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Lin Manuel Miranda Interview and more · The Breakfast Club

• 0:01
  Speaker 1: Dan Dan. If I come to the breakfast club, I
• 0:04
  Speaker 1: called this the hot seat nave. You don't control, not
• 0:11
  Speaker 1: even doing you. I'm so big, yo, are you so bad?
• 0:15
  Speaker 1: The world's most dangerous morning sho dj N this bitch, Angela.
• 0:19
  Speaker 1: I stay in everybody's business, but in a good way. Charlomagne,
• 0:22
  Speaker 1: the gut, the ruler rubbers you the wrong way. The
• 0:24
  Speaker 1: breakfast clubs made for everybody. The morning you of yo
• 0:40
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:42
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:44
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:46
  Speaker 1: yo yo yo yo yo yo yook Charlomi, Good morning, Angela,
• 0:50
  Speaker 1: yea piece to the planet. Guess what day it is?
• 0:52
  Speaker 1: Guess what day it is? How was your night? Last?
• 1:00
  Speaker 1: Yesterday was good? I had a photo shoot for this
• 1:02
  Speaker 1: magazine called Prevailing Women, and then I've been trying to
• 1:05
  Speaker 1: do some spring cleaning in my closet, giving things away,
• 1:09
  Speaker 1: getting rid of stuff so I can get ready for
• 1:11
  Speaker 1: the winter. Oh. I definitely been doing that the past
• 1:13
  Speaker 1: couple of weeks, definitely cleaning out the closet. You know,
• 1:16
  Speaker 1: it's been like a lot of traveling and running around,
• 1:17
  Speaker 1: so my house has been kind of a mess. After
• 1:20
  Speaker 1: that photo shoot, I just stayed home and focus. You know,
• 1:23
  Speaker 1: when you grow up poor and you know you've been
• 1:26
  Speaker 1: unemployed four times like me, you don't like to give
• 1:28
  Speaker 1: anything away because you guys never know I am. But
• 1:32
  Speaker 1: then I realized, like nine people says, of the stuff
• 1:34
  Speaker 1: that I have, I'm not wearing or I'm not going
• 1:37
  Speaker 1: with you, so I might as well give it to
• 1:38
  Speaker 1: somebody who's going to enjoy it. I do have things
• 1:41
  Speaker 1: like that I've had since college that I just need
• 1:43
  Speaker 1: to get rid. And then some things have like sentimental value.
• 1:46
  Speaker 1: You're like, oh, well, this was the first promo shirt
• 1:48
  Speaker 1: I got when I was working on this, and then
• 1:51
  Speaker 1: and it's like, dude, you're never wearing that. I have
• 1:53
  Speaker 1: so many things at home that I'm like, well, I
• 1:56
  Speaker 1: don't want to give this away because maybe one day
• 1:58
  Speaker 1: now if I haven't worn it in three years, I'm
• 2:01
  Speaker 1: not wearing it. Did you watch any TV last night?
• 2:03
  Speaker 1: I missed everything last night. I didn't watch Fresh Off
• 2:05
  Speaker 1: the Boat, I didn't watch Blackish, I didn't watch The Mayor.
• 2:07
  Speaker 1: But I did watch Gucci Man and Kehi Keiyods. Wasn't
• 2:10
  Speaker 1: you know? I was? Why was I watching the game
• 2:12
  Speaker 1: last night. The game, Oh, I thought you meant the
• 2:15
  Speaker 1: game like the old school bt tcher the Celtics. I
• 2:18
  Speaker 1: had the game on while I was cleaning because I
• 2:20
  Speaker 1: was in and out of the room. I didn't watch it,
• 2:21
  Speaker 1: but I heard about Gordon Hay that happened ear breaking
• 2:24
  Speaker 1: his leg. Yeah, he'd be right. He's twenty seven years
• 2:26
  Speaker 1: That was painful. At first, I was thinking it was
• 2:28
  Speaker 1: gonna be career ending, but they said it was just
• 2:29
  Speaker 1: what a broke ankle or something. Heybe the Celtics so
• 2:32
  Speaker 1: the first game, No, it's bad for Carr and that's
• 2:35
  Speaker 1: what you get. She just stated that's where he was.
• 2:36
  Speaker 1: I saw it. I saw the picture. God God blessed
• 2:39
  Speaker 1: the brother. He'll be right. But Gucci Man and Keshia
• 2:41
  Speaker 1: Kiyos wasn't special. I found it very entertaining. I was
• 2:44
  Speaker 1: just watching everything on social. I forgot to go on
• 2:46
  Speaker 1: at first, what's up? Maybe I didn't watch it on
• 2:48
  Speaker 1: social because I don't be on social like that, but
• 2:50
  Speaker 1: I definitely watched it and it felt good because you know,
• 2:53
  Speaker 1: it makes you think about your wedding day and you
• 2:55
  Speaker 1: look at Gucci fighting back tis because that's how every
• 2:57
  Speaker 1: man feels. You know on the wedding day how I
• 3:00
  Speaker 1: just cried. I was like, man, yeah, you were really
• 3:03
  Speaker 1: young too, and how about were you? I was what
• 3:06
  Speaker 1: twenty three? Well I got married three, my wife was.
• 3:09
  Speaker 1: I was watching the groom come down. I'm not the
• 3:10
  Speaker 1: groom watching the bride. I was watching the bride come
• 3:16
  Speaker 1: down the island. Then I could. You could look at
• 3:18
  Speaker 1: Gucci and Tael he wanted to cry, you know, the
• 3:20
  Speaker 1: feeling that he felt in that moment. So it was
• 3:22
  Speaker 1: just it was interesting to watch. I'm not on front
• 3:24
  Speaker 1: slut to BT. I like what BT's doing. They're doing
• 3:26
  Speaker 1: a lot of culturally relevant things. I guess this isn't
• 3:28
  Speaker 1: now a series a docuseries. They're gonna show what happened
• 3:32
  Speaker 1: leading up to the West in parts right and parts
• 3:34
  Speaker 1: of this. Yeah, that was That's actually a dope way
• 3:36
  Speaker 1: to do it. Start with the weadon and didn't show
• 3:38
  Speaker 1: us everything leading up to it. I actually like that.
• 3:40
  Speaker 1: That was That was smart. Whoever thought about that? That That
• 3:42
  Speaker 1: was smart? All right, Well, man, you and Miranda will
• 3:44
  Speaker 1: be joining us man the creative Hamilton uh in the Heights,
• 3:50
  Speaker 1: and we'll see what else he's working on to single
• 3:53
  Speaker 1: out right now too, almost like praying, almost like praying.
• 3:55
  Speaker 1: And then the proceeds from that are going to Puerto
• 3:58
  Speaker 1: Rico in Puerto Rican, right, yes, yes, okay, properto Rican Lenman, yell,
• 4:02
  Speaker 1: MIRANDU will be here. And then we got front page news.
• 4:04
  Speaker 1: What we're talking about, we are gonna be man. I
• 4:07
  Speaker 1: hate to do this. Let me pick somebody else. All right,
• 4:08
  Speaker 1: let's talk about the NFL. I didn't want to say
• 4:10
  Speaker 1: Trump again. I will talk about Roger Goodell. He has
• 4:12
  Speaker 1: made his statement about NFL owners and a demonstration Trump,
• 4:16
  Speaker 1: Roger Goodell all the same thing. We'll get into it
• 4:18
  Speaker 1: when we come back. Keeping locked his CALLID. It's wild
• 4:20
  Speaker 1: thoughts morning. Everybody is dj M v Angela, yee Charlomagne
• 4:26
  Speaker 1: the guy. We are the breakfast club. Let's getting some
• 4:28
  Speaker 1: front page news now, you know what. Shout to them,
• 4:30
  Speaker 1: Yankees man, Baseball is getting damn exciting. Baseball exciting because
• 4:34
  Speaker 1: y'all got a boycott the NFL because y'all giants are
• 4:36
  Speaker 1: always six d one. We won one, okay, by the way,
• 4:40
  Speaker 1: but I don't know. I don't watch football. Shout out
• 4:43
  Speaker 1: to them, yankes them that that playoffs are getting amazing
• 4:45
  Speaker 1: and they were down four, came back, they put their
• 4:48
  Speaker 1: rally hats on. Judge, came through the last two games.
• 4:52
  Speaker 1: We are looking pretty good. We are looking I'm not
• 4:55
  Speaker 1: watching baseball till everybody get on steroids to get all right.
• 4:58
  Speaker 1: I don't know. All I know is numb ninety nine, Judge,
• 5:00
  Speaker 1: he was cracking him shout the night. Who's pitching tonight?
• 5:03
  Speaker 1: Do we know? I know it's not CCCC campus maybe
• 5:05
  Speaker 1: CC pitch back and it's it's tied two two right now?
• 5:09
  Speaker 1: Yankees astroso okay, best out of seven. Now the NBA
• 5:14
  Speaker 1: opening night last night, the Cavs beat the Celtics one
• 5:16
  Speaker 1: h two ninety nine and the Rockets beat the Warriors
• 5:19
  Speaker 1: one twenty two to one twenty one one? Is mellow
• 5:22
  Speaker 1: play tonight? Okay? See places to night. All right, well
• 5:25
  Speaker 1: we'll see what happens with that. Did anybody in the
• 5:26
  Speaker 1: NBA make any political stand last night? Day? I'm interlocked arms.
• 5:30
  Speaker 1: That's what they did in place, They interlocked arms. Okay,
• 5:33
  Speaker 1: that's cute, that's cute and inter locking arms done? All right?
• 5:39
  Speaker 1: All right, Well let's talk about your president. I guess
• 5:41
  Speaker 1: somewhere in that well, remember this whole situation with the
• 5:44
  Speaker 1: Donald Trump talking about calling up the families of falling soldiers. Well,
• 5:49
  Speaker 1: he allegedly told the widow of a U. S. Serviceman
• 5:53
  Speaker 1: that was killed in the ambush in Nagier that he
• 5:56
  Speaker 1: knew what he signed up for, but I guess it's
• 5:57
  Speaker 1: still hurts guys. Something like that. Sergeant Ladavid Johnson's body
• 6:02
  Speaker 1: was returned home to the Miami area late yesterday and
• 6:06
  Speaker 1: there was a water cannon salute for the plane as
• 6:08
  Speaker 1: it arrived near the gate. Now, Donald Trump called his
• 6:11
  Speaker 1: widow and that's when he said, well, I guess he
• 6:14
  Speaker 1: knew what he signed up for. Well, but I guess
• 6:16
  Speaker 1: it's still hurt. But that's just a lack of sympathy
• 6:18
  Speaker 1: and a lack of empathy. It's a little bit. But
• 6:19
  Speaker 1: but he's I mean, he's right. Well, you don't say that, Yeah,
• 6:23
  Speaker 1: you don't say it's right. He has a lack of sympathy,
• 6:25
  Speaker 1: has a lack of empathy, he has a lack of tact.
• 6:27
  Speaker 1: But it's not like what he said. She said that.
• 6:29
  Speaker 1: She said, she said, this is something you can say
• 6:31
  Speaker 1: in a conversation, but you shouldn't say that to a
• 6:33
  Speaker 1: grieving widow. I agree. Everyone knows when you go to war.
• 6:36
  Speaker 1: You could possibly not come back alive, But you don't
• 6:38
  Speaker 1: remind a grieving widow of that. That is so insensitive, right,
• 6:41
  Speaker 1: I think it's obvious at that point what I'm saying, like,
• 6:44
  Speaker 1: you know, you know what the consequences. Also, if something
• 6:47
  Speaker 1: like that does happen, that's a very obvious thing to say.
• 6:49
  Speaker 1: It's not very necessarily what he's saying. Okay, now, what
• 6:52
  Speaker 1: else we want to talk about? NFL Roger Cadell has
• 6:54
  Speaker 1: made a presentation to NFL owners concerning these demonstrations. Now
• 6:58
  Speaker 1: the owners are asking to consider this presentation and work
• 7:01
  Speaker 1: with the players as a dialogue about everything continues. Here's
• 7:04
  Speaker 1: what he had to say. We spec today talking about
• 7:07
  Speaker 1: the issues that players have trying to have been trying
• 7:11
  Speaker 1: to bring attention to about issues in our community to
• 7:14
  Speaker 1: make her for meeting better. And I think we all
• 7:17
  Speaker 1: agree there's nothing more important than trying to get back
• 7:20
  Speaker 1: to George communities to make her community better. That it
• 7:23
  Speaker 1: was the entire progress I say what the issues are
• 7:26
  Speaker 1: saying that the injustice that African Americans are facing at
• 7:28
  Speaker 1: the hands of the police. Say what the issue? So
• 7:30
  Speaker 1: it's a group of eleven owners and more than a
• 7:32
  Speaker 1: dozen players that met coon Kaepernick was not invited to
• 7:35
  Speaker 1: attend those meetings. Other players did want him present, and
• 7:37
  Speaker 1: they asked that he attend the next meeting because they
• 7:40
  Speaker 1: do want to talk about all of these issues and
• 7:42
  Speaker 1: he is open to future participation on these important discussions.
• 7:46
  Speaker 1: All right, that's all we got. You want some more, Yeah,
• 7:50
  Speaker 1: we gotta go to No. No, that's it. Thing I
• 7:52
  Speaker 1: more time. That's front page news. Get it off your chests.
• 7:55
  Speaker 1: Eight hundred five eight five one oh five one. If
• 7:57
  Speaker 1: you're upset you need to vent, hit us up right now.
• 7:59
  Speaker 1: Maybe at bad night, bad morning, or maybe you feel blessed.
• 8:02
  Speaker 1: You want to spread some positivity. Eight hundred five eight
• 8:05
  Speaker 1: five one or five one. Hit us up right now.
• 8:06
  Speaker 1: It was the breakfast club, God morning, the breakfast club.
• 8:14
  Speaker 1: This is your time to get it off your chest.
