Latest / I Am All In with Scott Patterson / I Am All In…Again: I Love You, You Idiot (Season 1 E21 “Love, Daisies and Troubadours”)
Transcript
- 0:00Speaker 1: I am all in again. Hello, Let's just you.
- 0:17Speaker 2: H I am all in again with Scott Patterson and
- 0:20Speaker 2: iHeartRadio Podcast. Hey everybody, Scott Patterson, I am all in Podcast,
- 0:25Speaker 2: one of them productions.
- 0:26Speaker 1: iHeartRadio Media.
- 0:27Speaker 2: I heart Podcast one on one episode with Eddie Shan
- 0:32Speaker 2: we are breaking down Season one, episode twenty one, Love
- 0:37Speaker 2: Daisy's and Troubadours.
- 0:40Speaker 1: Eddie, Welcome, how are you? I'm great man, good to
- 0:43Speaker 1: be here, Suzanne.
- 0:44Speaker 2: Hello, Hello, Hello, our newly anointed superstar with all the
- 0:48Speaker 2: charisma for Riz as the kid said the todays, Eddie Shin,
- 0:54Speaker 2: as you know, is Henri Cho on Gilmore Girls. He
- 0:59Speaker 2: was first appearance season one, episode seventeen, The Breakup, Part two,
- 1:03Speaker 2: where he meets Lane at a party and sparks do
- 1:08Speaker 2: fly unexpectedly because he is the perfect person that Lane's
- 1:12Speaker 2: mom would approve of and therefore he is unsuitable to Lane.
- 1:17Speaker 2: Thanks for joining us, Bud. This is the season one
- 1:19Speaker 2: and finale. Have you watched Gilmore Girls before?
- 1:22Speaker 1: This is your first episode? Ddie? No, I remember last
- 1:25Speaker 1: you when I when I got cast. So Gilmore Girls
- 1:27Speaker 1: was my first TV job ever, right Like I was
- 1:30Speaker 1: actually in Vegas when I got the call to you know,
- 1:33Speaker 1: from my agent twit and hadn't even met yet, being like, hey,
- 1:36Speaker 1: there's a show Gilmore girls, you have an audition. You've
- 1:38Speaker 1: got to be in La by Monday. It was like
- 1:40Speaker 1: a Saturday night or something like that. So I remember
- 1:43Speaker 1: after I got cast, I had watched that episode, and
- 1:47Speaker 1: then of course I rewatched the episode that you just mentioned. Episode. Yeah, well,
- 1:52Speaker 1: here we go.
- 1:52Speaker 2: Air date May tenth, two thousand and one, twenty almost
- 1:58Speaker 2: twenty four years ago. Here's their synopsis. Lower a line, Max,
- 2:02Speaker 2: we kindled the romance, and boy do that they ever?
- 2:04Speaker 2: As Luke and Rachel fade, Rory clashes with Tristan, which
- 2:11Speaker 2: is pretty easy to do. Who misleads Paris and Friends,
- 2:17Speaker 2: and finally speaks to Dean post breakup. Directed by the
- 2:21Speaker 2: one and only Amy Sherman Palladino, written by the one
- 2:24Speaker 2: and only Daniel palladin all right, let's get into this, guys,
- 2:28Speaker 2: Rory and Dean's breakup and reunion.
- 2:30Speaker 1: Rory and Dean have been through a rough patch.
- 2:33Speaker 2: Since, they say, since she didn't say I love you
- 2:36Speaker 2: back when when Dean you know, said his I love
- 2:39Speaker 2: you and it was hanging out there like a big
- 2:41Speaker 2: moss of ball. Rory's curiosity leads her to look for
- 2:44Speaker 2: Dean around Star Sola.
- 2:45Speaker 1: What you guys think of this? I liked it.
- 2:48Speaker 3: Yeah, it was. It was cute. The whole thing with
- 2:51Speaker 3: the younger sister. I thought was a little weird that
- 2:55Speaker 3: they had dated for three months but Clara didn't recognize
- 2:59Speaker 3: Rory and Rory did no Claire's name. I thought that
- 3:02Speaker 3: was a little odd, But in general I thought it
- 3:05Speaker 3: was cute how she was starting to realize she still
- 3:07Speaker 3: had feelings for Dean and was running around town looking
- 3:09Speaker 3: for him.
- 3:10Speaker 1: And they needed a little sister to like draw up
- 3:12Speaker 1: the drama of like, wait, what do you mean my
- 3:13Speaker 1: picture is still in his room or whatever? You know,
- 3:15Speaker 1: sort of draws you in to be like, wait o,
- 3:17Speaker 1: there's a little feelings or whatever.
- 3:18Speaker 2: Yeah, and yeah she was. She got a little overbearing.
- 3:23Speaker 2: Laurie got a little overbearing there, didn't she trying to
- 3:26Speaker 2: force the issue go in the room and get the pictures.
- 3:29Speaker 1: Yeah, a little stocker is Yeah it was.
- 3:32Speaker 2: It was a little much, but I'm out a little
- 3:34Speaker 2: out of character for her, But I guess she feels
- 3:36Speaker 2: like she screws up and then she speaks. Roy does
- 3:39Speaker 2: at the town meeting in favor of the town Jupiter,
- 3:42Speaker 2: but her speech takes on a deeper meaning with hidden
- 3:46Speaker 2: messages regarding the way she feels about Deane.
- 3:49Speaker 1: I thought that was a very clever device.
- 3:52Speaker 2: And I enjoy those scenes because you get to see
- 3:55Speaker 2: Dean react, you know, and it keeps us in the story.
- 4:01Speaker 2: So later Dean surprises Rory at Chilton, only to see
- 4:05Speaker 2: Rory in Tristan together. Good god, what a scene. What
- 4:10Speaker 2: a satisfying scene. I mean, if you're ever gonna you know,
- 4:16Speaker 2: wallop the creepy Tristan, right, that's the way to do it. Yeah,
- 4:21Speaker 2: I mean, there's there's this is just no coming back.
- 4:23Speaker 1: Ro What did you guys think of that? Well? It
- 4:26Speaker 1: was especially good in light of the other sort of
- 4:27Speaker 1: love stories that had sort of come to a head,
- 4:30Speaker 1: come to ahead by this episode, which was you know,
- 4:32Speaker 1: obviously you're you're you know, I should say, Luke's story
- 4:35Speaker 1: with Rachel, and then you know Laura Lai, you know,
- 4:37Speaker 1: with with her whole sort of like you know, the proposal,
- 4:40Speaker 1: So everything sort of crescendoed and you're just kind of like,
- 4:43Speaker 1: well this is crazy, you know. So it was very satisfying.
