Latest / Frightmares / Ep. 129 - A Nightmare On Elm Street 3: Dream Warriors (1987)

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Ep. 129 - A Nightmare On Elm Street 3: Dream Warriors (1987) · Frightmares

• 0:43
  Speaker 1: That shit works. It does. That shit works? Yes, it does.
• 0:47
  Speaker 2: Oh boy, here we are, Episode one twenty nine. I'm
• 0:52
  Speaker 2: just gonna we're not even gonna do an intro except
• 0:55
  Speaker 2: for the intro. I'm doing now, no talking intro. Episode
• 0:57
  Speaker 2: one twenty nine. I'm your host, Austin Proctor. Did your
• 1:00
  Speaker 2: co host Corey Johnson?
• 1:02
  Speaker 1: What whoa? No? No? Hey out new year, new you
• 1:08
  Speaker 1: new intro?
• 1:09
  Speaker 2: No, No, it's it's it's still heck. Okay, thank god
• 1:12
  Speaker 2: my world is shattered there for a second. Holy count,
• 1:15
  Speaker 2: I had to do it to you, always keeping me
• 1:18
  Speaker 2: on my toes.
• 1:18
  Speaker 1: I appreciate that.
• 1:20
  Speaker 2: Uh, this is episode one twenty nine. Like I said,
• 1:23
  Speaker 2: I said last week we were doing like B horror,
• 1:26
  Speaker 2: and I guess this kind of falls in that category,
• 1:28
  Speaker 2: but with.
• 1:29
  Speaker 1: As wacky as it is. Yes, but it also had
• 1:33
  Speaker 1: a huge budget, so it's yeah. Well, but it's also
• 1:37
  Speaker 1: it's kind of a departure from the rest of the
• 1:40
  Speaker 1: series just a little bit. That's true. Yeah, because the
• 1:45
  Speaker 1: the overall atmosphere is much more cartoonish with what's going.
• 1:50
  Speaker 2: On, oh, compared to the first one. Yeah, the first
• 1:53
  Speaker 2: one was so serious and this one they were kind
• 1:55
  Speaker 2: of making up for the second one, because if you've
• 1:57
  Speaker 2: seen the second one, it's not great. It's still on,
• 2:00
  Speaker 2: but they were they definitely went above and beyond for
• 2:02
  Speaker 2: this one, trying to kind of make up for what
• 2:04
  Speaker 2: happened in two because a lot of people weren't fans
• 2:06
  Speaker 2: of it. I still think it was good, but yeah,
• 2:08
  Speaker 2: it's very cartoonish in this third installment.
• 2:11
  Speaker 1: Oh yeah, very very very much.
• 2:13
  Speaker 2: So, Yeah, we kind of just picked a movie that does,
• 2:15
  Speaker 2: like I said, it falls into B horror, but it
• 2:18
  Speaker 2: does have a big budget and it's a very well
• 2:20
  Speaker 2: known franchise, so I don't know, I guess B horror
• 2:23
  Speaker 2: is kind of.
• 2:26
  Speaker 1: Yeah.
• 2:27
  Speaker 3: So and when it because this is this is a
• 2:31
  Speaker 3: sequel of a classic, and when it comes to sequels
• 2:36
  Speaker 3: like that, a lot of people just kind of drop
• 2:39
  Speaker 3: off after mostly the second one.
• 2:43
  Speaker 1: Yeah, Now, the people that love the series obviously delve
• 2:47
  Speaker 1: deep into them, but for most people's experience, you're gonna
• 2:52
  Speaker 1: get number one and number two and then you're gonna
• 2:54
  Speaker 1: move on with the series and go to something else.
• 2:56
  Speaker 1: So it's it's still a little bit more in the
• 3:00
  Speaker 1: sense that it's going to be a more overlooked jury
• 3:07
  Speaker 1: in a series rather than being like a landmark in
• 3:11
  Speaker 1: the series. So yeah, I would, I would. I would
• 3:15
  Speaker 1: put it on B for sure, I'd put it on B.
• 3:17
  Speaker 2: And uh, but it's also still just so much fun
• 3:20
  Speaker 2: and it's one that we can talk about for quite
• 3:22
  Speaker 2: some time because because of the fact that it is,
• 3:25
  Speaker 2: you know, pretty well known. If you're into the horror
• 3:27
  Speaker 2: genre and you're into this series, then you'll you'll know
• 3:29
  Speaker 2: this one. This is typically the fan favorite of the
• 3:31
  Speaker 2: series besides the first one. We're talking sequel wise, So uh,
• 3:36
  Speaker 2: we picked this one because, like I said, there was
• 3:38
  Speaker 2: gonna be a lot to talk about, and since we're
• 3:40
  Speaker 2: only doing one movie on this episode, we needed something
• 3:43
  Speaker 2: to kind of break the ice with. Okay, we can
• 3:45
  Speaker 2: talk about this for quite some time. We're also going
• 3:48
  Speaker 2: deeper into like the back like not the backstory, but
• 3:51
  Speaker 2: like the background noise of the movie with all these facts,
• 3:54
  Speaker 2: and we've kind of fleshed out the.
• 3:58
  Speaker 1: Oh my god, the format.
• 3:59
  Speaker 2: So I don't know, if you have anything up the
• 4:01
  Speaker 2: top you want to mention, we probably should, you know,
• 4:03
  Speaker 2: before we just dive into the movie.
• 4:05
  Speaker 1: But yeah, I mean, I've I was so not horror related,
• 4:09
  Speaker 1: but I've been on a Tarantino kick recently, I've just
• 4:13
  Speaker 1: been going through like all his movies.
• 4:15
  Speaker 2: Like like start to finish or just kind of start.
• 4:18
  Speaker 1: So, like I watched Django last night, I'm probably gonna
• 4:22
  Speaker 1: end up watching either Hateful Eight tonight or Jackie Brown
• 4:26
  Speaker 1: because Jackie Brown is kind of overlooked.
• 4:29
  Speaker 2: It's overlooked it because I mean, but it's weird too
• 4:31
  Speaker 2: because it does not feel Tarantino no well that much,
• 4:34
  Speaker 2: you know.
• 4:34
  Speaker 1: So like True Romance doesn't feel like True Romance feels
• 4:38
  Speaker 1: exactly like a Tarantino movie, but it's not a Tarantino
• 4:42
  Speaker 1: He wrote it, yea, he wrote it, but it didn't
• 4:44
  Speaker 1: direct it. So you get a lot of those. And
• 4:46
  Speaker 1: I'm gonna do that one probably later on in the
• 4:48
  Speaker 1: week too, because that's my favorite favorite Tarantino esque movie
• 4:51
  Speaker 1: to begin with.
• 4:52
  Speaker 2: Yeah, just because it's not what it is. It's not,
• 4:54
  Speaker 2: but it is exactly Have you done the kill Bills yet?
• 4:57
  Speaker 1: Uh? I didn't kill Bills early last year, So I'm
• 5:02
  Speaker 1: I'm kind of not feeling it's not something that I
• 5:05
  Speaker 1: can watch a lot of.
• 5:08
  Speaker 2: Yeah, it's yeah, I understand that it's something you watch
• 5:11
  Speaker 2: every so often. Yeah, just like I appreciate what you've
• 5:14
  Speaker 2: done for sure, but it's like it's like not enjoyable,
• 5:16
  Speaker 2: but enjoyable at the same because it's a hard story
• 5:19
  Speaker 2: to watch, you know what I mean.
• 5:21
  Speaker 1: And all of it. Like I was watching Django last
• 5:23
  Speaker 1: night and I was like, man, yeah, I don't know,
• 5:27
  Speaker 1: like I get it, but it's hard to watch. Yeah,
• 5:31
  Speaker 1: it really is.
• 5:31
  Speaker 2: Like that's a lot of Tarantino that I found except
• 5:35
  Speaker 2: for Once upon a Time in Hollywood that was just
• 5:37
  Speaker 2: a fucking joy.
• 5:38
  Speaker 1: Yeah, no, it was. It was really really good. It's
• 5:40
  Speaker 1: so good.
• 5:41
  Speaker 2: But yeah, most of his stuff is is kind of
• 5:43
  Speaker 2: you know, sensitive topics, and it's kind of you know,
• 5:45
  Speaker 2: it's kind of hard to watch. So yeah, I can
• 5:47
  Speaker 2: totally understand that. But pulp Fiction, though I can watch
• 5:49
  Speaker 2: pretty much any day of the week.
• 5:51
  Speaker 1: You know what's funny is I find out of all
• 5:54
  Speaker 1: of his movies, I find that pulp fiction is the
• 5:57
  Speaker 1: most boring for me.
• 5:59
  Speaker 2: Whoa really above Jackie Brown?
• 6:02
  Speaker 1: Oh yeah, it's way more boring than Jackie Brown. Wow. Interesting.
• 6:07
  Speaker 1: I guess to me, it's it's partially because Number one,
• 6:11
  Speaker 1: that's the one I've seen the most. It was the
• 6:13
  Speaker 1: one that I was introduced to Tarantino. But it's also
• 6:17
  Speaker 1: the one that is saturated pop culture the most, so
• 6:21
  Speaker 1: you see it in other places a lot, so it's
• 6:25
  Speaker 1: almost like a mental fatigue of like just because like
• 6:28
  Speaker 1: somebody will have their like icon or whatever on something
• 6:32
  Speaker 1: as the the silhouette of Vincent and what's his face
• 6:39
  Speaker 1: standing there with? Yeah you see that? Or like it
• 6:42
  Speaker 1: is pretty oversaturating, it really is. I saw I saw
• 6:45
  Speaker 1: a Wish ad on Facebook that had the bad motherfucker
• 6:49
  Speaker 1: walk for like seventy five cents. That thing's gonna fall
• 6:54
  Speaker 1: apart as soon as I take it out of the path.
• 6:59
  Speaker 2: If it's coming from Wish, you don't know what the
• 7:00
  Speaker 2: fuck you're getting. That's fair though. Yeah, it is definitely
• 7:04
  Speaker 2: like a very you know, like I said, oversaturated movie.
• 7:07
  Speaker 2: It is used on a lot of merchandise. It's used
• 7:09
  Speaker 2: a lot, so I get it. But I don't know
• 7:11
  Speaker 2: for some reason, of his movies, I find that one
• 7:14
  Speaker 2: to be the most that or Death Proof to be
• 7:16
  Speaker 2: the most like.
• 7:17
  Speaker 1: And it was funny because when we were when we
• 7:21
  Speaker 1: were talking about, oh, let's do a be let's do
• 7:23
  Speaker 1: a B movie, but let's do something a little bit
• 7:26
  Speaker 1: more like well known, I was like, all right, let's
• 7:28
  Speaker 1: let's hit the old Google machine. Yeah, and like one
• 7:32
  Speaker 1: of the top on the list was death Proof, and
• 7:34
  Speaker 1: I was gonna suggest, hey, let's do death but I
• 7:37
  Speaker 1: was like, it's not really.
• 7:41
  Speaker 2: I think we did that on Tarran h. God, what
• 7:44
  Speaker 2: we did a Tarantino episode? I think maybe we did
• 7:47
  Speaker 2: not even We've done so many episodes. I can't fucking remember.
• 7:51
  Speaker 1: Did y'all do Planet Terror instead?
• 7:54
  Speaker 2: God, it's like I said, I can't even remember. Let
• 7:56
  Speaker 2: me let me see. I know we did Planet Terror.
• 7:58
  Speaker 2: I think maybe we did the Grindhouse movies. I can't
• 8:01
  Speaker 2: even fucking remember. I swear to god we did death Proof. Yeah,
• 8:05
  Speaker 2: it's I'll have to look it up. It's a lot,
• 8:08
  Speaker 2: but yeah, that's that would be a one.
• 8:09
  Speaker 1: But I was like, I don't necessarily consider that enough,
• 8:13
  Speaker 1: Like it's it's suspenseful at times. Sure, but it's pretty
• 8:17
  Speaker 1: graphic ship though. Yeah, but that doesn't have to like
• 8:20
  Speaker 1: hardcore Henry is super graphic. But it's not a horror
• 8:23
  Speaker 1: movie at all.
• 8:24
  Speaker 2: I can I don't know, let me see, actually, let
• 8:26
  Speaker 2: me see, let me let me see what because I
• 8:28
  Speaker 2: know it was under the Grindhouse double feature. Planet Terror
• 8:31
  Speaker 2: is definitely that is a horror movie, Oh yeah, for sure.
• 8:35
  Speaker 1: But it also wasn't on the list that Google brought
• 8:39
  Speaker 1: up either, So I was like, all right.
• 8:40
  Speaker 2: Okay, yeah, death Proof by IMDb is action thriller. So yeah,
• 8:44
  Speaker 2: that's that's that's like maybe like a horror like little
• 8:47
  Speaker 2: like living Zest twist in there maybe a little bit.
• 8:51
  Speaker 2: But yeah, so have you watched the wait, that's not
• 8:54
  Speaker 2: a that's Tarantina, right.
• 8:56
  Speaker 1: Yeah, they're both tarantined.
• 8:57
  Speaker 2: So have you watched that one then yet? Or if
• 8:58
  Speaker 2: you just watched the cup that you've mentioned just a
• 9:01
  Speaker 2: couple that have mentioned. Okay, it's it's only been something
• 9:04
  Speaker 2: that I've started doing recently. Yeah, we me and Gabby
• 9:07
  Speaker 2: went through those recently. Then we're gonna do then. We
• 9:09
  Speaker 2: did like Wes Anderson next is like Nolan. We like
• 9:12
  Speaker 2: doing that where we watched just like the directors, you know,
• 9:14
  Speaker 2: as long as they don't have you know, forty fifty
• 9:16
  Speaker 2: movies like yeah, for.
• 9:17
  Speaker 1: Sure, fucking Hitchcock or whatever.
• 9:19
  Speaker 2: We did like you know, we like like watching you know,
• 9:21
  Speaker 2: directors that have like ten or twelve movies and watching
• 9:23
  Speaker 2: them from beginning to end because you can really see them,
• 9:25
  Speaker 2: like you know, get their style and flesh it out
• 9:27
  Speaker 2: and stuff like that.
