Latest / Four Finger Discount (Simpsons Podcast) / Marge vs The Monorail (Revisited)

Transcript

Marge vs The Monorail (Revisited) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: You know, a town with money is a little like
• 0:02
  Speaker 1: the mule with a spinning wheel. No one knows how
• 0:05
  Speaker 1: he got it, and dangle he knows how to use it.
• 0:11
  Speaker 2: Mule four finger discounted.
• 0:29
  Speaker 3: Welcome to four finger Discount. Where this week we're going
• 0:31
  Speaker 3: all the way back to nineteen ninety three. We're a
• 0:34
  Speaker 3: young chap named Lyle Langley joined Springfield to Selomon Monorail.
• 0:38
  Speaker 3: It's marg versus the monail, and I'm.
• 0:39
  Speaker 4: Dando and I am guy. Yes, we're putting four finger
• 0:43
  Speaker 4: discount on the map.
• 0:44
  Speaker 3: Yes, there's nothing I know, but it don't even genuine man,
• 0:48
  Speaker 3: a genuine electrified six car monorway. I missed the word
• 0:50
  Speaker 3: down that we'll get that. Yes, we all can't. We
• 0:53
  Speaker 3: can't all be Lyle Landley. People consider this to be
• 0:55
  Speaker 3: the greatest episode of all time. It could definitely be
• 0:58
  Speaker 3: argued that it's up there. Yeah, it doesn't have emotion,
• 1:02
  Speaker 3: but it depends depends on what you want from a
• 1:04
  Speaker 3: Simpsons episode. If you just want laughs, this one could
• 1:07
  Speaker 3: easily be considered the greatest. A lot of people say,
• 1:09
  Speaker 3: you only move twice, is that their favorites use that's
• 1:11
  Speaker 3: just humor human It's just a zing zing Zinger. I
• 1:14
  Speaker 3: personally prefer a bit of emotion for my Simpsons episodes,
• 1:17
  Speaker 3: so I like a fair balance of that, which is
• 1:20
  Speaker 3: why I think episodes like Rosebud dare I say I probably.
• 1:25
  Speaker 3: I think I enjoyed this one more, But I think
• 1:27
  Speaker 3: I get more out of episodes like Rosebulb, which has
• 1:30
  Speaker 3: NonStop lasts but also a bit of an emotional call
• 1:32
  Speaker 3: to it.
• 1:32
  Speaker 4: I get where you're coming from. Yeah, but no, just
• 1:35
  Speaker 4: purely from a comic invention and comic ingenuity and comic
• 1:40
  Speaker 4: energy point of view. Yeah, I'd say this is certainly
• 1:44
  Speaker 4: in the top ten. One might even say top five.
• 1:48
  Speaker 4: What do you think all the time? Yeah, I was
• 1:50
  Speaker 4: top three. I think top three.
• 1:52
  Speaker 3: Oh my gosh. But this is obviously there's a lot
• 1:56
  Speaker 3: of episodes of the Simpsons, you know this is, yeah,
• 1:58
  Speaker 3: there is.
• 1:58
  Speaker 4: Yeah.
• 1:58
  Speaker 3: This is known as the Conan O'Brien episode. This is
• 2:01
  Speaker 3: the one that he's known mostly for. He's also done
• 2:03
  Speaker 3: Homer goes to college and a new kid on the block,
• 2:06
  Speaker 3: which has Laura Powers moving in next door. But this
• 2:08
  Speaker 3: is the one he'll be forever remembered for. He did
• 2:10
  Speaker 3: the have you seen him do?
• 2:11
  Speaker 4: The live song? Have you seen him?
• 2:12
  Speaker 3: Singing the live Yeah, he did like a live song
• 2:14
  Speaker 3: and dance and he's wearing the Lyle Lanley get up
• 2:16
  Speaker 3: and he's doing the the cane and the hate O'Brien.
• 2:19
  Speaker 3: What a guy, What a guy. Indeed, we are big
• 2:24
  Speaker 3: fans of Colon and O'Brien and the Dojo.
• 2:25
  Speaker 4: Now.
• 2:25
  Speaker 3: Of course, the reason we're going back and reviewing this
• 2:27
  Speaker 3: one is because you weren't part of the show Four
• 2:29
  Speaker 3: Fingers kept when we originally recorded Don't Remind Me of
• 2:31
  Speaker 3: the Day you have Marge versus the monorail. So we're
• 2:33
  Speaker 3: getting guys perspective on the episode, of course, But there's
• 2:36
  Speaker 3: everyone knows the stories of how it first came about.
• 2:38
  Speaker 3: You know, Conan was told don't pitch it, and then
• 2:40
  Speaker 3: they said, okay, well maybe you better go. And they
• 2:42
  Speaker 3: didn't think that James L. Brooks and make Greeny would
• 2:45
  Speaker 3: go for it. They loved it, so yeah, obviously happened.
• 2:48
  Speaker 3: But he got the idea from seeing the billboard about
• 2:51
  Speaker 3: a monorail coming and he's like, that's hilarious, that that's
• 2:54
  Speaker 3: something that would be right up Springfield's alley. And apparently
• 2:56
  Speaker 3: the original idea was to get George to kai in
• 2:59
  Speaker 3: to do this episode, and he turned it down because
• 3:01
  Speaker 3: he worked just randomly. It just happened to work onlike
• 3:04
  Speaker 3: the monorail foundation of whatever, and so he was like, well,
• 3:08
  Speaker 3: I'm not doing this because you're taking a pie out
• 3:09
  Speaker 3: of monorails.
• 3:11
  Speaker 4: George nods offside his bread's buttered on, yes.
• 3:13
  Speaker 3: Entering Leonard Nimoy for one of the most iconic guest
• 3:16
  Speaker 3: appearances of all time, which is I always see this
• 3:19
  Speaker 3: episode as the pinpoint, and it's been discussed by those
• 3:22
  Speaker 3: working on the show. This is the point where they realized, Okay,
• 3:24
  Speaker 3: all bets are off, we can kind of do what
• 3:25
  Speaker 3: we want now. They didn't think because that Matt Grandy
• 3:28
  Speaker 3: always said, I wanted to keep the series grounded in
• 3:31
  Speaker 3: a sense of realism. You know, of course, it's an
• 3:33
  Speaker 3: animated series. You can break the rules of physics from
• 3:36
  Speaker 3: here some time to time, but let's try and keep
• 3:38
  Speaker 3: it somewhat realistic. And Leonard Nemoy disappearing at the end,
• 3:43
  Speaker 3: they thought he's never going to go for this. He
• 3:45
  Speaker 3: loved it, the audiences loved it. It worked, and they're like,
• 3:48
  Speaker 3: we can go with it now.
• 3:49
  Speaker 4: Absolutely, Look, I see where Graining is coming from. And
• 3:51
  Speaker 4: he's one hundred percent correct. And yeah, you need to
• 3:53
  Speaker 4: have that emotional foundation, you need to have a degree
• 3:56
  Speaker 4: of recognizability characters you can relate to situations you can.
• 4:00
  Speaker 4: But also, yeah, as you said, you're working in an
• 4:02
  Speaker 4: animated medium, take advantage of all that, all the opportunities
• 4:06
  Speaker 4: that provides. And this does on so many levels. I mean, yes, yeah,
• 4:10
  Speaker 4: the physics of the monorail just going out of control
• 4:12
  Speaker 4: like Nimoy at the end as well.
• 4:14
  Speaker 3: I mean, yeah, it's fantastic, It's just full of I
• 4:17
  Speaker 3: was surprised at how much I forgot how many pop
• 4:19
  Speaker 3: culture references we're in this, even for the get go.
• 4:21
  Speaker 3: You get the Flintstone song at the start, You've got
• 4:24
  Speaker 3: the Beverly Hills theme playing. You've got him rocking up
• 4:27
  Speaker 3: just as Hannibal Lapter. You've got the Batman theme when
• 4:29
  Speaker 3: he's shooting out as mister Snrub. I'm like, there are
• 4:32
  Speaker 3: so many pop culture references here that don't I guess
• 4:35
  Speaker 3: the Flintstones one steps you in the face, but the
• 4:37
  Speaker 3: everyones don't.
• 4:38
  Speaker 4: That's the one that kind of like I'm not sure
• 4:40
  Speaker 4: how I how big a fan I am of this,
• 4:43
  Speaker 4: And maybe because it just feels a bit on the nose,
• 4:45
  Speaker 4: even though yeah, I'm a Fred Flintstone guy because you know,
• 4:49
  Speaker 4: in the day comes and I'm very much yabada, but
• 4:50
  Speaker 4: do and get out of here.
• 4:51
  Speaker 3: Well, the Flintstones thing has absolutely nothing to do with
• 4:54
  Speaker 3: the story. No, it's just this would be funny, and
• 4:58
  Speaker 3: I think.
• 4:58
  Speaker 4: Sometimes we take issue that it's like, what's the connection
• 5:01
  Speaker 4: of this. It's a bunch of stuff that happens. If
• 5:05
  Speaker 4: it's stuff that happens, that's good. Yeah, we like that,
• 5:08
  Speaker 4: and it's memorable and it's short, correct, Yes, it's in
• 5:11
  Speaker 4: and out. Yeah, because not like that episode where they
• 5:13
  Speaker 4: took on the Prisoner. It was an entire act and
• 5:14
  Speaker 4: you're like, what the hell is going on here? Yeah?
• 5:17
  Speaker 4: Plus you know, Glindstones has a little more sort of
• 5:20
  Speaker 4: so we say, shall we say cultural impact than The Prisoner,
• 5:23
  Speaker 4: which is the show I really dig.
• 5:24
  Speaker 3: But it was watched by memby six people, and without Flintstones,
• 5:27
  Speaker 3: there's no Simpsons very much. So oh god, yeah, because
• 5:30
  Speaker 3: that was the last real successful animated primetime show I think, I imagine.
• 5:35
  Speaker 3: So yeah, yeah, but what were your thoughts go back,
• 5:38
  Speaker 3: going back and revisiting this one? What compared so your
• 5:40
  Speaker 3: memory is going into it? So were you excited to
• 5:42
  Speaker 3: go back and revisit this one?
• 5:43
  Speaker 5: Oh?
• 5:43
  Speaker 4: Sure, yeah, yeah, it'd have been a while since I've
• 5:45
  Speaker 4: watched it. As good an episode as this is, it's
• 5:49
  Speaker 4: not one that's sort of, as they say, lives rent
• 5:52
  Speaker 4: free in my head, yeah, there are certain there are
• 5:54
  Speaker 4: certain parts that was like, of course, yeah, so yeah,
• 5:57
  Speaker 4: I was skinned to go back and sort of think,
• 5:58
  Speaker 4: well does this stand up? And yeah, look, for the
• 6:01
  Speaker 4: most part it does. Absolutely, Yeah, I think Lol. Langley
• 6:03
  Speaker 4: is just a fantastic character in conception and execution. I
• 6:09
  Speaker 4: was also really pleasantly surprised how much Quimby there was
• 6:12
  Speaker 4: in this. I'm just I'm voke Quimby, so you know,
• 6:15
  Speaker 4: as for them to be as much as there was
• 6:17
  Speaker 4: in this, it was marvelous.
• 6:18
  Speaker 3: But I along to spoil my favorite moments because I
• 6:20
  Speaker 3: found that I enjoyed stuff that I never used to
• 6:23
  Speaker 3: enjoy or maybe just sort of missed. You know, it
• 6:26
  Speaker 3: was there but didn't really tick on me as much.
• 6:28
  Speaker 3: But you know, as a kid, I enjoyed that the
• 6:30
  Speaker 3: iconic stuff, you know, like he's not Batman and that
• 6:33
  Speaker 3: kind of stuff. Here, I'm like, forget the pig. Give
• 6:35
  Speaker 3: me how many brides do I get.
• 6:38
  Speaker 4: Yeah, I mean that that relationship between you and Quimby
• 6:44
  Speaker 4: was just.
• 6:47
  Speaker 3: Because they comes out of nowhere too, because you ever
• 6:48
  Speaker 3: see him fight two comely lashes of virtual true forget
• 6:52
  Speaker 3: the pig get and little things like no, those bald
• 6:57
  Speaker 3: children are starting to arouse suspicion to the park.
• 7:00
  Speaker 4: Well, well, should we just jump into favorite moments?
• 7:03
  Speaker 3: I mean, oh, there's so much to discuss the really yeah. Yeah,
• 7:05
  Speaker 3: but we haven't touched on Phil Hartman yet of course.
• 7:08
  Speaker 3: Oh look, I mean, is this his most iconic performance, Nah, tropicla.
• 7:13
  Speaker 4: Besides the two sort of foundational characters or or semi
• 7:17
  Speaker 4: regulars or recurring characters that he was known for Lionel
• 7:19
  Speaker 4: Hearts and Troy McClure. Yeah, I mean, this is the
• 7:22
  Speaker 4: primo guest performance, I guess.
• 7:24
  Speaker 3: But yeah, it's so I feel dubious saying it's so
• 7:29
  Speaker 3: quintessentially feel like him, but he gave off that vibe
• 7:33
  Speaker 3: like you did know him. You can visualize him playing
• 7:36
  Speaker 3: this live. Oh yeah, absolutely, Yeah.