- 4:46Speaker 2: Yeah, you know, to sort of recap all this. Rory
- 4:50Speaker 2: finally says I love you back, but she doesn't say
- 4:54Speaker 2: I love you. She says, I love you you idiot,
- 4:57Speaker 2: don't you idiot? I loved Is that what she said? Yes,
- 5:00Speaker 2: it was just such a terrific It was such a
- 5:03Speaker 2: terrific film moment.
- 5:05Speaker 1: Right.
- 5:07Speaker 2: And boy uh you know the director that where they
- 5:11Speaker 2: put the camera and how they focused on Tristan a
- 5:16Speaker 2: little bit into that moment where we could see his
- 5:19Speaker 2: entire world just crumble before our eyes and he just
- 5:22Speaker 2: put the books down.
- 5:25Speaker 1: It just put her books down and wandered off in
- 5:27Speaker 1: his sadness.
- 5:29Speaker 2: Yes, and Rory and Dean have this passionate kiss right
- 5:32Speaker 2: in front of the entire Chiltern student body. Let me
- 5:39Speaker 2: ask you this, Henri and you two Susan, have either
- 5:42Speaker 2: of you gone out of your way accidentally to run
- 5:45Speaker 2: into someone you had feelings for?
- 5:47Speaker 1: Oh yeah, especially at that age, like in school, Not
- 5:53Speaker 1: not that it was you know, particularly hard to do.
- 5:55Speaker 1: You know, you just go go go to like Barnes
- 5:58Speaker 1: and Nobles to study, you know, because you know someone
- 6:01Speaker 1: else is studying there, and you know you bring your
- 6:04Speaker 1: group of friends that they bring their you know, group
- 6:06Speaker 1: of friends and you also hang out but all the time. Yeah,
- 6:08Speaker 1: of course.
- 6:09Speaker 3: Yeah, we used to do basically what Rory did because
- 6:13Speaker 3: our you know, my group of friends and I our
- 6:15Speaker 3: crushes all worked at places that we would go into normally.
- 6:20Speaker 3: So we would just accidentally go to the yolkre shop
- 6:23Speaker 3: when someone was working, like it was exactly the same
- 6:27Speaker 3: thing as Rory going into Dosie's Market. But yeah, we
- 6:29Speaker 3: totally did that at that age. We drive by their
- 6:32Speaker 3: house and all that. Yeah, for sure.
- 6:35Speaker 2: Yeah, I think we've all done that at one time
- 6:37Speaker 2: or another.
- 6:37Speaker 1: It's usually high school. Yeah, you don't know, you don't
- 6:40Speaker 1: know how else to go about it. But the semi
- 6:42Speaker 1: you know, stocker is shit right exactly.
- 6:45Speaker 3: We don't do that anymore though, No, No.
- 6:49Speaker 2: I stopped doing that last week Tuesday. Let's talk about
- 6:53Speaker 2: this storyline. Max proposes to Laura. I wow, this was
- 6:59Speaker 2: packed with Max Laurel I cage match, what what a
- 7:05Speaker 2: and a really great scene. You know, I think the
- 7:08Speaker 2: Luke Max uh uh how should we call this?
- 7:14Speaker 1: Uh? They had some kind of a I.
- 7:17Speaker 3: Think we can call it jealousy.
- 7:18Speaker 1: It was a measuring contest.
- 7:20Speaker 3: Yeah, that's a good way way to put it.
- 7:26Speaker 2: And and if that wasn't great enough, the scene that
- 7:29Speaker 2: followed between Max and Laurel I was just great.
- 7:33Speaker 1: It was.
- 7:33Speaker 2: It was my favorite Max Laurel I scene.
- 7:36Speaker 1: You mean, the one where she shows up at the hotel.
- 7:38Speaker 2: No no, no, no, no no, in the living room, because it
- 7:40Speaker 2: spills into the living room because Max says, you know,
- 7:44Speaker 2: what's going on there? I sense something's going on, like
- 7:47Speaker 2: what is he doing?
- 7:48Speaker 1: Like right after you leave?
- 7:49Speaker 2: He seems to be everywhere, you know, like I'm sensing something.
- 7:53Speaker 2: So they're in the living room, they're going at it,
- 7:55Speaker 2: and then they decided to start over it. That absolutely
- 7:58Speaker 2: is my favorite because it.
- 7:59Speaker 1: Because it.
- 8:01Speaker 2: Shows her feelings, it shows everybody's feelings, and it shows
- 8:04Speaker 2: his insecurity. It shows Luke's insecurity in another way, and
- 8:08Speaker 2: it shows Laureli's confusion right and her unconscious attraction to
- 8:13Speaker 2: Luke perhaps who knows right. Very interesting dynamic there, interesting
- 8:19Speaker 2: how they how they write it. And one of the
- 8:23Speaker 2: more satisfying scenes in the entire series is that scene overall,
- 8:28Speaker 2: but especially the one in the living room between Max
- 8:30Speaker 2: and Laurel I.
- 8:32Speaker 1: Well, frustrating too, frustrating scene too, because we spend so
- 8:37Speaker 1: much time with Luke and you know, obviously he goes
- 8:39Speaker 1: through his whole break, you know, Rachel takes off and
- 8:42Speaker 1: so you know, secretly, as fans, like you're like, oh,
- 8:45Speaker 1: Max is a good guy. He's playing you know, he's
- 8:47Speaker 1: staying the right things. Obviously by the end of the
- 8:48Speaker 1: scene he's sort of doing the right things, I guess.
- 8:51Speaker 1: But as a fan you're like, well, that's getting in
- 8:53Speaker 1: the way of what we want for Lorelai, which is Luke.
- 8:56Speaker 1: You know. So it's like this, It's like, why am
- 8:58Speaker 1: I hating on a guy that's just like a great
- 9:00Speaker 1: a great dude. So it almost gives you internal conflict
- 9:03Speaker 1: in the same way maybe that Laura.
- 9:05Speaker 2: Lies right right, and Luke is so much more cautious
- 9:08Speaker 2: than Max. Max really just lays it out there, doesn't he.
- 9:11Speaker 2: I mean, he's not shy. He's like, this is how
- 9:13Speaker 2: I feel, Boom, what's going on?
- 9:15Speaker 1: I love you? Will you marry me?
- 9:17Speaker 2: And who's this guy? And I don't like how that
- 9:19Speaker 2: makes me? So it seems like Max is more in
- 9:23Speaker 2: touch with his feelings. He's not a shame to lay
- 9:26Speaker 2: it down the line with her because the statics are
- 9:28Speaker 2: so high for him. He just but I think are
- 9:31Speaker 2: you getting the sense that Max is blowing it because
- 9:33Speaker 2: he's pushing too hard?
- 9:34Speaker 3: I that is, That's kind of where I went with it.
