Latest / The Buddie System: A 9-1-1 Yapathon / Listen to the Music (Songs for Buddie Canon)

Transcript

Listen to the Music (Songs for Buddie Canon) · The Buddie System: A 9-1-1 Yapathon

0:01
Have
0:01
you
0:01
ever
0:01
watched
0:01
something
0:02
that
0:02
completely
0:03
rewired
0:03
your
0:04
brain
0:04
chemistry?
0:05
A
0:06
procedural
0:06
network
0:06
drama
0:07
might
0:07
not
0:07
be
0:07
your
0:07
usual
0:08
pick,
0:08
but
0:09
it's
0:09
ours.
0:10
This
0:10
is
0:10
the
0:11
Buddy
0:11
System,
0:12
a
0:12
911
0:13
deep
0:13
dive
0:13
podcast
0:14
hosted
0:15
by
0:15
three
0:15
friends
0:16
who
0:16
have
0:16
DMed
0:17
each
0:17
other
0:17
enough
0:18
character
0:18
dissertations
0:19
to
0:19
earn
0:19
a
0:20
PhD
0:20
in
0:20
media
0:21
literacy.
0:22
I'm
0:22
Han,
0:22
coming
0:23
to
0:23
you
0:23
straight
0:23
from
0:23
the
0:24
characters
0:24
heads.
0:25
I'm
0:25
Syl,
0:26
bringing
0:26
you
0:26
to
0:26
the
0:26
observation
0:27
deck.
0:28
And
0:28
I'm
0:28
Rachel,
0:29
connecting
0:29
the
0:29
dots
0:30
with
0:30
my
0:30
red
0:31
string.
0:32
With
0:32
our
0:32
powers
0:33
combined,
0:34
no
0:34
stone
0:34
is.
0:34
Left
0:35
unturned
0:35
and
0:36
no
0:36
buddy
0:37
is
0:38
left
0:38
behind.
0:41
So,
0:42
hello,
0:42
welcome.
0:43
Happy
0:43
birthday
0:44
to
0:44
me.
0:45
Yay.
0:46
Wow.
0:46
At
0:46
least
0:46
let
0:46
us
0:47
say
0:47
happy
0:47
birthday
0:48
to
0:49
you.
0:50
Happy
0:50
birthday
0:50
hand.
0:51
This
0:51
is
0:51
the
0:52
first
0:52
of
0:53
what
0:53
we're
0:53
starting.
0:54
A
0:54
tradition
0:54
now
0:55
is
0:55
we
0:56
get
0:56
to
0:56
pick
0:56
what
0:56
we
0:56
want
0:57
to
0:57
do
0:57
for
0:57
our
0:57
episode,
0:57
for
0:58
our
0:58
birthday
0:58
episode.
0:59
So
0:59
this
1:00
one's
1:00
mine.
1:00
My
1:00
birthday
1:01
is
1:01
the
1:01
6th,
1:01
and
1:01
I
1:02
think
1:02
this
1:02
comes
1:02
out
1:02
a
1:03
couple
1:03
days
1:03
before.
1:03
I
1:04
don't
1:04
know
1:04
how
1:04
time
1:04
works.
1:06
Not
1:06
in
1:06
the
1:06
podcast
1:07
world.
1:07
Three
1:08
days.
1:09
Three
1:09
days
1:10
before.
1:10
This
1:10
is
1:10
the
1:11
first
1:11
of
1:11
the
1:11
minisodes
1:12
that
1:12
are
1:12
coming
1:12
out
1:13
this
1:13
month.
1:13
We
1:13
have
1:14
three
1:14
of
1:15
them.
1:15
I
1:15
think
1:17
time
1:17
will
1:17
tell.
1:18
Time
1:18
will
1:18
tell.
1:18
We'll
1:19
see
1:19
again
1:20
the
1:20
mystery
1:20
of
1:20
time.
1:21
But
1:21
since
1:22
I
1:22
got
1:22
to
1:22
pick,
1:23
I
1:23
wanted
1:23
to
1:24
talk
1:24
about,
1:24
like,
1:25
some
1:25
songs,
1:25
some
1:26
soundtrack
1:26
choices
1:27
that
1:27
we'll
1:27
never
1:28
see
1:28
on
1:28
the
1:28
show.
1:29
But,
1:29
like,
1:29
they
1:29
should
1:29
do.
1:30
They
1:30
should
1:30
listen
1:30
to
1:31
us
1:31
because
1:31
we.
1:31
We
1:31
have
1:31
excellent
1:32
taste
1:32
and
1:32
great
1:32
ideas.
1:33
So
1:33
specifically,
1:34
talk
1:34
about,
1:34
like,
1:35
individual
1:35
feelings
1:36
realizations.
1:36
So,
1:37
like,
1:37
bucks
1:37
and
1:38
Eddies.
1:38
Maybe
1:39
a
1:39
first
1:39
kiss.
1:40
Maybe
1:40
a
1:40
first
1:41
bouncica.
1:42
Wow.
1:42
Wow.
1:42
That's
1:42
why
1:42
I
1:42
labeled
1:43
it
1:43
in
1:43
my
1:43
section.
1:44
Maybe
1:44
a
1:45
purse.
1:47
I.
1:47
I
1:48
wasn't
1:48
given.
1:48
I
1:48
wasn't
1:49
given
1:49
those
1:49
extra
1:50
topics.
1:51
Yes,
1:51
you
1:51
were.
1:52
I
1:52
was
1:52
given
1:52
three.
1:53
I
1:53
mean,
1:54
you
1:54
were
1:54
in
1:54
the
1:54
conversation
1:55
when
1:55
I
1:55
said.
1:57
Anyway,
1:58
in
1:58
the
1:59
conversation.
2:01
Also,
2:01
Sil
2:01
added
2:02
one
2:02
that's
2:03
just
2:03
gonna
2:03
be
2:03
her.
2:04
Unless
2:04
I
2:04
think
2:04
of
2:04
something
2:04
off
2:05
the
2:05
top
2:05
of
2:05
my
2:05
head
2:05
for
2:06
their
2:06
wedding
2:07
montage.
2:09
I
2:09
don't
2:10
know.
2:10
We'll
2:11
discuss
2:11
it.
2:11
Yeah,
2:12
we'll
2:12
talk
2:12
about
2:12
it
2:12
when
2:12
we
2:12
get
2:13
there.
2:13
Anyway,
2:13
we'll
2:14
probably
2:14
do
2:14
more
2:14
episodes
2:15
like
2:15
this
2:15
in
2:15
the
2:15
future
2:15
because
2:16
we
2:16
take
2:17
this,
2:17
unfortunately,
2:17
too
2:18
seriously.
2:18
If
2:18
you've
2:18
listened
2:19
to
2:19
the
2:20
torture
2:20
poets
2:20
department
2:21
episodes,
2:22
you
2:23
know,
2:23
but
2:24
this
2:24
is
2:24
not
2:24
a
2:24
Taylor
2:25
Swift
2:25
episode.
2:26
We
2:26
on
2:27
purchase
2:28
tried
2:28
to
2:28
not
2:29
do
2:29
all
2:29
Taylor
2:30
Swift.
2:30
I
2:31
think
2:31
I
2:31
only
2:31
have
2:31
one
2:32
that
2:32
I'm
2:32
actually
2:33
saying
2:33
to.
2:33
I
2:34
only
2:34
have
2:34
one.
2:34
Wow.
2:35
Proud
2:35
of
2:36
us.
2:37
It
2:37
was
2:37
tempting.
2:38
Yeah.
2:39
To
2:39
do
2:39
all,
2:40
like,
2:40
all
2:40
of
2:41
them
2:41
Taylor
2:42
Swift
2:42
songs.
2:42
And
2:42
I
2:42
was
2:43
like,
2:44
I'm
2:44
gonna
2:45
try
2:45
to
2:45
not.
2:46
Oh,
2:46
my
2:46
God.
2:47
What?
2:48
No,
2:48
go
2:48
ahead.
2:48
No.
2:49
Well,
2:49
it's
2:49
because
2:49
I.
2:50
I'm.
2:50
I
2:50
keep
2:50
going
2:51
back
2:51
and
2:51
forth
2:51
in
2:51
my
2:52
head
2:52
right
2:52
now,
2:52
so,
2:52
like.
2:53
Yeah,
2:53
you
2:54
have
2:54
until
2:54
we
2:54
get
2:54
there
2:55
to
2:55
decide.
2:56
Well,
2:56
it's
2:56
the
2:56
first
2:56
one.
2:57
Oh,
2:57
well,
2:58
Yeah,
2:59
I
3:00
also
3:00
want
3:00
to
3:00
just
3:00
mention
3:01
both.
3:01
I'll
3:02
just
3:02
mention
3:02
both.
3:02
Okay.
3:03
Yeah,
3:03
just
3:03
in
3:03
typical.
3:04
In
3:04
typical
3:04
buddy
3:05
system
3:05
fashion,
3:06
we
3:06
can't
3:07
decide
3:09
and
3:09
have
3:09
too
3:10
much
3:10
to
3:10
say.
3:10
Imagine
3:11
that.
3:11
Wow.
3:12
I
3:12
made
3:13
rules
3:13
and
3:13
then
3:13
didn't
3:14
follow
3:14
them.
3:14
I'll.
3:15
I'll
3:15
hold
3:16
for
3:16
everyone's
3:17
shocked
3:18
responses.
3:20
I
3:20
try
3:20
to
3:21
follow
3:21
the
3:21
rules.
3:22
Yeah.
3:22
I
3:23
mean,
3:23
I
3:23
tried
3:23
and
3:23
whittle
3:24
it
3:24
down,
3:24
but.
3:25
Yeah.
3:25
And
3:25
then
3:26
I
3:26
had
3:26
to
3:26
make
3:26
a
3:26
special
3:26
edition
3:27
because
3:27
I'm
3:27
like,
3:27
I'm
3:27
not
3:27
gonna
3:28
do
3:28
Eddie
3:28
without
3:28
putting
3:29
a
3:29
Spanish
3:29
song
3:29
in
3:30
there,
3:30
so.
3:30
No,
3:30
you
3:31
had
3:31
to.
3:31
Yeah,
3:31
that's
3:31
what
3:31
kind
3:32
of
3:32
had
3:32
to.
3:33
So
3:33
tell
3:34
me
3:34
a
3:34
little
3:34
bit
3:34
about.
3:35
Because
3:36
I
3:36
think
3:36
we
3:36
came
3:37
at
3:37
all
3:37
of
3:38
this
3:38
from,
3:38
like,
3:38
three
3:39
slightly
3:39
different
3:39
perspectives.
3:40
So
3:41
how.
3:41
How
3:41
did
3:42
you
3:42
guys,
3:42
like,
3:43
kind
3:43
of
3:43
choose.
3:44
I'm
3:44
an
3:44
insane
3:45
person.
3:46
So,
3:46
like,
3:47
when
3:47
I'm
3:47
choosing
3:48
songs
3:48
for
3:48
anything,
3:49
like,
3:49
to
3:49
put
3:49
on
3:50
a
3:50
playlist
3:50
or
3:51
to,
3:51
like,
3:51
title
3:52
or
3:52
episodes,
3:52
I'm
3:52
looking
3:53
at
3:53
the
3:53
lyrics.
3:54
The
3:54
majority
3:54
of
3:55
them
3:55
are
3:55
all
3:55
of
3:55
them.
3:55
For
3:56
it
3:56
to
3:56
make
3:56
sense,
3:57
because
3:57
I'm
3:57
a
3:58
lyric
3:58
bitch.
3:58
That's
3:59
what,
3:59
like,
3:59
yes,
4:00
the
4:00
vibe
4:00
and
4:00
the
4:00
sound
4:01
of
4:01
the
4:01
song
4:01
is
4:01
important,
4:01
but,
4:02
like,
4:02
the
4:02
lyrics
4:02
are
4:03
the
4:03
most
4:03
important.
4:04
So
4:05
I
4:05
looked
4:05
at
4:05
that
4:05
number
4:06
one,
4:06
number
4:06
two,
4:07
that
4:07
it
4:07
made
4:08
sense
4:08
for
4:08
the
4:08
character,
4:09
and
4:09
number
4:10
three,
4:10
on
4:11
a
4:11
lesser
4:12
part.
4:12
But
4:12
I
4:12
was
4:13
thinking
4:13
in
4:13
the
4:13
back
4:13
of
4:13
my
4:13
mind,
4:14
would
4:14
this
4:15
be
4:15
a
4:15
song
4:15
that
4:15
they
4:15
would
4:16
actually
4:16
play
4:17
on
4:17
the
4:18
show?
4:18
So,
4:18
see,
4:19
that's.
4:19
That's
4:19
interesting,
4:20
because
4:20
I
4:20
had
4:21
to
4:21
let
4:21
go
4:21
of
4:22
that.
4:22
So
4:22
I
4:22
know
4:23
you
4:23
and
4:23
Rachel
4:23
both.
4:23
Did,
4:24
but
4:24
unfortunately,
4:25
because
4:25
of
4:25
how
4:25
my
4:25
brain
4:26
works,
4:27
I
4:27
couldn't.
4:27
So
4:28
you
4:28
had
4:28
to,
4:28
like,
4:29
triple
4:29
Venn
4:29
diagram.
4:30
It
4:30
did.
4:31
So
4:31
that's
4:32
why
4:32
I
4:32
have.
4:32
I
4:32
have
4:32
more
4:32
than
4:33
one
4:33
answer
4:33
for
4:33
some
4:33
of
4:33
these.
4:34
So,
4:34
like,
4:34
I'll
4:34
give
4:34
you
4:35
what
4:35
I
4:35
think
4:35
should
4:35
be
4:35
the
4:36
true
4:36
answer
4:36
and
4:36
then,
4:36
like,
4:37
what
4:37
they
4:37
could
4:38
play
4:38
because
4:38
out
4:39
of,
4:39
like,
4:39
the
4:40
kind
4:40
of
4:40
stuff
4:40
that
4:40
they
4:40
have
4:41
played.
4:41
Yeah.
4:42
So,
4:42
like,
4:42
for
4:42
example,
4:43
one
4:43
of
4:43
the
4:43
reasons
4:43
why
4:43
I
4:44
didn't
4:44
want
4:44
to
4:44
use
4:44
any
4:44
Taylor
4:45
Swift
4:45
song
4:46
is
4:46
because
4:46
I
4:46
don't
4:46
think
4:47
they.
4:47
I
4:47
don't
4:47
think
4:47
they're
4:47
gonna
4:48
do
4:48
it.
4:48
No,
4:48
they're
4:49
not.
4:49
One,
4:49
because
4:50
money.
4:50
And
4:50
two,
4:50
I
4:51
just
4:51
don't
4:51
think
4:51
it.
4:52
I
4:52
mean,
4:53
vibes.
4:54
I
4:54
don't
4:54
think
4:54
it
4:55
would
4:55
fit.
4:55
I
4:56
don't
4:56
think.
4:56
So
4:57
there's
4:58
one,
4:58
and
4:58
we're
4:58
gonna
4:59
talk
4:59
about
4:59
it
4:59
later.
4:59
But
5:00
there's
5:00
one.
5:01
There's
5:01
one.
5:01
If
5:01
we're
5:02
only.
5:02
If
5:02
we're
5:02
gonna
5:02
use
5:02
one
5:03
Taylor
5:03
Swift
5:03
song
5:04
ever
5:04
in
5:04
the
5:04
show,
5:05
I'm
5:06
here
5:06
for
5:06
the
5:06
agenda.
5:07
There's
5:07
a
5:07
specific.
5:08
There's
5:08
a
5:08
specific
5:09
moment
5:09
in
5:09
a
5:09
specific
5:09
song,
5:10
and
5:10
that's
5:10
all
5:10
I
5:10
ask
5:11
for.
5:11
Okay.
5:12
But
5:12
anyway,
5:13
how
5:13
did
5:13
you
5:14
guys
5:14
come
5:14
at
5:14
it?
5:15
Yeah,
5:15
so
5:16
I
5:17
think
5:17
the
5:17
way
5:17
I
5:17
came
5:17
at
5:18
it
5:18
was
5:18
also
5:18
kind
5:19
of
5:19
like,
5:19
lyrically,
5:19
but
5:20
I
5:20
also
5:21
think
5:21
about.
5:22
I
5:22
do
5:22
think
5:22
about
5:23
vibes,
5:23
and
5:23
then
5:23
I
5:23
also
5:23
think
5:24
of
5:24
the
5:24
vibe
5:24
of
5:24
the
5:24
song.
5:25
And
5:25
then
5:25
I
5:25
also
5:25
think
5:26
about,
5:26
like,
5:26
how
5:27
I
5:27
would.
5:28
I
5:28
think
5:28
I
5:28
think
5:28
about
5:29
it
5:29
as
5:29
an
5:29
editor,
5:30
like,
5:30
as
5:30
a
5:31
video
5:31
editor.
5:31
So,
5:32
like,
5:33
I
5:33
just
5:33
have
5:33
to
5:33
go
5:34
with
5:34
the
5:34
lyrics
5:35
or
5:35
listen
5:35
to
5:35
lyrics
5:36
and
5:36
then
5:36
imagine
5:36
the
5:36
moment
5:37
in
5:37
my
5:37
head
5:37
and
5:37
then
5:38
try
5:38
to
5:39
like
5:39
the
5:40
story
5:40
you
5:40
see.
5:41
Yeah.
5:41
Like,
5:41
playing
5:42
out.
5:42
But
5:43
the
5:43
thing
5:43
is,
5:43
a
5:43
lot
5:43
of
5:43
it
5:44
is,
5:44
like,
5:44
what
5:44
has
5:45
already
5:45
been
5:45
played
5:45
out
5:46
in
5:46
our
5:46
screens.
5:46
So
5:47
it's
5:47
also
5:48
kind
5:48
of
5:48
hard
5:48
to
5:48
imagine.
5:49
That
5:49
was
5:49
my
5:50
problem
5:51
going
5:51
forward
5:51
because.
5:52
I
5:52
kept
5:52
going,
5:53
this
5:53
is
5:53
a
5:53
great
5:53
song.
5:53
And
5:54
then
5:54
I
5:54
was
5:54
like,
5:54
but
5:54
this
5:54
is
5:55
an
5:55
edit
5:55
song.
5:55
Not
5:56
specifically,
5:56
like
5:56
a
5:57
soundtrack
5:58
song.
6:00
Yeah.
6:01
And
6:01
my
6:01
other
6:01
thing,
6:02
because
6:02
again,
6:03
I.
6:03
I
6:03
had
6:04
so
6:04
much
6:04
trouble
6:04
with
6:05
this
6:05
because
6:05
again,
6:06
I
6:06
don't
6:07
like
6:07
for
6:08
feelings
6:08
realization.
6:09
I
6:09
don't
6:10
see
6:11
like
6:11
a.
6:12
Like
6:13
a
6:13
song
6:13
with
6:13
lyrics
6:14
playing.
6:14
I
6:15
see.
6:16
Whatever.
6:16
I
6:17
don't.
6:17
Who
6:17
does
6:17
the
6:17
music
6:18
on
6:18
the
6:18
show.
6:18
Who
6:19
has
6:19
music
6:19
credit
6:20
for
6:20
that?
6:20
Because
6:20
I
6:20
actually
6:20
don't
6:21
know
6:21
that
6:21
we've.
6:21
Quite
6:22
ever
6:22
talked
6:23
about
6:24
that
6:24
much
6:24
yet.
6:25
And.
6:26
And.
6:26
Okay,
6:26
so
6:27
here's.
6:27
We
6:27
can.
6:28
Well,
6:29
whoever
6:29
it
6:29
is,
6:29
we'll
6:30
find
6:30
that
6:30
out.
6:30
So
6:31
here's
6:31
my
6:31
little
6:31
tidbit.
6:32
So
6:32
I
6:32
was
6:32
thinking
6:33
about.
6:33
I
6:33
think
6:33
I
6:33
was
6:33
rewatching
6:34
704,
6:34
like
6:35
the.
6:35
But
6:36
Tommy
6:36
Kiss.
6:36
And
6:36
I
6:37
don't
6:37
think
6:37
that
6:37
the
6:37
background
6:38
music
6:38
that
6:38
they
6:39
use,
6:39
like,
6:39
they've
6:39
ever
6:40
used
6:40
before.
6:40
I
6:40
feel
6:40
like
6:40
it
6:41
was
6:41
custom
6:41
made.
6:42
So,
6:42
like,
6:42
that's
6:43
just
6:43
like
6:43
a
6:43
composition.
6:44
Yeah,
6:45
yeah.
6:45
Like,
6:45
it's
6:46
instrumental,
6:47
probably
6:47
nine.
6:48
Originally
6:49
composed
6:49
for
6:49
91
6:50
1.
6:50
Yeah.
6:50
And
6:51
that's
6:51
what
6:51
I
6:51
mean.
6:51
Yeah,
6:52
yeah.
6:52
That's
6:52
what
6:53
I
6:53
feel
6:53
like
6:53
would
6:54
realistically
6:54
happen,
6:54
that
6:55
they
6:55
would
6:55
just
6:55
have
6:56
like,
6:56
background
6:57
instrumental.
6:58
Original
6:59
instrumental,
6:59
originally
7:00
composed
7:00
by.
7:01
For
7:01
911.
7:02
So
7:02
that's
7:03
also
7:03
why
7:03
it
7:03
was
7:04
hard
7:04
for
7:04
me
7:04
because,
7:04
like,
7:04
I
7:05
don't
7:05
really
7:05
put
7:05
too
7:06
much
7:06
thought
7:06
into
7:07
what
7:07
licensed
7:08
music
7:08
they
7:08
can
7:09
actually
7:09
use.
7:10
So
7:10
that's
7:10
why.
7:11
But
7:11
yeah.
7:11
Anyway,
7:12
Rachel,
7:13
that's
7:13
interesting.
7:14
No,
7:14
I
7:14
like
7:15
hearing
7:15
about
7:16
how
7:16
you
7:16
guys
7:17
come
7:17
at
7:17
it.
7:18
I'm
7:18
just
7:18
showing
7:19
up
7:19
this
7:20
evening
7:20
with
7:20
vibes,
7:21
pure
7:22
vibes.
7:23
I
7:23
chose
7:24
these
7:24
when
7:25
I
7:25
was,
7:25
like,
7:25
half
7:25
awake.
7:27
And
7:28
I
7:28
think
7:28
it's
7:29
interesting
7:29
because
7:29
I
7:29
think
7:30
I
7:31
think
7:31
about
7:31
music
7:31
a
7:32
little
7:32
differently.
7:33
Like,
7:33
I
7:33
think
7:34
I
7:34
attach
7:35
to
7:36
the
7:36
sound.
7:36
I
7:37
connect
7:38
with
7:38
it
7:39
sonically
7:39
first,
7:40
and
7:41
then
7:41
the
7:41
lyrics
7:42
come
7:42
secondarily.
7:43
So
7:44
for
7:44
all
7:45
of
7:45
these,
7:46
they're
7:46
all
7:47
kind
7:47
of,
7:47
like,
7:47
in
7:48
the
7:48
same
7:49
playlist
7:49
that
7:49
I.
7:50
That
7:50
I
7:50
have
7:50
that,
7:50
like,
7:51
makes
7:51
me
7:51
feel
7:52
a
7:52
certain
7:52
way
7:53
because
7:53
they
7:53
sound
7:54
a
7:54
certain
7:54
way.
7:56
And
7:57
I
7:57
think
7:58
the
7:58
best
7:58
way
7:58
to
7:58
sum
7:59
it
7:59
up
7:59
is
8:00
in
8:00
the
8:00
wise
8:00
words
8:00
of
8:01
Harry
8:01
Styles.
8:01
Yeah.
8:02
Okay.
8:02
Is
8:03
this
8:03
not
8:03
all
8:03
sparkly
8:04
by
8:04
music?
8:05
I
8:05
knew
8:05
exactly
8:05
what
8:05
you
8:06
were
8:06
gonna
8:06
say.
8:06
Yes.
8:07
Is
8:07
this
8:08
not
8:08
all
8:08
sparkly
8:08
by
8:09
music?
8:09
So,
8:09
like,
8:10
I
8:10
think
8:11
that's
8:11
it.
8:12
It's
8:12
like,
8:12
it's.
8:13
It's
8:13
sparkly
8:14
in
8:14
my.
8:14
In
8:15
my
8:15
head.
8:15
So,
8:16
like,
8:17
I
8:17
look
8:17
at
8:17
the
8:18
lyrics
8:18
as
8:19
kind
8:19
of
8:19
like,
8:20
just
8:20
something
8:20
to
8:21
bolster
8:22
it,
8:22
I
8:22
guess,
8:23
but.
8:23
But
8:23
I'm
8:24
not,
8:24
like.
8:24
It
8:25
doesn't
8:25
have
8:25
to
8:25
be,
8:25
like,
8:25
perfect
8:26
matches
8:26
or
8:27
anything.
8:27
I
8:27
can
8:27
be
8:27
just,
8:27
like,
8:28
lines
8:29
here
8:29
and
8:29
there
8:29
for.
8:30
For,
8:31
like,
8:31
most
8:31
of
8:31
it,
8:31
I'm
8:32
like,
8:32
okay,
8:32
yeah,
8:32
I
8:32
can
8:32
make
8:33
that
8:33
work.
8:33
But
8:33
I
8:34
think.
8:34
I
8:34
think
8:34
for
8:34
me,
8:34
it's
8:35
mostly,
8:35
like,
8:36
the
8:36
vibe
8:37
of.
8:37
Of
8:37
the
8:37
sound,
8:39
or
8:39
at
8:39
least
8:40
that's
8:40
what
8:40
it
8:40
was
8:40
today.
8:43
I
8:43
think
8:43
it
8:44
is
8:44
what
8:44
it
8:44
is
8:44
most
8:45
of
8:45
the
8:45
time.
8:45
Because
8:45
when
8:46
we're
8:46
picking
8:47
songs
8:47
for
8:48
the
8:48
episode
8:48
titles,
8:49
you're
8:49
like,
8:49
this.
8:49
And
8:49
I'm
8:50
like,
8:50
no.
8:51
I'm
8:51
like,
8:51
what
8:52
about
8:52
this
8:52
makes
8:52
sense
8:53
for
8:53
this
8:53
episode?
8:53
And
8:54
you're
8:54
like,
8:54
vibes.
8:55
Or
8:55
like,
8:56
the
8:56
title
8:56
of
8:56
the
8:57
song.
8:57
And
8:57
I'm
8:57
like,
8:57
no.
8:58
Yeah,
8:59
yeah.
9:00
So
9:00
I
9:00
think.
9:00
I
9:00
think
9:01
that's
9:01
how
9:01
I
9:02
approach
9:02
it.
9:02
Okay.
9:03
Full.
9:03
Full,
9:03
like,
9:04
disclaimer.
9:05
My
9:05
choices
9:05
will
9:06
probably
9:06
change.
9:07
These
9:08
are
9:08
not
9:08
set
9:08
in
9:09
stone.
9:09
Do
9:10
not
9:10
hold
9:10
us
9:10
to
9:10
these.
9:11
You
9:11
can't
9:12
hold
9:12
me
9:12
to
9:12
anything.
9:12
I'm
9:13
a
9:13
cancer.
9:13
My
9:13
mind
9:13
changes
9:14
all
9:14
the
9:14
time.
9:14
That's
9:15
a
9:15
Gemini.
9:15
Like,
9:15
what
9:15
are
9:16
you.
9:16
Hello.
9:18
I
9:18
have
9:18
a
9:18
Gemini
9:19
moon.
9:19
Yeah.
9:19
No,
9:20
we're
9:20
not.
9:21
We're
9:21
consistent
9:21
on
9:22
some
9:22
things,
9:22
but,
9:22
like,
9:23
we'll
9:23
be
9:23
like,
9:24
sure,
9:24
these
9:24
are
9:24
good.
9:25
But
9:25
sometimes
9:25
we'll
9:25
be
9:26
like,
9:26
but
9:26
this
9:26
one
9:26
might
9:26
be
9:27
better.
9:27
Who
9:27
knows?
9:27
That's
9:28
why
9:28
I'm
9:28
saying,
9:28
like,
9:28
this
9:28
is
9:29
just
9:29
what
9:29
I
9:29
decided
9:30
upon.
9:31
Today
9:31
it's
9:31
like,
9:31
tomorrow
9:32
it'll
9:32
be
9:32
a
9:32
different
9:33
song.
9:34
Next
9:34
day
9:34
it'll
9:35
be
9:35
a
9:35
different
9:35
song.
9:35
Or
9:36
I'll
9:36
think.
9:36
Think
9:36
of
9:37
something
9:37
that
9:37
it'll
9:38
be
9:38
like,
9:38
oh,
9:38
that's
9:39
perfect.
9:40
Some
9:40
of
9:40
these.
9:41
I'll
9:41
get
9:42
it.
9:42
We'll
9:42
get
9:42
into
9:42
the
9:42
lyrics
9:43
for.
9:43
I
9:43
have
9:44
more
9:44
than
9:44
one
9:44
option
9:45
for
9:46
almost
9:46
everything,
9:47
so
9:47
I
9:47
won't
9:48
really
9:48
get
9:48
into
9:48
the
9:48
lyrics
9:49
for
9:49
some
9:49
of
9:49
them
9:49
because,
9:50
like,
9:50
I
9:50
don't
9:50
want
9:50
to
9:51
take
9:51
too
9:51
much
9:51
time.
9:51
Also,
9:52
I
9:52
feel
9:52
like
9:52
most
9:53
of
9:53
these
9:53
songs
9:53
you
9:53
guys
9:54
will
9:54
know
9:55
and
9:55
if
9:55
not,
9:55
you
9:55
should
9:55
listen
9:56
to
9:56
them
9:56
anyway.
9:56
Should
9:57
we
9:57
get
9:57
started?
9:58
We
9:58
should
9:58
put
9:58
out
9:58
a
9:59
playlist
10:00
with.
10:00
With
10:00
all
10:01
the
10:01
songs
10:01
that
10:01
we
10:02
talk
10:02
about
10:02
and
10:02
link
10:03
that
10:03
we
10:04
can.
10:04
Yeah,
10:06
we
10:06
also
10:06
have
10:06
a
10:07
buddy
10:07
playlist
10:08
that
10:08
is
10:08
just
10:09
my
10:09
buddy
10:09
playlist
10:09
and
10:10
I
10:10
put
10:10
it
10:10
on
10:10
our
10:10
buddy
10:11
system
10:11
Spotify.
10:12
All
10:12
of
10:13
mine
10:13
are
10:13
just
10:13
going
10:13
to
10:13
be
10:13
really
10:14
basic
10:14
ads.
10:15
That's
10:15
okay.
10:16
There's
10:16
basic.
10:16
There's.
10:17
I
10:17
have
10:17
basic
10:18
songs
10:18
on
10:18
there
10:18
too.
10:18
It's
10:19
not
10:19
all.
10:20
I'm
10:20
in
10:20
my
10:20
pop
10:21
girly
10:21
era,
10:22
so,
10:22
like,
10:22
you're
10:23
always.
10:23
As
10:23
opposed
10:24
to
10:24
when
10:28
said
10:28
with
10:29
all.
