1: Wow, So double pressure for so, double pressure for you.
- 17:13Speaker 2: I personally I think this is a shoe in. Okay,
- 17:16Speaker 2: if you say no, I'm going to show you some
- 17:18Speaker 2: pictures of this person at twenty four looking like they're
- 17:21Speaker 2: about forty five. So the nominee for today for the
- 17:27Speaker 2: middle aged man Hall of Fame, which you will choose
- 17:30Speaker 2: do they get in or do they get banished forever?
- 17:34Speaker 2: Is one mister Terry Bolea, also known as Hull Cogin
- 17:40Speaker 2: or Hollywood Ull covid.
- 17:42Speaker 1: What a random nominee it was his balding head, don't
- 17:50Speaker 1: you think?
- 17:51Speaker 2: So look at those pictures and look at the ages
- 17:53Speaker 2: of those pictures because so this guy, I'll tell you
- 17:57Speaker 2: who it is in a minute after you get him in.
- 18:00Speaker 2: But this guy came prepared with stats.
- 18:04Speaker 1: Oh he sure did. Okay, that top left is he
- 18:07Speaker 1: twenty four?
- 18:07Speaker 2: Is that?
- 18:08Speaker 1: What that says top left.
- 18:09Speaker 2: To you is twenty four? And then the next one
- 18:12Speaker 2: over is twenty seven.
- 18:13Speaker 1: Okay, So the one where he's twenty four, he doesn't
- 18:16Speaker 1: look a day under forty four.
- 18:18Speaker 2: That's exactly what I said. And what about it? Twenty
- 18:20Speaker 2: seven fifty five and what about forty four, which is
- 18:27Speaker 2: down here sixty and what about at age fifty two
- 18:34Speaker 2: seventy he might be better off for old age man.
- 18:38Speaker 1: Yeah, but this is an easy one. He's in, So
- 18:46Speaker 1: I kind.
- 18:47Speaker 2: Of knew that he was going to be in. So
- 18:48Speaker 2: several weeks ago, our buddy Sean from Smoking Sounds nominated him,
- 18:54Speaker 2: but because we were so far behind on stuff, I
- 18:57Speaker 2: did not bring him up. But then Derek from the
- 19:00Speaker 2: movie crew, once again nominating somebody, he decided not only
- 19:04Speaker 2: was he going to nominate it, he attached some picks
- 19:07Speaker 2: to assist. And Yeah, here's a picture of hal Cogan
- 19:12Speaker 2: at twenty four, looking like he's about forty, and then
- 19:16Speaker 2: him at twenty seven. Now, mind you, this is two
- 19:19Speaker 2: years before he was in Rocky three, and he still looks,
- 19:24Speaker 2: you know, like he's middle aged.
- 19:26Speaker 1: It's his hairline and that fu manchew. Yes, it does
- 19:29Speaker 1: him no favors.
- 19:30Speaker 2: I mean, look at age twenty four, like everybody's everybody
- 19:33Speaker 2: I know at twenty four is like still baby faced.
- 19:35Speaker 1: Yeah, no, he's right.
- 19:37Speaker 2: Compare him to what Matthew Perry and Matt LeBlanc look
- 19:40Speaker 2: like on Friends, Right, he looks like he could be
- 19:42Speaker 2: their grandpa at that age, He's lived for sure. So
- 19:47Speaker 2: congratulations hall Cogan, you have been brought into the Middle
- 19:52Speaker 2: Ages Hall of Fame in what do they call that
- 19:54Speaker 2: when they're dead? Post mortem? Post No, I don't think
- 19:58Speaker 2: they call it post mortem, but posthumously a word costume.
- 20:04Speaker 1: I can't say posthumously.
- 20:05Speaker 2: Posthumously. Yes, there we go. See you're not the only
- 20:09Speaker 2: one that struggles with certain words. Posthumously. Hul Cogan has
- 20:13Speaker 2: been nominated and elected to the Middle Aged Man Hall
- 20:17Speaker 2: of Fame.
- 20:18Speaker 1: Wow, I'm glad we don't have to fit him for
- 20:20Speaker 1: a jacket.
- 20:22Speaker 2: Yes you do. We fit Casey Kasem for a jacket.
- 20:25Speaker 2: We gotta fit the whole Cogan for a jacket. It's
- 20:27Speaker 2: the it's the five timers club that gets the jacket.
- 20:30Speaker 2: You also get a jacket for going into the Hall
- 20:32Speaker 2: of Fame. Oh you do, every hall of fame you
- 20:34Speaker 2: get a jacket.
- 20:35Speaker 1: Oh wow. Do you think when we get his jacket
- 20:38Speaker 1: made for him that Danny DeVito can ride in the pocket?
- 20:41Speaker 2: Probably? Yes? Yes, Now that is the opposite, is okay
- 20:45Speaker 2: of each one? So there you go. All right, I'm
- 20:52Speaker 2: I'm done, folks. I'll see you next week. Well, Lindsey's
- 20:55Speaker 2: gonna take over now.
- 20:56Speaker 1: Okay, So this week's theme is a little bit along
- 20:59Speaker 1: the lines of true crime. Has some darkness there, so
- 21:03Speaker 1: sorry about that. I'll try to keep the story moving
- 21:07Speaker 1: as much as possible and not dwell too much on
- 21:10Speaker 1: the sadness you Okay? Over there? Yeah? Are you getting comfortable?
- 21:16Speaker 1: Do you need a blanket? I do not need a blanket. No, okay.
- 21:21Speaker 1: So do you remember when Growing Pains should probably technically
- 21:26Speaker 1: have been canceled, they tried to revitalize the show by
- 21:31Speaker 1: bringing in a baby.