- 9:37Speaker 3: And I feel like the more I watched the show,
- 9:41Speaker 3: maybe the less I like Max. He's very he was
- 9:46Speaker 3: very possessive.
- 9:47Speaker 1: I felt like, uh, right away, coming from.
- 9:50Speaker 3: The last episode where he was getting on Laura Live
- 9:53Speaker 3: for not telling all her friends that they had started
- 9:56Speaker 3: speaking again and he wasn't happy about that, And now
- 9:59Speaker 3: this episode he varied that scene in the foyer with Luke.
- 10:03Speaker 3: He was totally trying to mark his territory. And I
- 10:08Speaker 3: was kind of glad that Laura called him out on
- 10:10Speaker 3: the proposal because I didn't feel like he was proposing
- 10:15Speaker 3: because he really wanted to get married. It almost felt
- 10:17Speaker 3: like he was proposing to show that she's his.
- 10:20Speaker 1: Yeah, And I can almost get what Max is trying
- 10:24Speaker 1: to do up until that point, Like I mean, if
- 10:26Speaker 1: that's your girl and some dudes like pushing up against her, yeah,
- 10:29Speaker 1: you got to say something. And even if it's a
- 10:31Speaker 1: little inappropriate or jealous, you understand where that comes from.
- 10:35Speaker 1: But once the proposal hit, I was like, that is
- 10:37Speaker 1: such a misstep, Like, where's that coming from? I totally agree.
- 10:40Speaker 1: I totally agree.
- 10:41Speaker 2: That is the worst time to do that. When you're
- 10:44Speaker 2: in the middle of a fight. That's just that's just
- 10:46Speaker 2: absolute desperation that you're going to lose her.
- 10:49Speaker 1: Yeah, it's just so.
- 10:51Speaker 2: It really does show a very deep insecurity.
- 10:54Speaker 3: Yeah, and I think he does love her, I think,
- 10:57Speaker 3: but I think he was just the proposal was more
- 11:00Speaker 3: out of panic than anything else.
- 11:02Speaker 2: But Suzanne, love is letting something go, and if it's
- 11:06Speaker 2: really love, it comes back. You know that here, all right,
- 11:12Speaker 2: Sophocles will shut up here.
- 11:23Speaker 3: When we get to the inn. The daisies I thought
- 11:27Speaker 3: were an adorable touch, But he wasn't there. He was
- 11:32Speaker 3: on the phone, which that kind of bugged me too.
- 11:35Speaker 1: Like he should have been there.
- 11:38Speaker 2: Like he may be just in his underwear, covered in
- 11:42Speaker 2: roast in days thousand das with a note on top
- 11:47Speaker 2: and say, you know, find me or something.
- 11:51Speaker 1: That wouldn't have been desperate at all. I never even
- 11:56Speaker 1: thought about that because I was just so caught up
- 11:58Speaker 1: visually in the moment. I was like, oh, that's a
- 12:00Speaker 1: that's a really cool scene. That's a great gesture. But
- 12:03Speaker 1: you're right, and he's just like, okay, cool, I'll tell
- 12:06Speaker 1: you that she called.
- 12:08Speaker 3: Yeah, but it was it was beautifully said.
- 12:10Speaker 1: It was a beautiful that's right, that's what it was.
- 12:13Speaker 2: Yeah, I just it was just over the top.
- 12:16Speaker 3: And that was way more than a thousand daisies.
- 12:18Speaker 1: I'm sorry, it looked like like ten thousand.
- 12:22Speaker 2: Yeah, but her reaction was was just really precious, wasn't it.
- 12:29Speaker 2: And it was mixed with it still the confusion and
- 12:32Speaker 2: the indecision. It wasn't like, this is it, He's got me,
- 12:36Speaker 2: there's this doubt.
- 12:37Speaker 1: It's like, yeah, guys.
- 12:39Speaker 3: Even when she was talking to Luke at the end,
- 12:42Speaker 3: she's like, well I think I'm happy maybe, like just yeah,
- 12:47Speaker 3: she was flattered by the gesture, but still wasn't sure
- 12:50Speaker 3: about the deeper the deeper sentiment.
- 12:54Speaker 2: But yeah, it's that confusion like this is everything I want,
- 12:58Speaker 2: but it's.
- 12:58Speaker 1: The wrong guy, you know, kind of subtextually, and.
- 13:03Speaker 2: She does that so well, right, Yeah, you can feel that,
- 13:06Speaker 2: you can read it on her face a little bit
- 13:08Speaker 2: and without being obvious about it.
- 13:11Speaker 1: That thing's hard. It's hard, right, Eddie. It's so hard.
- 13:18Speaker 1: So fun, Scott, but so fun.
- 13:20Speaker 2: It's fun, but it's really hard to nail those moments.
- 13:22Speaker 2: I mean, you really just have to prep and oh
- 13:26Speaker 2: my all right, lor Ling, Okay, so yeah, there you go.
- 13:29Speaker 2: I mean I think that storyline we can put that
- 13:35Speaker 2: to bed as it were, no pun intention.
- 13:40Speaker 1: All right, let's let's get into.
- 13:41Speaker 2: A little bit Luke and Rachel breakup stuff.
- 13:46Speaker 1: Uh what do you.
- 13:48Speaker 2: Think I felt overall it was a little bit incomplete.
- 13:53Speaker 1: I wanted more.
- 13:54Speaker 2: I wanted to see more, you know, I don't know,
- 13:58Speaker 2: one more scene of not just the sort of finale
- 14:03Speaker 2: where she's packed and she's gone and it's like, hey.
- 14:07Speaker 1: Did you want something to like tie up the loose
- 14:09Speaker 1: ends more or what? Yeah, I did, just to have
- 14:12Speaker 1: at least a conversation. You know. I think it's because.
- 14:16Speaker 2: I don't know that the fans are so invested at
- 14:19Speaker 2: that point in Rachel and Luke, and they're a little
- 14:22Speaker 2: more invested in Max and Laurele I because they really
- 14:26Speaker 2: developed Max. I mean Max has been, you know, a
- 14:29Speaker 2: serious contender. And did you guys ever take Rachel seriously
- 14:32Speaker 2: as a contender for his heart?
- 14:34Speaker 1: I mean, I.
- 14:37Speaker 2: You do in a way where you think he's going
- 14:40Speaker 2: it's a wayward path and you want to get him
- 14:43Speaker 2: off that path, you know, fan wise, like no, no, no, no,
- 14:47Speaker 2: he's for laurel I he loves laurel I don't do that, Rachel,
- 14:50Speaker 2: we hate you.
- 14:51Speaker 1: Go away?
- 14:52Speaker 2: So they didn't, you know, so they wrote it that way,
- 14:54Speaker 2: so he went away. But with Max and laurel I
- 14:57Speaker 2: do you think the fans felt that way too, Like
- 15:00Speaker 2: Max go away? This is the wrong path, because it
- 15:03Speaker 2: felt right a lot of the time, right between Max
- 15:06Speaker 2: and Laurelai until he started getting you know, uber possessive.
