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Morris Day Interview and more · The Breakfast Club

• 0:03
  Speaker 1: Time to wake up Chicken, Stanci League and Charlotte Mean
• 0:06
  Speaker 1: the Doctor to practice club Bitches the voice of the culture.
• 0:09
  Speaker 1: People watch The Breakfast Club for like news to really
• 0:13
  Speaker 1: be tuned in. It's one of my favorite shows to
• 0:15
  Speaker 1: do just because y'all always keep you one honey, y'all
• 0:18
  Speaker 1: keep it real. They might not watch the news, but
• 0:19
  Speaker 1: they're on Twitter, they're on Facebook, they're you know, they're
• 0:22
  Speaker 1: listening to The Breakfast Brother, Get your ass, wake up,
• 0:26
  Speaker 1: wake up, wake y'all. This is your time to get
• 0:30
  Speaker 1: it off your chest. Whether you're man or blass, we
• 0:33
  Speaker 1: want to hear from you on the Breakfast Club. Hello,
• 0:36
  Speaker 1: Who's this? That was so letter? Chicken areaway South Carolina
• 0:40
  Speaker 1: staff crew to act? What's happening? Get it off your chest?
• 0:44
  Speaker 1: I just came around and take one settle dollar man.
• 0:47
  Speaker 1: I want to blasch. I want to really quit my
• 0:48
  Speaker 1: freestyle recrow next time with y'all. Uh, I swear you
• 0:51
  Speaker 1: brother from South Carolina. I always shut this down, but
• 0:53
  Speaker 1: go ahead the head brother go ahead changes out of
• 0:57
  Speaker 1: if I liked it the same way. Sometimes I feel
• 0:59
  Speaker 1: like I wait to the same day trying to make
• 1:01
  Speaker 1: a giving man. I'm trying to make it out. I'm
• 1:02
  Speaker 1: trying to make sure that my favorite. So we spitching that.
• 1:05
  Speaker 1: So every day I hustled, y'all pay the guard day
• 1:07
  Speaker 1: watching me in the streets, and somebody will try to
• 1:09
  Speaker 1: play man watch right, so I break down. You gotta
• 1:15
  Speaker 1: slow that down, my South Carolina bredren, you're going too fast,
• 1:18
  Speaker 1: like what you're gonna? What's up? You're wrapping like your
• 1:21
  Speaker 1: life depends on it. Drum, that's disrespectful. Dry I was drum. Drum,
• 1:27
  Speaker 1: that's disrespectful. Don't hang up on my South Carolina back
• 1:30
  Speaker 1: is all him now, no Envies back and it's all him. Wow, Dad,
• 1:36
  Speaker 1: he was like Envies back and it's all him. Wow.
• 1:39
  Speaker 1: Goodness that damn Jesus Christ. Hello, who's this? Hey? This
• 1:46
  Speaker 1: is Jessica. Hey Jessica, get it off your chance, Jessica. Well,
• 1:49
  Speaker 1: what's up? What's up? Good morning guys. So I'm in Schausa,
• 1:52
  Speaker 1: South Carolina. Three Yeah, all day, but I still got
• 1:56
  Speaker 1: my nine one seven over heard, so I'm gonna for driver.
• 2:00
  Speaker 1: So I was on Folly Beach and my phone plays
• 2:03
  Speaker 1: music automatically, like I play a playlist. So this on commercials,
• 2:06
  Speaker 1: I like the nigga fe comfortable no, no offense, but
• 2:09
  Speaker 1: for Caucasian people got into my car and I had
• 2:13
  Speaker 1: to take them twenty eight minutes away. It was cool.
• 2:15
  Speaker 1: We were driving rock them played track music, then played
• 2:21
  Speaker 1: fall Out Boy, then played I had a range of music. Lady, Guy, Guy,
• 2:25
  Speaker 1: And as soon as Beyonce Brown skinned Girl came on
• 2:28
  Speaker 1: the lady in the back, I heard them whispering amongst themselves,
• 2:31
  Speaker 1: like who's gonna say it? Finally somebody was brave enough
• 2:34
  Speaker 1: to come up and say it. It was excuse me,
• 2:36
  Speaker 1: could you turn that song off? It's offending me? And
• 2:38
  Speaker 1: I was like, what that song offending you? And she said, well,
• 2:42
  Speaker 1: it's all about like black girls. I'm not black. I
• 2:45
  Speaker 1: don't relate to that. I was like, so something that
• 2:47
  Speaker 1: I'm breddy Madskin is offending you. So what did I do?
• 2:50
  Speaker 1: I started the whole playlist off that dogs on. He
• 2:53
  Speaker 1: got all the black power music for all twenty in music.
• 2:59
  Speaker 1: Everybody stepped from this situation, didn't look at it objectively.
• 3:02
  Speaker 1: Oh boy, you're an uber driver, correct, And when you're
• 3:05
  Speaker 1: an uber driver, you're playing music because you want people
• 3:07
  Speaker 1: to feel comfortable. Correct. They don't feel comfortable about the song.
• 3:10
  Speaker 1: You don't gotta get offended. Bike. She can't relate. She's
• 3:13
  Speaker 1: the panels Man's flavoring mammal. Yeah, but it's not that
• 3:16
  Speaker 1: type of song. It's it's not like saying, you know,
• 3:18
  Speaker 1: f white people. That's not that. She's just upset that
• 3:20
  Speaker 1: she don't have that tan. That's all. Well, she goes,
• 3:23
  Speaker 1: I'm just mad that all this trap music played. We
• 3:26
  Speaker 1: don't hurt drug dealing music. We don't hurt wip, we
• 3:28
  Speaker 1: don't hurt everything. You didn't get offended about nothing because
• 3:31
  Speaker 1: she no drug dealers. She knows drug dealers, that she
• 3:34
  Speaker 1: uses drugs. She might have she got, she might might
• 3:37
  Speaker 1: me white as her Okay, oh my goodness, she just
• 3:41
  Speaker 1: can't relate. What kind of what kind of ratings did
• 3:45
  Speaker 1: you give her? Oh? No, listen, I gave her the
• 3:49
  Speaker 1: same rating I usually give everybody else, because she didn't
• 3:51
  Speaker 1: rate me no less because she fos. But after she
• 3:54
  Speaker 1: said it all right, because mine, if you heard the
• 3:56
  Speaker 1: music that I was playing around, I was playing corn
• 3:58
  Speaker 1: fall out boy, I was playing all this other stuff
• 4:01
  Speaker 1: in rotation. If anybody know what that music is, even
• 4:03
  Speaker 1: know that it was diverse, and and I think you
• 4:06
  Speaker 1: missed a good opportunity to teach to though, because you
• 4:08
  Speaker 1: could have just told her like, look, this is an
• 4:10
  Speaker 1: old to to to melan him. All right, well hello,
• 4:14
  Speaker 1: who's this? Hey? How's it going? Then? Good morning? Yes,
• 4:20
  Speaker 1: I was going. I got a quick question for Charlot
• 4:22
  Speaker 1: man Man. Yes, sir, I ask you a question. I
• 4:25
  Speaker 1: don't know if somebody ever asked you this, But who's
• 4:28
  Speaker 1: your top three donkeys of all the time and what
• 4:31
  Speaker 1: you're considered consider giving donkey a donkey Hall of fame?
• 4:35
  Speaker 1: Oh yeah, I mean at the end of the year
• 4:36
  Speaker 1: we do a top five Donkeys of the year. I
• 4:38
  Speaker 1: don't I'm gonna be honest with you. Top donkeys of
• 4:40
  Speaker 1: all time? Donald Trump is definitely in the top three.
• 4:44
  Speaker 1: I mean I've given it to him more than anybody.
• 4:46
  Speaker 1: And um, I'm gonna always put myself in the top
• 4:49
  Speaker 1: three because I always say, you know, when you give
• 4:51
  Speaker 1: people the credit, you gotta give everybody to credit they
• 4:52
  Speaker 1: deserve for being stupid, including yourself. I don't know who
• 4:56
  Speaker 1: the third one would be though, sounds first sound y'all
• 4:59
  Speaker 1: want to clude wrong from the breakfast club? However, going
• 5:06
  Speaker 1: did your time to get it off your chests, whether
• 5:08
  Speaker 1: you're man or blast so so you better have the
• 5:10
  Speaker 1: same minutry we want to hear from you on the
• 5:11
  Speaker 1: breakfast club. Hello, who's this Jeremy, Hey, Jeremy, get it
• 5:16
  Speaker 1: off your chest? Hey, what's going on? Eddie? Charlomagne, Tokyo,
• 5:22
  Speaker 1: this is crazy because I never get through. Um. I
• 5:25
  Speaker 1: just want to shout out. You know, I'm Biden and
• 5:29
  Speaker 1: Kamalas are winning. I want to shout out my roommate Eddie,
• 5:32
  Speaker 1: and I just want to tell everyone have a nice day. Um.
• 5:35
  Speaker 1: And I got your book, Charlomagne. I got the audio
• 5:39
  Speaker 1: version of Black Privilege, and then I have than copy
• 5:43
  Speaker 1: the other one. Man, Um, and I hope you guys
• 5:47
  Speaker 1: all have a nice day. Shot. Shout after your roommate
• 5:50
  Speaker 1: Eddie too. Man Oh, he's gonna love that in college together.
• 5:55
  Speaker 1: Nah we um were I'm twenty eight, he's twenty nine.
• 6:00
  Speaker 1: I'm ana count it. He's an anti salesman. Okay, okay,
• 6:03
  Speaker 1: y'all love his roommates. Roommate rocks just a place, not
• 6:15
  Speaker 1: being love, bro. I'm just asking questions, That's all he
• 6:17
  Speaker 1: was trying to. He would try to buck. That's the
• 6:20
  Speaker 1: reason why you scenario. And I was asking questions. They
• 6:25
  Speaker 1: definitely just asking question. I got shot out and Eddie, damn,
• 6:32
  Speaker 1: I say, what was happening? All right? Bro? He never
• 6:34
  Speaker 1: wants to get through again. I know, right. This guy
• 6:36
  Speaker 1: got fantasies over there, y'all love Hello. Who's this hey, Rochelle,
• 6:43
  Speaker 1: get it off your chest. I just wanted to shout
• 6:45
  Speaker 1: up my amazing boyfriend. You're gonna say. His name is
• 6:48
  Speaker 1: his name, Rochelle, name Toddy Todd. Good morning. That was
• 6:54
  Speaker 1: nice to you, Rochelle. What did he do that? What
• 6:56
  Speaker 1: did he do yesterday that made you feel that way?
• 6:58
  Speaker 1: I'm gonna shot him out, numb one under reader, he
• 7:00
  Speaker 1: had to do something well every day. He always makes
• 7:03
  Speaker 1: sure that I have breakfast, and you make sure I
• 7:06
  Speaker 1: have lunch. We worked together, See go a long way.
• 7:13
  Speaker 1: I'm telling you, man, that's right. All my brothers give
• 7:17
  Speaker 1: you a woman, some pop tarts in the morning, some lunch,
• 7:19
  Speaker 1: a bus for lunch, and it'll go a long way. Salute.
• 7:23
  Speaker 1: What are you gonna do for him to show how
• 7:25
  Speaker 1: thankful you are? On pockets every morning? Coffee? Yeah, amazing.
• 7:31
  Speaker 1: Every morning he gets a fresh cup of coffee. Amazing.
• 7:34
  Speaker 1: See it's the little things, man, Shut up, that's it. Yeah,
• 7:37
  Speaker 1: she appreciates it, he appreciates it. They love each other. Oh, yes,
• 7:42
  Speaker 1: of course. All right, well you have a good morning. Hello.
• 7:45
  Speaker 1: Who's this yo? Yo's up? Man? DC? Do you see
• 7:51
  Speaker 1: what's what's suburb um? You know, I just want to
• 7:59
  Speaker 1: say I'm trying to keep together y'all, and I'm not
• 8:03
  Speaker 1: having a good day. You know, my uh lost my
• 8:11
  Speaker 1: dad on Friday. You know, hold off, I'm strong. Okay,
• 8:18
  Speaker 1: your time, Okay, I got there. I don't want to
• 8:21
  Speaker 1: waste somebody's fun. Please take your time. Great guy, it's great,
• 8:29
  Speaker 1: stand up man, veteran fucking devil storm Persian golf. You know,
• 8:36
  Speaker 1: just get a guy, god fearing guy. Married to my
• 8:40
  Speaker 1: mom for thirty years. That's all day's ever known since
• 8:45
  Speaker 1: they were fourteen years old. You know, that love real.
• 8:50
  Speaker 1: You know it's real. I don't know what to say,
• 8:54
  Speaker 1: but I just want y'all to look it's like it.
• 8:56
  Speaker 1: Since they're doing challenges, dude, this challenge old. If you
• 9:01
  Speaker 1: next song you see your dad, just hold him for
• 9:04
  Speaker 1: sixty ste hold them for sixty don't let go, Howard,
• 9:09
  Speaker 1: no matter how awkward it gets, just holding real tight
• 9:13
  Speaker 1: sixty seconds because you just never know. You know, my dad,
• 9:17
  Speaker 1: I would have been fifty years old next month. But
• 9:23
  Speaker 1: I don't want I don't want to keep you. I
• 9:25
  Speaker 1: don't want to keep you all man, but you know,
• 9:26
  Speaker 1: just stay up. I listened to y'all. It's my first
• 9:29
  Speaker 1: day back. I worked. I know I might be going
• 9:31
  Speaker 1: to work too soon, but things need to get paid. Listen,
• 9:37
  Speaker 1: I'm gonna tell you something. I know. I know your father.
• 9:40
  Speaker 1: I know your father was a good man because I
• 9:42
  Speaker 1: can I can tell by the impact he had. He
• 9:44
  Speaker 1: had on his son, man, because would have he wouldn't
• 9:48
  Speaker 1: impacted everybody. He was just that guy. You know. I
• 9:52
  Speaker 1: want to say, just alright, pe Dwayne Foster, Man, Dwayne Foster.
• 9:58
  Speaker 1: That's the thing, Okay, rest in peace and listen. Don't
• 10:01
  Speaker 1: be afraid to cry and let it out. It's fine.
• 10:03
  Speaker 1: You don't have to be strong like that. It's okay,
• 10:05
  Speaker 1: that's right. You told about myself right now, work, you know.
• 10:10
  Speaker 1: But I'm just you know, my mom called me, so
• 10:14
  Speaker 1: let me call y'all lady. I love y'all. Man, all right, brother,
• 10:18
  Speaker 1: and by the way, my brothers, tids don't don't make
• 10:21
  Speaker 1: you weak. Is just mean that you care. That's right,
• 10:25
  Speaker 1: you can and so yeah, that's right. You just tars
• 10:30
  Speaker 1: are just uh. I guess what you would call weakness
• 10:33
  Speaker 1: leaving the body. But I don't think it's weak at all.
• 10:35
  Speaker 1: It just means you care. Eight hundreds five eight five
• 10:38
  Speaker 1: one o five one. Get it off your chest. It's
• 10:40
  Speaker 1: the Breakfast Club, Go morning. What's up, y'alls? Angela, you
• 10:45
  Speaker 1: wishing you and your family the very best sut holiday
• 10:48
  Speaker 1: season from all of us here at their breakfast Club,
• 10:51
  Speaker 1: the Breakfast Club Morning. Everybody is Steen Jay Envy Angela Yee,
• 10:58
  Speaker 1: Charlomagne the guy we all the breakfasts Club. You have
• 11:00
  Speaker 1: a special guest in the build. In the building, I
• 11:05
  Speaker 1: was gonna say the beautiful we have a long here
• 11:11
  Speaker 1: Nia long. I said, you got to your own day
• 11:14
  Speaker 1: in New York from the mayor. Also, oh my, you guys.
