Latest / Drama, Darling: A Real Housewives Comedy Podcast / Louie Ruelas & RHONJ Updates, Bev Hills in St. Lucia & Below Deck Med Recap

Transcript

Louie Ruelas & RHONJ Updates, Bev Hills in St. Lucia & Below Deck Med Recap · Drama, Darling: A Real Housewives Comedy Podcast

• 0:05
  Speaker 1: Drama, Darling Drama, Darling Drama, Darling.
• 0:18
  Speaker 2: Hello, what's up everybody? Welcome back, It's Tuesday. See you
• 0:24
  Speaker 2: next Tuesday. We haven't heard that in a while, Emily.
• 0:28
  Speaker 1: I know, I swear I thought I saw James Kennedy
• 0:31
  Speaker 1: at l e X and I went out of my
• 0:33
  Speaker 1: way to make weird eye contact with not James Kennedy and.
• 0:37
  Speaker 2: It was not. Okay, now fair enough, and truth be told,
• 0:43
  Speaker 2: I would think that he lives in Bowbanks, he'd be
• 0:45
  Speaker 2: flying off a Burbank airhold.
• 0:47
  Speaker 1: Yeah, if I lived in it, Darling's if you understood,
• 0:52
  Speaker 1: like Lax is like Thunderdome and Burbank is like the
• 0:57
  Speaker 1: airport you have in like your Richard Scary books of like, oh,
• 1:00
  Speaker 1: look at this cute little airport where foxes and puppies
• 1:03
  Speaker 1: fly out of and it's like compact.
• 1:07
  Speaker 3: And.
• 1:09
  Speaker 2: Yeah, departures and arrivals are in the.
• 1:11
  Speaker 1: Same d plane at the front and the back on
• 1:15
  Speaker 1: the tarmac.
• 1:16
  Speaker 2: It's on the tarmac.
• 1:18
  Speaker 1: It's amazing, guys, it's amazing.
• 1:20
  Speaker 2: Alto yes, often.
• 1:22
  Speaker 1: Three times of price. So if you live in Burbank,
• 1:25
  Speaker 1: you still probably you could obviously fly out of Lax
• 1:29
  Speaker 1: a lot. Also, it's International as Lax.
• 1:32
  Speaker 2: Right, yeah, because you can't use you know, Burbank for everything.
• 1:36
  Speaker 2: I would love to, but I can't because like there's
• 1:39
  Speaker 2: no direct flight from Burbank to Detroit. Yeah, so if
• 1:43
  Speaker 2: you do that connecting flight you're talking, I mean, it's
• 1:46
  Speaker 2: it's already all day as it is leaving out of LAX.
• 1:49
  Speaker 2: But Burbank forget.
• 1:50
  Speaker 1: It, you know, yeah, you can't.
• 1:53
  Speaker 2: But that. I was just talking about Jackson, Hawayoming and
• 1:56
  Speaker 2: how when I flew in there, you know, was it
• 2:00
  Speaker 2: like this in the eighties? Like so they have a
• 2:02
  Speaker 2: tiny little airport that is inside of Titan National Park.
• 2:08
  Speaker 2: I mean you you fly into the park and the
• 2:12
  Speaker 2: the airplane the airport is smaller than the Burbank one.
• 2:16
  Speaker 2: It is so boutique, it is so chic and.
• 2:20
  Speaker 1: Is for pjs, your private jets. Is that really what
• 2:24
  Speaker 1: it's for?
• 2:24
  Speaker 2: No, it's their airport.
• 2:28
  Speaker 1: I mean I just wonder if really it's like supported
• 2:32
  Speaker 1: mainly by private jets flying in and out.
• 2:37
  Speaker 2: Well that's a good question. I mean a private jet
• 2:43
  Speaker 2: like private jets share of public yeah, oh.
• 2:48
  Speaker 1: Oh yeah yeah yeah yeah. What do you think all
• 2:51
  Speaker 1: those like classy little jets are doing at LAX? You
• 2:55
  Speaker 1: know what.
• 2:56
  Speaker 2: I I never I didn't know that. I thought they
• 2:58
  Speaker 2: had to fly out of another airport.
• 3:00
  Speaker 1: I mean they yeah, they do that too, but.
• 3:04
  Speaker 2: Yeah, okay, everyone's welcome.
• 3:07
  Speaker 1: Look, we aren't here to jack. If you have got
• 3:10
  Speaker 1: a pitty private jet, you can fly it out of
• 3:13
  Speaker 1: our lax. We don't care. So yeah, I don't remember,
• 3:20
  Speaker 1: I think because I've seen those.
• 3:23
  Speaker 2: No, I'm sure you are. I don't have my finger
• 3:25
  Speaker 2: on the pulse of flying private. I don't either anyway.
• 3:31
  Speaker 1: But Randall does. We should ask Randall.
• 3:34
  Speaker 2: I'm gonna have him on the pod. Oh god, oh god,
• 3:39
  Speaker 2: it's Randall on the pod anyway. It wasn't James Kennedy
• 3:43
  Speaker 2: at the airport and James. But it's not like doubly
• 3:47
  Speaker 2: expensive to fly out of Bourbon to go to like, say,
• 3:50
  Speaker 2: Las Vegas, as it would be to go from Lax
• 3:52
  Speaker 2: Las Vegas. Right, those are comparable.
• 3:56
  Speaker 1: Sometimes, I mean, it just depends, just depends. Sometimes your
• 4:03
  Speaker 1: best bet is a short flight out of Burbank to
• 4:05
  Speaker 1: like San Francisco or Vegas.
• 4:07
  Speaker 2: San Jose. A lot of San Jose flights, you'll notice, Yeah, yeah, yeah, yeah,
• 4:12
  Speaker 2: wow going to San Jose.
• 4:14
  Speaker 1: And who's tuning in for our airport chats.
• 4:19
  Speaker 2: The Stuck crew of course.
• 4:23
  Speaker 1: St crew.
• 4:25
  Speaker 2: Before we get into below, Dick Meade a couple pieces
• 4:28
  Speaker 2: of information. One, it is the one year anniversary of
• 4:33
  Speaker 2: your Bish Therapist podcast. So congratulations, congratulations Melissa Reich. I
• 4:41
  Speaker 2: was the I guess mentor as you as you would say,
• 4:45
  Speaker 2: to lead this horse to water, and this gorgeous racehorse
• 4:49
  Speaker 2: drank and she was just off to the races, sharing
• 4:52
  Speaker 2: her gifts for the world to enjoy. And she's yeah.
• 4:57
  Speaker 1: And I am not going to call her a horse
• 5:00
  Speaker 1: that is horrible.
• 5:02
  Speaker 2: You know, take it to how you want it, take
• 5:06
  Speaker 2: how you want it. I think it's a person.
• 5:12
  Speaker 1: Yes, she gets a gold medal.
• 5:15
  Speaker 2: Yeah, she's an Olympic horse. No, maybe just keeps getting
• 5:21
  Speaker 2: worse everywhere. She's so wildly talented, and you know, the
• 5:28
  Speaker 2: only issue she's ever had is just like tech, where
• 5:31
  Speaker 2: she's like, I don't know what's happening with my software,
• 5:33
  Speaker 2: and you know, the content was like never an issue.
• 5:36
  Speaker 2: It's just so funny. She's just such a natural and
• 5:39
  Speaker 2: she covers everything and from Bravo to true crime stuff
• 5:44
  Speaker 2: to like it's great. So she's just now starting her
• 5:47
  Speaker 2: season three. Yeah, so stay tuned. Not stay tuned. Just
• 5:53
  Speaker 2: go check out our podcast. It's everywhere that you get
• 5:55
  Speaker 2: your podcasts and listen, and I mean, she puts some
• 5:57
  Speaker 2: great stuff out there, and uh, check it out, babes.
• 6:03
  Speaker 2: So also on that note, we have a little dish
• 6:06
  Speaker 2: to serve up serving dish. So first soon foremost we
• 6:12
  Speaker 2: were just joking about Kathy Hilton. So the Beverly Hills
• 6:15
  Speaker 2: ladies are ware on their cast trip Rio de Janariado.
• 6:19
  Speaker 1: I mean, I didn't even look, but now.
• 6:21
  Speaker 2: You know it has to be, Like I know, I
• 6:24
  Speaker 2: didn't look either, but I'm like, yeah, it has to be.
• 6:26
  Speaker 2: They're all dressed like the dancers on the parades and
• 6:31
  Speaker 2: you know, stuff like that. So they're all there and
• 6:34
  Speaker 2: they're all dancing and they are just decked out with
• 6:37
  Speaker 2: the feather headdresses, the scantily clad, some wearing bikinis, some not,
• 6:45
  Speaker 2: some wearing just the little pasties. M hm, Erica Jane.
• 6:50
  Speaker 2: They have something where I was like, I was, I
• 6:53
  Speaker 2: really had to zoom in on the boobage to figure
• 6:56
  Speaker 2: out what was going on because so I guess like
• 7:00
  Speaker 2: there's something that I can only demonstrate by on my
• 7:03
  Speaker 2: own boob. But it's like you like like a wire
• 7:06
  Speaker 2: that goes around the boob like this. Then the exterior
• 7:10
  Speaker 2: it's like the boob spider web.
• 7:13
  Speaker 1: It's like a way no but I mean no, no,
• 7:15
  Speaker 1: but I'm saying, is it it's like that that, Like
• 7:18
  Speaker 1: it's a line ring around.
• 7:20
  Speaker 2: Yeah, a ring around the boob, but there's no netting
• 7:22
  Speaker 2: to keep it in place? Is there?
• 7:25
  Speaker 1: But I thought that there were Like it's like wiring,
• 7:29
  Speaker 1: there's some kind there's something else going on there. There's
• 7:32
  Speaker 1: a framework involved.
• 7:33
  Speaker 2: Right, framework yes, yeah, yeah, and then the pasties in
• 7:38
  Speaker 2: the middle, but it really lifts and supports the boob,
• 7:41
  Speaker 2: so you it makes them look like Barbie boobs, like
• 7:44
  Speaker 2: they're just straight up perfect circles, you know. Just I'm
• 7:48
  Speaker 2: just like, what is going on? There's so many mechanics
• 7:52
  Speaker 2: here that I had to unravel.
