Latest / The Breakfast Club / FULL SHOW: Nicki Minaj Calls Out DJ Envy, GloRilla Claps Back At Fabolous' Comments About Female Rappers (Guest Host: Jess Hilarious)
Transcript
- 0:00Speaker 1: Listen to your shirt every single day.
- 0:04Speaker 2: Breakfast club, God, damn it, the breakfast club.
- 0:06Speaker 3: Puck that ass up on a breakfast club.
- 0:09Speaker 4: Baby, I can't say breakfast club without the redlat club.
- 0:13Speaker 5: You're like this rare air.
- 0:16Speaker 6: She got platforms and partners all over the place because
- 0:19Speaker 6: your man is so hot.
- 0:21Speaker 5: People want to be in business with the precist fu.
- 0:23Speaker 2: I don't think white people know how popular you guys are.
- 0:28Speaker 2: Dj Envy, Charlemagne, the god you guys really are like
- 0:31Speaker 2: the hip hop early morning, late night.
- 0:33Speaker 7: You talk to y'all, know what y'all talking about?
- 0:36Speaker 2: Yo, good morning Usa yo yeo yo.
- 0:41Speaker 7: Yo yo yo yo yo yo yo yo yo yo
- 0:43Speaker 7: yo yo yo yo yo yo yo yo yo yo yo.
- 0:45Speaker 2: Yo yo yo yo Charlomagne.
- 0:47Speaker 4: The gas to the planning is Friday.
- 0:51Speaker 8: Is and Jeff Hilarious is here all uh huh not
- 0:55Speaker 8: the little one of the wild cats what they call it.
- 0:58Speaker 2: That's right, Okay, how you guys feeling?
- 1:01Speaker 5: I feel good? He's sitting over there looking time. Listen.
- 1:04Speaker 8: I finally went somewhere and ate really good on this
- 1:08Speaker 8: man's dome. He and his wife took me to what
- 1:11Speaker 8: is it called some steakhouse and we were only blacks there.
- 1:14Speaker 2: But what was it called?
- 1:15Speaker 7: Hold on, it's a prime Stakhouse. It's in Jersey, RP
- 1:20Speaker 7: Prime state.
- 1:22Speaker 5: They had really really good food.
- 1:23Speaker 2: I'm not gonna lie now.
- 1:24Speaker 8: Yes, we were having a conversation right and you know, Charlomagne,
- 1:28Speaker 8: he's still he doesn't he doesn't have an inside voice,
- 1:31Speaker 8: and so we talking and we you know, he's talking
- 1:33Speaker 8: about you know, the great black excellency, you know, and
- 1:37Speaker 8: then it's this guy white dude looking over at him,
- 1:39Speaker 8: and he looking like, I'm like, he just keeps staring
- 1:42Speaker 8: at him and asking his boys.
- 1:43Speaker 5: Is that who I think it is?
- 1:44Speaker 2: And he came over.
- 1:45Speaker 5: He was like, hey man, I know you man. It's like,
- 1:48Speaker 5: I really really know you.
- 1:49Speaker 8: Charlemagne had the you know how you always come to
- 1:51Speaker 8: me like she always fake kid.
- 1:52Speaker 5: He's like, oh, I'm just here.
- 1:55Speaker 2: With my did the Hollywood laugh? Yeah.
- 1:58Speaker 5: The guy wasn't even trying to be funny.
- 1:59Speaker 2: He was even confused.
- 2:00Speaker 5: Was like, what's funny? I know you from I know
- 2:03Speaker 5: you're from the.
- 2:04Speaker 2: Daily Show and the Breakfast Club. It's good meeting you man.
- 2:12Speaker 2: The Hollywood laugh for I cannot believe it. I was
- 2:15Speaker 2: just happy.
- 2:15Speaker 7: She enjoyed some food. Finally, Okay, just don't like nothing.
- 2:20Speaker 5: I usually don't. I don't.
- 2:22Speaker 8: But they had the bronzeno. If you go there, y'all
- 2:24Speaker 8: get the bronzino.
- 2:25Speaker 2: It's really good. It's no bones.
- 2:27Speaker 8: I hate when you go to a restaurant you get bronzino.
- 2:29Speaker 8: And they had like it's full of bones. No bones
- 2:32Speaker 8: is good there. So I take spinaches on the money.
- 2:35Speaker 8: You would think it's a black person back in the
- 2:37Speaker 8: kitchen because it was very much seasoned and it had.
- 2:39Speaker 5: Big it was yeah, but it was big onions going on.
- 2:43Speaker 8: Yes, And my sister got salmon, it was so good,
- 2:47Speaker 8: and then uh something else she got, but he got
- 2:49Speaker 8: the result of good.
- 2:52Speaker 4: To let me salute to one of my neighbors. Her
- 2:54Speaker 4: name is Crystal. She's Jamaican and she just came back
- 2:56Speaker 4: from Jamaica. So every time she comes back, she brings uh, spices, herbs,
- 3:01Speaker 4: all types of things. So last night they were cooking
- 3:04Speaker 4: at the crib. So they cooked curry, chicken, jerk chicken, stew, chicken,
- 3:07Speaker 4: and oxtail. So last night I had so much food
- 3:11Speaker 4: and passed out.
- 3:12Speaker 2: It was it was lovely.
- 3:13Speaker 7: Telling her to bring back that stuff from Jamaica. That
- 3:15Speaker 7: be taking voodoo off people, that take root off people.
- 3:18Speaker 7: What you got something on your spirit? You need to
- 3:20Speaker 7: get it off?
- 3:20Speaker 2: Oh my god, you know you know, you know how
- 3:23Speaker 2: this this world is.
- 3:24Speaker 4: When people think you down, they try to kick you,
- 3:26Speaker 4: but it's off, it's all live.
- 3:28Speaker 2: I kick you when you up. That's what I like it.
- 3:30Speaker 5: When I like it?
- 3:32Speaker 2: Whoa, whoa got kick it to you when you up,
- 3:35Speaker 2: That's what I like it.
- 3:36Speaker 7: Wow, I'm consistent with kicking you.
- 3:39Speaker 2: I like it. One, I ain't concerned. I got me.
- 3:42Speaker 2: I ain't concerned. One, do not bring him into this God,
- 3:48Speaker 2: god man, you're just doing last night?
- 3:55Speaker 8: And didn't he think as he bounced his shoulders it's
- 3:56Speaker 8: more funny when he got some shoulders. I'm all right, Well,
- 4:09Speaker 8: let's get the show.
- 4:10Speaker 4: Cracking today is a perfect example of the breakfast club.
- 4:13Speaker 2: Right. We always talk about righteousness and ratchet, all right,
- 4:17Speaker 2: I don't know, yeah, righteous and raches.
- 4:19Speaker 7: We're about balance, balance, right, young life? Where about balance?
- 4:23Speaker 7: This is a balance show this morning.
- 4:25Speaker 2: That's right.
- 4:25Speaker 4: Sexy Red will be joining us, that's right. Whoa, Yes,
- 4:29Speaker 4: we're gonna kick it with Sexy Red.
- 4:30Speaker 7: Uhest Princess Deluxe is out right now.
- 4:33Speaker 4: That's right, we're gonna talk to her. And then also
- 4:35Speaker 4: O g architect, one of the architects of.
- 4:38Speaker 2: Hip bounders of hip hop. Yes, grand Master Flash.
- 4:41Speaker 7: You probably wouldn't be a DJ if it wasn't for
- 4:43Speaker 7: grand Master Flashes you're talking about.
- 4:46Speaker 4: Of course, when they talk about the originators of of
- 4:49Speaker 4: of DJing and this hip hop thing, they always mentioned Flash,
- 4:52Speaker 4: of course, Africa, Bambada and Cool Hurt. So we're gonna
- 4:56Speaker 4: talk to grand Master Flash and it's actually he's actually
- 4:58Speaker 4: gonna do a kind of like a secontorial tutorials.
- 5:03Speaker 2: Man, it's too hot in here, man, it's very hot
- 5:05Speaker 2: in here, going on.
- 5:10Speaker 4: Yeah, Now, I've been radio fourteen years on pen Yes, all.
- 5:18Speaker 2: Right, that's hot.
- 5:19Speaker 4: Let's get the show. Crack the front page news. This
- 5:21Speaker 4: next Tessling figure O. His head's the breakfast Slub.
- 5:22Speaker 7: Good morning crazy.
- 5:27Speaker 4: Warning everybody, it's DJ env Charlamagne the guy. We are
- 5:31Speaker 4: the Breakfast Club. Let's get in some front page news. Hello,
- 5:36Speaker 4: I'm here, y'all got a guest co host, Jess Hilarius
- 5:39Speaker 4: is here and morning tz.
- 5:41Speaker 5: The pause was too long. That's right, Jes speak up
- 5:44Speaker 5: there now, I just you got it.
- 5:46Speaker 4: For me.
- 5:46Speaker 5: I just introduced myself.
- 5:48Speaker 8: I know this right, no more thing, everybody, Good morning,
- 5:53Speaker 8: my jest, hold to day, on to Charlamagne.
- 5:55Speaker 2: Let's start off with sports.
- 5:57Speaker 4: Now, the Raiders beat the Chargers last night, sixty three
- 5:59Speaker 4: to twenty one.
- 6:01Speaker 7: They don't even care no more. They don't care no more.
- 6:03Speaker 7: The charges like five and five and ninety five and nine,
- 6:05Speaker 7: rates of six and eight, now they don't even care. Now,
- 6:08Speaker 7: all right, well, let's jump that's a WNBA basketball scort.
- 6:11Speaker 2: Yeah it is. Now, let's jump right into it. Let's
- 6:14Speaker 2: talk about these credit unions. Yeah, the nice.
- 6:17Speaker 8: Largest credit union rejected more than half of as black
- 6:19Speaker 8: conventional mortgage applicants.
- 6:22Speaker 5: Let's take a listen to the report. Give you some
- 6:23Speaker 5: more on the other side.
- 6:24Speaker 3: According to a CNN analysis of Federal Consumer Protection data,
- 6:29Speaker 3: last year, Navy Federal Credit Union only approved forty eight
- 6:33Speaker 3: percent that's less than half of its black applicants for
- 6:37Speaker 3: conventional home mortgages. White orrors were approved more than seventy
- 6:42Speaker 3: five percent of the time. It's the biggest gap among
- 6:45Speaker 3: the top fifty lenders. The data also shows Navy Federal
- 6:49Speaker 3: was more than twice as likely to deny black mortgage
- 6:52Speaker 3: applicants than white ones, even when different variables including income's, debt,
- 6:58Speaker 3: property value, and down payment percentage were the scene.
- 7:02Speaker 2: What's new?
- 7:04Speaker 5: Yeah, well, absolutely right about that.
- 7:07Speaker 8: Yeah, but I love it when they get hearing's to
- 7:09Speaker 8: our federal laws and employee training, fair lending, statistical testing,
- 7:13Speaker 8: third party evaluations, and compliance reviews are embedded in our
- 7:17Speaker 8: lending practices to ensure fairness across the board.
- 7:20Speaker 5: But we'll see about that.
- 7:21Speaker 8: I feel like there's going to be a discrimination lawsuit
- 7:24Speaker 8: coming their way, just like with Wells Fargo. The Wells
- 7:26Speaker 8: Fargo had to pay when they were found to discriminate
- 7:31Speaker 8: against people.
- 7:32Speaker 5: So it's a really good, interesting story.
- 7:33Speaker 8: You guys want to go check it out and look
- 7:35Speaker 8: at the story of the man, the black man who
- 7:37Speaker 8: had over seven hundred credit score and made plenty of
- 7:41Speaker 8: money and was just denied for no reason in Dallas, Texas.
- 7:44Speaker 8: So that's what kind of prompted this and seeing in
- 7:46Speaker 8: did a great job, you know, pulling those receipts.
- 7:48Speaker 2: Yes, racial bias is always affected mortgage lending.
- 7:52Speaker 4: Always, even the appraisals of what houses are worth depending
- 7:56Speaker 4: on where you live and who you are.
- 7:58Speaker 2: You talk about the story all the time, about this.
- 8:00Speaker 4: This a black couple who changed all the pictures in
- 8:02Speaker 4: their house instead of having that their own family pictures,
- 8:04Speaker 4: put white family pictures in the house. And the appraisal
- 8:07Speaker 4: of the house actually went up because people thought it
- 8:09Speaker 4: was a white person living there, a post a black person.
- 8:12Speaker 8: They pulled they pulled the OJ move. Remember Johnny concror
- 8:15Speaker 8: did that. Uh well you may not remember that, but
- 8:17Speaker 8: Johnny Cockran did that during the O J trou just
- 8:19Speaker 8: as f y they.
- 8:20Speaker 5: Wasn't for the appraisal.
- 8:21Speaker 2: What do you do? I forgot what.
- 8:22Speaker 8: He took out all of the black photos, I mean
- 8:26Speaker 8: took out took out all of the white photos and
- 8:28Speaker 8: put black photos up. He did the opposite so that
- 8:30Speaker 8: when the jury went through, when the jury went through
- 8:33Speaker 8: to look at the house, because they brought the jury
- 8:35Speaker 8: to OJ's house, they had to black it up.
- 8:37Speaker 5: So that was something I think I do remember that.
- 8:41Speaker 7: That's when they had in churches going to church, and
- 8:49Speaker 7: he was going to black churches.
- 8:51Speaker 8: Ye, so that was a that was a Johnny Cochran
- 8:54Speaker 8: uh trick and it and it worked quite well.
- 8:56Speaker 5: Recipes to Johnny cockran.
- 8:57Speaker 2: All right, well that is front page news.
- 8:59Speaker 4: Now get it off your chest eight hundred five eight
- 9:01Speaker 4: five one oh five one. If you need to vent
- 9:04Speaker 4: phone lines wide open, call us up right now. It's
- 9:05Speaker 4: the Breakfast Club morning, the Breakfast Club. This is your
- 9:13Speaker 4: time to get it off your chest. Eight hundred five
- 9:16Speaker 4: eight five one five one. We want to hear from
- 9:18Speaker 4: you on the Breakfast Club.
- 9:20Speaker 2: Hello. Who is this me?
- 9:22Speaker 5: Tanya from the Bronx.
- 9:24Speaker 9: Well, I'm Jamaican.
- 9:26Speaker 2: Why hey, Tanya.
- 9:30Speaker 5: An It's nothing.
- 9:35Speaker 10: I had to call me to give you, guys.
- 9:37Speaker 11: The grant newer.
- 9:38Speaker 10: My son got upsetted the hartbread.
- 9:41Speaker 11: Hey, doctor, doctor says, and guess what happened. I'll be
- 9:50Speaker 11: listening to you guys for years every morning we dressed
- 9:53Speaker 11: from the Bronx to Manhattan to stuck this academy. And
- 9:57Speaker 11: I've been leasing for years, chaking up the school every
- 10:00Speaker 11: day to speak up to all the success teachers.
- 10:03Speaker 12: Be up to that school.
- 10:06Speaker 10: And I'm telling you, I'm so proud of my son.
- 10:09Speaker 9: I'm so proud of you.
- 10:10Speaker 2: Proud of him too. Man, you know what happens.
- 10:14Speaker 10: Let me tell you something.
- 10:15Speaker 13: Let me tell you something.
- 10:17Speaker 10: Everybody has a story, but Charlomy always say the craziest
- 10:21Speaker 10: people from the Bronx in Florida. And I'm not even
- 10:23Speaker 10: lying to you. Slamme. You're in charge to your opinion.
- 10:27Speaker 10: But I'm going to tell you this, great things. It
- 10:29Speaker 10: is not where you raised your kids, is how.
- 10:32Speaker 5: You raised them.
- 10:32Speaker 10: That you understand what I'm saying. My son put out
- 10:37Speaker 10: the most effortless work. I watched him every day, how
- 10:41Speaker 10: he goes hard, hard, really hard. And just keep his
- 10:46Speaker 10: name in your mind because he's going in for economics
- 10:49Speaker 10: and government and you know.
- 10:52Speaker 2: We wish him the best.
- 10:53Speaker 7: May God be with him always. The smartest people and
- 11:00Speaker 7: the smartest people come from the Bronx.
- 11:02Speaker 10: The smartest people come from the Bronx.
- 11:03Speaker 9: But he original Jamaican, you know.
- 11:06Speaker 2: Okay, now, turn out.
- 11:07Speaker 7: I don't want them to pull the application right because
- 11:10Speaker 7: you're acting like so far a.
- 11:11Speaker 2: Little too much.
- 11:12Speaker 10: No no no no no, no no no, don't do that.
- 11:14Speaker 4: Don't happy holidays?
- 11:18Speaker 2: Hello? Who's this?
- 11:20Speaker 14: This deserved from North Carolina?
- 11:22Speaker 2: Okay, get off your chest down.
- 11:24Speaker 9: And I want to say I want to say good
- 11:26Speaker 9: morning to everybody. Saff what's Charlo made?
- 11:29Speaker 2: Okay?
- 11:29Speaker 5: Good morning?
- 11:30Speaker 2: Why?
- 11:30Speaker 9: What's good morning?
- 11:33Speaker 2: Good morning? Good morning? You're gonna ignore me.
- 11:36Speaker 9: Every every morning, good people, whatever, every morning. I've been
- 11:41Speaker 9: trying to be counting.
- 11:43Speaker 5: Yo yo yo, yo yo yo.
- 11:44Speaker 9: Wait some morning you cut them off. Some morning, say longer,
- 11:48Speaker 9: and I'll be missing my times, my essay to get breakfast.
- 11:51Speaker 9: Tell the man on some board for that one. I've
- 11:54Speaker 9: been counting. I'm trying to count your yellows, but you
- 11:56Speaker 9: always walk let them off. So no, it's not no
- 12:00Speaker 9: good morning.
- 12:01Speaker 15: So you mad?
- 12:01Speaker 5: You're mad?
- 12:02Speaker 2: You're mad because I keep you from your bow Jangles.
- 12:05Speaker 9: I don't go to the boat Jangles. It's some kind
- 12:07Speaker 9: of it's some kind of ghetto l ass, some bogatos
- 12:10Speaker 9: down here. I'm looking at Virginia. But breakfast is bomb
- 12:14Speaker 9: in hell. So y'all shot the mad good morning through
- 12:17Speaker 9: everybody else up for you?
- 12:20Speaker 2: Well, val, val do theyr the way you like it.
- 12:27Speaker 7: Now, you got to stop smoking drugs in the morning.
- 12:29Speaker 7: Now I know you smoked from weed before you woke up.
- 12:33Speaker 4: Chests eight hundred five eight five one oh five. Yes,
- 12:36Speaker 4: if you need to vic hit is up down it's
- 12:38Speaker 4: the breakfast club in the morning.
- 12:40Speaker 2: The breakfast club. It's a wedding. Is it your time
- 12:46Speaker 2: to get it off your chest? Wait? Wait up, whether you're.
- 12:49Speaker 5: Mad or bleats time to get up and get something.
- 12:52Speaker 2: Call up now eight hundred and five eight five one
- 12:54Speaker 2: O five one. We want to hear from you on
- 12:56Speaker 2: the breakfast.
- 12:56Speaker 15: Club growing and Breakfast Club sat Ship Wait love me
- 13:00Speaker 15: from the braw alright, guys, how you doing? Baby? I
- 13:06Speaker 15: want to say good morning, somebody's blessed. Fuck damn me
- 13:08Speaker 15: and I want to shout this out. Last week somebody
- 13:11Speaker 15: could call me and trying to highlight my girl, Chaz,
- 13:14Speaker 15: this is my radio wife. I won't have nobody else
- 13:17Speaker 15: call again respectfully trying to get out my wife.
- 13:20Speaker 4: I'm gonna let them know I was tell your radio
- 13:22Speaker 4: wife you don't work on the radio.
- 13:24Speaker 12: Or I work on radio on in c T.
- 13:26Speaker 15: So I announced it that she's my radio wife.
- 13:28Speaker 2: Okay, oh oh okay, now ready, okay, all right.
- 13:31Speaker 15: All right, this this is exactly No. I just want
- 13:35Speaker 15: to put it in the air so she knows, now, okay, no.
- 13:38Speaker 2: Doubt love me. But you have a you have a
- 13:40Speaker 2: good holiday.