10:29
The
10:29
love
10:29
of
10:29
my
10:29
heart,
10:30
but
10:30
I
10:30
said
10:31
it
10:31
nice.
10:32
I
10:32
have
10:32
a
10:33
sorry
10:33
taste.
10:34
Okay.
10:34
But
10:35
nothing
10:35
from,
10:35
like,
10:36
the
10:36
big
10:36
band
10:37
and
10:37
swing
10:37
was
10:38
going
10:38
to
10:38
work
10:38
for
10:38
today.
10:39
I'm
10:39
so
10:39
sorry.
10:41
The
10:41
way
10:41
the
10:42
hipster
10:42
in
10:42
me
10:42
pops
10:43
the
10:43
fuck
10:43
out.
10:44
It's
10:44
okay.
10:46
But
10:46
I
10:46
was
10:46
like,
10:47
nothing
10:47
from,
10:47
like,
10:47
big
10:48
band
10:48
and
10:48
swing
10:48
is
10:49
going
10:49
to,
10:49
like,
10:51
connect.
10:51
And
10:52
I
10:52
would
10:53
really
10:53
have
10:53
to
10:54
go
10:54
through
10:54
my
10:54
classic
10:55
rock.
10:55
I
10:56
didn't
10:56
even
10:56
think
10:56
about.
10:56
Well,
10:57
actually,
10:57
I
10:57
do
10:57
have
10:58
one
10:58
classic
10:58
rock
10:59
song
10:59
for
10:59
much
11:00
later
11:00
because
11:00
I.
11:00
Know
11:01
I
11:01
could
11:01
find
11:01
some,
11:02
but
11:02
I
11:02
was
11:03
just
11:03
like,
11:03
there's
11:03
too
11:03
many
11:04
here.
11:04
And
11:05
most
11:05
of
11:06
the
11:06
classic
11:06
rock
11:07
ones
11:07
for
11:07
me
11:07
are
11:08
more
11:08
destiel,
11:09
so
11:09
I'd.
11:10
Have
11:10
to,
11:10
like,
11:10
think
11:10
about
11:11
it.
11:11
That's
11:11
the
11:11
hard
11:11
thing,
11:12
too,
11:12
is,
11:12
like,
11:12
already
11:12
having
11:13
some
11:13
good
11:13
songs,
11:14
like,
11:14
so
11:15
attached
11:16
to
11:16
other
11:16
characters
11:17
or
11:17
ships
11:18
in
11:18
my
11:18
head
11:19
that
11:19
it's
11:19
hard
11:19
to
11:19
talk
11:20
about
11:20
that.
11:20
Apply
11:20
other
11:21
characters
11:21
to.
11:22
Yeah,
11:22
it.
11:23
It's
11:23
really
11:23
interesting
11:24
you
11:24
said
11:24
that,
11:24
actually,
11:24
because
11:25
I
11:25
was
11:25
flipping
11:26
through
11:26
a
11:26
lot
11:27
of
11:27
my
11:27
songs
11:28
and.
11:28
And
11:28
the
11:29
ones
11:29
that
11:29
I
11:29
was
11:29
like,
11:30
oh,
11:30
this
11:30
would
11:30
be
11:30
really
11:31
good
11:31
for
11:31
something.
11:32
Something.
11:32
I
11:32
realized
11:33
those
11:34
songs
11:34
were
11:34
already
11:34
used
11:35
in,
11:35
like,
11:35
a
11:36
movie
11:36
or
11:36
a
11:36
TV
11:36
show
11:37
for
11:37
that
11:38
kind
11:38
of
11:38
moment.
11:38
And
11:38
I
11:39
was
11:39
like,
11:39
well,
11:39
that's
11:40
better.
11:40
Yeah.
11:41
Yeah.
11:43
But
11:44
I
11:44
was
11:44
like,
11:44
oh,
11:44
that's
11:44
why
11:45
it
11:45
stands
11:45
out
11:45
to
11:45
me
11:46
because
11:46
I
11:46
think
11:46
I
11:46
have,
11:47
like.
11:47
It's
11:48
the
11:48
vibe.
11:48
I
11:49
had
11:49
to
11:49
take
11:49
a
11:49
song
11:49
off
11:49
of
11:50
here
11:50
that
11:50
they
11:50
already
11:50
used
11:51
in
11:51
the
11:51
show.
11:52
They
11:52
use
11:52
songs
11:52
multiple
11:53
times.
11:53
Which
11:53
one?
11:54
When
11:54
the
11:54
Party's
11:55
over.
11:55
Oh.
11:56
By
11:56
Billie
11:57
Eilish.
11:57
Yeah,
11:57
they
11:58
already.
11:58
Oh,
11:58
I
11:59
mean,
11:59
that's
11:59
such
11:59
a
11:59
good
12:00
one.
12:00
It's
12:00
such
12:00
a
12:00
good
12:01
one.
12:01
But.
12:01
And
12:02
we
12:02
already
12:02
talked
12:02
about
12:02
it
12:02
on
12:03
an
12:03
episode,
12:03
so.
12:04
Yeah.
12:05
Anyway,
12:05
let's
12:06
get
12:06
started
12:06
and
12:07
we'll
12:07
start
12:07
with
12:07
Buck.
12:08
Yeah,
12:08
of
12:09
course.
12:09
Because
12:09
of
12:10
course
12:10
we're
12:10
all
12:10
we're
12:10
all.
12:11
About
12:11
him
12:12
for
12:12
now.
12:14
Wow.
12:15
So
12:16
who
12:16
wants
12:16
to
12:17
get
12:17
started?
12:18
All
12:19
right,
12:19
so
12:19
Rachel
12:20
keeps
12:20
saying
12:20
she's
12:20
a
12:20
basic
12:21
of
12:21
the
12:21
group,
12:22
but
12:22
I
12:22
think
12:22
I'm
12:23
pretty
12:23
basic
12:23
bitching
12:24
today
12:24
because
12:25
I
12:25
picked
12:26
Taylor
12:26
Swift
12:27
songs.
12:27
And
12:27
I'll
12:28
give
12:28
you
12:28
an
12:28
honorary
12:28
mention
12:29
to
12:30
someone
12:30
else
12:30
that's
12:31
not
12:31
a
12:31
Taylor
12:31
Swift.
12:31
So.
12:32
So
12:32
anyway.
12:33
Wow.
12:33
That
12:33
I
12:34
just
12:34
ran
12:34
through
12:34
that
12:34
whole
12:35
sentence
12:35
like,
12:36
anyway.
12:38
One
12:39
breath.
12:40
My
12:41
first
12:41
pick
12:42
was
12:42
this
12:42
Love
12:43
by
12:43
Taylor
12:44
Swift.
12:45
And
12:45
then
12:45
my
12:46
second
12:46
pick
12:47
was
12:47
Gold
12:48
Rush
12:48
by
12:48
Taylor
12:49
Swift.
12:49
And
12:50
then
12:50
my
12:52
honorary
12:52
mention
12:53
goes
12:53
to
12:53
Love
12:53
Me
12:54
Anyway
12:54
by
12:55
Chapel
12:55
Rowan.
12:56
Yes,
12:57
I
12:57
was
12:57
looking
12:57
at
12:58
those.
12:59
Wait,
12:59
did
12:59
we
12:59
say
13:00
this
13:00
was
13:00
for
13:00
feelings
13:00
realization?
13:01
Did
13:01
we
13:01
already
13:01
say
13:02
that?
13:02
Oh,
13:02
yes,
13:02
this
13:03
is
13:03
for
13:03
a
13:03
Buck.
13:03
Feelings
13:04
realization.
13:04
I
13:04
did
13:04
say
13:05
for
13:05
Buck,
13:05
but
13:05
yeah,
13:05
this
13:05
is
13:06
for
13:06
a
13:06
Buck.
13:06
Feelings
13:06
Realization.
13:08
Yeah.
13:08
So
13:08
this
13:08
is
13:08
specifically
13:09
for
13:09
a
13:09
realization.
13:10
I
13:10
mean,
13:10
the
13:11
three
13:11
songs
13:11
that
13:11
I
13:11
did
13:11
pick,
13:12
like,
13:12
I
13:12
don't
13:12
think
13:12
they
13:13
really
13:13
go
13:13
into,
13:13
like,
13:14
a
13:14
realization
13:14
moment,
13:15
but
13:16
I
13:16
think
13:17
the
13:17
way
13:17
I
13:17
thought
13:18
about
13:18
this
13:19
particular
13:19
category
13:20
is,
13:21
like,
13:21
the
13:22
feelings
13:22
that
13:23
they
13:23
are
13:23
feeling
13:24
about
13:25
the
13:26
other
13:26
person.
13:27
So,
13:27
like,
13:28
I
13:28
think,
13:28
and
13:28
I
13:29
think
13:29
I
13:29
mainly
13:29
am
13:30
going
13:30
to
13:30
talk
13:30
about
13:30
this
13:31
love
13:31
unless
13:31
I
13:31
get
13:31
inspired
13:32
in
13:32
the
13:32
middle
13:33
of
13:33
all
13:33
this.
13:33
Anyway,
13:34
so
13:34
the
13:35
reason
13:35
why
13:35
I
13:35
picked
13:35
this
13:35
love
13:36
was
13:36
basically,
13:36
like,
13:37
how
13:38
it
13:38
talks
13:38
about
13:39
the
13:40
love
13:40
that
13:40
they
13:40
have
13:40
for
13:41
the
13:41
other
13:41
person.
13:42
Like,
13:42
how
13:43
it
13:43
can
13:43
be
13:43
different.
13:44
It
13:44
could
13:44
be
13:44
like
13:44
night
13:45
or
13:45
day,
13:45
good
13:45
or
13:46
bad,
13:46
how
13:47
it
13:47
can
13:48
be
13:48
alive
13:48
and
13:48
dead,
13:49
how
13:49
they
13:50
had
13:50
to
13:50
let
13:50
it
13:50
go.
13:52
But
13:52
it.
13:52
But
13:53
it
13:53
all
13:53
came
13:53
back.
13:54
So,
13:54
like,
13:55
I
13:55
think
13:55
about,
13:55
like,
13:56
how
13:57
especially
13:57
this
13:57
past
13:58
season.
13:58
I
13:58
know,
13:58
I
13:59
know
13:59
we're
13:59
supposed
13:59
to
13:59
be
14:00
talking
14:00
about
14:00
realization,
14:00
but
14:00
this
14:01
is.
14:01
This
14:01
is
14:01
where
14:01
it
14:01
got
14:01
really
14:02
hard
14:02
for
14:02
me.
14:02
However
14:03
you
14:03
interpret,
14:03
but
14:03
especially
14:04
with
14:04
this.
14:04
Season,
14:05
you
14:05
know,
14:06
Buck
14:06
had
14:06
to
14:07
let
14:07
Eddie
14:07
go
14:07
to
14:07
Texas
14:08
and
14:08
all
14:08
of
14:09
that.
14:09
But
14:10
at
14:10
the
14:10
end,
14:11
Eddie
14:12
came
14:12
back.
14:13
He
14:13
came
14:13
back
14:14
and
14:14
he
14:14
also
14:14
stayed.
14:16
And.
14:16
And
14:17
lately,
14:17
like,
14:17
we've
14:17
been
14:18
seeing,
14:18
like,
14:18
you
14:18
know,
14:18
their
14:19
relationship
14:20
isn't
14:20
always,
14:20
like,
14:21
happy,
14:21
isn't
14:22
always
14:23
going
14:23
to
14:23
be
14:23
in
14:23
that,
14:24
like,
14:24
better
14:25
place.
14:25
There's
14:25
going
14:25
to
14:25
be
14:27
trials
14:28
for
14:28
them
14:29
and
14:29
tribulations
14:30
and
14:30
tribulations
14:31
for
14:32
the
14:32
both
14:32
of
14:32
them.
14:33
But
14:33
I
14:33
think,
14:33
like,
14:34
they
14:34
make
14:34
it
14:34
through
14:34
and
14:34
I
14:35
feel
14:35
like
14:35
Buck
14:36
going
14:37
to
14:37
realize,
14:38
like,
14:38
even
14:38
after
14:39
everything,
14:39
like,
14:39
they're
14:39
always
14:40
going
14:40
to
14:40
stick
14:40
together
14:41
and.
14:42
And,
14:42
you
14:42
know,
14:43
all
14:43
of
14:43
that.
14:43
And
14:44
verse
14:44
two
14:44
was
14:45
really
14:45
funny
14:45
because,
14:46
like,
14:46
so
14:46
this
14:46
is
14:46
where
14:46
my
14:47
editor
14:47
brain
14:47
came
14:47
in.
14:48
Yeah.
14:48
So
14:49
it
14:49
says,
14:49
like,
14:49
I
14:49
want
14:50
the.
14:50
Vision
14:50
the
14:51
tossing
14:51
and
14:51
turning
14:53
Struggle
14:53
through
14:54
the
14:54
night
14:54
with
14:54
someone
14:55
new.
14:56
Made
14:56
me
14:56
think
14:56
about
14:56
8
14:57
11.
14:59
Yep.
15:00
And
15:00
then
15:00
further
15:01
down
15:01
goes
15:01
like
15:01
flickered
15:02
in
15:02
my
15:02
mind
15:02
Only
15:02
you
15:03
But
15:03
you
15:03
were
15:04
gone,
15:04
gone,
15:04
gone.
15:07
I
15:07
was
15:07
like.
15:07
Wow,
15:07
I
15:08
could
15:08
have
15:08
done
15:08
something
15:08
for
15:09
this.
15:09
But
15:09
I
15:09
obviously
15:10
I'm
15:10
so
15:10
busy
15:11
still.
15:12
And
15:12
I
15:12
make
15:12
the
15:13
best
15:13
edits
15:13
you've
15:13
ever
15:14
seen.
15:14
In
15:14
our
15:14
heads.
15:15
In
15:15
our
15:15
heads.
15:16
And
15:16
that's
15:16
where
15:16
we're
15:17
going
15:17
to
15:17
stay
15:17
for
15:18
the
15:18
time
15:18
being.
15:21
Oh
15:21
God.
15:22
Award
15:23
winning
15:23
again.
15:24
So
15:24
like
15:25
I'm
15:25
trying
15:25
to
15:26
like
15:27
figure
15:27
out
15:27
how
15:27
to
15:27
end
15:28
this
15:28
really.
15:28
But
15:29
just
15:29
listen
15:30
to
15:30
the
15:30
song.
15:30
It's.
15:30
It's
15:31
very
15:31
self
15:31
explanatory.
15:33
Yeah,
15:33
no,
15:33
it's
15:34
a
15:34
good
15:34
fit.
15:34
I
15:34
really
15:34
like
15:34
Gold
15:35
Rush
15:35
too,
15:35
to
15:35
be
15:36
honest
15:36
with
15:36
you.
15:36
Because
15:37
that's
15:37
Gold
15:37
Rush.
15:38
That's
15:39
such,
15:40
that's.
15:40
I
15:40
mean,
15:40
well,
15:41
such
15:41
a
15:41
Buck.
15:42
If
15:42
you
15:42
remember,
15:43
that's
15:43
Buck's
15:44
album
15:44
for
15:44
me
15:45
because
15:45
he
15:45
is
15:45
in
15:45
his
15:45
evermore
15:46
era
15:47
and
15:48
yeah,
15:48
that's.
15:49
Yeah,
15:50
he's
15:50
even
15:50
doing
15:51
that
15:51
subconsciously
15:52
right
15:52
now.
15:52
Oh
15:53
yeah.
15:53
Like
15:53
he
15:53
has
15:54
been
15:54
for
15:54
years
15:54
actually.
15:56
Oh
15:56
my
15:57
God,
15:57
I
15:58
love
15:58
that
15:58
song.
15:58
For
15:59
her
15:59
Buck.
16:00
Just
16:01
in
16:01
general,
16:02
like,
16:04
I
16:04
mean
16:04
just.
16:05
Just
16:05
in
16:05
the
16:05
chorus
16:06
alone.
16:07
Because
16:07
I
16:07
don't
16:07
like
16:07
the
16:08
Gold
16:08
Rush.
16:08
I
16:08
don't
16:08
anticipate
16:09
I
16:09
don't
16:09
like
16:09
the
16:10
anticipation
16:10
My
16:10
face
16:11
in
16:11
a
16:11
red
16:11
flush
16:11
I
16:12
don't
16:12
like
16:12
that.
16:12
That
16:13
anyone
16:14
could
16:15
die
16:16
Would
16:17
die
16:17
to
16:17
feel
16:17
your
16:17
touch
16:18
Everybody
16:18
wants
16:18
you
16:19
yeah,
16:20
it's
16:21
the
16:21
bridge.
16:22
You
16:22
know
16:22
what
16:22
it's
16:23
giving
16:23
but
16:23
it's
16:24
also
16:24
giving.
16:24
It
16:24
gives
16:25
like
16:25
they're
16:26
meeting
16:26
like
16:26
201
16:27
buck.
16:30
So
16:30
like
16:30
he's
16:31
just
16:31
sitting
16:31
there.
16:31
He's
16:31
like.
16:31
He
16:32
knows
16:32
like
16:32
this.
16:32
Like
16:33
everyone
16:33
wants
16:33
him.
16:33
But
16:34
I
16:34
also.
16:34
I'm
16:35
just
16:35
like
16:35
he's.
16:36
He's
16:36
a
16:36
jealous
16:37
guy.
16:37
He
16:38
doesn't
16:38
want
16:38
anyone
16:39
to
16:39
be.
16:40
He
16:40
doesn't
16:40
want
16:40
anyone
16:41
to
16:41
get
16:41
his.
16:41
His.
16:42
Eddie.
16:42
What
16:42
are
16:43
these
16:43
feelings
16:43
so
16:44
sudden
16:44
and.
16:44
New
16:46
Be
16:46
on
16:46
the
16:46
bridge.
16:46
That's
16:47
like
16:47
what
16:47
must
16:47
it
16:47
be
16:48
like
16:48
to
16:48
grow
16:48
up
16:48
that
16:48
beautiful
16:49
with
16:49
your
16:49
hair
16:49
falling
16:50
into
16:50
place
16:50
like
16:50
Domino's.
16:51
My
16:51
mind
16:52
turns
16:52
your
16:52
life
16:53
into
16:53
folklore.
16:53
I
16:54
can't
16:54
dare
16:54
to
16:54
dream
16:54
about
16:55
it
16:55
any
16:55
like
16:55
about
16:56
you
16:56
anymore.
16:58
So
16:58
bothered.
17:00
Oh
17:00
good.
17:01
It's
17:01
so
17:01
good.
17:02
Yeah,
17:02
actually
17:02
it's
17:02
so
17:03
funny.
17:03
I
17:03
think
17:04
Sil.
17:04
I
17:04
think
17:05
you
17:05
tweeted
17:05
or
17:05
retweeted.
17:06
It
17:07
was
17:07
a
17:07
gif
17:08
of
17:08
like
17:09
eddie's
17:09
eyes
17:10
from
17:11
811
17:12
when.
17:13
When
17:13
Buck
17:13
is
17:14
telling
17:14
him
17:14
about.
17:14
Oh
17:15
yeah,
17:15
you
17:15
know,
17:16
I
17:16
did
17:16
it
17:16
for
17:17
you.
17:17
And,
17:17
And
17:17
Eddie
17:18
has
17:18
that
17:18
like
17:19
facial
17:19
expression
17:20
that
17:20
can't
17:21
get
17:21
enough
17:21
of.
17:22
When.
17:23
When
17:23
I
17:23
saw
17:24
you
17:24
retweet
17:25
that,
17:25
what
17:25
did
17:25
I
17:26
say?
17:26
I
17:27
said
17:27
two
17:27
different
17:27
things,
17:28
I'm
17:28
sure.
17:28
Oh,
17:29
I
17:29
don't.
17:29
I
17:29
don't
17:29
Remember?
17:30
But,
17:30
like,
17:30
I
17:30
looked
17:31
at
17:31
that
17:31
gif,
17:31
and
17:32
all
17:32
that
17:32
was
17:32
playing
17:33
in
17:33
my
17:33
head
17:33
was
17:33
Gold
17:34
Rush.
17:34
Oh,
17:35
but
17:36
it
17:36
was,
17:36
like,
17:36
from
17:36
Eddie's
17:37
pov.
17:38
Oh,
17:38
yeah.
17:38
I
17:38
mean,
17:39
I
17:39
think
17:39
it
17:39
is,
17:39
but.
17:40
It
17:40
can
17:40
be
17:40
both.
17:41
I
17:41
think,
17:42
like,
17:42
oh,
17:42
my
17:42
God,
17:42
the
17:42
rest
17:43
of
17:43
the
17:43
bridge.
17:43
What
17:43
is
17:43
it
17:43
like?
17:44
On
17:44
a
17:45
coastal
17:45
town
17:45
we
17:45
wandered
17:46
around
17:46
but
17:46
never
17:47
seen
17:48
a
17:48
love
17:48
as
17:48
pure
17:48
as
17:49
it.
17:50
Yes.
17:51
And
17:51
then
17:51
it
17:51
fades
17:51
into
17:51
the
17:52
gray
17:52
of
17:52
my
17:52
day
17:53
Old
17:53
tea.
17:53
Because
17:54
it
17:54
will
17:54
never
17:54
be.
17:57
Yeah,
17:57
yeah,
17:58
yeah.
17:59
That's
17:59
such
17:59
a
17:59
great
17:59
song
18:00
for
18:00
them.
18:00
Like.
18:01
Like,
18:01
they
18:01
can
18:01
almost
18:02
reach
18:02
it,
18:03
but
18:03
it's
18:03
still
18:04
a
18:04
little
18:04
out
18:04
of
18:04
reach.
18:06
Yeah.
18:06
And
18:06
it's
18:07
kind
18:07
of
18:07
like.
18:08
It's
18:08
kind
18:08
of
18:08
like
18:08
when
18:09
you
18:09
think
18:09
about
18:09
how
18:10
Buck
18:11
answered,
18:11
like,
18:12
Maddie's
18:13
like,
18:13
well,
18:13
are
18:14
you.
18:14
It
18:14
wouldn't
18:15
be
18:15
so
18:15
crazy.
18:15
Like,
18:16
he
18:16
could
18:16
still.
18:16
Even
18:17
if
18:17
he
18:17
does
18:17
realize,
18:18
he'll
18:18
still
18:18
be
18:18
like,
18:19
it
18:19
can't
18:19
happen
18:20
because
18:20
he's
18:21
straight.
18:22
It'll
18:22
never
18:23
be.
18:23
Yeah.
18:24
That's
18:24
a
18:24
great
18:25
transition
18:25
into
18:25
my
18:25
joke
18:26
song.
18:26
If
18:26
we're
18:26
done.
18:27
Sure.
18:27
Yeah,
18:28
I'm
18:28
done.
18:28
I'm
18:29
done.
18:29
This
18:30
song
18:30
is
18:30
not
18:30
a
18:31
serious
18:31
suggestion.
18:32
It
18:32
just
18:33
came
18:33
on
18:33
my
18:33
playlist,
18:34
and
18:34
I
18:34
started
18:34
hysterically
18:35
laughing.
18:36
Wish
18:36
you
18:36
were
18:36
gay
18:37
by
18:37
Billie
18:37
Eilish.
18:40
Is
18:40
it
18:40
Billy's
18:41
realization
18:41
that
18:41
he
18:42
still.
18:42
Thinks
18:43
that
18:43
he's
18:44
straight?
18:45
Yeah,
18:46
like,
18:46
come
18:47
on.
18:50
I
18:50
just
18:50
want
18:50
to
18:50
make
18:50
you
18:51
feel
18:51
okay,
18:51
but
18:51
all
18:51
you
18:51
do
18:51
is
18:52
look
18:52
the
18:52
other
18:52
way.
18:53
I
18:53
can't
18:53
tell
18:53
you
18:54
how
18:54
much
18:54
I
18:54
wish
18:54
I
18:54
didn't
18:54
want
18:55
to
18:55
stay.
18:55
I
18:55
just
18:55
kind
18:56
of
18:56
wish
18:56
you
18:56
were
18:56
gay.
18:57
I
18:57
mean,
18:58
it's
18:58
right
18:58
there
18:58
on
18:58
the
18:59
tin,
19:00
you
19:00
know?
19:01
Anyway,
19:01
that's
19:02
my
19:02
joke
19:02
suggestion.
19:03
No,
19:03
I
19:03
love
19:03
that,
19:04
actually.
19:04
Then
19:05
I
19:05
have.
19:06
These
19:07
are
19:07
really
19:07
depressing
19:08
ones.
19:08
Another
19:09
a
19:09
serious
19:10
Billie
19:10
Eilish
19:10
suggestion.
19:11
Haley's
19:12
Comet,
19:12
which
19:12
is
19:12
off
19:13
of
19:13
her
19:14
newest
19:14
album.
19:15
No,
19:15
it's
19:15
not
19:15
2021.
19:16
We're
19:17
in
19:17
2025.
19:18
I
19:18
know.
19:19
I
19:19
think
19:19
it's
19:20
the
19:21
golden
19:21
blonde
19:22
hair.
19:22
Yeah,
19:23
this
19:23
was
19:23
the,
19:23
like,
19:24
the
19:24
James
19:24
Bond
19:25
era.
19:25
Oh,
19:26
happier
19:26
than
19:26
ever,
19:27
isn't
19:27
that.
19:27
Yes.
19:28
Happier
19:28
than
19:28
ever.
19:29
Is
19:29
the
19:29
album
19:30
okay.
19:30
Happier
19:31
than
19:31
ever
19:31
is
19:32
a
19:32
very
19:32
good
19:33
song
19:33
for
19:33
them,
19:33
too,
19:34
but
19:34
not
19:35
what
19:35
I
19:35
was
19:35
going
19:36
for.
19:37
It's
19:37
really
19:37
depressing,
19:39
so.
19:39
Sorry.
19:40
Oh,
19:41
I
19:41
could
19:41
totally
19:41
see
19:41
that.
19:42
Like,
19:42
yeah.
19:43
Maddie's
19:43
room.
19:44
Yes.
19:45
Or
19:45
something.
19:45
Okay,
19:45
so
19:46
the
19:46
lyrics,
19:47
you
19:47
guys.
19:49
So
19:49
the.
19:49
The
19:49
lyrics
19:50
that
19:50
I
19:50
think
19:50
really
19:50
make
19:51
it
19:51
a
19:51
good
19:51
choice.
19:52
I'm
19:52
coming
19:52
at
19:52
it
19:53
as,
19:53
like,
19:53
Buck
19:53
is
19:53
having
19:54
his
19:54
realization
19:54
without
19:55
knowing
19:55
that
19:55
Eddie's
19:55
gay
19:56
and
19:56
definitely
19:56
not
19:57
knowing
19:57
that
19:57
Eddie
19:57
has
19:57
feelings,
19:58
too.
19:58
Right.
19:58
So
19:59
it's
19:59
very
19:59
much.
20:00
Oh,
20:00
I.
20:01
This
20:01
is
20:01
bad.
20:02
This
20:02
is
20:02
Bad.
20:03
So
20:04
it
20:04
starts
20:05
out
20:05
talking
20:05
about,
20:05
like,
20:05
how
20:07
I
20:07
don't
20:07
want
20:07
to
20:08
want
20:08
you,
20:08
but
20:09
in
20:09
my
20:09
dreams,
20:09
if
20:10
I'm
20:10
honest,
20:10
like,
20:10
you've
20:10
been
20:11
quite
20:11
a
20:11
few.
20:14
And
20:15
then
20:16
it
20:16
says
20:17
you're
20:17
all
20:18
it
20:18
takes
20:18
for
20:18
me
20:18
to
20:18
break
20:18
a
20:19
promise.
20:19
Silly
20:20
me
20:20
to
20:20
fall
20:20
in
20:20
love
20:20
with
20:21
you.
20:23
Like,
20:23
stupid
20:23
me
20:23
to
20:24
fall
20:24
in
20:24
love
20:24
with
20:24
my
20:24
straight
20:24
best
20:25
friend.
20:25
So,
20:26
Renter,
20:26
my
20:27
sleepless
20:27
nights
20:27
are
20:27
better
20:28
with
20:28
you
20:28
than
20:28
nights
20:29
could
20:29
ever
20:29
be
20:29
alone.
20:29
I
20:30
think
20:30
that's
20:31
very
20:31
self
20:31
explanatory.
20:34
I've
20:34
been
20:34
loved
20:35
before,
20:35
but
20:35
right
20:35
now
20:35
in
20:36
this
20:36
moment,
20:36
I
20:36
feel
20:36
more
20:37
and
20:37
more
20:37
like
20:37
I
20:37
was
20:37
made
20:38
for
20:38
you.
20:39
Like,
20:41
once
20:41
he
20:41
has
20:41
this
20:41
realization,
20:42
it's
20:42
going
20:42
to
20:43
be
20:43
so
20:43
rough.
20:43
Like,
20:44
like
20:45
things
20:45
will
20:45
click
20:45
into
20:46
place.
20:46
Things
20:46
will
20:46
click
20:47
into
20:47
place
20:47
and
20:47
he's
20:47
going
20:47
to
20:47
be
20:47
like,
20:48
oh,
20:48
I'm
20:48
never
20:48
going
20:49
to
20:49
have
20:49
it.
20:49
I'm
20:50
never
20:50
going
20:50
to
20:50
have
20:50
what
20:50
I
20:50
want.
20:51
Not
20:51
just
20:51
I'm
20:51
never
20:51
going
20:51
to
20:51
have
20:51
Eddie,
20:52
but
20:52
I'm
20:52
never
20:52
going
20:52
to
20:52
love
20:53
anyone.
20:54
Never
20:54
going
20:54
to
20:54
get
20:54
over
20:55
it,
20:55
Never.
20:55
Going
20:55
to
20:55
get
20:56
over
20:56
it.
20:56
And
20:56
I'm
20:56
never.
20:57
Like,
20:57
it
20:57
was
20:57
like
20:57
I
20:57
was
20:58
made
20:58
for
20:58
him,
20:58
but
20:58
like,
20:59
he
20:59
wasn't
20:59
made
21:00
for
21:00
me.
21:00
He
21:00
wasn't
21:00
made
21:01
for
21:01
me.
21:01
And
21:02
then
21:02
the
21:02
outro
21:03
is,
21:03
I'm
21:04
sitting
21:04
in
21:04
my
21:04
brother's
21:05
room.
21:05
So
21:05
he's
21:05
sitting
21:06
in
21:06
Maddie's
21:07
house.
21:08
Haven't
21:08
slept
21:08
in
21:08
a
21:08
week
21:09
or
21:09
two.
21:09
I
21:09
think
21:09
I
21:09
might
21:10
have
21:10
fallen
21:10
in
21:10
love.
21:10
What
21:10
am
21:11
I
21:11
to
21:11
do?
21:12
So
21:12
I
21:12
just
21:12
think
21:12
it's
21:13
so
21:13
perfect
21:13
because
21:13
it's
21:14
so
21:14
melancholic.
21:14
Like,
21:15
oh
21:15
my
21:15
God.
21:16
Existential
21:17
crisis
21:17
spiral.
21:18
Yes,
21:19
quintessentially,
21:20
yes,
21:21
100%.
21:22
Yeah,
21:23
I
21:23
get
21:23
that.