• 7:53
  Speaker 1: And fun fact, do you know who invented the push
• 7:58
  Speaker 1: up bra? Who invented the push up bra? Victoria's No,
• 8:04
  Speaker 1: It was Howard Hughes because he wanted them up and
• 8:07
  Speaker 1: perky from the movies. Yeah, Arcabo Productions, we need him perkier,
• 8:13
  Speaker 1: and so he invented the push up bra.
• 8:17
  Speaker 3: Wow.
• 8:20
  Speaker 1: Ever're back in Love Island. I never left, Honestly, I never.
• 8:26
  Speaker 2: Yeah, we all know that.
• 8:27
  Speaker 1: Emily.
• 8:27
  Speaker 2: Okay, you had your chance. I had the middle of
• 8:31
  Speaker 2: nowhere in a cabin in New Hampshire, and you're still
• 8:34
  Speaker 2: mentally on Love Island.
• 8:35
  Speaker 1: I have Long Love Island, like long Covid. I have
• 8:38
  Speaker 1: Long Love Island. I didn't even want to like this show, darlings,
• 8:47
  Speaker 1: but here we are.
• 8:48
  Speaker 2: Nor did I, and we certainly didn't think.
• 8:50
  Speaker 1: We would, Nope, but we made the connection.
• 8:55
  Speaker 2: We did. So they are there, and Kyle's like in
• 8:58
  Speaker 2: a black one piece, looking fabulous. I thought ya looked fantastic.
• 9:03
  Speaker 2: Er Oh, yeah, they all look great. They all look great.
• 9:06
  Speaker 2: Jennifer Tillia is there where, Yeah, some sort of cute
• 9:09
  Speaker 2: little number. Oh my god, it's amazing, Garcel. And then
• 9:14
  Speaker 2: we have Kathy Hilton who's wearing like a hot pink
• 9:19
  Speaker 2: calf tan. But mind you, I did not send a
• 9:23
  Speaker 2: follow up picture as I should have to the thread,
• 9:28
  Speaker 2: but that calftan is see through. Oh I could see
• 9:32
  Speaker 2: Kathy's knockers. Kathy's knockers were knocking, the tenders were out
• 9:38
  Speaker 2: and they were hunting down. I mean I could see
• 9:40
  Speaker 2: like nippleage when she's wearing like pasties underneath that and
• 9:45
  Speaker 2: that's what I saw.
• 9:47
  Speaker 1: Probably Kathy's Kathy's knocking.
• 9:51
  Speaker 3: She's like, whoa, I'm not supposed to wear anything under this?
• 9:54
  Speaker 3: Is it supposed to be sexy?
• 9:57
  Speaker 2: And then the next thing you know, she's just her
• 10:00
  Speaker 2: tatas are being shown everywhere.
• 10:03
  Speaker 1: I mean she's doing that. I mean she's like out
• 10:05
  Speaker 1: there shuffling. She's out there like everybody else is really
• 10:09
  Speaker 1: like leaning in, but Kathy's doing the Kathy shuffle.
• 10:14
  Speaker 2: Now listen, I am on her page right now. I'm
• 10:18
  Speaker 2: gonna show you what the dress. This was the dress,
• 10:20
  Speaker 2: right or was it another one? This looks like a
• 10:23
  Speaker 2: different pink kaftan, Like.
• 10:25
  Speaker 1: I think that's a different one.
• 10:26
  Speaker 2: Oh my god, that's so funny because I'm like, that's
• 10:28
  Speaker 2: not see through. So I'm gonna have to go to
• 10:30
  Speaker 2: Kyle's page or whomever posted any of this. Oh she
• 10:34
  Speaker 2: may maybe Kyle didn't even post it anyway, so it legit.
• 10:40
  Speaker 2: It's like her walking. It's a video and it's her walking,
• 10:44
  Speaker 2: and she's like, h and I'm telling you two eggs
• 10:51
  Speaker 2: sunny side up. I can see all right. And I
• 10:55
  Speaker 2: was like, Kthy goodness, gracious, you know.
• 11:01
  Speaker 1: You're ready, Rick, get it ready?
• 11:07
  Speaker 2: Rick drive it up, Rixer, get yourself in a Soulties.
• 11:14
  Speaker 2: Look what's coming? Or where do they go? The hideaway?
• 11:17
  Speaker 2: Get ready for the hideaway, the hideaway.
• 11:20
  Speaker 1: Yeah, oh gosh, you know.
• 11:25
  Speaker 2: On that note, I'm proud to say that I actually
• 11:30
  Speaker 2: collaborated with one Kyle Richards on a campaign for IT Cosmetics.
• 11:37
  Speaker 1: Amazing.
• 11:39
  Speaker 2: It's out, The teaser video is out. There will be
• 11:42
  Speaker 2: another video coming and it's up on my Instagram. But
• 11:47
  Speaker 2: it Cosmetics by Laurel, which is so full circle because
• 11:52
  Speaker 2: my dad worked for Lareel, like my whole life. He
• 11:55
  Speaker 2: first worked for Clarl, then he was in sales, and
• 11:57
  Speaker 2: then he worked for larel in sales forever forever. So
• 12:01
  Speaker 2: I've been a Loriel gal forever and so and Loreel
• 12:05
  Speaker 2: bought out IT Cosmetics and if you know it, I
• 12:07
  Speaker 2: know you do, right.
• 12:08
  Speaker 1: Emily, Yeah, I use it?
• 12:10
  Speaker 2: You use it? Okay, It's great. Yeah. And it's it's
• 12:13
  Speaker 2: that like foundation that has the incredible fifty SPF, you know,
• 12:18
  Speaker 2: and it just goes on very smoothly ironically. You know
• 12:21
  Speaker 2: how I actually heard about it? Oh, I heard her
• 12:24
  Speaker 2: about it two ways. But I remember when the gal
• 12:27
  Speaker 2: who created it was on like TV selling it. Remember
• 12:31
  Speaker 2: that yeah, yeah, And I was like, for god, that
• 12:33
  Speaker 2: looks amazing because it like it was full coverage and
• 12:35
  Speaker 2: she was showing people with like eggs amon and like
• 12:37
  Speaker 2: all this stuff and all the coverage. And then I
• 12:42
  Speaker 2: never got it then. But then eventually I saw Teddy
• 12:47
  Speaker 2: mellencamp mention it because that's her friend who like, you know,
• 12:54
  Speaker 2: started it, and I was like, oh, that's cool. And
• 12:56
  Speaker 2: then I asked another friend of I was. I noticed
• 12:59
  Speaker 2: her foundation and I was like, what are you using?
• 13:01
  Speaker 2: And she sent me the link was that and it
• 13:03
  Speaker 2: happened like the same week, and I was like, okay,
• 13:05
  Speaker 2: I'll try it. And I usually use it, I mean
• 13:07
  Speaker 2: mostly like obviously during the summer when I'm out in
• 13:10
  Speaker 2: the sun because it's a very easy thing to do.
• 13:12
  Speaker 2: But anyway, the campaign is about like get the real thing,
• 13:17
  Speaker 2: and so I'm the dupe. I'm the doom of Kyle
• 13:20
  Speaker 2: Richards and I'm like, all, are you kidding me right now?
• 13:22
  Speaker 1: This makeup?
• 13:23
  Speaker 2: And I'm any dang, and I'm like I want. I
• 13:25
  Speaker 2: went shopping and I got a cowboy hat and I
• 13:27
  Speaker 2: got another copoy hat, I got another cow my hat,
• 13:29
  Speaker 2: I got some diamonds and then you just hear Kyle's
• 13:32
  Speaker 2: voice be like.
• 13:33
  Speaker 1: Are you kidding me? Right now?
• 13:37
  Speaker 2: And then eventually you're gonna see I think maybe the
• 13:40
  Speaker 2: side by side of the videos of us. But yeah,
• 13:44
  Speaker 2: so I was excited to get that opportunity when they
• 13:46
  Speaker 2: reached out.
• 13:46
  Speaker 1: That's awesome. Yeah, that is really cool.
• 13:49
  Speaker 3: So that's fun. That's really fun, really fun to do
• 13:53
  Speaker 3: with Kathy Hilton one too.
• 13:55
  Speaker 2: But you know, interesting to see Kathy on Beverly Hills though,
• 13:59
  Speaker 2: because and on a freaking cast trip. Yeah, that was shocking.
• 14:05
  Speaker 2: Were you surprised?
• 14:07
  Speaker 1: Yeah? Totally. I mean I guess I wasn't I take
• 14:12
  Speaker 1: I take out totally because I keep hearing things about
• 14:16
  Speaker 1: Kathy being involved again. Yeah, and so, but what I
• 14:21
  Speaker 1: was surprised about, to your point, is the cast trip. Okay,
• 14:25
  Speaker 1: if it is a cast trip, maybe they're not real.
• 14:28
  Speaker 1: Maybe this is Kyle Rann. It's so fi again, it's.
• 14:34
  Speaker 2: Real, it's so fine, it's so funny. Yeah, it's really great. Yes, absolutely,
• 14:42
  Speaker 2: And I mean, boy, wouldn't that have been great? We
• 14:44
  Speaker 2: just saw Kim just be like, oh.
• 14:47
  Speaker 1: My gosh, yes, in the dress in the tablecloth from
• 14:53
  Speaker 1: her daughter's wedding, like she's still just like I don't
• 14:56
  Speaker 1: know what happened. I had to wear it?
• 14:58
  Speaker 2: Is this real aware? Jonah make her sound like Marge Simpson,
• 15:08
  Speaker 2: you do. That's good stuff. So that was really fun
• 15:16
  Speaker 2: to see her there. That's great, good stuff. Good stuff. Now,
• 15:21
  Speaker 2: now we get into jersey of it all before we
• 15:24
  Speaker 2: get into below deck made. But let's prioritize, shall we shall?
• 15:27
  Speaker 1: Wait? Glasses malet me just putskay, you know what I
• 15:34
  Speaker 1: haven't seen? You put them on.