• 8:15
  Speaker 1: Whether you're man black than from you on the breakfast club.
• 8:20
  Speaker 1: But you got something on your mind. Hello, who's this?
• 8:24
  Speaker 1: This is Kia kill Mama. I just want to get
• 8:28
  Speaker 1: it off my Chesterday's my daughter birthday. I'm feeling blessed today.
• 8:33
  Speaker 1: A happy birthday. She's thirteen. You got a teenager, go
• 8:38
  Speaker 1: get your extract right because she's froma be starring New Jersey.
• 8:44
  Speaker 1: All right, well, enjoy it because they grow fast. Yes,
• 8:47
  Speaker 1: thank you so much. All right, Mama, Hello, who's this?
• 8:51
  Speaker 1: What's up? Man? Who's this? Drive? Get it off your chest? Hey? Hey?
• 8:56
  Speaker 1: What's that? Bill? How you doing? How are you? I'm done? Good, Charlomagne?
• 9:00
  Speaker 1: How are you? What's happening? So I'm mad at the
• 9:08
  Speaker 1: leader of the light Skins today because I'm so tiry.
• 9:14
  Speaker 1: This is the third time yesterday that you try to
• 9:16
  Speaker 1: act like you don't know what back page is. You know, Dan,
• 9:21
  Speaker 1: I don't know it. No, no, yeah, got you so
• 9:25
  Speaker 1: shook that you act like you don't know. Angela clearly
• 9:35
  Speaker 1: had a front to age news report months ago about
• 9:38
  Speaker 1: back page. You tried to act like you didn't know
• 9:40
  Speaker 1: what it was. Back then he clearly explained to you
• 9:43
  Speaker 1: what it was. And then yesterday you're gonna get on
• 9:45
  Speaker 1: the radio and still act like you don't know what.
• 9:47
  Speaker 1: Nobody in this business to just not know a back page?
• 9:50
  Speaker 1: I don't know. I you know what I mean? How
• 9:51
  Speaker 1: I used to watch point you know it's not pointing.
• 9:55
  Speaker 1: Still act like you don't know what it stopping? Goodbye,
• 10:00
  Speaker 1: traff bye, you have a good days. God damn how
• 10:04
  Speaker 1: you turned the traffic? Okay, bye trap? First of all, traf,
• 10:08
  Speaker 1: I'm leaving, all right, I turned to the trap by
• 10:12
  Speaker 1: trust of all. Trap. Don't tell me goodbye. I'm leaving. Okay, Hello,
• 10:17
  Speaker 1: who's this? That's what's up? Bro? What are you so mad?
• 10:21
  Speaker 1: I don't know. I've been talking to this girl for
• 10:22
  Speaker 1: like three months, and like were supposed to have dinner
• 10:24
  Speaker 1: one night and she just kind of like I never
• 10:26
  Speaker 1: heard from her again. You sound kind of crazy. Well,
• 10:28
  Speaker 1: that's why you gotta have a little more enthusiasm. Did
• 10:31
  Speaker 1: something happen? I don't know. We were like talking, um,
• 10:35
  Speaker 1: nothing elpening. We just talked. We talked to us Saturday.
• 10:39
  Speaker 1: Did y'all have sex? No? Yeah we did. Okay, you
• 10:42
  Speaker 1: meet little? You meet little in your head game, trash.
• 10:44
  Speaker 1: I wouldn't call you back you okay? Okay, girls him
• 10:48
  Speaker 1: and lave him. I didn't eat it. So if I
• 10:50
  Speaker 1: didn't eat it, I wouldn't I wouldn't have a I
• 10:52
  Speaker 1: wouldn't have a shot. But I guess you ate her out. Nah?
• 10:55
  Speaker 1: I didn't. First of all, that's the problem, right. What
• 10:58
  Speaker 1: happened is your penis? If you don't mind me asking, wow,
• 11:01
  Speaker 1: you guys do that all on the radio. I never
• 11:03
  Speaker 1: knew that, but I'm out of nine nine what centimeters? Yeah,
• 11:08
  Speaker 1: nine centimeters if you want to go like that, it
• 11:11
  Speaker 1: was it was pretty decent. She squirted enough. She was
• 11:16
  Speaker 1: so mad that the meat was so little on the track.
• 11:18
  Speaker 1: The head was so trash. You pete on you have
• 11:20
  Speaker 1: a blood all right, sorry little meat bro peace bro, thanks,
• 11:24
  Speaker 1: He answered to that he did. Get it off your
• 11:26
  Speaker 1: chests eight hundred and five eighty five, one on five one.
• 11:28
  Speaker 1: If you're upset, you need to vent hit this up
• 11:30
  Speaker 1: right now. It's the breakfast club. Good morning, the breakfast club. Look,
• 11:37
  Speaker 1: this is your time to get it off your chest.
• 11:39
  Speaker 1: Whether you're man black from you on the breakfast club.
• 11:43
  Speaker 1: But you got something on your mind. Let hello, who's this?
• 11:48
  Speaker 1: I hate this? Diana, Hey, Diana, get it off your chest, Mama,
• 11:51
  Speaker 1: Good morning, y'all. Okay, President Trump is sick me. He's
• 11:55
  Speaker 1: really I'm stressing for no reason, Like I don't understand
• 11:58
  Speaker 1: why he stresses me. I was so much. But after
• 12:02
  Speaker 1: the call he made to the widow of the falling
• 12:04
  Speaker 1: soldier Um, the black fallen Soldier rant that Um saying
• 12:08
  Speaker 1: that he knew what he signed up for how insensitive
• 12:11
  Speaker 1: and morally bankrupt can you be? We knew this already though, why, Like, well,
• 12:15
  Speaker 1: this is just more icing on that, Kike, I know, right,
• 12:17
  Speaker 1: And it's like I'm sick of the cake though, you
• 12:19
  Speaker 1: know I don't want that. You're absolutely throw in the
• 12:23
  Speaker 1: trash and let's start over, you know what I'm saying.
• 12:25
  Speaker 1: So um, just listening to that and listening to all
• 12:28
  Speaker 1: the commentators on the TV, all the news anchors talking
• 12:31
  Speaker 1: about it, you know, it's just like there's nothing I
• 12:35
  Speaker 1: can do. I feel so helpless, you know, dealing with
• 12:37
  Speaker 1: this dude, and it's like he's ridiculous. Now you can't
• 12:40
  Speaker 1: feel like that, baby, because truth to the matter is, man,
• 12:42
  Speaker 1: I don't care what president is in the White House.
• 12:44
  Speaker 1: You still have to take you have to still have
• 12:46
  Speaker 1: to take control of your life. Right. Let this inspire
• 12:48
  Speaker 1: you to do great thing, absolutely aside from having to
• 12:51
  Speaker 1: deal with the president. Right, You're right, You're right, But
• 12:54
  Speaker 1: it still pissed me off it regardless. I'm pissed, like
• 12:58
  Speaker 1: I can't believe, you know, I think he just did it.
• 13:00
  Speaker 1: I really want to know what he said to the
• 13:02
  Speaker 1: other the other families, but I really think he said
• 13:05
  Speaker 1: this to the black girl. I don't. I don't think
• 13:06
  Speaker 1: he said this. I don't think he was just intensitive
• 13:09
  Speaker 1: to the white man. I didn't even know that the girl.
• 13:10
  Speaker 1: I didn't even know the lady was black. I didn't
• 13:12
  Speaker 1: know what she was. Absolutely, the pictures of her, Yeah,
• 13:17
  Speaker 1: what's her name? Um? So the sidest name was La
• 13:19
  Speaker 1: David Johnson. And let me see what's her name? Wouldn't
• 13:22
  Speaker 1: I forgot what her name was? But they have pictures
• 13:24
  Speaker 1: of her leaning over the casket when he comes in
• 13:27
  Speaker 1: with her little daughter setting beside her. Maybe maybe don't
• 13:31
  Speaker 1: let that crack gas cracker scratch you, Okay, I must
• 13:33
  Speaker 1: feel I'm fun to believe that God is in control
• 13:35
  Speaker 1: of all. We just got to focus on each other
• 13:37
  Speaker 1: and keep going. Thank you for calling Mama. Get it
• 13:39
  Speaker 1: off your chest. Eight hundred five eight five, one oh
• 13:41
  Speaker 1: five one. If you're upset, you need to vent, you
• 13:43
  Speaker 1: can hit this up. We got rumors on the way.
• 13:45
  Speaker 1: Let's talk about Black China. She is suing the entire
• 13:47
  Speaker 1: Kardashian family. Let's see if you think that she has
• 13:50
  Speaker 1: any chance of winning this lawsuit. Also, we have a
• 13:53
  Speaker 1: rest in peace somebody who just passed away. All right,
• 13:56
  Speaker 1: We'll get into all that when we come back. Keep
• 13:58
  Speaker 1: the lock. This to Breakfast Club. Good morning, the Breakfast Club. Morning.
• 14:04
  Speaker 1: Everybody's DJ Envy Angela Yee, Charlomagne the guy. We are
• 14:08
  Speaker 1: the Breakfast Club. Let's get to the rumors. Let's talk
• 14:11
  Speaker 1: Ricky Rose. Listen, just oh gosh, report guys, it's report
• 14:20
  Speaker 1: Breakfast Club. All right. Well, for some reason to Rick
• 14:24
  Speaker 1: Ross and one of his children's mothers, O ta camp
• 14:27
  Speaker 1: that's his son's mother got into it on social media. Now.
• 14:30
  Speaker 1: She had posted, I will reveal everything. Be ready, bitch,
• 14:34
  Speaker 1: don't get uncomfortable now. I remember you chose me. And
• 14:37
  Speaker 1: then she said, you gotta watch them and words who
• 14:39
  Speaker 1: act like they hate their baby mamas whole time they'd
• 14:41
  Speaker 1: be loving and missing them. She said, couldn't get you
• 14:43
  Speaker 1: to call your son last month and wish him a
• 14:45
  Speaker 1: happy birthday. But as soon as you got the call
• 14:47
  Speaker 1: about me appearing on Love and Hip Hop Miami, you
• 14:50
  Speaker 1: hit my phone this morning. How about you go call
• 14:53
  Speaker 1: Little Wills Arthur Dinas and pay them people his basketball
• 14:56
  Speaker 1: to wish it ain't pay yet either, but you got
• 14:58
  Speaker 1: birdman eggplant emoji in your mouth. Don't hit my line
• 15:01
  Speaker 1: and listen's about our son hating people. Stop hating. I'm evolving.
• 15:05
  Speaker 1: Oh them lawyers need the money to hating people loving
• 15:08
  Speaker 1: hip hop? Everything in social media or the worst platform
• 15:11
  Speaker 1: for dis coronal baby mamas by the way. All right,
• 15:13
  Speaker 1: well it didn't get any better after that because than
• 15:17
  Speaker 1: Rick Ross went on his social media and this is
• 15:19
  Speaker 1: how he responded. I gotta thank my daughter toy mother
• 15:23
  Speaker 1: for being you know, a wonderful example. You know, of
• 15:27
  Speaker 1: course y'all know she's getting a paper, she bought a business,
• 15:30
  Speaker 1: and of course my youngest her man's mother. I gotta
• 15:34
  Speaker 1: thank them too for being women. That's the only thing
• 15:37
  Speaker 1: a beautiful woman can't be as a fault. Out of
• 15:40
  Speaker 1: times women you may want to be a daddy, and
• 15:43
  Speaker 1: it's a difference in this same will push pool type games.
• 15:47
  Speaker 1: All right, I got a child named her mass I
• 15:49
  Speaker 1: guess so. Now that was his way of taking a
• 15:51
  Speaker 1: shot at her by thanking the other children's mothers but
• 15:54
  Speaker 1: not her. Hold on, hold on host a child name
• 15:56
  Speaker 1: her mask? Yeah, yeah, I guess after the bro No, no, no,
• 16:02
  Speaker 1: we can't do that. You can't be naming your child
• 16:04
  Speaker 1: after design a brand people the real name Gucci, Gucci
• 16:09
  Speaker 1: man got married yesterday. But that's not his real name. People,
• 16:13
  Speaker 1: Well he likes his name. Nah, all right, well hold on,
• 16:16
  Speaker 1: let's finish. He did not stop there. Here's what he
• 16:18
  Speaker 1: had to say next. But I just got word my
• 16:21
  Speaker 1: son's mother, Tia kimp she just went on a fake ranch,
• 16:25
  Speaker 1: so she needs some attention, y'all. So this is what
• 16:28
  Speaker 1: I'm asking everybody to do. Let's go to her page,
• 16:31
  Speaker 1: Tia Kemp. Let's give us some lights. I know she
• 16:34
  Speaker 1: may be a little older than you used to going
• 16:36
  Speaker 1: on AGI, but let's show her love. Let's let her
• 16:39
  Speaker 1: know we on her team and we're gonna support her,
• 16:42
  Speaker 1: all right. And then he goes on to talk about
• 16:44
  Speaker 1: perhaps some issues they might have because I guess apparently,
• 16:47
  Speaker 1: according to Rick Ross, he slept with her sister. Here's
• 16:51
  Speaker 1: what he said. And I see you mentioning everybody, but
• 16:54
  Speaker 1: Candice the reason behind all this. You know, before I
• 16:57
  Speaker 1: met Tia Kimp, I had a relationship with her sister, Candice.
• 17:02
  Speaker 1: They got in the argument and Candice told her that
• 17:05
  Speaker 1: what she was before, but she never accepted my apology.