- 13:40Speaker 15: Love you you too, You have a bless holiday.
- 13:44Speaker 2: Hello? Who's this?
- 13:45Speaker 12: Ja interview Charlotte me in the card morning? Oh g rum,
- 13:50Speaker 12: what's happening? How y'all feeling this morning?
- 13:52Speaker 2: I'm good?
- 13:53Speaker 12: How you feeling good, pretty good, pretty good. Listen, man,
- 13:56Speaker 12: I just I just want to stay first and four
- 13:57Speaker 12: host man, congratulations on head and that fourteen year milestone.
- 14:02Speaker 12: You know what I'm saying.
- 14:03Speaker 13: And may God continue to bless y'all along on our.
- 14:07Speaker 14: Journey with many more dons. You know, yes, sir, but
- 14:10Speaker 14: listen say that for sure, for sure, always always always
- 14:15Speaker 14: show me love and listen, man, y'all know how we're
- 14:16Speaker 14: doing a Friday.
- 14:17Speaker 13: It's bad time, more time, check it out, I said, listen,
- 14:21Speaker 13: and our bet he's he. This is vets to speak
- 14:24Speaker 13: for comments. It's just so easy work for a vet
- 14:26Speaker 13: and most won't.
- 14:27Speaker 12: Catch you yet.
- 14:28Speaker 13: From the side blocks to the projects where the time
- 14:30Speaker 13: was set, I fit till I'm burning the house down.
- 14:33Speaker 13: Come back round. It's you're showing clowns in the background.
- 14:36Speaker 13: They know me for pulling plugs. Cut out the misery
- 14:39Speaker 13: and all black no mask that glove the imprecisely, but
- 14:42Speaker 13: check it through with threat lightly when approaching me, because.
- 14:45Speaker 14: Easily the foot could be the exext and resumes for
- 14:48Speaker 14: the differant company with true man's just one overthrow mark
- 14:51Speaker 14: these words see a target mark that bird of marking
- 14:54Speaker 14: birds offs you from face to face.
- 14:57Speaker 13: It's the issue with versus that are burned through stin
- 15:00Speaker 13: feeling dismission.
- 15:01Speaker 6: O G.
- 15:04Speaker 2: I got some balls.
- 15:05Speaker 7: O G.
- 15:05Speaker 15: You ready, let's go, Let's go.
- 15:07Speaker 2: I'm tired of slah.
- 15:09Speaker 15: O G.
- 15:10Speaker 2: He always in my O G. He always held me
- 15:14Speaker 2: from the back.
- 15:15Speaker 4: O G.
- 15:16Speaker 2: I'm so glad jes back.
- 15:18Speaker 15: O G.
- 15:19Speaker 2: Okay he's flirting with me today.
- 15:21Speaker 6: O G.
- 15:23Speaker 2: He's smiling and he laughing, shaking his shoulders. OLG. His
- 15:28Speaker 2: mouth is wide open.
- 15:29Speaker 15: O G.
- 15:30Speaker 7: Some I'm a give oh G. This pink Friday. Okay,
- 15:41Speaker 7: pink Friday, Pink Fridy n v U is magic. I mean,
- 15:47Speaker 7: look at you now, oh you just tragic. You're a tragedy.
- 15:51Speaker 7: You're a parody.
- 15:52Speaker 2: First name Envy, last name rad got word that NICKI Miles?
- 16:07Speaker 2: What's up?
- 16:08Speaker 1: Bops?
- 16:13Speaker 6: Y G.
- 16:15Speaker 12: Y'all have just hilarious good morning. I know you and
- 16:18Speaker 12: something I get to here this morning.
- 16:20Speaker 15: This morning we do y'all in.
- 16:22Speaker 12: The families, y'all be blessed you on your chest.
- 16:25Speaker 4: Eight hundred five eighty five one O five one. Now
- 16:28Speaker 4: we got rooms on the way, Jess, yes we do.
- 16:30Speaker 8: But because the producer just gave me the stuff I
- 16:33Speaker 8: gotta look, so I gotta see.
- 16:34Speaker 5: But I know Nikki in there, so we're gonna see
- 16:36Speaker 5: what's going on over there.
- 16:37Speaker 4: All right, we'll get into that. Next is the Breakfast Club.
- 16:39Speaker 4: Good Morning, The Breakfast Club, Good Morning. Everybody's d J
- 16:45Speaker 4: n V. Charlamagne to God. We are the Breakfast Club.
- 16:47Speaker 4: Jess Hilarious is our guest co host.
- 16:49Speaker 2: Let's get into Jess with the miss This is real,
- 16:53Speaker 2: Lari just robber mill.
- 16:55Speaker 5: Just don't do no line.
- 16:57Speaker 2: This is the rumor report. I don't do it on
- 17:02Speaker 2: the Breakfast Club.
- 17:07Speaker 8: Nicki Minaj want to smoke last night. So Nicki Minaj
- 17:10Speaker 8: was not here for Elliott Wilson's Is it Wilson or
- 17:13Speaker 8: will Sell? Because he is pretty wrong Elliott Wilson's thoughts
- 17:18Speaker 8: on the current state of hip hop journalism. Elliott posted
- 17:20Speaker 8: a screenshot of Nicki Minaj's twurky in front of Coysone
- 17:23Speaker 8: and his crew during a live stream, along with the
- 17:25Speaker 8: caption hip hop journalism seemingly mocking it. So, of course
- 17:30Speaker 8: we've seen Nicki having fun with Cosonett and his crew
- 17:32Speaker 8: and all of that. And she has an album out
- 17:34Speaker 8: so she is promoting, you know, and she's promoting the
- 17:37Speaker 8: way she wants to, and one of her ways to
- 17:40Speaker 8: promoters having.
- 17:41Speaker 5: Fun with them.
- 17:41Speaker 2: That's right. Dropping the clues bond for Coson definitely.
- 17:44Speaker 7: I think I think what Kai is created is dope
- 17:47Speaker 7: the reviewing music, critique in music and dancing the music
- 17:50Speaker 7: and is dope.
- 17:50Speaker 2: Kyson the kids is what Soul Trained was to us.
- 17:55Speaker 8: Yeah, fun, it's happy, it's light, there's genuine fun and
- 17:59Speaker 8: it's not forced. He actually be having people on there,
- 18:02Speaker 8: like turning up and just like, yeah, like having fun.
- 18:05Speaker 8: Just yeah, look at stupid. Oh yeah, definitely looking stupid.
- 18:08Speaker 8: But that's the part of having fun, that's right, you
- 18:09Speaker 8: know what I mean. So Elliott also tweeted some nice
- 18:12Speaker 8: things about Nikki too. He said, never diss Nikki always
- 18:16Speaker 8: said she's a female rap goat over Lauren, Missy Kim
- 18:19Speaker 8: and Lauren you know, Missy Kim and Foxy And I
- 18:22Speaker 8: think Cardi b is dope too Happy Holidays. Nicki is
- 18:26Speaker 8: the goat in Best Again new album is dope. But
- 18:29Speaker 8: that wasn't that wasn't good enough her because she felt
- 18:31Speaker 8: like it was some underlying hate there, underlining hate there.
- 18:34Speaker 5: But he was more so coming at Kai.
- 18:36Speaker 8: You know, I guess he's saying, like, yo, you're promoting
- 18:38Speaker 8: your album, so you would go promote it there instead
- 18:40Speaker 8: of sitting down doing real interviews with.
- 18:42Speaker 7: Real people about why is Kyson not not considered but
- 18:45Speaker 7: just journalists? Kay'son not his whole train. You going there,
- 18:48Speaker 7: you listen to your music, you dance your music, and
- 18:50Speaker 7: then he asked you a couple of questions about your music.
- 18:52Speaker 2: Same way Don Cornel, Yeah, yeah, it seems like he
- 18:53Speaker 2: was mad at both.
- 18:54Speaker 4: It seems like he was mad at Caysan, and it
- 18:55Speaker 4: also seems like he was mad at Nikki for going
- 18:57Speaker 4: on cost.
- 18:58Speaker 2: Well, learn how to dance Ellie, we do have.
- 19:02Speaker 5: We do have audio.
- 19:03Speaker 8: Though his original post wasn't was enough to send Nikki
- 19:07Speaker 8: off the deep end.
- 19:07Speaker 5: It's what she had to say.
- 19:09Speaker 16: Elliott has been one of those people who are used
- 19:12Speaker 16: to be the mouthpiece for others, and the past couple
- 19:16Speaker 16: of years he's said some nasty things about.
- 19:19Speaker 5: Me and I didn't respawn, I didn't kept them moving.
- 19:22Speaker 16: But then I drop an album and you're jealous that
- 19:26Speaker 16: you didn't interview me.
- 19:27Speaker 5: Why And by the way, you're a grown man if.
- 19:31Speaker 16: You wanted all of y'all when y'all are around certain people.
- 19:38Speaker 5: Y'all feel that y'all have this power. Oh, I didn't know.
- 19:41Speaker 5: You can't mind Drake. I must have missed it came
- 19:44Speaker 5: Drake for what somebody owes you?
- 19:48Speaker 16: You Why when y'all have an affiliation to jay Z
- 19:52Speaker 16: in some sort of way, y'all be thinking.
- 19:54Speaker 5: That y'all can disrespect and violent.
- 19:57Speaker 7: That's the moral of the story. Elliott need to learn
- 19:58Speaker 7: how to dance, that's when, or Elliott the last part,
- 20:04Speaker 7: how to do the work.
- 20:05Speaker 8: The last part of that audio is actually interesting because
- 20:08Speaker 8: she she also piggybacked that with a tweet. She said,
- 20:10Speaker 8: you know, Elliott, if you spit jay Z Penis out
- 20:13Speaker 8: for one second, you'd be able to be happy, happy
- 20:16Speaker 8: for the newcomers. Isn't that how y'all try to tarnish
- 20:19Speaker 8: my image by saying I'm not welcoming the new b's
- 20:22Speaker 8: And I can say though, I can say bitches all right, yeah,
- 20:26Speaker 8: uh did songs with all of them. Though, Why are
- 20:29Speaker 8: you not happy for a young black man like Hi tomorrow.
- 20:32Speaker 2: Bitch j Z at home right now? What I got
- 20:34Speaker 2: to do with it?
- 20:36Speaker 5: She's basically saying.
- 20:38Speaker 8: Because she's just basically saying, people who stand next to
- 20:41Speaker 8: him feel like they can see whatever they want to say,
- 20:44Speaker 8: you know, like they feel like they're in a position
- 20:46Speaker 8: of power and they can't Nobody come back at that.
- 20:48Speaker 4: But I will say, but Elliott also has he should
- 20:51Speaker 4: be able to have an opinion. He is a hip
- 20:52Speaker 4: hop journalist. He started from source to double excel to
- 20:55Speaker 4: the things that he's created, so he has a different
- 20:57Speaker 4: feeling for hip hop journalism.
- 21:00Speaker 2: And he could have even if we think his opinion
- 21:03Speaker 2: is tried.
- 21:03Speaker 8: She could absolutely And I'm glad you're saying something because
- 21:06Speaker 8: she had said something about you too in the sweet
- 21:08Speaker 8: She said, remember how cocky DJ Envy was when he
- 21:11Speaker 8: was saying he blackballs my music on the radio. Ask yourself,
- 21:16Speaker 8: how could a DJ get away with behavior?
- 21:18Speaker 2: I said the same thing.
- 21:20Speaker 5: I did not know that that happened.
- 21:23Speaker 8: That was the reasons behind it though, because we know
- 21:25Speaker 8: NICKI does not forget anything.
- 21:27Speaker 15: I was.
- 21:30Speaker 2: Love it, and I know that we y'all.
- 21:32Speaker 5: I've heard y'all play our records like actually last.
- 21:34Speaker 2: Week, but that's me? What what hell?
- 21:36Speaker 15: That was me?
- 21:37Speaker 2: I played it in the mix?
- 21:37Speaker 15: That was.
- 21:40Speaker 4: Because I've never heard of this was I guess this
- 21:42Speaker 4: was like five six years ago. I guess DJ self,
- 21:46Speaker 4: who's a DJ on the station, and I ride for
- 21:48Speaker 4: all the dj sport all the DJs.
- 21:51Speaker 2: He said that Cardi B's album was better than Nicki Minaj.
- 21:55Speaker 4: Nicki Minaj at the time got upset and said she
- 21:57Speaker 4: was sending some queen's dudes up here to pretty much
- 22:00Speaker 4: beat him up, and he was threatening him, and I
- 22:03Speaker 4: thought that was whack. I thought that if somebody has
- 22:05Speaker 4: an opinion, you can't threaten that man for his opinion. Now,
- 22:09Speaker 4: if he says some foul is said, some foul is
- 22:10Speaker 4: about you, your husband, your kids, or your family, then
- 22:14Speaker 4: it's everything is open. But if he just says I
- 22:16Speaker 4: don't like your album or I feel away and you
- 22:18Speaker 4: threaten him, I just find that's whack.
- 22:20Speaker 2: And no, I didn't say subject nick please girl.
- 22:25Speaker 4: I So I ride for the DJ's meaning the DJs
- 22:29Speaker 4: are always the one that gets picked on, that gets
- 22:31Speaker 4: beat up, Like if you think of beasts, and artist
- 22:33Speaker 4: never goes at the other artists. They always say, well,
- 22:35Speaker 4: why the DJ play the record? Why don't you go
- 22:37Speaker 4: back at the artist that you're mad at? So the
- 22:39Speaker 4: DJ always gets picked on, always gets bullied.
- 22:41Speaker 2: So I was like, that's not right.
- 22:42Speaker 8: I'm not gonna let you just threaten the DJ because
- 22:45Speaker 8: he had an opinion. Rights standing with the DJs. Rappers
- 22:49Speaker 8: stand with rappers, correct comedians. So what I said was,
- 22:52Speaker 8: I'm not going to play Nikki's record until they squashed
- 22:54Speaker 8: that beef. That has nothing to do with the station.
- 22:56Speaker 8: I don't pick the records that the station plays. I
- 22:58Speaker 8: don't pick the records that you hear every morning.
- 23:01Speaker 4: I just said, I don't want to because you threaten
- 23:03Speaker 4: that man on an opinion, and DJs we need to
- 23:06Speaker 4: stand together when that happens, because if not, it's going
- 23:08Speaker 4: to happen more, and it's gonna happen more, and it's
- 23:10Speaker 4: gonna happen more, you're gonna see more DJs getting slapped
- 23:12Speaker 4: like you've seen them already.
- 23:13Speaker 2: That's not right, And that's what I said.
- 23:15Speaker 4: If they deserve to get slapped, that's a different reason.
- 23:18Speaker 2: That's what I said. If they deserve to get slapped,
- 23:20Speaker 2: that's on that. But if it's over an opinion, the
- 23:22Speaker 2: bobs feel like you deserve to get slapped anyway, But
- 23:25Speaker 2: like I said, so you do. That was the reason why.
- 23:28Speaker 2: But I thought it was squash.
- 23:29Speaker 4: This was six years ago, so I think squashed even
- 23:30Speaker 4: when her album came out. We did you know, we
- 23:32Speaker 4: played the music. I still play on music and I'll
- 23:34Speaker 4: continue to play music.
- 23:35Speaker 7: That's when you're being here shaking your little toush and
- 23:36Speaker 7: NICKI minad records behind the scenes.
- 23:38Speaker 2: You're being here with your little tous push when do
- 23:41Speaker 2: when Ruby Red come on? Well, we know everybody's other one.
- 23:46Speaker 5: Actually one wants to.
- 23:50Speaker 2: Red ruby the sleeve, another one to love that one
- 23:55Speaker 2: behind it.
- 23:58Speaker 4: You did black Ball, and I remember, no I didn't
- 24:00Speaker 4: play it during that time, but I thought they squashed that.
- 24:02Speaker 2: I can't. I can't Black One. All I could do
- 24:04Speaker 2: is not eleven minute, play eleven minute, dropping them.
- 24:13Speaker 4: Like like what did you niggas grow? You never guess
- 24:19Speaker 4: he never up talking for the DJ because nobody ever does.
- 24:26Speaker 4: Just like during COVID when everybody was standing up for
- 24:29Speaker 4: the bartenders and raising money.
- 24:31Speaker 8: I raised money with nurses, money for everybody exactly, and
- 24:36Speaker 8: it's fine. And then like you said, like you said, uh,
- 24:39Speaker 8: you said that you didn't want to play the record until,
- 24:42Speaker 8: I mean play music, until they squashed that.
- 24:45Speaker 2: Yeah, and you about the ball. You want to know
- 24:48Speaker 2: what what I got? You want to know what I
- 24:50Speaker 2: got for the ball. You better play a record, play
- 24:53Speaker 2: Nikki drink. What are you doing? I want to hear
- 24:57Speaker 2: the song? Where you going?
- 25:00Speaker 12: There you go?
- 25:01Speaker 7: There you go, there you go, there you go. Can't
- 25:04Speaker 7: shake that little bit, jas. That's what y'all need to
- 25:09Speaker 7: be doing. Y'all need to be in can to that studio.
- 25:11Speaker 7: Enjoy your damnself. I got you, angry ass New Yorkers?
- 25:15Speaker 2: How are you beige ass? Angry ass New Yorker from Queens?
- 25:18Speaker 2: That's right, hit that word, go go.
- 25:23Speaker 15: That's right.
- 25:23Speaker 2: You better get on nik good side.
- 25:27Speaker 12: You want that?
- 25:29Speaker 2: You want morning so will never be the same more
- 25:33Speaker 2: than everybody.
- 25:33Speaker 4: It's DJ en V Charlmagne the guy. We are the
- 25:36Speaker 4: breakfast club. Let's get in some front page news. I
- 25:39Speaker 4: guess co hostess Solaris is here.
- 25:41Speaker 2: What up to?
- 25:42Speaker 5: What's going on?
- 25:43Speaker 14: DJ?
- 25:44Speaker 5: Good Morning beautiful? Jesselario's Charlemagne the God.
- 25:46Speaker 2: He says, did you just hear your radio husband?
- 25:49Speaker 5: Did I hear my radio husband called up?
- 25:52Speaker 8: He said, somebody trying to call up here the other
- 25:54Speaker 8: day and try to shoot They shot at you, and
- 25:57Speaker 8: he felt disrespected because he went on the airways and
- 25:59Speaker 8: told them, Tess is my radio way.
- 26:02Speaker 4: That's right, that was lovely. That was lovey, lovey said.
- 26:05Speaker 4: He announced that you are his radio wife.
- 26:06Speaker 2: So he just put it out.
- 26:07Speaker 8: Well, see, I don't never get a chall y'all put
- 26:09Speaker 8: me out the room during the front during the get
- 26:12Speaker 8: it off your chest where he got it off his chests,
- 26:14Speaker 8: he said, tell them, tell them that they can keep
- 26:17Speaker 8: on hitting the DMR T.
- 26:18Speaker 2: Them full back, is what. Oh wow, Well, let's get
- 26:24Speaker 2: some front page news.
- 26:25Speaker 4: The ratio squashed the charges sixty three twenty one last night,
- 26:30Speaker 4: all right, and now let's jump right into it.
- 26:31Speaker 2: Let's talk about this blue collar hiring. Y'all been trying to.
- 26:34Speaker 8: Get this story out all week to let the blue
- 26:36Speaker 8: collar family know that things are looking good for them
- 26:39Speaker 8: as they go into twenty twenty four.
- 26:41Speaker 5: Now, this year was really good. They had strong.
- 26:43Speaker 8: Hiring, more jobs in the blue collar area more than
- 26:45Speaker 8: their white collar counterparts. They the white collar counterparts, especially
- 26:49Speaker 8: the tech sector, has went down. That's been the sharpest pullback,
- 26:52Speaker 8: especially you know after post pandemic. Now for jobs in
- 26:56Speaker 8: the software development and IT operations where the jobs pick
- 27:00Speaker 8: up that trade pick up wrench, get on some manufacturing jobs.
- 27:03Speaker 5: That look like you have a good year next year.
- 27:05Speaker 2: Learn the trade, man.