- 21:35Speaker 2: Okay, I'm going to disagree with you that it should
- 21:38Speaker 2: have been canceled.
- 21:39Speaker 1: Because everyone knows if your marriage is bad, if your
- 21:45Speaker 1: sitcom is dead, have a baby. That's what it needs.
- 21:50Speaker 2: It'll fix it.
- 21:51Speaker 1: It'll fix it. Babies will fix everything. So. Ashley Johnson
- 21:56Speaker 1: was the actress who joined Growing Pains as Chrissy during
- 22:01Speaker 1: the show's final two seasons from nineteen ninety till nineteen
- 22:05Speaker 1: ninety two. She was not the one that played the baby,
- 22:09Speaker 1: right obviously, she was the one with the sweet little
- 22:12Speaker 1: headful of curly shoe hair.
- 22:14Speaker 2: She had a headful of.
- 22:17Speaker 1: Hair, so just recently, she revealed during her very first
- 22:22Speaker 1: season on the show, a fan actually tried to abduct
- 22:25Speaker 1: her from the studio lot. Have you heard that? Oh?
- 22:29Speaker 2: I have never heard this, Okay.
- 22:31Speaker 1: Ashley shared this story on her Weird Kids podcast, explaining
- 22:35Speaker 1: that at the time she had only been through a
- 22:37Speaker 1: handful of live tapings. So back then, the cast members
- 22:42Speaker 1: had old camper type trailers outside the studio, and before filming,
- 22:48Speaker 1: they would leave those trailers and walk past the studio
- 22:52Speaker 1: audience who were lined up waiting to go inside.
- 22:55Speaker 2: Growing Pains was filmed before a live studio audience.
- 22:58Speaker 1: Exactly, and unlike a modern TV studio, there weren't really
- 23:03Speaker 1: any layers of security separating the actors.
- 23:07Speaker 2: I'm telling you the nineteen eighties, it was like the
- 23:09Speaker 2: wild wild West. Yes, I mean really, we'd go out
- 23:13Speaker 2: and we'd play until dark. We would disappear, Our parents
- 23:16Speaker 2: wouldn't know where they were. They didn't even care where
- 23:18Speaker 2: we were. There was no security. Actors and actresses are
- 23:23Speaker 2: getting getting hunted down by crazy people. I mean there
- 23:27Speaker 2: was no security. It was like, what were we doing.
- 23:30Speaker 2: You could smoke on a plane. You could just go
- 23:32Speaker 2: running onto the tarmac. You get on a plane, bizarre.
- 23:37Speaker 2: There was no security inside. I mean, planes had been
- 23:40Speaker 2: It's not like planes hadn't been hijacked before they had,
- 23:43Speaker 2: but they still had no security inside.
- 23:45Speaker 1: Yeah, none.
- 23:46Speaker 2: And it was literally it's like we lived in a
- 23:51Speaker 2: different world than what today is.
- 23:53Speaker 1: And people smoked cigarettes everywhere.
- 23:56Speaker 2: Everywhere, whether you were at a restaurant, whether you were
- 23:58Speaker 2: in the office, in the hospital. People smoked in the hospital.
- 24:04Speaker 2: People smoked in the office, people smoked on the plane,
- 24:08Speaker 2: people smoked in department stores. It didn't matter where they were.
- 24:12Speaker 2: Everybody was puffing on a lung dart everybody. And that's
- 24:19Speaker 2: on her. I don't even see people that smoke could nowadays, No.
- 24:22Speaker 1: You really don't. That's that's something that it's almost like,
- 24:24Speaker 1: if you still smoke, it's so taboo. You do it
- 24:27Speaker 1: in the privacy of your own home at dark, under
- 24:30Speaker 1: the covers. Yes, so watch out, you'll start a fire
- 24:34Speaker 1: that way. Okay, So getting back back to the story
- 24:39Speaker 1: in hand, Okay, audience members could apparently get within just
- 24:43Speaker 1: a manner of a few feet of the cast members,
- 24:46Speaker 1: who some of them you know, at the time, were
- 24:49Speaker 1: pretty big stars. So that becomes especially unsettling when you
- 24:52Speaker 1: hear what had happened shortly before this particular taping, someone
- 24:57Speaker 1: had written to the production threat to come to the
- 25:00Speaker 1: set with a gun and kill some of the cast members.
- 25:04Speaker 2: Now, why do we know why? They were just crazy?
- 25:07Speaker 1: She did, Yeah, she didn't share that. So despite that threat,
- 25:11Speaker 1: Ashley still had to make that walk from her trailer
- 25:16Speaker 1: by the live studio audience who was lined up waiting
- 25:21Speaker 1: to go inside. She had to make that walk from
- 25:23Speaker 1: the trailer into the studio. She was with her mom
- 25:27Speaker 1: this particular day when suddenly a man stepped out of
- 25:30Speaker 1: the audience line, grabbed Ashley and started running away with her.
- 25:35Speaker 1: Now remember Ashley's little at the time, right, she's like
- 25:39Speaker 1: four or five. Yeah, she recalled security eventually catching up
- 25:42Speaker 1: with them and trying to wrestle her away from the man.
- 25:46Speaker 1: Her memories of the moment are understandably pretty chaotic. She
- 25:50Speaker 1: remembers practically. She describes it as flying through the air
- 25:53Speaker 1: as security struggled and tackled him to the ground. And
- 25:57Speaker 1: then came an even scarier detail, this man had a gun.
