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Transcript

MC IG _ MC PH - Podpah _1050 · Luke's English Podcast

• 0:14
  Speaker 1: Let's say ZR.
• 0:15
  Speaker 2: ZR.
• 0:15
  Speaker 3: Come on.
• 0:15
  Speaker 4: It's not even what he said.
• 0:17
  Speaker 3: The new Yamaha ZR is here.
• 0:21
  Speaker 1: The entry-level speaker comes with everything.
• 0:44
  Speaker 5: If I were there, I would hold your hand and
• 0:47
  Speaker 5: turn you, like.
• 0:48
  Speaker 6: They do in the old days.
• 0:51
  Speaker 3: She closed her eyes and kind of believed she was
• 0:54
  Speaker 3: in the Wonderland.
• 0:55
  Speaker 7: A new world awaits you in Audiolibro.
• 0:58
  Speaker 8: Audiolibro.
• 1:00
  Speaker 4: Audiolibro.
• 1:01
  Speaker 6: Audiolibro. It's the beginning of the week.
• 1:15
  Speaker 4: Welcome to Podpau.
• 1:16
  Speaker 8: First, huh?
• 1:17
  Speaker 1: Second, huh, Gão? How are you, my dear? I want applause!
• 1:19
  Speaker 1: Let's go!
• 1:23
  Speaker 4: To start on the right way. A wonderful Monday, Mítico Jovem.
• 1:27
  Speaker 4: There's a lot of people there. I want applause!
• 1:30
  Speaker 1: It's because everyone has their cell phones in their hands.
• 1:33
  Speaker 4: Exactly.
• 1:34
  Speaker 2: How are you, Mítico Jovem?
• 1:35
  Speaker 1: We accidentally matched blue and red, right? Everything is blue
• 1:39
  Speaker 1: down here.
• 1:39
  Speaker 4: What was the other one?
• 1:40
  Speaker 2: Bloods?
• 1:41
  Speaker 4: Bloods.
• 1:41
  Speaker 2: No, God bless me. I'm out. Far from it. I'm Corinthians,
• 1:43
  Speaker 2: at the most. Me too.
• 1:45
  Speaker 4: Are you crazy? I'm Pai Sandu, blue.
• 1:47
  Speaker 1: Leave your like. Welcome at the beginning of the week. Promete, hein?
• 1:53
  Speaker 4: Convidados maravilhosos. Mítico Jovem, antes de apresentar os nossos convidados,
• 1:58
  Speaker 4: que já são de casa, a gente precisa falar dos
• 2:00
  Speaker 4: patrocinadores desse podcast.
• 2:02
  Speaker 2: Começando por Audible.
• 2:04
  Speaker 4: Você que gosta de ler um livro, mas tá com
• 2:06
  Speaker 4: a rotina apertada, a Audible foi feita pra você. Porque
• 2:09
  Speaker 4: o que que é? É um serviço de audiolivros e
• 2:12
  Speaker 4: audioséries e tem milhares de títulos disponíveis.
• 2:15
  Speaker 2: E eu vou te contar ainda mais.
• 2:17
  Speaker 1: Pra galera que gosta de... take the subway, you don't
• 2:21
  Speaker 1: like it, right? You're in the rush, in the bus.
• 2:22
  Speaker 4: You need it, right?
• 2:23
  Speaker 1: Metro, that rush, bro, put on a headset and you
• 2:25
  Speaker 1: go here, look.
• 2:25
  Speaker 4: You who are in the rush to clean the house,
• 2:28
  Speaker 4: put an audio book there for you and get to
• 2:30
  Speaker 4: know the services of Audible. You who are in the bus,
• 2:33
  Speaker 4: in the rush, because there are works there with the
• 2:35
  Speaker 4: narration of Lázaro Ramos, Alessi Braga, Matheus.
• 2:38
  Speaker 2: Solano, a lot of good things, really.
• 2:40
  Speaker 4: There's a QR Code on the screen and remembering that
• 2:43
  Speaker 4: whoever signs up now has a free test of 30 days,
• 2:44
  Speaker 4: so you can take a month for you to test
• 2:46
  Speaker 4: for free and see if If it fits your routine.
• 2:51
  Speaker 4: And for those who are Amazon Prime customers, who are
• 2:54
  Speaker 4: members of Amazon Prime, there are 90 days. So there
• 2:56
  Speaker 4: are three months to enjoy the service. Without paying anything.
• 3:00
  Speaker 1: There are people who must have... Amazon Prime doesn't even
• 3:02
  Speaker 1: know about this.
• 3:03
  Speaker 4: Exactly.
• 3:04
  Speaker 2: And now, Mítico Jovem.
• 3:05
  Speaker 1: Say it, dear.
• 3:05
  Speaker 4: Say it to our sponsor, Master.
• 3:08
  Speaker 1: I love you, Yamaha.
• 3:10
  Speaker 4: Yamaha, we're together a lot. It's time to enter the
• 3:13
  Speaker 4: Yamaha Selection campaign, Mítico Jovem, and leave Moto Zero. Because
• 3:17
  Speaker 4: Yamaha brings special conditions for you who want to buy
• 3:20
  Speaker 4: Moto Zero.
• 3:20
  Speaker 2: Why?
• 3:21
  Speaker 4: There's a zero rate, a voucher of R $ 1,000
• 3:23
  Speaker 4: and low rates for participating models. So it's very important
• 3:27
  Speaker 4: for you to enter the promotion, see the conditions and
• 3:30
  Speaker 4: the models that are participating, okay? Yamaha unites more than
• 3:34
  Speaker 4: 70 years of history, innovation and Japanese quality that everyone
• 3:37
  Speaker 4: knows is differentiated. And it has an economy and practicality
• 3:40
  Speaker 4: beyond the account. So, whether it's to work, study, in leisure,
• 3:43
  Speaker 4: in the race, give a ride with the kitten, with
• 3:45
  Speaker 4: the kitten, Yamaha is there to help you, right? For
• 3:48
  Speaker 4: all the moments, consult all the information, all the conditions
• 3:51
  Speaker 4: on the site, scan the QR code. that's on the screen,
• 3:54
  Speaker 4: and you can check everything, ok? And what is Yamaha,
• 3:56
  Speaker 4: Mítico Jovem?
• 3:57
  Speaker 1: Yamaha is an advantage, what's that? You're like.
• 4:00
  Speaker 2: Monday, I called.
• 4:01
  Speaker 1: You're on, you're online. Oh, follow Yamaha on social media, ok?
• 4:05
  Speaker 1: Our partner who's been with us for a while, I
• 4:07
  Speaker 1: love you guys so much, and please, whenever you feel
• 4:10
  Speaker 1: like it, you can send us a motorcycle.
• 4:12
  Speaker 2: Please.
• 4:12
  Speaker 1: For the love of God.
• 4:13
  Speaker 4: Receive with a lot of affection, make a lot of noise,
• 4:16
  Speaker 4: knock down this studio, clap your hands, really, I want noise,
• 4:18
  Speaker 4: I want screams.
• 4:21
  Speaker 2: For those who are at home, it's the four M's.
• 4:22
  Speaker 2: MC PH, MC IG! Let's go!
• 4:23
  Speaker 1: Let's go!
• 4:25
  Speaker 4: That's it! Now yes, man! What an animation up there!
• 4:31
  Speaker 6: Now it came for real. How are you, my brothers?
• 4:33
  Speaker 2: Feeling strong.
• 4:33
  Speaker 6: I'm fine, thank God.
• 4:35
  Speaker 2: How are you? I'm fine, and you? I'm going to
• 4:37
  Speaker 2: have a drink today, watch the game. This is the mood, right?
• 4:40
  Speaker 2: I'm going to be good today. No, I'm cool, you're
• 4:44
  Speaker 2: going to have a drink. This is the mood?
• 4:46
  Speaker 1: This is the mood.
• 4:47
  Speaker 2: The production is here today. I'm not drinking today. The
• 4:51
  Speaker 2: production is here. Second.
• 4:52
  Speaker 6: I'm not able to drink, but I like to see.
• 4:54
  Speaker 2: The interviews of Mitko a little out of normality. It's cool, right?
• 4:57
  Speaker 2: I like it. Just a little one to start?
• 5:00
  Speaker 4: No. It's cool to talk about that. First of all,
• 5:13
  Speaker 4: I want to know if you guys are ok.
• 5:14
  Speaker 1: He's already starting to get intimate.
• 5:16
  Speaker 4: He brought up a topic because I saw that recently
• 5:19
  Speaker 4: he posted that he had a heart attack.
• 5:22
  Speaker 2: What happened, bro? Actually, I had a kidney problem. I
• 5:25
  Speaker 2: had a renal infarction recently. So I just got.
• 5:30
  Speaker 4: Stuck in the infarction. I didn't know it was renal.
• 5:32
  Speaker 2: It's because the population didn't know until I passed. The
• 5:36
  Speaker 2: population connects the heart to the infarction, right? But the infarction,
• 5:39
  Speaker 2: like Piqui... That's when the organ stops receiving blood. Then
• 5:43
  Speaker 2: he has a heart attack.
• 5:47
  Speaker 1: Wow, but how did that happen? Were you okay?
• 5:49
  Speaker 2: Man, I ate a rotten sardine, it was in a clip.
• 5:52
  Speaker 2: What the fuck? But I'll be honest, I was cycling,
• 5:55
  Speaker 2: so I stopped doing the exam, you know? It's a
• 6:04
  Speaker 2: delicate matter, right? Then it ended up that it was bad,
• 6:07
  Speaker 2: I think my blood got rough, all in general, but
• 6:09
  Speaker 2: I was feeling totally fine. So much so that one
• 6:12
  Speaker 2: day I thought it was a stomachache, I ate a sardine,
• 6:14
  Speaker 2: then I felt like vomiting, and then I felt a
• 6:16
  Speaker 2: pain here, I said, man... You hit it wrong, man.
• 6:19
  Speaker 2: Then I had told her, she said, did you eat sardine?
• 6:23
  Speaker 2: I told her that I ate sardine, she said, was
• 6:26
  Speaker 2: it cold? I said no. Then I took the thing
• 6:27
  Speaker 2: in the favela, I went into a breeze, I went
• 6:29
  Speaker 2: in to buy some water, Then I saw a sardine,
• 6:33
  Speaker 2: I was in the mood to eat a sardine. I
• 6:35
  Speaker 2: was in the middle of the clip. Are those in
• 6:37
  Speaker 2: canned food? Yeah, those little ones, like that. Those are broken, right?
• 6:40
  Speaker 2: Thank you! Then I looked, I got sick, and the
• 6:44
  Speaker 2: summary of the idea, I went home, right, bro? I
• 6:48
  Speaker 2: went home, I took some medicine, I went home, I
• 6:51
  Speaker 2: didn't stop feeling pain. Then I was almost sleeping, I
• 6:55
  Speaker 2: started to get short of breath, like this, short of breath,
• 6:57
  Speaker 2: short of breath, short of breath. Then I went to
• 7:00
  Speaker 2: the hospital. When I got there, I couldn't take it anymore.
• 7:03
  Speaker 4: Fuck, the situation was already serious.
• 7:06
  Speaker 2: Yeah, the girl said it was like, it was like
• 7:08
  Speaker 2: a birth pain, like a level of pain, of renal
• 7:11
  Speaker 2: colic pain. Wow, that's a mess. Yeah, I can't even
• 7:14
  Speaker 2: explain it, man. Because I was still dealing, right? I said,
• 7:16
  Speaker 2: I'm going to take a medicine to sleep here and
• 7:17
  Speaker 2: I'm going to sleep. Then I started to get short
• 7:20
  Speaker 2: of breath. Then I started to notice that I only
• 7:22
  Speaker 2: stopped hurting when I stopped breathing. I would do like this, look.
• 7:27
  Speaker 1: So you kept holding that position.
• 7:28
  Speaker 2: Then I think my body started doing that, I was
• 7:30
  Speaker 2: really short of breath, I wasn't able to do it normally.
• 7:34
  Speaker 2: But like, I know you said it's a delicate subject,
• 7:36
  Speaker 2: but I think it's cool for you to talk about it, bro,
• 7:38
  Speaker 2: because I think it brings a thing of the people. Yeah,
• 7:41
  Speaker 2: of awareness. Of the people going to the exams. I
• 7:42
  Speaker 2: talk about delicate because at the same time that thing
• 7:45
  Speaker 2: happened with the kid there, I beat him up in
• 7:47
  Speaker 2: the gym right away, right, bro? That's true. The gun, right?
• 7:49
  Speaker 2: May he rest in peace, right, bro? And.
• 7:52
  Speaker 2: I saw the luck I had, I didn't need to
• 7:54
  Speaker 2: do any dialysis, I saw a lot of my exams
• 7:57
  Speaker 2: were all regulated, you know? I was training, doing... But
• 8:01
  Speaker 2: I was naturally finding it very strange the context of...
• 8:05
  Speaker 2: the disposition you get, right?
• 8:07
  Speaker 4: Is what you said, were you well?
• 8:09
  Speaker 2: I was. Sleeping well, sleeping.
• 8:12
  Speaker 6: Well, waking up well.
• 8:13
  Speaker 4: Essential.
• 8:13
  Speaker 6: And you two are.
• 8:15
  Speaker 4: Two people who went through, like us too, right? They
• 8:18
  Speaker 4: went through a very.
• 8:22
  Speaker 4: It was more drastic, but you also went after your health, right?
• 8:25
  Speaker 4: I remember your conversations.
• 8:27
  Speaker 1: Exactly.
• 8:28
  Speaker 6: I was obese 10 months ago, bro. Straight talk. I
• 8:31
  Speaker 6: was out of shape, obese. But why?
• 8:33
  Speaker 2: What happened?
• 8:34
  Speaker 6: I was out of shape, on the street, drinking a lot,
• 8:38
  Speaker 6: eating a lot. Out of shape, you know? Out of shape.
• 8:40
  Speaker 6: Training once or twice a week. Until I got embarrassed
• 8:44
  Speaker 6: and said, bro, I need to go back to the focus.
• 8:46
  Speaker 6: But what happened for you to be so embarrassed? I
• 8:51
  Speaker 6: looked in the mirror and one day I took some
• 8:54
  Speaker 6: pictures and I said, man, I can't take it anymore.
• 8:56
  Speaker 6: I said, I can't stay like this anymore, I'm an artist,
• 8:59
  Speaker 6: I have to take care of myself. Even to create myself,
• 9:03
  Speaker 6: my brain wasn't working right, my performance wasn't being cool,
• 9:06
  Speaker 6: you know? I said, man, I need to take care
• 9:08
  Speaker 6: of myself. And then I came back to the focus.
• 9:11
  Speaker 6: It's been 10 months since I haven't drunk, every now
• 9:13
  Speaker 6: and then I take a sip of a wine, but.
• 9:14
  Speaker 4: But it's not that necessity of having.
• 9:16
  Speaker 1: To drink, right?
• 9:16
  Speaker 6: No, I don't drink anymore. I'm like that too.
• 9:18
  Speaker 2: And the good thing about not drinking, when you drink
• 9:20
  Speaker 2: a cup, you get crazy. Yeah, drinking is what drags
• 9:22
  Speaker 2: you down.
• 9:22
  Speaker 6: The most, right, brother?
• 9:25
  Speaker 2: Yeah, man.
• 9:26
  Speaker 6: Drinking is what drags you down.
• 9:27
  Speaker 2: It's what drags you down.
• 9:28
  Speaker 4: It's because it's very energetic, a lot of things.
• 9:30
  Speaker 6: Very energetic, a lot of sugar. It's a hangover, right?
• 9:34
  Speaker 2: It's very crazy. There's no benefit, you know?
• 9:36
  Speaker 6: But I know what you were talking about.
• 9:37
  Speaker 4: I felt a lot of that too when we were
• 9:39
  Speaker 4: in that phase. What phase, brother? In that crazy phase.
• 9:41
  Speaker 2: Crazy life.
• 9:41
  Speaker 4: Just drinking, just on the street, party from Tuesday to Sunday.
• 9:45
  Speaker 4: Drinking bad as fuck. Drinking from Tuesday, brother.
• 9:48
  Speaker 2: Like it was Friday. Forte.
• 9:54
  Speaker 4: E aí o que eu percebi?
• 9:55
  Speaker 2: Que a gente tava trabalhando mal, viado.
• 9:57
  Speaker 4: A gente tava trabalhando mal pra caralho.
• 9:50
  Speaker 1: We were drinking on Tuesdays, bro. Like it wasn't Friday.
• 9:55
  Speaker 2: And then I realized that we were working badly, man.
• 9:57
  Speaker 6: And then on Monday we wanted to do the meet
• 10:00
  Speaker 6: with the baby. Yeah, like, man, holy shit.
• 10:02
  Speaker 1: But that's it.
• 10:03
  Speaker 2: She already made some pot de pa drinking some drinks.
• 10:06
  Speaker 6: Wow, I remember very well, bro. I remember very well, bro.
• 10:09
  Speaker 6: Last time you took off my shirt, man.
• 10:11
  Speaker 4: That's it, that's it.
• 10:12
  Speaker 2: And now you're with the portal here, bro.
• 10:15
  Speaker 4: It's been three years, isn't it?
• 10:16
  Speaker 6: Wow, it's been viral until today, bro. It was a
• 10:20
  Speaker 6: funny day.
• 10:20
  Speaker 2: Who was it?
• 10:21
  Speaker 1: Was it just the two of them?
• 10:23
  Speaker 4: Just the two of them. Then Iggy got up and said,
• 10:25
  Speaker 4: take off your shirt, because the two of us were
• 10:27
  Speaker 4: singing without a shirt. It was awesome.
• 10:29
  Speaker 2: It was awesome, man. It was awesome. And then we went.
• 10:33
  Speaker 4: To Iggy's tour. But that was in the past, Mítico Jovem.
• 10:37
  Speaker 1: Was it that day?
• 10:37
  Speaker 6: I think it was.
• 10:39
  Speaker 2: Like, what?
• 10:40
  Speaker 6: Like, what? Like, what?
• 10:42
  Speaker 4: It was like, what?
• 10:44
  Speaker 1: I got it.
• 10:44
  Speaker 2: Awesome.
• 10:45
  Speaker 4: My brothers, I think it's always cool, man, to be
• 10:47
  Speaker 4: here with you, because you are... two very important MCs
• 10:52
  Speaker 4: of the funk scene, and I think it's always cool
• 10:54
  Speaker 4: for you to exchange an idea from the beginning, even
• 10:57
  Speaker 4: though you've already been here several times, because I think
• 10:59
  Speaker 4: the audience will always renew, both ours and yours, and
• 11:04
  Speaker 4: I wanted to know, like, when does 4M start? Who
• 11:07
  Speaker 4: pulls this bond? Is 4M an ideology or is 4M
• 11:11
  Speaker 4: just you? No one can say anymore that it's 4M.
• 11:14
  Speaker 4: How is the 4M thing? Because I think it's something
• 11:17
  Speaker 4: that we heard, at least I heard it back in 2015,
• 11:18
  Speaker 4: and I liked it a lot, I said, damn, it's
• 11:21
  Speaker 4: a gang. But in a good way, it's a group,
• 11:24
  Speaker 4: it's a crowd, an ideal. But I saw that it
• 11:26
  Speaker 4: didn't die, you know? You know those families that we
• 11:30
  Speaker 4: create in school and end up dying? I saw that
• 11:32
  Speaker 4: yours is... I feel it's an ideology, you know?
• 11:35
  Speaker 6: Yeah, it started in 2013, right? 2012, 2013.
• 11:37
  Speaker 2: It was when I started singing after the world was
• 11:40
  Speaker 2: going to end in 2012. That's right, that's right.
• 11:43
  Speaker 6: Man, the world was going to end, what a breeze.
• 11:46
  Speaker 6: And then it started exactly in that breeze. It was
• 11:48
  Speaker 6: actually still 3Ms, because there was no Money at the time.
• 11:51
  Speaker 1: Who thought about Money?
• 11:53
  Speaker 6: It was Iggy.
• 11:54
  Speaker 2: I thought about Money. Because we were living and we
• 11:57
  Speaker 2: were really in the most scarcity. You see how cool
• 11:59
  Speaker 2: it is, right? It was cool there the way it
• 12:03
  Speaker 2: was there. For us, like that. It was the day
• 12:05
  Speaker 2: I thought, even in a general sense. Then everyone was like,
• 12:09
  Speaker 2: let's go, let's go, that's it, we're 4M. But you
• 12:11
  Speaker 2: started with the idea of being.
• 12:13
  Speaker 6: You know, on the bench.
• 12:14
  Speaker 2: On the street, it's something I've already said in other places,
• 12:18
  Speaker 2: sometimes we marked, it was like you guys, you didn't
• 12:22
  Speaker 2: even mark, came with similar clothes, sometimes with the same mark,
• 12:25
  Speaker 2: everyone was hard and crazy. Sometimes I would wear a
• 12:28
  Speaker 2: team shirt and everyone was wearing a team shirt, no
• 12:30
  Speaker 2: one had a phone. It looked like a bond, without combining.
• 12:33
  Speaker 6: It was a bond, but the idea.
• 12:36
  Speaker 2: Of when it started... It wasn't, it wasn't.
• 12:38
  Speaker 6: Exactly, at the beginning, so to speak.
• 12:40
  Speaker 1: But it was 3M, you said, bro, it was 3M.
• 12:43
  Speaker 6: Until Igor started thinking about money. We felt that something
• 12:45
  Speaker 6: was missing, you know? But that's what he said, it's cool. Obviously,
• 12:49
  Speaker 6: the money was always... You always wanted it.
• 12:51
  Speaker 4: But I think until the moment you put the fourth element,
• 12:55
  Speaker 4: the fourth M, you started to radiate more around money.
• 12:59
  Speaker 4: Because he said it was scarce before. Does it have.
• 13:02
  Speaker 2: To do with that? Yes, yes.
• 13:03
  Speaker 6: At that time, we put money in the crazy generator, right?
• 13:06
  Speaker 2: And wanting or not, but still seeing in the thesis
• 13:07
  Speaker 2: that money was not the primordial, right? Exactly. So much
• 13:10
  Speaker 2: so that it came later. From the natural.
• 13:13
  Speaker 4: From the 3Ms or the 4Ms, the primordial was the music, obviously.
• 13:18
  Speaker 6: Fact.
• 13:19
  Speaker 2: Fact.
• 13:19
  Speaker 6: Okay.
• 13:20
  Speaker 1: The second one.
• 13:22
  Speaker 4: It's the music.
• 13:23
  Speaker 6: I think the music brings all the others, you know?
• 13:25
  Speaker 6: The music is what pulls the rest. If there wasn't music.
• 13:30
  Speaker 4: There wouldn't be the rest.
• 13:31
  Speaker 2: The M for us represents the rest, right?
• 13:38
  Speaker 4: That's crazy, but did all of you 4M singers sing
• 13:42
  Speaker 4: at the beginning?
• 13:43
  Speaker 2: No.
• 13:44
  Speaker 4: So it wasn't necessarily the song that I read to
• 13:46
  Speaker 4: you as a trap, it was to enjoy at the beginning.
• 13:50
  Speaker 2: Yes, because Tigre is there. Where is Tigre? Tigre Guerrero, back, monster.
• 13:53
  Speaker 2: Look at Tigre.
• 13:54
  Speaker 1: This is the legend.
• 13:55
  Speaker 2: Tigre has known us since we were kids, because he's
• 13:57
  Speaker 2: 4M until today, but he doesn't sing. Exactly.
• 13:59
  Speaker 4: But he was already 4M from there.
• 14:01
  Speaker 2: Yeah, because he was always there.
• 14:04
  Speaker 4: Applause for Tigre Guerrero.
• 14:05
  Speaker 2: What's up, Tigre? Look at Saulo.
• 14:10
  Speaker 4: He's from Árabe.
• 14:11
  Speaker 6: He's from Árabe.
• 14:14
  Speaker 4: Damn, so you're from Mocota.
• 14:15
  Speaker 1: So you were already 3M.
• 14:16
  Speaker 4: 3M.
• 14:17
  Speaker 1: Then came 4M.
• 14:18
  Speaker 4: Who was in Bond? Can you tell us?
• 14:21
  Speaker 2: Sure.
• 14:21
  Speaker 4: Was it Tigre, Iggy, PH?
• 14:23
  Speaker 2: Yes, a lot of people. PH, Chico Boladão, Kevin, Nathan.
• 14:29
  Speaker 6: Thales.
• 14:30
  Speaker 4: There were about 10 guys. Pedrinho, we met him as
• 14:32
  Speaker 4: a kid.
• 14:32
  Speaker 6: Pedrinho.
• 14:35
  Speaker 2: Then it expanded, right? It was the time that we
• 14:37
  Speaker 2: went to GR6, like, Hariel hugged the cause, Davi.
• 14:42
  Speaker 4: What seemed to me that when this funk movement started
• 14:45
  Speaker 4: at GR6, what I felt was that GR6 itself was 4M,
• 14:49
  Speaker 4: because it wasn't necessarily your bond, but how many songs
• 14:53
  Speaker 4: from the beginning did Davi do with 4M? I think
• 14:56
  Speaker 4: the first time I heard 4M in the song was Davi.
• 14:58
  Speaker 2: That's something I'm going to say openly, the first time
• 15:00
  Speaker 2: I got it I laughed a lot too. And thank
• 15:03
  Speaker 2: God I never got jealous, I never looked at it
• 15:06
  Speaker 2: with a bad eye. But I laughed because at the
• 15:08
  Speaker 2: same time that Davi was singing there, there was a
• 15:10
  Speaker 2: song from 4M there. What's his song? No, another one there,
• 15:15
  Speaker 2: how is it? In times of crisis, they are behaving
• 15:18
  Speaker 2: as if nothing had happened. The Elay Chapica version. In
• 15:22
  Speaker 2: times of crisis, they are behaving as if nothing had happened.
• 15:31
  Speaker 2: It was hard and crazy. I saw that 4M expanded.
• 15:34
  Speaker 2: 4M exploded before MC Iggy. Exactly. 4M exploded before us.
• 15:37
  Speaker 2: Did your ideology move forward before the money arrived?