- 27:06Speaker 7: I tell everybody that go learn the trade, Go learn
- 27:08Speaker 7: how to do something with your hands. We need more
- 27:10Speaker 7: architect not architects. We do need more architects. We need
- 27:13Speaker 7: more electricians and plumbers and people that know how to
- 27:16Speaker 7: install back. Yep, that's right.
- 27:18Speaker 4: Welding, also automotive, healthcare as well. Those are all great
- 27:22Speaker 4: trades that pay a lot of money. And you will
- 27:24Speaker 4: always have a job even in a recession, even if
- 27:27Speaker 4: Kobe comes back, it doesn't matter. You will always have
- 27:30Speaker 4: a job. You are an essential worker. Shot the link
- 27:32Speaker 4: in tech too.
- 27:33Speaker 8: Now, Yep, that's right, and we have to keep continuing
- 27:35Speaker 8: to push for that. Shout out to our brother Killer Mike.
- 27:37Speaker 8: We're always advocating for to get shopped back into the
- 27:40Speaker 8: public schools. So you know, they took a lot of
- 27:42Speaker 8: that out of the schools and that's something we need
- 27:43Speaker 8: to bring back. And cosmetology, by the way, need that
- 27:46Speaker 8: back in the schools as well.
- 27:47Speaker 2: That's right. Now, let's talk about these just holiday stress.
- 27:50Speaker 5: Yeah, social media social and I heard you bring this
- 27:53Speaker 5: up the other day.
- 27:54Speaker 8: You were talking about social media and how stressful it is,
- 27:56Speaker 8: particularly during the holidays.
- 27:58Speaker 5: So I wanted to give you a poll, y'all News
- 28:00Speaker 5: said they pulled about.
- 28:01Speaker 8: Fifteen hundred Americans found that thirty eight percent of the
- 28:04Speaker 8: respondents experience a increase in stress during the holiday compared
- 28:08Speaker 8: to other times of the year, and a lot of
- 28:10Speaker 8: that has to do with social media. Of course, you
- 28:12Speaker 8: have stress for financial stress, buying gifts, not having enough
- 28:15Speaker 8: time to enjoy the holidays, tension, but social media feeds
- 28:19Speaker 8: into that a lot. It says that people need to
- 28:21Speaker 8: take a break up from social media, particularly during the holidays.
- 28:25Speaker 8: They also said that the comparison is the thief of joy,
- 28:29Speaker 8: So you know, scrolling and saying what somebody has what
- 28:31Speaker 8: I don't have, looking in the comments, arguing with folks
- 28:34Speaker 8: you don't know. They recommend you set some boundaries when
- 28:37Speaker 8: it comes to your online youth. So I thought that
- 28:39Speaker 8: was a story that before we go on this holiday break,
- 28:41Speaker 8: to remind people relax, maybe get all social media just
- 28:44Speaker 8: for a little bit and you know, take take a
- 28:46Speaker 8: moment to reflect.
- 28:48Speaker 5: Now do I was just just talking about that with
- 28:51Speaker 5: my manager.
- 28:52Speaker 8: I was like, you know, it's easy to like the
- 28:55Speaker 8: devil of comparison is definitely what hunts people, not even
- 28:58Speaker 8: just around these times, just period you're going up, you're
- 29:01Speaker 8: looking at what other people god, and then you're you're
- 29:03Speaker 8: feeling a way about yourself. When like my like my
- 29:07Speaker 8: son's dad, he takes breaks from social media and he
- 29:10Speaker 8: thrives in so many aspects of his life, like so
- 29:13Speaker 8: many life with work and just like building this business
- 29:16Speaker 8: and all that, paying attention to his kids and getting
- 29:18Speaker 8: to know them and how they are living and all
- 29:21Speaker 8: that type of stuff. Where you take a break from
- 29:22Speaker 8: social media, it's like a job that you're getting paid for.
- 29:25Speaker 7: I'm just happy you say something good about your baby daddy. Absolutely, yeah,
- 29:28Speaker 7: I'd go ahead. Girl can't fight.
- 29:34Speaker 5: No, you just keep bringing up that he can't fight.
- 29:36Speaker 5: I told you that one time. You running with it.
- 29:37Speaker 2: Bringing up every every interview out here you do. No,
- 29:40Speaker 2: I don't.
- 29:40Speaker 8: I don't even do interviews because of that reason, because
- 29:42Speaker 8: I don't like how they look after I do them.
- 29:45Speaker 4: But I also say, test is how people look at
- 29:46Speaker 4: social media because it's like when I look at some
- 29:48Speaker 4: of these uh you know, artists, celebrities, billionaires or millionaires.
- 29:53Speaker 2: And I look at the stuff that they're doing, it
- 29:55Speaker 2: it shows me what I can do.
- 29:57Speaker 4: Right, I'm a kid from Queens who I didn't see
- 29:58Speaker 4: it often, and when I seen it, it was usually
- 30:00Speaker 4: the d boys, the drug dealers, or whatever it may be.
- 30:02Speaker 4: So the fact that I can see people doing things
- 30:04Speaker 4: that I probably didn't see, I can see a touch,
- 30:07Speaker 4: whether it is following, you know, Tyler Perry is following
- 30:09Speaker 4: Swiss Beats, or.
- 30:10Speaker 2: Charlemagne or just.
- 30:13Speaker 4: What you want to be like caliper I don't want
- 30:15Speaker 4: to be like anybody, but what they do, what they
- 30:18Speaker 4: do is inspiration. And I love what Tyler Perry does.
- 30:20Speaker 4: I love what he created. Even fifty said what he
- 30:21Speaker 4: created in the streets Port Louisiana, that's all inspiration. I
- 30:25Speaker 4: don't want to be anybody, but but what they do
- 30:27Speaker 4: is inspiration.
- 30:28Speaker 7: I tell you what y'all need to do. Y'all need
- 30:29Speaker 7: to remember the reason for the season. If you remember
- 30:32Speaker 7: the reason for the season, you wouldn't have no jealousy
- 30:34Speaker 7: in envy because you all can have Jesus. That's right,
- 30:36Speaker 7: Go ahead past to Charlemagne.
- 30:39Speaker 5: There are some say there is some positive to it.
- 30:41Speaker 8: There is some positive to following folks to Vy's point,
- 30:44Speaker 8: but we still have to remember those of snapshots in
- 30:47Speaker 8: time and a lot of people.
- 30:49Speaker 7: You know, niggas be lying. Okay, don't nobody be putting
- 30:56Speaker 7: their real process uff.
- 30:57Speaker 8: You don't nobody ugly, but seriously, that's the thing that's
- 31:01Speaker 8: on the media too. And then I just said, Taz,
- 31:03Speaker 8: I just said the other day in one of my videos,
- 31:06Speaker 8: like I just be sliding Lord gyms in there.
- 31:08Speaker 5: I said it, Uh, just just so everybody and everybody
- 31:11Speaker 5: is broke right now, you know what I mean.
- 31:13Speaker 8: The people are broke, and it's okay to be broke.
- 31:16Speaker 8: You don't always have to look like you got it
- 31:18Speaker 8: because that's unrealistic. Even even the people that we see
- 31:21Speaker 8: at the top really don't always have it, you know.
- 31:24Speaker 8: And I'm talking about the top of social media because
- 31:25Speaker 8: people they worship that they look at that as like
- 31:28Speaker 8: the Holy Girl, that's their blueprint. So these influences and
- 31:30Speaker 8: all these people they ain't really ain't got it either,
- 31:33Speaker 8: But you know we're not. They're not gonna show that
- 31:34Speaker 8: they don't have it. That's not their job. That ain't
- 31:37Speaker 8: gonna get No, that's not gonna get them nowhere. They
- 31:38Speaker 8: gotta look like they're like it's a certain image that
- 31:41Speaker 8: they want to look, you know, they want Well, I
- 31:43Speaker 8: do want to thank you for being inspirational. Just in
- 31:45Speaker 8: a relationship area we hear so much negative. I'm always
- 31:49Speaker 8: sharing your relationship. No relationship is perfect. I'm sure you
- 31:51Speaker 8: have your ups and downsolute, but I do love that
- 31:54Speaker 8: you highlight you and your man and how y'all you
- 31:57Speaker 8: know Will Barrow photos and oh my god, everything that
- 32:02Speaker 8: she highlighted, She's gonna highlight the Willburrow.
- 32:04Speaker 4: For if you look at it's both of them together.
- 32:11Speaker 2: Look at that. Look at that? Look how the screen
- 32:13Speaker 2: saver look at man like I look at that.
- 32:21Speaker 8: Let me just say this, because people, all you love jesselarious, Yes,
- 32:23Speaker 8: I do. I love the fact that you're a mom.
- 32:26Speaker 8: I love the fact that you got your man. I
- 32:27Speaker 8: love that you're on your mission and you on your money.
- 32:30Speaker 8: Don't let these women out here trick you out your
- 32:32Speaker 8: man and your money and your mission.
- 32:34Speaker 5: Baby, you're doing it, so I just I.
- 32:36Speaker 2: Just love it.
- 32:36Speaker 5: I period to.
- 32:40Speaker 8: Purplef Yes, I asked my sister, can we dress up
- 32:45Speaker 8: like slaves and go see color purple?
- 32:47Speaker 5: And then I say, me and my man is gonna
- 32:48Speaker 5: go away with purple?
- 32:49Speaker 2: All right?
- 32:50Speaker 8: Let me say well, let me say this guys before
- 32:51Speaker 8: we close out, before Charlamagne does my tag follow me
- 32:54Speaker 8: on Instagram. Guys, every week I drop about ten or
- 32:57Speaker 8: fifteen stories that we don't get a chance to get
- 32:59Speaker 8: to on from Patient News. So in my broadcast channel,
- 33:02Speaker 8: make sure you follow me on Instagram and continue to
- 33:05Speaker 8: get from Patient News even over the holiday.
- 33:06Speaker 5: I'm gonna drop some stories to make sure you, guys
- 33:08Speaker 5: stay abreast.
- 33:09Speaker 7: All right, but thank you, Test, that's right, and make
- 33:12Speaker 7: sure you follow teslims Figure on all social media platforms too.
- 33:15Speaker 7: Subscribe to teslim Figures podcast. It's great shot. No chase
- 33:17Speaker 7: of podcasts on the Black Effect. iHeart radio podcast network.
- 33:20Speaker 4: All right, now, when we come back, Sexy Red will
- 33:23Speaker 4: be joining us. We gonna kick it with Sexy Red,
- 33:25Speaker 4: so it don't go anywhere. It's the Breakfast Clubs, them
- 33:27Speaker 4: noisy y'all with the app.
- 33:30Speaker 2: The Breakfast Club.
- 33:33Speaker 7: Morning.
- 33:33Speaker 2: Everybody's d J M B. Charlomagne to God, we are
- 33:37Speaker 2: the Breakfast Club.
- 33:38Speaker 4: Jess Hilarius, I Guess co hosts, and we got a
- 33:40Speaker 4: special guest in the building, Sexy read.
- 33:43Speaker 5: What's up there?
- 33:44Speaker 2: What's up? How are you? First of all, you're pregnant,
- 33:46Speaker 2: you're blowing up, but you still gotta work. So how
- 33:48Speaker 2: you feeling this morning? Then your doctor say relax and
- 33:55Speaker 2: take it easy. You ain't been listening. I've been seeing you.
- 33:58Speaker 2: You've been working, traveling and doing shows videos.
- 34:01Speaker 5: Every time I go to the doctor, they'd be like,
- 34:03Speaker 5: you're still working. You need to sit down.
- 34:06Speaker 2: Yeah, do you feel like you're gonna miss the moment
- 34:08Speaker 2: if you don't? You know, if you I.
- 34:10Speaker 5: Gotta get it.
- 34:11Speaker 8: I can't stop work. I gotta get this money. Yeah, work,
- 34:13Speaker 8: don't stop because your absolutely well. When you came in here,
- 34:17Speaker 8: I spoke to you and the first thing you said, no,
- 34:19Speaker 8: you can at least look at me, Look at you real.
- 34:22Speaker 5: You ain't gotta mess with me, but you can. And
- 34:26Speaker 5: she said, I don't mess with you, Jess.
- 34:28Speaker 2: And I said why? She said, could you be sneak this?
- 34:30Speaker 5: And I said, all right, tell me what's wrong? Tell
- 34:32Speaker 5: me about it? What's up?
- 34:35Speaker 1: All right? Let me know why you sneak this?
- 34:38Speaker 5: All right? How do you feel like I sneak this?
- 34:40Speaker 5: Be I see everything. I was trying to make sure
- 34:42Speaker 5: y'all wasn't sneak this before I came up here too.
- 34:44Speaker 6: What she do?
- 34:46Speaker 2: Okay?
- 34:47Speaker 5: When I got along, I'll find it for y'all.
- 34:51Speaker 2: You just know what it remember?
- 34:53Speaker 5: Maybe I do remember. I ain't got to bring it
- 34:55Speaker 5: up though.
- 34:57Speaker 8: Let me google, let me see you gotta really google,
- 35:00Speaker 8: just want to see it would be a couple of
- 35:02Speaker 8: times I didn't see you comment under something under the
- 35:04Speaker 8: Instagram and got something to do to be like, I'll
- 35:07Speaker 8: just be like why but I have never it's talking
- 35:13Speaker 8: about me before I see. I remember everybody's faces, right,
- 35:18Speaker 8: you should so.
- 35:19Speaker 2: You knew when you saw just a last you ain't
- 35:20Speaker 2: want to say nothing to it.
- 35:22Speaker 5: Yeah, I didn't even know she was gonna be here
- 35:23Speaker 5: today or you went and came. I mean I was
- 35:26Speaker 5: gonna say, come on, yo, I still came.
- 35:30Speaker 2: Listen, let me ask you something.
- 35:31Speaker 7: Did anybody trying to talk to you out of having
- 35:33Speaker 7: the baby because of the way your career is going?
- 35:36Speaker 2: Dam who was it the label or no?
- 35:38Speaker 5: My label said, I'm grown, Like, what's the baby planned?
- 35:44Speaker 2: Yo?
- 35:45Speaker 5: I can't ask you no questions.
- 35:48Speaker 2: Exactly.
- 35:49Speaker 5: I can't ask you, you know, I can't ask you
- 35:51Speaker 5: no questions. Answer to him like, yo, I got some
- 35:55Speaker 5: questions like.
- 35:57Speaker 2: For just answer over there and ask him. You ain't
- 35:59Speaker 2: got was the baby playing?
- 36:02Speaker 5: Kind and kind of not? But I mean I was
- 36:05Speaker 5: shocked when it happened but I was I wanted another baby.
- 36:08Speaker 2: Though at this time, or you was gonna wait off.
- 36:11Speaker 5: I mean, I ain't on my career was finish.
- 36:13Speaker 8: I was like that, but I did want the baby
- 36:14Speaker 8: because my son he already three, So I'm like, I
- 36:17Speaker 8: want another baby.
- 36:18Speaker 2: When did you realize your career was taken off?
- 36:20Speaker 5: When I first dropped Pounting Town.
- 36:24Speaker 8: But I remember back in twenty eighteen you redid but
- 36:27Speaker 8: that's a Carl Tins one thousand miles. You know you
- 36:29Speaker 8: did a thousand drugs. That's that's like the first thing
- 36:32Speaker 8: that you really did that got you like on the
- 36:33Speaker 8: map though right online Charlemagne, that's you did this thing
- 36:39Speaker 8: called a thousand jugs, which they didn't even know about.
- 36:42Speaker 2: I did my.
- 36:43Speaker 5: Research on you, like I want to. I'm like, man,
- 36:47Speaker 5: I ain't had no wrong with it. I used to
- 36:49Speaker 5: laugh and heard little videos and all.
- 36:51Speaker 2: That I didn't want no more.
- 36:54Speaker 7: Little video, little video that ain't fed think somebody funny, good,
- 37:02Speaker 7: but not on you.
- 37:05Speaker 2: It's so good.
- 37:06Speaker 5: I didn't get on a little bit. I just don't
- 37:09Speaker 5: agree with everything she's saying. Dude, that's all.
- 37:12Speaker 2: When they tried to talk you out of having a baby,
- 37:13Speaker 2: what did you say to.
- 37:14Speaker 8: Them, I'm like, I don't like when people do stuff
- 37:17Speaker 8: like that because if I'm happy about my baby, then
- 37:18Speaker 8: I don't need nobody in my ear like aboard it,
- 37:21Speaker 8: like I ain't like.
- 37:23Speaker 2: It, especially for a career, you know what I mean?
- 37:25Speaker 5: Yeah, Like I still got a whole life to live, Like,
- 37:28Speaker 5: I don't do this for nobody me.
- 37:31Speaker 7: Were you inspired by other people who, like, you know,
- 37:33Speaker 7: like Cardi who said I choose the child over No,
- 37:36Speaker 7: I't think.
- 37:36Speaker 5: About none of that. It's my life. I don't live
- 37:38Speaker 5: for other people.
- 37:39Speaker 2: I really don't.
- 37:40Speaker 5: I do what I want to do. Who did you
- 37:42Speaker 5: listen to growing up?
- 37:43Speaker 6: Like?
- 37:43Speaker 5: Who inspired you?
- 37:44Speaker 15: Yo?
- 37:44Speaker 2: You still?
- 37:45Speaker 5: Can you please just look at me one time?
- 37:48Speaker 2: Oh? She looking at me? All right?
- 37:49Speaker 8: It's a video that you that you did where you
- 37:52Speaker 8: said the most romantic thing that ever happened to you
- 37:55Speaker 8: that a guy is done is rob somebody, Yeah and
- 37:58Speaker 8: then give you the money. Why was that romance to you?
- 38:00Speaker 8: I did say something about that because like, okay, what
- 38:04Speaker 8: if you were the woman that he robbed?
- 38:07Speaker 2: Rob damn? Okay.
- 38:09Speaker 8: I mean not saying like it was right because it
- 38:10Speaker 8: was a dude, but I mean, like, when you're risking
- 38:13Speaker 8: your life for.
- 38:14Speaker 5: Me, that means something to you.
- 38:17Speaker 2: Cool. You cannot ask you.
- 38:23Speaker 5: How by its lost up the same way. That is
- 38:30Speaker 5: all as I was.
- 38:31Speaker 2: You know, how did you Drake?
- 38:33Speaker 5: It's so tight because he was, I mean, like everybody
- 38:37Speaker 5: with me except just he was.
- 38:41Speaker 2: I agree. Now I'm like, damn everybody except for just
- 38:47Speaker 2: on you like that. That's your people, that's your guy,
- 38:49Speaker 2: that's your host.
- 38:50Speaker 5: Is crazy?
- 38:52Speaker 2: Do ak Is get mad at you because you.
- 38:54Speaker 5: No, I didn't even know. That's what they be saying.
- 38:56Speaker 5: People tell me and they like, they probably gonna use
- 38:58Speaker 5: your song to this.
- 39:00Speaker 2: What does it mean?
- 39:00Speaker 5: What is the meaning behind skill? Can you apologize to me? First,
- 39:05Speaker 5: Sexy I oppologize for offending you in any way. I
- 39:09Speaker 5: do not have beef with you.
- 39:11Speaker 8: I just don't agree with everything you're doing. But I
- 39:14Speaker 8: do love you as an artist. I love you as
- 39:17Speaker 8: a woman, right because I heard you listening to my songs,
- 39:19Speaker 8: and then that's that before and then that's I've seen
- 39:23Speaker 8: you down talking to me.
- 39:25Speaker 2: No, ma'am, but you have to know, Sexy Red, you
- 39:27Speaker 2: are a public figure. Now people gonna have.
- 39:31Speaker 7: Talking.
- 39:31Speaker 2: Don't start don't bring that, don't start that, right, Okay,
- 39:36Speaker 2: let's listen, Let's.
- 39:37Speaker 5: Listen a little wild back.
- 39:38Speaker 8: Sexy Red got a lot of attention for saying that
- 39:40Speaker 8: she trusted the wrong guy that gave her chlamydia twice.
- 39:44Speaker 8: And we know that she has never been shy about
- 39:47Speaker 8: the details of her sex life because she told my
- 39:51Speaker 8: video guy when he asked her a question about her
- 39:55Speaker 8: and we got that.
- 39:58Speaker 5: We met her. I'm trying to sorry, I did I
- 40:03Speaker 5: say that.