• 9:27
  Speaker 1: Yeah. So well, and I've I haven't been watching a
• 9:30
  Speaker 1: whole lot of stuff because I've been watching The Wire
• 9:33
  Speaker 1: with my roommate. So we watched like two or three
• 9:37
  Speaker 1: episodes a night, and we're like tonight starting the last season.
• 9:41
  Speaker 1: So now we have to find something new to watch, okay,
• 9:45
  Speaker 1: and we're trying to go for something now that we
• 9:48
  Speaker 1: both haven't seen. You seen Dexter? Yes, okay, I wasn't sure,
• 9:52
  Speaker 1: and I think so is he. Okay, yeah, I'm not sure.
• 9:56
  Speaker 1: I'm not sure what we're gonna do yet. We're probably
• 9:58
  Speaker 1: gonna do Ozark. Oh, that's a fantastic. I haven't seen
• 10:02
  Speaker 1: it yet, that's a fantastic. I've been waiting for it
• 10:05
  Speaker 1: to be like done done.
• 10:07
  Speaker 2: They're doing another I think they're doing like a part
• 10:10
  Speaker 2: one part two where they do six episodes, you know,
• 10:13
  Speaker 2: like Walking Dead used to do with they'd be like
• 10:14
  Speaker 2: six episodes in fall and six episodes in spring. But yeah,
• 10:18
  Speaker 2: they're only doing one more part. So if you're gonna
• 10:20
  Speaker 2: do it, watch it now and then you can watch
• 10:21
  Speaker 2: it drop. That's that's what I was thinking about doing.
• 10:24
  Speaker 2: So good, Oh my god, that show is so good.
• 10:26
  Speaker 1: Yeah, and we're we've been on a crime kick too,
• 10:29
  Speaker 1: So it was the Sopranos. Now it's the Wire. Let's
• 10:32
  Speaker 1: go into the money laundering side of things. Oh yeah,
• 10:35
  Speaker 1: because it was real funny. He was like, you know,
• 10:38
  Speaker 1: the Sopranos shows you that, like, even even as like
• 10:41
  Speaker 1: a rich gangster life is fucked up. And I go, yeah,
• 10:44
  Speaker 1: it does. And then I was like, but here's what
• 10:46
  Speaker 1: the Wire does. The Wire shows you that the system
• 10:48
  Speaker 1: is fucked up. Okay, so now I want to go
• 10:51
  Speaker 1: into the oh all everything is fucked up.
• 10:56
  Speaker 2: Yeah, dude, if you, especially if you haven't seen it,
• 10:59
  Speaker 2: and he hasn't seen it, Oh man, you have got
• 11:01
  Speaker 2: to like let me know your reactions after well after
• 11:03
  Speaker 2: each season, because it's just like it do. The anticipation
• 11:06
  Speaker 2: and the stress just builds up. It's so good, and
• 11:09
  Speaker 2: I would consider that kind of horror ish definitely, very definitely,
• 11:13
  Speaker 2: very thrilling.
• 11:14
  Speaker 1: Oh yeah, thriller.
• 11:15
  Speaker 2: Thriller for sure. But there's some pretty fucked up moment
• 11:17
  Speaker 2: and I.
• 11:18
  Speaker 1: Don't even need it to be a horror esque. It's
• 11:20
  Speaker 1: been kind of a nice departure to not want like,
• 11:23
  Speaker 1: let's scroll a million years through Amazon to find something
• 11:28
  Speaker 1: to watch. Yeah, because it's either I've seen it or
• 11:32
  Speaker 1: I know because literally five hundred people on the Facebook
• 11:36
  Speaker 1: groups have been like, no, that was terrible, don't watch that.
• 11:39
  Speaker 2: Don't yeah, don't do it. Yeah that's fair. Speaking of
• 11:41
  Speaker 2: Amazon Prime, though I don't. I don't think it's on there,
• 11:43
  Speaker 2: but I know. Nigel Bach came out with a new movie,
• 11:46
  Speaker 2: another another bad.
• 11:49
  Speaker 1: I mean, I'm gonna watch it. Yeah, we've seen all
• 11:52
  Speaker 1: of them. We are contractually obligated at this point to
• 11:56
  Speaker 1: watch anything this man puts out.
• 11:58
  Speaker 2: Oh my god, it's like the eighth or ninth film
• 12:01
  Speaker 2: from him, and I'm like, dude, you know what, fucking goat,
• 12:03
  Speaker 2: go do it man, you're doing it.
• 12:06
  Speaker 1: If it's making you happy, I will watch.
• 12:09
  Speaker 2: Whatever everything you put out. Yeah, so I need to
• 12:11
  Speaker 2: go check that out. Also, Javier, I think I think
• 12:15
  Speaker 2: it was the other day, sent me a message just
• 12:16
  Speaker 2: saying like thank you and.
• 12:18
  Speaker 1: Oh yeah no cause, yeah, so awesome. So I reached
• 12:21
  Speaker 1: out to him like two days ago and I was like, hey, bro,
• 12:24
  Speaker 1: just hope you're well, like well wishes from the Frightmer's team,
• 12:28
  Speaker 1: and he said so he I'll read you what he
• 12:31
  Speaker 1: sent me, because he sent me back like the specifics
• 12:34
  Speaker 1: of what's going on with him so like, God, like,
• 12:38
  Speaker 1: there were words in there that I'm like, I don't
• 12:40
  Speaker 1: understand that. So it's it's a lot, it's a lot.
• 12:45
  Speaker 1: But he's he's doing better, not completely out of the
• 12:49
  Speaker 1: woods yet, but like getting better every day. So I
• 12:52
  Speaker 1: did that's good.
• 12:52
  Speaker 2: I did see a picture too the other day where
• 12:54
  Speaker 2: he was up, you know, sitting up in his bed
• 12:56
  Speaker 2: with no mask, you know, yeah, doing the thumbs up.
• 12:58
  Speaker 2: So our hearts go out to you still, like, get better, dude,
• 13:01
  Speaker 2: because that's just crazy.
• 13:02
  Speaker 1: You know.
• 13:02
  Speaker 2: He releases his movie and then just this crazy shit
• 13:05
  Speaker 2: happen to him. Man, it's just not cool.
• 13:07
  Speaker 1: I'm starting this rumor now that this movie is actually cursed.
• 13:11
  Speaker 1: Go push that.
• 13:14
  Speaker 2: Yeah, it's so real that it really affected people. Holy shit,
• 13:16
  Speaker 2: that would be crazy. I mean, it can happen, man.
• 13:20
  Speaker 2: And he even went into this whole detail about like
• 13:22
  Speaker 2: how he wanted, you know, how he did the movie
• 13:24
  Speaker 2: and how he wanted to you know, you know, use
• 13:26
  Speaker 2: like real things and not make it seem if it
• 13:29
  Speaker 2: was true or not. I'm like, du he fucking nailed it.
• 13:31
  Speaker 2: I'm like, still, I have no idea.
• 13:33
  Speaker 1: So that's really interesting that he gave you that information.
• 13:36
  Speaker 1: He's giving me another set of ship cause like he
• 13:40
  Speaker 1: didn't tell me anything about the movie. He was just like, yeah,
• 13:42
  Speaker 1: this is how I'm doing right now. So that's that's
• 13:45
  Speaker 1: really interesting.
• 13:46
  Speaker 2: Maybe it was a comment, then it might have been,
• 13:47
  Speaker 2: I know, he got in contact with me somewhere. Maybe
• 13:50
  Speaker 2: it was a comment on one of the groups or something.
• 13:52
  Speaker 2: But he just went into like, thank you for you know,
• 13:54
  Speaker 2: appreciating the movie. This is how we did this. This
• 13:56
  Speaker 2: Oh okay, I'm like, hell, yeah, dude, that's just so cool.
• 13:58
  Speaker 2: He's a very cool guy. I can't wait to talk
• 14:01
  Speaker 2: to him. But eventually, eventually, yeah, we also, you know,
• 14:05
  Speaker 2: we want him to get better and then we'll and
• 14:06
  Speaker 2: then we'll talk to him. But uh, yeah, we've done
• 14:09
  Speaker 2: a few minutes up top here. I think we can
• 14:11
  Speaker 2: just dive into this and see where it goes, because
• 14:14
  Speaker 2: we have a lot of shit to talk about before
• 14:16
  Speaker 2: we even get to the review. So the movie we're
• 14:19
  Speaker 2: doing today is a Nightmare and Elm Street three Dream Warriors,
• 14:22
  Speaker 2: and that is from nineteen eighty seven, released on February
• 14:25
  Speaker 2: twenty seventh in the USA. This is rated R for
• 14:29
  Speaker 2: moderate sex, nudity, profanity, alcohol, drugs, and drinking. And then
• 14:33
  Speaker 2: severe violence, gore, and frightening and intense scenes. That's that
• 14:38
  Speaker 2: sounds I would agree, stop, don't don't call.
• 14:41
  Speaker 1: Me, leave me alone doing a podcast.
• 14:43
  Speaker 2: This movie has a runtime of an hour and thirty
• 14:45
  Speaker 2: six minutes, listed as a fantasy horror.
• 14:48
  Speaker 1: And what's great about this hour in thirty six is
• 14:51
  Speaker 1: it feels like an hour in two. This movie screams
• 14:56
  Speaker 1: by you. You just here, dude.
• 15:00
  Speaker 2: This movie has fucking legs and it's running away from
• 15:02
  Speaker 2: me as fast as possible. I felt the same way.
• 15:05
  Speaker 2: The first time I paused. It was like there was
• 15:06
  Speaker 2: like fifteen minutes left, and I was like, oh shit, okay,
• 15:09
  Speaker 2: because usually I have to pee.
• 15:10
  Speaker 1: At some point.
• 15:10
  Speaker 2: I was just very surprised that I was that far
• 15:12
  Speaker 2: into the movie. There wasn't much left.
• 15:14
  Speaker 1: See and so it's for free on two B so
• 15:18
  Speaker 1: that's that's where I watched it. So even like with commercials,
• 15:22
  Speaker 1: I was like, Wow, this movie is fucking.
• 15:24
  Speaker 2: Flying, fucking flying, But yes, dude, it's so much fun.
• 15:27
  Speaker 2: That's why I think it is the one of the
• 15:29
  Speaker 2: fan favorites of the sequels, because it's just wacky but good,
• 15:33
  Speaker 2: you know what I mean. Because there's there's there's wacky bad,
• 15:36
  Speaker 2: and then there's wacky good. This is wacky, just crazy cartoonish. Yeah,
• 15:39
  Speaker 2: this this is wacky good.
• 15:41
  Speaker 1: This is not wacky Veloci Pastor.
• 15:43
  Speaker 2: I love Velos of Pastor though, okay it's I do too,
• 15:46
  Speaker 2: but it's bad. Oh yeah, yeah, yeah, yeah, no it's bad. Okay,
• 15:49
  Speaker 2: I see what you're saying. Yeah, uh, this is wacky good.
• 15:53
  Speaker 1: This is like, oh that's a very unsettling clown. Yeah.
• 15:57
  Speaker 2: And the and the and the effects they do in
• 15:59
  Speaker 2: this are oh yeah for the eighties, you're I was like,
• 16:01
  Speaker 2: how the fuck are you doing this? And then in
• 16:03
  Speaker 2: Veloca Pastor you literally have a guy in a like,
• 16:06
  Speaker 2: you know, a cardboard dinosaur outfit. Well yeah maybe late
• 16:10
  Speaker 2: maybe latex or or.
• 16:11
  Speaker 1: When they blow up the car and and just says
• 16:13
  Speaker 1: insert explosion here, like yeah, it's fantastic. Oh I love it.
• 16:18
  Speaker 2: Spencer hated that movie. I was like, this is what
• 16:20
  Speaker 2: I love.
• 16:21
  Speaker 1: You know.
• 16:21
  Speaker 2: Fuck fuck wasting money and making it look bad just
• 16:24
  Speaker 2: you know, insert car explosion. Yeah, okay, put the put
• 16:26
  Speaker 2: the sound effects back there.
• 16:27
  Speaker 1: I can hear it.
• 16:28
  Speaker 2: So this was directed by a man named Chuck Russell.
• 16:31
  Speaker 2: He also directed This is a very interesting like directorial
• 16:36
  Speaker 2: past If you want to call it that. But he
• 16:38
  Speaker 2: did the remake of The Blob in the eighties, The
• 16:40
  Speaker 2: mask Eraser, that's the Jim Carrey Jim Carrey mask for
• 16:44
  Speaker 2: ninety four. Yeah, Eraser with Arnold Schwarzenegger, Scorpion King, and
• 16:48
  Speaker 2: then I Am Wrath with John Travolta. Like talk about
• 16:51
  Speaker 2: an interesting like directing history right there. Oh yeah, for sure,
• 16:56
  Speaker 2: those are some seriously cool movies. I mean, Scorpion King
• 16:59
  Speaker 2: not so much, but every other movie is, like, it's
• 17:01
  Speaker 2: just a very interesting uh you know, little little Cardi's
• 17:05
  Speaker 2: got going on there, starring Heather langan Camp. I'm sorry
• 17:09
  Speaker 2: if I butchered your name. She was from the original
• 17:11
  Speaker 2: Nightmare as Nancy Thompson. Then we have Robert England. Of
• 17:15
  Speaker 2: course he's most known for playing this role here.
• 17:18
  Speaker 1: He does he does on this one specifically, they just
• 17:22
  Speaker 1: said do whatever, Yeah, just do you. This is this
• 17:26
  Speaker 1: is the most cartoonishly hilarious version of Freddy Krueger. It
• 17:34
  Speaker 1: like the only one that's even a little bit more
• 17:37
  Speaker 1: like Goofy is Freddy versus Jason. But yeah, this is
• 17:42
  Speaker 1: like peak Freddy Krueger. This is the Freddy Krueger that
• 17:46
  Speaker 1: Rick and Morty were making fun of exactly.
• 17:48
  Speaker 2: Yeah, because even in you know, as as as the
• 17:51
  Speaker 2: movies go on in this series, they kind of are
• 17:53
  Speaker 2: up and down, like four is okay, but then like five,
• 17:55
  Speaker 2: six and seven or five and six are just like
• 17:58
  Speaker 2: and then it comes back up with new nightmare. So yeah,
• 18:02
  Speaker 2: I'd say this is peak Freddy. I would I would
• 18:03
  Speaker 2: go on record saying this is my favorite Freddy of
• 18:06
  Speaker 2: the series, because yeah, they just get kind of odd
• 18:08
  Speaker 2: after this.
