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I Forgot That You Existed: The Tommy Plot Device on 9-1-1 · The Buddie System: A 9-1-1 Yapathon

0:01
Have
0:01
you
0:01
ever
0:01
watched
0:01
something
0:02
that
0:02
completely
0:03
rewired
0:03
your
0:04
brain
0:04
chemistry?
0:05
A
0:06
procedural
0:06
network
0:06
drama
0:07
might
0:07
not
0:07
be
0:07
your
0:07
usual
0:08
pick,
0:08
but
0:09
it's
0:09
ours.
0:10
This
0:10
is
0:10
the
0:11
Buddy
0:11
System,
0:12
a
0:12
911
0:13
deep
0:13
dive
0:13
podcast
0:14
hosted
0:15
by
0:15
three
0:15
friends
0:16
who
0:16
have
0:16
DMed
0:17
each
0:17
other
0:17
enough
0:18
character
0:18
dissertations
0:19
to
0:19
earn
0:19
a
0:20
PhD
0:20
in
0:20
media
0:21
literacy.
0:22
I'm
0:22
Han,
0:22
coming
0:23
to
0:23
you
0:23
straight
0:23
from
0:23
the
0:24
characters
0:24
heads.
0:25
I'm
0:25
Syl,
0:26
bringing
0:26
you
0:26
to
0:26
the
0:26
observation
0:27
deck.
0:28
And
0:28
I'm
0:28
Rachel,
0:29
connecting
0:29
the
0:29
dots
0:30
with
0:30
my
0:30
red
0:31
string.
0:31
With
0:32
our
0:32
powers
0:33
combined,
0:34
no
0:34
stone
0:34
is.
0:34
Left
0:35
unturned
0:36
and
0:36
no
0:36
buddy
0:37
is
0:38
left
0:38
behind.
0:40
It's
0:40
a
0:41
bird.
0:41
It's
0:41
a
0:42
plane.
0:42
It's
0:43
a
0:43
plot
0:43
device.
0:44
Welcome
0:45
to
0:45
another
0:46
special
0:46
of
0:47
the
0:47
Buddy
0:47
System
0:47
podcast.
0:49
This
0:49
is
0:49
the
0:50
runner
0:50
up
0:50
in
0:51
the
0:51
poll
0:51
that
0:52
we
0:52
put
0:52
out
0:52
when
0:53
the
0:53
hiatus
0:53
started,
0:54
and
0:55
we
0:55
wanted
0:55
to
0:55
see
0:56
what
0:56
y'all
0:56
wanted
0:56
to
0:57
hear.
0:57
Hiatus
0:58
is
0:58
just
0:58
about
0:59
to
0:59
end,
0:59
and
0:59
what
1:00
better
1:00
time
1:00
to
1:00
break
1:01
down
1:01
how
1:02
Tommy
1:02
Kennard
1:03
is
1:03
nothing
1:03
but
1:04
a
1:04
plot
1:04
device.
1:05
Why
1:05
is
1:05
it
1:05
relevant,
1:06
you
1:06
ask?
1:06
He's
1:07
gone.
1:07
Well,
1:08
the
1:08
answer
1:09
is
1:09
simple.
1:09
It
1:09
all
1:10
comes
1:10
back
1:11
to
1:11
a
1:11
buddy.
1:12
What
1:12
is
1:12
a
1:12
plot
1:12
device
1:13
anyway?
1:14
Ew.
1:14
Ew.
1:16
So
1:17
a
1:17
plot
1:18
device
1:18
is
1:19
a
1:19
narrative
1:20
technique
1:21
that
1:21
moves
1:21
the
1:21
plot
1:22
forward.
1:23
It
1:23
creates
1:23
drama
1:24
or
1:25
introduces
1:25
new
1:25
elements,
1:26
and
1:26
that
1:26
is
1:26
its
1:27
only
1:28
goal?
1:29
Yeah.
1:29
Plot
1:29
devices
1:30
can
1:30
be
1:30
characters,
1:31
objects,
1:31
situations,
1:32
or
1:32
changes
1:33
in
1:33
the
1:33
story
1:34
world.
1:34
More
1:35
specifically,
1:36
Tommy
1:36
is
1:37
a
1:37
plot
1:37
device
1:37
character.
1:39
And
1:39
that
1:39
means
1:40
a
1:41
character
1:42
whose
1:42
only
1:42
purpose
1:43
is
1:43
to
1:43
advance
1:44
the
1:44
plot
1:44
of
1:44
a
1:44
story,
1:45
often
1:46
with
1:46
little
1:46
to
1:46
no
1:47
development
1:47
or
1:48
depth
1:48
beyond
1:48
their
1:48
function
1:49
and
1:49
driving
1:49
the
1:50
narrative.
1:50
So
1:51
that
1:51
means
1:51
that
1:52
a
1:53
character
1:54
used
1:54
as
1:54
a
1:54
plot
1:55
device
1:55
will
1:56
have
1:57
limited
1:57
to
1:58
no
1:58
character
1:59
development.
1:59
So
2:00
they
2:00
often
2:01
lack
2:01
complex
2:02
motivations,
2:03
backstories,
2:03
or
2:04
personal
2:04
growth.
2:05
And
2:05
they
2:05
exist
2:06
solely
2:07
to
2:07
trigger
2:08
specific
2:08
plot
2:09
points.
2:10
They
2:10
also
2:10
just
2:11
exist
2:11
for
2:11
the
2:11
plot.
2:12
So
2:13
their
2:13
actions
2:13
are
2:13
primarily
2:14
driven
2:14
by
2:15
the
2:15
need
2:15
to
2:15
move
2:15
the
2:16
story
2:16
forward,
2:17
not
2:17
by
2:17
their
2:17
own
2:18
internal
2:18
desires.
2:19
And
2:19
they're
2:20
easily
2:20
replaceable.
2:21
Another
2:22
character
2:22
could
2:23
often
2:23
fulfill
2:23
the
2:23
same
2:24
function
2:24
in
2:24
the
2:24
plot
2:25
if
2:25
the
2:25
plot
2:25
device
2:26
character
2:26
was
2:26
removed.
2:27
Think
2:28
of
2:28
a
2:28
stock
2:28
character,
2:29
which
2:29
are
2:30
archetypal
2:30
characters
2:31
distinguished
2:31
by
2:32
their
2:32
simplification
2:32
and
2:33
flatness.
2:34
As
2:34
a
2:35
result,
2:35
they
2:35
tend
2:35
to
2:35
be
2:35
easy
2:36
targets
2:36
for
2:36
parody,
2:37
and
2:37
it'd
2:38
be
2:38
criticized
2:38
as
2:39
cliches.
2:39
So
2:40
basically,
2:41
we're
2:42
saying
2:42
that
2:42
Tommy
2:43
is
2:43
a
2:43
MacGuffin,
2:44
and
2:44
a
2:45
MacGuffin
2:45
is.
2:46
Is
2:46
a
2:46
plot
2:47
device
2:47
in
2:48
fiction
2:48
that
2:48
is
2:49
necessary
2:50
to
2:50
the
2:50
part
2:50
of
2:51
the
2:51
story,
2:51
but
2:52
is
2:52
not
2:52
very
2:53
important
2:53
in
2:54
itself.
2:54
It's
2:55
a
2:55
trigger
2:55
that
2:55
gets
2:56
the
2:56
story
2:56
moving
2:56
and
2:57
can
2:57
be
2:57
an
2:57
object,
2:58
event,
2:58
or
2:58
character.
2:59
You'll
2:59
see
3:00
this
3:00
a
3:00
lot
3:00
of
3:00
times
3:01
with
3:02
Indiana
3:02
Jones,
3:02
like
3:03
with
3:03
Raiders
3:04
of
3:04
the
3:04
Lost.
3:04
Ark.
3:04
The
3:04
Ark
3:04
of
3:05
the
3:05
Covenant
3:06
is
3:06
a
3:07
MacGuffin.
3:08
Like
3:08
the
3:08
Crystal
3:08
skull
3:09
in
3:10
the
3:10
Kingdom
3:10
of
3:10
the
3:10
Crystal
3:11
skull.
3:11
That's
3:11
a
3:11
MacGuffin.
3:12
So
3:12
it's
3:13
like,
3:13
it's
3:13
this
3:14
thing
3:14
that
3:14
basically
3:15
incites
3:17
the
3:17
plot.
3:18
The
3:18
object
3:18
itself
3:19
or
3:19
the
3:19
character
3:19
itself
3:20
is
3:20
not,
3:20
like
3:20
the
3:21
most
3:21
important
3:21
part.
3:21
The
3:22
most
3:22
important
3:22
part
3:22
is
3:23
the
3:23
character's.
3:23
Journey
3:24
that
3:25
the
3:25
MacGuffin
3:25
incites.
3:26
Yeah.
3:26
Like,
3:26
does
3:26
that
3:27
make
3:27
sense?
3:27
So
3:27
that's.
3:28
Those
3:28
are
3:28
a
3:28
couple
3:29
examples.
3:30
Like,
3:30
Tommy
3:30
is
3:31
not
3:31
important
3:31
to
3:31
the
3:31
911
3:32
universe
3:32
outside
3:33
of
3:33
the
3:34
specific
3:35
things
3:35
he
3:35
was
3:35
deployed
3:36
as
3:36
a
3:36
plot
3:36
device
3:37
for.
3:37
So
3:38
what
3:38
we're
3:38
going
3:39
to
3:39
specifically
3:39
do
3:40
in
3:40
this
3:40
episode
3:41
is
3:41
different
3:42
than
3:42
what
3:42
we
3:42
normally
3:42
do
3:42
because
3:43
we're
3:43
not
3:43
getting
3:43
into
3:44
character
3:44
analysis.
3:45
We
3:46
are
3:46
not
3:46
really
3:47
going
3:47
to
3:47
talk
3:47
about
3:47
Tommy's
3:47
backstory,
3:48
because
3:48
guess
3:48
what?
3:49
He
3:49
doesn't
3:49
have
3:49
one.
3:50
And
3:52
that's
3:53
exactly
3:53
why
3:53
we're
3:53
here
3:54
today.
3:54
We're
3:55
going
3:55
to
3:55
take
3:55
a
3:56
look
3:56
through
3:57
the
3:57
timeline
3:58
that
3:58
he
3:59
pops
3:59
up
3:59
in
4:00
and
4:00
talk
4:00
about
4:01
why
4:01
he
4:02
was
4:02
there
4:03
each
4:03
time
4:04
in
4:04
that
4:04
instance
4:05
and
4:05
why
4:05
he
4:05
was
4:05
deployed
4:06
as
4:06
a
4:06
plot
4:06
device.
4:07
So
4:08
there
4:08
are
4:08
going
4:08
to
4:09
be
4:09
some
4:09
things
4:09
that
4:10
you're
4:11
going
4:11
to
4:11
be
4:11
like,
4:11
why
4:11
won't
4:11
they
4:12
talk
4:12
more
4:12
about
4:12
that?
4:13
We
4:13
will,
4:14
but
4:14
it
4:14
just
4:15
is
4:15
not
4:15
going
4:15
to
4:16
specifically
4:16
be
4:16
related
4:17
to
4:17
this.
4:17
And
4:17
we're
4:17
trying
4:18
to
4:18
stay
4:18
on
4:18
topic
4:18
because
4:19
there's
4:19
already
4:19
a
4:19
lot
4:20
to
4:21
get
4:21
into
4:21
here
4:22
and
4:23
we
4:23
might
4:24
have
4:24
some
4:24
cool
4:24
episodes
4:25
coming
4:25
up
4:26
in
4:26
a
4:26
couple
4:26
months
4:27
which
4:27
would
4:28
get
4:28
into
4:28
that,
4:29
you
4:30
know,
4:30
more
4:30
of,
4:30
like,
4:31
specific
4:31
queer
4:32
coding
4:32
of
4:32
characters
4:33
or
4:33
like
4:33
the
4:33
love
4:34
triangle
4:34
of
4:34
it
4:34
all,
4:34
or
4:35
the
4:35
buddy
4:35
of
4:35
it
4:35
all.
4:36
We'll
4:36
get
4:36
into
4:37
a
4:37
little
4:37
bit
4:37
of
4:37
that,
4:38
but
4:38
only
4:38
insofar
4:39
as,
4:39
like,
4:40
he
4:40
was
4:40
employed
4:41
to
4:41
do
4:41
this,
4:41
to
4:41
incite
4:42
this.
4:42
We're
4:43
not
4:43
going
4:43
to
4:43
be,
4:43
like,
4:43
diving
4:44
as
4:44
deep
4:45
as
4:45
we
4:45
normally
4:45
would.
4:46
We're
4:46
kind
4:47
of
4:47
going
4:47
to
4:47
be
4:47
diving
4:48
more
4:48
deep
4:48
into,
4:49
like,
4:49
the
4:50
narrative
4:50
structure
4:51
of
4:51
it
4:52
blocking
4:53
and
4:53
the
4:53
narrative
4:53
structure.
4:54
Exactly.
4:55
Less
4:56
so
4:56
character
4:57
stuff.
4:58
So
4:58
without
4:58
further
4:58
ado,
4:59
let's
4:59
do
4:59
this
5:00
one
5:00
last
5:00
time.
5:02
One
5:03
last
5:03
time.
5:06
Oh,
5:07
it
5:07
could
5:07
be.
5:07
I
5:08
was
5:08
thinking
5:08
spider
5:09
verse.
5:09
I
5:09
was
5:09
thinking
5:09
spider
5:10
verse
5:10
too,
5:10
but
5:11
that's
5:11
a
5:11
good
5:11
one
5:11
too.
5:12
But
5:12
that.
5:12
Yeah,
5:13
it
5:13
always
5:14
comes
5:14
back
5:14
to
5:14
Hamilton
5:15
too,
5:15
somehow.
5:15
Yeah,
5:16
it
5:17
does.
5:17
Tommy
5:18
Canard
5:18
is
5:18
balls.
5:21
Don't
5:22
teach
5:22
me
5:22
how
5:22
to
5:22
say
5:23
goodbye
5:23
I
5:23
don't
5:24
need
5:24
to
5:26
buy.
5:27
Instead
5:27
of
5:27
saying
5:27
hello,
5:28
let's
5:28
be
5:29
real,
5:30
let's
5:31
take
5:31
it
5:31
all
5:31
the
5:31
way
5:31
back
5:32
to
5:32
2005
5:33
and
5:34
season
5:34
two
5:34
episode
5:35
12,
5:35
Chimney
5:36
begins.
5:37
I
5:37
know
5:37
it
5:37
feels
5:37
like
5:37
we
5:37
were
5:38
just
5:38
here
5:38
because
5:38
we
5:38
were.
5:39
Because
5:39
we
5:39
were.
5:40
This
5:40
is,
5:40
like,
5:40
the
5:41
freshest
5:41
in
5:41
our
5:41
Memory,
5:42
actually,
5:42
which
5:42
is
5:43
kind
5:43
of
5:43
funny.
5:43
Basically
5:45
he
5:45
fits
5:45
into
5:46
in
5:46
this
5:46
episode
5:47
and
5:47
in
5:47
hen
5:48
begins
5:49
this
5:49
classic
5:50
stock
5:50
character.
5:51
Like
5:51
think
5:51
about
5:52
a
5:52
stock
5:52
character,
5:52
like
5:53
an
5:53
npc.
5:54
Yeah.
5:55
They're
5:55
normally
5:56
going
5:56
to
5:56
fall
5:56
into
5:57
like
5:57
a
5:57
specific,
5:58
like
5:58
stereotypical
5:59
trope.
6:00
So
6:00
the
6:00
one
6:01
that
6:01
he
6:01
falls
6:02
into
6:02
in
6:02
these
6:03
two
6:03
specific
6:03
episodes
6:04
is
6:05
the
6:05
closeted
6:06
bully.
6:07
And
6:07
to
6:07
give
6:07
you
6:08
a
6:08
good
6:08
example
6:08
of
6:09
that,
6:09
to
6:09
compare
6:09
it
6:10
to
6:10
another
6:11
Ryan
6:11
Murphy
6:12
and
6:12
Bradfell
6:12
chick
6:13
show
6:13
Glee
6:14
shocker
6:15
with
6:15
David
6:16
Karofsky.
6:16
And
6:16
he
6:17
bullies
6:17
Kurt
6:18
in
6:18
all
6:19
of
6:19
season
6:19
one,
6:20
like
6:21
verbally
6:21
and
6:22
physically.
6:22
And
6:23
then
6:23
in
6:23
season
6:24
two,
6:24
it's
6:24
revealed
6:24
that
6:24
he
6:25
is
6:25
secretly
6:25
gay.
6:26
The
6:26
difference
6:27
here
6:27
is
6:27
that
6:28
Karofsky
6:28
actually
6:29
goes
6:29
from
6:29
being
6:29
a
6:30
stock
6:30
character,
6:30
actually
6:31
getting
6:31
some
6:31
character
6:32
development
6:32
once
6:33
it's
6:33
revealed
6:34
that
6:34
to
6:34
the
6:34
audience
6:35
that
6:35
he's
6:35
gay.
6:36
That
6:36
happens
6:36
in
6:36
season
6:37
two,
6:37
as
6:38
in.
6:38
He
6:38
gets
6:39
his
6:39
own
6:40
storyline.
6:41
Yes.
6:42
Where
6:42
there
6:43
are
6:43
episodes
6:44
or
6:44
part
6:44
of
6:44
episodes
6:45
that
6:45
are
6:45
actually
6:46
centered
6:46
on
6:47
him
6:48
specifically.
6:48
Not
6:49
necessarily
6:49
like
6:50
in
6:50
relation
6:51
to
6:51
anyone
6:51
else.
6:51
One
6:52
of
6:52
the
6:52
most
6:52
famous
6:52
episodes
6:53
of
6:53
Glee
6:54
centers
6:54
around
6:55
him.
6:56
He
6:56
goes
6:56
through
6:57
a
6:57
whole
6:57
journey
6:57
where
6:58
like,
6:58
even
6:58
though
6:58
he's
6:59
closeted,
6:59
like
7:00
he's.
7:02
Him
7:02
and
7:02
Santana
7:03
like
7:03
team
7:04
up
7:04
to
7:04
be
7:04
each
7:05
other's
7:05
beards
7:05
and
7:06
run
7:06
for
7:06
prom
7:07
king
7:07
and
7:07
queen
7:08
and
7:08
they're
7:09
doing
7:09
anti
7:10
bullying
7:11
stuff
7:11
for
7:11
the
7:12
school,
7:12
like
7:12
PSAs.
7:13
Yeah.
7:14
So
7:14
like
7:14
he
7:14
becomes
7:15
more
7:15
of
7:15
a
7:15
three
7:15
dimensional
7:16
character.
7:16
So
7:17
even
7:17
though
7:17
he's
7:17
still
7:17
closeted,
7:18
he's
7:18
not
7:18
bullying
7:18
people.
7:19
So
7:19
there's
7:19
character
7:19
development
7:20
and
7:21
then
7:21
you
7:21
get
7:21
to
7:21
learn
7:21
a
7:22
little
7:22
bit
7:22
more
7:22
about
7:23
him
7:23
outside
7:24
of
7:24
just
7:24
being
7:25
a
7:25
bully
7:26
and
7:26
oh,
7:26
he's
7:27
closeted
7:27
and
7:27
gay.
7:28
Which
7:28
is
7:28
kind
7:28
of
7:28
all
7:29
we
7:29
know
7:30
about
7:30
Tommy,
7:31
especially
7:32
in
7:32
his
7:32
first
7:32
two
7:32
episodes.
7:33
What
7:34
I
7:34
want
7:35
to
7:35
know
7:35
then
7:35
is
7:36
just
7:37
kind
7:37
of
7:38
taking
7:38
these
7:38
two
7:39
examples
7:40
because
7:41
I
7:41
think
7:41
that
7:42
is
7:42
a
7:42
great
7:42
comparison.
7:44
So
7:44
in
7:44
both
7:45
of
7:45
these
7:45
you
7:45
do
7:45
have
7:46
this
7:47
closeted
7:48
bully
7:48
character
7:49
who
7:49
is
7:50
not
7:51
specifically
7:52
mentioned
7:53
or
7:53
like
7:53
we
7:53
have
7:54
no
7:54
clue.
7:54
If
7:54
we
7:55
were
7:55
watching
7:55
live,
7:56
we
7:56
would
7:56
have
7:57
no
7:57
clue
7:57
that
7:57
that
7:57
character
7:58
is
7:59
gay
8:00
until
8:01
later.
8:01
So
8:01
do
8:02
you
8:02
think
8:02
this
8:02
would
8:02
also
8:03
be
8:03
an
8:03
example
8:03
of
8:04
like
8:04
retconned
8:05
into
8:06
gay
8:07
character
8:08
or.
8:08
Well,
8:10
I
8:11
don't
8:11
think
8:11
so.
8:12
I
8:12
mean
8:12
like
8:13
it
8:13
makes
8:13
sense
8:13
in
8:14
both
8:14
cases,
8:14
but
8:15
it
8:15
is
8:15
very
8:16
much.
8:16
It
8:17
fits
8:17
into
8:18
that,
8:18
like
8:18
stereotypical.
8:19
Oh,
8:19
they
8:20
were
8:20
a
8:20
bully
8:20
because
8:21
they
8:21
were
8:21
closeted.
8:22
And
8:22
by
8:22
retcon,
8:23
I
8:23
mean
8:24
from
8:25
their
8:25
first
8:25
episode,
8:26
it
8:26
may
8:27
not
8:27
have
8:27
been
8:28
in
8:28
like
8:28
the
8:28
writers
8:29
minds,
8:29
but.
8:30
Oh
8:30
yeah,
8:30
it
8:30
was
8:30
not
8:30
intended.
8:31
Oh,
8:32
this
8:32
is
8:32
a
8:32
good
8:33
jumping
8:33
off
8:34
point.
8:34
It
8:34
was
8:34
not
8:35
intended
8:35
later.
8:36
Yeah,
8:36
I
8:36
don't
8:36
think
8:37
I
8:37
know.
8:38
For
8:38
Tommy,
8:38
it
8:38
wasn't
8:39
Because
8:39
Tim
8:40
Eininger
8:40
has
8:40
said
8:40
that.
8:41
Oh,
8:41
absolutely.
8:42
Yeah.
8:42
And
8:43
Lou
8:43
Ferrigno
8:43
Jr.
8:44
Has
8:44
said
8:44
that.
8:44
I
8:45
don't
8:45
actually
8:45
know
8:45
for
8:46
Glee.
8:46
I
8:46
used
8:46
to,
8:47
like.
8:47
Fun
8:47
fact.
8:48
For
8:48
anyone
8:49
who
8:49
doesn't
8:50
know,
8:50
I.
8:51
I
8:51
used
8:51
to
8:51
be
8:51
obsessed
8:52
with
8:52
Glee.
8:52
I
8:52
was
8:52
a
8:53
huge,
8:54
like.
8:54
In
8:54
Glee
8:54
fandom.
8:55
Yeah.
8:55
I
8:55
don't
8:55
want
8:55
to
8:55
say
8:56
Glee.
8:56
It's
8:56
just,
8:56
like,
8:57
it
8:57
triggers
8:57
me.
8:57
But
8:57
anyway,
8:58
I
8:58
was
8:58
really
8:59
just
8:59
there
8:59
for
8:59
Kurt
8:59
and
9:00
Blaine.
9:02
Shocking.
9:03
I
9:03
know.
9:03
And
9:03
Santana.
9:04
I
9:04
love
9:04
Santana
9:04
still.
9:05
Did
9:05
you
9:05
ever
9:05
watch
9:05
Glee?
9:06
Nope.
9:06
Wow.
9:06
Good
9:07
for
9:07
you.
9:13
Listen,
9:14
I'm
9:14
sorry.
9:15
I'll
9:15
ingest
9:15
as
9:16
someone
9:16
who
9:17
has
9:17
also
9:17
watched
9:18
it.
9:18
Yeah.
9:18
He's
9:19
very
9:19
much
9:19
the
9:19
closeted
9:20
bully
9:20
stock
9:21
character
9:21
in
9:21
these
9:22
episodes.
9:23
And
9:23
he's
9:23
really
9:24
just
9:24
like,
9:25
in
9:25
Chimneys,
9:26
we
9:26
see
9:26
him
9:26
being
9:27
a
9:27
racist
9:28
bully.
9:28
Very
9:29
much
9:29
so.
9:30
It's
9:30
this
9:31
thing
9:31
with
9:32
both
9:33
Chimney
9:33
Begins
9:33
and
9:33
Hen
9:34
Begins,
9:34
that
9:34
he
9:34
is,
9:35
like,
9:35
actively
9:36
contributing
9:37
to
9:38
the
9:39
hostile
9:40
environment
9:41
that
9:41
we
9:42
see
9:42
our
9:43
main
9:43
characters,
9:44
which
9:44
are
9:44
Chimney
9:44
and
9:45
Hen,
9:45
having
9:46
to
9:46
deal
9:46
with.
9:47
And
9:47
he's
9:47
just
9:48
kind
9:48
of
9:49
there
9:49
and
9:50
is
9:50
part
9:50
of
9:51
the
9:51
problem,
9:51
but,
9:51
like,
9:52
in
9:52
the
9:52
background,
9:53
you
9:53
know,
9:53
I
9:53
would
9:54
say,
9:54
like,
9:54
generally
9:55
for
9:55
both
9:55
of
9:55
them,
9:56
I
9:56
think
9:56
the
9:56
main
9:56
antagonist
9:57
would
9:58
have
9:58
been,
9:58
like,
9:59
Gerard.
9:59
Right.
10:00
For
10:00
both.
10:01
Yeah.
10:01
And
10:01
then
10:01
Tommy's
10:02
just
10:02
there.
10:03
Yeah,
10:03
Tommy's
10:03
like
10:03
a
10:04
goon.
10:04
Whereas,
10:04
like,
10:04
I
10:05
think
10:05
Karofsky
10:05
was,
10:06
like,
10:06
the
10:06
head
10:07
of
10:07
the
10:07
bullies,
10:07
because
10:08
I
10:08
think
10:08
he
10:08
was,
10:08
like,
10:08
some
10:09
possession.
10:10
That's
10:10
important.
10:10
I
10:10
don't
10:11
know.
10:11
Captain
10:11
or
10:12
something.
10:12
Yeah.
10:13
Oh,
10:13
yeah,
10:13
Captain.
10:14
There
10:14
we
10:14
go.
10:15
Sports.
10:16
So
10:16
sports.
10:16
Captain
10:17
and
10:17
a
10:17
captain.
10:18
Yeah.
10:18
You
10:18
know,
10:19
Gerard's
10:19
also
10:20
kind
10:20
of
10:20
a
10:20
plot
10:20
device.
10:21
We
10:21
won't
10:21
get
10:21
into
10:21
that.
10:22
We're
10:22
not
10:22
here
10:22
to
10:22
talk
10:22
about
10:22
Gerard,
10:23
but
10:23
he
10:23
is
10:24
actively
10:24
contributing
10:25
to
10:25
the
10:25
horribleness.
10:26
The
10:26
good
10:27
thing
10:27
to
10:27
do
10:27
would
10:27
be
10:27
to,
10:28
like,
10:28
say
10:28
something,
10:30
but
10:30
it
10:30
would
10:30
even
10:31
be
10:31
more
10:31
understandable
10:32
if
10:32
he
10:32
just,
10:32
like,
10:32
kind
10:33
of
10:33
was
10:33
trying
10:33
to
10:33
be
10:34
invisible
10:34
and,
10:35
like,
10:35
not
10:35
draw
10:36
attention
10:36
to
10:36
himself.
10:37
It
10:37
would
10:37
be
10:37
more
10:38
understanding.
10:38
But
10:39
no,
10:39
he's
10:39
just
10:39
there
10:40
to
10:40
be
10:41
a
10:41
bully.
10:41
Like,
10:41
that's
10:41
literally
10:42
his
10:42
entire
10:43
journey
10:43
in
10:44
this
10:44
episode.
10:45
And
10:45
we
10:45
only
10:45
see
10:46
him
10:46
showing
10:47
Chim
10:48
respect
10:48
or
10:49
that
10:49
he,
10:49
like,
10:49
has
10:50
any
10:50
value
10:50
after
10:51
Chim
10:51
saves
10:51
his
10:51
life.
10:52
That's
10:52
the
10:52
only
10:52
reason
10:53
that
10:53
he
10:54
becomes
10:54
friendlier.
10:55
I
10:56
wouldn't
10:56
even
10:56
say,
10:56
like,
10:57
the
10:57
most
10:58
friendly.
10:58
And
10:59
they're
10:59
not
10:59
best
10:59
buds,
11:00
as
11:01
we
11:01
see
11:01
with
11:02
Hen
11:03
Begins,
11:04
like.
11:04
So
11:04
when
11:04
you
11:04
think
11:05
there's
11:05
a
11:05
little
11:05
bit
11:05
of
11:06
ground
11:07
to
11:07
be
11:07
made
11:08
in
11:08
Chimney
11:09
Begins
11:09
for
11:09
Tommy,
11:10
like,
11:11
it
11:11
just
11:11
kind
11:11
of
11:12
reverts
11:12
back
11:13
with
11:13
Hen
11:13
Begins.
11:14
It's
11:14
a
11:14
little
11:14
confusing
11:15
because
11:15
technically,
11:16
Hen
11:16
Begins
11:17
the
11:17
episode
11:18
aired
11:18
before
11:19
Chimney
11:20
Begins,
11:20
but
11:20
chronologically
11:21
they're
11:22
flipped.
11:23
Yes.
11:23
So,
11:24
so
11:24
it's.
11:25
That's
11:25
also
11:26
something
11:26
to
11:26
keep
11:26
in
11:26
mind
11:27
too
11:27
because
11:27
like
11:27
any
11:28
ground
11:28
you
11:28
make
11:29
towards
11:29
any
11:30
kind
11:30
of
11:30
character
11:31
development
11:32
is,
11:33
you
11:33
know,
11:33
null
11:34
and
11:34
void
11:34
when
11:35
it
11:35
comes
11:35
to
11:35
hen
11:36
begins.
11:36
Because
11:36
he
11:37
is
11:37
also
11:38
actively
11:39
bullying.