• 17:10
  Speaker 1: But once again, I apologize you. I apologize to missus
• 17:14
  Speaker 1: Candice as well. He's trying to move forward, and I
• 17:17
  Speaker 1: wish you the best. I don't understand why he revealed
• 17:20
  Speaker 1: that information, because that just makes him look bad in
• 17:22
  Speaker 1: the long run, because people will take that and they
• 17:25
  Speaker 1: run with it and they'd be like, Wow, he slept
• 17:27
  Speaker 1: with your sister like that. Don't make you come out cleans. Yeah, Ross,
• 17:35
  Speaker 1: you didn't handle that on the right way. I've seen
• 17:36
  Speaker 1: Ross handle things much better than he handled that situation
• 17:39
  Speaker 1: right there, all right, and just the rest in piece
• 17:40
  Speaker 1: to former Project Runaway finalists of Michael Knight. He did
• 17:44
  Speaker 1: die yesterday morning in a hospital in Georgia. He had
• 17:46
  Speaker 1: recently checked himself in. He was getting treatment for intestinal issues.
• 17:50
  Speaker 1: He had irritable Bown syndrome that can kill you. Well,
• 17:53
  Speaker 1: they're saying it really messed up his immune system, so
• 17:56
  Speaker 1: I guess the effects of that. But we don't know
• 17:57
  Speaker 1: if that's why. It's unclear the cause of his death yet,
• 18:00
  Speaker 1: but we do know he checked himself in and was
• 18:02
  Speaker 1: having issues with that. He's only thirty nine years old.
• 18:05
  Speaker 1: You see, I'm my hypochondrics. So I hit stuff like
• 18:07
  Speaker 1: that and immediately want to go to the doctor. I
• 18:08
  Speaker 1: might have to poopulated to him be like, oh, God,
• 18:10
  Speaker 1: I got the irritable bout syndrome. But yeah, our condolences
• 18:14
  Speaker 1: to Michael Knight. What is the irritable bout syndrome? I
• 18:17
  Speaker 1: guess when you have problems using in the bathroom. I
• 18:20
  Speaker 1: don't have. I ain't got no problems A thirty this morning,
• 18:22
  Speaker 1: y'all know, ibbi, Yeah, okay, in a stall with my
• 18:26
  Speaker 1: pants around my ankles, all kinds of right, I'm regular,
• 18:30
  Speaker 1: we know, all right, Well, I'm Angela and that is
• 18:33
  Speaker 1: your rumor report. All right, this guy's crazy. When we
• 18:37
  Speaker 1: come back, we got a special guest joining us, Lynn Manuel, Manuel, Manuel,
• 18:42
  Speaker 1: Manuel Miranda. When we come back, it's the breakfast logan Morning.
• 18:45
  Speaker 1: That was your Gotti raking up morning. Everybody is DJ
• 18:49
  Speaker 1: Envy Angela, yee, Charlomagne that God. We all the breakfast club.
• 18:52
  Speaker 1: We got a special guest in the building, goes by
• 18:54
  Speaker 1: the name An Manuel Miranda. Good morning. He congrats on
• 18:58
  Speaker 1: your first top forty hit most like pray. I can
• 19:01
  Speaker 1: only understand three words in the song, but we try
• 19:05
  Speaker 1: to listen to it earlier, right, And I'm looking at
• 19:07
  Speaker 1: him like he don't know, you know what? I was
• 19:08
  Speaker 1: Welcome to the post. What does the title mean almost
• 19:13
  Speaker 1: like prayan. It's it's actually a sample from a west
• 19:16
  Speaker 1: Side story. There's there's a song called Maria in a
• 19:19
  Speaker 1: west Side story and he says, say it loud and
• 19:21
  Speaker 1: there's music playing, Say it's soft, and there's almost like praying.
• 19:25
  Speaker 1: So I flipped the sample um because you know, everyone
• 19:28
  Speaker 1: sends thoughts and prayers in the wake of a tragedy,
• 19:30
  Speaker 1: but prayers aren't enough. We need food, we need supplies,
• 19:33
  Speaker 1: the water, yeah, we need aid and so, so that
• 19:37
  Speaker 1: was the reason behind flipping that. Particularly also it's Hurricane Maria,
• 19:40
  Speaker 1: so I wanted to flip that. The meaning of that
• 19:42
  Speaker 1: um and then the lyrics you don't have to speak
• 19:45
  Speaker 1: Spanage to understand. They are the names of the seventy
• 19:47
  Speaker 1: eight towns in Puerto Rico. When Puerto Rican means another
• 19:50
  Speaker 1: Puerto Rican, they say where you're from, And they don't
• 19:52
  Speaker 1: mean Puerto Rico, they mean what town are you from?
• 19:54
  Speaker 1: What town are your parents from? And like in the
• 19:57
  Speaker 1: wake of the hurricane, there was just a few terrible
• 20:01
  Speaker 1: days and weeks of silence where my Facebook, my Twitter
• 20:04
  Speaker 1: was just this roll call. Has anyone heard from Meade?
• 20:07
  Speaker 1: Has anyone heard from Ladice? And so I wanted to
• 20:09
  Speaker 1: write a lyric that incorporated every town so they don't
• 20:12
  Speaker 1: feel forgotten. You know, I want I want people to
• 20:14
  Speaker 1: hear this song and be like Yo J Loo sang
• 20:16
  Speaker 1: my town and Mark Anthony sang my town there. Yeah,
• 20:22
  Speaker 1: pretty much. I always know that you were going to
• 20:24
  Speaker 1: do theater. Uh yeah, composed and act you always like
• 20:28
  Speaker 1: from a young age. Absolutely, you know. I grew up um.
• 20:32
  Speaker 1: I grew up on two hundred Street off Dykeman Um.
• 20:35
  Speaker 1: It was a guy from Washington highsions to do theater. Yeah,
• 20:38
  Speaker 1: well I I my parents were from that age that
• 20:40
  Speaker 1: they had the Cast albums in between Willie Golong and
• 20:43
  Speaker 1: Grand Combo growing up, so it was a lot of
• 20:46
  Speaker 1: Latin music in my house. It was a lot of
• 20:48
  Speaker 1: uh Cast albums like Man La Mancha and Camelot. And
• 20:51
  Speaker 1: then also, I'm like a little younger than hip hop,
• 20:54
  Speaker 1: so you know, my sister took me to Beat Street
• 20:57
  Speaker 1: when I was a little kid, and I remember going
• 20:58
  Speaker 1: to see dis Order Leads because a fat boys. There
• 21:02
  Speaker 1: was just never a time when hip hop wasn't a
• 21:04
  Speaker 1: part of my life. So I was a little too
• 21:06
  Speaker 1: young for Crush Grooving the theater. I saw it later
• 21:08
  Speaker 1: when it was you know, it was when it was
• 21:09
  Speaker 1: on TV all the time. Now, let me smell your neck. What. No,
• 21:13
  Speaker 1: because I went on your Twitter this morning. Wow, okay, yeah,
• 21:16
  Speaker 1: you said, but I thought you said you sprayed your wife. No,
• 21:20
  Speaker 1: you sprayed your wife the older, and on you I did.
• 21:22
  Speaker 1: I made the mistake of getting dressed before coffee. I'm
• 21:24
  Speaker 1: not used to this early morning detail of that right there,
• 21:29
  Speaker 1: and it looked like you okay it up? Fine. Yeah,
• 21:31
  Speaker 1: So I instead of grabbing the polo, I grabbed my
• 21:35
  Speaker 1: wife's the older, and so I smelled like my wife's
• 21:37
  Speaker 1: arm pit all morning. It's kind of distracting. Which one
• 21:39
  Speaker 1: do you use if you use dove? Vanilla Vanilla is
• 21:42
  Speaker 1: not supposed to be using dove at all. I I
• 21:44
  Speaker 1: know it definitely works hip hop y'all. So what about
• 21:47
  Speaker 1: going to see places? Did you go see plays a
• 21:49
  Speaker 1: lot when you were younger? No, I was like most
• 21:51
  Speaker 1: kids brodlways expensive we were, or even just not even
• 21:54
  Speaker 1: on broway because you know there's other places. Yeah. No.
• 21:56
  Speaker 1: The way I got into it was the way I
• 21:58
  Speaker 1: think a lot of kids got into it was I was.
• 22:00
  Speaker 1: I got cast into school play in sixth grade. I
• 22:02
  Speaker 1: got casting and Bye Bye Birdie and Bye Bye Birdie.
• 22:04
  Speaker 1: I played Conrad Birdie, who's like the Elvis of the show.
• 22:07
  Speaker 1: And I was twelve years old and three feet tall,
• 22:11
  Speaker 1: and my nose grew way ahead of the rest of
• 22:13
  Speaker 1: my favorite I looked like two can Sam. But suddenly
• 22:16
  Speaker 1: I was playing this part where all the women had
• 22:18
  Speaker 1: to faint when I sang, and I thought, why would
• 22:21
  Speaker 1: anyone do anything else for a living except for this?
• 22:25
  Speaker 1: And it was it was like a ton of attention,
• 22:27
  Speaker 1: and I got to sing and like, I feel like
• 22:29
  Speaker 1: I'm still chasing that first applause from by Bye Birdie.
• 22:32
  Speaker 1: When I was I've always liked Peter because like you're
• 22:34
  Speaker 1: so in the moment, like there's no room for Erra. Absolutely,
• 22:37
  Speaker 1: you didn nail it dinner, you don't get it. That's right,
• 22:39
  Speaker 1: that's right, No. And that was sort of the amazing
• 22:41
  Speaker 1: thing when we were doing when I was in Hamilton
• 22:44
  Speaker 1: was all you know, it was like a roll call
• 22:45
  Speaker 1: of my favorite MC's come into the show. Buster Rhymes
• 22:49
  Speaker 1: sat in the front row and I'm not gonna lie y'all.
• 22:52
  Speaker 1: He was a little groggy at the beginning. He took
• 22:54
  Speaker 1: a red eye and I saw his eyes closing at
• 22:56
  Speaker 1: the beginning. If Buster Rhymes falls asleep in my show,
• 22:59
  Speaker 1: I'm just closing the show, just like that's it. I'm over.
• 23:02
  Speaker 1: I'll go into woodworking or something else. Um. But then he,
• 23:05
  Speaker 1: you know, he was up and he was with it
• 23:08
  Speaker 1: for the rest of the time. And then I remember,
• 23:09
  Speaker 1: I remember Eminem sit in the balcony, um, just seeing this,
• 23:13
  Speaker 1: just likedn't scare you? Uh yeah, I wrapped. I rapped
• 23:17
  Speaker 1: for my life that night. Um. But you know, the
• 23:19
  Speaker 1: first thing he asked me when he came off stage
• 23:21
  Speaker 1: is what happens when you mess up? Um? And I said,
• 23:24
  Speaker 1: I messed up three times for you today. So yeah,
• 23:27
  Speaker 1: you just keep going. And uh that's the fun of
• 23:30
  Speaker 1: live theater. They tell you ahead of time who's going
• 23:32
  Speaker 1: to be there, so you know, I'd like to know.
• 23:34
  Speaker 1: Some people don't like to know, like uh, Pippa Sue,
• 23:36
  Speaker 1: who played my wife. I would tell her as we
• 23:38
  Speaker 1: finished bowing, like I'd be like, do you feel like
• 23:41
  Speaker 1: you did a good show? And she'd be like, yeah,
• 23:43
  Speaker 1: why I would like this Bomber Striisan and the President
• 23:45
  Speaker 1: or whoever was there that day. Um. But I would
• 23:47
  Speaker 1: tell her after. But I like knowing, Uh, it's it
• 23:50
  Speaker 1: puts a little pepper m a step. I didn't realize
• 23:53
  Speaker 1: how hard Hamilton tickets was to get. Oh my god,
• 23:57
  Speaker 1: so me and my wife went. And then when I
• 23:58
  Speaker 1: pulled him my instegrt new, I know you getting money
• 24:04
  Speaker 1: months in advance. Yeah, indeed, indeed, for you know, for me,
• 24:07
  Speaker 1: it was important that the show's such a love letter
• 24:09
  Speaker 1: to hip hop, so it was important for me to
• 24:11
  Speaker 1: get all my heroes, get all of those people, um
• 24:14
  Speaker 1: who were going to get the biggie references, and I
• 24:17
  Speaker 1: mean get to mob D references. You know. That's uh,
• 24:19
  Speaker 1: there's as many hip hop references as there are musical
• 24:22
  Speaker 1: theater references. Because I basically lied to myself for a
• 24:25
  Speaker 1: few years. I just pretended I was writing an album
• 24:28
  Speaker 1: because I didn't want to worry about everyone getting everything
• 24:30
  Speaker 1: the first time. And I still go back to reasonable doubt.
• 24:32
  Speaker 1: I still go back to Capital Punishment. I still go
• 24:35
  Speaker 1: back to Bizarre Ride and here's things I never heard before.
• 24:37
  Speaker 1: And I wanted to build a Broadway score that had
• 24:40
  Speaker 1: the feel of one of those albums, one of those
• 24:43
  Speaker 1: hip hop albums. You go back to more arts in
• 24:44
  Speaker 1: the schools, though, because it seems like we go away
• 24:47
  Speaker 1: from that type of art, you know. Yeah, I mean,
• 24:49
  Speaker 1: that's that's a huge priority. I had the luxury of
• 24:52
  Speaker 1: a public school education where art and music was next
• 24:55
  Speaker 1: to math and science. That saved my life in a
• 24:58
  Speaker 1: very real way. We know that music is is the
• 25:02
  Speaker 1: silver bullet when it comes to math and science, scores
• 25:04
  Speaker 1: and English. You know, it connects both hemispheres of the brain.
• 25:07
  Speaker 1: It's it's uh, uh, you have to be good at
• 25:10
  Speaker 1: math to be able to spit. You have to, you know,
• 25:12
  Speaker 1: it's like it's it's, uh, it's so important to what
• 25:15
  Speaker 1: we do. So you used to have to be good
• 25:17
  Speaker 1: at math to be able to spit. You don't have
• 25:19
  Speaker 1: to be good at math. Now well now you have
• 25:21
  Speaker 1: to be good at triplets because everyone is spitting in
• 25:23
  Speaker 1: triplets right now. Everything is so that's that's the cadence
• 25:29
  Speaker 1: of the of the week. Um but uh yeah, no, absolutely,
• 25:32
  Speaker 1: I mean and then when I was growing up in
• 25:34
  Speaker 1: the nineties, everything was spit mathematics and it was to
• 25:37
  Speaker 1: be smart and you had to be smart and science
• 25:39
  Speaker 1: and uh, now come back around. Everything is cyclical, I hope.