- 15:11Speaker 1: Anyway, that's my thought.
- 15:13Speaker 3: I tend to agree with that. I think they didn't
- 15:16Speaker 3: fully develop Rachel to the extent that they did with Max,
- 15:21Speaker 3: because Max was also a figure in Rory's life, you know,
- 15:25Speaker 3: as her teacher, so he was kind of always around,
- 15:28Speaker 3: and Rachel was more like just a plot device to
- 15:31Speaker 3: put some tension or some space between Luke and LORELEI.
- 15:36Speaker 3: Having said that, I actually liked Rachel and Luke. I
- 15:41Speaker 3: liked that storyline. They weren't endgame, but I liked that
- 15:45Speaker 3: kind of tension between the three of them, and I
- 15:48Speaker 3: agree that there could have been more there. They could have.
- 15:52Speaker 3: I mean, I get that they were at the end
- 15:53Speaker 3: of the season, and so they kind of wanted to
- 15:55Speaker 3: just tie that off and not have to carry it
- 15:57Speaker 3: into the next season, but I would have liked to
- 15:59Speaker 3: see another couple episodes of that storyline to see how
- 16:03Speaker 3: it all played out. I liked Rachel as a character.
- 16:07Speaker 1: I did too. But at the same time, though, since
- 16:10Speaker 1: we spent so much more like this proportionate amount of
- 16:13Speaker 1: time with Luke just his reaction to like always being
- 16:17Speaker 1: at laurel Ies fixing stuff up, you're like, what else
- 16:19Speaker 1: really needs to be said? Like if his heart is
- 16:22Speaker 1: not even in that space and he's physically not even there,
- 16:25Speaker 1: Like what more do we really need to see from
- 16:27Speaker 1: a conversation or what could she say to make him
- 16:30Speaker 1: you know what I mean, to win us over? Whereas
- 16:33Speaker 1: for Laurel I, it's almost the opposite, where we're almost
- 16:36Speaker 1: kind of like we're almost like pulling our hair out
- 16:38Speaker 1: because we're like, the gestures are so grand, but you're
- 16:41Speaker 1: almost hoping that she doesn't get swept away by the
- 16:43Speaker 1: gesture and to listen to like what's underneath that, because
- 16:46Speaker 1: they're so over the top that you're like, who wouldn't
- 16:48Speaker 1: fall in love with that? But then you have to
- 16:49Speaker 1: like take a breath and be like, well, what's going
- 16:51Speaker 1: on inside? And so you're like, please pay attention to
- 16:54Speaker 1: that too.
- 16:54Speaker 3: Yeah, that's that's true.
- 16:56Speaker 2: I also liked that Laurel I became really unhinged and
- 17:02Speaker 2: kind of yelled at Luke for being there so early
- 17:04Speaker 2: and driving her crazy, and that they have the comfort
- 17:07Speaker 2: with each other where she can do that and he
- 17:10Speaker 2: doesn't take it personally, you know what I mean.
- 17:12Speaker 1: It's almost like they are already I.
- 17:15Speaker 2: Mean they're behaving somewhat in a way where they're already
- 17:19Speaker 2: a married couple and settled in their relationship, but without
- 17:22Speaker 2: you know, you know, consummating it or being together in
- 17:25Speaker 2: a real sense in reality.
- 17:27Speaker 1: And the flip side is true too, because Luke tends
- 17:30Speaker 1: to be so rough around the edges and so not
- 17:33Speaker 1: willing to open up to anybody that the fact that
- 17:36Speaker 1: he does even show, like you know, a modicum of
- 17:39Speaker 1: emotion and openness with Laura l or like see, she's
- 17:42Speaker 1: the one who can like draw you out and like
- 17:45Speaker 1: you can be open with her. That that that goes
- 17:47Speaker 1: a long way, Whereas I feel like Max can be
- 17:49Speaker 1: open with anybody. He's just so well spoken and smooth
- 17:51Speaker 1: in that way that that makes us love Luke that
- 17:54Speaker 1: much more. You know, I should say, Luke and Laura
- 17:56Speaker 1: Lai that much more right, right? Right?
- 17:58Speaker 2: Well, you know, Rachel all packed up and he walks
- 18:01Speaker 2: into the diner and it's see Saya and Aura. Yeah,
- 18:05Speaker 2: uh relief. Did we feel relief? Where we like, yeah,
- 18:11Speaker 2: that was going to happen, And I'm glad they didn't
- 18:14Speaker 2: make up such a meal out of it. You know,
- 18:17Speaker 2: what do you think?
- 18:18Speaker 3: I think it wasn't unexpected. I mean, I don't think
- 18:21Speaker 3: that anybody watching it for the first time would think
- 18:24Speaker 3: that they're that relationship was going to continue. I mean
- 18:27Speaker 3: we kind of we kind of knew it wasn't going
- 18:29Speaker 3: to last, right all right.
- 18:31Speaker 1: I felt bad. I still felt bad for her.
- 18:34Speaker 3: M hmm.
- 18:35Speaker 1: So sweet, and she obviously, like anyway, just thinks that
- 18:39Speaker 1: it Sometimes it just turns out that way. It's one
- 18:41Speaker 1: of those things. So here's a question for both of you.
- 18:45Speaker 2: What is it about Luke and Laurel I that makes
- 18:47Speaker 2: them such a great match even though they aren't together yet?
- 18:50Speaker 1: Why Why does it work so well?
- 18:53Speaker 3: I think it's it's what you just touched on, that
- 18:56Speaker 3: they're just so comfortable with each other, Like they're clearly
- 18:59Speaker 3: good friends, and you know, they they can they they
- 19:04Speaker 3: bicker and they banter, but it's all good at the end,
- 19:07Speaker 3: Like they always if they argue, they always make up.
- 19:09Speaker 3: Like it's just there's just a basis there that's of
- 19:12Speaker 3: friendship before the physical attraction. So I think it's just
- 19:17Speaker 3: that they know each other well and they're good.
- 19:19Speaker 1: Friends, do you think, Eddie, Yeah, it's kind of like
- 19:22Speaker 1: that thing else, you know, I have. I have like
- 19:24Speaker 1: certain people in my life where you know, they could
- 19:28Speaker 1: be a little gruff, a little rough around the edges,
- 19:30Speaker 1: but they're like the meanest, nicest people I know, do
- 19:34Speaker 1: you know what I mean? I kind of feel of
- 19:37Speaker 1: like that's kind of like Luke to Laurelize that like
- 19:39Speaker 1: he does little things that you're like, if you didn't
- 19:42Speaker 1: know any better, you just be like, yeah, he's just
- 19:43Speaker 1: getting a coffee or whatever it is. But there's like
- 19:45Speaker 1: little things that you're like, oh, and you know, and
- 19:48Speaker 1: obviously a big part of it is just like chemistry,
- 19:50Speaker 1: right like between between you and Lauren, there's obviously something
- 19:53Speaker 1: that we see that's sort of like an alchemy that
- 19:56Speaker 1: we're like something works, you know, and it's almost unspoken,
- 20:00Speaker 1: and so the mixture of all that stuff, I think.