11:40
He's
11:41
being
11:42
very
11:42
sexist
11:43
as
11:43
well.
11:44
There
11:44
were
11:44
even
11:45
some
11:45
homophobic
11:46
comments.
11:47
Yeah.
11:48
So
11:48
I
11:48
mean,
11:48
he's
11:49
still
11:49
being
11:49
racist
11:50
in
11:51
Hemp
11:51
begins,
11:52
but
11:52
now
11:52
he's
11:52
also
11:52
being
11:53
sexist
11:54
and
11:55
homophobic.
11:56
So
11:56
we
11:56
actually
11:57
have
11:57
a
11:57
quote
11:59
from
11:59
an
11:59
interview
12:00
with
12:00
Lou
12:01
Ferrigno
12:01
Jr.
12:02
Okay.
12:02
This
12:03
is
12:03
from
12:03
Nine
12:03
One
12:04
One's
12:04
Lou
12:04
Ferrigno
12:05
Jr
12:05
reflects
12:06
on
12:06
Tommy
12:06
and
12:06
Buck's
12:07
heart
12:07
wrenching
12:08
breakup
12:09
and
12:09
why
12:10
the
12:10
role
12:10
was
12:11
a
12:11
true
12:11
blessing
12:12
by
12:13
Nicole
12:13
Gallucci
12:14
from
12:14
Decider.
12:15
So
12:15
he
12:16
says
12:16
there
12:17
is
12:17
a
12:17
moment
12:17
when
12:18
even
12:18
unbeknownst
12:19
to
12:19
me,
12:20
because
12:20
Tommy
12:21
was
12:21
not
12:21
by
12:21
any
12:21
means
12:22
queer
12:22
or
12:22
whatnot
12:23
in
12:23
my
12:23
mind,
12:24
if
12:24
anything,
12:25
he
12:25
was
12:25
a
12:26
little
12:26
homophobic.
12:27
So
12:27
it
12:27
looks
12:27
like
12:27
Tim
12:28
is
12:28
a
12:28
wizard,
12:28
which
12:29
he
12:29
pretty
12:30
much
12:30
is.
12:31
It
12:31
looks
12:32
like
12:32
he's
12:32
been
12:32
planning
12:33
this
12:33
all
12:33
along
12:34
and
12:34
just
12:34
didn't
12:34
tell
12:34
us.
12:35
But
12:35
it's
12:35
pretty
12:36
cool.
12:36
Especially
12:37
going
12:37
back
12:37
to
12:37
the
12:38
beginning
12:38
of
12:38
the
12:38
series.
12:39
Yeah.
12:40
So
12:40
that
12:40
is
12:41
a
12:41
big
12:42
indicator
12:42
that
12:43
not
12:43
only
12:43
to
12:44
the
12:44
actor
12:44
playing
12:45
him,
12:45
but
12:45
also,
12:46
you
12:46
know,
12:46
the
12:46
creator
12:47
of
12:47
the
12:47
show,
12:47
the
12:48
writers,
12:48
Tim
12:48
Minier,
12:49
they
12:50
didn't
12:51
set
12:51
out
12:51
to
12:51
make
12:51
Tommy
12:52
like
12:52
gay
12:53
specifically.
12:54
So
12:54
only
12:55
in
12:55
retrospect,
12:56
because
12:56
now
12:57
we're
12:57
looking
12:57
at
12:57
it
12:57
like
12:57
from
12:58
a
12:58
whole
12:58
perspective
12:59
sort
12:59
of
12:59
view.
13:00
So
13:00
we
13:01
have
13:01
to
13:01
look
13:01
at
13:02
these
13:02
very
13:02
early
13:03
appearances
13:04
of
13:05
him
13:05
being
13:06
racist
13:06
and
13:07
sexist
13:07
and
13:07
homophobic
13:09
and
13:09
can
13:09
only
13:10
determine
13:10
that
13:11
he
13:11
was
13:11
being
13:12
this
13:12
archetype
13:13
of
13:13
the
13:13
classic
13:14
closeted
13:14
bully.
13:15
Right.
13:15
Instead
13:16
of
13:16
just
13:16
the
13:16
regular
13:17
one.
13:17
Instead
13:17
of
13:17
just
13:18
a
13:18
regular
13:18
bully.
13:19
Neither
13:19
of
13:19
them
13:19
are
13:19
great.
13:21
A
13:21
special,
13:21
even
13:22
worse
13:22
stereotype.
13:23
Yeah.
13:24
Yeah.
13:24
So
13:24
it's
13:25
really
13:26
kind
13:26
of
13:26
smart
13:27
that
13:27
they
13:27
went
13:27
back
13:27
and
13:28
they.
13:28
Yes.
13:28
Retconned
13:29
it
13:29
this
13:29
way
13:30
because
13:30
you
13:31
know,
13:31
you
13:31
do
13:31
have
13:32
some
13:32
of
13:32
these
13:33
little
13:34
sprinkles
13:35
of.
13:35
What
13:36
was
13:36
it
13:36
that
13:37
Tommy
13:37
said
13:37
in
13:37
this
13:37
episode?
13:38
Something
13:38
they
13:38
were
13:39
talking
13:39
about
13:39
Twilight.
13:40
Right.
13:40
Because
13:40
it's
13:40
like
13:41
2008
13:41
or
13:41
something
13:42
when.
13:42
He
13:42
was
13:42
like
13:43
Team
13:43
Jacob
13:43
or
13:43
something.
13:44
Yeah.
13:44
And
13:45
then
13:45
someone,
13:46
I
13:46
think
13:46
it
13:46
was
13:46
Sal
13:47
said
13:47
something
13:47
and
13:47
then
13:48
Chimney
13:48
chimed
13:48
in
13:48
and
13:48
he's
13:49
like,
13:49
he's
13:49
calling
13:49
you
13:49
gay.
13:50
Yes.
13:50
And
13:50
he
13:51
just
13:51
like
13:51
made
13:51
a
13:51
kissy
13:52
face.
13:52
Yeah.
13:53
So
13:53
which
13:53
is
13:54
interesting
13:54
to
13:54
look
13:54
at
13:55
through
13:55
the
13:55
lens
13:55
of
13:56
now
13:56
knowing
13:57
that
13:57
this
13:57
character
13:58
is
13:58
gay,
13:59
but
14:00
it's
14:00
just
14:01
stock
14:01
character.
14:02
Like
14:02
there's
14:02
no
14:03
real
14:03
individuality
14:04
there.
14:05
Nope.
14:06
And
14:06
also
14:07
like
14:07
in
14:07
Chimney
14:08
begins
14:08
Tommy
14:09
only
14:09
Shows
14:10
respect
14:10
to
14:10
Hen
14:11
after
14:12
he.
14:12
After
14:13
she's
14:13
earned
14:13
it.
14:14
Right.
14:14
In
14:14
quotation
14:15
marks.
14:15
And
14:15
not
14:16
even
14:16
necessarily
14:17
that
14:17
he
14:18
thinks
14:18
she's
14:18
earned
14:19
it.
14:19
It's
14:19
when,
14:19
like,
14:20
Gerard
14:20
even
14:21
has
14:21
kind
14:22
of
14:22
been
14:22
like,
14:23
okay,
14:23
you've
14:24
earned
14:24
it.
14:24
I
14:24
guess,
14:25
you
14:25
know.
14:25
Well,
14:26
it's
14:26
right
14:26
before,
14:26
like,
14:27
she
14:27
gets
14:27
called
14:27
into
14:28
the
14:28
office
14:28
and
14:28
they're
14:28
like,
14:29
gerard's
14:29
gone
14:29
and
14:31
she
14:31
thinks
14:31
she's
14:31
gonna
14:32
get
14:32
fired.
14:32
Yeah.
14:32
So
14:33
it's
14:33
like.
14:33
And
14:33
they
14:33
all
14:33
knew
14:34
that
14:34
that's
14:34
what
14:35
she
14:35
was
14:35
getting
14:35
pulled
14:36
into.
14:37
So
14:38
I
14:38
don't
14:38
know.
14:39
I
14:39
saw
14:39
that
14:39
more
14:39
of
14:40
a,
14:40
like,
14:40
him
14:40
falling
14:41
in
14:41
line
14:41
because
14:41
there
14:42
was
14:42
a
14:42
new
14:42
captain
14:42
coming
14:43
in,
14:43
you
14:44
know,
14:44
that
14:44
he
14:45
is
14:45
like,
14:45
oh,
14:46
the
14:46
status
14:47
quo
14:47
of,
14:47
like,
14:47
what
14:48
this
14:48
place
14:48
is
14:48
going
14:48
to
14:48
be
14:48
like,
14:49
is
14:49
going
14:49
to
14:49
change.
14:49
And
14:49
I'm
14:50
falling
14:50
in
14:50
line
14:50
with
14:50
that.
14:51
Yeah.
14:51
And
14:51
not
14:52
to
14:52
get
14:52
like
14:52
too
14:53
character
14:53
analysis
14:54
in
14:55
here,
14:55
but
14:55
like,
14:56
we
14:56
do
14:56
see
14:56
in
14:56
these
14:57
two
14:57
episodes
14:57
that
14:58
this
14:58
is
14:59
a
14:59
character
15:00
who
15:00
goes
15:00
with
15:01
the
15:02
crowd.
15:02
Right.
15:03
And
15:04
the
15:04
status
15:04
quo
15:05
and
15:05
the
15:05
people
15:06
who
15:06
are
15:06
more
15:06
in
15:07
power.
15:07
He's
15:08
a
15:08
lackey.
15:10
Yeah,
15:10
he
15:10
is.
15:11
Lackeys
15:11
do
15:12
not
15:12
really
15:12
get
15:13
development.
15:14
No.
15:14
Because
15:14
that's
15:15
not
15:15
what
15:15
they're
15:15
there
15:15
for.
15:16
They're
15:16
not
15:16
there
15:17
to
15:17
have
15:17
a
15:17
personality
15:18
or
15:18
a
15:18
character
15:18
arc.
15:19
They're
15:19
there
15:19
to
15:20
do
15:21
whatever
15:21
the
15:22
bidding
15:22
of
15:22
the
15:23
person
15:23
that
15:23
they're
15:23
doing
15:23
bidding
15:24
for
15:24
is.
15:25
That's
15:25
it.
15:25
They're
15:26
a
15:26
device.
15:26
Always.
15:27
Lackeys
15:28
are
15:28
always
15:28
a
15:28
device.
15:29
But
15:29
yeah.
15:29
And
15:30
then
15:30
we
15:30
have
15:30
season
15:31
two,
15:31
episode
15:31
16
15:32
with
15:32
Bobby
15:32
Vegans
15:33
again.
15:34
And
15:34
it
15:34
looks
15:35
like
15:35
he's
15:35
on
15:35
good
15:36
terms
15:36
with
15:36
Hun
15:36
and
15:36
Chim
15:37
as
15:37
co
15:37
workers.
15:38
I
15:38
think
15:38
they've
15:39
been
15:39
through
15:39
like
15:40
six
15:41
captains
15:42
before
15:42
Bobby
15:43
shows
15:43
up.
15:44
So,
15:44
like,
15:45
I
15:45
guess
15:45
they're,
15:46
you
15:46
know,
15:46
getting
15:46
along
15:47
as
15:47
co
15:47
workers
15:48
after
15:48
the
15:49
events
15:49
of
15:49
Chimney
15:50
and
15:50
Hem
15:50
begins.
15:51
Yeah.
15:51
They
15:51
kind
15:52
of
15:52
like,
15:52
they
15:52
kind
15:52
of
15:53
have
15:53
to
15:54
because
15:54
of
15:55
the
15:55
revolving
15:55
door
15:56
of
15:56
captains.
15:57
And
15:58
this
15:58
is
15:58
supposed
15:58
to
15:58
take
15:59
place
15:59
between
15:59
like
16:00
2014
16:00
and
16:01
2017
16:01
roughly.
16:02
Right.
16:02
So,
16:03
like,
16:03
there's
16:03
been
16:04
a
16:04
lot
16:04
of
16:05
time
16:05
in
16:06
between,
16:06
like,
16:07
where
16:07
we
16:07
would
16:07
have
16:07
last
16:08
seen
16:08
in
16:08
like
16:08
2008
16:09
with
16:09
hen
16:09
begins.
16:10
And
16:10
it's
16:10
just
16:10
like
16:11
we've
16:11
been
16:11
working.
16:11
Together
16:12
for
16:12
a
16:12
while.
16:12
Yeah.
16:13
But
16:13
it's
16:13
still
16:13
like,
16:14
you
16:15
don't
16:15
really
16:15
see
16:15
a
16:16
lot
16:16
of
16:16
their.
16:18
Really?
16:18
Buddy.
16:19
Buddy.
16:19
Like,
16:19
they've
16:19
become
16:20
good
16:20
friends.
16:21
We
16:21
don't
16:21
see
16:21
them
16:21
acting
16:22
like
16:22
our
16:22
core
16:23
four.
16:24
No
16:24
together
16:25
at
16:25
all.
16:25
It's
16:26
just
16:26
co
16:26
workers.
16:27
And,
16:27
like,
16:28
he's
16:28
just
16:28
there.
16:29
He
16:29
is
16:29
literally
16:30
just
16:30
there.
16:31
He
16:31
is
16:32
there
16:32
for
16:32
like,
16:33
a
16:33
lot
16:33
of
16:33
the
16:34
episode
16:34
when
16:34
they're
16:34
at
16:35
the
16:35
118.
16:35
But,
16:35
like,
16:36
I
16:36
don't
16:36
think
16:36
we
16:37
even
16:37
really
16:37
learn
16:38
anything
16:38
about
16:38
him
16:39
besides
16:40
the.
16:40
Scene
16:40
that
16:40
stands
16:41
out.
16:41
Isn't
16:42
it
16:42
the
16:42
one
16:42
where
16:42
they're
16:42
having
16:43
drinks
16:43
and
16:43
Bobby
16:44
shows
16:44
up?
16:44
Yeah.
16:45
I
16:45
think
16:45
we
16:46
only
16:46
learn
16:46
about
16:46
like,
16:47
because
16:47
everyone's
16:48
just
16:48
showing
16:48
off
16:48
their
16:49
scars.
16:49
Yeah.
16:50
So
16:51
I
16:51
don't
16:51
remember
16:52
how
16:52
he
16:52
got
16:52
it.
16:53
I
16:53
don't
16:53
remember
16:54
either.
16:54
But
16:54
yeah,
16:54
I
16:55
mean,
16:55
that's
16:55
where
16:56
everyone
16:57
seems
16:57
to
16:57
be
16:57
very
16:58
amicable
16:58
and
16:59
like,
17:00
it's
17:00
very
17:00
clear
17:01
that
17:01
he
17:02
was
17:02
just
17:02
like
17:02
a
17:03
stand
17:04
in
17:04
for,
17:05
you
17:05
know,
17:05
Buck
17:06
to
17:06
come
17:06
in
17:06
and,
17:07
you
17:07
know,
17:07
join
17:07
the
17:08
wedding
17:08
team
17:08
after,
17:08
you
17:08
know,
17:09
Tommy
17:09
leaves.
17:10
That's
17:10
very
17:10
much
17:11
what
17:11
it
17:11
gives.
17:12
Because
17:13
as
17:13
soon
17:13
as
17:14
Tommy's
17:14
gone,
17:16
Buck
17:16
shows
17:17
up.
17:17
Yep.
17:18
You
17:18
know,
17:18
as
17:19
a
17:19
literal
17:19
replacement.
17:20
And
17:21
from
17:21
then
17:21
you
17:21
see
17:22
like
17:22
the
17:23
core
17:23
four
17:23
develop.
17:24
Right.
17:25
And
17:25
it
17:26
really
17:26
kind
17:27
of
17:27
like
17:27
from
17:28
the
17:28
get
17:28
go
17:28
with
17:28
that
17:29
just
17:29
shows
17:29
how
17:30
much
17:31
the
17:31
inclusion
17:31
of
17:32
buck
17:32
into
17:33
the
17:33
118
17:34
as
17:34
a
17:34
found
17:35
family
17:35
really
17:36
solidifies.
17:37
And
17:38
I
17:38
mean,
17:38
when
17:38
you
17:39
look
17:39
at
17:39
it
17:39
like
17:40
without
17:41
Buck,
17:41
they
17:41
were
17:41
just
17:42
co
17:42
workers
17:43
with
17:43
Buck.
17:43
Now
17:44
they're
17:44
a
17:44
family.
17:45
So
17:45
what's
17:45
the
17:46
difference
17:46
there?
17:46
And
17:47
it's
17:47
literally
17:48
definitely
17:48
not
17:48
Tommy.
17:50
Yeah.
17:51
So
17:51
in
17:51
that
17:51
episode,
17:52
like
17:53
Tommy
17:54
is
17:54
a
17:54
plot
17:54
device
17:55
to
17:56
bring
17:56
Buck.
17:57
Like
17:57
his
17:57
leaving
17:58
like
17:58
opens
17:59
the
17:59
door.
18:00
It
18:00
creates
18:00
a
18:01
vacuum
18:01
for
18:01
Buck
18:02
to
18:02
come
18:03
in
18:03
and
18:03
fill
18:04
that
18:04
space.
18:05
And
18:05
then
18:05
Tommy's
18:06
just
18:06
gone.
18:07
So
18:07
it's
18:07
like,
18:07
it's
18:08
nice
18:08
that
18:08
they
18:09
had
18:09
him
18:09
and.
18:10
And
18:10
we
18:10
don't
18:10
even
18:10
get
18:11
like
18:11
any
18:11
redemption
18:12
with
18:12
that
18:12
either.
18:12
It's
18:13
just
18:13
like,
18:13
oh,
18:14
they're
18:14
just
18:14
on
18:15
better
18:15
terms
18:15
now.
18:15
But
18:16
there's
18:16
no
18:17
like
18:17
even
18:18
line
18:19
of
18:19
exposition
18:21
for
18:22
explanation
18:23
to
18:24
like,
18:24
yeah,
18:24
they're,
18:25
they're
18:25
on
18:25
good
18:25
terms
18:26
because
18:26
they
18:26
were
18:27
still
18:27
kind
18:27
of
18:27
like.
18:28
And
18:29
here's
18:29
the
18:29
thing
18:29
is
18:29
like,
18:30
if
18:30
you
18:30
want
18:30
to
18:30
say,
18:30
oh,
18:31
well,
18:31
they
18:31
were
18:31
out
18:31
for
18:31
drinks
18:32
after
18:32
work,
18:33
they
18:33
were
18:33
talking
18:34
about
18:34
work.
18:34
So
18:34
it
18:35
was
18:35
co
18:35
workers
18:35
getting
18:36
drinks
18:36
after
18:37
work,
18:37
which
18:37
some
18:38
co
18:38
workers
18:38
do
18:39
to
18:39
complain
18:39
about
18:40
work.
18:40
Like
18:40
they
18:40
were
18:41
not
18:41
talking
18:41
about
18:41
their
18:42
lives.
18:42
No,
18:43
it
18:43
wasn't
18:43
like
18:44
a
18:44
friend
18:44
hang.
18:45
It
18:45
was
18:45
a
18:46
drinks
18:47
after
18:47
work
18:48
and.
18:49
It
18:49
was
18:49
very
18:49
much
18:50
hen
18:51
deploying.
18:52
Hey,
18:52
let's
18:52
go
18:52
get
18:53
drinks.
18:53
So
18:53
she
18:53
could
18:54
invite
18:54
Bobby
18:55
and
18:55
get
18:55
them
18:55
on
18:56
Bobby's
18:56
side
18:57
because
18:57
she
18:57
knew
18:57
stuff
18:57
that
18:58
they
18:58
didn't
18:59
about
18:59
DeLuca.
19:01
Yeah.
19:01
That's
19:02
all
19:02
it
19:02
was.
19:02
Yeah.
19:03
So
19:03
again,
19:04
Tommy
19:04
was
19:04
just
19:04
there
19:05
because
19:05
he's
19:05
part
19:06
of
19:06
the
19:06
pack.
19:07
Right.
19:08
And
19:08
not
19:08
for
19:09
any
19:09
like,
19:10
you
19:10
know,
19:10
they
19:11
really
19:11
wanted
19:11
to
19:11
include
19:12
Tommy
19:12
specifically.
19:13
It
19:13
was,
19:13
it
19:14
was
19:14
just
19:14
like
19:15
a
19:15
general
19:17
outing.
19:17
So
19:18
I
19:18
mean,
19:18
just
19:19
to
19:19
like
19:19
bring
19:19
it
19:19
into
19:20
different
19:20
terms
19:21
because
19:21
like,
19:21
I'm
19:21
sure
19:21
most
19:22
people.
19:23
Well,
19:23
I'm
19:23
assuming,
19:24
but
19:24
I
19:24
assume
19:25
that
19:25
most
19:25
people
19:25
listening
19:26
to
19:26
this
19:26
podcast
19:26
aren't
19:27
in
19:27
the
19:27
first
19:27
responder
19:28
profession.
19:29
So
19:29
I'm
19:29
just
19:29
thinking
19:29
about
19:30
like
19:30
retail
19:31
food
19:31
service,
19:31
that
19:32
kind
19:32
of
19:32
thing.
19:32
Think
19:33
about
19:33
how
19:33
like
19:33
you
19:33
would
19:34
have
19:34
a
19:34
group
19:34
chat
19:35
to
19:35
complain
19:36
about
19:36
work
19:36
with
19:36
people
19:37
who
19:37
like
19:37
you
19:37
wouldn't
19:38
necessarily
19:38
call
19:38
friends
19:39
or
19:39
hang
19:39
out
19:39
with
19:40
outside
19:41
of
19:41
maybe
19:42
grabbing
19:42
a
19:42
drink
19:42
to.
19:43
About
19:43
work.
19:44
Yeah,
19:44
that's
19:45
what
19:45
it
19:45
is.
19:47
All
19:47
it
19:47
was.
19:48
The.
19:49
The
19:49
bonding
19:51
is
19:52
still
19:52
work
19:53
focused.
19:53
Yeah.
19:54
It's
19:54
camaraderie
19:55
at
19:55
works
19:56
building.
19:57
Yeah.
19:57
It's
19:57
not.
19:58
It's
19:58
not.
19:58
Oh,
19:59
we're
19:59
sharing
19:59
companions,
20:00
details
20:00
about
20:00
our.
20:01
Lives
20:01
and
20:01
ourselves
20:02
and
20:02
we're
20:03
friends.
20:03
That's
20:03
not
20:04
what
20:04
that
20:05
was
20:05
at
20:05
all.
20:06
Because
20:06
that
20:06
implies
20:07
someone.
20:07
People
20:08
have
20:08
to
20:08
like
20:09
actually
20:09
communicate
20:10
about
20:10
their
20:10
backstories
20:11
and
20:11
lives.
20:11
And
20:11
Tommy
20:12
didn't
20:12
have
20:12
any.
20:13
Yeah.
20:13
Except
20:14
for
20:14
that
20:14
one
20:14
story.
20:15
Oh,
20:15
he
20:15
does
20:16
say.
20:16
I'm
20:16
remembering
20:17
what
20:17
he
20:17
says
20:17
though.
20:17
And
20:18
he's
20:18
showing.
20:18
He's
20:18
like.
20:18
Yeah,
20:19
like,
20:19
basically
20:19
like
20:20
chicks
20:20
really
20:20
dig
20:20
the
20:20
scars
20:21
or
20:21
something.
20:22
He
20:22
doesn't
20:22
even
20:23
showing
20:23
a
20:23
scar.
20:23
He
20:24
doesn't
20:24
even
20:24
give
20:24
a
20:24
story
20:25
for
20:25
how
20:25
he
20:25
got
20:25
it.
20:26
I
20:26
can't
20:26
remember
20:27
even
20:27
though
20:28
I
20:28
watched
20:28
it
20:28
yesterday
20:30
because
20:30
I
20:31
just
20:31
literally
20:31
was
20:31
like,
20:31
this
20:32
was
20:32
nothing
20:32
sauce.
20:33
I
20:33
was
20:33
like,
20:33
he
20:33
was
20:34
just
20:34
there.
20:35
Yeah.
20:35
Again,
20:36
like
20:36
an
20:36
npc.
20:37
Like
20:37
you
20:37
could
20:38
just
20:38
swap
20:38
out
20:38
any
20:38
other
20:39
character
20:39
and
20:39
I.
20:40
You
20:40
know
20:40
what
20:40
I
20:40
mean?
20:40
You
20:40
could
20:41
have
20:41
put
20:41
DeLuca
20:41
there
20:42
any
20:42
other.
20:43
It
20:43
was
20:43
just
20:43
because
20:44
he
20:44
had
20:44
a
20:44
name.
20:45
It's
20:45
because
20:46
he
20:46
had
20:46
a
20:46
name
20:46
and
20:46
he
20:46
was
20:47
already
20:47
established
20:48
and
20:49
that's
20:49
why
20:50
they
20:50
brought
20:50
him
20:50
in.
20:51
So
20:51
they
20:51
didn't
20:51
have
20:51
to
20:52
introduce
20:53
a
20:53
new
20:53
character.
20:53
Exactly.
20:54
We'll
20:54
see
20:54
that
20:55
pop
20:55
up
20:55
occasionally.
20:56
We'll
20:56
see
20:56
it
20:57
pop
20:57
up
20:57
further
20:58
in.
20:59
Yeah.
20:59
As
20:59
we
20:59
go
21:00
along
21:00
here.
21:00
So
21:01
just
21:01
again,
21:02
in
21:03
the
21:03
next
21:03
one
21:03
we're
21:03
going
21:03
to
21:04
talk
21:04
about
21:04
very
21:05
briefly
21:05
in
21:05
season
21:06
two,
21:06
episode
21:06
14.
21:07
You
21:08
don't
21:08
even
21:08
see
21:08
him.
21:08
Do
21:09
you
21:09
even
21:09
hear
21:09
him?
21:11
There's
21:11
like.
21:11
I
21:11
don't.
21:12
There's
21:12
like
21:12
a
21:13
mumble.
21:13
Mumble
21:13
on
21:13
the
21:14
other
21:14
side
21:14
of
21:14
the
21:14
phone.
21:15
But
21:15
I.
21:15
It's
21:15
a.
21:15
Hey.
21:16
Something.
21:17
Yeah.
21:17
I
21:17
don't
21:17
think
21:18
it's
21:18
lfj.
21:19
I
21:19
think
21:19
it's
21:19
just
21:20
someone
21:20
mumbling.
21:21
Yeah.
21:21
I
21:21
don't
21:21
think
21:22
they
21:22
brought
21:22
him
21:22
in.
21:23
No.
21:23
To
21:24
record
21:24
like
21:24
one
21:24
line.
21:25
No,
21:26
no.
21:26
How
21:27
much
21:27
would
21:27
that.
21:28
How
21:28
much
21:29
would
21:29
that
21:29
be?
21:30
So
21:30
much.
21:30
Because
21:31
it
21:31
would
21:31
be
21:31
a
21:31
speaking
21:31
line.
21:32
So
21:32
they
21:32
would
21:32
have
21:32
to
21:32
pay
21:33
like
21:34
sag
21:34
after.
21:37
Yeah.
21:38
So
21:39
it
21:39
was
21:39
probably
21:40
like
21:40
we
21:40
see
21:40
with
21:40
the
21:41
promos
21:42
where,
21:42
you
21:43
know,
21:43
where
21:44
they
21:44
accidentally.
21:46
Where
21:46
they
21:47
have
21:47
someone
21:47
like
21:48
dubbing
21:48
the,
21:49
like
21:50
cue
21:50
in
21:50
the
21:50
actors
21:51
and
21:51
they
21:52
for
21:52
some
21:52
reason
21:53
keep
21:53
forgetting
21:54
to
21:56
ADR
21:56
it
21:56
with
21:57
the
21:57
actual
21:59
like
21:59
child,
22:00
Mama,
22:02
Jesus
22:02
Christ.
22:05
Which
22:06
was
22:06
fixed
22:06
for
22:06
the
22:06
actual.
22:06
We
22:07
were
22:07
like,
22:07
is
22:07
this
22:07
a
22:08
horror
22:08
movie?
22:11
Anyway,
22:12
so
22:12
yeah,
22:12
he's
22:13
literally
22:13
just
22:14
again
22:14
used
22:14
as
22:14
a
22:14
plot
22:15
device
22:15
because
22:16
dispatch
22:16
is
22:17
down
22:17
in
22:17
chimneys
22:18
watching
22:18
the
22:18
television
22:19
like,
22:19
they
22:19
need
22:20
water.
22:20
How
22:20
do
22:21
I
22:21
get
22:21
them
22:21
water?
22:22
And
22:22
then
22:22
he
22:22
is
22:22
like,
22:23
oh,
22:24
Tommy
22:24
who
22:25
works
22:25
at
22:25
harbor,
22:26
who
22:26
flies
22:27
the
22:27
things
22:28
that
22:28
have
22:28
the
22:28
water
22:29
planes.
22:30
Yes.
22:31
Yeah,
22:32
that's
22:32
it.
22:33
Yeah.
22:34
And
22:34
the
22:34
only,
22:35
the
22:35
only
22:35
reason
22:36
we
22:36
know
22:37
that's
22:37
Tommy,
22:38
besides
22:38
Jimny
22:39
saying
22:39
like,
22:39
hey,
22:40
Tommy,
22:40
Tommy.
22:41
Is
22:41
because
22:42
in
22:43
Bobby
22:43
begins
22:44
again,
22:44
Tommy
22:45
leaves.
22:45
And
22:46
they
22:46
say
22:46
specifically
22:47
for
22:47
like
22:47
on
22:48
the
22:48
cake.
22:48
It's
22:48
like
22:48
the
22:48
217.
22:49
So
22:50
that
22:50
happens
22:50
to
22:50
be
22:51
the
22:51
harbor
22:52
station.
22:53
So
22:53
that
22:53
was
22:54
also.
22:54
It's
22:55
a
22:55
connected
22:55
plot
22:56
device
22:56
there,
22:57
which.