• 11:17
  Speaker 1: I cried about that for like a week. Yeah, congratulation.
• 11:21
  Speaker 1: That was like the biggest honor. And I was so
• 11:24
  Speaker 1: blown away, honestly, because you don't expect, like I have
• 11:27
  Speaker 1: my own day August twenty seven. Yes, you feel the
• 11:29
  Speaker 1: pressure to have to do something on that day now,
• 11:31
  Speaker 1: like in New York, like an event to come here
• 11:34
  Speaker 1: every year on that day and talk to you. That's
• 11:36
  Speaker 1: what I can yeah, we can do that. Let's do
• 11:40
  Speaker 1: it there, we can do that. Coming up. I know
• 11:42
  Speaker 1: it is, how are you though, I'm okay. I lost
• 11:46
  Speaker 1: my father condolescently. Thank you. He was a great man
• 11:50
  Speaker 1: and it's it's it's amazing. I learned more about him
• 11:53
  Speaker 1: by being in Trenton, in Trenton, New Jersey for a week,
• 11:58
  Speaker 1: just putting the whole thing together than I ever knew.
• 12:02
  Speaker 1: And he was such an icon in the community and
• 12:04
  Speaker 1: did so much for so many of those kids living
• 12:07
  Speaker 1: down there, So I was I was really proud of
• 12:09
  Speaker 1: him though. He was a poet, right, he's a poet. Yeah,
• 12:11
  Speaker 1: he's a poet, a writer, a photographer, like a real
• 12:15
  Speaker 1: just a renaissance man, love jazz music and good food.
• 12:20
  Speaker 1: And he was really like Lorenz Tate and Love Jones,
• 12:22
  Speaker 1: but older. But I felt the school, trent And High
• 12:25
  Speaker 1: School did a beautiful tribute to my father. I could
• 12:28
  Speaker 1: not stop crying. I was just saying, this is amazing,
• 12:31
  Speaker 1: because sometimes what a person can't do for their own children,
• 12:36
  Speaker 1: they do for the world. And I'm okay with that.
• 12:39
  Speaker 1: If that meant that I had to share him, well,
• 12:41
  Speaker 1: I think that's because parents, they learned more than they
• 12:44
  Speaker 1: as they grow so when they was raising us. Yeah,
• 12:48
  Speaker 1: I was thinking about that. I was thinking, I said, mommy.
• 12:51
  Speaker 1: I looked at my mother during the service. I said, Mommy,
• 12:53
  Speaker 1: you were twenty two years old when you had me.
• 12:56
  Speaker 1: Right now, two day anything, I forgive you for every thing,
• 13:00
  Speaker 1: because I couldn't have done it at twenty two, twenty two,
• 13:02
  Speaker 1: I was in the club. That's been a heavy conversation
• 13:04
  Speaker 1: with my therapist the past couple of weeks. What's that
• 13:06
  Speaker 1: that whole conversation about forgiving your parents, Well, my father
• 13:09
  Speaker 1: in particular, because they only to do the best that
• 13:11
  Speaker 1: they could because they didn't know any better when they
• 13:13
  Speaker 1: were younger. You have to really do it for yourself.
• 13:18
  Speaker 1: It's if you, if you commit that healing to with yourself,
• 13:23
  Speaker 1: it will honestly change the way you experience your own life.
• 13:28
  Speaker 1: Because I think for a lot of years I was
• 13:30
  Speaker 1: I was disappointed and angry, and I wanted, you know,
• 13:33
  Speaker 1: my dad to like read me a bedtime story and
• 13:36
  Speaker 1: be there and do all of the things that a
• 13:38
  Speaker 1: daddy is supposed to do. And I think my father
• 13:42
  Speaker 1: had a very old school way of approaching life because
• 13:47
  Speaker 1: black people are raised to survive, that's right, and my
• 13:52
  Speaker 1: mother and my grandmother coming from the Islands, they had
• 13:55
  Speaker 1: a different philosophy. So had my parents stayed together, I
• 14:00
  Speaker 1: have still been an actress. But I don't think it
• 14:01
  Speaker 1: would have happened as quickly as it did in my life,
• 14:05
  Speaker 1: and I don't think I would have been a part
• 14:06
  Speaker 1: of the era that really helped to define black cinema.
• 14:11
  Speaker 1: When I look at my life and I'm going to
• 14:12
  Speaker 1: be fifty. This fifty, you guys, I get to do
• 14:18
  Speaker 1: whatever I want to. I can't wait. We got we
• 14:22
  Speaker 1: gotta upgrade the turn black crack. It's got to be
• 14:24
  Speaker 1: talking about fifty. Wow, I can't believe it. But my
• 14:28
  Speaker 1: point is is when you get to this age, it's
• 14:30
  Speaker 1: a beautiful time in my life because I can actually
• 14:34
  Speaker 1: put everything into perspective and now it all makes sense,
• 14:37
  Speaker 1: and I feel more free and alive than I have
• 14:42
  Speaker 1: in the last ten years because I have understanding, and
• 14:46
  Speaker 1: I've forgiven myself for not forgiving people sooner in my
• 14:50
  Speaker 1: own life, or forgiving my father for things that he
• 14:53
  Speaker 1: was unable to do. And it's a good thing to do.
• 14:56
  Speaker 1: Don't we have the luxury of healing His generation, like
• 14:58
  Speaker 1: de generation, has little late healing. The fact that you
• 15:01
  Speaker 1: just said, I've taught spoken to my therapist about certain things.
• 15:05
  Speaker 1: Black people were not saying that fifteen twenty years ago.
• 15:08
  Speaker 1: We were like, we didn't because because there was this,
• 15:11
  Speaker 1: you know, the idea was if you go to therapy,
• 15:13
  Speaker 1: there's something really wrong with you. But the reality that
• 15:15
  Speaker 1: you're crazy, And the reality is is we have so
• 15:18
  Speaker 1: much information coming at us. You need to be able
• 15:21
  Speaker 1: to sit down and organize your life and your thoughts,
• 15:25
  Speaker 1: all right, and if you don't do that, you will
• 15:28
  Speaker 1: be in a constant state of you'll have anxiety. Yeah, yeah,
• 15:32
  Speaker 1: all right, we got more with Nia Long. When we
• 15:34
  Speaker 1: come back, don't move. It's the Breakfast Club. Come on,
• 15:37
  Speaker 1: Rudolph the Red Nose out and if you ever saw him,
• 15:49
  Speaker 1: Breakfast Club. We all the Breakfast Club. We're still kicking
• 15:52
  Speaker 1: it with Nia Long actress. Ye. So, Nia, how is
• 15:56
  Speaker 1: your experience producing for the first time? Like when you said, yeah,
• 15:59
  Speaker 1: I cast it a more? Did I say it? Like?
• 16:07
  Speaker 1: Because I've seen you talking about how you see all
• 16:09
  Speaker 1: these white men getting rich off of movies that you're
• 16:12
  Speaker 1: in and now look at you producing. Is that the
• 16:15
  Speaker 1: inspiration for that? And what was it like being on
• 16:17
  Speaker 1: the other side It was difficult at times because I
• 16:21
  Speaker 1: was very specific and deliberate about certain things. And and
• 16:25
  Speaker 1: to your point, the crew was white, the director was white,
• 16:30
  Speaker 1: the producer was white, and they were lovely because they
• 16:33
  Speaker 1: allowed me to correct things that needed to be corrected.
• 16:38
  Speaker 1: But it's still frustrating that you have to over explain yourself.
• 16:43
  Speaker 1: I kept feeling like I needed to apologize for wanting
• 16:46
  Speaker 1: to change something. But why aren't I apologizing? Right, You're
• 16:50
  Speaker 1: trying to make this the best movie you possibly can make.
• 16:52
  Speaker 1: It a benefits everybody, and that's also being a woman
• 16:55
  Speaker 1: in a position of power where there's all men around you.
• 16:59
  Speaker 1: I was literally like they were literally like three women
• 17:02
  Speaker 1: on that side, and I never backed down. I was like, Nope,
• 17:05
  Speaker 1: you need to change that. Nope, don't like that angle, Nope,
• 17:08
  Speaker 1: move the camera, nope. You see that a lot like
• 17:10
  Speaker 1: if you know, if that's a guy, and they'll say
• 17:11
  Speaker 1: that guy's being a boss, but if it's a woman,
• 17:13
  Speaker 1: they'll be like, oh, she alone has a history of
• 17:16
  Speaker 1: deva behavior. Yeah, for sure. Because when I started in
• 17:19
  Speaker 1: this business, you weren't supposed to say anything except thank you,
• 17:23
  Speaker 1: And I was like thank you, but I wasn't even
• 17:27
  Speaker 1: aware I was just being myself. I just don't think
• 17:29
  Speaker 1: that you need to behave in any situation. I think
• 17:33
  Speaker 1: you need to grow and learn. Do you feel your
• 17:35
  Speaker 1: evolution as a woman is shown for your characters? M
• 17:40
  Speaker 1: not in Rock Sand Rock Sand. I don't know that lady.
• 17:44
  Speaker 1: She's not a part of me. I do know that lady,
• 17:46
  Speaker 1: but but I had to know that woman and have
• 17:49
  Speaker 1: some experience. Look, we live right down the street from
• 17:51
  Speaker 1: the projects when I lived in Brooklyn to understand how
• 17:54
  Speaker 1: to play her, right, I do think so. I mean
• 17:58
  Speaker 1: I'd like to do more. I'd like to have more
• 18:00
  Speaker 1: diversity in my portfolio. You haven't played your dream roal yet, right,
• 18:05
  Speaker 1: I don't think so. I think it's also like the
• 18:08
  Speaker 1: body of work is what makes me proud, right since
• 18:13
  Speaker 1: an impact to this day and age, Thank you, and
• 18:16
  Speaker 1: I'm still doing it. But after every job, I'm like, Okay,
• 18:19
  Speaker 1: what's that the last one? What's happening next? And it
• 18:22
  Speaker 1: never is. Still got a lot in the pipeline to
• 18:25
  Speaker 1: the young actress right now. That's that's watching this and
• 18:28
  Speaker 1: wishing to be you one day or like you one day.
• 18:30
  Speaker 1: Authenticity don't change based on what you see, change based
• 18:35
  Speaker 1: on what you know you need to do to better
• 18:37
  Speaker 1: yourself because I think a lot of times young artists
• 18:40
  Speaker 1: come and they steal a little bit of this, and
• 18:42
  Speaker 1: they steal a little bit of that. But if you
• 18:45
  Speaker 1: really start from your authentic self, all the embellishments will
• 18:50
  Speaker 1: come through your experiences, and that's what creates and grows
• 18:53
  Speaker 1: the artists. When we did Love Jones, Everyone's like, oh
• 18:57
  Speaker 1: my god, this is like the modern Dame. And I
• 19:01
  Speaker 1: was like, okay, but that isn't that what art is.
• 19:04
  Speaker 1: You take from the past and you recreated, and you
• 19:07
  Speaker 1: are to be inspired by the thing that came before
• 19:10
  Speaker 1: you and the thing that's in front of you. What
• 19:12
  Speaker 1: do you think was different about blacks in them in
• 19:14
  Speaker 1: the nineties? Though? That's lacking now because black films don't
• 19:18
  Speaker 1: have that feeling. I'm sorry it is, they just don't.
• 19:20
  Speaker 1: There's no Boys in the Hood, there's no Love Jones. Is.
• 19:23
  Speaker 1: It don't have that same energy. I know, I don't know.
• 19:27
  Speaker 1: Boys in the Hood was a great story. Love Jones
• 19:29
  Speaker 1: was a great story. But in Society was a great story.
• 19:32
  Speaker 1: And he's the stories just be wacke man. Look, here's
• 19:34
  Speaker 1: the thing. I think, you know, when you have a
• 19:36
  Speaker 1: person like John Singleton rusted his soul and when he died,
• 19:40
  Speaker 1: that broke my heart. Right, he discovered me. He created
• 19:44
  Speaker 1: a lane for people to even care about my name.
• 19:48
  Speaker 1: And so losing him and then losing my father, and
• 19:50
  Speaker 1: I was like god like and they were kind of
• 19:52
  Speaker 1: like the same kind of dude. You know, I don't
• 19:54
  Speaker 1: know that they make them like that anymore. I don't
• 19:57
  Speaker 1: know that they make men and that are so aware
• 20:03
  Speaker 1: of the black struggle, so savvy to make change and
• 20:10
  Speaker 1: then make art. So you got to produce more. You
• 20:17
  Speaker 1: have to produce and I will, guys, I will thank you.
• 20:22
  Speaker 1: That was a beautiful interview the Breakfast Club. It's miss
• 20:24
  Speaker 1: Niel Long, It's topic times. The phone called eight hundred
• 20:33
  Speaker 1: five eight five one five one to join it to
• 20:35
  Speaker 1: the discussion with the Breakfast Club. Talk about it morning.
• 20:38
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlemagne the Gay, We
• 20:42
  Speaker 1: are the Breakfast Club. Good morning. Now, today is National
• 20:46
  Speaker 1: past gas Day. We're just having some fun with it.
• 20:48
  Speaker 1: So we're asking eight hundred five eight five one oh
• 20:50
  Speaker 1: five one, do you have an embarrassing or crazy passing
• 20:54
  Speaker 1: gas or farting story? Now our board, our dramas. He
• 20:58
  Speaker 1: just said when he first started working here, he let
• 21:01
  Speaker 1: one loose and it was horribly it smelled. Let drum
• 21:04
  Speaker 1: tell his own story. Put the mic on his beard. Okay,
• 21:08
  Speaker 1: it was like my first week working with you guys,
• 21:09
  Speaker 1: and you know, my stone was a little upset. You're
• 21:12
  Speaker 1: trying to make a good impression. I was trying fired.
• 21:14
  Speaker 1: I was hoping no noticed. But then of course somebody
• 21:16
  Speaker 1: made a comment about it, and you guys mind the air.
• 21:18
  Speaker 1: You blamed the other producer, Eddie for it, and you
• 21:20
  Speaker 1: know I was, I was near You know what I'm saying.
• 21:23
  Speaker 1: I wanted to have a bad impression my first weekend.
• 21:24
  Speaker 1: Now you're a liar. Hey, I'm sorry. Sorry, Now what
• 21:30
  Speaker 1: about you? Well, we just heard about Charlomagne story him
• 21:32
  Speaker 1: and Curry at the list. Here's the thing. I don't
• 21:35
  Speaker 1: have these problems with embarrassing fart stories because I don't
• 21:37
  Speaker 1: fight in my clothes. And the reason I don't fight
• 21:39
  Speaker 1: in my clothes because the last time I farted in
• 21:41
  Speaker 1: my clothes was around two thousand and three. Two thousand
• 21:43
  Speaker 1: and fourtis when I was living in Columbia, South Carolina,
• 21:45
  Speaker 1: working a hot one on three nine. My now wife
• 21:47
  Speaker 1: was going to the University of South Carolina. The night
• 21:49
  Speaker 1: before I went to this Jamaica spot called Cool Runnings.
• 21:52
  Speaker 1: I was dropping her off at her dorm and I
• 21:56
  Speaker 1: wanted to run upstairs and use her bathroom, but I
• 21:58
  Speaker 1: could tell it was gonna be like one of those
• 21:59
  Speaker 1: really irassing, like nasty, disgusting, blow up the bathroom type things.