• 7:39
  Speaker 4: I think that's one of the great aspects of this
• 7:42
  Speaker 4: very sympatico relationship that the Simpsons creators and Phil Hartman had.
• 7:46
  Speaker 4: It's like, this will work because Phil does it. I
• 7:49
  Speaker 4: mean this would this would work with with another guest
• 7:51
  Speaker 4: actor by all means. I mean I'm pretty sure at
• 7:54
  Speaker 4: this stage of the game, not that they had their
• 7:56
  Speaker 4: choice of like we could get anyone to play l Lanley,
• 7:59
  Speaker 4: but it's like Phili just crushed this. Phil will just
• 8:02
  Speaker 4: make this to use a Molten favorite term, iconic. Yeah,
• 8:06
  Speaker 4: and he really did. I mean it just works so well.
• 8:08
  Speaker 4: I mean, of course it's a play on the music
• 8:10
  Speaker 4: man on the character from that and who's this sort
• 8:12
  Speaker 4: of flemplay artist. Phil just nails it. It's so and
• 8:18
  Speaker 4: you can't help but like, yeah, I'd buy a monorail
• 8:20
  Speaker 4: from this guy. He's so charming.
• 8:22
  Speaker 3: It's so persuasive, charming and intelligent to in a sense
• 8:25
  Speaker 3: that Lisa tries to get him and he out smarts Lisa.
• 8:28
  Speaker 4: Lisa, Yeah, so that was That's fantastic. I mean, there's
• 8:35
  Speaker 4: not much more you can say other than just yeah,
• 8:37
  Speaker 4: this is It's a really great performance. Hundred percent. Yeah.
• 8:40
  Speaker 3: Because the other sort of one time characters he does
• 8:43
  Speaker 3: Tom from the Brother from the Same Planet. I think
• 8:46
  Speaker 3: it's the Pepsi Pepi Barke gets that the bigger brother,
• 8:51
  Speaker 3: Oh yeah, and him and have the fight at the end.
• 8:55
  Speaker 4: I think it's more than it looks.
• 9:00
  Speaker 3: He did the American Embassy graph and the Australia Eric Yeah, yeah,
• 9:05
  Speaker 3: and plenty of thiss, but yeah, this is the This
• 9:07
  Speaker 3: is the quintessential one time I on the appearance by
• 9:10
  Speaker 3: Phil Harmon.
• 9:11
  Speaker 4: But let's get the favorite moments.
• 9:12
  Speaker 3: Go for it. My favorite, I think there are yeah,
• 9:15
  Speaker 3: there are a lot in there that, yeah, just so
• 9:17
  Speaker 3: memorable that people were just quite chapter verse.
• 9:19
  Speaker 4: And that's fine, that's great. I found there were little
• 9:22
  Speaker 4: bits and pieces and that just really tickled me. That
• 9:26
  Speaker 4: was so that was well, really throw away. I've forgotten
• 9:30
  Speaker 4: if it's when Marge is actually talking about this the
• 9:33
  Speaker 4: terrible state of main Street and how there are huge
• 9:36
  Speaker 4: potholes and everything like that. It's the popcorn band.
• 9:44
  Speaker 3: And it's it's like wise guy voice, which, as you know,
• 9:46
  Speaker 3: is just one of my favorites.
• 9:48
  Speaker 4: Well, I'm the same, but I'm at the end where
• 9:50
  Speaker 4: it's just like the escalator that.
• 9:51
  Speaker 3: Way, it's sort of felt like a bit of a
• 9:54
  Speaker 3: callback with it.
• 9:56
  Speaker 4: Everyone's different again, just it's a one line, but this
• 10:01
  Speaker 4: just I actually had to stop for a second, like
• 10:04
  Speaker 4: I'm going to be laughing in this at least ten seconds. Yeah,
• 10:07
  Speaker 4: it's a lot. It's a Landley song, but you know
• 10:09
  Speaker 4: everyone's doing the call and response. Yeah, planners monarel. What's
• 10:14
  Speaker 4: that word? Did someone do?
• 10:19
  Speaker 3: Brilliant? Such a catchy song, isn't it?
• 10:24
  Speaker 4: Look heap of quimby moments? H How are we going
• 10:28
  Speaker 4: to spend this two million? Do you mean to? Of
• 10:30
  Speaker 4: course tried. I think it gives the Florida Lands. I'll
• 10:38
  Speaker 4: distract myself with these pornographic playing cards. What a lovely
• 10:42
  Speaker 4: pre internet time. It's like.
• 10:47
  Speaker 3: If you wanted your cheap, brilliant thrills, you had to
• 10:50
  Speaker 3: get one of those pens.
• 10:50
  Speaker 4: It was like or just like a deck of cards
• 10:57
  Speaker 4: with women in various stages of undressed.
• 10:59
  Speaker 3: So I had a see, there's wrestling cards on the
• 11:01
  Speaker 3: wall there, right, I had some they're not up there out,
• 11:04
  Speaker 3: but there was motion ones right that I never forget.
• 11:07
  Speaker 3: I remember opening the pack and getting it right there.
• 11:08
  Speaker 3: Used to be a wrestler in the nineties called Sable.
• 11:11
  Speaker 3: She's now married to brock Lesner, right, and she she
• 11:14
  Speaker 3: was in Playboy and whatnot. But she once had a
• 11:16
  Speaker 3: bikini contest. This is what wrestling was like in the nineties.
• 11:18
  Speaker 3: Bikini contest, and we have women wrestlings bikini contest, and
• 11:21
  Speaker 3: she took off her shirt and she had black handprints
• 11:23
  Speaker 3: over her nipples, basically over her breast right. I remember
• 11:26
  Speaker 3: I had this motion card of her taking your shirt off,
• 11:29
  Speaker 3: and I was like, that was my little polygraph, like
• 11:31
  Speaker 3: Mom's not looking well, I've still got it somewhere, but
• 11:35
  Speaker 3: I remember getting that and going damn.
• 11:41
  Speaker 4: There are many times when I've said I use this
• 11:43
  Speaker 4: phrase a lot in my everyday life, and I forgoten
• 11:45
  Speaker 4: where it came from. Usually I'm talking about South Park
• 11:47
  Speaker 4: and this guy's I'm talking about the Simpsons. Whenever I'm
• 11:50
  Speaker 4: sort of coming up rough, like after I may have
• 11:53
  Speaker 4: had one or too many glass of one the night before,
• 11:55
  Speaker 4: I tend to say I spent last.
• 11:57
  Speaker 3: Night in a ditch. It's lightly lumbod Yeah, showing up
• 12:01
  Speaker 3: at the Mona Doris Grouse voice lunch. Yeah, I spent
• 12:05
  Speaker 3: last name in that ditch. And after you, because I
• 12:07
  Speaker 3: think I watched this before I saw Colonel Homer, so
• 12:10
  Speaker 3: I didn't really know who I was when I first
• 12:12
  Speaker 3: watched it. He watched Colonel Homer.
• 12:15
  Speaker 4: No, she's living rough again, just a little throwaway bit,
• 12:22
  Speaker 4: but it's like, oh, the sentences used to do this.
• 12:24
  Speaker 4: It used to be great. They have Homer's dream what
• 12:28
  Speaker 4: to be the monoail conducted like, well your dream used
• 12:31
  Speaker 4: to be running naked onto the on the baseball field,
• 12:34
  Speaker 4: cut to the the but also.
• 12:38
  Speaker 3: Just had that in.
• 12:40
  Speaker 4: It just adds a little bit of.
• 12:41
  Speaker 3: Checks and it says I was one of my trivia questions,
• 12:43
  Speaker 3: I spoil. It's just a springfield forfeits pen just one
• 12:47
  Speaker 3: of the quimomy moments. What what is the chief? We
• 12:51
  Speaker 3: can say I got phones that could be anybody's ass. Yes,
• 12:54
  Speaker 3: but this was probably the bit that I liked the most.
• 12:58
  Speaker 3: When omens trying to sweet talk Marge and he's like, yeah,
• 13:03
  Speaker 3: more about what am I saying? Once you been married
• 13:09
  Speaker 3: for like ten years and kids, it's just like what works?
• 13:12
  Speaker 4: Just try everything you know you do the little side.
• 13:16
  Speaker 4: I was like, oh, yeah, we're getting busy. Yeah, I
• 13:19
  Speaker 4: got to strategize.
• 13:20
  Speaker 3: Sometimes, you know, I'll walk into Nickel in the kitchen,
• 13:22
  Speaker 3: you know, slip on the bar or do something, and
• 13:25
  Speaker 3: she sort of she doesn't look like she hates it.
• 13:26
  Speaker 3: I'm like, all right, this could be a chance. Here's
• 13:32
  Speaker 3: the ball and try and run with it.
• 13:34
  Speaker 5: Next question you there eating the paste.
• 13:37
  Speaker 3: To be your time, to be your time. Indeed, by
• 13:40
  Speaker 3: the way you there eating the paste forgot this?
• 13:44
  Speaker 4: Yeah. My first question for you? How many times has up?
• 13:48
  Speaker 4: Who been shot? Eight times? Eight times?
• 13:51
  Speaker 3: What was the seat for Lyle Lanley when they in
• 13:54
  Speaker 3: North having book when they attacked him? He was nine
• 13:56
  Speaker 3: f No was it was seat three F? I believe
• 13:59
  Speaker 3: it three F words closing it.
• 14:02
  Speaker 4: Was seed three F three F. Okay, we got the
• 14:05
  Speaker 4: f right. Speaking of Lyle, they I thought they were
• 14:10
  Speaker 4: only going to allude.
• 14:11
  Speaker 3: To it once. They allude to it another time, so you'll.
• 14:13
  Speaker 4: Probably get this. But where was Lyle going with his
• 14:16
  Speaker 4: bags of money when.
• 14:16
  Speaker 3: What was my favorite book? Could have said that it
• 14:18
  Speaker 3: was not favorite book? I was going to to he sorry, yes,
• 14:21
  Speaker 3: he stopped over in a favorite book. Yes, it's my question?
• 14:24
  Speaker 4: Is that name? Marge drove to North? Favorite book?
• 14:27
  Speaker 6: How fun?
• 14:27
  Speaker 4: Did had this play?
• 14:28
  Speaker 3: Mean flying?
• 14:32
  Speaker 5: Plus?
• 14:33
  Speaker 4: You will forgive lapses of shall we ay credibility in
• 14:38
  Speaker 4: a fun episode more so than you will in a
• 14:40
  Speaker 4: bad episode, in an episode that's a bit lack last year,
• 14:43
  Speaker 4: we'll go, yeah, but what about this? They should have
• 14:45
  Speaker 4: explained that away with this? You go, how did the
• 14:48
  Speaker 4: North Favor book. People know which seat. I don't care,
• 14:52
  Speaker 4: just go with it. Yes, all right, Am I asking
• 14:56
  Speaker 4: you a question? Ask you one.
• 14:57
  Speaker 3: Yes. When the sticker wears off at the Monoail, where
• 14:59
  Speaker 3: was it from? It was the New York World's fin
• 15:02
  Speaker 3: nineteen sixty four four World's Fair world Spare Sorry, yes,
• 15:06
  Speaker 3: I mean the Sun's Fin. N I mean the Whigsphere.
• 15:11
  Speaker 4: Who was the celebrity on the North Haveberbrook Maiden Voyage
• 15:15
  Speaker 4: of the Monorail?
• 15:16
  Speaker 3: Ah Bugger, I should know this, damn it?
• 15:19
  Speaker 4: What is it? Gallagher? We're a Gallagher?
• 15:22
  Speaker 3: No, I'm not ies at the comedian. Yeah, he hits
• 15:25
  Speaker 3: the watermelons.
• 15:26
  Speaker 4: I couldn't tell you a single joke Gallagher tell yes,
• 15:30
  Speaker 4: but Gallagher will smash watermelons with a sledge.
• 15:34
  Speaker 3: We discussed it because he was on a Simpsons episode
• 15:36
  Speaker 3: and then we had to do a deep dive and
• 15:37
  Speaker 3: who Gallagher was?
• 15:39
  Speaker 4: Like that guy anyway?
• 15:40
  Speaker 3: But yeah, he was the celebrity on the maiden voyage.
• 15:44
  Speaker 3: My final question is how old it is Kyle Darren?
• 15:48
  Speaker 4: He's he's thirty four. Yes? Who was the Dash Calhoun?
• 15:53
  Speaker 4: Dash Calhoun was recently out of the closet. I was
• 15:55
  Speaker 4: at dash Calhoun. It reminded me of.
• 15:59
  Speaker 3: Leo in What's by the Time on Hollywood's a Rick Dalton. Yeah,
• 16:01
  Speaker 3: it just has a Rick Dalton. Dash Calhoun just has
• 16:03
  Speaker 3: a kind of name to it, doesn't it. I'd love
• 16:07
  Speaker 3: to have a Hollywood name, you know, like some people
• 16:08
  Speaker 3: just have Hollywood names. It's not bad. It's not Guy
• 16:14
  Speaker 3: Davis's I reckon, thank you. Just don't cut a time.
• 16:28
  Speaker 3: Let's read out some names, shall we? You can do that?