22:57
Is
22:57
smart
22:58
to
22:58
use
22:58
because
22:58
it
22:59
makes
22:59
the
22:59
universe
23:00
feel
23:00
more
23:01
real,
23:01
more
23:01
established
23:02
using
23:03
like
23:03
similar
23:04
characters
23:04
instead
23:05
of
23:05
having
23:05
a
23:05
new
23:05
person
23:06
for
23:06
every
23:06
single
23:07
thing.
23:07
Instead
23:08
of
23:08
Chimney,
23:08
just
23:08
be
23:09
just
23:09
like
23:09
calling
23:10
up
23:10
this
23:10
random
23:10
person
23:11
that
23:11
you
23:11
know,
23:11
you'd
23:12
never
23:12
heard
23:12
him
23:12
talk
23:13
about
23:13
before.
23:13
It's
23:14
like
23:14
the
23:15
audience
23:15
then
23:15
has
23:16
that
23:16
pre
23:16
established
23:18
knowledge,
23:19
awareness,
23:20
connection,
23:21
but
23:21
barely
23:22
to
23:22
a
23:22
character.
23:22
So
23:23
it's
23:23
like,
23:23
oh,
23:23
okay,
23:24
this
23:24
is
23:24
feeling
23:25
like,
23:25
you
23:26
know,
23:26
a
23:26
real
23:28
universe.
23:29
Yeah.
23:29
And
23:30
it
23:30
just
23:30
so
23:30
happens
23:30
that
23:31
that
23:31
is
23:31
the
23:31
character
23:32
that
23:33
flies
23:33
the
23:34
planes.
23:35
And
23:35
that's
23:35
it.
23:36
That's
23:36
all.
23:37
You
23:37
don't
23:37
even
23:38
see
23:38
him
23:38
on
23:38
screen.
23:39
Not
23:40
even
23:40
a
23:40
shot
23:40
of
23:41
an
23:41
actor
23:42
in
23:42
the
23:42
plane.
23:42
It's
23:43
just
23:43
the
23:43
plane
23:44
from
23:45
like
23:45
the
23:45
outside.
23:46
So
23:47
it's
23:47
technically
23:48
not
23:48
even
23:49
an
23:49
appearance.
23:49
It's
23:50
just
23:50
like
23:50
an
23:50
awareness
23:51
that
23:51
that
23:51
is
23:51
who
23:52
that's
23:52
supposed
23:52
to
23:52
be.
23:53
But
23:55
so
23:55
like
23:56
the
23:56
fact
23:56
that
23:56
we
23:56
don't
23:56
even
23:57
see
23:57
him
23:57
at
23:57
all,
23:58
or
23:58
like
23:58
gearing
23:59
up
23:59
to
23:59
be
23:59
like,
24:00
you
24:00
know,
24:00
sometimes
24:01
if
24:02
a
24:02
character
24:02
makes
24:02
a
24:03
call
24:03
like
24:03
that,
24:03
you
24:04
would
24:04
see
24:04
an.
24:05
Establishing
24:05
shot
24:05
of
24:05
them.
24:06
Yeah,
24:07
exactly.
24:07
And
24:07
it
24:07
would
24:08
be
24:08
like
24:08
them
24:08
picking
24:09
up
24:09
the
24:09
phone,
24:09
being
24:09
like,
24:09
oh,
24:10
hey
24:10
Jim,
24:10
haven't
24:10
heard
24:11
from
24:11
you
24:11
in
24:11
a
24:11
while.
24:12
Of
24:12
course.
24:12
And
24:12
then
24:13
like
24:13
gearing
24:13
up
24:13
to
24:13
do
24:14
the
24:14
thing.
24:15
None
24:15
of
24:15
that.
24:16
No,
24:16
I
24:16
mean
24:16
that
24:17
would
24:17
still
24:17
make
24:17
him
24:17
a
24:17
plot
24:17
device,
24:18
but.
24:19
Yeah,
24:19
but
24:19
that
24:19
would
24:20
be
24:20
on
24:20
screen.
24:22
Yeah.
24:23
Then
24:23
five
24:24
peaceful
24:24
years
24:24
went
24:25
by
24:26
where
24:26
no
24:26
one
24:27
again
24:27
remembered
24:28
that
24:28
he
24:28
existed.
24:29
And
24:29
then
24:30
all
24:30
of
24:30
a
24:30
sudden.
24:31
And
24:32
then
24:32
in
24:32
season
24:32
seven,
24:33
episode
24:33
three,
24:34
he
24:34
showed
24:34
up
24:34
again
24:35
as
24:35
a
24:35
plot
24:35
device
24:36
to
24:37
help
24:37
rescue
24:37
Athena
24:38
and
24:38
Bobby
24:39
and
24:39
reintroduce
24:39
him
24:40
into
24:40
the
24:40
narrative
24:41
to
24:41
interact
24:41
with
24:42
Buck
24:42
and
24:42
Eddie,
24:43
which
24:43
was
24:43
jump
24:44
starting
24:44
Buck's
24:44
queer
24:45
journey
24:45
and
24:46
setting
24:47
the
24:47
incident
24:48
for
24:49
the
24:49
jealousy
24:51
regarding
24:51
Eddie.
24:52
Yeah,
24:53
so
24:53
he
24:54
was
24:54
introduced
24:54
again
24:55
as
24:56
the
24:56
same
24:56
Kind
24:56
of
24:57
plot
24:57
device
24:57
that
24:57
we
24:58
just
24:58
saw
24:58
with
24:59
Broken
24:59
where
25:00
he
25:00
was
25:00
there
25:01
because
25:01
he
25:02
does
25:02
the
25:02
plane
25:03
stuff.
25:04
Right.
25:04
And
25:04
they
25:04
needed
25:05
to
25:05
get
25:05
to
25:05
the
25:05
boat
25:06
or
25:06
the
25:06
ship.
25:07
Excuse
25:07
me,
25:07
they
25:08
needed
25:08
to
25:08
get
25:08
to
25:09
the
25:09
ship.
25:10
Plain
25:10
stuff.
25:10
Tm.
25:14
It's
25:14
essentially
25:14
the
25:15
same
25:15
thing.
25:15
They're
25:16
utilizing
25:16
his
25:17
connection
25:18
with
25:19
harbor
25:20
to
25:20
access
25:21
Bobby
25:22
and
25:22
Athena
25:23
stranded
25:23
in
25:24
the
25:24
middle
25:24
of
25:24
the
25:24
ocean
25:24
in
25:24
a
25:25
hurricane.
25:25
Right.
25:25
They
25:26
wouldn't
25:26
be
25:26
able
25:26
to
25:26
get
25:27
to
25:27
them
25:27
otherwise.
25:28
So
25:29
from
25:29
there
25:29
it's
25:29
also.
25:30
He
25:30
is
25:30
a
25:31
plot
25:31
device
25:32
because
25:32
he
25:33
is
25:33
reintroduced
25:34
into
25:34
the
25:34
narrative
25:35
to
25:35
interact
25:36
with
25:36
Buck
25:36
and
25:36
Eddie
25:37
specifically.
25:38
Yeah.
25:39
But
25:40
before
25:40
we
25:41
get
25:41
to
25:41
that,
25:42
he
25:42
is
25:42
only
25:43
there
25:43
because
25:44
the
25:44
actress
25:44
who
25:44
plays
25:45
Lucy,
25:46
Lucy
25:47
was
25:47
supposed
25:47
to
25:47
pilot
25:48
the
25:48
helicopter
25:48
used
25:49
to
25:49
rescue
25:49
Bobby
25:49
and
25:50
Athena
25:50
from
25:50
the
25:50
cruise
25:51
ship
25:51
disaster
25:52
from
25:52
the
25:52
three
25:52
part
25:52
premiere.
25:53
But
25:53
because
25:53
of
25:54
her
25:54
role
25:54
in
25:54
Fox's
25:55
rescue
25:55
High
25:55
Surf,
25:56
she
25:56
was
25:56
unavailable
25:57
for
25:57
the
25:57
scene.
25:58
So
25:58
that
25:59
comes
25:59
from
25:59
an
26:00
article
26:00
from
26:00
the
26:00
Wrap
26:01
with
26:02
an
26:02
interview
26:02
with
26:03
Tim.
26:03
I
26:03
near
26:03
and
26:04
to
26:05
my
26:05
near
26:05
also
26:06
said
26:07
that
26:07
because
26:07
Tommy
26:09
already
26:09
exists
26:10
in
26:10
this
26:10
universe,
26:11
like
26:11
we
26:11
were.
26:11
We
26:12
were
26:12
just
26:12
saying
26:12
that
26:13
allowed
26:13
him
26:13
to
26:13
establish
26:14
it
26:14
was
26:14
supposed
26:15
to
26:15
be
26:15
Lucy.
26:15
But
26:16
because
26:16
she
26:16
wasn't
26:16
available,
26:17
he
26:17
went,
26:17
who
26:18
else
26:18
flies
26:20
helicopters?
26:21
The
26:21
season
26:21
six
26:22
finale,
26:23
it
26:23
had
26:23
Lucy
26:24
come
26:24
back
26:24
because
26:25
she
26:25
was
26:25
doing
26:25
the
26:26
helicopter.
26:26
And
26:27
I
26:28
think
26:28
this
26:28
was
26:28
a
26:28
mistake
26:29
that
26:29
Bobby
26:30
at
26:30
some
26:30
point
26:30
said
26:30
like
26:31
canard,
26:32
but
26:32
I
26:33
don't
26:33
think
26:33
it
26:33
was
26:33
supposed
26:34
to
26:34
be.
26:34
Yeah,
26:35
it
26:35
was
26:35
just
26:35
like
26:36
a
26:36
name.
26:36
Yeah.
26:37
Then
26:37
we
26:37
have
26:37
some
26:37
nice
26:38
little
26:39
quotes
26:40
from.
26:40
Well,
26:41
actually
26:41
one
26:41
quote
26:42
that
26:42
stood
26:42
out
26:42
to
26:43
me
26:43
which
26:43
was
26:43
very
26:44
much
26:44
giving
26:45
plot
26:45
device,
26:46
which
26:46
was
26:47
when
26:47
Tommy
26:48
comes
26:48
up
26:48
when
26:49
Hen
26:49
shows
26:49
up
26:49
at
26:49
harbor
26:50
and
26:50
is
26:50
like,
26:50
I
26:50
need
26:50
to
26:51
an
26:52
emergency
26:52
acquisition
26:53
of
26:53
a
26:54
helicopter
26:54
or
26:55
whatever.
26:55
And
26:56
the
26:56
guy's
26:56
arguing
26:57
with
26:57
her
26:57
like
26:57
the
26:57
Gulf
26:57
of
26:58
Mexico,
26:58
that's
26:58
not
26:59
our
26:59
territory.
27:00
And
27:01
Tommy
27:01
comes
27:01
up
27:02
and
27:02
she's
27:02
like,
27:03
I
27:03
forgot
27:03
you
27:04
were
27:04
stationed
27:04
at
27:04
Harbor.
27:05
She
27:05
hasn't
27:06
talked
27:06
to
27:06
this
27:06
man
27:06
since
27:07
he
27:07
left
27:07
the
27:07
118.
27:08
She
27:09
forgot
27:09
that
27:09
he
27:10
existed.
27:10
Just
27:10
tying
27:11
into
27:11
what
27:11
you
27:11
just
27:12
said,
27:12
like
27:12
it's
27:13
the
27:13
blatant
27:14
trying
27:15
to
27:15
like
27:16
bring
27:17
him
27:17
into
27:17
the
27:18
narrative
27:19
that
27:19
gives
27:19
plot
27:20
device.
27:23
Yeah,
27:23
he
27:24
so
27:24
like
27:25
she's
27:25
like,
27:25
I
27:25
forgot
27:26
you
27:26
were
27:26
here.
27:26
And
27:26
then
27:27
he
27:27
walks
27:27
up
27:27
and
27:27
he's
27:27
like,
27:28
hen
27:28
and
27:28
I
27:28
used
27:29
to
27:29
work
27:29
at
27:29
the
27:29
118
27:29
together
27:30
for
27:30
years
27:31
and
27:31
blah,
27:31
blah,
27:31
blah,
27:31
blah.
27:31
So
27:32
like
27:32
he's
27:32
like
27:32
re
27:32
establishing
27:33
himself,
27:33
trying
27:34
to
27:34
put
27:34
himself
27:34
in
27:34
the
27:34
narrative.
27:35
And
27:35
like
27:36
then
27:36
we
27:36
find
27:36
out
27:36
that
27:37
he
27:37
already
27:38
was
27:38
ripped
27:39
into
27:39
this
27:39
by
27:39
Chimney.
27:40
Chimney
27:40
saved
27:41
this
27:41
guy's
27:41
life.
27:41
So
27:41
he
27:42
owes
27:42
him
27:42
like
27:43
I
27:43
feel
27:43
like
27:43
infinite
27:44
favors.
27:45
Yes.
27:46
I
27:46
don't
27:46
think
27:46
this
27:46
was
27:47
a
27:47
We
27:47
talk
27:47
all
27:47
the
27:47
time
27:48
and
27:48
I
27:48
just
27:48
called
27:48
in
27:48
a
27:48
favor
27:49
from
27:49
a
27:49
friend
27:49
thing.
27:49
No,
27:50
it's
27:50
like,
27:50
only.
27:50
Only
27:51
when
27:51
they
27:51
need
27:51
something.
27:52
Only
27:52
when
27:53
they
27:53
need
27:53
something,
27:54
you
27:54
know?
27:54
And
27:54
in
27:55
the
27:55
next
27:55
episode,
27:56
Tommy
27:56
says
27:57
himself
27:57
that
27:58
he's
27:58
jealous
27:58
of
27:59
how
28:00
they
28:00
seem
28:00
to
28:01
operate
28:01
like
28:02
a
28:02
family
28:03
and
28:03
how
28:03
the
28:03
118
28:04
is
28:04
so
28:04
different
28:05
from
28:05
when
28:05
he
28:05
worked
28:05
there.
28:06
So
28:06
he
28:06
is,
28:06
like,
28:07
trying
28:07
to
28:08
put
28:08
himself
28:08
in
28:09
the
28:09
narrative,
28:09
but
28:09
he
28:09
doesn't
28:09
belong
28:10
there
28:10
because
28:10
he's
28:10
a
28:10
plot
28:10
device.
28:11
It's
28:11
literally
28:12
all
28:12
done
28:12
so
28:12
purposefully.
28:13
Definitely.
28:14
So
28:14
we
28:15
get
28:15
some
28:15
foreshadowing
28:16
at
28:16
the
28:16
end
28:16
of
28:16
703
28:17
4.
28:18
704
28:18
and
28:18
onward
28:19
with
28:19
this
28:20
love
28:20
triangle
28:21
where
28:22
Bobby
28:22
and
28:23
Athena
28:23
are
28:23
reuniting
28:24
and
28:25
watching
28:26
them
28:26
is
28:26
Eddie
28:27
and
28:27
Tommy
28:28
and
28:28
Buck.
28:28
Eddie's
28:29
on
28:29
the
28:29
left,
28:29
Tommy's
28:30
in
28:30
the
28:30
middle,
28:31
and
28:31
Buck
28:31
is
28:31
on
28:31
the
28:31
right.
28:32
Tommy's
28:32
in
28:32
the
28:33
middle
28:33
of
28:33
Buck
28:33
and
28:33
Eddie.
28:34
Right.
28:35
Then
28:35
Eddie
28:36
walks
28:36
away,
28:37
and
28:37
Tommy
28:37
moves
28:38
to
28:38
walk
28:38
after
28:38
him,
28:39
but
28:39
Buck
28:39
stops
28:40
him
28:40
with
28:40
a
28:40
hand
28:40
on
28:40
his
28:41
shoulder.
28:42
And
28:42
then
28:42
Buck
28:43
walks
28:43
away.
28:43
And
28:43
then
28:44
you
28:44
see
28:44
him
28:45
walking
28:45
next
28:45
to
28:45
Eddie.
28:46
So
28:46
I
28:46
just
28:47
feel
28:47
like
28:47
this
28:47
just
28:48
foreshadows
28:49
the
28:49
entire
28:49
thing,
28:51
which
28:51
is
28:52
just
28:52
that
28:52
the
28:53
three
28:53
of
28:53
them
28:53
meet
28:54
and
28:54
then
28:54
Tommy
28:55
tries
28:55
to
28:56
go
28:56
after
28:56
Eddie,
28:57
but
28:58
then
28:58
Buck
28:59
steps
28:59
in
29:00
and
29:01
is
29:01
like,
29:01
no,
29:02
wait.
29:03
It
29:03
acts
29:04
as
29:04
an
29:05
establishing,
29:06
like,
29:06
visual
29:07
device.
29:08
Mm.
29:08
For
29:09
how
29:10
their
29:11
interactions
29:12
are
29:13
kind
29:13
of
29:13
gonna
29:14
go
29:14
moving
29:14
forward.
29:15
Right.
29:15
It
29:16
sets
29:16
it
29:16
up
29:16
visually
29:17
that
29:18
Tommy
29:18
is
29:19
kind
29:19
of
29:19
trying
29:20
to
29:21
put
29:21
himself
29:22
into
29:22
the
29:22
narrative
29:23
and
29:23
specifically
29:24
into
29:24
the
29:24
narrative
29:25
regarding
29:26
Buck
29:26
and
29:26
Eddie
29:27
on
29:28
a
29:28
more
29:28
personal
29:29
basis
29:30
and
29:31
just
29:31
kind
29:31
of
29:32
like
29:32
wedging
29:32
himself
29:33
in.
29:33
Because
29:34
we
29:34
see
29:35
that,
29:35
and
29:35
I
29:35
think
29:36
we
29:36
have
29:36
some
29:37
notes,
29:37
like,
29:37
further
29:37
down
29:38
with
29:38
similar
29:39
blocking
29:39
where
29:39
it's
29:39
that
29:40
triangular
29:41
pattern.
29:41
Again,
29:42
you've
29:42
seen
29:42
it,
29:42
you've
29:43
watched
29:43
it,
29:43
but
29:44
you're
29:44
going
29:44
to
29:44
keep
29:44
hearing
29:44
us
29:45
bring
29:46
that
29:46
blocking
29:47
because
29:47
it's
29:47
very
29:47
intentional.
29:48
Blocking
29:48
is
29:49
really
29:49
intentional.
29:50
It
29:50
literally.
29:51
They
29:51
have
29:51
to,
29:51
like.
29:52
The
29:52
director
29:52
picks
29:53
it
29:53
out
29:53
and
29:53
then
29:53
they
29:53
put
29:54
tape
29:54
down
29:54
and
29:54
the
29:55
actors
29:55
have
29:55
to,
29:55
like,
29:55
stand
29:56
in
29:56
a
29:56
specific
29:57
place.
29:57
It's
29:57
all.
29:58
I
29:58
mean,
29:58
every
29:58
part
29:59
of
29:59
television
29:59
is
29:59
really
29:59
intentional.
30:00
But
30:01
blocking
30:01
is
30:02
normally
30:02
something
30:02
that's
30:03
used
30:03
as
30:04
a
30:04
narrative
30:04
device.
30:05
Kind
30:05
of
30:05
moving
30:06
from
30:06
that.
30:07
Moving
30:07
from
30:07
him
30:08
being
30:08
a
30:08
plot
30:08
device
30:09
of
30:10
being
30:10
the
30:10
pilot.
30:11
Right.
30:12
It
30:13
transitions
30:13
him
30:14
into
30:15
being
30:15
the
30:15
plot
30:15
device
30:16
for
30:17
Buck
30:17
to
30:17
realize
30:18
that
30:18
he's
30:19
bisexual.
30:19
And
30:20
Buck's
30:20
queer
30:20
journey
30:21
and
30:22
the,
30:22
like,
30:23
inciting
30:23
incident
30:24
for
30:25
Buck's
30:25
jealousy
30:26
regarding
30:27
Eddie
30:28
and
30:28
misplacing
30:28
his
30:29
feelings
30:29
with
30:30
Tommy
30:31
kind
30:31
of
30:31
inserting
30:32
himself
30:32
into
30:33
Eddie's
30:34
friendship.
30:35
We'll
30:35
say
30:36
whatever
30:36
they
30:36
got
30:37
going
30:37
on,
30:37
he's
30:38
inserting
30:39
it.
30:41
We
30:41
don't
30:41
have
30:41
time
30:42
to
30:42
unpack
30:42
all
30:42
that.
30:43
There's
30:43
friendship
30:43
and
30:44
then
30:44
there's
30:44
whatever
30:44
those
30:45
two
30:45
have
30:45
going
30:46
on.
30:46
So
30:47
is
30:48
it
30:48
safe
30:48
to
30:48
say
30:49
us
30:49
seeing
30:49
Tommy
30:49
for
30:50
the
30:50
rest
30:50
of
30:50
his
30:50
appearance
30:51
on
30:51
the
30:51
show
30:52
from
30:52
704
30:53
onwards
30:53
to
30:54
808
30:55
is
30:55
specifically
30:56
Tommy
30:56
being
30:57
there
30:58
as
30:58
his
30:59
role
30:59
as
31:00
a
31:00
plot
31:00
device
31:01
for
31:01
Buck's
31:02
queer
31:02
journey
31:02
and
31:03
to
31:03
realize
31:03
that
31:04
he's
31:04
bi.
31:05
And
31:06
specifically
31:07
in
31:07
704,
31:07
it's
31:08
a
31:09
redirect
31:09
of
31:10
Buck's
31:10
jealousy
31:11
of,
31:11
like,
31:12
Eddie
31:12
and
31:12
Tommy
31:13
and
31:13
Buck
31:14
misplacing
31:14
his
31:14
feelings.
31:15
He's
31:15
kind
31:15
of
31:15
almost
31:16
like
31:16
a
31:16
foil.
31:17
That's
31:17
exactly
31:18
what
31:18
it
31:18
is
31:18
for
31:19
Eddie.
31:20
Yeah.
31:20
Yeah.
31:21
And
31:21
that's
31:21
how
31:21
he's
31:21
misdirecting
31:22
feelings.
31:24
So
31:25
in
31:26
an
31:26
interview
31:26
with
31:26
Tim
31:27
Mynier
31:27
where
31:28
he's
31:28
talking
31:28
about
31:29
704
31:30
and
31:31
Buck's
31:32
big
31:32
romantic
31:32
moment,
31:33
which
31:33
has
31:34
been
31:34
in
31:34
the
31:34
works
31:34
for
31:34
a
31:34
long
31:35
time,
31:35
as
31:35
the
31:35
article
31:36
states.
31:36
It's
31:36
from
31:37
the
31:37
Wrap.
31:37
So
31:38
my
31:38
near
31:38
says
31:39
that
31:39
he
31:39
thought
31:40
Buck
31:40
and
31:40
Tommy
31:41
would
31:41
have
31:41
good
31:41
chemistry.
31:42
And
31:42
because
31:43
Tommy
31:44
already
31:44
exists
31:45
in
31:45
the
31:45
universe
31:46
which
31:46
we
31:46
had
31:47
just
31:47
mentioned,
31:48
that
31:48
allowed
31:50
them
31:50
to
31:50
establish
31:51
a
31:51
new
31:51
love
31:51
interest
31:52
for
31:52
Buck
31:53
without
31:53
having
31:53
to
31:54
invent
31:54
and
31:55
introduce
31:55
an
31:56
entirely
31:56
new
31:57
character,
31:57
which
31:58
is
31:58
what
31:58
they
31:59
oftentimes
31:59
do
32:00
for
32:00
love
32:00
interests.
32:01
Right.
32:01
Tim
32:02
went
32:02
on
32:02
and
32:03
said,
32:03
tommy
32:04
is
32:04
currently
32:04
an
32:05
important
32:05
romantic
32:06
partner
32:06
for
32:06
Buck
32:07
largely
32:07
because
32:08
it's
32:08
sort
32:08
of
32:08
the
32:09
entry
32:09
level
32:09
relationship.
32:11
Nobody's
32:11
making
32:11
wedding
32:12
plans.
32:13
And
32:13
that
32:13
should
32:13
have
32:14
been
32:14
the
32:14
hint.
32:15
Here's
32:16
your
32:16
sign.
32:17
Yeah,
32:17
this
32:17
is
32:17
a
32:18
plot
32:18
device.
32:18
This
32:19
is.
32:20
He's
32:20
literally
32:20
just
32:21
saying
32:21
it
32:21
like
32:22
he's
32:22
here
32:23
to
32:24
establish
32:24
this
32:25
new
32:25
thing.
32:26
Everything
32:27
that
32:27
Tim
32:27
just
32:27
said
32:28
about
32:28
Tommy
32:29
is
32:30
in
32:30
relation
32:31
to
32:31
what
32:32
it
32:32
can
32:32
do
32:33
for
32:33
Buck.
32:34
That
32:35
indicates
32:35
that
32:35
Tommy.
32:36
About
32:36
Tommy.
32:37
Yeah,
32:37
that
32:37
indicates
32:38
that
32:38
Tommy
32:38
is
32:39
not
32:39
like
32:39
a
32:39
fully
32:40
fleshed
32:41
out
32:41
character
32:42
of
32:42
his
32:42
own.
32:43
He
32:43
is
32:43
only
32:44
there
32:44
for
32:45
Buck's
32:46
character.
32:47
Development
32:47
and
32:48
not
32:48
indicating
32:48
that
32:48
he
32:49
plans
32:49
on
32:49
fleshing
32:50
him
32:50
out
32:50
any
32:50
further
32:51
than
32:51
he
32:51
already
32:52
isn't.
32:53
And
32:53
he
32:53
says
32:54
it's.
32:54
It's
32:54
an
32:54
important
32:55
romantic
32:55
partner
32:56
for
32:56
Buck,
32:57
not
32:57
an
32:57
important
32:57
character.
32:58
An
32:59
important
32:59
partner
32:59
for
33:00
Buck
33:00
because
33:01
it's
33:01
an
33:01
entry
33:02
level
33:02
relationship.
33:03
So
33:03
that
33:03
implies
33:04
that
33:04
Tim
33:05
already
33:05
knew.
33:06
Tim
33:06
already
33:06
knew
33:06
it
33:06
was
33:06
going
33:07
to
33:07
be
33:07
his
33:07
first,
33:07
not
33:07
his
33:07
last.
33:08
Yeah,
33:08
like
33:09
a
33:09
good
33:09
time,
33:10
not
33:10
a
33:10
long
33:10
time.
33:11
Right.
33:11
Which
33:11
is
33:11
what
33:11
you
33:12
kept
33:12
saying.
33:12
And
33:13
nobody's
33:13
making
33:14
wedding
33:14
plans.
33:14
So,
33:15
like,
33:15
like,
33:15
I
33:16
know
33:16
Tim
33:16
also
33:17
says
33:17
things
33:18
change
33:18
all
33:18
the
33:18
time
33:19
and
33:19
they're
33:19
always
33:20
like.
33:20
Right.
33:21
Like
33:21
currently
33:21
writing
33:22
and.
33:22
And
33:22
like
33:22
redrafting
33:23
things
33:24
to
33:24
say
33:24
like
33:24
nobody's
33:25
making
33:25
wedding
33:25
plans
33:26
means
33:26
that
33:26
they
33:27
did
33:27
not
33:27
have
33:28
Solid
33:29
anticipation
33:30
of
33:31
Tommy
33:32
being
33:32
end
33:32
game
33:33
for
33:33
Buck.
33:33
You
33:34
know,
33:34
like,
33:35
no
33:36
entry
33:36
level
33:36
relationship,
33:37
not
33:38
end
33:38
game
33:38
level
33:39
relationship.
33:41
That's
33:41
an
33:41
important,
33:42
I
33:42
think,
33:42
piece
33:43
of.
33:44
Piece
33:44
of
33:44
context.
33:45
Yeah.
33:46
To
33:46
keep
33:46
in
33:46
mind
33:47
that,
33:47
like,
33:48
as
33:48
we're
33:48
looking
33:49
at
33:49
it
33:49
from
33:49
a
33:49
narrative
33:50
perspective
33:50
and
33:51
like,
33:51
how
33:51
the
33:51
writers
33:52
were
33:52
dealing
33:53
with
33:53
Tommy
33:54
as
33:54
a
33:54
character,
33:56
which
33:56
was
33:56
to
33:56
say,
33:57
like,
33:57
not
33:57
much
33:57
at
33:58
all
33:58
that
33:58
they
33:59
had
33:59
in
33:59
mind
33:59
that
34:00
he
34:00
wasn't
34:00
going
34:00
to
34:00
be
34:00
here
34:01
for
34:01
a
34:02
long
34:02
time.
34:02
No,
34:03
he's
34:03
here
34:03
to
34:03
affect
34:04
Buck
34:04
and
34:04
Eddie.
34:05
That's
34:05
it.
34:06
That's
34:06
that.
34:06
That's
34:07
it.
34:07
So
34:08
Speaking
34:08
of.
34:08
In
34:09
704,
34:10
Buck
34:10
bothered
34:11
bewildered,
34:11
one
34:12
of
34:12
the
34:12
best
34:12
episodes
34:13
of
34:13
911,
34:14
I
34:14
do
34:14
say
34:14
so
34:14
myself.
34:15
It
34:15
is
34:16
perfection.
34:16
It
34:17
is.
34:18
I
34:18
love
34:18
seeing
34:19
Buck
34:19
spiral
34:19
out
34:20
and
34:20
this
34:20
was
34:20
just
34:21
Chef's
34:22
kiss.
34:23
Anytime
34:23
we
34:23
get
34:23
to
34:24
see
34:24
an
34:24
episode
34:24
from
34:24
his
34:24
point
34:25
of
34:25
view,
34:25
and
34:25
they.
34:26
Do
34:26
that
34:26
a
34:26
bit,
34:26
it's
34:27
so
34:27
fun.
34:27
They
34:27
do,
34:28
yeah.
34:28
Because
34:28
it's.
34:28
He
34:29
is
34:29
like
34:29
the
34:30
world's
34:31
most
34:31
unreliable
34:32
narrator.
34:33
It
34:34
also,
34:34
like,
34:34
adds
34:34
an
34:35
extra
34:35
layer.
34:35
So,
34:36
like,
34:36
as
34:37
like
34:37
we're
34:37
interpreting
34:38
that
34:39
episode,
34:40
we
34:40
also
34:40
have
34:41
to
34:41
think,
34:42
like,
34:42
keep
34:42
reminding.