• 22:03
  Speaker 1: So I tried to make it back home and I
• 22:05
  Speaker 1: got to the light and I was like, I'm a
• 22:06
  Speaker 1: fart a little bit, just to ease off the pressure.
• 22:09
  Speaker 1: He's chansing off the stomach. And when I let that
• 22:11
  Speaker 1: little fart out, I felt some warmness and like some
• 22:13
  Speaker 1: liquidy stuff going down like the back of my leg
• 22:17
  Speaker 1: and my cheeks. And that wasn't a little, that was
• 22:18
  Speaker 1: a lot. So at that point I had on some
• 22:19
  Speaker 1: Peco jeans, I think it was called pococ, some Poco jeans,
• 22:23
  Speaker 1: and at that point I was just like letter rip
• 22:26
  Speaker 1: And so as I kept farting, it just kept coming
• 22:29
  Speaker 1: out nice, warm and running. And then I pulled up
• 22:31
  Speaker 1: to my apartment complex, all of my cafe to drive
• 22:33
  Speaker 1: a little great Honda Civic, and I pulled up to
• 22:35
  Speaker 1: the apartment complex and I'm like, yo, I hope my
• 22:37
  Speaker 1: next door neighbor vows not outside because her and her
• 22:40
  Speaker 1: friends be outside, because it's like, I'm disgusting right now.
• 22:43
  Speaker 1: So I ran upstairs. She wasn't there. My Poco jeans
• 22:46
  Speaker 1: were destroyed, and I actually threw the underwear weave, but
• 22:50
  Speaker 1: took my Poco jeans to the cleaners, but was too
• 22:52
  Speaker 1: embarrassed to go back for getting nasty. Yes, what about you?
• 22:57
  Speaker 1: I farted in my sleep before, and I only know
• 22:59
  Speaker 1: that because my boy friends tell me I do that
• 23:01
  Speaker 1: all the time. Oh okay, so yeah, that's kind of embarrassing.
• 23:04
  Speaker 1: And then there's times and I've had to really struggle
• 23:06
  Speaker 1: to hold it in during times that you know, it's
• 23:10
  Speaker 1: a really bad time to fart. Yeah, you know. I'm
• 23:13
  Speaker 1: the king of getting an elevator farting and then not
• 23:15
  Speaker 1: thinking that nobody else is gonna come, and then the
• 23:16
  Speaker 1: elevator stops at another floor and they walk in, and
• 23:19
  Speaker 1: I always gotta be like, WHOA, I don't know who
• 23:21
  Speaker 1: did this before I got it there. Well, another reason
• 23:23
  Speaker 1: I don't. I don't. I don't fart around people because
• 23:25
  Speaker 1: I tell people all the time farting is a form
• 23:27
  Speaker 1: of flirting. So if you're a man who likes to
• 23:30
  Speaker 1: fart around another man, like you're really sending off signals
• 23:33
  Speaker 1: like those are like male pharomones. Men got pharomones, right,
• 23:38
  Speaker 1: So those are ass paramons. Those are pharomones from your ass. Basically,
• 23:41
  Speaker 1: you just don't if you if you don't want another
• 23:43
  Speaker 1: man to think you're flirting with them, don't fart around
• 23:45
  Speaker 1: them because the truth of the matter is, why would
• 23:47
  Speaker 1: you want another man to know what your assmell like?
• 23:48
  Speaker 1: And the worst is when you don't know an invite
• 23:50
  Speaker 1: to me, God, when you're about to fart and you
• 23:52
  Speaker 1: don't know it and you go to pee and your
• 23:55
  Speaker 1: significant others in the bed and they hear you fart
• 23:57
  Speaker 1: while you pee. What about when you sneeze and fart
• 23:58
  Speaker 1: at the same time, but you you don't know if
• 24:00
  Speaker 1: people heard the far through that as well, So you
• 24:01
  Speaker 1: don't say that so loud, but the farts down to
• 24:05
  Speaker 1: just as loud, so you just don't say nothing. Hi, guys,
• 24:10
  Speaker 1: Oh my god, I can't believe I made it through.
• 24:12
  Speaker 1: Were you've been farting at? Huh? Well, it's actually not me.
• 24:15
  Speaker 1: I witnessed the fart. So my husband and I had
• 24:17
  Speaker 1: a group of friends went to the African American Museum
• 24:20
  Speaker 1: and Washington, DC, and it was really quiet. Everyone was
• 24:24
  Speaker 1: taking it in. And this old white guy he farted
• 24:27
  Speaker 1: so loudly and tried to play it off like it
• 24:30
  Speaker 1: wasn't them. Now, how old is he? Now? He had
• 24:35
  Speaker 1: to have been like seventies. You gotta let a seventy
• 24:38
  Speaker 1: old man fought where he wants to fart. Man, he's
• 24:40
  Speaker 1: are in the right. He played it. It's not it's
• 24:43
  Speaker 1: it's it's just the context that we were in. We're
• 24:46
  Speaker 1: in an African American museum. You're an old white guy
• 24:49
  Speaker 1: and you just gonna fart while everybody's just trying to
• 24:52
  Speaker 1: take in this. He ain't doing no purpose, was making
• 24:54
  Speaker 1: them nervous African American Museum. His grandda did he killed
• 25:00
  Speaker 1: some of those people. Y'allways? Looking at good? Come on now,
• 25:03
  Speaker 1: eight hundred and five, and I have no sympathy for
• 25:05
  Speaker 1: no one on five When we're talking far stories, I'm
• 25:07
  Speaker 1: scared to sleep on the plane sometimes. I know when
• 25:08
  Speaker 1: I sleep on the plane, I know I like that
• 25:10
  Speaker 1: plane up. Yeah, I can attest that you have see Hello,
• 25:14
  Speaker 1: who's this Jay? What's up? Bro? We're talking about embarrassing
• 25:18
  Speaker 1: far stories. So yeah. Look, I was in the club
• 25:20
  Speaker 1: one night and then the club was letting out and
• 25:23
  Speaker 1: we was in lying to get our coat. I had
• 25:25
  Speaker 1: gas bad as hell, and I was holding it. I
• 25:28
  Speaker 1: was trying to be you know, pord or whatever, but
• 25:30
  Speaker 1: it was too it was too chicks behind me, and
• 25:32
  Speaker 1: I had to let it go. When I let it go,
• 25:34
  Speaker 1: I tried to play it off and turn around, like, man,
• 25:36
  Speaker 1: where the hell that cream from? When I chere, they
• 25:39
  Speaker 1: was looking at me so crazy, like I knew it
• 25:42
  Speaker 1: was on black ass like we did. I just was like,
• 25:45
  Speaker 1: you know, like I tried to play it off with it.
• 25:47
  Speaker 1: It funk the club up. I really got two stories.
• 25:50
  Speaker 1: I'm the he in Detroit, like a few weeks ago.
• 25:52
  Speaker 1: He Detroit. Oh my gosh, man, listen, the picture we
• 25:57
  Speaker 1: took your face was so prices, like it just looks
• 26:00
  Speaker 1: like I farted. I don't know if was this a footlocker? No?
• 26:03
  Speaker 1: This is that la culture. Okay, that's a little okay, Yeah,
• 26:07
  Speaker 1: you probably did fight. You're just foughting all over the
• 26:08
  Speaker 1: place and you're a chef nast. Yes, I don't feel
• 26:10
  Speaker 1: sorry for none of y'all, because I think all of
• 26:12
  Speaker 1: y'all are terrorists. First of all, you fought in your clothes,
• 26:14
  Speaker 1: and when you fought in front of people, are on people,
• 26:16
  Speaker 1: especially in enclosed places, you need to be arrested. We
• 26:19
  Speaker 1: need to treat like especially foughting on a plane, we
• 26:21
  Speaker 1: need to treat that the way we treat people who
• 26:23
  Speaker 1: threatened the president. But for some reason, when you when
• 26:25
  Speaker 1: when you when you go up on that plane, something
• 26:28
  Speaker 1: with the air and makes you that makes you want
• 26:32
  Speaker 1: to fight. Yes, it's probably what you eat. It's trobably
• 26:35
  Speaker 1: what you eat the plane and gives you more gas. No,
• 26:39
  Speaker 1: I've never felt like a gas right now, we believe you, bro,
• 26:43
  Speaker 1: you're a very gassy person. I ain't flirting with y'all. Hello,
• 26:45
  Speaker 1: who's this Hey? We're talking about embarrassing far stories. Yeah,
• 26:50
  Speaker 1: so one night off, I'm getting my stun ready for bed,
• 26:53
  Speaker 1: bringing them more story. I'm trying to slide one hour
• 26:56
  Speaker 1: through violence. Came out a little louder than anticipated myself. Mommy, sorry,
• 27:02
  Speaker 1: what was that? So? Mommy florid it it's so said
• 27:06
  Speaker 1: with sheer disappointment on his face. Mommy spart Yeah, same
• 27:16
  Speaker 1: thing comes out of me if it comes out of you,
• 27:19
  Speaker 1: that's not true. It's gonna be that time. It's gonna
• 27:22
  Speaker 1: be that time a month one day, and he might
• 27:25
  Speaker 1: see a little bit more than he needs to see it.
• 27:27
  Speaker 1: And you can't say what comes out of mommy comes
• 27:29
  Speaker 1: out of you, out of the out of my foot?
• 27:32
  Speaker 1: How bid? Okay, you gotta tell everybody at school, that's right.
• 27:35
  Speaker 1: If one day you wake up in your son's butter
• 27:37
  Speaker 1: is bleeding, you better call goddamn dipher. You go too far? Hello,
• 27:40
  Speaker 1: who's this, Kobe? Kobe? We have we're talking about your
• 27:43
  Speaker 1: embarrassing fart stories. One time I was eating the scirl
• 27:47
  Speaker 1: from the back. You that's sound sounded similar to a
• 27:52
  Speaker 1: far She claimed that. She quized, Yeah, that could be
• 27:55
  Speaker 1: a quick getting farther on your nose or quips on
• 27:58
  Speaker 1: your tongue. Did you smell it? The room smelled like
• 28:01
  Speaker 1: we so I really didn't even know that. You know what, man,
• 28:05
  Speaker 1: it was a que A lot of a lot of
• 28:08
  Speaker 1: women are a member of a tribe called quiff. I
• 28:10
  Speaker 1: don't see anything wrong with that. Don't shame her for quefing. Yeah,
• 28:13
  Speaker 1: quefing happens. Finish it up, man, it was a night
• 28:18
  Speaker 1: as usual. What does it like? What did it sound like?
• 28:23
  Speaker 1: Did you did you stop or did you stay down there?
• 28:25
  Speaker 1: Did you got a flat tire? Bro Yo, I think
• 28:30
  Speaker 1: you got flat? Goodness the homie goodbye here? Oh my?
• 28:37
  Speaker 1: What's the moral of the story. The moral of the
• 28:39
  Speaker 1: story is, when someone sneezes, you say God bless you.
• 28:41
  Speaker 1: When someone farts, what do you say? I'm asking for
• 28:44
  Speaker 1: a friend. I don't know. I don't know. I just
• 28:46
  Speaker 1: feel like you should say something. If you hear a
• 28:47
  Speaker 1: fart out loud, you can't act like you didn't hear it, right,
• 28:50
  Speaker 1: Excuse you, Excuse you, Excuse you, Excuse you. You nasty
• 28:54
  Speaker 1: pizza couldn't excuse you? All right. We got more coming
• 28:57
  Speaker 1: up next with a Breakfast Club Happy Holidays, Wishing you
• 29:02
  Speaker 1: and your family the very best this holiday season from
• 29:05
  Speaker 1: all of us here at the Breakfast Club, the Breakfast
• 29:07
  Speaker 1: Club Morning. Everybody is DJ M v Angela Yee, Charlomagne
• 29:15
  Speaker 1: the guy. We are the Breakfast Club. We got a
• 29:17
  Speaker 1: special guest on the line right now, the legend Morris
• 29:21
  Speaker 1: day Man. Yes, play skin is always in the building. Hey,
• 29:27
  Speaker 1: you know what you know? How y'all doing? We do
• 29:29
  Speaker 1: blood black and Holly favor. But I feel like I
• 29:31
  Speaker 1: know you because my daddy used to listen to so
• 29:33
  Speaker 1: much Mars Day and the time growing up, and and
• 29:36
  Speaker 1: and you know, in Monk's Corner Soft Caroline and his
• 29:39
  Speaker 1: little juke joint, he always been playing Mars Day in
• 29:41
  Speaker 1: the time he props the pops, Yes, sir, and you
• 29:45
  Speaker 1: still got the gay hairline popping. Hey watch y'all. Now,
• 29:48
  Speaker 1: you know, we gotta keep it nice. You know, Mars
• 29:53
  Speaker 1: is head because he's released a new book. But let's
• 29:56
  Speaker 1: start because there might be some people that don't know
• 29:58
  Speaker 1: who Mars Day is that listened to the breadth Was Club.
• 30:00
  Speaker 1: So let's explain to the people who Morris Days and
• 30:02
  Speaker 1: how you got your start? So where are you from
• 30:05
  Speaker 1: start to high school we went to high school with
• 30:07
  Speaker 1: and how you got and started in the music industry. Well,
• 30:10
  Speaker 1: I'm actually from a small town in Illinois, Springfield, which
• 30:13
  Speaker 1: is actually the capital. Everybody thinks Chicago is, but it's
• 30:16
  Speaker 1: it's Springfield and early years, you know, but then I
• 30:19
  Speaker 1: moved to Minneapolis. We were supposed to be going to California,
• 30:23
  Speaker 1: but my mom said we're gonna stop in Minneapolis to
• 30:25
  Speaker 1: visit a sick on and we stayed there for the
• 30:28
  Speaker 1: next twenty years. Wow, you know, it turned out I
• 30:30
  Speaker 1: lived on the same block that Prince did around the corner,
• 30:34
  Speaker 1: and I didn't even I didn't know, you know what
• 30:35
  Speaker 1: I mean. He was like ten years old and I'd
• 30:38
  Speaker 1: see him and his sister, Typer plan outside, and I
• 30:42
  Speaker 1: didn't meet him till like four or five years later,
• 30:45
  Speaker 1: and ended up being in the same band with him.
• 30:47
  Speaker 1: We had a band, Cark Grand Central, and you know,
• 30:50
  Speaker 1: Prince helped me get my start. He got his solo
• 30:52
  Speaker 1: start and helped me get my start, and you know,
• 30:54
  Speaker 1: it's kind of history from there. So y'all literally grew
• 30:57
  Speaker 1: up together in the same little neighborhoods as y'all was
• 31:00
  Speaker 1: ten years old and didn't know it. That was he
• 31:03
  Speaker 1: always good in basketball that y'all used to play basketball.
• 31:05
  Speaker 1: I didn't know him. I mean I saw him back then,
• 31:08
  Speaker 1: you know, plan outside with his sister, but you know,
• 31:12
  Speaker 1: I didn't find out, you know, that he was a
• 31:14
  Speaker 1: musician and all that until like five years later, fifteen
• 31:19
  Speaker 1: years old. But yeah, he was an awesome basketball player.
• 31:21
  Speaker 1: We now. Your book is interesting how you wrote it
• 31:23
  Speaker 1: because a lot of it is what you would imagine
• 31:27
  Speaker 1: Prince would respond to. Some of the stories that you
• 31:30
  Speaker 1: have to tell in your recollections of you coming up
• 31:32
  Speaker 1: and becoming you know, the Morris Day and the time
• 31:35
  Speaker 1: and the whole journey to get to that point. So
• 31:39
  Speaker 1: it seems like you guys had such an interesting relationship
• 31:42
  Speaker 1: because y'allknew each other for so long. He was very
• 31:45
  Speaker 1: much intricately involved with you becoming the superstar that you became.