- 20:04Speaker 2: Yeah, it's they're so unabashedly themselves and they feel that
- 20:10Speaker 2: they can be themselves around each other. Yeah, so there's
- 20:14Speaker 2: that comfort level right where he doesn't change who he
- 20:18Speaker 2: is in her presence, and she doesn't change. She becomes
- 20:22Speaker 2: more of who she is in his presence, and I
- 20:25Speaker 2: think it's the same with him. So like any type
- 20:29Speaker 2: of social mask that they would wear, ever, however thin
- 20:35Speaker 2: it might be, comes off when they are together, and
- 20:38Speaker 2: so there's that comfort level, I think.
- 20:40Speaker 1: Yeah, very very.
- 20:41Speaker 2: Interesting dynamic between those two.
- 20:43Speaker 1: All.
- 20:44Speaker 2: Let's get into Paris's resentment towards Rory and Tristan. Laugh
- 20:49Speaker 2: out loud stuff, the Eliza Wheel reactions, the anger, the force,
- 20:56Speaker 2: the potential violence is just too funny for words, all
- 21:00Speaker 2: wrapped up in one sort of shortish.
- 21:04Speaker 1: Teenage girl in a private school.
- 21:09Speaker 2: So Tristan stretching the truth by telling Madeline, Louise and
- 21:14Speaker 2: Paris that he's taking Rory to peach the PJ.
- 21:19Speaker 3: Harvey concert, He's not even stretching the truth.
- 21:22Speaker 1: He's lying right, right.
- 21:26Speaker 2: Right, right, not even aware that PJ.
- 21:29Speaker 1: Harvey is a woman. Yeah, yeah, yeah.
- 21:36Speaker 2: And then later a little later on, Paris with her
- 21:39Speaker 2: passive aggressive resentment towards Rory for setting up Tristan in
- 21:44Speaker 2: Paris in the first place, right, Do you think Rory
- 21:48Speaker 2: should have done more to smooth over things with.
- 21:50Speaker 1: Paris, because I think she did a lot.
- 21:53Speaker 3: Actually, I don't know that she could have done more.
- 21:56Speaker 3: I mean, Paris was set in her belief as to
- 21:59Speaker 3: what happened and she wasn't having anything that Rory had
- 22:03Speaker 3: to say, So I don't know that Rory could have
- 22:05Speaker 3: done anymore.
- 22:06Speaker 2: I thought I thought Rory defended herself very well in
- 22:09Speaker 2: a situation where, you know, Paris flipped the power dynamic
- 22:14Speaker 2: and I'm editor and you're gonna get parking a lot
- 22:17Speaker 2: of assignments, and now Rory's like, oh geez, now I've
- 22:20Speaker 2: got to kiss the ring a little bit and you know,
- 22:23Speaker 2: and make up make it up here.
- 22:25Speaker 1: And I thought she quit herself very well. M hmm. Yeah.
- 22:29Speaker 2: She Paris wasn't having it, wasn't having it, so find
- 22:34Speaker 2: herself in a pickle there, Rory again.
- 22:36Speaker 3: Yeah. I felt bad for Rory because Tristan was a
- 22:39Speaker 3: complete jerk in this episode, spreading lies about her and
- 22:43Speaker 3: getting her in trouble with Paris, and uh, you know,
- 22:47Speaker 3: Rory was just the innocent victim. She didn't do anything wrong.
- 22:49Speaker 3: I felt bad for her.
- 22:51Speaker 1: I forget. Did Rory ever say straight up that, like
- 22:55Speaker 1: Tristan's just lying, I'm not going with him. Yes, she
- 22:59Speaker 1: did say that, right yeah, and then and it still
- 23:01Speaker 1: sort of fell on deaf ears right, yes, okay.
- 23:04Speaker 2: She was an av Yeah, yeah, there was that fog
- 23:08Speaker 2: of rage over her brain, just like she was just
- 23:11Speaker 2: on the war path. But again, hysterical stuff. The slamming
- 23:15Speaker 2: of the locker just great.
- 23:17Speaker 1: Waiting for a tram or something like that.
- 23:22Speaker 2: Oh and then they're all like positioned on the stairs
- 23:24Speaker 2: like in some choreographed and then they turn and walk away.
- 23:27Speaker 2: Ye did they steal that from something that It looked
- 23:30Speaker 2: like they Still it looked.
- 23:31Speaker 3: Like they did, but I don't know, huh. I probably
- 23:34Speaker 3: shouldn't know.
- 23:34Speaker 2: But it was that mean girls or something, and I
- 23:38Speaker 2: don't know.
- 23:39Speaker 3: It definitely did look like it was an.
- 23:41Speaker 1: Omock thing, all right.
- 23:42Speaker 2: The Troubadour Wars, which I found just fall off the
- 23:46Speaker 2: couch funny. Any Grantly Phillips that you get in the episodes,
- 23:52Speaker 2: they're just a joy. And he really got some nice
- 23:55Speaker 2: coverage in this episode, right. He had had some lines,
- 23:58Speaker 2: he had a couple of scenes, just a great storyline
- 24:02Speaker 2: for for Grant and and David, the stars hollow Town Troubadour.
- 24:10Speaker 1: Getting some unexpected competition across the street. So good, so good,
- 24:18Speaker 1: so Grant.
- 24:20Speaker 2: You know, Grant's only been the town Troubadour for six
- 24:22Speaker 2: months and he presents his concerns the town town hall meeting.
- 24:28Speaker 1: I thought I thought.
- 24:30Speaker 2: Michael Winters was on fire in this in this episode.
- 24:33Speaker 2: It was just this was my favorite town hall meeting,
- 24:36Speaker 2: I think it was. This was really like tops for
- 24:39Speaker 2: me so far, but really just great funny stuff and everybody,
- 24:46Speaker 2: you know, they decide on it and vote and that's it.
- 24:50Speaker 1: Too bad, Too bad, David, you're done, You're out.
- 24:54Speaker 2: You can't do that to the Town Troubadour. We value
- 24:56Speaker 2: this guy so much. And that's the same town all
- 25:00Speaker 2: meeting where Rory makes her little speech, right, yeah, yeah,
- 25:05Speaker 2: Why do you guys think this was even in the episode.