• 15:40
  Speaker 6: Yes, Pedrinho. Before the money, before the progress.
• 15:42
  Speaker 4: But at the beginning, did you already imagine?
• 15:53
  Speaker 1: What did you guys talk about? Like, this movement is
• 15:56
  Speaker 1: going to grow.
• 15:57
  Speaker 2: Actually, at first glance, PIC was broken, at least in
• 16:00
  Speaker 2: my opinion. We were like, no, it's just us, it's
• 16:03
  Speaker 2: just like Racionais, the bank is just the 4Ms. You know,
• 16:07
  Speaker 2: the 4Ms are us, because that was our vision.
• 16:09
  Speaker 6: We wanted to keep the meaning secret, we didn't want
• 16:10
  Speaker 6: people to know what it meant, we just wanted to
• 16:13
  Speaker 6: keep the mystery. What is 4M? Nobody knows.
• 16:19
  Speaker 4: It's a secret, right?
• 16:20
  Speaker 6: Everybody wants to know, but there was a time when
• 16:22
  Speaker 6: we saw that it was going to be unsustainable.
• 16:24
  Speaker 2: But I found out what the 4M was, I think,
• 16:26
  Speaker 2: in Davi's song.
• 16:26
  Speaker 4: Exactly.
• 16:27
  Speaker 2: Davi's plan.
• 16:27
  Speaker 3: Exactly.
• 16:27
  Speaker 2: Music, man, hey, girl.
• 16:28
  Speaker 1: I was like... Just to tell you, even so, even
• 16:30
  Speaker 1: with the.
• 16:31
  Speaker 4: Songs explaining, making it explicit and clear what it was.
• 16:34
  Speaker 6: A lot of people still didn't understand, you know? A
• 16:37
  Speaker 6: lot of people thought that 4M was like 4 MCs.
• 16:47
  Speaker 6: Only four guys.
• 16:49
  Speaker 4: I don't know if you guys are aware, because you
• 16:53
  Speaker 4: guys were inside the building, but when I first saw
• 16:56
  Speaker 4: the whole ideology being sung in all of your songs,
• 16:59
  Speaker 4: and not just among you guys, and the thing about
• 17:01
  Speaker 4: the cap, the clothes, it was something that, at least
• 17:04
  Speaker 4: for me, who was and still is a big fan,
• 17:07
  Speaker 4: I really wanted to have it. I really wanted to
• 17:10
  Speaker 4: wear it. To be part of it, in a way,
• 17:16
  Speaker 4: because it was what I consumed. Did you have this
• 17:19
  Speaker 4: notion that there were so many people that were... Because there,
• 17:23
  Speaker 4: it's okay, things hadn't happened to you yet, but I
• 17:25
  Speaker 4: already saw you as someone... You're talking about.
• 17:28
  Speaker 6: The clothes of the 4M, right?
• 17:29
  Speaker 2: Of the clothes, of the ideology, of the music, of everything.
• 17:32
  Speaker 6: Honestly, I started to have a bit of a notion
• 17:34
  Speaker 6: like that, when.
• 17:36
  Speaker 4: How did you take the picture like that, bro?
• 17:38
  Speaker 2: For God's sake, you're in heaven, I don't know.
• 17:39
  Speaker 6: I started to have a notion like that, that the
• 17:41
  Speaker 6: thing was really big and expanding. when I saw that
• 17:44
  Speaker 6: there was fake clothes on Braz, selling. Wow, that one
• 17:47
  Speaker 6: blew up too much. Yeah, like, Bonnet New Era with 4M,
• 17:49
  Speaker 6: that didn't even exist. Like, 4M clothes on Braz, packed, like, bizarre.
• 17:52
  Speaker 6: I said, damn, the thing is... It's on the way.
• 17:53
  Speaker 6: It's on the way. It's on the way. And who
• 17:54
  Speaker 6: was the first... You've already talked about it, but since.
• 17:58
  Speaker 1: We're remembering, who was the first MC to pull the bond,
• 18:02
  Speaker 1: to say, man, let's sing, let's take this thing seriously too, like.
• 18:10
  Speaker 1: Now that the movement is growing, let's sing.
• 18:14
  Speaker 2: Let's see.
• 18:14
  Speaker 6: Did you sing with a tremolo?
• 18:16
  Speaker 4: Yeah, like a group.
• 18:17
  Speaker 1: One started singing and said, man, it's going to be good,
• 18:19
  Speaker 1: let's make money on this shit. Because later we saw Money, right?
• 18:24
  Speaker 2: PH already sang, but he didn't know how to sing.
• 18:26
  Speaker 2: Kev already had music, he had already recorded the sound before.
• 18:30
  Speaker 2: But the initiative to sing again came from me, you know?
• 18:33
  Speaker 2: And it was on the 27th of.
• 18:38
  Speaker 1: Yeah, I remember that.
• 18:39
  Speaker 2: In November or September, you know?
• 18:41
  Speaker 4: Why is it so important?
• 18:42
  Speaker 2: Because a partner died the day after I started singing.
• 18:45
  Speaker 2: It was Rafu, you know?
• 18:46
  Speaker 6: And I was messing with his ass, man. When I
• 18:48
  Speaker 6: started singing, I was the only one in the school
• 18:51
  Speaker 6: who sang, you know? And I was messing with his ass,
• 18:53
  Speaker 6: Kevin's and the boys' to sing. And then, man, Iggy
• 18:56
  Speaker 6: didn't want to sing.
• 18:57
  Speaker 4: Why?
• 18:59
  Speaker 6: I don't know, there wasn't that kind of breeze at
• 19:01
  Speaker 6: the time. I didn't want.
• 19:03
  Speaker 2: To be famous, I didn't want to be a breeze.
• 19:05
  Speaker 6: I was a little discouraged, I said, fuck it, stop singing.
• 19:08
  Speaker 6: How long did you stay like that? I stayed for
• 19:10
  Speaker 6: about two years. When Iggy started to sing, and Kevin
• 19:12
  Speaker 6: started to sing, I said, now is the time. The
• 19:23
  Speaker 6: guys were also on the gas and I said, damn,
• 19:25
  Speaker 6: now it's time to go back to singing funk.
• 19:27
  Speaker 1: But, Igor, you didn't want to, but when you started,
• 19:29
  Speaker 1: was it weird for you? Did you already like it?
• 19:33
  Speaker 2: Man, that's what I say to my artists, to the guys.
• 19:35
  Speaker 2: We who sell little, we don't have many options. And
• 19:38
  Speaker 2: I'm going to say something, I had a course, I
• 19:40
  Speaker 2: still have it today, right? Of business management and professional excellence,
• 19:45
  Speaker 2: you know? But today I see who would deliver to
• 19:49
  Speaker 2: a black man the administration of a company, a minor,
• 19:51
  Speaker 2: some stuff, I didn't get a job at all, I
• 19:53
  Speaker 2: didn't even talk a lot, you know? Then I didn't
• 19:56
  Speaker 2: have many options, I said, I'm going to come back
• 19:58
  Speaker 2: with the macha, at that time, I didn't want to,
• 20:00
  Speaker 2: I saw the partners, I didn't like funk, I said,
• 20:02
  Speaker 2: I'm going to come back with the macha, that was
• 20:04
  Speaker 2: the option I had. So much so that I think
• 20:09
  Speaker 2: I lost my shyness only after Kevin's death, you know?
• 20:12
  Speaker 2: Once in a while, for me to be able to talk,
• 20:15
  Speaker 2: I think I see it totally with clarity in my head.
• 20:19
  Speaker 1: You know?
• 20:19
  Speaker 4: But when Iggy pushed you, did.
• 20:21
  Speaker 1: You encourage him to go? How was it for you?
• 20:23
  Speaker 1: Because sometimes when he started to sing, did you encourage him?
• 20:27
  Speaker 1: Because usually at the friends' bench, one starts to become
• 20:29
  Speaker 1: MC and the other guy goes there, go there MC.
• 20:33
  Speaker 6: That's exactly what I said. Maybe if Iggy hadn't started singing,
• 20:36
  Speaker 6: I wouldn't vote for Kevin.
• 20:37
  Speaker 2: If it wasn't for me, with PH and Kevin, I
• 20:39
  Speaker 2: wouldn't vote either. You guys are very important to each other.
• 20:43
  Speaker 6: I started as a duo.
• 20:43
  Speaker 4: If Kevin doesn't sing, you don't sing. If you don't sing,
• 20:47
  Speaker 4: Kevin doesn't sing. If he doesn't sing, you don't sing.
• 20:49
  Speaker 2: When I only sang.
• 20:50
  Speaker 1: I already knew Gugu.
• 20:51
  Speaker 6: He's our manager. When they started singing, and I started again,
• 20:55
  Speaker 6: Gugu was already closed with the guys from GR6. So
• 21:03
  Speaker 6: I said, I'll talk to Gugu and see if something happens.
• 21:06
  Speaker 6: I talked to him, I introduced the kids and it
• 21:09
  Speaker 6: worked out great. When I went to see him, he
• 21:11
  Speaker 6: was at GR6. We met Pedrinho, we made the same bridge.
• 21:14
  Speaker 2: Man, that's crazy what you said.
• 21:15
  Speaker 4: You talk about your shyness, but when you started, you
• 21:17
  Speaker 4: could see that even if you were shy, there was
• 21:20
  Speaker 4: a lot to be said. Because your pen was always
• 21:21
  Speaker 4: very good. Sometimes to interpret, there's a shyness. But seeing
• 21:24
  Speaker 4: what's written there is always very good, you know? Where
• 21:33
  Speaker 4: did that come from? When you looked at the paper
• 21:35
  Speaker 4: and said, man, I'm doing this right here, because your
• 21:38
  Speaker 4: lyrics from the beginning are good.
• 21:40
  Speaker 2: It's because I skipped a little bit the trajectory of
• 21:42
  Speaker 2: what we were doing. We were leaving school and almost
• 21:44
  Speaker 2: every day we would go to the stairs there. Then
• 21:46
  Speaker 2: we would be there rhyming, we were rhyming, I got
• 21:50
  Speaker 2: the habit of rhyming with rap and joking, you know?
• 21:52
  Speaker 2: Like a little battle of who was joking. Then I
• 21:55
  Speaker 2: started to see that I was rhyming a lot at
• 21:57
  Speaker 2: that time, remember, PH? Me and Caio, because there was
• 22:01
  Speaker 2: a guy on the screen. I'll even say his name here,
• 22:04
  Speaker 2: Caio Pereira, guys. If you want to fight, you have
• 22:06
  Speaker 2: to give him a chance, because he's a monster.
• 22:09
  Speaker 7: You know?
• 22:09
  Speaker 2: The next time you have to put him... I think he.
• 22:11
  Speaker 6: Doesn't rhyme anymore. I was talking to him these days.
• 22:13
  Speaker 6: I think he doesn't rhyme anymore. He was asking for
• 22:14
  Speaker 6: your number, actually. He sent the number of the league
• 22:18
  Speaker 6: to me.
• 22:18
  Speaker 2: He cheated on Tigre, bro. He was the best he
• 22:20
  Speaker 2: had on the bench. He kept rhyming, rhyming, rhyming. Kevin's
• 22:23
  Speaker 2: rhymes were funny. He said nothing to the side of
• 22:25
  Speaker 2: the rhymes. But he wasn't shy. No, he was always
• 22:27
  Speaker 2: a wood guy. He was the front line of the bench.
• 22:30
  Speaker 2: He was always like that. Before he became famous, with
• 22:34
  Speaker 2: the things that happened, he was always... I don't know,
• 22:36
  Speaker 2: it was weird. A lot of things happened with him.
• 22:40
  Speaker 2: You'd say, man, he's crazy. He was a father when
• 22:41
  Speaker 2: he was 16. You know? He lived it all before. Yeah,
• 22:44
  Speaker 2: everyone was a kid. He was already a father. But
• 22:47
  Speaker 2: in these rhyme battles, you....
• 22:53
  Speaker 1: What did you like the most? Ideology, or only Zueira?
• 22:56
  Speaker 1: Only Zueira.
• 22:56
  Speaker 2: Yeah, but there were the songs there.
• 22:58
  Speaker 6: No, there were, the guys made the songs.
• 22:59
  Speaker 1: And sometimes the melodies came out, some things came.
• 23:02
  Speaker 6: Out, and you said, oh, that's good.
• 23:03
  Speaker 2: But when we were together, in the afternoon, and.
• 23:05
  Speaker 6: On the stairs, it was just Zueira. Yeah, because there was.
• 23:09
  Speaker 2: No video game, there was nothing, there was no street.
• 23:11
  Speaker 2: But what year is the composition of Sonho dos Menas?
• 23:14
  Speaker 2: O Sonho dos Menores was my first fan song. It
• 23:15
  Speaker 2: was his first song.
• 23:16
  Speaker 3: 2012.
• 23:16
  Speaker 2: Do you get it? Yeah. Is this a bad song?
• 23:17
  Speaker 2: It's crazy. Is it the song of who started it?
• 23:19
  Speaker 2: None of his songs are bad.
• 23:20
  Speaker 4: That's what I'm saying. I'll take advantage of this hook.
• 23:22
  Speaker 6: I don't know why he had so many things to
• 23:24
  Speaker 6: say in a different way. Because his lyrics, if you
• 23:27
  Speaker 6: listen to them to this day... Listen to the first sentence.
• 23:30
  Speaker 6: It's very complex. Humility is the key to walk. Exactly,
• 23:40
  Speaker 6: there are people who listen to the song and don't
• 23:41
  Speaker 6: even understand what is being said, you know? They're just
• 23:44
  Speaker 6: listening because it's the key. Like the song of Racionais,
• 23:46
  Speaker 6: for example, you know?
• 23:47
  Speaker 2: So, that's what I'm talking about.
• 23:48
  Speaker 4: He composed there, and this is your composition, Iggy.
• 23:51
  Speaker 2: You know, bro.
• 23:51
  Speaker 4: It has a kind of endless beginning and end. Like,
• 23:53
  Speaker 4: I'm at this peak, I wanted to wake up to
• 23:56
  Speaker 4: see the sea.
• 23:56
  Speaker 2: I was an MC of conscious music. Sometimes I see
• 23:58
  Speaker 2: people talking, I think it's the funniest. Because when I
• 24:02
  Speaker 2: was conscious, I hadn't heard. When I started talking about parties,
• 24:06
  Speaker 2: about things, I became the biggest. But a lot of
• 24:09
  Speaker 2: people who came before or who came later, I think
• 24:11
  Speaker 2: they don't have the capacity. I have a PC with
• 24:13
  Speaker 2: over a thousand conscious songs. There's a song that he
• 24:16
  Speaker 2: wrote with Kevin on the PC, on paper. Are you
• 24:19
  Speaker 2: going to re-record it? Yeah, for sure. I'm just waiting
• 24:21
  Speaker 2: for the best moment. We're solving a lot of things
• 24:24
  Speaker 2: and it's... I don't give a fuck about him re-recording
• 24:26
  Speaker 2: his old songs. You know? I have a lot of
• 24:27
  Speaker 2: old songs there. But the cards are in the sleeve.
• 24:28
  Speaker 2: This won't be lost. No, no way. Because I had
• 24:30
  Speaker 2: a PC there. Then I got this PC, it didn't
• 24:32
  Speaker 2: work anymore, and I got the HD. And I have
• 24:36
  Speaker 2: this HD saved. Wow, brother.
• 24:37
  Speaker 1: You had a market vision, right? You looked at the
• 24:40
  Speaker 1: opportunity and said.
• 24:41
  Speaker 2: I'll make these songs. I stopped making these conscious songs.
• 24:44
  Speaker 2: I think the last projects were in the cold heart.
• 24:47
  Speaker 2: And I came my way, seeing what I was portraying,
• 24:50
  Speaker 2: party music. It's what sells in the right Portuguese. There
• 24:52
  Speaker 2: are people who complain, but it's the same that consumes
• 24:56
  Speaker 2: at the end of the week. So that's why I produce,
• 24:58
  Speaker 2: I do. There are several new songs coming. It's the market.
• 25:02
  Speaker 4: It's the market.
• 25:03
  Speaker 2: You know? There's nowhere to run, it's crazy.
• 25:07
  Speaker 4: But what you said, bro, is very cool, because you
• 25:09
  Speaker 4: bring your shyness here to the table and a lot
• 25:11
  Speaker 4: of people can look and say like this, oh, how shy,
• 25:14
  Speaker 4: he did this, this, this album. This beginning of yours,
• 25:19
  Speaker 4: after Kevin's death, that you created there, in quotes, in quotes,
• 25:24
  Speaker 4: a character, was your method of winning your shyness?
• 25:27
  Speaker 2: Man, I wouldn't say shyness, it's because when I say this,
• 25:29
  Speaker 2: it's to explain, because I say like this, He was
• 25:32
  Speaker 2: the most lively person I've ever met. He's the kind
• 25:35
  Speaker 2: of person that you say, man, nothing like this will
• 25:37
  Speaker 2: ever happen to me. Everything that was supposed to happen
• 25:40
  Speaker 2: had already happened, and it happened, you know? So I
• 25:43
  Speaker 2: think that's it. We have today, guys. We only have today.
• 25:45
  Speaker 2: We don't have tomorrow, you know? Yesterday I slept one way,
• 25:48
  Speaker 2: I woke up the other, you know? And it was
• 25:51
  Speaker 2: my chance, and it always was. I saw it as
• 25:54
  Speaker 2: a new way of repaginizing. This is for the kids
• 25:56
  Speaker 2: who are coming, for those who are, you know? Some
• 25:59
  Speaker 2: opportunities are created at the moment, you know? So there's timidity,
• 26:02
  Speaker 2: timidity in some aspects. I'm still timid today. Sometimes I
• 26:05
  Speaker 2: can't take off my glasses at the show. I sing
• 26:07
  Speaker 2: the whole show and sometimes I can't, you know? Sometimes
• 26:10
  Speaker 2: it's not the day I'm ready for it, you know?
• 26:13
  Speaker 2: But it's something natural. I learned a lot with this tape.
• 26:16
  Speaker 2: I was depressed for a long time. So it's something
• 26:18
  Speaker 2: that few people know. I believe. I think you have
• 26:20
  Speaker 2: to stop. There's a message for the disease. There's a person...
• 26:30
  Speaker 2: that's going through a bad situation on our side, we
• 26:32
  Speaker 2: don't even notice, you know? That's there smiling and such.
• 26:35
  Speaker 2: But it's talking, is the base really firm? You know?
• 26:39
  Speaker 2: There are several contexts. Today I believe that's it, you know?
• 26:44
  Speaker 2: Shyness and art don't match.
• 26:46
  Speaker 6: No.
• 26:46
  Speaker 2: So today I have a total notion of it, you know?
• 26:49
  Speaker 2: For me, it's an eternal showcase that works with music.
• 26:53
  Speaker 2: So if you're not in the showcase, you're not seeing it. Period.
• 27:00
  Speaker 2: That's true.
• 27:00
  Speaker 4: And you had stopped.
• 27:05
  Speaker 1: Coming back at the beginning, and when you came back,
• 27:07
  Speaker 1: did you come back well? Did you come back saying,
• 27:10
  Speaker 1: this is what I want for my life, how was
• 27:12
  Speaker 1: your return?
• 27:13
  Speaker 6: No, I've already decided, I was skating, I was... You know.
• 27:16
  Speaker 2: What, this is the funniest part. I was in.
• 27:18
  Speaker 6: The skating rink, I was in the skating rink, Tocquinha,
• 27:20
  Speaker 6: the next day I already arrived with a cyclone, my
• 27:23
  Speaker 6: hair bent, I was scared.
• 27:25
  Speaker 2: But that red pole, do you remember that red pole?
• 27:27
  Speaker 6: I arrived, forget it, I came back. And when you
• 27:28
  Speaker 6: were skating, for you the funk was.
• 27:32
  Speaker 2: It was the past.
• 27:33
  Speaker 6: I used to go to the bank with the guys.
• 27:35
  Speaker 6: They used to sing my songs. I don't sing funk anymore.
• 27:36
  Speaker 6: I don't like funk. I'm not that anymore. I'm not
• 27:39
  Speaker 6: MC anymore. I don't sing funk anymore. They used to
• 27:41
  Speaker 6: sing my songs. The guy who gave gas to him
• 27:43
  Speaker 6: with all due respect on the day he became the key,
• 27:46
  Speaker 6: we used to tell him, it was Davi. Davi was
• 27:47
  Speaker 6: with the song Tapa na Cara on Quebrada Estourada.
• 27:49
  Speaker 2: It's true. He was very cool. I had never seen
• 28:02
  Speaker 2: Davi before. We met Davi at Juventude Park. When Davi
• 28:05
  Speaker 2: saw this guy, he was very famous. He was the
• 28:08
  Speaker 2: first famous guy I saw. He saw the PH and
• 28:10
  Speaker 2: was like, fuck, MC PH. Then he started singing his songs.
• 28:12
  Speaker 2: I still remember him wearing a skate suit. Davi singing
• 28:17
  Speaker 2: his songs. Skate under his arm. At the time, Davi
• 28:28
  Speaker 2: was the feeling of being broken.
• 28:29
  Speaker 1: Davi is a good blood. He doesn't even know the
• 28:32
  Speaker 1: strength he gave you. No, forget it.
• 28:34
  Speaker 4: And you changed the idea with Davi and he just
• 28:37
  Speaker 4: wanted to compose too.
• 28:38
  Speaker 6: He just wanted to compose too. No, brother, forget Davi.
• 28:41
  Speaker 6: You're crazy.
• 28:42
  Speaker 4: Brother, what is the importance of the place where you
• 28:45
  Speaker 4: were born, the North Zone, the Youth Park, whatever it is.
• 28:49
  Speaker 4: What was the importance of that movement that happened there
• 28:52
  Speaker 4: in the North Zone from 2013 to 2015? Because I
• 28:55
  Speaker 4: see that And that saved a lot of people. The
• 29:00
  Speaker 4: North Zone became a place of dreams. Because I started
• 29:07
  Speaker 4: to see it and I was like... Menor da VG, Pedrinho, you, Kev,
• 29:11
  Speaker 4: everyone from there.
• 29:13
  Speaker 6: And it was crazy. It's crazy. I think it's God's thing.
• 29:16
  Speaker 8: Exactly.
• 29:17
  Speaker 2: There's no way.
• 29:17
  Speaker 4: To explain it.
• 29:21
  Speaker 6: The funk was concentrated in other places, like Baixada, Zona Leste, Rio, exactly.
• 29:28
  Speaker 6: But Zona Norte didn't have any very relevant artist. I
• 29:32
  Speaker 6: think the city of São Paulo had Osasco.
• 29:33
  Speaker 4: There was Gui, right, Cusão?
• 29:35
  Speaker 2: Gui there, or MC Gui, who blew up a song
• 29:37
  Speaker 2: there at the time. There was no such level of visibility. Exactly.
• 29:43
  Speaker 6: Today it's surreal. It seems like funk is dominated by
• 29:53
  Speaker 6: the north zone.
• 29:54
  Speaker 2: Exactly.
• 29:54
  Speaker 6: Or at least the part of São Paulo's funk.
• 29:56
  Speaker 2: And what you guys did is that. What Igor is saying,
• 29:59
  Speaker 2: I agree.
• 29:59
  Speaker 4: There was Gui Mê, Rodolfinho, the guys who have already exploded.
• 30:03
  Speaker 4: Gui too.
• 30:03
  Speaker 2: Gui SP is the broken side. It's good to highlight
• 30:06
  Speaker 2: that there was always a scene in Quebrada. Always. There
• 30:09
  Speaker 2: was always a scene.
• 30:11
  Speaker 4: Not necessarily famous, but.
• 30:13
  Speaker 6: There was always a scene in Quebrada.
• 30:15
  Speaker 2: You know?
• 30:28
  Speaker 4: The day
• 30:41
  Speaker 4: I met you, it was Kevin who called me to
• 30:42
  Speaker 4: go there, by the way, that I arrived there in
• 30:46
  Speaker 4: a house, I swear to God, Léo da Baixada, Iggy, Pedrinho, and.
• 30:51
  Speaker 6: Iggy was quiet, man.
• 30:52
  Speaker 4: And I was like, what's this? I'm in a house
• 30:54
  Speaker 4: with these guys and we're going to go down there
• 30:55
  Speaker 4: to find another 20? It was the day I finished
• 30:57
  Speaker 4: the J6. For me, that was everything. I think the
• 31:01
  Speaker 4: same madness that David felt when he saw the PH,
• 31:03
  Speaker 4: I felt the same when I saw everyone. And everyone
• 31:06
  Speaker 4: from there, from the same place, from the North Zone. Obviously,
• 31:09
  Speaker 4: there was one from here, another.
• 31:11
  Speaker 2: From there, but most of them were from the North Zone.
• 31:16
  Speaker 6: Leo was from the Baixada.
• 31:18
  Speaker 2: Yes.
• 31:18
  Speaker 6: But like, where were you living? In the North.
• 31:20
  Speaker 3: In the North.
• 31:20
  Speaker 6: Exactly. Everyone, actually, we had much less commitment, so we
• 31:22
  Speaker 6: could spend much more time together, much more time inside
• 31:24
  Speaker 6: the company, you know?
• 31:26
  Speaker 4: Creating.
• 31:26
  Speaker 6: We would go to each other's clips a lot. We
• 31:29
  Speaker 6: connected a lot in the songs, we talked... You became friends, right?
• 31:32
  Speaker 2: Yeah, exactly.
• 31:32
  Speaker 6: Someone who was the best in the scene would say,
• 31:34
  Speaker 6: let's do a feat here, let's change ideas.
• 31:37
  Speaker 1: Let's release... Man, do you remember one of the first 4Ms? Like,
• 31:39
  Speaker 1: the first show, 3 thousand reais, how was the feeling? Like,
• 31:43
  Speaker 1: the clip.
• 31:43
  Speaker 4: To know what's going on.
• 31:44
  Speaker 1: Yeah, the clip at Condezila, how were those first moments
• 31:48
  Speaker 1: of yours, man?