- 26:03Speaker 1: Ashley says she didn't really understand what was happening while
- 26:06Speaker 1: it was on going on. In fact, her reaction as
- 26:09Speaker 1: a child afterwards says a lot about just how young
- 26:12Speaker 1: she was while adults were asking her if she was okay,
- 26:17Speaker 1: Ashley's biggest concern was that she might be in trouble.
- 26:21Speaker 2: Oh yeah, that's that's cute and sad because a lot
- 26:26Speaker 2: of little kids are like that. But hold on, I
- 26:28Speaker 2: want to go back to this man grabbing her and
- 26:30Speaker 2: taking off and running. Did he not realize that you
- 26:35Speaker 2: can't run as fast as you normally can if you're
- 26:38Speaker 2: holding a five year old.
- 26:40Speaker 1: Okay, so she says, And if I haven't mentioned it,
- 26:43Speaker 1: I will mention it before my story's over. She believes
- 26:46Speaker 1: he was under the influence of some pretty strong drugs.
- 26:50Speaker 2: He probably was, But here's the deal. Okay, if I'm
- 26:55Speaker 2: in a crowd now, I'm fifty two now and I
- 26:58Speaker 2: have what doctors call a little bit of a weight problem.
- 27:03Speaker 2: But when I was younger, somebody I see somebody take off,
- 27:08Speaker 2: like grab a kid and take off. You're tackling Not
- 27:11Speaker 2: only that, then I'm I'm beating them to a pole.
- 27:13Speaker 2: Oh yeah, you know, it's just I'm not just getting
- 27:15Speaker 2: the kid away. Then I'm trying to inflict some serious dammage. Yes,
- 27:19Speaker 2: so they never do that again. So hopefully this guy
- 27:24Speaker 2: got what was coming to him.
- 27:25Speaker 1: Okay. So, like I said, she was worried, she was
- 27:29Speaker 1: in trouble because the kidnapper had managed to run off
- 27:33Speaker 1: with one of her shoes. So even after they were
- 27:37Speaker 1: able to get Ashley back, you know, safely to her
- 27:41Speaker 1: mom that somehow the bad guy kept the shoe.
- 27:44Speaker 2: Stop it, stop it pause here? Can can you refer
- 27:49Speaker 2: to her as Chrissy? That's how I know her, You say, Ashley,
- 27:51Speaker 2: and I start looking around for okay, somebody else, so
- 27:54Speaker 2: call her Chrissy.
- 27:55Speaker 1: Okay, so somehow.
- 27:57Speaker 2: Call her Chrissy.
- 27:58Speaker 1: Ashley had managed to keep one of Christy Ashley's shoes,
- 28:06Speaker 1: so even after she was safe and she was back
- 28:08Speaker 1: with her mom, she was still missing a shoe and
- 28:10Speaker 1: she was worried because that shoe didn't belong to her.
- 28:13Speaker 1: It belonged to the wardrobe department.
- 28:15Speaker 2: So she thought she was going to be in trouble
- 28:16Speaker 2: with the wardrobe department.
- 28:18Speaker 1: Yes, for losing one of her shoes.
- 28:20Speaker 2: That's precious.
- 28:22Speaker 1: This is really sweet, isn't it? And somehow the story
- 28:25Speaker 1: gets even a little bit weirder. Christy Ashley says she
- 28:28Speaker 1: wasn't even especially scared while the man was running with her.
- 28:32Speaker 2: Uh, huh.
- 28:32Speaker 1: She describes herself as being such a polite child that
- 28:37Speaker 1: she was apparently trying to make conversation with him, basically
- 28:41Speaker 1: asking who he was and what his name was while
- 28:44Speaker 1: he was attempting to kidnapp her. Like I'm sorry, good sir,
- 28:48Speaker 1: what is your name? She said? The man seemed to
- 28:51Speaker 1: be under the influence of something. It was incredibly strong.
- 28:54Speaker 1: Security was eventually able to stop him, and Ashley was
- 28:57Speaker 1: returned safely to her mother. She continued acting after growing Pains,
- 29:03Speaker 1: appearing in shows including Phenom and Maybe This Time, and
- 29:07Speaker 1: eventually built an enormously successful career as a voice actor.
- 29:13Speaker 2: Okay, yeah, I know a lot of kid actors going
- 29:15Speaker 2: to be voice actors, So that's good. I've never heard
- 29:17Speaker 2: of those television shows. She voice mentioned.
- 29:21Speaker 1: She does the voice on the This is Us video game.
- 29:28Speaker 2: I didn't know there was a video game. But is
- 29:30Speaker 2: that sass video game of old time?
- 29:32Speaker 1: Probably not that, not the Last of Us? Not This
- 29:37Speaker 1: is a Oh.
- 29:37Speaker 2: Okay, I was like, how'd they make that into a
- 29:40Speaker 2: video game? What you go and adopt a family like
- 29:44Speaker 2: that has issues? I would definitely be the sister of
- 29:46Speaker 2: that group, all right, So Christy Ashley, she sounds like
- 29:52Speaker 2: she's been successful. She was very cute on Girls, she adorable,
- 29:57Speaker 2: the little curly hair, but she was so annoyed on
- 30:00Speaker 2: that show.
- 30:00Speaker 1: They just needed she was not annoying. The show had flatlined.
- 30:04Speaker 1: They needed to call no.
- 30:05Speaker 2: I disagree. She was up. She was a lot better
- 30:08Speaker 2: than that. Brian Bonzel kid. Well, Chrissy was not annoying.
- 30:15Speaker 2: She was good. How dare you say anything bad about
- 30:19Speaker 2: Growing Pains? How dare you?
- 30:21Speaker 1: I want to give you the opportunity to say everything
- 30:24Speaker 1: that you feel you need to say about Growing Pains.