- 40:05Speaker 2: What's on your list for this ship? Get a lot
- 40:09Speaker 2: of oh, you know what?
- 40:11Speaker 9: Yeah?
- 40:12Speaker 5: That felt like, but who would take that? Seriously?
- 40:14Speaker 2: Can I get that thousand?
- 40:16Speaker 3: No?
- 40:16Speaker 5: No, I told him I was a liar.
- 40:20Speaker 8: But now that you used you see what I said, like,
- 40:24Speaker 8: it ain't yo, it wasn't like That's not the only
- 40:26Speaker 8: clip though, Damn.
- 40:28Speaker 5: I thought that was the worst one. I've literally never said.
- 40:32Speaker 5: I ain'tterping on my uncle.
- 40:33Speaker 4: She she's.
- 40:35Speaker 2: And none of that is How do you how do
- 40:37Speaker 2: you expect people not to react and stuff.
- 40:39Speaker 5: Like that though, And like she said, she'd be playing
- 40:41Speaker 5: you know what I mean?
- 40:42Speaker 8: Now, I feel like everybody just be coming down on me,
- 40:45Speaker 8: like I don't even to say nothing. They just becoming
- 40:47Speaker 8: They be trying to talk about my looks like anything
- 40:49Speaker 8: I'll do that. I have never ever came at her
- 40:52Speaker 8: looks for nothing, never done that to you.
- 40:55Speaker 5: I can never say that. I'm just saying the girl
- 40:57Speaker 5: he I say, look.
- 40:57Speaker 7: Like sexy read around the eyes. She worked here, What
- 41:00Speaker 7: what you mean around the eye. We'll see if she walks.
- 41:04Speaker 7: She had the same glasses.
- 41:09Speaker 5: Everybody. Somebody looked like me, like, yeah, I ain't got something.
- 41:13Speaker 2: Clearly, don't bother you when they say you and thug
- 41:15Speaker 2: are like brothers. Yeah that's my sing, Well, ladies and gentlemen.
- 41:19Speaker 2: Sexy Red here. She has an album, hood Hottest Princess
- 41:22Speaker 2: out now.
- 41:22Speaker 4: And now that we got everything squashed out, we got
- 41:25Speaker 4: more with Sexy Red when we come back. It's the
- 41:26Speaker 4: Breakfast Club. Good morning morning everybody in j n V.
- 41:30Speaker 4: Charlamage the god we are. The Breakfast Club was still
- 41:33Speaker 4: kicking it with Sexy Red jests Hilaris as our guest
- 41:35Speaker 4: co host, yess, so do you do you know what.
- 41:38Speaker 5: Gender the baby is? Nope, Nope, you don't want to
- 41:41Speaker 5: know yet?
- 41:41Speaker 2: No, okay, you don't believe in baby reveals. I feel
- 41:43Speaker 2: like you have a fire gender.
- 41:45Speaker 5: I was gonna have a fire gender review, but no,
- 41:47Speaker 5: I ain't.
- 41:47Speaker 2: Gonna do it.
- 41:48Speaker 5: I ain't gonna do it.
- 41:49Speaker 7: Yeah, well you didn't want to do it just because
- 41:51Speaker 7: just because like I got too much going on, like
- 41:54Speaker 7: my life too busy.
- 41:55Speaker 8: I ain't my baby was gonna be like last minute,
- 41:58Speaker 8: like right before do so are you happy, Red, like genuinely, yeah, okay,
- 42:04Speaker 8: I'm happy.
- 42:05Speaker 5: I love money.
- 42:07Speaker 2: I love money that you gotta get it February. You
- 42:12Speaker 2: love all of this, you gotta do That's.
- 42:14Speaker 5: What I returned, And then I'm always busy.
- 42:17Speaker 2: It just be Have you adjusted to the fame over all?
- 42:20Speaker 8: No, because I still be saying maybe like you know,
- 42:23Speaker 8: they gonna take it in and twisted, like I don't
- 42:24Speaker 8: be knowing what to say what, and like I just
- 42:27Speaker 8: still feel like I'm just a regular, you know.
- 42:30Speaker 5: I don't be feeling like I'm no celebrity. People be
- 42:33Speaker 5: putting cames on my face. I'm like, why was they
- 42:34Speaker 5: doing all it? Like they be like this will comes
- 42:36Speaker 5: with it. I don't be with at it though.
- 42:38Speaker 2: Yeah, was you really Drake? That was another thing I
- 42:40Speaker 2: saw in there after you about drink.
- 42:42Speaker 5: No, see doesn't say she's playing to know what you're playing?
- 42:46Speaker 2: Text you Red and that.
- 42:47Speaker 5: Y'all they take it.
- 42:48Speaker 8: I feel like people take the internet too serious. That's
- 42:50Speaker 8: why I be messing with y'all. I play with your
- 42:53Speaker 8: heads like that. Y'all not gonna really know what's going on, y'all,
- 42:55Speaker 8: Just y'all believe anything y'all see. I don't believe everything
- 42:58Speaker 8: I see on in there.
- 42:59Speaker 2: I be like, man, that's real.
- 43:00Speaker 8: There's gotta be fake. I'd be like, man, I don't
- 43:01Speaker 8: believe it until I see the proof. Then I'll be like, Okay,
- 43:04Speaker 8: I'm believe in it. So what a lot of Do
- 43:07Speaker 8: you ever feel a way about seeing little kids online
- 43:11Speaker 8: reciting your lyrics or like, you know, a lot for
- 43:14Speaker 8: this past Halloween, a lot of moms dressed their daughters
- 43:16Speaker 8: up as sexy red you know, how do you feel
- 43:18Speaker 8: about Does that make you feel the way always like
- 43:20Speaker 8: cause you're not obligated to be anybody's roll out, or do.
- 43:22Speaker 5: You feel a type of way about it?
- 43:23Speaker 17: No?
- 43:23Speaker 5: I feel like this, what's up?
- 43:25Speaker 15: Right?
- 43:25Speaker 8: Because when I was little, I mean, we looked up
- 43:27Speaker 8: to the older girls and stuff, even the ones that
- 43:30Speaker 8: was bad, Like just because they do bad stuff, they don't.
- 43:33Speaker 5: Mean like they are a person.
- 43:35Speaker 8: Now there ain't no bad people. We still looked up
- 43:37Speaker 8: to them. You know they was probably talking crazy or
- 43:40Speaker 8: they don't mean nothing. They just spoke with my personality.
- 43:43Speaker 7: I feel like, I think when you come from a
- 43:44Speaker 7: certain environment, you learn not to judge people for what
- 43:46Speaker 7: they do when they in survival more.
- 43:48Speaker 8: Yeah, that's what I'm saying, Like, I don't be judging nobody.
- 43:50Speaker 8: I've been like that though. I just let everybody do
- 43:52Speaker 8: them because you never know what they going through. So
- 43:55Speaker 8: I'll just be like, maybe they did that for a reason,
- 43:57Speaker 8: So I don't get mad at nobody.
- 43:58Speaker 7: You got people from your hood leaning on you as
- 44:00Speaker 7: far as like financials, Like, yo, rad, I know you
- 44:02Speaker 7: got it.
- 44:03Speaker 2: Throw me something.
- 44:05Speaker 8: I just heard that somebody was in the hood talking
- 44:07Speaker 8: stuff about me, talking about I ain't putting no guns
- 44:09Speaker 8: in the hood and I ain't doing this and that.
- 44:10Speaker 2: I'm like, what I mean.
- 44:12Speaker 8: I'll be throwing block parties, are to have it, barbecue,
- 44:14Speaker 8: ice cream, like bouncing out.
- 44:16Speaker 5: I'll be doing all kinds of stuff for the hood.
- 44:18Speaker 5: So I'm like, that's crazy.
- 44:19Speaker 2: Why do you want you to put guns in the hood.
- 44:21Speaker 5: They think I'm protect y'all get it, Like I got it.
- 44:24Speaker 4: Yeah, what I did Rich Baby Daddy was your verse
- 44:27Speaker 4: actually longer because it seems like it was short.
- 44:29Speaker 8: Yes, it was to Drake cut the verse, yeah, and
- 44:32Speaker 8: he cut pieces up because the beat wasn't even on
- 44:35Speaker 8: their beat, it was on another beat. And I had
- 44:38Speaker 8: did a verse like a sixteen boy and probably a
- 44:42Speaker 8: little hook, and then he cut it up, chopped it.
- 44:45Speaker 5: He put two different songs together. Really, Yeah, it was
- 44:48Speaker 5: two different songs.
- 44:49Speaker 2: That should have been your song. That should have been.
- 44:53Speaker 7: I just think it would have took off more if
- 44:54Speaker 7: it was. It was from just the number one ride
- 44:57Speaker 7: number the number one. I think Drake Manne take Yeah,
- 45:00Speaker 7: I know, I like director.
- 45:01Speaker 2: I love the record.
- 45:02Speaker 5: Actually, y'alling or you saw that turning up?
- 45:09Speaker 2: Did you see the conversation we had about your lyrics?
- 45:11Speaker 15: Right?
- 45:11Speaker 7: And I was saying that every generation there's a woman
- 45:15Speaker 7: rapper who pushes the boundary of lyrics, Like you're not
- 45:17Speaker 7: really doing nothing different than Little Kim was doing, or
- 45:21Speaker 7: even Salt and Pepper in the eighties, Like everybody sitting
- 45:24Speaker 7: edgy for that time.
- 45:25Speaker 8: That's all I be saying, Like people begintting on me,
- 45:27Speaker 8: but I'd be like, why is that the only thing
- 45:29Speaker 8: y'all heard? When I say something about it, they take
- 45:32Speaker 8: the and just that's all she's talking about.
- 45:35Speaker 5: Like, what that's all y'all got from there? I'll be
- 45:37Speaker 5: saying all kinds of.
- 45:37Speaker 2: Stuff in myself, I mean to be fair. The hook
- 45:39Speaker 2: is called Booty Brown. That is the hook the song.
- 45:43Speaker 2: That song was.
- 45:43Speaker 5: Strictly about Poundtown, So that's that's nothing.
- 45:46Speaker 8: Yeah, But if I have others, yeah, catalog where you're
- 45:50Speaker 8: not just talking about Yeah, you're like, why do y'all
- 45:52Speaker 8: think I just rap about that all day?
- 45:53Speaker 7: Like I understand if that's the only song somebody's heard,
- 45:56Speaker 7: I can understand why they come to that conclusion.
- 45:58Speaker 5: Do you have a favorite song so far of your
- 46:00Speaker 5: own Poundtown? Because it got me out the trenches?
- 46:04Speaker 2: Yeah, time got you out the trenches. I love it.
- 46:08Speaker 8: I knew I knew it was though. Like when I recorded,
- 46:10Speaker 8: I came out the booth, I'm like, this is the one.
- 46:11Speaker 5: This is gonna get me out the hood. I told everybody.
- 46:14Speaker 2: So when your team heard that hook, what.
- 46:16Speaker 15: Was that was?
- 46:17Speaker 5: Everybody was laughing.
- 46:17Speaker 8: We was all in the studio laughing because I was freestyling.
- 46:21Speaker 8: And then they was like, be serious, Like this ain't serious,
- 46:23Speaker 8: You ain't serious. Be serious, And he was like, this
- 46:25Speaker 8: is gonna be it I'm like this, they gonna like it.
- 46:27Speaker 8: They're gonna trust me, and they like, no, they wouldn't
- 46:30Speaker 8: believe me that song. They was just like, but now
- 46:35Speaker 8: they'd be like, Okay. She knows, she's strategized, she know
- 46:37Speaker 8: what she's talking about.
- 46:37Speaker 5: She knows what her people like.
- 46:39Speaker 15: Now.
- 46:39Speaker 7: People said that you lead your sex tape on purpose
- 46:41Speaker 7: because because of poietoime you wanted them to show.
- 46:44Speaker 2: You wanted them to show you wanted your show color.
- 46:47Speaker 8: No, that was the weakest video, bro. I was tired,
- 46:50Speaker 8: I'm fat, pregnant, didn't even feel like doing so that's
- 46:52Speaker 8: what I'm like.
- 46:53Speaker 2: And then that's the one that you leaked.
- 46:55Speaker 5: I got all kind of stuff, the stuff.
- 46:56Speaker 2: You get leaked in twenty three.
- 46:58Speaker 5: I don't know. No, it was in the moment and
- 47:03Speaker 5: then set the phone down. But I ain't the wing
- 47:05Speaker 5: that did it.
- 47:06Speaker 8: It was in the MoMA, set the phone down through
- 47:08Speaker 8: it and then you know, and then it had excellently pressed.
- 47:11Speaker 4: She said, she got all types of work phone. You
- 47:13Speaker 4: don't delete it now. Now after that, it's don't you
- 47:17Speaker 4: all got.
- 47:19Speaker 5: I don't know why they line I did you know
- 47:21Speaker 5: what I'm saying? Man? When I say like I could
- 47:24Speaker 5: really go viral.
- 47:25Speaker 2: I could be for reasons like that somebody break into
- 47:29Speaker 2: your phone.
- 47:29Speaker 5: No, nobody broke into my phone. I already know what happened.
- 47:33Speaker 5: I could really be a start if I post the
- 47:36Speaker 5: real stuff.
- 47:36Speaker 7: I think you should tell people what happened so it
- 47:38Speaker 7: don't happen to other people that just did you said
- 47:41Speaker 7: you just.
- 47:41Speaker 2: Through the phone and okay, this is what happened.
- 47:44Speaker 8: It was on Instagram like a little short clip video
- 47:47Speaker 8: like just making me on Instagram and saved it to
- 47:50Speaker 8: the phone, then through the phone, but the video still
- 47:52Speaker 8: was on my screen and then through the phone and
- 47:56Speaker 8: it got excellently pressed.
- 47:57Speaker 5: Like that like sent to public.
- 48:00Speaker 8: Yeah, like who's gonna do that on purpose? I was
- 48:02Speaker 8: like what And this was the way is being like,
- 48:04Speaker 8: y'all really don't want me to post the real ones?
- 48:06Speaker 5: Man, I turns up. I don't think that you posted
- 48:10Speaker 5: it yourself.
- 48:10Speaker 8: I don't think you looked at yourself because you you
- 48:13Speaker 8: it was a it took you a minute to post
- 48:14Speaker 8: again like you you didn't go on line.
- 48:16Speaker 5: I was like it was a minute.
- 48:20Speaker 2: I was, yeah, who was a just man yourself?
- 48:23Speaker 5: Like, well that had happened period. Yeah, I ain't the
- 48:26Speaker 5: one daddy.
- 48:27Speaker 2: It wasn't me, so somebody did it.
- 48:29Speaker 8: Yes it was No, it was an accident, but it
- 48:33Speaker 8: still was like you dumb, like pay attention to be
- 48:35Speaker 8: smarter than you, moving too loose.
- 48:37Speaker 2: Like yeah, yeah, okay, are you in love now? Sexy?
- 48:43Speaker 5: Rec Yeah with the money because.
- 48:46Speaker 7: Everybody wondering who your daddy is? It might be No,
- 48:51Speaker 7: don't do that, I'm a man. Yeah, be a macular conception.
- 48:58Speaker 5: Did you see Charlom before he you know, had done?
- 49:02Speaker 2: I was her tight?
- 49:03Speaker 5: Yeah? No, hell no, not what you get done?
- 49:08Speaker 7: Let me just bad discoloration at least the skin, really
- 49:13Speaker 7: bad discoloration at least the skin.
- 49:15Speaker 5: Yeah right there, Oh for real, I look.
- 49:20Speaker 2: Like your first baby daddy in hell?
- 49:21Speaker 5: No, right right? You're doing different though, Yeah I was
- 49:28Speaker 5: done too, Just so just know what the baby is is?
- 49:32Speaker 5: That ain't what it's different.
- 49:40Speaker 2: Would you ever want to get married? Text?
- 49:42Speaker 15: Right?
- 49:42Speaker 5: You think I feel like marriage? That ain't real? You
- 49:47Speaker 5: could sign you can have a whole ceremony and still
- 49:49Speaker 5: get cheated on. Yeah, I'll do it just to do it, like,
- 49:52Speaker 5: because it looks.
- 49:52Speaker 8: Like it looked like a good time. You your love
- 49:56Speaker 8: in front of everybody. But I feel like that alida,
- 49:58Speaker 8: is you just confessing your love in front of the people.
- 50:00Speaker 2: So it's the cheating, Like the cheating people be doing
- 50:04Speaker 2: some wrong stuff.
- 50:04Speaker 7: You could be in a real relationship with somebody who
- 50:06Speaker 7: love you and it might be something fideli on both sides.
- 50:09Speaker 6: No, it's not.
- 50:10Speaker 8: What's the one of us doing all this in front
- 50:12Speaker 8: of people, like we're gonna be together and not mess
- 50:14Speaker 8: with other people like it be married people catching a's
- 50:17Speaker 8: and stuff that's not right.
- 50:21Speaker 5: Yeah, you talk about it.
- 50:24Speaker 2: Yeah, okay, I.
- 50:25Speaker 5: Mean only because I got cheated on. But I don't
- 50:27Speaker 5: be the cheating first.
- 50:28Speaker 2: And that doesn't mean you don't love the person.
- 50:30Speaker 8: Right, But that don't that don't mean like I could
- 50:34Speaker 8: be faithful. I could be real faith when I look
- 50:35Speaker 8: like but once you tell me you not faithful, and
- 50:38Speaker 8: it's like, what is we doing?
- 50:39Speaker 5: Why I gotta be faithful to them?
- 50:41Speaker 2: We got more with Sexy Red when we come back,
- 50:43Speaker 2: don't move. It's the breakfast Club.
- 50:45Speaker 4: Good morning morning, everybody in DJ A n B. Charlamagne
- 50:48Speaker 4: to God, we are the breakfast Club. We're still kicking
- 50:50Speaker 4: it with Sexy Red.
- 50:52Speaker 2: Yes that's number thirteen.
- 50:53Speaker 5: Number These ain't my question. There's romans that.
- 51:02Speaker 8: This is what they want me ask. There's rumors that
- 51:04Speaker 8: you in nl e chot but was a thing for
- 51:06Speaker 8: a minute. What happened with Who made that?
- 51:09Speaker 5: Right? I ain't it?
- 51:11Speaker 14: Yeah?
- 51:12Speaker 5: I never thought that.
- 51:12Speaker 2: Why do you think I would do something like that?
- 51:14Speaker 5: Why you ask? You're not you?
- 51:16Speaker 2: I didn't want to ask you about sleeping with somebody,
- 51:18Speaker 2: but I remember.
- 51:19Speaker 7: I know, I just I know I like to lie too, sexy. No,
- 51:23Speaker 7: I don't be talking about I don't be asking questions
- 51:25Speaker 7: like that.
- 51:26Speaker 5: No, man, at least never knowing why would we? I
- 51:29Speaker 5: ain't no industry. That's what I want to know. I
- 51:32Speaker 5: ain't had six with nobody. They be choosing though, for sure.
- 51:36Speaker 8: Yeah, if you want people be on the end there
- 51:40Speaker 8: trying to she ugly I did based with the six
- 51:43Speaker 8: y read people find the sixty red on the block.
- 51:45Speaker 8: If didn't be the same in my inbox, and I
- 51:47Speaker 8: probably ignored them with someone like.
- 51:49Speaker 5: To be really choosing for real?
- 51:51Speaker 7: I think sexy really still be hoodye at home cooking,
- 51:56Speaker 7: and I think you wanted you a good domesticated woman.
- 51:59Speaker 2: That's what I man, clearly do you.
- 52:02Speaker 7: That's why she's pregnant now and he know that that's
- 52:05Speaker 7: what I mean when I say, it's just real, I
- 52:07Speaker 7: believe if you are who you say you are, but
- 52:09Speaker 7: I believe like all of that.
- 52:12Speaker 2: You mean you about that with him.
- 52:14Speaker 8: That's what I'm saying when people bringing up that stuff
- 52:16Speaker 8: about like when I said I had cock comedia, it wasn't.
- 52:19Speaker 5: My fuck we cheating. That ain't my damn fauck.