• 25:41
  Speaker 1: Like when I heard keep mad to grab a dictionary
• 25:43
  Speaker 1: and it's a source, like pariously when he when he
• 25:45
  Speaker 1: spent on Hostile and he was like, your medulla see
• 25:48
  Speaker 1: rum sabellum, you got a crewe you better tell him
• 25:51
  Speaker 1: like yeah, bamatomically, SoC philosophies, prophecies, tropanes. Yeah, man, we
• 25:59
  Speaker 1: got more with lin Man and well Miranda when we
• 26:01
  Speaker 1: come back. Is the Breakfast Club, Good morning, the Breakfast
• 26:04
  Speaker 1: Club Morning. Everybody is DJ Envy Angela Ye, Charlomagne the guy.
• 26:11
  Speaker 1: We are the Breakfast Club. We have Lynn Manuel, Miranda
• 26:13
  Speaker 1: in the building. Yee. All right. Now let me ask
• 26:15
  Speaker 1: you this, being that Hamilton brought a lot of different
• 26:18
  Speaker 1: people and politics from different sides of things, all different
• 26:21
  Speaker 1: types of people that maybe in real life don't really
• 26:24
  Speaker 1: interact or get along with each other. Was it ever
• 26:26
  Speaker 1: awkward for you to have to maybe meet with somebody
• 26:30
  Speaker 1: after the show who you might not agree with, or
• 26:33
  Speaker 1: people that you're like, I don't really like that person. Yeah,
• 26:35
  Speaker 1: I mean, that's that comes with it. We had. I mean,
• 26:37
  Speaker 1: what was crazy about Hamilton's was like, we do the
• 26:39
  Speaker 1: show for three hours, we're rapping and singing and dancing,
• 26:42
  Speaker 1: then you have like another half hour of just like
• 26:45
  Speaker 1: saying hi to folks who can come backstage and then
• 26:47
  Speaker 1: another half hour of the stage door and signing programs
• 26:50
  Speaker 1: and all that. You know, for me, it was I
• 26:54
  Speaker 1: never tried to play gotcha in those moments after the show.
• 26:57
  Speaker 1: We've all been through something together, like they've all watched
• 26:59
  Speaker 1: the show, and that was actually kind of amazing. You know,
• 27:02
  Speaker 1: I could talk to the Bush daughters about I would
• 27:06
  Speaker 1: just keep it on some like what does it like
• 27:09
  Speaker 1: to know your dad is being judged by history? Like
• 27:11
  Speaker 1: all the time, like presidents and leaders of state, they
• 27:15
  Speaker 1: get graded on a way harsher deeper curve that than
• 27:19
  Speaker 1: we do. And he should as they should. Absolutely they're
• 27:22
  Speaker 1: playing you know they made with a stroke of their pen.
• 27:24
  Speaker 1: They change people's lives. They can save him, they can
• 27:26
  Speaker 1: damage them. Donald Trump's well, but history will judge and
• 27:32
  Speaker 1: God will judge, and um, it's interesting I ask I
• 27:36
  Speaker 1: always ask leaders about that, Like when I when I
• 27:39
  Speaker 1: got to speak to President Obama, I asked him, what
• 27:42
  Speaker 1: does that feel like to know that you're going to
• 27:43
  Speaker 1: be in history books? And he said it's actually freeing.
• 27:47
  Speaker 1: Um for him, it was freeing because he knew I
• 27:49
  Speaker 1: might get that pressed today. But my eye is not
• 27:52
  Speaker 1: on that. My eye is on the decision that will
• 27:54
  Speaker 1: have ramifications for the future. And we see we're seeing
• 27:57
  Speaker 1: that with Obamacare, we're seeing how hard it is to
• 28:00
  Speaker 1: undo a legacy and rightfully so uh, you know that
• 28:04
  Speaker 1: that he put things in place that hopefully will will
• 28:07
  Speaker 1: benefit people for the future. And you know, we have
• 28:10
  Speaker 1: a lyric in the show History has Its Eyes on You,
• 28:12
  Speaker 1: and that swings both good and bad. You know, when
• 28:14
  Speaker 1: people see, uh, people suffering in Puerto Rico and Trump's
• 28:18
  Speaker 1: throwing paper to towels, History was going to judge that. Um,
• 28:21
  Speaker 1: that's going to be remembered forever. Um. So you know
• 28:24
  Speaker 1: it's it's it's Uh. I wouldn't wish it on anyone. Uh.
• 28:27
  Speaker 1: You know, I will never run for political office, but
• 28:29
  Speaker 1: it is Uh, it's have great responsibility. You don't have
• 28:32
  Speaker 1: to do because I mean history, History is watching you
• 28:34
  Speaker 1: as well. You know, History's watching all of us. Yeah,
• 28:37
  Speaker 1: I mean those the things that I think about it.
• 28:38
  Speaker 1: I think about like when it comes to radio, I
• 28:40
  Speaker 1: think about all the different radio personalities that we still
• 28:43
  Speaker 1: discuss now, absolutely, and I want I want to be
• 28:45
  Speaker 1: discussed like that. And if you remember rapping du yeah, yeah, absolutely,
• 28:49
  Speaker 1: they're judging you the same way. I think. Yeah, did
• 28:53
  Speaker 1: Hamilton make people go back and watch in the heights now?
• 28:55
  Speaker 1: I hope? So, yeah, yeah, it's been amazing. What what
• 28:58
  Speaker 1: what happened was there was sort of an explosion of
• 29:01
  Speaker 1: school productions at the show. Um, and that's been amazing
• 29:04
  Speaker 1: to see. And it's and it's double edged for me, right.
• 29:07
  Speaker 1: So they're like schools with like black Latino kids who
• 29:10
  Speaker 1: can who get to do the show, and it feels
• 29:12
  Speaker 1: like it's their show, like this is my neighborhood. There's
• 29:14
  Speaker 1: English and Spanish, there's hip hop, and then there are
• 29:17
  Speaker 1: productions that are like in all white school districts where
• 29:21
  Speaker 1: suddenly these like well white kids are waving Dominican flags
• 29:25
  Speaker 1: have to learn Spanish to do the show. And I
• 29:27
  Speaker 1: like that too, Like I like that the culture stretches
• 29:30
  Speaker 1: in this unexpected way. Uh. And Nike's Inroads. Um. So
• 29:34
  Speaker 1: you know that was a show. I started writing that
• 29:36
  Speaker 1: show when I was nineteen years old. We got to
• 29:38
  Speaker 1: Broadway when I was twenty eight. Um, so it was
• 29:40
  Speaker 1: a lot of work and it was a lone years later.
• 29:43
  Speaker 1: So you wrote there about you were at Wesleyan. I
• 29:44
  Speaker 1: started I wrote the first draft at West Thing and
• 29:46
  Speaker 1: put it up there. It was like eighty minute one
• 29:47
  Speaker 1: act ninety two theater, which you know, well, go West.
• 29:50
  Speaker 1: We went to the same college, Yeah, but he went
• 29:52
  Speaker 1: aft to me. Yeah, and so it was yeah, it
• 29:55
  Speaker 1: was really and it wasn't first school project, It wasn't
• 29:57
  Speaker 1: my thesis. It was just something I really needed to write,
• 30:00
  Speaker 1: you know. It was It's interesting I was that was
• 30:03
  Speaker 1: nineteen ninety nine, two thousand. It was right when that
• 30:05
  Speaker 1: first Latin pop boom was happening. And suddenly the people
• 30:10
  Speaker 1: that I had listened to all my life, like the
• 30:12
  Speaker 1: rest of the country was listening to because they were
• 30:14
  Speaker 1: singing in English, like Mark Anthony and Ricky Martin and
• 30:17
  Speaker 1: Rikue Glacias Pun was happening. Uh yeah, yeah, yeah, um
• 30:27
  Speaker 1: Pun was sort of at his peak and he was
• 30:29
  Speaker 1: you know, and and so it was just an amazing time.
• 30:31
  Speaker 1: And Jennifer Lopez don't be fooled by the rocks that
• 30:35
  Speaker 1: she got, um and uh. And what was amazing was
• 30:38
  Speaker 1: sort of seeing the rest of the world embraced what
• 30:41
  Speaker 1: I had always grown up but had listened to at home.
• 30:43
  Speaker 1: And so it was also my attempt to like bring
• 30:46
  Speaker 1: the culture I'd grown up with into my writing for
• 30:48
  Speaker 1: the first time. How did you know it was How
• 30:50
  Speaker 1: did you know it was time to walk away from him?
• 30:51
  Speaker 1: With him? Though? Oh? I always knew I was. I
• 30:54
  Speaker 1: have like a warranty after a year, my voice will
• 30:56
  Speaker 1: give out, my back will give out. So I gave
• 30:58
  Speaker 1: myself a year to do it and m and really
• 31:02
  Speaker 1: proud of that year and that original cast. But I
• 31:04
  Speaker 1: just knew that, uh I, you know I want to
• 31:06
  Speaker 1: write the next thing. You know, I had the idea
• 31:09
  Speaker 1: for Hamilton on my first vacation from Heights. So I
• 31:13
  Speaker 1: what that teaches me is the good ideas don't come
• 31:16
  Speaker 1: when you got fifty things to do. The good ideas
• 31:18
  Speaker 1: come when you're like you're a dog, or like you
• 31:21
  Speaker 1: actually get a breath and you get a second to daydream.
• 31:24
  Speaker 1: So I knew I would need that if I was
• 31:26
  Speaker 1: going to write the next one. Why Hamilton? Who this
• 31:30
  Speaker 1: old white guy? Why Hamilton? Well, because that's always how
• 31:33
  Speaker 1: I thought of him. I just knew he was the
• 31:35
  Speaker 1: dude on the ten, and I knew I wrote a
• 31:37
  Speaker 1: paper on him in high school. I knew his son
• 31:39
  Speaker 1: died in a duel, and he died in a duel
• 31:42
  Speaker 1: three years later, and I thought, how's that happened? Let
• 31:45
  Speaker 1: history be your guy. Don't go to that duel. You
• 31:47
  Speaker 1: see what happens. And so that's all I knew. When
• 31:50
  Speaker 1: I was looking for a book to read on vacation
• 31:52
  Speaker 1: and I saw m Ron Chernou's book and it had
• 31:55
  Speaker 1: good reviews. I didn't know he was born in the Caribbean.
• 31:59
  Speaker 1: He was born in Neivas and grew up in Saint Croix.
• 32:01
  Speaker 1: I mean, his home life and his childhood is so
• 32:03
  Speaker 1: traumatic and he literally, I mean talk about full circle.
• 32:07
  Speaker 1: There was a hurricane that destroyed St. Croix and he
• 32:10
  Speaker 1: wrote about how bad it was, and they used it
• 32:14
  Speaker 1: for relief efforts, and people took up a collection to
• 32:16
  Speaker 1: get him off the island to go this guy's being
• 32:18
  Speaker 1: this guy's not going to get an education on this island.
• 32:20
  Speaker 1: Let's send him to the mainland to become a doctor
• 32:22
  Speaker 1: so he can come back. And I thought, that's the
• 32:25
  Speaker 1: most hip hop thing, that writing about your struggle and
• 32:28
  Speaker 1: your circumstances so well and so specifically that it becomes universal.
• 32:33
  Speaker 1: That we can see ourselves in Biggie's Juicy, that we
• 32:36
  Speaker 1: can see ourselves in Eminem's Lose Yourself, That the hip
• 32:40
  Speaker 1: hop writers that I really love write about their struggle
• 32:42
  Speaker 1: so well that they transcend it. And then I had
• 32:44
  Speaker 1: that idea, and that's the second chapter of the book,
• 32:46
  Speaker 1: and it just kept proving me right. Like everywhere he
• 32:49
  Speaker 1: got was because of his strength as a writer. And
• 32:52
  Speaker 1: to me, that's what my favorite MC's do, and that's
• 32:55
  Speaker 1: both good and bad. He also wrote about his first
• 32:57
  Speaker 1: affair and destroyed his political career because he thought, if
• 33:00
  Speaker 1: I explain it, people will forgive me, and they did not.
• 33:03
  Speaker 1: I mean, it wasn't four four four, it wasn't four
• 33:05
  Speaker 1: to four four, but it is it's proto four four four.
• 33:08
  Speaker 1: I mean it's it's it's expressing remorse, but it's also
• 33:11
  Speaker 1: sort of full out here's what I did. I was
• 33:14
  Speaker 1: never corrupt with government funds. I was. I was just
• 33:18
  Speaker 1: bad as a man and a husband and father and
• 33:20
  Speaker 1: blew up his own spot. I mean, he really did it.
• 33:23
  Speaker 1: Um you know. And and it's uh, but to me,
• 33:26
  Speaker 1: that's that's also hip hop to like take it and
• 33:29
  Speaker 1: just throw it all out there. Um, you know. One
• 33:32
  Speaker 1: hundred bars no chorus. That's what the Reynal's pamphlet is.
• 33:35
  Speaker 1: It's one hundred bars, no chorus. And uh. And so
• 33:37
  Speaker 1: that was once I had that idea sort of didn't
• 33:40
  Speaker 1: let go of me. All right, we got more with
• 33:42
  Speaker 1: Lynn Manuel Miranda when we come back, don't move. It's
• 33:44
  Speaker 1: the breakfast club. Good morning, this morning. Everybody is DJ
• 33:48
  Speaker 1: Envy Angela Yee, Shechel, I mean the guy. We are
• 33:50
  Speaker 1: the breakfast club. We have Lynn Manuel Miranda in the building. Yee.