• 31:48
  Speaker 1: But then there were some discrepancies between you two along
• 31:51
  Speaker 1: the way. You know, brothers fight. But you're right, you
• 31:57
  Speaker 1: better believe that the responses that in the book, that
• 32:01
  Speaker 1: that I came up with a real world responses because
• 32:04
  Speaker 1: you know, we knew each other well after I got
• 32:06
  Speaker 1: out of his camp. You know, we didn't talk all
• 32:08
  Speaker 1: that much, but we spent a lot of time together
• 32:11
  Speaker 1: in the early years on time, a Princely life and Funk.
• 32:15
  Speaker 1: Let me ask you a question, mister Day, do you
• 32:16
  Speaker 1: feel you get your proper credit or do people thinking
• 32:18
  Speaker 1: you as just the prince creation? Well, you know some
• 32:22
  Speaker 1: people think that, and you know, social media is beautiful
• 32:26
  Speaker 1: and it's ugly at the same time. As far as credit,
• 32:30
  Speaker 1: you know, I know what I did. You know in
• 32:32
  Speaker 1: the organization. If anybody questions whether I can write a song,
• 32:35
  Speaker 1: that you need to research that because that's how I
• 32:39
  Speaker 1: got my start. But Prince was such a creative genius.
• 32:42
  Speaker 1: I would never dispute how somebody feels about him versus me.
• 32:47
  Speaker 1: I'm humble about that, you know. I think people are
• 32:50
  Speaker 1: entitled to their opinions and it's all good thing that
• 32:54
  Speaker 1: if you would have tried to negotiate more for yourself,
• 32:57
  Speaker 1: that you would have been in the position that you
• 32:58
  Speaker 1: were in with him, or you think he would have
• 33:00
  Speaker 1: shut it down, because it feels like he was like,
• 33:02
  Speaker 1: this is what it is, take it or leave it.
• 33:04
  Speaker 1: That's the way he came across. But sometimes I question
• 33:07
  Speaker 1: if I had taken a harder position with him, I
• 33:09
  Speaker 1: probably have a little more that Purple rain money. Yeah,
• 33:12
  Speaker 1: and he brought up an interesting point because your songs
• 33:15
  Speaker 1: aren't on the soundtrack, right, and those were huge songs,
• 33:18
  Speaker 1: and I think it would have benefited the actual soundtrack.
• 33:22
  Speaker 1: There were some other songs in the movie that weren't
• 33:24
  Speaker 1: on the soundtrack also. Yeah, no, we had decent sales,
• 33:27
  Speaker 1: but had we been on the soundtrack, which was a
• 33:29
  Speaker 1: shrewd move on the brother's part, you know, the sales
• 33:33
  Speaker 1: would have been, you know, um, substantially greater. What was
• 33:36
  Speaker 1: your relationship when he when he passed away, did you
• 33:38
  Speaker 1: have a type relationship good relationship. You know, I've been
• 33:41
  Speaker 1: fortunate enough to not really have people close to me
• 33:44
  Speaker 1: pass away, so that was a real shocker for me.
• 33:47
  Speaker 1: That was that was the closest, well one of the
• 33:49
  Speaker 1: closest people to me. And he insisted that we come
• 33:54
  Speaker 1: to Haisley Park to do a show for him, and
• 33:59
  Speaker 1: in the past asked he had kind of stiffed me
• 34:01
  Speaker 1: a few times, so I was like, brother, if you
• 34:02
  Speaker 1: want me to bring my band to Minneapolis again, you're
• 34:06
  Speaker 1: gonna have to pay me upfront. And you know, he
• 34:08
  Speaker 1: said all the money and everything. And know, we went
• 34:11
  Speaker 1: there and he was very gracious and we got to talk.
• 34:13
  Speaker 1: We talked before the show, we talked after the show,
• 34:16
  Speaker 1: and in party he said, you know, I love you
• 34:19
  Speaker 1: and he had never said anything like that to me before,
• 34:23
  Speaker 1: and I was like, I love you and that was
• 34:26
  Speaker 1: pretty much the last words that we had. So, you know,
• 34:29
  Speaker 1: I walked away from that feeling like what changed, you know,
• 34:32
  Speaker 1: what's different? Why did he say that? And two months
• 34:34
  Speaker 1: later that was it. Wow. Wow. Now one thing that
• 34:37
  Speaker 1: people might not know is that you had Jimmy jam
• 34:39
  Speaker 1: and Terry Lewis as part of your band early on
• 34:42
  Speaker 1: before they went to go become the super producers and
• 34:44
  Speaker 1: writers who they are. So how did you mend that
• 34:48
  Speaker 1: relationship after you fire them from working with you? Damn it, man,
• 34:53
  Speaker 1: you're just gonna fire those the super producers. You could
• 34:56
  Speaker 1: have signed that the book. But how But how do
• 34:58
  Speaker 1: you mend a relationship like that? Because to me, it's like, look,
• 35:01
  Speaker 1: we're popping over here, you know, so do we need
• 35:04
  Speaker 1: to come back and work again? So how does that
• 35:07
  Speaker 1: even like, how does that conversation happen? That's a great question.
• 35:10
  Speaker 1: You know what. First of all, I didn't fire them.
• 35:13
  Speaker 1: I was signed to Prince's production company and he fired
• 35:17
  Speaker 1: French fire Jimmy jam and Terry Lewis. He's not here
• 35:19
  Speaker 1: to defend himself, Mars. We don't know if we believe
• 35:21
  Speaker 1: your thoughts. You know what. I want the brother to
• 35:26
  Speaker 1: rest in peace, So I ain't gonna sit here lying
• 35:27
  Speaker 1: on the body he fired. That was a tough moment
• 35:32
  Speaker 1: for me because we were in the studio recording ice
• 35:34
  Speaker 1: Cream Castles, not just the album, but the song ice
• 35:37
  Speaker 1: Cream Castles, and they he called them in and they
• 35:39
  Speaker 1: showed up and he fired them, And you know, one
• 35:42
  Speaker 1: of my pet keeps coming up as a musician was
• 35:44
  Speaker 1: I always hated to see one of my favorite bands
• 35:47
  Speaker 1: start replacing members because I like my bands to stay away.
• 35:51
  Speaker 1: I like them, and you know, I really dropped my
• 35:53
  Speaker 1: head and had a real tough day when he did
• 35:57
  Speaker 1: fire them. So I never had a relationship to with
• 36:00
  Speaker 1: them because they know I didn't fire them. Okay, becauld
• 36:03
  Speaker 1: the time have been as successful as they were if
• 36:06
  Speaker 1: Alexander O'Neill remained the lead and not you well, they
• 36:10
  Speaker 1: wouldn't have had an lead singer who was quite as pretty.
• 36:13
  Speaker 1: But I don't know that, you know, I don't know.
• 36:19
  Speaker 1: I think it would have changed the whole dynamic of things,
• 36:21
  Speaker 1: to be honest, I love Alex Alex as an incredible singer.
• 36:24
  Speaker 1: I wish I could sing half as well as Alex
• 36:27
  Speaker 1: um but it just would have been a whole different dynamic.
• 36:31
  Speaker 1: And you know, Alex and I were we were best buddies,
• 36:35
  Speaker 1: you know, back through then, but he wanted something, you know,
• 36:39
  Speaker 1: more than what we had, and it just kind of
• 36:41
  Speaker 1: turned out I just wanted to be a drummer, so
• 36:43
  Speaker 1: I kind of got pushed out there. We tried a
• 36:45
  Speaker 1: few lead singers, including Alex, and it didn't work out,
• 36:49
  Speaker 1: and Prince was like, well you do it? How often
• 36:51
  Speaker 1: did give the drummer something get you late? Well, I
• 36:53
  Speaker 1: didn't get the lead singers something works a little better,
• 36:58
  Speaker 1: all right? We got more with the ledge Derry Morris
• 37:00
  Speaker 1: Day when we come back, don't move as the Breakfast Club,
• 37:03
  Speaker 1: Good morning morning. Everybody is dj Envy Angela Yee. Charlomagne,
• 37:08
  Speaker 1: the guy we all to Breakfast Club was still kicking
• 37:11
  Speaker 1: with Morris Day. Charlomagne, did writing this book serve as
• 37:14
  Speaker 1: a form of therapy to work out maybe some remaining
• 37:16
  Speaker 1: grief you had from from the laws and princes. You'd
• 37:19
  Speaker 1: like to ask them good questions, don't you. Yeah? No,
• 37:21
  Speaker 1: it was definitely therapeutic because I found myself going down,
• 37:27
  Speaker 1: you know, memory lane in a way that I probably
• 37:30
  Speaker 1: didn't want to at times, and at times it was
• 37:34
  Speaker 1: really great. And I always thought in my life I
• 37:36
  Speaker 1: would like to like do the memoirs of Morris Day,
• 37:40
  Speaker 1: and I just didn't know that I would do them
• 37:42
  Speaker 1: as soon as I did. And you know, at times
• 37:45
  Speaker 1: it was painful, but it was therapeutic because I did
• 37:48
  Speaker 1: get some things off my chest and revisit some things
• 37:50
  Speaker 1: that I probably needed to revisit. And how did it
• 37:53
  Speaker 1: being in the band and you also battled your own
• 37:56
  Speaker 1: demons during that time affect your relationships, you know, because
• 38:00
  Speaker 1: you did get married, you did have children during that time,
• 38:03
  Speaker 1: So how did that affect your relationships? Well, you know,
• 38:07
  Speaker 1: the demons are among us, so but I dealt with
• 38:11
  Speaker 1: them big time when I was younger and dumber, you know.
• 38:14
  Speaker 1: But fortunately, you know, God had a plan for me.
• 38:18
  Speaker 1: I'm still here. I think I'm doing better than I
• 38:21
  Speaker 1: ever have, you know, even through this pandemic they call it,
• 38:25
  Speaker 1: but you know, it's it's life is life, you know,
• 38:28
  Speaker 1: you gotta deal with it. I had some serious demons,
• 38:32
  Speaker 1: but you know, and they caused some serious damage to
• 38:35
  Speaker 1: me and other people. But you know I got through it.
• 38:38
  Speaker 1: Everybody got through it. Did What did your kids say
• 38:40
  Speaker 1: reading this book? Because I know you reflected it on
• 38:42
  Speaker 1: how you wish you would have had a better relationship
• 38:45
  Speaker 1: while your kids were young. So how did you mend
• 38:48
  Speaker 1: that and what did they say when they read this?
• 38:50
  Speaker 1: The love from kids is unconditional. It's a true statement. So, um,
• 38:54
  Speaker 1: my kids don't really drag me through it so much?
• 38:58
  Speaker 1: About you know how it was. I really wasn't that bad.
• 39:00
  Speaker 1: I'm not like a bad person. But you know my
• 39:03
  Speaker 1: older kids, you know, um, you know, my oldest is
• 39:07
  Speaker 1: forties three, and you know she you know, she doesn't
• 39:13
  Speaker 1: you know, rip me up about it too much. It's
• 39:15
  Speaker 1: it's all of so, you know, people are people, and
• 39:18
  Speaker 1: people make mistakes and life goes on. Was there any
• 39:21
  Speaker 1: pushback from anybody on the dialogue between you and French
• 39:24
  Speaker 1: throughout the book? Maybe his a state or something. Yeah,
• 39:26
  Speaker 1: if you go on to princess online community, he has
• 39:31
  Speaker 1: you know that everybody has their opinion, But at the
• 39:33
  Speaker 1: end of the day, I was the one that was there,
• 39:36
  Speaker 1: So you can have your opinion, but you gotta understand
• 39:39
  Speaker 1: that it was my life that I lived and I
• 39:42
  Speaker 1: was there. Did you have to get approval from Princess
• 39:44
  Speaker 1: of the State to speak on his behalf in the books? Now,
• 39:47
  Speaker 1: they haven't bothered me so far, you know, because I
• 39:49
  Speaker 1: think they know that might be a mistake because even
• 39:52
  Speaker 1: though I do speak about Prince, I'm telling my life
• 39:55
  Speaker 1: story right because you know, all of you know, all
• 39:58
  Speaker 1: the bones are buried. If you need to go dig
• 40:00
  Speaker 1: come up. Trust me, I left a lot of them buried. Well,
• 40:04
  Speaker 1: you did, you did. You did speak on the rivalry
• 40:07
  Speaker 1: between Prince and Michael Jackson in the book. What would
• 40:09
  Speaker 1: Prince's true feelings towards Michael Jackson? Well, you know he
• 40:13
  Speaker 1: had respect from Michael, but you know there's a rivalry
• 40:16
  Speaker 1: because you know, Prince rose to that level where it
• 40:19
  Speaker 1: was appropriate to say, you know, this is competition, and
• 40:23
  Speaker 1: anybody who could say they were in direct competition with
• 40:26
  Speaker 1: Michael Jackson, they're in a good space as far as
• 40:29
  Speaker 1: an entertainer goes. I remember reading one time when you
• 40:32
  Speaker 1: said Rick James was jealous of Prince. He was, you know, Rick,
• 40:37
  Speaker 1: you know, started to feel the pressure. And you know,
• 40:39
  Speaker 1: I understand that pressure because that's the kind of pressure
• 40:42
  Speaker 1: that the Time started to put on Prince. You know,
• 40:45
  Speaker 1: when we were doing concerts and Prince was putting that
• 40:47
  Speaker 1: type of pressure on Rick James where he was starting
• 40:49
  Speaker 1: to steal the show. Rick, being the kind of brother
• 40:52
  Speaker 1: that he was, he wasn't liking that show. So you know,
• 40:55
  Speaker 1: I understand it because, like I said, that's what the
• 40:57
  Speaker 1: Time did the Prince, and that's why he took us
• 40:59
  Speaker 1: off of some of the major markets. We couldn't go
• 41:01
  Speaker 1: to Chicago, La New York. We couldn't go to the
• 41:03
  Speaker 1: major markets with it because we was putting fresh on.
• 41:09
  Speaker 1: Because you're talking about all these different shows. Did y'all
• 41:11
  Speaker 1: ever get physical? Well, it's in the book. No. The
• 41:18
  Speaker 1: closest we came to getting physical. We had a huge
• 41:22
  Speaker 1: food fight and it was in I blew sewing pancakes
• 41:25
  Speaker 1: all over the goddamn place, pancakes, sausage, everything. Man, we
• 41:29
  Speaker 1: you know, but he started it. We was on stage
• 41:32
  Speaker 1: and he for some reason it got the bright ideas
• 41:35
  Speaker 1: that he want to start throwing aids up on the
• 41:37
  Speaker 1: stage while we was up there, y'all performing, and they
• 41:39
  Speaker 1: chucking eggs at y'all, Eggs coming across the stage, so,
• 41:42
  Speaker 1: you know, he said, And then he threatened me, he said,
• 41:44
  Speaker 1: you better not try and do that to me when
• 41:47
  Speaker 1: I'm on stage. And I you know, you know how
• 41:49
  Speaker 1: it is. If you say don't do it, guess what
• 41:51
  Speaker 1: you gotta do it. I gotta do it. So we
• 41:53
  Speaker 1: did the same thing and it carried on after the show.