34:43
Interpreting
34:43
it
34:44
from
34:44
Buck's
34:44
interpretation
34:45
point
34:45
of
34:45
view.
34:46
So,
34:46
like,
34:46
everything
34:47
is
34:47
funneled
34:48
through
34:48
his
34:48
perspective,
34:50
which
34:50
makes
34:50
things
34:51
that
34:51
kind
34:52
of
34:52
much
34:52
more
34:52
interesting
34:53
because
34:54
it's
34:54
not
34:54
as
34:55
straightforward
34:57
as
34:58
some
34:58
other
34:58
episodes
34:59
may
34:59
be
35:00
because
35:00
of
35:00
the
35:01
unreliable
35:01
narrator
35:02
thing,
35:02
which
35:03
is
35:03
just
35:03
fun.
35:04
The
35:04
first
35:04
scene
35:05
we
35:05
see
35:05
of
35:06
Buck
35:06
and
35:06
Tommy
35:06
together
35:07
in
35:08
this
35:08
episode
35:08
is
35:09
at
35:09
Harbor
35:09
Station.
35:10
We're
35:10
just
35:10
gonna
35:11
go
35:11
through
35:11
some
35:11
quotes,
35:12
some
35:12
dialogue
35:13
here
35:13
that's
35:14
just,
35:14
you
35:15
know,
35:15
dialogue
35:16
is
35:16
the
35:17
most
35:17
intentional
35:18
thing
35:18
I
35:18
think
35:18
you
35:19
can
35:19
do
35:19
when
35:20
you're
35:20
doing
35:21
a
35:21
television
35:21
show.
35:22
Tommy
35:23
says
35:23
to
35:23
him,
35:24
come
35:24
on,
35:25
you
35:25
didn't
35:25
call
35:25
me
35:25
because
35:26
you
35:26
wanted
35:26
to
35:26
see
35:26
the
35:26
toys,
35:27
the
35:27
helicopters.
35:28
You're
35:28
thinking
35:29
of
35:29
changing
35:29
things
35:29
up,
35:30
aren't
35:30
you?
35:31
That
35:32
this
35:32
whole
35:32
conversation
35:33
is
35:34
very.
35:35
The
35:35
double.
35:36
Everything
35:36
is
35:36
the
35:36
double
35:36
entendre
35:37
in
35:37
this
35:37
entire
35:38
conversation.
35:39
He
35:40
can't
35:40
even
35:40
just,
35:40
like,
35:41
talk
35:41
to
35:42
he.
35:43
Buck
35:43
thinks
35:43
that
35:43
he
35:43
went
35:44
there
35:44
because
35:44
he
35:45
wanted
35:45
to
35:45
be
35:45
friends
35:45
with
35:45
Tommy,
35:46
but
35:46
he
35:46
can't
35:47
even,
35:47
like,
35:48
get
35:48
to
35:48
know
35:48
Tommy
35:49
without
35:49
bringing
35:50
up
35:50
Eddie.
35:51
He's
35:51
so
35:51
much
35:51
like
35:52
Tim
35:52
Minier
35:52
in
35:52
that
35:53
way.
35:54
He
35:54
can't
35:54
not
35:55
make
35:55
things
35:55
about
35:56
Eddie.
35:57
But
35:57
he
35:57
finds
35:58
out
35:58
that
35:58
Tommy
35:59
was
35:59
a
35:59
pilot
35:59
in
35:59
the
35:59
army,
36:00
and
36:00
he's
36:00
like,
36:01
no
36:01
way.
36:02
Eddie
36:02
was
36:02
in
36:03
the
36:03
army.
36:04
No,
36:04
but
36:04
for
36:04
that.
36:05
Also
36:05
with
36:06
Buck
36:06
immediately
36:07
bringing
36:08
Eddie
36:08
into
36:09
the
36:09
conversation
36:10
that,
36:11
like
36:11
you
36:11
said
36:12
earlier,
36:12
that
36:12
does
36:13
indicate
36:14
that
36:14
Tommy
36:15
is
36:15
a
36:15
foil
36:15
for
36:16
Eddie.
36:16
Right.
36:17
Because
36:18
they're
36:18
putting
36:18
up.
36:19
Okay.
36:19
These
36:20
characters
36:20
have
36:20
these
36:21
similarities,
36:22
and
36:23
it's
36:23
basically
36:24
like
36:25
A
36:25
stand
36:26
in
36:26
for
36:26
Eddie.
36:27
The
36:27
most
36:28
surface
36:28
level
36:28
stand
36:29
in
36:29
you
36:29
could
36:30
imagine.
36:30
Yeah.
36:31
Because
36:31
they're
36:31
continually
36:32
bringing
36:32
up
36:33
like,
36:33
oh,
36:33
no
36:34
way,
36:34
Eddie
36:34
was
36:34
in
36:35
the
36:35
army.
36:35
Oh,
36:35
no
36:35
way.
36:36
Eddie
36:36
likes
36:36
Muay
36:37
Thai.
36:37
Like,
36:38
all
36:39
of
36:39
that
36:39
stuff
36:39
is
36:40
just
36:40
to
36:40
show
36:40
how
36:41
similar
36:41
Tommy
36:42
is
36:42
to
36:43
Eddie.
36:44
Which
36:44
still
36:44
means,
36:45
like,
36:45
even
36:46
though
36:46
you're
36:46
getting
36:46
what
36:47
you
36:47
think
36:47
are
36:47
these
36:47
little,
36:48
like,
36:48
snippets
36:49
and
36:49
little
36:50
bite
36:50
sized
36:50
pieces
36:51
of
36:51
Tommy's
36:52
character,
36:53
to
36:53
align
36:53
that
36:54
with
36:54
Eddie
36:55
is
36:55
basically
36:56
not
36:56
giving
36:56
Tommy
36:57
his
36:57
own
36:57
character.
36:57
Right.
36:58
It's
36:58
just
36:58
similarities
36:59
to
36:59
Eddie.
37:00
Why
37:01
is
37:01
it
37:01
that
37:01
it
37:01
took
37:02
us
37:02
seven
37:03
seasons
37:04
to.
37:04
Or,
37:05
sorry,
37:05
five.
37:05
Because
37:06
I
37:06
guess
37:06
he
37:06
didn't
37:06
show
37:06
up
37:06
till
37:07
two.
37:07
Why
37:07
did
37:07
it
37:08
take
37:08
us
37:08
five
37:09
seasons
37:09
to
37:09
get
37:10
any
37:10
kind
37:10
of
37:10
backstory?
37:11
And
37:11
this
37:11
isn't
37:11
even
37:11
backstory.
37:12
These
37:12
are
37:12
just
37:12
like
37:13
facts.
37:14
He
37:14
likes
37:14
this
37:14
thing.
37:14
He
37:15
wasn't
37:15
this.
37:16
And
37:16
every
37:16
single
37:17
thing
37:17
we
37:17
learn
37:18
is
37:18
a
37:18
thing
37:19
that
37:19
he
37:19
has
37:19
in
37:19
common
37:20
with
37:20
Eddie.
37:20
It's
37:20
almost
37:21
like
37:21
he's
37:21
a
37:22
mirror.
37:22
It
37:22
was
37:22
done
37:22
on
37:23
purpose.
37:24
Yeah,
37:24
he
37:24
is
37:25
a
37:25
mirror
37:25
still.
37:26
So
37:26
Tommy
37:26
says
37:27
there's
37:27
no
37:27
rule
37:27
that
37:28
says
37:28
you
37:28
can't
37:28
get
37:28
certified
37:29
and
37:29
still
37:29
stay
37:30
at
37:30
the
37:30
118.
37:30
I
37:31
fly
37:31
for
37:31
fun
37:31
on
37:31
my
37:31
days
37:32
off.
37:32
Very
37:33
much
37:34
giving.
37:34
You
37:35
can
37:35
have
37:35
your
37:35
cake
37:35
and
37:35
eat
37:36
it
37:36
too.
37:37
Just
37:37
the
37:38
double
37:38
entendre,
37:39
like
37:39
implications
37:40
of
37:41
both
37:41
the
37:41
bisexuality
37:42
of
37:42
it
37:42
all.
37:43
Porque
37:44
no
37:44
los
37:44
dos
37:45
porcinos.
37:45
Dos.
37:47
Yeah.
37:47
And
37:47
then
37:48
there's
37:48
more
37:49
blocking
37:50
in
37:50
this
37:50
scene
37:50
too,
37:51
when
37:51
Eddie
37:51
finally
37:52
comes
37:52
into
37:53
the
37:53
picture.
37:54
And
37:55
this
37:56
one
37:56
has
37:57
Eddie
37:57
on
37:57
the
37:58
left.
37:58
And
37:58
that
37:59
was
37:59
the
37:59
same
37:59
as
37:59
the
37:59
last
38:00
time,
38:00
right?
38:00
Yes.
38:01
Yeah.
38:02
So
38:02
in
38:02
this
38:03
case,
38:03
Eddie
38:04
is
38:04
still
38:04
on
38:04
the
38:04
left,
38:05
but
38:05
Buck
38:06
is
38:06
in
38:06
the
38:06
middle.
38:08
And
38:08
so
38:08
it's
38:08
kind
38:09
of
38:09
like
38:09
he's
38:09
torn
38:10
between
38:10
two
38:10
options.
38:11
Imagine
38:12
that.
38:13
Well,
38:14
to
38:15
me,
38:15
this
38:15
is
38:16
an
38:16
odd
38:16
man
38:16
out
38:17
situation.
38:18
That
38:18
too.
38:19
So
38:19
in
38:19
703,
38:20
it's
38:20
Tommy
38:20
is
38:21
the
38:21
person
38:21
who's
38:21
in
38:22
between
38:22
Buck
38:22
and
38:22
Eddie,
38:23
who
38:23
are
38:23
established.
38:24
Even
38:24
if
38:24
you
38:24
don't
38:25
think
38:25
of
38:25
them
38:25
as
38:25
romantic,
38:26
they
38:26
are
38:26
an
38:26
established
38:27
duo.
38:27
Like
38:28
soul
38:28
to
38:29
not
38:29
separate.
38:29
It's
38:30
always
38:30
Buck
38:30
and
38:30
Eddie.
38:31
Buck
38:31
and
38:31
Eddie
38:31
do
38:31
this.
38:31
Buck
38:32
and
38:32
Eddie.
38:33
So
38:33
he
38:33
was
38:34
in
38:34
between
38:35
them,
38:35
literally
38:36
and
38:36
figuratively.
38:37
And
38:38
now
38:39
Buck
38:39
is
38:39
the
38:40
one
38:40
who
38:40
feels
38:41
like
38:41
he's
38:42
in
38:42
between
38:42
them.
38:43
Feels
38:43
like
38:45
I'm
38:45
out
38:45
of
38:45
place,
38:47
but.
38:47
Also
38:47
kind
38:48
of
38:48
like
38:48
torn
38:48
between
38:49
two.
38:50
With
38:51
Buck
38:52
under
38:52
the
38:53
guise
38:53
of
38:54
exploring
38:55
things
38:55
at
38:56
Harbor.
38:56
Right.
38:57
You
38:57
have
38:58
Tommy
38:58
representing
38:59
something
39:00
new
39:00
and
39:01
different
39:01
with
39:01
harbor,
39:02
but
39:02
then
39:02
you
39:02
have
39:02
Eddie
39:03
coming
39:03
in,
39:03
which
39:03
is,
39:04
you
39:04
know,
39:04
the
39:05
118
39:05
a
39:06
little
39:06
bit.
39:06
So
39:06
it's
39:07
that
39:07
extra
39:08
layer
39:08
of
39:09
like
39:09
having
39:11
more
39:11
choice.
39:12
Right.
39:12
Essentially
39:13
It's.
39:13
It's
39:13
a.
39:14
It's
39:14
a
39:14
bisexual.
39:14
Like,
39:15
it's
39:15
a
39:15
bisexual
39:16
thing.
39:16
Yeah.
39:17
I
39:17
just
39:17
don't
39:17
know
39:17
that
39:17
I
39:18
agree,
39:18
if
39:18
that.
39:18
What
39:18
you're
39:19
trying
39:19
to
39:19
say
39:19
is,
39:19
like,
39:19
he's
39:20
trying
39:20
to
39:20
decide
39:21
between
39:21
the
39:21
two
39:21
of
39:21
them.
39:21
No,
39:22
I
39:22
don't
39:22
think
39:22
I
39:22
agree
39:22
with
39:22
that.
39:23
No,
39:23
I'm
39:23
not
39:23
saying
39:24
he's
39:24
trying
39:24
to
39:24
decide
39:25
between
39:25
the
39:25
two.
39:25
I'm
39:25
just
39:25
saying,
39:26
like,
39:26
there
39:27
are
39:27
multiple
39:27
options
39:28
available.
39:29
Oh,
39:30
well,
39:30
yes,
39:31
that's.
39:31
That's
39:31
what
39:31
I
39:32
was
39:32
saying.
39:33
And
39:33
after
39:34
Tommy
39:34
says,
39:35
I
39:35
fly
39:36
for
39:36
fun
39:36
on
39:36
my
39:36
days
39:37
off,
39:37
he
39:37
says,
39:37
I
39:37
can
39:38
give
39:38
you
39:38
lessons
39:38
if
39:38
you
39:39
want.
39:39
This
39:40
entire
39:40
conversation
39:41
is
39:41
just
39:42
double
39:42
entendre's.
39:43
It's.
39:43
I
39:44
mean
39:44
that
39:45
it's
39:45
not
39:45
about
39:45
flying.
39:46
It's
39:47
not
39:47
about
39:47
possibly
39:48
switching
39:48
stations.
39:49
It's
39:49
about
39:50
switching
39:50
teams.
39:52
It's
39:52
about
39:52
teaching
39:53
him.
39:53
Yeah.
39:53
Other
39:54
things.
39:54
Literally.
39:55
Entry
39:55
level
39:56
relationship,
39:57
Right?
39:57
Exactly.
39:58
Mm.
39:59
We
39:59
mentioned,
40:00
like,
40:00
Buck
40:01
was
40:01
in
40:01
the
40:01
middle
40:02
and
40:02
we
40:02
were
40:02
talking
40:02
about
40:03
how
40:03
it's
40:04
like
40:04
a
40:05
metaphor
40:05
for
40:06
bisexuality
40:06
and
40:07
having
40:07
multiple
40:08
options
40:08
and
40:09
other
40:09
stuff.
40:10
Like,
40:10
you
40:10
were
40:10
going
40:11
for
40:11
the
40:11
angle
40:11
that
40:11
it
40:12
was
40:12
other
40:12
options
40:13
and
40:13
Han
40:13
was
40:13
like,
40:14
Buck
40:15
being
40:15
odd
40:16
man
40:16
out.
40:17
Yeah,
40:17
yeah,
40:17
yeah,
40:18
yeah.
40:18
I
40:18
think
40:18
it
40:18
works
40:19
on
40:19
both.
40:19
It
40:19
is,
40:20
yeah.
40:20
Levels
40:20
with
40:20
that.
40:21
Both.
40:22
I
40:22
think
40:23
he's
40:23
really
40:23
feeling
40:23
like
40:23
odd
40:24
man
40:24
out,
40:24
and
40:24
I
40:25
feel
40:25
like
40:25
the
40:25
rest
40:26
of
40:26
this
40:26
conversation
40:27
is
40:27
like,
40:27
what
40:27
puts
40:28
him
40:28
off
40:29
kilter
40:29
for
40:30
the
40:30
fucking
40:31
spiral
40:31
he
40:31
has
40:31
the
40:31
rest
40:31
of
40:32
the
40:32
episode.
40:32
So
40:33
just
40:33
to
40:33
set
40:33
the
40:34
scene,
40:34
I
40:34
think
40:35
they're
40:35
like,
40:35
Tommy
40:36
and
40:36
Eddie
40:36
are
40:36
about
40:36
to
40:37
go
40:37
to
40:37
their,
40:38
whatever,
40:39
WrestleMania
40:40
thing
40:40
in
40:40
Vegas.
40:40
What?
40:41
Whatever.
40:41
What
40:41
is
40:41
it?
40:42
Is
40:42
it
40:42
MMA
40:43
or
40:43
boxing
40:44
or.
40:44
It's
40:44
either
40:45
MMA
40:45
or
40:45
like
40:45
a
40:46
UFC
40:46
fight.
40:47
I
40:47
don't
40:47
know.
40:47
It's
40:48
people
40:48
punching
40:48
each
40:48
other.
40:49
Yes.
40:49
Yeah.
40:49
Anyway,
40:50
so
40:50
Eddie
40:50
asks
40:51
if
40:51
Buck
40:51
is
40:51
coming
40:52
along.
40:52
Tommy
40:53
saying,
40:53
no,
40:53
I'm
40:53
just
40:53
giving
40:54
him
40:54
a
40:54
tour.
40:55
And
40:55
then
40:55
Eddie
40:56
goes,
40:56
wait,
40:56
you're
40:56
not
40:57
thinking
40:57
about
40:57
jumping
40:57
ship,
40:58
are
40:58
you?
41:00
Like,
41:00
jumping
41:01
ship?
41:01
That's
41:02
very
41:02
on
41:02
the
41:03
nose,
41:03
calling
41:04
us
41:04
out,
41:04
honestly.
41:07
Right.
41:08
Us
41:09
as
41:09
a
41:09
fandom.
41:12
Oh,
41:12
my
41:12
God.
41:13
Yeah.
41:14
Jumping
41:14
ship.
41:15
Like
41:15
relationships.
41:16
Like
41:16
buddy
41:18
to
41:19
whatever
41:19
that
41:19
would
41:19
be.
41:21
Oh,
41:21
Stark
41:22
does
41:22
not
41:22
approve
41:22
that
41:22
name,
41:23
so
41:23
I
41:23
don't
41:23
either.
41:24
No.
41:24
Yeah.
41:25
I
41:26
stand
41:26
with
41:27
oh,
41:27
Stark
41:27
on
41:28
that.
41:28
I
41:28
love
41:29
that
41:29
they
41:29
were
41:29
the
41:29
ones.
41:30
To
41:30
make
41:30
their
41:31
couple
41:31
name.
41:31
Yeah.
41:32
Yeah.
41:33
What
41:33
a
41:33
crazy
41:34
thing
41:34
to
41:34
do.
41:34
So
41:35
crazy.
41:35
Anyway,
41:36
Buck
41:36
says
41:37
no,
41:37
I'm
41:38
just,
41:38
you
41:38
know,
41:38
keeping
41:39
my
41:39
options
41:40
fluid.
41:41
Fluid,
41:41
huh,
41:42
huh.
41:43
That's
41:43
self
41:43
explanatory.
41:44
I
41:44
mean,
41:45
it's
41:45
just
41:46
bisexual.
41:47
It's
41:47
so
41:48
blatantly
41:49
obvious.
41:49
Well,
41:50
to
41:50
everyone,
41:50
I'm
41:50
a
41:50
Buck.
41:51
But
41:51
yes.
41:52
Especially
41:53
because
41:53
we're
41:54
looking
41:54
at
41:54
it
41:54
from
41:54
Buck's
41:55
point
41:55
of
41:55
view.
41:55
Yeah.
41:56
And
41:56
then
41:56
he's
41:56
like,
41:57
oh,
41:57
so
41:57
there's
41:57
a
41:57
fight.
41:58
I
41:58
was
41:58
unaware.
42:00
Like,
42:00
literally,
42:01
he
42:01
was.
42:01
Buck
42:02
was
42:02
unaware
42:03
that
42:03
he
42:03
had
42:04
to.
42:04
Fight
42:04
for
42:04
Eddie's
42:05
attention
42:05
and
42:05
time.
42:06
Well,
42:06
that
42:06
he
42:06
had
42:07
to.
42:07
That
42:07
he
42:07
had
42:07
to
42:08
fight
42:08
for
42:08
Eddie's
42:08
attention.
42:09
But
42:09
also
42:09
he
42:09
was
42:10
unaware
42:10
that
42:11
he
42:12
leaned
42:13
in
42:13
multiple
42:13
directions
42:14
with
42:14
his
42:14
sexuality,
42:15
too.
42:15
That's
42:15
how
42:16
I
42:16
read
42:16
that.
42:16
Like,
42:16
I
42:17
wasn't
42:17
aware
42:18
until
42:18
you
42:18
become
42:19
aware,
42:19
you
42:20
know?
42:20
And
42:20
how
42:21
does
42:21
he
42:21
become
42:21
aware?
42:22
It's
42:22
just
42:22
Tommy.
42:22
That's
42:23
what
42:23
Tommy's
42:23
there
42:23
for,
42:24
to
42:24
make
42:24
Buck
42:24
aware.
42:25
So,
42:25
I
42:25
mean,
42:25
and
42:25
then
42:25
there's
42:26
like,
42:26
the
42:26
obvious
42:27
one.
42:27
Just
42:27
like,
42:28
he's
42:28
just
42:28
unaware
42:29
that
42:29
this.
42:30
Whatever
42:30
the
42:30
hell,
42:31
this
42:32
Tommy
42:32
and
42:32
Eddie
42:33
thing
42:33
is
42:34
happening.
42:34
Like,
42:34
he's
42:35
just
42:35
unaware
42:35
of
42:35
that,
42:36
and
42:36
that
42:36
is
42:37
just
42:37
making
42:37
him
42:37
go
42:37
like,
42:38
the.
42:38
The
42:39
is
42:39
happening
42:40
here.
42:41
I'm
42:42
not
42:42
involved.
42:44
Literally.
42:45
I
42:45
am
42:46
also
42:46
here.
42:47
I
42:48
can't
42:48
look
42:48
at
42:48
anything
42:49
from
42:49
this
42:49
episode
42:50
as
42:50
not
42:50
being
42:50
about
42:51
Eddie
42:51
until
42:51
the
42:52
very
42:52
end
42:52
when
42:52
he
42:53
takes
42:53
all
42:54
of
42:54
those
42:55
feelings
42:56
about
42:56
Eddie
42:57
and
42:57
throws
42:57
them
42:57
on
42:57
the
42:58
foil.
42:58
So
42:59
to
42:59
me,
42:59
this
42:59
is.
43:00
There's
43:00
a
43:01
fight.
43:01
I
43:01
was
43:01
unaware
43:02
because
43:02
it's
43:03
very
43:03
much
43:03
like
43:03
he
43:04
was
43:04
kind
43:04
of,
43:04
like,
43:04
flirty,
43:06
you
43:06
know,
43:07
with
43:07
Tommy,
43:08
but
43:08
then
43:08
Eddie
43:09
showed
43:09
up,
43:09
and
43:09
he
43:09
was
43:09
like,
43:10
what
43:10
are.
43:10
What
43:11
are
43:11
you
43:11
doing?
43:11
Oh,
43:12
you're
43:12
going.
43:13
You're
43:13
going
43:13
to
43:14
a
43:14
thing
43:14
together,
43:15
huh?
43:15
That's
43:16
so
43:16
cool.
43:16
And
43:17
he's
43:17
gonna
43:17
fly
43:18
you
43:18
there.
43:19
Interest.
43:19
Oh,
43:20
yeah.
43:21
Huh.
43:21
Huh.
43:22
This
43:22
is
43:22
where
43:22
he's
43:22
really
43:23
feeling
43:23
that
43:23
odd
43:23
man
43:24
out.
43:24
Yes.
43:25
Yeah.
43:25
So
43:25
that's.
43:26
And
43:26
that's
43:26
when
43:26
that
43:26
triangular
43:27
blocking
43:28
is.
43:29
And
43:29
you
43:29
can
43:29
look
43:29
at
43:29
his
43:29
face,
43:30
and
43:30
he's
43:30
like,
43:31
I
43:31
don't
43:31
like
43:31
this.
43:32
He
43:32
does
43:32
not
43:32
like
43:32
it.
43:33
He
43:33
feels
43:33
uncomfy,
43:34
but
43:34
it's.
43:34
Yeah.
43:35
So
43:35
there's
43:35
a
43:35
fight.
43:36
I
43:36
was
43:36
unaware,
43:36
to
43:36
me,
43:37
is
43:37
very
43:37
much.
43:38
I
43:38
had
43:38
to
43:38
fight
43:38
for
43:39
Eddie's
43:39
attention.
43:39
I
43:40
was
43:40
unaware.
43:40
I
43:41
was
43:41
unaware
43:41
that
43:41
he
43:41
had
43:42
other
43:42
friends,
43:42
period.
43:45
It's
43:45
like,
43:45
I
43:45
knew
43:46
that
43:46
he
43:46
had
43:46
a
43:46
weird,
43:47
like,
43:47
underground
43:48
poker
43:49
night
43:49
thing,
43:49
but
43:50
I
43:50
was
43:50
invited.
43:51
Yeah,
43:52
eventually.
43:53
Eventually,
43:54
exactly.
43:55
Like,
43:55
Eddie
43:55
always
43:55
clues
43:56
them
43:56
in
43:56
eventually.
43:56
But
43:57
it's
43:57
just
43:57
like.
43:58
But
43:58
I
43:58
do
43:59
like
43:59
the
43:59
way
43:59
that
44:00
everything
44:01
that
44:01
said
44:01
here
44:02
can
44:02
be
44:02
taken,
44:03
you
44:03
know,
44:04
in
44:04
terms
44:04
of,
44:05
like,
44:05
Buck's
44:06
relationship
44:06
with
44:06
Eddie,
44:07
but
44:07
also,
44:07
like,
44:07
Buck's
44:08
bisexual
44:08
relationship
44:09
with
44:09
his
44:10
sexuality.
44:11
So
44:11
it's
44:12
just.
44:12
It's
44:13
so
44:13
layered
44:14
in
44:14
a
44:14
way
44:14
that's,
44:15
like,
44:15
kind
44:15
of
44:15
delicious
44:16
because
44:16
there's
44:17
multiple
44:18
ways
44:18
to
44:18
read
44:18
it.
44:19
That
44:19
still
44:19
makes
44:20
sense,
44:21
but
44:21
they
44:21
all
44:22
emphasize
44:23
how
44:24
Tommy's
44:25
just
44:25
there
44:26
in
44:26
a
44:26
different
44:26
way.
44:27
That's
44:27
like,
44:27
I
44:27
am
44:28
also
44:28
here.
44:28
It's
44:28
just
44:29
now
44:29
he's
44:29
there.
44:30
He
44:30
exists.
44:31
For
44:31
now.
44:32
That
44:32
has
44:32
sounded
44:33
so
44:33
threatening.
44:34
For
44:34
now.
44:35
I'm
44:35
not
44:35
the
44:35
one
44:36
who
44:36
made
44:36
him
44:36
bones.
44:37
I'm
44:37
just
44:37
an
44:38
observer.
44:39
So
44:39
when
44:40
they're
44:40
just.
44:40
As
44:40
they're
44:41
leaving,
44:41
Tommy
44:41
says,
44:42
let
44:42
me
44:43
know
44:43
if
44:43
you
44:43
want
44:43
to
44:43
go
44:43
up.
44:44
As
44:45
in,
44:45
like,
44:45
level
44:46
up.
44:47
Go,
44:47
like,
44:48
level
44:48
up
44:48
in
44:48
a
44:48
sexuality.
44:49
Go
44:50
up
44:50
in
44:50
the
44:50
skies,
44:50
like,
44:51
to.
44:51
To.
44:51
Because
44:51
he
44:52
was
44:52
gonna
44:52
give
44:52
him.
44:52
Well,
44:53
yes,
44:53
yes.
44:54
I
44:54
got
44:54
it
44:54
in,
44:54
like,
44:54
the.
44:55
In,
44:55
like,
44:55
the
44:55
plain
44:56
helicopter.
44:56
Let
44:56
me
44:56
know
44:57
if
44:57
you
44:57
want
44:57
me
44:57
to
44:57
give
44:57
you
44:58
lessons
44:58
is
44:58
what
44:59
that
44:59
basically
44:59
is.
45:01
Yeah.
45:02
So
45:02
then
45:02
that
45:02
gets
45:03
in
45:03
Buck's
45:03
head.
45:04
Then
45:04
we.
45:05
Then
45:06
we
45:06
flash
45:06
to
45:07
the
45:07
sewer
45:08
rescue,
45:09
where
45:09
Bucks,
45:09
you
45:09
know,
45:10
trying
45:10
to
45:11
be
45:11
supportive.
45:11
I
45:12
feel
45:12
like
45:12
this
45:12
whole
45:12
episode,
45:13
for
45:13
the
45:13
most
45:13
part,
45:13
Buck
45:14
is
45:14
trying
45:14
to
45:14
be
45:14
supportive
45:15
because
45:15
he
45:15
knows
45:15
he
45:16
shouldn't,
45:16
like,
45:16
feel
45:17
whatever
45:17
the
45:17
fuck
45:17
he's
45:17
feeling
45:18
like.
45:18
That's
45:19
his
45:19
own
45:19
problem.
45:19
He's
45:20
trying
45:20
not
45:20
to
45:20
make
45:20
it
45:20
Eddie's
45:21
problem.
45:21
He's
45:21
like,
45:22
he's
45:22
allowed
45:22
to
45:22
have
45:22
other
45:22
friends.
45:23
He's
45:23
trying
45:23
to
45:23
work
45:24
supportive.
45:25
Right.
45:25
But
45:25
also
45:25
he
45:26
just
45:26
needs
45:27
to
45:27
know
45:27
more
45:27
information
45:28
because
45:28
he
45:28
needs
45:29
to
45:29
know
45:29
everything
45:29
about
45:30
Eddie,
45:31
because
45:31
he
45:31
thought
45:31
he
45:32
did
45:32
know
45:32
everything.
45:33
Yeah.
45:34
So
45:34
he's
45:34
asking
45:34
him,
45:35
like,
45:35
how
45:35
the
45:35
fight
45:36
was,
45:36
and
45:37
Eddie
45:37
is,
45:37
like,
45:38
telling
45:38
him
45:38
how,
45:39
like,
45:39
Tommy's
45:39
friends
45:40
with
45:40
a
45:40
promoter
45:40
and,
45:41
like,
45:41
the
45:41
seats
45:41
were
45:41
so
45:41
close.