- 30:26Speaker 1: But I've got another story I would like to share
- 30:28Speaker 1: as well.
- 30:29Speaker 2: Okay, so Growing Pains is probably if I got to
- 30:34Speaker 2: choose what family I wanted to be in in any sitcom,
- 30:38Speaker 2: I think I'm going Growing Pains. I might go different
- 30:42Speaker 2: strokes because then I get to be cool with my
- 30:45Speaker 2: two African American step brothers. But I also get the
- 30:49Speaker 2: penthouse in New York, you know, with the with the
- 30:52Speaker 2: drumming construction money. So I might go that, But realistically,
- 30:56Speaker 2: I think I'm gonna go with the Severs. I think
- 30:58Speaker 2: Jason Seaver was the greatest dad of all time. I
- 31:02Speaker 2: think Maggie Sever might have been the greatest mom of
- 31:04Speaker 2: all time, her or Claire Huxtable.
- 31:07Speaker 1: I was gonna say, you know, I mean hindsight. It's
- 31:09Speaker 1: difficult here now, but I'm gonna say I wanted to
- 31:12Speaker 1: be in the Cosby family.
- 31:14Speaker 2: Well you did until he offered you a coke.
- 31:16Speaker 1: Well, yes, but.
- 31:22Speaker 2: I want to be part of the Severs. I want
- 31:25Speaker 2: to be Jim Sever. Actually I want to be Tom
- 31:28Speaker 2: Sever because I had picturing the major leagues. But Jason
- 31:33Speaker 2: Sever was the greatest dad. Maggie Sever one of the
- 31:36Speaker 2: greatest moms. She was a stay at home mom who
- 31:38Speaker 2: then went back to her career as a news journalist,
- 31:41Speaker 2: so she would have been somewhat famous. I would have
- 31:44Speaker 2: had a funny older brother and Mike who was kind
- 31:46Speaker 2: of a clown, so I would have looked like the
- 31:50Speaker 2: golden child, and that they would have been so proud
- 31:52Speaker 2: of me, you know, because you had the Mike being
- 31:55Speaker 2: a clown, never study, and you had poor Carol who
- 31:59Speaker 2: had anarexia. It might have been easier for that kidnapper
- 32:03Speaker 2: to pick her up than it was Christy. Then you
- 32:07Speaker 2: had Ben, who was just a punk. Yeah he really was, right,
- 32:10Speaker 2: So I would have been the favorite. And then you
- 32:12Speaker 2: have little Chrissy Ashley come along, and she would have
- 32:16Speaker 2: been a sweet little baby sister.
- 32:18Speaker 1: What would you have done when she became the favorite?
- 32:22Speaker 2: Uh? Probably just been myself. But the only thing that
- 32:33Speaker 2: would have bothered me a little bit, the only thing
- 32:39Speaker 2: I'm not sure I would want to be in that
- 32:42Speaker 2: family strictly because the dad was a psychiatrist and there's
- 32:46Speaker 2: no getting over on him.
- 32:47Speaker 1: How does that make you feel?
- 32:49Speaker 2: Well, he's gonna he's gonna get in my head and
- 32:53Speaker 2: I'm not gonna be able to get away with anything.
- 32:56Speaker 2: That would be the only downside to being in that family.
- 33:00Speaker 2: But they had a nice house. And you know what,
- 33:02Speaker 2: when le Leo DiCaprio came in at the end of
- 33:05Speaker 2: the day and kind of ruined the show, I would
- 33:07Speaker 2: have probably beat the crap out of him.
- 33:10Speaker 1: From what I hear he needs it, Yeah.
- 33:12Speaker 2: I would have. I didn't like him then, and I
- 33:15Speaker 2: would have probably beat the snot out of them. I
- 33:16Speaker 2: liked the fight when I was like thirteen years old,
- 33:19Speaker 2: so we definitely would have thrown down. Now, maybe I
- 33:22Speaker 2: would have whipped him, Maybe maybe he would have whipped me.
- 33:25Speaker 2: But I'll tell you what, that wouldn't have been the
- 33:27Speaker 2: only time, we thought I'd have been going back after him,
- 33:31Speaker 2: so brandom.
- 33:35Speaker 1: So I think it's interesting that we've never heard this
- 33:39Speaker 1: story until now.
- 33:41Speaker 2: Yeah, I had no idea.
- 33:43Speaker 1: That feels like that would have been something that would
- 33:46Speaker 1: have been on Entertainment Tonight back in the day.
- 33:49Speaker 2: Ooh, Entertainment Tonight. I like that. Yeah, right, good, good
- 33:52Speaker 2: call out there, you know.
- 33:53Speaker 1: But no, nobody, nobody that I remember that I know
- 33:57Speaker 1: OFV mentioned it until it became a little bit of
- 34:01Speaker 1: a headline when she did this podcast episode about it recently.
- 34:05Speaker 2: Now my wheels are turning. Should we do a news
- 34:07Speaker 2: magazine show of the eighties?
- 34:09Speaker 1: That would be fun? Okay, So let me move on.
- 34:11Speaker 1: Let's talk a little bit about Heather Thomas. Oh yeah,
- 34:16Speaker 1: fall Guy, the female counterpart to Lee Majors in The
- 34:22Speaker 1: Fall Guy. So okay. Heather Thomas was one of those
- 34:25Speaker 1: faces it was almost impossible to miss in the nineteen eighties.
- 34:30Speaker 1: She was best known for playing Jody Banks alongside Lee
- 34:33Speaker 1: Majors on The Fall Guy. Thomas appeared on the hit
- 34:36Speaker 1: series throughout its run from nineteen eighty one until nineteen
- 34:40Speaker 1: eighty six, and during the height of the show's popularity,
- 34:44Speaker 1: she became one of the decade's biggest sex symbols.