• 33:54
  Speaker 1: Now what's next for you after coming off of a
• 33:57
  Speaker 1: huge success like Hamilton's. I'm sure everybody's beating down your
• 34:00
  Speaker 1: door to work with you and do different things. So
• 34:02
  Speaker 1: what's your next passion project? Yeah? I mean for me, honestly,
• 34:05
  Speaker 1: my protect passion project is getting the lights on in
• 34:08
  Speaker 1: Puerto Rico, and I don't really have another thing besides that.
• 34:12
  Speaker 1: Every other stuff, everything else is on hold. Um, it's
• 34:15
  Speaker 1: raising awareness, it's it's raising money. Um. The initial slowness
• 34:19
  Speaker 1: of the government's response meant that we're working at a
• 34:22
  Speaker 1: deficit and we're working as fast as we can. And so, uh,
• 34:26
  Speaker 1: you know, this single is something that almost like praying.
• 34:28
  Speaker 1: I wrote that because I was waiting for word from
• 34:30
  Speaker 1: my family and I needed something to do in addition
• 34:32
  Speaker 1: to tweeting, in addition to raising money. Where the title
• 34:35
  Speaker 1: comes from, like yeah, therapeutic Almo, Yeah, absolutely, and and
• 34:38
  Speaker 1: they and so so that's that's the full time gig.
• 34:42
  Speaker 1: I mean, Hamilton is opening in London, and there's there's
• 34:44
  Speaker 1: now three productions uh in the States, and those are
• 34:47
  Speaker 1: all going great. But personally, like my my time's on
• 34:50
  Speaker 1: Puerto Rico until there's a sense of normalcy there. The
• 34:52
  Speaker 1: song that you made, Now, was it anybody that you
• 34:54
  Speaker 1: wanted on a song that you couldn't get it wasn't
• 34:56
  Speaker 1: enough time, or or anybody you found out wasn't really
• 34:58
  Speaker 1: Puerto rican No. You know what was amazing was you
• 35:02
  Speaker 1: know that even the people I reached out to who
• 35:04
  Speaker 1: couldn't do it's because they were already working so hard
• 35:06
  Speaker 1: from Puerto Rico. So Daddy Yankee said, whatever you want.
• 35:09
  Speaker 1: But Daddy Yankee was literally flying relief planes to the island,
• 35:12
  Speaker 1: so I couldn't get him on the weekend I was recording.
• 35:15
  Speaker 1: But hopefully there's time for a remix with him. Uh.
• 35:18
  Speaker 1: You know, Ricky Martin again reached out to him, but
• 35:21
  Speaker 1: he was flying supplies to and from the island. So,
• 35:24
  Speaker 1: you know, everyone has been so amazing and supportive, and
• 35:27
  Speaker 1: these artists were incredible. I mean, you know, we flew
• 35:29
  Speaker 1: I flew to la I flew to Miami. This all
• 35:32
  Speaker 1: happened within a week of writing the tune, and everyone
• 35:35
  Speaker 1: just moved mountains to get into studio and make this happens.
• 35:38
  Speaker 1: Twenty one artist, twenty two including me, you know, Fat
• 35:42
  Speaker 1: Joe has was also you know flying, has been flying
• 35:45
  Speaker 1: stuff to and from the island. Everyone is. The mobilization
• 35:47
  Speaker 1: of our people has been really incredible. So I was.
• 35:52
  Speaker 1: I was grateful they made the time to get in
• 35:55
  Speaker 1: the studio to spit four bars or eight bars or
• 35:57
  Speaker 1: whatever we needed to say. You haven't been pleased with
• 36:00
  Speaker 1: the American government's response to Puerto Rico, No, but I've
• 36:03
  Speaker 1: been pleased with the response to the American people. That's
• 36:05
  Speaker 1: been the kind of incredible thing. You know. You go
• 36:07
  Speaker 1: to my Twitter feed, you will see kids doing toy
• 36:10
  Speaker 1: drives and breaking their piggy banks. You will see uh,
• 36:13
  Speaker 1: you know, companies stepping up in a big way. People
• 36:16
  Speaker 1: taking their own initiatives. It is not doing what they're
• 36:18
  Speaker 1: supposed to do. Absolutely. You know, I just got up.
• 36:22
  Speaker 1: I was just before I got here, I was talking
• 36:23
  Speaker 1: to chef Jose Dress. Go go watch his Twitter feed.
• 36:26
  Speaker 1: He's got seventy five chefs. He's gone to every town
• 36:29
  Speaker 1: faster than the government has. And he's been feeding people.
• 36:32
  Speaker 1: He's feeding thousands and thousands of people with chefs, just
• 36:35
  Speaker 1: making meals happen as quickly and cheaply as possible. All
• 36:38
  Speaker 1: you know, the island will make time for what they
• 36:39
  Speaker 1: want to make time for. Yeah, And I mean when
• 36:42
  Speaker 1: you see the American people responding fasted in the government
• 36:44
  Speaker 1: and let you know, maybe the government just doesn't have time,
• 36:47
  Speaker 1: they don't care enough. And what's what's what's frustrating, of course,
• 36:51
  Speaker 1: is you know, um, of course we send aid to Texas.
• 36:55
  Speaker 1: Those our brothers and sisters. Of course we said aid
• 36:57
  Speaker 1: to Florida. Those are brothers and sisters. The child lenges
• 37:00
  Speaker 1: or even greater in Puerto Rico because it's an island
• 37:02
  Speaker 1: and you can't just drive stuff down. But that means
• 37:05
  Speaker 1: we need to be more prepared. That means we need
• 37:06
  Speaker 1: to send more troops. It means, you know, when the
• 37:09
  Speaker 1: their infrastructure is so delicate even before the storm, it
• 37:12
  Speaker 1: means they need they need more help. So it's been
• 37:15
  Speaker 1: frustrating not to get that. Are you surprised with others
• 37:19
  Speaker 1: Harvey Weinstein, people coming forward women saying that is you know,
• 37:24
  Speaker 1: everybody gets Weinstein in the business at some point, every
• 37:26
  Speaker 1: woman has somebody's try here, and so many people are
• 37:29
  Speaker 1: coming forward and telling their stories. Had you heard a
• 37:31
  Speaker 1: lot of stories about women saying that they were I hadn't.
• 37:34
  Speaker 1: I'm listening. I'm a relative newbie to Hollywood. I you
• 37:38
  Speaker 1: know how Harvey was never going to win any nice
• 37:40
  Speaker 1: guy competitions. I'd heard legendary stories of him screaming at
• 37:44
  Speaker 1: assistance and screaming and just screaming at people and just
• 37:48
  Speaker 1: generally being a terror. I had never heard any any
• 37:51
  Speaker 1: of the other stuff. And it's and it's it's horrific.
• 37:54
  Speaker 1: It's really horrific. I'm glad it's coming forward. I'm glad
• 37:58
  Speaker 1: it's sort of creating this this ripple effect of this
• 38:02
  Speaker 1: is unacceptable. This is unacceptable to use your power in
• 38:04
  Speaker 1: this way. Um, but you're not glad that the Ytine
• 38:07
  Speaker 1: Company owned the rights to In the Height. No, And
• 38:09
  Speaker 1: we're you know, we're trying to uh sort of make
• 38:12
  Speaker 1: that happen in as uh quickly as possible. You know, Kiara,
• 38:16
  Speaker 1: who is my co writer on In the Heights, has
• 38:19
  Speaker 1: been writing this amazing screenplay, and so we're trying to
• 38:23
  Speaker 1: find the best way, uh to make that happen somewhere else.
• 38:26
  Speaker 1: But even if they get rid of Harvey, Like if
• 38:27
  Speaker 1: they get rid of Harvey and they change the name
• 38:30
  Speaker 1: and Harvey sales they share in the company, you wouldn't
• 38:33
  Speaker 1: stay with them. Well, I mean, this is this happened
• 38:36
  Speaker 1: for many years. This happened, and this doesn't happen alone.
• 38:40
  Speaker 1: I mean the stories we're hearing that are so terrifying
• 38:42
  Speaker 1: because you know, you try to be safe and you
• 38:45
  Speaker 1: try to be smart, and yet you're hearing stories of
• 38:48
  Speaker 1: people going into a room and then suddenly the room
• 38:49
  Speaker 1: empties out and you're alone with him. That's the most horrific,
• 38:53
  Speaker 1: nightmarish thing. Uh, you imagine. So there is uh, you know,
• 38:57
  Speaker 1: there's it's there's just this uh you want to be
• 39:00
  Speaker 1: divorced from the entire process and the entire culture that
• 39:03
  Speaker 1: allowed that too. And I would think those extenuating circumstances
• 39:05
  Speaker 1: they should let you what. It's weird though, because you
• 39:08
  Speaker 1: kind of find you play back, it seems like that's
• 39:10
  Speaker 1: just a Hollywood way, Like you hit terry crews talking
• 39:12
  Speaker 1: about executives. So it's like anywhere you go with your
• 39:15
  Speaker 1: crew story was incredible. Anywhere you go through like the
• 39:17
  Speaker 1: lesson of two weeks. I read a tweet that was
• 39:19
  Speaker 1: so amazing. Imagine the level of privilege to grab Terry
• 39:23
  Speaker 1: Crews and know you're gonna get away with it. Terry Crews,
• 39:27
  Speaker 1: I mean, you start off with the six foot six,
• 39:29
  Speaker 1: twenty and fifty pound black guy. I mean, you don't
• 39:31
  Speaker 1: even start platonic ideal of a man, do you know
• 39:35
  Speaker 1: what I mean? Like that dude is carved from marble.
• 39:37
  Speaker 1: That dude is so he's so um smart, and he's
• 39:41
  Speaker 1: so incredible and so like such a leader. And to
• 39:45
  Speaker 1: to disrespect him like that and know you're gonna get
• 39:47
  Speaker 1: away with it, I don't. I can't begin to wrap
• 39:49
  Speaker 1: my head around that level. All those people saying why
• 39:51
  Speaker 1: didn't those women say something before? Terry Crews didn't say
• 39:53
  Speaker 1: anything before. That's how intimidating it is for people to
• 39:56
  Speaker 1: feel like, well, I'm not going to get more work
• 39:57
  Speaker 1: in this business where people believe me. People who did
• 40:00
  Speaker 1: to speak up people didn't believe them or just said, oh,
• 40:02
  Speaker 1: that's just what it is. Yeah, brush it under the rugs.
• 40:05
  Speaker 1: And it was braver tell us story. And it's great
• 40:07
  Speaker 1: that people are making noise and making their story short.
• 40:09
  Speaker 1: I love how you wrapping this morning to you got
• 40:11
  Speaker 1: a big Pun and a Washington Heights hat you are rapping?
• 40:16
  Speaker 1: I'm tryings in Maryland right now. Keep it all the
• 40:21
  Speaker 1: way brom uptown all day, every day. Final questions, I promise,
• 40:25
  Speaker 1: big point of Biggie, it's tough and neither of them
• 40:28
  Speaker 1: had enough time. Biggie for a variety of flow storytelling
• 40:32
  Speaker 1: is untouchable. Um. But for multi syllabic my hero is Pun.
• 40:37
  Speaker 1: It's you know, dead in the middle of little, little
• 40:40
  Speaker 1: little One of my favorite, one of my favorite verses
• 40:43
  Speaker 1: is on a doncarda album. Um, and it's on the
• 40:47
  Speaker 1: hidden hand. He goes, Um, My tomb was cold as ice,
• 40:50
  Speaker 1: so I know I'm shice. Big Pun was the kid
• 40:52
  Speaker 1: that no one liked. My whole life was one big
• 40:54
  Speaker 1: roll of the dice, paying the price twice as expensive
• 40:57
  Speaker 1: as white kids destined for right because not know when
• 40:59
  Speaker 1: my existing was priceless. It's like this, My tomb was lifeless,
• 41:03
  Speaker 1: arned stripes fighting the nicest in the crisis. A slice
• 41:05
  Speaker 1: them in half, make him dash like hyphens, inviting any
• 41:08
  Speaker 1: rapper to clash with the titan. My writing's like fighting
• 41:11
  Speaker 1: because rappers be biting like Tyson. I'm hyping the crowd,
• 41:13
  Speaker 1: getting them loud my label. I'm proud, I'm able to
• 41:16
  Speaker 1: live from the bows of the ghetto, found me a
• 41:19
  Speaker 1: little sanity side a career in a family. I mean,
• 41:22
  Speaker 1: it's just um so so I could quote Pun, but
• 41:29
  Speaker 1: because I think Pun is unappreciated as a as a storyteller.
• 41:32
  Speaker 1: Um but Biggie is you know who I go to
• 41:34
  Speaker 1: all the time, and if you listen to Hamilton, you're
• 41:36
  Speaker 1: hearing at least six Biggie references in there. And uh.
• 41:40
  Speaker 1: I was grateful to the Wallace family for letting me
• 41:42
  Speaker 1: uh sort of quote those and uh participating that. No, no,
• 41:46
  Speaker 1: I you know it's interesting. I didn't have to pay
• 41:49
  Speaker 1: for any of those samples, but I wanted to because
• 41:51
  Speaker 1: I wanted the kid for whom Hamilton is their first
• 41:53
  Speaker 1: show to go, oh, who is this that's on the
• 41:56
  Speaker 1: credit contains a sample from and then go listen to
• 41:59
  Speaker 1: those tracks. So it was important to me to have
• 42:01
  Speaker 1: that those footnotes and bibliography and show my work so
• 42:03
  Speaker 1: that people could, um then go deep dive on the
• 42:06
  Speaker 1: artist I was. I was drawing inspiration from the final
• 42:09
  Speaker 1: one new edition on Minudo. Why why are you making
• 42:12
  Speaker 1: fights in the culture. Can we be united? Toto Rico
• 42:16
  Speaker 1: to help you? Trying to make me choose Minudo all day,
• 42:22
  Speaker 1: every day girl? Watch out all right, Miranda, mister Manudo,
• 42:34
  Speaker 1: mister breakfast Club. Good morning, Richie, forever the breakfast Club.