• 16:31
  Speaker 3: Or will I do that? Do you want to do it?
• 16:33
  Speaker 3: It's very it's a very special episode. Going back to
• 16:36
  Speaker 3: mardressus the monorail, sure is, Hey, who do we always
• 16:39
  Speaker 3: talk about?
• 16:39
  Speaker 4: First?
• 16:40
  Speaker 3: We always talk about the incredible Katy G. She would
• 16:42
  Speaker 3: be the first guest on our for figure discount Monerail.
• 16:45
  Speaker 4: Indeed, Katy G. I'd be appreciate that.
• 16:49
  Speaker 3: Try and read the rest in the form of the song.
• 16:52
  Speaker 3: David Stewart, Glen Gonemez, Justin Parker, Zach Pruett, Maybe you
• 16:56
  Speaker 3: do it, Janey Maka Elliott, j oh is It Ballabphy,
• 17:01
  Speaker 3: Steven Roberts, Shon, d V. P. Anderson, Timothy Belson, Andrew Davis,
• 17:09
  Speaker 3: Plan Blood Fellow, Windo Bank, Jelad named Jack McFadden. He
• 17:14
  Speaker 3: that will be Adric McLeod, Mark Trellivan Ginger and Pegle
• 17:18
  Speaker 3: Preston Murray, Telly Enriquez, Phoenix, Brian McKay, b James Shepherd,
• 17:24
  Speaker 3: Joe Reading, Second, Kevil, Demian Miller, Charlie Joe Abbi, Gail B. Sharp,
• 17:35
  Speaker 3: Carter Craig t smash Cluster. That's yeah, don't we hope
• 17:41
  Speaker 3: you enjoyed that, guys. Yeah, thank you guys for your support.
• 17:43
  Speaker 3: You continue to support here at four finger Discount, keeping
• 17:45
  Speaker 3: the lights on here at four fig Discount Studios. Remember,
• 17:48
  Speaker 3: you want to get your name right out, you gotta
• 17:49
  Speaker 3: be a support of ours on Patreon.
• 17:50
  Speaker 4: Do it? Do it now?
• 17:52
  Speaker 7: Do it?
• 17:53
  Speaker 4: Yes?
• 17:54
  Speaker 3: That's the thing that I was going to make a
• 17:56
  Speaker 3: video or mean or real whatever, things that like nineties
• 18:00
  Speaker 3: kids would get that anyone was born after like two
• 18:03
  Speaker 3: thousand and five would have no idea. So it was
• 18:05
  Speaker 3: Liz Lise do it. Things that we quote from movies
• 18:09
  Speaker 3: and kids would have not I first, not to anyone
• 18:11
  Speaker 3: under the age of twenty five, They go, what the
• 18:12
  Speaker 3: hell are you talking about? Oh?
• 18:13
  Speaker 4: Yeah, well, how many times we've talked about when we
• 18:16
  Speaker 4: had wonderful guests, yeah on our show, and they'll be
• 18:20
  Speaker 4: trying to indoctrinate their kids into the way of Simpsons
• 18:23
  Speaker 4: or something, and they will drop a line that any
• 18:26
  Speaker 4: one of a certain yeah demo will instantly get.
• 18:30
  Speaker 3: It's like, you don't get my Simpsons references? Come on?
• 18:33
  Speaker 3: I felt so old. I remember were back in the
• 18:35
  Speaker 3: pop culture offices. There was a lot of younger people,
• 18:37
  Speaker 3: and I remember someone. One of the customers there was Caroline.
• 18:41
  Speaker 3: I went Caroline, and they all to me like I
• 18:43
  Speaker 3: was crazy, and I was like, oh shit, I'm that old.
• 18:46
  Speaker 5: Yeah.
• 18:47
  Speaker 4: I remember dropping once like see because of me, they
• 18:51
  Speaker 4: have a warning. Yeah. It's like that sounds like a joke.
• 18:56
  Speaker 4: It's got the contours of a joke, but I don't
• 18:58
  Speaker 4: get it. All right.
• 19:01
  Speaker 3: So the original air date of My Address of the
• 19:03
  Speaker 3: Monoroum it was a January fourteenth, nineteen ninety three, thirty
• 19:08
  Speaker 3: three years ago this episode aired.
• 19:10
  Speaker 4: Can you believe it?
• 19:12
  Speaker 3: The top three films at the US box was number three,
• 19:14
  Speaker 3: sent of a woman from number fifteen to number three.
• 19:16
  Speaker 3: That is a skyrocketing climb.
• 19:18
  Speaker 4: Wow, that's the power of puccino. Yeah, and to a
• 19:20
  Speaker 4: letter extend the power Chrusodon.
• 19:22
  Speaker 3: Aladdin number two last week it was number one, and
• 19:25
  Speaker 3: a few good men from number two and points a
• 19:27
  Speaker 3: Laddin and a few good men battling it out, a
• 19:29
  Speaker 3: few good men. I bought it on four K the
• 19:31
  Speaker 3: recent JB sale. Still haven't watched and never seen it.
• 19:33
  Speaker 4: Never seen it.
• 19:34
  Speaker 3: Enjoy Yeah, good stuff, I know, obviously the main part.
• 19:37
  Speaker 3: But yes, well they pretty much blew the ending for
• 19:40
  Speaker 3: you right now. As I used to.
• 19:43
  Speaker 4: Say, we used to make things in this country.
• 19:45
  Speaker 3: Did top ten lepricorn lepracorns up there? What the hell
• 19:48
  Speaker 3: is Hoffer?
• 19:50
  Speaker 4: Are you aware of? The Union Leader? Jimmy Hoffer? That's
• 19:54
  Speaker 4: about Jimmy Hoffe A gast Darren Jack Nicholson and directed
• 19:57
  Speaker 4: by Danny DeVito. Wow, I never heard of it. Worth watching, It's.
• 20:02
  Speaker 3: All right, Yeah, it's one of its. It's released at
• 20:06
  Speaker 3: the end of the year. Very prestigious.
• 20:08
  Speaker 4: Let's get Jack and Oscar.
• 20:09
  Speaker 3: The JFK kind Yeah yeah, Chaplain was up there from
• 20:12
  Speaker 3: eighteen to seven, so you look Chaplain. Yeah, that was
• 20:15
  Speaker 3: j that's DJ yeap Home alone to Lost in New York. Yeah,
• 20:19
  Speaker 3: forever young, forever young. Don't know that one. That's Mel Gibson.
• 20:22
  Speaker 3: He was.
• 20:24
  Speaker 4: Certainly not Forever Young. No, well this is this is
• 20:28
  Speaker 4: a like peak handsome mel Okay, yeah, I think he
• 20:30
  Speaker 4: I think it's like a World War Yeah, it was
• 20:32
  Speaker 4: a World War two pilot. He got frozen or something
• 20:34
  Speaker 4: and then woken up in like them in the nineteen
• 20:38
  Speaker 4: nineties or something. That sounds awesome.
• 20:40
  Speaker 3: Yeah, yeah, it's sort of a romance.
• 20:43
  Speaker 4: But he's also it's got young Elijah Wood in it,
• 20:46
  Speaker 4: and young Olijah Woods is like the surrogate son something.
• 20:48
  Speaker 3: I remember the first time I saw him was in
• 20:50
  Speaker 3: that movie like the Other Brother or something. Good Son
• 20:53
  Speaker 3: good Son. Yeah, it's crazy. Yeah with McCauley is the
• 20:56
  Speaker 3: mom was like, he's the not good Son, She's she
• 21:00
  Speaker 3: makes the right choice.
• 21:00
  Speaker 4: You how to come on McCauley, You didn't.
• 21:02
  Speaker 3: And The Bodyguard Number Forced the number four Men. That
• 21:04
  Speaker 3: is a good list of movies, right, it really is
• 21:06
  Speaker 3: Holy smokes The Bodyguard of being the huge, huge hit
• 21:10
  Speaker 3: that it wore a fifteen dress bass.
• 21:12
  Speaker 4: Yeah it was top ten last week. So there we go.
• 21:15
  Speaker 4: You watched that end. I dropped it around it.
• 21:17
  Speaker 3: I have not watched it. It's sitting there because I
• 21:19
  Speaker 3: had to plug in my my U S Blu ray player,
• 21:21
  Speaker 3: had to get it allso up. We just had the
• 21:23
  Speaker 3: soundbar and the core for the TV in store behind
• 21:25
  Speaker 3: the wall. Looks so nice. Now I'm like, oh, yes.
• 21:29
  Speaker 4: Maybe send the kids to bed or put them up.
• 21:33
  Speaker 3: I watched one movies at night. Now I send Nicola
• 21:34
  Speaker 3: to the bed and I'll watch it. She liked Ricochet?
• 21:39
  Speaker 3: Would she like Trespass? Probably?
• 21:41
  Speaker 4: Yeah?
• 21:41
  Speaker 3: Okay, did you like Ricochet? She loved Ricchetpe all right,
• 21:46
  Speaker 3: so as I was saying yes. January fourteenth, nineteen ninety
• 21:49
  Speaker 3: three was the original edit of this iconic as Leonard
• 21:52
  Speaker 3: Malton would not say episode of The Simpsons, My Address
• 21:55
  Speaker 3: of the Monroel. It was directed by A Rich Moore,
• 21:57
  Speaker 3: written by as we've already discussed the own O'Brien and
• 22:01
  Speaker 3: it guest startled in any Moore and Phil harmon the chalkboard.
• 22:04
  Speaker 4: Gag.
• 22:04
  Speaker 3: I will not eat things for money. Now, this is
• 22:06
  Speaker 3: a thing from nineteen ninety three. The thing is, though now,
• 22:08
  Speaker 3: thirty years later, there are plenty of people who eat
• 22:10
  Speaker 3: things for my money.
• 22:12
  Speaker 4: Maybe they shouldn't. Yeah, there's I always had two things.
• 22:15
  Speaker 3: I'm like, I either want to get paid for watching
• 22:18
  Speaker 3: TV or get paid for eating We should.
• 22:21
  Speaker 4: Try and do both well. Correct. Yeah.
• 22:23
  Speaker 3: I mean I see KFC have a Parmi burger and
• 22:26
  Speaker 3: I was sort of doing a taste test video of
• 22:28
  Speaker 3: a Parmi burger and then I looked at it and
• 22:29
  Speaker 3: I was like, I thought it was going to be,
• 22:31
  Speaker 3: you know, different coat of chicken with like napping and
• 22:33
  Speaker 3: I was looking, you know what it is, it's a
• 22:36
  Speaker 3: all the times he's got a normal fill it, put
• 22:38
  Speaker 3: napoli sauce in it, and added two cheese sticks in
• 22:41
  Speaker 3: with it.
• 22:41
  Speaker 4: Yeah.
• 22:42
  Speaker 3: I didn't like the look at that, and I was like, ah,
• 22:44
  Speaker 3: that's not really a Parmi berg. You just added something
• 22:46
  Speaker 3: to an already existing burger. But is my controversial take
• 22:50
  Speaker 3: on burgers. They should be wider, not taller, like what
• 22:55
  Speaker 3: we would define in Australia a burger with a lot
• 22:57
  Speaker 3: from the fish and chip shop. They're always thinner but
• 23:00
  Speaker 3: wide round. Yeah, yess So you're saying a quarter pounder
• 23:03
  Speaker 3: as opposed to a big Mac. I would say that
• 23:07
  Speaker 3: even though yeah, it makes me go down, Well though
• 23:09
  Speaker 3: they should. What's what your staples is a quarter pounder?
• 23:11
  Speaker 4: Right for me? Sure?
• 23:12
  Speaker 3: Yeah, I've had a big Mac for a long time.
• 23:14
  Speaker 3: Just McDonald's not my thing. But yeah, look at the
• 23:15
  Speaker 3: Palmy Berger and I was gonna get it last night
• 23:16
  Speaker 3: and looked at it and I went, I don't think
• 23:18
  Speaker 3: this looks like weldy know, just a cheese stick and
• 23:21
  Speaker 3: a burger. Just feels like, Oh, you haven't really gone,
• 23:23
  Speaker 3: you haven't been creative. You just added something to it
• 23:26
  Speaker 3: that's not us Too much of the Colonel and the
• 23:29
  Speaker 3: Couch gag is the Simpsons sit on the couch, one
• 23:31
  Speaker 3: of my favorite ones of all time, and all various
• 23:33
  Speaker 3: residents from Springfield come and joined them. So the episode
• 23:38
  Speaker 3: kicks off with as we discussed the Flintstones opening, which
• 23:41
  Speaker 3: has nothing to do with the opening, but there's a
• 23:43
  Speaker 3: little detail here that I'm assuming they did deliberately and
• 23:46
  Speaker 3: I appreciate it. The Flintstones is known had a Barbara cartoons.
• 23:50
  Speaker 3: I've known mostly for what when it comes to the
• 23:53
  Speaker 3: animation style, what sort of angular? Well, I should check
• 23:57
  Speaker 3: rephrase the question when things are moving, what's usually happened
• 24:00
  Speaker 3: when characters are moving along?
• 24:01
  Speaker 4: Oh, well, it's like the characters moving.
• 24:04
  Speaker 3: Or repeated backgrounds. Yeah, that's two or three frames repeat.