- 34:48Speaker 2: Yes she did.
- 34:49Speaker 1: And if I remember right, The Fall Guy. It has
- 34:53Speaker 1: the theme song that's so good, right.
- 34:54Speaker 2: Yes it does. In fact, we should play it right now. Well,
- 35:00Speaker 2: I'm not kind to kiss that tell, but I've been
- 35:04Speaker 2: seen with her up. I've never been with anything less
- 35:08Speaker 2: than a line so fine. I've been on fire with
- 35:12Speaker 2: Sally Field and gone past with the girl named Boy.
- 35:16Speaker 1: But somehow they just got and up at mine.
- 35:21Speaker 2: It's been fine. Live, I leave, I take my chances.
- 35:27Speaker 2: I die for living in the food. His attitude me
- 35:33Speaker 2: urst one I ever do. Just watch my bed and ladies.
- 35:38Speaker 1: Just some of the guy out a bandage and mine.
- 35:41Speaker 2: God, I'm my fall brother, tall building, I fight ball
- 35:47Speaker 2: that new car.
- 35:48Speaker 1: Because of the unknownstuh myn mad.
- 35:52Speaker 2: That wots such a start, all right, don't you love that?
- 36:01Speaker 1: That holds up really well? Yes, But behind the fame
- 36:04Speaker 1: was something much darker, and it ultimately played a major
- 36:08Speaker 1: role in her decision to walk away from Hollywood.
- 36:11Speaker 2: Oh gosh, I wonder what happened to her after The
- 36:14Speaker 2: Fall Guy. You know, Marky Post was on that show too,
- 36:17Speaker 2: pre Night Court.
- 36:18Speaker 1: No, I did not know that in a twenty twenty
- 36:21Speaker 1: five appearance on the Still Here Hollywood podcast, Thomas opened
- 36:26Speaker 1: up about the frightening amount of attention that she received
- 36:30Speaker 1: from stalkers during and after her years on The Fall Guy.
- 36:35Speaker 1: When she says stalkers, she doesn't mean the occasional, like
- 36:39Speaker 1: overly enthusiastic fan. She says that things got so bad
- 36:45Speaker 1: that at one point she was dealing with as many
- 36:48Speaker 1: as two stalkers a week.
- 36:51Speaker 2: That's that's that, you know, this is what happened on
- 36:53Speaker 2: my sister Sam where the you know, yeah, it's killed
- 36:57Speaker 2: by her stalker.
- 36:58Speaker 1: And remember this was the back in the nineteen eighties
- 37:01Speaker 1: and then the early nineties. Stalking wasn't necessarily treated by
- 37:05Speaker 1: police or even the legal system the way that it
- 37:08Speaker 1: would be today, and many of the protections that celebrities
- 37:12Speaker 1: have access to now simply wasn't there, given.
- 37:15Speaker 2: It was the wild West. And I remember this because
- 37:19Speaker 2: I watched a show, a movie like one of those
- 37:22Speaker 2: made for TV movies that would have been on Lifetime now,
- 37:24Speaker 2: but maybe it was like on NBC back in the
- 37:26Speaker 2: day of Nancy McKeon Joe Polichuk from Facts of Life.
- 37:32Speaker 2: She was either married or whatever, had a stalker and
- 37:37Speaker 2: the police wouldn't do anything. And then they the stalker
- 37:41Speaker 2: caught her and like stabbed her in the back, and
- 37:43Speaker 2: then she walked with the limp for the rest of
- 37:45Speaker 2: her life. Really, and then she may have been the
- 37:47Speaker 2: one that got like the stalking laws changed.
- 37:50Speaker 1: Well, we're going to get into a little bit of that, okay.
- 37:54Speaker 1: For Thomas, the situation became genuinely terrifying. She recalls receiving
- 37:59Speaker 1: a box of bullets in the mail well that people
- 38:03Speaker 1: sent her funeral reads, and at one point a man
- 38:08Speaker 1: carrying a large knife jumped the gate at her home.
- 38:13Speaker 1: Thomas became so concerned for her safety that she kept
- 38:16Speaker 1: the bodyguard with her at all times. But perhaps the
- 38:19Speaker 1: scariest incident happened one night while she was at home.
- 38:24Speaker 1: Thomas says a man actually cut through the screen of
- 38:27Speaker 1: her bedroom window and climbed inside her house.
- 38:30Speaker 2: Oh my goodness, she had.
- 38:32Speaker 1: A gun though. Listen, she had a gun loaded with
- 38:34Speaker 1: rock salt and she shot it.
- 38:36Speaker 2: Oh, she had a shotgun loaded with rock salt.
- 38:38Speaker 1: I I did not know that was like a thing,
- 38:41Speaker 1: so but apparently that was enough to knock it.
- 38:43Speaker 2: Oh yeah, no, it'll hurt like a son of a
- 38:45Speaker 2: gun without killing you.
- 38:46Speaker 1: So by then Thomas wasn't only thinking about herself. She
- 38:49Speaker 1: had two young daughters, and the constant fear and just
- 38:53Speaker 1: security concerns took on an entirely different meaning. Eventually, she
- 38:57Speaker 1: decided that she had had enough, so she did continue
- 39:03Speaker 1: acting for a while. After The Fall Guy, she appeared
- 39:05Speaker 1: in projects including Red Blooded American Girl and Something Called
- 39:11Speaker 1: Against the Law, but by the nineteen nineties she largely
- 39:14Speaker 1: stepped away from Hollywood. For five seasons, audiences watched her
- 39:19Speaker 1: on one of the most recognizable action adventure shows of
- 39:23Speaker 1: the early nineteen eighties, But while viewers saw the glamourous
- 39:27Speaker 1: side of becoming a TV star, Thomas was experiencing a
- 39:31Speaker 1: very different reality when the camera stopped rolling, and eventually
- 39:35Speaker 1: the fame simply wasn't worth what came with it, and
- 39:39Speaker 1: she made the decision to step away.