• 15:35
  Speaker 2: I Oh, okay, lot, you know what I need to
• 15:41
  Speaker 2: do because people people, Hi, guys, you guys have been
• 15:45
  Speaker 2: asking me a lot lately what I'm doing with my skin?
• 15:48
  Speaker 2: Oh my god? Okay, anyway, I need to start an
• 15:52
  Speaker 2: Amazon page where I have links. You know how people
• 15:56
  Speaker 2: have their Amazon Yes, what is it that bullshit that.
• 16:00
  Speaker 1: The wish list or whatever, or their.
• 16:03
  Speaker 2: Wish list something like that.
• 16:05
  Speaker 1: It's like what I have is an earthquake list, and
• 16:09
  Speaker 1: I share that around with people. So I need to
• 16:11
  Speaker 1: get your survival list.
• 16:14
  Speaker 2: You are on my radar.
• 16:16
  Speaker 3: I have.
• 16:17
  Speaker 2: You're on my radar literally for twenty twenty four before
• 16:20
  Speaker 2: the end of the year, and I don't want to
• 16:21
  Speaker 2: talk about it right now. Okay, but you're on my
• 16:24
  Speaker 2: list of things to do where I need to get
• 16:26
  Speaker 2: with you and be like, Okay, what do I need?
• 16:28
  Speaker 2: Sounds like you already have it together, so that'll make
• 16:30
  Speaker 2: it easy.
• 16:31
  Speaker 1: Yeah I will. I'll just send you the link after this.
• 16:33
  Speaker 2: I don't I said, I don't want to talk.
• 16:36
  Speaker 1: Just kidding.
• 16:39
  Speaker 2: Anyway, I need to get an Amazon thing together because
• 16:41
  Speaker 2: everybody's always asking me like, where did you get that?
• 16:45
  Speaker 2: Where did you get those?
• 16:46
  Speaker 1: Oh my god, they are so oh my god, they're
• 16:48
  Speaker 1: always asking Actually they are, though, so you should do this.
• 16:53
  Speaker 2: So these glasses, I have a pair. I have three
• 16:56
  Speaker 2: pairs of these, and one pairs in my office, one
• 16:59
  Speaker 2: pairs in my bedroom, pairs in my kitchen, and.
• 17:01
  Speaker 1: Then you'd be like one pairs on my arm, one
• 17:03
  Speaker 1: pairs on my leg, and on my head.
• 17:06
  Speaker 2: I also have these in here.
• 17:07
  Speaker 1: I know those.
• 17:09
  Speaker 2: These are my very very old readers that I got
• 17:12
  Speaker 2: from a from the Los Fela's uh uh uh.
• 17:15
  Speaker 1: Or three.
• 17:19
  Speaker 2: Movie theater Cela's like, those are three D glasses orthopedic.
• 17:28
  Speaker 1: You can't read with them.
• 17:30
  Speaker 2: Just for why they're in my just in case, just
• 17:34
  Speaker 2: in case I have to ever show up to a
• 17:36
  Speaker 2: three D movie or just have my slippers and my
• 17:38
  Speaker 2: three d glasses. These are US Army glasses that people
• 17:43
  Speaker 2: were always asking me about, but I had gotten them
• 17:45
  Speaker 2: at the orth the optalmologists ophthalmologist of this, so I
• 17:49
  Speaker 2: couldn't tell people, you know anyway, And I'm this is
• 17:56
  Speaker 2: just like a rant today, So thank you for bearing
• 17:58
  Speaker 2: with us so anyway glasses to be able to link
• 18:00
  Speaker 2: them for people on Amazon.
• 18:02
  Speaker 1: Yeah, okay, all right, so here we go.
• 18:05
  Speaker 2: Louis Ruelles he issued cells.
• 18:15
  Speaker 1: Alleged cells allegend.
• 18:24
  Speaker 2: The finale was very tough for me to watch and
• 18:27
  Speaker 2: I wanted to address it with you all. After watching
• 18:31
  Speaker 2: the finale, I was disappointed in my actions bringing to
• 18:34
  Speaker 2: Margaret Joseph's son. The reason he was even brought up
• 18:39
  Speaker 2: was because I had been dealing with being falsely accused
• 18:42
  Speaker 2: of calling Margaret's son at his work, which is simply
• 18:45
  Speaker 2: not true. For last year, Margaret kept putting this narrative
• 18:49
  Speaker 2: out there that I called her son at work, and
• 18:55
  Speaker 2: I have had to deal with it knowing I'm being
• 18:58
  Speaker 2: lied on. Eh, lied on.
• 19:03
  Speaker 1: I mean, that's the same as Jen and OC being
• 19:06
  Speaker 1: like motherfuck remember when she cursed like the wrong way
• 19:12
  Speaker 1: last week or two weeks.
• 19:13
  Speaker 2: She's just learning well, do you think I give a
• 19:16
  Speaker 2: mother fuck. It's not her fault. She's just learning how
• 19:19
  Speaker 2: to live, and she's just learning how to live.
• 19:23
  Speaker 1: Okay.
• 19:24
  Speaker 2: Still, I know better not to bring someone's child up,
• 19:27
  Speaker 2: and it's something I deeply regret. So I do not
• 19:33
  Speaker 2: So I do not want to APOLOGYE what let me
• 19:37
  Speaker 2: start that one over. Still, I know better not to
• 19:40
  Speaker 2: bring someone's child up, and it is something I deeply regret.
• 19:44
  Speaker 2: So I do want to apologize and acknowledge that I
• 19:48
  Speaker 2: was wrong. There's been a lot of toxicity on the show.
• 19:52
  Speaker 2: There's affected everyone on the show. We've been dealing with
• 19:55
  Speaker 2: a lot of frustrating things.
• 19:57
  Speaker 3: Behind the scenes, and it has been very hard for
• 19:59
  Speaker 3: our entire family and my children, who have been really
• 20:02
  Speaker 3: impactive by all that's happened at the hands of certain people.
• 20:07
  Speaker 2: Bodel allegedly you two allegedly. Two wrongs don't make a right,
• 20:15
  Speaker 2: and I deeply regret saying what I said. Transcend. You
• 20:20
  Speaker 2: can get these t shirts online Louis and Teresa's lovebubble
• 20:25
  Speaker 2: dot com. Transcend.
• 20:29
  Speaker 1: What a piece of work?
• 20:32
  Speaker 2: Wow, what a piece of work? What it is? So
• 20:36
  Speaker 2: when we were talking, so it does sound seem it
• 20:40
  Speaker 2: sounds like Margaret and Louis, you know, like they're okay,
• 20:44
  Speaker 2: am I in the sense that he's kind of apologizing, right.
• 20:48
  Speaker 1: He's apologizing for what he said about her kid because
• 20:52
  Speaker 1: America was like, what the fuck did you do?
• 20:54
  Speaker 2: Right? What did you just say?
• 20:56
  Speaker 1: Transcend? Yeah, they're not on good terms transcend in Margaret.
• 21:03
  Speaker 2: Yeah, okay, so they're not. I mean not that they
• 21:06
  Speaker 2: not that Margaret would ever want to have anything to
• 21:08
  Speaker 2: do with him, But I guess I'm only asking this
• 21:11
  Speaker 2: for the sake of casting. If it comes down to, like,
• 21:14
  Speaker 2: will Margaret and Louis and Teresa be able to film
• 21:17
  Speaker 2: together if they've cleared the air on this.
• 21:22
  Speaker 1: I mean I think that they will film together. There's
• 21:26
  Speaker 1: going to be some kind of understanding that I don't
• 21:31
  Speaker 1: know though, Margaret just might become the new Melissa or
• 21:34
  Speaker 1: something like.
• 21:35
  Speaker 2: Where it's like, yeah, no, Teresa.
• 21:37
  Speaker 1: You were one hundred percent wrong, but okay, you're still
• 21:41
  Speaker 1: going to hold this towards Yeah.
• 21:42
  Speaker 2: And also, Margaret probably still believes that Louis called his
• 21:47
  Speaker 2: son anyway, and the threats were there, so it's not
• 21:49
  Speaker 2: like she's gonna get over just because he apologized here,
• 21:52
  Speaker 2: ye agree, Yeah, Well, at least he apologized, and I'll
• 21:57
  Speaker 2: expect a devotional from him later this evening. That'd be great.
• 22:02
  Speaker 2: Get in the podcast room and get that devotional going.
• 22:05
  Speaker 1: I mean, yeah, you've started listening to the Bravo Docket.
• 22:09
  Speaker 2: Right, Okay, thank you for asking and thank you for
• 22:12
  Speaker 2: telling us. By the way, and I've been reaching out
• 22:15
  Speaker 2: to the Bravo Docket for a little while now. They're
• 22:17
  Speaker 2: so busy and they actually actually are real lawyers, you know,
• 22:21
  Speaker 2: so they have a case load and they do this podcast.
• 22:24
  Speaker 2: So and they've been on my podcast since my god,
• 22:28
  Speaker 2: like since they first started their Instagram. Yeah, I was
• 22:34
  Speaker 2: on them immediately and had them on my Serious XM show.
• 22:37
  Speaker 2: So we've been back and then they started their podcast
• 22:40
  Speaker 2: and it's such a huge successful hit, and I've had
• 22:44
  Speaker 2: them on you know, periodically, but we will have them on.
• 22:48
  Speaker 2: It will probably be in at the end of August
• 22:51
  Speaker 2: or September, and we can speak to all this. But
• 22:54
  Speaker 2: in the meantime, if you guys have time, listen to
• 22:56
  Speaker 2: their three part series about the women be for Louis.
• 23:01
  Speaker 1: It's even longer, oh right, because yeah, because the one
• 23:05
  Speaker 1: one part became too like yeah, I mean they explain
• 23:09
  Speaker 1: it all, but yeah, I mean, yeah, and.
• 23:13
  Speaker 2: I'm on the first part, so I'm not that far in,
• 23:17
  Speaker 2: you know what I mean. But it is because now
• 23:20
  Speaker 2: they're talking about the Vanessa thing, the restraint orders, the
• 23:25
  Speaker 2: case after they stop their engagement and all that stuff,
• 23:29
  Speaker 2: and it's it's nuts.