- 52:23Speaker 8: Yeah no, no, no, it was when you said you
- 52:25Speaker 8: spent the block on him, it was I mean, you
- 52:27Speaker 8: spent okay, all right, so all right, I got you
- 52:30Speaker 8: all right.
- 52:32Speaker 2: Yeah, that's when that's like the free money you got. Yeah,
- 52:36Speaker 2: that's daddy he gave you. Comedian.
- 52:42Speaker 7: She just said that reirst of all? Is he upset
- 52:45Speaker 7: you pregnant? Now I know that you can't wait to
- 52:47Speaker 7: come home to try.
- 52:48Speaker 4: To get you.
- 52:49Speaker 5: Yeah, but he not like trying to fight me, me
- 52:51Speaker 5: and my baby. Real cool, like okay, he he knows.
- 52:54Speaker 5: Like I mean, sometimes people thay self a situation like
- 52:57Speaker 5: you left me, yeah with your.
- 52:59Speaker 2: Son, so I ain't leave. It's not like you wanted
- 53:01Speaker 2: to go.
- 53:02Speaker 15: He was.
- 53:02Speaker 5: He was doing to make yourself like you know, was
- 53:05Speaker 5: he coming home? I don't know soon.
- 53:07Speaker 2: Hopefully that's big cheese you got pregnant while he was
- 53:10Speaker 2: locked up.
- 53:11Speaker 5: Nah, that's big did We wentn't together though my baby day.
- 53:17Speaker 8: He broke up when my son was six months, my
- 53:19Speaker 8: son three now, but we always was like still cool.
- 53:22Speaker 8: He still was coming off of my house. He knew
- 53:24Speaker 8: I ain't had no other like. I just was to
- 53:26Speaker 8: stay at home mama doing me like before a Pantown drop.
- 53:29Speaker 8: I just was at home with my son because.
- 53:31Speaker 5: I can't do. I got my son all the time.
- 53:33Speaker 2: Was he supportive when he was rapping?
- 53:34Speaker 7: Was?
- 53:34Speaker 5: Yeah, he was very supportive. He used to get my
- 53:37Speaker 5: son whenever I had a show, whatever.
- 53:38Speaker 2: I had to do. And what were you doing before
- 53:40Speaker 2: you were rapping, before you decided to rap?
- 53:42Speaker 9: I was doing her.
- 53:43Speaker 5: Yeah, I used to do her. Saint Louis Dad, I.
- 53:45Speaker 2: Was doing her like installations, installations.
- 53:48Speaker 5: Everything, Yeah, braids all that last year.
- 53:51Speaker 2: I did show me somebody here you did. He was good.
- 53:59Speaker 7: Saint Louis was going to I was the hood out
- 54:01Speaker 7: of her stuff to show me.
- 54:03Speaker 5: That's how everybody knew me because I was doing everybody
- 54:05Speaker 5: heard saw you.
- 54:06Speaker 2: Go tohead to start rapping. What made you start rapping?
- 54:08Speaker 8: In my baby Diddy this one he was my boyfriend.
- 54:11Speaker 8: At the time he had he was cheating on me.
- 54:14Speaker 8: He used to my first baby. I'm like, God, he
- 54:16Speaker 8: used to always cheat on me.
- 54:18Speaker 2: Is he sick now that now that you're successful to
- 54:19Speaker 2: call you all the time like hey, nah?
- 54:21Speaker 8: But he they be in jail, like talking about me
- 54:24Speaker 8: and stuff, so he heard everything. But nah, he was
- 54:27Speaker 8: just cheating on me all the time. And then I
- 54:29Speaker 8: had made this song about him because it was just
- 54:31Speaker 8: like he was cheating all the time. You know a
- 54:34Speaker 8: lot of bases, but he's wanted you know that he
- 54:36Speaker 8: really liked. I've seen the whims. I'm like, oh, I can't.
- 54:38Speaker 8: I hated this be so bad. You ain't do nothing,
- 54:41Speaker 8: Oh baby, y'all.
- 54:42Speaker 5: Did that's the point of the store.
- 54:44Speaker 7: I did.
- 54:44Speaker 5: I definitely did.
- 54:46Speaker 2: Got pressed. You read down on him, on her him.
- 54:50Speaker 5: I didn't call my baby daddy so much. I didn't.
- 54:52Speaker 2: Are you the key calls? You broke wind flat tight?
- 54:56Speaker 5: Cause what's the first thing you done?
- 54:57Speaker 2: Did you x? Or it's caused property?
- 55:00Speaker 5: The worst thing I did is got pregnant.
- 55:04Speaker 8: For real because my baby daddy, we said we'll never
- 55:07Speaker 8: have babies outside the shop, my only baby daddy.
- 55:11Speaker 5: But that was like, that's just something we both.
- 55:14Speaker 2: Was like, you did that on purpose. You couldn't wait
- 55:16Speaker 2: to tell him.
- 55:16Speaker 8: I ain't do that on purpose. I was scared to
- 55:18Speaker 8: tell him. Everybody was telling him. I knew I was pregnant,
- 55:21Speaker 8: but everybody was already snitching on me. I'm like, no,
- 55:23Speaker 8: that's not true.
- 55:24Speaker 2: Like, so you're looking at dead in his face, lining
- 55:26Speaker 2: knowing you in jail, knowing you ain't had a period.
- 55:29Speaker 5: He was in jail knowing that you ain't have a period. Hey, yo, nah,
- 55:34Speaker 5: But look, he was my baby daddy. He used to
- 55:36Speaker 5: be cheating on me.
- 55:37Speaker 8: So I had made a this song about him, and
- 55:39Speaker 8: then he was like I rapped it to him, Like dang,
- 55:42Speaker 8: that was hard. So then that's when we'd be in
- 55:44Speaker 8: the choir around his friends. He like, rap your songs
- 55:46Speaker 8: to them, showing me your song. So now I rapped
- 55:49Speaker 8: the song. They like, oh, you actually know how to rap.
- 55:50Speaker 8: So I'm like, for real, y'all it. Then that's when
- 55:53Speaker 8: I just went to the studio and made a real sir.
- 55:55Speaker 7: But I'm sure a lot of people in Saint Louis
- 55:56Speaker 7: look up to you because they can see themselves and you.
- 56:00Speaker 5: I'm relatable for real, like just a rag wall girl
- 56:02Speaker 5: from the North Side for real, Like.
- 56:04Speaker 2: When you was on stage barefoot and pregnant doing the
- 56:06Speaker 2: chicken ad.
- 56:07Speaker 5: My feet was hurt because when you because when she
- 56:11Speaker 5: did she got he was on you could telling her,
- 56:13Speaker 5: so she's like to just do it.
- 56:16Speaker 8: I hate wearing heels on stage. I want them to
- 56:18Speaker 8: get you some nice red slippers though.
- 56:20Speaker 2: Yeah, because you don't know what's.
- 56:22Speaker 5: Going on with these stages. You don't know if they
- 56:24Speaker 5: clean these stages.
- 56:25Speaker 2: Like no, I'm just saying the stage is dirty.
- 56:27Speaker 5: The stage.
- 56:29Speaker 15: Know.
- 56:29Speaker 8: Soon as I get on stage, I got my people's
- 56:31Speaker 8: right there. Soon like soon as I walk on for me,
- 56:35Speaker 8: I sit there, they got the disinfecting white. Yeah, all
- 56:38Speaker 8: my shoes they clean all that. Ye, Like, soon as
- 56:42Speaker 8: I got I got videos. Soon as I get off stage,
- 56:44Speaker 8: they got every time.
- 56:45Speaker 2: Well, Sexy, we glad that you could join us so much.
- 56:49Speaker 2: I'm mad.
- 56:49Speaker 8: I'm mayby that you did come. I'm mayby that you
- 56:52Speaker 8: look she was honest. I'm happy that you was honest.
- 56:55Speaker 8: I'm happy that I got you to look at me
- 56:56Speaker 8: and all of that. And I appreciate you, man, Yeah,
- 56:59Speaker 8: I appreciate I've had that me just can't.
- 57:01Speaker 2: Talk about you no more. No, no ever know she
- 57:06Speaker 2: be trolling. She just came up and sad.
- 57:09Speaker 8: No, she just came up and said, I'll be trolling
- 57:11Speaker 8: like I'm I'm regular that if y'all think this, I'm
- 57:14Speaker 8: gonna let y'all think that.
- 57:15Speaker 5: I'm just I don't be. I don't know nothing of like, yeah,
- 57:18Speaker 5: I don't clear rumors like you heard, believe it.
- 57:21Speaker 2: That's all you got you.
- 57:22Speaker 7: Yeah, you gotta know me to know me, like yeah,
- 57:25Speaker 7: because we don't know none of these people online to
- 57:27Speaker 7: who give it about their opinion anyway?
- 57:29Speaker 15: Right?
- 57:29Speaker 8: Who cries about what other people is doing? Is what
- 57:31Speaker 8: I be wanting to know because I don't. That's what
- 57:33Speaker 8: I don't understand. I don't be tripping off with nobody
- 57:35Speaker 8: else got going on because it's like they the ones
- 57:37Speaker 8: gotta live their life, not me, So I don't.
- 57:39Speaker 5: That's what I'm saying. I don't be guent people. I
- 57:40Speaker 5: just don't care.
- 57:42Speaker 2: You don't like to read, No, okay, because you wear glasses, y'all.
- 57:51Speaker 5: Glasses don't mean that.
- 57:55Speaker 2: Let's get out of here.
- 57:56Speaker 7: Sexy ladies and gentlemen appreciate you sexy, don't it's the
- 58:01Speaker 7: breakfast club morning.
- 58:03Speaker 2: I still.
- 58:08Speaker 5: Definitely it's great.
- 58:11Speaker 2: It's a fantastic record.
- 58:12Speaker 4: We're on the Breakfast Club. Good morning, Jess Larrius is here,
- 58:15Speaker 4: the host. I'm glad you are sexy red squashed beef
- 58:17Speaker 4: that you didn't know you had.
- 58:18Speaker 2: I didn't know.
- 58:19Speaker 5: I didn't know beef, didn't know. I didn't know.
- 58:22Speaker 2: It's understanding.
- 58:23Speaker 8: It wasn't a beef beef. She just was trying to
- 58:26Speaker 8: stand on business. She was standing on that, and she
- 58:30Speaker 8: was standing on that. I said, it was funny, but
- 58:33Speaker 8: I get where she was coming from.
- 58:34Speaker 15: You.
- 58:34Speaker 7: She said she likes she's a fan of she likes
- 58:37Speaker 7: just and it's always like that with comedians, right, every.
- 58:41Speaker 2: They're so funny.
- 58:44Speaker 5: Yeah, but that's why I even talk about myself. I
- 58:47Speaker 5: don't even really care.
- 58:48Speaker 8: I don't.
- 58:48Speaker 5: I don't have any real issues with anybody. That's not personal.
- 58:52Speaker 5: It's just all, you know, it's funny and it's all
- 58:55Speaker 5: in good love.
- 58:56Speaker 2: Life is too short to take things serious.
- 58:57Speaker 8: It really is, correct, it really is. But no, that
- 58:59Speaker 8: was a pretty good interview though. I'm happy that that
- 59:01Speaker 8: we did talk about that.
- 59:03Speaker 2: That's right. Well, Jess is here. Let's get to Jess
- 59:05Speaker 2: with the message.
- 59:09Speaker 7: Jessica.
- 59:09Speaker 5: Robert Moore just don't do.
- 59:11Speaker 2: Then this is the rumor report.
- 59:14Speaker 5: I don't do that, Scots, it's just.
- 59:18Speaker 2: On the breakfast clubs.
- 59:22Speaker 8: Oprah speaks on why Beyonce and Rihanna weren't casted for
- 59:26Speaker 8: The Color Purple. During a recent interview, Oprah shared that
- 59:29Speaker 8: people expected her to cast powerhouse celebrities like Beyonce Arihanna
- 59:32Speaker 8: for the Color Purple remake.
- 59:34Speaker 5: The movie had about one hundred million in budget. Wow.
- 59:38Speaker 8: One hundred million to make the movie. Wow, And there's
- 59:41Speaker 8: immense pressure for the movie to be a box office hit.
- 59:44Speaker 8: I mean if somebody putting up one hundred million, so
- 59:47Speaker 8: of course they want like big names, bigger names, you know.
- 59:50Speaker 8: And she said, listen, we love Beyonce, we love Rihanna,
- 59:54Speaker 8: but there there are other actors who can do this job.
- 59:57Speaker 8: Oprah recalled that going after Beyonce Arihanna was no negotiable,
- 1:00:00Speaker 8: considering Beyonce was busy with the Renaissance tour and Rihanna
- 1:00:04Speaker 8: had just had her second child. Now, even though people
- 1:00:06Speaker 8: wanted Beyonce and Rihanna, Oprah still secured an amazing cast
- 1:00:10Speaker 8: Fanca Brino, Taraji p Henson, Hallie Bailey, Danielle Brooks. Sorry,
- 1:00:15Speaker 8: I'm cracking. Danielle Brooks, David Allen Gred who I ain't
- 1:00:18Speaker 8: seen in a minute.
- 1:00:19Speaker 5: That is my guy.
- 1:00:21Speaker 8: No play Danny Glover. Danny Glover, he's gonna play, my mister.
- 1:00:29Speaker 8: That's that's what I'm assuming her. H the singer Sierra Okay,
- 1:00:34Speaker 8: Deon Cole and many other talented people.
- 1:00:36Speaker 5: I can't wait. That's like that is that is a powercast.
- 1:00:39Speaker 7: I said this yesterday when we were just talking behind
- 1:00:41Speaker 7: the scenes. You know, Fantasia is already fantasious. She established correct.
- 1:00:45Speaker 7: This role right here is gonna take Fantasia to a
- 1:00:46Speaker 7: whole other. Yeah, a whole She's very challenging.
- 1:00:50Speaker 5: Yeah she is.
- 1:00:50Speaker 2: She's dope. I love it.
- 1:00:52Speaker 8: And then she just you know, she just killed the
- 1:00:53Speaker 8: star spangle. I mean, uh, national anthem at one of
- 1:00:56Speaker 8: them games too.
- 1:00:57Speaker 5: She killed it. Y'a ain't see it. Oh, y'all, don't
- 1:00:59Speaker 5: be fan attend. No, she she actually looks she looked good,
- 1:01:03Speaker 5: and she killed that. She always murdered that though.
- 1:01:07Speaker 7: That that's something like when fantast your badfoot, when fantastic badfoot,
- 1:01:10Speaker 7: that she's gonna be hitting something when.
- 1:01:11Speaker 8: Her eyes rolled up in the back head. That's how
- 1:01:13Speaker 8: you know them notes rade, They're about to go to
- 1:01:15Speaker 8: the next level, all right. More celebrities added to the
- 1:01:17Speaker 8: cast of BMF for season three. It was announced that
- 1:01:20Speaker 8: Little Baby Sweetie and Cynthia Bailey from Real Housewives of
- 1:01:24Speaker 8: Atlanta will.
- 1:01:25Speaker 2: Be joining the b m F Castphi is this uh?
- 1:01:28Speaker 6: This?
- 1:01:28Speaker 5: This is the one that fifty is doing on starts.
- 1:01:35Speaker 15: I was.
- 1:01:38Speaker 7: Right.
- 1:01:38Speaker 8: I was just asking, I was you and you want
- 1:01:41Speaker 8: the BMF And I was just kidding. I'm in the
- 1:01:43Speaker 8: first Lady of BMF with Tnisa Welch. That's Judge Matthews
- 1:01:46Speaker 8: and Vivica Fox.
- 1:01:47Speaker 5: Yeah, don't you.
- 1:01:49Speaker 2: I did not know. I was not trying to be funny,
- 1:01:54Speaker 2: all right. Sorry.
- 1:01:55Speaker 5: They are the newest editions after two.
- 1:01:57Speaker 8: Chains and Neil were already added to the cast for
- 1:01:59Speaker 8: season Okay to Chains and the Oh, I see he's
- 1:02:01Speaker 8: casting a lot of artists. This will be Little Baby's
- 1:02:04Speaker 8: acting debut, and he'll play pain and eager to learn
- 1:02:08Speaker 8: foot soldier out of Atlanta, Georgia, because yeah, that's all
- 1:02:11Speaker 8: that asks sint Gogam. I'm telling you it can get
- 1:02:14Speaker 8: him in movies, but you're gonna have to play the
- 1:02:16Speaker 8: country roles. I swear, all right, Sweetie plays Kia, a
- 1:02:20Speaker 8: former college athlete who's now on the streets in Saint Louis.
- 1:02:24Speaker 8: Cynthia Bailey plays Gloria, detective Brian's hard working next wife.
- 1:02:27Speaker 8: Season three of BMF Stars returns March first, twenty twenty four.
- 1:02:31Speaker 8: We also want to take this time to congratulate fifty
- 1:02:33Speaker 8: He recently shared that he purchased a production lot in
- 1:02:36Speaker 8: shrive Port, Louisiana for G Unit Films and Television.
- 1:02:39Speaker 2: That's dope.
- 1:02:39Speaker 5: Yes, we got a little bit of a report. I
- 1:02:41Speaker 5: want to hear rid. Let me a.
- 1:02:43Speaker 3: Decision has been made about Curtis fifty cent Jackson and
- 1:02:45Speaker 3: Millennium Studios.
- 1:02:46Speaker 5: It is our top story this.
- 1:02:48Speaker 2: Yearning NBC is.
- 1:02:49Speaker 3: Miriam Shamacke joins us now a live from government Plaza,
- 1:02:52Speaker 3: sharing details, Hi.
- 1:02:54Speaker 5: Dan and Jackie.
- 1:02:55Speaker 17: Yes, there is a lot to unpack from city council today,
- 1:02:58Speaker 17: beginning with that contract with the city and fifty Cents
- 1:03:01Speaker 17: production company G Unit Films now Shreveport City Council voted
- 1:03:05Speaker 17: unanimously in favor of the lease agreement. The lease will
- 1:03:09Speaker 17: be for thirty years, with an option to renew for
- 1:03:11Speaker 17: an additional fifteen years.
- 1:03:13Speaker 7: It's about time that something good like this happens, you know,
- 1:03:16Speaker 7: I think it's gonna Yeah.
- 1:03:17Speaker 5: So a lot of people are in support of that.
- 1:03:19Speaker 8: I really do love that fifty hopes to bring more
- 1:03:22Speaker 8: job opportunities to people of Shreveport, Louisiana with this deal.
- 1:03:26Speaker 5: Y'all y'all think that he'll let me be on. He
- 1:03:29Speaker 5: had cast me in his power.
- 1:03:30Speaker 2: He need something, I know.
- 1:03:32Speaker 8: But now that I did first Lady of bm F,
- 1:03:34Speaker 8: you think is like an absolute no, no, no, I'm
- 1:03:37Speaker 8: gonna say, okay.
- 1:03:38Speaker 2: Yeah, y'all want to for fifty, we can forget about
- 1:03:42Speaker 2: First Lady of BMF. I think he damn yo, you
- 1:03:44Speaker 2: can't what No, I don't mean it like that.
- 1:03:47Speaker 8: Many are you trying to black ball first Lady of
- 1:03:49Speaker 8: being Madison is trying.
- 1:03:50Speaker 2: To playing all the black I think I think fifty
- 1:03:56Speaker 2: with you and something.
- 1:03:58Speaker 6: Yeah, he is.
- 1:04:00Speaker 5: You know, he's such a busy guy, so hopefully he does.
- 1:04:02Speaker 8: He has a lot of shows green lip that he
- 1:04:03Speaker 8: told me that I'm gonna get a job and we'll
- 1:04:05Speaker 8: see I know, right, that's yeah. They say we favor
- 1:04:08Speaker 8: in the forehead, so I'm trying to see what's up
- 1:04:10Speaker 8: with that.
- 1:04:10Speaker 4: But he has a lot of he has a lot
- 1:04:11Speaker 4: of ideas for street sports, just to bring just a
- 1:04:14Speaker 4: culture and different community out there. He's gonna do not
- 1:04:17Speaker 4: just the movies and the TV and the directing and
- 1:04:19Speaker 4: the acting in that film space, He's gonna bring a
- 1:04:21Speaker 4: lot to the city. Way you guys here and see that.