• 24:07
  Speaker 3: And when Homer's driving down there's three houses that just
• 24:09
  Speaker 3: get repeated. I wonder if they are just lazy or
• 24:12
  Speaker 3: that was a nod two flintstones.
• 24:14
  Speaker 4: Let's say it was a nod. I'm a loving tribute.
• 24:17
  Speaker 3: Okay, maybe an unexpected nod. Lenny and Carl are sealing
• 24:23
  Speaker 3: up some toxic waste and they do not eat. They
• 24:25
  Speaker 3: don't care where it's going. See, this is the thing.
• 24:28
  Speaker 3: They're sealing up toxic waste. And twenty years later was
• 24:31
  Speaker 3: it twenty years later?
• 24:32
  Speaker 7: No?
• 24:32
  Speaker 3: No, it was ten years later because I was doing
• 24:33
  Speaker 3: it with Mitch recently. Home is eating toxic waste and
• 24:35
  Speaker 3: I'm like, that's how quickly the show devolved. It's going
• 24:37
  Speaker 3: from we know this is dangerous to how we go
• 24:40
  Speaker 3: eat some toxic wastes? Come on guys, Beverly Hills themed
• 24:45
  Speaker 3: them plays and Smiths and Burns enter and they put
• 24:47
  Speaker 3: it on a trolley and they asked, he askewash? We
• 24:49
  Speaker 3: dump it the playground? No, those ball children arousing suspicion
• 24:52
  Speaker 3: to the park and they they're.
• 24:54
  Speaker 4: There jamming into trees.
• 24:55
  Speaker 3: Yeah, the last tree held how many drums? Nine nine drums? Indeed,
• 24:59
  Speaker 3: that's where you're I came from, not seat nine nine drums.
• 25:03
  Speaker 3: It's all John Lebon my brain. Yeah, and then the
• 25:05
  Speaker 3: squirrel a laser comes out of its eyes and shoots,
• 25:07
  Speaker 3: and I'll just go here. There is so much shit
• 25:09
  Speaker 3: going on here in this first minute that I feel
• 25:12
  Speaker 3: like if this was season twenty of The Simpsons, we'd
• 25:14
  Speaker 3: probably go squirrel having a laser, that's so stupid. But here,
• 25:17
  Speaker 3: as you were saying, when it's such a funny episode,
• 25:20
  Speaker 3: you just run with it. Then the EPA arrive, which
• 25:23
  Speaker 3: is a little nod to the Simpsons movie EPA EPA correct. Yeah,
• 25:27
  Speaker 3: and they've someoney crossed his little game of hide the Yeah,
• 25:31
  Speaker 3: what does that agent name himself?
• 25:34
  Speaker 1: He does?
• 25:34
  Speaker 4: I want to say Rex Morton, but that's not it.
• 25:36
  Speaker 4: Agent Malone. Wasn't it? Or Malone?
• 25:37
  Speaker 3: Yeah, let's talk Frinky I just to get it. Let's
• 25:39
  Speaker 3: we'll just look Agent Malone, Simpsons, Agent Malone, Simpsons. It's
• 25:42
  Speaker 3: usually a wiki page for everyone Agent Malone. Yeah, does
• 25:46
  Speaker 3: he had him? He does he appear in anything else? God,
• 25:49
  Speaker 3: the ads are wiki crazy? Only in my address in
• 25:51
  Speaker 3: the one. Yeah, that's his only appearance.
• 25:53
  Speaker 4: That's fine. He did a good job in showing up
• 25:56
  Speaker 4: when he did.
• 25:56
  Speaker 3: I feel like he could have been a character that
• 25:58
  Speaker 3: returns in various ways. Agent Alone. It reminds me of
• 26:01
  Speaker 3: a Rex Banner type. That's what I was thinking of, Yeah,
• 26:04
  Speaker 3: Rex Banner. But he says that Bird's being arrested. We
• 26:07
  Speaker 3: cut to Burns entering court as Hannibal.
• 26:09
  Speaker 4: Lecter by the way, Liberty and justice for most.
• 26:11
  Speaker 3: Yes, yeah, Now the thing is things like the Hannibal
• 26:14
  Speaker 3: at the visual As a kid, I had no idea
• 26:17
  Speaker 3: what that was, you know, which is a funny thing,
• 26:18
  Speaker 3: as I was like, ah.
• 26:20
  Speaker 4: But still it's funny to see Burns come in all
• 26:21
  Speaker 4: sort of mummy mummified up.
• 26:24
  Speaker 3: Yeah, exactly, it's perfect. And he's been fined three million dollars.
• 26:27
  Speaker 3: So there's my wallet, is my pocket and I'll take
• 26:30
  Speaker 3: that statue of justice too, so old. Yes, then Homer's
• 26:33
  Speaker 3: read in the paper and Birds look smiling on the
• 26:35
  Speaker 3: way out. But Marge says they had to have a
• 26:36
  Speaker 3: town meeting and how they're going to spend all the money.
• 26:39
  Speaker 3: Lisa has her idea for virtual reality helmets where she
• 26:41
  Speaker 3: meets Genghis Khan.
• 26:43
  Speaker 4: Defile, what I defire? Eat who I eat? By the way,
• 26:47
  Speaker 4: two gags, and that may not have aged all that Well,
• 26:53
  Speaker 4: he's shouting he's maybe not condoning the actions of handicap
• 26:59
  Speaker 4: your wife be drunk. You were Andy Capital just a
• 27:05
  Speaker 4: four panel comic strip that ran in the newspapers. Andy
• 27:07
  Speaker 4: Cap was basically like this working class kind of I
• 27:11
  Speaker 4: think he was British and I don't think he ever
• 27:13
  Speaker 4: beat his wife, but he was kind of like, I'd
• 27:15
  Speaker 4: rather be down a pub.
• 27:17
  Speaker 3: Andy Kapp is a British comic strip created by cartoonist
• 27:19
  Speaker 3: Red smythe Smith, seen in the Daily Mirror and the
• 27:23
  Speaker 3: Sunday Mirror newspapers since fifth of August nineteen still still
• 27:27
  Speaker 3: going nineteen fifty seven. Originally a single panel cartoon, it
• 27:29
  Speaker 3: was later expanded to four panels syndicated internationally.
• 27:33
  Speaker 4: Yeah.
• 27:33
  Speaker 3: The character is also licensed as the mascot for a
• 27:35
  Speaker 3: line of snack foods. Okay, the picture is him being
• 27:41
  Speaker 3: dragged by his wife.
• 27:42
  Speaker 4: Yeah, he's kind of I think he's kind of a
• 27:44
  Speaker 4: hen pecked husband, even though he thinks like he's the
• 27:47
  Speaker 4: he doesn't. Yeah, it was it. I wear the pants,
• 27:49
  Speaker 4: she owns them. Something like, yeah, oh Andy Capp, you
• 27:54
  Speaker 4: wave beating drunk.
• 27:55
  Speaker 3: And that's one of those things where I always just
• 27:57
  Speaker 3: you know, I know what it was talking about, but
• 28:00
  Speaker 3: it's just funny.
• 28:01
  Speaker 4: Plus, this is how we used to make cartoons in
• 28:05
  Speaker 4: this society, Andy Cap is just a gentleman wearing a
• 28:07
  Speaker 4: big cap. Yes, but that's maybe not so bad.
• 28:12
  Speaker 3: But homer suggestion is maybe a giant billboard that says
• 28:16
  Speaker 3: no fat checks. I can imagine that's slate in the
• 28:18
  Speaker 3: writer's room that was used quite frequently the Simpsons. Oh yeah,
• 28:26
  Speaker 3: well at least twice. Yeah, no fat cheeks. But the
• 28:31
  Speaker 3: nineties was such a weird time in that you know,
• 28:33
  Speaker 3: you had you know, dick head dude sort of parading
• 28:35
  Speaker 3: rabbit t shirts said no fat checks.
• 28:37
  Speaker 4: It's crazy, what the hell is going on? And then
• 28:40
  Speaker 4: you would have presumingly seemingly enlightened people like the our
• 28:45
  Speaker 4: pals from the Simpsons writers room who had been on
• 28:48
  Speaker 4: this show and seemed like rational people. It's Homer saying it,
• 28:52
  Speaker 4: who are probably saying, yeah, they're home, is the kind
• 28:57
  Speaker 4: of person who would say this. But it was a
• 28:59
  Speaker 4: giant billboard the sex practiction. But I can't believe that.
• 29:03
  Speaker 3: It was just such a prevalent saying in the in society,
• 29:06
  Speaker 3: no fat chicks. Yeah, same thing. As I watched this
• 29:08
  Speaker 3: with Nikola, and Nicola laughed to ask off for that.
• 29:10
  Speaker 3: If she's laughing, I'm allowed to laugh at it, but
• 29:13
  Speaker 3: then but also wants giant mechanical answer to destroy to
• 29:15
  Speaker 3: school and kills Seamos Skinner. Then it's time for the
• 29:17
  Speaker 3: town meeting and everyone it's pretty field to showed up
• 29:20
  Speaker 3: except for the criminals. Compare this to our recent episode,
• 29:23
  Speaker 3: So could his town being he's stupider compared to I
• 29:26
  Speaker 3: can't wait to poo on their floor?
• 29:28
  Speaker 4: What listen for.
• 29:29
  Speaker 3: Those who haven't heard one of our recent reviews. So
• 29:33
  Speaker 3: we did Squirt in the Whale, and it starts off
• 29:35
  Speaker 3: with the family going to an expo, so they leave
• 29:37
  Speaker 3: the lights on so they robbers don't think they're home,
• 29:40
  Speaker 3: and Snake's like, ooh, it was idiots. I can't they think.
• 29:44
  Speaker 3: I don't know, I can't wait to go down and
• 29:45
  Speaker 3: pool on their floor. I'm like, what is Abby?
• 29:48
  Speaker 4: I'm pretty sure there have been actual burglars who have
• 29:50
  Speaker 4: done that.
• 29:51
  Speaker 3: No sneak robs things, and he doesn't poo on floors.
• 29:55
  Speaker 3: It feels like the guy that's like, I say, this
• 29:57
  Speaker 3: sounds silly, a professional criminal. He knows what he wants.
• 30:00
  Speaker 3: He goes in and getship done, doesn't shop on the floor,
• 30:02
  Speaker 3: just get ship done. He's like de Niro and heat,
• 30:04
  Speaker 3: Yes exactly, Yeah. Would you would you be DeNiro? Would
• 30:08
  Speaker 3: you be the guy that God bruns wild? It'll be
• 30:10
  Speaker 3: Wayne Grow That's not that's.
• 30:13
  Speaker 4: The most insulting thing you've ever said to me, Wayne Grow.
• 30:16
  Speaker 3: I would be like size more. What a name, Wayne Grow?
• 30:19
  Speaker 3: It just sounds like the guy that would just lose
• 30:21
  Speaker 3: his ship, Like what are you doing? You never get
• 30:24
  Speaker 3: a way and grow in your in your heist. So
• 30:27
  Speaker 3: they're gonna figure out way to spend the two million dollars.
• 30:30
  Speaker 3: Don't you mean three million dollars?
• 30:31
  Speaker 4: Of course, yeah, I'll tell your me.
• 30:34
  Speaker 3: More suggests fix up the fire on the east side
• 30:36
  Speaker 3: of the town. Mister snrub arrives and the way Snrub
• 30:42
  Speaker 3: thinks and they realize it's burned. So Batman yeap, he
• 30:46
  Speaker 3: gets out. Then a Poo wants more police who has
• 30:48
  Speaker 3: been shot eight times this year and almost missed work,
• 30:51
  Speaker 3: and then grabb byby then March is a plan and
• 30:53
  Speaker 3: Qumb's gonna entertain himself with as you're saying, the pornographic
• 30:56
  Speaker 3: playing cards. And she points out that main Street is
• 30:59
  Speaker 3: all cracked and broken because people like Homer driving down
• 31:02
  Speaker 3: the street with giant grand pianos on the roof, and
• 31:04
  Speaker 3: there's potholes which caused the popcorn to explode when it
• 31:07
  Speaker 3: goes inside, and whatnot. And they really like the idea,
• 31:10
  Speaker 3: don't they? Sure?
• 31:11
  Speaker 4: Grandpa interrupts, Well, first of all, he's interrupting.
• 31:13
  Speaker 3: Sarcastic, we could do all that in the town, so like, yeah,
• 31:16
  Speaker 3: we couldn't do He's not for it, he gets it,
• 31:19
  Speaker 3: and then again then Lyle Lanley a lot before though
• 31:23
  Speaker 3: before Lanley interrupts, Quimy says all four Grandpa's idea to
• 31:26
  Speaker 3: fix and Landie interrupts, and what's the first thing?
• 31:32
  Speaker 4: He says?
• 31:33
  Speaker 3: A town with money is like a mule with a
• 31:35
  Speaker 3: spinning where Garton dan but he knows how to use it.
• 31:41
  Speaker 4: Mule.
• 31:43
  Speaker 3: But that's that sort of representation of like when you
• 31:46
  Speaker 3: keep watching some Simpsons jokes, you're like, I don't really
• 31:48
  Speaker 3: know why that's funny, but that words funny, funny words.