• 23:31
  Speaker 1: I will say, I know you're not quite there yet.
• 23:35
  Speaker 1: But there is a part where that as fans of
• 23:39
  Speaker 1: a fan of the show, I like look into it
• 23:43
  Speaker 1: in a different way, and they are fans of the
• 23:46
  Speaker 1: show of Jersey and their read on Louis and my
• 23:50
  Speaker 1: read on Louis is different. But the thing that's so
• 23:54
  Speaker 1: great about their podcast is that it doesn't matter what
• 23:57
  Speaker 1: our read is. It's how a court sees it. And
• 23:59
  Speaker 1: they don't give two shits about the Jersey Housewives looking
• 24:02
  Speaker 1: at people as people, And so I just thought, like,
• 24:06
  Speaker 1: it's a good reminder of that, Like it's a good
• 24:08
  Speaker 1: reminder of like how you present yourself in a court
• 24:12
  Speaker 1: document versus like who this person is. Yeah, but I
• 24:17
  Speaker 1: do think like there's a part where Louie they they
• 24:23
  Speaker 1: they allege the docket that perhaps Vanessa was writing kind
• 24:29
  Speaker 1: of like a psychological breakdown of Louie as Louie on
• 24:35
  Speaker 1: Louie's behalf with his permission, and there are elements of
• 24:38
  Speaker 1: that that I do think that she wrote for him.
• 24:41
  Speaker 1: But also knowing how manic Louie seems to get, I
• 24:45
  Speaker 1: bet you in a fit of like I'm gonna make
• 24:48
  Speaker 1: this right, I'm going to correct my wrongs. I bet
• 24:51
  Speaker 1: he just had like this like insane letter. I bet
• 24:56
  Speaker 1: he was part of it. I don't know, but anyway,
• 24:58
  Speaker 1: it just listen to the episodes and you'll see what
• 25:01
  Speaker 1: I'm saying. But Louie loves like manic chaos, crazy events
• 25:11
  Speaker 1: and circumstances. Cock. I love anic Cock.
• 25:15
  Speaker 2: You know that's why Teresa is in him. You know
• 25:19
  Speaker 2: I love Mannicock. Sorry, Dad, if you're listening, when you
• 25:26
  Speaker 2: say that, Vanessa like, okay, this is all a legend.
• 25:31
  Speaker 2: We're just you know, we're just shooting the breeze here.
• 25:32
  Speaker 2: But when you say that, you think that maybe Louie
• 25:35
  Speaker 2: was in on her this this write up of Louis,
• 25:38
  Speaker 2: is this before that they staw called off their engagement
• 25:41
  Speaker 2: or yes, okay.
• 25:43
  Speaker 1: Because she's a therapist and she's trying to convince him
• 25:48
  Speaker 1: she or she has convinced him that he needs help,
• 25:51
  Speaker 1: oh for and she's convincing him of diagnosis that he
• 25:56
  Speaker 1: might have and so then to get at his of
• 26:00
  Speaker 1: his first appointment with his therapist. I mean this, this
• 26:03
  Speaker 1: email or this letter that was written is a book
• 26:08
  Speaker 1: about him that he has then sent to the therapist.
• 26:11
  Speaker 1: But now his evidence in this court. Oh, oh my god.
• 26:15
  Speaker 1: Oh I see, and I don't I'm not saying, by
• 26:20
  Speaker 1: the way, that Vanessa is crazy. I'm saying Louis likes
• 26:23
  Speaker 1: situations clearly that are a ten on the chaos scale,
• 26:29
  Speaker 1: and he so but like in this weird like masking.
• 26:34
  Speaker 4: Of like zen yoga bullshit, Like, yeah, it's very it's
• 26:39
  Speaker 4: a trap. Yeah, well that's well, that's what Vanessa is
• 26:46
  Speaker 4: saying that he is perhaps bipolar and these are the
• 26:50
  Speaker 4: reasons why. But I also don't you know, Vanessa also
• 26:55
  Speaker 4: seems to invite a lot of chaos, and that's why
• 26:58
  Speaker 4: I think that they were the perfect match. Yes, and
• 27:01
  Speaker 4: look it's still going so, you know, like this relationship
• 27:05
  Speaker 4: is long over, but they are still like totally drawn
• 27:11
  Speaker 4: to each other for these court cases.
• 27:14
  Speaker 2: H you know what's wild is that Gina and Travis,
• 27:20
  Speaker 2: their situation is oddly similar to the Louis and Teresa one,
• 27:24
  Speaker 2: with the X. I don't know enough about the name
• 27:28
  Speaker 2: Travis X. Well, his ex tried to put a restraining
• 27:33
  Speaker 2: order out on him as well, and Louis X tried
• 27:37
  Speaker 2: to put a restraining order on him, which is what
• 27:39
  Speaker 2: this case was, and then and then yeah, ultimately she
• 27:42
  Speaker 2: didn't get it. But those are two incredible similarities between
• 27:50
  Speaker 2: two different franchise cities, you know. And I think Louise
• 27:54
  Speaker 2: is far more chaotic. However, because Louis is chaotic, Travis
• 28:01
  Speaker 2: doesn't seem chaotic to me, So I mean.
• 28:03
  Speaker 1: He could be, he could be. He yeah, I don't know,
• 28:07
  Speaker 1: but but yeah, Louis. I mean, if I were Asha,
• 28:13
  Speaker 1: I would be like, look, I'm gonna have to fire
• 28:16
  Speaker 1: both of you, Travis and Louis. I haven't been in
• 28:18
  Speaker 1: the room when you guys are fucking up, So I
• 28:21
  Speaker 1: don't know who to believe, except for I believe that
• 28:24
  Speaker 1: Louis is a total fuck up. So yeah, okay, so
• 28:30
  Speaker 1: allegedly louis a great guy, great guy.
• 28:36
  Speaker 2: Jen Aiden says, are you how convenient that they cut
• 28:44
  Speaker 2: out what she said about my husband first, triggering me
• 28:48
  Speaker 2: to say that about her husband. Everyone there heard her,
• 28:52
  Speaker 2: and they all told her she should never mention my
• 28:54
  Speaker 2: husband first. But since you didn't see that, I figured
• 28:58
  Speaker 2: i'd share interesting because I already said in yesterday's recap
• 29:10
  Speaker 2: that I felt that Danielle through the first stone by
• 29:13
  Speaker 2: mentioning about the husband. So you know, I'm going to
• 29:17
  Speaker 2: have to go team Jen on this one. If there
• 29:19
  Speaker 2: was something else cut out that Danielle did, And why
• 29:23
  Speaker 2: are they cutting all this stuff out? Is it because
• 29:26
  Speaker 2: they want Danielle back?
• 29:29
  Speaker 1: Oh yeah, but I didn't I think that to your point,
• 29:33
  Speaker 1: you were satisfied, you thought that was enough. So maybe
• 29:37
  Speaker 1: they were like, the point gets across here, it's a
• 29:39
  Speaker 1: tighter shot, it's a tighter whatever. Or maybe Danielle said
• 29:44
  Speaker 1: something about Bill's business or something.
• 29:47
  Speaker 2: And now I really want to know, because you know,
• 29:50
  Speaker 2: it wasn't that bad. I mean, it was not nice
• 29:53
  Speaker 2: what she said, but like, if Jen went so low
• 29:58
  Speaker 2: about body shaming her husband, what exactly did Danielle say
• 30:03
  Speaker 2: that was awful? Meanwhile, there's just I haven't looked into it,
• 30:08
  Speaker 2: but I've noticed a lot of glamour shots of Danielle's
• 30:12
  Speaker 2: husband that surfaced yesterday and a lot of like, I
• 30:16
  Speaker 2: don't know what, I just continued to scroll. Yeah, so
• 30:25
  Speaker 2: there's that you know, what are you gonna do?
• 30:28
  Speaker 1: Scroll?
• 30:29
  Speaker 2: Yeah, scroll it up?
• 30:30
  Speaker 1: Baby?
• 30:32
  Speaker 2: What else is going on in the news, anything else
• 30:34
  Speaker 2: that you have seen? I don't know. I feel like
• 30:38
  Speaker 2: it's we're all just trying to recover from Jersey at
• 30:41
  Speaker 2: this point.
• 30:42
  Speaker 3: Are you?
• 30:44
  Speaker 1: Like, did you talk about when I was gone this
• 30:45
  Speaker 1: Bravo FanFest thing? What is that?
• 30:49
  Speaker 5: So?
• 30:50
  Speaker 2: Cause I wore diamonds and rose thing like.
• 30:53
  Speaker 1: It's in Miami. Oh okay, and it's like a Bravo
• 30:56
  Speaker 1: Con light or something like that. I know it's a.
• 30:59
  Speaker 2: Nov Oh okay.
• 31:02
  Speaker 1: So yeah, I didn't know, Darling.
• 31:06
  Speaker 2: Where did you see that?
• 31:08
  Speaker 5: So?
• 31:08
  Speaker 1: And I was watching Below Deck on Bravo and there
• 31:14
  Speaker 1: was a commercial. There was promo for it there.
• 31:17
  Speaker 2: Oh yeah, Wow, So Bravo is actually promoting it?
• 31:24
  Speaker 1: Yeah? Oh yeah, Andy, Andy does a promo for it.
• 31:27
  Speaker 1: I'll be in Miami, shut up right now. Well, we're
• 31:31
  Speaker 1: going to have Bravo celeberties and it just sounds like
• 31:35
  Speaker 1: a minute Bravo Con. Yeah, it's Bravo FanFest and it's
• 31:39
  Speaker 1: at the same time as Bravo Con would have been.
• 31:42
  Speaker 1: And I do remember them alluding to that, like there
• 31:45
  Speaker 1: was going to be smaller events instead of having a
• 31:50
  Speaker 1: Bravo Con this year, and then Bravo Con would return
• 31:53
  Speaker 1: in twenty twenty five.