• 31:49
  Speaker 2: Man, who came... Like, Pique, I think that who came
• 31:51
  Speaker 2: like a missile himself was Pedrinho. Like, we were at Corre,
• 31:55
  Speaker 2: I think it was a year ago that we had
• 31:57
  Speaker 2: already started to sing, at least. A year ago, right?
• 31:59
  Speaker 2: A year and a bit. A year and a bit,
• 32:01
  Speaker 2: you know? And Pedrinho was 13 or 14 years old.
• 32:03
  Speaker 2: Then we met Pedrinho, we introduced him to Livinho, I
• 32:07
  Speaker 2: remember it was at a funk dance, you know? And
• 32:10
  Speaker 2: they recorded the sound. Yes, but we met them at
• 32:14
  Speaker 2: the street dance, where he was with Gugu, remember? That's right,
• 32:17
  Speaker 2: that's right. Because Livinho didn't know him, because he came
• 32:19
  Speaker 2: to the dance like that.
• 32:20
  Speaker 6: That's right.
• 32:22
  Speaker 2: Pedrinho? No, Livinho, right? Pedrinho wasn't famous yet, right?
• 32:25
  Speaker 1: Man, this is crazy.
• 32:27
  Speaker 2: That's what connected them to record Don Don Don, actually.
• 32:29
  Speaker 6: That's right.
• 32:30
  Speaker 2: Because they didn't know each other. I wanted to meet him,
• 32:34
  Speaker 2: they already hit each other at the time. But the
• 32:37
  Speaker 2: first song for me was out of the ordinary. I
• 32:39
  Speaker 2: don't think there's any other like that, right, Val? Because
• 32:41
  Speaker 2: it was the first song, he became famous in the
• 32:44
  Speaker 2: first song.
• 32:46
  Speaker 1: So you saw the whole construction, the cachet going up,
• 32:49
  Speaker 1: the clip, all that stuff.
• 32:50
  Speaker 2: Everyone, the first one to stop, we said, look at
• 32:53
  Speaker 2: the thing, can you really go? I think the PH,
• 32:55
  Speaker 2: which was already from the scenario.
• 32:57
  Speaker 6: Cheered up even more.
• 32:58
  Speaker 2: Don't forget that thing.
• 32:59
  Speaker 6: But it was really possible, the guy who became.
• 33:02
  Speaker 2: But I didn't get it.
• 33:03
  Speaker 4: I don't know if you guys know what the song
• 33:06
  Speaker 4: Don Don Don is. It's like Gangnam Style, you know?
• 33:11
  Speaker 4: It's like that.
• 33:11
  Speaker 6: It was the first time people said, calm down, is
• 33:14
  Speaker 6: it a child?
• 33:14
  Speaker 4: It's a child. What voice is that? Pedrinho was very charismatic.
• 33:21
  Speaker 4: I remember he used to dance at a samba school.
• 33:25
  Speaker 4: I remember a dance where he was wearing a Kicksilver t-shirt.
• 33:28
  Speaker 4: And he ends up dancing. He must be at least
• 33:31
  Speaker 4: 12 or 10 years old.
• 33:32
  Speaker 6: He's a sinister guy. He's an artist.
• 33:34
  Speaker 4: He's very impulsive.
• 33:35
  Speaker 1: Where did you find this guy? You've talked about him,
• 33:37
  Speaker 1: but I wanted to repeat it.
• 33:39
  Speaker 6: The first time I saw Pedrinho was at the Candelaria Kermesse.
• 33:44
  Speaker 6: Me and Kevin were there, skaters.
• 33:46
  Speaker 10: Skaters.
• 33:47
  Speaker 6: With our skates. We were having fun at the Kermesse.
• 33:52
  Speaker 6: Then we met Pedrinho.
• 33:54
  Speaker 1: Was he singing? No, he was at the Kermesse.
• 33:57
  Speaker 6: Smoking a cigarette.
• 33:58
  Speaker 4: I was going to.
• 33:59
  Speaker 7: Say that part.
• 34:00
  Speaker 6: I was trying to leave that part out, but that's it.
• 34:04
  Speaker 6: That was one of the things that surprised me.
• 34:06
  Speaker 1: 9 years old, with a cigarette, asking for a cigarette.
• 34:09
  Speaker 6: I was like, are you crazy? Then the guys said, no,
• 34:10
  Speaker 6: he smokes. They took the cigarette and gave it to him.
• 34:14
  Speaker 6: I was like, man, that's crazy. He said he was
• 34:20
  Speaker 6: an MC, he introduced himself, there were some partners that
• 34:23
  Speaker 6: stuck with him too, like Nick, Rafinha, the guys. Then
• 34:28
  Speaker 6: the guys introduced themselves too. Then we started sticking with
• 34:31
  Speaker 6: the guys too, the guys stuck with us. Every Friday
• 34:33
  Speaker 6: we stuck with the Jovem Parque, the guys stuck too,
• 34:35
  Speaker 6: because it was a meeting of schools, right brother? It
• 34:38
  Speaker 6: was a school meeting. It was a school in the
• 34:40
  Speaker 6: whole North Zone.
• 34:41
  Speaker 4: So it was packed.
• 34:42
  Speaker 2: Packed.
• 34:42
  Speaker 6: No, the Youth Park was packed on Friday. So we
• 34:45
  Speaker 6: always got together to make a sound, you know? But
• 34:46
  Speaker 6: at the time I was a skater.
• 34:48
  Speaker 4: I was.
• 34:50
  Speaker 2: He was quiet.
• 34:50
  Speaker 6: I used to stick to the guys, but I didn't sing.
• 34:52
  Speaker 6: What caught your attention about Pedrinho? You said he was different,
• 34:54
  Speaker 6: besides the cigarette.
• 34:55
  Speaker 1: When he opened his mouth, his voice was sinister. He
• 34:57
  Speaker 1: was sharp. Sharp, refined. He was different.
• 35:00
  Speaker 6: I had never seen anything like that before. He had
• 35:02
  Speaker 6: green eyes. Yeah, and he was.
• 35:16
  Speaker 2: Handsome, right?
• 35:16
  Speaker 1: He was handsome.
• 35:17
  Speaker 2: He was happy. I remember that it was the first
• 35:19
  Speaker 2: time my grandma saw him. I still remember that in
• 35:22
  Speaker 2: the first few weeks, we didn't announce any of the fame.
• 35:25
  Speaker 2: We would walk with him on the street. So, we
• 35:26
  Speaker 2: took him to meet the guys from Caçolândia. I still
• 35:29
  Speaker 2: remember the faces of the guys looking at him. This
• 35:32
  Speaker 2: little boy, man. When he opened his mouth, it was over.
• 35:42
  Speaker 2: When he opened his mouth, everyone was like, damn. Then,
• 35:44
  Speaker 2: after that, he recorded with Kevin to prepare the new song. Then,
• 35:50
  Speaker 2: Kevin was gone too.
• 35:50
  Speaker 9: You know?
• 35:50
  Speaker 2: But Kevin.
• 35:52
  Speaker 4: It's very similar to Pedrinho in charisma, right, brother? I
• 35:55
  Speaker 4: think he's a boy who's never been ashamed of anything.
• 35:59
  Speaker 6: Yeah, the two of them. He danced, skated, did the face.
• 36:02
  Speaker 2: Came, sang.
• 36:06
  Speaker 4: Sometimes I saw him... He was born with art in
• 36:09
  Speaker 4: his blood. He was born with art in his blood.
• 36:12
  Speaker 6: He was born with art in his blood. He was
• 36:14
  Speaker 6: born with art in his blood.
• 36:16
  Speaker 4: He was born with art in his blood. He was
• 36:18
  Speaker 4: born with art in his blood. He was born with
• 36:20
  Speaker 4: art in his blood. He was born with art in
• 36:22
  Speaker 4: his blood. He was born with art in his blood.
• 36:24
  Speaker 4: He was born with art in his blood. Mó Vucco too.
• 36:33
  Speaker 2: He was in Mó Vucco.
• 36:34
  Speaker 4: Mó Confusão, we looked.
• 36:36
  Speaker 2: At him and said, damn, we looked at MC Harial.
• 36:39
  Speaker 2: And something that I say to Bruninho in Quebrada, we
• 36:41
  Speaker 2: came from the north, clothes from Marcos, it.
• 36:44
  Speaker 6: Was luxury, we didn't even have it.
• 36:46
  Speaker 2: It was from time to time, whoever had it pressed
• 36:48
  Speaker 2: for what he had. Then we went to Borrariá and
• 36:58
  Speaker 2: everyone was wearing Lacoste.
• 37:00
  Speaker 4: The glasses from Oakland.
• 37:01
  Speaker 2: At the time were... The translucent ones? Yeah, the clear lenses.
• 37:05
  Speaker 2: I said, look at the guys, because it already called attention.
• 37:08
  Speaker 2: I think everyone before singing already had a vibe of
• 37:11
  Speaker 2: an artist. Before making a success, everyone who.
• 37:15
  Speaker 4: You know, VG... They didn't assemble you, they didn't teach you, right?
• 37:17
  Speaker 6: You were already.
• 37:18
  Speaker 2: Man, I think that from this generation everyone has already,
• 37:21
  Speaker 2: you know, already been born with the beast. The day
• 37:24
  Speaker 2: we met, I saw a lot of light.
• 37:25
  Speaker 1: But that day, did you connect with him? Did you
• 37:28
  Speaker 1: change your mind? I changed my mind with him.
• 37:31
  Speaker 2: I said, dog, you're famous here in Quebrada. He said, yeah, dude,
• 37:35
  Speaker 2: I don't know what. He had a hoarse voice. I said, yeah, man,
• 37:39
  Speaker 2: I don't know what. Then he already knew about PH.
• 37:41
  Speaker 2: He already knew about the sound of PH. It was
• 37:44
  Speaker 2: a very fast thing. We got to know each other
• 37:47
  Speaker 2: in J6. We had already met in Quebrada. You know?
• 37:52
  Speaker 2: Like we were back then, right?
• 37:55
  Speaker 4: And how was it for you guys?
• 37:56
  Speaker 2: Because today you guys... Damn.
• 37:57
  Speaker 4: You've been making a lot of success for a long time.
• 38:02
  Speaker 4: But in the beginning, we were talking about the accession
• 38:06
  Speaker 4: of Pedrinho, of Kevin. How was it for you guys?
• 38:09
  Speaker 4: I'm not talking about envy, but like... Damn, I want
• 38:11
  Speaker 4: my moment. What's missing for me to do? How was
• 38:13
  Speaker 4: your head? Did you feel like something was missing? Or
• 38:15
  Speaker 4: was it just a matter of time? Were you in
• 38:17
  Speaker 4: a state of anxiety?
• 38:18
  Speaker 2: Because.
• 38:21
  Speaker 2: It took more time, right?
• 38:22
  Speaker 6: Yeah, we have an incognito in our heads and we're anxious.
• 38:25
  Speaker 2: That expectation.
• 38:26
  Speaker 6: Yeah, because we don't know what's missing, what needs to change.
• 38:29
  Speaker 6: What was the phase that you were most anxious to get? Like,
• 38:31
  Speaker 6: I need this, at least I see, it.
• 38:33
  Speaker 4: Happened a little.
• 38:33
  Speaker 2: The phase that I was most anxious, I think it was, bro...
• 38:35
  Speaker 2: The complete phase, since, like, it fell....
• 38:46
  Speaker 6: There was a phase in 2016, 2018, when I broke
• 38:47
  Speaker 6: the sequence, everything was perfect. Wow, that's very good. I
• 38:49
  Speaker 6: started doing shows, and after that, I broke two more songs,
• 38:51
  Speaker 6: then it stopped, and it started to drop. Then it
• 38:54
  Speaker 6: stopped selling shows. Then I stayed about four, five, six years,
• 38:56
  Speaker 6: until it broke again. So, from then on, I think
• 38:59
  Speaker 6: it was the part where I got more anxious, you know?
• 39:04
  Speaker 6: Did you think about being a skater again? I thought
• 39:06
  Speaker 6: about stopping several times.
• 39:07
  Speaker 4: And you get that, like, fuck, it seems that when
• 39:09
  Speaker 4: you make a success.
• 39:16
  Speaker 6: And then loses the success, you get the feeling that
• 39:22
  Speaker 6: it will be impossible to get back to success again.
• 39:26
  Speaker 4: But don't be afraid to stop and say, what if
• 39:28
  Speaker 4: it's tomorrow that will happen?
• 39:30
  Speaker 6: Yes, that's why I didn't stop. I've always been with
• 39:32
  Speaker 6: this incognito in my head. What do I need to change?
• 39:35
  Speaker 6: What do I need to do differently? Something is wrong,
• 39:37
  Speaker 6: because if it's not working out, You're with the guys,
• 39:44
  Speaker 6: you're with the guys. And what did you do?
• 39:46
  Speaker 1: I'm very close to God.
• 39:47
  Speaker 6: Sometimes I used to think like this in my head.
• 39:49
  Speaker 6: Sometimes my role on earth was just this. It was
• 39:52
  Speaker 6: just bringing the kids together and introduce them. And it
• 39:56
  Speaker 6: would happen, you know? I used to think like that.
• 40:00
  Speaker 6: And at the same time, an angel came to my
• 40:02
  Speaker 6: head and said, no, you were born for this. It
• 40:05
  Speaker 6: will continue to happen. And I didn't give up, but
• 40:07
  Speaker 6: it's awesome.
• 40:08
  Speaker 2: Like.
• 40:11
  Speaker 6: Especially when you see what's happening around you, you're like,
• 40:14
  Speaker 6: damn it, man.
• 40:16
  Speaker 4: It's a very fast market, now you sing melodic, now
• 40:17
  Speaker 4: it's whore, you're like, but I sing this. Exactly, and
• 40:19
  Speaker 4: we were very.
• 40:20
  Speaker 6: Molded at the time we entered GR6, because we had
• 40:22
  Speaker 6: a segment where we already sang the stuff we wanted. Consciousness, ostentation,
• 40:24
  Speaker 6: like me, Kevin had a more melodic, more acute voice,
• 40:27
  Speaker 6: and whore was in high at the time, the guys
• 40:30
  Speaker 6: put us to sing whore. I had to adapt, learn
• 40:39
  Speaker 6: how to do it, it was a challenging thing, you know? Wiggy,
• 40:42
  Speaker 6: the guys didn't want Wiggy to sing this shit anymore,
• 40:44
  Speaker 6: they said, no, you're going to be doing it consciously
• 40:47
  Speaker 6: and stuff, so we had to.
• 40:48
  Speaker 2: I barely knew.
• 40:48
  Speaker 6: Yeah, we were molded and it was kind of adapting
• 40:51
  Speaker 6: and following, you know?
• 40:52
  Speaker 2: True. It was a crazy thing, man. But Mão Brisa,
• 40:54
  Speaker 2: I kind of love the phase, I see that the
• 40:55
  Speaker 2: phase was cool because... I had a lot of neuroses,
• 40:58
  Speaker 2: but I see how it is necessary because it informed
• 41:00
  Speaker 2: me who I am today, you know? It made you strong. Yeah,
• 41:04
  Speaker 2: I see my career with more durability, I don't see
• 41:07
  Speaker 2: a song as a success, even though it has 100
• 41:09
  Speaker 2: million views. That's for those who are in the career.
• 41:12
  Speaker 2: It's good to have that calm, right? Yeah, I lived
• 41:15
  Speaker 2: for several years, I lived in the time he said there,
• 41:18
  Speaker 2: I went to explode in 2018, so 2012. Until 2018, man.
• 41:22
  Speaker 2: You must have lived a quiet life. Wow, you're crazy.
• 41:25
  Speaker 2: But I was in Mocó and I lived too. I
• 41:28
  Speaker 2: went out with Kev directly too. You know? So I
• 41:31
  Speaker 2: had the notion. I got the good phase of PH
• 41:34
  Speaker 2: and went to the shows. I've thought about being safe,
• 41:37
  Speaker 2: you know? Several times. I said, what? I'm going to
• 41:39
  Speaker 2: stay here. The stuff was good. I didn't want to
• 41:42
  Speaker 2: be involved in any way. I couldn't drink in safety.
• 41:44
  Speaker 2: I said, fuck. You know? I said, fuck, bro. The
• 41:48
  Speaker 2: guys are hurting.
• 41:49
  Speaker 4: There's no more delicious function.
• 41:50
  Speaker 2: There's something I'll never forget too. There's a phase that
• 41:54
  Speaker 2: Kevin was living alone. Then I lived in his house.
• 41:58
  Speaker 6: Where did he live at that time?
• 41:59
  Speaker 2: He lived in Vila Maria. Was it his first outing?
• 42:01
  Speaker 1: Every day that Val went there, she would prank me.
• 42:03
  Speaker 2: Every day it was me who was there at the house.
• 42:06
  Speaker 2: Taking care, right? Taking care. Then one day Val came
• 42:08
  Speaker 2: to see the mess. She was like, with all due respect,
• 42:11
  Speaker 2: I think... Do you want to be Igor or do
• 42:25
  Speaker 2: you want to be Kev? What do you want to
• 42:27
  Speaker 2: be in your life today? Wow, that's a great mother talk.
• 42:30
  Speaker 6: I forgot about that.
• 42:31
  Speaker 2: I said, man, I want to be Igor. She said,
• 42:32
  Speaker 2: go on your own. You have to do these things,
• 42:34
  Speaker 2: I don't know what. And it really was that tape.
• 42:37
  Speaker 2: So much so that I see that the boys who
• 42:38
  Speaker 2: played the ball, that everything that stuck with Kev... None
• 42:41
  Speaker 2: of them became players. I'm not saying they're not worth it,
• 42:44
  Speaker 2: but none of them. It was so nice to be
• 42:45
  Speaker 2: with Madruguinha. To live the life he was living. It
• 42:49
  Speaker 2: was nice. That's what I say to the artists today.
• 42:51
  Speaker 2: Sometimes they stick to us. Exactly. They have the illusion
• 42:55
  Speaker 2: that they're living it. But they're not living it.
• 42:57
  Speaker 6: That's it.
• 42:57
  Speaker 2: They have to understand that, you know? With the clothes
• 43:00
  Speaker 2: I borrowed, with the sneakers, with everything I lived. For
• 43:05
  Speaker 2: the others it was beautiful, but inside my house the
• 43:07
  Speaker 2: reality was different. I didn't have structure to give to
• 43:09
  Speaker 2: my family, which was what Val was really trying to
• 43:11
  Speaker 2: tell me at that moment. So I think that's it.
• 43:15
  Speaker 2: Everything I went through in this context was necessary to
• 43:18
  Speaker 2: the point where when I talk, sometimes the guys who
• 43:20
  Speaker 2: see when we talk that today it's easier, it's because
• 43:24
  Speaker 2: it's easier, guys. Even in the context of recording the song,
• 43:28
  Speaker 2: I myself recorded the song. We went to the studio
• 43:30
  Speaker 2: twice a year, man. One time with Jorginho, one time
• 43:33
  Speaker 2: with Pereira.
• 43:33
  Speaker 6: Exactly.
• 43:35
  Speaker 2: Calm down, talk about that. Is that serious? Bro, that's crazy.
• 43:37
  Speaker 6: Going to the studio was like.
• 43:40
  Speaker 2: Hunting gold.
• 43:40
  Speaker 6: It was like going to the Playcenter, right? We were like, what, bro?
• 43:44
  Speaker 6: Today is the studio.
• 43:44
  Speaker 2: I hope there's a replay.
• 43:46
  Speaker 6: Bro, forget it. We were like, bro. Wow, anxiety.
• 43:49
  Speaker 2: If you burst into music, you create more chances of
• 43:51
  Speaker 2: being in the studio.
• 43:52
  Speaker 6: And then, like this, you get there.
• 43:53
  Speaker 2: It was the chance of being in the studio. You
• 43:55
  Speaker 2: have this chance.
• 43:55
  Speaker 6: And that tape, you get to the studio.
• 43:58
  Speaker 6: You would arrive with the song ready, because at the
• 44:00
  Speaker 6: time you didn't have the stuff, you would write it
• 44:02
  Speaker 6: on the palm or with the straight beat of the internet.
• 44:04
  Speaker 6: You would arrive at the studio, record the song, record
• 44:08
  Speaker 6: the acapella, and then you would wait another 2, 3, 4, 5,
• 44:12
  Speaker 6: 6 months for the song to arrive ready.
• 44:15
  Speaker 2: Or sometimes it didn't even arrive. I myself went through
• 44:18
  Speaker 2: a lot of stuff. Did DJ Nunca's voice ever go through?
• 44:20
  Speaker 2: A lot, bro. But I'm going to say something positive too.
• 44:24
  Speaker 2: Three days ago, I arrived at the studio to make
• 44:27
  Speaker 2: a song. It was Neguin Favelado, elegant and laid-back, on
• 44:31
  Speaker 2: the beat of the disengaged ship, it's giving me work,
• 44:33
  Speaker 2: and the horses don't want it.
• 44:35
  Speaker 6: It was the funk.
• 44:36
  Speaker 2: Then came the day, Jorginho understood that the song he
• 44:39
  Speaker 2: asked me to sing and put the raster. Then I sang,
• 44:43
  Speaker 2: Neguin Favelado, elegant and laid-back, on the beat of the
• 44:47
  Speaker 2: disengaged ship. Then it was smooth, but then, look what
• 44:50
  Speaker 2: was the thing, I see that it's a thing of God,
• 44:52
  Speaker 2: this was the end of 2018. At the end of
• 44:56
  Speaker 2: the year, that's all. You know? And I was already with...
• 44:59
  Speaker 2: In 2018, I had already put the cypher. We put
• 45:01
  Speaker 2: the cypher and it was... The first, 4M.
• 45:03
  Speaker 6: Yeah.
• 45:03
  Speaker 2: And we pass in the middle of the dance. Because
• 45:05
  Speaker 2: my part is in the dance. Just the boy and Zica. Smooth,
• 45:07
  Speaker 2: it was. It's been three years since I released a song,
• 45:14
  Speaker 2: because my last song was in 2015, like, I'm calm,
• 45:17
  Speaker 2: the world turned, then Suave Cypher came. Very good, man.
• 45:23
  Speaker 2: Then Foguetão de Natal. Then it was what I said,
• 45:26
  Speaker 2: but at the time I created my chance to go
• 45:28
  Speaker 2: to the studio more times. I was at Nenê' s house,
• 45:30
  Speaker 2: Nenê lived, he was Kevin's neighbor at the time. And
• 45:33
  Speaker 2: I only stayed at Kev and Nenê' s house. At that
• 45:35
  Speaker 2: time Kev was living on horseback again. So I only
• 45:39
  Speaker 2: lived there, making music. And it was a DJ that
• 45:41
  Speaker 2: no one made music, the successful guys. It was not
• 45:43
  Speaker 2: a DJ named with a lot of success, you know?
• 45:46
  Speaker 2: When you were in the studio that he sent you
• 45:48
  Speaker 2: more dragged, in.
• 45:49
  Speaker 1: Your conception you were like, no man, I'm already with
• 45:51
  Speaker 1: the lyrics, I'm already in the footprint here in my mind.
• 45:56
  Speaker 1: Was it hard for you to change?
• 45:58
  Speaker 2: Nothing, it was a straight talk, DJ put the beat,
• 46:01
  Speaker 2: we didn't have the strength to say anything. So I
• 46:03
  Speaker 2: think if today's guys make music like this, they will
• 46:06
  Speaker 2: feel taken away, because it was a thing like, how?
• 46:08
  Speaker 2: And it wasn't for evil, it was time, let's put
• 46:10
  Speaker 2: it this way, we were going to Jorginho, we were
• 46:13
  Speaker 2: going to 15 MCs to record. You know? Let's go to... Wow,
• 46:21
  Speaker 2: so it was really a line. Only after 10. But
• 46:23
  Speaker 2: it was the biggest review, everyone in the van, you know?
• 46:26
  Speaker 2: Sometimes someone would come back with luck.
• 46:29
  Speaker 4: It was like a caravan to the studio. Together with
• 46:33
  Speaker 4: the guys and everything, let's go.
• 46:35
  Speaker 2: The summary of the idea. I recorded this song in December.
• 46:39
  Speaker 2: Jorginho released the song on his channel, out of nowhere. Boom. Bombed,
• 46:43
  Speaker 2: got a million. The song.
• 46:46
  Speaker 1: At that time, a million was an absurd.
• 46:48
  Speaker 2: Three days. I said, damn it. Then J6 made a lyric,
• 46:52
  Speaker 2: 2 million, 3 days. The clip you guys record kind
• 46:56
  Speaker 2: of improvises there, right? Oh, there wouldn't be a clip,
• 46:58
  Speaker 2: there wouldn't be anything, there wouldn't be any payment, I
• 47:00
  Speaker 2: did the dances, gave the ticket.
• 47:01
  Speaker 9: I said, what?
• 47:01
  Speaker 2: I got there at Google, man, unlock here for me,
• 47:03
  Speaker 2: I got some money there with the company, I got
• 47:05
  Speaker 2: some money, I borrowed some money. Then it goes to
• 47:10
  Speaker 2: the ph part. And that song is already playing? Already playing,
• 47:12
  Speaker 2: but I was already with 3 at that time. I
• 47:14
  Speaker 2: was with the Christmas Foguetão, which was the Christmas song.
• 47:17
  Speaker 2: And it was at the ball, my part had just
• 47:19
  Speaker 2: been released. Let's put it this way, I was doing well,
• 47:22
  Speaker 2: I was doing the show like hell. It's where you
• 47:24
  Speaker 2: talk about the 3,000 show, for me it's that time.
• 47:26
  Speaker 2: I got it. You know?
• 47:27
  Speaker 6: 3,000.
• 47:27
  Speaker 2: It's something that I laugh when I say that I
• 47:31
  Speaker 2: still do it today. I used to do the batine
• 47:33
  Speaker 2: with the age of matinee. You know? I used to
• 47:36
  Speaker 2: do matinee dances, but I was too old for that.
• 47:39
  Speaker 2: So I was singing for the people at school, like...