• 31:54
  Speaker 3: But he uses Chobby Rullers the comparison, that's a good
• 31:56
  Speaker 3: way of getting these guys suck absolutely ay that what
• 32:00
  Speaker 3: to do?
• 32:00
  Speaker 4: Yeah, oh god, comparison there's yeah, absolutely absolute winner in
• 32:03
  Speaker 4: that regard.
• 32:04
  Speaker 3: That's mo shall be the ladea. What is the Simpsons
• 32:07
  Speaker 3: quite where they go. He'll know what to do.
• 32:09
  Speaker 4: What is that? That's gabbo, gabbo, gabbo.
• 32:12
  Speaker 3: He'll know what to do. He'll tell us what He'll
• 32:14
  Speaker 3: tell us what to do. Yes, and he reveals the model,
• 32:19
  Speaker 3: the scale model. He's gone to all lengths to suck minute.
• 32:21
  Speaker 3: I've never seen a full length scale model like this
• 32:24
  Speaker 3: of like you know, when they're building a we're going
• 32:26
  Speaker 3: to build a new national park wherever, and to have
• 32:27
  Speaker 3: the scale model.
• 32:29
  Speaker 4: It would be great if they still did that. Nowadays
• 32:31
  Speaker 4: you're getting pitched dishes and VR and yeah, AI and
• 32:35
  Speaker 4: all men are of other rects. I'm saying that though.
• 32:37
  Speaker 3: We went to this Star Wars Lego World kind of
• 32:39
  Speaker 3: display in Melbourne about six months ago and they had
• 32:43
  Speaker 3: like you know, hoff An end Or and it was
• 32:46
  Speaker 3: like you know, three meters by three meters and it
• 32:47
  Speaker 3: was all Lego, but it was like it was like this,
• 32:49
  Speaker 3: it was like a scale one. I was like, this
• 32:51
  Speaker 3: is awesome. It's just like Little Beware and had the
• 32:53
  Speaker 3: Ewok village and the death style. You can reach out
• 32:56
  Speaker 3: and touch it. Yeah you shouldn't touch it. Yeah, kids
• 32:59
  Speaker 3: kids touched it. So then we get the iconic monorail song.
• 33:05
  Speaker 1: Well, sir, there's nothing on earth like a genuine bona
• 33:07
  Speaker 1: fide electrified six car monorail.
• 33:10
  Speaker 5: What I say, monorail? What's it called?
• 33:13
  Speaker 2: Monil?
• 33:13
  Speaker 5: That's right, monorail.
• 33:18
  Speaker 2: I hear those things are awfully loud.
• 33:20
  Speaker 5: It rides as softly as a cloud.
• 33:22
  Speaker 6: Is there a chance the track could bet?
• 33:24
  Speaker 5: Not on your life? My Hindu friend.
• 33:26
  Speaker 2: Water brought us.
• 33:27
  Speaker 5: Brendan slams you'll be given cushy jobs? Were you shent
• 33:31
  Speaker 5: here by the table? No good sir, I'm on the level.
• 33:34
  Speaker 6: The ring came off my pudding can take.
• 33:37
  Speaker 1: My penknife, My good man, I swear at Springfield's only choice.
• 33:40
  Speaker 5: Throw up your hands and raise your voice. What's it called?
• 33:45
  Speaker 5: Once again? A matrix to walk craft and broken time?
• 33:53
  Speaker 5: On the money is spoken?
• 34:03
  Speaker 3: Mano, don't What is there that to be said about
• 34:07
  Speaker 3: the monovassona hasnt already been said?
• 34:09
  Speaker 4: The song said at all? Yeah, it's I'm presuming you
• 34:11
  Speaker 4: just played it.
• 34:11
  Speaker 3: I couldn't play the whole thing because then that it
• 34:13
  Speaker 3: could come right yestead of getting for us.
• 34:15
  Speaker 4: But okay, what we'll do it? Mon Yeah? When I
• 34:20
  Speaker 4: have vivid.
• 34:20
  Speaker 3: Memories of my dad laughing his ass off at the
• 34:23
  Speaker 3: home a.
• 34:24
  Speaker 4: Bit at the end.
• 34:24
  Speaker 3: Yeah, do you have memories of like of Bobby yelling
• 34:27
  Speaker 3: or laughing and anything funny on.
• 34:29
  Speaker 4: TV when you were a kid. No, my father was
• 34:31
  Speaker 4: a singularly humorous man. But when I do, we're talking
• 34:37
  Speaker 4: about parents laughing and stuff. Though two occasions seeing movies
• 34:40
  Speaker 4: with my mum, we went to see a double feature
• 34:43
  Speaker 4: of Pink Panther movies. I think it would Return and
• 34:45
  Speaker 4: Revenge of the Pink Panther, and Mum.
• 34:47
  Speaker 3: Was just slain.
• 34:48
  Speaker 4: She would see this thought spectacle. So it was the
• 34:51
  Speaker 4: funniest motherfucker. And another time, this is problematic, so cancel
• 34:57
  Speaker 4: Margaret Mary. But we went to see the Woody Allen
• 34:59
  Speaker 4: movie Hannah. Her sisters and my mom had recently had
• 35:03
  Speaker 4: like a hearing test. You had this thing called many
• 35:05
  Speaker 4: as where it sort of affects your anywhere and affects
• 35:07
  Speaker 4: your balance, and she had to have these hearing tests,
• 35:10
  Speaker 4: and Woody Allen's character in the same movie has to
• 35:12
  Speaker 4: do something similar. Here's a scene where he's like any
• 35:14
  Speaker 4: hearing both and has to sort of raise a finger
• 35:15
  Speaker 4: when he hears something no one else in the.
• 35:17
  Speaker 3: Theater is really laughing at. Just it's kind of a throwaway. Yeah,
• 35:20
  Speaker 3: because he's sort of pulling a bit of a funny face.
• 35:22
  Speaker 3: Mom just thought it was the funniest fact. She's laughing
• 35:24
  Speaker 3: loud than anyone in the cinema, and I was seeming embarrassed,
• 35:27
  Speaker 3: but Semi's just so.
• 35:28
  Speaker 4: Stoked that my mom was so happy.
• 35:30
  Speaker 3: I was like that with my mom and sister and
• 35:32
  Speaker 3: I went to see the Muppets movie, the twenty and
• 35:34
  Speaker 3: eleven one, right, and when the chickens came out and
• 35:36
  Speaker 3: saying that forget you by see, like, my mom thought
• 35:40
  Speaker 3: it was a fucking funny thing in the world. And
• 35:41
  Speaker 3: I I just remember, I'm like, I don't care that
• 35:43
  Speaker 3: no one has really found my mom had it funny.
• 35:45
  Speaker 3: I just like seeing my mom just in a state
• 35:46
  Speaker 3: of joy. Oh yeah, it's one of the great delights
• 35:49
  Speaker 3: in laugh when your parents just cracked up like something.
• 35:53
  Speaker 3: But they're on the way home. And that of course
• 35:54
  Speaker 3: got over the pooles in Main Street.
• 35:56
  Speaker 4: Oh by the way, sorry, I forgot there was another
• 35:58
  Speaker 4: quimulin that I left this out of my favorite moms
• 36:00
  Speaker 4: as well. Just tell us your idea and we'll we'll
• 36:03
  Speaker 4: vote for it.
• 36:03
  Speaker 3: Yes, so march As we should have spent the money
• 36:06
  Speaker 3: on Main Street and said we should have written a
• 36:09
  Speaker 3: song like that guy. Then he's at school. Now he's
• 36:11
  Speaker 3: trying to pitch to the kids. Why is there trying
• 36:13
  Speaker 3: to pitch it to the kids. I have no idea,
• 36:15
  Speaker 3: just so. I think it's just so they can they
• 36:17
  Speaker 3: had needed at that moment where he out convinces Lisa.
• 36:19
  Speaker 4: Yeah, pretty much. It seems like it's already a done deal.
• 36:22
  Speaker 4: Why was he still on the sales?
• 36:24
  Speaker 3: I think I need to show that this guy's on
• 36:25
  Speaker 3: another level. Even Lisa gets sucked in by I guess
• 36:28
  Speaker 3: see will forgive lapses in logic. Yeah, miss Hoover, I
• 36:33
  Speaker 3: find that hard to believe. This is so this year
• 36:36
  Speaker 3: is a Phil Hartman scene. Oh god, yeah, and yeah,
• 36:40
  Speaker 3: just non stop. Yeah, it's fantastic. How he's just charming
• 36:44
  Speaker 3: everyone is eating out of his hand.
• 36:46
  Speaker 4: Happen in the flash?
• 36:47
  Speaker 3: Yeah sure whatever, But yeah, the why would a mass
• 36:52
  Speaker 3: transit system in a small town with centralized population?
• 36:54
  Speaker 4: Why would we do this?
• 36:55
  Speaker 3: And he's like, that's intelligent question.
• 36:57
  Speaker 4: Actually even your t Yeah, brilliant, brilliantly Lanley.
• 37:05
  Speaker 3: Then it's Marlon Brando voice Truck of Saurus, celebrity voice impersonal.
• 37:08
  Speaker 3: Now they did the same joke twice here, so celebrity
• 37:11
  Speaker 3: voice in person. That's right, yea, And Homer sees the
• 37:12
  Speaker 3: ad for the monoail conductor class at Lyland Institute. It's
• 37:15
  Speaker 3: like not to be here again. But they did a
• 37:17
  Speaker 3: lot of those. I mean, I still use this day.
• 37:19
  Speaker 4: I've forgotten what it's from, but anytime I'd say, that's
• 37:22
  Speaker 4: the Davis guarantee. Not a guarantee, that's on the citizens. Yeah,
• 37:26
  Speaker 4: that's what I mean. I'm trying to remember what that's wrong. Yeah,
• 37:29
  Speaker 4: but some not a guarantee, it's so good.
• 37:31
  Speaker 3: Not a guarantee.
• 37:33
  Speaker 4: Is that really?
• 37:34
  Speaker 3: Quickly bit of and like, yeah, nothing found here we go.
• 37:38
  Speaker 4: Yeah, it's scratchy, Lady Bv's lover.
• 37:41
  Speaker 3: Each one is absolutely positive one hundred guaranteed to increase
• 37:43
  Speaker 3: in value.
• 37:44
  Speaker 4: Not a guarantee, but yeah, celebrity boy.
• 37:49
  Speaker 3: I mean, this is nineteen ninety three.
• 37:52
  Speaker 4: Try because Brando had been off the scene but quite
• 37:55
  Speaker 4: some time, but still recognize like one of the great actors.
• 37:57
  Speaker 4: But I think he was sort of starting to make
• 37:59
  Speaker 4: a comeback and appear like pretty shitty movies and clearly
• 38:02
  Speaker 4: just were a massive paycheck. So he probably would yeah, lend.
• 38:04
  Speaker 3: His voices as underlike Druga Sawus the movie. When did
• 38:07
  Speaker 3: he pass Rando? Want to say, early two thousand and four.
• 38:13
  Speaker 3: Let's look at his films. Let's see what he was
• 38:14
  Speaker 3: doing around nineteen eety three. Let's have a quick look,
• 38:17
  Speaker 3: because he was.
• 38:17
  Speaker 4: In a movie in ninety called The Freshman that's actually
• 38:21
  Speaker 4: really good with him and Matthew Broderick. I don't know
• 38:23
  Speaker 4: if this is Don Juan Marco era. Christopher Columbus The Discovery, Yeah, yeah,
• 38:27
  Speaker 4: Oh well, there were two Columbus movies that came out
• 38:30
  Speaker 4: in the early Don Juan de Marco was ninety four,
• 38:32
  Speaker 4: that's yeah, with Johnny Depp. There was fourteen ninety two
• 38:35
  Speaker 4: that was directed by Rilly Scott, and then there was
• 38:37
  Speaker 4: Christopher Columbus The Discovery, which was yeah, kind of shit,
• 38:41
  Speaker 4: kind of the cheap one we had that Brandow to
• 38:43
  Speaker 4: Dr Morue ninety six.
• 38:45
  Speaker 3: Yeah, Doland Doctor murau Man an.
• 38:46
  Speaker 4: Absolute shit show. Yeah, there's a fantastic documentary if you
• 38:51
  Speaker 4: were all interested in behind the scenes and stories of
• 38:53
  Speaker 4: shit shows, called Lost Soul. I won't go into the
• 38:58
  Speaker 4: whole thing about the making of The Island Doctor Tomorrow,
• 39:00
  Speaker 4: but it was just doomed from the very beginning Yeah, I.
• 39:03
  Speaker 3: Love the Phantom Menace documentary. It's like everything that went
• 39:06
  Speaker 3: wrong with Phantom Menace and it's just like the best
• 39:09
  Speaker 3: part is when he's going real, not real, not real, and.
• 39:13
  Speaker 4: It cuts to the people who are working it, just
• 39:14
  Speaker 4: like The Brave as well.
• 39:19
  Speaker 3: With The Brave in ninety seven more Depp, I think
• 39:22
  Speaker 3: I think it looks that looks like Stallone. I think
• 39:25
  Speaker 3: Johnny Depp directed The Brave and it might be actually
• 39:28
  Speaker 3: in it as well. Is that not that not Stallone?