- 25:10Speaker 1: There's got to be a reason.
- 25:11Speaker 3: There always has to be some weird town quirkiness going on.
- 25:15Speaker 1: Well, it also, as you mentioned, sets up Rory's big
- 25:18Speaker 1: speech yeah right, which is directly relates to what the
- 25:22Speaker 1: Troubadour is going through. As you know, obviously the audience
- 25:24Speaker 1: knows better, but the people in the town hall think
- 25:26Speaker 1: it's just about the troubadour.
- 25:27Speaker 2: Right, but what a brilliant way to do it.
- 25:29Speaker 1: Right, so good, so charming.
- 25:32Speaker 2: Yeah, what a brilliant, right charming way to do this,
- 25:36Speaker 2: and so entertaining and so much fun to watch.
- 25:41Speaker 3: And it ties back to you know, there's there's like
- 25:44Speaker 3: a territory war going on between Luke and Max, and
- 25:47Speaker 3: now there's this literal territory war going on between these
- 25:51Speaker 3: two troubadours fighting over this town.
- 25:54Speaker 1: Right and then Dean interested in and interested.
- 25:56Speaker 2: In Paris and yeah, right, yeah, all fighting for turf.
- 26:00Speaker 1: Yeah.
- 26:01Speaker 3: I loved the way the troubadour thing wrapped up though,
- 26:04Speaker 3: like with the two of them performing, because.
- 26:07Speaker 1: That's what music's all about. Man, it was so good. Yeah.
- 26:20Speaker 2: So now we have this closing scene we see special
- 26:22Speaker 2: moment at the end where and I thought this was
- 26:29Speaker 2: really the great ending of all endings of any episode
- 26:33Speaker 2: to see these two running at each other, mother and
- 26:37Speaker 2: daughter running at each other because their lives are starting
- 26:41Speaker 2: to really blossom and they're in love again and they
- 26:44Speaker 2: all and they just run at each other and jump
- 26:47Speaker 2: up and down like they're like, you know, Lorealize the
- 26:50Speaker 2: little kid and we really see how special their relationship is.
- 26:56Speaker 2: I mean, it's just it's just very heartwarming to see that.
- 26:59Speaker 2: And I think anybody watching that mother and daughter watching
- 27:03Speaker 2: that scene is just they fall deeper and deeper in
- 27:06Speaker 2: love with this show.
- 27:08Speaker 1: And I bet you the tears were just flowing, you know.
- 27:12Speaker 1: I mean, especially in light of all the relationships that
- 27:15Speaker 1: we talked about in this episode. It brings it back
- 27:18Speaker 1: to like what the show's at the heart. It is
- 27:20Speaker 1: called gil Mortals, right, and this is this is the
- 27:22Speaker 1: primary thing.
- 27:24Speaker 2: And the healing quality of the show, because you know,
- 27:28Speaker 2: I do a lot of conventions, and what I hear
- 27:31Speaker 2: most what is the mother daughter and how it brought
- 27:35Speaker 2: us back together. And now we watch it religiously together
- 27:39Speaker 2: and it's healed our relationship and now our father's involved
- 27:43Speaker 2: and our brothers are involved, and it's just it's really
- 27:45Speaker 2: helped our family. So it's like this this tonic for
- 27:49Speaker 2: people's lives and it's just wonderful to hear it. And
- 27:51Speaker 2: and that scene, that scene encapsulates that the power of love.
- 27:55Speaker 1: The power of love? Right, Yeah, what are we gonna say? Sorry?
- 27:59Speaker 3: Oh, I was just gonna say I loved the camera
- 28:00Speaker 3: work the way that they told the story with the
- 28:03Speaker 3: close up of each of them running and then it
- 28:06Speaker 3: goes out to the macro level with the crane shot
- 28:08Speaker 3: above the whole square. I just I love the way
- 28:12Speaker 3: they did that.
- 28:13Speaker 1: Yeah, thinks they know what they're doing things. They know
- 28:17Speaker 1: what they're doing.
- 28:17Speaker 2: They's they are master storytellers for sure. What a what
- 28:21Speaker 2: a team Eddie. Now we're going to focus on you,
- 28:24Speaker 2: young man.
- 28:25Speaker 1: Can I just say yes? After seeing Gilmore Girls, after
- 28:29Speaker 1: of years of like, you know, obviously there was a
- 28:31Speaker 1: fair amount of nostalgia for me since, like I said,
- 28:33Speaker 1: that was my first job. I mean, you guys, you know,
- 28:36Speaker 1: obviously you guys talk about this all the time, their
- 28:38Speaker 1: pot and stuff. But I have to say, just the
- 28:40Speaker 1: overall just feeling, I didn't, you know, I didn't expect
- 28:45Speaker 1: to feel the way that I felt after that show,
- 28:47Speaker 1: you know, after that one episode, just to be like, man,
- 28:51Speaker 1: it just feels like an old friend that you just
- 28:53Speaker 1: love so much, and it just you just wish that
- 28:56Speaker 1: life could feel that way, right, And I just I
- 28:59Speaker 1: don't know, it was pretty shocking, is shocking to me.
- 29:01Speaker 2: And I was like, wow, that was like I think
- 29:04Speaker 2: you're trying to say you teared up.
- 29:05Speaker 1: I was like wallowing. I was like, Wow, that vibe
- 29:08Speaker 1: is just so it's just unique.
- 29:09Speaker 2: Yeah, in the fields that it does. Man, all right,
- 29:14Speaker 2: how did you first get the role of Henry Show?
- 29:16Speaker 1: Do you remember? Yeah? I was? I was. I was
- 29:20Speaker 1: doing theater in Chicago. My my reps out there were like, hey,
- 29:23Speaker 1: you're getting some interest down in LA. I was like, great,
- 29:25Speaker 1: I don't want to go. I just want to be
- 29:27Speaker 1: a theater actor in Chicago. They're like, you're a moron.
- 29:30Speaker 1: Just go see what happens. Chicago's not going anywhere. So
- 29:33Speaker 1: I was like okay. So I took like a two
- 29:35Speaker 1: week road trip with my buddy Jimmy. We're in Vegas.
- 29:39Speaker 1: This will date me. My page is blowing up and
- 29:42Speaker 1: I'm like I'm like all right, and they're like, yeah,
- 29:44Speaker 1: you got to be in La by Monday. Was I
- 29:46Speaker 1: was there for the weekend and and they're like, there's
- 29:48Speaker 1: a show Gilmore Girls that wants to you know, meet you.
- 29:53Speaker 1: Drop my buddy off at the airport, pulled out the
- 29:56Speaker 1: old paper Thomas Guide and I was like, where this
- 30:00Speaker 1: Warner Brother's place When there was a room full of people.