21:24
So.
21:25
And
21:25
then
21:25
I
21:25
have
21:25
a
21:26
song
21:26
that
21:26
I
21:26
think
21:27
fits
21:28
the
21:28
vibe
21:28
musically
21:29
and
21:29
lyrically
21:30
for
21:30
just
21:31
Buck's
21:31
personality.
21:33
It's
21:33
kind
21:33
of
21:33
the
21:33
same
21:33
vibes.
21:34
Whereas,
21:34
like,
21:34
oh,
21:35
fuck,
21:35
this
21:36
is
21:36
terrible.
21:36
This
21:36
is
21:37
bad.
21:39
And
21:39
I
21:39
don't
21:39
think
21:39
anyone.
21:40
And
21:40
if
21:40
anyone
21:40
who's
21:41
listening
21:41
has
21:41
heard
21:41
this
21:42
song,
21:42
I
21:42
love
21:42
you
21:42
so
21:42
much.
21:43
And
21:43
what's
21:44
it
21:44
like
21:44
being
21:44
an
21:44
elder
21:45
millennial
21:46
because
21:46
it's
21:46
15
21:47
years
21:47
old.
21:48
It's
21:48
by
21:48
Jenny
21:48
Owen
21:49
Youngs.
21:49
I
21:49
don't
21:50
know
21:50
if
21:50
you
21:50
know
21:50
who
21:50
that
21:50
is.
21:51
She
21:51
did
21:51
a
21:52
prolific
21:52
cover
21:52
of
21:53
Hot
21:53
In
21:53
Here
21:53
by
21:54
Nelly,
21:55
which
21:55
might
21:55
be
21:55
what
21:55
you
21:56
know
21:56
her
21:56
from,
21:56
but
21:57
she
21:57
has
21:57
this
21:57
song
21:58
called
21:58
Fuck
21:58
Was
21:58
I.
21:59
Called
21:59
what?
22:00
Fuck
22:00
Was
22:01
I.
22:02
Incredible.
22:02
Actually.
22:03
Tell
22:04
me
22:04
that's
22:04
not
22:04
the
22:04
perfect
22:05
song.
22:05
That's.
22:07
I'm
22:08
concerned.
22:08
It's
22:09
concerning.
22:09
It's
22:09
concerning.
22:11
Listen,
22:12
if
22:12
you
22:13
were
22:15
18
22:15
to
22:16
mid
22:16
20s
22:17
in
22:18
the
22:18
early
22:18
aughts
22:19
and
22:19
you
22:19
were
22:19
an
22:20
unrequited
22:20
love,
22:21
the
22:21
song
22:22
was
22:22
Going
22:22
platinum
22:22
in
22:23
your
22:23
room.
22:23
I
22:23
know.
22:23
It
22:23
was
22:23
not
22:24
just
22:24
me.
22:27
Oh,
22:27
my
22:28
God.
22:29
No,
22:29
that's
22:29
totally
22:30
giving
22:31
Buck
22:31
alone
22:32
in
22:32
the
22:32
house.
22:33
Yes.
22:33
I've
22:33
gotta
22:34
gotta
22:34
say
22:34
the
22:34
lyrics
22:34
now,
22:35
for
22:35
some
22:35
people,
22:35
basically,
22:35
the
22:36
song
22:36
is
22:36
about
22:37
being
22:37
an
22:37
unrequited
22:38
love.
22:40
It's
22:41
about
22:41
to
22:41
be
22:41
an
22:41
unrequited
22:42
love.
22:42
But,
22:42
like,
22:43
at
22:43
the
22:43
ending,
22:44
it's
22:44
like,
22:45
you
22:46
know
22:46
that
22:46
I've
22:46
got
22:46
what
22:46
you
22:47
want,
22:47
so
22:47
it's
22:47
like,
22:49
I'd
22:49
be
22:49
good
22:49
for
22:50
you,
22:50
but,
22:50
like,
22:51
this
22:51
is
22:52
not
22:52
good.
22:53
I
22:53
should
22:53
not
22:53
be
22:53
feeling
22:54
this
22:54
because
22:55
the
22:56
visuals.
22:57
Love
22:57
is
22:57
growing
22:57
in
22:58
her
22:58
like
22:58
a
22:58
tumor.
22:59
Like
22:59
a
23:00
parasite
23:01
wants
23:01
to
23:01
devour
23:01
its
23:01
host.
23:02
Like,
23:02
she's
23:02
trying
23:02
to
23:02
develop
23:03
a
23:03
sense
23:03
of
23:03
humor
23:03
about
23:04
it
23:04
because,
23:04
like,
23:05
her
23:05
heart
23:05
is
23:05
in
23:05
his
23:06
hands,
23:06
right?
23:06
She's
23:07
like,
23:07
till
23:08
I
23:08
can
23:08
laugh
23:08
about,
23:09
like,
23:10
my
23:10
heart
23:10
in
23:10
your
23:11
teeth,
23:11
my
23:11
face
23:11
beneath
23:12
your
23:12
feet.
23:13
She's
23:14
got
23:14
away
23:14
with
23:14
words.
23:15
The
23:16
chorus
23:16
is.
23:16
Is
23:17
literally
23:17
just
23:17
talking
23:18
about,
23:18
like,
23:18
skill
23:19
on
23:19
the
23:19
stove.
23:19
It's
23:19
a
23:19
temptation,
23:21
which
23:21
is
23:21
just
23:22
like
23:22
a
23:23
visual.
23:23
And
23:23
it's
23:23
a
23:24
metaphor
23:24
because
23:24
it's
23:24
like,
23:25
love
23:25
is
23:25
very
23:25
tempting,
23:26
but,
23:26
like,
23:27
you
23:27
get
23:27
burned,
23:28
and
23:28
even
23:29
though
23:29
you've
23:29
been
23:29
burned
23:29
again,
23:29
you
23:30
still
23:30
keep
23:31
doing
23:31
it.
23:32
You
23:33
can't
23:33
stop
23:33
yourself
23:33
from
23:34
doing
23:34
it.
23:34
And
23:34
then
23:34
she
23:34
just
23:35
says,
23:35
what
23:35
the
23:35
fuck
23:35
was
23:35
I
23:36
thinking?
23:36
About,
23:36
like,
23:38
40
23:38
times
23:39
in
23:39
this
23:39
song.
23:40
That's
23:40
the
23:40
chorus.
23:41
The
23:42
second
23:42
verse
23:42
is
23:42
about,
23:43
like,
23:45
love
23:45
is
23:45
just
23:45
kind
23:45
of
23:46
like
23:47
tearing
23:47
through
23:48
them
23:48
like
23:48
a
23:48
bulldozer.
23:49
And
23:49
there's
23:50
always
23:50
a
23:50
big
23:50
mess
23:50
left
23:51
over
23:52
because,
23:52
like,
23:52
they
23:53
say
23:53
stuff
23:53
that
23:53
they
23:54
shouldn't
23:54
and
23:54
they
23:54
do
23:54
stuff
23:55
that
23:55
they
23:55
shouldn't
23:56
because
23:56
of
23:56
it.
23:57
For
23:58
me,
23:58
the
23:58
kicker
23:58
is
23:59
verse
23:59
three.
24:00
Yeah,
24:01
that's
24:01
a
24:01
good
24:01
one.
24:01
She
24:02
says
24:02
love
24:02
tears
24:02
me
24:02
up
24:02
like
24:03
a
24:03
demon
24:03
Opens
24:03
the
24:04
wounds
24:04
and
24:04
then
24:04
fills
24:05
them
24:05
with
24:05
lead.
24:05
Which
24:05
again,
24:07
striking
24:07
visual.
24:09
Having
24:10
some
24:10
trouble
24:10
just
24:10
breathing.
24:11
If
24:11
we
24:11
weren't
24:11
such
24:12
good
24:12
friends
24:12
I
24:12
think
24:12
that
24:13
I'd
24:13
hate
24:13
you
24:13
if
24:13
we
24:14
weren't
24:14
such
24:14
good
24:14
friends
24:14
I'd
24:15
wish
24:15
you
24:15
were
24:15
dead.
24:16
Oh,
24:17
the
24:18
bridge
24:18
is
24:18
talking
24:18
about
24:19
how
24:19
love
24:19
is
24:19
embarrassing.
24:20
She's
24:21
awkward
24:21
and
24:22
feels
24:22
uncomfortable
24:23
because
24:23
of
24:23
it.
24:23
And,
24:24
like,
24:25
she's
24:25
running
24:25
out
24:25
of
24:25
places
24:26
to
24:26
hide
24:26
it.
24:26
It's
24:27
like
24:27
the
24:27
love
24:27
is,
24:27
like,
24:29
overflowing
24:30
out
24:30
of
24:30
her,
24:31
but
24:31
she's
24:31
trying
24:31
so
24:32
hard
24:32
to,
24:32
like,
24:32
suppress
24:33
it.
24:34
Anyway,
24:35
I
24:35
think
24:35
it's
24:35
perfect.
24:36
I
24:36
don't
24:36
think
24:36
they'll
24:37
ever.
24:37
First
24:38
of
24:38
all,
24:38
it's
24:38
old
24:38
as,
24:42
so
24:42
I
24:42
think
24:42
there's
24:42
zero
24:43
chance
24:43
that
24:43
it
24:43
will
24:43
happen.
24:44
But
24:44
if
24:45
you
24:45
see
24:45
an
24:45
edit
24:46
from
24:46
me
24:46
after
24:47
he
24:47
actually
24:47
has
24:47
his
24:48
feelings
24:48
realization
24:49
to
24:49
the
24:49
song,
24:49
do
24:49
not
24:50
be
24:50
shocked.
24:53
Do
24:53
not
24:53
be
24:53
shocked.
24:53
You
24:54
can
24:54
Link
24:54
to
24:54
this
24:54
episode
24:55
I
24:56
can.
24:56
So
24:56
true.
24:57
Inspired
24:58
by
24:58
me.
24:59
Yes.
25:00
Not
25:00
me.
25:00
You.
25:02
Credit
25:02
myself.
25:03
Oh,
25:04
my
25:04
God.
25:05
Okay.
25:06
Honorable
25:07
mention
25:08
that
25:08
I
25:08
think
25:08
they
25:08
would
25:09
actually
25:09
use
25:10
Do
25:10
I
25:10
Want
25:10
to
25:10
Know
25:10
by
25:11
the
25:11
Arctic
25:11
Monkeys.
25:15
Yes.
25:15
Yes.
25:16
Say
25:16
more
25:17
things.
25:17
Do
25:17
I
25:17
want
25:18
to
25:18
know
25:18
if
25:18
this
25:18
feeling
25:18
flows
25:19
both
25:19
ways?
25:20
Sad
25:20
to
25:20
see
25:20
you
25:20
go
25:20
Was
25:21
sort
25:21
of
25:21
hoping
25:21
that
25:21
you'd
25:21
stay
25:23
we
25:23
both
25:23
know
25:23
that
25:24
nights
25:24
were
25:24
mainly
25:24
made
25:24
for
25:24
saying
25:25
things
25:25
you
25:25
can't
25:25
say
25:26
Tomorrow
25:26
day
25:27
and
25:27
of
25:27
course
25:27
it's
25:27
crawling
25:28
back
25:28
to
25:28
you
25:29
Ever
25:29
thought
25:29
of
25:30
calling
25:30
when
25:30
you've
25:31
had
25:31
a
25:31
few?
25:32
Just
25:32
8,
25:33
11
25:33
maybe
25:34
I'm
25:34
too
25:34
busy
25:34
being
25:35
yours
25:35
to
25:35
fall
25:36
for
25:36
somebody
25:36
new
25:37
like
25:38
that.
25:38
Literally
25:38
the
25:38
whole
25:39
vibe
25:39
of
25:39
the
25:39
song,
25:40
but,
25:40
like,
25:41
the
25:41
instrumental
25:42
of
25:42
it
25:42
is
25:42
very
25:43
reminiscent
25:44
of,
25:45
like,
25:45
stuff
25:45
that
25:46
they've
25:46
used
25:46
for
25:46
Buck
25:47
in
25:47
recent
25:48
seasons.
25:49
So
25:49
it
25:49
is
25:50
something
25:50
that
25:50
I
25:50
feel
25:50
like
25:52
very
25:52
much
25:53
possibly
25:54
use
25:54
Recollita.
25:56
Okay.
25:58
Pulling
25:58
up
25:58
to
25:59
the
25:59
Starbucks
26:00
late
26:00
with
26:00
vibes.
26:01
Oh,
26:01
my
26:01
God.
26:02
I
26:02
haven't
26:02
even
26:03
gotten
26:03
the
26:03
Starbucks
26:03
yet.
26:04
Anyways,
26:05
listen,
26:06
this
26:07
isn't
26:07
even
26:07
the
26:07
embarrassing
26:08
one.
26:08
Not
26:08
that
26:09
any
26:09
of
26:09
them
26:09
are
26:09
embarrassing,
26:10
but
26:12
I
26:12
don't
26:12
know.
26:12
I'm
26:13
just
26:13
like,
26:13
is
26:13
this
26:14
good
26:14
enough?
26:15
No.
26:15
So
26:16
for.
26:16
For,
26:16
like,
26:17
Buck's
26:17
realization,
26:19
I
26:19
chose
26:20
Start
26:20
of
26:21
Time
26:21
by
26:22
Gabrielle
26:22
Applin.
26:23
I
26:24
thought
26:24
they
26:24
were
26:24
gonna
26:25
say
26:25
something
26:25
else.
26:25
I'm
26:25
sorry.
26:26
I
26:27
thought
26:27
it
26:27
was
26:27
Harry
26:27
Styles.
26:29
There
26:29
were,
26:30
like,
26:30
three
26:30
Harry
26:30
Styles
26:31
songs.
26:31
I
26:31
was
26:31
certain
26:32
she
26:32
was
26:32
gonna
26:32
choose.
26:33
I
26:33
was
26:33
thinking
26:33
about
26:34
Falling.
26:34
I
26:34
was
26:34
thinking
26:35
about
26:35
Fine
26:35
Line.
26:36
I
26:36
think
26:37
I
26:37
found
26:38
this
26:38
from,
26:38
like,
26:38
Teen
26:39
Wolf.
26:41
It's
26:41
old,
26:42
but
26:43
it
26:43
stuck
26:43
with
26:43
me.
26:44
I'd
26:45
like
26:45
to
26:45
see
26:45
an
26:45
edit
26:45
to
26:46
it.
26:46
It's.
26:47
Yeah,
26:47
it's
26:47
a
26:47
good
26:47
song
26:48
for
26:48
it.
26:49
So
26:49
you
26:50
reached
26:50
way
26:50
back
26:51
from,
26:51
like,
26:51
2013.
26:53
Anyway,
26:54
so
26:54
mine
26:55
was
26:55
older.
26:56
True
26:57
2010.
26:58
Oh,
26:58
my
26:58
God.
26:59
Mine
27:00
is
27:00
attached
27:00
to
27:00
Teen
27:01
Wolf.
27:01
So,
27:02
like,
27:04
cringy,
27:05
whatever
27:06
cringe
27:06
is
27:06
dead.
27:07
Anyways,
27:07
so
27:08
the
27:08
Start
27:08
of
27:08
Time
27:09
by
27:09
Gabriel
27:09
Applin.
27:10
Again,
27:10
it's.
27:11
It's
27:11
a
27:11
lot
27:11
of,
27:12
like,
27:13
how
27:13
the
27:13
song
27:14
feels
27:14
for
27:15
me.
27:16
The.
27:16
The
27:16
song
27:17
is
27:17
basically
27:17
about,
27:18
you
27:18
know,
27:18
in
27:19
the
27:19
first
27:19
couple
27:19
verse,
27:20
first
27:20
couple
27:21
verses,
27:21
it's
27:21
like,
27:21
today
27:22
I'm
27:22
just
27:22
a
27:22
drop
27:23
of
27:23
water
27:23
I'm
27:24
running
27:24
down
27:24
a
27:24
mountainside
27:25
Come
27:25
tomorrow
27:26
I'll
27:26
be
27:26
in
27:26
the
27:26
ocean.
27:27
The
27:27
second
27:28
verse
27:28
is,
27:28
I'm
27:28
an
27:28
atom
27:29
in
27:29
a
27:29
sea
27:29
of
27:29
nothing
27:30
Looking
27:30
for
27:31
another
27:31
to
27:31
combine
27:32
maybe
27:33
we
27:33
could
27:33
be
27:33
the
27:34
start
27:34
of
27:34
something
27:35
Be
27:35
together
27:36
at
27:36
the
27:36
start
27:36
of
27:37
time.
27:37
And
27:37
then
27:38
the
27:38
chorus
27:39
is,
27:40
There's
27:40
a
27:40
ghost
27:40
upon
27:41
the
27:41
moor
27:41
tonight
27:42
now
27:42
it's
27:42
in
27:42
our
27:43
house,
27:43
but
27:44
when
27:44
you
27:44
walked
27:44
into
27:44
the
27:44
room
27:45
just
27:45
then,
27:45
it's
27:45
like
27:46
the
27:46
sun
27:46
came
27:46
out.
27:47
And
27:47
then
27:47
There's.
27:48
There's
27:48
like
27:49
a
27:49
breakdown
27:51
or
27:51
a
27:51
bridge
27:52
where
27:53
it's
27:53
like
27:53
the
27:53
sun
27:54
came
27:54
out
27:54
and
27:54
the
27:54
day
27:55
is
27:55
clear.
27:55
My
27:55
voice
27:55
is
27:56
just
27:56
a
27:56
whisper
27:57
louder
27:57
than
27:57
the
27:57
screams
27:58
you
27:58
hear.
27:58
It's
27:58
like
27:58
the
27:58
sun
27:59
came
27:59
out.
27:59
And
27:59
it,
27:59
like,
27:59
repeats
28:00
that
28:00
a
28:00
lot.
28:01
So
28:02
for
28:02
me,
28:02
this
28:02
was
28:03
like,
28:03
a
28:04
good
28:04
balance
28:05
of,
28:05
like,
28:05
the
28:05
lyricism
28:06
in
28:06
this
28:06
and
28:07
the
28:07
sound.
28:07
Because,
28:08
like,
28:08
it.
28:08
It
28:08
works
28:09
well
28:09
for
28:09
me,
28:10
but
28:10
it's.
28:11
It's
28:12
a
28:12
lot
28:12
of.
28:12
It's
28:13
a
28:13
lot
28:13
of
28:13
the
28:13
music.
28:14
So,
28:14
like,
28:15
it
28:15
just.
28:15
It
28:16
feel.
28:16
It
28:16
feels
28:17
like
28:17
big
28:17
feelings,
28:18
right?
28:19
Especially
28:20
when
28:21
the.
28:21
The
28:22
music
28:22
swells
28:23
after
28:24
the
28:25
bridge
28:26
into,
28:26
like,
28:27
the
28:27
outro,
28:27
which
28:27
is
28:28
just
28:28
pretty
28:29
much
28:29
like
28:29
a
28:29
repetition
28:29
of.
28:30
Of
28:31
the
28:31
line.
28:31
It's
28:32
like
28:32
the
28:32
sun
28:32
came
28:32
out,
28:32
but
28:33
it.
28:33
It's
28:33
like
28:33
growing
28:34
and
28:34
growing
28:34
and
28:34
growing,
28:35
and
28:35
it's
28:35
swelling
28:36
and
28:36
becoming
28:36
so
28:37
big,
28:38
which
28:38
I
28:39
thought
28:39
is
28:40
so
28:40
perfect
28:40
because
28:41
it
28:42
kind
28:42
of
28:43
plays
28:43
into
28:44
that.
28:45
The
28:45
lines
28:45
from
28:46
the
28:46
verses
28:46
of,
28:46
like,
28:47
I'm
28:47
so
28:48
teeny
28:48
tiny,
28:49
I
28:49
don't
28:50
matter
28:50
at
28:50
all.
28:51
Like,
28:52
I'm
28:52
just
28:52
looking
28:53
in
28:53
this
28:53
vast
28:54
sea
28:55
of
28:55
everything
28:55
else.
28:57
And
28:58
my
28:58
voice
28:59
is
28:59
just
28:59
a
28:59
whisper
29:00
louder
29:00
than
29:00
the
29:00
screams
29:01
you
29:01
hear.
29:01
So
29:01
it's
29:01
like
29:02
someone
29:02
comes
29:02
in
29:03
to,
29:03
like,
29:03
hone
29:03
in
29:04
and
29:05
amplifies
29:07
your
29:07
voice
29:08
or
29:08
your
29:08
meaning
29:08
or
29:09
anything
29:09
like
29:09
that.
29:10
So
29:10
I
29:10
thought
29:11
this
29:11
is
29:11
me
29:12
just,
29:12
like,
29:12
analyzing
29:12
the
29:12
lyrics
29:13
now.
29:13
But.
29:14
But
29:14
to
29:14
me,
29:14
like,
29:15
that.
29:15
That
29:15
feels
29:16
very
29:17
kind
29:17
of
29:17
true
29:18
to
29:18
Buck
29:18
in
29:18
some
29:19
ways.
29:20
Like,
29:20
I.
29:20
I
29:20
feel
29:21
like
29:21
sometimes
29:21
he
29:21
feels
29:21
kind
29:22
of
29:22
small.
29:22
He
29:22
feels
29:22
very
29:23
alone
29:23
at
29:23
times,
29:25
and
29:25
he's
29:25
just
29:26
kind
29:26
of
29:26
like,
29:27
you
29:27
know,
29:27
floating
29:28
around,
29:28
trying
29:29
to
29:29
look
29:29
for
29:29
meaning.
29:30
That's
29:30
why.
29:31
That's
29:31
why
29:31
he
29:31
ends
29:31
up
29:32
on
29:32
these
29:33
hamster
29:33
wheels
29:33
where,
29:34
like,
29:34
some.
29:35
Someone
29:35
gives
29:35
him
29:36
attention
29:36
and
29:36
he's
29:37
like,
29:37
okay,
29:37
you
29:38
choose
29:38
me,
29:38
so
29:38
I
29:38
choose
29:39
you.
29:39
But
29:40
it
29:40
still
29:40
isn't,
29:40
like,
29:41
quite
29:41
enough.
29:41
So
29:42
this
29:42
was
29:44
kind
29:44
of
29:44
resonated
29:45
for
29:46
that
29:46
for
29:47
me.
29:47
And
29:48
I
29:48
also
29:48
really
29:48
liked
29:49
with
29:49
the
29:49
outro,
29:51
the
29:51
way,
29:52
like,
29:52
the
29:53
incorporation
29:53
of,
29:54
like,
29:54
the
29:54
organ
29:55
as.
29:56
As
29:56
it's
29:56
getting,
29:56
like,
29:57
really,
29:57
really
29:57
big
29:58
towards
29:58
the
29:58
end
29:58
of,
29:59
like,
29:59
into
29:59
the
30:00
end
30:00
of
30:00
the
30:00
song.
30:00
It's,
30:01
like
30:01
almost
30:02
biblical
30:03
or
30:03
religious,
30:04
like,
30:05
sense
30:06
to
30:06
it.
30:06
And
30:07
it
30:07
just.
30:07
Like,
30:07
this
30:07
is.
30:08
This
30:08
is
30:08
the
30:08
biggest
30:09
thing
30:09
in
30:09
your
30:10
life.
30:11
Like,
30:11
you
30:11
felt.
30:12
Felt
30:12
so
30:12
small
30:13
earlier,
30:13
but
30:13
now
30:14
you
30:14
found
30:14
that
30:14
other
30:14
atom
30:15
to
30:15
combine,
30:15
which
30:16
would
30:16
be
30:16
Eddie.
30:17
And
30:17
it's
30:17
like.
30:18
It's
30:18
like
30:18
the
30:18
sun
30:19
came
30:19
out.
30:19
It's
30:19
like
30:19
everything.
30:21
Everything
30:21
is
30:22
the
30:22
way
30:22
it
30:22
should
30:22
be.
30:23
I
30:23
hope
30:23
he
30:24
has
30:24
a
30:24
happy
30:24
feelings
30:25
realization.
30:26
I
30:26
don't
30:26
think
30:26
it's
30:27
gonna
30:27
be,
30:27
but
30:28
I
30:28
would
30:28
like
30:28
for
30:28
it
30:28
to
30:29
be.
30:29
I
30:29
don't
30:29
think
30:30
it's
30:30
gonna
30:30
be
30:31
like.
30:31
This
30:32
is
30:32
kind
30:32
of
30:32
habit.
30:32
It's.
30:33
It's
30:33
got,
30:33
like,
30:33
a
30:35
almost
30:35
mournful
30:36
undertone,
30:37
but,
30:37
like,
30:38
it.
30:39
There's
30:39
a
30:39
lot
30:39
of
30:40
weight
30:40
to
30:41
it,
30:41
I
30:41
think,
30:41
instead
30:42
of
30:42
like
30:42
a.
30:42
Yeah.
30:43
It's
30:43
like.
30:43
Well,
30:43
it's
30:43
like,
30:44
epicness.
30:45
Yeah.
30:46
It's
30:46
like,
30:47
oh.
30:48
Oh.
30:50
That'S.
30:51
That's
30:51
what
30:51
that
30:51
song
30:52
feels
30:52
like
30:52
to
30:52
me.
30:53
I
30:53
hope
30:53
that
30:54
made
30:54
sense.
30:55
We've
30:55
got
30:55
to
30:55
move
30:56
on
30:56
to
30:56
our
30:56
guy.
30:57
That
30:58
guy.
30:58
That
30:58
guy.
30:59
Oh,
31:00
it's.
31:00
It's.
31:01
It's.
31:01
It's.
31:01
Yeah.
31:02
We're
31:02
going
31:02
to
31:02
talk
31:02
about
31:02
Eddie's
31:03
feeling.
31:04
Feeling,
31:04
feeling,
31:05
feelings.
31:06
Realization.
31:07
He
31:07
has
31:07
one
31:07
feeling
31:09
at
31:09
a
31:10
time.
31:12
He
31:12
tries
31:12
to
31:12
have
31:12
no
31:13
feelings.
31:14
He
31:14
do
31:14
be
31:14
trying.
31:16
All
31:16
right.
31:18
So
31:18
for
31:18
my
31:18
boy
31:19
Eddie,
31:20
I
31:21
picked
31:21
two
31:21
songs
31:22
for
31:22
him.
31:22
Originally,
31:23
I
31:23
was
31:23
searching
31:24
for
31:24
a
31:24
Spanish
31:24
song.
31:25
Couldn't
31:25
find
31:25
it.
31:25
And
31:26
then
31:26
I
31:26
was
31:26
like,
31:26
oh,
31:26
let
31:27
me
31:27
go
31:27
on
31:27
my
31:27
buddy
31:27
espanol.
31:28
Well,
31:28
I.
31:28
I
31:28
had
31:29
gone
31:29
there.
31:29
I
31:29
was
31:30
like,
31:30
I'm
31:30
not
31:30
gonna
31:31
use
31:31
this
31:31
song.
31:32
And
31:32
then
31:32
I
31:32
thought
31:32
about
31:33
it.
31:33
I
31:33
was
31:33
like,
31:33
actually,
31:34
maybe
31:34
I
31:34
will
31:34
use
31:34
this
31:35
song.
31:35
So
31:35
my
31:35
Gemini
31:36
jumped
31:36
out.
31:38
Anyway,
31:38
so
31:38
for
31:39
the
31:39
first
31:39
one,
31:40
I
31:40
have
31:40
Fire
31:41
on
31:41
Fire
31:42
by
31:42
Sam
31:43
Smith.
31:44
Ooh.
31:45
And
31:45
honestly,
31:46
that's
31:46
a
31:46
really
31:46
good
31:47
one.
31:48
Honestly,
31:49
it
31:49
was
31:49
really
31:49
funny
31:49
because
31:49
it
31:50
just
31:50
started
31:50
playing.
31:51
I
31:51
don't.
31:51
I
31:52
don't
31:52
think
31:52
this
31:52
one
31:52
has
31:53
a
31:53
specific
31:53
scenario.
31:55
When
31:55
I
31:55
picked
31:55
this
31:55
one,
31:56
I
31:56
think
31:56
when
31:57
the
31:57
song
31:57
first
31:57
opened,
31:58
it
31:58
says,
31:58
my
31:58
mother
31:59
said
31:59
I'm
31:59
too
31:59
romantic.
32:00
I
32:00
was
32:00
like,
32:00
okay,
32:01
all
32:02
right.
32:02
Keep
32:02
going,
32:03
Keep
32:03
going.
32:05
And
32:05
then
32:05
it
32:05
goes.
32:06
She
32:06
said,
32:06
you're
32:06
dancing
32:07
in
32:07
the
32:07
movies.
32:08
I
32:08
almost
32:08
started
32:08
to
32:09
believe
32:09
her.
32:09
Then
32:09
I
32:09
saw
32:10
you,
32:10
and
32:10
I
32:10
knew.
32:12
I
32:12
don't
32:12
know,
32:12
like,
32:13
it.
32:13
It
32:13
gave
32:14
me,
32:14
like,
32:14
you
32:14
know,
32:15
the
32:15
whole,
32:15
like,
32:15
repression
32:16
kind
32:16
of.
32:16
Some
32:16
kind
32:17
of,
32:17
like,
32:17
repression.
32:18
That
32:19
might
32:19
not
32:19
be
32:19
the
32:19
interpretation
32:20
of
32:20
it,
32:20
but,
32:20
like,
32:20
that's
32:21
what
32:21
it
32:21
gave
32:21
me.
32:22
And
32:22
then.
32:23
Oh,
32:23
I
32:23
like
32:23
that,
32:24
though.
32:25
And,
32:25
you
32:25
know,
32:25
because
32:26
the
32:26
whole
32:26
ballroom
32:26
dancing
32:27
thing.
32:27
Yeah.
32:27
The
32:28
dancing
32:28
being
32:28
equating
32:29
to
32:29
joy,
32:29
and
32:30
it's
32:30
like.
32:30
And
32:31
like,
32:31
saying
32:31
someone
32:31
that,
32:32
oh,
32:32
you're
32:32
too
32:33
romantic,
32:34
like,
32:34
that
32:34
already
32:35
gave
32:35
me
32:35
the
32:35
Helena
32:36
vibes
32:36
already.
32:37
So
32:37
I
32:37
was
32:37
like,
32:38
no,
32:38
I
32:38
get.
32:38
I.
32:39
I
32:39
get
32:39
where
32:39
you're
32:39
going
32:40
with
32:40
that.
32:40
Yeah.
32:41
Then
32:41
I
32:41
saw
32:41
you,
32:41
and
32:42
I
32:42
knew.
32:43
Maybe
32:43
it's
32:43
because
32:43
I
32:43
got
32:44
a
32:44
little
32:44
bit
32:44
older.
32:44
Maybe
32:45
it's
32:45
all
32:45
that
32:45
I've
32:45
been
32:46
through.
32:47
I'd
32:47
like
32:47
to
32:47
think
32:48
it's
32:48
how
32:48
you
32:48
lean
32:49
on
32:49
my
32:49
shoulder
32:49
and
32:49
how
32:49
I
32:50
see
32:50
myself
32:50
with
32:50
you.
32:52
So
32:52
how
32:52
he
32:53
sees
32:53
himself
32:54
with
32:54
Buck.