• 42:41
  Speaker 1: This is the rule of report with Angel Breakfast Club. Well,
• 42:50
  Speaker 1: Nicki Minaj had said Dawn with Devil Xils she was
• 42:53
  Speaker 1: talking about her roll in hip hop, and for some
• 42:56
  Speaker 1: reason there were some headlines in there saying that Nicki
• 42:58
  Speaker 1: Minaj said that she made female rappers mainstream. Now, this
• 43:02
  Speaker 1: all came from an interview, well, not an interview, this
• 43:05
  Speaker 1: all came from Wendy Williams. Here's what Wendy Williams said
• 43:07
  Speaker 1: on her show. Nki Minaj is crediting herself for making
• 43:11
  Speaker 1: female rap mainstream. Well, now, haters, you might not like her,
• 43:19
  Speaker 1: but she said mainstream as in, you going to kmart
• 43:23
  Speaker 1: and there's her clothing. You turn on pop music stations
• 43:26
  Speaker 1: and there's you know, her music. Now, the problem with
• 43:28
  Speaker 1: this is that Nicki Minas never said that. The problem
• 43:30
  Speaker 1: is Nicki Mana never said that. But Wendy is old
• 43:32
  Speaker 1: enough to know that Queen Latifa made female rap mainstream.
• 43:36
  Speaker 1: Let Eve Missy all right, well, Nicki says all of that.
• 43:39
  Speaker 1: Here's what she had to say in response. My role
• 43:42
  Speaker 1: would have happens been super unique because when my first
• 43:46
  Speaker 1: album came out, it had been so much time with
• 43:49
  Speaker 1: it wasn't a female rap album. How that whyn't platinum? Um,
• 43:55
  Speaker 1: there wasn't a big female rap presence right before I
• 43:59
  Speaker 1: got so female rapper to pop culture. She's right, there's
• 44:07
  Speaker 1: no lie, I told, all right, So Nicki Minajs posted
• 44:10
  Speaker 1: that video and she said, I see people remixing my words,
• 44:12
  Speaker 1: so let me post exactly what I said for the
• 44:14
  Speaker 1: intelligent ones in the back. Now, if you can find
• 44:16
  Speaker 1: the part where I said I made female rappers mainstream,
• 44:19
  Speaker 1: I'll give you one hundred thousand dollars. Blogs and TV
• 44:21
  Speaker 1: shows don't care to do actual research these days. They
• 44:24
  Speaker 1: only care about what grabs your attention, she said. Lauren
• 44:26
  Speaker 1: took sold ten million off one album, Eve had platinum.
• 44:29
  Speaker 1: Under Eve had platinum singles with Alicia Gwen's to finding
• 44:33
  Speaker 1: her own TV show and clothing line. It doesn't get
• 44:35
  Speaker 1: more mainstream pop than Missy's biggest singles. Foxy and Kim
• 44:37
  Speaker 1: had platinum albums and shape the sound of New York
• 44:40
  Speaker 1: female rappers. Latifa had her own sitcom Tuning was on
• 44:42
  Speaker 1: Billboard with hits, etc. Yeah, Little Timba's mainscream. But I mean,
• 44:46
  Speaker 1: I understand what Nikki saying. O. Nikki did not make
• 44:48
  Speaker 1: female rap mainstream overall, but she did reintroduce female rap
• 44:52
  Speaker 1: to the mainstream in this era, right she said, so,
• 44:54
  Speaker 1: I the successful female rapper back to pop cultures show
• 44:58
  Speaker 1: big business were major players in the game, just like
• 45:01
  Speaker 1: the boys. No, lie told so. She just wanted to
• 45:04
  Speaker 1: clear that up because the headline was she said she
• 45:06
  Speaker 1: made female rap mainstream. No, that's not accurate. All right, Well,
• 45:10
  Speaker 1: Guccia Main and Keisha k Yard got married last night
• 45:13
  Speaker 1: on b et Man. I enjoyed it. It's gonna be
• 45:16
  Speaker 1: a ten episode series and it's gonna now flash back
• 45:19
  Speaker 1: to them planning their wedding. Here they are doing their vows.
• 45:25
  Speaker 1: Ladies and gentlemen, it is with great delight that I
• 45:27
  Speaker 1: present to you for the very first time, mister and
• 45:31
  Speaker 1: miss Raydrick Davis. You may kiss the bra but I
• 45:38
  Speaker 1: was kissing the bride. I guess yeah. They had. They
• 45:41
  Speaker 1: had one line in the vow. I thought it was
• 45:44
  Speaker 1: roderic too. They kept saying Radric Clas think, so I'm
• 45:46
  Speaker 1: gonna go at Raydrick. But there was just one line
• 45:48
  Speaker 1: where they was like, and all other women are irrelevant
• 45:50
  Speaker 1: to you, and then I think she had to say
• 45:52
  Speaker 1: all of the men are irrelevant to you. I was like,
• 45:54
  Speaker 1: that's the dope, all right, we'll check it out. Here.
• 45:58
  Speaker 1: Here's some more from the main events. He's your my love.
• 46:02
  Speaker 1: I give you this ring, I give you the drink
• 46:05
  Speaker 1: as a symbol of the vows, as a symbol of
• 46:07
  Speaker 1: the valves. So we're making today. So we're making today,
• 46:10
  Speaker 1: man forever, be a sign if that were the sign
• 46:13
  Speaker 1: of my commitment to your heart, but commitment to your
• 46:16
  Speaker 1: heart until our marriage forever, until I can't wait to
• 46:21
  Speaker 1: get married again. Like I really do play it on
• 46:24
  Speaker 1: you're having another Okay, I play on, Yeah, sent about
• 46:28
  Speaker 1: ten years. I plan already knowing my vows because that
• 46:31
  Speaker 1: just watching that special last night, it just brings back
• 46:33
  Speaker 1: all those emotions you had when you're standing up there
• 46:36
  Speaker 1: as a groom and your bride is walking down the aisle.
• 46:38
  Speaker 1: Like I'm looking at Gucci's face, I know he wanted
• 46:39
  Speaker 1: to cry because I wanted to cry on TV. No. Absolutely,
• 46:43
  Speaker 1: now y'all know I don't move like that. All right. Well,
• 46:45
  Speaker 1: this wedding cost one point seven million dollars in case
• 46:49
  Speaker 1: you were wondering, or drop one a clue bombs for
• 46:51
  Speaker 1: BT for fitting that. Yeah, that's why they did the
• 46:55
  Speaker 1: host documentaries because they when he got paid for it.
• 46:58
  Speaker 1: I like, I like everything be he is doing right now,
• 47:00
  Speaker 1: they're doing a lot of col truly relevant programming. All right.
• 47:03
  Speaker 1: And speaking of weddings, Tony Braxon and Birdman secretly got married.
• 47:06
  Speaker 1: According to Jasmine Brand. Yes, they're saying that they wanted
• 47:10
  Speaker 1: to keep the nuptials as down low as possible. Tony
• 47:13
  Speaker 1: don't want nobody to know. They're trying to keep it
• 47:15
  Speaker 1: a secid just like their relationship. They tried for as
• 47:17
  Speaker 1: long as they could to deny that they were actually together.
• 47:19
  Speaker 1: Now allegedly they've already been married for about two months
• 47:22
  Speaker 1: so far. Wow, all right, money to pay for a wedding,
• 47:26
  Speaker 1: burn Man, but you can't pay Waying his money. Maybe
• 47:28
  Speaker 1: they didn't they have a right. I definitely went to
• 47:33
  Speaker 1: city here. That's another reason to keep his secret. If
• 47:35
  Speaker 1: you are a bunch of people money, I keep my
• 47:36
  Speaker 1: wedding a secret to you know what? I'm saying I't
• 47:38
  Speaker 1: got the money and paying no wedding. All right, well
• 47:40
  Speaker 1: I'm agel la yee and that is your rumor report.
• 47:42
  Speaker 1: All right, thank you, miss ye Yes, we give me.
• 47:45
  Speaker 1: Oh my god, we need Veronica green Posy to come
• 47:50
  Speaker 1: to the front of the congregation. It's going to take
• 47:52
  Speaker 1: her a while because she weighs three hundred and twenty
• 47:54
  Speaker 1: five pounds. Oh all right. You don't know who this
• 47:56
  Speaker 1: woman is, but she's from Florida. And what did your
• 47:58
  Speaker 1: uncle Schaula tell you all the time? The easiest people
• 48:00
  Speaker 1: in America come from the Bronx and all of Florida.
• 48:02
  Speaker 1: Donkey today, four after the hour. All right, when we
• 48:05
  Speaker 1: come back, keep it like this to Breakfast Club. Come on,
• 48:08
  Speaker 1: Charlot Maine, say the game. Don't get the shape man
• 48:11
  Speaker 1: you are, don't you? Donkey today does not discriminate. I
• 48:19
  Speaker 1: might not have the song of today, but I got
• 48:21
  Speaker 1: to donkey that day. So if you ever feel I
• 48:22
  Speaker 1: need to be a donkey man, give it with the
• 48:26
  Speaker 1: Breakfast Club bitch. I just don't give today today. Wow
• 48:31
  Speaker 1: at Sharon uh donkey here today From Wednesday, October eighteenth,
• 48:35
  Speaker 1: called to a sixty four year old Florida woman named
• 48:37
  Speaker 1: Veronica Green Posy. Now, what did your uncle Charlotte tell
• 48:41
  Speaker 1: you all the time? I tell you that the craziest
• 48:43
  Speaker 1: people in all of America come from the Bronx and
• 48:45
  Speaker 1: all of Florida, and Veronica Posy is no exception. See
• 48:49
  Speaker 1: this fat Floridian who waited in at three hundred and
• 48:51
  Speaker 1: twenty five pounds has been charged with homicide and cruelty
• 48:54
  Speaker 1: towards the homicide. What did I say, homoside? It's homicide, homicide,
• 49:00
  Speaker 1: homicide and cruelty toward a child. Now, why did a
• 49:03
  Speaker 1: child die at Big Mama's house? Well, let's go to
• 49:07
  Speaker 1: the viver News Curtisia. The USA did day to find
• 49:09
  Speaker 1: out a child died in Florida after her three hundred
• 49:12
  Speaker 1: and twenty five pound cousins sat on her for over
• 49:14
  Speaker 1: ten minutes as a form of punishment. USA Today report
• 49:18
  Speaker 1: sixty four year old Veronica Green Posey has been charged
• 49:20
  Speaker 1: with homicide and cruelty towards the child. The crime occurred
• 49:24
  Speaker 1: on the three hundred block of Brian Road in Pensacola, Florida,
• 49:27
  Speaker 1: at the home of Grace Jones Smith and James Edmund Smith,
• 49:30
  Speaker 1: the child's parents. They had apparently called Posey over to
• 49:33
  Speaker 1: help discipline the child, and arrest reports states that Posy
• 49:36
  Speaker 1: allegedly sat on Smith's daughter for ten minutes before she
• 49:39
  Speaker 1: said she couldn't breathe, after which Posey continued to sit
• 49:42
  Speaker 1: on her for another two minutes before standing up and
• 49:44
  Speaker 1: finding the child unresponsive. As of Monday, both James and
• 49:48
  Speaker 1: Grace Smith remain in jail, while Posey's bond was set
• 49:51
  Speaker 1: up one hundred and twenty five thousand dollars and was released.
• 49:54
  Speaker 1: Now where do I begin? Oh, my goodness, am I
• 49:56
  Speaker 1: mad at Veronica for sitting on a child? Or am
• 49:58
  Speaker 1: I mad at her for weigh three twenty five pounds? Okay,
• 50:01
  Speaker 1: I just answered my question. I'm mad at both those things.
• 50:04
  Speaker 1: See hurt people, hurt people. She's sixty four years old
• 50:07
  Speaker 1: and weighed three hundred and twenty five pounds. She stopped
• 50:09
  Speaker 1: caring about life a long time ago. Okay, I don't
• 50:12
  Speaker 1: care what you say. When you have let yourself go
• 50:13
  Speaker 1: to the tune of three hundred and twenty five pounds,
• 50:16
  Speaker 1: you don't love yourself, so it's impossible for you to
• 50:18
  Speaker 1: love somebody else. That's why it was so easy for
• 50:20
  Speaker 1: her Lord ass to put all three hundred and twenty
• 50:22
  Speaker 1: five pounds on top of that poor nine year old girl.
• 50:25
  Speaker 1: The fact that Verona Composi had the nerve, the unmitigated
• 50:30
  Speaker 1: guard to say she sat on this young girl Dereka
• 50:33
  Speaker 1: as a discipline for being out of control. Listen here, blahblah,
• 50:37
  Speaker 1: don't talk to me about discipline. Discipline. People don't wait
• 50:40
  Speaker 1: three hundred and twenty five pounds, Okay, Veronica, Your body
• 50:43
  Speaker 1: mass index indicates that you have never shown discipline at
• 50:46
  Speaker 1: the waffle house. You've never shown discipline at Chick fil A.