45:42
I
45:42
felt
45:42
like
45:43
I
45:43
was
45:43
the
45:43
one
45:43
throwing
45:44
the
45:44
punches.
45:45
Which
45:46
he
45:46
has
45:46
done
45:47
before.
45:48
Which
45:48
he
45:48
has
45:48
done
45:48
before.
45:49
But
45:49
I
45:49
also
45:49
thought
45:49
it
45:49
was
45:50
funny
45:50
because
45:51
it's
45:51
widely
45:52
recognized
45:53
in
45:53
fandom.
45:54
And
45:54
I
45:54
don't
45:54
know
45:54
if
45:54
this
45:55
was
45:55
on
45:55
purpose
45:56
for
45:56
the
45:56
writers,
45:57
but
45:57
later
45:57
in
45:57
this
45:57
conversation
45:58
when
45:58
he
45:59
says,
45:59
you
45:59
know,
46:00
it's
46:00
like
46:00
that
46:00
thing
46:00
where
46:00
you
46:00
meet
46:01
somebody
46:01
and
46:01
you
46:01
just
46:02
click.
46:02
You
46:02
know
46:03
what
46:03
I
46:03
mean?
46:04
Is
46:04
throwing
46:04
a
46:05
punch.
46:06
Oh,
46:07
that's
46:07
how
46:08
you
46:08
relate.
46:08
Okay.
46:08
Okay.
46:09
He's
46:09
getting
46:10
back
46:10
at
46:10
Buck
46:11
for
46:11
being
46:11
like.
46:12
I
46:12
feel
46:12
like
46:12
she
46:12
really
46:13
sees
46:13
me.
46:13
That
46:14
is
46:14
Eddie
46:15
using
46:15
Tommy
46:15
as
46:15
a
46:15
plot
46:16
device
46:16
to
46:16
kind
46:16
of,
46:17
like,
46:17
you
46:18
know,
46:18
twist
46:18
a
46:18
little
46:18
knife
46:19
about
46:19
Buck
46:20
a
46:20
bit.
46:20
For
46:20
him
46:21
to
46:21
be
46:21
like,
46:21
how's
46:21
that
46:21
feel?
46:22
It's
46:22
very
46:22
much
46:22
just
46:23
giving
46:23
him.
46:23
With
46:23
Josh.
46:25
Yeah.
46:25
Oh,
46:25
yeah.
46:26
Waiting
46:26
for
46:26
that
46:26
moment.
46:27
Yeah.
46:27
He
46:27
waits
46:28
for
46:28
the
46:28
most
46:28
opportune
46:29
time
46:29
to
46:29
throw
46:29
the
46:29
punch.
46:30
He
46:30
waits
46:30
until
46:30
the
46:31
defenses
46:31
are
46:31
down.
46:32
Yeah.
46:32
Because
46:32
he
46:32
is
46:33
like,
46:33
sass
46:33
master
46:34
3000.
46:34
And
46:35
a
46:35
seasoned
46:35
fighter.
46:36
Ravi
46:36
is
46:36
so
46:37
here
46:37
for
46:37
the
46:37
tea.
46:38
Yeah.
46:39
Like,
46:40
Book
46:40
and
46:40
Eddie
46:41
are
46:41
just,
46:41
like,
46:41
talking
46:41
about
46:42
Tommy,
46:42
and
46:42
then
46:42
Robbie's
46:43
just
46:43
like,
46:43
who's
46:43
Tommy?
46:44
Which
46:44
is
46:44
honestly
46:45
the
46:45
funny
46:45
line,
46:45
because
46:46
I
46:46
Mean,
46:46
like,
46:46
really,
46:47
who
46:47
is
46:47
Tommy?
46:48
Like,
46:48
we
46:49
don't.
46:49
What
46:49
are
46:49
you
46:49
doing
46:50
here?
46:50
What
46:50
are
46:51
you
46:51
doing
46:51
here?
46:51
He
46:52
doesn't
46:52
even
46:52
go
46:52
here.
46:54
What
46:55
purpose
46:55
do
46:55
you
46:55
have?
46:56
I
46:56
mean,
46:56
we
46:56
already.
46:57
We're
46:57
discussing
46:57
the
46:57
purpose,
46:58
but
46:58
still,
46:58
like,
46:58
what?
46:59
Yeah,
47:00
that's
47:00
just
47:00
to
47:00
say,
47:00
like,
47:01
who's
47:01
Tommy?
47:01
Because
47:02
it's
47:02
nobody
47:03
that
47:04
important
47:05
to
47:06
the
47:06
Greater
47:07
118
47:08
family.
47:09
Right.
47:10
It
47:11
wasn't
47:11
even
47:11
important
47:11
enough
47:12
for
47:12
him
47:12
to
47:12
be
47:13
spoken
47:13
about.
47:14
When
47:14
telling
47:14
the
47:14
story
47:15
about
47:15
rescuing
47:16
Bobby
47:16
and
47:16
Athena,
47:17
they
47:17
didn't
47:17
even
47:17
drop
47:18
Tommy's
47:18
name.
47:19
Talking
47:19
about
47:20
the
47:20
helicopter
47:21
just
47:21
doesn't
47:22
matter.
47:22
I
47:22
was
47:22
just
47:23
about
47:23
to
47:23
ask,
47:23
was
47:23
he
47:24
even
47:24
introduced
47:24
to
47:24
Tommy?
47:25
Then
47:25
I
47:25
was
47:25
like,
47:25
oh,
47:25
no.
47:26
They
47:26
shared
47:26
that
47:26
one
47:26
scene
47:27
in
47:27
the
47:27
medal
47:28
ceremony.
47:28
Yeah.
47:29
And
47:29
I
47:29
think
47:29
a
47:30
lot
47:30
of
47:30
the
47:31
rest
47:31
of
47:31
the
47:31
scene
47:31
with,
47:32
like,
47:32
the
47:32
sewer
47:32
rescue
47:33
is
47:33
just
47:33
like,
47:34
more
47:34
either
47:35
double
47:35
entendre
47:37
and
47:38
a
47:38
way
47:39
to
47:39
get
47:39
under
47:40
Buck's
47:41
skin
47:41
and
47:42
just
47:42
like,
47:43
more
47:43
aligning
47:44
Tommy
47:44
with
47:45
Eddie.
47:45
Because
47:46
we
47:46
have
47:46
Buck
47:47
saying,
47:47
like,
47:47
I'm
47:47
not
47:47
surprised
47:48
that
47:48
you
47:48
had
47:48
a
47:48
great
47:49
time
47:49
in
47:49
Vegas.
47:49
You
47:50
and
47:50
Tommy
47:50
have
47:50
a
47:50
lot
47:50
in
47:50
common.
47:51
Both
47:52
in
47:52
the
47:52
army,
47:53
both
47:53
like
47:53
watching
47:53
half
47:54
naked
47:54
men
47:54
pummel
47:55
each
47:55
other,
47:57
which.
47:58
Who
47:58
wrote
47:59
this
47:59
episode?
48:00
This
48:01
is
48:01
Buck
48:01
bothered
48:01
and
48:02
bewildered.
48:02
It's
48:02
Andrew
48:03
Myers.
48:03
Crazy
48:04
work,
48:04
honestly.
48:05
This
48:05
is
48:05
Andrew
48:05
Myers
48:07
King.
48:08
That's
48:08
some
48:08
king
48:09
right
48:09
there.
48:10
Hold
48:10
on
48:10
now
48:10
I
48:10
have
48:11
to
48:11
double
48:11
check
48:11
it.
48:12
I
48:12
think
48:12
you're
48:12
right.
48:12
I
48:12
think
48:13
you're
48:13
right
48:13
because
48:14
that's
48:14
who
48:14
it
48:14
is.
48:15
Because
48:15
we
48:15
just
48:15
watched,
48:16
like,
48:16
watching
48:16
half.
48:17
Naked
48:17
men
48:17
pummel
48:18
each
48:18
other.
48:18
Because
48:18
we
48:19
just
48:19
watched
48:19
Ocean's911.
48:20
And
48:21
that
48:21
was,
48:21
I
48:21
think,
48:22
Andrew
48:22
Meyer's
48:23
first
48:23
episode
48:24
that
48:24
he
48:24
wrote
48:24
for
48:25
91
48:25
1.
48:26
And
48:26
we
48:26
talked
48:27
in
48:27
our
48:27
episode
48:28
about
48:28
how
48:29
was
48:30
such
48:30
a
48:30
great
48:30
ensemble
48:31
episode.
48:31
And
48:31
he
48:32
got
48:32
the
48:32
character
48:33
so
48:33
well.
48:34
This
48:35
is
48:35
more
48:36
example.
48:37
This
48:37
is
48:37
his
48:37
writing.
48:38
He
48:38
understands
48:39
the
48:39
characters
48:40
so
48:40
well.
48:41
And
48:41
that,
48:41
I
48:42
think,
48:42
is
48:42
one
48:43
of
48:43
the
48:43
reasons
48:44
why
48:44
Tommy
48:45
works
48:45
so
48:45
well
48:45
as
48:46
a
48:46
foil,
48:46
as
48:46
a
48:46
mirror
48:47
to
48:47
Eddie,
48:48
specifically,
48:49
because
48:50
they
48:50
know
48:50
how
48:50
to
48:51
write.
48:51
It's
48:51
not
48:52
exactly
48:52
a
48:52
copy
48:52
paste,
48:53
but
48:53
it's
48:53
like
48:54
Tommy
48:54
was
48:54
a
48:55
blank
48:55
enough
48:55
slate
48:57
that
48:57
they
48:57
could
48:58
put
48:58
whatever
48:59
else
48:59
they
48:59
wanted
48:59
to
49:00
onto
49:00
him.
49:01
And
49:01
they
49:01
chose
49:02
then
49:03
to
49:03
make
49:03
that
49:04
an
49:04
Eddie
49:04
mirror.
49:06
And
49:06
that's
49:06
good
49:07
writing.
49:07
Good
49:07
writing.
49:08
Andrew
49:08
Myers.
49:08
Thank
49:08
you.
49:09
I'm
49:09
still
49:09
staring
49:09
at
49:10
this
49:10
crazy
49:11
work.
49:12
Both
49:12
in
49:12
the
49:12
army,
49:13
both,
49:13
like,
49:13
watching
49:13
half
49:14
naked
49:14
men
49:14
pummel
49:14
each
49:15
other.
49:15
He
49:16
just
49:16
said
49:16
you're
49:16
gay.
49:18
He
49:18
just
49:18
said
49:19
you're
49:19
both
49:19
gay.
49:20
The
49:20
thing
49:20
is,
49:20
though,
49:21
I
49:21
don't
49:21
even
49:21
feel
49:22
like
49:22
most
49:22
of
49:22
this
49:23
conversation
49:24
even
49:25
pertains
49:25
to
49:26
Buck's
49:26
sexuality.
49:27
No,
49:27
it's
49:28
Eddie.
49:28
It's
49:28
Eddie's.
49:29
So
49:29
Tommy
49:30
is
49:30
then
49:30
pulling
49:31
double
49:32
duty.
49:32
He's
49:32
not
49:33
in
49:33
this
49:33
scene.
49:34
They're
49:34
just
49:34
talking
49:35
about
49:35
Eddie's
49:36
interactions
49:37
with
49:37
Tommy.
49:38
Again,
49:38
not
49:38
Tommy
49:39
specifically
49:40
Eddie's
49:40
interactions
49:42
and
49:42
aligning
49:44
their
49:44
similar
49:45
likes
49:45
and
49:46
tastes.
49:47
So,
49:48
like,
49:48
what
49:49
are
49:49
we
49:49
supposed
49:49
to
49:49
do
49:49
with
49:50
that?
49:50
They
49:51
are
49:51
making
49:51
Tommy
49:52
and
49:52
Eddie
49:53
so
49:53
similar.
49:53
It's
49:54
not.
49:54
This
49:54
isn't
49:55
even
49:55
about
49:55
Buck
49:56
at
49:56
the
49:56
moment.
49:56
This
49:57
is
49:57
aligning
49:57
Tommy
49:58
to
49:58
pull
49:58
double
49:58
duty
49:59
as
49:59
a
49:59
plot
49:59
device
50:00
to
50:01
show
50:02
things
50:02
about
50:02
Eddie's
50:04
tastes,
50:05
if
50:05
you
50:05
will.
50:06
It's
50:06
employed
50:07
so
50:08
well.
50:09
I
50:09
mean,
50:09
like,
50:10
constantly
50:10
for,
50:10
like,
50:10
the
50:11
entire
50:11
time
50:11
he's
50:11
here.
50:11
But,
50:12
like,
50:12
especially
50:12
this
50:12
episode
50:13
is
50:13
just
50:13
like,
50:14
yeah.
50:14
Because
50:14
then,
50:15
you
50:15
know,
50:15
Eddie's
50:15
like,
50:16
yeah,
50:16
Tommy's
50:16
pretty
50:17
cool.
50:17
It's
50:17
been
50:17
a
50:17
while
50:18
since
50:18
I
50:18
met
50:18
someone
50:18
who
50:19
can
50:19
go
50:19
toe
50:19
to
50:19
toe
50:20
with
50:20
me
50:20
and
50:20
Muay
50:20
Thai.
50:21
And
50:21
Buck's
50:22
all
50:22
like,
50:22
you
50:22
guys
50:22
went
50:23
to
50:23
Muay
50:23
Thai
50:23
together.
50:24
Now
50:24
he's
50:24
picturing
50:25
them
50:25
pummeling
50:25
each
50:25
other
50:26
half
50:26
naked.
50:27
Yeah.
50:27
Which
50:28
also,
50:28
like,
50:28
it's
50:29
so
50:29
interesting
50:29
that
50:30
it's
50:30
like
50:30
Muay
50:30
Thai
50:31
professional
50:32
fights,
50:33
army
50:33
are
50:34
very,
50:34
like,
50:35
boy
50:35
masculine,
50:36
masculine
50:38
kind
50:38
of
50:39
thing.
50:39
Especially
50:39
if.
50:40
If
50:40
they're
50:40
watching
50:41
a
50:41
fight
50:41
and
50:42
that
50:42
is
50:43
like
50:43
wrestling.
50:43
It's
50:44
also
50:44
very
50:45
performative.
50:46
Right.
50:46
It's
50:46
performative
50:47
masculinity.
50:49
So
50:49
if
50:50
we're
50:50
putting
50:51
all
50:51
of
50:51
these
50:51
things
50:52
in
50:52
and
50:52
lumping
50:53
them
50:53
in
50:54
with
50:54
things
50:54
that
50:54
Eddie
50:55
likes,
50:56
it
50:56
is
50:56
performative
50:57
masculinity.
50:58
What
50:58
do
50:58
you
50:58
do
50:59
when
50:59
you
50:59
take
50:59
that
50:59
apart?
51:00
It's
51:00
gay.
51:04
So
51:04
then
51:04
Buck
51:05
is
51:05
like,
51:05
you
51:05
guys
51:06
did
51:06
Muay
51:06
Thai
51:07
together?
51:07
Because
51:07
he
51:08
just
51:08
said
51:08
that
51:08
pummeling.
51:09
You
51:09
like
51:09
watching
51:10
men
51:10
pummeling
51:11
each
51:11
other
51:11
half
51:11
naked,
51:11
but
51:12
now
51:12
he's
51:12
picturing
51:12
the
51:13
two
51:13
of
51:13
them
51:13
and
51:13
he's
51:14
pummeling
51:14
each
51:14
other
51:14
half
51:15
naked.
51:15
Yeah.
51:15
He's
51:15
like,
51:16
you
51:16
did
51:16
that
51:16
together.
51:17
And
51:17
he's
51:18
still
51:18
waxing,
51:19
like.
51:19
Yeah.
51:19
He's
51:20
got
51:20
this
51:20
great
51:20
setup
51:20
in
51:20
his
51:21
garage.
51:22
We
51:22
sparred
51:23
a
51:23
bit
51:23
when
51:23
I
51:24
took
51:24
the
51:24
Chevelle
51:24
over.
51:25
And
51:26
then
51:26
goes
51:26
on
51:27
later
51:27
to
51:27
say,
51:27
yeah,
51:28
he's
51:28
got
51:28
a
51:28
car
51:28
lift.
51:28
The
51:29
guy
51:29
really
51:29
knows
51:29
his
51:29
engine.
51:30
You
51:30
should
51:31
hear
51:31
that
51:31
thing
51:31
purr
51:32
now.
51:32
I'm
51:33
sorry.
51:33
Out
51:33
of
51:34
pocket.
51:36
Out
51:37
of
51:37
pocket.
51:38
I
51:38
don't
51:38
want
51:38
to
51:38
get
51:39
too
51:39
deep
51:39
into
51:39
the
51:39
Eddie
51:40
stuff
51:40
because
51:40
we're
51:40
going
51:40
to
51:41
save
51:41
that
51:41
for
51:41
an
51:41
Eddie
51:42
episode.
51:42
But
51:43
these
51:43
are
51:43
the
51:43
things
51:44
that
51:44
Buck
51:44
is
51:44
hearing.
51:45
And
51:45
just
51:46
what
51:46
is
51:46
he
51:46
supposed
51:47
to.
51:47
Where
51:47
do
51:47
you
51:47
think
51:47
his
51:48
mind
51:48
is
51:48
going
51:48
with
51:48
this
51:48
shit?
51:49
And
51:49
why
51:49
do
51:49
you
51:49
think
51:49
it
51:50
makes
51:50
him
51:50
even
51:50
more
51:50
crazy?
51:51
I
51:52
do
51:52
also
51:52
just
51:52
want
51:53
to
51:53
very
51:54
quickly
51:54
relate
51:55
that
51:55
back
51:56
to
51:56
what
51:56
Tommy
51:57
Said
51:57
to
51:57
Buck
51:57
about,
51:58
I
51:58
can
51:58
give
51:58
you
51:59
lessons
51:59
if
51:59
you
52:00
want.
52:01
As
52:01
in,
52:01
like,
52:02
he
52:02
is
52:02
the
52:02
knowledgeable
52:03
one.
52:04
He
52:04
knows
52:05
things
52:05
that,
52:06
like,
52:06
Buck
52:06
and
52:07
Eddie
52:07
do
52:07
not
52:08
know,
52:08
has
52:09
experiences
52:10
that
52:10
they
52:10
maybe
52:11
don't.
52:11
And
52:11
that
52:12
is
52:12
pretty
52:12
much
52:12
the
52:13
only
52:13
differences
52:14
that
52:14
we
52:14
see
52:14
between
52:15
Tommy
52:15
and
52:15
Eddie.
52:16
So
52:16
to
52:16
bring
52:16
it
52:16
back
52:17
about,
52:17
like,
52:17
the
52:18
guy
52:18
really
52:18
knows
52:18
his
52:18
engine.
52:19
You
52:19
should
52:19
hear
52:20
that
52:20
thing
52:20
per.
52:20
Now,
52:21
like,
52:21
that's
52:22
basically
52:23
giving
52:23
lessons.
52:24
Right?
52:26
It's
52:26
all
52:27
very.
52:27
Is
52:28
euphemistic
52:28
a
52:28
word?
52:29
It
52:29
is
52:30
now.
52:30
It's
52:30
all
52:30
very
52:31
euphemistic
52:32
for
52:32
this
52:32
episode.
52:32
It
52:32
is
52:33
now.
52:33
Just
52:33
mark
52:34
that
52:34
in
52:34
Rachel's
52:35
dictionary.
52:36
One
52:36
of.
52:37
One
52:37
of
52:37
those.
52:37
It
52:38
feels
52:38
like
52:38
something
52:38
that
52:38
they
52:38
would
52:39
say
52:39
in
52:39
Wicked
52:40
and
52:40
Oz.
52:41
So
52:41
then
52:41
Buck
52:42
is,
52:42
again,
52:42
still
52:42
trying
52:43
to
52:43
be
52:43
supportive,
52:43
and
52:43
he
52:44
think
52:44
it's
52:44
great.
52:44
You
52:45
can
52:45
never
52:45
have
52:45
enough
52:45
friends.
52:45
And
52:46
Eddie
52:46
hits
52:46
him
52:46
with
52:46
that
52:47
line
52:47
I
52:47
mentioned
52:47
earlier
52:48
about
52:48
you
52:49
just
52:49
click
52:49
with
52:49
someone.
52:50
You
52:50
know
52:50
what
52:50
I
52:50
mean?
52:51
And
52:51
Buck
52:52
is
52:52
very
52:52
full
52:53
on.
52:53
Like,
52:53
I
52:53
do.
52:53
I
52:54
really
52:54
do.
52:55
And
52:55
then
52:55
I
52:56
don't
52:56
want
52:56
to
52:56
get
52:56
into.
52:57
Further
52:57
into
52:57
this
52:57
conversation
52:58
too
52:58
deeply.
52:59
But,
52:59
like,
52:59
I
52:59
think
52:59
Buck
53:00
asks
53:00
him
53:00
when
53:00
he's
53:01
hanging
53:01
out
53:01
with
53:01
Tommy
53:02
again,
53:02
and
53:02
he's
53:02
like,
53:02
oh,
53:03
he
53:03
has
53:03
this
53:03
thing
53:04
later
53:04
this
53:04
week,
53:04
but,
53:05
like,
53:05
he.
53:05
He
53:06
doesn't
53:06
have
53:06
anyone
53:07
to
53:07
watch
53:07
Christopher.
53:08
And
53:08
then
53:09
asks
53:09
Buck,
53:09
what
53:10
are
53:10
you
53:10
doing?
53:11
And
53:12
Buck
53:12
gets
53:12
really
53:12
excited.
53:13
But,
53:14
yeah,
53:14
he
53:14
just
53:15
asked
53:15
Buck
53:15
to
53:15
watch
53:15
Christopher
53:16
because
53:16
he
53:17
already
53:17
asked
53:17
Marisol
53:18
twice
53:19
that
53:19
week.
53:19
It's
53:20
giving.
53:21
Stepping
53:21
out
53:21
on
53:22
the
53:22
town.
53:22
It's
53:23
giving.
53:23
Buck
53:23
feels
53:24
like
53:24
he's
53:24
being
53:24
replaced.
53:25
And
53:25
it's
53:26
so
53:26
purposeful
53:27
to
53:27
put
53:27
Tommy
53:28
into
53:29
the
53:29
Buck
53:29
position
53:30
but
53:31
will
53:31
feel
53:32
threatened
53:32
by
53:32
it
53:33
because
53:33
he
53:34
has
53:34
so
53:34
much
53:34
more
53:34
in
53:35
common
53:35
with
53:35
Eddie
53:36
and
53:36
he's
53:37
older
53:37
and
53:37
more
53:38
experienced.
53:39
Yeah.
53:40
All
53:40
right.
53:41
So
53:41
now
53:42
we're
53:42
shifting
53:43
to,
53:43
like,
53:43
the
53:43
conversation
53:44
that
53:44
he
53:44
has.
53:45
It's
53:45
one
53:45
of
53:46
the
53:46
first
53:46
conversations
53:46
that
53:47
he
53:47
has
53:47
with
53:47
Maddie
53:47
about
53:48
the
53:49
Eddie
53:49
and
53:49
Tommy
53:50
situation
53:51
or
53:52
whatever
53:52
the
53:52
fuck
53:53
this
53:53
is.
53:55
Anyway,
53:55
so
53:56
he's
53:56
talking
53:56
to
53:56
Maddie.
53:57
He's
53:57
basically
53:57
airing
53:57
out
53:58
his
53:58
grievances,
53:59
especially
53:59
after
53:59
the,
54:00
you
54:00
know,
54:00
babysitting
54:01
Christopher.
54:02
Buck
54:02
says,
54:02
my
54:02
point
54:03
is
54:03
he's
54:03
made
54:03
an
54:03
impression
54:04
in
54:04
a
54:04
very
54:04
short
54:04
time
54:05
and
54:05
that
54:05
Christopher
54:06
wouldn't
54:06
stop
54:06
talking
54:07
about
54:07
him.
54:08
And
54:08
then
54:08
how
54:09
he's
54:09
pointing
54:09
out
54:09
that
54:10
on
54:10
Eddie's
54:10
calendar,
54:11
he
54:12
has.
54:14
He
54:14
has
54:14
the
54:14
bbpu,
54:15
which
54:15
is
54:16
basketball
54:16
pickup
54:16
game
54:17
with
54:17
Tommy,
54:18
and
54:18
it's
54:19
circled.
54:19
And
54:19
the
54:19
way
54:20
he
54:20
says
54:20
that,
54:20
it's
54:21
like
54:21
doom
54:22
and
54:22
gloom.
54:23
Like.
54:23
Like,
54:24
yeah,
54:24
like
54:25
it.
54:25
Like,
54:25
it's
54:25
so
54:25
scandalous.
54:26
Like,
54:26
how
54:26
dare.
54:28
And
54:29
I
54:29
think
54:29
Maddie's
54:30
like,
54:30
well,
54:30
you
54:30
hate
54:30
basketball.
54:31
And
54:31
then,
54:31
like,
54:32
he's
54:32
like,
54:32
well,
54:33
Eddie
54:33
keeps
54:33
asking
54:33
me
54:34
to
54:34
go,
54:34
which
54:34
is
54:35
why
54:35
I
54:35
say
54:35
no.
54:36
But
54:37
now
54:37
he's
54:37
going
54:37
with
54:37
Tommy,
54:38
and
54:38
he's
54:38
got
54:39
it
54:39
circled.
54:40
Then
54:40
Maddie's
54:41
like,
54:41
is
54:42
it
54:42
circled
54:42
with
54:42
a
54:42
heart
54:43
around
54:43
it?
54:44
Diabolical
54:44
Maddie.
54:45
Oh,
54:45
yeah.
54:45
Big
54:46
sisterism
54:46
right
54:47
there.
54:47
The
54:47
way
54:47
the
54:47
book
54:48
says
54:48
circled
54:49
with
54:49
a
54:49
heart
54:50
is
54:50
how
54:51
I
54:51
imagine
54:52
you
54:52
tell
54:52
your
54:53
best
54:53
friend
54:53
or
54:53
your
54:54
older
54:54
sibling
54:55
that
54:56
your
54:56
significant
54:56
other
54:57
cheated
54:57
on
54:57
you.
54:58
It's
54:58
like,
54:59
I'm
54:59
supposed
54:59
to
54:59
be
55:00
on
55:00
the
55:00
calendar.
55:00
Circled
55:01
trips,
55:02
movie
55:02
nights.
55:04
Like
55:04
I'm
55:04
important.
55:05
Like,
55:06
the
55:06
way
55:06
he's
55:06
reading
55:06
it
55:07
is,
55:07
oh,
55:08
this
55:08
is
55:08
very
55:08
important.
55:09
He's
55:09
got
55:09
it
55:10
circled.
55:11
Buck
55:11
is
55:11
just
55:11
projecting.
55:12
Oh,
55:12
like.
55:12
Like
55:13
he's
55:13
excited
55:14
to
55:15
go
55:15
hang
55:15
out
55:16
with
55:16
Tommy
55:16
and
55:17
not
55:17
him.
55:17
And
55:18
it's
55:18
just
55:18
like,
55:19
what
55:19
about
55:19
me?
55:20
I'm
55:20
also
55:21
here.
55:22
This
55:23
entire
55:23
episode
55:24
is
55:24
Buck
55:24
just
55:24
being
55:25
like,
55:25
I'm
55:26
also
55:26
here.
55:27
But,
55:27
like,
55:28
even
55:28
though
55:28
this
55:28
whole
55:28
conversation
55:29
revolves
55:30
around
55:31
Tommy,
55:32
if
55:33
you
55:33
look
55:33
a
55:33
little
55:34
further,
55:34
it's
55:34
actually
55:35
about,
55:36
you
55:36
know,
55:36
I
55:36
was
55:36
about
55:37
to
55:37
say
55:37
Oliver.
55:37
It's.
55:39
It's
55:39
actually.
55:40
Wait,
55:41
what?
55:41
I
55:42
mean,
55:43
I
55:43
was
55:43
about
55:43
to
55:43
say
55:43
Oliver,
55:44
and
55:44
I'm
55:44
trying
55:45
to,
55:45
like,
55:45
say
55:45
Buck.
55:46
It's
55:46
because
55:47
we
55:47
keep
55:47
saying
55:47
that
55:48
I
55:48
am
55:48
also
55:48
here.
55:48
I'm
55:49
also
55:49
here.
55:50
Which
55:51
is
55:51
the
55:51
most
55:51
Oliver
55:52
that
55:52
Buck
55:53
ever
55:53
gets.
55:55
No.
55:55
So
55:56
even
55:56
though.
55:56
Well,
55:56
it's
55:56
the.
55:57
It's
55:57
because
55:58
Cancer
55:58
sun.
55:58
Cancer
55:59
moon.
55:59
Yes,
56:00
It's.
56:00
It's
56:00
little
56:01
when
56:01
the
56:01
cancer
56:01
moon
56:01
jumps
56:02
out.
56:02
It's
56:03
the
56:03
Tinkerbell
56:03
ism.
56:05
Anyway,
56:05
so
56:05
even
56:06
though
56:06
this
56:06
whole
56:06
conversation
56:07
revolves
56:08
around
56:09
Tommy,
56:10
what
56:10
it
56:11
actually
56:11
is
56:12
about
56:12
is
56:13
Buck's
56:14
feeling
56:15
of
56:16
being.
56:17
Being
56:17
left
56:18
behind
56:19
by
56:20
Eddie
56:20
because
56:21
Eddie
56:21
has
56:21
found
56:22
this
56:22
new
56:22
shiny
56:23
toy
56:23
to
56:23
play
56:23
with.
56:24
Right.
56:25
So
56:25
it's
56:25
not
56:25
actually
56:26
about
56:26
Tommy
56:27
at
56:27
all.
56:27
It's
56:27
about
56:28
Buck
56:28
and
56:28
his
56:28
feelings
56:29
and
56:29
his
56:29
relationship
56:30
with
56:31
Eddie.
56:31
And
56:32
Tommy
56:32
is
56:32
just
56:33
like,
56:33
again,
56:34
that
56:34
MacGuffin
56:35
to
56:36
facilitate
56:37
these
56:38
feelings
56:39
and
56:39
this
56:39
conversation
56:40
taking
56:40
place.