• 47:41
  Speaker 2: Holy shit! I thought I was at the peak of
• 47:44
  Speaker 2: my career at that time, you know? Then I heard
• 47:46
  Speaker 2: this song, man. To sum up the idea... I moved
• 47:48
  Speaker 2: to Bruninho, took a taxi with the company, I said
• 47:50
  Speaker 2: hi to PH. I said, PH, PH was the only
• 47:52
  Speaker 2: one who had a car in the bank. Kev already
• 47:55
  Speaker 2: had one, but he was living another life at the time,
• 47:57
  Speaker 2: you know? To sum up the idea.
• 48:01
  Speaker 2: EPH, let's go to the beach. He said, man, how,
• 48:04
  Speaker 2: I don't know what. Let's go, man. I didn't find
• 48:07
  Speaker 2: a girlfriend, I didn't find a girlfriend who was a friend.
• 48:09
  Speaker 2: I had never.
• 48:09
  Speaker 6: Driven to the beach.
• 48:11
  Speaker 2: Driven to the beach.
• 48:11
  Speaker 6: Wow, what was the beach in Rio de Janeiro?
• 48:13
  Speaker 1: I saw you, I took a big hug. I took
• 48:15
  Speaker 1: a big hug.
• 48:15
  Speaker 4: It was the car that.
• 48:16
  Speaker 6: My mother bought for her. What car was it?
• 48:18
  Speaker 1: Honda Fit.
• 48:19
  Speaker 6: She bought it for her, she took the letter, afraid
• 48:20
  Speaker 6: to drive, didn't drive. I said, man, I'm going to
• 48:23
  Speaker 6: ride the car, I'm going to learn to drive. And
• 48:30
  Speaker 6: I was learning in the race. And on that day
• 48:33
  Speaker 6: I was like, let's go down. And you two to
• 48:34
  Speaker 6: make the clip.
• 48:35
  Speaker 2: You saw how much he was a hug, man. Two,
• 48:37
  Speaker 2: three days before, Tigre was in the car and we
• 48:38
  Speaker 2: were coming back from I don't know where. He was
• 48:45
  Speaker 2: on the way up. I was learning.
• 48:46
  Speaker 6: I was learning, bro. I told him, he released the clutch, he.
• 48:50
  Speaker 2: Managed to hit the back of the car on the
• 48:52
  Speaker 2: way up. But it was just a little thing. Summary,
• 48:54
  Speaker 2: you see how the thing is a dream.
• 48:56
  Speaker 6: I already knew he was very arm, but the only
• 48:59
  Speaker 6: chance I had was this one.
• 49:08
  Speaker 2: I said, let's go, Ph, for God's sake.
• 49:09
  Speaker 4: But because until then, they didn't believe in music to...
• 49:12
  Speaker 4: And we could only count on ourselves. To finance... In fact, that's.
• 49:15
  Speaker 2: Not the summary. We could only count on ourselves. And
• 49:17
  Speaker 2: it's three days in a row.
• 49:17
  Speaker 4: If you don't do that, it doesn't happen.
• 49:19
  Speaker 2: In fact, the three days in a row, the clip
• 49:20
  Speaker 2: happens because of him and Kevin, in fact.
• 49:22
  Speaker 1: How was the recording of this? Calm down, let the
• 49:24
  Speaker 1: story roll.
• 49:25
  Speaker 4: We were going down, man.
• 49:25
  Speaker 2: The trucks, man.
• 49:26
  Speaker 6: He had a hard arm. First time going down.
• 49:28
  Speaker 2: To the beach. At night?
• 49:29
  Speaker 6: At day. Everything happened on the track, man.
• 49:31
  Speaker 2: You know?
• 49:31
  Speaker 6: He had a hard arm, man.
• 49:32
  Speaker 2: In shock. I was shocked too. It started to rain. Man,
• 49:43
  Speaker 2: my God. We were going down that hill.
• 49:45
  Speaker 8: My God.
• 49:46
  Speaker 2: We were going to Guarujá, you know? Rain, snow.
• 49:47
  Speaker 6: The racetrack was open for us to enter. I was
• 49:50
  Speaker 6: looking for a place to stay because there wasn't any.
• 49:57
  Speaker 6: We didn't have a place to stay, we were going
• 49:58
  Speaker 6: down to the beach, to hang out.
• 49:59
  Speaker 2: You were going to the sand, weren't you?
• 50:00
  Speaker 6: No, we were going, like, our goal was Capuco. We
• 50:01
  Speaker 6: were going down to Capuco. But there was no house. No,
• 50:03
  Speaker 6: there wasn't. But there was a dream, there were several.
• 50:05
  Speaker 4: Partners in there.
• 50:07
  Speaker 6: There were some guys in there, but everyone we called
• 50:09
  Speaker 6: at that time was crazy about it too.
• 50:10
  Speaker 2: Man, the house is full, the guys wanted, like, how?
• 50:13
  Speaker 2: It was the biggest breeze, this thing, right? I think
• 50:20
  Speaker 2: people nowadays don't even know what that is, right? Who
• 50:22
  Speaker 2: had a house was a capucu, son.
• 50:24
  Speaker 6: It was the king and it.
• 50:25
  Speaker 2: Was another tape. Then who was inside, even the partners, no,
• 50:28
  Speaker 2: no one would unlock. Then we were going down, then
• 50:31
  Speaker 2: I found out that Kevin was going down too. Then
• 50:33
  Speaker 2: he was going down with the Indian, he went down
• 50:35
  Speaker 2: by motorcycle that day.
• 50:36
  Speaker 6: Then it got better.
• 50:37
  Speaker 2: Then we said, wow, Kevin is going too. Then he
• 50:39
  Speaker 2: started to breathe.
• 50:40
  Speaker 6: I didn't find anything. I didn't find anything.
• 50:43
  Speaker 2: I didn't find anything. I didn't find anything. Then I
• 50:46
  Speaker 2: found a motel. I said, PH, there will only be
• 50:47
  Speaker 2: a motel for us to stay.
• 50:48
  Speaker 1: That's it, man.
• 50:49
  Speaker 6: That's it, man.
• 50:50
  Speaker 11: There will only be a motel for us to stay.
• 50:53
  Speaker 6: You know, man. That's it, man. But we didn't stay in.
• 50:55
  Speaker 2: The motel, okay? We didn't stay in the motel. Then
• 50:59
  Speaker 2: I posted, it started to light up.
• 51:00
  Speaker 6: It started to go down the mountain.
• 51:02
  Speaker 2: It was already light with the baton there. It was already...
• 51:04
  Speaker 2: It was cloudy. I don't know what I posted, but
• 51:12
  Speaker 2: a friend of ours called. Hey, how are you, cousin?
• 51:14
  Speaker 2: Are you coming to Guarujá? We're going to Acapulco, I
• 51:18
  Speaker 2: don't know what. You're crazy, stay here at my house.
• 51:25
  Speaker 2: And we were like, wow.
• 51:26
  Speaker 6: But the house was like that too. No mattress on
• 51:29
  Speaker 6: the floor. No mattress on the floor. I had to
• 51:31
  Speaker 6: sleep in the pool chair if I wanted to. You
• 51:34
  Speaker 6: sleep in the car or in the garage? In the
• 51:36
  Speaker 6: pool chair. Which is where I slept with my girl
• 51:38
  Speaker 6: when I had to pick her up. No way, you slept.
• 51:41
  Speaker 2: With your wife in a slumber. Yeah, I had to.
• 51:43
  Speaker 6: Pick her up. She said, if you don't come and
• 51:45
  Speaker 6: pick me up, I'll show up there naked.
• 51:47
  Speaker 1: So you had to go back to São Paulo?
• 51:49
  Speaker 6: No, thank God, she was from Praia Grande. I just
• 51:51
  Speaker 6: went to the balsa, in the turn.
• 51:53
  Speaker 2: He passed the turn.
• 51:54
  Speaker 6: I passed the turn. I passed the turn in the balsa, brother.
• 51:58
  Speaker 6: Like this, crazy and crazy, turned, bro. Our Lady, in
• 52:02
  Speaker 6: the highest breeze. The lights flashing in my eyes like
• 52:06
  Speaker 6: this and I was going to get her.
• 52:07
  Speaker 4: Bro.
• 52:11
  Speaker 1: And then you arrived at Passeiro Corvo's house, how was it?
• 52:14
  Speaker 2: Man, there were a lot of trips, a lot of
• 52:16
  Speaker 2: 3-day trips, I think it was the most difficult video
• 52:18
  Speaker 2: of my life. I can't compare it to this video.
• 52:20
  Speaker 6: Forget it.
• 52:20
  Speaker 2: But the most important? Bruninho, for sure, for sure, it
• 52:23
  Speaker 2: was the video I saw, the friends I had, the
• 52:24
  Speaker 2: people there, it was a key turn, because from there,
• 52:27
  Speaker 2: my life changed a lot too. It changed a lot.
• 52:33
  Speaker 2: I remember that Bruninho was there too, it was the
• 52:35
  Speaker 2: same tape. He left his wife at Praia Grande and
• 52:38
  Speaker 2: came to my direction. It was three hours of car.
• 52:40
  Speaker 2: I was trying to hold Kevin at the beach. I
• 52:43
  Speaker 2: got a ball, it was funny, I got a ball,
• 52:45
  Speaker 2: it looked like a child. I got a ball, I
• 52:47
  Speaker 2: was crazy to get out. I got a ball, that's it.
• 52:50
  Speaker 2: Then he kept playing the ball there. For the kids
• 52:51
  Speaker 2: to participate in the video clip. Yes, because I wanted
• 52:54
  Speaker 2: them to participate. Then there was the jet ski guy
• 52:57
  Speaker 2: who rents. The guy who was cheating was from Quebrada.
• 53:00
  Speaker 2: He gave us two jet skis for free. What was
• 53:02
  Speaker 2: the script of the video clip in your mind?
• 53:04
  Speaker 1: What was the plan? I wanted to record on the beach.
• 53:07
  Speaker 2: Record everything you could.
• 53:08
  Speaker 6: Everything I could. Everything you could record, record. Then there's
• 53:11
  Speaker 6: part 2 of this video clip. Look what crazy.
• 53:17
  Speaker 2: I'll make it short. The second part is amazing.
• 53:18
  Speaker 6: The second part is amazing. We went to the beach,
• 53:20
  Speaker 6: we recorded and we.
• 53:21
  Speaker 2: Arrived there at night.
• 53:22
  Speaker 1: It was a peak to turn.
• 53:23
  Speaker 2: I remember it like it was yesterday. It was a
• 53:25
  Speaker 2: peak to turn the date. I don't know what it was.
• 53:27
  Speaker 2: It was a peak to turn. Kev left it there.
• 53:30
  Speaker 2: The guys came with all the gold cords they had
• 53:32
  Speaker 2: from everyone in the house. I had a lot of
• 53:34
  Speaker 2: gold cords. I took a shower, got ready and when
• 53:47
  Speaker 2: I got out everything was set up. The cars, one
• 53:50
  Speaker 2: day I was a big fan of Kelvin. Kevin called Kelvin,
• 53:53
  Speaker 2: Kelvin was there.
• 53:55
  Speaker 1: The guys wanted to do it because they knew that
• 53:57
  Speaker 1: this song was awesome. There was something.
• 54:00
  Speaker 2: In this area. It was a big hit. The song
• 54:02
  Speaker 2: was already playing in the condominium. Everyone wanted to appear
• 54:06
  Speaker 2: in the video. We recorded the video the whole night.
• 54:09
  Speaker 2: Soon this guy appeared. His wife called him. He had
• 54:12
  Speaker 2: to go back at the time.
• 54:15
  Speaker 6: But I voted for Fortão because it was L plus
• 54:17
  Speaker 6: three friends, so I voted for Como.
• 54:20
  Speaker 2: A car full of women.
• 54:22
  Speaker 4: And the guys were like, hey, PH!
• 54:24
  Speaker 2: It brought joy to the guys. Then part two was
• 54:26
  Speaker 2: like this, the video was over, I'm in São Paulo,
• 54:30
  Speaker 2: then out of nowhere my phone rings, Rodrigo Gugu calls me,
• 54:34
  Speaker 2: come here, come to Riviera. I said, no, dog, I've
• 54:38
  Speaker 2: already recorded the video, no, you can come, I left
• 54:41
  Speaker 2: the structure ready.
• 54:42
  Speaker 4: They didn't even know that you had already done it.
• 54:45
  Speaker 6: They knew, they saw, they were following.
• 54:46
  Speaker 2: I think I wasn't in the company's sequence To invest
• 54:52
  Speaker 2: or to make it work, you know? I was there playing,
• 54:54
  Speaker 2: you know? I was working. To summarize the idea, they
• 54:58
  Speaker 2: called me. When they got there, there was Pikachu, the toys, like...
• 55:01
  Speaker 2: The most burst.
• 55:02
  Speaker 4: Scenes, right? Yeah, the MCs.
• 55:04
  Speaker 2: For me, it was a totally different reality. Because in Acapulco,
• 55:06
  Speaker 2: it was a mess. The guys were at their house
• 55:08
  Speaker 2: with their wives. But a rich structure. I said, damn,
• 55:11
  Speaker 2: I didn't even know that existed, right?
• 55:13
  Speaker 6: A pool, a pool of the house, bro.
• 55:14
  Speaker 2: I swear.
• 55:15
  Speaker 6: The room, the house had about 16, 18 rooms. What
• 55:17
  Speaker 6: is that?
• 55:17
  Speaker 2: I swear. You know what I mean? Then we recorded
• 55:22
  Speaker 2: it here, bro. Then we had a lot of people
• 55:24
  Speaker 2: at home. The first time seeing this is different. Then
• 55:25
  Speaker 2: we recorded it, everyone recorded it there, recorded the Riviera parts,
• 55:28
  Speaker 2: recorded it there on Fluxo. Then Suave released the song,
• 55:31
  Speaker 2: the thing was a million and a half in one day.
• 55:34
  Speaker 2: Then there was Caribe at the time, which today has
• 55:36
  Speaker 2: it again. That one from before, you know? Wonderful. I
• 55:39
  Speaker 2: had the biggest dream of singing there, Suave. So much
• 55:42
  Speaker 2: so that the day I stuck there, I remember to
• 55:44
  Speaker 2: this day, I sang there on January 5th. I was crazy,
• 55:46
  Speaker 2: the dances had already started. Then I said, damn, I'm
• 55:50
  Speaker 2: going to do a show. Then they called me to
• 55:53
  Speaker 2: the Caribbean, right? I even put on the outfit I
• 55:55
  Speaker 2: was wearing, the crazy refri trombone.
• 55:57
  Speaker 4: Key.
• 55:57
  Speaker 2: You know? We lived there, bro. Yes, he with his
• 56:00
  Speaker 2: yellow Barbora. I said, damn, I'm so happy. I said,
• 56:02
  Speaker 2: in my dances, it was just the community, right? Yes.
• 56:03
  Speaker 2: It's coming to another audience. Then it was going, bro. Like,
• 56:07
  Speaker 2: the peak was going, like, it was going, it was going.
• 56:09
  Speaker 2: I was playing some songs, then I stopped drinking gin.
• 56:13
  Speaker 6: Wow.
• 56:14
  Speaker 2: One and two. Then, in the pandemic, the thing went wrong.
• 56:17
  Speaker 2: I remember the kid who.
• 56:18
  Speaker 1: This story is really cool. In the pandemic, things went crazy.
• 56:20
  Speaker 2: I remember the kid who rode the HB20, then he
• 56:22
  Speaker 2: did the parade with the Yig. capoteio hd-20 the fat
• 56:29
  Speaker 2: one that the song of the girls is very burst
• 56:32
  Speaker 2: at that time we met a tweet also at that
• 56:34
  Speaker 2: time of Matuenei was famous.
• 56:37
  Speaker 4: So but I think what is left of this story
• 56:39
  Speaker 4: is like how much the funk it is a popular
• 56:44
  Speaker 4: movement really like that because like any other genre segment
• 56:48
  Speaker 4: that you try to make a clip a song like
• 56:50
  Speaker 4: that you did in sertanejo no samba I don't know,
• 56:54
  Speaker 4: but maybe it looks a little more like us, but
• 56:56
  Speaker 4: what I want to say is that funk is very...
• 56:58
  Speaker 4: It's popular, it's for everyone, it's alive, it happens on
• 57:01
  Speaker 4: the street, you know? So that's why we have to...
• 57:04
  Speaker 4: You and I also have to take care of this
• 57:07
  Speaker 4: movement a lot, because it's a thing that is genuine, bro.
• 57:12
  Speaker 4: You can't let it turn so marketable, you know?
• 57:14
  Speaker 2: It's true, right?
• 57:15
  Speaker 4: Yeah, because that only happened because it was the funk, bro.
• 57:17
  Speaker 4: From the friends there, if it were any other context,
• 57:20
  Speaker 4: I don't know if you believe it or not, but
• 57:21
  Speaker 4: I don't think it would have happened, you know?
• 57:23
  Speaker 2: It's much more difficult, man. I think everyone complements each
• 57:29
  Speaker 2: other in this context. That's what I said to PH
• 57:32
  Speaker 2: a few days ago. Even if we're not together, when
• 57:35
  Speaker 2: something good or bad happens, our image will always be reconciled.
• 57:39
  Speaker 2: So it's no use staying away, it won't bring good results.
• 57:43
  Speaker 2: I believe so. But PH, you had a... Damn, his
• 57:45
  Speaker 2: story was wonderful.
• 57:46
  Speaker 1: You had one of your first songs where you said...
• 57:48
  Speaker 1: Did you really change the key?
• 57:55
  Speaker 6: That's what I said. In 2016, more or less, I
• 57:57
  Speaker 6: broke everything so perfect, the slap sequence in the ass,
• 57:59
  Speaker 6: and Te Uso. Those were the three that gave me strength,
• 58:04
  Speaker 6: that I did a lot of shows. But it was
• 58:07
  Speaker 6: a thing like... It wasn't the same as 3 Dia Virado,
• 58:10
  Speaker 6: for example.
• 58:10
  Speaker 2: Man, do you want to know the turn of the
• 58:12
  Speaker 2: key that for me... I think it's missing from your
• 58:14
  Speaker 2: head now, for me it was the song... Bicotons asking... Exactly, exactly.
• 58:20
  Speaker 6: Because it comes later, right? That's what I'm talking about.
• 58:22
  Speaker 6: I gave a little burst, then.
• 58:24
  Speaker 2: Exactly.
• 58:24
  Speaker 6: And YouTube has 400. It was more than that. Exactly.
• 58:27
  Speaker 2: The thing came.
• 58:27
  Speaker 4: I made this success in 2016, 2017, with these songs,
• 58:29
  Speaker 4: I did a.
• 58:29
  Speaker 6: Lot of shows. I rode a lot.
• 58:31
  Speaker 2: I did a show for 2, 3.
• 58:32
  Speaker 6: Thousand reais, like you were saying. But the peak came
• 58:35
  Speaker 6: with Bicotons asking. I'm asking myself, what year was this?
• 58:47
  Speaker 2: 23.
• 58:47
  Speaker 6: But he has no idea, because the Let's Go project,
• 58:48
  Speaker 6: I was there since the beginning.
• 58:50
  Speaker 2: And what was the idea? I don't know. Then I
• 58:51
  Speaker 2: put it in the project, it was cool, it was
• 58:53
  Speaker 2: going well, I had kind of beaten his part. After
• 58:55
  Speaker 2: a few months, a lot of people started making videos
• 58:57
  Speaker 2: only with his part. I think few people, even you,
• 59:00
  Speaker 2: don't know that. But when his song came back, when
• 59:12
  Speaker 2: his part exploded, Let's Go got more than 5 million plays.
• 59:16
  Speaker 2: Because of his part. So I think it comes in
• 59:18
  Speaker 2: this theory, not of the 3D turned, but of the
• 59:19
  Speaker 2: divine thing too, because the song had already passed.
• 59:22
  Speaker 6: It had already passed, it came later. And since the guys.
• 59:24
  Speaker 2: Couldn't listen to the song without being on his part, Like,
• 59:29
  Speaker 2: the peak was there, you know? There wasn't a single song,
• 59:31
  Speaker 2: he had to put it on the let's go. The
• 59:33
  Speaker 2: peak went up 15 days, 5 million plays.
• 59:35
  Speaker 4: You know?
• 59:36
  Speaker 6: Ironically, it took a while. The same thing happened, but
• 59:42
  Speaker 6: with Let's Go 2. It was already a tragedy. First
• 59:45
  Speaker 6: my solo part of 3, and then my solo part
• 59:46
  Speaker 6: of 2. That's crazy. Then I released my solo part
• 59:49
  Speaker 6: of 3, and then my solo part of 2. And
• 59:51
  Speaker 6: both of them exploded.
• 59:52
  Speaker 4: They exploded, right?
• 59:52
  Speaker 6: They both exploded. But where did this thing explode?
• 59:55
  Speaker 1: Was it on TikTok?
• 59:56
  Speaker 6: It was on TikTok.
• 59:57
  Speaker 1: I saw it on Instagram. Because this part.
• 59:59
  Speaker 6: Came with motorcycle stuff and a lowered car. Then it
• 1:00:02
  Speaker 6: came with.
• 1:00:10
  Speaker 6: Yeah, but I had to do something that makes it viral.
• 1:00:12
  Speaker 6: And how was it for you? You had already exploded
• 1:00:15
  Speaker 6: in 2016, but you had this opportunity.
• 1:00:17
  Speaker 1: Again and you said, now?
• 1:00:18
  Speaker 6: Now is the time.
• 1:00:19
  Speaker 1: I said, fuck, bro.
• 1:00:19
  Speaker 2: That's it.
• 1:00:19
  Speaker 4: That's the answer I needed.
• 1:00:20
  Speaker 1: The answer is literally divine, like Vig said.
• 1:00:22
  Speaker 7: Why, bro?
• 1:00:33
  Speaker 6: I was in that anxiety since the period I was
• 1:00:35
  Speaker 6: talking about here, since 2017, 2016, when the shows had fallen,
• 1:00:36
  Speaker 6: supposedly the good time had fallen. And then in 2023,
• 1:00:39
  Speaker 6: what happened again?
• 1:00:40
  Speaker 4: I said, damn, now it's time for me to come
• 1:00:42
  Speaker 4: with force, man.
• 1:00:43
  Speaker 6: And Wig helped me a lot too, he pulled me
• 1:00:45
  Speaker 6: to all projects, Wig already had a strong name, right?
• 1:00:54
  Speaker 6: The German one is also a guy that left a
• 1:00:55
  Speaker 6: strong impression on me. The German one, forget about him.
• 1:00:58
  Speaker 6: He was actually one of the main.
• 1:01:00
  Speaker 2: Ones who released this song. He started posting this song
• 1:01:03
  Speaker 2: all the time. He liked the song a.
• 1:01:04
  Speaker 6: Lot and he posted it all the time. We gave him.
• 1:01:07
  Speaker 2: A hug for sticking it in the video.
• 1:01:09
  Speaker 6: He took the post. He did a great review. Then
• 1:01:11
  Speaker 6: on the same day we finished the second part of
• 1:01:12
  Speaker 6: the video, I had already recorded one. We went to
• 1:01:21
  Speaker 6: record in the other houses, we finished it, we went
• 1:01:24
  Speaker 6: to the studio at Love Funk and we did Fernando
• 1:01:25
  Speaker 6: de Noronha.
• 1:01:27
  Speaker 4: On the same day!
• 1:01:27
  Speaker 1: On the same day! On the same day! On the
• 1:01:29
  Speaker 1: same day!
• 1:01:29
  Speaker 6: On the same day! On the same day! On the
• 1:01:30
  Speaker 6: same day! On the same day! On the same day!
• 1:01:32
  Speaker 6: On the same day! On the same day! On the
• 1:01:33
  Speaker 6: same day! On the same day! On the same day!
• 1:01:48
  Speaker 6: Wesley was very close to us at that time. You
• 1:01:50
  Speaker 6: guys realized.
• 1:01:51
  Speaker 4: That Let's Go became a very expected song in the
• 1:01:53
  Speaker 4: funk era, but I imagine that for the MCs, it's
• 1:01:55
  Speaker 4: a very big chance to be there with everyone. Do
• 1:01:58
  Speaker 4: you realize that the guys there, when it comes to
• 1:02:01
  Speaker 4: the composition, when it comes to passing the voice, they
• 1:02:04
  Speaker 4: want to stand out? Like, I want to stand out
• 1:02:16
  Speaker 4: for Wiggy and be the third one in the music.
• 1:02:17
  Speaker 4: I want to have some evidence. Because it kind of
• 1:02:19
  Speaker 4: turns into an emcee thing.
• 1:02:20
  Speaker 6: Exactly.
• 1:02:20
  Speaker 4: Let's Go became a showcase.
• 1:02:23
  Speaker 2: And I say, not only Let's Go, most of the sets,
• 1:02:24
  Speaker 2: when it involves a lot.
• 1:02:25
  Speaker 6: Of big names, with the names that are starting, I
• 1:02:28
  Speaker 6: think that's it. The idea is to bring these names
• 1:02:30
  Speaker 6: to relevance too, you know?
• 1:02:40
  Speaker 4: That's the idea. But how do you stay with this
• 1:02:42
  Speaker 4: project that you created? Because it became something very grandiose. Man,
• 1:02:46
  Speaker 4: I'm going to be very.
• 1:02:46
  Speaker 6: Honest, I'm doing an interview very open here.
• 1:02:49
  Speaker 2: Today, today, today, today, I'm not even planning to execute
• 1:02:53
  Speaker 2: Let's Go this year, you know? Why? Because I think
• 1:02:56
  Speaker 2: it's both a matter of the public and also of
• 1:02:58
  Speaker 2: the artists that we did the last one. Few people posted,
• 1:03:01
  Speaker 2: few people gave that energy of the first Let's Go projects,
• 1:03:05
  Speaker 2: you know? So I don't see why I should continue
• 1:03:09
  Speaker 2: in this context, at least now. You need to give
• 1:03:12
  Speaker 2: that energy again. Yeah, see if you can build a
• 1:03:15
  Speaker 2: project with the same aura. Do you remember the number 4?