• 50:49
  Speaker 1: There is not a golden corral on the East Coast
• 50:52
  Speaker 1: that you have shown discipline in. But you have the
• 50:54
  Speaker 1: nerve to punish someone for being out of control. You're
• 50:57
  Speaker 1: eating habits that out of control, your blood pressure is
• 50:59
  Speaker 1: on control, your diabetes probably out of control, your gout
• 51:03
  Speaker 1: out of control, your breathing problems and sleep apnea are
• 51:06
  Speaker 1: out of control. And what about these lame ass parents
• 51:09
  Speaker 1: Grace Jones Smith and James Edmund Smith who don't know
• 51:13
  Speaker 1: how to discipline their own kids for whatever reason. What's
• 51:15
  Speaker 1: wrong with their hands? Huh? You know how to pop
• 51:17
  Speaker 1: your own damn kids? No belts in the house. No
• 51:19
  Speaker 1: wooden spoons. They tanned all the trees down, so it's
• 51:22
  Speaker 1: hard to get a switch nowadays. But I'm sure you
• 51:24
  Speaker 1: could have found other ways to discipline a nine year
• 51:26
  Speaker 1: old then calling over big punisher to punish your seat, okay,
• 51:30
  Speaker 1: not to mention. In the police report, the soul called mom,
• 51:33
  Speaker 1: Grace Smith said that Veronica used the ruler in a
• 51:37
  Speaker 1: metal pipe to punish the young girl at first. Okay,
• 51:40
  Speaker 1: but I guess none of that was working, so Veronic
• 51:42
  Speaker 1: Composi decided to weaponize her weight, which ultimately led to
• 51:47
  Speaker 1: this nine year old girl, Dereka Lindsay, to be killed.
• 51:50
  Speaker 1: I promise you. When I heard this story, I was crushed,
• 51:53
  Speaker 1: not as crushed as the victim Dereka was because of
• 51:56
  Speaker 1: Verona Composi's partliness, but it hurt my spirit because this
• 51:59
  Speaker 1: nine year old never had a chance. I have a
• 52:01
  Speaker 1: nine year old, so I'm sitting here thinking it's adults
• 52:04
  Speaker 1: out here here would absolutely do harm to my baby.
• 52:06
  Speaker 1: How can a sixty four year old woman do this
• 52:08
  Speaker 1: to a kid? And how can the parents, Grace Smith
• 52:11
  Speaker 1: and James Smith sit around and allow it to happen
• 52:13
  Speaker 1: the same way your daughter had the weight of Veronica
• 52:16
  Speaker 1: Posey on top of her, which ultimately killed her. You
• 52:19
  Speaker 1: two will be weighed down by the guilt of knowing
• 52:23
  Speaker 1: that you are accessory accessories to your daughter's murder, and
• 52:26
  Speaker 1: that will ultimately kill you two. God bless the soul
• 52:31
  Speaker 1: of Dereka Lindsay. May she rest in peace. She was
• 52:34
  Speaker 1: pronounced dead on Saturday, and the cause of her demise
• 52:37
  Speaker 1: was death by fat bitch. Please give Veronica Posey the
• 52:40
  Speaker 1: biggest he had. Police. That's crazy. I've never heard nothing
• 52:46
  Speaker 1: like that, terrible tragic story. I've never played the news.
• 52:53
  Speaker 1: You point just the first part of it. Listen how
• 52:55
  Speaker 1: it sounds. In the beginning, a child died in Florida
• 52:58
  Speaker 1: after her three hound cousins sat on her for over
• 53:01
  Speaker 1: ten minutes. That's all you need to hear, right there.
• 53:05
  Speaker 1: Come on, man, come on, man, Like, when did they
• 53:09
  Speaker 1: think that was gonna be a good idea? I don't know.
• 53:13
  Speaker 1: And this is after hitting her with a ruler, which
• 53:16
  Speaker 1: is which is fine with a metal pipe. Come on,
• 53:18
  Speaker 1: that's cruel, an unusual punishment. Baby, the worst ever got
• 53:21
  Speaker 1: beat with with an extension card. Then it was fourth
• 53:23
  Speaker 1: to go take a bath. I mean, that's the wood
• 53:25
  Speaker 1: tank torch at tactic too, but come on a metal
• 53:27
  Speaker 1: pipe going nine year old, Come on, man, we sat
• 53:30
  Speaker 1: on offen my goodness, three twenty five pounds and the
• 53:33
  Speaker 1: parents allowed us this punishment. They wanted to punishment courtesy,
• 53:38
  Speaker 1: a big punishment three hundred and twenty five pounds. Oh
• 53:40
  Speaker 1: my goodness. All right, well, thank you for that donkey today. Yes,
• 53:42
  Speaker 1: well deserved up next ask ye eight don't drink five
• 53:46
  Speaker 1: eighty five one oh five one. If you got a
• 53:48
  Speaker 1: question for you you need relationship advice, call you right now.
• 53:51
  Speaker 1: Eight on drink five a five one oh five once
• 53:53
  Speaker 1: you help you with all your problems. Calling now. It's
• 53:54
  Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. Morning. Everybody
• 54:01
  Speaker 1: is DJ Envy Angela Yee, Charlomagne the guy. We are
• 54:04
  Speaker 1: the Breakfast Club. Good morning. Who's this yo? It was
• 54:07
  Speaker 1: good Breakfast Club. It is Jordan, Hey, Jersey, Jordan from Jersey. Man.
• 54:10
  Speaker 1: What's your question for you? Broye? My girl? We need
• 54:14
  Speaker 1: together for three years? I and she went. She went
• 54:17
  Speaker 1: away to school right she she's like an hour away
• 54:20
  Speaker 1: now so she come back visit like you know every
• 54:22
  Speaker 1: other weekend. Oh I'm sorry, my bad, bad, but I
• 54:27
  Speaker 1: don't know it's it's it's a trust thing. She takes
• 54:30
  Speaker 1: right for the answer. Uh, she's always at her girlfriend's house.
• 54:34
  Speaker 1: They live off campus, and they not He always takes
• 54:37
  Speaker 1: forever to answer, I want to come back. What do
• 54:39
  Speaker 1: you mean? Takes forever to answer? Like she doesn't answer
• 54:41
  Speaker 1: and then calls you back or what. I don't understand
• 54:44
  Speaker 1: how she says she's always got homework always. No, I
• 54:49
  Speaker 1: know that, but like you could text me say that
• 54:52
  Speaker 1: you got homework, say but she says the actor, And
• 54:55
  Speaker 1: I'm like, yo, just FaceTime you say what's up? All right,
• 54:57
  Speaker 1: I'll talk to you a little bit, you know, while
• 54:59
  Speaker 1: you're doing your homework. And that's it, right, No, not
• 55:02
  Speaker 1: even not so. But you talk to her every day. Yeah,
• 55:05
  Speaker 1: we talked every day. But you just need more attention.
• 55:09
  Speaker 1: But when she comes back, I'm like, yo, when she
• 55:12
  Speaker 1: goes to the bathroom, she got to take her phone
• 55:13
  Speaker 1: everywhere with her. Okay, your instinct is telling you there's
• 55:17
  Speaker 1: something going on. This is her first time away at school. Yeah,
• 55:19
  Speaker 1: and your relationship. So I'm sure she's having a good time.
• 55:23
  Speaker 1: And it is difficult when you're doing a long distance relationship.
• 55:26
  Speaker 1: And how old are you? Guys? You guys are still
• 55:29
  Speaker 1: pretty young, So it could be a couple of different things.
• 55:33
  Speaker 1: It could be that she's not used to being away,
• 55:35
  Speaker 1: so she's having a good time with her friends and
• 55:38
  Speaker 1: doesn't feel like being on the phone. Or it could
• 55:40
  Speaker 1: be that she really is dating somebody else, especially if
• 55:42
  Speaker 1: she's taking her phone in the bathroom with her and
• 55:44
  Speaker 1: doing all of that. There's something that she doesn't want
• 55:47
  Speaker 1: you to see. And you could tell a lot about
• 55:49
  Speaker 1: a relationship by how somebody treats their phone. Yeah, Like
• 55:52
  Speaker 1: does she answer the phone all the time when it
• 55:54
  Speaker 1: rings when she's with you, Na, She'll she'll decline it,
• 55:58
  Speaker 1: damn all right, it's really but it's her girlfriends though
• 56:01
  Speaker 1: calling her though, or it's a guy with her girlfriend's name. Yeah, yeah,
• 56:06
  Speaker 1: yeah bro. Yeah. So I mean I feel like, in
• 56:09
  Speaker 1: your head, what is what is your brain telling you?
• 56:11
  Speaker 1: I mean, it's just I just like I don't think that.
• 56:14
  Speaker 1: I think that's just not cool. When you got to
• 56:16
  Speaker 1: like be overprotective with your phone because I'm opening on
• 56:19
  Speaker 1: my phone, she could go through her phone. It's whatever.
• 56:21
  Speaker 1: I don't care, all right, besides this the phone though,
• 56:23
  Speaker 1: in your head, what are you what are you saying
• 56:25
  Speaker 1: logically speaking, everything that's been going on the relationship feels different.
• 56:29
  Speaker 1: She's acting different. You can't reach her all the time.
• 56:32
  Speaker 1: She's not answering the phone when she's around you. She's
• 56:34
  Speaker 1: taking her phone in the bathroom with her. Yeah, I
• 56:37
  Speaker 1: mean it's just yes, don't you cry, Like, don't you cry? No,
• 56:42
  Speaker 1: I'm not. I'm not about to cry. It's just like
• 56:45
  Speaker 1: he just got a shaky voice. No, I'm called off
• 56:47
  Speaker 1: guard because it's it's it happens so quick, so right.
• 56:51
  Speaker 1: I mean, look, she's away at school. It's a brand
• 56:53
  Speaker 1: new situation for her. She's around all brand new people.
• 56:56
  Speaker 1: She's got her freedom. That's true, you know, And but
• 56:59
  Speaker 1: she should be honest with you, and you should be
• 57:01
  Speaker 1: like it's the main thing I told her that. I'm like, yo,
• 57:03
  Speaker 1: keep doing something, just what just let me know that
• 57:06
  Speaker 1: way I can move on. You can do what you
• 57:08
  Speaker 1: gotta do. Don't you gonna drive me with you? Right?
• 57:10
  Speaker 1: But okay, I gotta I guess my mom to take
• 57:13
  Speaker 1: the phone one night. Well damn all that? But all right,
• 57:17
  Speaker 1: but what's just that feeling like you gotta do all that?
• 57:19
  Speaker 1: It's pretty much over. Yeah, I feel you. Thank you, guys, Okay,
• 57:22
  Speaker 1: you're welcome. I feel bad. I'm gonna going all right,
• 57:25
  Speaker 1: he's definitely gonna cry when he when he gets out
• 57:27
  Speaker 1: the phone. All right, Ask Ye eight on drew five
• 57:29
  Speaker 1: A five one on five one. If you need relationship advice,
• 57:31
  Speaker 1: call ye now. It's the breakfast club Lare. That was
• 57:34
  Speaker 1: Kendrick Lamar with Loyalty, Loyalty, Loyalty. We're in the middle
• 57:37
  Speaker 1: of ask Ye eight drew five A five one on
• 57:40
  Speaker 1: five one. Hello, Hello, Hey Miriam. How are you. I'm good.
• 57:44
  Speaker 1: How are you doing? I'm good? What's good? What's the problem? Okay,
• 57:47
  Speaker 1: So I recently got married, like earlier this year, right,
• 57:51
  Speaker 1: and like I feel like it's a hit of miss
• 57:54
  Speaker 1: every time I have sex for my husband. It's like
• 57:56
  Speaker 1: good sometimes, but it's not always great, and I don't
• 58:01
  Speaker 1: know what to say, Like I don't know how to
• 58:03
  Speaker 1: tell him. Okay, so tell me when it's not great.
• 58:06
  Speaker 1: What are the reasons that it's not great? I don't know,
• 58:08
  Speaker 1: it's just whack, like you know, when it's just not
• 58:10
  Speaker 1: hit it right, Like it's just way like you're like
• 58:14
  Speaker 1: the rhythm is off or the rhythm is off, and
• 58:17
  Speaker 1: it's just you know, like when you don't want to
• 58:19
  Speaker 1: do just know your body and it's just he don't
• 58:22
  Speaker 1: do you instruct him on things that you like I do,
• 58:25
  Speaker 1: and you know, sometime he try to deliver and sometimes
• 58:28
  Speaker 1: he do good, but it's like I guess you forget
• 58:30
  Speaker 1: and I don't know how because like I mean, I
• 58:33
  Speaker 1: feel like we have sex often enough, but sometimes it's
• 58:37
  Speaker 1: hard for me to just be like, Okay, well we
• 58:39
  Speaker 1: could have sex some more because like because it's so
• 58:43
  Speaker 1: uncomfortable or it's so unenjoyable for me that I don't
• 58:47
  Speaker 1: want to do it. You gotta tell me, Marian, what's
• 58:50
  Speaker 1: like explained to me? What's so uncomfortable? Like what's so bad?
• 58:53
  Speaker 1: Is it that he's quick? Is it that he's not
• 58:56
  Speaker 1: making you orgasm? Is it that he's not affectionate enough?
• 58:59
  Speaker 1: Is it that there's no fourplay? Like what is it
• 59:01
  Speaker 1: that's missing? Because sometimes it is good. The four play
• 59:04
  Speaker 1: is great, Like let me tell you, the four plate
• 59:07
  Speaker 1: is great. But the problem that I have is just
• 59:10
  Speaker 1: like I cannot explain. Like when he's stroking, it's like
• 59:15
  Speaker 1: it's like it's like offbeat or something, right, he ain't
• 59:18
  Speaker 1: got the rhythm? Yeah, he don't, Well, why don't you
• 59:21
  Speaker 1: get on top. I do, but like sometimes I get
• 59:24
  Speaker 1: tired burns, Miriam. You know, when you get on top,
• 59:28
  Speaker 1: you know how to make yourself orgasm. I do sometimes Listen,
• 59:32
  Speaker 1: it is what it is. Sometimes if you feel like
• 59:34
  Speaker 1: his rhythm is off, you gotta change positions. I could
• 59:36
  Speaker 1: do that, but then that means I'm always gonna have
• 59:38
  Speaker 1: to be on top. But you said sometimes he's good, right, Neil,
• 59:42
  Speaker 1: So at the times when it's not stroking and he's
• 59:44
  Speaker 1: not hitting right and he's a little offbeat, maybe you
• 59:47
  Speaker 1: need to just change positions, you right, But then, like,
• 59:50
  Speaker 1: how would I know, Like if it's gonna be like
• 59:53
  Speaker 1: a hit or missue, you don't know. But when it
• 59:55
  Speaker 1: starts and it's not happening right and you're not feeling it,
• 59:57
  Speaker 1: then you got to switch some things up. Maybe they
• 1:00:00
  Speaker 1: that means you stop for a minute and do some
• 1:00:01
  Speaker 1: more for play, because he's so good at that. Once
• 1:00:03
  Speaker 1: he starts stroking in this offbeat, be like, hey, why
• 1:00:06
  Speaker 1: don't you get back down there? You know there's other
• 1:00:08
  Speaker 1: ways that people could please you. If it's stroke ain't right,
• 1:00:11
  Speaker 1: you gotta sometimes direct him. And I think it's important
• 1:00:13
  Speaker 1: to be vocal in the bedroom too. Like when something
• 1:00:15
  Speaker 1: is going really well, encourage it so he knows you
• 1:00:17
  Speaker 1: love it, so he keeps on doing that. Okay, I
• 1:00:20
  Speaker 1: could do that, but it's not for hurt his feelings.