56:41
It's
56:41
not
56:42
actually
56:42
about
56:43
Tommy
56:43
as
56:43
a
56:44
person
56:44
at
56:44
all.
56:44
It
56:45
all
56:45
revolves
56:46
around
56:46
how
56:47
Buck
56:48
is
56:48
feeling
56:48
about
56:49
how
56:49
Eddie
56:50
is
56:51
hanging
56:52
out
56:52
with
56:52
this
56:52
other
56:52
guy.
56:53
That's
56:54
it.
56:54
It's
56:54
not
56:54
about
56:55
Tommy.
56:55
That's
56:56
what
56:56
makes
56:56
him
56:56
the
56:57
plot
56:57
device.
56:58
That's
56:58
what
56:58
I
56:58
said.
56:58
I
56:59
have
56:59
to
56:59
say
56:59
about
56:59
that.
57:00
I
57:00
don't
57:00
know
57:00
if
57:00
this
57:01
is
57:01
just
57:02
me
57:03
putting
57:03
myself
57:03
out
57:03
there,
57:04
but
57:04
I'm
57:04
like,
57:04
I
57:05
too.
57:05
Like,
57:05
listen,
57:06
I
57:06
mean,
57:07
I'm
57:07
strictly
57:07
thinking
57:07
about
57:08
this,
57:08
like,
57:08
in
57:08
a
57:08
friendship
57:09
point
57:09
of
57:09
view,
57:09
but
57:09
who
57:09
the
57:09
hell
57:10
knows?
57:10
Because
57:10
those
57:10
lines
57:11
get
57:11
blurred
57:11
and
57:11
whatever.
57:12
Eventually,
57:13
you
57:13
know,
57:13
that
57:14
happens.
57:14
But
57:15
give
57:16
or
57:16
take,
57:16
I
57:16
mean,
57:17
sometimes
57:17
it's
57:18
not,
57:18
and
57:18
sometimes
57:18
it
57:19
really
57:19
is
57:19
just
57:19
like,
57:20
you
57:20
know,
57:21
I
57:21
don't.
57:22
Like,
57:22
why
57:23
are
57:23
you.
57:23
Why
57:23
are
57:23
you
57:24
not
57:24
giving
57:24
me
57:25
enough
57:26
attention?
57:27
You
57:27
know,
57:27
like,
57:27
why
57:28
are
57:28
you
57:28
hanging
57:28
out
57:28
with
57:28
this
57:29
other
57:29
person?
57:30
Not
57:30
get
57:30
it.
57:30
Whenever
57:31
anyone
57:31
in
57:32
our
57:32
friend
57:32
group
57:32
says
57:33
they
57:33
have
57:33
plans
57:33
with
57:33
someone
57:34
who
57:34
is
57:34
not
57:34
in
57:34
our
57:34
friend
57:35
group,
57:35
we're
57:35
like,
57:35
yeah,
57:36
we
57:37
didn't
57:37
approve
57:37
that.
57:38
Yeah,
57:39
there
57:39
was
57:39
no
57:39
authorization
57:40
to
57:40
do
57:40
that.
57:41
The
57:41
council
57:42
says
57:43
no
57:43
veto.
57:44
Well,
57:45
you
57:46
guys
57:46
are
57:46
like
57:46
that.
57:47
Yeah,
57:47
Rachel's
57:48
not.
57:48
Rachel
57:48
wants
57:48
to
57:48
be
57:48
friends
57:49
with
57:49
everyone.
57:49
Everyone
57:50
is
57:50
friendshape
57:51
until
57:51
proven
57:51
otherwise.
57:52
Oh.
57:53
Still
57:54
being
57:54
in
57:55
Buck
57:55
bothered
57:56
and
57:56
bewildered.
57:56
We
57:56
go
57:57
to
57:57
the
57:57
basketball
57:58
game.
57:58
So
57:59
there's
57:59
a
57:59
couple
57:59
of
57:59
shots
58:00
while
58:00
the
58:00
basketball
58:01
game
58:01
is
58:02
happening.
58:03
And
58:04
I
58:04
think
58:05
there's
58:05
two
58:05
specifically
58:06
where
58:06
we
58:06
get
58:06
the
58:06
triangle,
58:07
and
58:09
both
58:09
of
58:09
them,
58:09
they're
58:10
high
58:10
fiving
58:11
Eddie
58:11
and
58:11
Tommy.
58:12
First
58:12
one,
58:12
Tommy
58:13
is
58:13
on
58:13
the
58:13
left
58:14
and
58:14
Buck
58:14
is
58:14
in
58:14
the
58:14
middle.
58:15
Eddie's
58:15
on
58:15
the
58:15
right.
58:16
Buck
58:16
looks
58:18
so
58:18
pissy
58:19
in
58:19
both
58:19
of
58:19
these.
58:20
He's
58:20
ready
58:21
to
58:21
hurt
58:21
someone.
58:22
And
58:22
then
58:23
Tommy
58:23
and
58:23
Eddie
58:24
are
58:24
swapped
58:25
in
58:25
the
58:25
next
58:25
one
58:26
where
58:27
Eddie's
58:27
on
58:27
the
58:28
left
58:28
and
58:29
Tommy's
58:29
on
58:29
the
58:29
right.
58:30
Then
58:30
the
58:30
camera
58:30
zooms
58:31
in
58:31
on
58:32
Buck
58:33
being
58:33
very
58:33
pissed
58:33
off,
58:34
and
58:34
Tommy
58:35
leaves
58:35
the
58:35
frame
58:36
first.
58:37
As
58:37
it
58:37
zooms
58:38
in
58:38
on
58:38
Buck,
58:39
you
58:39
can't
58:39
see
58:40
Tommy
58:40
any
58:41
longer,
58:41
but
58:41
you
58:41
can
58:42
still
58:42
see
58:42
Eddie
58:42
in
58:42
the
58:43
shot
58:43
with
58:43
Buck.
58:43
So
58:43
it's
58:44
almost
58:44
like
58:44
it's
58:45
about
58:45
Eddie.
58:46
It's
58:46
almost
58:46
like
58:47
Tommy
58:47
might
58:47
have
58:48
been
58:48
his
58:48
first
58:48
but
58:49
won't
58:49
be
58:49
his
58:50
last.
58:51
So
58:51
when
58:51
they
58:51
get
58:51
to
58:51
the
58:52
game,
58:52
when
58:53
Chimney
58:53
and
58:54
Buck
58:54
get
58:54
to
58:54
the
58:55
game,
58:55
they're
58:55
just
58:55
watching
58:56
for
58:56
a
58:56
little
58:56
bit
58:56
before
58:57
Tommy
58:57
and
58:57
Eddie
58:58
notice
58:58
them.
58:58
Tommy
58:59
scores
58:59
a.
58:59
Not
58:59
a
59:00
goal.
59:00
Is
59:00
it
59:00
a
59:00
goal?
59:00
Scores
59:01
a
59:01
shot,
59:01
score
59:02
some
59:02
points.
59:02
I
59:02
think
59:02
it's
59:02
a
59:03
shot.
59:03
I
59:03
don't
59:03
fucking.
59:04
I
59:04
don't
59:04
do
59:04
sports
59:05
ball.
59:05
Okay.
59:05
I'm
59:05
so
59:06
sorry.
59:06
Tommy
59:06
gets
59:07
the
59:07
ball
59:07
in
59:07
the
59:07
hoop.
59:08
Yeah.
59:09
Oh,
59:09
my
59:09
God.
59:10
And
59:11
Eddie
59:11
goes,
59:12
hey,
59:12
that's
59:12
my
59:12
boy.
59:13
Which
59:14
I
59:14
wow.
59:14
That
59:15
I
59:15
can't
59:15
believe
59:16
I
59:16
didn't
59:16
trigger
59:17
into
59:17
an
59:17
immediate
59:17
rage.
59:19
I
59:19
mean,
59:19
he
59:20
witnessed
59:20
it
59:21
close
59:21
to
59:21
snapping.
59:22
They
59:22
notice
59:22
them.
59:23
And
59:23
then
59:23
Eddie
59:24
goes,
59:25
how
59:25
did
59:25
you
59:25
talk
59:26
him
59:26
into
59:26
this?
59:27
He
59:28
always
59:28
says
59:28
no
59:28
to
59:28
me.
59:29
And
59:29
Chimney's
59:30
like,
59:30
I
59:30
have
59:30
my
59:30
ways.
59:32
And
59:32
then
59:32
as
59:33
soon
59:33
as
59:33
Tommy
59:34
and
59:35
Eddie
59:35
walk
59:35
away,
59:36
Jimmy's
59:37
like,
59:38
so
59:38
I'm
59:38
your
59:38
basketball
59:39
beard.
59:39
I
59:39
feel
59:40
so
59:40
bonded.
59:41
It
59:42
literally
59:43
used
59:44
the
59:44
word
59:45
beard,
59:46
which
59:47
is
59:47
queer
59:47
coding.
59:48
Which
59:48
is
59:49
a
59:49
hundred
59:50
percent
59:50
queer
59:50
coding.
59:51
Mentioned
59:51
it
59:51
earlier
59:51
in
59:51
the
59:51
episode.
59:52
We
59:52
were
59:52
talking
59:52
about
59:52
Glee
59:53
and
59:53
how
59:54
Karofsky
59:55
and
59:55
Santana
59:56
were
59:56
each
59:56
other's
59:56
beards.
59:57
You
59:58
know?
59:58
Yeah.
59:58
Basketball
59:59
beard.
1:00:00
The
1:00:00
Word
1:00:01
beard.
1:00:01
That's
1:00:01
insane.
1:00:02
Work
1:00:02
camp.
1:00:04
No,
1:00:04
I
1:00:05
totally
1:00:05
can't
1:00:05
believe
1:00:06
that
1:00:06
Chimney
1:00:06
was
1:00:07
just
1:00:07
like,
1:00:07
you're
1:00:07
gay.
1:00:09
Yeah.
1:00:09
Because
1:00:09
chimney
1:00:10
talks
1:00:10
to
1:00:10
Hen
1:00:11
and
1:00:11
Maddie.
1:00:11
And
1:00:12
Hen
1:00:12
was
1:00:12
like,
1:00:12
you're
1:00:13
gay
1:00:14
and
1:00:15
chimney
1:00:15
talks
1:00:15
to
1:00:15
Maddie.
1:00:16
Exactly.
1:00:16
So,
1:00:16
yeah,
1:00:17
yeah,
1:00:17
yeah.
1:00:18
And
1:00:18
Maddie's
1:00:19
just
1:00:19
like,
1:00:19
did
1:00:19
you
1:00:19
hear
1:00:20
about
1:00:20
Buck's
1:00:20
new
1:00:20
caress?
1:00:22
Oh,
1:00:22
my
1:00:22
God.
1:00:23
Probably.
1:00:24
I
1:00:24
mean,
1:00:24
she
1:00:24
needs
1:00:24
an
1:00:24
outlet.
1:00:25
Probably
1:00:26
do
1:00:26
talk
1:00:26
a
1:00:27
lot.
1:00:27
Extensively
1:00:28
about
1:00:28
whatever
1:00:29
the
1:00:29
fuck
1:00:29
Buck
1:00:29
is
1:00:30
doing
1:00:30
in
1:00:30
these
1:00:31
situations.
1:00:32
So
1:00:32
we're
1:00:33
moving
1:00:34
on
1:00:34
to
1:00:35
Messina
1:00:35
Dispatch
1:00:37
and
1:00:38
just
1:00:38
want
1:00:38
to
1:00:38
highlight
1:00:39
how
1:00:39
Buck
1:00:40
is
1:00:40
talking
1:00:40
about
1:00:41
how
1:00:41
he
1:00:41
was
1:00:41
pissed
1:00:41
off
1:00:42
and
1:00:43
seeing
1:00:44
Eddie
1:00:44
with
1:00:45
Tommy,
1:00:46
like,
1:00:46
seeing
1:00:46
them
1:00:46
being
1:00:46
such
1:00:47
good
1:00:47
friends
1:00:47
after
1:00:47
only
1:00:48
two
1:00:48
weeks.
1:00:49
It
1:00:49
was
1:00:49
two
1:00:49
days
1:00:49
for
1:00:49
you
1:00:50
guys.
1:00:50
Calm
1:00:51
down.
1:00:52
He
1:00:52
felt
1:00:52
left
1:00:53
out,
1:00:53
and
1:00:53
he
1:00:54
was
1:00:54
just
1:00:54
trying
1:00:54
to
1:00:54
get
1:00:54
his
1:00:55
attention.
1:00:55
He
1:00:55
literally
1:00:56
says,
1:00:56
I
1:00:57
was
1:00:57
trying
1:00:57
to
1:00:57
get
1:00:58
Eddie's
1:00:58
attention.
1:00:59
Yeah.
1:00:59
So,
1:01:00
like,
1:01:00
here
1:01:00
he
1:01:01
knew
1:01:01
whose
1:01:02
attention
1:01:03
he
1:01:03
wanted.
1:01:04
And
1:01:04
then,
1:01:05
I
1:01:05
mean,
1:01:05
I
1:01:05
know
1:01:05
this
1:01:05
is
1:01:06
skipping
1:01:06
around,
1:01:06
but,
1:01:06
like,
1:01:07
you
1:01:08
know,
1:01:08
going
1:01:08
to
1:01:08
that
1:01:08
end
1:01:09
there
1:01:09
in
1:01:10
that.
1:01:10
Conversation
1:01:11
with
1:01:11
Tommy,
1:01:12
he
1:01:12
just
1:01:12
conflates
1:01:14
the
1:01:14
feelings
1:01:15
and
1:01:15
is
1:01:15
like,
1:01:15
well,
1:01:15
it
1:01:16
must
1:01:16
have
1:01:16
been
1:01:16
this.
1:01:17
So
1:01:17
again,
1:01:17
another
1:01:18
example
1:01:18
where
1:01:19
Tommy
1:01:19
is
1:01:20
just.
1:01:20
He's
1:01:21
only
1:01:21
part
1:01:21
of
1:01:21
the
1:01:21
conversation
1:01:22
so
1:01:22
much
1:01:22
and
1:01:23
how
1:01:23
his
1:01:24
friendship
1:01:24
with
1:01:24
Eddie
1:01:25
has
1:01:25
made
1:01:26
him
1:01:26
jealous
1:01:27
of
1:01:27
how
1:01:28
much
1:01:28
time
1:01:28
Eddie
1:01:29
is
1:01:29
spending
1:01:29
with
1:01:29
him,
1:01:30
how
1:01:30
he
1:01:30
felt
1:01:31
like
1:01:31
he's
1:01:32
getting
1:01:32
replaced,
1:01:32
basically.
1:01:34
So
1:01:35
then
1:01:35
at
1:01:35
the
1:01:35
loft,
1:01:37
my
1:01:37
goodness,
1:01:38
what
1:01:38
a
1:01:38
weird
1:01:39
scene.
1:01:39
So
1:01:40
Tommy
1:01:40
shows
1:01:40
up.
1:01:41
Buck
1:01:41
offers
1:01:42
him
1:01:42
a
1:01:42
beer,
1:01:43
and
1:01:43
Tommy
1:01:44
says,
1:01:44
no,
1:01:44
I'm
1:01:44
good.
1:01:45
I
1:01:45
won't
1:01:45
stay
1:01:46
long.
1:01:47
Yeah.
1:01:48
It's
1:01:48
saying
1:01:48
in
1:01:49
the
1:01:49
text
1:01:49
that
1:01:50
Tommy
1:01:51
is
1:01:52
just
1:01:52
there
1:01:52
for
1:01:52
a
1:01:52
little
1:01:53
while.
1:01:53
Like,
1:01:54
I
1:01:54
won't
1:01:54
stay
1:01:54
long.
1:01:55
Like,
1:01:55
you
1:01:55
can
1:01:55
extrapolate
1:01:56
it
1:01:56
and
1:01:57
show,
1:01:57
like,
1:01:58
you
1:01:58
know,
1:01:58
the
1:01:58
writer's
1:01:59
intentions
1:01:59
for
1:02:00
the
1:02:00
character.
1:02:00
And
1:02:00
just,
1:02:01
like,
1:02:01
I
1:02:01
won't
1:02:01
stay
1:02:01
long,
1:02:02
but
1:02:02
I'm
1:02:02
going
1:02:02
to
1:02:03
help
1:02:03
you
1:02:03
along
1:02:03
with
1:02:04
this
1:02:04
certain
1:02:04
thing.
1:02:05
And
1:02:05
then,
1:02:06
bye.
1:02:06
Because
1:02:06
that's
1:02:06
what
1:02:07
a
1:02:07
plot
1:02:07
device
1:02:07
says.
1:02:09
And
1:02:09
Tommy
1:02:10
says
1:02:10
later,
1:02:11
obviously,
1:02:11
I've
1:02:12
been
1:02:12
the
1:02:12
cause
1:02:12
of
1:02:12
some
1:02:12
bad
1:02:13
blood
1:02:13
between
1:02:13
you
1:02:13
and
1:02:14
Eddie,
1:02:14
and
1:02:14
I
1:02:14
just
1:02:14
want
1:02:15
you
1:02:15
to
1:02:15
know
1:02:15
that
1:02:15
was
1:02:16
never
1:02:16
my
1:02:16
intention.
1:02:17
Yeah,
1:02:17
we've
1:02:18
talked
1:02:18
about
1:02:18
this
1:02:18
before.
1:02:19
We'll
1:02:19
probably
1:02:19
talk
1:02:20
about
1:02:20
it
1:02:20
again
1:02:20
when
1:02:20
we
1:02:20
get
1:02:20
into
1:02:21
the
1:02:21
love
1:02:21
triangle
1:02:21
thing.
1:02:22
But
1:02:22
he
1:02:22
was
1:02:22
literally
1:02:23
put
1:02:23
here
1:02:23
to
1:02:24
get
1:02:24
in
1:02:24
between
1:02:24
them
1:02:25
and
1:02:25
cause
1:02:25
bad
1:02:26
blood
1:02:27
to
1:02:28
cause
1:02:28
an
1:02:28
explosion
1:02:29
in
1:02:29
emotion,
1:02:30
in
1:02:30
jealousy.
1:02:31
Yeah.
1:02:32
I
1:02:32
mean,
1:02:32
it's
1:02:33
right
1:02:33
there
1:02:33
in
1:02:33
the
1:02:33
text.
1:02:34
Really
1:02:35
blatant.
1:02:36
Yeah.
1:02:37
I
1:02:37
think
1:02:37
there
1:02:37
can
1:02:38
be
1:02:38
a
1:02:38
difference
1:02:38
between
1:02:40
what
1:02:40
a
1:02:40
character's
1:02:42
actual
1:02:43
intentions
1:02:44
in
1:02:45
their
1:02:45
world
1:02:46
are
1:02:46
and
1:02:47
the
1:02:47
intentions
1:02:48
of,
1:02:48
like,
1:02:49
from
1:02:49
a
1:02:49
meta
1:02:49
analysis,
1:02:50
like,
1:02:50
the
1:02:50
intentions
1:02:51
of
1:02:51
the
1:02:51
writers
1:02:51
and
1:02:51
the
1:02:52
showrunners
1:02:52
and
1:02:52
everything.
1:02:53
Like,
1:02:53
that.
1:02:53
So,
1:02:53
like
1:02:54
Tommy
1:02:54
as
1:02:54
a
1:02:55
character,
1:02:55
of
1:02:55
course,
1:02:55
that
1:02:56
was
1:02:56
not
1:02:56
his
1:02:56
intention.
1:02:57
Tommy
1:02:58
as
1:02:58
a
1:02:59
plot
1:02:59
device
1:03:00
inserted
1:03:01
into
1:03:01
this
1:03:01
narrative
1:03:02
by
1:03:03
the
1:03:04
writers
1:03:04
and
1:03:04
the
1:03:04
showrunners.
1:03:05
That
1:03:06
intention
1:03:07
was
1:03:08
to
1:03:08
literally
1:03:09
get
1:03:10
in
1:03:10
between
1:03:10
Buck
1:03:11
and
1:03:11
Eddie
1:03:11
because
1:03:12
no
1:03:12
one
1:03:12
really
1:03:12
has
1:03:13
before.
1:03:13
Exactly.
1:03:14
The
1:03:15
other
1:03:15
elevator.
1:03:16
Never
1:03:16
have.
1:03:16
And
1:03:17
it's
1:03:17
what
1:03:17
they
1:03:18
all
1:03:18
have
1:03:18
in
1:03:18
common.
1:03:19
They've
1:03:19
never
1:03:19
been
1:03:20
a
1:03:20
threat
1:03:20
to
1:03:21
the.
1:03:21
Other
1:03:22
because
1:03:22
they
1:03:22
were
1:03:22
female
1:03:23
and
1:03:23
because
1:03:24
I
1:03:24
don't
1:03:24
think
1:03:24
they
1:03:25
have,
1:03:25
like,
1:03:25
the
1:03:25
shared
1:03:26
life
1:03:26
or
1:03:27
the
1:03:27
shared
1:03:27
employment
1:03:29
experience.
1:03:30
Yeah.
1:03:30
And
1:03:31
most
1:03:31
of
1:03:31
them
1:03:31
also
1:03:31
don't
1:03:32
start
1:03:32
out
1:03:32
as
1:03:33
friends.
1:03:33
They
1:03:34
are
1:03:34
specifically
1:03:34
introduced
1:03:35
as
1:03:35
love
1:03:36
interests.
1:03:37
So
1:03:37
to
1:03:37
have
1:03:38
Tommy
1:03:38
be
1:03:38
introduced
1:03:39
as
1:03:39
a
1:03:39
friend
1:03:40
first
1:03:41
and
1:03:41
turn
1:03:42
into
1:03:42
a
1:03:42
love
1:03:43
interest
1:03:43
because
1:03:43
that's
1:03:44
what
1:03:44
benefits
1:03:45
the
1:03:46
plot,
1:03:46
I
1:03:46
think
1:03:47
that
1:03:47
is
1:03:47
also
1:03:47
the
1:03:47
difference.
1:03:48
Right.
1:03:48
Because
1:03:49
even
1:03:49
Taylor,
1:03:50
you
1:03:50
can't
1:03:50
really
1:03:50
say,
1:03:51
like,
1:03:51
even
1:03:51
though
1:03:51
she
1:03:51
was
1:03:52
introduced
1:03:52
before
1:03:52
she
1:03:52
became
1:03:53
a
1:03:53
love
1:03:53
interest,
1:03:53
she
1:03:54
was
1:03:54
still,
1:03:54
like,
1:03:55
mildly
1:03:55
antagonistic
1:03:56
towards
1:03:56
Buck,
1:03:57
and
1:03:57
it
1:03:57
wasn't
1:03:57
like
1:03:57
a
1:03:58
friendship
1:03:58
that
1:03:58
was
1:03:59
developed
1:03:59
there.
1:04:00
And
1:04:00
Eddie
1:04:01
never
1:04:01
develops
1:04:02
friendships
1:04:02
with
1:04:02
his
1:04:02
love
1:04:03
interest
1:04:03
at
1:04:04
all.
1:04:04
So
1:04:05
that
1:04:05
role
1:04:06
as
1:04:07
that
1:04:07
very
1:04:08
equal
1:04:08
partnership,
1:04:09
shared
1:04:10
life
1:04:10
experience,
1:04:11
shared
1:04:11
values,
1:04:12
have
1:04:13
always
1:04:13
been
1:04:14
filled
1:04:14
by
1:04:14
either
1:04:15
Buck
1:04:15
or
1:04:15
Eddie,
1:04:15
for
1:04:16
one
1:04:16
or
1:04:16
the
1:04:16
other.
1:04:17
So
1:04:17
to
1:04:17
have
1:04:18
Tommy
1:04:18
actively
1:04:20
plopped
1:04:20
in
1:04:20
here
1:04:21
and
1:04:22
kind
1:04:23
of,
1:04:23
like,
1:04:23
wrestle
1:04:24
that
1:04:24
up
1:04:24
a
1:04:24
little
1:04:25
bit,
1:04:25
you
1:04:25
know,
1:04:25
shake
1:04:26
it
1:04:26
up,
1:04:27
that
1:04:27
is
1:04:27
the
1:04:27
difference.
1:04:28
And
1:04:28
that's
1:04:29
why
1:04:29
it
1:04:30
propels
1:04:31
the
1:04:31
story
1:04:31
in
1:04:31
the
1:04:32
way
1:04:32
that
1:04:32
it
1:04:32
does.
1:04:33
Tommy
1:04:33
later
1:04:33
says,
1:04:34
I
1:04:34
mean,
1:04:34
it's
1:04:34
not
1:04:34
like
1:04:34
I
1:04:34
could
1:04:35
ever
1:04:35
replace
1:04:35
you.
1:04:36
What
1:04:36
did
1:04:36
we
1:04:36
say
1:04:36
at
1:04:36
the
1:04:37
beginning
1:04:37
of
1:04:37
the
1:04:37
episode?
1:04:38
Device
1:04:39
characters
1:04:40
can
1:04:40
be
1:04:40
replaced
1:04:41
very
1:04:41
easily.
1:04:42
Who
1:04:42
can't
1:04:42
be
1:04:43
replaced?
1:04:43
A
1:04:44
main
1:04:44
character.
1:04:45
Yeah.
1:04:46
It's
1:04:46
interesting,
1:04:46
though,
1:04:47
too,
1:04:48
for
1:04:48
Tommy
1:04:48
to
1:04:48
say,
1:04:49
it's
1:04:50
not
1:04:50
like
1:04:50
I
1:04:51
could
1:04:51
ever
1:04:51
replace
1:04:51
you
1:04:52
because
1:04:53
Tommy
1:04:54
has
1:04:55
been
1:04:55
replaced.
1:04:56
Replaced
1:04:56
by
1:04:57
Buck.
1:04:59
So
1:05:00
it's
1:05:00
not
1:05:00
that
1:05:00
Tommy
1:05:01
could
1:05:01
ever
1:05:01
replace
1:05:02
Buck
1:05:02
because
1:05:02
Buck
1:05:03
replaced
1:05:03
Tommy.
1:05:05
Oh,
1:05:05
my
1:05:05
God,
1:05:05
that's
1:05:06
so
1:05:06
funny.
1:05:08
So,
1:05:08
like,
1:05:09
literally,
1:05:09
it's
1:05:10
this
1:05:10
whole
1:05:10
conversation
1:05:12
is
1:05:12
talking
1:05:13
on.
1:05:13
On
1:05:14
a
1:05:14
meta
1:05:14
level
1:05:15
about
1:05:16
the
1:05:16
intentions
1:05:17
of
1:05:17
what
1:05:17
they're
1:05:18
going
1:05:18
to
1:05:18
be
1:05:18
doing
1:05:18
with
1:05:19
this
1:05:19
character,
1:05:20
that
1:05:20
he's
1:05:21
not
1:05:21
going
1:05:21
to
1:05:21
be
1:05:21
there
1:05:21
for
1:05:21
a
1:05:22
long
1:05:22
time,
1:05:22
that
1:05:23
he
1:05:23
is
1:05:24
purely
1:05:24
to
1:05:25
drive
1:05:26
tension
1:05:26
in
1:05:26
between
1:05:27
Buck
1:05:28
and
1:05:28
Eddie
1:05:28
and
1:05:29
to
1:05:29
show
1:05:30
that
1:05:30
Tommy
1:05:31
cannot
1:05:31
replace
1:05:32
anyone
1:05:32
because
1:05:32
he
1:05:33
is
1:05:33
the
1:05:33
replaceable
1:05:34
character.
1:05:36
Buck
1:05:36
says,
1:05:37
I
1:05:37
can
1:05:37
get
1:05:37
pretty
1:05:37
jealous.
1:05:38
Yeah,
1:05:39
we
1:05:39
know
1:05:41
you
1:05:42
maimed
1:05:42
your
1:05:42
best
1:05:43
friend.
1:05:43
He
1:05:43
says
1:05:43
this
1:05:43
later.
1:05:44
He's
1:05:44
talking
1:05:45
about,
1:05:45
like,
1:05:46
how
1:05:46
he
1:05:46
thought
1:05:46
Tommy
1:05:47
was
1:05:47
cool
1:05:47
and
1:05:48
wanted
1:05:49
to
1:05:49
get
1:05:49
to
1:05:49
know
1:05:49
him.
1:05:49
And
1:05:49
then
1:05:49
you
1:05:50
left
1:05:50
with
1:05:50
Eddie,
1:05:51
which.
1:05:51
Listen,
1:05:52
you
1:05:52
don't
1:05:52
have
1:05:52
to
1:05:52
tell
1:05:53
me
1:05:53
how
1:05:53
great
1:05:53
Eddie
1:05:53
is.
1:05:55
You
1:05:55
know,
1:05:55
I've
1:05:55
known
1:05:55
that
1:05:56
since
1:05:56
the
1:05:56
first
1:05:56
day
1:05:56
I
1:05:56
worked
1:05:57
with
1:05:57
him.
1:05:57
Of
1:05:57
course
1:05:57
you
1:05:57
want
1:05:58
to
1:05:58
hang
1:05:58
out
1:05:58
with
1:05:58
Eddie.
1:05:59
Plus,
1:05:59
well,
1:05:59
I
1:06:00
don't
1:06:00
know,
1:06:00
Muay
1:06:01
Thai.
1:06:01
And
1:06:01
then
1:06:01
again,
1:06:02
I
1:06:02
could
1:06:02
teach
1:06:02
you.
1:06:03
This
1:06:03
is
1:06:03
where
1:06:03
his
1:06:03
wires
1:06:04
get
1:06:04
crossed,
1:06:04
because
1:06:05
it's
1:06:05
like,
1:06:05
I
1:06:06
don't
1:06:06
know.
1:06:06
The
1:06:07
fourth
1:06:07
time
1:06:08
Tommy
1:06:08
in
1:06:09
this
1:06:09
episode
1:06:09
has
1:06:09
said
1:06:10
something
1:06:10
about,
1:06:10
like,
1:06:10
teaching
1:06:11
him.
1:06:12
So
1:06:13
then
1:06:13
Buck
1:06:14
is
1:06:14
like,
1:06:14
is
1:06:14
that
1:06:14
going
1:06:14
to
1:06:14
be
1:06:15
after
1:06:15
our
1:06:15
flying
1:06:15
lessons?