• 41:57
  Speaker 1: It went into the back stage area. They had my
• 42:02
  Speaker 1: guitar player, Jesse, handcuffed to a cote rack and just
• 42:06
  Speaker 1: all kind of crazy stuff and it ended up me
• 42:09
  Speaker 1: getting the bill. I had to pay five thousand dollars
• 42:12
  Speaker 1: out of the you know, a little money I was getting,
• 42:15
  Speaker 1: you know, to clean because the venue charged us a
• 42:18
  Speaker 1: clean up fee. So that's really and it got ugly.
• 42:21
  Speaker 1: It did get ugly. So that's really the closest we
• 42:23
  Speaker 1: came to, you know, getting physical. I'm shocked, as you said,
• 42:26
  Speaker 1: Prince you know, didn't take yell on the roll because
• 42:28
  Speaker 1: he didn't like pressure. I would think somebody like Prince
• 42:31
  Speaker 1: would love to have somebody challenging him on that stage. Well,
• 42:34
  Speaker 1: you gotta understand, it's the Frankenstein monster that he built.
• 42:37
  Speaker 1: I think he believed that we would be good, but
• 42:40
  Speaker 1: I don't think he believed that we would be as
• 42:42
  Speaker 1: good as we were. So I believe, you know, we
• 42:46
  Speaker 1: took it. And I think that the members of the
• 42:48
  Speaker 1: time speak for itself because if you think about, you know,
• 42:51
  Speaker 1: what everybody did. You know, Terry and Jimmy, you know,
• 42:55
  Speaker 1: unlimited ability as songwriters and producers. Jesse Johnson had a
• 42:59
  Speaker 1: great solo. Jerome was a great personality, great actor, you know,
• 43:04
  Speaker 1: and and you know, we just we had a chemistry
• 43:07
  Speaker 1: that I don't think he expected. Now, did you ever
• 43:10
  Speaker 1: think of doing a movie yourself, because I know obviously
• 43:12
  Speaker 1: you were in Purple Rain, the Graffiti Bridge movie. Had
• 43:15
  Speaker 1: you ever at that time said I should just write
• 43:18
  Speaker 1: my own movie, just the way Prince was writing these
• 43:20
  Speaker 1: movies and developing these ideas. Yes, I thought that, and
• 43:25
  Speaker 1: that's that's in my brain, and it's it's it's on
• 43:28
  Speaker 1: the back runner right now, moving toward the front. Yeah,
• 43:31
  Speaker 1: you you had a TV show back in the day. Yeah,
• 43:34
  Speaker 1: and it was canceled. Not I heard. This is what
• 43:37
  Speaker 1: I heard. It was canceled, not because of ratings, but
• 43:40
  Speaker 1: because the studio didn't get along with your show's producer,
• 43:42
  Speaker 1: Ralph fa I think his name is. Yeah, I've had
• 43:46
  Speaker 1: two like that that you know, were canceled, and you
• 43:49
  Speaker 1: know the one that I did New Attitude with Cheryley,
• 43:53
  Speaker 1: Ralph and m von Stickney. That was a bona fide
• 43:58
  Speaker 1: hit as far as the Nielsen ratings were concerned. But
• 44:02
  Speaker 1: there was a hiatus and they canceled the show. And
• 44:05
  Speaker 1: then they show aired and it had high high ratings,
• 44:08
  Speaker 1: but it didn't exist anymore. And then we had another
• 44:10
  Speaker 1: show Jerome and I um that that was called Hotel Dixon.
• 44:14
  Speaker 1: We were both hotel detectives and that Yeah, that's a
• 44:21
  Speaker 1: wild name, wild name man. And you know that show
• 44:26
  Speaker 1: got canceled. But there was a lot of internal issues
• 44:29
  Speaker 1: and they were changing powers at Fox at the time,
• 44:32
  Speaker 1: so um, you know that one was what it could
• 44:34
  Speaker 1: just kind of made me believe maybe I'm not an
• 44:36
  Speaker 1: actor because I can act, but I don't like the
• 44:41
  Speaker 1: part of acting where somebody tells me what to do,
• 44:44
  Speaker 1: what time to get up, what time to be at work,
• 44:47
  Speaker 1: and all of that stuff. That's a lot of money
• 44:50
  Speaker 1: to do these productions. They need you on the side.
• 44:53
  Speaker 1: Yes it doesn't I understand that, but I don't like
• 44:55
  Speaker 1: that part of it. So so when they so the
• 44:57
  Speaker 1: rumor about the studio not getting along with your shows
• 44:59
  Speaker 1: for do so Ralph true, or whether you not wanting
• 45:03
  Speaker 1: to do the work, well I wanted to do the work.
• 45:05
  Speaker 1: I was there. I was there every day on time,
• 45:07
  Speaker 1: looking good, ready to go in and new my lines
• 45:10
  Speaker 1: and all of that. So it wasn't me, it was
• 45:12
  Speaker 1: it was internal problems. Got you all right? The old
• 45:15
  Speaker 1: move we got more with Morris Day. When we come back,
• 45:17
  Speaker 1: it's the Breakfast Club, Good morning morning, everybody is DJ
• 45:21
  Speaker 1: and Angela Yee, Charlomagne, the God We all, the Breakfast
• 45:24
  Speaker 1: Club was still kicking with Morris Day. Ye. Now, your
• 45:27
  Speaker 1: mom managed you early on, So how was that experience
• 45:32
  Speaker 1: having her as your manager? And then when did you
• 45:35
  Speaker 1: kind of break away from that? How is that separation? Well,
• 45:39
  Speaker 1: you know, first of all, having your mom manage you
• 45:41
  Speaker 1: is it sounds cool? But it's pressure, you know, because
• 45:44
  Speaker 1: you got a group of individuals and sometimes they don't
• 45:48
  Speaker 1: agree with what the manager has to say. And when
• 45:51
  Speaker 1: it's your mom, you don't appreciate that. You know what
• 45:54
  Speaker 1: I'm saying, so and saying, hey, you know the manager,
• 45:57
  Speaker 1: I don't like what she said. I don't like this.
• 45:58
  Speaker 1: I'm like, but wait a minute, this is double edge
• 46:01
  Speaker 1: for me because that's my mom you talking about. So
• 46:04
  Speaker 1: it was cool. How long did that last? Um? She
• 46:08
  Speaker 1: probably managed us for maybe two years. UM, and that
• 46:11
  Speaker 1: was when we were teenagers. It was tough, but you know,
• 46:16
  Speaker 1: she she had big ideas for us. UM. She was
• 46:20
  Speaker 1: definitely shooting toward trying to get us a record deal. UM.
• 46:23
  Speaker 1: The problem with my mom was she was a you know,
• 46:26
  Speaker 1: she was very attractive young lady, and so you know,
• 46:28
  Speaker 1: we had people like Isaac Hayes coming to I'm getting
• 46:30
  Speaker 1: a deal. But what was you really looking for? Now,
• 46:39
  Speaker 1: I listen, would you look at her any other way
• 46:41
  Speaker 1: if you found out that, you know, come on, she
• 46:43
  Speaker 1: might have done some things just to make some things happen.
• 46:45
  Speaker 1: That's his mama. Now, I know, I'm just sayingship, I
• 46:48
  Speaker 1: told you when you're looking at what there was, I
• 46:54
  Speaker 1: don't know. I don't you know. First of all, I
• 46:56
  Speaker 1: never even like considered that. But um, I don't know,
• 47:00
  Speaker 1: man I, mister Day, what do you think was different
• 47:03
  Speaker 1: about the era that y'all came up in as opposed
• 47:06
  Speaker 1: to this one? Because back then, you know, y'all were flamboyant, right,
• 47:10
  Speaker 1: but nobody ever called y'all out of your name or say, oh,
• 47:14
  Speaker 1: those guys are gay. Yeah they did, because you know,
• 47:19
  Speaker 1: we did stuff like wear makeup and high heels and
• 47:22
  Speaker 1: stuff like that, and you know, you know, uh, you know,
• 47:25
  Speaker 1: Prince was was you know, big on. You know, he
• 47:28
  Speaker 1: even like crossed the line as far as dressing, you know,
• 47:31
  Speaker 1: with the hills and you know, and and all of
• 47:33
  Speaker 1: that stuff. So you know, that came up a lot.
• 47:36
  Speaker 1: But I really think that that at the end of
• 47:38
  Speaker 1: the day, talent and ability prevailed, and that's why so people,
• 47:43
  Speaker 1: many people loved Prince and people respected you know, I didn't,
• 47:46
  Speaker 1: you know, go that metro sexual road as far as
• 47:51
  Speaker 1: he did. But um, I know the brother wasn't gay.
• 47:54
  Speaker 1: You know, people say that to me. I'd be like, okay,
• 47:56
  Speaker 1: well leave your girlfriend and with him for a few
• 47:59
  Speaker 1: hours and come and tell me is he's still get you?
• 48:01
  Speaker 1: That's what I saw. I saw y'all with all the women.
• 48:03
  Speaker 1: Y'all had all the beautiful women around y'all. Yeah, so
• 48:07
  Speaker 1: you know it was all good. Man. You gotta take
• 48:09
  Speaker 1: bitter with the sweet, you know. That's why that's the
• 48:11
  Speaker 1: tough thing about born on social media. You you petting
• 48:14
  Speaker 1: all this praise and everybody's like, hey, I love it,
• 48:16
  Speaker 1: I love it, and then here comes that one hate it.
• 48:18
  Speaker 1: You know, that's just part of life, I guess. You know.
• 48:20
  Speaker 1: People have their opinions and you gotta let him have it,
• 48:23
  Speaker 1: you said. Prince even got booed off stage at a
• 48:25
  Speaker 1: was it a Rolling Stone concert because they thought he
• 48:28
  Speaker 1: looked too feminine. Oh yeah, well, you know with rolling
• 48:32
  Speaker 1: Stone concert it would look like a bunch of Hell's
• 48:35
  Speaker 1: Angels or motorcycle gangs out there, and here comes Prince
• 48:38
  Speaker 1: with a trench coat on and some bikinis and some
• 48:41
  Speaker 1: leg warmers and some high heels that that mess with
• 48:45
  Speaker 1: their minds, you know what I mean. They're like, I'm
• 48:46
  Speaker 1: not expecting this. I'm here to see the Rolling Stones.
• 48:48
  Speaker 1: And then next thing you know, beer bottles started flying.
• 48:51
  Speaker 1: And at that time, I was the cameraman for Prince,
• 48:54
  Speaker 1: so I had my video camera set up and I'm
• 48:57
  Speaker 1: in the back and I'm back by the sound board
• 49:00
  Speaker 1: and they're booing and throwing beer bottles and it was ugly.
• 49:04
  Speaker 1: What about when Prince pulled up with the pants with
• 49:06
  Speaker 1: the ass cheeks up. Yeah, I saw that. I wasn't around. Man.
• 49:09
  Speaker 1: I was like, that's pushing it a little bit, right,
• 49:14
  Speaker 1: Did you hit him up and tell him that. Here's
• 49:18
  Speaker 1: the funny thing, Um, I never had Prince's phone number
• 49:22
  Speaker 1: once I left the camp. I never had the ability
• 49:26
  Speaker 1: to call the brother. You know. The only way we
• 49:28
  Speaker 1: talked is if he called me, and it was always
• 49:30
  Speaker 1: his security calling me first, and then you know, he
• 49:33
  Speaker 1: comes in with a mysterious deep voice, you know, after
• 49:36
  Speaker 1: you know, they find you know, after I answered the phone.
• 49:38
  Speaker 1: So you know, I really didn't have that privilege or
• 49:41
  Speaker 1: whatever you want to call it, to call him but
• 49:44
  Speaker 1: you know, I probably would have been like, what's up
• 49:47
  Speaker 1: with What's up with the pants? Brother? You know, did
• 49:50
  Speaker 1: you ever have any slight jealousy for Prince? Are huge
• 49:53
  Speaker 1: jealousy for Prince? I don't know. I think my jealousy
• 49:57
  Speaker 1: probably came in is I really feel I should have
• 50:01
  Speaker 1: partook in the finances a little more than the fifty
• 50:04
  Speaker 1: thousand that I got for Purple Rain. And then I'm
• 50:08
  Speaker 1: watching him on the cover of People magazine and they
• 50:10
  Speaker 1: said he made it seventeen million, and the movie, the
• 50:14
  Speaker 1: movie was just heating up at that point, So I
• 50:16
  Speaker 1: felt a little jealous about getting let out of the
• 50:18
  Speaker 1: financial part of it. Yeah, that was so interesting because
• 50:22
  Speaker 1: you guys weren't allowed to do anything with anyone else.
• 50:24
  Speaker 1: It was exclusive. So even when you had opportunities to
• 50:27
  Speaker 1: go right for other people and work with other people,
• 50:30
  Speaker 1: it just couldn't happen. And that's a real sacrifice that
• 50:34
  Speaker 1: you made, which is really why I left the camp,
• 50:37
  Speaker 1: because you know, I was comfortable there. If I had
• 50:40
  Speaker 1: been able to do other things, and I had gone
• 50:43
  Speaker 1: to Prince and I had to go through the management
• 50:45
  Speaker 1: and told them I wanted to do a solo record,
• 50:48
  Speaker 1: and they said Okay, give me a minute on that.
• 50:51
  Speaker 1: They come back to me and they said, okay, Prince says, yes,
• 50:53
  Speaker 1: but he has to be executive producer. Well, I know
• 50:56
  Speaker 1: what that means. I means that means total control over
• 50:58
  Speaker 1: the project. And that's why I chose to lead right now.
• 51:01
  Speaker 1: I had to pay a substantial amount of money to
• 51:03
  Speaker 1: get out to deal with him, but I said, I
• 51:06
  Speaker 1: need my own creative freedom, which I don't think I
• 51:10
  Speaker 1: would have gotten had I stayed. So you know, I
• 51:12
  Speaker 1: had to make a move. Wow, so we can expect
• 51:14
  Speaker 1: a movie from this book, right hopefully now you're talking.
• 51:19
  Speaker 1: It's my final question before you missed the day? Did
• 51:22
  Speaker 1: you write this book for yourself or print this book
• 51:26
  Speaker 1: for myself? And you know what, it was suggested that
• 51:29
  Speaker 1: I do a book, and um, you know, we have
• 51:31
  Speaker 1: one of the best writers in the business, David Ritz,
• 51:34
  Speaker 1: who wanted to do this book with me because you know,
• 51:38
  Speaker 1: I'm not a writer for se but you know, and
• 51:42
  Speaker 1: and it just made so much sense that I said, Okay,
• 51:45
  Speaker 1: I'll do it. And I was really afraid of the
• 51:47
  Speaker 1: time commitment because you know, I'm not a workaholic, so
• 51:51
  Speaker 1: you know, I was just thinking, now I gotta be
• 51:53
  Speaker 1: every day, you know, writing this book, you know, but
• 51:57
  Speaker 1: David made it an easy process for me, and I'm
• 52:00
  Speaker 1: really glad I got an opportunity to do it now,
• 52:03
  Speaker 1: you know, if you really pay attention to it, I've
• 52:06
  Speaker 1: done a lot in my lifetime, and you know it
• 52:08
  Speaker 1: ain't gonna stop. But you know, the right Blackbuster movie book,
• 52:12
  Speaker 1: been a performer, been an actor, you know, and so
• 52:16
  Speaker 1: you know, you know, life is beautiful. All right, Well,
• 52:19
  Speaker 1: we're glad you exist, my brother, Absolutely glad your art exists.