• 31:55
  Speaker 2: Okay, so yeah, all right, pack your bags, Bravo We're
• 32:00
  Speaker 2: headed to Bravo FanFest in Miami this November. Okay. Oh,
• 32:09
  Speaker 2: let's see here. Okay, Yeah, it looks like Saturday, November
• 32:14
  Speaker 2: twenty third. Geez, that's too close to Thanksgiving? Are you insane?
• 32:20
  Speaker 1: That's odd? And also I think they are doing it
• 32:25
  Speaker 1: post election, is the other part of that. Maybe they're
• 32:27
  Speaker 1: like waiting to see how that goes, like give us
• 32:30
  Speaker 1: a couple of weeks to breathe from that and then
• 32:33
  Speaker 1: and then it Well, but to your point, it's a
• 32:36
  Speaker 1: holiday weekend, so maybe they think they'll have a better
• 32:40
  Speaker 1: chance of people coming on a holiday weekend.
• 32:43
  Speaker 2: That's just a nightmare. Oh my god. Wait, let's see
• 32:46
  Speaker 2: when is Thanksgiving is. Oh, it's not on the twenty first,
• 32:50
  Speaker 2: It's on the twenty eighth. Okay, so oh my.
• 32:53
  Speaker 6: Gokay, okay, it's okay, oh yeah, ye, okay, Well, good
• 33:03
  Speaker 6: luck and good night.
• 33:05
  Speaker 2: I don't think I want to.
• 33:06
  Speaker 1: I don't know.
• 33:06
  Speaker 2: That's crazy. Okay. It's gonna go down at Ice Palace
• 33:10
  Speaker 2: Studios in Miami.
• 33:12
  Speaker 1: Okay, don't know it, but I'm sure it's wonderful.
• 33:16
  Speaker 2: Okay. On Thursday, November twenty first and Friday, November twenty second,
• 33:22
  Speaker 2: a whopping five episodes of Watch What Happens Live will
• 33:26
  Speaker 2: be taped, and Bravos giving fans the chance to purchase
• 33:29
  Speaker 2: tickets to sit in the audience.
• 33:31
  Speaker 1: What purchase?
• 33:33
  Speaker 2: Mm hmm.
• 33:35
  Speaker 1: They should give they are working. When you are sitting
• 33:38
  Speaker 1: in an audience for a show, you are working. I'm sorry, Oh,
• 33:42
  Speaker 1: I see, well they should give him free tickets like
• 33:45
  Speaker 1: every other show. Like shows are not you don't you
• 33:50
  Speaker 1: have to pay to be in the audience.
• 33:53
  Speaker 2: Yeah, these are. It was like that for regular Bravo
• 33:55
  Speaker 2: con those were add ons like brah watching separate event.
• 34:00
  Speaker 1: You know that's still crazy to me. Yeah. Wow.
• 34:05
  Speaker 2: Okay, let's look at tickets. So general admission we have
• 34:10
  Speaker 2: four hundred and fifty dollars plus taxes in fees on
• 34:14
  Speaker 2: sale Friday. We have VIP seven hundred and fifty plus
• 34:20
  Speaker 2: taxes in fees on sale Friday. The Watch What Happens
• 34:26
  Speaker 2: Live tickets are one hundred and ten dollars for Thursday.
• 34:31
  Speaker 2: There are two shows on Thursday, one hundred and fifty
• 34:33
  Speaker 2: dollars for the show's two shows on Friday. Oh, there's
• 34:37
  Speaker 2: actually three shows on Friday. The first show is one
• 34:41
  Speaker 2: hundred and fifty at two pm, and the evening shows
• 34:45
  Speaker 2: at five and eight are one hundred and ninety dollars.
• 34:50
  Speaker 1: Well this is actually kind of smart too, because then
• 34:52
  Speaker 1: this gives Bravo content to run during that Thanksgiving week
• 34:56
  Speaker 1: two out of Thanksgiving, so yeah, yeah.
• 35:00
  Speaker 2: Well they won't. I mean yeah, I guess so that
• 35:05
  Speaker 2: you mean the watch It Happens lives.
• 35:08
  Speaker 1: Yeah, like remember all the all the Bravo Con content
• 35:12
  Speaker 1: that comes out after Bravo Con. Well, now it's backed
• 35:15
  Speaker 1: up against the holiday week, so that's probably good. We
• 35:20
  Speaker 1: won't have to watch fucking Devil Wars Prada twenty times
• 35:22
  Speaker 1: on Bravo.
• 35:25
  Speaker 2: Yeah that's true.
• 35:27
  Speaker 1: Okay, Well, I love the movie is great. I love it.
• 35:30
  Speaker 1: I'm just saying. I'm just saying we all love it.
• 35:32
  Speaker 2: We just don't need to see it all the time.
• 35:35
  Speaker 2: Fifty first dates will be the other one or or no, no,
• 35:39
  Speaker 2: it's How to Lose a Guy in Ten Days that's
• 35:41
  Speaker 2: the one. Yes, Okay, Greg, thank you for telling me
• 35:45
  Speaker 2: about this. I literally know idea.
• 35:49
  Speaker 1: How is I in the middle of nowhere? New Hampshire,
• 35:51
  Speaker 1: and I'm fresh with gos.
• 35:54
  Speaker 2: I think that you're just connected.
• 35:56
  Speaker 1: I don't know. I literally literally not connected. There's not internet,
• 36:01
  Speaker 1: so I don't know.
• 36:06
  Speaker 2: No, Well, this is exciting. Okay everybody there you go.
• 36:14
  Speaker 2: Now you got it. Now you got all the info.
• 36:16
  Speaker 4: You heard it here last Yeah.
• 36:22
  Speaker 1: Okay, I did it.
• 36:24
  Speaker 2: So that's all the news we have today. Okay, Emily,
• 36:28
  Speaker 2: just a second before we get into below deck, med
• 36:32
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• 36:43
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• 40:56
  Speaker 2: drama and get started. Why don't we just jump right
• 41:00
  Speaker 2: into below deck med how about that?
• 41:02
  Speaker 5: Okay, if you don't want me to talk about love Violet,
• 41:10
  Speaker 5: you cannot play that song, George.
• 41:14
  Speaker 2: Fine, Oh no, I'll tell the violet okay.
• 41:19
  Speaker 1: Oh no, you know what? You played that so much?
• 41:22
  Speaker 1: Yeah with Adria. Yeah, yeah, that's why I associated. Oh
• 41:26
  Speaker 1: but duh. Okay.
• 41:30
  Speaker 2: So we've got We've got Brie and Ellie who are
• 41:34
  Speaker 2: just you know, still bonking heads here, and Sandy is
• 41:37
  Speaker 2: at the end of her rope and she has to
• 41:38
  Speaker 2: take it into her own hands. She brings him up
• 41:40
  Speaker 2: to the wheelhouse and she's like, you know, hey, Asia,
• 41:44
  Speaker 2: just trying to work it out. What the fuck is
• 41:45
  Speaker 2: going on?
• 41:46
  Speaker 1: You know?
• 41:47
  Speaker 2: And Ellie's like, I have no problem leaving today because
• 41:50
  Speaker 2: I have been good leads on teacher.
• 41:54
  Speaker 1: When she put hands on Brie. I was like, oh no, no.
• 41:57
  Speaker 2: Who put hands on Marie.
• 41:59
  Speaker 1: Ellie did when they were when when Brie was like
• 42:04
  Speaker 1: telling her to give her her space and leave her
• 42:07
  Speaker 1: alone when she was cleaning that bathroom and Ellie would
• 42:10
  Speaker 1: not give her that space and Brie was like, please
• 42:14
  Speaker 1: please leave, just I don't want to talk to you
• 42:16
  Speaker 1: right now. And that was horrible leadership, I will say,
• 42:19
  Speaker 1: on Ellie's part. And then she grabs Brie, not like violently,
• 42:24
  Speaker 1: but she puts her hands on her to get her
• 42:26
  Speaker 1: attention to turn around so she can tell her that
• 42:29
  Speaker 1: she's the you know, second stew and this is what
• 42:32
  Speaker 1: like you basically no, I will not give you your space.
• 42:36
  Speaker 2: But I was like, wow, okay, wow, I did not
• 42:40
  Speaker 2: see her put hands on her, and I was so
• 42:43
  Speaker 2: that whole situation was terrible. Like those two they really
• 42:48
  Speaker 2: are like oil and water. They just they do not
• 42:51
  Speaker 2: work well together. And I love Ellie as kind of
• 42:56
  Speaker 2: the villain. I mean, I just just love watching her
• 42:59
  Speaker 2: on TV. She's fun to watch. Brie isn't as fun
• 43:04
  Speaker 2: to watch. It's a little bit more torturous because I
• 43:06
  Speaker 2: feel bad for her a lot. I'm also like you've
• 43:09
  Speaker 2: dug your own grave, and also stop whining and also
• 43:12
  Speaker 2: like you're acting like a little brat, and also.
• 43:16
  Speaker 1: Take her own grave because she was hired for a
• 43:19
  Speaker 1: job that she was not like lying about her experience,
• 43:23
  Speaker 1: and they were basically like, Okay, part of what we're
• 43:26
  Speaker 1: going to do is we're going to train her. That's
• 43:29
  Speaker 1: part of our job. And they're not doing it because
• 43:32
  Speaker 1: they don't have another They they're short. So they hired
• 43:37
  Speaker 1: brief for what Brie said she could do, and they
• 43:40
  Speaker 1: were supposed to catch her up. But then like the
• 43:42
  Speaker 1: organization changed.
• 43:44
  Speaker 2: Well, something is going something is a miss in that
• 43:46
  Speaker 2: laundry room.
• 43:48
  Speaker 1: Do you think that I thought, Yeah, I have one.
• 43:52
  Speaker 2: Percent thought that she is gaslighting her, like she is
• 43:56
  Speaker 2: hooping stuff, she's hiring stuff. Uh. I really have thought that.
• 44:02
  Speaker 2: At the end of the day, I don't think that's
• 44:05
  Speaker 2: what's happening after the episode.
• 44:07
  Speaker 1: But I think that Ellie's mistakes are easy to roll
• 44:12
  Speaker 1: over on to breathe.