• 18:09
  Speaker 1: Because he's not quite to his like wise talking like.
• 18:15
  Speaker 2: Because he doesn't yeah, he doesn't talk a lot of them.
• 18:17
  Speaker 1: No, but he's he's still very like animated and like
• 18:23
  Speaker 1: having fun with him, Yeah, and like a lot of
• 18:25
  Speaker 1: like one liners like.
• 18:27
  Speaker 2: The yes, yeah there actually one of his children's soul. Yeah,
• 18:32
  Speaker 2: one of his one liners is my favorite line of
• 18:35
  Speaker 2: the whole movie because it was just so wacky and silly.
• 18:39
  Speaker 2: But yeah, in four or five and six, he does
• 18:40
  Speaker 2: get very more. He's he starts talking a lot more,
• 18:43
  Speaker 2: but he also gets very silly, and in this I
• 18:46
  Speaker 2: feel like he does balance the silly.
• 18:48
  Speaker 1: It's right on the level. Like there's sometimes you're like,
• 18:52
  Speaker 1: all right, he didn't do that, and then other times
• 18:54
  Speaker 1: you're like, all right, that was timed.
• 18:56
  Speaker 2: Well, yeah, so obviously he is in this. He'd have
• 19:00
  Speaker 2: over like one hundred and sixty acting credits just just FYI.
• 19:03
  Speaker 1: He's been in stuff that you don't even realize that
• 19:06
  Speaker 1: he's been in because he has that face that if
• 19:11
  Speaker 1: he's like in the background of something, you'll never know
• 19:14
  Speaker 1: it's him. Yeah, you really won't. Shit.
• 19:16
  Speaker 2: And when I was rewatching Hatchet, like a couple of
• 19:18
  Speaker 2: years ago, I'm like, oh my god, that's right, he's
• 19:20
  Speaker 2: in the beginning five minutes of that movie in the Boat.
• 19:23
  Speaker 2: I totally forgot that he was in that, because if
• 19:25
  Speaker 2: you're not paying attention, you really can just like like
• 19:28
  Speaker 2: overlook him seriously. So, yeah, he's done a lot of shit,
• 19:31
  Speaker 2: not just this, but you know, he's definitely most famous
• 19:33
  Speaker 2: for this.
• 19:34
  Speaker 1: I'd say.
• 19:35
  Speaker 2: Then we have a man named Craig was Wasson. He
• 19:37
  Speaker 2: was also in a Brian DePalma film called Body Double
• 19:40
  Speaker 2: as Jake, and in this movie he is playing Neil Gordon.
• 19:44
  Speaker 1: So on the subject of this guy, one of my friends.
• 19:48
  Speaker 1: One of my friends showed up like halfway through this
• 19:51
  Speaker 1: movie to kill time before he went to class, and
• 19:55
  Speaker 1: he was just chilling here and he was like, yo,
• 19:58
  Speaker 1: is that the guy that just died? And I'm like
• 20:01
  Speaker 1: what who? And he's like Bob Saggett and I'm like
• 20:04
  Speaker 1: wait no who No.
• 20:07
  Speaker 2: Yeah, speaking he he Bob Saggett died at like the
• 20:10
  Speaker 2: Hyatt or something Ritz the Ritz, Yeah, in Orlando.
• 20:13
  Speaker 1: Like two days ago. He was here doing a show.
• 20:15
  Speaker 2: But yeah, he didn't do the show though the show
• 20:18
  Speaker 2: was supposed to be like the next day.
• 20:19
  Speaker 1: Oh, I thought he was doing it. He was doing
• 20:21
  Speaker 1: a couple. I don't know. Yeah, I thought he was
• 20:23
  Speaker 1: doing like one on Friday two, on Saturday two on so.
• 20:26
  Speaker 2: Well yeah yeah he then he had some upcoming yeah yeah,
• 20:28
  Speaker 2: yea yeah, well yeah, because he was going to go.
• 20:30
  Speaker 1: To uh West Palm Beach.
• 20:32
  Speaker 2: Yeah not anymore. Like no, I was like, okay, I
• 20:36
  Speaker 2: just saw that the other day. So we had Betty
• 20:38
  Speaker 2: White on uh fucking New Year's Eve. Couldn't even let
• 20:41
  Speaker 2: her roll into twenty twenty two.
• 20:43
  Speaker 1: No, but see, here's the thing. If if so Betty
• 20:47
  Speaker 1: White died in twenty twenty one, yeah, twenty twenty two
• 20:50
  Speaker 1: rolls around and shit gets better. Betty White is the
• 20:52
  Speaker 1: new messiah because she died first. Oh my god, my god. Yeah,
• 20:57
  Speaker 1: I and I'm running with it. Betty White is the
• 21:01
  Speaker 1: new Jesus. Jesus, come at me Westborough.
• 21:06
  Speaker 2: Oh my goodness. Uh so, yes her. And then you
• 21:09
  Speaker 2: had African American guy. He was like the first African American.
• 21:14
  Speaker 2: I can't remember his name, but he was the first first.
• 21:17
  Speaker 1: Average Chadwick something.
• 21:18
  Speaker 2: No, not Chadwick Boseman, No, no, no, this is this was
• 21:21
  Speaker 2: the first African American to win like a fucking Grammy
• 21:25
  Speaker 2: or something. He was like like, yeah, I can't remember
• 21:27
  Speaker 2: his name. It was a couple of days ago. Spencer, actually, Spencer.
• 21:30
  Speaker 1: Didn't even hear about that.
• 21:32
  Speaker 2: Uh yeah, Spencer text me about that one. And then
• 21:34
  Speaker 2: now we have Bob Saggatt and you're just like, come on, man,
• 21:38
  Speaker 2: like we're barely into this fucking year.
• 21:40
  Speaker 1: Uh.
• 21:41
  Speaker 2: Sydney Pointier, Yeah, Sidney Pointier. He won a I don't know,
• 21:48
  Speaker 2: God damn it. Your your IMDb history is too long. Whatever.
• 21:52
  Speaker 2: He won a fucking award. He was the first African
• 21:55
  Speaker 2: American to win an award. And that's fucking awesome. So
• 21:57
  Speaker 2: he passed away. Then Betty and Betty White and now
• 21:59
  Speaker 2: Bob sag and you're like, all right.
• 22:00
  Speaker 1: Well they say it comes in threes, So that means
• 22:02
  Speaker 1: we should be done for a while. I hope.
• 22:05
  Speaker 2: Yeah, God till next year. Tell you no, there's gonna
• 22:07
  Speaker 2: be so much more. This year, twenty two is gonna
• 22:10
  Speaker 2: be relentless. Oh my god, I went down too far,
• 22:13
  Speaker 2: son of a bitch. So that was Craig Wasson or
• 22:16
  Speaker 2: whatever your name is, dude, he's Neil Gordon. And then, last,
• 22:19
  Speaker 2: but certainly not least, we have Patricia Arquette as Kristin Parker.
• 22:22
  Speaker 1: You might know her from.
• 22:23
  Speaker 2: True Romance is Alabama Whitman or maybe Stigmata as Frankie Page.
• 22:28
  Speaker 1: I don't know. She's done a whole bunch of shit. Yeah,
• 22:30
  Speaker 1: and this like a lot of shit.
• 22:31
  Speaker 2: And this was fun fact too. This was also her
• 22:33
  Speaker 2: first ever acting credit, and I feel like this is
• 22:36
  Speaker 2: what started her career and this has killed it.
• 22:38
  Speaker 1: And this is David Arkette's daughter, right I believe, No, No.
• 22:42
  Speaker 2: That's Kristin Parker, not our Oh, Patricia Arquette. I don't
• 22:46
  Speaker 2: maybe maybe, I don't know how old is David Arquette.
• 22:50
  Speaker 1: I think he's pretty old.
• 22:53
  Speaker 2: It's pretty I don't know, he's pretty old because if
• 22:56
  Speaker 2: this was nineteen eighty seven, heat, let's see, Arquet was
• 22:59
  Speaker 2: born in seventy one and this was eighty seven, and
• 23:03
  Speaker 2: she's like seventeen. So I'm gonna go with non't I
• 23:07
  Speaker 2: don't think maybe they're related. Maybe I should have looked
• 23:10
  Speaker 2: this up. Oh, here we go, Here we go, here
• 23:13
  Speaker 2: we go. His parents, Lewis Arquette and Brenda danaw whatever
• 23:18
  Speaker 2: blah blah blah, had four children, Roseanne Arquette, Patricia Arquette, Richmond.
• 23:24
  Speaker 2: And yeah, so they're brother and sister.
• 23:27
  Speaker 1: Okay, that makes sense, I think.
• 23:29
  Speaker 2: Yeah, Patricia, I totally forgot about Rosanna ractt Oh my god. Yeah,
• 23:32
  Speaker 2: so I guess they're a brother and sister. Fucking damn it.
• 23:35
  Speaker 2: I knew that name's sounded familiar. God damn it. Should
• 23:38
  Speaker 2: have looked that up. So, yes, I guess they're brother
• 23:39
  Speaker 2: and sister. Glad we came to that conclusion. Yes, But yeah,
• 23:42
  Speaker 2: this is her first acting credit. And again, I'm pretty
• 23:44
  Speaker 2: sure this is why she's fucking famous now, because she
• 23:47
  Speaker 2: killed it in this movie. This has an estimated budget
• 23:51
  Speaker 2: of four point five million dollars with a worldwide box
• 23:54
  Speaker 2: office gross of forty four point eight million, which is
• 23:57
  Speaker 2: a forty point three million dollar profit. And this is
• 24:00
  Speaker 2: what you would call a hit for sure. Yeah, that
• 24:05
  Speaker 2: is a box office fucking like gold mine. That is
• 24:07
  Speaker 2: a shit ton of money. So yes, And then we
• 24:12
  Speaker 2: have so this movie was actually filmed in La Shocking,
• 24:15
  Speaker 2: I know, and even at UCLA as the psychiatric hospital,
• 24:19
  Speaker 2: and it was filmed from October fifteenth, nineteen eighty six,
• 24:22
  Speaker 2: to a nondescript day in November of nineteen eighty six.
• 24:25
  Speaker 1: So fun fact there.
• 24:26
  Speaker 2: And you can also watch this on two B for free,
• 24:29
  Speaker 2: like Corey said, and you have ads.
• 24:31
  Speaker 1: I don't know how many like ads you have, so
• 24:34
  Speaker 1: there were like four ad breaks I think with like
• 24:39
  Speaker 1: two minute ads each. That's not bad, no, not at all.
• 24:43
  Speaker 2: And then you can also rent this on Amazon Prime
• 24:44
  Speaker 2: for a three to ninety nine rental, totally worth it.
• 24:47
  Speaker 2: You can buy it on its own for fifteen dollars
• 24:50
  Speaker 2: on the DVD on Amazon in the US, or just
• 24:53
  Speaker 2: get the whole seven disc collection for thirty two dollars,
• 24:56
  Speaker 2: which is Blu Ray, which.
• 24:57
  Speaker 1: Is what I have on amaz something. That's what I
• 25:00
  Speaker 1: would recommend, just because the rewatchability of most of these
• 25:06
  Speaker 1: is very high, like.
• 25:07
  Speaker 2: One through three, yes, and seven Yeah, I would say one, three,
• 25:15
  Speaker 2: five because it's like super goofy and seven.
• 25:18
  Speaker 1: Yeah, four and five is like you make a drinking
• 25:20
  Speaker 1: game out of it.
• 25:21
  Speaker 2: Yeah, because, like I said, after three, they kind of
• 25:23
  Speaker 2: just uh, they're all over the place after that, and
• 25:27
  Speaker 2: then Nightmare and you know, new Nightmare comes back to
• 25:29
  Speaker 2: save the day. So just get the seven disc collection
• 25:32
  Speaker 2: for thirty two bucks. I mean that's like six bucks
• 25:35
  Speaker 2: of fucking Blu Ray. Maybe one day we'll get a
• 25:38
  Speaker 2: like a box set from Screen Factory. But until then,
• 25:41
  Speaker 2: you know, all I can do is dream. So yes,
• 25:44
  Speaker 2: then we have movies that came out around the same time.
• 25:47
  Speaker 2: This includes a movie called Mannikin which is literally if
• 25:50
  Speaker 2: you don't know, about a man who falls in love
• 25:52
  Speaker 2: with a mannequin that he made and it comes to
• 25:55
  Speaker 2: life as a woman named Emma, who is an Egyptian
• 25:58
  Speaker 2: princess living in the year two only one fifty four.
• 26:00
  Speaker 2: We have to review this movie that if it's a horror.
• 26:04
  Speaker 1: Movie, I feel like I've seen that movie. You probably
• 26:07
  Speaker 1: have it. Like that is that is scratching a piece
• 26:11
  Speaker 1: of my brain that I had forgotten about. Like that
• 26:13
  Speaker 1: sounds excessively familiar. Something. It's a very real movie in
• 26:17
  Speaker 1: that of course it is. Of course it is so,
• 26:20
  Speaker 1: I mean, if slacks exist, of course that exists. That's fair.
• 26:24
  Speaker 1: So that movie.
• 26:26
  Speaker 2: There wasn't a lot that came out around this time,
• 26:28
  Speaker 2: But like I said, you got Mannequin, Lethal Weapon, the original,
• 26:32
  Speaker 2: the first one, Evil Dead too, and Raising Arizona, which
• 26:35
  Speaker 2: I just recently watched with Nick Cage, and it is
• 26:39
  Speaker 2: one of.
• 26:39
  Speaker 1: The movies he's done. If you haven't seen it.
• 26:42
  Speaker 2: He kidnapped you know, they kidnapped this kid because they
• 26:44
  Speaker 2: can't have a kid and they it's.
• 26:46
  Speaker 1: Ridiculous, ludicrous. I am so hype for his the extreme
• 26:52
  Speaker 1: burden or the extreme talent Nick Cage acting as Nick Cage. Yeah,
• 26:56
  Speaker 1: I'm ready. It's gonna be so good.