32:54
Buck
32:55
equals
32:55
joy.
32:57
And
32:57
he
32:58
likes
32:58
himself
32:58
when
32:58
he's
32:59
with
32:59
Buck.
32:59
And
32:59
he
33:00
likes
33:00
himself
33:00
with
33:01
Buck.
33:02
Oh,
33:02
my
33:02
God.
33:04
I
33:04
don't
33:04
say
33:04
a
33:04
word
33:05
but
33:05
still
33:05
you
33:05
take
33:06
my
33:06
breath
33:06
and
33:06
seal
33:06
the
33:07
things
33:07
I
33:07
know
33:08
There
33:08
you
33:08
go
33:08
Saving
33:09
me
33:09
from
33:09
out
33:10
of
33:10
the
33:10
cold
33:11
Ooh.
33:13
I
33:13
love
33:13
this
33:14
pick.
33:14
It's
33:15
a
33:15
really
33:15
good
33:15
one.
33:15
Fire
33:15
on
33:16
fire
33:16
would
33:16
normally
33:16
kill
33:17
us,
33:17
but
33:17
this
33:17
much
33:17
desire
33:18
together,
33:18
we're
33:19
winners.
33:19
I
33:19
think
33:19
about
33:20
them,
33:20
like,
33:20
being
33:21
partners.
33:21
They're,
33:22
you
33:22
know,
33:23
they
33:23
are
33:24
winners
33:24
when
33:24
they're
33:24
together.
33:25
They
33:25
are.
33:26
They.
33:26
They
33:26
work
33:27
so
33:27
well
33:27
together.
33:29
They
33:29
say
33:29
that.
33:29
They
33:30
say
33:30
that
33:30
we're
33:30
out
33:30
of
33:30
control.
33:31
And
33:31
some
33:32
say
33:32
we're
33:32
sinners.
33:32
But
33:33
don't
33:33
let
33:33
them
33:33
ruin
33:33
our
33:33
beautiful
33:34
rhythms.
33:34
Because
33:35
when
33:35
you
33:35
unfold
33:35
me
33:36
and
33:36
tell
33:36
me
33:36
you
33:36
love
33:36
me
33:37
and
33:37
look
33:37
in
33:37
my
33:37
eyes,
33:37
you
33:38
are
33:38
perfection.
33:38
My
33:38
only
33:39
direction.
33:39
It's
33:39
fire
33:39
on
33:40
fire.
33:42
Yeah.
33:43
After
33:43
listening
33:44
to
33:44
it,
33:44
because
33:44
I
33:44
haven't
33:44
heard
33:45
the
33:45
song.
33:45
I
33:45
haven't
33:46
heard
33:46
this
33:46
song
33:46
in
33:46
a
33:46
while,
33:47
I
33:47
was
33:47
like,
33:47
I
33:47
need
33:47
to
33:47
make
33:47
an
33:47
edit
33:48
to
33:48
this.
33:49
Yeah.
33:49
I
33:49
was
33:50
gonna
33:50
say,
33:50
where's
33:50
the
33:51
edit?
33:52
Right.
33:53
The
33:54
full
33:54
edit,
33:54
like,
33:54
because
33:54
the
33:55
whole
33:55
song.
33:56
Yeah,
33:56
because,
33:56
like,
33:56
then
33:56
the.
33:57
The
33:57
next
33:57
verse
33:57
is
33:58
like,
33:58
when
33:58
we
33:58
fight,
33:59
we
33:59
fight
33:59
like
33:59
lions,
34:00
but
34:00
when
34:00
we
34:00
love
34:01
and
34:01
feel
34:01
the
34:02
truth
34:03
anyway,
34:03
it's.
34:04
Yeah,
34:04
the
34:04
whole
34:04
thing
34:04
is
34:05
so
34:05
them.
34:05
It's.
34:06
It's.
34:06
Oh,
34:07
my
34:07
God.
34:08
Oh,
34:09
yeah.
34:10
So
34:10
I
34:10
think.
34:11
I
34:11
think
34:11
this,
34:11
like,
34:12
this
34:12
would
34:13
be
34:13
like
34:13
a.
34:14
Like
34:14
a
34:14
feelings
34:14
realization
34:15
or
34:15
like,
34:15
kind
34:16
of
34:16
like.
34:17
Like
34:17
a
34:17
retrospective
34:18
of,
34:18
like,
34:20
you
34:20
know,
34:20
going
34:20
from,
34:21
you
34:22
know,
34:22
all
34:22
that
34:22
repression
34:23
and
34:23
then
34:23
being
34:23
like,
34:23
okay,
34:24
I
34:24
am
34:24
happier
34:24
with
34:24
you.
34:25
We
34:25
are
34:26
better
34:26
together.
34:27
We
34:27
are
34:28
better
34:28
if
34:28
we
34:28
even
34:28
move
34:29
into
34:30
that
34:30
next
34:30
step
34:31
of
34:31
that
34:31
relationship.
34:32
You
34:33
know,
34:33
that
34:33
kind
34:33
of
34:33
stuff.
34:34
So.
34:35
Yeah,
34:35
that's
34:36
why
34:36
I
34:36
picked
34:36
that
34:36
one.
34:37
Oh,
34:37
that's
34:38
so
34:38
good.
34:38
Kind
34:38
of.
34:38
Kind
34:39
of
34:39
like
34:39
with
34:41
a
34:41
realization,
34:42
and
34:42
he's
34:43
like,
34:43
everything
34:44
from
34:44
the
34:45
past
34:45
is
34:45
getting
34:45
re.
34:46
Recontextualized.
34:48
Framed.
34:49
Ooh,
34:50
Yeah.
34:51
I
34:52
love
34:52
that.
34:53
Thank
34:53
you.
34:54
It's
34:55
very
34:55
good.
34:56
Okay,
34:56
my
34:57
second
34:57
pick.
34:58
Oh,
34:58
God.
35:01
I
35:01
say
35:01
oh,
35:02
God.
35:02
Because,
35:02
like,
35:03
listen,
35:04
I
35:04
am
35:04
fluent
35:04
in
35:04
Spanish,
35:05
but
35:05
sometimes
35:05
I
35:06
think
35:06
I'm
35:06
going
35:06
to
35:06
lose
35:06
so
35:07
much
35:07
of.
35:07
Of
35:07
the
35:07
translation
35:08
and.
35:09
And
35:09
maybe
35:09
it's
35:10
not
35:10
the
35:10
way
35:10
it
35:10
should
35:11
have
35:11
been
35:11
translated,
35:11
because
35:12
sometimes
35:12
I
35:12
can
35:12
translate
35:13
it
35:13
literally
35:13
or
35:14
translate
35:14
it,
35:14
like,
35:15
very
35:15
loosely.
35:16
I
35:16
think
35:16
it's
35:16
going
35:16
to
35:16
be
35:17
a
35:17
very
35:17
literal
35:17
translation.
35:18
So
35:18
bear
35:18
with
35:19
me.
35:19
If
35:19
there
35:19
are
35:20
Spanish
35:20
speakers
35:20
out
35:21
there,
35:21
I'm
35:22
sorry
35:22
for
35:22
butchering
35:23
this.
35:24
Anyway,
35:25
and
35:26
you
35:26
guys
35:26
were
35:26
fighting
35:26
about
35:27
how,
35:27
like,
35:27
oh,
35:28
whose
35:28
song
35:28
is
35:28
older?
35:30
This
35:30
song
35:30
came
35:30
out
35:31
in
35:31
2008.
35:33
Oh,
35:33
nice.
35:35
Yeah,
35:35
exactly.
35:36
Okay,
35:36
so
35:37
it's
35:37
called
35:38
no
35:38
me
35:38
Loy
35:39
Porvencido.
35:40
By
35:40
Luis
35:40
Fonsi.
35:41
So
35:42
translation
35:42
of
35:42
the
35:42
title
35:43
is
35:44
basically,
35:44
I
35:45
don't
35:45
give
35:45
up.
35:47
So
35:47
I
35:47
think
35:47
this
35:47
is
35:48
more.
35:49
This
35:49
one
35:50
is
35:50
more
35:50
scenario
35:51
based.
35:52
Because
35:52
I
35:52
think
35:53
the
35:53
way
35:53
I
35:53
pictured
35:54
it
35:54
based
35:54
on
35:55
the
35:55
lyrics,
35:55
which
35:55
I
35:55
will
35:55
read
35:56
out,
35:56
is
35:56
I
35:56
think
35:57
Eddie
35:58
has
35:58
finally
35:59
accepted
36:00
that
36:01
he's
36:01
in
36:01
love
36:01
with
36:02
Buck.
36:02
Or,
36:02
like,
36:02
you
36:03
know,
36:03
he
36:03
realized
36:03
he's
36:03
in
36:03
love
36:04
with
36:04
Buck
36:04
and
36:05
that
36:05
he
36:05
wants
36:05
to
36:05
be
36:06
with
36:06
him
36:07
because
36:07
that's
36:07
his
36:08
joy.
36:09
So,
36:09
like,
36:09
some
36:09
of.
36:09
Some
36:09
of
36:10
the
36:10
things
36:10
that,
36:10
like,
36:11
stand
36:11
out
36:12
to
36:12
me,
36:13
I
36:13
guess
36:13
I
36:13
can
36:13
do
36:13
the
36:14
Spanish
36:14
and
36:14
then
36:14
try
36:14
to
36:15
translate
36:15
it
36:15
in
36:15
English.
36:16
So
36:17
in
36:17
Spanish,
36:17
it's
36:19
cuando
36:19
menos
36:19
de
36:19
los
36:20
peras?
36:20
Cuando
36:20
menos
36:21
lo
36:21
y
36:21
mahinas.
36:22
So
36:22
when
36:22
you
36:23
least
36:23
expect
36:23
it,
36:23
when
36:23
I
36:24
least
36:24
imagine
36:24
it,
36:25
seque
36:26
undia
36:26
no
36:26
me
36:27
e
36:27
cuanto
36:28
y
36:28
voy
36:29
y
36:29
temero
36:29
I
36:30
know
36:30
one
36:30
day
36:30
I
36:30
can't
36:30
resist
36:31
and
36:31
I
36:31
look
36:31
at
36:31
you.
36:34
And
36:34
I.
36:34
Tell
36:34
you
36:34
loudly,
36:35
which
36:36
is,
36:36
you
36:36
know,
36:37
I'll.
36:37
I.
36:37
One
36:38
day
36:38
I
36:38
will
36:38
say
36:38
it
36:38
out
36:38
loud.
36:39
I
36:39
will
36:39
say
36:40
it
36:40
out
36:40
loud.
36:40
One
36:40
day
36:41
I
36:41
will,
36:42
you
36:42
know,
36:42
I
36:43
will
36:43
want
36:44
to
36:44
say
36:44
that
36:45
I
36:45
want
36:45
to
36:45
be
36:45
with
36:45
you.
36:47
So
36:48
the
36:48
chorus
36:48
goes,
36:50
yo
36:50
no
36:50
me
36:50
doy
36:51
porvencido
36:52
I
36:52
don't
36:52
give
36:52
up
36:53
yo
36:53
quiero
36:53
un
36:54
mundo
36:54
contego
36:54
I
36:55
want
36:55
a
36:55
world
36:55
with
36:55
you
36:59
I
36:59
swear
36:59
it's
36:59
worth
36:59
waiting
37:04
and
37:04
waiting
37:04
Waiting
37:04
for
37:04
a
37:05
sigh
37:05
Una
37:06
senhal
37:07
del
37:07
destino
37:07
A
37:08
sign
37:08
from
37:08
destiny.
37:09
So,
37:10
like,
37:11
that's
37:11
got
37:11
all
37:11
the.
37:11
The
37:12
buddy
37:12
catnip
37:12
buzzwords
37:13
for
37:13
me.
37:14
I
37:14
love
37:14
when
37:14
it's
37:14
like.
37:15
It's
37:15
like,
37:15
I'll
37:15
wait
37:16
for
37:16
you
37:17
we're
37:17
worth
37:17
the
37:17
wait
37:17
and,
37:18
like,
37:18
we're
37:18
made
37:18
for
37:18
destiny
37:19
together.
37:20
Yeah.
37:21
And
37:21
it's
37:21
funny
37:21
that
37:22
I
37:22
would
37:22
pick
37:22
this
37:22
because,
37:23
like,
37:23
this
37:23
man
37:23
does
37:23
not
37:24
believe
37:24
in
37:24
the
37:25
universe
37:25
or
37:25
whatever,
37:26
but
37:26
I
37:26
think,
37:26
like,
37:26
once
37:27
he
37:27
actually,
37:27
like,
37:28
accepts,
37:29
I
37:29
feel
37:29
like
37:29
that's
37:29
part
37:30
of
37:30
it,
37:30
right?
37:30
Like,
37:30
yeah,
37:31
he
37:31
doesn't.
37:32
Like,
37:33
currently
37:33
in
37:33
canon,
37:33
he
37:34
doesn't
37:34
believe
37:34
in
37:34
signs
37:35
or
37:35
whatever,
37:35
but,
37:36
like,
37:36
if
37:36
there's
37:37
one
37:37
thing
37:37
he
37:37
does,
37:38
he's.
37:38
He
37:38
believes
37:39
in
37:39
Buck.
37:39
You
37:39
know,
37:40
maybe
37:40
his
37:40
belief
37:41
in
37:41
the.
37:41
Universe
37:41
is
37:42
just
37:42
repressed
37:42
like
37:42
everything
37:43
else.
37:44
Well,
37:44
I
37:44
mean,
37:44
he
37:44
was
37:44
looking
37:45
for
37:45
a
37:45
sign
37:45
in
37:46
season
37:46
two.
37:47
Yeah.
37:48
Yeah.
37:48
Which
37:49
proves
37:49
my
37:49
point.
37:50
Like,
37:50
it
37:50
didn't
37:50
work
37:50
out
37:51
well.
37:51
Yeah.
37:51
If
37:51
there's
37:51
someone
37:52
that
37:52
he's
37:52
gonna
37:52
try
37:52
with
37:52
and
37:53
if
37:53
there's
37:53
someone
37:53
that
37:53
he's
37:54
going
37:54
to
37:54
actually
37:54
start
37:55
believing
37:55
in,
37:55
like,
37:56
oh,
37:56
yeah,
37:56
joy
37:57
and
37:57
all
37:58
that
37:58
kind
37:58
of
37:58
stuff.
37:59
All
37:59
that
37:59
flowery
38:00
kind
38:00
of
38:00
stuff.
38:00
Yeah.
38:00
It'll
38:00
be
38:01
for
38:01
Buck.
38:01
It'll
38:02
be
38:02
for
38:02
Buck,
38:02
I
38:03
think
38:03
this
38:03
is
38:03
the
38:03
second
38:04
verse,
38:04
so.
38:05
Okay,
38:06
this
38:06
one
38:06
bear
38:06
with
38:07
me.
38:07
Because,
38:07
like,
38:08
obviously
38:08
we
38:08
have
38:09
pronouns
38:09
in
38:09
here.
38:10
So
38:11
it
38:11
says
38:12
tengunas,
38:14
I
38:14
have
38:14
a
38:14
flower
38:15
in
38:15
my
38:15
pocket.
38:17
Whether
38:18
from
38:18
looking
38:18
for
38:19
a
38:19
woman
38:19
who
38:19
loves
38:20
me
38:21
which
38:22
honestly
38:23
withered.
38:23
Really
38:24
like
38:25
the
38:25
Shannon
38:26
of
38:26
it
38:26
all.
38:27
Oof.
38:27
You
38:28
know,
38:28
the
38:28
divorce
38:28
of
38:29
it
38:29
all.
38:30
But
38:30
really
38:30
it's
38:31
really
38:31
him,
38:31
like,
38:32
not
38:32
being
38:33
enough
38:33
and
38:33
all
38:33
of
38:34
that.
38:34
Yeah,
38:34
I
38:34
was
38:34
gonna
38:34
say,
38:34
is
38:35
it
38:35
like
38:35
representative
38:35
of
38:35
like,
38:36
hope?
38:36
Because
38:37
hope
38:37
is
38:37
withering,
38:39
trying
38:39
to
38:40
find
38:40
the
38:40
right
38:40
person.
38:40
So
38:41
it
38:41
keeps
38:41
going
38:44
and
38:45
it
38:45
teaches
38:45
me
38:45
what
38:45
I
38:45
didn't
38:45
learn
38:46
from
38:46
life.
38:46
Quebria
38:47
mascada
38:47
dia
38:48
so
38:48
like
38:48
it.
38:49
So
38:49
it
38:49
starts
38:49
off
38:49
with
38:49
this
38:49
flower
38:50
that's
38:50
like,
38:50
you
38:50
know,
38:51
like
38:51
withered.
38:51
And
38:51
then
38:52
the
38:52
lyrics
38:53
transition
38:53
into
38:54
like,
38:54
that
38:55
it
38:55
shines
38:55
more.
38:55
So
38:56
like
38:56
Gabriel
38:56
Mascaria,
38:57
that
38:58
shines
38:58
more
38:58
every
38:58
day.
38:59
Porque
38:59
estoy
39:00
tan
39:00
solo
39:01
de
39:01
gan
39:01
la
39:02
ligrea
39:02
Because
39:02
I'm
39:03
so
39:03
close
39:03
to
39:03
winning
39:03
Joy.
39:05
Stop.
39:06
Yeah,
39:07
stop.
39:08
Uh
39:09
huh.
39:09
To
39:09
my
39:09
near.
39:10
No,
39:10
that's
39:10
perfect.
39:12
Take
39:12
notes.
39:14
So
39:14
close
39:14
to
39:15
winning
39:15
Joy.
39:15
Mm.
39:16
I
39:16
know
39:16
that
39:16
one.
39:17
That's
39:17
what
39:17
really
39:17
got
39:18
me.
39:18
I
39:18
think
39:18
I
39:18
was
39:18
like,
39:18
listen,
39:19
I
39:19
was
39:19
on
39:19
my
39:19
way
39:19
to
39:19
work.
39:19
I
39:19
was
39:20
listening
39:20
to
39:20
it
39:20
because
39:20
I
39:20
was
39:20
like
39:21
thinking,
39:21
I
39:21
want
39:21
to
39:21
make
39:21
a
39:22
span
39:22
at
39:22
like
39:22
an
39:22
Eddie
39:23
Spanish
39:24
Eddie
39:24
buddy
39:25
edit.
39:25
And
39:25
I
39:25
can't
39:26
find.
39:26
And
39:26
this
39:27
song
39:27
popped
39:27
up.
39:28
That's
39:28
a
39:28
good
39:28
one.
39:30
I
39:30
mean,
39:30
continuing
39:31
on,
39:31
it
39:31
just
39:31
says.
39:35
Because
39:35
the
39:35
heart
39:35
raises
39:36
a
39:36
furious
39:37
storm
39:37
the
39:38
second
39:38
momento
39:38
san
39:39
que
39:39
te
39:39
vi
39:39
from
39:40
the
39:40
moment
39:40
I
39:40
saw
39:40
you
39:41
Then
39:41
it
39:41
continues
39:42
the
39:42
chorus,
39:42
which
39:42
is
39:42
like,
39:42
I
39:43
don't
39:43
give
39:43
up
39:43
I
39:43
want
39:43
a
39:43
world
39:43
with
39:44
you
39:44
I
39:44
swear
39:44
it's
39:44
worth
39:44
waiting
39:45
I
39:45
and
39:46
waiting
39:46
and
39:46
waiting
39:46
for
39:46
a
39:46
site
39:47
a
39:47
sign
39:47
from
39:48
destiny
39:49
I
39:49
love
39:49
this.
39:50
Then
39:50
it
39:50
says
39:52
so
39:52
I
39:52
don't
39:52
give
39:53
up
39:53
this
39:54
silence
39:55
hides
39:56
too
39:56
many
39:56
words
39:57
I
39:57
don't
39:57
stop
39:57
Whatever
39:58
happens
39:58
I'll
39:58
continue.
39:58
So
39:59
again,
39:59
like,
39:59
it's
39:59
really
39:59
just
40:00
like.
40:00
I
40:00
think
40:01
once
40:01
he
40:01
finally
40:01
accepts
40:02
that
40:02
joy,
40:02
he
40:03
is
40:03
going
40:03
to.
40:04
I
40:04
feel
40:04
like
40:04
he's
40:05
going
40:05
to
40:05
pursue.
40:06
That's
40:07
really
40:07
how
40:07
I
40:08
would
40:08
imagine
40:08
it
40:09
would
40:09
play
40:09
out.
40:09
Like
40:09
if
40:10
he
40:10
does
40:10
have
40:10
his
40:10
feelings
40:11
realization.
40:11
So
40:11
I
40:12
really
40:12
think
40:12
the
40:12
song
40:12
really
40:12
ties
40:13
into
40:13
that.
40:13
And
40:13
he
40:13
would
40:14
pursue
40:14
him
40:15
because.
40:15
Because
40:15
that's
40:15
what
40:15
he
40:16
wants.
40:16
He's
40:16
finally
40:16
doing
40:17
something
40:17
for
40:17
himself
40:18
and
40:18
he's
40:18
so
40:18
close
40:19
to
40:19
getting
40:19
that
40:19
joy.
40:21
Yeah.
40:22
Okay.
40:22
I
40:22
think
40:23
I
40:23
did
40:23
it.
40:23
You
40:23
did
40:24
it.
40:25
He
40:25
did.
40:25
That's
40:26
a
40:26
really
40:26
good
40:26
choice.
40:26
But
40:26
those
40:27
are
40:27
both
40:27
great
40:27
choices.
40:27
Those
40:28
are
40:28
awesome.
40:29
No,
40:29
but
40:29
I
40:29
totally
40:30
see
40:30
what
40:30
you
40:31
mean
40:31
about
40:32
like,
40:32
once.
40:33
Once
40:33
he
40:33
realizes
40:34
it's
40:34
just
40:34
gonna
40:35
Be
40:35
like
40:35
full
40:36
throttle.
40:36
Basically.
40:37
Like
40:38
brand
40:38
new
40:38
full
40:38
throttle.
40:39
Let's
40:39
go.
40:39
It's
40:40
gotta.
40:41
Mm.
40:42
I'm
40:42
done
40:42
playing
40:42
over
40:43
here,
40:43
guys.
40:44
It's
40:44
gotta.
40:46
I'm
40:47
so
40:47
sorry.
40:47
I
40:47
have
40:48
two
40:48
picks
40:48
again.
40:49
I
40:49
think
40:49
it's
40:49
the
40:49
last
40:49
time
40:50
I
40:50
have
40:50
two
40:51
picks
40:51
where
40:51
I'm
40:51
talking
40:51
about
40:52
lyrics.
40:53
I
40:53
did
40:53
have
40:53
two
40:54
depressing
40:54
ones.
40:54
I
40:54
got
40:55
rid
40:55
of
40:55
one
40:55
of
40:55
the
40:55
depressing
40:56
ones.
40:57
So
40:57
you're
40:58
welcome
40:58
in
40:58
advance.
41:00
It's
41:00
just
41:00
because
41:00
one
41:00
of
41:00
them
41:00
was
41:01
Billie
41:01
Eilish
41:01
again.
41:01
And
41:02
I
41:02
was
41:02
like,
41:03
billie
41:03
Eilish,
41:04
I
41:04
love
41:04
you
41:05
by
41:05
Billie
41:06
Eilish.
41:06
Oh,
41:07
and
41:07
that
41:08
was
41:08
a
41:08
situation
41:08
based
41:09
one
41:09
because
41:09
I
41:09
was
41:10
like,
41:10
oh,
41:10
if
41:10
they
41:10
have
41:10
Buck
41:11
confess
41:12
and
41:13
Eddie
41:13
just
41:13
says
41:14
nothing,
41:15
this
41:16
will
41:16
be
41:16
good.
41:16
Dastardly.
41:18
That
41:18
is
41:18
depressing
41:19
though.
41:19
Yeah.
41:20
Anyway,
41:20
so
41:21
moving
41:21
on
41:21
to,
41:22
I
41:22
guess
41:22
slightly
41:23
less
41:23
depressing.
41:24
I'm
41:24
pretty
41:25
sure
41:25
still
41:25
knows
41:25
this
41:25
because
41:26
she
41:26
made
41:26
an
41:26
edit
41:26
to
41:27
this
41:27
song
41:27
for
41:27
Destiel,
41:28
I
41:28
believe.
41:30
I
41:30
don't
41:30
know
41:30
if
41:31
Rachel
41:31
knows
41:31
it
41:32
though.
41:32
It's
41:32
Neptune
41:32
by
41:33
Sleeping
41:33
at
41:33
Last.
41:34
I
41:34
think
41:34
I've
41:35
seen
41:35
your
41:35
edit
41:36
of
41:36
that.
41:36
So
41:36
like,
41:37
we've
41:37
talked
41:37
about
41:38
how
41:38
certain
41:38
artists
41:38
are
41:39
like.
41:39
We
41:40
think
41:40
of
41:40
a
41:40
lot
41:40
of
41:40
their
41:40
songs
41:41
are
41:41
like
41:41
this
41:41
character.
41:41
That
41:42
character.
41:42
Sleeping
41:42
at
41:42
Last
41:43
is
41:43
just
41:43
like
41:43
Eddie's
41:44
like
41:45
artist.
41:46
Like
41:46
they're
41:47
90,
41:48
95%
41:48
songs
41:49
are
41:49
just
41:50
Eddie.
41:50
They're
41:51
all
41:51
Eddie.
41:52
So
41:52
like
41:52
I
41:53
had
41:53
quite
41:53
a
41:53
few
41:54
options
41:54
of
41:55
Sleeping
41:55
at
41:55
Last
41:56
and
41:56
I
41:57
narrowed
41:57
it
41:57
down
41:57
to
41:57
this
41:57
one.
41:58
First
41:59
verse
41:59
is
41:59
pitch
42:00
black,
42:00
pale
42:00
blue.
42:01
It
42:01
was
42:01
a
42:01
stained
42:01
glass
42:02
variation
42:02
of
42:02
the
42:03
truth
42:03
and
42:03
I
42:04
felt
42:04
empty
42:04
handed.
42:05
You
42:05
let
42:06
me
42:06
set
42:06
sail
42:06
with
42:06
cheap
42:07
wood.
42:07
So
42:07
I
42:07
patched
42:08
up
42:08
every
42:08
leak
42:08
that
42:08
I
42:08
could
42:09
Till
42:09
the
42:09
blame
42:09
grew
42:10
too
42:10
heavy.
42:12
Stitch
42:12
by
42:13
stitch
42:13
I
42:13
tear
42:13
apart.
42:14
If
42:14
brokenness
42:15
is
42:15
a
42:15
form
42:15
of
42:15
art,
42:15
I
42:16
must
42:16
be
42:16
a
42:16
poster
42:16
child
42:17
prodigy.
42:19
I'm
42:19
broken.
42:20
That's
42:21
so
42:21
Eddie.
42:22
Oh
42:22
my
42:22
God.
42:24
Surely
42:24
this
42:25
must
42:25
be
42:25
my
42:25
masterpiece.
42:26
I'm
42:26
only
42:26
honest
42:27
when
42:27
it
42:27
rains
42:27
if
42:28
I
42:28
time
42:28
it
42:28
right,
42:28
the
42:28
thunder
42:29
breaks
42:29
When
42:29
I
42:30
open
42:30
my
42:30
mouth.
42:30
I
42:31
want
42:31
to
42:31
tell
42:31
you
42:31
but
42:31
I
42:32
don't
42:32
know
42:32
how.
42:35
Sorry.
42:36
An
42:36
open
42:37
book
42:37
with
42:37
a
42:37
torn
42:37
out
42:37
page
42:38
and
42:38
my
42:38
inks
42:38
run
42:38
out.
42:39
I
42:39
want
42:39
to
42:39
love
42:39
you
42:39
but
42:40
I
42:40
don't
42:40
know
42:40
how.
42:40
Then
42:41
we
42:41
have
42:41
it
42:42
repeats.
42:42
I
42:42
don't
42:42
know
42:42
how.
42:43
No,
42:43
I
42:43
don't
42:43
know
42:44
how.
42:44
I
42:44
want
42:44
to
42:44
love
42:44
you
42:44
but
42:45
I
42:45
don't
42:45
know
42:45
how.
42:46
Nobody
42:46
knows
42:46
how
42:47
to
42:47
talk
42:47
to
42:47
you.
42:47
Yes.
42:48
Then
42:48
we
42:48
have
42:49
verse
42:50
two.
42:50
Pitch
42:50
black,
42:50
pale
42:51
blue.
42:51
These
42:52
wild
42:52
oceans
42:52
shake
42:53
what's
42:53
left
42:53
of
42:53
me
42:54
loose
42:54
Just
42:55
to
42:55
hear
42:55
me
42:55
cry
42:55
mercy.
42:56
A
42:56
strong
42:56
wind
42:57
at
42:57
my
42:57
back.
42:57
So
42:58
I
42:58
lift
42:58
up
42:58
the
42:58
only
42:59
sail
42:59
that
42:59
I
42:59
have.
42:59
This
43:00
Tired
43:00
white
43:00
flag.
43:02
So
43:02
he's
43:02
like,
43:02
surrendering
43:04
kind
43:05
of
43:06
the
43:06
way
43:06
that
43:07
I
43:07
read
43:07
this
43:07
can
43:07
be,
43:07
like,
43:08
either
43:08
way,
43:08
it
43:08
can
43:09
be
43:09
like
43:09
I'm
43:09
giving
43:10
up
43:10
just,
43:10
like,
43:10
on
43:11
myself
43:11
or
43:11
I'm
43:11
giving
43:12
up
43:12
on
43:12
trying
43:13
to
43:13
suppress
43:15
all
43:15
of
43:15
this.
43:16
That's
43:17
how
43:17
I'm
43:17
choosing
43:17
to
43:18
look
43:18
at
43:18
it
43:18
a
43:18
little
43:18
bit.
43:19
Yeah,
43:20
I
43:20
was
43:20
going
43:20
to
43:20
say.
43:20
Then
43:20
it
43:21
just
43:21
repeats
43:21
the.
43:22
The
43:22
chorus.
43:23
The
43:23
chorus.
43:23
I'm
43:24
only
43:24
honest
43:24
when
43:24
it
43:24
rains
43:25
When
43:26
I
43:26
open
43:26
my
43:26
mouth
43:26
I
43:26
want
43:26
to
43:27
tell
43:27
you
43:27
But
43:27
I
43:27
don't
43:27
know
43:27
how.
43:28
Yeah,
43:29
but
43:29
it
43:29
ends.
43:31
I
43:31
think
43:31
it's
43:31
important
43:31
to
43:32
note
43:33
that
43:33
the
43:33
last
43:33
lyric
43:34
is
43:34
just,
43:34
I
43:35
want
43:35
to
43:35
love
43:35
you
43:36
not.
43:36
But
43:37
I
43:37
don't
43:37
know
43:37
how
43:38
It's.
43:38
I
43:38
want
43:38
to
43:38
love
43:39
you.
43:39
So
43:40
hopeful.
43:41
I
43:41
think
43:41
it's
43:42
so
43:42
perfect
43:42
for
43:42
him
43:43
because,
43:43
like,
43:43
I
43:44
think
43:44
I
43:44
have.