• 44:13
  Speaker 2: I think so too.
• 44:14
  Speaker 1: Yeah, like Jonah's pants, Yes, that was huge.
• 44:17
  Speaker 2: That was like finding you know, the murder weapon with
• 44:22
  Speaker 2: her fingerprints on it, that thing right there. I was like,
• 44:26
  Speaker 2: if you made that mistake, what else are you doing
• 44:29
  Speaker 2: in there? Yeah, yeah, yeah, you boldly made an assumption
• 44:33
  Speaker 2: about someone's pants without clarifying and just went ahead and
• 44:37
  Speaker 2: wrote their name on it. Also, you know the list
• 44:40
  Speaker 2: of offenses. She doesn't know how to make cocktails. She's
• 44:43
  Speaker 2: messing up the cocktails. She's not as Asha said, she's
• 44:48
  Speaker 2: not consistent canyal, so anything is possible.
• 44:56
  Speaker 1: And also like also like I'm still not over when
• 44:59
  Speaker 1: she was like half an hour late so she could
• 45:01
  Speaker 1: get in the right costume to come up for that
• 45:05
  Speaker 1: party or whatever. That runway bullshit. Yeah, like I think, Yeah,
• 45:10
  Speaker 1: I think that Brie is highly unprepared for this job.
• 45:16
  Speaker 1: But all Lea's not great at her job either.
• 45:20
  Speaker 2: No, And she does put on the air that she
• 45:24
  Speaker 2: is she's so highest status. Yes, like you are going
• 45:29
  Speaker 2: to assume that she has her shit together, but she doesn't.
• 45:34
  Speaker 2: Like she's very close, but she makes a lot of
• 45:36
  Speaker 2: mistakes and that's surprising and that's why she's gotten away
• 45:40
  Speaker 2: with it. You know, her leadership is not good. She's
• 45:44
  Speaker 2: caused problems from the jump. And I do think that
• 45:49
  Speaker 2: Brie is difficult to work with. I mean that being said, Yeah,
• 45:54
  Speaker 2: I think she's.
• 45:57
  Speaker 1: What I mean, she's yeah, oh interesting, Okay, yeah, I
• 46:01
  Speaker 1: see what you're saying. But she's so she's so open
• 46:04
  Speaker 1: and flexible, like in terms of like receiving a note
• 46:10
  Speaker 1: where she's like, well not from Ellie but from Asia.
• 46:16
  Speaker 2: Uh well maybe because that's yeah, that's her boss, boss,
• 46:20
  Speaker 2: But like, yeah, she doesn't seem easy to work with.
• 46:23
  Speaker 2: Like at first she seemed okay, she was mouldable, and
• 46:27
  Speaker 2: then something changed and I think it was the guy thing.
• 46:30
  Speaker 2: There was the Joe thing, and that threw a wrench
• 46:33
  Speaker 2: into everything because then Ellie didn't have patience for her anymore.
• 46:36
  Speaker 2: And then that, yeah, then she was like they were
• 46:38
  Speaker 2: off to the racism, they were on the wrong foot.
• 46:41
  Speaker 2: But yeah, when Bria is trying to like pass the
• 46:44
  Speaker 2: buck off on Ellie and she's immediately like saying that
• 46:49
  Speaker 2: she's sabotaging her in the laundry room, when in fact
• 46:52
  Speaker 2: that diary is very strange, you know, and we've seen
• 46:55
  Speaker 2: her in there and it is chaotic and and she
• 46:58
  Speaker 2: doesn't have it down the train I think has been
• 47:01
  Speaker 2: done in the laundry room. Now it's just a matter
• 47:03
  Speaker 2: of like it's how you work personally and what you're
• 47:07
  Speaker 2: doing to make these mistakes and I think they're both
• 47:10
  Speaker 2: making huge mistakes. The fact that Asha finally came to
• 47:13
  Speaker 2: the conclusion of why don't you just do rags and
• 47:16
  Speaker 2: napkins and towels and we can finally see where the
• 47:19
  Speaker 2: problem is coming from is brilliant. But if Ellie is
• 47:24
  Speaker 2: seriously sabotaging her, we still won't ever know. But again,
• 47:29
  Speaker 2: there are you know. I have to take it back.
• 47:31
  Speaker 2: I did think that she may have been sabotaging her.
• 47:33
  Speaker 2: But the cameras are there, and they would catch her
• 47:37
  Speaker 2: doing something.
• 47:38
  Speaker 1: Would they, though maybe editors know like, yes, this red
• 47:43
  Speaker 1: shirt was Sandy's shirt, they wouldn't know that.
• 47:45
  Speaker 2: No, but they would be zooming in on red shirts.
• 47:49
  Speaker 2: They would be like doing the thing where they shadow
• 47:52
  Speaker 2: out everything else and do a spotlight and an arrow
• 47:55
  Speaker 2: on her taking a shirt and folding it up and
• 47:57
  Speaker 2: putting it here and like moving it. I think that
• 48:00
  Speaker 2: they would be onto that and they would go back
• 48:02
  Speaker 2: and look for it too. If she put her hands
• 48:05
  Speaker 2: on a red.
• 48:05
  Speaker 1: Shirt, okay, but if she's doing all the red shirts,
• 48:09
  Speaker 1: That's what I'm saying. If like if she put all
• 48:13
  Speaker 1: the laundry out, my light just went crazy. Hang on
• 48:16
  Speaker 1: a second.
• 48:18
  Speaker 2: I mean, I think that she has her hands in
• 48:20
  Speaker 2: the laundry, but it's not to the point where she's
• 48:24
  Speaker 2: like taking all of the uniforms out and stuff like that.
• 48:27
  Speaker 2: I don't think it's as bad. I think she's going
• 48:28
  Speaker 2: in there and fucking around making little mistakes that are
• 48:32
  Speaker 2: messing with breeze head.
• 48:35
  Speaker 1: Yeah, okay, yeah, I see what you're saying. Yeah, I
• 48:38
  Speaker 1: mean who knows. Yeah, bree makes five critical errors a
• 48:43
  Speaker 1: shift and Ellie makes two, but those are easily absorbed
• 48:48
  Speaker 1: into Breez's mistakes.
• 48:49
  Speaker 2: Yes, yeah, And I mean the fact that Captain Sandy
• 48:54
  Speaker 2: got burned again with that not being her shirt is
• 48:58
  Speaker 2: you just can't write this stuff.
• 49:00
  Speaker 1: It's terrible now and like the pants aren't wide enough,
• 49:04
  Speaker 1: the capris are not enough.
• 49:05
  Speaker 2: Care for that when we had to talk about that,
• 49:08
  Speaker 2: and I was dying, like dy ying because you know
• 49:10
  Speaker 2: that my whole Yeah, Cabaret has a whole song about
• 49:16
  Speaker 2: her white caprice. Yeah, it's just I almost feel like
• 49:21
  Speaker 2: it was a gift, you know, or caprice.
• 49:27
  Speaker 1: You should ask. I wish that we could ask Sandy
• 49:31
  Speaker 1: for the not white enough capris because she said, I'm
• 49:34
  Speaker 1: not going to wear these anymore.
• 49:35
  Speaker 2: Oh my god, You're so right. Put them in the
• 49:38
  Speaker 2: I was gonna say, put him in the clubhouse. But
• 49:40
  Speaker 2: we don't want the dirty ones in the clubhouse, you know,
• 49:43
  Speaker 2: we want the white ones in the clubhouse. True, if
• 49:46
  Speaker 2: any fair enough, you know, like people do to Jersey.
• 49:49
  Speaker 2: Yeah yeah, you put it underglass. Yeah, hey, bring them
• 49:58
  Speaker 2: to Miami at the very least. I'm sure Captain Sandy
• 50:01
  Speaker 2: will be there because you know boating.
• 50:03
  Speaker 1: Oh yeah, they live there.
• 50:04
  Speaker 2: Oh that's right, they just got their house there. That's right.
• 50:07
  Speaker 1: Did that finally all get figured out?
• 50:10
  Speaker 2: Yes? Yes, that you're moving good?
• 50:14
  Speaker 1: Okay, cool, I know, I know, yeah, yeah.
• 50:16
  Speaker 2: Yeah, but that whole thing was treacherous. Well, when Bree
• 50:26
  Speaker 2: is basically told by Asia, you know, you know when
• 50:30
  Speaker 2: she goes Okay, So Bree goes to Asia and she's like,
• 50:34
  Speaker 2: I don't.
• 50:34
  Speaker 5: Want any to do the laundry anymore.
• 50:37
  Speaker 1: She's like, whoa, she.
• 50:42
  Speaker 2: Can't do it. And then she's like, oh no, this boat.
• 50:48
  Speaker 2: She's like no, please, no. Her demeanor is so funny.
• 50:54
  Speaker 2: She's kind of like a defiant toddler, but with a
• 50:59
  Speaker 2: very laid back attitude, you know what I mean. Yeah, yeah, yeah,
• 51:02
  Speaker 2: it doesn't come on like stomping her feet, but it
• 51:05
  Speaker 2: is still defiant and it makes me laugh. Yeah.
• 51:08
  Speaker 1: No, Breeze energy is very unique, especially like for her age.
• 51:13
  Speaker 1: It is really interesting.
• 51:15
  Speaker 2: Yeah, I've never seen anything like it.
• 51:18
  Speaker 1: Yeah, because you just don't think, like you don't know
• 51:20
  Speaker 1: how she's going to get to the end of the
• 51:21
  Speaker 1: sentence because she's like falling asleep. But then she does,
• 51:25
  Speaker 1: and she hits it with some staccato like I never yeah,
• 51:29
  Speaker 1: I don't seeming, no, not at all. It's very like
• 51:33
  Speaker 1: you know, these drunk like she's seventy three wasted, and
• 51:39
  Speaker 1: then she comes kind of she comes too, and then.
• 51:42
  Speaker 2: She had a sip of coffee. Yeah, it's very wild.