• 26:57
  Speaker 2: I'm so fucking ready for that. So yeah, Nick Cage,
• 27:01
  Speaker 2: God bless you. If you've ever come across this podcast,
• 27:04
  Speaker 2: you're awesome. But yeah, that's all that came out. Four
• 27:07
  Speaker 2: movies that I could find in the span you know,
• 27:09
  Speaker 2: one month prior in one month after, So not too much.
• 27:12
  Speaker 2: But I mean some solid entries there. Let's go on
• 27:15
  Speaker 2: to this part here, which I have I filled in
• 27:17
  Speaker 2: every blank surprisingly enough if I could fucking scroll down,
• 27:21
  Speaker 2: don't be a dick. There we go, So we have
• 27:24
  Speaker 2: a little section here, like you know, favorite character, favorite kill,
• 27:27
  Speaker 2: stuff like that. There's five total categories here. So the
• 27:31
  Speaker 2: first one, let me pull up my notaria is specific
• 27:34
  Speaker 2: horror moments as we've always had. Did you have anything
• 27:37
  Speaker 2: that you wrote down or could think of?
• 27:39
  Speaker 1: No, the marionette scene.
• 27:40
  Speaker 2: The marionette scene, oh with the when he pulls out
• 27:43
  Speaker 2: his veins. Yeah, okay, same yeah with uh yeah, oh wait,
• 27:47
  Speaker 2: let me double check.
• 27:48
  Speaker 1: I'm pretty sure that was specific horror moments. Yeah.
• 27:51
  Speaker 2: Yeah, when he rips out his veins and yeah, marionettes
• 27:55
  Speaker 2: him down the hallway. But he's a sleepwalker, so everyone
• 27:58
  Speaker 2: that wakes up and sees him just like, ah, you're sleepwalking.
• 28:01
  Speaker 1: Yeah. It was so creative, you know, like it was
• 28:04
  Speaker 1: like creative. And when he first pulled the veins out
• 28:08
  Speaker 1: of the arm, like yeah, I was like, I know,
• 28:10
  Speaker 1: that's hell a fake, but that's gross.
• 28:13
  Speaker 2: Yeah, because he pulls them up and he just like
• 28:14
  Speaker 2: you know, lifts himself up in bed just like like
• 28:17
  Speaker 2: by his wrists, and then he gets the feet too,
• 28:19
  Speaker 2: and then just down the hallway and then you know
• 28:22
  Speaker 2: he eventually makes him jump off the bell tower. Uh
• 28:26
  Speaker 2: so yeah, okay, that's the same specific horror moment. Did
• 28:28
  Speaker 2: you have a favorite kill?
• 28:30
  Speaker 1: I did? Okay, Uh, the what's his name? The kid
• 28:34
  Speaker 1: in the wheelchair wheels? I don't know. Yeah, no, him
• 28:40
  Speaker 1: in the dream in the tunnel is my favorite kill,
• 28:45
  Speaker 1: which which goes into my favorite line, m it don't
• 28:50
  Speaker 1: work down here like that bitch.
• 28:53
  Speaker 2: I was like everything Freddy says is I love it
• 28:57
  Speaker 2: in this one.
• 28:59
  Speaker 1: Okay.
• 28:59
  Speaker 2: So my favorite kill was I'm dubbing this, uh Freddy needlefingers.
• 29:04
  Speaker 2: Oh had the needles and.
• 29:05
  Speaker 1: Let's get high, So that that was in line with
• 29:10
  Speaker 1: my favorite kill, favorite line. Okay, So it was like
• 29:13
  Speaker 1: either that or in the tunnel, and I was like,
• 29:15
  Speaker 1: I gotta go with the tunnel just because it's so
• 29:17
  Speaker 1: much more disrespect. That's fair.
• 29:19
  Speaker 2: Okay, Yeah, I like that. I'm glad we have varying
• 29:22
  Speaker 2: results here. But I like the needle fingers. That's eventually
• 29:25
  Speaker 2: gonna be a tattoo I get one day. I just
• 29:27
  Speaker 2: fucking love the needle. I don't know what it is.
• 29:30
  Speaker 1: Are you gonna get Okay, so are you gonna get
• 29:32
  Speaker 1: needles tattooed on your fingers? Or or are you going
• 29:37
  Speaker 1: to get Freddy with the needle fingers saying let's get
• 29:41
  Speaker 1: high Freddy with the needle fingers on my leg. Okay, got,
• 29:44
  Speaker 1: you're gonna be.
• 29:45
  Speaker 2: Part of a horror sleeve that I get. Fucking Welcome
• 29:48
  Speaker 2: to my nightmare, bitch or something.
• 29:50
  Speaker 1: I don't know.
• 29:51
  Speaker 2: So that was my favorite kill. Your favorite line, as
• 29:54
  Speaker 2: you said, was it don't work down here like that,
• 29:56
  Speaker 2: bitch or whatever. Okay, mine was welcome to primetime, bitch.
• 30:00
  Speaker 2: That was my favorite fucking line.
• 30:02
  Speaker 1: Uh.
• 30:02
  Speaker 2: Favorite character was for me was Kristen Patricia Arquette.
• 30:06
  Speaker 1: I don't know. I just liked her little ability that
• 30:07
  Speaker 1: she had. Did you have a favorite character mine besides Freddy?
• 30:12
  Speaker 1: Mine was Nancy. Yeah. She's a badass, yeah, just because
• 30:16
  Speaker 1: through the whole thing. Also, she is so hot.
• 30:19
  Speaker 2: Yeah, she's got that eighties fucking charm man.
• 30:22
  Speaker 1: Yeah. And eighties fucking high hair. Yeah, high hair with
• 30:25
  Speaker 1: the curls. Yeah.
• 30:27
  Speaker 2: Uh. My least favorite character that I had was doctor Sims.
• 30:30
  Speaker 2: She just fucking got in the way, and I was
• 30:32
  Speaker 2: not appreciative of her attitude. I know she had a
• 30:36
  Speaker 2: business to run and you know, whatever hospital to take
• 30:38
  Speaker 2: care of, but I don't know, she was kind of
• 30:40
  Speaker 2: a stepping like she's just kind of in the fucking way.
• 30:42
  Speaker 2: I wanted her to just be gone so we couldn't
• 30:44
  Speaker 2: get the ship rolling because she was very, very just negative.
• 30:47
  Speaker 1: So my my toe, my least favorite was the token
• 30:51
  Speaker 1: black character that I can't remember the name.
• 30:53
  Speaker 2: Of, oh son of a bit, just because his.
• 30:57
  Speaker 1: Like outbursts for no reason all the time. I was like,
• 31:00
  Speaker 1: all right, guys, like I get that you're trying to
• 31:03
  Speaker 1: be inclusive, but you're doing it wrong.
• 31:04
  Speaker 2: Yeah, there was some movies that, yeah that we're not
• 31:07
  Speaker 2: that we're not doing it right. And this definitely falls victim.
• 31:10
  Speaker 2: That his name, Oh Kinkaid, Yeah, Kinkaid. Yeah. So yeah,
• 31:14
  Speaker 2: that's all okay, And then I'll read the really really
• 31:17
  Speaker 2: quick summary here from IMDb. So the brief synopsis here is.
• 31:22
  Speaker 2: The Third Nightmare continues Freddie's story with the sole survivor
• 31:26
  Speaker 2: of the first movie, Nancy Thompson. Nancy has just accepted
• 31:29
  Speaker 2: a position at a research science as a research scientist
• 31:33
  Speaker 2: at a psychiatric institute near the Faded House on Elm Street,
• 31:36
  Speaker 2: and is working with a group of children who all
• 31:39
  Speaker 2: share nightmares of Freddy. She discovers that one of the children, Kristen,
• 31:44
  Speaker 2: has a special gift which may help them destroy Freddy
• 31:47
  Speaker 2: Forever and Ever. So that's the brief synopsis. I'll kick
• 31:51
  Speaker 2: it over to you and we can talk about this
• 31:54
  Speaker 2: wild fucking fever dream.
• 31:56
  Speaker 1: So movie opens up with does it open on Kristen
• 32:02
  Speaker 1: building the Uh?
• 32:04
  Speaker 2: Yeah, she's like doing you know, paaper? Yeah, and it
• 32:08
  Speaker 2: thought she was baking, So I'm like, what took me
• 32:13
  Speaker 2: way too long to like figure?
• 32:16
  Speaker 1: I was like, what the fuck is she doing? What
• 32:19
  Speaker 1: disgusting cake is this?
• 32:21
  Speaker 2: And I'm like, you gotta fucking whisk that flowers in?
• 32:24
  Speaker 1: What are you doing? So it opens with her doing
• 32:28
  Speaker 1: a an unknown paper mache project, and you can tell,
• 32:35
  Speaker 1: like right away if you are a fan at all
• 32:38
  Speaker 1: of any Friday movie or not not Friday movie, any
• 32:41
  Speaker 1: nightmare movie, any nightmare movie, that she is obviously being
• 32:46
  Speaker 1: tormented by Freddy Krueger because she is already like I
• 32:50
  Speaker 1: don't want to sleep. It starts you off, like off rip,
• 32:54
  Speaker 1: we're dealing with Freddy. She turns her music all the
• 32:59
  Speaker 1: way up allowed as she's trying not to fall asleep.
• 33:03
  Speaker 1: As she is dozing off, her mom comes in says, yo,
• 33:08
  Speaker 1: what are you doing? It's past one, and she's like, oh,
• 33:12
  Speaker 1: I just wanted to wait for you. Yeah. So she's like,
• 33:16
  Speaker 1: all right, well I'm home, now go to bed, and
• 33:19
  Speaker 1: she's like, yeah, but my nightmares are getting even worse.
• 33:21
  Speaker 1: And she's like and then somebody and then some dude
• 33:24
  Speaker 1: from downstairs like where's the bourbon? And she's like, I
• 33:28
  Speaker 1: have a guest here, and she's like, and you don't
• 33:30
  Speaker 1: want to keep him waiting, And the mother's like, nope,
• 33:33
  Speaker 1: I don't. Good night, close the door, totally dismisses her
• 33:38
  Speaker 1: daughter as a person. Cue your first interaction of movie
• 33:43
  Speaker 1: with the little jingle that everybody should know by now
• 33:47
  Speaker 1: one too, Freddy's coming for you and so on. The
• 33:52
  Speaker 1: thing I love about the Nightmare movies is, no matter what,
• 33:57
  Speaker 1: they always bring you back to the house. Like every movie,
• 34:00
  Speaker 1: even if it's fucking number six and it's just an
• 34:03
  Speaker 1: absolute shit show, they always bring you back to Freddy's house.
• 34:07
  Speaker 1: And it's that it's not even a creepy house. It's
• 34:11
  Speaker 1: kind of like born down. It's just a derelict, condemned house,
• 34:15
  Speaker 1: which makes Freddy that much more terrifying because you're like, oh, well,
• 34:20
  Speaker 1: the location's not that bad. Like everybody that ever goes
• 34:23
  Speaker 1: into the house always just like, oh, fucking wander around
• 34:26
  Speaker 1: this house, all right, whatever.
• 34:27
  Speaker 2: It's no kids outside for me that are the creepiest,
• 34:30
  Speaker 2: you know, fucking jump roping in slow mos, singing that song.
• 34:33
  Speaker 1: I'm like, yeah, for sure, no, no no. But once you
• 34:35
  Speaker 1: get into the house, like everybody's like, oh, let's just
• 34:38
  Speaker 1: go fucking explore this place, okay, And then you get
• 34:41
  Speaker 1: Freddy and you're like, okay, now I'm scared. Yeah. So
• 34:46
  Speaker 1: she goes, uh, goes into this house, feels like she
• 34:53
  Speaker 1: wakes up, goes into the bathroom because she's all fucking shook,
• 34:57
  Speaker 1: and then realizes that she's been inception and she is
• 35:00
  Speaker 1: actually in like the fourth layer of the dream and
• 35:04
  Speaker 1: Q where the fucking nuttiness beetlejuice bullshit starts happening her
• 35:12
  Speaker 1: her sink faucets grab her and lift her up. One
• 35:17
  Speaker 1: of them sprouts knives out of the fucking.
• 35:19
  Speaker 2: Nods, and you've got like Freddy's reflection in the mirrors
• 35:24
  Speaker 2: like a bit control, and he causes her to slice
• 35:31
  Speaker 2: her wrist open that and then that wakes her up.
• 35:34
  Speaker 1: She starts screaming. Her mom comes in and goes, what
• 35:37
  Speaker 1: have you done? And then cut to the uh cuts
• 35:44
  Speaker 1: to the mental hospital, and that's where the movie, you know,
• 35:49
  Speaker 1: sets itself up. It's in spring Wood. Is that the
• 35:54
  Speaker 1: name of the place. Psychiatric? Yeah, so you get the
• 36:00
  Speaker 1: instance of doctor Gordon uh talking to his UH group
• 36:07
  Speaker 1: as he's you know, coming into work. He's like, hey,
• 36:10
  Speaker 1: how you doing. So you kind of introduce all the characters.
• 36:14
  Speaker 1: You've got Taren, who is like the she's the brunette.
• 36:21
  Speaker 1: You've got I can't remember the blonde girl's name, the
• 36:23
  Speaker 1: one that's not allowed to smoke cigarettes because that's how
• 36:26
  Speaker 1: she keeps herself awake. Oh, Jennifer. So you've got Jennifer.
• 36:30
  Speaker 1: You've got Philip, who is, as we mentioned, was the
• 36:35
  Speaker 1: guy that got a stage ripped out. You've got Kinkaid,
• 36:40
  Speaker 1: who is the token black character. Uh.
• 36:43
  Speaker 2: I mean but they they have you know, Lawren's Fishburns
• 36:45
  Speaker 2: in it too though, so.
• 36:46
  Speaker 1: I mean guess, yeah, but he's not the token I
• 36:49
  Speaker 1: guess just so weird. I don't like he is. He's
• 36:52
  Speaker 1: the sage. He's the one that comes in and like
• 36:55
  Speaker 1: gives you the good advice and he's the cool one. Like, oh,
• 36:57
  Speaker 1: I'm not gonna tell anybody that you're here watching and
• 37:00
  Speaker 1: TV because I did because I didn't see you as
• 37:03
  Speaker 1: Larry fishburned.