1:06:16
And
1:06:16
this
1:06:16
is
1:06:16
when,
1:06:16
like,
1:06:17
there's
1:06:17
tension
1:06:17
happening
1:06:18
now,
1:06:19
probably
1:06:19
on
1:06:19
the
1:06:19
same
1:06:20
day.
1:06:20
Tommy
1:06:20
says.
1:06:21
And
1:06:21
then
1:06:21
Buck's
1:06:21
like,
1:06:22
good.
1:06:22
Trying
1:06:22
to
1:06:22
get
1:06:22
your
1:06:22
attention
1:06:23
has
1:06:23
been
1:06:23
kind
1:06:23
of
1:06:24
exhausting.
1:06:25
And
1:06:25
Tommy,
1:06:25
very
1:06:26
confusedly,
1:06:27
is
1:06:27
like,
1:06:28
my
1:06:28
attention?
1:06:29
Yeah.
1:06:29
That's
1:06:30
one
1:06:30
of
1:06:30
the
1:06:30
wildest
1:06:31
things
1:06:31
I
1:06:31
think
1:06:31
they
1:06:31
could
1:06:32
have
1:06:32
done,
1:06:33
because
1:06:33
that
1:06:33
really
1:06:34
does
1:06:35
emphasize
1:06:35
how
1:06:36
Buck
1:06:36
has
1:06:37
conflated
1:06:38
his
1:06:38
feelings
1:06:39
of
1:06:40
Eddie
1:06:41
onto
1:06:41
a
1:06:42
very
1:06:42
established
1:06:43
as
1:06:43
similar
1:06:44
character.
1:06:45
Then
1:06:45
Buck
1:06:45
says
1:06:46
the,
1:06:46
like,
1:06:46
standard
1:06:47
Buck
1:06:48
and
1:06:48
Eddie
1:06:48
Lyon,
1:06:48
which
1:06:49
is,
1:06:49
yeah,
1:06:49
I
1:06:49
guess
1:06:50
so
1:06:50
romantic.
1:06:51
So
1:06:51
sure.
1:06:52
Oh,
1:06:52
I'm.
1:06:53
I'm.
1:06:53
I'm
1:06:54
so
1:06:54
sure.
1:06:56
Yeah.
1:06:57
He
1:06:57
sounds
1:06:57
so
1:06:57
sure.
1:06:58
Yeah,
1:06:58
I
1:06:58
guess
1:06:58
so.
1:06:59
And
1:06:59
he
1:06:59
looks
1:06:59
confused
1:07:00
while
1:07:00
he
1:07:00
says.
1:07:00
It,
1:07:01
because
1:07:01
he
1:07:02
is
1:07:02
confused.
1:07:04
He
1:07:04
wouldn't
1:07:04
look
1:07:05
this
1:07:05
confused
1:07:05
if
1:07:05
it
1:07:05
was
1:07:06
actually
1:07:06
what.
1:07:07
But
1:07:07
this
1:07:07
is
1:07:07
how
1:07:08
he's,
1:07:08
like,
1:07:08
explaining
1:07:08
it
1:07:09
to
1:07:09
himself.
1:07:09
He's
1:07:09
like,
1:07:10
I
1:07:10
mean,
1:07:10
I
1:07:11
did
1:07:11
made
1:07:11
my
1:07:11
best
1:07:11
friend.
1:07:14
He's
1:07:14
like,
1:07:14
well,
1:07:15
if
1:07:15
I
1:07:15
hurt
1:07:15
Eddie,
1:07:15
I
1:07:16
must
1:07:16
have
1:07:16
been
1:07:16
trying.
1:07:16
Like,
1:07:17
he.
1:07:17
He's
1:07:17
trying
1:07:18
to
1:07:18
make
1:07:18
it
1:07:18
make
1:07:18
sense
1:07:18
in
1:07:18
his
1:07:19
head,
1:07:19
and
1:07:19
he
1:07:19
just
1:07:20
puts
1:07:20
that
1:07:20
Beautiful
1:07:21
Mind
1:07:21
task
1:07:22
and
1:07:22
comes
1:07:22
to
1:07:22
the
1:07:23
wrong
1:07:23
conclusion.
1:07:24
How
1:07:24
do
1:07:24
you
1:07:25
get.
1:07:25
How
1:07:26
do
1:07:26
you
1:07:26
get
1:07:26
here?
1:07:29
He
1:07:29
was
1:07:29
literally
1:07:30
just
1:07:30
telling
1:07:30
Maddie
1:07:31
he.
1:07:31
Was
1:07:31
trying
1:07:31
to
1:07:31
get
1:07:32
Eddie's
1:07:32
attention.
1:07:32
I
1:07:33
know.
1:07:33
That's
1:07:33
exactly
1:07:34
what
1:07:34
I'm
1:07:34
saying.
1:07:34
Like,
1:07:35
how
1:07:35
do
1:07:35
you
1:07:35
get
1:07:35
from
1:07:36
there
1:07:36
to
1:07:37
here?
1:07:37
You
1:07:38
jump
1:07:38
a
1:07:38
couple
1:07:38
hurdles.
1:07:39
I
1:07:40
don't
1:07:40
know.
1:07:40
Well,
1:07:40
those
1:07:40
are
1:07:41
some
1:07:41
really
1:07:41
big
1:07:42
hurdles.
1:07:47
He
1:07:47
can
1:07:47
clear
1:07:48
those
1:07:48
no
1:07:48
problem.
1:07:49
That's
1:07:49
why
1:07:49
we're
1:07:50
in
1:07:50
this.
1:07:51
That's
1:07:51
why
1:07:51
we're
1:07:52
here
1:07:53
in
1:07:53
this
1:07:53
Dilemma.
1:07:56
Stop.
1:07:58
Just
1:07:58
a
1:07:58
line
1:07:59
to
1:07:59
keep
1:07:59
in
1:07:59
mind
1:07:59
for
1:08:00
the
1:08:00
very
1:08:01
end
1:08:01
of
1:08:01
this
1:08:01
episode.
1:08:02
Tommy
1:08:02
says,
1:08:03
crosstown
1:08:03
traffic.
1:08:04
I
1:08:04
came
1:08:04
in
1:08:04
a
1:08:04
car
1:08:04
this
1:08:05
time.
1:08:06
Mm.
1:08:06
Interesting.
1:08:07
I
1:08:07
don't
1:08:08
get
1:08:08
it,
1:08:08
because
1:08:08
he's
1:08:09
never
1:08:09
been
1:08:09
to
1:08:10
Buck's
1:08:10
place.
1:08:10
But
1:08:11
anyway,
1:08:11
I
1:08:11
don't
1:08:11
know
1:08:11
what
1:08:11
this
1:08:12
time
1:08:12
means,
1:08:12
but
1:08:13
he
1:08:13
took
1:08:13
a
1:08:13
card
1:08:13
of
1:08:13
Buck's
1:08:14
place
1:08:14
and
1:08:15
he's
1:08:15
mentioning
1:08:15
it.
1:08:16
It's
1:08:16
gonna
1:08:16
mirror
1:08:17
the
1:08:18
end.
1:08:18
As
1:08:18
Tommy's
1:08:19
leaving,
1:08:19
he's
1:08:19
like,
1:08:20
and
1:08:20
for
1:08:20
God's
1:08:20
sake,
1:08:20
please
1:08:21
call
1:08:21
Eddie.
1:08:21
Which
1:08:22
parallels
1:08:22
Eddie
1:08:23
in705
1:08:24
telling
1:08:24
Buck
1:08:25
to
1:08:25
call
1:08:25
Tommy.
1:08:26
I
1:08:26
was
1:08:26
just
1:08:27
reading
1:08:27
through
1:08:27
this
1:08:27
insane
1:08:28
dialogue.
1:08:29
Yeah,
1:08:29
it
1:08:29
is
1:08:30
insane.
1:08:30
This
1:08:30
is
1:08:30
why
1:08:30
I
1:08:30
was
1:08:30
going
1:08:30
insane
1:08:31
last
1:08:31
night,
1:08:31
guys.
1:08:32
Yeah.
1:08:33
None
1:08:33
of
1:08:33
this
1:08:33
is
1:08:34
even
1:08:34
the
1:08:34
Full
1:08:34
dialogue.
1:08:35
All
1:08:35
right,
1:08:35
so
1:08:36
705.
1:08:37
You
1:08:37
don't
1:08:37
know
1:08:38
me.
1:08:38
Tommy
1:08:38
is
1:08:39
basically
1:08:39
like,
1:08:40
a
1:08:40
plot
1:08:40
device
1:08:41
for
1:08:41
Buck.
1:08:42
For
1:08:42
Buck.
1:08:43
Me
1:08:43
and
1:08:44
Buck.
1:08:45
He
1:08:45
was
1:08:45
just
1:08:46
about
1:08:46
to
1:08:46
do
1:08:46
that.
1:08:46
I
1:08:47
can't
1:08:47
say
1:08:47
his
1:08:47
name
1:08:48
anymore
1:08:48
like
1:08:49
a
1:08:49
normal
1:08:49
person.
1:08:50
Buck.
1:08:51
Anyway,
1:08:52
so
1:08:53
anyway,
1:08:53
he's
1:08:53
a
1:08:53
plot
1:08:53
device
1:08:54
for
1:08:54
Buck
1:08:54
to
1:08:54
come
1:08:54
out
1:08:55
to
1:08:55
Eddie
1:08:55
and
1:08:56
Maddie
1:08:56
and
1:08:56
show
1:08:57
that
1:08:57
Buck.
1:08:58
Buck
1:08:58
has
1:08:59
some
1:08:59
feelings
1:08:59
he
1:09:00
doesn't
1:09:00
understand
1:09:00
about
1:09:01
Eddie.
1:09:01
So
1:09:02
at
1:09:02
the
1:09:02
restaurant.
1:09:03
Help.
1:09:04
I'm
1:09:04
still
1:09:05
at
1:09:05
the
1:09:05
restaurant.
1:09:07
Still.
1:09:10
The
1:09:10
blocking
1:09:11
at
1:09:11
the
1:09:11
restaurant
1:09:12
is
1:09:12
where
1:09:12
we
1:09:13
get
1:09:13
our
1:09:13
triangle
1:09:13
of
1:09:14
the
1:09:14
episode.
1:09:14
There's
1:09:15
always
1:09:15
a
1:09:15
triangle.
1:09:16
Well,
1:09:16
when
1:09:17
Tommy's
1:09:17
actually
1:09:17
there,
1:09:17
there's
1:09:18
a
1:09:18
triangle.
1:09:18
It's
1:09:18
when
1:09:19
Eddie
1:09:20
and
1:09:20
Marisol
1:09:21
come
1:09:21
up
1:09:21
to
1:09:22
Buggin.
1:09:23
Bucking.
1:09:23
Tommy's.
1:09:24
Tommy's
1:09:25
stable,
1:09:26
and
1:09:26
it's
1:09:26
only
1:09:26
at,
1:09:27
like,
1:09:27
the
1:09:27
very
1:09:27
beginning
1:09:28
end
1:09:28
of
1:09:28
their
1:09:29
conversation.
1:09:29
There's
1:09:30
a
1:09:30
wide
1:09:30
shot
1:09:30
at
1:09:30
the
1:09:31
beginning.
1:09:31
At
1:09:32
the
1:09:32
end,
1:09:32
and
1:09:32
they.
1:09:33
They
1:09:33
both
1:09:33
show
1:09:33
Eddie
1:09:34
and
1:09:34
Marisol
1:09:34
on
1:09:35
the
1:09:35
left,
1:09:35
but
1:09:35
he's.
1:09:36
Marisol's
1:09:36
kind
1:09:36
of,
1:09:36
like,
1:09:36
tucked
1:09:37
to
1:09:37
the
1:09:37
side,
1:09:37
so
1:09:37
it's
1:09:38
like,
1:09:38
she's
1:09:38
there,
1:09:39
but
1:09:40
she's
1:09:40
so
1:09:40
small
1:09:41
and
1:09:41
kind
1:09:41
of
1:09:41
tucked
1:09:41
away.
1:09:42
And
1:09:42
then
1:09:42
Buck
1:09:43
is
1:09:43
in
1:09:43
the
1:09:43
middle,
1:09:44
always
1:09:45
looking
1:09:45
at
1:09:45
Eddie,
1:09:46
I
1:09:46
think,
1:09:46
except
1:09:46
for
1:09:47
the
1:09:47
comment
1:09:47
Tommy
1:09:48
makes
1:09:48
about.
1:09:49
Right.
1:09:49
Evan.
1:09:50
And
1:09:50
then
1:09:50
Tommy's
1:09:51
on
1:09:51
the
1:09:51
right.
1:09:52
So
1:09:53
remind
1:09:53
me.
1:09:54
Yes.
1:09:55
Oh,
1:09:55
no,
1:09:56
that
1:09:56
would.
1:09:56
That
1:09:56
would
1:09:56
disprove
1:09:57
my
1:09:57
argument,
1:09:57
I
1:09:58
guess,
1:09:58
because
1:09:58
I
1:09:58
was
1:09:58
gonna
1:09:59
be
1:09:59
like.
1:09:59
Because
1:10:00
I.
1:10:00
You
1:10:00
know,
1:10:01
before
1:10:01
we
1:10:01
got
1:10:01
on,
1:10:01
we
1:10:02
were
1:10:02
talking
1:10:02
about,
1:10:02
what
1:10:02
does
1:10:02
the
1:10:03
left?
1:10:03
What
1:10:03
does
1:10:03
the
1:10:03
right
1:10:04
mean?
1:10:04
And
1:10:04
I
1:10:04
was
1:10:04
like,
1:10:05
so
1:10:05
does
1:10:05
that
1:10:05
mean
1:10:05
that
1:10:05
the
1:10:06
left
1:10:06
is,
1:10:06
like,
1:10:07
what
1:10:07
the
1:10:07
center
1:10:08
person
1:10:08
can't
1:10:09
have?
1:10:09
Because
1:10:09
it
1:10:09
would
1:10:09
make
1:10:10
sense
1:10:10
here.
1:10:11
It
1:10:11
would
1:10:12
make
1:10:12
sense
1:10:13
after
1:10:13
they
1:10:13
rescue
1:10:14
Bobby
1:10:14
and
1:10:14
Athena
1:10:15
because,
1:10:16
like,
1:10:16
we're
1:10:17
behind
1:10:17
that
1:10:17
theory
1:10:17
of,
1:10:18
like,
1:10:19
Tommy
1:10:19
wanting
1:10:20
Eddie.
1:10:21
But
1:10:21
then
1:10:21
it
1:10:21
doesn't.
1:10:22
Unless,
1:10:22
like,
1:10:22
we
1:10:22
can
1:10:22
figure
1:10:23
out
1:10:23
how
1:10:24
this
1:10:24
works
1:10:24
at
1:10:24
harbor,
1:10:25
you
1:10:25
know?
1:10:25
No,
1:10:26
it
1:10:26
makes
1:10:26
sense
1:10:26
because
1:10:27
Eddie's
1:10:27
on
1:10:27
the
1:10:27
left.
1:10:28
Yeah.
1:10:28
Multiple
1:10:29
times
1:10:29
Eddie's
1:10:30
on
1:10:30
the
1:10:30
left.
1:10:30
I
1:10:31
think
1:10:31
the
1:10:31
only
1:10:31
time
1:10:31
it
1:10:31
doesn't
1:10:31
make
1:10:32
sense
1:10:32
is
1:10:32
when
1:10:32
you're
1:10:32
doing
1:10:33
multiple
1:10:33
angle
1:10:34
shots.
1:10:34
Yeah.
1:10:35
Or
1:10:36
actually,
1:10:36
maybe.
1:10:36
I
1:10:36
guess
1:10:37
it
1:10:37
does
1:10:37
make
1:10:37
sense
1:10:38
at
1:10:38
the
1:10:38
basketball
1:10:38
game
1:10:39
because
1:10:39
you
1:10:39
do
1:10:40
have.
1:10:40
The
1:10:41
first
1:10:41
shot
1:10:42
of
1:10:42
the
1:10:42
three
1:10:42
of
1:10:42
them
1:10:43
is
1:10:43
with
1:10:43
Tommy
1:10:44
on
1:10:44
the
1:10:44
left,
1:10:44
but
1:10:45
then
1:10:45
the
1:10:45
second
1:10:45
one
1:10:45
is
1:10:46
with
1:10:46
Eddie
1:10:46
on
1:10:46
the
1:10:46
left.
1:10:47
So
1:10:47
that's,
1:10:47
again,
1:10:47
the
1:10:48
foreshadowing
1:10:48
of,
1:10:49
like,
1:10:49
thinks
1:10:49
he
1:10:49
wants
1:10:50
Tommy,
1:10:50
but
1:10:50
then
1:10:50
it
1:10:50
ends
1:10:51
up
1:10:51
being
1:10:51
Eddie.
1:10:52
Okay,
1:10:53
okay,
1:10:53
okay.
1:10:53
Because
1:10:53
they
1:10:54
put
1:10:54
both.
1:10:54
You
1:10:54
cracked
1:10:54
it.
1:10:55
You
1:10:55
figured
1:10:55
it
1:10:55
out.
1:10:56
Let's
1:10:56
go.
1:10:57
So
1:10:58
it's.
1:10:58
What
1:10:58
we're
1:10:58
theorizing
1:10:59
is,
1:10:59
like,
1:11:00
what
1:11:00
he
1:11:00
thinks
1:11:01
he
1:11:01
can't
1:11:01
have
1:11:02
on
1:11:02
the
1:11:02
left.
1:11:02
Yeah,
1:11:03
Whoever
1:11:03
is
1:11:03
in
1:11:03
the
1:11:03
center,
1:11:04
no
1:11:04
matter
1:11:05
like
1:11:05
what
1:11:05
the
1:11:05
feeling
1:11:06
is
1:11:06
that
1:11:06
they're
1:11:07
having
1:11:07
in
1:11:07
the
1:11:07
center,
1:11:07
the
1:11:08
person
1:11:08
on
1:11:08
the
1:11:08
left
1:11:08
is
1:11:09
who
1:11:09
they
1:11:09
can't
1:11:10
have.
1:11:12
So
1:11:12
there
1:11:12
was
1:11:12
like
1:11:12
some
1:11:12
interview
1:11:13
that
1:11:13
I
1:11:13
watched,
1:11:14
like,
1:11:14
I
1:11:14
don't
1:11:14
know,
1:11:15
several.
1:11:15
Several
1:11:15
weeks
1:11:16
ago
1:11:16
where
1:11:16
they
1:11:16
were
1:11:16
talking
1:11:17
about,
1:11:17
like,
1:11:18
staging
1:11:18
for
1:11:19
like,
1:11:19
you
1:11:20
know,
1:11:20
play
1:11:20
productions.
1:11:21
And
1:11:22
so
1:11:22
they
1:11:23
were
1:11:23
talking
1:11:23
about
1:11:23
how
1:11:23
like,
1:11:24
the
1:11:25
villain
1:11:26
or,
1:11:26
you
1:11:27
know,
1:11:27
the
1:11:27
enemy
1:11:27
comes
1:11:28
in,
1:11:28
enters
1:11:28
stage
1:11:29
left,
1:11:29
and
1:11:29
then,
1:11:30
you
1:11:30
know,
1:11:30
the
1:11:30
person,
1:11:30
the
1:11:30
heroes
1:11:31
enter
1:11:31
stage
1:11:32
right.
1:11:32
So,
1:11:32
you
1:11:32
know,
1:11:32
you
1:11:33
have
1:11:33
that
1:11:33
good
1:11:33
versus
1:11:34
evil
1:11:34
type
1:11:34
of
1:11:35
thing.
1:11:35
But
1:11:36
in
1:11:36
this
1:11:36
case,
1:11:37
like,
1:11:37
you
1:11:37
know
1:11:37
what
1:11:37
we're
1:11:38
saying,
1:11:38
that
1:11:39
Eddie
1:11:40
or,
1:11:40
you
1:11:40
know,
1:11:40
whoever
1:11:41
is
1:11:41
on
1:11:41
the
1:11:41
left
1:11:42
is
1:11:42
someone
1:11:42
that
1:11:42
they
1:11:42
can't
1:11:43
have.
1:11:43
It's
1:11:43
like,
1:11:43
you
1:11:43
know,
1:11:44
like
1:11:44
they
1:11:44
can't.
1:11:45
Like,
1:11:45
it's
1:11:45
not.
1:11:46
I
1:11:46
guess
1:11:47
maybe
1:11:47
I'm
1:11:47
now
1:11:48
just
1:11:48
making
1:11:48
shit
1:11:48
up.
1:11:50
No,
1:11:50
because
1:11:50
it's.
1:11:51
I
1:11:51
mean,
1:11:51
because
1:11:51
it's
1:11:51
different.
1:11:52
It
1:11:52
has
1:11:52
to
1:11:52
translate
1:11:52
differently.
1:11:53
Because,
1:11:53
like,
1:11:53
you
1:11:53
can
1:11:54
have
1:11:54
all.
1:11:54
You
1:11:54
can
1:11:54
have
1:11:55
3,
1:11:55
6,
1:11:56
360
1:11:56
option
1:11:57
of
1:11:57
angles
1:11:57
right
1:11:58
in
1:11:58
TV
1:11:58
and
1:11:58
film.
1:11:59
Whereas,
1:11:59
like,
1:11:59
when
1:11:59
you're
1:12:00
looking
1:12:00
at
1:12:00
a
1:12:00
stage,
1:12:01
you
1:12:01
got
1:12:01
left,
1:12:01
right
1:12:02
and
1:12:02
center,
1:12:02
and
1:12:03
the
1:12:03
people
1:12:03
can't,
1:12:04
you
1:12:04
know,
1:12:04
the.
1:12:05
Language
1:12:05
has
1:12:06
to
1:12:06
be
1:12:06
a
1:12:06
little
1:12:07
different.
1:12:07
But
1:12:07
you
1:12:07
can
1:12:08
have
1:12:08
translations
1:12:09
of
1:12:09
it
1:12:09
because
1:12:10
with
1:12:10
stage,
1:12:10
you're
1:12:11
only
1:12:11
looking
1:12:11
at
1:12:12
it
1:12:12
from
1:12:12
the
1:12:13
front.
1:12:13
Like,
1:12:13
as
1:12:13
an
1:12:14
audience
1:12:14
member,
1:12:14
you're
1:12:14
only
1:12:15
looking
1:12:15
at
1:12:15
it
1:12:15
from
1:12:15
the
1:12:15
front.
1:12:15
And
1:12:16
with
1:12:16
TV
1:12:16
you
1:12:16
have
1:12:16
like
1:12:17
multiple
1:12:17
camera
1:12:17
angles.
1:12:18
So,
1:12:18
like.
1:12:18
But
1:12:19
those
1:12:19
are
1:12:19
still
1:12:19
very
1:12:20
intentional.
1:12:21
So
1:12:22
I
1:12:22
think
1:12:23
that's
1:12:23
a
1:12:23
really
1:12:23
interesting
1:12:24
thing
1:12:25
to
1:12:25
blink
1:12:25
to
1:12:25
bring
1:12:26
up
1:12:26
because
1:12:27
there's
1:12:27
so
1:12:27
much
1:12:28
intentional,
1:12:29
like,
1:12:30
triangular
1:12:30
shaped
1:12:31
blocking
1:12:32
here.
1:12:32
But
1:12:32
it
1:12:33
continues
1:12:34
to
1:12:34
be
1:12:34
like
1:12:35
specific
1:12:35
people
1:12:36
on
1:12:37
the
1:12:37
left
1:12:37
and
1:12:38
depending
1:12:38
on
1:12:38
who's
1:12:39
in
1:12:39
the
1:12:39
middle
1:12:39
and
1:12:39
stuff
1:12:39
like
1:12:40
that.
1:12:40
You
1:12:40
cracked
1:12:41
it.
1:12:41
Yay.
1:12:42
Yeah.
1:12:42
So
1:12:42
then
1:12:43
at
1:12:43
the
1:12:43
ending
1:12:44
then,
1:12:45
because
1:12:45
we
1:12:45
keep
1:12:45
talking
1:12:45
about
1:12:45
too
1:12:46
how
1:12:46
like
1:12:46
sometimes
1:12:47
or
1:12:47
a
1:12:47
lot
1:12:47
of
1:12:47
the
1:12:47
time
1:12:48
there's
1:12:48
three
1:12:49
of
1:12:49
them
1:12:49
and
1:12:49
then
1:12:49
someone
1:12:50
leaves,
1:12:51
or
1:12:52
the
1:12:52
next
1:12:52
shot
1:12:53
is
1:12:54
the
1:12:54
same
1:12:55
angle,
1:12:55
but
1:12:55
someone
1:12:56
else
1:12:56
is
1:12:56
not
1:12:56
there
1:12:57
and
1:12:57
two
1:12:57
of
1:12:57
them
1:12:57
are
1:12:57
left.
1:12:58
So
1:12:58
at
1:12:59
the
1:12:59
end
1:12:59
of
1:12:59
this
1:12:59
conversation,
1:13:01
Eddie
1:13:01
and
1:13:01
Marisol
1:13:02
leave
1:13:02
the
1:13:03
frame,
1:13:03
but
1:13:03
they
1:13:03
walk
1:13:04
across
1:13:04
the
1:13:04
whole
1:13:04
frame
1:13:05
and
1:13:05
leave
1:13:05
to
1:13:05
the
1:13:05
right.
1:13:06
And
1:13:06
normally
1:13:07
the
1:13:08
person
1:13:08
leaving
1:13:08
the
1:13:08
frame
1:13:08
is
1:13:09
Tommy.
1:13:09
This
1:13:10
is
1:13:10
the
1:13:10
only
1:13:10
one
1:13:11
that
1:13:11
I
1:13:11
can
1:13:11
remember
1:13:12
off
1:13:12
the
1:13:12
top
1:13:12
of
1:13:12
my
1:13:12
head,
1:13:13
it
1:13:13
actually
1:13:13
being
1:13:13
Eddie
1:13:13
leaving.
1:13:14
And
1:13:15
I
1:13:15
paused,
1:13:15
paused,
1:13:15
paused,
1:13:16
pause,
1:13:16
played,
1:13:17
pause,
1:13:17
played
1:13:18
every
1:13:18
single
1:13:18
frame.
1:13:19
Eddie
1:13:19
is
1:13:20
still
1:13:20
in
1:13:20
that
1:13:21
frame
1:13:21
little
1:13:21
bit.
1:13:22
Not
1:13:22
a
1:13:22
lot,
1:13:22
but
1:13:23
a
1:13:23
little
1:13:23
bit.
1:13:23
So
1:13:24
you
1:13:24
can't
1:13:24
directly
1:13:25
see
1:13:25
him,
1:13:25
but
1:13:26
he
1:13:26
is
1:13:26
still
1:13:26
there.
1:13:27
I
1:13:28
am
1:13:28
also
1:13:28
here.
1:13:29
He
1:13:29
is
1:13:30
still
1:13:30
there.
1:13:30
Yeah.
1:13:30
But
1:13:30
it's
1:13:31
interesting
1:13:31
that
1:13:31
it's
1:13:32
not
1:13:32
Tommy
1:13:33
that
1:13:33
leaves
1:13:33
in
1:13:33
that
1:13:34
instance,
1:13:34
because
1:13:34
he
1:13:34
does
1:13:35
leave
1:13:35
the
1:13:35
date.
1:13:37
So,
1:13:37
like,
1:13:38
essentially
1:13:38
he
1:13:39
is
1:13:39
leaving.
1:13:40
Yeah.
1:13:41
Just
1:13:41
a
1:13:41
little
1:13:41
later.
1:13:42
So,
1:13:43
I
1:13:43
mean,
1:13:43
the
1:13:43
greatest
1:13:44
hits
1:13:44
of.
1:13:45
Of
1:13:45
this
1:13:45
one,
1:13:45
I
1:13:45
guess,
1:13:46
is
1:13:46
Eddie
1:13:47
saying,
1:13:47
guess
1:13:47
you
1:13:47
can
1:13:48
never
1:13:48
have
1:13:48
enough
1:13:48
closet
1:13:49
space.
1:13:49
Oh,
1:13:50
my
1:13:50
God.
1:13:50
You
1:13:51
can't
1:13:51
say
1:13:51
that.
1:13:52
Just,
1:13:52
oh,
1:13:52
my
1:13:52
God.
1:13:53
Oh,
1:13:54
my
1:13:54
God.
1:13:54
On
1:13:55
so
1:13:55
many
1:13:55
levels.
1:13:56
And
1:13:56
then.
1:13:57
But
1:13:58
going,
1:13:58
oh,
1:13:58
yeah,
1:13:59
yeah,
1:13:59
you
1:13:59
too,
1:13:59
bro.
1:14:00
He
1:14:01
has
1:14:01
never
1:14:01
called
1:14:01
Eddie
1:14:02
bro.
1:14:03
I
1:14:03
think
1:14:04
he
1:14:04
called
1:14:04
him
1:14:04
brother
1:14:04
once.
1:14:05
I
1:14:05
think
1:14:05
they've
1:14:05
both
1:14:05
each
1:14:06
called
1:14:06
each
1:14:06
other
1:14:06
brother
1:14:07
once
1:14:07
when
1:14:07
it's
1:14:08
like,
1:14:08
you
1:14:08
could
1:14:08
have
1:14:08
my
1:14:08
back
1:14:08
any
1:14:09
day,
1:14:09
brother.
1:14:09
And
1:14:09
then
1:14:10
in
1:14:10
season
1:14:10
two,
1:14:10
and
1:14:11
Buck
1:14:11
is.
1:14:11
Or
1:14:11
they're
1:14:12
both
1:14:12
in
1:14:12
season
1:14:12
two,
1:14:13
later
1:14:13
in
1:14:13
season
1:14:13
two,
1:14:13
when
1:14:14
they're
1:14:14
at
1:14:14
the
1:14:14
fountain,
1:14:15
and
1:14:15
he's
1:14:15
like,
1:14:15
you
1:14:15
said
1:14:16
it,
1:14:16
brother.
1:14:16
Yeah,
1:14:17
that's
1:14:17
it.