• 51:45
  Speaker 2: It's so wild, it's funny. So and then when they
• 51:52
  Speaker 2: eventually on the crew night out and Asha's like, you know,
• 51:56
  Speaker 2: I hope you know that, you know, I really like
• 51:58
  Speaker 2: you and don't take it personally, but Breeze, like, you know,
• 52:02
  Speaker 2: you're the reason why I, you know, am able to
• 52:07
  Speaker 2: like pull myself together. And then Asha's like, but you
• 52:11
  Speaker 2: can't show your lows on a supriyacht. And She's like, oh,
• 52:16
  Speaker 2: is it showing? Is it showing? Crying all over the boat?
• 52:24
  Speaker 2: I mean she's crying from room to room with the towels,
• 52:28
  Speaker 2: they can't find the shirt nowhere, and I guess they're
• 52:31
  Speaker 2: still here.
• 52:34
  Speaker 1: Yeah. But I also was like, we've already told her
• 52:38
  Speaker 1: it's showing, and that was a trigger, and now like
• 52:42
  Speaker 1: you're leaning into it. You know, this is just gonna
• 52:44
  Speaker 1: upset her all over again, just like we've already said it.
• 52:47
  Speaker 1: But the fact that she was acting surprised was also like,
• 52:51
  Speaker 1: all right, well, maybe it did need to be set again.
• 52:53
  Speaker 2: I guess so, because I don't think she realizes if
• 52:56
  Speaker 2: she talks like lightly and you know, quietly, she thinks
• 53:01
  Speaker 2: that it doesn't matter. But when she moved in a
• 53:04
  Speaker 2: house with I don't know, I'm just making it up.
• 53:06
  Speaker 2: But Captain Sandy was like, are you guys going to
• 53:09
  Speaker 2: be okay to work together? And Brie immediately was like, no,
• 53:13
  Speaker 2: we can't. And then and Captain sand and she's so
• 53:18
  Speaker 2: defiant about not being able to work with her, We
• 53:21
  Speaker 2: tried this, we can't work together, and Captain Sanda is like,
• 53:24
  Speaker 2: well you can't fucking say that, Like you better get
• 53:26
  Speaker 2: it together or else you're both going you know.
• 53:29
  Speaker 1: I thought it was great that she said no.
• 53:31
  Speaker 2: It was funny. It was very funny because they have
• 53:35
  Speaker 2: tried and they are both failing.
• 53:38
  Speaker 1: Yeah, I will be interesting because I guess they do
• 53:42
  Speaker 1: get this fourth person in to see if that kind
• 53:46
  Speaker 1: of fixes a lot of this.
• 53:48
  Speaker 2: Right, I feel like Asha's not his hands on as
• 53:52
  Speaker 2: she should be with them, because.
• 53:55
  Speaker 1: Do you think, well, yeah, but I don't think she
• 53:58
  Speaker 1: can be because every happy to do so much. Yeah,
• 54:03
  Speaker 1: that's what I mean. Like, I think maybe once they
• 54:05
  Speaker 1: have somebody else that might really help. Asia is what
• 54:10
  Speaker 1: I call hitting it out of the park in every
• 54:13
  Speaker 1: scene this season, because I mean, she always gives some
• 54:16
  Speaker 1: weird shit, but man, like literally, like the last episode,
• 54:22
  Speaker 1: I don't know if you guys talked about it, but
• 54:24
  Speaker 1: when she's standing with the guest talking about pictures of
• 54:27
  Speaker 1: taking a ship, I.
• 54:28
  Speaker 2: Was just like, Yeah, we talked about how disturbing that
• 54:32
  Speaker 2: wasn't inappropriate and terrifying she thought that.
• 54:35
  Speaker 1: Wouldn't believe it. I wouldn't believe it. I can't believe
• 54:38
  Speaker 1: that wasn't brought up at the tip meeting that she.
• 54:40
  Speaker 2: Was because nobody knew, no one was out there.
• 54:46
  Speaker 1: The stuff Asha says, it cracks at home as a viewer,
• 54:51
  Speaker 1: I love it in a luxury yacht. If I'm sitting
• 54:53
  Speaker 1: at a table eating. Notice nobody finished that dessert.
• 54:58
  Speaker 2: Yeahs the linem there.
• 55:01
  Speaker 1: I uh. But she's still like every episode says some
• 55:04
  Speaker 1: crazy shit. But when she snaps into authority, I also.
• 55:09
  Speaker 2: Listen absolutely, And she's doing a really great job because
• 55:13
  Speaker 2: and this is the second season that she's been chiefs
• 55:15
  Speaker 2: do mm hmmm, and she's gotten better and better.
• 55:19
  Speaker 1: Yeah, she really is good. She's got a new product launch.
• 55:24
  Speaker 1: She's doing coconut alcohol coconut water. Oh yeah, I don't know,
• 55:30
  Speaker 1: like what alcohol. I mean, I assume maybe a rum.
• 55:33
  Speaker 1: But it just launched.
• 55:35
  Speaker 2: Yes, I did see that.
• 55:37
  Speaker 1: Yeah, good for her.
• 55:37
  Speaker 2: Yeah, good for her. When they went to the Acropolis
• 55:43
  Speaker 2: and then she was in her little contessional, wasn't that
• 55:48
  Speaker 2: the funniest thing you've ever seen? She's like, I'll go
• 55:51
  Speaker 2: my rooms of fabric and water, my gold, no gets
• 55:54
  Speaker 2: in the oven, and I've come to the Treasury's gay
• 55:56
  Speaker 2: kepack and so please stole this slightly add on it.
• 56:02
  Speaker 2: She like lost her mind and went into go them,
• 56:06
  Speaker 2: and I was like, this woman is amazing.
• 56:09
  Speaker 1: Oh my, there's no one else like her.
• 56:11
  Speaker 2: No, she needs to be on Traders.
• 56:15
  Speaker 1: Oh yeah that would be good.
• 56:17
  Speaker 2: She'd be so good.
• 56:20
  Speaker 1: I still think she's got to work on some boundaries
• 56:22
  Speaker 1: like as the shit talked to Yeah, shit talking, don't
• 56:28
  Speaker 1: mastage your coworker's boob with your foot at the beach
• 56:34
  Speaker 1: while you're talking.
• 56:36
  Speaker 2: Yeah, she that she, yes, I did, and she really
• 56:40
  Speaker 2: she crosses too many boundaries and that's tough. And I
• 56:44
  Speaker 2: think that, like after this season, I hope that Captain
• 56:48
  Speaker 2: Sandy says you need to clean up your ship talk
• 56:51
  Speaker 2: and your sex talk and uh physical crossing physical boundaries.
• 56:56
  Speaker 2: It's just we can't accept that, you know what I mean?
• 56:58
  Speaker 2: Like that definitely needs to be addressed.
• 57:02
  Speaker 1: Yeah, but I love her.
• 57:03
  Speaker 2: I love her. On the beach on their beach day,
• 57:07
  Speaker 2: Ellie was like to Ian, she was like, I love
• 57:11
  Speaker 2: your South African speedo. You're quite proud of your country.
• 57:14
  Speaker 2: That's nice.
• 57:21
  Speaker 1: I love that I'm hot and called I. I don't
• 57:24
  Speaker 1: want to ever have to work with Ian.
• 57:26
  Speaker 2: I'm pretty cool and I don't.
• 57:28
  Speaker 1: Yeah, I just the only reason I warmed to him
• 57:32
  Speaker 1: slightly is that he did the thing that I always
• 57:35
  Speaker 1: want people to do when they fuck up on below deck,
• 57:37
  Speaker 1: take the night off, go to bed.
• 57:40
  Speaker 2: Oh yeah, that last way. I agree. That was excellent
• 57:43
  Speaker 2: choice on him and for this week for Ellie to
• 57:46
  Speaker 2: have done that was also smart.
• 57:48
  Speaker 1: Yeah, I agree. And then this week with Ian, he
• 57:52
  Speaker 1: yielded to Gail's suggestion about the rope with with the
• 57:57
  Speaker 1: not or the loop, and I thought, Okay, like he's
• 58:01
  Speaker 1: at least there's some there's I'm seeing a little growth there.
• 58:05
  Speaker 1: But I still don't want to work with him, still
• 58:06
  Speaker 1: don't enjoy him.
• 58:07
  Speaker 2: But he still doesn't I see growth too. Absolutely. He
• 58:14
  Speaker 2: also did the right thing by taking responsibility for the
• 58:19
  Speaker 2: hot water valve not being closed the night before.
• 58:22
  Speaker 1: Y yeah, and or it was at seven am. I
• 58:27
  Speaker 1: was like, wow, that happened fast.
• 58:29
  Speaker 2: No, they didn't close it from the night before, which
• 58:32
  Speaker 2: is why I.
• 58:33
  Speaker 1: Thought Gail didn't. Oh, I thought Gail left it open
• 58:36
  Speaker 1: when she made the hot tub. That guest woke up
• 58:39
  Speaker 1: at seven am in one of the hot tub and
• 58:41
  Speaker 1: Gail got it going, and that's why she was upset
• 58:44
  Speaker 1: because she was the one that left it open. Okay,
• 58:48
  Speaker 1: I thought that's what happened.
• 58:50
  Speaker 2: I'm now I'm not sure. I thought it happened the
• 58:52
  Speaker 2: night before, which is why.
• 58:53
  Speaker 1: But as the overall leader, Sandy gave him a bunch
• 58:56
  Speaker 1: of shit because he should have been on top of it, Yeah,
• 59:00
  Speaker 1: and he should have right, yeah. Yeah.
• 59:03
  Speaker 2: And also Gail, you know, going in there, and Sandy
• 59:06
  Speaker 2: loves that. She loves someone coming and taking accountability.
• 59:10
  Speaker 1: You know, she's upset.
• 59:11
  Speaker 2: Her voice were shaking.
• 59:12
  Speaker 1: I love that as a leader, you know.