• 39:30
  Speaker 4: In that post? Well, I think I think Johnny Depp
• 39:33
  Speaker 4: is playing a Native American in it. And while Johnny
• 39:37
  Speaker 4: Depp does say he has Native American lineage, this also
• 39:41
  Speaker 4: seemed like you're putting on a bit too much brown
• 39:43
  Speaker 4: makeup here, Johnny Depp.
• 39:44
  Speaker 3: Maybe that was Brandaw in the post. That doesn't that
• 39:46
  Speaker 3: does not look like Depp? Does it? In that posted there?
• 39:49
  Speaker 4: Doesn't it? You reckon free money?
• 39:53
  Speaker 3: Yeah, Charlie Sheen, Thomas Hayden Church Apocalypse Now Reducts Reducts
• 40:00
  Speaker 3: just just a reac up version of Apocalypse Now and then
• 40:02
  Speaker 3: he's just yeah, on his way out Superman movies, and
• 40:04
  Speaker 3: then he's gone, Howdies Brandow Brando destroyer who gives you then,
• 40:13
  Speaker 3: because he says, I want to be a monoail conductor,
• 40:16
  Speaker 3: so he's going to join the class. Then, of course
• 40:20
  Speaker 3: they asked, well, he asked, are there any investigative reporters
• 40:23
  Speaker 3: to leave, including the hidden camera? I am, and so
• 40:26
  Speaker 3: is I forgot no name, but yeah, but then and
• 40:28
  Speaker 3: then the guy's hidden camera.
• 40:29
  Speaker 4: Yes, let's go. But of course the course is just
• 40:32
  Speaker 4: in a room.
• 40:33
  Speaker 3: We've got my apartment room. It's just a note on
• 40:35
  Speaker 3: the door. Barnes meanwhile, doing.
• 40:38
  Speaker 4: The test, true or false?
• 40:40
  Speaker 7: You can get mono from riding the monorail.
• 40:44
  Speaker 2: False. No, wait, maybe it's true.
• 40:46
  Speaker 7: No, you were right, it's false. Wow, you really are
• 40:50
  Speaker 7: going to be a monorail conductor.
• 40:52
  Speaker 2: That's right boy.
• 40:53
  Speaker 7: You know I used to think you were stuck in
• 40:55
  Speaker 7: an emasculating go nowhere job kids, but now I want
• 40:59
  Speaker 7: to following your footsteps.
• 41:01
  Speaker 2: Do you want to change your name to Homer Junior?
• 41:03
  Speaker 2: The kids can call you, hold you.
• 41:07
  Speaker 7: I'll get back to you.
• 41:08
  Speaker 3: People love this. I've never been a huge fan to
• 41:09
  Speaker 3: hold you a bit, they can call you hold you.
• 41:11
  Speaker 3: I've always just thought it was just really stupid. But
• 41:13
  Speaker 3: some people love it, which is fine, but I've just
• 41:15
  Speaker 3: always thought this is just dumb. Yeah, I just feel
• 41:19
  Speaker 3: like kind of Homer then watches Barney directed in the
• 41:21
  Speaker 3: crane because you know, all these idiots are getting jobs now,
• 41:24
  Speaker 3: and he waves a Homer makes the crane drop the
• 41:26
  Speaker 3: whatever it is and slashing into a house.
• 41:28
  Speaker 4: He hates that sound.
• 41:30
  Speaker 3: Margin points out the dangers of being a monoil conduct
• 41:32
  Speaker 3: and what have us step on a bar shop and
• 41:35
  Speaker 3: I'll be killed, Homer tries. Then there's the flirting by
• 41:39
  Speaker 3: using the voice.
• 41:39
  Speaker 4: Well, gobbling up danger like ordinary man neat peanuts.
• 41:44
  Speaker 3: And transition gave my love a chicken no bones, gets
• 41:49
  Speaker 3: distracted cheek in. But yeah, the whatever I talk like this,
• 41:53
  Speaker 3: it's just iconic for me. Then we have the final
• 41:57
  Speaker 3: day of the course. Mono means one and rail means right,
• 42:00
  Speaker 3: and that's the end of the three week course. He
• 42:01
  Speaker 3: goes to leave, and I was like, well, who's going
• 42:03
  Speaker 3: to be the conductor? Oh yeah, that's right, And he
• 42:04
  Speaker 3: looks at it. He was monitoring your progress, which is
• 42:06
  Speaker 3: just a picture of him. Why drawing all these drawings.
• 42:10
  Speaker 3: It furthers the story. No one in the right mom
• 42:12
  Speaker 3: would do this. They even acknowledge later, and he's like,
• 42:14
  Speaker 3: I got to stop leaving it's out, But he chooses
• 42:19
  Speaker 3: Homer and who me, Yeah you shot as.
• 42:21
  Speaker 4: Kind of one of my favorite throwaway gigs, not necessarily
• 42:24
  Speaker 4: in this instance, but yeah, anytime it's someone is meant
• 42:27
  Speaker 4: to be taking copious notes and turns out there's doodling.
• 42:30
  Speaker 4: Just hilarious.
• 42:30
  Speaker 3: Yep, let me get the news report with Homo the
• 42:34
  Speaker 3: cigarette photo, the stock photo of Homer.
• 42:37
  Speaker 4: Is this part of hit?
• 42:38
  Speaker 3: Maybe realize just how much of a break neck speed
• 42:40
  Speaker 3: this episode moves through like it's just bang, like the
• 42:43
  Speaker 3: end of the course, how we get selected news report
• 42:45
  Speaker 3: about Home and being there? Now w they're in the
• 42:46
  Speaker 3: monail's just bang bang bang. So Home is doing a
• 42:49
  Speaker 3: tour of the monorail inside the front bit there and
• 42:52
  Speaker 3: these where they find the first of all the drink
• 42:54
  Speaker 3: cudder or as I called it, cup cake, and then
• 42:56
  Speaker 3: he sees they see the possums and apparently this is
• 42:59
  Speaker 3: miss mac Grating's favorite line. And then Tiger Simpson and
• 43:02
  Speaker 3: I'm like, really, what bide I call the Big One
• 43:04
  Speaker 3: Bidy is Mack Grating's favorite Simpsons moment? Should we be
• 43:07
  Speaker 3: worried about Matt Groening? But then Marge says I'm gonna
• 43:11
  Speaker 3: go see Larle Landing. Something doesn't feel right here, you know,
• 43:13
  Speaker 3: there's a family possums living in here.
• 43:15
  Speaker 4: What's going on?
• 43:16
  Speaker 3: And she finds his notepad AND's a picture of him
• 43:19
  Speaker 3: I mean like to heat you with money, and then
• 43:20
  Speaker 3: suckers and a flaming monarela.
• 43:24
  Speaker 4: And he enters hell.
• 43:25
  Speaker 3: Should you see nothing in coomin any good?
• 43:28
  Speaker 4: Just ad delivery of.
• 43:29
  Speaker 3: Good from film good? I don't know why I live
• 43:32
  Speaker 3: this line around. Margin drives to north Haverbook to get
• 43:35
  Speaker 3: the real truth about what happened there, and she has
• 43:38
  Speaker 3: the repeated visions.
• 43:40
  Speaker 1: I have sold minor rails to Brockway, I've been Veil
• 43:42
  Speaker 1: and North paper Brock.
• 43:44
  Speaker 6: Is there a gente the track good bet?
• 43:47
  Speaker 2: They called the big One? Baby?
• 43:49
  Speaker 1: I have sold minor rails the Brockway, I been vel
• 43:52
  Speaker 1: and North paper Brock.
• 43:53
  Speaker 6: Is there a gente the track good bet?
• 43:56
  Speaker 2: The all the big one? Baity?
• 43:58
  Speaker 4: It's like that? How oh yeah? That's another one that
• 44:01
  Speaker 4: came up recently.
• 44:02
  Speaker 3: I was touching on. It might have been this review.
• 44:04
  Speaker 3: It would have been of things that ninety posts kids
• 44:07
  Speaker 3: wouldn't get. There was a guy called Joe the other day,
• 44:09
  Speaker 3: Elliot's fan was called Joe Joseph. I went Hana Joe
• 44:12
  Speaker 3: and his dad Slay loved it. Kid's like, what this is?
• 44:17
  Speaker 4: Weird guy?
• 44:18
  Speaker 3: The other one you know, Ellie by something like that.
• 44:25
  Speaker 4: So good. She arrives and it's a ghost town.
• 44:29
  Speaker 3: I love the cackling lady. Just a cackling lady sitting
• 44:32
  Speaker 3: on her doorstep in the rocking chair. There was no
• 44:34
  Speaker 3: monarail here. There's no no monarail here.
• 44:36
  Speaker 4: That never was. It's that Monroel.
• 44:38
  Speaker 3: Cafe on the idea of a ghost town and people
• 44:41
  Speaker 3: still living there. Why she still at the cafe. It's
• 44:43
  Speaker 3: really closed.
• 44:44
  Speaker 4: She know where to go.
• 44:46
  Speaker 3: But that's great for memes when people are denying something.
• 44:49
  Speaker 3: He's like, there is no this and never I was
• 44:51
  Speaker 3: pulled it down and a picture of whatever it was.
• 44:53
  Speaker 3: Then Sebastian Cobb arrives, the man who was hired to
• 44:56
  Speaker 3: build the monorail for North Haverbrook, and he.
• 44:59
  Speaker 4: A little just up by the way. I'm sorry, I
• 45:01
  Speaker 4: keep based on something, No.
• 45:02
  Speaker 3: I want to because he's got such a distinctive look. Yeah,
• 45:04
  Speaker 3: is he based on something? Spashion Cobb design is very
• 45:08
  Speaker 3: similar to Doctor Strangelove from Doctor Strange.
• 45:10
  Speaker 4: Love or How Cool lere you go.
• 45:13
  Speaker 3: His name is Cobb, the name of a building material
• 45:15
  Speaker 3: about that. Apparently he died he was hit by the
• 45:18
  Speaker 3: old Mono rail death. He was hit by the old
• 45:20
  Speaker 3: monorail in the Old Blue Man. She ate what she
• 45:22
  Speaker 3: used to be? What episode is that? The Old Green
• 45:25
  Speaker 3: Man Old Blue Man's here this episode season twenty nine.
• 45:29
  Speaker 3: We'll get to that when we get to it. Yeah,
• 45:31
  Speaker 3: however his death was wasn't confirmed, meaning he could have survived.
• 45:34
  Speaker 4: Yeah.
• 45:35
  Speaker 3: Spashion Cob based off Doctor Strange. Love about that. A
• 45:38
  Speaker 3: very unique design. But I really like the character who
• 45:41
  Speaker 3: voiced him as Harry Shearer. Of course, apparently Harry she
• 45:44
  Speaker 3: Heer doesn't like SEMs anymore. Has looted for a long
• 45:46
  Speaker 3: time apparently, but I've heard this from you, but apparently
• 45:50
  Speaker 3: he did an interview recently. He's just like, yeah, it's
• 45:52
  Speaker 3: hard and harder to do it every every year, and
• 45:54
  Speaker 3: it's like, dude, one of the easiest gigs in Dollywood, right,
• 45:58
  Speaker 3: just do it. You probably get some money in the bank.
• 46:01
  Speaker 3: You might be able to like stop, Yeah, let someone
• 46:03
  Speaker 3: else do it? Can someone else do it? But Yeah,
• 46:07
  Speaker 3: as we were saying, she meets Sebastian Cobb, who's hired
• 46:10
  Speaker 3: to build the monorail, but Lyle lady took plenty of shortcuts,
• 46:12
  Speaker 3: and she's what are we gonna do? You better have
• 46:14
  Speaker 3: a damn good conductor. That reminds me of I think
• 46:17
  Speaker 3: it's Rambo and is like, I've got so many soldiers
• 46:21
  Speaker 3: in that forest looking for Rambo or whatever. And he's like,
• 46:22
  Speaker 3: what are you gonna say to that? I hope you
• 46:24
  Speaker 3: got a lot of body bears.
• 46:25
  Speaker 4: Oh yeah, what a line. Well, a lion is one
• 46:28
  Speaker 4: of the things you're gonna need. A good supply body bear, tramman.
• 46:34
  Speaker 4: What a guy?
• 46:35
  Speaker 3: Cuts to Homer, who has locked the keys in the
• 46:37
  Speaker 3: in the mona round, get a rock. Then it's time
• 46:40
  Speaker 3: for the grand opening, the opening? What you're opening? What
• 46:43
  Speaker 3: do you ceremony? Ceremony circuit of the what was the
• 46:46
  Speaker 3: called when it goes around the circuit or the.
• 46:47
  Speaker 4: Red carpet cap.
• 46:49
  Speaker 3: Yeah, but the dash Calhoun has arrived, a woman with
• 46:52
  Speaker 3: crusty son. That's the song the kids things here. It's
• 46:55
  Speaker 3: just Google Gaga. I don't know, he just went I thought
• 46:57
  Speaker 3: it seems like it sounds like Lady marm Lade almost
• 46:59
  Speaker 3: to the let's go the wiki pages that sing anything
• 47:03
  Speaker 3: No I thought.
• 47:03
  Speaker 4: I thought it was just Google Gag, Gag, Google Gag.