43:45
I
43:45
have
43:45
so
43:45
many
43:46
different
43:46
songs
43:46
and
43:46
scenarios,
43:47
but
43:47
I
43:47
think,
43:47
like,
43:48
overall,
43:48
how
43:48
I
43:48
think
43:49
the
43:49
realizations
43:49
are
43:49
going
43:49
to
43:50
go.
43:50
Buck
43:50
is
43:50
going
43:50
to
43:50
be
43:51
before
43:51
he
43:52
knows
43:52
that
43:52
Eddie
43:53
is
43:53
gay.
43:54
So
43:55
it's
43:55
gonna
43:55
be,
43:55
oh,
43:55
no,
43:56
terrible.
43:57
And
43:57
with
43:57
Eddie,
43:57
it's
43:58
gonna
43:58
be,
43:58
oh,
43:59
no,
43:59
I'm
44:00
not
44:00
good
44:00
for
44:01
him.
44:01
I
44:02
would
44:02
ruin
44:02
that.
44:02
I
44:03
shouldn't
44:03
touch
44:03
that.
44:05
That's
44:05
what
44:05
I
44:06
think
44:06
that's
44:06
gonna
44:06
be.
44:06
And
44:07
this.
44:08
This
44:08
song
44:08
is
44:08
such,
44:09
like
44:09
a.
44:09
I'm
44:10
broken
44:10
because
44:11
of
44:11
all
44:11
these
44:11
things
44:11
that
44:11
happened
44:12
to
44:12
me
44:12
and,
44:12
like,
44:13
yearning.
44:14
Right?
44:14
Like,
44:14
yearning
44:15
for
44:15
him
44:15
and
44:16
wanting
44:16
to
44:16
love
44:16
him.
44:16
But
44:16
he's
44:17
like,
44:17
I
44:17
don't
44:17
know,
44:17
like,
44:17
I
44:18
ruin
44:18
every
44:18
relationship
44:19
that
44:19
I
44:19
touch.
44:20
Oh,
44:21
my
44:21
God.
44:21
Yeah,
44:22
that's
44:22
such
44:22
a
44:23
good
44:23
one.
44:23
So
44:24
make
44:24
another
44:24
edit.
44:25
Oh,
44:25
my
44:25
God,
44:27
please,
44:28
I
44:28
need
44:29
more.
44:29
I
44:30
need
44:30
more
44:30
content.
44:30
I
44:31
know,
44:31
but,
44:31
like,
44:31
oh,
44:32
God,
44:32
if
44:33
you,
44:33
like
44:33
Destiel.
44:34
Syl
44:34
made
44:34
a
44:34
Destiel
44:35
edit
44:35
to
44:35
this,
44:35
and
44:35
it's
44:35
like
44:35
Dean's
44:36
pov,
44:36
obviously,
44:37
and
44:37
like,
44:37
the
44:37
Dean
44:37
Eddie
44:38
parallels.
44:38
Oh,
44:38
yeah.
44:39
Oh,
44:39
crazy.
44:40
But,
44:40
like,
44:41
yeah,
44:41
if
44:41
you
44:41
watch
44:42
it
44:42
and
44:43
you
44:43
think
44:43
about,
44:43
like,
44:44
the
44:44
Eddie
44:44
parallels
44:45
while
44:45
you
44:45
watch
44:45
the
44:45
edit.
44:46
Yeah,
44:48
yeah.
44:48
And
44:48
I
44:48
mean,
44:49
just
44:49
a
44:49
little
44:49
bit
44:49
of
44:49
background.
44:50
I
44:50
think
44:50
when
44:50
I
44:50
made
44:50
that
44:51
edit,
44:51
it
44:52
was.
44:53
Oh,
44:53
God,
44:53
it
44:54
was
44:54
literally
44:54
two
44:55
weeks
44:55
before
44:55
the
44:55
finale.
44:56
So
44:56
it's
44:56
like
44:56
post
44:57
Destiel
44:57
confession.
44:58
And
44:59
like,
44:59
for
44:59
the
45:00
entire
45:01
season
45:01
15.
45:02
I
45:02
was
45:02
thinking
45:02
about
45:03
how,
45:03
like,
45:03
I
45:03
was
45:04
about
45:04
to
45:04
call
45:04
him
45:04
Eddie.
45:05
I
45:05
was
45:05
thinking
45:05
about
45:06
how,
45:06
like,
45:06
Dean,
45:07
great
45:07
Freudian,
45:08
you
45:08
know,
45:08
he
45:08
has
45:08
like,
45:08
this
45:09
prayer
45:09
scene
45:09
in,
45:09
like,
45:10
1509.
45:12
He
45:12
has
45:12
this
45:12
prayer
45:12
scene.
45:12
So
45:13
he's
45:13
praying
45:13
to
45:13
Cass
45:14
about,
45:14
like,
45:14
being
45:15
sorry
45:15
and
45:15
all
45:16
these
45:16
other
45:16
things
45:17
that
45:17
he
45:17
hasn't
45:18
been
45:18
able
45:18
to
45:18
say
45:18
to
45:18
his
45:19
face.
45:19
And
45:19
then,
45:20
like,
45:20
Cass
45:21
finds
45:21
him
45:21
because,
45:22
like,
45:22
they
45:22
were
45:22
lost
45:22
or
45:22
whatever.
45:23
And,
45:23
like,
45:23
Cass
45:24
finds
45:24
him,
45:24
and
45:25
then,
45:25
like,
45:25
Dean
45:25
was,
45:26
like,
45:26
about
45:26
to
45:26
say
45:26
something,
45:27
but,
45:28
like,
45:28
Cass
45:28
stops
45:29
him
45:29
because
45:29
they're
45:29
like,
45:29
oh,
45:30
no,
45:30
I
45:30
heard
45:30
your
45:30
prayer.
45:30
It's
45:31
fine.
45:31
Whatever.
45:31
Cool.
45:32
Water
45:32
under
45:32
the
45:32
bridge.
45:33
Whatever.
45:33
I
45:33
remember
45:34
talking
45:34
about
45:35
and
45:35
never
45:36
talking
45:36
about
45:36
anything.
45:38
And
45:38
then,
45:39
like.
45:40
And
45:40
then
45:40
the
45:40
I
45:40
love
45:40
you
45:40
happens
45:42
in
45:42
1518,
45:43
and
45:44
it's
45:44
again,
45:44
like,
45:44
Dean
45:45
is
45:45
just
45:45
standing
45:45
there
45:46
receiving
45:46
this
45:46
confession
45:47
and
45:47
not
45:47
being
45:47
able
45:48
to.
45:48
I'm
45:48
not
45:49
saying
45:49
reciprocate.
45:50
I'm
45:50
just
45:50
saying
45:51
words.
45:52
Use
45:53
your
45:53
words,
45:54
because
45:54
there
45:54
are
45:54
words
45:55
that
45:55
need
45:55
to
45:55
be
45:55
said.
45:56
It
45:56
didn't
45:56
even
45:56
have
45:56
to
45:57
be
45:57
a
45:57
reciprocation
45:58
or
45:58
anything.
45:59
It
45:59
was
45:59
just
45:59
like
45:59
there
45:59
were
46:00
things
46:00
that
46:01
you
46:01
could
46:01
have
46:01
said
46:02
out.
46:02
Out
46:03
loud
46:04
that,
46:04
you
46:05
know,
46:05
that
46:05
Cassiel
46:06
probably
46:06
needed
46:07
to
46:07
hear
46:08
out
46:08
loud,
46:08
even
46:09
though
46:09
he
46:09
says
46:09
he
46:09
doesn't
46:10
need
46:10
to.
46:10
I
46:11
spent
46:12
a
46:12
week
46:13
making
46:13
that
46:13
edit,
46:14
and
46:15
then
46:15
we
46:15
got
46:16
what
46:16
we
46:16
got
46:16
in
46:16
the
46:17
finale.
46:18
What
46:18
an
46:18
embarrassing
46:19
time.
46:19
Oh,
46:20
God.
46:20
Anyway,
46:22
can
46:22
we
46:22
get
46:22
back
46:22
to
46:23
politics?
46:23
Yes.
46:24
Okay,
46:24
so
46:24
here's
46:24
my
46:25
less
46:25
depressing
46:25
option.
46:26
Yay.
46:27
It's
46:27
by
46:28
Christina
46:28
Perry
46:28
called
46:29
Arms.
46:30
Oh,
46:30
my
46:30
gosh.
46:32
Yeah.
46:32
So
46:32
it's,
46:33
like,
46:34
average,
46:34
still
46:35
very
46:35
much
46:35
like
46:36
Eddie,
46:37
and
46:38
there's
46:38
a
46:38
lot
46:38
of
46:38
that
46:38
anxiety
46:39
and
46:39
fear
46:39
there,
46:40
but
46:40
it's,
46:40
like,
46:41
hopeful.
46:42
Oh,
46:43
I
46:43
love
46:43
that.
46:44
Yeah.
46:44
So
46:45
I
46:45
never
46:45
thought
46:46
that
46:46
you
46:46
would
46:46
be
46:46
the
46:46
one
46:46
to
46:47
hold
46:47
my
46:47
heart
46:48
because,
46:48
like,
46:49
he
46:50
didn't
46:50
know
46:50
that
46:50
he
46:50
was
46:50
gay,
46:52
but
46:53
you
46:53
came
46:53
around
46:53
and
46:53
you
46:53
knocked
46:54
me
46:54
off
46:54
the
46:54
ground
46:54
from
46:55
the
46:55
start.
46:56
Obviously.
46:56
You
46:57
put
46:57
your
46:57
arms
46:57
around
46:58
me
46:58
and
46:58
I
46:58
believe
46:58
that
46:58
it's
46:59
easier
46:59
for
46:59
you
46:59
to
46:59
let
46:59
me
47:00
go.
47:00
You
47:00
put
47:01
your
47:01
arms
47:01
around
47:01
me
47:01
and
47:02
I'm
47:02
home.
47:04
How
47:04
many
47:04
times
47:04
will
47:05
you
47:05
let
47:05
my
47:05
change
47:05
my
47:06
mind
47:06
and
47:06
turn
47:06
around?
47:08
So
47:09
it's
47:09
like,
47:09
how
47:09
many
47:09
times
47:10
is
47:10
Buck
47:10
going
47:10
to,
47:11
like,
47:11
put
47:12
up
47:12
with
47:13
the
47:14
stuff
47:14
that
47:14
Eddie
47:14
doesn't
47:15
let
47:15
anyone
47:15
else
47:16
see?
47:18
I
47:18
can't
47:19
decide
47:19
if
47:19
I'll
47:19
let
47:19
you
47:19
save
47:20
my
47:20
life
47:20
or
47:20
if
47:20
I'll
47:20
drown.
47:22
You
47:22
could
47:22
take
47:23
that
47:23
very
47:23
literally.
47:23
You
47:24
could
47:24
also
47:24
take
47:24
it
47:24
very
47:25
metaphorically.
47:25
It's
47:26
like,
47:26
again,
47:27
him
47:27
opening
47:27
up
47:28
if
47:28
he's
47:28
going
47:29
to
47:29
continue
47:29
to.
47:29
To
47:30
let
47:30
fuck
47:30
see
47:31
these
47:31
parts
47:31
of
47:31
him
47:31
that
47:31
he
47:31
doesn't
47:32
let
47:32
anyone
47:32
else
47:32
see.
47:34
I
47:34
hope
47:34
the
47:34
chorus.
47:35
I
47:35
hope
47:35
that
47:35
you
47:35
see
47:36
right
47:36
through
47:36
my
47:36
walls.
47:38
Yeah,
47:38
I
47:38
hope
47:38
that
47:38
you
47:39
catch
47:39
me
47:39
because
47:39
I'm
47:39
already
47:40
falling.
47:41
I'll
47:41
never
47:42
let
47:42
our
47:42
love
47:42
get
47:43
so
47:43
close.
47:43
You
47:43
put
47:44
your
47:44
arms
47:44
around
47:44
me
47:45
and
47:45
I'm
47:45
home.
47:46
So
47:46
it's
47:46
very
47:47
much
47:47
like
47:47
wanting
47:49
to
47:49
have
47:49
them
47:50
as
47:50
close
47:50
as
47:51
possible
47:51
and
47:51
let
47:51
all
47:52
the
47:52
walls
47:52
down
47:53
and
47:53
feeling
47:54
at
47:54
home
47:54
with
47:54
that
47:54
person,
47:55
but
47:55
being
47:56
scared
47:58
that
47:58
they
47:58
are
47:58
going
47:59
to,
47:59
like,
47:59
change
48:00
their
48:00
mind
48:00
but
48:00
that
48:01
they
48:01
are
48:01
going
48:01
to
48:02
be
48:02
too
48:02
much
48:02
and
48:02
the
48:02
person,
48:03
like,
48:04
won't
48:04
want
48:04
them.
48:04
Like,
48:05
it's
48:05
so
48:05
tenuous.
48:06
Yeah.
48:08
This
48:08
verse.
48:09
Verse
48:10
3
48:10
is
48:10
so
48:11
Eddie
48:11
to
48:11
me.
48:11
The
48:12
world
48:12
is
48:12
coming
48:12
down
48:12
on
48:13
me
48:13
and
48:13
I
48:13
can't
48:13
find
48:13
a
48:14
reason
48:14
to
48:14
be
48:14
loved.
48:16
Jesus.
48:17
I'm
48:17
not
48:18
a
48:18
person
48:18
who
48:18
deserves
48:19
forgiveness.
48:20
Or
48:20
joy
48:21
oh,
48:21
my
48:21
God.
48:22
I
48:23
never
48:23
want
48:23
to
48:23
leave
48:23
you
48:24
But
48:24
I
48:24
can't
48:24
make
48:24
you
48:25
bleed
48:25
if
48:25
I'm
48:26
alone.
48:26
So
48:27
it's
48:27
not
48:27
only
48:27
that
48:27
he's
48:28
scared
48:28
of
48:28
being
48:28
rejected.
48:29
I
48:29
really
48:29
think
48:29
that
48:29
Eddie's
48:30
going
48:30
to
48:30
be
48:30
more
48:30
scared
48:31
that
48:31
he's
48:31
going
48:31
to
48:31
hurt,
48:32
that
48:33
he.
48:33
That
48:34
what
48:34
he
48:34
thinks
48:34
is
48:35
wrong
48:35
with
48:35
him.
48:35
That
48:35
all
48:36
that
48:36
self
48:36
hatred
48:37
that
48:37
he's
48:38
going
48:38
to,
48:38
like,
48:39
project
48:40
is
48:40
going
48:40
to
48:40
ruin.
48:41
Yes.
48:43
Oh,
48:43
my
48:43
gosh.
48:44
And
48:44
then
48:44
the
48:44
bridge.
48:46
I
48:46
tried
48:46
my
48:46
best
48:47
to
48:47
never
48:47
let
48:47
you
48:47
in
48:48
to
48:48
see
48:48
the
48:48
truth
48:49
But
48:49
I've
48:49
never
48:50
opened
48:50
up
48:50
I've
48:51
never
48:51
truly
48:51
loved
48:52
Till
48:53
you
48:53
put
48:53
your
48:53
arms
48:54
around
48:54
me
48:54
like
48:55
what
48:55
the
48:55
fuck?
48:56
Oh,
48:57
my
48:57
God.
48:58
Yeah,
48:59
this
48:59
is
48:59
just
48:59
Eddie
48:59
through
49:00
and
49:00
through.
49:00
Yeah.
49:01
So
49:01
I
49:01
hadn't
49:01
listened
49:01
to
49:01
the
49:02
song
49:02
in
49:02
forever,
49:02
and
49:02
I
49:02
think
49:02
I
49:03
listened
49:03
to
49:03
it
49:03
sometime
49:03
last
49:04
month
49:04
and
49:04
I
49:04
was
49:04
like,
49:04
this
49:04
is
49:05
the
49:05
Eddie.
49:05
This
49:05
is
49:06
like
49:06
the
49:06
Eddie,
49:06
like
49:07
the
49:07
buddy
49:07
song.
49:07
This
49:08
is
49:08
the
49:08
buddy
49:09
song.
49:09
Because
49:09
you
49:09
can
49:09
look
49:09
at
49:09
it
49:09
from,
49:10
like,
49:10
Buck's
49:10
point
49:10
of
49:10
view,
49:11
too.
49:11
I
49:11
think
49:12
it's
49:12
just
49:12
way
49:12
more.
49:13
Yeah.
49:14
Heavily
49:14
Eddie
49:15
to
49:15
me,
49:15
I
49:15
think.
49:16
Well,
49:16
that's
49:16
the
49:16
thing
49:17
too.
49:17
Like,
49:18
so
49:18
much
49:18
about
49:19
their
49:20
insecurities
49:21
and.
49:22
And
49:23
stuff
49:23
is
49:24
very.
49:24
Is
49:25
different
49:25
flavors
49:26
of,
49:26
like,
49:26
the
49:27
same
49:27
thing.
49:27
So
49:28
a
49:28
lot
49:28
of
49:28
these
49:29
can
49:29
go
49:30
either
49:30
way.
49:31
Yeah.
49:33
But
49:33
yeah,
49:34
that's.
49:34
That
49:35
sounds.
49:35
That
49:36
sounds
49:37
very
49:37
Eddie.
49:38
Good
49:38
choice.
49:39
All
49:40
right,
49:40
so
49:41
mine
49:42
is
49:43
basic
49:43
bitch.
49:44
This
49:45
is.
49:45
This
49:45
is
49:45
my
49:46
Taylor
49:46
Swift
49:46
pick
49:47
for
49:47
Eddie,
49:48
and
49:49
I
49:49
chose
49:49
Peace
49:50
by
49:50
Taylor
49:51
Swift.
49:51
Yes.
49:52
I
49:52
think
49:52
we
49:53
all
49:53
know
49:53
it.
49:53
We
49:53
know
49:54
it.
49:54
We
49:54
love
49:54
it.
49:54
It
49:54
was
49:54
on
49:55
my
49:55
list.
49:56
It
49:56
was
49:56
okay.
49:58
Was
49:58
it
49:58
one
49:58
of
49:59
the.
49:59
Wait,
50:00
was
50:00
it?
50:02
Wow.
50:02
Awesome.
50:03
So
50:03
I.
50:03
I
50:04
do
50:04
think
50:04
that's
50:05
really
50:05
interesting,
50:05
Hannah.
50:06
I
50:06
think
50:06
we
50:06
were,
50:06
like,
50:06
interpreting
50:07
the
50:07
same
50:08
aspects.
50:09
I
50:09
mean,
50:09
we
50:10
all
50:10
kind
50:10
of
50:10
interpret
50:10
the
50:10
same
50:11
aspects
50:11
very
50:11
similarly.
50:12
But,
50:12
like,
50:12
with
50:12
your
50:13
song
50:13
choices,
50:14
specifically
50:15
about
50:15
Eddie
50:16
being
50:16
so
50:17
nervous
50:17
about
50:19
potentially
50:20
messing
50:20
things
50:20
up
50:21
or
50:21
ruining
50:22
Buck.
50:22
I
50:22
mean,
50:22
so
50:23
much
50:23
of
50:23
peace
50:25
is
50:26
about,
50:26
like,
50:27
as
50:27
long
50:27
as
50:27
the
50:27
danger
50:28
is
50:28
near
50:28
and
50:28
it's
50:29
just
50:29
around
50:29
the
50:29
corner,
50:30
darling
50:30
because
50:30
it
50:31
lives
50:31
in
50:31
me
50:32
no,
50:32
I
50:32
could
50:32
never
50:32
give
50:33
you
50:33
peace
50:33
like,
50:34
like
50:34
the
50:34
world
50:35
around
50:35
them
50:36
and
50:37
Eddie's
50:38
inner
50:38
emotional
50:39
landscape
50:39
or
50:40
whatever.
50:41
Just
50:41
like
50:41
would
50:41
it
50:42
be
50:42
enough
50:42
if
50:42
I
50:42
could
50:42
never
50:43
give
50:43
you
50:43
peace
50:43
like,
50:44
am
50:44
I
50:44
enough?
50:45
Would
50:45
you
50:46
still,
50:47
like,
50:47
accept
50:47
this
50:48
if,
50:49
you
50:49
know,
50:49
if
50:49
this
50:49
is
50:50
all
50:50
I
50:50
can
50:50
offer.
50:51
And
50:51
I'm
50:52
not
50:52
saying,
50:52
like,
50:53
not
50:53
saying
50:53
it
50:53
could
50:53
be
50:54
more,
50:54
not
50:54
saying
50:54
it
50:54
could
50:54
be
50:55
less,
50:55
but,
50:55
like,
50:55
this
50:55
is
50:56
what
50:56
it
50:56
is
50:56
and
50:56
it's
50:57
always
50:57
going
50:57
to
50:57
be
50:57
a
50:57
little.
50:58
A
50:58
little.
51:00
You
51:00
know,
51:00
for
51:00
me,
51:01
it's.
51:01
It's
51:02
not.
51:02
All
51:02
of
51:02
the
51:03
lyrics,
51:03
like,
51:03
fit
51:04
perfectly
51:04
perfectly.
51:05
Or
51:05
at
51:06
least
51:06
like,
51:06
I
51:06
just
51:06
can't
51:07
find
51:07
a
51:07
way
51:07
to
51:07
make
51:07
it
51:07
fit
51:08
perfect.
51:08
Perfectly
51:09
perfectly.
51:09
All
51:10
of
51:10
them
51:10
fit
51:10
great.
51:15
That's
51:15
why,
51:15
listen,
51:16
if
51:16
it's
51:16
on
51:16
my
51:16
list,
51:17
all
51:17
the
51:17
lyrics
51:17
fit
51:18
perfectly.
51:18
Excellent.
51:19
Okay,
51:20
great
51:21
for.
51:21
I
51:21
mean,
51:22
for
51:22
me,
51:22
it's
51:22
like
51:22
sometimes
51:23
the
51:23
lyric,
51:23
some
51:24
of
51:24
the
51:24
lyrics
51:24
just
51:24
like,
51:25
stand
51:25
out
51:25
as,
51:25
like,
51:25
okay,
51:26
yeah,
51:26
well,
51:26
we'll
51:27
go
51:27
with
51:27
that.
51:27
But
51:27
like,
51:28
I
51:28
mean,
51:28
come
51:29
on
51:29
with
51:29
the
51:29
lines.
51:30
Like,
51:30
you
51:30
know,
51:31
I'd
51:31
swing
51:32
with
51:32
you
51:32
for
51:32
the
51:32
fences,
51:33
sit
51:33
with
51:33
you
51:33
in
51:34
the
51:34
trends
51:34
trenches,
51:35
give
51:35
you
51:36
my
51:36
wild,
51:36
Give
51:37
you
51:37
a
51:37
child.
51:39
I
51:39
mean,
51:41
like,
51:42
what
51:42
more.
51:43
That's
51:44
Eddie
51:44
literally
51:45
giving.
51:46
But
51:47
Chris,
51:48
in
51:48
so
51:48
many
51:48
different
51:49
ways,
51:49
not
51:49
just
51:49
the
51:49
will,
51:50
but
51:50
like
51:51
we
51:51
just
51:51
saw
51:51
in.
51:52
In
51:52
season
51:52
8
51:53
how
51:53
he
51:53
apologized
51:54
with
51:55
his
51:55
grand
51:55
gesture
51:55
of
51:56
like,
51:56
here's
51:56
our
51:57
kid
51:58
here
51:58
to
51:58
make
51:58
you
51:58
happy.
51:59
Sorry.
51:59
And
52:00
just
52:00
like
52:00
being.
52:01
Being
52:01
there
52:02
with
52:02
them
52:02
through
52:03
it
52:03
all.
52:04
Like,
52:04
I
52:04
will
52:05
be
52:05
with
52:05
you
52:05
through
52:06
everything
52:06
thick
52:07
and
52:07
thin.
52:08
But
52:08
I
52:08
can
52:08
only
52:08
offer
52:09
this
52:09
much
52:10
because
52:11
I'm
52:11
probably
52:11
going
52:11
to
52:12
ruin
52:12
it.
52:12
Like,
52:13
like
52:13
the
52:13
rain
52:13
is
52:14
always
52:14
going
52:14
to
52:14
come
52:14
if
52:14
you're
52:15
standing
52:15
with
52:15
me.
52:16
Like
52:17
that
52:17
is
52:17
that.
52:17
Is
52:18
Eddie
52:18
kind
52:18
of
52:18
like
52:19
catastrophizing
52:20
a
52:20
little
52:21
bit.
52:21
But
52:22
the
52:22
way
52:23
it
52:23
sounds
52:24
too,
52:24
this
52:24
is
52:25
one
52:25
of
52:25
those
52:26
songs
52:27
that
52:27
just
52:27
like
52:28
it.
52:28
It
52:28
feels
52:30
something
52:31
in
52:32
me.
52:32
And
52:32
it's
52:33
funny
52:33
because,
52:33
like,
52:34
I
52:36
didn't
52:36
previously,
52:37
like,
52:37
gravitate
52:37
to
52:38
this
52:38
song
52:38
so
52:39
much
52:39
like
52:39
listening
52:40
to.
52:40
To
52:41
Taylor's
52:42
songs
52:42
or
52:43
folklore
52:43
in
52:44
particular.
52:44
But
52:45
those
52:45
editors,
52:46
man,
52:47
there
52:48
was.
52:48
There
52:48
was
52:48
this
52:49
one
52:49
actually.
52:49
There's
52:49
a
52:50
couple
52:50
edits
52:50
that
52:51
I've
52:51
seen
52:51
that,
52:51
that
52:51
are
52:52
really
52:52
fantastic.
52:53
But
52:53
there's
52:53
this
52:54
one
52:55
from
52:55
the
52:55
Hum
52:56
Forever
52:56
where
52:57
it
52:57
was
52:58
just
52:59
taking
52:59
the,
53:01
like
53:01
the
53:01
instrumental
53:02
prelude
53:03
to
53:03
this
53:03
song
53:04
where
53:04
it's
53:04
like
53:04
that
53:05
weird,
53:05
droney,
53:06
like
53:06
clicky.
53:07
I
53:07
don't
53:07
really
53:08
know
53:08
how
53:08
to
53:08
fully
53:09
describe
53:09
it,
53:09
but
53:09
it's
53:09
like
53:09
a
53:09
doo
53:10
doo
53:10
doo
53:10
doo
53:10
doo
53:10
doo.
53:11
And
53:12
just
53:12
like
53:13
flipping
53:13
back
53:13
and
53:13
forth
53:14
between
53:15
the
53:15
parallels
53:16
of
53:17
fucking
53:17
Eddie
53:17
saying
53:18
goodbye
53:18
at
53:18
the
53:18
u
53:18
haul
53:19
in
53:19
8,
53:19
10
53:20
to
53:21
the.
53:22
You
53:22
can
53:22
have
53:22
my
53:22
back,
53:22
you
53:23
can
53:23
have
53:23
mine
53:23
and
53:23
201.
53:24
Just
53:24
like
53:24
flipping
53:25
back
53:25
with
53:25
that
53:25
instrumental.
53:26
And
53:27
I
53:27
didn't
53:27
realize
53:27
it
53:28
was
53:28
peace
53:28
at
53:29
first,
53:29
and
53:29
I
53:30
swear
53:30
I
53:30
Think
53:31
that.
53:32
I
53:32
think
53:32
I
53:33
saw
53:33
that
53:33
in
53:33
March.
53:34
I
53:34
have
53:35
not
53:35
stopped
53:35
thinking
53:36
about,
53:39
like,
53:39
so.
53:40
So
53:40
now
53:41
I
53:41
keep
53:41
reaching
53:42
for
53:42
peace,
53:43
sonically,
53:44
because
53:44
of
53:45
that.
53:45
Like,
53:45
that.
53:47
The.
53:47
The
53:47
way
53:48
it's
53:48
so,
53:48
like,
53:49
you
53:49
know,
53:50
it
53:50
is.
53:50
It
53:50
is
53:51
kind
53:51
of
53:51
tenuous.
53:51
There's.
53:52
There's
53:52
a
53:52
little.
53:52
There's
53:53
like,
53:53
a
53:53
lack
53:54
of
53:54
steadiness
53:54
there
53:55
because
53:55
of
53:55
that
53:56
duality
53:57
of.
53:57
Of
53:57
the
53:57
beats
53:58
in
53:58
that
53:58
way,
53:59
and.
54:00
It'S
54:00
just
54:00
very
54:01
purposeful.
54:02
Oh,
54:03
no,
54:03
I
54:03
know.
54:03
I'm.
54:03
I'm
54:03
saying
54:04
it's.
54:04
I'm
54:04
saying
54:04
it's
54:05
purposeful,
54:05
but,
54:06
like,
54:06
that,
54:07
I
54:07
think,
54:07
lends
54:08
to
54:09
Eddie
54:10
a
54:11
little
54:11
bit
54:11
in.
54:11
In
54:11
the
54:12
sense.
54:13
So.
54:13
Discordance.
54:15
The
54:15
discordance.
54:16
Thank
54:16
you.
54:17
Yeah.
54:18
And
54:18
just
54:18
kind
54:18
of
54:19
like,
54:19
it.
54:19
It
54:19
doesn't
54:20
quite
54:20
let
54:20
you
54:21
settle
54:21
your.
54:22
Settle
54:22
your
54:22
feet.
54:23
Like.
54:23
Like,
54:24
get.
54:24
Get
54:24
a.
54:24
Get
54:25
a
54:25
good
54:25
footing.
54:26
Rather.
54:27
It's
54:27
always.
54:27
It's
54:28
always
54:28
going
54:28
to
54:28
be
54:28
a
54:28
little
54:29
tenuous
54:30
to
54:30
use
54:30
for
54:30
the
54:30
third
54:31
time.
54:31
Sorry.
54:31
But
54:32
that's
54:33
what
54:33
I
54:33
have
54:33
for
54:34
Eddie.
54:34
Yay.
54:35
It's.
54:35
It's
54:35
a
54:35
very,
54:36
very
54:36
good
54:36
song
54:36
for
54:37
Eddie.
54:37
I
54:37
think
54:37
it's
54:37
good
54:37
for
54:38
Buck,
54:38
too.
54:38
But,
54:38
like.
54:39
And
54:39
it's
54:39
good
54:40
for,
54:40
like,
54:40
both
54:40
of
54:40
them
54:40
together.
54:41
But
54:41
it
54:41
is.
54:42
I
54:42
think
54:42
what
54:42
make
54:43
makes
54:43
me
54:43
throw
54:44
it
54:44
into
54:45
Eddie
54:45
is
54:45
verse
54:46
two,
54:46
and
54:47
not
54:47
just,
54:47
like,
54:47
the.
54:48
Not
54:48
just
54:49
the.
54:49
I
54:49
gave
54:49
you
54:49
a
54:50
child.
54:50
Yeah.
54:51
The
54:52
rest
54:52
of
54:52
it,
54:52
too.
54:52
It's
54:53
the.
54:53
Your
54:53
integrity
54:54
makes
54:54
me
54:54
seem
54:54
small.
54:55
You
54:56
paint
54:56
dreamscapes
54:57
on
54:57
the
54:57
wall.
54:58
So
54:58
it's
54:59
like.