• 37:04
  Speaker 2: Yeah, Larry fishburn Then he had Joey and also, uh, Joey,
• 37:09
  Speaker 2: Joe Joey, which Joey was the Joey's the one that
• 37:12
  Speaker 2: doesn't talk.
• 37:14
  Speaker 1: Hold on joe Yeah, Joey's the one that doesn't talk.
• 37:17
  Speaker 1: I think, I don't know. And then Will is the
• 37:20
  Speaker 1: one in the wheelchair.
• 37:21
  Speaker 2: Yeah, I don't know. That's what Joey looks like on IMDb.
• 37:25
  Speaker 1: That guy. Yeah, yeah, that's the one that doesn't talk.
• 37:27
  Speaker 1: Oh weird.
• 37:28
  Speaker 2: Okay, Oh yeah, there he is. Okay, I was thinking
• 37:31
  Speaker 2: he was someone else. Okay, yep, yep, yep, yep.
• 37:33
  Speaker 1: Got it. So the scene cuts to Kristen's mother going,
• 37:39
  Speaker 1: I don't know why you're keeping her here. She's just
• 37:41
  Speaker 1: doing this for attention. She's not actually suicidal, and they're like,
• 37:46
  Speaker 1: we have to keep her here. Yeah, she's experiencing the
• 37:50
  Speaker 1: same ship as like these five other kids. So we're
• 37:54
  Speaker 1: we're doing the government ship and we're taking this kid
• 37:57
  Speaker 1: for a little while. And then you get your first
• 38:02
  Speaker 1: shot of like the group that like it's group therapy.
• 38:08
  Speaker 1: It's just absolutely rambunctious. Nothing is getting done. Philip is
• 38:14
  Speaker 1: the one to say, yeah, you know, we're getting minimal, minimal, minimal,
• 38:20
  Speaker 1: minimal help with maximum.
• 38:22
  Speaker 2: Effort, maximum effort.
• 38:23
  Speaker 1: Ye, because because the doctors are just like, yeah, no,
• 38:28
  Speaker 1: y'all are delusional, just go to sleep, and everybody's like,
• 38:31
  Speaker 1: we can't fucking go to sleep. Yeah, he's trying to
• 38:34
  Speaker 1: kill us. No you did drugs, you're crazy. No, you
• 38:39
  Speaker 1: fucking have PTA, and it's it just goes around in circles.
• 38:43
  Speaker 2: Yeah they're at a psych hospital, they're not you know,
• 38:45
  Speaker 2: no one's gonna listen to what they have to say seriously,
• 38:47
  Speaker 2: especially if they're all like we're being attacked by someone
• 38:49
  Speaker 2: in our dreams, Like yeah, okay, crazy.
• 38:51
  Speaker 1: Yeah. So at this point you get the knowledge that
• 38:58
  Speaker 1: Nancy is now like a hot shot student psychologist with
• 39:03
  Speaker 1: all these wacky new age ideas that she's breaking ground with,
• 39:07
  Speaker 1: and the psych hospitals like, yeah, we're bringing her on
• 39:10
  Speaker 1: just to see how it works, and everybody's like, great,
• 39:13
  Speaker 1: another fucking new person that we got to deal with.
• 39:16
  Speaker 2: Well, I think, uh, I believe that ucause she talks
• 39:20
  Speaker 2: to Gordon at some point. I think he recommends uh
• 39:25
  Speaker 2: going to talk to someone about I can't remember what happened.
• 39:27
  Speaker 2: I know they talked and she saw he saw like
• 39:29
  Speaker 2: the drugs that she had, which.
• 39:31
  Speaker 1: Is yes, so hypnot. So that was after So she
• 39:34
  Speaker 1: shows up right when Kristen is, uh, they're trying to
• 39:40
  Speaker 1: sedate Kristen because she well, so she comes in because
• 39:46
  Speaker 1: Kristen starts going over the nursery rhyme Freddie's nursery rhyme,
• 39:50
  Speaker 1: and Nancy repeats it back to her, so she calms
• 39:53
  Speaker 1: down and everybody didn't have to freak out so bad.
• 39:57
  Speaker 1: So that's like, you're, hey, we we trust this character
• 40:00
  Speaker 1: moment now. So, uh, Kristin, who's kind of like the
• 40:04
  Speaker 1: main focus of the movie, yeah, starts you know, confiding
• 40:08
  Speaker 1: in christ or in Nancy a little bit more because
• 40:13
  Speaker 1: she's like, okay, so like what's going on? How do
• 40:15
  Speaker 1: you know that? Blah blah blah. Yeah. Then uh, doctor
• 40:23
  Speaker 1: Gordon invites Nancy out to dinner to like tell her
• 40:28
  Speaker 1: about the hospital and so, and that's when as she's leaving,
• 40:33
  Speaker 1: she drops her bag and he picks it up and
• 40:35
  Speaker 1: it's hypno sill. He goes back and does some research
• 40:38
  Speaker 1: on it and finds out that hypnocyl is an experimental
• 40:42
  Speaker 1: psychoactive drug that stops you from dreaming and that's they
• 40:47
  Speaker 1: give you that as kind of the oh, this is
• 40:50
  Speaker 1: how Nancy managed to get away afterwards like yeah, now
• 40:54
  Speaker 1: now she's done. Yeah.
• 40:56
  Speaker 2: So but it also piques his interests at the same
• 40:59
  Speaker 2: time because he wants to help those kids, but he
• 41:01
  Speaker 2: doesn't know what to help them with.
• 41:04
  Speaker 1: He sees that and he's like.
• 41:05
  Speaker 2: Well, you know, they're all complaining about how they can
• 41:07
  Speaker 2: sleep because of the you know, night terror.
• 41:09
  Speaker 1: So oh and at first maybe, and at first he's like, oh,
• 41:13
  Speaker 1: do you want me to just dose him up with
• 41:14
  Speaker 1: some experimental Like he's not about it.
• 41:17
  Speaker 2: At first, until yeah, he looks it up on his computer,
• 41:19
  Speaker 2: which is eighty seven, so it's a big funky looking
• 41:22
  Speaker 2: computer that.
• 41:23
  Speaker 1: You have to turn the screen off with a knob. Yeah.
• 41:27
  Speaker 1: I was like oof, yeah, oof. That hit me hard.
• 41:31
  Speaker 1: And as as things are going, patients are starting to
• 41:35
  Speaker 1: die off. So you have Philip gets strung up and
• 41:40
  Speaker 1: jump out a window and then what was her name,
• 41:42
  Speaker 1: Samantha Sarah Stephanie, Jennifer, Jennifer and then uh oh yeah
• 41:47
  Speaker 1: that's the welcome to Primetime bitch. Yeah. So Jennifer, who
• 41:51
  Speaker 1: wants to be an actress, is the next one to
• 41:53
  Speaker 1: get killed off because she's alone. She falls as sleep.
• 42:01
  Speaker 1: They start to realize that after Kristin gets I think sedated,
• 42:08
  Speaker 1: she pulls Nancy into a dream, and then they find
• 42:12
  Speaker 1: out that, oh we all like well, they find out
• 42:16
  Speaker 1: first that Kristin has powers inside of dreams. Yeah, she
• 42:20
  Speaker 1: can pull people into her dreams. So then the next
• 42:24
  Speaker 1: logical step is, oh, let's group, let's group, let's do
• 42:28
  Speaker 1: group hypnosis. Yeah, so we can have her pull us
• 42:32
  Speaker 1: all into a dream because we're only we're only powerful together.
• 42:36
  Speaker 1: It's the fucking uh ritual of fool all over again.
• 42:41
  Speaker 1: It has to be all of us or none of us. Yeah, well, because.
• 42:44
  Speaker 2: They all have I like how they go into that too.
• 42:46
  Speaker 2: Everyone in their dreams has this power. You get the
• 42:49
  Speaker 2: guy in the wheelchair who's like the wizard, and then Tearing,
• 42:52
  Speaker 2: who's this bad punk like hard, hard ass, Like it's
• 42:55
  Speaker 2: kind of silly, but it's also kind of cool.
• 42:57
  Speaker 1: Well, and you find that out because they they start
• 43:00
  Speaker 1: to do the group hypnosis and they're like, nothing's working,
• 43:02
  Speaker 1: So they all get up and they scattered, and then
• 43:06
  Speaker 1: you find out that uh, like the the fucking clicker
• 43:10
  Speaker 1: bead pendulum beads Newton's Newton's cradle is what it's called cradle.
• 43:21
  Speaker 1: The beads of that just break away and start floating.
• 43:23
  Speaker 1: I was like, all right, this is some fucking Disney ship.
• 43:26
  Speaker 1: Now they're like, no, we're here, We're in We're in
• 43:28
  Speaker 1: the dream or whatever. So then then they all start
• 43:31
  Speaker 1: discovering their powers. It quickly ramps up from there because
• 43:36
  Speaker 1: they still find out that they're in the dream, they're
• 43:41
  Speaker 1: able to get separated, and uh, Joey gets taken because
• 43:47
  Speaker 1: he doesn't realize he's in the dream and the nurse
• 43:51
  Speaker 1: that he follows around all the time is like, oh,
• 43:53
  Speaker 1: I want to fuck you. Come into his room.
• 43:56
  Speaker 2: Yeah, so you know you're who's who? What guy is
• 43:58
  Speaker 2: gonna be like nah?
• 43:59
  Speaker 1: You know, like that follower for sure. Yeah, So he
• 44:07
  Speaker 1: gets snatched deeper into the dream realm. So pro tip
• 44:18
  Speaker 1: for anyone that watches The Nightmare on Elm Street movies,
• 44:23
  Speaker 1: if it is not a main character, it's Freddy. That's
• 44:28
  Speaker 1: that's just the rule. Anybody you see that is not
• 44:30
  Speaker 1: a main character at some point is Freddy. Especially just
• 44:36
  Speaker 1: the way it works just works. So most of the
• 44:42
  Speaker 1: group gets woken up and Joey is now in a coma.
• 44:48
  Speaker 1: So they're like all right. Uh So the the hospital
• 44:53
  Speaker 1: board or whatever comes in and says to Nancy and
• 44:56
  Speaker 1: doctor Gordon, y'all are fucking quacks. Get the fu here.
• 45:00
  Speaker 1: You don't work here, You've been relieved of duty. Goodbye.
• 45:04
  Speaker 1: So then they go, okay, we're just gonna sedate everybody now.
• 45:10
  Speaker 1: So they are on the process of working to gather
• 45:14
  Speaker 1: the medication to just sedate everybody. They call or the
• 45:19
  Speaker 1: group calls doctor Gordon while they're out trying to find
• 45:24
  Speaker 1: the bones of Freddy Krueger from Nancy's dad, who's the
• 45:28
  Speaker 1: last living person that knows where they are. So they're
• 45:33
  Speaker 1: out doing that, doctor Gordon gets the phone call. They're like,
• 45:35
  Speaker 1: they're trying to sedate us all. You have to get
• 45:37
  Speaker 1: back here. You're our only hope. Blah blah blah. So
• 45:40
  Speaker 1: doctor Gordon says to Nancy, yo, you go back to
• 45:43
  Speaker 1: the hospital. I'm gonna get the bones. And she's like,
• 45:46
  Speaker 1: but my dad just basically told us to fuck off,
• 45:48
  Speaker 1: and he's like, I got the bones, don't work, I'm
• 45:51
  Speaker 1: gonna get him. So Nancy goes back to the hospital.
• 45:54
  Speaker 1: Doctor Gordon kind of goes, yo, you're gonna help me
• 45:57
  Speaker 1: find these fucking bones. Let's go. Yeah. So their adventure
• 46:02
  Speaker 1: takes off. Nancy gets back to the hospital and says,
• 46:06
  Speaker 1: I know you won't let me see Joey to Max,
• 46:09
  Speaker 1: who is Laurence Fishburne, and he says, and she says,
• 46:13
  Speaker 1: but this may be my last time to get to
• 46:15
  Speaker 1: say anything to these kids, one last time. Let me
• 46:18
  Speaker 1: do that. And he's like, all right, fuck it, but
• 46:20
  Speaker 1: if you get caught, that's your ass. So she goes
• 46:23
  Speaker 1: to talk to the kids and the kids are like, yo,
• 46:25
  Speaker 1: we got to go into the dreams because they put
• 46:28
  Speaker 1: fucking Kristen in the quiet room, so we got to
• 46:32
  Speaker 1: go into the dreams, find her and then get Joey
• 46:34
  Speaker 1: and get the fuck out. So it gets very like
• 46:37
  Speaker 1: old school inceptiony. They all go into Uh. They all
• 46:44
  Speaker 1: go into the dream get separated, and all have their
• 46:47
  Speaker 1: own little mini adventures. It's kind of hard to keep
• 46:51
  Speaker 1: track because number one, it bounces around like a lot,
• 46:55
  Speaker 1: and number two, it's so wacky that if you're not
• 46:57
  Speaker 1: like paying absolute attention, you're gonna miss a little bit
• 47:01
  Speaker 1: of what's going on because it's just so all over
• 47:03
  Speaker 1: the place in this time. Uh. They they all get
• 47:12
  Speaker 1: brought together, uh, and then Freddy traps them in a
• 47:16
  Speaker 1: room of mirrors and starts and starts trying to separate
• 47:20
  Speaker 1: them again. From there, Joey, who does not talk, by
• 47:25
  Speaker 1: the way, we we forgot to mention he is nonverbal
• 47:28
  Speaker 1: from PTSD from Freddy. He he just screams no and
• 47:34
  Speaker 1: shatters all the windows and they are able to get
• 47:39
  Speaker 1: out of the dream. And then the doctor Gordon finds
• 47:47
  Speaker 1: the bones has a tussle with a skeleton like a
• 47:51
  Speaker 1: claymation skeleton.
• 47:52
  Speaker 2: So cool, it's amazing, so ugly.
• 48:00
  Speaker 1: It held up for being a It did not. It
• 48:03
  Speaker 1: did not hold up.