• 47:06
  Speaker 3: It sounds like it's singing something, but in baby talk, Yeah,
• 47:08
  Speaker 3: I was obviously I was wrong. But also we got
• 47:10
  Speaker 3: Lurlie Lumpkin, who spent last night in the ditch. She's
• 47:13
  Speaker 3: just previously released from.
• 47:14
  Speaker 4: Where oh the bettyful cling which which stint.
• 47:18
  Speaker 3: Because a recent stick. And then Kyle Darren who was
• 47:23
  Speaker 3: thirty four years old and he was from No. No
• 47:24
  Speaker 3: two and no right Springfield Heights, No No to Grefield
• 47:27
  Speaker 3: Heights two and No. Then we introduced Leonard Nimoy and
• 47:31
  Speaker 3: he thinks he is William Shatner. No, No, he thinks
• 47:33
  Speaker 3: he's yeah, neither for with him?
• 47:37
  Speaker 4: Do you think I am? Yes?
• 47:38
  Speaker 3: And you wanted the little rascals. Then Lisa sees land
• 47:41
  Speaker 3: and leaving, why are you leaving? And he's got to
• 47:44
  Speaker 3: the cash. Oh my plane is leaving soon. But the
• 47:46
  Speaker 3: rides in ther minute, while my plane leaves in less
• 47:47
  Speaker 3: than one minute. It gets into taxi and leaves. Then
• 47:49
  Speaker 3: Homer starts the first ride all the bod I feel
• 47:51
  Speaker 3: like I feel so for Homer here because he's like
• 47:53
  Speaker 3: he's taking us so seriously. Oh God, you didn't know
• 47:55
  Speaker 3: this ship was going to go wrong.
• 47:55
  Speaker 4: He's got his naty. Yeah, everybody know. He's very happy.
• 47:58
  Speaker 4: Marge arrives, but too late.
• 48:00
  Speaker 3: I shouldn't have stoped for that.
• 48:02
  Speaker 4: I love that line.
• 48:02
  Speaker 3: Now, great Neme more than explains how the doors worked
• 48:05
  Speaker 3: on Star Trek. You just imagine. I love that Leonard
• 48:09
  Speaker 3: Nemo was willing to take the pisce out of himself
• 48:10
  Speaker 3: yet oh sure, like he's walking like like you just
• 48:12
  Speaker 3: imagine that. Because Star Trek in the early nineties, I
• 48:16
  Speaker 3: suppose they had the new show did in that generation.
• 48:18
  Speaker 4: They did, and they're still making movies at this stage.
• 48:21
  Speaker 4: I mean, what was more prevalent at this point probably
• 48:23
  Speaker 4: Star Trek of a Star Wars. Right, Star Wars had
• 48:26
  Speaker 4: existing ten years since the return ninety three. Am wondering
• 48:31
  Speaker 4: when I don't know if we're in generation started ninety
• 48:34
  Speaker 4: three or only two. I reckon next generation. Yeah, but
• 48:37
  Speaker 4: in terms of movies, because I mean there was Motion
• 48:40
  Speaker 4: picture in eighty then you had Rather Carn in eighty two.
• 48:43
  Speaker 3: This generation was eighty seven, ended in ninety four. Okay,
• 48:46
  Speaker 3: I thought it started in the early nineties. Okay, Star
• 48:48
  Speaker 3: Trek The Voyage Home I think was like eighty six.
• 48:52
  Speaker 3: Star Trek films.
• 48:55
  Speaker 4: Yeah, we probably were probably around like Undiscovered Country era.
• 48:57
  Speaker 4: They're still making Star Trek movies with the car understand
• 49:00
  Speaker 4: the country was ninety one. Okay, then when was they
• 49:04
  Speaker 4: have Generations up there? Because that was the one that
• 49:08
  Speaker 4: had shattn around Patrick.
• 49:09
  Speaker 3: Stewart, Yeah, Generations isn't in that list for some reason.
• 49:13
  Speaker 4: The other thing about Nimoy at this time was he's
• 49:16
  Speaker 4: directing movies. Was he ninety four? Was Generations? It was
• 49:19
  Speaker 4: a year after this episode. Okay, did you know that
• 49:22
  Speaker 4: Lennar Nimoy directed Three Men and a Baby, one of
• 49:25
  Speaker 4: the biggest box office hits of nineteen eighty seven. Who
• 49:29
  Speaker 4: could have seen that coming?
• 49:31
  Speaker 7: No?
• 49:31
  Speaker 3: Really? Ten dancing who gutenbergen and Sella yeah, Seale, Yeah,
• 49:36
  Speaker 3: just three dudes, They're gonna have a little baby.
• 49:40
  Speaker 5: What to do?
• 49:42
  Speaker 3: And then we had Babies Day Out and that didn't
• 49:43
  Speaker 3: go as well. No, but I love that movie as
• 49:45
  Speaker 3: a kid, of course he did. Yeah, what's his name?
• 49:48
  Speaker 3: Fat Tony was his name? Joe gave it everything? Joe Montana,
• 49:51
  Speaker 3: Joey Pan Yeah, and some big guy yeah, and the
• 49:54
  Speaker 3: big guy who was in a recent episode of SPU
• 49:56
  Speaker 3: And I was like.
• 49:57
  Speaker 4: I know this guy from somewhere. It's the dumb guy from.
• 50:02
  Speaker 3: Was it called baby Bink Baby Bink Yeah or baby
• 50:05
  Speaker 3: Booty baby Bink Yeah? Yeah, And it has a it's
• 50:09
  Speaker 3: an early role for the chick from Sex and the City.
• 50:12
  Speaker 4: With the red hair.
• 50:12
  Speaker 3: What's her name, Cynthia Nick. She plays the nanny in
• 50:14
  Speaker 3: that she's got straight blonde hair. Wow, yeah, baby's maybe
• 50:19
  Speaker 3: check it out. If my kids thought it was hilarious,
• 50:23
  Speaker 3: you know why because the kids because so then, yes,
• 50:27
  Speaker 3: the ride's kicking off and lean boy is just being
• 50:30
  Speaker 3: he's seen it that no one wants him around.
• 50:32
  Speaker 4: Like it was a weirdo chase. You're telling his stories
• 50:37
  Speaker 4: from the from the setter started like, yeah, this was
• 50:39
  Speaker 4: initially interesting and you're just getting into the minutia. I'm
• 50:42
  Speaker 4: not interested and no one cares anymore.
• 50:44
  Speaker 3: And then tells bart Sticky's had out the window having
• 50:45
  Speaker 3: a great time, and then we see he almost gets
• 50:48
  Speaker 3: his head taken off. But yeah, we see things are
• 50:50
  Speaker 3: breaking as.
• 50:50
  Speaker 4: It seldom break is that seldom break. It was a
• 50:54
  Speaker 4: good gear because I mean, everything else is breaking, and
• 50:56
  Speaker 4: seldom break is like waiting for to break, waiting for
• 50:58
  Speaker 4: to break, because that'll be the gag, and then a
• 51:00
  Speaker 4: dozen but then.
• 51:01
  Speaker 3: Yeah, then it does and starts going really really fast,
• 51:04
  Speaker 3: and the sticker wears off, and it's revealed here that
• 51:06
  Speaker 3: he's actually just got the monoail from the ninety and
• 51:08
  Speaker 3: sixty four Worlds Fair, and he pulls the brakes. The
• 51:10
  Speaker 3: liver you have pulled breaks is nut in service. Then
• 51:14
  Speaker 3: Sebastian Cobbs says he finds it. How fast is going
• 51:17
  Speaker 3: by home? Is cowardly scream It says they're going one
• 51:19
  Speaker 3: hundred and eighty miles per hour, which is how fast
• 51:21
  Speaker 3: and kilometers in someone in the two hundred in two
• 51:25
  Speaker 3: kilometers they are going chw hundred eight nine kilometers an hour,
• 51:28
  Speaker 3: Holy smokes. Then Wigham's watching, getting kind of dizzy. I
• 51:33
  Speaker 3: canna take a nap. This is where Quimby walks in
• 51:36
  Speaker 3: and let us have like a dick measuring context, don't they?
• 51:38
  Speaker 3: Basically yeah, they go down to town hall to find
• 51:41
  Speaker 3: out or read the town charted, to find out who's
• 51:43
  Speaker 3: actually in charge in this situation.
• 51:44
  Speaker 4: Hey, I'm strus.
• 51:45
  Speaker 3: I'm going to pay every month two comany lasses virtually true.
• 51:49
  Speaker 4: Forget the the peak. How many brides do I get?
• 51:52
  Speaker 3: But just the Wigham two comely lashes.
• 51:58
  Speaker 4: Virtually true. That just slays me.
• 52:02
  Speaker 3: And then we also recently, as I was saying, did
• 52:04
  Speaker 3: Squirt in the Whale where they did an extpo about
• 52:07
  Speaker 3: solar panels and whatnot, and it was really poorly done.
• 52:09
  Speaker 3: This year it's solar powered, so there's a solar eclipse.
• 52:12
  Speaker 3: The cosmic ballet he goes on, so I want to
• 52:13
  Speaker 3: swap seats so it slows down because of solar powder, right.
• 52:16
  Speaker 4: Love solar power. When will people? That's such a good payout?
• 52:20
  Speaker 4: You know, that's great because I mean, when will people learn?
• 52:25
  Speaker 4: Because we're in an era it's kind of like, well,
• 52:27
  Speaker 4: this could help us out, this could be the future.
• 52:29
  Speaker 4: I mean, this is actually a good thing. When will
• 52:32
  Speaker 4: people learn?
• 52:35
  Speaker 3: Now on the plane, Lanley he's on his way to
• 52:38
  Speaker 3: he he's got his cocktail and whatnot. Briefly in North Heaver.
• 52:42
  Speaker 4: Books in cases full of cash.
• 52:44
  Speaker 3: Yeah, and then he's like oh no, oh no, and
• 52:46
  Speaker 3: he gets attacked. Then Crusty wants out, No, the world
• 52:49
  Speaker 3: needs laughter, and Bart says, well, he's like, we're going
• 52:52
  Speaker 3: to We're gonna die, son Yep, this's gonna take a
• 52:55
  Speaker 3: lot of innocent people with us. And then he gets
• 52:57
  Speaker 3: a phone call home or whoever signed is Batman?
• 53:01
  Speaker 4: It's not Batman? Now, I always thought that Home when
• 53:05
  Speaker 4: he said Batman's designs like he was saying it like
• 53:07
  Speaker 4: a like a question. Badman's a scientist. It could be Batman.
• 53:12
  Speaker 4: He's not wrong.
• 53:16
  Speaker 3: He just wants to believe it could be Batman. You know,
• 53:19
  Speaker 3: he's gonna save me in a situation. And he says,
• 53:21
  Speaker 3: you need to find an anchor. He looks at but
• 53:23
  Speaker 3: think harder Home. It takes the last suit from a
• 53:25
  Speaker 3: random cowboy guy and just random Caillough.
• 53:27
  Speaker 4: Isn't that Dash Calhoun? Is it?
• 53:30
  Speaker 3: I thought I thought Dash Calhoun was like a cowboy actor.
• 53:33
  Speaker 3: Oh god, I've just learned something. Oh my god, maybe
• 53:35
  Speaker 3: it is hey Ellen sunder Day.
• 53:38
  Speaker 4: Was it?
• 53:38
  Speaker 3: Was it because he wasn't in his cowboy affort when
• 53:40
  Speaker 3: he arrived.
• 53:40
  Speaker 4: Though, That's why I thought he kind of was.
• 53:43
  Speaker 3: No, he's not, it's not him. It's just a random cowboy.
• 53:46
  Speaker 4: Oh okay.
• 53:47
  Speaker 3: He also look at Dash Calhoun. That's him there, because
• 53:49
  Speaker 3: I was dreaming. No, it's just a Redom cowboy. They
• 53:56
  Speaker 3: needed a lassuit. It was a cowboy.
• 53:58
  Speaker 4: Well, I missed opportunity that made Dash Calhoun like a
• 54:01
  Speaker 4: cowboy act that possibly? Yeah, what was he a cowboy? Afternoon?
• 54:04
  Speaker 4: I don't know. Are you making this shit up?
• 54:06
  Speaker 3: Well, that's the power of imagination. He's a leading actor
• 54:10
  Speaker 3: in Springfield. He attended the opening of Springfield's Claims. He
• 54:13
  Speaker 3: was recently added, where did you get cowboy from? Just
• 54:15
  Speaker 3: the name Dash Calvin? It sounds like a cowboy. It
• 54:17
  Speaker 3: sounds like school.
• 54:19
  Speaker 4: Just just decided he's a cowboy. Okay, that's my head canon.
• 54:23
  Speaker 3: No, you're right, because I'm right according to that's him,
• 54:27
  Speaker 3: that's Rory Calhury Calhoun is a cowboy. You're thinking that's
• 54:30
  Speaker 3: maybe where you get the connection from. Yeah, Rory Calhoun. Yeah, okay,
• 54:33
  Speaker 3: but it wasn't Dash Calhoun though, just random cowboy.
• 54:36
  Speaker 4: Maybe in your mind.
• 54:37
  Speaker 3: I'll get him up for you so you can see
• 54:39
  Speaker 3: it wasn't Rory Calhoun. You probably would get Dash Calhoun up.