- 30:03Speaker 1: Turns out that all the casting directors were actually from Chicago,
- 30:07Speaker 1: so that sort of put me at ease. Uh and
- 30:09Speaker 1: then yeah, I read for it, and then like a
- 30:12Speaker 1: day and a half later, they're like, yeah, cut, you're
- 30:14Speaker 1: you got the part. And I was like, nice, it's crazy.
- 30:17Speaker 2: Yeah, how many episodes did you expect to be and
- 30:20Speaker 2: did they tell you?
- 30:23Speaker 1: I don't remember. At the time, they may have even
- 30:26Speaker 1: said that I was recurring, but I'm not sure. But
- 30:28Speaker 1: I mean at the time I was so green, I
- 30:30Speaker 1: wouldn't even know what that meant, right, Because I think
- 30:33Speaker 1: the first season ended, I went back to Chicago to
- 30:36Speaker 1: do a theater show and then and then they called
- 30:38Speaker 1: again to be like, hey, we wrote him in a
- 30:40Speaker 1: few more episodes. Yeah mm hmm. Nice. Yeah that's great. Well,
- 30:44Speaker 1: so what was it like working with Keiko? Yeah, it was,
- 30:47Speaker 1: it was It was great. It was funny watching the
- 30:49Speaker 1: episode that we went over because my memory of it's
- 30:53Speaker 1: it's weird when like offset dynamics mirror onset dynamics, and
- 30:57Speaker 1: I remember like I would rarely see like Teal, Paris
- 31:01Speaker 1: and Shelley without one without the other two, so you know,
- 31:05Speaker 1: and then with Keko, I always saw Kiko sort of separately.
- 31:08Speaker 1: And then I would always you know, you know as
- 31:12Speaker 1: far as and then and then Rory would just sort
- 31:15Speaker 1: of sort of be coming in and out as as
- 31:17Speaker 1: I saw her. But Keko was just such such a sweetheart.
- 31:20Speaker 1: And I've seen her since a few times, like she's uh,
- 31:24Speaker 1: she just does a lot of improv and there was
- 31:26Speaker 1: a time where I was deep into the improv scene,
- 31:27Speaker 1: so I would see her at shows and you know
- 31:29Speaker 1: we'd always say hi and stuff like that. But yeah,
- 31:31Speaker 1: she was always just really really fun and sweet. Favorite
- 31:35Speaker 1: memories I think just the excitement of, like I said,
- 31:39Speaker 1: this was my first TV job and I had just
- 31:41Speaker 1: landed in in LA so just just you know, the
- 31:47Speaker 1: thrill of just being on an actual professional set and
- 31:51Speaker 1: like you know the party scene where I met they
- 31:53Speaker 1: were like all these extras and I'm like, whoa, this
- 31:56Speaker 1: is like this is how they do it, and just
- 31:58Speaker 1: like you know, wide eyed, and it was this a
- 32:00Speaker 1: great foraid to the industry. Yeah, uh, do you get
- 32:04Speaker 1: recognized for being on the show. Yeah, you know, years
- 32:07Speaker 1: after this, like maybe about five years ago, I was
- 32:10Speaker 1: doing a different show, and like mothers would bring their
- 32:16Speaker 1: daughters to like you know meet the cast of that
- 32:18Speaker 1: show and the daughters would be fans of that show,
- 32:21Speaker 1: and the mothers would be fans of Gilmore Girl. So
- 32:23Speaker 1: it'd be like this weird dynamic where like the kid
- 32:25Speaker 1: would be like, hey, you're Dave and the parents would
- 32:28Speaker 1: be like, no, he's Henry. So you know, yeah, just randomly. Yeah,
- 32:32Speaker 1: Gilmore Girls fans very passionate. Man Like, there's no there's
- 32:38Speaker 1: not like a middle ground of like the Gilmore Girl
- 32:40Speaker 1: like either they're in or they're like, what's you know,
- 32:42Speaker 1: Either they're like I don't know what Gilmore Girls would
- 32:44Speaker 1: like do he's Henry show? You know? Yeah, they are
- 32:47Speaker 1: quite extraordinary. Yeah, so you were a series regular on
- 32:51Speaker 1: that eighties show. Yeah, that was the show that took
- 32:54Speaker 1: me off. Gilmore Girls. Oh really yeah, because, like the
- 32:59Speaker 1: way I remember it well, people know that seventies show,
- 33:03Speaker 1: and the creators of that show were creating a spin off,
- 33:06Speaker 1: and so we let the show, you know, Gilmore Girls,
- 33:09Speaker 1: you know, Amy know that hey he's I mean I
- 33:12Speaker 1: probably went in the audition for that thing like seven
- 33:14Speaker 1: or eight times, and by the time the fifth or
- 33:16Speaker 1: sixth audition came around, we sort of let Gilmore Girls
- 33:19Speaker 1: and they're like, hey, this is turned this might turn
- 33:21Speaker 1: into something, and of course it did, and then so
- 33:24Speaker 1: you know, Amy was like, oh that's too bad. You know,
- 33:27Speaker 1: we had other things planned for Henry. But you know
- 33:30Speaker 1: what Best of Love? Right? Seven auditions? Yeah, because like
- 33:35Speaker 1: they did again, I was sort of new to the
- 33:37Speaker 1: to the city and a lot of the cast were
- 33:41Speaker 1: like who Eddie who, Like where's he from? Blah blah blah.
- 33:44Speaker 1: So you know, the first couple of rounds were just
- 33:46Speaker 1: like these hundreds of people where they just read you.
- 33:49Speaker 1: And then eventually I got to meet the producers and
- 33:51Speaker 1: then you know, you sort of moved.
- 33:52Speaker 2: So it took you, you know, three or four auditions
- 33:54Speaker 2: just to get to the producer level.
- 33:56Speaker 1: Yeah, it was like three auditions to get to the producer,
- 33:58Speaker 1: then like two of the producers, and then there's a
- 34:00Speaker 1: studio level, and then then you know, the network level. Yeah.
- 34:04Speaker 2: Wow, man, I just I got this job so easily.
- 34:08Speaker 1: I had Yeah, that was it.
- 34:11Speaker 2: One read Yeah, because it was because Luke was a
- 34:15Speaker 2: guest star in the pilot.
- 34:16Speaker 1: Oh my god. And then they're just like, yeah, this
- 34:18Speaker 1: guy's gonna stick around. I didn't have to get amazing,
- 34:22Speaker 1: and I've been through all that.
- 34:23Speaker 2: I've been through the whole Ringer of Yeah, all the
- 34:27Speaker 2: studio level, network level, you know, it takes right and
- 34:30Speaker 2: you never you're going to get it.
- 34:32Speaker 1: Yeah, I've been through. I don't have to go through
- 34:34Speaker 1: that on this. That's that's the best way where you
- 34:36Speaker 1: sort of take the back door. Yeah, exactly, exactly. That's amazing.