• 59:17
  Speaker 2: And then that caused problems with Joe because Joe thought
• 59:20
  Speaker 2: that Nate was like taking he was taking the bullet
• 59:22
  Speaker 2: for Gail because they're in this relationship. And I'm like,
• 59:24
  Speaker 2: shut up, Joe. So if he wants to take it,
• 59:26
  Speaker 2: let him take it. You don't need to act like
• 59:28
  Speaker 2: I'm glad. They finally had that conversation on the crew
• 59:32
  Speaker 2: night out where Gail was like, yeah, I said I
• 59:34
  Speaker 2: did it, and I did it, and He's like, I
• 59:36
  Speaker 2: just didn't want you to get the princess treatment. It's like,
• 59:38
  Speaker 2: how about you getting the princess treatment? You know, let's
• 59:41
  Speaker 2: stop talking down to her. Joe is so under the
• 59:46
  Speaker 2: radar misogynistic, Like he does the same things that Gary does,
• 59:50
  Speaker 2: but for some reason it doesn't come off as as
• 59:55
  Speaker 2: disrespectful or as grimy. But now because I don't.
• 59:58
  Speaker 1: Think it is. I don't think he is as bad
• 1:00:01
  Speaker 1: as Gary, but he's on his way.
• 1:00:04
  Speaker 2: Yeah, and now this other Stu's gonna come in and
• 1:00:08
  Speaker 2: now there's that that's gonna happen. Yeah, and that song
• 1:00:12
  Speaker 2: that he sung at the piano, which I know he
• 1:00:13
  Speaker 2: was joking around, and we all joke around and make
• 1:00:15
  Speaker 2: bad jokes and try to show off in front of
• 1:00:17
  Speaker 2: our friends when we're twelve years old, you know.
• 1:00:20
  Speaker 1: But or like, you know, full on adults.
• 1:00:23
  Speaker 2: But yes, I thought that Ellie handled that situation really
• 1:00:27
  Speaker 2: well because she was right there and she didn't let
• 1:00:30
  Speaker 2: him have it right then. And then she was like,
• 1:00:33
  Speaker 2: oh well, now forget it. You know, I'm all dried up,
• 1:00:37
  Speaker 2: is what she said. And then when he apologized at
• 1:00:42
  Speaker 2: the lunch, which, by the way, if you're ever making
• 1:00:44
  Speaker 2: an apology, I hate it when people have their sunglasses on.
• 1:00:47
  Speaker 2: Take them off. Let me see your eyes. Oh interesting,
• 1:00:50
  Speaker 2: I know it's sunny, but whatever. So she does accept
• 1:00:53
  Speaker 2: his apology and she does it with grace, and I
• 1:00:55
  Speaker 2: thought that that was nice to see. He's like, I'm
• 1:00:59
  Speaker 2: a prick. I'm really sorry. I shouldn't have said that.
• 1:01:02
  Speaker 1: Yeah. He initially his apology was like if you felt
• 1:01:05
  Speaker 1: that way, but then he corrected it.
• 1:01:10
  Speaker 2: You're right, he did both. He was like, if I
• 1:01:12
  Speaker 2: heard you I'm like, no, I mean because of what
• 1:01:14
  Speaker 2: you did.
• 1:01:15
  Speaker 1: Yeah, yeah, so that was that was good.
• 1:01:19
  Speaker 2: And I also, yeah, go ahead.
• 1:01:21
  Speaker 1: Oh that that happened on that the slumber party night.
• 1:01:25
  Speaker 1: And when Asia and Ellie came up for their pajamas,
• 1:01:30
  Speaker 1: I was like, those are matching workout outfits. Those are
• 1:01:32
  Speaker 1: not pajamas. But then I was like, they ordered those,
• 1:01:36
  Speaker 1: They could have just ordered pajamas. I didn't.
• 1:01:40
  Speaker 2: I didn't catch that.
• 1:01:42
  Speaker 1: Why details, I mean, it was not a Fabletics party
• 1:01:47
  Speaker 1: ladies pajamas?
• 1:01:51
  Speaker 2: Good point they When Sandy said to Asia like, are
• 1:01:58
  Speaker 2: they rooming together? It's so funny to me that she
• 1:02:02
  Speaker 2: has no idea who's rooming with who, which is.
• 1:02:04
  Speaker 1: Fine, but oh yeah, yeah, that didn't even dawn on me.
• 1:02:08
  Speaker 2: I guess it's really not. I guess she doesn't really
• 1:02:11
  Speaker 2: need to retain that information, but why would she? Yeah,
• 1:02:14
  Speaker 2: I wouldn't, but that was funny. She's like, yeah, why
• 1:02:17
  Speaker 2: don't you switch them? And I forgot that they were
• 1:02:20
  Speaker 2: rooming together too. I was like, she's how awkward you
• 1:02:22
  Speaker 2: know all the time.
• 1:02:23
  Speaker 1: But I didn't forget. I was the whole time. I
• 1:02:26
  Speaker 1: was like, these girls are getting no breaks from this ship. Yeah,
• 1:02:31
  Speaker 1: because that's why kept sleeping on the floor like she
• 1:02:34
  Speaker 1: was right right, right?
• 1:02:38
  Speaker 2: So do you think Asha should have had them switch
• 1:02:40
  Speaker 2: rooms a long time ago or like reassigned cabins a
• 1:02:43
  Speaker 2: long time ago?
• 1:02:44
  Speaker 1: Is that I do? I do, and I should think
• 1:02:46
  Speaker 1: something that she should have assigned Brea to be in
• 1:02:50
  Speaker 1: Sandy's room just to fuck everything up. I'm not gaving
• 1:02:56
  Speaker 1: my room and then like just be like, yeah, I
• 1:03:02
  Speaker 1: split them up. One's going to move in with you, Sandy,
• 1:03:04
  Speaker 1: and she's going to.
• 1:03:04
  Speaker 2: Sleep on your dirty capriz. That's her punishment.
• 1:03:08
  Speaker 1: She'll get that laundry, right.
• 1:03:10
  Speaker 2: But I love that Ellie and Brie did get along
• 1:03:13
  Speaker 2: for a hot second when they were talking about Joe's song,
• 1:03:16
  Speaker 2: because Brie said, I'm sorry that he did that, and
• 1:03:19
  Speaker 2: then Ellie was like, well, actually he was taking a
• 1:03:21
  Speaker 2: piss on both of us, but I didn't want to
• 1:03:23
  Speaker 2: tell you, and they were like, oh, fuck him, fuck him.
• 1:03:25
  Speaker 2: So that was a nice moment. And I just thought,
• 1:03:27
  Speaker 2: why haven't you guys switched rooms yet, because they had
• 1:03:30
  Speaker 2: that assignment and then it seemed like twenty four hours
• 1:03:33
  Speaker 2: had gone by and they're not going to do anything
• 1:03:35
  Speaker 2: about it. But whatever, they'll get to it. I guess
• 1:03:37
  Speaker 2: after the child.
• 1:03:37
  Speaker 1: Yeah, over well, I think also because Gail was counting
• 1:03:40
  Speaker 1: down the minutes so she could get exactly five hours
• 1:03:43
  Speaker 1: of sleep and then like It'sha's like all right, so
• 1:03:46
  Speaker 1: we're all going to switch rooms, Gail, You're moving out,
• 1:03:49
  Speaker 1: and I I could just hear her heartbreaking because she
• 1:03:53
  Speaker 1: was like so tired. So I bet that was for
• 1:03:57
  Speaker 1: Gail more than anything.
• 1:03:58
  Speaker 2: To wait, you're right, that was probably for Gil. So
• 1:04:03
  Speaker 2: uh well, the guest seemed nice, the birthday dinner seemed nice.
• 1:04:06
  Speaker 2: They love the food, and uh, I mean that's it.
• 1:04:13
  Speaker 1: Yeah, Jono's really kind of come around. I mean obviously
• 1:04:17
  Speaker 1: we see the promo. Maybe not so much, but.
• 1:04:20
  Speaker 2: I hope I have high hopes for him that he'll
• 1:04:23
  Speaker 2: do a good job.
• 1:04:24
  Speaker 1: Yeah.
• 1:04:25
  Speaker 2: I love that place Hams and Clams that they went to. Yeah,
• 1:04:29
  Speaker 2: that was a funny name, super cute and uh what else.
• 1:04:35
  Speaker 2: Going to the Acropolis was great. Love them on the
• 1:04:39
  Speaker 2: beach And that's that's that. The season's gonna really pop
• 1:04:46
  Speaker 2: up a notch. I think, just because it looks like
• 1:04:48
  Speaker 2: some ship's gonna hit the fan, there's gonna be a
• 1:04:50
  Speaker 2: flood that what's the mystique is gonna the ship's gonna
• 1:04:56
  Speaker 2: hit the fan literally, yeah, and.
• 1:04:59
  Speaker 1: He's just gonna take a picture of it send it
• 1:05:01
  Speaker 1: to your boyfriend.
• 1:05:03
  Speaker 2: Yesh. You know we're not perfect.
• 1:05:09
  Speaker 1: No, yeah, I love this season though, I'm enjoying it
• 1:05:16
  Speaker 1: a lot. I think it's great. It's that like low
• 1:05:20
  Speaker 1: grade drama that keeps me like interested, but then it's
• 1:05:25
  Speaker 1: also like there's enough lightness to it that it like
• 1:05:29
  Speaker 1: I'm enjoying it.
• 1:05:30
  Speaker 2: Yes, absolutely, yeah. Yeah. Well, if you want to hear
• 1:05:33
  Speaker 2: these episodes without the ads, you can subscribe to my
• 1:05:37
  Speaker 2: Patreon at patreon dot com slash Drama Darling and also
• 1:05:43
  Speaker 2: Jersey's over there. The Jersey Finale recap which you might
• 1:05:47
  Speaker 2: call it or Orange County will be over there on
• 1:05:50
  Speaker 2: Friday tomorrow. Dubai and Surreal Life we'll be back here
• 1:05:55
  Speaker 2: on Thursday. Very excited about that. That'll be super fun.
• 1:05:58
  Speaker 2: You can follow and Dress at m Dress on Instagram
• 1:06:02
  Speaker 2: and me and meet Amy Phillips. So thanks everybody, Thanks ems,
• 1:06:07
  Speaker 2: Thanks so glad you're new Hampshire Drama.
• 1:06:12
  Speaker 1: Bye now Drama Darling