• 54:41
  Speaker 3: He's recently out of the closet. We're spending too much
• 54:44
  Speaker 3: time on there. It's far there is.
• 54:48
  Speaker 4: It's not him.
• 54:49
  Speaker 3: It's just a random cowboy. Good outfit though. But he
• 54:51
  Speaker 3: gets the umlassuit. He ties it around the m on side.
• 54:54
  Speaker 3: The mone easy to rip off. Of course, it's mad
• 54:56
  Speaker 3: he tosses it out. It's actually a great idea, pretty
• 54:58
  Speaker 3: quick thinking, my Homer.
• 54:59
  Speaker 4: Here it is. So it's the M for monrow or
• 55:02
  Speaker 4: it's not. It's not the W for World's fear? Is it?
• 55:04
  Speaker 3: Because it's just a sticker? Oh okay, this is an
• 55:06
  Speaker 3: M for the monorail? Yeah?
• 55:07
  Speaker 4: Ok yeah.
• 55:08
  Speaker 3: So it cuts the oldest tree down, which then falls
• 55:10
  Speaker 3: onto the birthplace of the gepidized springfield and blows up,
• 55:13
  Speaker 3: and he separates the Siamese twins.
• 55:14
  Speaker 4: That's good. They high five one another.
• 55:16
  Speaker 3: Goes past the old anchor shop and the hole that anchor.
• 55:18
  Speaker 4: You say, you can join twins? Now we do it.
• 55:20
  Speaker 3: Yes, Sons of the Sorrow, I know something different, but
• 55:24
  Speaker 3: just the various names of things that you have to change,
• 55:27
  Speaker 3: stuck in it gets stuck in the donuts, donuts, anything
• 55:30
  Speaker 3: they can't do it.
• 55:31
  Speaker 4: I'm watching this going.
• 55:32
  Speaker 3: If we're being legitimate here, this would be an absolute
• 55:35
  Speaker 3: classified if this actually happened, because it wouldn't just stop,
• 55:39
  Speaker 3: it would go flying off the track. But you know,
• 55:45
  Speaker 3: for the sake of the story, it stops and Homo
• 55:47
  Speaker 3: saves the day.
• 55:49
  Speaker 2: Donuts. Is there anything they can't do?
• 55:52
  Speaker 3: Down?
• 55:53
  Speaker 7: You're a hero?
• 55:55
  Speaker 2: Yes, son, I'm the best monothingy guy there ever was.
• 56:02
  Speaker 5: Well, my work is done here.
• 56:04
  Speaker 2: Holy man, your work is done.
• 56:06
  Speaker 8: You don't do anything, didn't I Then we get Marge's
• 56:14
  Speaker 8: voice over the town of Springfield doesn't know.
• 56:16
  Speaker 3: We never did this again except for the Popsicle six skyscraper, well,
• 56:20
  Speaker 3: the fifty foot magnifying glass and all the escalator to nowhere,
• 56:23
  Speaker 3: well and over the credits.
• 56:26
  Speaker 4: Just a few more.
• 56:26
  Speaker 3: Yeah, just there's a reason people call this one of
• 56:28
  Speaker 3: the best episodes of all time. It's it's just filled
• 56:30
  Speaker 3: with so much.
• 56:31
  Speaker 4: It's got great joke density as well.
• 56:33
  Speaker 3: Say, there's no emotion there, but it's a great it's
• 56:36
  Speaker 3: a great comedy story.
• 56:37
  Speaker 4: Oh yeah, yeah, I mean it's got it's got good bones,
• 56:40
  Speaker 4: and it's just enlivened by this fantastic central performance by
• 56:44
  Speaker 4: the late great film.
• 56:45
  Speaker 3: And it just feels like it has the energy of
• 56:48
  Speaker 3: Conan O'Brien. You watch Conan, and he's just he's always
• 56:50
  Speaker 3: moving around, manic. Is manic and manic but controlled. Yeah, well,
• 56:53
  Speaker 3: I feel like he's other two episodes, Homer goes to
• 56:56
  Speaker 3: College just have I love Homogosto. That's one of my
• 56:58
  Speaker 3: all time favorite. He doesn't he does this is the
• 57:01
  Speaker 3: manic episode. Then he does like a parody episode which
• 57:04
  Speaker 3: is goes to College, which is a great parody of
• 57:06
  Speaker 3: all those you know, Animal House and whatnot.
• 57:08
  Speaker 4: By the way, the song that Homss sings I gave
• 57:12
  Speaker 4: my love a chicken that handa but I'm pretty sure
• 57:14
  Speaker 4: that's from Animal House. Can we just do it? Yeah,
• 57:16
  Speaker 4: we can do that for sure. It's a scene in
• 57:17
  Speaker 4: Animal House, which I'm presuming you've seen. Yes, the acoustic
• 57:22
  Speaker 4: guitar guy is sitting on the stairs. I gave my
• 57:24
  Speaker 4: love a cherry. Yeah, I don't know.
• 57:26
  Speaker 3: I gave my love a chicken. I had no bonus,
• 57:28
  Speaker 3: I must be The song is called it gave my
• 57:30
  Speaker 3: Love a cherry. That yeah, the riddle song is called
• 57:32
  Speaker 3: and it's from is it an Animal House? They say
• 57:35
  Speaker 3: it's an animal to animal I gave my love a
• 57:37
  Speaker 3: cherry Animal House.
• 57:38
  Speaker 4: Yeah, yeah, grabs the guitar and just smashed against the wall. Sorry,
• 57:48
  Speaker 4: Animal House. It has not aged.
• 57:49
  Speaker 3: Well, that's all where he goes that z it get it.
• 57:57
  Speaker 4: Apparently that was just like Blueshi, just being blushi. Apparently
• 58:00
  Speaker 4: a lot of that stuff was if not improved, then yeah,
• 58:04
  Speaker 4: maybe I just flick the camera on and see what
• 58:05
  Speaker 4: he does. They gave him a lot of latitude to
• 58:08
  Speaker 4: do what he wanted there.
• 58:09
  Speaker 3: Yeah, and then his emotional story was the U Kid
• 58:14
  Speaker 3: on the Block where the Laura Powers moves in next
• 58:16
  Speaker 3: door and Bart's going through the emotions of being a
• 58:18
  Speaker 3: young boy in love with a not a girl who
• 58:21
  Speaker 3: he thinks has a hot sprehen but no, that the
• 58:22
  Speaker 3: age would never work and just yeah, first love that
• 58:25
  Speaker 3: will no, No, my pants are chief, Yeah, coron on,
• 58:31
  Speaker 3: come on, four big a discount. We would and it
• 58:33
  Speaker 3: has the most probably it's definitely top three for me
• 58:36
  Speaker 3: favorite b plots or homicide quests that could have been me.
• 58:40
  Speaker 4: All you can eat, that's of course so good. Actually sorry,
• 58:46
  Speaker 4: I hate to turn this into the Chris Valley. I
• 58:47
  Speaker 4: remember when this happened. That was god. It is probably
• 58:50
  Speaker 4: one of my top five favorite Simpsons lines. Ever is
• 58:56
  Speaker 4: the court case. What happened then, missus Simpson.
• 58:59
  Speaker 3: We weren't driving around looking for another all we could
• 59:01
  Speaker 3: eat fish restaurant and when you're good and fine one
• 59:04
  Speaker 3: we went fishing.
• 59:10
  Speaker 4: If I went to my grave running, we went fishing.
• 59:13
  Speaker 4: Like that's up. We went fishing.
• 59:16
  Speaker 3: We went fishing. Brilliant, love it love it, love it,
• 59:21
  Speaker 3: love this episode, Come back and write some more Simpsons
• 59:23
  Speaker 3: cond and please please do here on full finger Discount.
• 59:25
  Speaker 4: We'd love to have you. We would love to have you.
• 59:27
  Speaker 4: It would be good for your ego because we would
• 59:29
  Speaker 4: basically just say, remember did this? That was great?
• 59:31
  Speaker 3: It was originally going to come on this episode here
• 59:33
  Speaker 3: the reviewed Margress Monroi with us, but he just had
• 59:34
  Speaker 3: no time.
• 59:36
  Speaker 4: So my work here is done. I didn't do anything.
• 59:40
  Speaker 3: Oh guys, thank you so much for your support here
• 59:42
  Speaker 3: at four finger Discount. I hope you liked our revisit
• 59:44
  Speaker 3: here of March versus the Monorail.
• 59:46
  Speaker 4: Don't forget.
• 59:47
  Speaker 3: You can get early and add free access to this
• 59:49
  Speaker 3: show by supporting us on Patreon for as little as
• 59:52
  Speaker 3: just one single dollar WeDo per month. So if you
• 59:54
  Speaker 3: listen to this show and you're getting all these hours
• 59:56
  Speaker 3: of free entertainment chatters.
• 59:58
  Speaker 4: A dollar, appreciate it.
• 1:00:00
  Speaker 3: Even two, maybe even two, maybe even five, maybe even more.
• 1:00:02
  Speaker 3: Who knows you two could be like kdig The more
• 1:00:05
  Speaker 3: you pay, the more you get over one hundred and
• 1:00:06
  Speaker 3: fifty hours of exclusive podcasts available right now on our Patreon.
• 1:00:10
  Speaker 3: Is that is that true? The more you pay, you
• 1:00:11
  Speaker 3: the more you get though. Okay, the higher tier, the
• 1:00:14
  Speaker 3: more content you get access to. Wow, what a system capitalism.
• 1:00:19
  Speaker 3: We love it.
• 1:00:20
  Speaker 4: But yeah, consider And if.
• 1:00:21
  Speaker 3: You want to get in touch with this, it is
• 1:00:23
  Speaker 3: Mailbag at four finger discount dot com dot au. Please
• 1:00:26
  Speaker 3: send through all your questions and messages and we'll read
• 1:00:28
  Speaker 3: those out on the next Mailbag episode. And also you've
• 1:00:31
  Speaker 3: been doing it and we're much appreciated. Send through your
• 1:00:33
  Speaker 3: reviews on Apple podcasts or Spotify rever you do find
• 1:00:37
  Speaker 3: this show, check us five stars and live a few
• 1:00:39
  Speaker 3: kinme words as much appreciated, to the point where I'm
• 1:00:41
  Speaker 3: going to read out a couple right now. Yeah, tell
• 1:00:42
  Speaker 3: us tell everyone how good we are so more people
• 1:00:46
  Speaker 3: can find out how good we are. Let's read our
• 1:00:48
  Speaker 3: two latest reviews, shall we?
• 1:00:50
  Speaker 4: We got two new ones?
• 1:00:51
  Speaker 3: All right, we go six of March. He can't read
• 1:00:54
  Speaker 3: good five stars. I wish I stumbled across this earlier
• 1:00:56
  Speaker 3: so I could request to joining in the discussion and
• 1:00:59
  Speaker 3: or podcasts. This is just it's like my family and
• 1:01:01
  Speaker 3: my friends getting together, quoting the Simpsons, whether appropriate or inappropriate.
• 1:01:05
  Speaker 4: With did you knows?
• 1:01:06
  Speaker 3: Quiz trivia and catch phrases, as well as discussing the
• 1:01:09
  Speaker 3: best episodes, best songs as well as the singing as
• 1:01:11
  Speaker 3: well singing the songs figging out our top five and
• 1:01:13
  Speaker 3: top tens only catches. We all agree the first ten
• 1:01:15
  Speaker 3: seasons were perfect, and we accept eleven and twelve as
• 1:01:18
  Speaker 3: they still had a few of the good writers on
• 1:01:19
  Speaker 3: start at the time. Looking for an amazing Simpsons podcast,
• 1:01:22
  Speaker 3: look no further. You will not be disappointed. And the
• 1:01:24
  Speaker 3: trivia these guys have is second to none. That is
• 1:01:26
  Speaker 3: from Chris Cornell Fan.
• 1:01:29
  Speaker 4: Thank you. Oh I was Cornel fan. Thank you, adding
• 1:01:31
  Speaker 4: fan at the end of ze Yeah, the late singer
• 1:01:33
  Speaker 4: sound giving us drop from beyond the graph. Thanks man.
• 1:01:38
  Speaker 3: This one here is from Scorpion God. Agree with the
• 1:01:40
  Speaker 3: comment before mine. This comment before mine at the time
• 1:01:42
  Speaker 3: of writing is about wishing to have found this earlier,
• 1:01:44
  Speaker 3: and I one hundred percent agree.
• 1:01:47
  Speaker 4: So thank you guys for those reviews. Thank you Chris
• 1:01:49
  Speaker 4: Cornell Fan and Scorpion God.
• 1:01:51
  Speaker 3: Yes we do get all the reviews that you guys
• 1:01:53
  Speaker 3: sent through, so please continue to do so.
• 1:01:54
  Speaker 4: It is much appreciated.
• 1:01:56
  Speaker 3: The next episode of our FORFIGI discap we shall we
• 1:01:58
  Speaker 3: go back to season twenty one, but for now it's Davis.
• 1:02:01
  Speaker 3: Any kind of words for all those incredible lists out there.
• 1:02:03
  Speaker 4: The Cosmic Ballet goes on sh