- 34:41Speaker 1: Announced in the first meeting.
- 34:43Speaker 2: Listen, this is the only chance you're going to get
- 34:45Speaker 2: to read me, So either get or I'm sailing.
- 34:53Speaker 1: Nice cocky. I remember in the room there was for
- 35:00Speaker 1: Gilmore Girls. It was it was it was it was
- 35:02Speaker 1: the two casting directors of the casting associate who has
- 35:05Speaker 1: now since become a casting director, and then Amy was there,
- 35:08Speaker 1: and then there was another like consultants to the show
- 35:12Speaker 1: who wanted to see if, like I could authentically pass
- 35:16Speaker 1: as like a young Korean American man. Oh really, okay,
- 35:20Speaker 1: I think it was she was like, actually Amy's actual
- 35:22Speaker 1: friend Helen Pie. Is that who it was?
- 35:26Speaker 2: Now?
- 35:26Speaker 1: Okay, yeah, yeah.
- 35:27Speaker 2: Helen Pie. It was probably Helen. Yeah, yeah, they're very
- 35:32Speaker 2: good friends.
- 35:33Speaker 1: And I have and I have the audition side somewhere
- 35:35Speaker 1: for Gilmore Girls. I was trying to find him before
- 35:37Speaker 1: the podcast, be like what scene did I read for?
- 35:40Speaker 1: But it's floating around in my house somewhere right right.
- 35:43Speaker 2: So you've had a pretty diverse career, really, West World, Beef, sitcoms,
- 35:50Speaker 2: Alex and Katie. You prefer comedy drama?
- 35:54Speaker 1: What do you like? I think just my personality I
- 35:59Speaker 1: think lends it self to like the multicam. Well, I
- 36:02Speaker 1: just like it as the genre. But as you know,
- 36:06Speaker 1: as you know, as you go through things in your
- 36:10Speaker 1: own life, you kind of want to express it in
- 36:12Speaker 1: different ways, and sometimes you're just feeling like, I want
- 36:15Speaker 1: to do something a little bit more dramatic versus I
- 36:17Speaker 1: feel like, you know, letting loose a little bit on
- 36:20Speaker 1: the silly side. So that was something that was always
- 36:22Speaker 1: important to me to do a variety of different stuff.
- 36:24Speaker 1: Let's create a new character of the multiicam dramas so.
- 36:29Speaker 2: We don't have to do it over and over and
- 36:31Speaker 2: over again, you know what I mean.
- 36:32Speaker 1: I mean, you still have to do it.
- 36:33Speaker 2: You still have to repeat your stuff on the multicams,
- 36:36Speaker 2: but they're all unique takes and they're all preserved that way. Yeah.
- 36:40Speaker 1: I mean. The tricky thing about that is sometimes they
- 36:42Speaker 1: just read write a lot. I mean not sometimes they
- 36:44Speaker 1: all the time they're like, hey, your new line is
- 36:45Speaker 1: this and sort of on the spot you have to deliver.
- 36:48Speaker 1: But some I'm sure some of the hours you had
- 36:50Speaker 1: on Gilmore Girls must have been brutal. Yeah.
- 36:53Speaker 2: Sometimes, yeah, but I mean that's just that's just TV.
- 36:56Speaker 2: That's yeah, that's the nature of the thing it is.
- 36:58Speaker 2: That's that's the nature of the beast. They they say
- 37:01Speaker 2: they don't pay for to act. They pay you to
- 37:03Speaker 2: wait to wait around.
- 37:04Speaker 1: Yeah, right, right right. Any upcoming projects fans should look
- 37:09Speaker 1: out for. Uh yeah, I'm doing a bunch of voiceover
- 37:12Speaker 1: stuff right now. Unfortunately they're sort of riddled with like
- 37:16Speaker 1: I signed my life away with like NDA's you know,
- 37:19Speaker 1: I don't talk about this stuff. I'm like, you know whatever,
- 37:21Speaker 1: but just you know, voiceover stuff I'm doing, you know,
- 37:23Speaker 1: a project with Sony. We're working on a game and
- 37:26Speaker 1: then some an animated series that's gonna come out sometime
- 37:30Speaker 1: whatever they decide to release it.
- 37:31Speaker 2: I am not one to get you to violate India's
- 37:34Speaker 2: new I don't.
- 37:35Speaker 1: Want to get in the middle of that.
- 37:37Speaker 2: Yeah, exactly, all right, We're gonna do rapid Fire. You ready,
- 37:41Speaker 2: let's go passing your seatbelts, coffee, your tea coffee.
- 37:44Speaker 1: How do you take your coffee. Black Children or Yale
- 37:48Speaker 1: Yale Team Dean Jess or Logan Dean Why I it's
- 37:55Speaker 1: it's it's a it's a gut instinct thing where I'm
- 37:57Speaker 1: just like I just like Dean. You know, it's none
- 37:59Speaker 1: of my business. Richard or Emily, Oh, Richard.
- 38:04Speaker 2: Again, none of my business? Favorite season?
- 38:09Speaker 1: Oh one? The introduction to it All one is fantastic?
- 38:13Speaker 1: Are you kidding? Wow? I am being very serious.
- 38:17Speaker 2: One word to describe Gilmour Girls heart Mmmm, So'syne?
- 38:22Speaker 1: What about you?
- 38:24Speaker 3: Uh comfortable?
- 38:26Speaker 2: Favorite character Henry Laura Lai answer, good answer, most iconic
- 38:34Speaker 2: Gilmore Girls quote.
- 38:37Speaker 1: I will say I I I rarely laugh out loud,
- 38:40Speaker 1: but I did laugh out loud when Rory said I
- 38:42Speaker 1: you know I love you? You did? I was like heart,
- 38:47Speaker 1: that hit my heart. You know I don't do that
- 38:51Speaker 1: a lot. Yeah. Luke's Diner or Friday night dinner. Oh Lukes.
- 38:55Speaker 1: There you go.
- 38:56Speaker 2: It says a lot about you like that. Ni Shan,
- 39:00Speaker 2: you are amazing. Thank you for spending some time with us.
- 39:04Speaker 2: We've heard your ass catching up. All the best to
- 39:07Speaker 2: you and good luck on all your future projects and
- 39:10Speaker 2: please please come back. All right, man, there's more to
- 39:15Speaker 2: unearth here. Okay, thanks for coming on already, Shin, everybody.
- 39:18Speaker 2: Let's give him a round of applause, all right, Bud,
- 39:22Speaker 2: take care, all right, everybody, and also again follow us
- 39:54Speaker 2: on Instagram at I Am all In podcast and email
- 39:58Speaker 2: us at Gilmore at iHeartRadio dot com.