• 1:00:22
  Speaker 1: You don't think. No, no, you gotta do it in
• 1:00:24
  Speaker 1: a positive way, like when it's going really well, be like, oh,
• 1:00:26
  Speaker 1: I like when you do that, or if he's not
• 1:00:28
  Speaker 1: doing something right, telling what you do like, because then
• 1:00:30
  Speaker 1: that's it's still positive. You gotta make it like fun,
• 1:00:33
  Speaker 1: make it positive. You can't just be miserable because then
• 1:00:35
  Speaker 1: I probably throw the whole vibe off too. Okay I
• 1:00:37
  Speaker 1: could try that. Yeah, you gotta start talking dirty and
• 1:00:40
  Speaker 1: telling him what you like and making that part of sex. Okay,
• 1:00:44
  Speaker 1: thank you? All right, Miriam, all right, ask ye eight
• 1:00:47
  Speaker 1: hundred five five one on five one. If you got
• 1:00:49
  Speaker 1: a question for you, you could call it now. We
• 1:00:51
  Speaker 1: got rooms on the way. Yes, So we're gonna talk
• 1:00:52
  Speaker 1: about Black China. She is suing the entire Kardashian family.
• 1:00:57
  Speaker 1: Will this lawsuit get her any cat? All right, we'll
• 1:01:00
  Speaker 1: get into that when we come back. Keeping locked this
• 1:01:02
  Speaker 1: to Breakfast club. Good morning morning, everybody is DJ Envy
• 1:01:06
  Speaker 1: Angela Ye Charlomagne, the God We are the Breakfast Club.
• 1:01:09
  Speaker 1: Good morning, Happy Wednesday. You know today is National Chocolate
• 1:01:13
  Speaker 1: Cupcake Day. Today's that's a National beard Day or something. No, no,
• 1:01:16
  Speaker 1: no, no no, let's go back to me. All right, why
• 1:01:18
  Speaker 1: has nobody addressed me the cupcake? Chocolate cupcake? Right? National
• 1:01:24
  Speaker 1: chocolate cupcake? You are our cupcake? Say chocolate cupcake? Say
• 1:01:28
  Speaker 1: it chocolate cupca exactly? You know how the Secret Service
• 1:01:33
  Speaker 1: has nicknames for the president, y'all need to have a
• 1:01:34
  Speaker 1: nickname for me. And I wanted to be chocolate cupcake.
• 1:01:36
  Speaker 1: And you got a little awkward sometimes with the two
• 1:01:38
  Speaker 1: of you, with the chemistry. What what you know? What?
• 1:01:41
  Speaker 1: You know? What I'm gonna say? This is Steve Yeah, camera,
• 1:01:46
  Speaker 1: how you doing chocolate cupcakes? To here you go dropping
• 1:01:49
  Speaker 1: drop on a clues bomb? How you tell? He said,
• 1:01:53
  Speaker 1: how does that cream take? I don't think chocolate cupcakes
• 1:01:56
  Speaker 1: have cream in the middle? Yes they do. Have you
• 1:01:57
  Speaker 1: ever had a Hostess chocolate cream cupcake? I was just
• 1:02:00
  Speaker 1: got the cream in the middle? He went in white
• 1:02:03
  Speaker 1: cream to all right, can I tell my rumor report?
• 1:02:07
  Speaker 1: All right, let's let's get I don't even know what
• 1:02:09
  Speaker 1: we're talk about. Let's just get to the rumors. It's
• 1:02:12
  Speaker 1: about them, report Angela Yee on the Breakfast Club. Well,
• 1:02:23
  Speaker 1: the Soul Train Awards are coming up in Solange is
• 1:02:26
  Speaker 1: the most nominated artist. She actually has seven nominations, so
• 1:02:30
  Speaker 1: congratulations to her. Drop on a clus box was launch
• 1:02:34
  Speaker 1: the best new artists. We should win Black Her, Kevin Ross,
• 1:02:39
  Speaker 1: Khalide or Scissa. Who's herd? That's a group, It's a
• 1:02:42
  Speaker 1: one woman black Old Scissor. Yeah, I would give all right? Well,
• 1:02:47
  Speaker 1: um also Video of the Year Beyonce All Night, Bruno
• 1:02:51
  Speaker 1: Mars twenty four, Carrot Magic, Chris Brown featuring Usher and
• 1:02:54
  Speaker 1: Gucci Party, Khalid Wild Thoughts or Solange Cranes in the
• 1:02:58
  Speaker 1: Sky for Video of the Year. Who would you give
• 1:03:00
  Speaker 1: it to? I haven't seen any Dan. You don't watch videos?
• 1:03:04
  Speaker 1: Where where would I watch videos? Revolt? Yes, oh there's
• 1:03:07
  Speaker 1: no cupcake emoji. I'm serious. All right. Now, let's discuss
• 1:03:12
  Speaker 1: Aisha Curry. She was on the reel and she talked
• 1:03:14
  Speaker 1: about Steph Curry having a foot fetish. Here's what she said.
• 1:03:17
  Speaker 1: My husband really loves my feet, and so like the
• 1:03:22
  Speaker 1: light was hitting them just right that day, and so
• 1:03:24
  Speaker 1: I was like, let me just snap this butt on
• 1:03:26
  Speaker 1: some them. Picture of my feet. So I always say,
• 1:03:28
  Speaker 1: like when he says to send nudes, like that's what
• 1:03:30
  Speaker 1: he's getting a picture of my bare feet? Mom? And
• 1:03:34
  Speaker 1: Steph Curry then from her head to her feet. Well,
• 1:03:38
  Speaker 1: former points star Media Khalifa then went ahead and sent
• 1:03:41
  Speaker 1: a picture of her feet on social media and puts
• 1:03:44
  Speaker 1: up at Steph Curry thirty. I'm saying, you got to
• 1:03:47
  Speaker 1: catch her face. You got cousins, you got sisters, You're
• 1:03:50
  Speaker 1: gonna jump her, all right? Disrespectful? All right, Chris Brown? Yeah, no,
• 1:03:57
  Speaker 1: that is dis disrespectful man, Come on, man, all right now,
• 1:04:00
  Speaker 1: Chris Brown has to put out the trap track list
• 1:04:02
  Speaker 1: for his new album, Heartbreak on a Full Moon, and
• 1:04:05
  Speaker 1: it's forty five songs? Why are you sitting at music?
• 1:04:10
  Speaker 1: Does recall line got that kind of time? I mean,
• 1:04:13
  Speaker 1: if you're a huge Chris Brown fan, though, that's pretty exciting.
• 1:04:16
  Speaker 1: Rights over young thugs under their future tied dollar signed
• 1:04:19
  Speaker 1: your Gotty Little Yaddie Kodac Black R Kelly is on
• 1:04:22
  Speaker 1: the album. By the way, like Chris Brown knows, we
• 1:04:24
  Speaker 1: live in the A D D are Ain't nobody got
• 1:04:26
  Speaker 1: time to listen to no forty five records? I don't
• 1:04:27
  Speaker 1: even think people can really appreciate that whole body or
• 1:04:29
  Speaker 1: work when it's got Birt Simmons is on here also. Okay,
• 1:04:33
  Speaker 1: all right, Cardi B. Congratulations to her. She has just
• 1:04:36
  Speaker 1: signed a brand new publishing deal. She signed with Sony
• 1:04:39
  Speaker 1: ATV Music Publishing and Jennifer Drake is the senior director
• 1:04:42
  Speaker 1: of A and R there. I actually was just on
• 1:04:44
  Speaker 1: a panel with her at the A three C Festival
• 1:04:46
  Speaker 1: and she was telling me about signing Carty and she
• 1:04:49
  Speaker 1: said she listened to her breakfast club interviews before she
• 1:04:51
  Speaker 1: signed her and a lot of artists that she signs
• 1:04:53
  Speaker 1: to publishing deal. She listens to the breakfast club in
• 1:04:56
  Speaker 1: order to get as much information as possible. She always listens.
• 1:04:59
  Speaker 1: So shout out to Jennifer Drake who actually did that deal.
• 1:05:02
  Speaker 1: Where's all five percent artists actually got a couple of
• 1:05:04
  Speaker 1: embems for that too, drop one a clues bond for
• 1:05:06
  Speaker 1: Kardi b Oh. You know, she definitely got a couple
• 1:05:07
  Speaker 1: of especially being that she had the number one song
• 1:05:10
  Speaker 1: for three weeks in a row. Okay, so God blessed
• 1:05:13
  Speaker 1: Cardi B. Congratulations to Kardi being now black China. It
• 1:05:16
  Speaker 1: is suing the entire Kardashian family. She said that they
• 1:05:19
  Speaker 1: cost a major money because they blocked her from doing
• 1:05:22
  Speaker 1: her reality show Rob and China for a second season. Now,
• 1:05:26
  Speaker 1: according to this lawsuit, the Kardashians use their power and
• 1:05:28
  Speaker 1: influence over the E network to kill the second season. Now,
• 1:05:32
  Speaker 1: I thought it was her and Rob Kardashian breaking up.
• 1:05:34
  Speaker 1: They killed this about low ratings and she also accused
• 1:05:37
  Speaker 1: him beating her up and all different a low ratings,
• 1:05:41
  Speaker 1: So why would you even want to do a second season?
• 1:05:43
  Speaker 1: But yes, apparently E was unhappy with the low ratings
• 1:05:46
  Speaker 1: of that show. Listen, if that show had decent ratings
• 1:05:49
  Speaker 1: or high ratings, they absolutely would have bought it back
• 1:05:51
  Speaker 1: with all the drama that they got going on. The
• 1:05:53
  Speaker 1: show had low ratings. That's why I didn't come back. Right,
• 1:05:55
  Speaker 1: that's a waste of a loss. Did you ever watch
• 1:05:56
  Speaker 1: that show? No? Nope, absolutely not. I have not killed
• 1:06:00
  Speaker 1: up with the Kardashian since the first season of their
• 1:06:02
  Speaker 1: show season three. All right, And the other story is
• 1:06:05
  Speaker 1: with Black China versus Rob Kardashian. Now, she has accused
• 1:06:08
  Speaker 1: him of beating her up on his side of things,
• 1:06:11
  Speaker 1: though the sources are saying the real story is that
• 1:06:13
  Speaker 1: she was using coke and drinking alcohol from morning till night.
• 1:06:16
  Speaker 1: The day that this happened, she went to They went
• 1:06:19
  Speaker 1: to a strip club. She bought a striper home to
• 1:06:21
  Speaker 1: come be with them. She party with that striper all
• 1:06:23
  Speaker 1: night long, did more co continue that binge, and then
• 1:06:26
  Speaker 1: in the morning, when Rob confronted her and called her irresponsible,
• 1:06:29
  Speaker 1: she went ballistic and started hitting him, throwing things at
• 1:06:31
  Speaker 1: him and be raiding him. He says he only defended
• 1:06:34
  Speaker 1: himself and never actually struck her at all. So Black China,
• 1:06:37
  Speaker 1: you stand in front of that judge and you tell
• 1:06:39
  Speaker 1: that judge look, dealing with the Kardashians will drive you
• 1:06:42
  Speaker 1: to drink and do coke. The judge will agree with you.
• 1:06:45
  Speaker 1: All right. Well, I'm Angela Yee and that is your
• 1:06:47
  Speaker 1: rumor reports. And just to fill you in, I tried
• 1:06:50
  Speaker 1: to be petty and put mad cupcakes in Charlemagne's why
• 1:06:53
  Speaker 1: Instagram page? Why because today National Chocolate Cupcake Day. Yeah,
• 1:06:57
  Speaker 1: but there's no more. There's not a cupcake old anymore.
• 1:07:02
  Speaker 1: I don't believe it has to be. That's not I'm
• 1:07:05
  Speaker 1: trying to be petty, and I can't even be petty.
• 1:07:07
  Speaker 1: There's no cupcake emoji anymore. That's all that's not petty.
• 1:07:10
  Speaker 1: You just you know, paying homage to the chocolate cupcake.
• 1:07:13
  Speaker 1: Look at that. Well, if you could find a cupcake como,
• 1:07:15
  Speaker 1: you just put it in Charlottagne's box. Chocolate cupcake is
• 1:07:22
  Speaker 1: a boy back, maybe just mad. It's not a National
• 1:07:25
  Speaker 1: yellowcake Day, I'm sure there is. And when when I
• 1:07:28
  Speaker 1: find out what day is, we're definitely gonna recognize yellow
• 1:07:34
  Speaker 1: all right, yellow all day? All right, all right, revote,
• 1:07:38
  Speaker 1: we'll see the Moor. Everybody else to people's choice mixes up. Next,
• 1:07:40
  Speaker 1: it's the Breakfast Club co Morning