• 52:22
  Speaker 1: Were glad that this new book on time a Princely
• 52:25
  Speaker 1: life and funk exists as well. And I hope everybody
• 52:28
  Speaker 1: goes out there and grabs it. Absolutely so much for
• 52:30
  Speaker 1: having me appreciate Game Morris Days to Breakfast Club, Good morning,
• 52:39
  Speaker 1: It's time for Donkey of the Day. Being Donky of
• 52:44
  Speaker 1: the Day is a little bit of a mick U
• 52:46
  Speaker 1: so like a Donkey o the Day. Now, I've been
• 52:54
  Speaker 1: called a lot of my twenty three years that Donkey
• 52:56
  Speaker 1: of the Day is a new wife. Donkey of the
• 52:58
  Speaker 1: Day goes to a hip hop music producer named J. W. Lucas.
• 53:01
  Speaker 1: I have never heard of this individual in my life.
• 53:03
  Speaker 1: Didn't know he existed until yesterday. Envy, you ever heard them? No,
• 53:06
  Speaker 1: I have it, Angelie, you have heard them? Nope? Okay,
• 53:10
  Speaker 1: but he's produced for a little Oozy, Jack Harlow, the
• 53:13
  Speaker 1: Baby and Pop Smoke. So says the Shade Room and Genius.
• 53:16
  Speaker 1: I feel like I am giving this man what he
• 53:17
  Speaker 1: wants and what he seems. The one is at tension.
• 53:20
  Speaker 1: I don't know how or why you wake up and
• 53:22
  Speaker 1: go to your social media and open up your Twitter
• 53:26
  Speaker 1: and decide to tweet out something like this. This is
• 53:28
  Speaker 1: what j W. Lucas tweeted out. Why is the world
• 53:31
  Speaker 1: asking for justice for hashtag Brianna Taylor? Of course she
• 53:34
  Speaker 1: shouldn't have lost her life, but do you realize that
• 53:37
  Speaker 1: she was involved with multiple drug dealers who were using
• 53:40
  Speaker 1: her house as a trap spot. If you sign up
• 53:42
  Speaker 1: for that life, there are consequences. In tweet, he actually
• 53:45
  Speaker 1: posted that those words came out of his thumbs. First
• 53:49
  Speaker 1: of all, none of that is true. All right, none
• 53:51
  Speaker 1: of that is true. Let's just start there. None of
• 53:53
  Speaker 1: that is true. We should all know the story of
• 53:55
  Speaker 1: Brianna Taylor by now. If you don't, hears a quick
• 53:58
  Speaker 1: recap Shortly after midnight on March thirteenth, Louisville police officers
• 54:02
  Speaker 1: executing a search warrant used the battering ram to enter
• 54:05
  Speaker 1: the apartment of twenty six year old Brianna Taylor. Contrary
• 54:08
  Speaker 1: to J. W. Lucas's dumbass tweet, she was not a
• 54:11
  Speaker 1: trap queen. She was an emergency room technician, all right.
• 54:14
  Speaker 1: She was in bed with her husband, I mean her boyfriend,
• 54:16
  Speaker 1: Kenneth Walker, okay, when they both heard the door get
• 54:19
  Speaker 1: banged down. It was a brief exchange, and Kenneth did
• 54:21
  Speaker 1: what I believe any human in America who owns a
• 54:23
  Speaker 1: firearm would do if someone broke into his house, and
• 54:26
  Speaker 1: that's let the hammer fly, all right. That's exactly what
• 54:29
  Speaker 1: the right to bear arms is all about. Okay. The
• 54:31
  Speaker 1: Second Amendment is the right for people to possess weapons
• 54:33
  Speaker 1: for their own defense. There is not a man, a woman,
• 54:36
  Speaker 1: or child in America who owns a gun, who knows
• 54:38
  Speaker 1: how to fire a gun who would not have done
• 54:41
  Speaker 1: the same thing. And that's in a situation. Okay, Kenneth fired,
• 54:44
  Speaker 1: police fired back several shots, and poor Brianna Taylor was murdered. Now,
• 54:48
  Speaker 1: there was so many things wrong with this situation, but
• 54:50
  Speaker 1: the main problem was police have been investigating two men
• 54:53
  Speaker 1: who they believe was selling drugs out of a house
• 54:56
  Speaker 1: that was far from miss Taylor's home. Okay, but a
• 55:00
  Speaker 1: udge had also signed the warrant allowing the police to
• 55:02
  Speaker 1: searchments Taylor's residents because the police said they believed that
• 55:06
  Speaker 1: one of the two men had used her apartment to
• 55:08
  Speaker 1: receive packages. No drugs were found in the apartment, Okay, none.
• 55:14
  Speaker 1: The police report contained multiple errors. They listened Brianna Taylor's
• 55:17
  Speaker 1: injuries as none, even though she had been shot eight times,
• 55:20
  Speaker 1: and they say they had not forced They did not
• 55:23
  Speaker 1: force their way into the apartment, though they used the
• 55:25
  Speaker 1: battering ram to break the door open, and police had
• 55:28
  Speaker 1: already located the main suspect in the investigation by the
• 55:33
  Speaker 1: time they decided to run up in Brihanna's apartment, so
• 55:36
  Speaker 1: they had who they were looking for already. Okay. The
• 55:39
  Speaker 1: marl of the story is J. W. Lucas doesn't know
• 55:41
  Speaker 1: what the hell he's talking about, and only in America,
• 55:44
  Speaker 1: well a white man find a way to defend the
• 55:46
  Speaker 1: oppressor while making the oppressed a victim. Now, I saw
• 55:50
  Speaker 1: on Hollywood Unlocked and the Shade Room yesterday where one
• 55:54
  Speaker 1: of our Fearless Leaders. Queen to Mika Mallory dropped on
• 55:56
  Speaker 1: a clues bonds for Timika Mallory speaking to J. W. Lucas.
• 56:00
  Speaker 1: Some people said Tamika was wasting her time. I don't
• 56:03
  Speaker 1: think standing up for Brianna tayl or any black person
• 56:06
  Speaker 1: who has lost their life due to systemic racism is
• 56:09
  Speaker 1: a waste of time. I thought maybe this guy, J W.
• 56:11
  Speaker 1: Lucas would have come to his senses and let to me.
• 56:13
  Speaker 1: You could talk some sensing to him after being corrected.
• 56:16
  Speaker 1: But no, let's listen. Extremely racist for a white man
• 56:21
  Speaker 1: to try to tell Black people what we are doing,
• 56:24
  Speaker 1: where we need to go, what our issues are. That
• 56:26
  Speaker 1: is part of the gaging institution. I should be I
• 56:31
  Speaker 1: should be a leader in the Black Lives Matter movement
• 56:33
  Speaker 1: because I'm more capable than you. Yes I am. You
• 56:36
  Speaker 1: know what you don't understand the nature of all negative
• 56:40
  Speaker 1: externalities must be eliminated. The people that you do business
• 56:44
  Speaker 1: with to make a decision about whether or not what
• 56:48
  Speaker 1: you're saying and the propaganda and the lies that you're
• 56:51
  Speaker 1: spreading is something that they should continue to support. So
• 56:54
  Speaker 1: what I promise you is that you will have to
• 56:57
  Speaker 1: deal with me for the rest of your life, because
• 56:59
  Speaker 1: any why do YouTube business with, I'm gonna show up
• 57:02
  Speaker 1: to make sure that they know that you are a
• 57:04
  Speaker 1: racist and that's your rhetoric and the tone that you're
• 57:08
  Speaker 1: using is extremely dangerous and that you disrespected the life
• 57:11
  Speaker 1: of a yard twenty never. I will not accept that
• 57:18
  Speaker 1: you're about decreasing problem. Do you care about getting your
• 57:22
  Speaker 1: own political game? Did you hear the white privilege losing
• 57:26
  Speaker 1: out of his purse? Right? First of all, people really
• 57:30
  Speaker 1: need to watch their tone when it comes to talking
• 57:32
  Speaker 1: two queens like Tamica Mallory. Second of all, for him
• 57:34
  Speaker 1: to say he can lead the movement better than to Mika,
• 57:39
  Speaker 1: what do you even say to that? Like, what's your response?
• 57:41
  Speaker 1: Why do you even dignify that with a response? Why
• 57:44
  Speaker 1: does he feel comfortable talking like that and saying I'm
• 57:47
  Speaker 1: discussed like could he could lead the movement better than
• 57:51
  Speaker 1: to Mika? You know why? Because he's a white man
• 57:54
  Speaker 1: talking to a black person, especially a black woman. So
• 57:57
  Speaker 1: it's a level of superiority and privilege that just comes
• 57:59
  Speaker 1: with that. All right, sexism, racism, we already know what
• 58:02
  Speaker 1: it is. Now. Keep in mind, he's a hip hop producer,
• 58:04
  Speaker 1: so he was also on last night talking hip hop.
• 58:07
  Speaker 1: Listen to what this man said about our culture. You're
• 58:10
  Speaker 1: calling me when I am telling you that I bring
• 58:13
  Speaker 1: more to your pop culture than anyone in it period.
• 58:17
  Speaker 1: He does more for hip hop than anyone in it.
• 58:20
  Speaker 1: That's crazy. Now you heard you, Now you've heard of
• 58:23
  Speaker 1: you tell yesterday. Okay, the cau cassidy, the unmitigated ghostly
• 58:27
  Speaker 1: pale gall of this human you know, j W. Feel
• 58:30
  Speaker 1: how you want to feel, say what you want to say.
• 58:32
  Speaker 1: It's America. You have that right do your thing, but
• 58:35
  Speaker 1: there has to be consequences and repercussions for people who
• 58:38
  Speaker 1: talk like this. So you can have freedom of speech,
• 58:40
  Speaker 1: but you cannot be free of the consequences of said speech.
• 58:44
  Speaker 1: And this is why we need our own version of
• 58:47
  Speaker 1: like the Southern Poverty Low Center or the ADL, these
• 58:51
  Speaker 1: organizations that fight against bigotry and racism. When someone does it,
• 58:54
  Speaker 1: says something that's offensive, you know, to our culture, hip hop, blackness,
• 59:00
  Speaker 1: we should be organized or have an organization that lets
• 59:02
  Speaker 1: people know this ain't welcome. Okay, we see it happened
• 59:05
  Speaker 1: to people all the time, but for some reason, when
• 59:08
  Speaker 1: it comes to hip hop in blackness, people are just
• 59:10
  Speaker 1: allowed to continuously disrespect us, and nobody says anything. All right,
• 59:16
  Speaker 1: nothing happens. Case in point. As I've said before, we
• 59:19
  Speaker 1: can't even get the cops who kill us fires. We
• 59:22
  Speaker 1: can't even get people canceled when they kill us. So
• 59:25
  Speaker 1: of course someone like J. W. Lucas feels comfortable disrespecting
• 59:29
  Speaker 1: us on all levels while making money in and off
• 59:34
  Speaker 1: our culture. Jay Lucas, today is a nice day. So
• 59:38
  Speaker 1: at some point today I want you to go outside barefoot,
• 59:42
  Speaker 1: if you can, put your feet in the ground. Okay,
• 59:44
  Speaker 1: get grounded, all right, take a few deep ocean breaths.
• 59:48
  Speaker 1: Make sure your inhales and exhales are long, full and deep.
• 59:53
  Speaker 1: After you do that, look up, Look up, Look up,
• 59:56
  Speaker 1: Look up. There as a star at the center of
• 59:58
  Speaker 1: the solar system. It's the foundation of the solar system.
• 1:00:01
  Speaker 1: It's a nearly perfect spear of hot plasma. I want
• 1:00:04
  Speaker 1: you to look at it, feel the raised from it,
• 1:00:07
  Speaker 1: Let it shine on your white skin, and say to yourself, son,
• 1:00:11
  Speaker 1: scream it, son, and then spell it to yourself as
• 1:00:16
  Speaker 1: you and give me your ass, give me a yo,
• 1:00:19
  Speaker 1: give me your n and let it be a reminder
• 1:00:22
  Speaker 1: to you that sun means shut up. Now. That's what
• 1:00:26
  Speaker 1: you have to do when you feel like tweeting something
• 1:00:29
  Speaker 1: stupid or getting on Live and saying something stupid, Just
• 1:00:33
  Speaker 1: go outside and get some sun and remind yourself that
• 1:00:37
  Speaker 1: shut up. And yes, white folks can be n words too.
• 1:00:42
  Speaker 1: Please let rem mark give J. W. Lucas the biggest
• 1:00:44
  Speaker 1: he had. Hee ha hee haa you stupid mother? Far
• 1:00:48
  Speaker 1: are you dumb? All right? M I'm surprised at you, brother.
• 1:00:53
  Speaker 1: Who you This is usually where we do a petty
• 1:00:56
  Speaker 1: party or something like that. You ain't gonna do that today. Oh,
• 1:01:00
  Speaker 1: do some clown emojs? You know, if you know, you know,
• 1:01:03
  Speaker 1: we can do clown emojis. But what we need to
• 1:01:05
  Speaker 1: do is go in his comments j W. Lucas seven
• 1:01:08
  Speaker 1: oh two, all right, j W. Lucas seven o two,
• 1:01:12
  Speaker 1: and put a bunch of sons in his comments all
• 1:01:15
  Speaker 1: right and say shut up. Okay, and let's see. Let's
• 1:01:20
  Speaker 1: see if he's stupid enough. They get on Live later
• 1:01:24
  Speaker 1: and say, I got a bunch of people telling me
• 1:01:26
  Speaker 1: to shut up in my comments. Let's see what happens. Guys.
• 1:01:31
  Speaker 1: This is a good social experiment. Let's see how far
• 1:01:34
  Speaker 1: he's willing to take this. Okay, go to his comments.
• 1:01:36
  Speaker 1: His Instagram is j W Lucas j W l uc
• 1:01:40
  Speaker 1: A S seven O two. Oh he must be in
• 1:01:43
  Speaker 1: Vegas and put a bunch of sons. Just put the
• 1:01:45
  Speaker 1: sun in his comments with the phrase shut up, okay, okay,
• 1:01:52
  Speaker 1: keep it like. We have more coming up next. It's
• 1:01:54
  Speaker 1: the Breakfast Club. Hey, Charlemagne to God here and I
• 1:01:59
  Speaker 1: just want to wish him Mary Christmas stow all my
• 1:02:00
  Speaker 1: credit card scameras out there. Did the season to find
• 1:02:03
  Speaker 1: you a scamera friend, so you can save some money
• 1:02:05
  Speaker 1: in any major department store in America. Breakfast Club the
• 1:02:13
  Speaker 1: relationship advice. Need personal advice, just the real advice. Call
• 1:02:18
  Speaker 1: up now for asking morning. Everybody is DJ mzy Angela Yee,
• 1:02:23
  Speaker 1: Charlomagne the guy We all the breakfast Club. It is
• 1:02:26
  Speaker 1: time for ask yee. Hello, who's this? Um? I'm saying Anonymous?
• 1:02:30
  Speaker 1: All right, what's your question for you? Anonymous? Yes we
• 1:02:32
  Speaker 1: can all right? So I have a delaba um. When
• 1:02:36
  Speaker 1: my boyfriend and I first started dating, is we're gonna,
• 1:02:38
  Speaker 1: you know, do it in the car And he pulled
• 1:02:40
  Speaker 1: his pants down there the foul older didn't he didn't fart,
• 1:02:46
  Speaker 1: He just like had took a dump and like didn't
• 1:02:48
  Speaker 1: wipe his butt. Hey, now we like lived together, and
• 1:02:53
  Speaker 1: whenever we're gonna do it, I always you know, hesit
• 1:02:57
  Speaker 1: cant because he doesn't wipe his butt. So ah, how older,
• 1:03:01
  Speaker 1: and you know he always has to fox those skid marks.