54:59
Because
54:59
Buck
55:00
is
55:00
just
55:00
so,
55:00
like,
55:00
big
55:01
and
55:01
bright
55:01
and
55:01
good
55:02
to
55:02
him.
55:03
Right.
55:03
And
55:04
he
55:04
doesn't
55:05
feel
55:05
like
55:05
he
55:05
can
55:06
measure
55:06
up
55:06
to
55:06
it.
55:07
Yeah.
55:07
Because
55:07
Buck
55:07
is
55:08
larger
55:08
than
55:08
life.
55:08
Yeah.
55:09
Especially
55:09
to
55:09
Eddie.
55:10
Yeah.
55:11
And
55:11
then,
55:11
like,
55:11
family
55:11
that
55:12
I
55:12
chose
55:12
now
55:12
that
55:12
I
55:12
see
55:12
your
55:13
brother
55:13
as
55:13
my
55:13
brother,
55:14
so
55:14
it's
55:14
like
55:14
he
55:14
chose
55:15
the
55:15
118.
55:16
And
55:16
Maddie,
55:17
you
55:17
know,
55:17
I
55:17
forgot
55:18
to
55:18
mention
55:18
that,
55:18
too.
55:18
Yeah.
55:19
Yeah.
55:20
The
55:20
rain
55:21
is
55:21
always
55:21
gonna
55:21
come
55:21
if
55:21
you're
55:22
standing
55:22
with
55:22
me.
55:23
Mm.
55:24
It's
55:24
kind
55:24
of
55:24
interesting
55:25
that
55:25
both
55:25
of
55:25
my
55:25
picks,
55:26
though,
55:27
talk
55:27
about,
55:27
like,
55:28
I.
55:28
I
55:28
look
55:28
at
55:29
you,
55:29
and
55:29
it's
55:29
like
55:29
the
55:29
sun
55:30
came
55:30
out
55:30
and
55:30
then,
55:30
like,
55:31
I'd
55:31
give
55:31
you
55:31
my
55:31
sunshine
55:32
Give
55:32
you
55:32
my
55:32
best
55:32
and
55:33
it's
55:33
just
55:33
like,
55:34
so
55:34
much
55:34
of.
55:34
Well,
55:35
I
55:35
mean,
55:35
it's
55:35
a
55:35
realization,
55:36
so.
55:36
Yeah.
55:36
It
55:37
is
55:37
like
55:37
the
55:37
sun
55:37
coming
55:38
through
55:38
the
55:38
clouds.
55:39
All
55:39
right.
55:39
These
55:40
guys
55:40
should
55:40
kiss,
55:41
and
55:41
these
55:41
are
55:42
the
55:42
songs
55:42
in
55:43
which
55:43
they
55:43
should
55:43
do
55:43
that,
55:44
too.
55:44
Kissing,
55:45
fucking,
55:46
marrying.
55:47
Mine's
55:47
just
55:47
like
55:47
a
55:47
general,
55:48
like,
55:49
being
55:49
together,
55:49
getting
55:50
together,
55:50
so.
55:51
And
55:51
I'm
55:51
not
55:51
digging
55:52
into
55:52
lyrics
55:52
for,
55:53
like,
55:53
these
55:53
are,
55:54
you
55:54
know,
55:54
these
55:54
songs.
55:55
These
55:55
are
55:55
the
55:55
vibes
55:56
yeah,
55:57
actually,
55:57
that's
55:57
a
55:57
lie.
55:57
I'll
55:58
read
55:58
a
55:58
couple
55:58
lines
55:59
from
55:59
the
55:59
Hozier
56:00
one.
56:00
Oh,
56:01
I
56:01
was,
56:01
like,
56:02
wondering
56:02
if
56:02
we
56:02
were
56:02
all
56:02
gonna
56:03
say
56:03
the
56:03
same
56:03
song
56:03
for
56:04
this.
56:04
Probably
56:05
not.
56:05
I
56:05
guess
56:06
not.
56:06
Because
56:06
if
56:06
everyone
56:06
had
56:07
one
56:07
Taylor
56:07
Swift
56:07
thing
56:08
and
56:08
you
56:08
both
56:08
already
56:08
said
56:09
yours.
56:10
So
56:10
for
56:11
their
56:12
buddy
56:13
first
56:13
kiss
56:14
or
56:14
getting
56:15
together,
56:15
I
56:16
have.
56:16
We
56:16
Go
56:17
Down
56:17
Together
56:17
by
56:18
Dove,
56:18
Cameron
56:19
and.
56:19
And
56:19
Khalid.
56:21
So
56:21
I
56:22
think,
56:22
honestly,
56:22
I
56:23
think
56:23
it's
56:23
like
56:23
two
56:23
things.
56:24
I
56:24
think
56:25
for
56:25
the
56:26
drama.
56:27
I
56:27
don't
56:27
really
56:27
know,
56:28
like,
56:28
what
56:28
kind
56:28
of
56:28
scenario
56:29
I'm
56:29
thinking,
56:30
but
56:30
I
56:30
think
56:30
it's
56:30
like
56:31
that
56:31
the,
56:32
like,
56:33
I
56:33
think
56:33
the
56:33
feelings
56:34
that
56:34
you
56:34
get
56:34
when
56:34
you
56:34
listen
56:34
to
56:35
this
56:35
song
56:35
is
56:35
like,
56:35
it's
56:35
like
56:36
drama
56:37
finally
56:38
getting,
56:39
I
56:39
guess,
56:39
getting
56:40
together.
56:40
And
56:40
I
56:40
just
56:40
picture,
56:41
like,
56:41
sometimes
56:42
I
56:42
think
56:42
it's
56:42
because,
56:42
like,
56:43
I,
56:43
I
56:43
kind
56:43
of
56:44
want
56:44
their
56:44
first
56:45
kiss.
56:46
Like,
56:46
could
56:47
be
56:47
like,
56:47
post
56:47
NDE
56:49
or
56:49
like,
56:50
like,
56:50
I,
56:51
I,
56:51
I
56:51
don't
56:52
think
56:52
I
56:52
really
56:52
want
56:54
that
56:54
correction.
56:54
I
56:55
know
56:55
my
56:55
answer
56:55
could
56:55
change
56:56
because.
56:57
I
56:57
was
56:57
like,
56:57
I
56:57
don't
56:58
think
56:58
I.
56:58
Really
56:58
want,
56:58
like,
56:59
a
56:59
soft,
56:59
gentle
57:00
moment.
57:00
I
57:01
was
57:01
like,
57:01
you're
57:01
literally
57:02
on
57:02
record
57:02
saying
57:02
the
57:03
opposite
57:03
thing.
57:05
This
57:06
is
57:06
just
57:06
today's
57:07
vibe
57:09
for
57:09
this
57:09
song.
57:10
Like,
57:10
I
57:10
mean,
57:10
if,
57:10
if
57:11
the
57:11
scenario
57:11
is
57:11
like,
57:12
post
57:12
NDE
57:12
and
57:13
like,
57:13
I
57:13
don't
57:13
know
57:14
what.
57:14
Who's
57:14
nd,
57:15
but
57:15
like,
57:16
even
57:16
if
57:16
it's
57:16
just
57:16
the
57:17
instrumental,
57:17
like,
57:18
I
57:18
think
57:18
just
57:19
like
57:19
that,
57:20
that
57:20
I
57:20
think
57:20
there's
57:20
like
57:21
a.
57:21
I
57:21
don't
57:22
know
57:22
how
57:22
to
57:22
describe
57:22
music.
57:22
I
57:23
used
57:23
to
57:23
take
57:23
classes
57:24
for
57:24
musical
57:25
theory
57:25
and
57:25
now
57:25
I
57:25
completely
57:26
forgot.
57:27
Is
57:27
it
57:27
a
57:27
crescendo
57:28
when
57:28
it
57:29
crescendo?
57:30
Yeah.
57:30
When
57:30
it
57:31
gets
57:31
bigger?
57:31
Yeah,
57:32
yeah.
57:32
So
57:33
like,
57:33
there's
57:33
like,
57:33
you
57:33
know,
57:34
there's
57:34
like
57:34
that,
57:35
that
57:35
rising
57:36
or
57:36
like
57:36
the
57:36
crescendo
57:37
where,
57:37
where
57:37
it
57:37
just
57:38
kind
57:38
of
57:38
like,
57:39
again,
57:39
it's
57:39
really
57:39
the
57:40
drama.
57:40
It's
57:40
the
57:40
vibes.
57:41
But
57:41
lyric.
57:42
Is
57:42
there
57:42
like
57:42
a
57:43
big
57:43
drop?
57:43
Because
57:43
that's
57:44
a
57:44
thing
57:44
too.
57:44
When
57:44
there's
57:45
like,
57:45
Taylor
57:46
does
57:46
it
57:46
in
57:46
almost
57:47
every
57:47
single
57:47
song
57:47
where
57:48
she
57:48
does
57:48
that
57:48
really
57:49
quiet
57:49
part
57:50
and
57:50
then
57:50
goes
57:51
like.
57:53
Gets
57:53
big
57:53
again.
57:54
That's.
57:55
Call
57:55
that
57:55
a
57:55
drop.
57:56
It's
57:56
not
57:56
a
57:56
drop.
57:57
It's
57:57
more
57:57
or
57:57
less
57:58
like
57:58
it'll
57:58
just
57:58
continue.
57:59
And
57:59
it's
57:59
just
57:59
like
58:00
mostly
58:00
instrumental,
58:01
but
58:01
it's
58:01
like,
58:02
oh.
58:02
Then
58:03
gets
58:03
bigger
58:04
and
58:04
that's
58:04
a
58:04
crescendo.
58:05
Yeah,
58:05
yeah,
58:05
yeah,
58:05
yeah.
58:06
But
58:06
some
58:06
of
58:06
the
58:06
lyrics
58:07
that
58:07
I
58:07
highlighted
58:08
was
58:08
like,
58:08
if
58:08
we
58:08
go
58:08
down,
58:09
we
58:09
go
58:09
down
58:09
together
58:10
Then
58:10
we
58:10
go
58:10
down
58:11
together
58:11
if
58:11
you
58:11
hold
58:11
on
58:12
I
58:12
might
58:12
just
58:12
stay
58:12
forever
58:13
if
58:13
you
58:13
get
58:13
hurt,
58:14
I'll
58:14
try
58:14
to
58:14
make
58:14
it
58:15
better
58:15
if
58:15
you
58:15
go
58:16
down
58:16
Then
58:17
we
58:17
go
58:17
down
58:17
together
58:19
Part
58:19
of
58:19
the
58:20
first
58:20
verse
58:20
is,
58:21
Am
58:21
I
58:22
really
58:22
mine?
58:22
Are
58:22
you
58:22
really
58:23
yours?
58:23
If
58:24
all
58:24
your
58:24
emotions
58:25
cut
58:25
straight
58:25
to
58:26
my
58:26
core
58:26
Times
58:26
where
58:26
you
58:27
cry
58:27
I
58:27
feel
58:27
it
58:27
all
58:27
Whenever
58:28
you
58:28
leave
58:28
me
58:28
I
58:29
wait
58:29
for
58:29
your
58:29
call
58:30
oh,
58:30
and
58:30
you
58:31
are
58:31
everything
58:31
I'm
58:31
living
58:32
for
58:32
and
58:32
then
58:32
it
58:32
goes
58:32
into
58:33
the.
58:33
If
58:33
you
58:33
go
58:33
down,
58:34
we
58:34
go
58:34
down
58:34
together.
58:35
We
58:35
stay
58:35
together,
58:36
we
58:36
make
58:36
it
58:36
better,
58:37
you
58:37
know,
58:37
and
58:37
so
58:38
forth.
58:38
It
58:38
feels
58:39
more
58:39
like.
58:40
Like
58:40
really,
58:40
like,
58:41
you
58:41
know,
58:41
their
58:41
first
58:41
kiss
58:41
is
58:42
going
58:42
to
58:42
be
58:42
like,
58:42
kind
58:42
of
58:42
like
58:43
that
58:43
climax
58:43
of,
58:43
like,
58:45
them
58:45
finally
58:45
getting
58:45
together
58:46
and
58:46
like,
58:46
all
58:46
the
58:46
things
58:47
that
58:47
they
58:47
went
58:47
through,
58:47
like,
58:47
just
58:48
finally.
58:48
We're
58:49
just
58:49
finally
58:49
there.
58:50
There.
58:51
That's
58:51
it.
58:51
Like,
58:52
that's.
58:52
I
58:52
guess
58:53
it
58:53
really
58:53
was
58:53
based
58:53
on
58:54
vibes,
58:54
honestly.
58:55
And
58:55
I
58:55
think.
58:56
Yeah.
58:56
So
58:57
I
58:57
think
58:57
this
58:58
one
58:58
kind
58:58
of
58:58
does
58:58
have
58:58
to
58:58
be.
58:59
Because
58:59
it's
58:59
like
58:59
the
58:59
first
59:00
kiss
59:00
can
59:00
be
59:00
so
59:00
many
59:01
different.
59:02
Different
59:02
ways.
59:03
Yeah.
59:04
Yeah.
59:04
Because,
59:04
like,
59:05
I
59:05
go
59:05
back
59:05
and
59:05
forth.
59:05
I'm
59:06
like,
59:06
oh,
59:06
I
59:06
want
59:06
it
59:06
in
59:06
the
59:06
kitchen.
59:07
And
59:07
then
59:07
I'm
59:07
like.
59:08
Or
59:08
maybe
59:08
like
59:09
after
59:09
their.
59:10
Yeah,
59:10
after
59:10
an
59:11
nd
59:11
and
59:11
they
59:11
were.
59:12
They're
59:12
fighting
59:12
like
59:13
someone
59:13
did
59:13
something
59:13
stupid
59:14
or
59:14
someone
59:14
was
59:15
really
59:15
risky.
59:15
And
59:15
it's
59:16
like,
59:16
okay.
59:16
Like,
59:16
finally
59:17
that
59:17
tension
59:17
builds
59:18
up
59:18
and
59:18
they're
59:18
like,
59:18
oh,
59:18
my
59:18
God,
59:19
fudge
59:19
it.
59:20
Like,
59:21
grabs.
59:22
Grabs
59:22
one
59:22
of.
59:23
I
59:23
don't
59:23
know
59:23
who's
59:24
gonna
59:24
do
59:24
it.
59:24
They
59:25
grab
59:26
face.
59:27
Smush
59:27
lips.
59:28
Done.
59:29
Easy.
59:30
Come
59:30
on,
59:30
guys.
59:31
Gotta
59:31
be
59:31
Eddie.
59:32
It's
59:32
gotta
59:32
be
59:33
like.
59:33
It's
59:33
gotta
59:33
be
59:33
Eddie.
59:34
Unless
59:34
he's
59:34
already
59:35
come
59:35
out.
59:35
Cause
59:36
I
59:36
just
59:36
don't
59:36
think
59:36
Buck's
59:36
doing
59:37
that
59:37
without,
59:37
like,
59:38
it
59:38
really
59:38
does
59:38
have,
59:39
I
59:39
feel,
59:39
like,
59:39
signs
59:40
of
59:40
that
59:40
he
59:40
would
59:41
be
59:41
even
59:41
open
59:42
to
59:43
enjoying
59:43
that.
59:44
Yeah.
59:44
Because
59:45
he
59:45
would
59:45
be,
59:45
like,
59:46
keeping
59:47
internalizing
59:48
so
59:48
much
59:48
of
59:48
it
59:49
still.
59:49
And
59:49
then
59:50
Eddie
59:50
would
59:50
be
59:50
on
59:50
his,
59:51
like,
59:51
I
59:52
love
59:52
juice
59:52
train
59:53
and
59:53
just,
59:54
like,
59:54
go
59:54
for
59:55
it.
59:55
Right?
59:55
Yeah.
59:56
I
59:56
did
59:56
have,
59:56
like,
59:57
some
59:57
more
59:57
lyrics
59:58
highlighted.
59:58
So
59:59
the
59:59
second
1:00:00
verse
1:00:00
starts
1:00:00
with.
1:00:00
Sometimes
1:00:01
we're
1:00:01
right
1:00:01
Sometimes
1:00:02
we're
1:00:02
wrong
1:00:02
Sometimes
1:00:03
the
1:00:03
lines
1:00:04
just
1:00:04
never
1:00:04
been
1:00:05
drawn
1:00:05
Nights
1:00:06
where
1:00:06
we
1:00:06
fight
1:00:06
we
1:00:06
strike
1:00:06
a
1:00:07
chord
1:00:07
and
1:00:07
then
1:00:07
we
1:00:08
forget
1:00:08
what
1:00:08
we've
1:00:09
been
1:00:09
fighting
1:00:09
for
1:00:11
So
1:00:12
I
1:00:12
think
1:00:12
about,
1:00:12
like,
1:00:13
think
1:00:13
about
1:00:13
the
1:00:13
kitchen
1:00:13
scene
1:00:14
a
1:00:14
lot.
1:00:15
Yeah.
1:00:16
Always
1:00:16
on
1:00:16
repeat.
1:00:17
Anyway.
1:00:17
Yeah.
1:00:18
My
1:00:19
choice
1:00:19
is
1:00:19
gonna
1:00:19
shock
1:00:20
absolutely
1:00:20
no
1:00:21
one.
1:00:21
We've
1:00:22
talked
1:00:22
about
1:00:22
this
1:00:22
on
1:00:23
the
1:00:23
podcast
1:00:23
before.
1:00:24
Anyway,
1:00:24
it's
1:00:25
dressed
1:00:25
by
1:00:25
Taylor
1:00:26
Swift
1:00:26
because
1:00:26
it's
1:00:27
the
1:00:27
only
1:00:27
option
1:00:29
I.
1:00:29
The
1:00:30
only
1:00:30
option
1:00:30
for
1:00:30
me.
1:00:30
Well,
1:00:31
actually,
1:00:31
we
1:00:31
can
1:00:31
do
1:00:31
photograph
1:00:32
again.
1:00:32
I
1:00:32
know
1:00:33
that's
1:00:33
an
1:00:33
unpopular
1:00:33
opinion.
1:00:35
I
1:00:35
like
1:00:35
it
1:00:36
for
1:00:36
that.
1:00:36
But,
1:00:36
like,
1:00:36
I
1:00:37
am
1:00:37
so
1:00:37
on
1:00:38
the
1:00:38
dress
1:00:38
agenda
1:00:39
with
1:00:39
you.
1:00:40
The
1:00:41
dress
1:00:41
agenda
1:00:42
in
1:00:42
the
1:00:42
Kitchen,
1:00:42
on
1:00:42
the
1:00:43
couch.
1:00:43
Whatever
1:00:44
it
1:00:44
is,
1:00:45
the
1:00:45
lyrically
1:00:46
and
1:00:46
vibes,
1:00:47
it's
1:00:48
so
1:00:48
perfect.
1:00:49
Our
1:00:49
secret
1:00:50
moments
1:00:50
in
1:00:50
a
1:00:50
crowded
1:00:50
room
1:00:51
they
1:00:51
got
1:00:51
no
1:00:51
idea
1:00:51
about
1:00:52
me
1:00:52
and
1:00:52
you
1:00:52
there's
1:00:53
an
1:00:53
indentation
1:00:53
in
1:00:53
the
1:00:54
shape
1:00:54
of
1:00:54
you
1:00:54
you
1:00:54
made
1:00:54
your
1:00:55
mark
1:00:55
on
1:00:55
me
1:00:56
a
1:00:56
golden
1:00:56
tattoo.
1:00:58
All
1:00:58
of
1:00:58
the
1:00:58
silence
1:00:58
and
1:00:59
patience
1:00:59
Pining
1:00:59
the
1:00:59
anticipation
1:01:00
My
1:01:00
hands
1:01:00
are
1:01:01
shaking
1:01:01
from
1:01:01
holding
1:01:01
back
1:01:01
from
1:01:02
you
1:01:03
Right.
1:01:03
Say
1:01:04
my
1:01:04
name
1:01:04
and
1:01:04
everything
1:01:04
just
1:01:05
stops.
1:01:05
I
1:01:05
don't
1:01:05
want
1:01:06
you
1:01:06
like
1:01:06
a
1:01:06
best
1:01:06
friend
1:01:07
Done
1:01:10
only
1:01:10
bought
1:01:10
this
1:01:10
dress
1:01:11
so
1:01:11
you
1:01:11
could
1:01:11
take
1:01:11
it
1:01:11
off.
1:01:12
Carve
1:01:12
your
1:01:12
name
1:01:12
into
1:01:12
my
1:01:13
bedpost
1:01:13
Because
1:01:13
I
1:01:13
don't
1:01:13
want
1:01:14
you
1:01:14
like
1:01:14
a
1:01:14
best
1:01:14
friend.
1:01:15
Listen,
1:01:16
everything
1:01:16
about
1:01:17
this,
1:01:17
I
1:01:17
have
1:01:17
such
1:01:18
a
1:01:18
perfect
1:01:19
vision
1:01:19
for
1:01:19
how
1:01:20
this
1:01:20
needs
1:01:20
to
1:01:20
go.
1:01:20
And
1:01:21
it
1:01:21
has
1:01:21
to
1:01:21
be
1:01:21
the
1:01:21
drop,
1:01:22
right?
1:01:23
I
1:01:23
want
1:01:23
it
1:01:23
playing
1:01:24
either
1:01:24
just,
1:01:24
like,
1:01:25
instrumentally
1:01:25
with
1:01:25
no
1:01:26
lyrics
1:01:26
or
1:01:27
just,
1:01:27
like,
1:01:27
so
1:01:27
quiet
1:01:27
that
1:01:28
you
1:01:28
can
1:01:28
barely
1:01:28
hear
1:01:28
the
1:01:28
lyrics
1:01:29
building
1:01:30
up.
1:01:30
And
1:01:31
it
1:01:31
needs
1:01:31
to
1:01:31
be
1:01:31
building
1:01:32
up
1:01:32
to
1:01:33
the
1:01:33
part
1:01:33
where
1:01:33
she
1:01:34
says,
1:01:34
say
1:01:34
my
1:01:34
name
1:01:34
and
1:01:35
everything
1:01:35
just
1:01:35
stops
1:01:36
and
1:01:36
the
1:01:36
music
1:01:36
stops
1:01:37
and
1:01:37
do
1:01:37
a
1:01:37
prolonged
1:01:38
stop.
1:01:39
Yes,
1:01:39
yes,
1:01:40
yes.
1:01:41
And
1:01:41
I
1:01:41
need
1:01:42
to
1:01:42
hear,
1:01:43
like,
1:01:43
them
1:01:44
say
1:01:44
each
1:01:44
other's
1:01:44
names,
1:01:47
right?
1:01:48
And
1:01:48
as
1:01:48
we
1:01:49
get
1:01:49
that.
1:01:49
And
1:01:50
we
1:01:50
get
1:01:50
that
1:01:50
in
1:01:50
fic
1:01:51
all
1:01:51
the
1:01:51
time,
1:01:51
right?
1:01:51
Where
1:01:51
they're,
1:01:52
like,
1:01:52
like,
1:01:52
staring
1:01:52
at
1:01:53
each
1:01:53
other,
1:01:53
and
1:01:53
it's
1:01:53
like
1:01:53
that
1:01:54
charged
1:01:54
moment,
1:01:55
and
1:01:55
it's
1:01:55
like,
1:01:56
like,
1:01:56
what
1:01:56
are
1:01:56
we
1:01:56
doing,
1:01:56
Eddie?
1:01:57
And
1:01:57
he's
1:01:57
like,
1:01:58
buck.
1:01:58
And
1:01:58
then,
1:01:59
like,
1:02:00
something
1:02:00
shifts.
1:02:01
I
1:02:01
don't
1:02:01
want
1:02:02
you
1:02:02
like
1:02:02
a
1:02:02
best
1:02:02
friend.
1:02:02
The
1:02:02
music
1:02:03
comes
1:02:03
back
1:02:03
and
1:02:03
they
1:02:03
kiss.
1:02:04
Come
1:02:04
on.
1:02:05
That
1:02:05
moment
1:02:06
where
1:02:06
something
1:02:06
shifts.
1:02:07
Yeah,
1:02:08
it's
1:02:08
just
1:02:08
like,
1:02:08
oh,
1:02:09
we're
1:02:09
doing.
1:02:09
This
1:02:10
in
1:02:10
the
1:02:11
kitchen.
1:02:11
Push
1:02:12
them
1:02:12
up
1:02:12
against
1:02:12
the
1:02:12
counter
1:02:14
on
1:02:14
the
1:02:14
couch.
1:02:15
I
1:02:15
don't
1:02:15
fucking
1:02:15
care.
1:02:16
You
1:02:16
could
1:02:16
do
1:02:16
it
1:02:17
after
1:02:17
an
1:02:17
ending.
1:02:17
I
1:02:17
don't
1:02:18
fucking
1:02:18
care.
1:02:18
You
1:02:18
could
1:02:18
do
1:02:19
this
1:02:19
out
1:02:19
on
1:02:19
the
1:02:19
field.
1:02:19
Literally.
1:02:20
Actually,
1:02:20
it
1:02:21
works
1:02:21
anywhere.
1:02:22
Yeah.
1:02:23
No,
1:02:23
they
1:02:23
come
1:02:23
back
1:02:24
to
1:02:24
Eddie's
1:02:25
house
1:02:25
after
1:02:25
an
1:02:25
nde.
1:02:28
So
1:02:28
then
1:02:28
you
1:02:28
get
1:02:29
that
1:02:30
it's
1:02:30
already
1:02:30
charged.
1:02:31
Continuation
1:02:33
the
1:02:33
car
1:02:33
ride
1:02:33
is
1:02:33
silent.
1:02:34
Yeah,
1:02:34
everyone's
1:02:35
just,
1:02:35
like,
1:02:37
kind
1:02:37
of
1:02:37
angry.
1:02:39
Every
1:02:40
time
1:02:40
I
1:02:40
think
1:02:40
about
1:02:41
dress
1:02:41
and
1:02:41
buddy,
1:02:42
like,
1:02:43
that
1:02:43
gives
1:02:44
me
1:02:44
butterflies
1:02:45
in
1:02:45
my
1:02:45
tummy.
1:02:46
It's
1:02:46
still.
1:02:46
It's
1:02:47
so
1:02:47
perfect,
1:02:48
inescapable.
1:02:49
I'm
1:02:49
not
1:02:49
even
1:02:49
gonna
1:02:49
try.
1:02:49
And
1:02:50
if
1:02:50
I
1:02:50
get
1:02:50
burned,
1:02:50
at
1:02:50
least
1:02:50
we
1:02:51
were
1:02:51
electrified.
1:02:54
I
1:02:54
mean,
1:02:54
even
1:02:55
in
1:02:55
my
1:02:55
worst,
1:02:55
already,
1:02:56
you
1:02:56
could
1:02:56
see
1:02:56
the
1:02:56
best
1:02:56
in
1:02:57
me.
1:02:57
Flashback
1:02:58
to
1:02:58
my
1:02:58
mistakes,
1:02:58
my
1:02:58
rebounds,
1:02:59
my
1:02:59
earthquakes.
1:03:00
Even
1:03:00
in
1:03:00
my
1:03:00
worst
1:03:00
lies,
1:03:01
you
1:03:01
saw
1:03:01
the
1:03:01
truth
1:03:01
in
1:03:02
me
1:03:02
and
1:03:02
I
1:03:02
woke
1:03:03
up
1:03:03
just
1:03:03
in
1:03:03
time.
1:03:03
Now
1:03:03
I
1:03:04
wake
1:03:04
up
1:03:04
by
1:03:04
your
1:03:04
side
1:03:04
My
1:03:05
one
1:03:05
and
1:03:05
only,
1:03:05
my
1:03:05
life.
1:03:06
Literally,
1:03:06
they're
1:03:07
both
1:03:07
each
1:03:07
other's
1:03:07
lifelines.
1:03:08
Literally.
1:03:09
Like,
1:03:10
I
1:03:10
know
1:03:10
they're
1:03:10
never
1:03:11
Gonna
1:03:11
do
1:03:11
it,
1:03:11
but
1:03:11
they
1:03:11
should
1:03:11
do
1:03:12
it.
1:03:12
I'm
1:03:12
gonna
1:03:12
start
1:03:12
crying.
1:03:13
It's
1:03:13
too
1:03:13
perfect.
1:03:13
Like,
1:03:14
I
1:03:14
know
1:03:14
that
1:03:14
will
1:03:14
turn
1:03:15
it
1:03:15
into
1:03:15
an
1:03:15
edit
1:03:16
no
1:03:16
matter
1:03:16
what,
1:03:16
but,
1:03:17
like,
1:03:17
come
1:03:18
on.
1:03:19
Anyway,
1:03:20
that's
1:03:20
done.
1:03:21
That's
1:03:22
why
1:03:22
I
1:03:22
didn't.
1:03:22
That's
1:03:23
why
1:03:23
I
1:03:23
didn't
1:03:23
choose
1:03:23
it,
1:03:24
because
1:03:24
I
1:03:24
was
1:03:24
like,
1:03:24
hands
1:03:25
got
1:03:25
this.
1:03:26
Hands
1:03:26
got
1:03:26
this.
1:03:26
Very
1:03:27
passionate
1:03:27
about
1:03:27
it.
1:03:28
I'm
1:03:29
like
1:03:29
your
1:03:29
second
1:03:29
in
1:03:30
command
1:03:30
on
1:03:31
you're
1:03:32
my
1:03:32
general.
1:03:33
The
1:03:33
buddy
1:03:34
dress
1:03:34
agenda.
1:03:35
Like,
1:03:37
oh,
1:03:37
100.
1:03:38
No,
1:03:38
like,
1:03:39
that's
1:03:39
one
1:03:39
of
1:03:39
those
1:03:40
things
1:03:40
where,
1:03:40
like,
1:03:40
the
1:03:40
lyrics
1:03:42
perfect
1:03:42
and
1:03:43
just
1:03:43
the
1:03:43
vibes
1:03:44
incredible.
1:03:44
And
1:03:45
it's
1:03:45
got
1:03:45
a
1:03:45
good
1:03:45
drop
1:03:46
moment,
1:03:46
like,
1:03:47
just
1:03:47
built
1:03:47
into
1:03:47
it
1:03:48
for,
1:03:48
like,
1:03:48
where
1:03:48
that,
1:03:49
like,
1:03:49
tension
1:03:49
builds
1:03:50
up
1:03:50
and
1:03:50
then
1:03:51
it's
1:03:51
just
1:03:51
perfect.
1:03:51
Anyway,
1:03:52
what
1:03:52
did
1:03:52
you
1:03:53
pick?
1:03:54
You
1:03:54
guys
1:03:54
are
1:03:54
gonna
1:03:55
laugh
1:03:55
at
1:03:55
me.
1:03:55
I
1:03:56
can't
1:03:56
wait.
1:03:57
I
1:03:57
chose
1:03:57
Fireproof
1:03:58
by
1:03:58
One
1:03:59
Direction.
1:04:00
Okay.
1:04:01
That's
1:04:01
just
1:04:01
what
1:04:02
I
1:04:02
was
1:04:02
feeling
1:04:02
today.
1:04:02
Okay.
1:04:07
Yeet
1:04:07
me
1:04:08
out
1:04:08
of
1:04:08
the.