- 1:04:24Speaker 4: And also, I was gonna say you talked about little Baby.
- 1:04:27Speaker 4: People said that about t I too, with his accent
- 1:04:29Speaker 4: was so strong, he wasn't gonna be able to act
- 1:04:30Speaker 4: and do other things, and he proved them wrong because
- 1:04:33Speaker 4: I has been able to do things.
- 1:04:34Speaker 2: Yeah.
- 1:04:34Speaker 8: No, I ain't say that little Baby a't gonna be
- 1:04:36Speaker 8: able to act, but he's going to until he get
- 1:04:38Speaker 8: like you know, like it's like something like the speech
- 1:04:40Speaker 8: something not Yeah four actors, you know, to get out
- 1:04:44Speaker 8: of there when your accent is so heavy like that. Yeah,
- 1:04:46Speaker 8: I definitely don't doubt that he'll go far in this,
- 1:04:48Speaker 8: you know, if he puts his mind so well.
- 1:04:49Speaker 5: For sure.
- 1:04:50Speaker 2: Yeah, made me do that TV because of my list.
- 1:04:52Speaker 2: It was still there. That's what's doing radio tongue behind
- 1:04:56Speaker 2: the feet.
- 1:04:57Speaker 5: The way he used to say my name like Johil
- 1:04:59Speaker 5: everyth I couldn't control it when I persona you need
- 1:05:03Speaker 5: to relax.
- 1:05:04Speaker 7: Yeah.
- 1:05:05Speaker 8: Glorilla responds to fabs comments on female rappers. Earlier this year,
- 1:05:09Speaker 8: Fabulists posted his thoughts about female rappers to his Instagram story.
- 1:05:13Speaker 8: He said he love hearing female rappers talk some real s.
- 1:05:16Speaker 8: Women are so strong, have so many stories and perspectives
- 1:05:19Speaker 8: that we need to hear and pure form. No disrespect
- 1:05:21Speaker 8: to any female rappers out there, but I think there's
- 1:05:24Speaker 8: only one style of female hip hop rap being promoted,
- 1:05:27Speaker 8: programmed and looked at as successful now. During a recent
- 1:05:31Speaker 8: interview with GQ, Glorilla was asked how she felt about that,
- 1:05:34Speaker 8: and she reportedly said, after rolling her eyes, what men
- 1:05:38Speaker 8: rap about killing, fing, robbing cars and money. She's not
- 1:05:42Speaker 8: wrong females rapping about the same s. But guess what,
- 1:05:45Speaker 8: we're not killing. We're not in gangs, we're not robbing.
- 1:05:47Speaker 8: That's what men be doing. What we're doing, we're sitting
- 1:05:50Speaker 8: pretty and popping out s. We hustling, getting money. We
- 1:05:53Speaker 8: f so we rap about what we do.
- 1:05:55Speaker 5: I feel like, uh wrong?
- 1:05:57Speaker 8: Yeah, fab is not wrong either, because he's not really
- 1:06:00Speaker 8: coming at them. He's just saying one style of rap
- 1:06:02Speaker 8: is being promoted, programmed and looked at its successful now.
- 1:06:04Speaker 8: But he got to pay attention to like we got Scarlet,
- 1:06:07Speaker 8: we got Lady London, we got a Lola Brook, we
- 1:06:09Speaker 8: got other rap and we even got those.
- 1:06:11Speaker 5: We got other rappers that don't just talk about yeah
- 1:06:14Speaker 5: for sure, you know, but I.
- 1:06:16Speaker 2: Guess he said being promoted, but dog is being promoted, right,
- 1:06:19Speaker 2: doesn't talk about all We got promoted more than gangster
- 1:06:22Speaker 2: rap though, we got promoted.
- 1:06:25Speaker 5: So I agree with you know, I agree with both
- 1:06:27Speaker 5: of them. So that's just with the mess they lose period.
- 1:06:31Speaker 2: All right now, Charlamane, who is giving that down?
- 1:06:33Speaker 7: Conture man four after the hour, we're gonna learn a
- 1:06:35Speaker 7: lesson about empathy. Okay, sometimes you have to step into
- 1:06:38Speaker 7: somebody else's shoes. Didn't know how they feel.
- 1:06:40Speaker 2: We'll discuss, all right, we'll get into that next, So
- 1:06:42Speaker 2: don't move. It's the breakfast Club. Good morning, the breakfast Club.
- 1:06:45Speaker 2: Your mornings will never be the same.
- 1:06:51Speaker 5: Damn the hegg.
- 1:06:54Speaker 2: It's time for donkey. I'm trying to be dunky today.
- 1:06:58Speaker 15: No more.
- 1:06:58Speaker 2: They should be embarrassed by what they are already did.
- 1:07:00Speaker 2: I'm not making these people do these things.
- 1:07:02Speaker 5: Called donkey of the day, and it really caught me
- 1:07:05Speaker 5: off guard. Damn Charlamagne who got the donkey.
- 1:07:08Speaker 7: Out of the day to day Well, Jesslarry, it's donkey
- 1:07:11Speaker 7: today for Friday.
- 1:07:12Speaker 2: The some Ofer fifteenth COEs the Rosemary Haynes. Who is
- 1:07:14Speaker 2: Rosemary Haynes?
- 1:07:15Speaker 7: She is an Ohio woman who doesn't respect individuals who
- 1:07:18Speaker 7: work in the fast food industry. Salute all the fast
- 1:07:21Speaker 7: food workers out there dropping the clues bombs to the
- 1:07:23Speaker 7: fast work.
- 1:07:24Speaker 2: Yes, yes, you ever worked fast food?
- 1:07:25Speaker 5: Just I have. I was the manager at McDonald's.
- 1:07:28Speaker 2: Okay, yep.
- 1:07:28Speaker 7: I worked at a Taco Bell. I worked at Taco
- 1:07:30Speaker 7: Bell for two weeks. Okay, my sister was the manager.
- 1:07:33Speaker 7: She fired me after two weeks. Good decisions, very good decision, understandable.
- 1:07:37Speaker 7: I deserved it. I didn't want to be there in
- 1:07:38Speaker 7: no way, so I'm sure I was projecting that energy
- 1:07:40Speaker 7: on the others. But I respect all fast food workers, Okay.
- 1:07:43Speaker 7: Why would I not respect the people who work at
- 1:07:45Speaker 7: the establishments that we all frequent. I will never understand
- 1:07:48Speaker 7: people who feel like they can disrespect fast food workers.
- 1:07:51Speaker 7: How can you look down on fast food workers but
- 1:07:54Speaker 7: yet you are eating at their establishments? And those of
- 1:07:56Speaker 7: you who disrespect fast food workers before you get your food,
- 1:07:59Speaker 7: y'all just insane humans. Then you wonder why people are
- 1:08:02Speaker 7: farting on your quarter pounders. They never faught it on
- 1:08:04Speaker 7: a quarter.
- 1:08:05Speaker 2: Pounds a dress.
- 1:08:05Speaker 5: I have never fought on anybody's food.
- 1:08:07Speaker 2: Okay, have you no? I would like that?
- 1:08:10Speaker 7: Okay, they done dropped you curly for I was all
- 1:08:12Speaker 7: over the floor and put them right back in the
- 1:08:14Speaker 7: box like it's nothing. But you earn that because you
- 1:08:16Speaker 7: want to disrespect people. That's exactly what Rosemary Haynes did.
- 1:08:20Speaker 7: She she was at Chipotle and she ordered a burrito bull.
- 1:08:23Speaker 7: Her burrito bull wasn't made the way she liked it.
- 1:08:25Speaker 7: Instead of being a civilized human and just simply asking
- 1:08:28Speaker 7: for it to be remade, she decided to resort to violence.
- 1:08:31Speaker 2: That's called queen city news for the report police.
- 1:08:33Speaker 18: It is a popular term in the criminal justice system.
- 1:08:35Speaker 18: Does the crime fit the punishment well? In this fast
- 1:08:39Speaker 18: food frenzy, it seems to fit pretty well.
- 1:08:41Speaker 15: Yeah.
- 1:08:41Speaker 8: Video from an Ohio Chipotle from last month showing a
- 1:08:45Speaker 8: customer throwing hot food right in the face of one
- 1:08:47Speaker 8: of the workers, and now she has.
- 1:08:49Speaker 5: Been sentenced to an unusual punishment for that assault.
- 1:08:52Speaker 18: The victim told the Josh that she was traumatized by
- 1:08:55Speaker 18: the incident, and the judge in turn said he was
- 1:08:57Speaker 18: appalled by the actions of one Rosemary Hain was initially
- 1:09:01Speaker 18: sentenced to one hundred and eighty days in jail, with
- 1:09:03Speaker 18: ninety days suspended.
- 1:09:05Speaker 2: I'm a Paul too. Okay, that's whack. Don't play with
- 1:09:07Speaker 2: people like that.
- 1:09:08Speaker 7: That woman is thirty nine years old, Okay, Rosemary Haynes,
- 1:09:11Speaker 7: and the woman she threw the food at was seventeen.
- 1:09:13Speaker 7: How you displaying lower emotional IQ in the seventeen year old.
- 1:09:17Speaker 7: All she did was mess up your order. That's a
- 1:09:19Speaker 7: simple conversation. Let them know what they did wrong. They
- 1:09:21Speaker 7: will fix that with you. Rosemary dealing with some type
- 1:09:24Speaker 7: of internal issues, mad at the world about something and
- 1:09:27Speaker 7: decided to throw your Chipotle bowl at the young lady.
- 1:09:29Speaker 7: I wish that the young lady and a couple of
- 1:09:31Speaker 7: other Chipotle workers would have jumped you.
- 1:09:33Speaker 2: Okay.
- 1:09:34Speaker 7: Violence begets violence, disrespect begets disrespect.
- 1:09:37Speaker 6: I know.
- 1:09:37Speaker 7: Michelle Obama said, when they go low, we go high.
- 1:09:39Speaker 7: But sometimes you gotta take it to the floor of
- 1:09:41Speaker 7: Chipotle with a person. Okay, throwing something at me as
- 1:09:44Speaker 7: a saul, especially when that's something is hot grilled meat
- 1:09:46Speaker 7: hot rice, hot beans, hot veggies, wat sauce of sour
- 1:09:49Speaker 7: cream and cheese. So I have the right to defend
- 1:09:51Speaker 7: myself for God still working on me. Clearly, this seventeen
- 1:09:54Speaker 7: year old has hired emotional acute than me because she
- 1:09:57Speaker 7: did what she was supposed to do, and that's called
- 1:09:59Speaker 7: the police. I believe she called the police because this
- 1:10:01Speaker 7: young lady ended up in jail and she got a
- 1:10:04Speaker 7: very unique punishment. I have never heard of a punishment
- 1:10:07Speaker 7: like this. Let's go back to Queen City News for
- 1:10:09Speaker 7: the report police.
- 1:10:10Speaker 18: The judge ordered her a chance to reduce her sentence.
- 1:10:13Speaker 18: She'd get a lot less time in jail if she
- 1:10:15Speaker 18: worked for sixty days at a fast food restaurant.
- 1:10:18Speaker 2: You didn't get your burrito bowl the way you like it.
- 1:10:20Speaker 5: This is how you responded her voting.
- 1:10:22Speaker 8: For a fire.
- 1:10:23Speaker 2: I did not.
- 1:10:23Speaker 15: You're on her.
- 1:10:25Speaker 6: I did not.
- 1:10:25Speaker 17: If I show you how my food looked and how
- 1:10:27Speaker 17: my food looked a week later from that same restaurant,
- 1:10:30Speaker 17: you would you would.
- 1:10:31Speaker 5: It was disgusting looking. My daughter was not happy with
- 1:10:35Speaker 5: the food you're about to get her.
- 1:10:36Speaker 2: Yeah, that's right.
- 1:10:37Speaker 8: To walk in her shoes for two months and learn
- 1:10:39Speaker 8: how people should treat people or do you want to
- 1:10:41Speaker 8: do your jail time?
- 1:10:42Speaker 18: I'd like to walk on her shoes prior to your sensing.
- 1:10:45Speaker 18: Haynes did tell the victim she was sorry. We do
- 1:10:47Speaker 18: know that she has had interviews, but it's unclear if
- 1:10:50Speaker 18: she had landed a fast food job just yet.
- 1:10:53Speaker 7: I like this either work is a fast food working
- 1:10:55Speaker 7: for two much? Or do ninety days in jail? What
- 1:10:57Speaker 7: would you choose, jess hilarious?
- 1:10:59Speaker 8: How would the two months? And you know in fast
- 1:11:01Speaker 8: food working? But so I wonder how the seventeen year
- 1:11:05Speaker 8: old girl feels like what you give her? You give
- 1:11:09Speaker 8: her a chance to work at a restaurant instead of
- 1:11:14Speaker 8: paying for the crime, like the right way, yo, I
- 1:11:17Speaker 8: got hot food thrown in my face.
- 1:11:18Speaker 7: I guess that would be considered like community service maybe yeah,
- 1:11:21Speaker 7: but like, what what would you doing?
- 1:11:24Speaker 4: I'm not really paying attention. They're about to sett up
- 1:11:26Speaker 4: pizza oxtail pizza, and I've been waiting.
- 1:11:28Speaker 8: On that trash trash to stop already tried to not
- 1:11:33Speaker 8: what you mean, run sweet chili salmon pizza and all that.
- 1:11:41Speaker 5: I'm done.
- 1:11:42Speaker 2: They said, enough to lobster and shrimp pizza. Jesus, I
- 1:11:46Speaker 2: like this punishment.
- 1:11:47Speaker 7: The reason I like this punishment is because you can't
- 1:11:49Speaker 7: understand someone until you've walked the mile in their shoes.
- 1:11:51Speaker 7: All right, We'll also quick to judge, but don't be
- 1:11:53Speaker 7: so quick to judge, because you never know when you
- 1:11:55Speaker 7: might find yourself walking and that person you are judging shoes.
- 1:11:59Speaker 7: So I love the fact she has to work fast
- 1:12:01Speaker 7: food for two months because I don't know why any
- 1:12:03Speaker 7: would think. Anyone would think they better than a fast
- 1:12:05Speaker 7: food worker. A fashion worker is a human just like you,
- 1:12:08Speaker 7: a human trying to get through that day making an
- 1:12:10Speaker 7: honest living, and we love them, which is why all
- 1:12:12Speaker 7: the fast food restaurants be packed all the time.
- 1:12:14Speaker 2: Have some empathy, okay.
- 1:12:16Speaker 7: Empathy is the art of stepping into the shoes of
- 1:12:19Speaker 7: another person, understanding their feelings and perspectives, and using that understanding.
- 1:12:24Speaker 2: To guide your actions.
- 1:12:26Speaker 7: Once Rosemary works here for two months in fast food,
- 1:12:29Speaker 7: she will never treat fast food workers.
- 1:12:31Speaker 2: Probably anybody terribly.
- 1:12:33Speaker 7: Ever again, I promise if God could make all of
- 1:12:35Speaker 7: us live each other's existences, but just two muchs, the
- 1:12:37Speaker 7: whole world would change if white people had to step
- 1:12:40Speaker 7: into black people's shoes, if men had to step into
- 1:12:42Speaker 7: women's shoes.
- 1:12:43Speaker 2: If straight men had to know what it feels like.
- 1:12:45Speaker 7: To take penis for two months in the bunkie and
- 1:12:47Speaker 7: be openly gay, we would all start treating.
- 1:12:50Speaker 2: Each other with love and respect immediately.
- 1:12:53Speaker 5: I didn't.
- 1:12:56Speaker 2: I didn't even know yet. Fast think yeah, yeah, please
- 1:13:01Speaker 2: give Rosemary Haynes the biggest he huh.
- 1:13:07Speaker 5: Noney, I never heard Rosemary.
- 1:13:09Speaker 12: I never heard.
- 1:13:10Speaker 8: I'm I ain't never heard of the Rusemary. I don't
- 1:13:13Speaker 8: know none of them. All right, A lot of this
- 1:13:15Speaker 8: are here.
- 1:13:16Speaker 2: He's the reason that DJs exists. He's one of the
- 1:13:19Speaker 2: readings DJs or exists.
- 1:13:20Speaker 4: Yeah, when you talk about the founding faut, this is
- 1:13:22Speaker 4: always grand Master Flash of course, Africa, Bam Body and
- 1:13:25Speaker 4: Cool Hirk.
- 1:13:26Speaker 2: And we're gonna talk to Grandmaster Flash this morning. He's
- 1:13:29Speaker 2: gonna give us a lesson.
- 1:13:31Speaker 4: I know that's right, all right, So we're gonna get
- 1:13:32Speaker 4: to that when we come back to Don't Moves to
- 1:13:33Speaker 4: Breakfast slogan Morning, the.
- 1:13:35Speaker 2: Breakfast Club.
- 1:13:39Speaker 9: Morning.
- 1:13:39Speaker 4: Everybody is DJ n V Charlamagne to God. We are
- 1:13:42Speaker 4: the Breakfast Club. You got a special guest in the building.
- 1:13:45Speaker 7: Come on, man, one of the architects of this thing
- 1:13:47Speaker 7: we call hip hop man, one of the people who
- 1:13:49Speaker 7: helped later foundation for this thing we called hip hop.
- 1:13:52Speaker 2: We wouldn't have jobs if it wasn't for this brother, Right.
- 1:13:54Speaker 4: Wouldn't be a DJ, if it wasn't for this brother,
- 1:13:56Speaker 4: and most people out there, most DJs out there wouldn't
- 1:13:59Speaker 4: be DJ's. No, all DJs wouldn't be it wasn't for
- 1:14:03Speaker 4: this brother, ladies and gentlemen, grand Master Flash, welcome.
- 1:14:06Speaker 2: Thank you, good morning to be like man, thank you,
- 1:14:09Speaker 2: thank you for having me man. I appreciate it. Come on, man,
- 1:14:11Speaker 2: happy to have you. Absolutely appreciate this. Man.
- 1:14:13Speaker 7: You know, we celebrated the fifty years of hip hop,
- 1:14:16Speaker 7: you know, this year and Nby and I was on
- 1:14:18Speaker 7: the radio having a conversation and it just felt like,
- 1:14:21Speaker 7: you know, the architects, like that era of the eighties,
- 1:14:25Speaker 7: you know, wasn't getting honored properly, and none of us
- 1:14:27Speaker 7: to hear if that, if that foundation isn't laid you said,
- 1:14:30Speaker 7: the eighties, the seventh the seventies, Yeah, the seventies from
- 1:14:32Speaker 7: the beginning and the eighties, I feel like we weren't
- 1:14:34Speaker 7: getting on, you know, properly.
- 1:14:36Speaker 2: How do you feel about that, Grand Master Flash, And.
- 1:14:38Speaker 6: That's one of the reasons why I feel that it's
- 1:14:40Speaker 6: paramount that I do lectures. I do corporate corporate towards
- 1:14:44Speaker 6: the lectures, and I've been doing them for private people,
- 1:14:47Speaker 6: but now I kind of want to do this for
- 1:14:48Speaker 6: the public so they could understand that. Just think didn't
- 1:14:51Speaker 6: just fall out of a tree. It didn't just go
- 1:14:54Speaker 6: from the seventies to where we are. You know, there
- 1:14:57Speaker 6: was four DJs that did this. Cool Hirk was on
- 1:15:01Speaker 6: the West, AB was Bronx River, African Mater, DJ Breakout
- 1:15:07Speaker 6: was the North. I was the East, and pretty much
- 1:15:10Speaker 6: this is how it really started. And you got to
- 1:15:12Speaker 6: realize this, ladyes and gentlemen. We did this with no Internet,
- 1:15:15Speaker 6: no social media, no apps, no quick hardware where it.
- 1:15:20Speaker 2: Would just work a lot of these things.
- 1:15:22Speaker 6: As I was telling you, Envy, I had to do
- 1:15:23Speaker 6: this with nothing going into the backyards and you know,
- 1:15:26Speaker 6: getting old receivers and old turntables and stuff and kind
- 1:15:30Speaker 6: of like Jurry rigging my sound system.
- 1:15:31Speaker 4: For people listening, when he says the West, the South,
- 1:15:33Speaker 4: and northf he's not talking about West Coast.