• 48:03
  Speaker 2: I don't know what version you're watching, but that she
• 48:05
  Speaker 2: looked great on my TV. Maybe I mean, I was like, damn,
• 48:09
  Speaker 2: that looks.
• 48:09
  Speaker 1: Maybe it was the compressed to B version that I
• 48:13
  Speaker 1: I was like, No, it looked so ugly. Oh wow,
• 48:16
  Speaker 1: look great on my TV. I had no complaints. That's weird,
• 48:19
  Speaker 1: it happens. I was so After the tussle with the skeleton,
• 48:25
  Speaker 1: uh Nancy's dad gets thrown into a chunk of metal,
• 48:30
  Speaker 1: thus impaling and killing him. The skeleton leaves because he
• 48:37
  Speaker 1: thinks he because the skeleton is Freddy. It's just the
• 48:40
  Speaker 1: animated bones of Freddy Krueger, so he leaves to go
• 48:44
  Speaker 1: back to torment the group, and in the process of tormenting
• 48:48
  Speaker 1: the group again and getting ready to kill I think
• 48:52
  Speaker 1: it's Kristin. He has Kristin right when he's think. So,
• 48:55
  Speaker 1: I wasn't even gonna go with this, honestly. I mean,
• 48:58
  Speaker 1: it's fine. I thought we were doing oiler.
• 49:00
  Speaker 2: No, I wasn't sure. I haven't really said much, so
• 49:03
  Speaker 2: I didn't know. I didn't know how far we were going.
• 49:05
  Speaker 1: So okay, Yeah, then uh, Freddy gets a hold of
• 49:08
  Speaker 1: one of the kids and I'm end it there. No,
• 49:11
  Speaker 1: I don't care you could spoil it.
• 49:12
  Speaker 2: I just I didn't write anything past a certain point
• 49:14
  Speaker 2: because I wasn't sure. I didn't know if we'd have
• 49:17
  Speaker 2: time to boil it or not. But we've got like
• 49:20
  Speaker 2: plenty of time, okay, gotcha.
• 49:21
  Speaker 1: So yeah, I didn't. I didn't know how this is
• 49:23
  Speaker 1: gonna go.
• 49:24
  Speaker 2: I mean, I want new formula we're trying to Yeah,
• 49:27
  Speaker 2: we've never done one. So I was like, i'most stop
• 49:29
  Speaker 2: taking notes here. I sucked so many.
• 49:32
  Speaker 1: Grease in the gears live on air.
• 49:35
  Speaker 2: Yeah, I mean, yeah, we really need to test this
• 49:37
  Speaker 2: out live, and so it's uh, it's Kincaid that squares
• 49:42
  Speaker 2: up against it.
• 49:42
  Speaker 1: He starts like trying to fight Freddy, okay, and then
• 49:46
  Speaker 1: as that's happening, doctor Gordon knocks the bones into the
• 49:50
  Speaker 1: grave that they dug and starts scattering a holy water
• 49:53
  Speaker 1: on it, and they yeah, then and then Freddy explodes. Yeah,
• 49:58
  Speaker 1: he explodes, like all this light start shooting out of
• 50:00
  Speaker 1: his body. Like that's what.
• 50:02
  Speaker 2: I don't understand how they did that in nineteen eighty seven.
• 50:05
  Speaker 1: No, neither do I.
• 50:06
  Speaker 2: There's no CG. You're not, I mean, unless there is,
• 50:09
  Speaker 2: unless they were using it. So I don't think.
• 50:12
  Speaker 1: Here's here's no idea how they did that. Here's my
• 50:15
  Speaker 1: theory on that is. Probably what they did is they
• 50:18
  Speaker 1: ran that through like they ran that scene through like
• 50:21
  Speaker 1: multiple cameras, like on at least close to the same angle,
• 50:26
  Speaker 1: and then took the film of some of it and
• 50:28
  Speaker 1: burned through it and shone a light through it and
• 50:31
  Speaker 1: ran it. That's the only way that I think could
• 50:34
  Speaker 1: have happened.
• 50:35
  Speaker 2: I have no idea how they did that because I
• 50:37
  Speaker 2: don't think CG was really being used widely until mid nineties,
• 50:42
  Speaker 2: maybe early nineties. I don't know either way. It's very
• 50:47
  Speaker 2: very very crazy how they do that whole thing at
• 50:50
  Speaker 2: the end.
• 50:50
  Speaker 1: I was blown away. I was like, God, damn that,
• 50:52
  Speaker 1: that's amazing. Yeah, and then and then they and then
• 50:55
  Speaker 1: at the very end of the movie they give you
• 50:57
  Speaker 1: the signature Freddy's not dead thing in some way, shape
• 51:03
  Speaker 1: or form. In every Nightmare on Elm Street movie they
• 51:07
  Speaker 1: give you in the very last scene something that tells
• 51:10
  Speaker 1: you that Freddy Kruger is not dead.
• 51:11
  Speaker 2: Yeah, and this one it's the the light flicking back
• 51:14
  Speaker 2: on and the in the paper mache house or whatever.
• 51:16
  Speaker 2: So you're like, oh, and then it just cuts the
• 51:18
  Speaker 2: you know, cuts the black, and you're like, well, he's
• 51:19
  Speaker 2: obviously not dead. I don't know how you're alive. I
• 51:22
  Speaker 2: can't remember how you come back. I think four is
• 51:25
  Speaker 2: dream Child. I think next, maybe five is dream Child.
• 51:28
  Speaker 2: I don't know one of them. The child is involved. Yeah,
• 51:31
  Speaker 2: I can't remember. It's like Seed of Chuck. You're like,
• 51:33
  Speaker 2: why are we bringing a kid into this? Uh? Yeah,
• 51:36
  Speaker 2: I mean this is definitely my favorite of the I
• 51:40
  Speaker 2: guess technically eight, if you include Freddy versus Jason, which we.
• 51:44
  Speaker 1: Do always, yeah, which we do, it is Cannon.
• 51:48
  Speaker 2: Yeah, I uh what Freddy versus Jayson? Yes, oh sorry
• 51:50
  Speaker 2: started talking this Yeah no, yeah, so yeah, I guess
• 51:53
  Speaker 2: then that would be considered. So yeah, this is definitely
• 51:55
  Speaker 2: my second favorite, first favorite being the original. I mean
• 51:59
  Speaker 2: I watched it lastlast year for the first time and
• 52:01
  Speaker 2: was so blown away by it.
• 52:03
  Speaker 1: I did not expect it to be that good.
• 52:05
  Speaker 2: With a movie that has that much hype and that
• 52:07
  Speaker 2: much fandom and people that like the movie around it,
• 52:11
  Speaker 2: you kind of expect greatness, and then that's exactly what
• 52:13
  Speaker 2: I got. I was like, holy shit, the sound design,
• 52:16
  Speaker 2: everything about that movie was so good, and this one
• 52:19
  Speaker 2: was just like the wacky step Child, you know what
• 52:22
  Speaker 2: I mean, Like, oh yeah, for sure comes out of nowhere.
• 52:25
  Speaker 2: Like I said earlier in the episode, I feel like
• 52:27
  Speaker 2: this was kind of, you know, to make up for
• 52:29
  Speaker 2: two because I know, I know, too gross a lot
• 52:32
  Speaker 2: of money just because it was the sequel, but I
• 52:34
  Speaker 2: know it doesn't have nearly as good of ratings as
• 52:36
  Speaker 2: the third one. The third one has like a three
• 52:39
  Speaker 2: point five out of five, and I believe Nightmare on
• 52:42
  Speaker 2: Elm Street two has like a two point nine or
• 52:43
  Speaker 2: something like that.
• 52:44
  Speaker 1: So this is definitely my.
• 52:45
  Speaker 2: Favorite sequel, and I just like how it all comes together,
• 52:48
  Speaker 2: you know, you have because Nancy's not in the second one.
• 52:50
  Speaker 2: She comes back for this one, and how they kind
• 52:52
  Speaker 2: of explain how she has dealt with it. I like
• 52:54
  Speaker 2: how they yeah, which is the hypnosill which is kind
• 52:57
  Speaker 2: of just like a really quick thing. If you miss it,
• 52:59
  Speaker 2: you know, you're gonna you're not gonna realize it because
• 53:02
  Speaker 2: it's so quick.
• 53:02
  Speaker 1: Yeah, and they give it to you twice, So if
• 53:04
  Speaker 1: you miss it, that's your fault.
• 53:05
  Speaker 2: Yeah, because the first time, you know, doctor Gordon holds
• 53:08
  Speaker 2: up the thing to the camera and says hypnos soil,
• 53:10
  Speaker 2: which is easy to miss. But then that's when he
• 53:13
  Speaker 2: goes to research it, and then it's obviously prevalent in
• 53:15
  Speaker 2: the rest of the movie.
• 53:16
  Speaker 1: But if you miss the.
• 53:17
  Speaker 2: Fact that she has it, then yeah, that's that's kind
• 53:19
  Speaker 2: of how they explain how she is just like not
• 53:22
  Speaker 2: dealt with Freddy first six because this takes place six
• 53:24
  Speaker 2: years after the first one, so she's not dealing with
• 53:27
  Speaker 2: Freddy because of that, and the whole group dynamic, how
• 53:30
  Speaker 2: everyone is just suffering from these night terrors of Freddie.
• 53:33
  Speaker 2: I thought was a very fun thing because she comes in,
• 53:36
  Speaker 2: like and everyone when when she comes in, everyone is
• 53:39
  Speaker 2: very skeptical of her and oh.
• 53:40
  Speaker 1: Yeah, they're like you're crazy.
• 53:41
  Speaker 2: Bit yeah, You're like no, no, no, And then she describes, yeah,
• 53:44
  Speaker 2: he's you know, he's got this hat, he's got these
• 53:46
  Speaker 2: you know, the finger gloves, and then she says an
• 53:49
  Speaker 2: explanation on why he was coming after all them. Was
• 53:52
  Speaker 2: probably my favorite part of the plot because she explains
• 53:56
  Speaker 2: to them that all of their parents, including her father,
• 53:59
  Speaker 2: are the ones who burn Freddy to death. So he's
• 54:01
  Speaker 2: coming after all of you or all of us because
• 54:04
  Speaker 2: we're the last of the Elm Street kids that lived
• 54:07
  Speaker 2: on that on that on that street. So I thought
• 54:11
  Speaker 2: that was so cool that, yeah, it's not just coming
• 54:13
  Speaker 2: after you guys for no reason, I'm just here to help. No,
• 54:16
  Speaker 2: he's coming after them because they are the children of
• 54:19
  Speaker 2: all the all the people who murdered Freddy Krueger. So
• 54:21
  Speaker 2: that's a very cool and you know initiative of why
• 54:25
  Speaker 2: he's which which coming after them, which also.
• 54:27
  Speaker 1: Gives some really cool implications that now that they know
• 54:30
  Speaker 1: that once they survive, you can't have kids because you're
• 54:34
  Speaker 1: gonna bring Freddy Krueger.
• 54:36
  Speaker 2: Back, exactly, do not have kids. So yeah, that was
• 54:40
  Speaker 2: just a very like the plot in this was just
• 54:42
  Speaker 2: it was very well fleshed out, like they did a
• 54:45
  Speaker 2: really good job with it. And even going beyond that,
• 54:48
  Speaker 2: there's a nun who works because I think religion is
• 54:52
  Speaker 2: involved there because there's that that nune. I don't know
• 54:55
  Speaker 2: what the deals. I can't remember if it's just the
• 55:00
  Speaker 2: they give it like.
• 55:01
  Speaker 1: It's like a two second thing. Uh about a priest
• 55:07
  Speaker 1: who killed a nun because of her child. And the
• 55:12
  Speaker 1: nun is Freddy Krueger's mother.
• 55:14
  Speaker 2: Yeah, I just don't remember why she why she's there, But.
• 55:17
  Speaker 1: She's because she knows because she's also dead, so she
• 55:20
  Speaker 1: knows what Freddy Krueger is doing in the afterlife. And
• 55:24
  Speaker 1: she was a nun and she's like, my son is
• 55:26
  Speaker 1: now a literal demon. Get rid of him.
• 55:28
  Speaker 2: No, I know, but like, I just why is she
• 55:30
  Speaker 2: at the psych hospital? She just is like, that's what
• 55:33
  Speaker 2: I'm saying. It's a nun. Why does she Why is
• 55:35
  Speaker 2: she present there?
• 55:36
  Speaker 1: She's a ghost? She's not a ghost. Yeah she is,
• 55:39
  Speaker 1: she's dead.
• 55:41
  Speaker 2: Okay, I must have missed that. Then I don't ever
• 55:42
  Speaker 2: remember her being dead.
• 55:44
  Speaker 1: Yeah, it's it's like one of the last it's like
• 55:46
  Speaker 1: one of the last scenes in the movie. Oh okay,
• 55:48
  Speaker 1: because she's she's there at Nancy's funeral, and doctor Gordon
• 55:53
  Speaker 1: turns around. Caesar runs off behind the tree where she
• 55:57
  Speaker 1: walks walks well, he walks over her. Yeah, and then
• 56:01
  Speaker 1: and then when she walks away, he goes, oh, he's
• 56:05
  Speaker 1: she's she's his mother. Probably was taking notes. It goes
• 56:08
  Speaker 1: to the uh, it goes to her graves.
• 56:10
  Speaker 2: Oh, I know that she's the mother. I didn't. I'm
• 56:13
  Speaker 2: I'm obviously missing the part where she is a ghost.
• 56:15
  Speaker 2: I was probably aost. I was probably taking notes at
• 56:17
  Speaker 2: that at that time. That's the problem with taking notes
• 56:19
  Speaker 2: is I've looked down at my phone to take notes
• 56:21
  Speaker 2: and I miss ship. Yeah, because you find out that
• 56:23
  Speaker 2: the nun who is kind of guiding Gordon, because he
• 56:26
  Speaker 2: sees the Gordon sees her up in the fucking bell
• 56:29
  Speaker 2: tower late at night, and he's like, what the fuck?