- 39:41Speaker 2: See look at what these stalkers ruined. Every guy my
- 39:46Speaker 2: age that I know loved Heather Thomas. Yeah, and these
- 39:50Speaker 2: stalkers ruined her from being on TV for the rest
- 39:53Speaker 2: of our lives. And you know it's funny because you
- 39:57Speaker 2: mentioned her and she was on The Fall Guy. And
- 40:00Speaker 2: then at the same time, Heather Lockleyer was on TJ.
- 40:03Speaker 2: Hooker and it was like the Coreries, only it was
- 40:05Speaker 2: the Heathers. Yes, right, So you had the Corries in
- 40:08Speaker 2: the eighties, you had the Heathers in the eighties. Both
- 40:14Speaker 2: Heathers are still alive. Both Cores are not still alive,
- 40:18Speaker 2: only one of them is. But they all had their issues.
- 40:23Speaker 1: Oh yeah, no, well, I mean it's the saying everybody
- 40:26Speaker 1: fights a battle.
- 40:27Speaker 2: That you know nothing about exactly. That's why you should
- 40:30Speaker 2: be kind to everybody, you see.
- 40:31Speaker 1: Correct. So if Heather Thomas's story gives us an idea
- 40:35Speaker 1: of how frightening celebrity stalking could become during the nineteen eighties,
- 40:40Speaker 1: there's one more story from that decade that shows just
- 40:43Speaker 1: how tragically far it can actually go.
- 40:45Speaker 2: Oh my goodness, you are going way further. I thought
- 40:48Speaker 2: we were only talking about Chrissy from Growing Pains, and
- 40:51Speaker 2: you have so much more now now you got Heather Thomas,
- 40:54Speaker 2: or now you're talking to my sister Sam since I
- 40:56Speaker 2: brought it up.
- 40:57Speaker 1: Yep, this is the story of Rebecca. So if you
- 41:01Speaker 1: watch TV in the mid nineteen eighties, you may remember
- 41:04Speaker 1: Rebecca as Patty Russell on the cbsitcom My Sister Sam
- 41:09Speaker 1: alongside Pam Dauber. Rebecca was young, talented, and seemingly at
- 41:15Speaker 1: the very beginning of what could have been a long career.
- 41:18Speaker 1: But on July eighteenth, nineteen eighty nine, Rebecca Shaefer was
- 41:22Speaker 1: murdered outside her own house by an obsessed fan who
- 41:25Speaker 1: had been stalking her for years. She was only twenty one,
- 41:31Speaker 1: and as horrible as her story is, what happened to
- 41:33Speaker 1: Rebecca would eventually help change the way stalking was treated
- 41:38Speaker 1: under American law. So let's back up just a little bit.
- 41:41Speaker 1: Rebecca had small roles on Guiding Light and One Life
- 41:45Speaker 1: to Live, and she then landed a tiny part in
- 41:49Speaker 1: a Woody Allen's Radio Days, although almost all of her
- 41:54Speaker 1: appearance in that movie was ultimately cut. Then came the
- 41:58Speaker 1: role that changed everything. Rebecca appeared on the cover of
- 42:02Speaker 1: seventeen magazine, and that caught the attention of producers who
- 42:06Speaker 1: were casting a new CBS sitcom called My Sister Sam.
- 42:10Speaker 1: The show starred Pam Dauber, who, of course we are.
- 42:13Speaker 2: Mark, and Mindy Nanu Nanu yeap red brother.
- 42:17Speaker 1: Rebecca was cast as Patty Russell, a teen from Oregon
- 42:23Speaker 1: who moves to San Francisco, to live with her older
- 42:25Speaker 1: sister Sam after their parents die. The show premiered in
- 42:30Speaker 1: nineteen eighty six, and initially it was a hit. During
- 42:34Speaker 1: its first season, My Sister Sam ranked among the top
- 42:37Speaker 1: twenty five shows on TV. Rebecca, at the time was
- 42:42Speaker 1: only eighteen. She had gone from struggling to find any
- 42:45Speaker 1: kind of work to starring in a successful TV series
- 42:49Speaker 1: what felt like seemingly overnight. But unfortunately, one of the
- 42:54Speaker 1: people watching was a teen in Arizona named Robert John Bardo,
- 42:59Speaker 1: and he became obsessed with Rebecca. Bardo's fixation on her
- 43:03Speaker 1: lasted for approximately three years. He wrote her numerous letters,
- 43:09Speaker 1: and Rebecca actually responded to one of.
- 43:12Speaker 2: Them, Wait does it say lead me alone?
- 43:15Speaker 1: Which wouldn't have been particularly unusual for a young actress
- 43:19Speaker 1: to be responding to fan mail, But to Bardo, it
- 43:22Speaker 1: meant like something totally you know more so obviously normal
- 43:29Speaker 1: person would have thought yes. In nineteen eighty seven, he
- 43:31Speaker 1: traveled from Tucson to la and tried to get onto
- 43:35Speaker 1: the set of My Sister Sam so he could meet her.