- 1:15:35Speaker 2: He's talking about New York. The Bronx, the Bronx, Bronx.
- 1:15:38Speaker 2: I want to clear it up.
- 1:15:39Speaker 4: And also, and I was talking to of course Grand
- 1:15:41Speaker 4: mass Flash behind the scenes, a lot of he didn't know,
- 1:15:43Speaker 4: you know, where we had the ability to go to
- 1:15:45Speaker 4: these stores and buy equipment. He had to actually make it.
- 1:15:48Speaker 4: So his first sound system actually came from old cars
- 1:15:50Speaker 4: in the junkyard. He would pull the speakers out of
- 1:15:52Speaker 4: the cars of the junkyard and make sound systems to
- 1:15:55Speaker 4: play at parks and parties and wherever wherever it was.
- 1:15:58Speaker 4: So you had to actually no electronics. And it just
- 1:16:01Speaker 4: wasn't just about DJing, right, So what got you into
- 1:16:05Speaker 4: wanting to be a DJ? I know you were telling
- 1:16:07Speaker 4: me the story behind the scenes that you know, you
- 1:16:09Speaker 4: were just intrigued by electronics in your house When your
- 1:16:11Speaker 4: mother and father plug something in and you wanted to
- 1:16:13Speaker 4: understand how it works, you would.
- 1:16:15Speaker 2: Start effing up the crib pretty much to figure it out.
- 1:16:18Speaker 6: Yeah, and when I was a toddler, everything in that
- 1:16:21Speaker 6: house that was electrical, I was intrigued on how did
- 1:16:26Speaker 6: that happen? So I used to unscrew the backs of
- 1:16:28Speaker 6: the stereo in the living room, my sister's hair dries,
- 1:16:32Speaker 6: the table radio, all these things. And also what got
- 1:16:35Speaker 6: me into this when I was a toddler. My dad
- 1:16:38Speaker 6: was a collector of records. And I'm on this respectable airwaves,
- 1:16:44Speaker 6: so I will just say when I got caught touching
- 1:16:48Speaker 6: his vinyl as a toddler, he used to heavily repper manly, right,
- 1:16:56Speaker 6: I can say that. And what I used to do
- 1:16:58Speaker 6: was a kid, I waited for him to go to work,
- 1:17:00Speaker 6: and when the door slammed, I went back in that
- 1:17:03Speaker 6: closet and the rule was, you know, don't touch the
- 1:17:06Speaker 6: brown box in the living room.
- 1:17:09Speaker 2: And I used to watch Dad when he came home
- 1:17:12Speaker 2: from work how he operated it.
- 1:17:14Speaker 6: So I figured out how to get into this closet
- 1:17:17Speaker 6: where his stuff was, and I would take this square
- 1:17:20Speaker 6: thing that had a black disc and he would put
- 1:17:23Speaker 6: it in his brown box and sound would come out
- 1:17:26Speaker 6: of it. That was probably my first love. But then
- 1:17:31Speaker 6: moving forward, guys, when I heard a drum break from
- 1:17:37Speaker 6: one of the most important black artists of that time,
- 1:17:40Speaker 6: his name was Curtis Mayfield, move on.
- 1:17:43Speaker 2: Up that break and then you and I can relate here.
- 1:17:49Speaker 2: That break was about.
- 1:17:52Speaker 6: I'd say, about five minutes of just the drums, and
- 1:17:55Speaker 6: I thought all records was like that. So when I
- 1:17:58Speaker 6: started collecting my records, the drum break was like five
- 1:18:04Speaker 6: ten seconds. So what also got me into the DJing
- 1:18:09Speaker 6: is I used to watch the disco DJs like my
- 1:18:12Speaker 6: Boyer Flowers, Pete Jones, and I noticed that their transitions
- 1:18:18Speaker 6: were glass smooth. But then my boys knocked on my
- 1:18:24Speaker 6: door at my mom's house and said, we want to
- 1:18:26Speaker 6: take you to this other side of town to watch
- 1:18:29Speaker 6: these other DJs. And respectfully, I was wondering, why is
- 1:18:37Speaker 6: it that everything that he was doing was a train wreck.
- 1:18:41Speaker 6: He was playing the incredible music, had the incredible sound system.
- 1:18:46Speaker 6: Well why was he playing like that? You know, because
- 1:18:48Speaker 6: the rules are the laws, you know, especially if you
- 1:18:50Speaker 6: got people on the dance floor. The idea is to
- 1:18:53Speaker 6: keep everybody in unison correct. They should not be trying
- 1:18:56Speaker 6: to find it beat as you transition. So from that
- 1:18:59Speaker 6: point on, it is when I came up with the
- 1:19:01Speaker 6: quick mixed theory. You know what is the quick mix theory?
- 1:19:06Speaker 6: From a mathematical perspective, I took sonics and through it
- 1:19:12Speaker 6: out the window. Because if I play a song, I
- 1:19:15Speaker 6: hear it a certain way. If I put the headphone
- 1:19:17Speaker 6: on your ear, you hear a certain way, and shah,
- 1:19:20Speaker 6: you hear a certain way. So I said to myself,
- 1:19:23Speaker 6: I'm going to take that out of the equation and
- 1:19:25Speaker 6: I'm gonna just collect records from all genres pop, rock, jazz, blues, funk, disco,
- 1:19:30Speaker 6: R and B foreign American and just listen to the
- 1:19:34Speaker 6: drum break. And I found that, unlike Curtis Mayfield, these
- 1:19:41Speaker 6: drum breaks on these other records always all was short.
- 1:19:46Speaker 6: That made me quite angry. I was disappointed. So in
- 1:19:52Speaker 6: Mom's house, I came up with a hand mechanic fingertips
- 1:19:59Speaker 6: to vinyl fingertips to cross Vader DJ style that is
- 1:20:05Speaker 6: used by every hip hop DJ on planet Earth. And
- 1:20:11Speaker 6: I figured out a way of counting the bars as
- 1:20:14Speaker 6: the vinyl went forward, and how many times I would
- 1:20:17Speaker 6: have to rewind it back to get back to the
- 1:20:19Speaker 6: top of the break and take that ten second break
- 1:20:22Speaker 6: and make it seamlessly ten minutes. So if you on
- 1:20:25Speaker 6: the floor and I'm playing a Michael Jackson drummer break,
- 1:20:29Speaker 6: I'm playing that for ten minutes, and I'm gonna flip
- 1:20:32Speaker 6: to a London break or a German break or or
- 1:20:34Speaker 6: whatever break.
- 1:20:35Speaker 2: And this became the way.
- 1:20:39Speaker 6: And then what happened was these incredible people called hip
- 1:20:43Speaker 6: hop producers took this style of the seamless loop, and
- 1:20:48Speaker 6: I'm gonna show you that on the wheels are steel.
- 1:20:51Speaker 2: You understand what you're saying.
- 1:20:52Speaker 7: Now do your quick mixed theory turn turned into what
- 1:20:56Speaker 7: people called sampling?
- 1:20:58Speaker 2: Basically correct?
- 1:21:01Speaker 4: So that's exactly what you would bring it back from
- 1:21:02Speaker 4: the beginning. But one thing you'll learn from this interview
- 1:21:05Speaker 4: with Grand Master Flash is he's not just a musician
- 1:21:07Speaker 4: when it comes to turntables. He's actually no disrespect. He's
- 1:21:11Speaker 4: a nerd and geek like he wants to understand the
- 1:21:14Speaker 4: mechanics of it. Most people just want to understand the
- 1:21:16Speaker 4: success of it and be successful and be a big name.
- 1:21:19Speaker 4: But he actually understands the mechanics of music, DJing, transitioning records,
- 1:21:25Speaker 4: record players, mixes, just and this is just having a
- 1:21:29Speaker 4: thirty second conversation with have I figured out no know what.
- 1:21:31Speaker 2: I find so interesting about this.
- 1:21:33Speaker 7: In the last five minutes, you explained where Djane started
- 1:21:36Speaker 7: YEP and where hip hop production start correct. So when
- 1:21:39Speaker 7: people will call you an architect and say you're wanted
- 1:21:42Speaker 7: the founding posits of hip hop, that is why.
- 1:21:44Speaker 2: Absolutely thank you all.
- 1:21:45Speaker 4: We got more with the O G grand Master Flash.
- 1:21:48Speaker 4: When we come back, so don't move. It's the Breakfast Club.
- 1:21:50Speaker 4: Good morning morning everybody. It's DJ NV Charlamagne, the god
- 1:21:54Speaker 4: we are. The Breakfast Club were still kicking it with
- 1:21:56Speaker 4: grand Master Flash. I was gonna ask, you know, how
- 1:21:58Speaker 4: do you feel when you look get something that you created, right,
- 1:22:01Speaker 4: and you created out of love?
- 1:22:03Speaker 2: Right?
- 1:22:03Speaker 4: You didn't say it was money. You didn't say I
- 1:22:05Speaker 4: did this because I wanted money. You said I enjoyed it.
- 1:22:08Speaker 4: I love listening to music, I love playing in the park.
- 1:22:10Speaker 4: And then you seeing this the commercial success of hip hop?
- 1:22:13Speaker 15: Right.
- 1:22:14Speaker 4: I sent Charlamagne something this morning about Caris One saying
- 1:22:17Speaker 4: why he didn't want to perform at the Grammys.
- 1:22:18Speaker 2: He felt like the Grammy's never respected hip hop?
- 1:22:20Speaker 4: So why come now, how do you feel when you
- 1:22:22Speaker 4: see the commercial success of hip hop and all these
- 1:22:25Speaker 4: brothers and sisters making money and all these companies making
- 1:22:28Speaker 4: money off of hip hop, But some of the founders
- 1:22:31Speaker 4: are not making the money that's deserved.
- 1:22:32Speaker 2: Because if it wasn't for you, guys, nobody wouldn't be
- 1:22:35Speaker 2: able to make that money. That's a twofold answer.
- 1:22:38Speaker 6: Just think, envy this thing that I did could have
- 1:22:41Speaker 6: missed and if this all would have missed, I wouldn't
- 1:22:44Speaker 6: be here talking to you right now. So that's one
- 1:22:47Speaker 6: side of it. It exploded. Like there are some companies
- 1:22:51Speaker 6: out there giving away hundreds of thousands of dollars. I've
- 1:22:54Speaker 6: seen this on the internet just recently. But they are
- 1:22:57Speaker 6: those man that are in a hood that didn't have
- 1:22:59Speaker 6: to come virtual success. Nobody's saying, hey, here's five hundred
- 1:23:03Speaker 6: thousand dollars for you. They're not saying that, Like there
- 1:23:06Speaker 6: are those who lost their life that are not even
- 1:23:09Speaker 6: here to even enjoy this, and they have families. So
- 1:23:12Speaker 6: for me, I have to until God takes me. I
- 1:23:16Speaker 6: have to go around and mechanically break this thing down.
- 1:23:23Speaker 6: I think that people should interview the producers like that.
- 1:23:27Speaker 6: Just that boggles my mind because they're the ones that
- 1:23:31Speaker 6: really know how the record is made. They're the one
- 1:23:33Speaker 6: that stays in the studios for two and three days
- 1:23:36Speaker 6: to make sure the record goes from start to finish
- 1:23:38Speaker 6: before the masters is handed in, you know. So for
- 1:23:42Speaker 6: me and people should know more about cool Hirk and
- 1:23:45Speaker 6: their team. They should know who Coke the Rocket is.
- 1:23:48Speaker 6: Like they're going around saying he was a rapper. He
- 1:23:52Speaker 6: said DJ I used to watch him, you know, and
- 1:23:55Speaker 6: and there's Timmy Tim and it's the original clock. Can't
- 1:23:58Speaker 6: you know people should know who break Out Team is Baron,
- 1:24:02Speaker 6: you know, and Bam Body and Jazzy Jay and Grandmaster
- 1:24:05Speaker 6: Flashing Graham was your Theadore Like all these people in
- 1:24:08Speaker 6: all these names, you don't.
- 1:24:10Speaker 2: Hear nothing, Yes, right, talk to about them.
- 1:24:15Speaker 6: When people are putting out this press, they're not even
- 1:24:18Speaker 6: coming to ask, well, Flash, what do you think? And respectfully,
- 1:24:21Speaker 6: I'm gonna say this. For you to really first hand
- 1:24:25Speaker 6: know what this is, you have to be at least
- 1:24:29Speaker 6: sixty years old, and I'll be kind and say fifty
- 1:24:32Speaker 6: eight fifty seven. That means you had a first hand
- 1:24:35Speaker 6: eyeshot of seeing us do this. If you are thirty
- 1:24:40Speaker 6: or you're a forty and you were saying that you
- 1:24:42Speaker 6: are a hip hop extraordinary person, nine times out of ten,
- 1:24:46Speaker 6: if you ain't talking to Flash, you ain't talking to HRK,
- 1:24:48Speaker 6: you ain't talking to Bam, you got second hand information
- 1:24:51Speaker 6: and you got to realize you're feeding the babies incomplete information.
- 1:24:56Speaker 2: And this is one of the reasons why.
- 1:24:58Speaker 6: Because I tour one hundred and fifty countries a year,
- 1:25:00Speaker 6: so financially I'm good. I'm cutting all that in half
- 1:25:03Speaker 6: because I gotta go to these universities, I gotta go
- 1:25:06Speaker 6: to these YMCAs, and I gotta teach these babies of
- 1:25:09Speaker 6: where this thing comes from. Because what saddeness means this.
- 1:25:12Speaker 6: If you are from a black family, you know who
- 1:25:15Speaker 6: Miles Davis is. Right. If you're from a white family,
- 1:25:18Speaker 6: you know who the Rolling Stones is. Why is there
- 1:25:21Speaker 6: so much of a blur of who, what and why
- 1:25:23Speaker 6: we're and how when it comes to hip hop?
- 1:25:25Speaker 2: Why is that?
- 1:25:26Speaker 7: I think I think we gotta be the generation to
- 1:25:28Speaker 7: do that because see your point, if you're sixty years old,
- 1:25:30Speaker 7: now you're probably a grandfather, grandmother. Our grandparents weren't listening
- 1:25:34Speaker 7: to hip hop, you know, Okay, But now when we
- 1:25:36Speaker 7: got grandparents and grandfathers, grandparents who were listening to hip hop,
- 1:25:39Speaker 7: and then parents who grew up in hip hop, they
- 1:25:42Speaker 7: can tell their kids, he this is where it started, right.
- 1:25:44Speaker 4: Because like you said, most if you if you're in
- 1:25:47Speaker 4: the age of forty to fifty, a lot of them,
- 1:25:49Speaker 4: hip hop started with run right, Yes, that's where it
- 1:25:55Speaker 4: started from.
- 1:25:55Speaker 2: Because even me, like you know, my parents weren't in
- 1:25:57Speaker 2: a hip hop but I was. But the first record
- 1:25:59Speaker 2: I ever bought was run. Yeah, my dad was seventy something.
- 1:26:02Speaker 2: He didn't he didn't like hip hop at the time.
- 1:26:04Speaker 7: He wanted he was like, you need to listen to
- 1:26:06Speaker 7: James Brown, Temptation, the original rapp up at the top.
- 1:26:09Speaker 2: You know, he didn't know nothing about hip hop. He
- 1:26:12Speaker 2: didn't want to hear none of that.
- 1:26:14Speaker 6: You know, I think for me and this is such
- 1:26:16Speaker 6: a wonderful time period. But just think of it like
- 1:26:19Speaker 6: this here, and you know, sometimes it makes me want
- 1:26:21Speaker 6: to cry. Sometimes is come August, like the mayor gave
- 1:26:25Speaker 6: me August fourth and cool Hurgus August eleventh, Come August twelfth,
- 1:26:30Speaker 6: there's gonna be a brand new trend. So we have
- 1:26:32Speaker 6: to get it right now as a black art form
- 1:26:36Speaker 6: that has done so much for so many people. Of course,
- 1:26:39Speaker 6: we have to get it right between now and August eleventh,
- 1:26:43Speaker 6: or it's going to go down in history incomplete or incorrect.
- 1:26:48Speaker 6: And that scares the crap.
- 1:26:49Speaker 2: Out of me.
- 1:26:50Speaker 7: So it's safe to say you don't believe the DJ
- 1:26:52Speaker 7: gets to respect they should when it comes to their country.
- 1:26:54Speaker 6: Absolutely not, because especially the hip hop DJ that understands
- 1:26:58Speaker 6: the quick mixed story and the mechanics. Would I will
- 1:27:00Speaker 6: show you is because that led to the sampling, and
- 1:27:03Speaker 6: that led to these records being made, and that's what
- 1:27:05Speaker 6: we're celebrating. So we're celebrating the entire cake. But let's
- 1:27:09Speaker 6: go back and celebrate the eggs and the flour in
- 1:27:12Speaker 6: the water and the vanilla, how the cake was made.
- 1:27:16Speaker 7: The process, the process, you know, of course, you know
- 1:27:19Speaker 7: they talk about Grandma's flashing.
- 1:27:21Speaker 2: The Furious five, you know, produced the message, but they
- 1:27:24Speaker 2: said you first DJ to get a Grammy, by the way,
- 1:27:26Speaker 2: but that yes, but I read some things where they
- 1:27:28Speaker 2: said you had nothing to do with the production of it.
- 1:27:31Speaker 6: Okay, I had something to do with all of it,
- 1:27:33Speaker 6: because that company chased me to get my group, the
- 1:27:38Speaker 6: period five, the whole group. There was the club I
- 1:27:41Speaker 6: played called Disco Fever, and I brought hip hop to
- 1:27:44Speaker 6: this club and sal Abatello gave me.
- 1:27:47Speaker 2: I wanted a Saturday. He gave me a Tuesday. Of course,
- 1:27:51Speaker 2: so most clubs do. They gave me.
- 1:27:53Speaker 6: I called it terrible Tuesday off night, right, But in
- 1:27:56Speaker 6: about two months time I was live oning that Saturday.
- 1:28:01Speaker 2: Thank you SA you know.
- 1:28:02Speaker 6: So for me, the message, probably I had least to
- 1:28:05Speaker 6: do with what I had most to do with it
- 1:28:08Speaker 6: because it was my group, and I'm sure they used
- 1:28:10Speaker 6: your technique, right, yeah, they do. They used my technique
- 1:28:13Speaker 6: to make all their records. The message was an original record,
- 1:28:16Speaker 6: but they knew when they had the sugar Hill Gang,
- 1:28:19Speaker 6: they heard of us in the streets. The streets was
- 1:28:21Speaker 6: already ringing Grand Master Flash and the Furious Five. So
- 1:28:25Speaker 6: she used to come to Terrible Tuesdays every Tuesday just
- 1:28:29Speaker 6: to see how it was, how it was going down.
- 1:28:32Speaker 6: So who is she?
- 1:28:34Speaker 2: Sylvia Robins? You know? So on Hill? Did I have
- 1:28:39Speaker 2: anything to do with that record? Minimal? But I had
- 1:28:42Speaker 2: everything to do with it because she needed to have
- 1:28:47Speaker 2: us here we are. I want to have one more question.
- 1:28:49Speaker 7: How do you feel about DJs today with the auto
- 1:28:52Speaker 7: mixing buttons and the different programs that make it easy at.
- 1:28:56Speaker 15: The US right now? Right? You know what it is?
- 1:29:01Speaker 2: I put it this way.
- 1:29:02Speaker 6: I'm a scientist first, I'm a geek first, So I've
- 1:29:05Speaker 6: been pushing an envelope for fifty two years, so I
- 1:29:08Speaker 6: respect anybody that's doing it, but follow the laws of
- 1:29:11Speaker 6: the art transition. I think the things that drives me
- 1:29:14Speaker 6: crazy when I go out, which is every now and then, envies.
- 1:29:17Speaker 6: You know, I'm listening to the DJ and it's the
- 1:29:20Speaker 6: train wreck thing you know that there really drives me crazy.
- 1:29:24Speaker 6: A lot of today's music is really one temple bass,
- 1:29:27Speaker 6: so it's easy to go from one.
- 1:29:28Speaker 2: To the other.
- 1:29:29Speaker 6: So how you crashing this record into this record with
- 1:29:32Speaker 6: us back? We had to use the pitch quite a
- 1:29:35Speaker 6: bit to make this record beat match with lowest record.