• 1:03:18
  Speaker 2: I think few people know, because I talk about Let's
• 1:03:21
  Speaker 2: Go with clarity, because 1, 2, 3, 4, I don't
• 1:03:23
  Speaker 2: know the number that is today. But everyone helped me
• 1:03:25
  Speaker 2: a lot, everyone helped everyone, you know? When you lose
• 1:03:28
  Speaker 2: that essence, And Let's Go 4, you know, so many
• 1:03:33
  Speaker 2: people that... That day I was at a doctor, he
• 1:03:38
  Speaker 2: came to answer the phone, asked if I sang, he said,
• 1:03:42
  Speaker 2: what song do you sing and such. Like, people don't
• 1:03:45
  Speaker 2: know Gerais sometimes, today there's a lot of viral music.
• 1:03:49
  Speaker 2: But there I showed Let's Go, people liked it, I
• 1:03:51
  Speaker 2: picked it. It reached an audience, I think Let's Go
• 1:03:54
  Speaker 2: is a project that others may even have a number.
• 1:03:57
  Speaker 2: But what made it new for the song itself is
• 1:04:01
  Speaker 2: one of the biggest.
• 1:04:01
  Speaker 6: You know? And from 1 to 4, if you notice,
• 1:04:03
  Speaker 6: everyone was growing, right? It was a project that had
• 1:04:05
  Speaker 6: a very bizarre growth. From 1 to 4, like, one
• 1:04:08
  Speaker 6: is a ladder, right?
• 1:04:09
  Speaker 2: Covering the other, right?
• 1:04:10
  Speaker 4: And what I said too, I realized in the songs
• 1:04:13
  Speaker 4: that you who were always there in the Let's Go,
• 1:04:17
  Speaker 4: you say like this, man, look at Marques in this one.
• 1:04:19
  Speaker 4: Look at Marques in the other.
• 1:04:20
  Speaker 2: That's it.
• 1:04:20
  Speaker 4: Everyone wanting to overcome themselves too.
• 1:04:23
  Speaker 2: And Let's Go was always a construction, even in the
• 1:04:25
  Speaker 2: clip part too, man. Yeah. You know? You borrow a
• 1:04:28
  Speaker 2: car from the legend, you know? Go there, bro. Go
• 1:04:32
  Speaker 2: to Higão' s house. Go to a collection. Yeah.
• 1:04:36
  Speaker 4: Damn, bro. This is really crazy, because you guys also,
• 1:04:39
  Speaker 4: back there, we talked about the Cypher 4M, there wasn't
• 1:04:43
  Speaker 4: this Cypher movement, doing sets. I don't remember, at least.
• 1:04:49
  Speaker 4: Who pulls this bond? Because I feel that this Cypher
• 1:04:52
  Speaker 4: 4M was very important for Senna at that moment.
• 1:04:53
  Speaker 2: It became a thing of... as a group. At the
• 1:04:58
  Speaker 2: time it was a group, we were at the barbecue
• 1:05:00
  Speaker 2: at Kevin's house, as I had already told you, he
• 1:05:02
  Speaker 2: was the neighbor of Nenê, but it was like a
• 1:05:05
  Speaker 2: twin house, you know? One like the other, right? Yeah,
• 1:05:08
  Speaker 2: so like this cell phone was in the middle, so
• 1:05:09
  Speaker 2: much so that the top part, I remember that I
• 1:05:12
  Speaker 2: went up to the top part there, which was like
• 1:05:14
  Speaker 2: the laundry room, it was possible to pass, you know? Then, bro,
• 1:05:18
  Speaker 2: there was the VP of AVS, there was the VP
• 1:05:20
  Speaker 2: of AVS, there was Davi, it was someone's birthday there
• 1:05:23
  Speaker 2: in your house, right, bro? It was at Val's house, right?
• 1:05:27
  Speaker 2: It was, it was the neighbor with Nenê. I said, guys,
• 1:05:30
  Speaker 2: let's make a song here, I don't know what. Then
• 1:05:33
  Speaker 2: everyone got excited, man. Then we went and recorded the thing, like,
• 1:05:37
  Speaker 2: the name Cypher, I had seen it from an American project,
• 1:05:40
  Speaker 2: I had never seen a project in Brazil with... With
• 1:05:43
  Speaker 2: more than... Three people? Three in the funk, you know?
• 1:05:48
  Speaker 2: At least in the funk. The other day I posted,
• 1:05:50
  Speaker 2: I think I was the first to do it, the
• 1:05:52
  Speaker 2: guys showed me another Cypher there. But within Funk it
• 1:05:55
  Speaker 2: was one of the first, if it wasn't the first,
• 1:05:57
  Speaker 2: you know? Popularized a lot, man. It was good. Then
• 1:06:01
  Speaker 2: Cypher 1 started, so much so that we have the
• 1:06:03
  Speaker 2: 10 open until today, you know? Which is to finish
• 1:06:07
  Speaker 2: the project, we have project 10, it's at 9. So
• 1:06:09
  Speaker 2: we leave this thing open.
• 1:06:11
  Speaker 4: Wow, A8, I really like A8.
• 1:06:11
  Speaker 2: Which has a BO, if I'm not mistaken. You're all
• 1:06:13
  Speaker 2: in one house. Ah, how is it? Living in a dream,
• 1:06:18
  Speaker 2: but public is a nightmare. This one for me is
• 1:06:21
  Speaker 2: the best of all.
• 1:06:23
  Speaker 4: I'm sporty, perfumed and with money.
• 1:06:26
  Speaker 1: Who made this beat?
• 1:06:27
  Speaker 10: Nenê, right?
• 1:06:27
  Speaker 2: Man, I think, if I'm not mistaken, it's Dioreia who
• 1:06:31
  Speaker 2: did this. Ah, it's this one, right? I thought you
• 1:06:32
  Speaker 2: were going to say the first one. The best brother
• 1:06:36
  Speaker 2: in the world, right? I'll take advantage of this hook
• 1:06:38
  Speaker 2: and I'll go there.
• 1:06:39
  Speaker 4: You have to drink a lot of water.
• 1:06:42
  Speaker 6: You have to drink 5 liters of water a day. Exactly,
• 1:06:44
  Speaker 6: you have to work hard.
• 1:06:45
  Speaker 1: How did you start this Cypher movement?
• 1:06:46
  Speaker 6: Cypher 4M was something that moved the Funk scene.
• 1:06:58
  Speaker 4: And I think it showed that it was possible to
• 1:07:00
  Speaker 4: make these collaborative songs with a lot of people.
• 1:07:03
  Speaker 6: Yeah, and if you stop to think about it, it's
• 1:07:05
  Speaker 6: kind of set, right? But at the time there was
• 1:07:07
  Speaker 6: another name, a gringo name. After another name, we stayed
• 1:07:09
  Speaker 6: on this thought of what would be the name of
• 1:07:12
  Speaker 6: the project.
• 1:07:12
  Speaker 2: You know?
• 1:07:13
  Speaker 4: We realized that at least you and Kevin there, at
• 1:07:16
  Speaker 4: that moment, you were consuming a trap scene.
• 1:07:19
  Speaker 6: Exactly, trap and rap.
• 1:07:21
  Speaker 4: How did you find out about it? How did you
• 1:07:23
  Speaker 4: find out about it? Because I remember meeting Kevin at
• 1:07:26
  Speaker 4: some point and he's kind of a trapper, you know?
• 1:07:29
  Speaker 6: We've always liked hip-hop, right?
• 1:07:30
  Speaker 2: So, like.
• 1:07:31
  Speaker 6: When the movement started to happen here in Brazil, from
• 1:07:35
  Speaker 6: the beginning, we were already in there, you know? We
• 1:07:38
  Speaker 6: were already consuming. Who did you listen to?
• 1:07:40
  Speaker 1: Who did you consume at that time?
• 1:07:41
  Speaker 6: Man, Matuê, Izo Med, the guys from Recide, Igo... Defidelis...
• 1:07:49
  Speaker 6: So it was the BR that you were following too? Exactly,
• 1:07:52
  Speaker 6: but on the outside, Pedrinho was a crack in Yung Thug.
• 1:07:56
  Speaker 1: Yung Thug monster.
• 1:07:57
  Speaker 6: Really?
• 1:07:57
  Speaker 8: A crack.
• 1:07:57
  Speaker 4: There was a time when Pedrinho was crazy.
• 1:07:59
  Speaker 6: He wanted to be Yung Thug.
• 1:08:02
  Speaker 1: He was really inspired by Young Tank.
• 1:08:03
  Speaker 6: I hadn't seen Trancinha in the funk scene. We liked
• 1:08:05
  Speaker 6: it a lot.
• 1:08:05
  Speaker 4: Even in the GRC, they were really into it.
• 1:08:08
  Speaker 2: They were like, fuck it, let's.
• 1:08:09
  Speaker 6: Do some funk. Yeah, there was a time when Kevin
• 1:08:11
  Speaker 6: was really into it. Yeah, we were really into it.
• 1:08:14
  Speaker 6: We had a lot of trap.
• 1:08:15
  Speaker 1: We did the 4M Gang and the idea was to
• 1:08:16
  Speaker 1: be a trap group.
• 1:08:17
  Speaker 6: We released several tracks. At least 8 or 10 tracks
• 1:08:30
  Speaker 6: of the 4M Game.
• 1:08:31
  Speaker 1: And how did you feel about the audience? Was there
• 1:08:33
  Speaker 1: a resistance from the crowd? Like, let's go to hell,
• 1:08:35
  Speaker 1: let's go to Funk.
• 1:08:36
  Speaker 6: I think that the Funk audience wasn't what consumed a lot,
• 1:08:42
  Speaker 6: you know? Only the minority. The Funk people didn't really
• 1:08:46
  Speaker 6: like it. I know that there's the.
• 1:08:47
  Speaker 2: Trap audience, and they're very.
• 1:08:50
  Speaker 4: They are very drunk with their product, but trap music
• 1:08:53
  Speaker 4: in Brazil is funk.
• 1:08:54
  Speaker 6: That's what I was going to say. Trap started to
• 1:08:58
  Speaker 6: have relevance, at least in Brazil, within our market, within
• 1:09:02
  Speaker 6: the funk culture, when? When Kai Black came and started...
• 1:09:08
  Speaker 6: To make it Brazilian. To make it Brazilian. To make
• 1:09:11
  Speaker 6: it with trap flow. But talking about the Brazilian experience.
• 1:09:16
  Speaker 6: Using the Gilead. The same tape. When the guys from
• 1:09:18
  Speaker 6: Rio de Janeiro started to put the experience of Rio
• 1:09:21
  Speaker 6: inside the trap. And it became street. Exactly.
• 1:09:23
  Speaker 4: And it became, in fact, the trap. But when I
• 1:09:25
  Speaker 4: say trap, I wanted to say, roughly, that our funk
• 1:09:27
  Speaker 4: is the trap.
• 1:09:29
  Speaker 1: It's the trap.
• 1:09:30
  Speaker 4: If you listen to what is being sung in the funk.
• 1:09:33
  Speaker 2: That's what the guys sing on trap, but our trap
• 1:09:35
  Speaker 2: is funk.
• 1:09:36
  Speaker 6: I remember that Kevin used to.
• 1:09:37
  Speaker 1: Release some trap at that time, and as I follow
• 1:09:39
  Speaker 1: this scene a lot, I thought it was very advanced,
• 1:09:42
  Speaker 1: but people sometimes didn't understand, and if you hear some
• 1:09:45
  Speaker 1: trap from Kevin at that time, today, it seems very current.
• 1:09:48
  Speaker 6: Very current.
• 1:09:48
  Speaker 4: Very current.
• 1:09:49
  Speaker 6: Forget it bro, there's a bomb there that's going to
• 1:09:52
  Speaker 6: come out, you're crazy bro, I heard it these days,
• 1:09:54
  Speaker 6: I was honored to be able to pass the voice.
• 1:09:56
  Speaker 2: Really?
• 1:09:56
  Speaker 4: Are you on the sound?
• 1:09:57
  Speaker 8: I'm.
• 1:09:58
  Speaker 6: I was dumb, what's the name of the sound?
• 1:10:03
  Speaker 4: You won't remember now. But it's a set of.
• 1:10:06
  Speaker 6: Has it been released.
• 1:10:10
  Speaker 2: Yet?
• 1:10:10
  Speaker 6: Brother, it's a set like Trap. Forget it.
• 1:10:13
  Speaker 1: Absurd.
• 1:10:13
  Speaker 4: Absurd.
• 1:10:14
  Speaker 6: Kevin comes in that neurotic way. Flowzada killing the beat. Differentiated, differentiated.
• 1:10:20
  Speaker 1: And at the time, the audience, the producer would say, Kevin,
• 1:10:24
  Speaker 1: that's not the way to do it. But he.
• 1:10:26
  Speaker 6: Don't forget, Kevin was the one who was the least...
• 1:10:28
  Speaker 6: The one who was the least listening to what the
• 1:10:31
  Speaker 6: others were saying. Don't forget. Kevin was not giving a
• 1:10:34
  Speaker 6: fuck to everyone. If we wanted to do it, we
• 1:10:36
  Speaker 6: would do it. If we went to the studio to
• 1:10:39
  Speaker 6: do the trap, we would do everything. Kevin, at the time,
• 1:10:42
  Speaker 6: he had... There was that adolinha... He made music videos
• 1:10:45
  Speaker 6: and stuff like that. He really liked it. We liked
• 1:10:49
  Speaker 6: it and we lived and did it. We didn't stop
• 1:10:50
  Speaker 6: doing our funk. But we also did other stuff that
• 1:10:52
  Speaker 6: we had an opportunity to do and we liked it.
• 1:10:54
  Speaker 6: And we did it. Because it's genuine, you know? There
• 1:11:01
  Speaker 6: was no reason for us to stop doing what we
• 1:11:03
  Speaker 6: wanted to do.
• 1:11:04
  Speaker 4: And you said that he didn't care, and it was
• 1:11:06
  Speaker 4: really true. Because I think what we started joking about,
• 1:11:09
  Speaker 4: and complaining about in a certain way, is that when
• 1:11:12
  Speaker 4: something that is so cultural on the street becomes marketable,
• 1:11:16
  Speaker 4: we have to be careful, right? Because if you go
• 1:11:19
  Speaker 4: out making a lot of music, I don't know, aren't
• 1:11:21
  Speaker 4: you afraid of the public being saturated? At some point.
• 1:11:23
  Speaker 4: And I remember, from this perspective, he said to me,
• 1:11:26
  Speaker 4: I don't make music like that, I need to know
• 1:11:29
  Speaker 4: the guys. I make music with my friends. And he
• 1:11:32
  Speaker 4: was like, he wouldn't do that.
• 1:11:35
  Speaker 1: And he said, when the music is good, it will
• 1:11:38
  Speaker 1: explode anyway.
• 1:11:38
  Speaker 4: I don't divulge.
• 1:11:39
  Speaker 1: You don't need to keep divulging, killing yourself. And release
• 1:11:42
  Speaker 1: the music, and if it's good, it will come.
• 1:11:45
  Speaker 4: So you can see that he had a very genuine movement.
• 1:11:48
  Speaker 4: I think that's what we can't lose. I felt that
• 1:11:52
  Speaker 4: flame in my heart. If Igno hadn't done what he
• 1:11:54
  Speaker 4: did in the 3-day turn, none of this would have happened.
• 1:11:56
  Speaker 3: Yes.
• 1:11:56
  Speaker 4: It's cool that after what happens, everything changes. We don't
• 1:11:59
  Speaker 4: wake up every day the.
• 1:11:59
  Speaker 6: Same way, with the same strength, with the same will.
• 1:12:02
  Speaker 6: It's something that has to be trained every day. Every
• 1:12:05
  Speaker 6: day we have to remember where we came from, all
• 1:12:07
  Speaker 6: the things we went through, how much we fought. to
• 1:12:21
  Speaker 6: be where we are, and how much we need to
• 1:12:23
  Speaker 6: fight to get where we want to get, you know?
• 1:12:25
  Speaker 1: Man, we're here reviewing, remembering some moments, especially the race,
• 1:12:30
  Speaker 1: the hardness, the craziness, but what do you have of memories,
• 1:12:33
  Speaker 1: of moments that are fucking good, that you say, fuck.
• 1:12:36
  Speaker 4: What a moment!
• 1:12:37
  Speaker 2: This phase doesn't come back!
• 1:12:38
  Speaker 1: Yeah, a good phase too, because we always remember the race,
• 1:12:42
  Speaker 1: but I think that in your walk there were some
• 1:12:44
  Speaker 1: wonderful moments, even if you close your eyes, you travel
• 1:12:47
  Speaker 1: remembering them. I'd like you to talk about some moments
• 1:12:51
  Speaker 1: of your career with Kevin, 4M, great experiences. I think
• 1:12:54
  Speaker 1: the moment I miss a.
• 1:12:55
  Speaker 6: Lot, that was great and it's good to remember, was
• 1:12:58
  Speaker 6: the beginning of 4M. I'll give him my words.
• 1:13:12
  Speaker 2: More surgical, in the sense that when we didn't have money... Exactly, exactly.
• 1:13:16
  Speaker 6: When we didn't have money, when everything was a dream,
• 1:13:19
  Speaker 6: because that's exactly what we were talking about here. Genuine.
• 1:13:22
  Speaker 6: The flame, the flame that we had... It was just
• 1:13:24
  Speaker 6: what we had. It was just what we had. Like,
• 1:13:26
  Speaker 6: we can have the flame in our hearts today, of
• 1:13:28
  Speaker 6: wanting to do... But that flame there... The hunger, right?
• 1:13:31
  Speaker 1: Yeah, forget it, bro.
• 1:13:32
  Speaker 6: That there, I think there's no way to happen. Unless
• 1:13:35
  Speaker 6: it's for.
• 1:13:37
  Speaker 6: To other things. Another stage, right? Exactly. But at that moment,
• 1:13:41
  Speaker 6: it was a.
• 1:13:42
  Speaker 2: Thing that we.
• 1:13:43
  Speaker 6: People, everything. We were kind of, in quotes, asking for help,
• 1:13:46
  Speaker 6: you know?
• 1:13:46
  Speaker 4: But it was good, right?
• 1:13:47
  Speaker 2: It was good.
• 1:13:48
  Speaker 6: It was firm. Life was perfect for us, the way
• 1:13:51
  Speaker 6: it was. We put things in front of us, like money.
• 1:13:55
  Speaker 6: That's it, we want it, but it's not necessary for
• 1:13:58
  Speaker 6: us now. Like, look what we're living. We were building
• 1:14:00
  Speaker 6: things that we had no idea. Of the size that
• 1:14:04
  Speaker 6: it would become, you know? It didn't really exist, right?
• 1:14:07
  Speaker 6: So much so that the thing.
• 1:14:10
  Speaker 4: Became a giant long before us.
• 1:14:12
  Speaker 2: You know? Then you were the penknife, right?
• 1:14:14
  Speaker 6: It became a giant long before us, man.
• 1:14:15
  Speaker 2: It was the purpose, today I see it in this format,
• 1:14:17
  Speaker 2: you know? It was the purpose. Even to prepare you
• 1:14:20
  Speaker 2: for the right moment? And already making it clear too,
• 1:14:23
  Speaker 2: we are coming, we will come with news, we will
• 1:14:26
  Speaker 2: come with ideas and strategies even to... We want to
• 1:14:30
  Speaker 2: bring this part of the bench, of the people, to
• 1:14:32
  Speaker 2: know more about our base. I think that, as I say,
• 1:14:35
  Speaker 2: even in the context of when I come back in
• 1:14:37
  Speaker 2: the sense of Let's Go, a lot of people have
• 1:14:39
  Speaker 2: already met, especially MCI, MCPH, but in the context of fame,
• 1:14:44
  Speaker 2: you know? There's a lot of history behind it, there's
• 1:14:48
  Speaker 2: a lot of people who follow us until today, you know?
• 1:14:49
  Speaker 2: One day, if you think it's cool, bring everyone there
• 1:14:51
  Speaker 2: to exchange an idea of ​ ​ everything, bro.
• 1:14:53
  Speaker 4: When you want, you know? Because I think it's fucking cool, bro.
• 1:14:56
  Speaker 4: We have this idea of ​ ​ bringing.
• 1:14:58
  Speaker 2: This thing, you know? Separate the market from what is
• 1:15:02
  Speaker 2: the bank, you know? Make a show like that too,
• 1:15:05
  Speaker 2: already going back to the market, but in a more
• 1:15:08
  Speaker 2: our context, more street, like this, more... You know? The
• 1:15:14
  Speaker 2: way we see it. You're feeling the need to do
• 1:15:16
  Speaker 2: things your way. Exactly.
• 1:15:17
  Speaker 6: Exactly.
• 1:15:17
  Speaker 4: Not just feeling, we're already acting, actually.
• 1:15:18
  Speaker 6: Exactly.
• 1:15:19
  Speaker 2: In general. That's awesome, bro.
• 1:15:20
  Speaker 6: In general.
• 1:15:21
  Speaker 2: But why this certain need? Do you feel ready for it? Yes,
• 1:15:24
  Speaker 2: I think we also... For a long time we were....
• 1:15:35
  Speaker 6: The word itself is absent. We know what.
• 1:15:37
  Speaker 2: We are doing, we have the autonomy to do and
• 1:15:40
  Speaker 2: to say what we want. Maturity.
• 1:15:55
  Speaker 6: It's more than the time for us to do it
• 1:15:58
  Speaker 6: for the.
• 1:15:58
  Speaker 4: Thing, you know? I think people also have to understand
• 1:16:01
  Speaker 4: that we come from a very difficult social context, that
• 1:16:03
  Speaker 4: many things happen and that you can't, at the same time,
• 1:16:08
  Speaker 4: worry about breaking a song, managing your career, doing a
• 1:16:10
  Speaker 4: show and taking care of a brand that I don't know.
• 1:16:12
  Speaker 2: What, I don't know what.
• 1:16:12
  Speaker 4: I think many things open a gap and go away,
• 1:16:14
  Speaker 4: and now that you've structured it, you say, okay, this
• 1:16:17
  Speaker 4: here to here, this here to here, let me fix it,
• 1:16:19
  Speaker 4: let me take care of it. Because now that you're structured,
• 1:16:21
  Speaker 4: you have this mind, right? I think people also demand
• 1:16:22
  Speaker 4: that from you while you were Surviving, you know? Wanting
• 1:16:27
  Speaker 4: to give some tranquility to your family. It's kind of
• 1:16:31
  Speaker 4: cruel too, right? Because I think people also forget to,
• 1:16:35
  Speaker 4: at a time of demanding, pointing a finger, to put
• 1:16:37
  Speaker 4: it in a social context.
• 1:16:37
  Speaker 2: You know?
• 1:16:38
  Speaker 4: Because we come from a context where you really need
• 1:16:40
  Speaker 4: to run, bro. Like, run after the tail, you know?
• 1:16:42
  Speaker 2: You need to run. I think even the part of
• 1:16:44
  Speaker 2: philanthropy that we always did, you know? To help the next.
• 1:16:48
  Speaker 2: I have an indigenous tribe that I've helped for more
• 1:16:51
  Speaker 2: than four years, you know? So I think it's something
• 1:16:55
  Speaker 2: to put more on the table, to put 4M more
• 1:16:56
  Speaker 2: as a family, as an institution, to put it as
• 1:16:59
  Speaker 2: our bank, you know? We are talking, we are solving,
• 1:17:04
  Speaker 2: we are really interested in making it happen, you know?
• 1:17:09
  Speaker 2: The audience will.
• 1:17:10
  Speaker 1: Love it, bro. But I also wanted to know your opinion,
• 1:17:13
  Speaker 1: what are you seeing from the current moment of funk, bro?
• 1:17:15
  Speaker 1: You who are from the beginning and now that we
• 1:17:19
  Speaker 1: are in this moment of funk, man, which is... We're
• 1:17:22
  Speaker 1: seeing the top 1 on Spotify. Funk is getting famous internationally.
• 1:17:28
  Speaker 6: What do you think is growing the most? In the world,
• 1:17:30
  Speaker 6: it's the genre that grows the most. It's been proven
• 1:17:35
  Speaker 6: by studies, by numbers. It's bizarre.
• 1:17:38
  Speaker 4: I saw a study that said.
• 1:17:39
  Speaker 6: The difference is bizarre. It's a new.
• 1:17:41
  Speaker 4: The world's music is funk.
• 1:17:44
  Speaker 6: It's the movement that grows 23% or 24%. Worldwide, the
• 1:17:51
  Speaker 6: other movements are like 7% or 8%, you know? The
• 1:17:53
  Speaker 6: other genres. So, like, funk is very loved and very
• 1:17:58
  Speaker 6: well seen all over the world and the whole world
• 1:18:02
  Speaker 6: wants to enter the funk.
• 1:18:04
  Speaker 2: World, you know? Why? Because it's authentic.
• 1:18:06
  Speaker 6: Because funk is authentic, it's Brazilian. It's not a market. Exactly.
• 1:18:09
  Speaker 6: It's bizarre, funk. And yet, like, people didn't understand that
• 1:18:14
  Speaker 6: funk has its, let's say, its subgenres within funk, right?
• 1:18:19
  Speaker 2: Yes, yes.
• 1:18:19
  Speaker 6: Like Funk 130, Funk 150, BH Funk, Rasteiro Funk.
• 1:18:22
  Speaker 4: No, for the people, roughly speaking, Funk.
• 1:18:25
  Speaker 6: It's the funk.
• 1:18:27
  Speaker 4: Banditry... Crazy.
• 1:18:27
  Speaker 6: Yeah, and I say this, even more for the guys outside,
• 1:18:32
  Speaker 6: for the people outside. Funk is that fucking funk, like Funk,
• 1:18:38
  Speaker 6: some funk that hits.
• 1:18:40
  Speaker 4: It's similar to electronic music.
• 1:18:41
  Speaker 6: Yeah, for example, a Let's Go 4 is trap for
• 1:18:43
  Speaker 6: the guys.
• 1:18:44
  Speaker 2: Got it.
• 1:18:45
  Speaker 4: It's bizarre.
• 1:18:48
  Speaker 2: Entendi. Caralho.
• 1:18:50
  Speaker 4: But I think it's going to happen more and more, right, Mítico? Like,
• 1:18:53
  Speaker 4: the artists, the gringos, come here to drink from this source, man.