- 43:38Speaker 1: Studio security turned him away a month after the kidnap
- 43:43Speaker 1: you this was before a month later he returned, this
- 43:47Speaker 1: time he was carrying a knife. Once again, security caught
- 43:51Speaker 1: him and prevented him from getting to Rebecca. For a while.
- 43:54Speaker 1: After that, his attention apparently shifted to other female celebrities,
- 44:00Speaker 1: including Tiffany, Debbie Gibson, and Madonna. But then in nineteen
- 44:05Speaker 1: eighty nine, he saw Rebecca in the movie Scenes from
- 44:08Speaker 1: the Class Struggle in Beverly Hills, and there's a scene
- 44:13Speaker 1: in a bedroom scene in that movie with Rebecca, and
- 44:15Speaker 1: when he saw that, he became extremely jealous and angry,
- 44:21Speaker 1: and that reignited his obsession with Rebecca. And this is
- 44:26Speaker 1: where her story exposes something almost unbelievable about the privacy.
- 44:31Speaker 1: Back in the nineteen eighties, Bardo wanted Rebecca's home address,
- 44:36Speaker 1: so he hired a private detective who was able to
- 44:39Speaker 1: obtain her address from California Department of Motor Vehicles records.
- 44:45Speaker 1: So then Bardo traveled overnight from Tucson to la and
- 44:49Speaker 1: found Rebecca's apartment. Meanwhile, Rebecca was preparing for what could
- 44:55Speaker 1: have been another major step in her career. She was
- 44:58Speaker 1: expecting a script that day because she was preparing to
- 45:01Speaker 1: audition for Francis Ford Coppola's The Godfather.
- 45:06Speaker 2: Part Oh Wow, it would have been a better movie
- 45:09Speaker 2: with her in it, because he wouldn't have had his
- 45:11Speaker 2: daughter be it.
- 45:12Speaker 1: She was being considered for the role of Mary Corleone.
- 45:17Speaker 1: So when someone rang her doorbell that morning, Rebecca answered it.
- 45:21Speaker 1: It was Bardo. He showed her a letter and autograph
- 45:24Speaker 1: that she had previously sent to him. We know that
- 45:27Speaker 1: she spoke to him briefly, and then she asked him
- 45:29Speaker 1: to not come to her home again. So he left,
- 45:32Speaker 1: but about an hour later he went back. Rebecca answered
- 45:36Speaker 1: the door again. This time Bardo pulled out a gun
- 45:40Speaker 1: and shot and killed her. Neighbors rushed in to help,
- 45:44Speaker 1: but it was too late. She died shortly after arriving
- 45:48Speaker 1: at cedar CYANAI. Bardo fled la and headed back toward Arizona.
- 45:54Speaker 1: The following day, police arrested him in Tucson after motorist
- 45:57Speaker 1: reported seeing a man behaving erratically and running through traffic.
- 46:02Speaker 1: He confessed to Rebecca's murder. And here's another name you'll
- 46:05Speaker 1: probably recognize. The prosecutor in this case was Marcia.
- 46:10Speaker 2: Clark uh who's that.
- 46:14Speaker 1: Years before she became nationally known as the lead prosecutor
- 46:19Speaker 1: in the OJ Simpson trial.
- 46:21Speaker 2: OJ Simpson, the football player. Yes, he was on a trial.
- 46:26Speaker 1: You wouldn't believe. I'll tell you later what he was
- 46:29Speaker 1: accused of and naked gunned. Okay.
- 46:31Speaker 2: Yes.
- 46:32Speaker 1: Bardo was eventually convicted of first degree murder and sentenced
- 46:36Speaker 1: to life in prison without the possibility of parole. But
- 46:39Speaker 1: Rebecca Schaeffer's story didn't end with his conviction, because her
- 46:43Speaker 1: murder exposed just how inadequate stalking and privacy laws were
- 46:47Speaker 1: at the time. In nineteen ninety California passed one of
- 46:51Speaker 1: the country's first anti stalking laws, and soon other states followed.
- 46:56Speaker 1: There were also changes involving access to personal information through
- 47:00Speaker 1: state motor vehicle departments. In nineteen ninety four, the Federal
- 47:04Speaker 1: Driver's Privacy Protection Act was enacted, restricting the release of
- 47:09Speaker 1: personal information, including someone's home address, from DMB records. So,
- 47:16Speaker 1: in other words, the very method Rebecca's killer had used
- 47:19Speaker 1: to find her helped lead to changes designed to prevent
- 47:22Speaker 1: someone else from being able to do the same thing.
- 47:26Speaker 1: Rebecca's death also deeply affected the people who knew her.
- 47:29Speaker 1: Pam Dauber and several other My Sister Sam cast members
- 47:33Speaker 1: reunited to film a public service announcement addressing gun violence.
- 47:37Speaker 1: I remember that do you no, I do not. Yeah,
- 47:39Speaker 1: it was I didn't fully understand everything, but it was.
- 47:43Speaker 1: It bothered me. Rebecca's parents became advocates as well, and
- 47:48Speaker 1: on the very day she died, she was preparing for
- 47:50Speaker 1: an audition for one of the biggest directors in Hollywood.
- 47:54Speaker 1: Will never know what Rebecca Schaeffer's career might have become. Instead,
- 48:00Speaker 1: her name became forever associated with something she never asked for,
- 48:04Speaker 1: the dangers of celebrity stalking. And when you hear Heather
- 48:08Speaker 1: Thomas described receiving bullets and funeral reads in the mail,
- 48:13Speaker 1: having men jump the gate at her home, and ultimately
- 48:16Speaker 1: having an intruder climb through her bedroom window, Rebecca Schaeffer's
- 48:21Speaker 1: story puts those fears into a very different perspective.