- 1:29:38Speaker 2: Of course, these.
- 1:29:39Speaker 6: Records here are almost coming out of the oven. They're
- 1:29:42Speaker 6: all the same temple almost, So I don't understand. Why
- 1:29:46Speaker 6: is it that these people who play today don't beat
- 1:29:49Speaker 6: match that there? Makes me totally crazy and it goes
- 1:29:54Speaker 6: against the laws of what we learned.
- 1:29:56Speaker 4: Okay, grand Master Flash, Grand Massive Flash, Ladies and gentlemen,
- 1:29:59Speaker 4: make sure you following them A on Instagram, all socials.
- 1:30:01Speaker 7: At DJ Flash Forever on all socials at DJ Flash Forever.
- 1:30:07Speaker 2: And you just turn around.
- 1:30:08Speaker 4: I just want to read the back of your hoodie, man, yea,
- 1:30:09Speaker 4: because the hoodie is monumental, says the first DJ to
- 1:30:12Speaker 4: make the turntable an instrument, first DJ to have a rapper,
- 1:30:15Speaker 4: first DJ to be in the Rock and Roll Hall
- 1:30:17Speaker 4: of Fame, first DJ to be on Serious XM, first
- 1:30:19Speaker 4: DJ to get a Grammy, first DJ to get a
- 1:30:22Speaker 4: Polar Prize, Grandmaster.
- 1:30:24Speaker 2: And the first DJ to give a history lesson about
- 1:30:26Speaker 2: DJ and on the Breakfast Club.
- 1:30:27Speaker 4: That's right, grand Master, Flash, ladies and gentlemen, it's the
- 1:30:30Speaker 4: Breakfast Club.
- 1:30:31Speaker 2: Good morning, the Breakfast Club.
- 1:30:36Speaker 4: Wanting Everybody's DJ n V Charlamagne the God.
- 1:30:39Speaker 2: We are the breakfast Club. Jess Hilarious is here and
- 1:30:42Speaker 2: it's time for past the all go. It's time with
- 1:30:55Speaker 2: DJ DJI.
- 1:31:04Speaker 5: What's up?
- 1:31:05Speaker 12: How are you guys?
- 1:31:06Speaker 2: Let's black and Holly Field. Here's some music.
- 1:31:08Speaker 3: I like that.
- 1:31:09Speaker 1: Okay, I feel like it's only right that we start
- 1:31:11Speaker 1: with this nikky record.
- 1:31:12Speaker 5: Sorry Envy.
- 1:31:17Speaker 1: Last night was a lot. It was random and it
- 1:31:19Speaker 1: was a lot.
- 1:31:19Speaker 2: So that nobody's bage Ball and black Ball.
- 1:31:27Speaker 1: But it's called love Me Enough.
- 1:31:28Speaker 19: And I remember when the album dropped last week, people
- 1:31:31Speaker 19: were like, what happened to the Monica and Keisha record? Okay,
- 1:31:34Speaker 19: and I didn't see an announcement for a deluxe But anyway,
- 1:31:36Speaker 19: this song finally out.
- 1:31:39Speaker 2: The screen.
- 1:31:40Speaker 7: I love that.
- 1:31:41Speaker 2: I need. I can't doing.
- 1:31:46Speaker 5: Through the roof if you're trying to go to sleep.
- 1:31:49Speaker 2: Yeah, smoking afternoon, that's the TV you smoking afternoon.
- 1:31:55Speaker 5: I do love this record.
- 1:31:56Speaker 8: I do feel like Monica and Keisha they blend like yeah,
- 1:32:01Speaker 8: because that day's two different you know, vocal vocals.
- 1:32:03Speaker 1: But I like on the record, Yeah, all right, cool
- 1:32:07Speaker 1: is across the board.
- 1:32:08Speaker 2: Next if you're not gonna give it ten after we
- 1:32:10Speaker 2: having left leave me alone, I said, it's a dope record.
- 1:32:13Speaker 1: You can still like the record and not.
- 1:32:15Speaker 2: You don't even go back and forth.
- 1:32:17Speaker 19: All right, So my next record is from Boss and
- 1:32:20Speaker 19: A J. Tracy because Boss dropped the album. It's called
- 1:32:23Speaker 19: one seven nine Deli, which is also dope because if
- 1:32:25Speaker 19: you guys went to Saint John's, it's two Delas. We
- 1:32:27Speaker 19: all went to one six nine and one seven nine.
- 1:32:30Speaker 2: We didn't go to Saint John's, I know, but I.
- 1:32:31Speaker 1: Did, just like blah, go ahead, let's go.
- 1:32:35Speaker 5: I'm from Baltimore. We we got a club mixed, we
- 1:32:38Speaker 5: got the vibe, you know what I mean. We we
- 1:32:39Speaker 5: love that.
- 1:32:40Speaker 2: So that was dope that that was No, that's the
- 1:32:42Speaker 2: club Jersey. Yeah, yeah, Jersey, Chicago.
- 1:32:47Speaker 5: I love that type.
- 1:32:48Speaker 1: I goo they throw them in there, but you know
- 1:32:51Speaker 1: it started.
- 1:32:51Speaker 19: In Jersey, baltimoremore that was you from Queens.
- 1:32:57Speaker 5: Start anywhere, like said, all right, and.
- 1:33:01Speaker 1: The last one is an artist named.
- 1:33:04Speaker 19: Nigo Brim that I've been watching Nigo for a while
- 1:33:06Speaker 19: and this new album that he got out called Hughes
- 1:33:08Speaker 19: is super super fire.
- 1:33:09Speaker 1: I feel like this is best work. But this song
- 1:33:11Speaker 1: is called Marley's wo who like is right.
- 1:33:20Speaker 15: Doing that?
- 1:33:21Speaker 1: Is a fire artist.
- 1:33:23Speaker 2: His whole family is musical.
- 1:33:25Speaker 4: His father was like one of the biggest a rs
- 1:33:27Speaker 4: in death jam history that did R and B music
- 1:33:28Speaker 4: the case did a lot of the R and B
- 1:33:30Speaker 4: back in the day.
- 1:33:30Speaker 2: And his mama is miss Hilton. Oh really yeah? Yeah,
- 1:33:34Speaker 2: so his brothers justin Combs no something new.
- 1:33:40Speaker 5: The truth.
- 1:33:41Speaker 1: Don't mindy ain't that you son? It's just like, why
- 1:33:45Speaker 1: can't they just be who?
- 1:33:51Speaker 15: But not.
- 1:33:51Speaker 4: The reason it's dope is because his father has a
- 1:33:53Speaker 4: history of signing and A and Norman dope, R and
- 1:33:56Speaker 4: B X most of people that were on R and
- 1:33:58Speaker 4: B deaf Jam.
- 1:33:58Speaker 2: He's and he's a cool due And then his mom of.
- 1:34:01Speaker 1: Course is yeah, I never met his parents, but you know,
- 1:34:04Speaker 1: I know Nico great guy.
- 1:34:06Speaker 2: Then you just.
- 1:34:08Speaker 1: Had him on the podcast.
- 1:34:09Speaker 19: But he has a he has a lot of really
- 1:34:11Speaker 19: dope things playing for twenty twenty four and if you're
- 1:34:13Speaker 19: a fan of the blog era.
- 1:34:15Speaker 1: I think that tape will give you something like nostalgia.
- 1:34:17Speaker 5: He said, that's Marle's Marley's.
- 1:34:19Speaker 19: Oh, but you know what, it's not one, but I'll
- 1:34:22Speaker 19: send you the record, okay, dad, and all that got.
- 1:34:28Speaker 19: I have no idea, but he put it on even
- 1:34:30Speaker 19: You know, artists are putting their stuff on even now
- 1:34:33Speaker 19: instead of on DSP so they.
- 1:34:35Speaker 1: Can make more money because streaming don't pay as much.
- 1:34:37Speaker 5: But neither hear bankers.
- 1:34:41Speaker 2: Here today.
- 1:34:42Speaker 9: I like it is?
- 1:34:43Speaker 2: That is Jojo Brem.
- 1:34:45Speaker 5: Why are you what when you'd be happy happy.
- 1:34:51Speaker 2: That they like her d?
- 1:34:53Speaker 1: Yeah, thank you, jes.
- 1:34:54Speaker 2: Don't take it personal.
- 1:34:55Speaker 1: I don't take it personal.
- 1:34:57Speaker 5: It's not my music.
- 1:34:57Speaker 1: This is just music I like. I like find people
- 1:35:00Speaker 1: like what I like.
- 1:35:01Speaker 19: Yeah, but all right, so if you guys think y'all
- 1:35:05Speaker 19: like type of music I like, have an event tonight
- 1:35:07Speaker 19: called Past the Ox. It's December fifteenth, Sorry today going
- 1:35:12Speaker 19: down at Cafe You're Zulu. We got Maya to don Ad,
- 1:35:15Speaker 19: Ben Dope and Connie Diamond, so we got artists from
- 1:35:17Speaker 19: every borough performing.
- 1:35:19Speaker 1: Oh except for Staten Island. I'm sorry nobody reached out.
- 1:35:22Speaker 1: But besides that, it's gonna be.
- 1:35:25Speaker 2: Okay.
- 1:35:26Speaker 5: I love Connie Donald.
- 1:35:27Speaker 19: Thank you, oh yeah, and shout out to Complex Black
- 1:35:29Speaker 19: for partnering with six pm.
- 1:35:32Speaker 2: Six pm tonight as the off Live.
- 1:35:35Speaker 1: Cafe Irizulu in Brooklyn. And it's a toy draft to
- 1:35:39Speaker 1: bring a toy. Don't come empty handed because it's the holidays.
- 1:35:41Speaker 5: Thank you.
- 1:35:41Speaker 4: There you go, all right, well, thank you. Now when
- 1:35:43Speaker 4: we come back, we got to mix the People's Choice.
- 1:35:45Speaker 4: Mix this to Breakfast Club.
- 1:35:46Speaker 2: Good morning the Breakfast Club. Your mornings will never be the.
- 1:35:49Speaker 4: Same morning everybody. It's DJ En v Charlamagne the guy.
- 1:35:54Speaker 4: We are the Breakfast Club. Jess hilarious. Our guest co
- 1:35:56Speaker 4: host is.
- 1:35:57Speaker 7: Here, Jessica Robin Moore you for our last show of
- 1:36:01Speaker 7: the year.
- 1:36:03Speaker 2: I am that's right.
- 1:36:04Speaker 4: And we got a salute to cuts and Slices. If
- 1:36:11Speaker 4: you get a chance, definitely try out their pizza. They
- 1:36:13Speaker 4: have a location in Brooklyn, a location in Queens.
- 1:36:16Speaker 9: Uh.
- 1:36:17Speaker 2: They do interesting stuff with pizza. Today I had a
- 1:36:19Speaker 2: oxtail pizza. Amazing. They got two type.
- 1:36:22Speaker 7: They got a regular piece and they got sweet chiliox
- 1:36:24Speaker 7: Steale piece. They got the sweet Chiliox Stale pizza.
- 1:36:28Speaker 2: I don't know what it was, but it was amazing.
- 1:36:29Speaker 4: It was good to the point where you feel sweetness
- 1:36:31Speaker 4: in your mouth, to the point where I'm going there
- 1:36:34Speaker 4: now to bring some home to my wife and kissens
- 1:36:36Speaker 4: all the out there.
- 1:36:39Speaker 5: Take my box that you brought me. Take that again.
- 1:36:41Speaker 5: The kids shut up.
- 1:36:44Speaker 2: They have a shrip and lobster pizza that we got
- 1:36:46Speaker 2: this morning.
- 1:36:47Speaker 4: And also they had a was a sweet simmon, so
- 1:36:51Speaker 4: they would have bidy the pepperoni.
- 1:36:56Speaker 2: Would have They got a turkey pepperoni like ranch thing
- 1:37:00Speaker 2: they do.
- 1:37:00Speaker 8: See, they yeah, they gotta give me that because they're
- 1:37:03Speaker 8: bread and the cheese. Everything is good except for like,
- 1:37:06Speaker 8: I don't I don't believe in mixing all of that
- 1:37:08Speaker 8: with pizza. How you gonna have like sweet chili? First
- 1:37:09Speaker 8: of all, how you're gonnawet chili some moxtail, But how
- 1:37:11Speaker 8: you're gonna put it on top of piece?
- 1:37:13Speaker 2: Taste good? I can't taste good. I liked it.
- 1:37:16Speaker 4: I thought it was good, and I love OX sales,
- 1:37:18Speaker 4: so I thought it was amazing to the point where
- 1:37:20Speaker 4: I'm going to go get some right now.
- 1:37:22Speaker 5: Okay, I get it. If you're gonna be on the
- 1:37:24Speaker 5: tour until January fifth, seriously.
- 1:37:29Speaker 2: Oh man?
- 1:37:29Speaker 4: So yeah, And I want to say I appreciate you,
- 1:37:32Speaker 4: Jess you know you could. I know that you You've
- 1:37:35Speaker 4: been on tour, you've been running through these these towns
- 1:37:37Speaker 4: doing comedy, but you still find time to come up
- 1:37:39Speaker 4: here and for your favorite husbands.
- 1:37:42Speaker 2: And I'm not very husband, bro, And we definitely appreciate that.
- 1:37:46Speaker 2: We thank you. I appreciate it, really, thank you you.
- 1:37:49Speaker 5: I appreciate that you're having me all the time.
- 1:37:52Speaker 2: I love you.
- 1:37:53Speaker 5: I love you too.
- 1:37:58Speaker 2: I do love jess Man.
- 1:38:00Speaker 8: Do you know everybody, I appreciate every time you allow
- 1:38:04Speaker 8: me to grace my presence with this this seat, y'all,
- 1:38:07Speaker 8: I do.
- 1:38:07Speaker 5: I love this all right?
- 1:38:09Speaker 8: What you're thinking, I'm thinking that I have a show
- 1:38:11Speaker 8: on New Year's Weekend in Chicago at the Every Crown
- 1:38:14Speaker 8: Theater me Nick Jackson, d Ray Davis, and Michael Blacks.
- 1:38:17Speaker 8: And I'm also thinking January fifth through seven, if I
- 1:38:19Speaker 8: have shows in Baltimore City at the Baltimore Comedy Factory,
- 1:38:22Speaker 8: get your tickets.
- 1:38:22Speaker 5: Just sorryes soficial dot com.
- 1:38:24Speaker 2: Yeah, as long as you're back by the eighth, Yes,
- 1:38:27Speaker 2: I'll be back. I hope so yes.
- 1:38:31Speaker 4: And also I forgot you know, we're not gonna be
- 1:38:33Speaker 4: here in the next couple of days and it's one
- 1:38:36Speaker 4: of ours.
- 1:38:37Speaker 2: We told him to produce his birthday. Nick.
- 1:38:40Speaker 4: That runs all the cameras up here, and in fifteen
- 1:38:44Speaker 4: days we're not gonna be here.
- 1:38:46Speaker 2: So we appreciate you. Nick nicks out all the digital,
- 1:38:54Speaker 2: all the digit riding with us for how long? How
- 1:38:56Speaker 2: long you been in Nick? That's it.
- 1:38:59Speaker 4: Nick took us to know for a little baby when
- 1:39:01Speaker 4: when he left for like a year or so, when
- 1:39:02Speaker 4: they came back there, nicklas with us eight years before that.
- 1:39:04Speaker 2: It was our guy, Jamie, Jamie one person you. He's like.
- 1:39:13Speaker 7: All the digital content that you've seen over the from
- 1:39:15Speaker 7: the break Club over the last eight years, it's all
- 1:39:16Speaker 7: been Nick.
- 1:39:17Speaker 2: Didn't even get a team tell this year.
- 1:39:19Speaker 4: That's right, that's what's and he and he just doesn't
- 1:39:22Speaker 4: work for us. He works on all platforms and all
- 1:39:25Speaker 4: these stations. He has to help out a lot of times.
- 1:39:33Speaker 4: But when we come back positive notice to Breakfast Club,
- 1:39:35Speaker 4: good morning morning.
- 1:39:36Speaker 2: Everybody is DJ n V.
- 1:39:38Speaker 4: Charlamagne the guy. We are the Breakfast Club now now, Charlamagne,
- 1:39:42Speaker 4: I was dancing earlier and you grunted and ship the
- 1:39:45Speaker 4: little b.
- 1:39:48Speaker 5: And everything.
- 1:39:49Speaker 7: I wouldn't know what that's about. That didn't happen, but
- 1:39:51Speaker 7: you want that to happen. That's exactly what you want.
- 1:39:54Speaker 7: But I am glad, and this is the last show
- 1:39:55Speaker 7: of the year. Thank you to all of our listeners
- 1:39:58Speaker 7: for riding with us all your especially in New York City.
- 1:40:01Speaker 7: We were number one, eighteen thirty four, eighteen forty nine,
- 1:40:04Speaker 7: you know, number two, twenty five, fifty four. I think
- 1:40:06Speaker 7: number one twenty five to fifty four one. Thank y'all, man,
- 1:40:09Speaker 7: we appreciate you. You know what, We've been around for
- 1:40:10Speaker 7: fourteen years and for whatever reason, y'all still choose to.
- 1:40:14Speaker 2: Rock with us. So we appreciate that absolutely. We don't
- 1:40:16Speaker 2: overlook it. And we thank God for everything, man, We
- 1:40:18Speaker 2: really appreciate it. We love y'all. Praise we give God.
- 1:40:21Speaker 2: We give God praise for it all. We thank God
- 1:40:23Speaker 2: for it all. Man.
- 1:40:23Speaker 7: Gratitude is absolutely positively my attitude, and that is my
- 1:40:27Speaker 7: positive note. Gratitude is not only the greatest of virtues,
- 1:40:30Speaker 7: but the parent of all the others. If you aren't
- 1:40:33Speaker 7: grateful for what you have, you will not get blessed
- 1:40:35Speaker 7: with more. Don't be looking at what other people are
- 1:40:37Speaker 7: doing or what other people got. Sometimes your own food
- 1:40:39Speaker 7: will get cold. Because you're too busy looking at somebody
- 1:40:41Speaker 7: else's plate. Be thankful for what God has given you.
- 1:40:45Speaker 7: All right, y'all have a great Christmas and Honika Kwanza year.
- 1:40:51Speaker 2: I think Honka was over yesterday.
- 1:40:53Speaker 7: Yeah, I'm sorry. I hope y'all had a great Honkah Kwanza.
- 1:40:55Speaker 7: And I'm going to get my resected your consultation right now.
- 1:40:58Speaker 2: Let's go. Now, we're going together.
- 1:40:59Speaker 5: We really do have it.
- 1:41:00Speaker 2: I have it in a couple of hours. I know
- 1:41:01Speaker 2: we have it at two o'clently, two o'clock.
- 1:41:03Speaker 7: We gotta get the cable snips for Christmas. That's what
- 1:41:07Speaker 7: I want the Christmas gift to be.
- 1:41:08Speaker 2: No more kids.
- 1:41:10Speaker 8: Wow.
- 1:41:10Speaker 7: But I don't think I'm getting the consultation today. I
- 1:41:12Speaker 7: don't know in the actual sir, we have the conversation
- 1:41:14Speaker 7: going together.
- 1:41:15Speaker 8: We not we not.
- 1:41:18Speaker 2: You want more kids, okay, but I don't want to.
- 1:41:21Speaker 4: I don't want to snip snip because something happens in
- 1:41:23Speaker 4: the world and you gotta pro create for the world.
- 1:41:26Speaker 2: Then you ain't gonna understand.
- 1:41:27Speaker 7: Why do people say that, I don't know, you watch
- 1:41:28Speaker 7: too many movies, man, you know I am legend or
- 1:41:31Speaker 7: something like that.
- 1:41:33Speaker 2: What makes you think you're gonna live? You know what
- 1:41:35Speaker 2: I'm saying. What makes you think you're gonna survive? Superhero
- 1:41:39Speaker 2: because I'm a baby superhero Jesus. All right, Well we'll
- 1:41:43Speaker 2: see y'all. Yes, breakfast club pitches you don'na finish, or
- 1:41:47Speaker 2: y'all dumb.