• 56:31
  Speaker 2: So he runs up there, and then she goes into
• 56:34
  Speaker 2: this whole thing about how there was a girl here
• 56:37
  Speaker 2: who got trapped in this place and was like trapped
• 56:41
  Speaker 2: over the weekend and all these inmates or whatever from
• 56:43
  Speaker 2: the psych hospital raped her mercilessly, and then she eventually
• 56:46
  Speaker 2: became pregnant after all of that, and that you know,
• 56:49
  Speaker 2: the purse of the trial she gave birth to was
• 56:51
  Speaker 2: Freddie and then so that was her mom. So there's
• 56:53
  Speaker 2: this whole crazy subplot with that over there.
• 56:56
  Speaker 4: Like I didn't we didn't even need that yet, but
• 56:58
  Speaker 4: it was it was thrown in, like what the fuck
• 57:01
  Speaker 4: because yeah, oh that's right, you yeah, you see her
• 57:03
  Speaker 4: tombstone at the end, and it's like blah blah blah,
• 57:06
  Speaker 4: you know, mother of Freddy Krueger or whatever.
• 57:08
  Speaker 2: Okay, yeah, I guess I didn't realize. I guess I
• 57:11
  Speaker 2: thought she had died at the end of the movie,
• 57:13
  Speaker 2: not that she had been dead the whole time. So
• 57:15
  Speaker 2: she's been dead the whole time, just like fucking uh
• 57:18
  Speaker 2: that Shyamalan movie.
• 57:20
  Speaker 1: Which one god damn it, all of them, what's the
• 57:25
  Speaker 1: one in sixns?
• 57:28
  Speaker 2: Like what's the what?
• 57:28
  Speaker 1: What's the movie? Uh?
• 57:30
  Speaker 2: So, yeah, you have that whole subplot going on there,
• 57:32
  Speaker 2: and like it's just there's no reason for this movie
• 57:35
  Speaker 2: to have the plot that it does, Like it could
• 57:38
  Speaker 2: be like Halloween is so basic, you know what I mean,
• 57:40
  Speaker 2: It's a babysitter killer on the loose killing people whatever.
• 57:43
  Speaker 2: But this has such like a crazy, just like drawn
• 57:47
  Speaker 2: out story, but like it's not drawn out, it's just
• 57:49
  Speaker 2: so in depth and you're like, it's.
• 57:51
  Speaker 1: It's like it's got layers.
• 57:54
  Speaker 2: Yeah, it's great though, because this Yeah, the more the
• 57:58
  Speaker 2: story goes on, the more layers you peel back, and
• 58:00
  Speaker 2: it's just fucking wild. So I really, uh commend the
• 58:04
  Speaker 2: storytelling and writing in this movie because it is just
• 58:07
  Speaker 2: a very very very dense plot, but it's not overwhelming
• 58:10
  Speaker 2: and like you said, it flies by h It's it's.
• 58:14
  Speaker 1: So much fun.
• 58:15
  Speaker 2: So yeah, I feel like this is a very very
• 58:17
  Speaker 2: very well done movie practical effects whise, story wise, acting wise,
• 58:22
  Speaker 2: everything about this movie is just fucking solid. So yes,
• 58:26
  Speaker 2: at the end of this movie, Freddie is you know, dead,
• 58:29
  Speaker 2: but of course Freddy's never dead because he always comes back,
• 58:32
  Speaker 2: just like Mike Myers, Jason what have you. But uh,
• 58:36
  Speaker 2: yeah there is we're doing this new thing now where
• 58:38
  Speaker 2: I will watch the credits to see if there's anything.
• 58:41
  Speaker 2: There is nothing mid or post credits scene for this.
• 58:45
  Speaker 2: I think they did enough just in the movie. Oh yeah,
• 58:47
  Speaker 2: for sure, didn't need anything else. Is there anything else
• 58:50
  Speaker 2: you wanted to say about the movie in general?
• 58:53
  Speaker 1: Just overall overall thoughts, And I mean it's a fun movie.
• 59:01
  Speaker 1: Don't go into it expecting Nightmare one is real, because
• 59:07
  Speaker 1: like that's like I was saying earlier. You know, some
• 59:10
  Speaker 1: people go into it expecting like the caliber of yeah,
• 59:13
  Speaker 1: the first one, and it's definitely not. But it's it's
• 59:16
  Speaker 1: its own, it's its own little creation, for sure.
• 59:21
  Speaker 2: It's it's like what Nightmare one would have been if
• 59:23
  Speaker 2: everyone was just having the like the most fun time,
• 59:26
  Speaker 2: because that's exactly what it is. They have the you know,
• 59:30
  Speaker 2: the the gore and the violence and kind of the
• 59:32
  Speaker 2: suspense from the first one, but it is just eighties camp.
• 59:36
  Speaker 2: It's so much fun. So I like that they're different
• 59:40
  Speaker 2: like that. You know, the first one's very serious and
• 59:42
  Speaker 2: very kind of intense, and this one's just a wacky
• 59:44
  Speaker 2: time that you can have fun with and throw on
• 59:46
  Speaker 2: whenever because it's so silly. So yeah, definitely recommend this one.
• 59:51
  Speaker 2: If you're gonna watch a sequel, watch this one because
• 59:53
  Speaker 2: you really don't even need to watch two. You could
• 59:55
  Speaker 2: go straight, oh, one to three, no problem.
• 59:58
  Speaker 1: And it actually makes more.
• 1:00:00
  Speaker 2: Yeah, you could watch one three and then maybe go
• 1:00:02
  Speaker 2: to two like it honestly makes sense, or just skip two.
• 1:00:05
  Speaker 1: Whatever.
• 1:00:06
  Speaker 2: So let's go to some fun trivia here. I wrote
• 1:00:09
  Speaker 2: down some things and some stuff. One day, after a
• 1:00:13
  Speaker 2: tiring day on set, Robert England fell asleep in his
• 1:00:15
  Speaker 2: dressing room, still in full Freddie makeup. When he woke
• 1:00:18
  Speaker 2: up later that night and looked in the mirror, he
• 1:00:20
  Speaker 2: got a pretty terrible fright. Which, yeah, same. I guarantee
• 1:00:24
  Speaker 2: I'd do the same thing if I fell asleep. Oh
• 1:00:26
  Speaker 2: shit in my trailer, that'd be horrifying. Jennifer Rubin, who
• 1:00:30
  Speaker 2: played Taran, was told by some of her fans that
• 1:00:33
  Speaker 2: her character in this movie had caused them to quit drugs,
• 1:00:36
  Speaker 2: and the actress is very proud of that fact, as
• 1:00:38
  Speaker 2: you should be. I mean, yeah, that's not even a
• 1:00:41
  Speaker 2: real person, and she's in a movie, and that that
• 1:00:44
  Speaker 2: big of an impact. That's fucking that's dope. That's awesome.
• 1:00:47
  Speaker 2: I guess that would be the opposite of dope. Never mind,
• 1:00:48
  Speaker 2: I'm sorry, that was a really terrible adjective to you.
• 1:00:51
  Speaker 1: That's my bad.
• 1:00:52
  Speaker 2: The original premise of the film involved Freddie invading the
• 1:00:55
  Speaker 2: real world and haunting actors and crew responsible for a
• 1:00:58
  Speaker 2: Nightmare on Elm Street or the Nightmare on Elm Street Films.
• 1:01:02
  Speaker 2: This idea was rejected by the studio, though wes Craven
• 1:01:05
  Speaker 2: later used it for a new Nightmare in nineteen ninety four,
• 1:01:07
  Speaker 2: which is where the fucking whole franchise comes back up
• 1:01:11
  Speaker 2: to like yeah, like yes, here we are again.
• 1:01:14
  Speaker 1: We did it.
• 1:01:15
  Speaker 2: Wes Craven had nothing to do with the first sequel,
• 1:01:17
  Speaker 2: A Nightmare on Elm Street to Freddy's Revenge, as he
• 1:01:20
  Speaker 2: didn't believe the Elm Street that Elm Street was capable
• 1:01:23
  Speaker 2: of spawning a franchise, silly son of a Bitch. The
• 1:01:28
  Speaker 2: success of the second film, outgrossing the original, convinced him
• 1:01:32
  Speaker 2: otherwise to come back for this one. I do believe
• 1:01:35
  Speaker 2: he was only credited as writing though, because yeah, Chuck
• 1:01:40
  Speaker 2: Chuck Russell's that was your name, guy, Chuck. Yeah Chuck
• 1:01:42
  Speaker 2: Russell directed this one, but Wes Craven was the writer
• 1:01:46
  Speaker 2: of this one. So some fun goofs that I noticed
• 1:01:50
  Speaker 2: that I noticed, and we're also in the goofs on
• 1:01:53
  Speaker 2: IMDb is the fact that the white streak in Nancy's
• 1:01:56
  Speaker 2: hair is seen on her right side, but in the
• 1:01:59
  Speaker 2: you know, the first Nightmare, it was on the left side,
• 1:02:02
  Speaker 2: so that was kind of funny. During the fight between
• 1:02:04
  Speaker 2: Taran and Freddie, Freddie stabs under uh Taran stabs Freddie
• 1:02:09
  Speaker 2: under the arm. If you look at his glove, Freddie's
• 1:02:11
  Speaker 2: missing is a index finger blade. And I noticed that
• 1:02:15
  Speaker 2: watching and I was like, and I rewound it, and
• 1:02:17
  Speaker 2: I was like, what the fuck is fucking.
• 1:02:20
  Speaker 1: On that same on that same fight when he stabs
• 1:02:24
  Speaker 1: her with the needles, when you see the marks in
• 1:02:27
  Speaker 1: her arms where she's going to quote unquote get stabbed,
• 1:02:31
  Speaker 1: when he actually stabs her in the arms nowhere near
• 1:02:34
  Speaker 1: the same policeman.
• 1:02:35
  Speaker 2: Yeah, he also he also misses two because he has.
• 1:02:41
  Speaker 1: I saw that.
• 1:02:41
  Speaker 2: I was like, you almost made it there, guy, So yeah,
• 1:02:45
  Speaker 2: that whole scene was kind of kind of wonky there.
• 1:02:49
  Speaker 2: And then your favorite or your favorite line of the
• 1:02:52
  Speaker 2: movie when Freddie grabs Will and is about to stab him.
• 1:02:55
  Speaker 2: You can clearly see the wires holding Will up, and
• 1:02:57
  Speaker 2: you really can. There's two or there's at least one.
• 1:03:00
  Speaker 2: I believe there's two on each side. But you're like
• 1:03:02
  Speaker 2: it's like a real like split second, but they are there.
• 1:03:05
  Speaker 2: So that's funny, just some funny goofs. I noticed there's
• 1:03:08
  Speaker 2: a lot of goofs. So I didn't realize this because
• 1:03:11
  Speaker 2: I never go into this. But there's like inconsistencies and
• 1:03:14
  Speaker 2: then there's like plot hole. There's like all these like
• 1:03:16
  Speaker 2: subdivisions of goofs, So I thought that was pretty funny.
• 1:03:19
  Speaker 2: So I included those because I actually did notice all
• 1:03:22
  Speaker 2: three of those. So this has a six point six
• 1:03:26
  Speaker 2: out of ten on IMDb, three point five out of
• 1:03:29
  Speaker 2: five on Letterbox. I gave this a four because it's
• 1:03:32
  Speaker 2: right under the first one for me, and the first
• 1:03:34
  Speaker 2: one has a four and a half from me, so.
• 1:03:36
  Speaker 1: I gave it a three. A three Yeah, okay, wow,
• 1:03:39
  Speaker 1: I mean it's good. I mean this has never been
• 1:03:42
  Speaker 1: my favorite series of classics. We all know that, so
• 1:03:45
  Speaker 1: I mean it gets what it gets.
• 1:03:47
  Speaker 2: No, that's fair. I only started watching these last year
• 1:03:49
  Speaker 2: and one and three of my favorites, so it's like, yeah,
• 1:03:52
  Speaker 2: that's why I gave it that. It's just so silly
• 1:03:54
  Speaker 2: and wacky. But yeah, that's right. There's no other movie
• 1:03:58
  Speaker 2: to talk about.
• 1:03:59
  Speaker 1: I look down.
• 1:04:01
  Speaker 2: I'm like, oh shit, we have another movie. Oh that's right,
• 1:04:03
  Speaker 2: we don't. Yeah, but I mean nightmare. Like I said,
• 1:04:07
  Speaker 2: it's a very hit or miss series. You've got some
• 1:04:09
  Speaker 2: good ones, you've got some bad ones, and then you've
• 1:04:12
  Speaker 2: got Freddy versus Jason, which is just that's you that's
• 1:04:14
  Speaker 2: just fun.
• 1:04:15
  Speaker 1: That's just if. Have we done that one yet? I
• 1:04:17
  Speaker 1: don't think we did. We did.
• 1:04:18
  Speaker 2: We did one through eight, So that's all the way
• 1:04:20
  Speaker 2: to Manhattan. Yeah, so we haven't done Jason goes to
• 1:04:25
  Speaker 2: Hell Jason X or Freddy versus Jason. I smell some
• 1:04:30
  Speaker 2: fucking I smell some episodes coming up.
• 1:04:32
  Speaker 1: Oh yeah, there may be a few, like episodes that
• 1:04:36
  Speaker 1: we do that are gonna be multiple movies, cause like, yeah,
• 1:04:39
  Speaker 1: like some creature feature movies, like we can't do just one.
• 1:04:42
  Speaker 2: See, And that's what I'm thinking. I'm thinking this year
• 1:04:44
  Speaker 2: we kind of just fly by the seat of our
• 1:04:46
  Speaker 2: pants if we want to do one, because, like you know,
• 1:04:49
  Speaker 2: usually when we start a franchise, you know, we did
• 1:04:52
  Speaker 2: the first eight Fridays, me and Spencer did every Halloween essentially,
• 1:04:56
  Speaker 2: But this one, we're like, now let's jump into fucking
• 1:04:58
  Speaker 2: third one. Yeah, let's fun up everything we've done and
• 1:05:01
  Speaker 2: just like going to the third one and talk about it. So, yeah,
• 1:05:03
  Speaker 2: we can do random ones like this, We can do
• 1:05:06
  Speaker 2: knocking the Mic over. We can do double features sometimes
• 1:05:10
  Speaker 2: because yeah, creature features, we have to that is like
• 1:05:12
  Speaker 2: a staple episode. We've got to do two. But then
• 1:05:15
  Speaker 2: every now and again. Yeah, we can kind of just
• 1:05:16
  Speaker 2: switch it up that way. It'll keep it interesting for us.