• 1:18:57
  Speaker 6: Exactly, it's already happening.
• 1:18:59
  Speaker 2: It's changing a lot for you, the DJs are going
• 1:19:00
  Speaker 2: there a lot.
• 1:19:01
  Speaker 6: Businessmen, companies, everyone is looking, everyone is wanting funk, man.
• 1:19:05
  Speaker 1: Funk has become very professional, right? I've also worked with Funk.
• 1:19:08
  Speaker 1: I used to say, man, let's be more professional. And
• 1:19:10
  Speaker 1: nowadays it's noticeable that Funk is very professional. So, Funk
• 1:19:14
  Speaker 1: is in a very cool moment. You guys are excited
• 1:19:17
  Speaker 1: about it. I wanted you to tell us what you
• 1:19:19
  Speaker 1: are preparing for your current career. I've been preparing myself
• 1:19:21
  Speaker 1: for a year and a half to release an album.
• 1:19:35
  Speaker 6: I've delayed the release several times.
• 1:19:37
  Speaker 2: But it's not good to do it calmly. Exactly.
• 1:19:38
  Speaker 6: Exactly, that's why.
• 1:19:39
  Speaker 2: But I'm a very anxious guy, you know?
• 1:19:41
  Speaker 6: I'm a very anxious guy, so I want the stuff
• 1:19:43
  Speaker 6: for now. For yesterday, you know? So I made a
• 1:19:46
  Speaker 6: lot of songs, but I wasn't happy. Then I took
• 1:19:48
  Speaker 6: it out, I moved it. Then I adapted myself, I
• 1:19:50
  Speaker 6: understood what I wanted to transmit, what I wanted to pass.
• 1:19:54
  Speaker 6: Until I actually understood what it would be. Now I
• 1:19:57
  Speaker 6: have the album ready to be released in August. I've
• 1:20:05
  Speaker 6: already released two tracks on the album, you know?
• 1:20:07
  Speaker 4: One was from the Copa.
• 1:20:08
  Speaker 6: Yeah, one was from the Copa, now in Brazil, with
• 1:20:11
  Speaker 6: Marques and Hariel.
• 1:20:12
  Speaker 4: This song is awesome.
• 1:20:13
  Speaker 6: And the first one was Vem Destressar 2, in funk,
• 1:20:15
  Speaker 6: with FK and minor K. Awesome too. And now in
• 1:20:19
  Speaker 6: August I release the full album, I don't have the
• 1:20:21
  Speaker 6: exact date yet.
• 1:20:21
  Speaker 2: How many tracks?
• 1:20:22
  Speaker 1: What can you talk about the album, bro?
• 1:20:24
  Speaker 6: The album has 19 tracks, but I'm going to release... Ah, fuck!
• 1:20:26
  Speaker 4: Yeah, but I'm.
• 1:20:27
  Speaker 6: Going to release first 12, then I'm going to release
• 1:20:31
  Speaker 6: the rest, probably in a volume 2 or in a.
• 1:20:33
  Speaker 4: Deluxe, you know? Ah, but it's all right, it's all programmed.
• 1:20:36
  Speaker 6: It's all right, it's all programmed.
• 1:20:38
  Speaker 1: There's a feat there, you can talk about a feat.
• 1:20:40
  Speaker 6: Damn, there's a feat for sure. There's my dear brother
• 1:20:44
  Speaker 6: MC Iggy, it's a fact, right? Tre Pilaudo, Rodrigo do CN,
• 1:20:50
  Speaker 6: Jota Vila, Minokai FK, as I said here, Marques, Hariel. Absurd.
• 1:20:57
  Speaker 6: It has a lot of names. There's a feat with BK.
• 1:21:01
  Speaker 6: There's a feat with.
• 1:21:03
  Speaker 2: Is it funk with BK?
• 1:21:05
  Speaker 6: Yeah. With MD Chef, funk too.
• 1:21:09
  Speaker 4: So it's a very plural album. Yeah, and it's only funk.
• 1:21:14
  Speaker 4: It's only funk, but there are many types of funk.
• 1:21:15
  Speaker 6: There's a funk with BH, there's a funk with ostentation,
• 1:21:20
  Speaker 6: there's a funk with consciousness, there's a funk with dancing.
• 1:21:22
  Speaker 6: There are many types of funk.
• 1:21:24
  Speaker 4: What's the name of the album?
• 1:21:25
  Speaker 6: The Golden Age.
• 1:21:27
  Speaker 4: Why this name?
• 1:21:28
  Speaker 6: The Golden Age because I'm feeling at my best moment.
• 1:21:33
  Speaker 6: I wanted to show myself as the new artist that
• 1:21:38
  Speaker 6: I am, the new person that I want to be.
• 1:21:40
  Speaker 4: So the people that listen to this album will feel
• 1:21:43
  Speaker 4: a difference.
• 1:21:43
  Speaker 1: A new PH.
• 1:21:44
  Speaker 6: But still without losing their essence. And I don't want
• 1:21:46
  Speaker 6: to talk only about PH. I want to show the
• 1:21:47
  Speaker 6: Golden Age of Brazil. The power of Brazil. That's why
• 1:21:50
  Speaker 6: we made the Brazilian band. Bringing all the aesthetics, all
• 1:21:56
  Speaker 6: the Brazilian concept, you know?
• 1:21:58
  Speaker 4: And normally when we are going to make a song
• 1:21:59
  Speaker 4: for the World Cup, we always say that the Brazilians
• 1:22:01
  Speaker 4: are going to make a song for the World Cup, it's.
• 1:22:05
  Speaker 6: Always like this. Coincidentally, I already had this idea of
• 1:22:08
  Speaker 6: ​ ​ doing the Brazilian thing, with the Brazilian vibe, to
• 1:22:13
  Speaker 6: show all our culture, all our strength, within the aesthetics,
• 1:22:15
  Speaker 6: within the songs. It was the year of the World Cup,
• 1:22:20
  Speaker 6: you know? It didn't make much sense for me to
• 1:22:21
  Speaker 6: release it now. I was going to release it in June,
• 1:22:23
  Speaker 6: but it didn't make any sense for me to release
• 1:22:25
  Speaker 6: it in the middle of the World Cup, right? Yeah,
• 1:22:27
  Speaker 6: it's crazy. You can't pay attention to it. I said,
• 1:22:29
  Speaker 6: let's do it. This track here, which is already thematic, practically,
• 1:22:32
  Speaker 6: for the World Cup, let's release it. And let it breathe,
• 1:22:34
  Speaker 6: let the thing go. So that in August we can
• 1:22:36
  Speaker 6: come with full strength and release the album, you know?
• 1:22:37
  Speaker 6: So the Golden Age came for that, to show a
• 1:22:39
  Speaker 6: new PH. to show the power of PH and the
• 1:22:45
  Speaker 6: power of Brazil.
• 1:22:46
  Speaker 4: And you must be feeling very good, even in the studio,
• 1:22:50
  Speaker 4: in life, in career, for this name, for everything, you
• 1:22:53
  Speaker 4: must be in the best moment.
• 1:22:54
  Speaker 6: I'm in my best moment. And seeking to improve every
• 1:22:57
  Speaker 6: day that passes, honestly. I'm not satisfied yet, you know?
• 1:23:01
  Speaker 4: It's nice, right? When we start to take care of
• 1:23:03
  Speaker 4: ourselves and see these things happening, we create an incessant search.
• 1:23:06
  Speaker 6: Incessant.
• 1:23:07
  Speaker 4: And improve, right? And that, right?
• 1:23:09
  Speaker 6: We don't wake up every day in the same way,
• 1:23:10
  Speaker 6: as we were talking about now. So, like... It's a
• 1:23:13
  Speaker 6: daily struggle, right? It's a daily struggle. There are days
• 1:23:17
  Speaker 6: when we don't want to do it, but we have
• 1:23:19
  Speaker 6: to do what has to be done, you know? Like,
• 1:23:22
  Speaker 6: if you don't want to train, you have to train,
• 1:23:23
  Speaker 6: but if you don't want to study about the stuff
• 1:23:26
  Speaker 6: you need to study, you have to study, you know?
• 1:23:28
  Speaker 6: You want to rest, but you can't rest now. There's
• 1:23:31
  Speaker 6: a right time for you to rest.
• 1:23:32
  Speaker 1: You have to put yourself in the routine, you know?
• 1:23:34
  Speaker 6: The famous maturity, right? To do what has to be
• 1:23:36
  Speaker 6: done and not what you want. Because who does.
• 1:23:38
  Speaker 4: What he wants is a child, right? But, fuck, are
• 1:23:40
  Speaker 4: you doing therapy? If you're doing therapy, do it too, man.
• 1:23:46
  Speaker 2: It's a fucking key.
• 1:23:47
  Speaker 4: But this is real, because I think the work we
• 1:23:49
  Speaker 4: have gives us a false illusion that we can do
• 1:23:52
  Speaker 4: whatever we want.
• 1:23:52
  Speaker 6: Too much.
• 1:23:53
  Speaker 4: Too much.
• 1:23:54
  Speaker 6: That's what we.
• 1:23:55
  Speaker 2: Were talking about from the start. I'm going to do
• 1:23:57
  Speaker 2: what I want. I'm going to drink today, tomorrow, tomorrow, tomorrow.
• 1:23:59
  Speaker 1: That's what I can do.
• 1:24:00
  Speaker 2: That's right.
• 1:24:01
  Speaker 6: I ruined myself.
• 1:24:02
  Speaker 4: I can.
• 1:24:02
  Speaker 6: I'm an artist. It's smooth. That's the life of an artist,
• 1:24:04
  Speaker 6: you know?
• 1:24:05
  Speaker 4: I'm a fucking monster.
• 1:24:06
  Speaker 6: No, it's cool. It's part of the art style. That's it.
• 1:24:08
  Speaker 1: It's just getting better.
• 1:24:09
  Speaker 2: That's true.
• 1:24:09
  Speaker 4: What are you preparing for now?
• 1:24:11
  Speaker 6: Who is alive is living.
• 1:24:12
  Speaker 1: I'm focused on my production.
• 1:24:13
  Speaker 4: On a new aspect of my career.
• 1:24:16
  Speaker 2: You know? I'm bringing a foreigner from outside, from Quebrada
• 1:24:20
  Speaker 2: do Memphis. Really? Yeah. With J Money, you know? J Money.
• 1:24:35
  Speaker 2: He has a song that's been around the world. He's
• 1:24:38
  Speaker 2: working with us here. Lele is also doing well, JTC, Iago.
• 1:24:42
  Speaker 1: Lele is doing a wonderful job.
• 1:24:44
  Speaker 2: Trap Loud will be on an important role on Netflix
• 1:24:47
  Speaker 2: in a few months. Damn, that's awesome. Forget it. I
• 1:24:52
  Speaker 2: was preparing the structure for all of this. Now I'm
• 1:24:55
  Speaker 2: getting a building where I'll take care of my career,
• 1:24:57
  Speaker 2: take care of my artists, but.
• 1:24:59
  Speaker 4: I've been working.
• 1:25:00
  Speaker 2: Like this for a while, now I'm going to work
• 1:25:03
  Speaker 2: in a more unitary way, together with the others. So
• 1:25:05
  Speaker 2: I think I'm more in this thesis, I'm with some
• 1:25:07
  Speaker 2: things out of Brazil and such, so I've matured in
• 1:25:11
  Speaker 2: this context. When I came here and it caused that impact,
• 1:25:22
  Speaker 2: saying that I had spent so much on the Rivoada,
• 1:25:24
  Speaker 2: today I'm making good investments.
• 1:25:28
  Speaker 1: I'm hard, actually.
• 1:25:30
  Speaker 2: The situation is a little difficult.
• 1:25:32
  Speaker 6: I'm hard, it's in Miami.
• 1:25:35
  Speaker 2: I'm working to see if it improves the situation.
• 1:25:37
  Speaker 4: The guy said that Rafinha is due. I don't doubt
• 1:25:40
  Speaker 4: anything anymore.
• 1:25:41
  Speaker 1: No, these guys are in fashion, saying that everyone is
• 1:25:43
  Speaker 1: hard now, everyone is without money.
• 1:25:44
  Speaker 4: Yeah. Who owes me, pays me, bro.
• 1:25:46
  Speaker 2: I swear to God, man.
• 1:25:47
  Speaker 4: Any time, my God.
• 1:25:48
  Speaker 2: You haven't paid yet, have you? No.
• 1:25:50
  Speaker 1: Bastard doesn't pay, man.
• 1:25:52
  Speaker 4: He doesn't pay, right?
• 1:25:53
  Speaker 1: He doesn't pay.
• 1:25:54
  Speaker 4: Bastard doesn't pay. He rolls, but he doesn't pay.
• 1:25:57
  Speaker 1: But sometimes we find. Is there anyone indebted to you?
• 1:26:01
  Speaker 2: Fuck, what the hell. There's always, right? Fuck. There's always.
• 1:26:03
  Speaker 6: But it's just that I'm also indebted to a lot
• 1:26:05
  Speaker 6: of people.
• 1:26:05
  Speaker 2: Yeah. It's that.
• 1:26:07
  Speaker 4: Are you indebted to anyone?
• 1:26:08
  Speaker 2: Life is like this, man.
• 1:26:09
  Speaker 6: It's impossible. It's impossible that you're not indebted to anyone.
• 1:26:12
  Speaker 6: I'm not indebted to anyone.
• 1:26:14
  Speaker 4: It's impossible. Everyone owes someone, man.
• 1:26:17
  Speaker 6: If you pay, it's a favor, but not money.
• 1:26:20
  Speaker 2: I'm not indebted to anyone.
• 1:26:21
  Speaker 8: It's my bank.
• 1:26:22
  Speaker 4: Are you indebted to the bank? I'm indebted to the bank. Okay, so...
• 1:26:26
  Speaker 4: But what about the album, Quem Tá Vivo Tá Vivendo?
• 1:26:28
  Speaker 4: It's going very well now.
• 1:26:28
  Speaker 2: It's a very loud song. We have almost 40 million plays,
• 1:26:30
  Speaker 2: you know? And that's it, I'm preparing another album too,
• 1:26:39
  Speaker 2: I'm not going to say no, right? You know? I'll
• 1:26:43
  Speaker 2: even show a song there. I'm preparing another album, yes.
• 1:26:46
  Speaker 4: What frequency do you go to the studio?
• 1:26:48
  Speaker 2: I go to the studio, I think today, basically almost
• 1:26:50
  Speaker 2: every day, because I'm setting up the studio too, right?
• 1:26:54
  Speaker 2: I'm setting up the production company. Does a sound come
• 1:26:57
  Speaker 2: out every day? Every day, man. I see Lelê, I
• 1:26:58
  Speaker 2: see him every day, basically. Let's put it this way.
• 1:27:02
  Speaker 2: If I don't do it, he does. I produce music
• 1:27:05
  Speaker 2: every day, every day. I see, you know, DJs are
• 1:27:08
  Speaker 2: doing very well. Your company generates music every day? Every day.
• 1:27:11
  Speaker 2: And I, in particular, make music about three, four times
• 1:27:14
  Speaker 2: a week, you know?
• 1:27:15
  Speaker 1: And your goal is two albums a year? I'm not
• 1:27:18
  Speaker 1: working on.
• 1:27:19
  Speaker 2: This theme, no. I think I was planning to make
• 1:27:21
  Speaker 2: a DVD for this year. I think it will be
• 1:27:23
  Speaker 2: for the next semester, you know? which will be released
• 1:27:35
  Speaker 2: in March, next year with a DVD. This year I'm
• 1:27:38
  Speaker 2: thinking about making an EP, something like that, you know,
• 1:27:41
  Speaker 2: to take a breath.
• 1:27:42
  Speaker 1: But in case this DVD was going to be only
• 1:27:44
  Speaker 1: from all the musicians, how was the breeze going to be?
• 1:27:47
  Speaker 1: I came to think about it.
• 1:27:48
  Speaker 2: I thought about making 10 successes and 10 new things,
• 1:27:50
  Speaker 2: you know, or 30, 15, 15. I don't know the
• 1:27:56
  Speaker 2: exact number yet. But the DVD will come. Yeah, there's
• 1:28:00
  Speaker 2: a lot of songs. There are songs from HD. I
• 1:28:03
  Speaker 2: think this is the time to put the song from
• 1:28:06
  Speaker 2: the DVD to think and together with the success will
• 1:28:10
  Speaker 2: give a nice balance on the DVD, you know? It's
• 1:28:13
  Speaker 2: even hard to choose ten, you know? But I'm going
• 1:28:16
  Speaker 2: to do this thing. Ten tracks? Ten tracks. You know?
• 1:28:24
  Speaker 2: Making some songs with the girls, looking for female artists
• 1:28:31
  Speaker 2: to work with me. to trick me, you know? And
• 1:28:35
  Speaker 2: I'm in that vision. So you're in a more entrepreneurial
• 1:28:38
  Speaker 2: moment too, calmer, understanding things, planning the next steps, that's it, right?
• 1:28:42
  Speaker 4: Calm I wouldn't say, right? That the thing is very agitated, right?
• 1:28:45
  Speaker 2: Yes. I'm more in this moment, you know? I was
• 1:28:56
  Speaker 2: talking to Lelê yesterday, he's been putting three songs on
• 1:29:00
  Speaker 2: the charts.
• 1:29:01
  Speaker 6: In 30 days, like Peaky.
• 1:29:02
  Speaker 2: Wow, Lelê is crazy. Three songs, man. We were talking
• 1:29:04
  Speaker 2: about this yesterday.
• 1:29:05
  Speaker 4: But I think what's left of it is the importance
• 1:29:07
  Speaker 4: of everyone who is listening, whether it's your trap, whether
• 1:29:10
  Speaker 4: it's funk, if you're trying, don't give up, bro. Don't
• 1:29:13
  Speaker 4: give up.
• 1:29:14
  Speaker 2: You know? Keep going. That's the message.
• 1:29:16
  Speaker 4: Go work, go to the studio, even if you don't
• 1:29:20
  Speaker 4: get it right, bro.
• 1:29:20
  Speaker 2: Because that's it. Is the pH bad? Is Wig bad?
• 1:29:24
  Speaker 8: Me?
• 1:29:24
  Speaker 2: Lele? It's not, bro.
• 1:29:25
  Speaker 4: But he had to insist.
• 1:29:26
  Speaker 6: That's what happened with Lele. It's almost the same thing
• 1:29:28
  Speaker 6: that happened to me. It exploded a lot in the beginning.
• 1:29:30
  Speaker 6: There was a time when he released some songs, did
• 1:29:32
  Speaker 6: a lot of shows, made a success, and then he
• 1:29:34
  Speaker 6: dropped out. He stayed a few years, how old was he?
• 1:29:37
  Speaker 6: About 3, 4, 5? Then Wig took over his career
• 1:29:39
  Speaker 6: and forgets. He just needed to calm down, to structure himself.
• 1:29:42
  Speaker 4: No, this moment of yours is very cool. Brothers, one
• 1:29:50
  Speaker 4: thing that I wanted to share with you, even because
• 1:29:52
  Speaker 4: when you announced it, your fans talked a lot for
• 1:29:55
  Speaker 4: us to talk about this subject, and obviously you say
• 1:29:59
  Speaker 4: only what you want to say, but I want to
• 1:30:01
  Speaker 4: know about this moment that you have been facing, of
• 1:30:04
  Speaker 4: many slanders on the internet, a lot of reference to Kevin,
• 1:30:08
  Speaker 4: you know? How is this moment? What is being done
• 1:30:12
  Speaker 4: on your part? What can you say, especially to your fans,
• 1:30:17
  Speaker 4: For those who really like it. For those who don't
• 1:30:18
  Speaker 4: like it and are just making noise, fuck it, you know?
• 1:30:21
  Speaker 4: But for the fans, bro, who are waiting for a
• 1:30:26
  Speaker 4: word from you, something to calm them down, to let
• 1:30:28
  Speaker 4: them know if something is going to be done, or
• 1:30:30
  Speaker 4: if nothing can be done, what you can do.
• 1:30:32
  Speaker 6: It's already being done, actually, right? We've already hired a
• 1:30:36
  Speaker 6: police team, lawyers, they're already working on the case, and
• 1:30:40
  Speaker 6: we're waiting for them to do what has to be
• 1:30:43
  Speaker 6: done for us to be able to.
• 1:30:45
  Speaker 2: And that's what I want to make clear to the
• 1:30:47
  Speaker 2: guys here, when they ask me, I say, man, I'm
• 1:30:48
  Speaker 2: walking on the street quietly, a lot of people raised
• 1:30:50
  Speaker 2: a lot of hypotheses about things that didn't even happen,
• 1:30:53
  Speaker 2: you know, point as if you were sure, we really
• 1:30:56
  Speaker 2: hired a team, and that's our vision, you know, if
• 1:30:59
  Speaker 2: there's really someone who knows or who has any proof,
• 1:31:03
  Speaker 2: that as we've already gone after, no one who spoke
• 1:31:05
  Speaker 2: on the internet had proof of anything, They linked the
• 1:31:14
  Speaker 2: death of our brother as a planned thing, as if
• 1:31:16
  Speaker 2: we were aware of what was happening. And the weight
• 1:31:19
  Speaker 2: of the mourning, of getting hurt. That's what I find
• 1:31:22
  Speaker 2: most cruel. To mess with this thing. And that's it,
• 1:31:24
  Speaker 2: we hired the team, that's what we can talk about today.
• 1:31:26
  Speaker 2: In search of the truth and wait for it to
• 1:31:29
  Speaker 2: arrive in the right way. So it doesn't get....
• 1:31:39
  Speaker 6: Speculating and talking and telling me and telling me. People
• 1:31:42
  Speaker 6: wanting to go on the internet, you know how it is.
• 1:31:44
  Speaker 6: People are taking their conclusions. Before we know that we...
• 1:31:46
  Speaker 6: That a.
• 1:31:47
  Speaker 2: Lot of people said a lot of things.
• 1:31:49
  Speaker 6: Our relationship and everything we went through, everything we lived
• 1:31:52
  Speaker 6: with our brother. So you don't have to explain yourself
• 1:31:56
  Speaker 6: too much, you know? The fair doesn't justify it. We
• 1:31:58
  Speaker 6: hired the team, let them do their job. As soon
• 1:32:00
  Speaker 6: as we have all the truths, it will be exposed.
• 1:32:03
  Speaker 6: This is a fact, it will be exposed.
• 1:32:05
  Speaker 4: If there's something that hasn't come out yet.
• 1:32:07
  Speaker 6: Exactly. If there's any new information that no one knows,
• 1:32:11
  Speaker 6: it will be exposed.
• 1:32:13
  Speaker 4: I think that's a cruel thing to do. To be
• 1:32:16
  Speaker 4: touching on such a delicate subject knowing that there are
• 1:32:19
  Speaker 4: people who really suffer.
• 1:32:20
  Speaker 6: It's okay.
• 1:32:20
  Speaker 2: For some people it can be just a name that
• 1:32:22
  Speaker 2: gives views.
• 1:32:23
  Speaker 4: Or that generates engagement for one or the other.
• 1:32:25
  Speaker 8: But.
• 1:32:25
  Speaker 4: It's a very important person for many people, you know?
• 1:32:29
  Speaker 4: For a movement. And especially for a mother, man.
• 1:32:32
  Speaker 2: Like....
• 1:32:34
  Speaker 4: The function of life is not this, unfortunately, to bury
• 1:32:38
  Speaker 4: a child. So I think the people had to look
• 1:32:40
  Speaker 4: at it from this perspective, bro.
• 1:32:42
  Speaker 6: Like, are you bothered? No, guys, it's not even there, bro.
• 1:32:44
  Speaker 6: The internet is what I said, it's nobody's land. The people,
• 1:32:47
  Speaker 6: even Val, unfortunately, is suffering a lot with this stuff. Like,
• 1:32:50
  Speaker 6: the people say a lot of bullshit, a lot of
• 1:32:52
  Speaker 6: bullshit to her, you know? A lot of things that, bro,
• 1:32:54
  Speaker 6: it's crazy, bro. It's inhuman to read stuff like that. Cruel, bro.
• 1:32:57
  Speaker 6: Cruel indeed. So that's it, we're doing everything we can.
• 1:33:02
  Speaker 6: To solve it in the best way possible and solve
• 1:33:04
  Speaker 6: it as soon as possible, to have all the truths.
• 1:33:07
  Speaker 4: Of what actually happened that day. Even because I imagine
• 1:33:10
  Speaker 4: that you are the ones who want to know the most. Exactly.
• 1:33:13
  Speaker 4: So that was it to conclude this subject, brothers, even
• 1:33:15
  Speaker 4: because I think that if I didn't touch on this subject,
• 1:33:18
  Speaker 4: and here is a place that I hope I can
• 1:33:20
  Speaker 4: hold for you to talk about it.
• 1:33:21
  Speaker 2: Certainly.
• 1:33:22
  Speaker 1: People would say, why didn't you say that?
• 1:33:24
  Speaker 2: Any place is safe to tell the truth, man. I agree.
• 1:33:26
  Speaker 2: The truth is this. But what I want to say
• 1:33:28
  Speaker 2: is that here we won't be playing... Of.
• 1:33:30
  Speaker 6: Picuinha, of ladainha, of historinha furada.
• 1:33:32
  Speaker 4: We're not doing a rasteirinha for you guys, you know?
• 1:33:34
  Speaker 6: There are a lot of opportunistic people, right, brother? Especially
• 1:33:38
  Speaker 6: when it's in a situation like this. Like, we're on
• 1:33:40
  Speaker 6: the biggest channel after the Chesto Brasil, you know?
• 1:33:44
  Speaker 4: Man, so, no, it's cool. It's cool to know this
• 1:33:46
  Speaker 4: moment of yours. I'm very happy for everything that's happening,
• 1:33:49
  Speaker 4: of you being... organizing yourself, organizing your life. Are you
• 1:33:53
  Speaker 4: still riding a bike?
• 1:33:56
  Speaker 2: This electric bike is my favorite.
• 1:33:57
  Speaker 6: This electric bike is my favorite.
• 1:33:59
  Speaker 4: It's electric?
• 1:34:00
  Speaker 2: It's electric.