1:04:10
I've
1:04:10
never
1:04:10
heard
1:04:11
this
1:04:11
song.
1:04:12
I
1:04:12
was
1:04:13
not
1:04:13
a
1:04:13
directioner.
1:04:14
Would
1:04:14
you
1:04:15
like
1:04:15
to.
1:04:15
I
1:04:15
cannot
1:04:16
describe
1:04:17
to
1:04:17
you
1:04:19
the
1:04:20
part
1:04:20
of
1:04:20
me
1:04:21
that
1:04:21
will
1:04:21
shrivel
1:04:21
up
1:04:22
and
1:04:22
die
1:04:23
if
1:04:23
I
1:04:24
have
1:04:24
to
1:04:24
see
1:04:24
Buddy's
1:04:25
first
1:04:25
kiss
1:04:26
to
1:04:26
a
1:04:26
fucking.
1:04:26
Oh,
1:04:27
my
1:04:27
God.
1:04:27
I'm
1:04:28
looking
1:04:28
this
1:04:28
up.
1:04:29
Like,
1:04:29
what
1:04:29
is
1:04:29
this?
1:04:29
Okay,
1:04:30
okay.
1:04:31
Like,
1:04:31
I
1:04:31
have.
1:04:32
I
1:04:32
have
1:04:33
not
1:04:33
exactly
1:04:34
like,
1:04:34
a
1:04:34
vision,
1:04:34
but
1:04:34
like,
1:04:35
I
1:04:35
have,
1:04:35
okay,
1:04:36
some
1:04:36
ideas
1:04:37
for
1:04:37
it.
1:04:38
I
1:04:38
mean,
1:04:39
obviously
1:04:39
this
1:04:39
is
1:04:39
never
1:04:40
going
1:04:40
to
1:04:40
get.
1:04:42
I
1:04:42
don't
1:04:42
know.
1:04:42
It's
1:04:43
just.
1:04:43
It
1:04:43
came
1:04:43
to
1:04:44
me.
1:04:44
Came
1:04:44
to
1:04:44
me
1:04:45
in
1:04:45
the
1:04:45
moment.
1:04:46
I
1:04:46
was
1:04:46
like,
1:04:46
oh,
1:04:47
yeah,
1:04:47
you
1:04:47
in
1:04:47
a
1:04:47
vision.
1:04:49
Actually,
1:04:49
no,
1:04:50
I've
1:04:50
just
1:04:50
been
1:04:50
thinking
1:04:51
about
1:04:51
it
1:04:51
lately.
1:04:52
Like,
1:04:53
so
1:04:54
this.
1:04:54
Yeah,
1:04:55
basic
1:04:55
bitch
1:04:56
pop
1:04:56
girly
1:04:57
over
1:04:57
here.
1:04:57
Like,
1:04:57
hello.
1:04:59
But
1:05:00
like,
1:05:00
it's.
1:05:02
It's
1:05:02
mostly
1:05:02
like
1:05:02
the.
1:05:03
The
1:05:03
lyrics
1:05:04
of
1:05:04
the
1:05:04
chorus.
1:05:04
It's
1:05:05
like.
1:05:05
Because
1:05:05
nobody
1:05:06
knows
1:05:06
you,
1:05:06
baby
1:05:06
the
1:05:06
way
1:05:07
I
1:05:07
do
1:05:07
Nobody
1:05:08
loves
1:05:08
you
1:05:09
and
1:05:09
it's
1:05:09
been
1:05:09
so
1:05:10
long
1:05:10
it's
1:05:10
been
1:05:10
so
1:05:10
long
1:05:11
maybe
1:05:11
you
1:05:11
were
1:05:11
fireproof
1:05:12
because
1:05:12
nobody
1:05:13
saves
1:05:13
me
1:05:13
the
1:05:13
way
1:05:14
you
1:05:14
do.
1:05:15
And
1:05:15
the
1:05:16
two
1:05:16
verses
1:05:17
start
1:05:17
very
1:05:17
similarly.
1:05:18
It's
1:05:18
like
1:05:18
the
1:05:19
first
1:05:19
one
1:05:19
says,
1:05:20
I
1:05:20
think
1:05:20
I'm
1:05:20
gonna
1:05:20
lose
1:05:21
my
1:05:21
mind
1:05:21
Something
1:05:21
deep
1:05:22
inside
1:05:22
me
1:05:22
I
1:05:22
can't
1:05:22
give
1:05:23
up
1:05:23
I
1:05:23
think
1:05:24
I'm
1:05:24
gonna
1:05:24
lose
1:05:24
my
1:05:24
mind
1:05:24
I
1:05:25
roll
1:05:25
and
1:05:25
I
1:05:25
roll
1:05:25
till
1:05:25
I'm
1:05:25
out
1:05:26
of
1:05:26
luck
1:05:26
and
1:05:26
then
1:05:26
the
1:05:26
second
1:05:27
verse
1:05:27
says,
1:05:28
I
1:05:28
think
1:05:28
I'm
1:05:28
going
1:05:28
to
1:05:28
win
1:05:29
this
1:05:29
time
1:05:30
Riding
1:05:30
on
1:05:30
the
1:05:30
win
1:05:31
and
1:05:31
I
1:05:31
won't
1:05:31
give
1:05:31
up
1:05:32
and
1:05:32
I
1:05:32
think
1:05:32
I'm
1:05:32
going
1:05:32
to
1:05:32
win
1:05:33
this
1:05:33
time
1:05:33
I
1:05:34
roll
1:05:34
and
1:05:34
I
1:05:34
roll
1:05:34
Until
1:05:35
I
1:05:35
change
1:05:35
my
1:05:35
luck
1:05:36
to
1:05:36
me
1:05:36
that's
1:05:36
kind
1:05:36
of
1:05:37
like,
1:05:37
you
1:05:37
know,
1:05:38
like
1:05:38
Buck
1:05:38
and
1:05:39
Eddie's.
1:05:39
Them
1:05:39
trying
1:05:40
different
1:05:40
things
1:05:41
and.
1:05:41
And
1:05:41
still
1:05:42
Having
1:05:42
no
1:05:42
luck
1:05:42
or
1:05:43
not
1:05:43
even
1:05:43
trying
1:05:43
different
1:05:44
things.
1:05:44
It's.
1:05:44
It's
1:05:45
the
1:05:45
same
1:05:45
thing.
1:05:45
They're
1:05:45
on
1:05:46
the
1:05:46
same
1:05:46
hamster.
1:05:47
They're
1:05:47
on
1:05:47
their
1:05:47
own
1:05:48
hamster
1:05:48
wheels.
1:05:49
Okay?
1:05:49
It's
1:05:50
the
1:05:50
same
1:05:50
stuff
1:05:50
over
1:05:51
and
1:05:51
over
1:05:51
again.
1:05:52
But
1:05:52
like,
1:05:52
this
1:05:53
time
1:05:54
might
1:05:54
be
1:05:54
different
1:05:55
with
1:05:55
them
1:05:56
because
1:05:57
it's
1:05:57
been
1:05:57
so
1:05:57
long
1:05:58
and
1:05:58
they
1:05:58
know
1:05:58
each
1:05:59
other
1:05:59
so
1:05:59
well
1:05:59
and
1:06:00
they
1:06:01
must.
1:06:02
I
1:06:02
mean,
1:06:02
there's
1:06:03
the
1:06:03
lit,
1:06:03
the
1:06:03
stupid
1:06:04
literal.
1:06:04
Like,
1:06:04
of
1:06:05
course
1:06:05
they're
1:06:05
fireproof.
1:06:06
They're
1:06:06
fire
1:06:06
firefighters,
1:06:08
and.
1:06:09
And
1:06:09
their
1:06:09
turnouts
1:06:10
are
1:06:10
literally
1:06:10
fireproof.
1:06:11
But.
1:06:12
But
1:06:12
the
1:06:12
fact
1:06:13
that
1:06:13
they've
1:06:13
been
1:06:13
through
1:06:14
so
1:06:14
much
1:06:15
together
1:06:16
and
1:06:16
it's
1:06:16
been
1:06:17
so
1:06:17
long,
1:06:17
like,
1:06:18
it's
1:06:18
like
1:06:18
it's
1:06:18
leading
1:06:19
up
1:06:19
to
1:06:19
something.
1:06:20
Must
1:06:20
be
1:06:20
fireproof.
1:06:21
So
1:06:22
that's
1:06:22
kind
1:06:23
of
1:06:23
how
1:06:23
it
1:06:23
ties
1:06:23
in.
1:06:24
Lyrically
1:06:24
for
1:06:24
me,
1:06:25
it's
1:06:25
mostly
1:06:25
just
1:06:26
like
1:06:26
the
1:06:26
vibes
1:06:27
of
1:06:27
the
1:06:28
song,
1:06:28
I
1:06:28
think.
1:06:28
I
1:06:29
think
1:06:29
it's
1:06:29
kind
1:06:29
of
1:06:29
cheeky.
1:06:30
Most
1:06:31
half
1:06:31
of
1:06:31
me
1:06:31
did
1:06:31
it
1:06:32
for
1:06:32
the
1:06:32
lulz,
1:06:33
honestly,
1:06:34
because
1:06:35
I
1:06:35
was
1:06:35
like,
1:06:35
you
1:06:35
guys
1:06:35
are
1:06:36
going
1:06:36
to
1:06:37
laugh
1:06:37
or
1:06:38
hate
1:06:38
me
1:06:38
or
1:06:38
both.
1:06:39
But
1:06:39
like,
1:06:39
the
1:06:40
way
1:06:40
I
1:06:40
could
1:06:40
see
1:06:41
it,
1:06:41
quote
1:06:42
unquote,
1:06:42
realistically,
1:06:43
like,
1:06:44
if.
1:06:44
If
1:06:44
this
1:06:45
were
1:06:45
to
1:06:45
be
1:06:45
used
1:06:46
in
1:06:46
a.
1:06:46
In
1:06:47
a
1:06:47
scenario
1:06:47
where
1:06:47
they
1:06:48
get
1:06:48
together,
1:06:48
I
1:06:49
would
1:06:49
want
1:06:49
it
1:06:49
to
1:06:50
be
1:06:50
like
1:06:51
a
1:06:51
stripped
1:06:52
back
1:06:52
version
1:06:53
of
1:06:53
it.
1:06:53
Like
1:06:54
on
1:06:54
a
1:06:54
slower
1:06:55
tempo,
1:06:56
maybe
1:06:57
with
1:06:57
lyrics,
1:06:58
maybe
1:06:59
instrumental,
1:07:00
like,
1:07:00
you
1:07:00
know,
1:07:00
Allah.
1:07:01
Like
1:07:02
the
1:07:02
Bridgerton
1:07:03
covers,
1:07:04
where
1:07:04
it's.
1:07:05
Where
1:07:05
it's
1:07:05
modern
1:07:06
music
1:07:07
in
1:07:07
like
1:07:08
a
1:07:08
classical
1:07:09
composition
1:07:10
or
1:07:10
just
1:07:11
like
1:07:11
a
1:07:11
really,
1:07:12
you
1:07:12
know,
1:07:12
like
1:07:13
stripped
1:07:13
back
1:07:13
kind
1:07:13
of.
1:07:14
Not
1:07:14
necessarily
1:07:15
acoustic.
1:07:16
Because
1:07:16
I
1:07:16
think
1:07:16
some
1:07:16
of
1:07:16
the.
1:07:17
Some
1:07:17
of
1:07:18
the
1:07:18
twinkly
1:07:20
magic
1:07:20
in
1:07:21
there
1:07:21
is
1:07:21
in
1:07:22
the
1:07:22
production,
1:07:23
but
1:07:24
like.
1:07:24
Like
1:07:24
a
1:07:25
different.
1:07:25
Like
1:07:25
a
1:07:25
different
1:07:26
way
1:07:26
of.
1:07:26
Of
1:07:27
presenting
1:07:28
the.
1:07:29
The
1:07:29
lyricism
1:07:30
to
1:07:30
it.
1:07:30
I
1:07:30
don't
1:07:30
know.
1:07:31
That's.
1:07:31
That's
1:07:32
kind
1:07:32
of
1:07:32
like
1:07:32
slowed
1:07:33
down,
1:07:34
stripped
1:07:34
back,
1:07:35
maybe
1:07:35
instrumental
1:07:36
or
1:07:36
like
1:07:36
very
1:07:37
soft
1:07:37
lyrics
1:07:39
being
1:07:39
sung
1:07:39
to
1:07:40
it.
1:07:40
You
1:07:40
know,
1:07:41
that's
1:07:41
how
1:07:41
I
1:07:41
can
1:07:42
see
1:07:42
it
1:07:42
in
1:07:42
my
1:07:42
head.
1:07:43
That's
1:07:44
how
1:07:44
I
1:07:44
excused
1:07:45
this
1:07:46
choice.
1:07:47
Thank
1:07:48
you
1:07:48
and
1:07:48
good
1:07:48
night.
1:07:50
You're
1:07:50
gonna
1:07:50
make.
1:07:50
You're
1:07:51
gonna
1:07:51
make
1:07:51
the.
1:07:51
Our
1:07:52
one
1:07:52
Directioner
1:07:53
listeners
1:07:54
very
1:07:55
happy.
1:07:56
Maybe.
1:07:57
Who
1:07:57
are
1:07:57
you?
1:07:57
Please
1:07:58
talk
1:07:58
to
1:07:58
me.
1:07:59
Moving
1:08:00
on
1:08:00
to
1:08:01
the
1:08:01
first
1:08:02
Bachika.
1:08:03
Wow.
1:08:03
Wow.
1:08:04
Songs.
1:08:05
We
1:08:05
will
1:08:05
not
1:08:06
be
1:08:06
elaborating
1:08:06
on
1:08:07
these.
1:08:09
I
1:08:09
might
1:08:09
say,
1:08:09
like
1:08:10
a
1:08:10
thing.
1:08:10
But
1:08:11
yeah,
1:08:11
I.
1:08:11
I
1:08:11
mean,
1:08:12
I
1:08:12
think
1:08:12
I
1:08:12
will
1:08:12
read
1:08:12
a
1:08:13
couple
1:08:13
lyrics
1:08:13
from
1:08:13
Mosier,
1:08:14
but
1:08:14
like,
1:08:14
I
1:08:14
don't.
1:08:15
It's
1:08:15
mostly
1:08:15
the
1:08:16
vibe.
1:08:16
Listen
1:08:16
to
1:08:16
them.
1:08:16
They
1:08:17
sound
1:08:17
sexy.
1:08:20
So.
1:08:22
So
1:08:23
I
1:08:23
picked.
1:08:24
I
1:08:24
picked
1:08:25
Borders.
1:08:26
Borders.
1:08:28
I
1:08:28
picked
1:08:28
Borders
1:08:29
by
1:08:29
Zayn.
1:08:30
Oh,
1:08:31
yeah.
1:08:32
I
1:08:32
don't
1:08:32
know
1:08:33
that
1:08:33
song.
1:08:33
I
1:08:33
just
1:08:33
know
1:08:33
Zayn
1:08:34
makes
1:08:34
horny
1:08:34
songs.
1:08:35
Zane.
1:08:37
Yeah,
1:08:37
that
1:08:38
Zane
1:08:38
that's
1:08:38
in.
1:08:39
Oh,
1:08:39
from
1:08:40
what
1:08:40
direction,
1:08:40
Zane?
1:08:40
Yeah.
1:08:41
Yes.
1:08:41
Yeah,
1:08:42
that
1:08:42
one.
1:08:42
Yes.
1:08:43
Cool.
1:08:43
The
1:08:44
solo
1:08:44
music
1:08:44
is
1:08:45
okay.
1:08:45
Rachel.
1:08:48
Yeah.
1:08:52
The
1:08:52
scene
1:08:53
would
1:08:53
have
1:08:53
been
1:08:53
okay.
1:08:54
I'm
1:08:54
just
1:08:54
kidding.
1:08:54
I'm
1:08:54
done.
1:08:55
I'm
1:08:55
done
1:08:56
ragging
1:08:56
on
1:08:56
Rachel
1:08:57
over
1:08:57
here
1:08:57
anyway.
1:08:59
And
1:08:59
sync
1:08:59
songs
1:09:00
on
1:09:00
here.
1:09:01
Okay.
1:09:03
So
1:09:03
no,
1:09:04
it
1:09:04
would
1:09:04
have
1:09:04
been
1:09:04
Jonas
1:09:04
brothers
1:09:05
otherwise.
1:09:05
I'm
1:09:05
just
1:09:05
gonna
1:09:05
leave
1:09:05
it.
1:09:06
Let's
1:09:06
just.
1:09:07
Oh,
1:09:07
my
1:09:07
God.
1:09:08
We're
1:09:08
gonna
1:09:08
go
1:09:08
continue.
1:09:09
All
1:09:09
right.
1:09:09
So
1:09:10
part
1:09:10
of
1:09:10
the
1:09:10
lyrics
1:09:10
that
1:09:10
I
1:09:11
highlighted
1:09:11
that
1:09:11
really
1:09:11
stood
1:09:12
out
1:09:12
to
1:09:12
me.
1:09:12
And
1:09:12
honestly,
1:09:13
this
1:09:13
is
1:09:13
probably
1:09:13
the
1:09:13
only
1:09:14
section
1:09:14
I
1:09:14
would
1:09:14
do
1:09:15
an
1:09:15
edit
1:09:15
or
1:09:15
the
1:09:15
only
1:09:15
section
1:09:16
that
1:09:16
I
1:09:16
would
1:09:16
picture
1:09:17
them
1:09:17
doing.
1:09:17
The
1:09:17
bound
1:09:18
chickle.
1:09:18
Wow.
1:09:18
Wow.
1:09:19
At
1:09:21
is
1:09:24
they
1:09:24
don't
1:09:25
know
1:09:25
what
1:09:25
I
1:09:25
know
1:09:25
how
1:09:25
long
1:09:26
I've
1:09:26
had
1:09:26
to
1:09:26
hold
1:09:27
you're
1:09:27
like
1:09:27
a
1:09:27
commotion
1:09:28
all
1:09:28
because
1:09:28
of
1:09:28
me.
1:09:28
So
1:09:29
take
1:09:29
it
1:09:29
off
1:09:30
let's
1:09:30
break
1:09:30
down
1:09:31
all
1:09:31
of
1:09:31
our
1:09:31
walls
1:09:32
Right
1:09:32
now
1:09:32
I
1:09:33
want
1:09:33
to
1:09:33
see
1:09:33
it
1:09:33
all
1:09:34
I
1:09:34
don't
1:09:35
want
1:09:35
to
1:09:35
cool
1:09:35
off
1:09:36
so
1:09:36
let's
1:09:36
cross
1:09:37
the
1:09:37
lines
1:09:37
we
1:09:37
lost
1:09:38
right
1:09:38
now
1:09:38
I
1:09:38
want
1:09:38
to
1:09:38
see
1:09:39
it
1:09:39
all.
1:09:39
You
1:09:39
were
1:09:39
right
1:09:40
on
1:09:40
border.
1:09:41
Give
1:09:41
me
1:09:41
all
1:09:41
this.
1:09:41
Give
1:09:42
me
1:09:42
all
1:09:42
of
1:09:42
you.
1:09:43
Yeah.
1:09:43
Anyway,
1:09:45
so
1:09:45
in
1:09:46
true
1:09:46
911.
1:09:48
In
1:09:48
true
1:09:48
911
1:09:49
fashion,
1:09:49
I
1:09:50
mean,
1:09:50
borders
1:09:52
break
1:09:52
down
1:09:53
the
1:09:53
walls.
1:09:54
I've
1:09:54
been
1:09:55
obsessed
1:09:56
with
1:09:56
the
1:09:56
walls
1:09:57
between
1:09:57
these
1:09:58
two
1:09:59
and
1:09:59
91
1:10:00
1.
1:10:00
If
1:10:00
they
1:10:00
really
1:10:00
wanted
1:10:01
to
1:10:01
pick
1:10:01
the
1:10:01
song
1:10:01
and
1:10:02
do
1:10:02
it
1:10:03
and
1:10:03
to
1:10:03
them
1:10:03
doing
1:10:04
it,
1:10:07
I
1:10:07
think
1:10:07
it
1:10:07
would
1:10:08
be
1:10:08
this.
1:10:08
Because,
1:10:08
like.
1:10:09
No,
1:10:09
but
1:10:09
seriously,
1:10:09
like,
1:10:10
in
1:10:10
a
1:10:10
more
1:10:10
like
1:10:11
actual
1:10:11
serious
1:10:11
note,
1:10:12
because
1:10:12
of,
1:10:12
like,
1:10:13
the
1:10:13
walls
1:10:13
between
1:10:14
them,
1:10:15
finally
1:10:15
the
1:10:16
walls.
1:10:16
The
1:10:16
foundation
1:10:17
and
1:10:17
walls
1:10:18
crumbling
1:10:18
down
1:10:19
and
1:10:19
they
1:10:19
finally
1:10:19
do
1:10:20
the
1:10:20
do.
1:10:20
Yeah.
1:10:20
Okay.
1:10:21
That's
1:10:21
it.
1:10:21
That's.
1:10:22
That's
1:10:22
why
1:10:22
I
1:10:22
picked
1:10:23
that
1:10:23
song
1:10:23
and
1:10:23
the
1:10:23
vibes.
1:10:24
That's
1:10:24
it.
1:10:25
I
1:10:25
like
1:10:26
that.
1:10:26
I
1:10:26
have.
1:10:27
I
1:10:27
have
1:10:27
three
1:10:27
very
1:10:28
quickly.
1:10:28
Joan
1:10:29
Jett,
1:10:29
do
1:10:30
you
1:10:30
wanna
1:10:30
touch
1:10:30
me?
1:10:31
I
1:10:31
love
1:10:32
that
1:10:32
song.
1:10:33
I
1:10:33
think
1:10:33
it
1:10:33
would
1:10:33
be
1:10:33
a
1:10:33
great,
1:10:34
fun
1:10:34
one
1:10:34
if,
1:10:34
like,
1:10:35
they're
1:10:35
waiting
1:10:35
to
1:10:35
have
1:10:36
their
1:10:36
first
1:10:36
time
1:10:37
and
1:10:37
then
1:10:37
they
1:10:37
finally
1:10:38
are
1:10:38
like
1:10:38
it.
1:10:39
Like,
1:10:40
I
1:10:40
think
1:10:40
it
1:10:40
would
1:10:40
be
1:10:40
great.
1:10:41
I
1:10:41
wanna
1:10:42
be
1:10:42
yours
1:10:42
by
1:10:42
the
1:10:42
arctic
1:10:43
monkeys.
1:10:44
It's
1:10:44
just
1:10:45
like
1:10:45
a.
1:10:46
Like
1:10:46
a
1:10:46
groovy
1:10:47
kind
1:10:47
of
1:10:47
like,
1:10:47
slow
1:10:48
down
1:10:48
beat.
1:10:48
And
1:10:49
literally
1:10:49
the
1:10:49
chorus
1:10:49
is
1:10:50
just
1:10:50
like
1:10:50
I
1:10:50
wanna
1:10:50
be
1:10:51
yours
1:10:51
over
1:10:51
and
1:10:51
over
1:10:52
again.
1:10:52
Oh,
1:10:52
that
1:10:53
is
1:10:53
a
1:10:53
good
1:10:53
one.
1:10:53
But
1:10:53
we're
1:10:53
gonna
1:10:54
talk
1:10:54
about
1:10:54
is
1:10:55
talk
1:10:55
by
1:10:55
Hozier.
1:10:57
Yes,
1:10:57
I
1:10:57
was
1:10:58
looking
1:10:58
at
1:10:58
that
1:10:58
one
1:10:58
too.
1:10:59
Yes.
1:10:59
Talk
1:11:00
by
1:11:00
Hozier.
1:11:00
There
1:11:01
is,
1:11:01
like
1:11:01
an
1:11:02
edit
1:11:02
to
1:11:02
this
1:11:03
that
1:11:03
I
1:11:04
love,
1:11:04
that
1:11:05
I
1:11:05
think
1:11:05
all
1:11:05
of
1:11:05
us
1:11:06
have
1:11:06
watched
1:11:06
and
1:11:06
loved.
1:11:07
Because,
1:11:08
like,
1:11:08
the
1:11:08
beginning
1:11:09
of
1:11:09
it
1:11:09
talks
1:11:10
about,
1:11:10
like,
1:11:10
I'd
1:11:10
be
1:11:10
the
1:11:10
voice
1:11:11
that
1:11:11
urged
1:11:11
Orpheus
1:11:12
when
1:11:12
her
1:11:13
body
1:11:13
was
1:11:13
bound.
1:11:13
I'd
1:11:14
be
1:11:14
the
1:11:14
Choiceless
1:11:14
hope
1:11:14
and
1:11:15
grief
1:11:15
that
1:11:15
drove
1:11:16
him
1:11:16
underground
1:11:17
I'd
1:11:17
be
1:11:17
the
1:11:17
dreadful
1:11:18
need
1:11:18
in
1:11:18
the
1:11:18
devotee
1:11:19
that
1:11:19
made
1:11:19
him
1:11:20
turn
1:11:20
around
1:11:20
and
1:11:20
it's
1:11:21
Eddie
1:11:21
turning
1:11:21
around.
1:11:22
Oh,
1:11:22
my
1:11:23
God.
1:11:24
Yeah.
1:11:25
I'd
1:11:26
be
1:11:26
the
1:11:26
immediate
1:11:26
forgiveness
1:11:27
and
1:11:27
Eurydice.
1:11:28
Imagine
1:11:28
being
1:11:29
loved
1:11:29
by
1:11:29
me
1:11:30
Right.
1:11:32
I
1:11:32
remember
1:11:33
watching
1:11:33
this
1:11:33
edit,
1:11:34
and
1:11:34
we
1:11:34
were
1:11:34
all
1:11:34
just
1:11:35
kind
1:11:35
of
1:11:35
like.
1:11:36
Then
1:11:37
the
1:11:37
chorus
1:11:37
is.
1:11:37
I
1:11:38
won't
1:11:38
deny
1:11:38
I've
1:11:38
got
1:11:39
in
1:11:39
my
1:11:39
mind
1:11:39
now
1:11:39
all
1:11:40
the
1:11:40
things
1:11:40
I
1:11:40
would
1:11:40
do
1:11:41
so
1:11:41
I
1:11:41
try
1:11:41
to
1:11:42
talk
1:11:42
refined
1:11:42
for
1:11:43
fear
1:11:43
that
1:11:43
you
1:11:43
find
1:11:44
out
1:11:44
how
1:11:44
I'm
1:11:44
imagining
1:11:45
you
1:11:46
like,
1:11:46
it's.
1:11:48
It's
1:11:48
hosier.
1:11:48
So
1:11:49
it's,
1:11:49
like,
1:11:50
poetic
1:11:50
but
1:11:50
horny.
1:11:51
So.
1:11:51
Yeah,
1:11:52
that's
1:11:52
his
1:11:53
M.O.
1:11:53
Is.
1:11:54
You
1:11:54
know,
1:11:54
we've
1:11:54
got
1:11:54
some
1:11:55
mythology
1:11:55
in
1:11:55
here,
1:11:55
but,
1:11:56
you
1:11:57
know,
1:11:57
make
1:11:57
it
1:11:57
sexy.
1:11:58
Oh,
1:11:58
yes.
1:11:59
Those
1:11:59
are
1:11:59
the
1:11:59
choices.
1:12:00
I
1:12:00
love
1:12:01
those
1:12:01
choices.
1:12:01
I
1:12:02
didn't.
1:12:02
I
1:12:03
just
1:12:03
had
1:12:03
those.
1:12:04
It's
1:12:05
okay.
1:12:05
That's
1:12:06
fine.
1:12:06
We.
1:12:06
We
1:12:06
were.
1:12:07
We
1:12:07
just
1:12:07
went.
1:12:08
We
1:12:08
were.
1:12:08
We
1:12:09
were
1:12:09
like.
1:12:09
I
1:12:09
was
1:12:09
looking
1:12:09
for
1:12:09
a
1:12:10
kiss
1:12:10
one,
1:12:10
and
1:12:10
I
1:12:10
was
1:12:10
like,
1:12:10
these
1:12:11
are
1:12:11
a
1:12:11
little
1:12:11
past
1:12:11
kissing,
1:12:15
but
1:12:15
still
1:12:15
good.
1:12:16
Syl.
1:12:16
Bring
1:12:17
us
1:12:17
home.
1:12:18
So
1:12:18
I
1:12:18
have
1:12:18
a
1:12:20
5th
1:12:20
secret
1:12:20
option
1:12:21
or
1:12:22
category.
1:12:23
5th
1:12:23
secret
1:12:24
category
1:12:24
for
1:12:25
I
1:12:26
don't
1:12:26
really
1:12:26
know.
1:12:26
Okay.
1:12:27
What
1:12:27
had
1:12:27
happened
1:12:28
here
1:12:29
was
1:12:29
that.
1:12:29
What
1:12:29
happened
1:12:30
was.
1:12:31
What
1:12:31
had
1:12:31
happened
1:12:32
was.
1:12:33
Was
1:12:33
that
1:12:33
I
1:12:34
had
1:12:34
this
1:12:34
song
1:12:35
in
1:12:35
mind
1:12:35
for,
1:12:36
I
1:12:36
think,
1:12:36
them
1:12:36
getting
1:12:37
together.
1:12:38
Not
1:12:38
necessarily
1:12:38
first
1:12:39
kiss,
1:12:39
but,
1:12:39
like,
1:12:39
I
1:12:39
think
1:12:39
just
1:12:40
getting
1:12:40
together.
1:12:41
And
1:12:41
then
1:12:42
I
1:12:42
found
1:12:42
a
1:12:42
different
1:12:42
getting
1:12:43
together
1:12:43
song.
1:12:43
And
1:12:43
then
1:12:44
I
1:12:44
found
1:12:44
another
1:12:45
horny
1:12:45
song,
1:12:45
and
1:12:46
then
1:12:46
I
1:12:46
was
1:12:46
just
1:12:46
like,
1:12:46
you
1:12:46
know,
1:12:47
the
1:12:47
secret
1:12:48
fifth
1:12:48
option.
1:12:49
Yes.
1:12:50
The
1:12:50
buddy
1:12:50
proposal.
1:12:51
Prob.
1:12:52
Probably
1:12:53
marriage
1:12:54
proposal
1:12:55
or
1:12:55
actual
1:12:55
wedding
1:12:56
montage.
1:12:57
So
1:12:57
the
1:12:57
song
1:12:58
is
1:12:58
called
1:12:58
Woodwork
1:12:59
by
1:12:59
sleeping
1:12:59
at
1:13:00
last.
1:13:00
Ooh.
1:13:02
Oh,
1:13:02
Hands,
1:13:03
Eyes.
1:13:03
Got
1:13:03
just.
1:13:03
Just
1:13:04
got
1:13:04
so
1:13:04
big.
1:13:05
Yeah.
1:13:06
I
1:13:06
literally
1:13:06
cannot
1:13:06
even
1:13:07
see
1:13:07
you
1:13:07
guys.
1:13:08
But
1:13:09
yes.
1:13:10
Yes.