• 1:03:06
  Speaker 1: That's what they call him, Yes, skid marks. So how
• 1:03:09
  Speaker 1: do you tell your man, like, babe, can you please
• 1:03:11
  Speaker 1: wipe you out? Is he a grown man or a
• 1:03:13
  Speaker 1: baby wearing a diaper? That is disgusting? First of all,
• 1:03:17
  Speaker 1: don't you judge that? Man? I'm gonna tell you, Oh,
• 1:03:19
  Speaker 1: is this envy we're talking about you? All right? So
• 1:03:25
  Speaker 1: first of all, do y'all have wet wipes in the
• 1:03:26
  Speaker 1: bathrooms in the house? I think I need to keep
• 1:03:29
  Speaker 1: him there, but that is what you use them. You
• 1:03:31
  Speaker 1: gotta help him out, man, because there's first of all,
• 1:03:33
  Speaker 1: there's no way he don't smell the dude who coming
• 1:03:34
  Speaker 1: out his butt when he pulls his pants down. Number one.
• 1:03:37
  Speaker 1: Number two, you might have to tell him you gotta
• 1:03:40
  Speaker 1: get up in there when you wipe yourself and wipe
• 1:03:42
  Speaker 1: yourself good. And you might have to buy him some
• 1:03:44
  Speaker 1: wet wipes to carry with him when he goes places
• 1:03:46
  Speaker 1: and tell him to use those when he uses the bathroom,
• 1:03:48
  Speaker 1: because this is not something that you can dance around.
• 1:03:51
  Speaker 1: You have to be direct about this hygiene. She's right,
• 1:03:54
  Speaker 1: but I'm not his mama though. Embarrassing. One time you
• 1:03:58
  Speaker 1: you have to tell him because you know what, if
• 1:04:00
  Speaker 1: you don't say something, you're gonna just end up having
• 1:04:02
  Speaker 1: the smell doodo every time you have sex. Yeah, I
• 1:04:04
  Speaker 1: can't do that, So just just time and be like, babe,
• 1:04:08
  Speaker 1: look at your underwear and see this. You're not wiping yourself. Well,
• 1:04:11
  Speaker 1: are you getting up in the hole so you have
• 1:04:14
  Speaker 1: doodoo stains on your sheets too? Huh? No, No, I
• 1:04:17
  Speaker 1: would never do have to if it's in his underwears
• 1:04:20
  Speaker 1: in the sheets, but you gotta, you gotta point it
• 1:04:21
  Speaker 1: out because if you don't say anything, then I don't
• 1:04:24
  Speaker 1: are you just having sex? And then during the smell,
• 1:04:26
  Speaker 1: oh girl, I don't go down here. But I won't
• 1:04:29
  Speaker 1: go down on him a lot because of that, Like
• 1:04:31
  Speaker 1: I'm always afraid, like I don't want to. Why is
• 1:04:35
  Speaker 1: it so hard to tell a man is asking? I
• 1:04:36
  Speaker 1: don't know, but you could get can't you get you
• 1:04:39
  Speaker 1: call out or something? I mean, I can't wait till
• 1:04:42
  Speaker 1: you ask I don't want to Oh, hell no, I
• 1:04:45
  Speaker 1: don't want to hurt his ego. That's it. Well, girl,
• 1:04:47
  Speaker 1: I don't want you to get some type of disease either, bacteria, infection.
• 1:04:52
  Speaker 1: But this is this is for his own good. First
• 1:04:54
  Speaker 1: of all, if you're doing laundry sometimes you don't want
• 1:04:57
  Speaker 1: to have to touch that and clean that, right, right,
• 1:05:00
  Speaker 1: And this is for his own benefit. This is to
• 1:05:03
  Speaker 1: help him out in his life. You gotta show him. Look, baby,
• 1:05:06
  Speaker 1: these are wet wipes. Now, me and you were having
• 1:05:09
  Speaker 1: this conversation. Don't be embarrassed because we could talk about anything.
• 1:05:11
  Speaker 1: And trust me, if you're having sex with this man,
• 1:05:13
  Speaker 1: I'm protected. You should be able to tell him his
• 1:05:15
  Speaker 1: ass stinks and he's not wiping himself. If you can
• 1:05:18
  Speaker 1: do that, and you could lay up with him and
• 1:05:20
  Speaker 1: do all of that, then you should be able to
• 1:05:22
  Speaker 1: communicate with him and tell him, Babe, you need to
• 1:05:24
  Speaker 1: clean your butt. It's gonna be so funny when you
• 1:05:26
  Speaker 1: tell him his butt stinks. And he was like, man,
• 1:05:27
  Speaker 1: I was thinking the same thing about your poom poom
• 1:05:30
  Speaker 1: and guess and guess what she would do, white pomp
• 1:05:32
  Speaker 1: poom poom with a wet wipe. You ain't crap, ain't crap,
• 1:05:37
  Speaker 1: you don't even crap, and just listen. This isn't time
• 1:05:42
  Speaker 1: when when you got to be direct and be like, look,
• 1:05:44
  Speaker 1: you know, I don't know if you're just not wiping
• 1:05:46
  Speaker 1: yourself right, but there's these stains in your underwand sometimes
• 1:05:49
  Speaker 1: I could smell it. So I just want to say,
• 1:05:51
  Speaker 1: you gotta wipe yourself better. Here some wet wipes every
• 1:05:53
  Speaker 1: time you go to the bathroom. And you shouldn't even
• 1:05:55
  Speaker 1: have sex with him to after he showers. But if
• 1:05:57
  Speaker 1: he's not cleaning his button in the shower either, and
• 1:06:00
  Speaker 1: then get like that, I don't know what I say,
• 1:06:03
  Speaker 1: but it's cleaning his buttirement I will say. I've been
• 1:06:07
  Speaker 1: on my wife twenty one years and I do remember
• 1:06:10
  Speaker 1: a time about fourteen fifteen years ago where she went
• 1:06:15
  Speaker 1: down and she was like, hey, man, you need to
• 1:06:17
  Speaker 1: go take a shower or something, because you know and
• 1:06:20
  Speaker 1: you appreciate it. It. Yeah, I went. Maybe I didn't
• 1:06:23
  Speaker 1: wipe properly. I don't know what it was, but she
• 1:06:25
  Speaker 1: told me it didn't hurt my feelings. I just went
• 1:06:27
  Speaker 1: and took a shower. Issue between then, like, I don't understand,
• 1:06:31
  Speaker 1: I don't think it was a commentation to me before
• 1:06:33
  Speaker 1: once or twice, three times, four times, five times happened
• 1:06:36
  Speaker 1: to me before. Yeah so, but like so, that's why
• 1:06:38
  Speaker 1: you got to point it out. One day y'all will
• 1:06:39
  Speaker 1: laugh about it, and hopefully that day that chella laughing
• 1:06:41
  Speaker 1: his butt will be clean. She got embarrassed and pick
• 1:06:44
  Speaker 1: up the underwear and be like, what's this and then
• 1:06:46
  Speaker 1: let him see to do those things, and he'll get
• 1:06:48
  Speaker 1: embarrassed and I'll never do it again. I like that,
• 1:06:50
  Speaker 1: you know what I mean? And check your sheets, and
• 1:06:52
  Speaker 1: I bet you gotta do those things on your sheets. Yeah,
• 1:06:54
  Speaker 1: I bet you. Aby knows trust me. Tapping to me
• 1:06:58
  Speaker 1: once or twice put the skip marks in his face?
• 1:07:01
  Speaker 1: You go too far? Thank you, mama. How do you
• 1:07:03
  Speaker 1: like it? That's actually that's some young boys stuff though,
• 1:07:07
  Speaker 1: because you know like that. That's one of the reasons
• 1:07:09
  Speaker 1: after I do a number two, I do go take
• 1:07:11
  Speaker 1: a shower, except if you're at work. Yeah, if I'm
• 1:07:13
  Speaker 1: at work, but then I'm not like I'm going home
• 1:07:14
  Speaker 1: and like me and my wife gonna get right to it.
• 1:07:16
  Speaker 1: I don't want to go home smelling like never pooh
• 1:07:18
  Speaker 1: and then have sex right after. Hell, you can take
• 1:07:20
  Speaker 1: a shower. How we don't want your money, butter pi
• 1:07:22
  Speaker 1: either you better white, better bro? All right, ask ye
• 1:07:24
  Speaker 1: eight hundred and five A five one oh five one.
• 1:07:26
  Speaker 1: If you need relationship advice, ye, Now it's the breakfast club.
• 1:07:29
  Speaker 1: Good morning coma. Get some real advice with anthela ye
• 1:07:34
  Speaker 1: gets ask ye punting. Everybody is DJ envy angela, yee, Charlotte, Na, guy.
• 1:07:39
  Speaker 1: We are the breakfast club. We're in the middle of
• 1:07:42
  Speaker 1: ask yee, Hello, who's this? Oh? What's the matter? Givanna?
• 1:07:47
  Speaker 1: Thank you? Whispering. I'm wispering because my college students is home. Okay, okay,
• 1:07:53
  Speaker 1: and I don't want him to hear my question. Oh boy,
• 1:07:55
  Speaker 1: mommy freaky? All right, let's go. Yeah, j happy anniversary,
• 1:08:00
  Speaker 1: be celebrating twenty four years or summer too? Wowwies COSI yeah,
• 1:08:06
  Speaker 1: same to you, Same to you. My question is I
• 1:08:10
  Speaker 1: don't know how you do with all those kids, But
• 1:08:12
  Speaker 1: what to do now? These kids at home when you're
• 1:08:15
  Speaker 1: trying to get freaky with us? But why you sustaining
• 1:08:20
  Speaker 1: these loans are marriages because you'll do all kinds of crazy,
• 1:08:24
  Speaker 1: you know, but we're trying to figure it out. Kids
• 1:08:28
  Speaker 1: just one, just one, but Okay, he's home from college.
• 1:08:31
  Speaker 1: He he's graduated last years, thank goodness. But you know,
• 1:08:35
  Speaker 1: with everything going on, his grad plans that't work out.
• 1:08:39
  Speaker 1: He was supposed to relocate to California. He's home with us.
• 1:08:42
  Speaker 1: We have a condo and can't get down the way
• 1:08:46
  Speaker 1: we usually get down, you know, So is there as
• 1:08:48
  Speaker 1: he ever going outside? Is there someplace like outdoor space?
• 1:08:53
  Speaker 1: And we you know, normally would go to parks, but
• 1:08:56
  Speaker 1: parks have been closed. We don't want to get arrested
• 1:09:00
  Speaker 1: because he's essential. I own a cater this kind of
• 1:09:03
  Speaker 1: you know, in the in the public eye that I
• 1:09:05
  Speaker 1: don't want to be, you know, known for anything scandalous.
• 1:09:09
  Speaker 1: But of course, no, no, no, she said, yeah, they
• 1:09:18
  Speaker 1: not now, not now, not doing now. Of course everything
• 1:09:22
  Speaker 1: is shut down. Were trying to be safe. As I said,
• 1:09:24
  Speaker 1: my husband is essential. I own a cater and business.
• 1:09:27
  Speaker 1: Shout out to the small business owners. I've fed the
• 1:09:29
  Speaker 1: front line. Still doing my business. Let's plug that too
• 1:09:33
  Speaker 1: while we're on here. Oh thank you. Imp Mama's signature
• 1:09:36
  Speaker 1: recipes where I'm in club side part but I work
• 1:09:40
  Speaker 1: out of a commercial kitchen and Inglewood so Inglewood Hospital,
• 1:09:44
  Speaker 1: Holy name tea neck feed the front line. We're still
• 1:09:48
  Speaker 1: doing more so. But now, Javannah, let me ask you this.
• 1:09:51
  Speaker 1: Doesn't your son have to go to sleep at some
• 1:09:52
  Speaker 1: point um now that he's home? Not really? I mean,
• 1:09:56
  Speaker 1: come on, you know these older kids, they are FaceTime
• 1:09:58
  Speaker 1: all hours of the night, you know, um, and we're
• 1:10:02
  Speaker 1: not quiet, you know what, you know what? I think
• 1:10:04
  Speaker 1: it's fine you need to have sex quietly, quietly, yes,
• 1:10:09
  Speaker 1: and that actually is really fun. But it doesn't normally happen.
• 1:10:12
  Speaker 1: But it's actually very exciting when you know people louder
• 1:10:16
  Speaker 1: than me. Actually, you're gonna have to cover his mouth
• 1:10:21
  Speaker 1: while you're doing it. But it's actually something really fun
• 1:10:25
  Speaker 1: about trying to be quiet while you have sex. And
• 1:10:27
  Speaker 1: that might just be something y'all gonna have to do.
• 1:10:29
  Speaker 1: Just be careful quiet. It is exciting that we're gonna try. Mama, Mama, Mama.
• 1:10:35
  Speaker 1: I cannot be honest with you, especially from DJ people
• 1:10:39
  Speaker 1: all those kids. We live in a conduct well first
• 1:10:41
  Speaker 1: of all, first of all, the kids go to sleep,
• 1:10:43
  Speaker 1: the kids go to sleep, and and the older kids.
• 1:10:46
  Speaker 1: But oh, he knows what's going on. You don't think
• 1:10:48
  Speaker 1: he haven't sex you know him to hear that. Nobody
• 1:10:50
  Speaker 1: want to hear their parents that the kids don't want
• 1:10:53
  Speaker 1: to hear that. Put a lock on that door, and
• 1:10:55
  Speaker 1: you and your hub' gonna walk in, and don't worry
• 1:10:59
  Speaker 1: about it. He'll put his heads old one and he'll
• 1:11:00
  Speaker 1: be in this video game. Let me, let me tell
• 1:11:02
  Speaker 1: you what else you can do. Let me tell you
• 1:11:04
  Speaker 1: what else you could do because you said the head.
• 1:11:05
  Speaker 1: But I'm glad you said that. Put a sheet on
• 1:11:07
  Speaker 1: the floor and have sex quietly on the floor. We
• 1:11:10
  Speaker 1: have carpet on the under the floor under our bab
• 1:11:13
  Speaker 1: But all right, listen, put floor, put on some music,
• 1:11:19
  Speaker 1: put the TV on. Whatever you gotta do. Mama, don't
• 1:11:22
  Speaker 1: even worry about your son. You know, my daughter came
• 1:11:24
  Speaker 1: into me. She came into my room the other morning,
• 1:11:26
  Speaker 1: was like, guys, you know I don't go to sleep
• 1:11:28
  Speaker 1: at twelve o'clock, right, you know, I hear everything that
• 1:11:30
  Speaker 1: was going on, and and you know what I said,
• 1:11:33
  Speaker 1: I said, well you know how you got here, right?
• 1:11:34
  Speaker 1: And then she just walked out. It is what it is.