• 1:34:01
  Speaker 4: It's electric? It only helps.
• 1:34:04
  Speaker 2: It helps. It helps, but I ride with it turned off,
• 1:34:07
  Speaker 2: you know? You turn it off. I also ride with
• 1:34:10
  Speaker 2: the car turned off.
• 1:34:11
  Speaker 6: This is the biggest.
• 1:34:14
  Speaker 2: Bum bum in the neck of the car. This guy there, man.
• 1:34:18
  Speaker 2: You know, stay on the electric stairs, no one says anything.
• 1:34:21
  Speaker 2: The stairs are simulators. No, because you don't.
• 1:34:25
  Speaker 4: Stay on the stairs.
• 1:34:25
  Speaker 6: But he doesn't ride a bike, he turns it off.
• 1:34:27
  Speaker 2: He turns it off. I'll tell him, I already rode 100km,
• 1:34:29
  Speaker 2: I'll call him to pedal.
• 1:34:31
  Speaker 6: You rode 100km?
• 1:34:31
  Speaker 1: I already pedaled 100km, let's see. On mine, I'll let
• 1:34:34
  Speaker 1: you go on mine.
• 1:34:46
  Speaker 2: We're going to pedal without KM. There's no way.
• 1:34:49
  Speaker 4: I can't even fuck, right? Let's go.
• 1:34:51
  Speaker 2: I bet R $ 10, 000 on you. No, pedal. Fuck, fuck.
• 1:34:52
  Speaker 2: Without KM.
• 1:34:53
  Speaker 6: Without KM? Yes.
• 1:34:53
  Speaker 1: Let's go.
• 1:34:54
  Speaker 2: Forget it, son. Challenge of the health generation.
• 1:34:59
  Speaker 6: I liked it.
• 1:34:59
  Speaker 2: Live.
• 1:34:59
  Speaker 4: I liked it, huh?
• 1:35:00
  Speaker 6: Without KM.
• 1:35:00
  Speaker 2: Let's see these guys betting without KM on a bike.
• 1:35:03
  Speaker 1: Without an electric bike.
• 1:35:05
  Speaker 6: I like to see the Star Twiggy riding a bike.
• 1:35:07
  Speaker 4: Look there.
• 1:35:07
  Speaker 2: He's thinking I'm going to take it. What?
• 1:35:16
  Speaker 6: The guys knocked you down the other day.
• 1:35:18
  Speaker 2: It was the funniest thing. I'll leave a big hug
• 1:35:21
  Speaker 2: for the guys there, the delivery men there, from the region.
• 1:35:24
  Speaker 2: Several bike guys here in this region, right, bro? I
• 1:35:26
  Speaker 2: won't keep talking about it, right, boss? To summarize the idea...
• 1:35:35
  Speaker 2: I met a lot of people riding bikes, I was
• 1:35:38
  Speaker 2: riding a bike and I thought I was going to
• 1:35:39
  Speaker 2: ride those pelotão, right? But on the contrary, I only
• 1:35:42
  Speaker 2: met motoboy, I only met the partners.
• 1:35:44
  Speaker 4: It's in the garipa, better.
• 1:35:48
  Speaker 2: I've heard a lot of stories, a summary of the idea,
• 1:35:50
  Speaker 2: I'm coming here and the bike lane is one that
• 1:35:52
  Speaker 2: goes and one that comes. In this one, the kid
• 1:35:55
  Speaker 2: saw me. He was with those things here, bro. The backpack.
• 1:35:59
  Speaker 2: The backpack, he turned, Pique, to see me, because I
• 1:36:02
  Speaker 2: passed him. In this one he turned the backpack, it
• 1:36:04
  Speaker 2: already hit me like this, boom. Then I, Pique, still
• 1:36:07
  Speaker 2: got scared. Then I couldn't hold it like this, Pique,
• 1:36:10
  Speaker 2: I let go of the bike and I fell, but
• 1:36:12
  Speaker 2: it opened both wrists in the day. Wow. Then he
• 1:36:14
  Speaker 2: looked at me, funny, and said, I'm going to take
• 1:36:17
  Speaker 2: a picture. I said, wow. Then I left cutting, I
• 1:36:20
  Speaker 2: stayed three months with the wrist open. It's going to
• 1:36:23
  Speaker 2: be a great experience.
• 1:36:24
  Speaker 1: It's going to be great.
• 1:36:26
  Speaker 2: But the bike is great.
• 1:36:27
  Speaker 6: The bike has to be.
• 1:36:28
  Speaker 2: I like it, but it's dangerous.
• 1:36:31
  Speaker 6: I think it's crazy. The guys that ride in the
• 1:36:33
  Speaker 6: middle of the.
• 1:36:34
  Speaker 1: Cars forget it. It's crazy.
• 1:36:35
  Speaker 4: And the guys ride fast, bro. There are thousands. These
• 1:36:38
  Speaker 4: bikes that he has, the speed is fast.
• 1:36:40
  Speaker 1: But your stuff is also great in the gym now. Yeah,
• 1:36:42
  Speaker 1: but I'm not going.
• 1:36:43
  Speaker 6: To ride in the middle of the cars. I'm not
• 1:36:45
  Speaker 6: going to ride. It's better to stay in the gym,
• 1:36:48
  Speaker 6: on the stairs.
• 1:36:49
  Speaker 4: It's posted.
• 1:36:50
  Speaker 6: Bumbum na nuca.
• 1:36:52
  Speaker 2: Bumbum na nuca.
• 1:36:53
  Speaker 4: It's you and FK.
• 1:36:54
  Speaker 2: One zooming the other.
• 1:36:55
  Speaker 3: FK likes it.
• 1:36:55
  Speaker 2: FK likes it.
• 1:36:56
  Speaker 6: FK likes it. FK likes it.
• 1:36:58
  Speaker 2: FK likes it. FK likes it.
• 1:36:59
  Speaker 6: FK likes it. FK likes it.
• 1:37:00
  Speaker 2: FK likes it. FK likes it. FK likes it. FK
• 1:37:02
  Speaker 2: likes it.
• 1:37:02
  Speaker 6: FK likes it.
• 1:37:03
  Speaker 4: FK likes it.
• 1:37:04
  Speaker 2: FK likes it. FK likes it.
• 1:37:07
  Speaker 6: FK likes it. FK likes it.
• 1:37:16
  Speaker 2: Wiggy goes. KF Tagos de Dateuma, La da Rua, in
• 1:37:21
  Speaker 2: Cevão do Amar.
• 1:37:21
  Speaker 1: I got it.
• 1:37:22
  Speaker 2: I got it. You got it?
• 1:37:24
  Speaker 1: I didn't get it.
• 1:37:25
  Speaker 6: I got it. It was KF.
• 1:37:27
  Speaker 4: Catanumas de Ficar.
• 1:37:29
  Speaker 2: No.
• 1:37:30
  Speaker 4: Say the opposite.
• 1:37:32
  Speaker 1: I got it that it was something.
• 1:37:34
  Speaker 6: I got it.
• 1:37:35
  Speaker 1: That it was something.
• 1:37:38
  Speaker 6: Something happened.
• 1:37:38
  Speaker 4: If I start training, I can do it. It's because
• 1:37:41
  Speaker 4: my father was a fan at the fair. The fans
• 1:37:42
  Speaker 4: only talk like this, man. In the middle of the customers?
• 1:37:46
  Speaker 2: It's a way to talk in the shoe when there's
• 1:37:48
  Speaker 2: people in the middle. You don't understand what I'm saying?
• 1:37:52
  Speaker 2: Now you understand.
• 1:37:53
  Speaker 4: It's hard. You have to pay attention. The street talks
• 1:37:55
  Speaker 4: like this. MC Iggy, MC Iggy, MC Iggy, MC Iggy,
• 1:38:18
  Speaker 4: MC Iggy, MC Iggy, Let's go, baby.
• 1:38:20
  Speaker 1: Let's go, baby Let's go, baby.
• 1:38:49
  Speaker 4: It's been a few years since I sang this funk song.
• 1:38:53
  Speaker 4: Look who's going to sing, Nathan. There's a lot of
• 1:38:56
  Speaker 4: pressure on me. They're getting ready.
• 1:39:03
  Speaker 2: It's all good. It's all right. You're not filming, right? Huh?
• 1:39:06
  Speaker 2: You're not filming, right?
• 1:39:08
  Speaker 6: I'm filming here. Look at the camera pointing at.
• 1:39:10
  Speaker 2: You, Nenão. Big hug, family. Look at that. You're alive, son.
• 1:39:13
  Speaker 2: You're not filming, right?
• 1:39:14
  Speaker 6: You're not filming, right?
• 1:39:18
  Speaker 2: What about Tio Tota, Quian's father? Quian's father, Tio Tota
• 1:39:23
  Speaker 2: is a boxer. I remember you like him, I saw
• 1:39:26
  Speaker 2: a post of him, you commented there, Tio Tota is.
• 1:39:28
  Speaker 4: Old man.
• 1:39:28
  Speaker 2: These boys don't know how to live their lives.
• 1:39:31
  Speaker 4: Damn, there's even a different microphone. You're crazy, Papito. This
• 1:39:38
  Speaker 4: one doesn't come out, it doesn't return, does it?
• 1:39:40
  Speaker 6: Don't you sing more of these after the show?
• 1:39:45
  Speaker 4: Now the guys come here, it's going crazy, VG came here.
• 1:39:48
  Speaker 2: Is it coming out? I did a show, I said it.
• 1:39:50
  Speaker 6: But where is the sound of this one?
• 1:39:53
  Speaker 2: This one for me doesn't come out.
• 1:39:54
  Speaker 1: Yeah, it's not.
• 1:39:55
  Speaker 2: Where is it, Bernardo? Put it down here. Ah, it
• 1:39:58
  Speaker 2: doesn't enter the transmission? Vision. Give me a headphone, then.
• 1:40:08
  Speaker 4: Hi?
• 1:40:20
  Speaker 2: So the new album.
• 1:40:23
  Speaker 4: Will be released in August, Wiggy just preparing the bombs
• 1:40:28
  Speaker 4: with the businessmen. He's counting a lot of money with Lele,
• 1:40:32
  Speaker 4: he doesn't even need to make music anymore.
• 1:40:35
  Speaker 6: He's like Jay-Z, man. Wiggy is like Jay-Z.
• 1:40:37
  Speaker 2: Wiggy is like Jay-Z.
• 1:40:39
  Speaker 6: Just managing. Rock Nation.
• 1:40:40
  Speaker 4: That's right, man. How old are you? I turned 29
• 1:40:42
  Speaker 4: on May 10th.
• 1:40:49
  Speaker 2: I'll leave a hug to Vidya. Vidya, thanks for coming
• 1:40:53
  Speaker 2: to Brazil with everything.
• 1:40:54
  Speaker 8: Vidya?
• 1:40:55
  Speaker 2: Vidya, the Gamma group. What group? They are from the
• 1:40:59
  Speaker 2: United States, they are coming now to the company that
• 1:41:02
  Speaker 2: is doing the.
• 1:41:04
  Speaker 4: Phonographic management of Lele.
• 1:41:06
  Speaker 2: That's awesome.
• 1:41:07
  Speaker 1: You know?
• 1:41:08
  Speaker 2: Are they foreigners? They are, they are from New York.
• 1:41:11
  Speaker 2: Today the card.
• 1:41:13
  Speaker 4: Other connections, other connections.
• 1:41:16
  Speaker 2: Like, their label is Usher, Sexy Red, Rick Ross, Snoop Dogg.
• 1:41:22
  Speaker 4: And do you think Lelê has an opening to collaborate
• 1:41:26
  Speaker 4: with these people?
• 1:41:27
  Speaker 2: Totally. He entered the album of a girl from Africa
• 1:41:30
  Speaker 2: who has, I think, 8 million listeners.
• 1:41:33
  Speaker 4: That's crazy, man. These connections are important, right?
• 1:41:35
  Speaker 2: And 8 million listeners in her region is a lot
• 1:41:38
  Speaker 2: of people. You know? Making music with T.A. A lot
• 1:41:41
  Speaker 2: of things are coming, man.
• 1:41:45
  Speaker 4: I remember you guys went to Gringo a while ago
• 1:41:47
  Speaker 4: and when you guys came here they said there was
• 1:41:48
  Speaker 4: a lot of things to do. I think it was
• 1:41:50
  Speaker 4: a clothing store, I don't know if it was discontinued
• 1:41:52
  Speaker 4: or something.
• 1:41:52
  Speaker 2: This was when we went there to... Did you guys
• 1:41:54
  Speaker 2: go back with the cordons? It was when we went
• 1:41:56
  Speaker 2: there to Paris. I remember that. I remember that tour.
• 1:42:01
  Speaker 6: It was a big dream.
• 1:42:03
  Speaker 2: It was nice to travel, right?
• 1:42:04
  Speaker 4: Damn.
• 1:42:05
  Speaker 6: To Paris, then.
• 1:42:07
  Speaker 2: Hey. Now I know. It's cool here.
• 1:42:09
  Speaker 4: It came to me too.
• 1:42:10
  Speaker 1: It came here.
• 1:42:12
  Speaker 2: Hey, hey. Hey, hey. Did you go up here to
• 1:42:17
  Speaker 2: get the headphones?
• 1:42:18
  Speaker 6: I think so.
• 1:42:19
  Speaker 2: The headphones went up here. What? It's on the headphones.
• 1:42:22
  Speaker 2: It's on this headphones now too. If you want to
• 1:42:23
  Speaker 2: take the in-ear. It went up on the headphones. I'll
• 1:42:26
  Speaker 2: put one here just to fool inside. There's no box
• 1:42:29
  Speaker 2: for the.
• 1:42:30
  Speaker 1: Guys to hear from outside, right?
• 1:42:32
  Speaker 2: I don't know.
• 1:42:33
  Speaker 1: Is there no sound box?
• 1:42:34
  Speaker 2: Yeah.
• 1:42:34
  Speaker 4: Only in the positive vibration.
• 1:42:38
  Speaker 2: Trust that it's good. It's down here mine, right? Aí
• 1:42:46
  Speaker 2: puxou o fundamento, caralho. Vamos assim, vai. I'm fine, the
• 1:43:07
  Speaker 2: world has turned. Focus here as it is, 4M love.
• 1:43:13
  Speaker 2: I'm fine, the world has turned.
• 1:43:16
  Speaker 11: Focus here as it is, 4M love.
• 1:43:20
  Speaker 2: Focus here as it is, 4M love. After all, Domingueira,
• 1:43:30
  Speaker 2: the one who kicks the doors on the jet the
• 1:43:33
  Speaker 2: whole week, practicing these proposals, it was subtle, I know
• 1:43:37
  Speaker 2: you like it.
• 1:43:38
  Speaker 11: Zen in the city or Europe, the climate of the
• 1:43:41
  Speaker 11: routes has involved you in such a way, in the risk,
• 1:43:44
  Speaker 11: enter the list without this risk, the passion enjoys, come.
• 1:43:48
  Speaker 4: Here and compose yourself.
• 1:43:49
  Speaker 6: Eita, porra!
• 1:44:09
  Speaker 11: I didn't forget you, man, I was the one who
• 1:44:12
  Speaker 11: marked you But I.
• 1:44:13
  Speaker 9: Didn't say it, but I told you The jet, the.
• 1:44:16
  Speaker 2: Love, I gave you, then you left me behind The jet,
• 1:44:20
  Speaker 2: the love, I gave you, and what did you decree?
• 1:44:33
  Speaker 9: .
• 1:44:37
  Speaker 6: It's been a while since.
• 1:44:40
  Speaker 9: I sang this one, bro.
• 1:44:45
  Speaker 2: Holy shit. Clap your hands, guys.
• 1:44:48
  Speaker 4: We're going to do a little retrospective. This one is.
• 1:44:53
  Speaker 1: Good, huh?
• 1:45:04
  Speaker 6: Mais uma chance surgiu pra nós.
• 1:45:06
  Speaker 10: Qual é, nem estressa Sem pressa, expressa os sentimentos Mulher,
• 1:45:10
  Speaker 10: a hora é essa Apresentarei pra você Como me comporto
• 1:45:15
  Speaker 10: O dedo está na cama, apaga as luzes Que eu
• 1:45:18
  Speaker 10: te boto Nunca vi alguém assim.
• 1:45:20
  Speaker 3: Rebolando desse jeito Depois do fire and the green Faz
• 1:45:24
  Speaker 3: de tudo tão perfeito Nunca vi alguém.
• 1:45:31
  Speaker 6: Assim Rebolando desse jeito Depois do.
• 1:45:34
  Speaker 3: Fire no green Faz de tudo tão perfeito.
• 1:45:41
  Speaker 6: Mais uma chance surgiu pra nós.
• 1:45:43
  Speaker 3: Qual é, nem estressa Sempre se expressa os sentimentos Mulher,
• 1:45:47
  Speaker 3: a hora é essa Apresentarem pra você Como me comporto
• 1:45:52
  Speaker 3: Deitar na cama, apagar.
• 1:45:53
  Speaker 6: As luzes I'll put you on.
• 1:46:19
  Speaker 9: One night is just a parcel of what we.
• 1:46:27
  Speaker 7: Came for, you know?
• 1:46:30
  Speaker 4: If you step on it, it will close your whole arm.
• 1:46:34
  Speaker 4: Look how these girls want it.
• 1:46:46
  Speaker 2: Elas gostam do perigo de se envolver com o envolvido
• 1:46:49
  Speaker 2: na arte de se arriscar. Eu tô com o braço lacrado,
• 1:46:53
  Speaker 2: cheirosão e o buço pronto, pronto, pronto pra gastar.
• 1:46:57
  Speaker 11: No bailão, só moleque zica, camisa.
• 1:47:00
  Speaker 2: De time, polo da lala e trinta. Muito chave.
• 1:47:10
  Speaker 11: And they are interested in 4M, bitches, skank and party.
• 1:47:16
  Speaker 2: In the dance floor, only boys and girls.
• 1:47:19
  Speaker 11: Camisade, team, follow, da la.
• 1:47:21
  Speaker 2: La and 30. And a lot of keys.
• 1:47:25
  Speaker 11: And they are interested in 4M, bitches, skank and party.
• 1:47:31
  Speaker 2: 4M, bitches, skank and party.
• 1:47:33
  Speaker 7: 4M, bitches.
• 1:47:35
  Speaker 2: Iska, what a party! Hey, calm down!
• 1:47:38
  Speaker 6: Calm down!
• 1:47:38
  Speaker 2: Calm down!
• 1:47:38
  Speaker 1: Calm down!
• 1:47:39
  Speaker 7: Calm down!
• 1:47:39
  Speaker 1: Calm down!
• 1:47:40
  Speaker 2: Calm down!
• 1:47:41
  Speaker 1: Calm down!
• 1:47:41
  Speaker 4: Calm down! Calm down!
• 1:47:43
  Speaker 6: Calm down!
• 1:47:43
  Speaker 1: Calm down!
• 1:47:44
  Speaker 8: Calm down!
• 1:47:44
  Speaker 2: Calm down!
• 1:47:45
  Speaker 4: Calm down!
• 1:47:45
  Speaker 6: Calm down!
• 1:47:47
  Speaker 4: Calm down!
• 1:47:49
  Speaker 3: Calm down! Calm down!
• 1:47:54
  Speaker 6: Calm down!
• 1:47:55
  Speaker 7: Calm down!
• 1:47:56
  Speaker 6: Calm down! Calm down!
• 1:47:57
  Speaker 7: Calm down!
• 1:47:59
  Speaker 9: Calm down!
• 1:48:00
  Speaker 8: Calm down!
• 1:48:00
  Speaker 6: Calm down!
• 1:48:00
  Speaker 2: Calm down!
• 1:48:01
  Speaker 6: Calm down!
• 1:48:01
  Speaker 11: Calm down!
• 1:48:02
  Speaker 2: Calm down!
• 1:48:02
  Speaker 5: Calm down!
• 1:48:02
  Speaker 4: Calm down!
• 1:48:03
  Speaker 6: Calm down! Calm down! Calm down! Let's go to the fight,
• 1:48:09
  Speaker 6: it's just the beginning.
• 1:48:10
  Speaker 3: Seqüência de tapa na bunda Seqüência de bunda na cara
• 1:48:18
  Speaker 3: Não existe outro.
• 1:48:19
  Speaker 11: Igual com essa jaca.
• 1:48:21
  Speaker 3: Seqüência de tapa na bunda Seqüência de bunda na cara
• 1:48:25
  Speaker 3: Não existe outro igual com essa jaca Seqüência de tapa
• 1:48:29
  Speaker 3: na bunda Bunda na cara vai Seqüência de tapa na
• 1:48:33
  Speaker 3: bunda Look at the smell of catuaba, man.
• 1:48:36
  Speaker 6: Red label. Fake. This shit was in the ballrooms, you know?
• 1:48:42
  Speaker 2: Fuck!
• 1:48:59
  Speaker 6: The smell of catuava.
• 1:49:03
  Speaker 1: Wow.
• 1:49:16
  Speaker 2: I think I'm not going to sleep without preceding.
• 1:49:43
  Speaker 4: Bye.
• 1:49:43
  Speaker 2: Bye.
• 1:50:10
  Speaker 10: At that time, he used to do shows with his
• 1:50:12
  Speaker 10: little backpack and take the gin out of his nose.
• 1:50:16
  Speaker 2: Exactly.
• 1:50:16
  Speaker 6: He had a 10 litre bottle of gin.
• 1:50:17
  Speaker 2: Gigantic.
• 1:50:36
  Speaker 4: Humildade is the key to walking. I pray to God
• 1:50:38
  Speaker 4: to follow this road.
• 1:50:40
  Speaker 1: And that my.
• 1:50:41
  Speaker 4: Faith will never be broken.
• 1:50:43
  Speaker 3: And that my faith will.
• 1:50:47
  Speaker 2: Never be broken.
• 1:50:49
  Speaker 9: Today I woke up at the peak of Verumar.
• 1:50:56
  Speaker 11: Logo pensei que ilha bela ou Guarujá Quase do nada
• 1:51:01
  Speaker 11: eu já tava no litoral Daquele jeito mesmo na chave
• 1:51:06
  Speaker 11: da capital Olha só que legal, eita vida enjoada Constou
• 1:51:12
  Speaker 11: que a meia-meia é irma de mercenária Pedi o perdão,
• 1:51:17
  Speaker 11: disse até que tava.
• 1:51:18
  Speaker 6: Errada E a sua.
• 1:51:20
  Speaker 11: Decisão foi um pouco precipitada Não queria nada e hoje
• 1:51:25
  Speaker 11: quer com nós colar Se parrou.
• 1:51:28
  Speaker 3: Pra assistir, deixou elas me colar.
• 1:51:31
  Speaker 11: E quem queria ver, só viu o voto passar Parou
• 1:51:36
  Speaker 11: pra pensar que.
• 1:51:37
  Speaker 5: O menor mudou de vida E a sua nome é
• 1:51:41
  Speaker 5: da classe esportiva Pintou do lado norte Tranquilo, sem desespero
• 1:51:48
  Speaker 5: Não se ilude.
• 1:51:50
  Speaker 8: Por dinheiro Deseja o meu grande homem Lá para os
• 1:51:54
  Speaker 8: parceiros Fiquei os verdadeiros No jet, nós quase a pé
• 1:51:59
  Speaker 8: Chegamos no destino.
• 1:52:01
  Speaker 11: Uma tarde santa fera Mulher olhou e disse Que fascista apaixonou.
• 1:52:07
  Speaker 2: Mas pesando é os menor.
• 1:52:09
  Speaker 4: Não se ilude no caô.
• 1:52:12
  Speaker 3: Quero distância desse tipo de pessoa Dignado, meu amor Claro, sim,
• 1:52:18
  Speaker 3: minha coroa No baile nóis tá pesado Mas também nesse
• 1:52:23
  Speaker 3: momento Quem nunca sonhou De viver do seu talento Não
• 1:52:29
  Speaker 3: seja covarde Nunca é tarde pra sonhar Bota a cara
• 1:52:33
  Speaker 3: pra lutar E.
• 1:52:34
  Speaker 6: Não pare de.
• 1:52:35
  Speaker 9: Tentar Com fé e atitude.
• 1:52:38
  Speaker 3: Sua hora vai chegar Com fé e atitude Sua hora
• 1:52:43
  Speaker 3: vai chegar Investe e assim cresce.
• 1:52:46
  Speaker 11: Sua vida é sem segredo Viver na curtição Bem light
• 1:52:50
  Speaker 11: é só sossego Realizou seu sonho O risonho.
• 1:52:55
  Speaker 3: Tá ainda à toa E o sonho dos menor É
• 1:52:58
  Speaker 3: viver a vida.
• 1:52:59
  Speaker 7: Boa Certo pelo certo.
• 1:53:04
  Speaker 3: The Citroën is not a problem, it knows that it
• 1:53:06
  Speaker 3: has the condition.
• 1:53:08
  Speaker 6: I'm no longer a Vanab, Honda, Clash, Vettel, brother. Smaller
• 1:53:12
  Speaker 6: than 17, without brakes in the opposite hand.
• 1:53:14
  Speaker 3: Smaller than 17, without brakes in the opposite hand. Smaller
• 1:53:18
  Speaker 3: than 17, without brakes in the opposite hand. Holy shit,
• 1:53:22
  Speaker 3: what a beautiful song.
• 1:53:30
  Speaker 1: Cheguei, cheguei Cheguei no anonimato com um leve sorrisinho.
• 1:53:52
  Speaker 2: If you remember.
• 1:53:54
  Speaker 11: Don't give up on me Like you don't want anything broken,
• 1:53:59
  Speaker 11: check the scene To play on the ship and even
• 1:54:03
  Speaker 11: dance the macarons.
• 1:54:05
  Speaker 3: And the taradipal, when she landed With me.
• 1:54:09
  Speaker 6: Posted a picture on Instagram, people with love This is.
• 1:54:13
  Speaker 11: Going to get worse Eu digo com razão O calor
• 1:54:17
  Speaker 11: da novinha Trouxe mó repercussão Se antes rejeitava Hoje trava-se.
• 1:54:23
  Speaker 9: Tromba na rua Ação nesse lugar A.