1:13:11
So
1:13:12
some
1:13:12
of
1:13:12
the
1:13:12
lyrics
1:13:13
that
1:13:13
stand
1:13:13
out
1:13:13
to
1:13:13
me
1:13:14
are.
1:13:15
Our
1:13:15
world
1:13:15
caves
1:13:16
in
1:13:16
on
1:13:16
us
1:13:17
and
1:13:17
makes
1:13:17
us
1:13:17
new.
1:13:17
All
1:13:18
of
1:13:18
our
1:13:18
love
1:13:18
came
1:13:18
out
1:13:19
of
1:13:19
the
1:13:19
woodwork
1:13:19
all
1:13:20
of
1:13:20
our
1:13:20
strength
1:13:20
came
1:13:20
out
1:13:21
of
1:13:21
the
1:13:21
woodwork
1:13:21
we
1:13:21
only
1:13:22
notice
1:13:22
light
1:13:22
when
1:13:22
the
1:13:22
darkness
1:13:23
crashes
1:13:23
against
1:13:24
it
1:13:25
we
1:13:25
only
1:13:25
notice
1:13:25
light
1:13:26
deep
1:13:26
in
1:13:26
the
1:13:26
woodwork
1:13:27
I
1:13:27
still
1:13:28
hear
1:13:28
the
1:13:28
song
1:13:28
as
1:13:28
it
1:13:29
rings
1:13:29
beneath
1:13:29
the
1:13:29
sound
1:13:30
of
1:13:30
shattered
1:13:30
glass
1:13:31
in
1:13:31
the
1:13:31
aftermath
1:13:32
the
1:13:32
melody
1:13:32
it
1:13:32
carries
1:13:33
on
1:13:33
While
1:13:33
we
1:13:34
come
1:13:34
undone
1:13:34
and
1:13:34
it
1:13:35
makes
1:13:35
us
1:13:35
new
1:13:35
Skipping
1:13:36
down
1:13:37
It's.
1:13:38
It's
1:13:38
a
1:13:38
cruel,
1:13:38
cruel
1:13:38
trip
1:13:39
how
1:13:39
we
1:13:39
often
1:13:39
find
1:13:40
ourselves
1:13:40
when
1:13:40
we
1:13:40
lose
1:13:41
everything
1:13:41
else
1:13:41
Like
1:13:42
a
1:13:42
train
1:13:42
wreck
1:13:42
the
1:13:42
sound
1:13:43
of
1:13:43
your
1:13:43
breathing
1:13:43
hits
1:13:44
my
1:13:44
ears
1:13:44
the
1:13:44
world
1:13:44
reappears
1:13:45
and
1:13:46
it
1:13:46
breaks
1:13:46
us
1:13:46
new
1:13:48
so
1:13:48
I
1:13:48
think
1:13:48
it's
1:13:49
kind
1:13:49
of,
1:13:49
like,
1:13:50
lyrically
1:13:51
and
1:13:51
based
1:13:52
on
1:13:52
vibes
1:13:52
and
1:13:53
the
1:13:53
melody
1:13:54
of
1:13:54
how
1:13:54
it
1:13:54
is.
1:13:55
Like,
1:13:55
I
1:13:55
did
1:13:55
picture
1:13:56
this
1:13:56
as
1:13:56
them
1:13:56
Getting
1:13:57
together.
1:13:57
But
1:13:57
I
1:13:57
guess
1:13:58
it
1:13:58
depends
1:13:58
how.
1:13:59
Like,
1:13:59
obviously,
1:14:00
like,
1:14:00
I
1:14:00
put
1:14:00
it
1:14:00
in
1:14:01
this
1:14:01
secret
1:14:01
fifth
1:14:01
option.
1:14:04
And
1:14:04
it
1:14:04
really,
1:14:04
like,
1:14:04
speaks
1:14:05
to.
1:14:06
I
1:14:06
think
1:14:06
what
1:14:06
I
1:14:06
think
1:14:07
about
1:14:07
when.
1:14:07
When
1:14:08
I.
1:14:08
I
1:14:08
listen
1:14:09
to
1:14:09
the
1:14:09
song
1:14:09
is
1:14:09
like,
1:14:10
the
1:14:10
whole.
1:14:11
God,
1:14:11
what
1:14:11
are
1:14:12
these
1:14:12
old
1:14:12
guys?
1:14:12
The
1:14:12
old
1:14:13
gays
1:14:13
names.
1:14:14
Oh,
1:14:15
yeah.
1:14:16
From
1:14:16
Thomas
1:14:17
Mitchell.
1:14:18
Yes.
1:14:19
So
1:14:19
I
1:14:19
think
1:14:19
about,
1:14:19
like,
1:14:20
the
1:14:20
two
1:14:21
older
1:14:21
gays,
1:14:22
Thomas
1:14:23
and
1:14:23
Mitchell.
1:14:23
From
1:14:24
Buck,
1:14:24
actually.
1:14:25
Yeah,
1:14:25
yeah,
1:14:25
yeah.
1:14:26
And
1:14:26
I
1:14:27
forgot
1:14:27
which
1:14:27
one
1:14:27
says
1:14:27
it.
1:14:28
Is
1:14:28
it
1:14:28
Thomas
1:14:29
that.
1:14:29
I
1:14:29
always
1:14:30
forget
1:14:30
who
1:14:31
is
1:14:31
who
1:14:31
in
1:14:31
that
1:14:31
one.
1:14:32
Thomas.
1:14:33
So,
1:14:33
like,
1:14:34
Buck
1:14:34
is
1:14:34
like,
1:14:34
oh,
1:14:35
I.
1:14:35
I
1:14:35
hope
1:14:36
I
1:14:36
can
1:14:36
find
1:14:36
something
1:14:37
like
1:14:37
that
1:14:37
or
1:14:38
something
1:14:38
like,
1:14:38
similar
1:14:38
to
1:14:39
that
1:14:39
love.
1:14:39
Like
1:14:39
that.
1:14:39
I
1:14:40
love
1:14:40
like
1:14:40
that.
1:14:40
And
1:14:40
then
1:14:41
Thomas
1:14:41
says,
1:14:42
you
1:14:42
don't
1:14:43
find
1:14:43
it,
1:14:43
son,
1:14:43
you
1:14:43
make
1:14:44
it.
1:14:44
And
1:14:44
I
1:14:44
think
1:14:45
so,
1:14:45
like,
1:14:45
you
1:14:45
know,
1:14:47
I
1:14:47
feel
1:14:47
like
1:14:47
their
1:14:48
love.
1:14:48
The
1:14:48
love.
1:14:49
Their
1:14:49
love
1:14:49
and
1:14:50
the
1:14:51
strength
1:14:51
that
1:14:51
comes
1:14:51
out
1:14:51
of
1:14:51
that
1:14:52
love.
1:14:52
Like,
1:14:52
I
1:14:52
feel
1:14:53
like
1:14:53
that
1:14:54
that
1:14:54
was
1:14:54
something
1:14:54
that
1:14:55
they
1:14:55
made
1:14:56
throughout
1:14:56
all
1:14:57
of
1:14:57
the.
1:14:57
All
1:14:57
of
1:14:58
those
1:14:58
years.
1:14:58
So,
1:14:58
like,
1:14:58
I
1:14:58
guess
1:14:59
if
1:14:59
I
1:14:59
picture
1:14:59
it,
1:14:59
like,
1:15:00
maybe
1:15:00
they
1:15:00
could
1:15:00
do,
1:15:00
like,
1:15:01
a
1:15:01
montage
1:15:01
to
1:15:02
this
1:15:02
song,
1:15:02
like,
1:15:03
all
1:15:03
of
1:15:03
their.
1:15:03
Yeah.
1:15:04
Moments.
1:15:05
That's
1:15:05
a
1:15:05
good
1:15:05
option.
1:15:06
Yeah.
1:15:06
Yeah.
1:15:07
The
1:15:07
song.
1:15:08
The
1:15:08
song
1:15:08
that
1:15:08
I
1:15:09
thought
1:15:09
of
1:15:10
when
1:15:10
you
1:15:10
said
1:15:10
Wedding
1:15:11
was
1:15:11
also
1:15:11
a
1:15:11
sleeping
1:15:11
at
1:15:12
last
1:15:12
song.
1:15:12
But
1:15:12
it
1:15:12
wasn't
1:15:12
this
1:15:13
one.
1:15:14
It
1:15:15
was
1:15:15
Turning
1:15:15
Page.
1:15:16
I
1:15:16
had
1:15:17
that
1:15:17
one
1:15:17
on
1:15:17
my
1:15:17
list.
1:15:18
Yeah.
1:15:19
So
1:15:20
this
1:15:20
is
1:15:20
one
1:15:20
that's
1:15:20
used
1:15:21
at
1:15:21
weddings
1:15:21
a
1:15:22
lot.
1:15:22
I've
1:15:22
had
1:15:23
it
1:15:23
on
1:15:23
my
1:15:23
buddy
1:15:23
playlist,
1:15:24
like,
1:15:25
for
1:15:25
a
1:15:25
long
1:15:25
time.
1:15:26
I've
1:15:26
waited
1:15:27
a
1:15:27
hundred
1:15:27
years
1:15:27
But
1:15:28
I'd
1:15:28
wait
1:15:28
a
1:15:28
million
1:15:28
more
1:15:28
for
1:15:29
you
1:15:29
Nothing
1:15:29
prepared
1:15:30
me
1:15:30
for
1:15:30
what
1:15:30
the
1:15:30
privilege
1:15:30
of
1:15:31
being
1:15:31
yours
1:15:31
would
1:15:31
do.
1:15:32
If
1:15:32
I'd
1:15:33
only
1:15:33
felt
1:15:33
the
1:15:33
warmth
1:15:34
within
1:15:34
your
1:15:34
touch.
1:15:34
If
1:15:34
I'd
1:15:35
only
1:15:35
seen
1:15:35
how
1:15:35
you
1:15:36
smile
1:15:36
when
1:15:36
you
1:15:36
blush
1:15:37
or
1:15:37
how
1:15:37
you
1:15:38
curl
1:15:38
your
1:15:38
lip
1:15:39
when
1:15:39
you
1:15:39
concentrate
1:15:40
enough
1:15:40
well,
1:15:40
I
1:15:40
would
1:15:41
have
1:15:41
known
1:15:41
what
1:15:41
I
1:15:41
was
1:15:41
living
1:15:42
for
1:15:42
all
1:15:42
along.
1:15:43
Your
1:15:43
love
1:15:43
is
1:15:43
my
1:15:43
turning
1:15:44
page
1:15:44
where
1:15:44
only
1:15:45
the
1:15:45
sweetest
1:15:45
words
1:15:45
remain.
1:15:46
Every
1:15:46
kiss
1:15:46
is
1:15:46
a
1:15:46
cursive
1:15:47
line
1:15:47
Every
1:15:47
touch
1:15:48
is
1:15:48
a
1:15:48
redefining
1:15:48
phrase
1:15:49
I
1:15:50
surrender
1:15:50
who
1:15:50
I've
1:15:50
been
1:15:51
for
1:15:51
who
1:15:51
you
1:15:51
are
1:15:51
for
1:15:52
nothing
1:15:52
makes
1:15:52
me
1:15:52
stronger
1:15:53
than
1:15:53
your
1:15:53
fragile
1:15:53
heart.
1:15:54
And
1:15:54
then
1:15:54
it's
1:15:54
the.
1:15:55
If
1:15:55
I'd
1:15:55
only
1:15:56
felt
1:15:56
how
1:15:56
it
1:15:57
felt
1:15:57
to
1:15:57
be
1:15:57
yours
1:15:58
I
1:15:58
would
1:15:58
have
1:15:59
known
1:15:59
what
1:15:59
I've
1:15:59
been
1:15:59
living
1:15:59
for
1:16:00
all
1:16:00
along.
1:16:00
And
1:16:01
the
1:16:01
verse,
1:16:02
there's
1:16:02
no,
1:16:02
like,
1:16:03
real
1:16:03
chorus.
1:16:04
Like,
1:16:04
it
1:16:04
says
1:16:04
it's
1:16:05
a
1:16:05
chorus,
1:16:05
but
1:16:05
it
1:16:05
doesn't
1:16:05
repeat.
1:16:06
Yeah.
1:16:07
And
1:16:07
then
1:16:08
the
1:16:08
end
1:16:08
of
1:16:08
the
1:16:09
song
1:16:09
is
1:16:09
the
1:16:09
fourth.
1:16:10
Fourth
1:16:10
verse.
1:16:11
Though
1:16:11
we're
1:16:12
tethered
1:16:12
to
1:16:12
the
1:16:12
story
1:16:13
we
1:16:13
must
1:16:13
tell
1:16:13
When
1:16:14
I
1:16:14
saw
1:16:14
you
1:16:14
while
1:16:14
I
1:16:14
knew
1:16:15
we'd
1:16:15
tell
1:16:15
it
1:16:15
well
1:16:16
With
1:16:16
a
1:16:16
whisper
1:16:17
we
1:16:17
will
1:16:17
tame
1:16:17
the
1:16:17
vicious
1:16:18
Seas
1:16:18
like
1:16:18
a
1:16:19
feather
1:16:19
bringing
1:16:19
kingdoms
1:16:20
to
1:16:20
their
1:16:20
knees.
1:16:21
I
1:16:21
love
1:16:22
it.
1:16:24
Sleeping,
1:16:25
alas,
1:16:25
is
1:16:25
just
1:16:25
Buddy
1:16:25
and
1:16:26
Eddie
1:16:26
fits.
1:16:27
It
1:16:27
is.
1:16:27
Yeah.
1:16:28
Special
1:16:28
mention
1:16:29
for,
1:16:29
I
1:16:30
think,
1:16:30
all
1:16:30
of.
1:16:30
All
1:16:31
of
1:16:31
the
1:16:31
categories.
1:16:32
There's
1:16:33
no
1:16:33
lyrics
1:16:34
to
1:16:34
these
1:16:34
songs,
1:16:34
but,
1:16:34
like,
1:16:35
the.
1:16:35
Are
1:16:36
they
1:16:36
a
1:16:36
band?
1:16:36
Explosions
1:16:37
in
1:16:37
the
1:16:37
Sky.
1:16:38
They're
1:16:38
a
1:16:38
band.
1:16:38
Right.
1:16:39
So
1:16:40
anything
1:16:40
by
1:16:41
Explosions
1:16:41
from
1:16:42
this
1:16:42
in
1:16:42
the
1:16:42
sky
1:16:44
is
1:16:44
great
1:16:44
for,
1:16:45
like.
1:16:45
They
1:16:45
got
1:16:45
me
1:16:46
the
1:16:46
drama.
1:16:46
The.
1:16:47
They're
1:16:47
so
1:16:48
good.
1:16:48
Yeah.
1:16:48
It's
1:16:48
all
1:16:49
instrumental.
1:16:49
It's
1:16:50
all
1:16:50
instrumental
1:16:51
so
1:16:51
nicely.
1:16:52
It's
1:16:52
so
1:16:52
beautiful.
1:16:53
So
1:16:54
good.
1:16:54
Yes.
1:16:55
Yeah.
1:16:56
Oh,
1:16:56
God.
1:16:57
I.
1:16:57
There's.
1:16:57
Did
1:16:57
you
1:16:57
have,
1:16:58
like,
1:16:58
one
1:16:58
in
1:16:58
particular
1:16:58
that
1:16:59
you
1:16:59
were
1:17:00
drawn
1:17:00
to?
1:17:00
Your
1:17:00
hand
1:17:01
and
1:17:01
mine?
1:17:01
I
1:17:02
think
1:17:02
they
1:17:02
went
1:17:02
from
1:17:02
making
1:17:03
their
1:17:03
own
1:17:03
stuff
1:17:04
to
1:17:04
kind
1:17:04
of
1:17:04
exclusively
1:17:05
doing
1:17:05
movie
1:17:06
soundtracks.
1:17:07
Oh,
1:17:07
interesting
1:17:08
work
1:17:09
on
1:17:09
91
1:17:09
1.
1:17:10
They
1:17:10
do.
1:17:11
So.
1:17:11
I
1:17:11
really
1:17:11
like
1:17:12
your
1:17:12
Hand
1:17:12
in
1:17:12
Mine.
1:17:12
I
1:17:12
think
1:17:12
it's
1:17:13
like
1:17:13
their
1:17:13
most.
1:17:14
That's
1:17:14
the
1:17:14
popular
1:17:15
one.
1:17:16
Yeah.
1:17:16
But.
1:17:16
Yeah,
1:17:17
that's
1:17:17
my
1:17:17
favorite
1:17:17
album.
1:17:17
It's
1:17:18
the
1:17:18
one
1:17:18
from
1:17:18
2003.
1:17:19
Yeah.
1:17:21
The
1:17:21
Earth
1:17:21
is
1:17:21
Not
1:17:21
a
1:17:21
Cold
1:17:22
Dead
1:17:22
Place.
1:17:23
Like
1:17:23
anything
1:17:23
from
1:17:24
that
1:17:24
album.
1:17:24
Yeah,
1:17:25
they
1:17:25
did
1:17:25
a
1:17:25
lot
1:17:25
of
1:17:25
songs
1:17:26
for
1:17:26
Friday
1:17:26
Night
1:17:26
Lights.
1:17:28
Another
1:17:29
good
1:17:29
song
1:17:29
is
1:17:29
again,
1:17:30
also
1:17:30
from
1:17:30
that
1:17:30
album,
1:17:31
the
1:17:31
Only
1:17:31
Moment
1:17:32
We
1:17:32
Were
1:17:32
Alone.
1:17:33
Yes.
1:17:34
So
1:17:35
good.
1:17:35
Yes.
1:17:36
Well,
1:17:36
if
1:17:36
you.
1:17:37
If
1:17:37
you
1:17:37
like
1:17:37
just
1:17:37
vibes,
1:17:38
it's
1:17:38
great
1:17:38
band.
1:17:39
I
1:17:39
love
1:17:39
just
1:17:39
vibe.
1:17:40
If
1:17:40
you
1:17:40
want
1:17:40
to
1:17:40
paint
1:17:41
and
1:17:41
vibes,
1:17:42
I
1:17:42
would
1:17:43
listen
1:17:43
to
1:17:43
that.
1:17:43
It's.
1:17:44
It's
1:17:44
like
1:17:44
epic
1:17:45
movie
1:17:46
background
1:17:47
soundtrack.
1:17:47
Yeah.
1:17:48
Explosions
1:17:48
in
1:17:48
the
1:17:49
Sky.
1:17:49
But
1:17:50
the
1:17:50
album
1:17:50
we're
1:17:51
talking
1:17:51
about
1:17:51
is
1:17:51
called
1:17:51
the
1:17:52
Earth
1:17:52
is
1:17:52
Not
1:17:53
a
1:17:53
Cold
1:17:53
Dead
1:17:53
Place.
1:17:54
Oh,
1:17:54
I.
1:17:55
I
1:17:55
put
1:17:55
that
1:17:55
on
1:17:55
when
1:17:56
I'm
1:17:56
like
1:17:56
reading
1:17:56
like,
1:17:57
fic
1:17:57
and
1:17:58
we
1:17:58
get.
1:17:58
You
1:17:58
know,
1:17:58
you
1:17:58
get
1:17:59
to
1:17:59
those
1:17:59
moments
1:17:59
and
1:17:59
you're
1:18:00
like,
1:18:00
okay,
1:18:00
I
1:18:00
gotta
1:18:01
put
1:18:01
this
1:18:01
background
1:18:01
music
1:18:02
on.
1:18:04
Ooh,
1:18:05
I
1:18:06
love.
1:18:06
Yeah,
1:18:06
I
1:18:06
love
1:18:06
their
1:18:07
stuff.
1:18:07
Okay,
1:18:08
well,
1:18:09
let
1:18:09
us
1:18:09
know
1:18:10
what
1:18:10
you
1:18:10
think
1:18:10
of
1:18:10
our
1:18:11
picks.
1:18:12
Let
1:18:12
us
1:18:12
know
1:18:12
what
1:18:12
your
1:18:12
picks
1:18:13
would
1:18:13
be.
1:18:14
Yes,
1:18:15
I
1:18:15
wanna.
1:18:16
I
1:18:16
wanna
1:18:16
know
1:18:16
what.
1:18:17
What
1:18:17
other
1:18:17
people.
1:18:18
Yeah.
1:18:18
Are
1:18:18
thinking
1:18:19
of
1:18:19
too.
1:18:19
Broaden.
1:18:20
Broaden
1:18:21
our
1:18:22
horizon.
1:18:22
Hands.
1:18:22
Horizons
1:18:23
are
1:18:23
always.
1:18:23
Are
1:18:24
broad
1:18:25
with
1:18:25
music,
1:18:25
but
1:18:26
broaden
1:18:26
my
1:18:27
horizons.
1:18:28
Hey,
1:18:28
there
1:18:28
were
1:18:29
two
1:18:29
songs
1:18:29
you
1:18:29
guys
1:18:30
mentioned
1:18:30
that
1:18:30
I
1:18:31
did
1:18:31
not
1:18:31
know.
1:18:31
Well,
1:18:31
I
1:18:32
think
1:18:32
I
1:18:32
kind
1:18:32
of
1:18:33
vaguely.
1:18:33
New
1:18:33
year,
1:18:33
Teen
1:18:34
Wolf
1:18:34
1.
1:18:35
Yeah.
1:18:35
It's
1:18:36
been
1:18:36
around.
1:18:36
It's
1:18:36
been
1:18:37
around
1:18:37
the
1:18:37
block.
1:18:38
I'm
1:18:39
just
1:18:39
over
1:18:39
here
1:18:39
trying
1:18:39
to
1:18:39
throw
1:18:40
curveballs
1:18:40
at
1:18:41
everyone.
1:18:42
No,
1:18:42
I
1:18:42
love
1:18:43
it
1:18:43
because
1:18:43
they're
1:18:43
like
1:18:44
unexpected,
1:18:44
but
1:18:45
unexpected
1:18:46
picks
1:18:46
or
1:18:46
unknown
1:18:47
picks.
1:18:47
But,
1:18:48
like,
1:18:48
those
1:18:48
work
1:18:49
perfectly.
1:18:50
Everybody
1:18:50
did
1:18:50
a
1:18:51
good
1:18:51
job.
1:18:51
Tim,
1:18:52
I
1:18:52
really
1:18:52
need
1:18:52
you
1:18:53
to
1:18:53
help
1:18:53
me
1:18:54
become
1:18:54
a
1:18:54
better
1:18:55
editor
1:18:55
by
1:18:55
giving
1:18:56
me
1:18:56
the
1:18:56
content
1:18:57
that
1:18:57
I
1:18:57
need
1:18:57
so
1:18:57
I
1:18:58
can
1:18:58
do
1:18:58
the
1:18:58
fire
1:18:58
on
1:18:59
fire.
1:19:00
Oh,
1:19:00
my
1:19:00
God.
1:19:00
I
1:19:01
know.
1:19:01
Thanks.
1:19:02
I
1:19:02
started
1:19:02
that.
1:19:03
8
1:19:03
Sleeping
1:19:04
at
1:19:04
last.
1:19:04
8
1:19:05
Edit
1:19:05
in
1:19:05
the
1:19:05
mid
1:19:06
after
1:19:06
the
1:19:06
mid
1:19:06
season
1:19:07
finale
1:19:07
thinking
1:19:07
that
1:19:08
we
1:19:08
were
1:19:08
gonna
1:19:08
get
1:19:08
these
1:19:08
Eddie
1:19:09
like
1:19:10
gay
1:19:10
and
1:19:10
feelings
1:19:11
realization
1:19:11
moments
1:19:12
for
1:19:12
me
1:19:12
to
1:19:12
finish
1:19:12
the
1:19:13
song.
1:19:13
That's
1:19:14
what
1:19:14
the
1:19:14
second
1:19:14
half
1:19:14
of
1:19:14
the
1:19:14
song
1:19:15
is.
1:19:16
And
1:19:16
it's
1:19:16
just
1:19:16
still
1:19:17
sitting
1:19:17
at
1:19:17
the
1:19:18
song.
1:19:19
It's
1:19:19
ready.
1:19:20
It's
1:19:21
sitting
1:19:21
there.
1:19:21
It's
1:19:22
waiting.
1:19:22
Yeah.
1:19:23
Anyway,
1:19:23
this
1:19:24
was
1:19:24
so
1:19:24
much
1:19:24
fun.
1:19:24
Thank
1:19:25
you
1:19:25
guys
1:19:25
for
1:19:25
humoring
1:19:25
me
1:19:26
for
1:19:26
my
1:19:26
birthday
1:19:27
and
1:19:27
hey,
1:19:27
happy
1:19:28
birthday.
1:19:28
I'm
1:19:28
sure
1:19:29
we'll
1:19:29
do
1:19:30
more
1:19:30
things
1:19:30
like
1:19:30
this.
1:19:31
Let
1:19:31
us
1:19:31
if
1:19:32
you
1:19:32
liked
1:19:32
it
1:19:32
and
1:19:32
if
1:19:32
you
1:19:32
didn't.
1:19:33
Yeah,
1:19:33
please
1:19:34
don't
1:19:34
tell
1:19:34
me.
1:19:36
Tell
1:19:37
us
1:19:37
if
1:19:37
you
1:19:37
like
1:19:37
it.
1:19:38
That's
1:19:39
the
1:19:39
only
1:19:39
thing
1:19:39
you're
1:19:40
allowed
1:19:40
to
1:19:40
do.
1:19:42
Tell
1:19:42
us
1:19:42
if
1:19:43
you
1:19:43
like
1:19:43
it
1:19:43
and
1:19:43
tell
1:19:43
us
1:19:43
if
1:19:44
you
1:19:44
loved
1:19:44
it.
1:19:45
There
1:19:45
you
1:19:46
go.
1:19:47
And
1:19:47
if
1:19:47
you
1:19:47
would
1:19:47
like
1:19:48
maybe
1:19:49
another
1:19:50
of
1:19:50
these
1:19:50
with
1:19:51
like
1:19:51
different
1:19:51
picks
1:19:51
or
1:19:52
like
1:19:52
different
1:19:52
scenarios.
1:19:53
Yeah,
1:19:53
it's
1:19:53
going
1:19:54
to
1:19:54
be
1:19:54
post
1:19:54
season
1:19:54
nine.
1:19:55
Yeah,
1:19:56
probably.
1:19:57
Yeah.
1:19:57
I
1:19:57
think
1:19:57
we
1:19:58
have
1:19:58
or
1:19:58
during
1:19:58
the
1:19:58
mid
1:19:59
season
1:19:59
hiatus.
1:20:00
Depends
1:20:00
on
1:20:00
what
1:20:00
we
1:20:00
get.
1:20:01
We
1:20:01
clown
1:20:01
too
1:20:01
much
1:20:02
in
1:20:02
mid
1:20:02
seasons.
1:20:03
Okay.
1:20:04
We
1:20:04
do.
1:20:04
Yeah.
1:20:05
Can't
1:20:05
do
1:20:06
that.
1:20:06
Bring
1:20:06
that
1:20:06
back
1:20:08
that
1:20:09
this
1:20:09
is
1:20:09
us
1:20:09
you're
1:20:09
talking
1:20:10
about.
1:20:10
Thank
1:20:11
you
1:20:11
so
1:20:11
much
1:20:11
for
1:20:11
tuning
1:20:12
in
1:20:12
and
1:20:13
hope
1:20:14
you
1:20:14
have
1:20:14
a
1:20:14
great
1:20:15
fourth
1:20:15
of
1:20:15
July.
1:20:16
Oh
1:20:16
yeah.
1:20:17
Yeah.
1:20:17
If
1:20:17
you're
1:20:18
American.
1:20:18
If
1:20:18
you're
1:20:18
not,
1:20:19
happy
1:20:20
random
1:20:20
weekend.
1:20:23
Yeah.
1:20:24
Happy
1:20:24
whatever.
1:20:25
Enjoy
1:20:26
your
1:20:26
your
1:20:27
first
1:20:27
week
1:20:27
of
1:20:27
July.
1:20:28
Or
1:20:28
Happy
1:20:28
birthday
1:20:29
to
1:20:29
Steve.
1:20:29
Roger.
1:20:29
Southern
1:20:30
hemisphere.
1:20:31
Oh,
1:20:31
Happy
1:20:31
birthday
1:20:32
to
1:20:32
Steve
1:20:32
Rogers.
1:20:33
Happy
1:20:33
birthday
1:20:33
to
1:20:33
Steve
1:20:34
Rogers.
1:20:34
There
1:20:34
we
1:20:35
go.
1:20:35
Everybody
1:20:35
can
1:20:35
celebrate
1:20:36
that.
1:20:36
Hopefully.
1:20:37
Maybe.
1:20:40
And
1:20:40
remember
1:20:41
to
1:20:41
take
1:20:42
a
1:20:42
buddy
1:20:42
with
1:20:42
you.
1:20:44
Thank
1:20:44
you
1:20:44
for
1:20:45
listening
1:20:45
to
1:20:45
the
1:20:45
Buddy
1:20:45
System
1:20:46
podcast
1:20:46
from
1:20:46
start
1:20:47
to
1:20:47
finish.
1:20:48
We
1:20:48
literally
1:20:49
cannot
1:20:49
shut
1:20:49
up
1:20:49
about
1:20:50
91
1:20:50
1.
1:20:50
So
1:20:51
please
1:20:51
come
1:20:51
talk
1:20:51
to
1:20:51
us
1:20:52
on
1:20:52
your
1:20:52
favorite
1:20:53
social
1:20:53
media
1:20:53
platform.
1:20:54
We
1:20:54
are
1:20:55
at
1:20:55
BuddySystem
1:20:56
Pod
1:20:57
everywhere.
1:20:58
That's
1:20:58
B
1:20:58
U
1:20:59
D
1:20:59
D
1:20:59
I
1:21:00
E
1:21:01
System
1:21:01
Pod.
1:21:02
Leave
1:21:02
a
1:21:03
five
1:21:03
star
1:21:03
review
1:21:03
on
1:21:03
Spotify
1:21:04
or
1:21:04
Apple
1:21:05
podcasts
1:21:05
to
1:21:05
get
1:21:05
a
1:21:06
personal
1:21:06
shout
1:21:06
out
1:21:06
in
1:21:06
the
1:21:07
next
1:21:07
episode.
1:21:08
The
1:21:08
Buddy
1:21:08
System
1:21:08
is
1:21:09
a
1:21:09
nerd
1:21:09
Virgin
1:21:10
Media
1:21:10
production
1:21:11
featuring
1:21:11
music
1:21:11
from
1:21:11
Divinity.
1:21:12
Can't
1:21:13
get
1:21:13
enough
1:21:13
of
1:21:13
the
1:21:13
buddies.
1:21:14
Subscribe
1:21:14
to
1:21:15
our
1:21:15
Patreon
1:21:15
for
1:21:16
access
1:21:16
to
1:21:16
exclusive
1:21:17
content
1:21:17
in
1:21:17
our
1:21:18
Discord
1:21:18
community.
1:21:19
Catch
1:21:19
you
1:21:20
next
1:21:20
time.
1:21:20
And
1:21:21
don't
1:21:21
forget,
1:21:22
bring
1:21:22
a
1:21:22
buddy
1:21:23
with
1:21:23
you.