• 1:05:19
  Speaker 1: Maybe Foreign Frights Part five is a single Deep Dove,
• 1:05:23
  Speaker 1: Foreign Front Deep Dove, Deep Dove, Deep Dove, Deep Dive,
• 1:05:27
  Speaker 1: and then Foreign Frights Part six. We do four movies.
• 1:05:30
  Speaker 2: Oh my god, let's go back to back to four.
• 1:05:33
  Speaker 2: Let's go back to four. Maybe we've got thirty seven
• 1:05:37
  Speaker 2: shorts to talk about. This might take a few hours.
• 1:05:40
  Speaker 2: Uh yeah, No, I figured we'd kind of just have
• 1:05:42
  Speaker 2: fun this year, and you know, I wouldn't be so
• 1:05:46
  Speaker 2: formulaate with like the title names where I'm making it up,
• 1:05:49
  Speaker 2: like this will probably just be called Dream Warriors or
• 1:05:51
  Speaker 2: something like that, and just keep it simple. But yeah,
• 1:05:54
  Speaker 2: we should just have fun with it this year. If
• 1:05:55
  Speaker 2: we want to do a couple of movies, we can
• 1:05:57
  Speaker 2: do a couple of movies. But I definitely I've been
• 1:05:59
  Speaker 2: waiting to do Jason Goes to Hell and Jason X with.
• 1:06:02
  Speaker 1: You for a while now. Those are because they're so
• 1:06:06
  Speaker 1: bad and.
• 1:06:07
  Speaker 2: We can't just talk about one the whole time.
• 1:06:09
  Speaker 1: Two of the best worst movies ever created.
• 1:06:12
  Speaker 2: Yes, and then maybe we can we can do Freddy
• 1:06:14
  Speaker 2: Versus Jason by itself, because that is amice.
• 1:06:18
  Speaker 1: That's a lot to talk about, a.
• 1:06:19
  Speaker 2: Lot to talk about, and that's one I'd want to
• 1:06:21
  Speaker 2: go full spoilers. But yeah, maybe sometimes we'll go full spoilers.
• 1:06:25
  Speaker 2: Sometimes we won't. I don't know, you know, like.
• 1:06:28
  Speaker 1: It probably depends on, like our outlook on the movie,
• 1:06:32
  Speaker 1: like we're not gonna spoil the medium for you because
• 1:06:35
  Speaker 1: you need to go see it and experience it for
• 1:06:37
  Speaker 1: the first time.
• 1:06:38
  Speaker 2: We need to set up like it like how many
• 1:06:40
  Speaker 2: how many? How old is this, you know, like eighty seven? Okay,
• 1:06:43
  Speaker 2: we should be able to spoil that, so anything, so
• 1:06:46
  Speaker 2: like what twenty.
• 1:06:47
  Speaker 1: So my argument is anything within five years five years?
• 1:06:53
  Speaker 1: Oh wow, because like generous, because like, okay, if you
• 1:06:57
  Speaker 1: haven't seen Avengers Endgame yet, that's Avengers.
• 1:07:00
  Speaker 2: Though, I can't be mad at someone for not seeing
• 1:07:02
  Speaker 2: a found footage deep cut from like twenty eleven, you know.
• 1:07:06
  Speaker 1: Yeah yeah, but still still and twenty eleven is twenty
• 1:07:10
  Speaker 1: years that's ten eleven was ten years ago? Oh yeah,
• 1:07:15
  Speaker 1: oh god, I heard at that. I was like, how
• 1:07:17
  Speaker 1: old am I? Holy shit?
• 1:07:20
  Speaker 2: But no, there's definitely gonna be some more found footage
• 1:07:22
  Speaker 2: stuff coming up. I'd love to go like deep dive
• 1:07:24
  Speaker 2: on a grave encounters or whatever. I don't know if
• 1:07:28
  Speaker 2: I don't know if that was one you liked or not.
• 1:07:31
  Speaker 1: No, anything that imitates proto Baggins, I'm not about.
• 1:07:37
  Speaker 2: My name is Zach Bacins. I was once touched by
• 1:07:40
  Speaker 2: a ghost when I was seven or whatever. He says,
• 1:07:42
  Speaker 2: what's the fucking thing?
• 1:07:43
  Speaker 1: I don't know. I can't stand it was a ghost
• 1:07:45
  Speaker 1: molested him. Get over.
• 1:07:47
  Speaker 2: I can't stand Zach bagans.
• 1:07:49
  Speaker 1: Jan Aroid's fine, Jesus Christy.
• 1:07:53
  Speaker 2: I like ghost Hunters, right, ghost Hunters. That was the
• 1:07:58
  Speaker 2: good one, Taps whatever one that was with.
• 1:07:59
  Speaker 1: Taps, Yeah, with the with two fat dudes. Yeah, the
• 1:08:02
  Speaker 1: guys that work for Roto Ruder. Yeah yeah.
• 1:08:04
  Speaker 2: Ghost ghost Hunters I love because they're like adventures. So yeah,
• 1:08:07
  Speaker 2: because ghost Hunters are like, yeah, we didn't find shit,
• 1:08:09
  Speaker 2: and you're like, I respect that. But ghost Adventures they
• 1:08:12
  Speaker 2: have like seventeen EVPs an episode and like foreshadow figures, like, guys,
• 1:08:16
  Speaker 2: it's it's just.
• 1:08:17
  Speaker 1: And you have somebody clearly standing across the room going yeah.
• 1:08:21
  Speaker 2: Like hello, did you feel it? Oh yeah I felt that?
• 1:08:24
  Speaker 2: Like no, no, no, no no, but yeah, uh no, okay, so
• 1:08:27
  Speaker 2: we'll go we'll go deep dive into maybe we could
• 1:08:30
  Speaker 2: do like.
• 1:08:30
  Speaker 1: Gon gim or something like that. We could deep dive that.
• 1:08:33
  Speaker 2: Yeah, but we're we'll just figure it out as the year,
• 1:08:36
  Speaker 2: you know, goes along. I don't really want to set
• 1:08:37
  Speaker 2: any hard and fast rules. We are going to use
• 1:08:40
  Speaker 2: this new format though, just because it does give us
• 1:08:42
  Speaker 2: a little bit more to talk about before we.
• 1:08:44
  Speaker 1: Go into the movie.
• 1:08:45
  Speaker 2: And then we have, you know, however much time we
• 1:08:48
  Speaker 2: have left, because I mean that took us about twenty
• 1:08:50
  Speaker 2: twenty five minutes, right, Yeah, we're at like an hour ten,
• 1:08:52
  Speaker 2: so that's like exactly where I want to be.
• 1:08:55
  Speaker 1: We do our shows like we like our movies exactly. Yeah,
• 1:08:58
  Speaker 1: that's that's why I started.
• 1:09:00
  Speaker 2: I wanted to cut it down to like an hour
• 1:09:01
  Speaker 2: fifteen because I was like, this is exactly how long
• 1:09:03
  Speaker 2: I like my movies, like hour fifteen, hour twenty five,
• 1:09:05
  Speaker 2: So let's make a podcast that long. I have no
• 1:09:08
  Speaker 2: idea what we're doing next week. At this point, we're
• 1:09:11
  Speaker 2: just gonna, We're gonna, it's gonna happen. It's just gonna happen.
• 1:09:14
  Speaker 1: So now, really, all we gotta do is take half
• 1:09:17
  Speaker 1: of the topics that you have written down in that
• 1:09:21
  Speaker 1: pocket and split them up into double episodes. I did
• 1:09:24
  Speaker 1: like your idea though the other day where you mentioned
• 1:09:27
  Speaker 1: because you mentioned doing an episode where we watch a
• 1:09:30
  Speaker 1: movie and make a drinking game out of it. Oh yeah,
• 1:09:33
  Speaker 1: I like that.
• 1:09:33
  Speaker 2: But then you're also mentioned about putting, you know, movies
• 1:09:36
  Speaker 2: into hats and just picking out a movie.
• 1:09:38
  Speaker 1: So I think we should just do that.
• 1:09:40
  Speaker 2: Once a month, we'll shake up a hat that everyone's
• 1:09:42
  Speaker 2: put movies into, and then we'll just pick one out
• 1:09:45
  Speaker 2: and we'll do that movie. I think that would be
• 1:09:46
  Speaker 2: That would be super fun because it would be a completely,
• 1:09:48
  Speaker 2: a complete mystery to everybody what we're doing until we
• 1:09:51
  Speaker 2: pick it out of the hat. I think I think
• 1:09:52
  Speaker 2: that would be fun. So yeah, like I said, we're
• 1:09:54
  Speaker 2: just gonna find it. We'll find it along the way,
• 1:09:56
  Speaker 2: probably by like March, will be uh, we'll be knowing
• 1:09:58
  Speaker 2: exactly what we're doing.
• 1:09:59
  Speaker 1: But don't get used to it, because we're gonna change
• 1:10:01
  Speaker 1: it next year anyway. Yeah, exactly.
• 1:10:03
  Speaker 2: I like to I like to at least change it
• 1:10:04
  Speaker 2: up at least at the top of every year, just
• 1:10:06
  Speaker 2: so it keeps it fresh. So I think that's it.
• 1:10:09
  Speaker 2: On this one.
• 1:10:10
  Speaker 1: We did.
• 1:10:10
  Speaker 2: We did a good time here so you can follow
• 1:10:12
  Speaker 2: us on Facebook at fright Maars and Instagram at Frightmar's podcast,
• 1:10:16
  Speaker 2: slasher app at Frightmar's podcast, Twitter at fright Mayer's Underscore
• 1:10:21
  Speaker 2: pod Outlook.
• 1:10:23
  Speaker 1: I did this last week.
• 1:10:24
  Speaker 2: Email Stayspooky at outlook dot com and I'm doctor Procter
• 1:10:28
  Speaker 2: on letterbox.
• 1:10:29
  Speaker 1: You are Frighten Mare's Corey.
• 1:10:31
  Speaker 2: See what we're watching. I've already watched like thirty seven
• 1:10:34
  Speaker 2: things this year. I have a problem. We're going to
• 1:10:37
  Speaker 2: see Scream this weekend. I don't know if you were
• 1:10:40
  Speaker 2: planning on.
• 1:10:41
  Speaker 1: I'm gonna patronize just to see see if it gives
• 1:10:45
  Speaker 1: me a better taste than the originals. I you know,
• 1:10:49
  Speaker 1: I'm just not a fan of the originals.
• 1:10:50
  Speaker 2: Yeah, two and four really for me are the ones
• 1:10:53
  Speaker 2: I liked one and one, three Am and.
• 1:10:56
  Speaker 1: See for me, Like I've always said, I respect what
• 1:10:59
  Speaker 1: it did exactly for the scene and the community. Doesn't
• 1:11:03
  Speaker 1: mean I have to like it. Yeah.
• 1:11:04
  Speaker 2: Yeah, I can have respect for a movie and it
• 1:11:07
  Speaker 2: not really be something I enjoy.
• 1:11:09
  Speaker 1: I love what it did.
• 1:11:10
  Speaker 2: It completely changed horror in the nineties, like it really did.
• 1:11:14
  Speaker 2: But yeah, it's just not my It's not my cup
• 1:11:16
  Speaker 2: of tea. But I'm excited for this one just because
• 1:11:18
  Speaker 2: everyone's coming back, and I'm pretty sure the killer is
• 1:11:20
  Speaker 2: gonna be.
• 1:11:20
  Speaker 1: Fucking Matthew Lillard. It's it's just it's it's gotta be.
• 1:11:24
  Speaker 1: It's with that kind of star power. It's literally the
• 1:11:27
  Speaker 1: only thing you can do.
• 1:11:28
  Speaker 2: Yeah, and we've talked about this, like, well, how was
• 1:11:30
  Speaker 2: he alive? Well, he didn't see him fucking die. You
• 1:11:32
  Speaker 2: just saw the TV on him.
• 1:11:33
  Speaker 1: They're good. They're gonna hit you with the fucking usual suspects. Yeah,
• 1:11:38
  Speaker 1: he goes from a limp to a regular walk, gets
• 1:11:40
  Speaker 1: in a taxi.
• 1:11:41
  Speaker 2: Yeah, they're gonna show a backstory of him how he
• 1:11:43
  Speaker 2: like escaped the scene, lived this life and then came
• 1:11:46
  Speaker 2: back and just just just murder everybody. Uh, but I
• 1:11:48
  Speaker 2: know someone's gonna have to die from the original cast,
• 1:11:51
  Speaker 2: Like someone's dying. It's probably gonna be Dewey. That's my guess.
• 1:11:54
  Speaker 1: I'm gonna guess it's gonna be Like, it's not gonna
• 1:11:57
  Speaker 1: be Nev Campbell. No, it's gonna be multiple, multiple. Oh,
• 1:12:00
  Speaker 1: they're gonna kill off a bunch of people.
• 1:12:02
  Speaker 2: I'm saying a minimum Dewey, maybe Courtney Cox. I don't
• 1:12:05
  Speaker 2: think they're gonna kill off, you know, Sydney.
• 1:12:07
  Speaker 1: Yeah, probably Courtney Cox because they're like, we can't afford her.
• 1:12:10
  Speaker 2: She's yeah, she's probably expensive by this point. I mean, damn,
• 1:12:13
  Speaker 2: she's been doing stuff for so long.
• 1:12:14
  Speaker 1: She'd be still rolling in that friend's money.
• 1:12:17
  Speaker 2: Uh so, yeah, go check that out this weekend. Screen
• 1:12:20
  Speaker 2: five now streaming in theaters. Yes, I said streaming, deal
• 1:12:23
  Speaker 2: with it. But yeah, like I said, don't know what's
• 1:12:26
  Speaker 2: happening next week, you just have to tune in to
• 1:12:28
  Speaker 2: find out. So there, I'm not gonna give you any hints.
• 1:12:31
  Speaker 2: They'll definitely be movies reviewed probably so until next week, guys,
• 1:12:35
  Speaker 2: stay tuned and.
• 1:12:37
  Speaker 1: Stay spooky bitches after the f