• 1:54:27
  Speaker 3: Firma ocupação Hoje tu avistou Na certa pensou besteira Pra
• 1:54:32
  Speaker 3: chamar sua atenção Louca.
• 1:54:35
  Speaker 11: De qualquer maneira E apesar de tudo Do nada a
• 1:54:39
  Speaker 11: vida mudou Como já houve antes Chora só pros vencedor
• 1:54:44
  Speaker 11: But today the 4L is going well ahead Because the
• 1:54:48
  Speaker 11: little warriors.
• 1:54:50
  Speaker 3: Invested in diamonds A vision that is right, now I.
• 1:54:55
  Speaker 12: Send it out If the faithful are responsible, the TL
• 1:54:59
  Speaker 12: will pass the vergonha It was time to start like
• 1:55:01
  Speaker 12: the wind, today there is the wind of reproductions In
• 1:55:04
  Speaker 12: the eye, even without talking, because it was already for
• 1:55:07
  Speaker 12: my intentions Admissions from the mouth out, when it's gone
• 1:55:10
  Speaker 12: you've already forgotten Hoping to put.
• 1:55:13
  Speaker 3: An alliance, because since I was a child it's just
• 1:55:17
  Speaker 3: a dream.
• 1:55:18
  Speaker 2: Of yours, mine I'm on the way to be.
• 1:55:21
  Speaker 3: Realized A base of private secrets, only with false cause I.
• 1:55:24
  Speaker 11: Demonstrate A fatal attraction to their mind Disloyal to some
• 1:55:32
  Speaker 11: Cinderella's Mencionadas em algumas paradas Jamais rejeitadas.
• 1:55:42
  Speaker 3: Por muitos Mas hoje sei as verdadeiras faces Se tá
• 1:55:49
  Speaker 3: querendo amor me esconde Espero que não me ache.
• 1:55:56
  Speaker 6: Se tá querendo amor.
• 1:55:58
  Speaker 11: Me esconde Espero que não me ache.
• 1:56:06
  Speaker 4: Man, I'm one of the few people who had to
• 1:56:08
  Speaker 4: re-record this song. Any outfit makes it wonderful, man. It's
• 1:56:12
  Speaker 4: like a rap, you know?
• 1:56:13
  Speaker 2: It's like.
• 1:56:14
  Speaker 6: Wow, I got excited too.
• 1:56:15
  Speaker 2: It's the first letter of the man, huh?
• 1:56:18
  Speaker 6: What do you mean you didn't know what.
• 1:56:21
  Speaker 4: You were doing?
• 1:56:22
  Speaker 2: It's a microphone. Fuck, Daniel.
• 1:56:23
  Speaker 6: It's a F4M.
• 1:56:24
  Speaker 4: Fuck, I just looked at the camera and it already
• 1:56:28
  Speaker 4: came out. It's a F4M.
• 1:56:30
  Speaker 6: Lower the microphone a little here on my phone. His
• 1:56:31
  Speaker 6: voice is much louder than mine on my phone.
• 1:56:36
  Speaker 2: This is it. Black body at its best, even burguers
• 1:57:02
  Speaker 2: and assholes, and the guys from Tirola are the quota.
• 1:57:05
  Speaker 2: I've already thought about it in the favela, taking out
• 1:57:08
  Speaker 2: of Giraquela, a beautiful and somber ship. I've already thought
• 1:57:12
  Speaker 2: about it in the favela, taking out of Giraquela.
• 1:57:15
  Speaker 11: A beautiful and somber ship.
• 1:57:17
  Speaker 6: From where I came, I always learned that there's no
• 1:57:20
  Speaker 6: time for a scoundrel, if you hesitate, you'll be charged.
• 1:57:22
  Speaker 6: Many who talk about me, try to imitate me, run
• 1:57:26
  Speaker 6: more because my father is very advanced. I'm going to
• 1:57:29
  Speaker 6: say that the yellow flag Thank you.
• 1:57:54
  Speaker 11: Wow, I'm just.
• 1:57:55
  Speaker 6: If you don't sing for a long time, you forget.
• 1:57:59
  Speaker 6: It's a lot of music.
• 1:58:00
  Speaker 7: It's normal, right?
• 1:58:01
  Speaker 2: Yeah, I know.
• 1:58:01
  Speaker 6: People say, how do you.
• 1:58:02
  Speaker 1: Know how to sing?
• 1:58:03
  Speaker 4: Because I'm listening all the time. The guys aren't singing
• 1:58:05
  Speaker 4: all the time. Neither singing nor listening, but.
• 1:58:10
  Speaker 4: Like it a lot, brothers. Do you have any songs
• 1:58:13
  Speaker 4: you want to do to show some projects? Do you
• 1:58:16
  Speaker 4: want to sing some.
• 1:58:18
  Speaker 6: To be recorded?
• 1:58:19
  Speaker 2: I wanted to.
• 1:58:20
  Speaker 6: They already released the new one.
• 1:58:23
  Speaker 4: Brazil!
• 1:58:25
  Speaker 3: Brazil!
• 1:58:26
  Speaker 6: PH, Ariel and Marques. The era of Júlio.
• 1:58:29
  Speaker 2: Wednesday, she even got up, I'll even stand up too.
• 1:58:31
  Speaker 6: Wednesday.
• 1:58:33
  Speaker 2: Hey, hey.
• 1:58:35
  Speaker 3: In position she takes a brotona, my straight is how
• 1:58:38
  Speaker 3: it works. We will smash the cachê, for today eat
• 1:58:40
  Speaker 3: one of this padona. It's just bullshit, I'm with a
• 1:58:43
  Speaker 3: mania to party in my goma.
• 1:58:45
  Speaker 6: De ói, botega, veneta, this bitch wants luxo, nós que proporciona.
• 1:58:49
  Speaker 3: Don't come to say that she's my fan, in the
• 1:58:51
  Speaker 3: intention of wanting to get closer. Cheio de mulher na
• 1:58:53
  Speaker 3: van Todas querendo um pedaço do PH Se pá nem
• 1:58:57
  Speaker 3: volta amanhã Vem esse tanto de gostosa me atiçando Agora
• 1:59:00
  Speaker 3: que eu tô contando O monte tá me amando, então
• 1:59:03
  Speaker 3: pode pá Hoje tem jogo do Brasil na tela Toma
• 1:59:06
  Speaker 3: os parceiro que tá na minha espera Te bate e pronto,
• 1:59:08
  Speaker 3: acende uma vela Passa no samba ali na favela Sigo
• 1:59:11
  Speaker 3: pretinha do lado do pé Daquelas que só se vê
• 1:59:14
  Speaker 3: em novela.
• 1:59:15
  Speaker 7: Eu tô vivendo a minha era de ouro.
• 1:59:18
  Speaker 3: Ipina cifra, esporte o foco, deixa no suporte aquela bonita
• 1:59:22
  Speaker 3: que fura a copa de atravessar logo.
• 1:59:24
  Speaker 6: Meia noite ou meio dia.
• 1:59:26
  Speaker 4: Velho na cara estampa o.
• 1:59:27
  Speaker 3: Horizonte, fazer dinheiro de monte, arrumar dinheiro, vem, vem.
• 1:59:31
  Speaker 6: Eita puta que pariu.
• 1:59:33
  Speaker 3: Jogo do Brasil na quebra, sai da frente eu tô chegando.
• 1:59:39
  Speaker 3: This is the song of the World Cup, for God's sake.
• 1:59:41
  Speaker 3: Don't come with these things. I won't even say anything.
• 1:59:44
  Speaker 4: Hey, Shakira, take it easy.
• 1:59:59
  Speaker 6: The gang is all present now.
• 2:00:00
  Speaker 2: Put another one there, put another one, hold it.
• 2:00:02
  Speaker 4: Put another one there.
• 2:00:03
  Speaker 2: Where, didn't you download that one that I sent to Drops?
• 2:00:05
  Speaker 2: I sent it wrong.
• 2:00:06
  Speaker 4: Wait a minute, man.
• 2:00:07
  Speaker 7: Is it unprecedented?
• 2:00:08
  Speaker 2: It's unprecedented, every time I come here it's only.
• 2:00:23
  Speaker 2: Play Thales' or that one there, man. Look, Ygg has
• 2:00:24
  Speaker 2: a stigma here on Podpah. He comes, sings and the
• 2:00:26
  Speaker 2: song explodes.
• 2:00:27
  Speaker 4: Before he releases 400k, Let's Go 4... He releases here.
• 2:00:28
  Speaker 6: Interesting, huh? I'll start with him then. Whenever you want.
• 2:00:43
  Speaker 1: It always works with me.
• 2:00:44
  Speaker 2: Hey! You can write down with another hit.
• 2:00:46
  Speaker 3: You want to get involved, come to the father of
• 2:00:50
  Speaker 3: the condition.
• 2:00:51
  Speaker 2: That I'm rich and beautiful like the father.
• 2:00:53
  Speaker 4: Of the cipher.
• 2:00:55
  Speaker 2: And they are in our fever and in our.
• 2:00:57
  Speaker 4: When we didn't have anything, we enjoyed conquering.
• 2:01:00
  Speaker 6: Life turned around.
• 2:01:18
  Speaker 9: Nesses olho gordo Taca fogo nesses invejoso Cês quer comigo
• 2:01:25
  Speaker 9: eu tô querendo em dobro Tô desviando de perreco Porque
• 2:01:29
  Speaker 9: meu foco é o troco Taca fogo nesses olho gordo
• 2:01:35
  Speaker 9: Taca fogo nesses invejoso Cês quer comigo eu tô querendo
• 2:01:41
  Speaker 9: em dobro Tô desviando de perreco Porque meu foco.
• 2:01:45
  Speaker 2: É o troco That's it, guys.
• 2:01:48
  Speaker 4: New song.
• 2:01:50
  Speaker 11: Come back here a little bit. I'm learning how to sing.
• 2:01:53
  Speaker 2: Go. Podpau. Straight from Podpau. Here it comes. O gatinha cativante,
• 2:02:06
  Speaker 2: aproveita sua chance A calcinha, um barbante, um bundão ignorante
• 2:02:11
  Speaker 2: Nós que tá melhor que antes em várias cantoneiras Gasta
• 2:02:16
  Speaker 2: e conta, conta e gasta e não fala besteira Joga,
• 2:02:20
  Speaker 2: joga salo no meu copo, saído de roça pra desistir
• 2:02:23
  Speaker 2: só Hoje eu tô comendo um tigre, só anda de
• 2:02:26
  Speaker 2: gripe e algumas más Se que serve que nada, nada
• 2:02:29
  Speaker 2: We'll see you next time. Hey. Fight.
• 2:03:20
  Speaker 2: .
• 2:03:28
  Speaker 6: .
• 2:03:30
  Speaker 3: .
• 2:03:33
  Speaker 11: .
• 2:03:36
  Speaker 2: .
• 2:03:40
  Speaker 6: .
• 2:03:49
  Speaker 4: Of course, of course, of course.
• 2:03:51
  Speaker 7: Pureness, pureness.
• 2:03:51
  Speaker 4: Of course, of course, of course.
• 2:03:54
  Speaker 6: He's drinking a dynamo.
• 2:03:55
  Speaker 4: It's for cleaning.
• 2:03:56
  Speaker 2: Oh my God. This was the story?
• 2:04:08
  Speaker 4: This was the story.
• 2:04:10
  Speaker 1: What do you mean?
• 2:04:10
  Speaker 3: Leave a like, guys.
• 2:04:11
  Speaker 2: Subscribe. I'm out. I'm out. I'm out. Vitória or Lacoste,
• 2:04:40
  Speaker 2: against São Paulo, forget about Brazão. Vitória or Lacoste, against
• 2:04:46
  Speaker 2: São Paulo, forget about Brazão, it's worth fighting for. The
• 2:04:51
  Speaker 2: one who's fighting, is legalizing, us, us, us and them,
• 2:04:57
  Speaker 2: three days turned.
• 2:04:59
  Speaker 9: Chama que tá.
• 2:05:00
  Speaker 11: Tendo, tá legalizado E maloqueiro e as quatro e três de.
• 2:05:08
  Speaker 9: Aviado Chama que tá tendo, tá legalizado Nós e nós
• 2:05:15
  Speaker 9: e nós e elas, três de aviado Chama que tá tendo,
• 2:05:22
  Speaker 9: tá legalizado Nós maloca e barata.
• 2:05:46
  Speaker 7: It's a great reason to do a.
• 2:05:49
  Speaker 1: Show like this, right? Clap your hands! Clap your hands, guys!
• 2:05:52
  Speaker 7: It's wonderful here, huh?
• 2:05:55
  Speaker 1: There's history, there's history.
• 2:05:57
  Speaker 4: For God's sake. Send yours so we can end it
• 2:06:02
  Speaker 4: the right way. Or one of you, together, I don't know.
• 2:06:05
  Speaker 4: You send it, or whatever you want to do here,
• 2:06:07
  Speaker 4: it's your house. It's just that I'm.
• 2:06:08
  Speaker 6: Afraid to ask.
• 2:06:09
  Speaker 4: Are you crazy?
• 2:06:10
  Speaker 6: Afraid of what, boss? Do you have any specific one
• 2:06:13
  Speaker 6: that you want?
• 2:06:15
  Speaker 2: Opa!
• 2:06:15
  Speaker 4: Pra desestressar. Vem desestressar.
• 2:06:20
  Speaker 2: Vem desestressar.
• 2:06:22
  Speaker 4: Que eu quero você desestressar.
• 2:06:41
  Speaker 3: Nós dois juntinho em algum lugar Se eu tô contigo
• 2:06:46
  Speaker 3: e um beck e eu nem ligo pro caminho Uma
• 2:06:50
  Speaker 3: garrafa de vinho, ah, transa gostosinho Olhando o céu, ela
• 2:06:55
  Speaker 3: é cruel Aonde nós estiver, nós faz virar motel É.
• 2:07:02
  Speaker 6: Um perigo, por isso foge comigo Ah, te digo, seu
• 2:07:07
  Speaker 6: corpo virou meu abrigo.
• 2:07:10
  Speaker 4: Oh Oh.
• 2:07:30
  Speaker 6: I'm not stressed out, baby.
• 2:07:51
  Speaker 3: The two of us together in some place.
• 2:08:03
  Speaker 1: Very good, very good.
• 2:08:04
  Speaker 4: Very good. Was there something missing, Iggy? Was there something missing, Iggy?
• 2:08:08
  Speaker 8: Please, Mrs.
• 2:08:09
  Speaker 2: Val, welcome her with a lot of affection. Applause! Trojan horse,
• 2:08:12
  Speaker 2: I think.
• 2:08:21
  Speaker 4: Come here and say something, Val. How are you?
• 2:08:24
  Speaker 2: Look at this.
• 2:08:25
  Speaker 4: She's talking here. She's talking where? Maybe here. I think
• 2:08:29
  Speaker 4: it's with the tunic.
• 2:08:30
  Speaker 2: All good, Val?
• 2:08:30
  Speaker 4: I'm very excited. I've cried a lot.
• 2:08:32
  Speaker 1: I have a lot to say about these boys.
• 2:08:38
  Speaker 7: As I said, I talk a lot to them. Today, men,
• 2:08:50
  Speaker 7: but at that time they were just children, right? Boys
• 2:08:53
  Speaker 7: that no one believed, right? In fact, the four M's
• 2:08:57
  Speaker 7: came from the unbelievable.
• 2:09:00
  Speaker 4: Val, but to say something like that, from the adults
• 2:09:03
  Speaker 4: who were close, I saw that you believed, from the heart.
• 2:09:06
  Speaker 4: I always believed.
• 2:09:07
  Speaker 7: The only one who believed. In fact, I always believed
• 2:09:09
  Speaker 7: in Kevin's dream first, who was my son, right? So
• 2:09:12
  Speaker 7: I always knew that one day he was going to
• 2:09:14
  Speaker 7: be the star, right? Here, these two are Kevin's idols
• 2:09:22
  Speaker 7: and they are the idols of my house. I've always
• 2:09:27
  Speaker 7: told them, I've always told Igig, you're going to explode,
• 2:09:29
  Speaker 7: because until today he is the most listened to in
• 2:09:33
  Speaker 7: my house, just like PH. Kevin had the two as idols,
• 2:09:37
  Speaker 7: as everything, as an example, right? So he came here,
• 2:09:42
  Speaker 7: spoke several times, so for me it's passing, seeing this moment,
• 2:09:47
  Speaker 7: It's exciting for not having Kev here with us, but
• 2:09:50
  Speaker 7: it's gratifying, right? They did it. Today I'm very happy
• 2:09:55
  Speaker 7: to see each one following their career. Each one today
• 2:09:58
  Speaker 7: is very entrepreneurial. I keep seeing them like this from afar, right?
• 2:10:02
  Speaker 7: And very excited and very happy that it worked out,
• 2:10:05
  Speaker 7: right son? It's working out, right? I don't know if
• 2:10:07
  Speaker 7: the guys know.
• 2:10:08
  Speaker 4: Val, but at that beginning where, I don't know, the
• 2:10:09
  Speaker 4: boys were starting, they didn't even have fans and such.
• 2:10:14
  Speaker 4: You used to make posters, you used to go to
• 2:10:16
  Speaker 4: the ballrooms with the boys, and how important it is,
• 2:10:18
  Speaker 4: you know, to leave everything ready. Kevin always said when
• 2:10:21
  Speaker 4: he came here, no, Valta, leave everything ready, let's go
• 2:10:23
  Speaker 4: eat the beans, Valta, so, like, you were a very
• 2:10:25
  Speaker 4: important alicerce, I believe, you know?
• 2:10:28
  Speaker 2: I'm sure.
• 2:10:28
  Speaker 4: I'm very happy, like, for today, to have believed in
• 2:10:30
  Speaker 4: this dream, and.
• 2:10:32
  Speaker 7: Today, look and say, poxa, thank God it worked, the
• 2:10:36
  Speaker 7: boys are fine there, and each day it gets better
• 2:10:45
  Speaker 7: and better. As you said, today I'm an entrepreneur, besides
• 2:10:51
  Speaker 7: being Kevin's mother, I'm an artist. I think funk has
• 2:10:55
  Speaker 7: broken barriers, there's a lot to happen. Today, as I
• 2:10:59
  Speaker 7: always say, funk has to be respected, because we're talking
• 2:11:03
  Speaker 7: about two, but there are thousands of artists, that give
• 2:11:10
  Speaker 7: an opportunity for those who came from below, for those
• 2:11:12
  Speaker 7: who are down there. And nowadays, if it's not funk,
• 2:11:16
  Speaker 7: it's nothing. So you have to respect, you have to
• 2:11:19
  Speaker 7: respect the funk, you have to respect the kids who
• 2:11:22
  Speaker 7: are here and who are coming. Today, the only thing
• 2:11:26
  Speaker 7: I think is happening that is not being observed is
• 2:11:29
  Speaker 7: a bit of disunion between them, you know? Not these
• 2:11:33
  Speaker 7: two that I've been seeing since always. but the funk scene,
• 2:11:36
  Speaker 7: I think that today everyone is going one way or
• 2:11:40
  Speaker 7: the other. Kevin has always sought to bring everyone, always
• 2:11:43
  Speaker 7: bring this union, to make a point of doing all this.
• 2:11:47
  Speaker 7: So I think we have to unite again, we have
• 2:11:51
  Speaker 7: to bring this wheel of the Juventude Park again, as
• 2:11:54
  Speaker 7: it was in the past. I think it's the only
• 2:11:57
  Speaker 7: thing that's missing, but the rest, the barrier has already
• 2:12:00
  Speaker 7: fallen back there and now it's not even said.
• 2:12:04
  Speaker 6: That's it.
• 2:12:06
  Speaker 4: You just released a recent project by Kevin, right?
• 2:12:09
  Speaker 7: Yes, I just released a song by Kevin from the Copa,
• 2:12:13
  Speaker 7: with Iggy and Hariel. And I just released a new
• 2:12:17
  Speaker 7: work by Kevin. Today I thank everyone, PH participated in
• 2:12:20
  Speaker 7: Kevin's new project, Iggy too. I thank everyone who participates,
• 2:12:24
  Speaker 7: who comes with me in the things I try to bring,
• 2:12:26
  Speaker 7: because Kevin is an icon. I really believe that Kevin
• 2:12:36
  Speaker 7: is the icon of funk today. He is a boy
• 2:12:39
  Speaker 7: who left a very strong legacy. This can't die. I,
• 2:12:42
  Speaker 7: who depend on myself as a mother, will not die, right? So,
• 2:12:46
  Speaker 7: for me, it's all right. Access the new work of Kevin,
• 2:12:49
  Speaker 7: who comes there with the boys and goes much further.
• 2:12:52
  Speaker 7: And that's it. There's more coming, right?
• 2:12:55
  Speaker 4: There's more coming there.
• 2:12:55
  Speaker 7: Yes, right?
• 2:12:56
  Speaker 6: I promised my son.
• 2:12:57
  Speaker 7: As long as I live, I'll bring news from Kevin.
• 2:13:01
  Speaker 4: But this boy made music, huh?
• 2:13:03
  Speaker 7: Thank God!
• 2:13:04
  Speaker 6: Jesus!
• 2:13:05
  Speaker 7: You said in the interview that listening to Kevin seems
• 2:13:09
  Speaker 7: to be current. And I feel that every day. Every
• 2:13:13
  Speaker 7: time I listen to a song of his, a voice,
• 2:13:15
  Speaker 7: and listen to the boys here singing from there, for
• 2:13:17
  Speaker 7: me it's a memory from there that comes to this day.
• 2:13:20
  Speaker 7: And that's it, guys. It's funk.
• 2:13:23
  Speaker 2: Congratulations, Val.
• 2:13:24
  Speaker 4: You are very important for this movement, for our movement.
• 2:13:26
  Speaker 4: And to end it the right way, to crown this moment, right, Negrete?
• 2:13:31
  Speaker 6: Let's go!
• 2:13:34
  Speaker 9: Directly from the north zone of São Paulo.
• 2:13:41
  Speaker 2: Come on, come on. And so it persists.
• 2:13:46
  Speaker 8: And the mind is.
• 2:13:48
  Speaker 11: Fragile To dream there is no limit And who would
• 2:13:52
  Speaker 11: say we.
• 2:13:53
  Speaker 9: Are only ferocious at that peak And at first sight
• 2:13:57
  Speaker 9: we say that it doesn't exist Maybe a mirage Or
• 2:14:01
  Speaker 9: then a scene from a movie This car, John Newhall,
• 2:14:04
  Speaker 9: that came to me is.
• 2:14:06
  Speaker 3: The following From cup to cup, with the past, it's
• 2:14:09
  Speaker 3: a lot of brilliance It wasn't always like that, but
• 2:14:12
  Speaker 3: today with intensity I won't leave until tomorrow And in
• 2:14:19
  Speaker 3: this city, they say that we are another life Yes,
• 2:14:24
  Speaker 3: mentioned that their lies complicate them And.
• 2:14:27
  Speaker 11: The least dreamers, they scatter their achievements It's like a.
• 2:14:31
  Speaker 3: Nuclear effect, it's causing even destruction For them, sad, like
• 2:14:36
  Speaker 3: an offering, almost a divorce Some even ask why so
• 2:14:39
  Speaker 3: much waste I'm not satisfied, that's what makes sense It's
• 2:14:46
  Speaker 3: a box of surprises from a fake world I'm on
• 2:14:49
  Speaker 3: the beach, but it's not enough for anyone It's in
• 2:14:51
  Speaker 3: Santa Catarina, a paradise for women And the AP is worth.
• 2:14:55
  Speaker 6: My jewelry.
• 2:15:03
  Speaker 2: E o cavalinho.
• 2:15:04
  Speaker 11: Nelas causa paranoia O teor do asfalto sem a cavalo
• 2:15:10
  Speaker 11: de Troia Não mais levando a sério Pois hoje não
• 2:15:13
  Speaker 11: é mais questão Dinheiro já foi mistério Pois não nasce com.
• 2:15:17
  Speaker 3: Cifrão Foi a luta com o.
• 2:15:20
  Speaker 2: Desejo Do mistério desandar Hoje a forma é exclusiva E
• 2:15:24
  Speaker 2: a rotina é classear E simplesmente os quatro é...
• 2:15:30
  Speaker 2: .
• 2:15:44
  Speaker 3: .
• 2:15:51
  Speaker 2: .
• 2:15:52
  Speaker 5: .
• 2:15:57
  Speaker 2: .
• 2:16:00
  Speaker 4: In memory of our brother MC Kevin, we're together. Dona Val,
• 2:16:03
  Speaker 4: we love you. Thank you very much, PH, IG. Thank you, guys.
• 2:16:06
  Speaker 4: Make the honors of the house.
• 2:16:08
  Speaker 1: We're together. What a special episode, guys. Leave a like, subscribe.
• 2:16:11
  Speaker 1: Tomorrow there's more. This week is full. Check our agenda.
• 2:16:15
  Speaker 1: We're together.
• 2:16:16
  Speaker 10: Dignity.
• 2:16:16
  Speaker 1: That's it.
• 2:16:17
  Speaker 6: Again? Hi, ZR.
• 2:16:30
  Speaker 1: No, no.
• 2:16:32
  Speaker 6: Ray ZR.
• 2:16:33
  Speaker 2: Well, ZR.
• 2:16:35
  Speaker 12: Ray.
• 2:16:35
  Speaker 6: Ray. Z. Z. R. R. Ray ZR. ZR.
• 2:16:42
  Speaker 2: Let's say ZR. ZR. Come on.
• 2:16:43
  Speaker 7: I don't know what he said.
• 2:16:45
  Speaker 3: The new Yamaha ZR is here.
• 2:16:46
  Speaker 4: The entry-level scooter comes with everything.
• 2:16:56
  Speaker 2: If I were there, I'd hold your hand and spin
• 2:16:58
  Speaker 2: you like they do in the old movies.
• 2:17:00
  Speaker 6: She looked at me with closed eyes and kind of
• 2:17:03
  Speaker 6: believed she was in the Wonderland. A new world awaits
• 2:17:06
  Speaker 6: you in Audiolibro.
• 2:17:07
  Speaker 2: Audiolibro.