- 48:24Speaker 2: Oh for sure, for sure. So it's too bad that
- 48:28Speaker 2: Heather Thomas used rock salt Well, yeah not book shot. Yes,
- 48:34Speaker 2: when they make me king for a day for the
- 48:39Speaker 2: day like Thompson twins, I will pass a law that says,
- 48:45Speaker 2: if you're a documented stalker and you're still stalking that person,
- 48:49Speaker 2: it is okay for them to shoot and kill you. Yep,
- 48:53Speaker 2: all stalkers should be shot. I don't care if they
- 48:57Speaker 2: have a mental issue or not, because they're not going
- 48:59Speaker 2: to stop until they kill or hurt or maime, or
- 49:02Speaker 2: they're caught and thrown in jail. And even with the
- 49:05Speaker 2: stalking laws, it's still not enough.
- 49:06Speaker 1: I know.
- 49:07Speaker 2: It's we've seen enough of your crime specials on TV
- 49:12Speaker 2: to know that police can't really do anything with the
- 49:16Speaker 2: stalkers unless they're caught on the property of the person
- 49:19Speaker 2: they're not supposed to be yet, or violating the protection order.
- 49:26Speaker 2: But they've got to be violating at the time the
- 49:28Speaker 2: police catch them. So somebody calls the police and they run,
- 49:30Speaker 2: they can't do anything about. It's just so ridiculous. So
- 49:33Speaker 2: when I'm king, hey, stalkers are like deer during deer season,
- 49:40Speaker 2: but stalker hunting season is all year long. God, you
- 49:45Speaker 2: don't have to have a license for it. You don't
- 49:47Speaker 2: have to have documented proof.
- 49:49Speaker 1: So when you put these stories together like we just
- 49:52Speaker 1: did today, you start to see just how different celebrity
- 49:55Speaker 1: security was in the eighties and early nineties.
- 49:58Speaker 2: The Wild West.
- 50:00Speaker 1: Simply wasn't the kind of security infrastructure that we expect
- 50:03Speaker 1: out of celebrities today.
- 50:05Speaker 2: It's like it's like Abraham Lincoln get shot and then
- 50:10Speaker 2: they still don't have anybody protecting the president. And twenty
- 50:13Speaker 2: years or sixteen years later, James Garfield gets shot, and
- 50:17Speaker 2: then they still don't have somebody protected the president. And
- 50:22Speaker 2: twenty years later, William McKinley gets shot. It's like what
- 50:25Speaker 2: in the world. And then finally they get you know,
- 50:28Speaker 2: secret service in there to protect and yet Kennedy still
- 50:31Speaker 2: gets shot, although he did kind of go against their
- 50:33Speaker 2: orders of don't driving it in a drop top.
- 50:36Speaker 1: Yeah. So that is the end of my somewhat true
- 50:42Speaker 1: crime ish episode today.
- 50:44Speaker 2: True Crime of the eighties starring Lindsey and Donnie.
- 50:48Speaker 1: See that's why I said, oh no, we're talking about
- 50:50Speaker 1: my obsession in love of Donnie Wahlberg, and now I'm
- 50:53Speaker 1: going to get into talking about stalkers.
- 50:55Speaker 2: Should I be exactly? Yeah? Exactly?
- 50:58Speaker 1: Oops.
- 50:58Speaker 2: Though, had I known that you were gonna go through
- 51:03Speaker 2: all this, I would have talked to my Boston accent.
- 51:06Speaker 1: Oh let me hear one more.
- 51:07Speaker 2: Time, Boston. Okay, I'm gonna go get in the CA.
- 51:13Speaker 1: That's not half bad. It's not half good either, you know,
- 51:17Speaker 1: it's not okay. So I don't even know how do
- 51:21Speaker 1: you wrap it up? Because that was heavy I'm not
- 51:23Speaker 1: sure how you.
- 51:24Speaker 2: You know, when we watch these at night, like we
- 51:26Speaker 2: have to have a pilot cleanser and then we watch Seinfeld.
- 51:29Speaker 1: We do. Seinfeld is always our palat Where is Gramer
- 51:33Speaker 1: when you need it?
- 51:34Speaker 2: Exactly? Well, he's wearing those painted on jeans where he
- 51:39Speaker 2: walks like Frankenstein. Yes, Frankenstein's monster. I know the difference, folks.
- 51:44Speaker 1: So we're out there. We're on all the socials. You
- 51:46Speaker 1: can find us on x, Facebook, Instagram, Children of Underscore Eighties.
- 51:52Speaker 1: You can always email us. We like to get emails.
- 51:54Speaker 2: Children of the nineteen Eighties at gmail dot com and
- 51:56Speaker 2: we are. We're getting more and more emails and I'm
- 51:58Speaker 2: loving it. I am loving it. In Remember, you can
- 52:01Speaker 2: join our Patreon for free. But if you want to
- 52:03Speaker 2: participate in some of the fun stuff that we're doing
- 52:05Speaker 2: and get bonus episodes and all that stuff, you can
- 52:08Speaker 2: join for as little as five dollars a month to
- 52:11Speaker 2: help support the show. We've got a great community over there.
- 52:13Speaker 2: We've got great people participating. It's always so much fun.
- 52:17Speaker 2: Come join the crowd, be a part of it. You know,
- 52:19Speaker 2: everybody wants to be part of a part of a crowd.
- 52:22Speaker 1: Come on We would love to have you.
- 52:26Speaker 2: Until next time. I guess if we're not stalked until then.
- 52:31Speaker 1: I'm Jim and I'm Lindsay. We are children of these
- 52:37Speaker 1: next friend