• 1:11:36
  Speaker 1: My daughter's eighteen. Your son is he graduated college. You
• 1:11:38
  Speaker 1: gotta be in his twenties. He understand. I listen. I
• 1:11:42
  Speaker 1: just want to I just want to say you just
• 1:11:44
  Speaker 1: need to make a fun game out of it. Put
• 1:11:46
  Speaker 1: that sheet on the floor to him, all right, we
• 1:11:48
  Speaker 1: gotta be quiet, turn on some music kind of low,
• 1:11:51
  Speaker 1: and just have sex slowly and quietly. He's a grown
• 1:11:54
  Speaker 1: ass boy, Mama, he's in your house. He's old enough
• 1:11:58
  Speaker 1: now you and hope you get freaky after the two
• 1:12:01
  Speaker 1: He doesn't want to see his mother's face. His father
• 1:12:04
  Speaker 1: come out smiling, but he doesn't want to see me
• 1:12:06
  Speaker 1: come down to make his avocado toast after I didn't
• 1:12:10
  Speaker 1: avocado toast. I hope you wash your hands, washing my
• 1:12:17
  Speaker 1: hands and everything. But okay, we'll try the sheet on
• 1:12:20
  Speaker 1: the four things. Mama gets you freaky as he emmy,
• 1:12:25
  Speaker 1: this is ask ye. She wanted advice, and my advice
• 1:12:28
  Speaker 1: has some time with that. It's a different time, it's
• 1:12:30
  Speaker 1: a different error. She don't want her son to hear,
• 1:12:32
  Speaker 1: but that she's on the floor to be quiet, quarantine sex,
• 1:12:36
  Speaker 1: maintaking the long term marriages. You gotta don't any time.
• 1:12:42
  Speaker 1: And every time he makes a little noise with his
• 1:12:44
  Speaker 1: mouth and he stays getting too loud, just cover his
• 1:12:46
  Speaker 1: mouth and be like, hey, you gotta be quiet, mama, nah,
• 1:12:48
  Speaker 1: and let me ask you a question. When you find
• 1:12:50
  Speaker 1: out what to do with the help me out with
• 1:12:52
  Speaker 1: the bed, because I haven't figured that out. Yeah, my
• 1:12:53
  Speaker 1: baby squeaking. We haven't figured that out, man, we haven't
• 1:12:55
  Speaker 1: figured we'd be used w D forty. We put the
• 1:12:57
  Speaker 1: mattress and everything, and it's still it's still gone too.
• 1:13:01
  Speaker 1: The mattress you, I said label, it said type of matches.
• 1:13:05
  Speaker 1: You have an air mattress. No, we don't have. No, please,
• 1:13:09
  Speaker 1: we have a bustled air mattress. We tried that back
• 1:13:11
  Speaker 1: in trying to play you. Angelae just tried to play you. Mom.
• 1:13:16
  Speaker 1: You're a grown ass woman trying to play you like
• 1:13:19
  Speaker 1: you some young air mattress I have, I have a
• 1:13:28
  Speaker 1: I have I actually have an air mattress as a
• 1:13:31
  Speaker 1: spare mattress in my house in case I have company.
• 1:13:33
  Speaker 1: And I'm like, okay, here's an air mattress. So sometimes
• 1:13:36
  Speaker 1: people come up, you could no, I don't know, don't work,
• 1:13:43
  Speaker 1: and it said, actually it's a it's a pillow top
• 1:13:45
  Speaker 1: air mattress and it's very nice. I got daughter played automatically. Yeah,
• 1:13:49
  Speaker 1: I have that for guests. But I don't think that's
• 1:13:51
  Speaker 1: gonna work. Mom, wa go in story about we're gonna
• 1:13:55
  Speaker 1: go and go, Okay, I'm gonna take your advice. Go
• 1:13:57
  Speaker 1: and he knows understand, So I know, you know, DJ
• 1:14:01
  Speaker 1: and long term marriage. You gotta do what you gotta do.
• 1:14:03
  Speaker 1: That's right, that's right. Or stick your face out the window.
• 1:14:08
  Speaker 1: Let help you hit it from the back of that way.
• 1:14:09
  Speaker 1: If you're yellous outside, you go in, you get freaky.
• 1:14:12
  Speaker 1: Then I've already had notices under my door from my neighbors.
• 1:14:16
  Speaker 1: So that's the last thing I needed for them to
• 1:14:17
  Speaker 1: see my hanging out the window. Now too long, hanging
• 1:14:27
  Speaker 1: out the window. But you know, let's pick my face
• 1:14:33
  Speaker 1: out the window. That's gonna come next. Get on that floor.
• 1:14:41
  Speaker 1: And to stain these long, long term marriages, we are
• 1:14:44
  Speaker 1: here doing it too. Black love, black hand, black love.
• 1:14:48
  Speaker 1: Don't do your don't do your catering straight from doing
• 1:14:51
  Speaker 1: what you do with your husband. Just make sure you
• 1:14:53
  Speaker 1: wash your hands, shower. We don't want any extra food.
• 1:14:56
  Speaker 1: More loving it boy, all right, thank you, mama? Alright?
• 1:14:59
  Speaker 1: Eight undred that ain't that? Ain't love that at creamy
• 1:15:06
  Speaker 1: eight hundred five eight five one oh five, won't keep
• 1:15:08
  Speaker 1: a lock this to breakfast club, Good morning, it's that time.
• 1:15:11
  Speaker 1: Ask Charlemagne and DJ Envy anything, pick it up, pick up,
• 1:15:17
  Speaker 1: It's time to ask any morning. Everybody is DJ Envy, angela, Ye, Charlemagne,
• 1:15:24
  Speaker 1: the guy. We are the breakfast Club. It's time for
• 1:15:26
  Speaker 1: ass C and E. If you need relationship advice or
• 1:15:28
  Speaker 1: any type of advice, we're gonna help you out. We're
• 1:15:31
  Speaker 1: gonna get through as many as we can. Hello, who's
• 1:15:33
  Speaker 1: this well suck? What's up? DJ Charlemagne and guy? This
• 1:15:37
  Speaker 1: may O? Man? This guy? How old are you? Brother?
• 1:15:40
  Speaker 1: I'm forty six. Now you're dating a nineteen year old girl. Lord,
• 1:15:44
  Speaker 1: have mercy? Oh no, man, don't play me like that. No,
• 1:15:46
  Speaker 1: I'm nineteen years older than oh your nineteen. I didn't
• 1:15:49
  Speaker 1: do this better than the room report. This was a
• 1:15:51
  Speaker 1: great rumor. You just started on this poor young man.
• 1:15:54
  Speaker 1: So you're you're forty nine and you're dating a young
• 1:15:57
  Speaker 1: lady that's nineteen. Man lit in me, I'm forty six. Okay,
• 1:16:02
  Speaker 1: she's twenty seven. Oh okay, that ain't too bad. Yes
• 1:16:05
  Speaker 1: that is better than ain't you? The food, work and stuff?
• 1:16:11
  Speaker 1: You know what I'm saying. Over time, you know, I
• 1:16:13
  Speaker 1: started digging or we've been kicking it for about seven
• 1:16:16
  Speaker 1: months or whatever. But sometimes like you haven't feeling kind
• 1:16:19
  Speaker 1: of funny because of the age, my age, you know, yeah,
• 1:16:25
  Speaker 1: because you're cracking jokes. You'd be talking to her and
• 1:16:27
  Speaker 1: you'd like, you're so smart, you a regular dougie houses.
• 1:16:30
  Speaker 1: She's like, who the hell is Dugie Houser? But if
• 1:16:34
  Speaker 1: you feel like kids? Who kids? What people think? Bro?
• 1:16:37
  Speaker 1: If you're feeling us, she's feeling you. You just taking
• 1:16:39
  Speaker 1: viagg You're leavit, you the blue pill, and just do
• 1:16:41
  Speaker 1: what you gotta do. No, I'm ain't one on my
• 1:16:45
  Speaker 1: end lying you got. I'm gonna feel like that. You
• 1:16:48
  Speaker 1: gotta be yourself. That's your own insecurities because you're old
• 1:16:51
  Speaker 1: as hell and she young and you're trying to keep up.
• 1:16:55
  Speaker 1: You know what I mean. That's your own insecurities. You
• 1:16:57
  Speaker 1: gotta get out your own head. If you're gonna be
• 1:16:58
  Speaker 1: with that young girl now, I'll see you on that well,
• 1:17:02
  Speaker 1: good luck, LaVita, the blue pill, Viagra you got. You
• 1:17:06
  Speaker 1: know what, She's gonna leave you because you gotta keep it.
• 1:17:09
  Speaker 1: I need that Al Green and that Heney you're riding
• 1:17:12
  Speaker 1: around with Jai Le see that Al Green. You want
• 1:17:14
  Speaker 1: to hear Chris Brown. You're listening to the Al Green.
• 1:17:15
  Speaker 1: I love Al Green. You know what I'm saying, y'all
• 1:17:18
  Speaker 1: arguing about rather to listen to the new Act two
• 1:17:20
  Speaker 1: of the Savage Mo two. You know what I mean.
• 1:17:22
  Speaker 1: I'm talking about this. I'm talking about the trees. I
• 1:17:24
  Speaker 1: ain't coming on Al Green. Oh that's my whole drink.
• 1:17:29
  Speaker 1: I'm sorry. I didn't know. I didn't know what y'all
• 1:17:31
  Speaker 1: called weed. Now, Jason, I don't know what it's called.
• 1:17:32
  Speaker 1: Our green had no idea back then. Okay, do you
• 1:17:36
  Speaker 1: know who Al Green is? Yes? You know who Al
• 1:17:39
  Speaker 1: Green is? She should no, ain't no should. She thinks
• 1:17:43
  Speaker 1: al Green is a screen of weed, and y'all call
• 1:17:45
  Speaker 1: it that because the weed is green. She has no
• 1:17:48
  Speaker 1: idea that that's an actual singer. Right, good luck, brother,
• 1:17:53
  Speaker 1: appreciate you like he said, don't let your insecurities bother you. Man.
• 1:17:56
  Speaker 1: If you like that girl she liked you, just enjoy
• 1:17:59
  Speaker 1: all right. For Sean ages is too hard to get over.
• 1:18:02
  Speaker 1: I know that. You know you can't help when you
• 1:18:03
  Speaker 1: grow in love with, but when you're damned here fifty
• 1:18:06
  Speaker 1: and a woman is just twenty seven years old? What
• 1:18:08
  Speaker 1: the hell are y'all talking about? Seriously? Like, what are
• 1:18:11
  Speaker 1: y'all talking about? She can't name none of the members
• 1:18:12
  Speaker 1: of woodin Clan. Nope, she don't remember no episodes of
• 1:18:15
  Speaker 1: Coffee Show. Nope. Like what are y'all talking about? I
• 1:18:17
  Speaker 1: can't tell you about new edition? Nothing. Don't let you
• 1:18:20
  Speaker 1: know about new addition to this movie. She's on BT, right, Yeah,
• 1:18:22
  Speaker 1: that's it. Hello, who's this? Hey? What's this? Crystal? Hey? Kristy?
• 1:18:26
  Speaker 1: What's your question for C and E? All right? Okay,
• 1:18:29
  Speaker 1: So I have a sister. We're fourteen months apart, really close.
• 1:18:32
  Speaker 1: So we went on a trip to the Silenttees in December.
• 1:18:35
  Speaker 1: But two weeks before the trip, I got fired for
• 1:18:37
  Speaker 1: my job. Great job, didn't it was there for ten years.
• 1:18:40
  Speaker 1: So I never gave her the money for the trip.
• 1:18:42
  Speaker 1: When we came back, so I didn't see her. I
• 1:18:45
  Speaker 1: was in my filings about being the prest you know,
• 1:18:47
  Speaker 1: bosk on my job or whatever. The case was, so
• 1:18:49
  Speaker 1: fast soward. She told me that, you know, I think
• 1:18:51
  Speaker 1: advantage of her. I'm like, take advantage of you. You're
• 1:18:54
  Speaker 1: my sister, Like we're adult, nobody you's know one of us. Well,
• 1:18:58
  Speaker 1: she's not presch the twelve hundred dollars, and you know
• 1:19:00
  Speaker 1: I was kind of in my simies. I have two kids,
• 1:19:02
  Speaker 1: I have aloyage. I was my job and we're in
• 1:19:04
  Speaker 1: the middle of Corona now. So now she just mad
• 1:19:07
  Speaker 1: about the five hundred dollars and she feels that I
• 1:19:09
  Speaker 1: took advantage of her. I agree with her. Hundred dollars
• 1:19:13
  Speaker 1: dollars with her. No, why you didn't give her her
• 1:19:18
  Speaker 1: money back? Because she lost her job, she got two kids.
• 1:19:20
  Speaker 1: She shouldn't went to the Philippines then, But then she
• 1:19:23
  Speaker 1: was already paid for it. Yeah, clearly it wasn't so
• 1:19:27
  Speaker 1: he paid for me. Did she tell you that she
• 1:19:30
  Speaker 1: was paying for you? Or did she paid for it
• 1:19:31
  Speaker 1: with the assumption that you was gonna pay her back.
• 1:19:34
  Speaker 1: I was gonna pay her back exactly. So I agree
• 1:19:36
  Speaker 1: with her. Don't happen. She got a job, my job,
• 1:19:39
  Speaker 1: that's right, Okay, Yes, sister, gotta take that note for me,
• 1:19:44
  Speaker 1: because she see you out here still buying stuff. She
• 1:19:46
  Speaker 1: see you out here still living, you still doing something
• 1:19:49
  Speaker 1: that make her know that you got that twelve hundred
• 1:19:50
  Speaker 1: dollars was the last time he went out. Mama, Well
• 1:19:53
  Speaker 1: you came back to Jamaica. I know you, so you
• 1:20:00
  Speaker 1: should get her money back. So you went to Jamaica.
• 1:20:03
  Speaker 1: You should be ashamed of yourself. Oh, you gave her
• 1:20:08
  Speaker 1: the money back. I gave her her money back, but
• 1:20:10
  Speaker 1: she feels that I took advantage of her. But now
• 1:20:13
  Speaker 1: we're just one situation overall over our lives. But I
• 1:20:16
  Speaker 1: feel like she just mean and insensitive and based on
• 1:20:20
  Speaker 1: for those feelings that I have, I don't really want
• 1:20:22
  Speaker 1: to have discussion on her anymore. Like I love my sisters, Davis,
• 1:20:25
  Speaker 1: but I don't want to be friends with her anymore. Well,
• 1:20:27
  Speaker 1: if you take advantage of her, she should be mad
• 1:20:29
  Speaker 1: at you. Well if you gave her the money back,
• 1:20:31
  Speaker 1: and she's just being mad at you for being mad,
• 1:20:33
  Speaker 1: but she probably how long did it take to get
• 1:20:35
  Speaker 1: the money back? Right before you? With the Jamaica It
• 1:20:36
  Speaker 1: is kind of slack that you didn't give her her
• 1:20:38
  Speaker 1: money back. You just out here, ball, And don't you
• 1:20:39
  Speaker 1: hate when somebody owe you money and it is out
• 1:20:41
  Speaker 1: here ball? Y'all are missing it. I'll have two kids.
• 1:20:44
  Speaker 1: She has an out of Jamaica. She said, I got
• 1:20:50
  Speaker 1: two kids and she got it out of here at seven. Listen,
• 1:20:53
  Speaker 1: you're wrong, You're wrong. That's good. You should need to
• 1:20:58
  Speaker 1: get over it with your room you foul? Are you wrong?
• 1:21:00
  Speaker 1: She's wrong? All right? We got more coming up next
• 1:21:03
  Speaker 1: with a breakfast club Morning. Everybody is DJ Envy, Angela Yee,
• 1:21:08
  Speaker 1: Charlomagne the guy, we are the breakfast club. I leave.
• 1:21:10
  Speaker 1: It's on a positive note. Listen to positive notice simply.
• 1:21:12
  Speaker 1: This man actually posted this on my Instagram another day.
• 1:21:16
  Speaker 1: But this is something that I truly believe. A bad
• 1:21:17
  Speaker 1: attitude can literally block love, blessings and destiny from finding.
• 1:21:22
  Speaker 1: You don't be the reason you don't succeed.