1:14:17
That's
1:14:18
it.
1:14:18
So
1:14:18
he's
1:14:18
like,
1:14:19
yeah,
1:14:19
you
1:14:20
too,
1:14:20
bro.
1:14:21
Sounds
1:14:21
intentional.
1:14:23
Sounds
1:14:23
very
1:14:23
intentional.
1:14:24
They're
1:14:24
probably
1:14:24
like,
1:14:24
oh,
1:14:24
yeah,
1:14:25
all
1:14:25
these
1:14:25
fucking
1:14:25
Eddie
1:14:26
fans.
1:14:26
Maybe
1:14:26
let's
1:14:27
not.
1:14:28
It's
1:14:29
that
1:14:29
thing
1:14:29
where
1:14:29
he's.
1:14:30
Well,
1:14:30
you're
1:14:30
over
1:14:30
correcting,
1:14:31
right?
1:14:31
Where
1:14:31
it's
1:14:32
so.
1:14:32
It's
1:14:32
like
1:14:32
if
1:14:32
he's
1:14:32
having
1:14:33
these
1:14:33
confusing,
1:14:34
confusing
1:14:34
feelings
1:14:35
about
1:14:35
Eddie,
1:14:36
he's
1:14:36
not
1:14:36
only
1:14:36
overcorrecting
1:14:37
because
1:14:37
he's
1:14:37
on
1:14:37
a
1:14:37
date
1:14:38
with
1:14:38
a
1:14:38
man
1:14:39
and
1:14:39
he
1:14:39
hasn't
1:14:40
told.
1:14:40
He
1:14:40
doesn't
1:14:41
even
1:14:41
understand
1:14:41
his
1:14:42
sexuality
1:14:42
yet.
1:14:43
He
1:14:43
hasn't
1:14:43
talked
1:14:44
to
1:14:44
Eddie
1:14:45
about
1:14:45
it.
1:14:45
And
1:14:45
this
1:14:46
is
1:14:46
Eddie's
1:14:46
friend,
1:14:48
so
1:14:50
he's
1:14:51
really
1:14:51
nervous.
1:14:51
But
1:14:52
also,
1:14:52
I
1:14:52
think
1:14:52
it
1:14:53
kind
1:14:53
of
1:14:53
comes
1:14:53
down
1:14:53
to,
1:14:54
like,
1:14:54
being
1:14:54
anxious
1:14:55
about
1:14:56
his,
1:14:56
like,
1:14:57
weird
1:14:57
feelings
1:14:57
about
1:14:58
Eddie
1:14:58
in
1:14:58
this
1:14:59
whole
1:14:59
thing.
1:14:59
So
1:14:59
he
1:14:59
overcorrects.
1:15:01
It's
1:15:01
like,
1:15:01
bro,
1:15:02
yeah,
1:15:02
it's
1:15:03
an
1:15:03
over.
1:15:03
It's
1:15:03
an
1:15:03
overcorrection
1:15:04
over
1:15:04
compensation
1:15:05
for,
1:15:05
like,
1:15:05
everything.
1:15:06
Not
1:15:07
for
1:15:07
himself,
1:15:08
like,
1:15:08
trying
1:15:09
to
1:15:09
figure
1:15:09
himself
1:15:09
out
1:15:10
or
1:15:10
not
1:15:11
being
1:15:11
able
1:15:11
to
1:15:11
be
1:15:12
himself.
1:15:13
And
1:15:13
upfront
1:15:13
with
1:15:13
Eddie
1:15:14
in
1:15:14
the
1:15:14
first
1:15:14
place.
1:15:16
It's
1:15:16
the
1:15:16
confusion
1:15:17
again
1:15:18
circling
1:15:19
around
1:15:19
Buck's
1:15:20
own
1:15:20
self
1:15:21
that
1:15:22
Tommy
1:15:22
has
1:15:23
just
1:15:23
brought
1:15:24
to
1:15:24
the
1:15:24
surface.
1:15:25
That's
1:15:25
it.
1:15:25
And
1:15:26
then
1:15:26
as
1:15:26
Tommy
1:15:27
and
1:15:27
Buck
1:15:28
are
1:15:28
leaving
1:15:28
the
1:15:28
restaurant,
1:15:29
when
1:15:29
the
1:15:29
Uber
1:15:29
pulls
1:15:30
up,
1:15:30
Buck
1:15:31
goes,
1:15:31
wow.
1:15:32
Or
1:15:32
he's
1:15:32
saying
1:15:32
like,
1:15:33
wow,
1:15:33
that's
1:15:33
so
1:15:33
many
1:15:33
choices.
1:15:34
Like,
1:15:34
about
1:15:34
the
1:15:34
movie
1:15:35
theater.
1:15:35
And
1:15:35
then
1:15:35
when
1:15:35
the
1:15:36
Uber
1:15:36
pulls
1:15:36
up,
1:15:37
he's
1:15:37
like,
1:15:37
hey,
1:15:37
is
1:15:37
this.
1:15:38
Is
1:15:38
this
1:15:38
ours?
1:15:39
Is
1:15:40
this
1:15:40
ours?
1:15:41
And
1:15:41
Tommy
1:15:42
goes,
1:15:42
no,
1:15:42
it's
1:15:42
mine.
1:15:43
I
1:15:44
think
1:15:44
I'm
1:15:44
gonna
1:15:44
skip
1:15:44
the
1:15:44
movie.
1:15:45
So
1:15:45
again,
1:15:46
we
1:15:46
have
1:15:46
a.
1:15:46
That's
1:15:46
so
1:15:47
many
1:15:47
choices,
1:15:48
because
1:15:48
Buck
1:15:49
is
1:15:49
having
1:15:49
to
1:15:50
make
1:15:50
choices
1:15:52
that
1:15:52
I
1:15:52
don't
1:15:53
think
1:15:53
he's
1:15:53
even
1:15:53
willing
1:15:53
to
1:15:53
look
1:15:54
at.
1:15:54
No.
1:15:55
Then
1:15:55
he's
1:15:55
like,
1:15:55
oh,
1:15:56
this
1:15:56
is
1:15:56
our
1:15:56
vehicle
1:15:57
to
1:15:57
leave
1:15:57
here.
1:15:57
Together.
1:15:58
And
1:15:58
Tommy's
1:15:59
like,
1:15:59
nope,
1:16:00
it's
1:16:00
mine.
1:16:01
In
1:16:01
a
1:16:01
getaway
1:16:02
car.
1:16:03
And
1:16:04
he
1:16:04
says,
1:16:04
I
1:16:05
think
1:16:05
you're
1:16:05
adorable.
1:16:06
I
1:16:06
don't
1:16:06
think
1:16:06
you're
1:16:06
ready.
1:16:07
I'll
1:16:07
see
1:16:07
you
1:16:07
around.
1:16:08
And
1:16:09
just
1:16:09
keep
1:16:09
all
1:16:09
that
1:16:09
in
1:16:10
mind
1:16:10
for
1:16:10
806
1:16:11
when
1:16:11
we
1:16:11
get
1:16:12
there.
1:16:12
So
1:16:12
later
1:16:12
at
1:16:13
Maddie's,
1:16:13
he's
1:16:13
really
1:16:13
concerned.
1:16:15
Not
1:16:15
because.
1:16:15
Well,
1:16:16
I
1:16:16
mean,
1:16:16
he
1:16:16
is
1:16:16
kind
1:16:16
of
1:16:17
concerned
1:16:17
about
1:16:17
how
1:16:17
he
1:16:17
acted
1:16:18
when
1:16:19
he
1:16:19
was,
1:16:19
you
1:16:19
know,
1:16:20
I'm
1:16:20
an
1:16:20
ally,
1:16:20
whatever.
1:16:21
But
1:16:21
he
1:16:22
was
1:16:22
more
1:16:22
so
1:16:22
concerned
1:16:23
because
1:16:23
he
1:16:23
lied
1:16:24
to
1:16:24
his
1:16:24
best
1:16:24
friend.
1:16:25
So
1:16:25
he
1:16:25
says
1:16:25
it's
1:16:25
tearing
1:16:26
him
1:16:26
up
1:16:26
inside.
1:16:27
And
1:16:27
he's
1:16:28
like,
1:16:28
who
1:16:28
I
1:16:28
was
1:16:28
on
1:16:28
a
1:16:29
date
1:16:29
with
1:16:29
isn't
1:16:29
the
1:16:29
point.
1:16:30
They
1:16:31
don't
1:16:31
matter.
1:16:31
The
1:16:32
point
1:16:32
is
1:16:32
I
1:16:32
lied
1:16:32
to
1:16:33
my
1:16:33
best
1:16:33
friend's
1:16:33
face.
1:16:34
So,
1:16:34
again,
1:16:35
he
1:16:35
is
1:16:35
a
1:16:35
plot
1:16:35
device
1:16:36
here
1:16:36
for
1:16:36
this
1:16:36
turmoil
1:16:37
of
1:16:38
more
1:16:38
confusion
1:16:39
of
1:16:40
the
1:16:40
feelings
1:16:40
about
1:16:40
Eddie.
1:16:41
And
1:16:41
I
1:16:41
would
1:16:41
just
1:16:42
like
1:16:42
to
1:16:42
point
1:16:42
out
1:16:42
here,
1:16:43
with
1:16:43
Buck
1:16:44
saying,
1:16:44
who
1:16:44
I
1:16:45
was
1:16:45
on
1:16:45
a
1:16:45
date
1:16:45
with
1:16:45
shouldn't
1:16:46
matter.
1:16:46
Like,
1:16:47
the
1:16:47
pronouns
1:16:47
shouldn't
1:16:47
matter.
1:16:48
Anything
1:16:48
like
1:16:48
that.
1:16:49
Oliver
1:16:49
Stark
1:16:50
has
1:16:51
said
1:16:52
in
1:16:52
multiple
1:16:52
interviews
1:16:54
that,
1:16:54
you
1:16:55
know,
1:16:55
it's
1:16:55
important
1:16:56
to
1:16:57
keep
1:16:57
in
1:16:57
mind
1:16:58
and
1:16:58
to
1:16:58
note
1:16:58
that,
1:16:59
like,
1:16:59
Buck's
1:17:00
sexuality
1:17:01
is
1:17:01
not
1:17:01
tied
1:17:02
to
1:17:02
any
1:17:03
particular
1:17:04
character
1:17:05
other
1:17:05
than
1:17:05
Buck.
1:17:06
So
1:17:06
on
1:17:07
a
1:17:07
meta
1:17:07
level
1:17:07
here,
1:17:08
it
1:17:08
really
1:17:09
doesn't
1:17:10
matter.
1:17:10
No.
1:17:11
Who
1:17:11
he
1:17:11
was
1:17:12
on
1:17:12
a
1:17:12
date
1:17:12
with.
1:17:13
No.
1:17:13
Because
1:17:13
this
1:17:14
still
1:17:14
revolves
1:17:14
around
1:17:15
Eddie.
1:17:15
Yeah.
1:17:15
And
1:17:16
it's
1:17:16
not
1:17:16
even
1:17:16
about
1:17:16
the
1:17:17
date.
1:17:17
It's
1:17:17
about
1:17:18
lying
1:17:18
to
1:17:18
his
1:17:19
best
1:17:19
friend
1:17:19
and
1:17:19
feeling
1:17:20
shitty
1:17:20
about
1:17:20
that.
1:17:21
Yeah.
1:17:21
It's
1:17:21
not
1:17:21
even
1:17:21
about
1:17:21
his
1:17:22
sexuality.
1:17:22
It's.
1:17:22
No.
1:17:23
It's
1:17:23
about
1:17:23
lying
1:17:23
to
1:17:23
his
1:17:23
best
1:17:24
friend.
1:17:24
It's
1:17:24
not
1:17:24
until
1:17:24
it
1:17:24
is
1:17:25
because
1:17:25
he
1:17:25
says
1:17:26
the
1:17:26
male
1:17:26
pronoun.
1:17:27
And
1:17:27
then
1:17:27
it's.
1:17:27
And
1:17:28
then
1:17:28
it
1:17:28
comes
1:17:28
back
1:17:28
to
1:17:29
the
1:17:29
pronoun.
1:17:29
It's
1:17:31
Buck,
1:17:31
brains
1:17:31
up.
1:17:31
I
1:17:32
didn't
1:17:32
even
1:17:32
make
1:17:32
it
1:17:32
to
1:17:32
the
1:17:33
movie.
1:17:34
Again,
1:17:34
we'll
1:17:34
talk
1:17:34
about
1:17:35
that
1:17:35
in
1:17:35
806.
1:17:36
And
1:17:36
then
1:17:37
Buck
1:17:38
says,
1:17:39
with
1:17:39
Tommy,
1:17:40
I
1:17:40
don't
1:17:40
know.
1:17:41
He's
1:17:41
so
1:17:41
confident.
1:17:41
You
1:17:42
know,
1:17:42
he's
1:17:42
interesting.
1:17:43
He
1:17:43
has
1:17:43
a
1:17:43
cleft.
1:17:43
He
1:17:43
says
1:17:43
this
1:17:44
after
1:17:44
he's
1:17:44
talking
1:17:45
about
1:17:45
how
1:17:45
he's
1:17:45
always
1:17:45
been
1:17:46
interested
1:17:46
in
1:17:46
women,
1:17:47
but
1:17:47
with
1:17:47
Tommy.
1:17:48
So
1:17:48
these
1:17:48
are
1:17:48
the
1:17:48
things
1:17:49
that
1:17:49
he
1:17:49
lists
1:17:49
that
1:17:49
he
1:17:50
likes
1:17:50
about
1:17:50
Tommy.
1:17:51
And
1:17:51
those
1:17:51
traits
1:17:51
are
1:17:52
he's
1:17:52
confident,
1:17:53
he's
1:17:53
interesting,
1:17:54
and
1:17:54
he
1:17:54
has
1:17:54
a
1:17:54
cleft
1:17:55
chin.
1:17:55
What?
1:17:56
This
1:17:57
is
1:17:57
part
1:17:57
of
1:17:57
the
1:17:57
thing.
1:17:58
These
1:17:58
are
1:17:58
all
1:17:58
things
1:17:58
that
1:17:59
are
1:18:00
so
1:18:00
generic
1:18:01
and
1:18:02
doesn't
1:18:02
actually
1:18:03
have
1:18:03
anything
1:18:03
to
1:18:03
do
1:18:04
with
1:18:04
Tommy
1:18:04
in.
1:18:05
As
1:18:05
an
1:18:05
individual.
1:18:06
Like
1:18:06
a
1:18:07
fully
1:18:07
fleshed
1:18:07
individual
1:18:08
within
1:18:08
the
1:18:09
world
1:18:09
of
1:18:09
911.
1:18:10
And
1:18:10
besides
1:18:11
the
1:18:11
cleft
1:18:12
chin,
1:18:13
he
1:18:13
says
1:18:14
cleft.
1:18:14
I
1:18:14
think
1:18:15
he
1:18:15
means
1:18:15
cleft
1:18:15
chin,
1:18:16
which
1:18:16
is
1:18:16
a
1:18:16
Physical
1:18:17
attribute,
1:18:17
first
1:18:18
of
1:18:18
all.
1:18:18
So
1:18:18
one
1:18:18
out
1:18:18
of
1:18:19
the
1:18:19
three
1:18:19
is
1:18:19
just
1:18:19
a
1:18:20
physical
1:18:20
thing,
1:18:21
which
1:18:21
I
1:18:21
mean,
1:18:21
physical
1:18:22
attraction
1:18:23
is,
1:18:23
is
1:18:23
important
1:18:24
to
1:18:24
some
1:18:24
people.
1:18:24
But
1:18:24
the
1:18:25
other
1:18:25
part
1:18:25
about
1:18:26
being
1:18:26
confident
1:18:27
and
1:18:27
interesting
1:18:28
are
1:18:29
also
1:18:30
aligned
1:18:30
with
1:18:31
Eddie
1:18:31
from
1:18:31
the
1:18:32
very
1:18:32
beginning.
1:18:33
Oh
1:18:33
yeah,
1:18:34
and
1:18:34
we've
1:18:34
talked
1:18:34
about
1:18:34
that
1:18:35
from
1:18:35
like
1:18:35
the
1:18:36
season
1:18:36
two
1:18:37
episode
1:18:37
one
1:18:38
about
1:18:38
how
1:18:38
competent
1:18:39
Eddie
1:18:40
is
1:18:40
and
1:18:40
like
1:18:41
the
1:18:41
confidence
1:18:41
that
1:18:42
he
1:18:42
exudes
1:18:43
even
1:18:43
if
1:18:43
he
1:18:43
isn't
1:18:44
all
1:18:44
the
1:18:44
time
1:18:45
and
1:18:45
how
1:18:45
interesting
1:18:46
he
1:18:46
is
1:18:46
because
1:18:47
Eddie
1:18:47
was
1:18:47
introduced
1:18:48
with,
1:18:48
with,
1:18:48
you
1:18:48
know,
1:18:49
like,
1:18:49
oh,
1:18:49
he
1:18:50
has
1:18:50
a
1:18:50
silver
1:18:50
star.
1:18:51
He
1:18:51
was
1:18:52
at
1:18:52
the
1:18:52
top
1:18:52
of
1:18:52
the
1:18:52
his
1:18:53
class
1:18:53
in
1:18:53
the
1:18:53
academy,
1:18:54
like
1:18:54
all
1:18:54
of
1:18:54
these
1:18:54
interesting
1:18:55
things
1:18:56
about
1:18:56
him.
1:18:57
So
1:18:58
basically,
1:18:59
besides
1:19:00
the
1:19:00
one
1:19:00
physical
1:19:01
trait
1:19:01
that
1:19:01
Buck
1:19:02
lists,
1:19:02
both
1:19:03
of
1:19:03
those
1:19:03
other
1:19:03
things
1:19:04
are
1:19:04
things
1:19:05
that
1:19:05
can
1:19:05
also
1:19:05
describe
1:19:06
Eddie.
1:19:07
And
1:19:07
it's
1:19:08
just
1:19:08
Tommy
1:19:09
is
1:19:09
such
1:19:09
a
1:19:09
blank
1:19:10
slate
1:19:10
that
1:19:11
they're
1:19:11
just
1:19:11
throwing
1:19:11
all
1:19:12
of
1:19:12
this
1:19:12
Eddie
1:19:13
stuff
1:19:13
onto
1:19:14
him
1:19:14
and
1:19:15
making
1:19:15
it
1:19:15
seem
1:19:16
like
1:19:16
Buck
1:19:17
was
1:19:17
interested
1:19:17
romantically
1:19:18
in
1:19:18
him.
1:19:19
And
1:19:19
it's
1:19:19
also
1:19:19
just
1:19:20
very
1:19:20
generic.
1:19:21
Like
1:19:21
it's
1:19:22
so
1:19:22
plot
1:19:22
device
1:19:22
to
1:19:22
be
1:19:22
like,
1:19:23
what
1:19:23
do
1:19:23
you
1:19:23
like
1:19:23
about
1:19:23
this
1:19:23
person?
1:19:24
And
1:19:24
it's
1:19:24
like
1:19:25
they're
1:19:25
interesting
1:19:25
and
1:19:26
confident
1:19:27
and
1:19:27
they're
1:19:27
attracted.
1:19:27
Like,
1:19:28
yeah,
1:19:28
it's
1:19:29
just
1:19:29
so
1:19:29
surface
1:19:29
level.
1:19:30
They're
1:19:30
good
1:19:30
looking
1:19:31
and
1:19:31
they're.
1:19:31
Yeah.
1:19:32
Cool.
1:19:33
In
1:19:33
an
1:19:33
interview
1:19:33
with
1:19:34
Max
1:19:34
Gao
1:19:34
from
1:19:34
the
1:19:34
Hollywood
1:19:35
Reporter
1:19:36
titled
1:19:36
911
1:19:37
Boss
1:19:37
Exploring
1:19:38
Bucks
1:19:38
and
1:19:38
Sexuality
1:19:39
Awakening
1:19:40
felt
1:19:40
like
1:19:41
it
1:19:41
was
1:19:41
the
1:19:41
right
1:19:42
time.
1:19:43
So
1:19:44
Tim
1:19:44
Minear
1:19:45
says
1:19:46
we're
1:19:46
constantly
1:19:47
considering
1:19:47
what
1:19:48
all
1:19:48
the
1:19:49
options
1:19:49
are
1:19:49
for
1:19:50
all
1:19:50
the
1:19:50
characters.
1:19:51
But
1:19:51
it
1:19:51
really
1:19:51
felt
1:19:51
like,
1:19:52
no,
1:19:52
this
1:19:52
is
1:19:52
Buck's
1:19:53
story.
1:19:53
But
1:19:54
really
1:19:54
he's
1:19:54
questioning
1:19:55
everything.
1:19:55
I
1:19:56
just
1:19:56
knew
1:19:56
that
1:19:56
I
1:19:56
needed
1:19:57
a
1:19:58
scene
1:19:58
with
1:19:58
Maddie
1:19:58
and
1:19:59
I
1:19:59
needed
1:19:59
a
1:19:59
scene
1:19:59
with
1:19:59
Eddie.
1:20:00
Those
1:20:00
two
1:20:00
things
1:20:00
were
1:20:01
important.
1:20:02
So
1:20:02
strategically
1:20:03
I
1:20:03
wanted
1:20:03
to
1:20:03
get
1:20:03
Tommy
1:20:04
out
1:20:04
of
1:20:04
the
1:20:04
picture
1:20:05
for
1:20:05
the
1:20:05
bulk
1:20:05
of
1:20:05
the
1:20:05
episode
1:20:06
so
1:20:06
that
1:20:06
Buck
1:20:06
could
1:20:07
deal
1:20:07
with
1:20:08
the
1:20:08
other
1:20:08
people
1:20:08
in
1:20:09
his
1:20:09
life
1:20:09
and
1:20:10
circle
1:20:10
back
1:20:10
around
1:20:11
to
1:20:11
that
1:20:11
moment
1:20:11
at
1:20:11
the
1:20:11
end
1:20:11
of
1:20:12
the
1:20:12
episode
1:20:12
where
1:20:12
he
1:20:12
sits
1:20:13
down
1:20:13
with
1:20:13
Tommy
1:20:13
and
1:20:13
says,
1:20:14
you
1:20:14
said
1:20:14
I
1:20:15
wasn't
1:20:15
ready.
1:20:15
I
1:20:15
don't
1:20:16
know
1:20:16
what
1:20:16
I'm
1:20:16
ready
1:20:16
for,
1:20:16
but
1:20:17
I'm
1:20:17
ready
1:20:17
for
1:20:17
something.
1:20:18
I'm
1:20:18
just
1:20:18
not
1:20:19
sure
1:20:19
what
1:20:20
that
1:20:20
is
1:20:20
yet.
1:20:21
I
1:20:21
think
1:20:21
Eddie
1:20:21
is
1:20:22
a
1:20:22
little
1:20:22
taken
1:20:22
aback
1:20:23
because
1:20:23
he's
1:20:23
so
1:20:23
in
1:20:23
his
1:20:24
own
1:20:24
head.
1:20:24
He's
1:20:24
dealing
1:20:24
with
1:20:25
his
1:20:25
own
1:20:25
stuff.
1:20:25
If
1:20:26
you
1:20:26
look
1:20:26
at
1:20:26
the
1:20:26
way
1:20:27
that
1:20:27
scene
1:20:27
is
1:20:28
constructed,
1:20:29
we
1:20:30
really
1:20:30
are
1:20:30
coming
1:20:30
into
1:20:31
it
1:20:31
with
1:20:31
Eddie
1:20:32
just
1:20:33
being
1:20:33
completely
1:20:33
distracted
1:20:34
by
1:20:34
whatever
1:20:34
is
1:20:35
going
1:20:35
on
1:20:35
in
1:20:35
his
1:20:35
own
1:20:35
life.
1:20:36
And
1:20:36
then
1:20:36
once
1:20:36
Buck
1:20:37
gets
1:20:37
his
1:20:37
attention,
1:20:38
he
1:20:39
gives
1:20:39
Buck
1:20:39
his
1:20:40
attention
1:20:41
and
1:20:41
it
1:20:41
takes
1:20:41
a
1:20:42
second.
1:20:46
Did
1:20:46
we
1:20:46
want
1:20:46
to
1:20:47
comment
1:20:47
on
1:20:47
that
1:20:47
or
1:20:47
no?
1:20:48
Sure,
1:20:48
I'll
1:20:49
comment
1:20:49
on
1:20:49
it.
1:20:50
Yeah,
1:20:51
that.
1:20:52
To
1:20:53
have
1:20:53
Tim
1:20:53
say,
1:20:54
you
1:20:54
Know,
1:20:55
first
1:20:55
of
1:20:55
all,
1:20:56
he
1:20:56
needed
1:20:56
to
1:20:57
get
1:20:57
Tommy
1:20:57
out
1:20:57
of
1:20:58
the
1:20:58
way,
1:20:58
out
1:20:59
of
1:20:59
the
1:20:59
picture
1:20:59
for
1:20:59
most
1:21:00
of
1:21:00
the
1:21:00
episode
1:21:01
so
1:21:01
Buck
1:21:01
could
1:21:02
deal
1:21:02
with
1:21:02
the
1:21:02
other
1:21:02
people
1:21:03
in
1:21:03
his
1:21:03
life,
1:21:04
meaning
1:21:04
Maddie
1:21:05
and
1:21:05
Eddie.
1:21:05
And
1:21:05
coming
1:21:06
out
1:21:06
to
1:21:06
them,
1:21:07
you
1:21:07
wouldn't
1:21:08
have
1:21:08
to
1:21:08
get
1:21:09
rid
1:21:09
of
1:21:09
someone
1:21:10
for
1:21:11
a
1:21:11
good
1:21:11
chunk
1:21:11
of
1:21:12
the
1:21:12
episode
1:21:12
if
1:21:12
they
1:21:13
were
1:21:13
not,
1:21:14
like,
1:21:14
obsolete
1:21:15
in.
1:21:16
In
1:21:16
essence.
1:21:17
Right.
1:21:17
To.
1:21:17
To
1:21:18
their
1:21:18
story.
1:21:19
Right.
1:21:19
It's
1:21:20
kind
1:21:20
of
1:21:20
basically
1:21:21
saying,
1:21:21
like,
1:21:22
his
1:21:23
relationship
1:21:23
with
1:21:23
Tommy
1:21:24
isn't
1:21:24
the
1:21:25
centerfold,
1:21:26
it's
1:21:27
his
1:21:28
sexuality.
1:21:29
Right.
1:21:30
And
1:21:31
how
1:21:31
he
1:21:31
wants
1:21:32
to,
1:21:32
you
1:21:32
know,
1:21:32
begins
1:21:33
to
1:21:33
explain
1:21:33
it
1:21:34
or
1:21:34
come
1:21:34
out
1:21:34
to
1:21:35
Eddie
1:21:35
and
1:21:35
Maddie,
1:21:36
the
1:21:37
two
1:21:37
most.
1:21:37
Important
1:21:37
people
1:21:38
in
1:21:38
his
1:21:38
life.
1:21:38
Yes.
1:21:39
And
1:21:39
then.
1:21:40
And
1:21:40
then
1:21:41
for.
1:21:41
For
1:21:42
Tim
1:21:42
to
1:21:42
go
1:21:42
on
1:21:42
and
1:21:42
say,
1:21:43
you
1:21:43
know,
1:21:44
like,
1:21:44
Eddie's
1:21:45
just
1:21:45
been
1:21:45
distracted
1:21:45
with
1:21:46
whatever's
1:21:46
going
1:21:46
on
1:21:46
in
1:21:47
his
1:21:47
life,
1:21:48
meaning,
1:21:49
like,
1:21:49
all
1:21:49
the
1:21:49
Marisol
1:21:50
stuff
1:21:50
and
1:21:50
that
1:21:51
drama.
1:21:51
And
1:21:52
then
1:21:52
it's
1:21:52
like,
1:21:53
once
1:21:53
Buck
1:21:54
gets
1:21:55
Eddie's
1:21:55
attention
1:21:56
and
1:21:56
Eddie
1:21:57
gives
1:21:57
Buck
1:21:58
his
1:21:58
attention,
1:21:59
so
1:21:59
that
1:22:00
it
1:22:00
just
1:22:00
takes
1:22:00
a
1:22:00
second.
1:22:01
It's
1:22:02
Tim
1:22:03
confirming,
1:22:03
or
1:22:04
I'm.
1:22:04
I'm
1:22:05
interpreting
1:22:05
it.
1:22:06
And
1:22:06
I
1:22:06
think
1:22:06
most.
1:22:07
I
1:22:07
can
1:22:07
speak
1:22:08
for
1:22:08
us
1:22:08
here
1:22:08
that
1:22:09
we
1:22:09
are
1:22:10
interpreting
1:22:10
this
1:22:10
as
1:22:11
essentially
1:22:12
confirmation
1:22:13
that
1:22:13
Buck
1:22:13
is
1:22:14
still
1:22:14
so
1:22:14
confused
1:22:15
and
1:22:15
he
1:22:16
really
1:22:16
did
1:22:17
want
1:22:17
Eddie's
1:22:17
attention.
1:22:18
That
1:22:18
is
1:22:19
so
1:22:19
purposeful
1:22:20
with
1:22:21
the
1:22:21
wording
1:22:21
that
1:22:21
he
1:22:22
says
1:22:22
there.
1:22:22
He
1:22:23
would
1:22:23
not
1:22:23
say
1:22:24
Eddie
1:22:24
gives
1:22:24
Buck
1:22:24
his
1:22:25
attention.
1:22:25
And
1:22:26
once
1:22:26
he
1:22:26
gets
1:22:26
it,
1:22:27
you
1:22:27
know,
1:22:28
that
1:22:28
indicates
1:22:29
to
1:22:29
me
1:22:29
that
1:22:29
that
1:22:29
is
1:22:30
actually
1:22:31
what
1:22:31
Buck
1:22:32
has
1:22:32
been,
1:22:32
like,
1:22:33
trying
1:22:34
to
1:22:34
achieve.
1:22:35
Like,
1:22:35
the
1:22:36
whole
1:22:36
last
1:22:36
episode
1:22:37
was
1:22:37
for
1:22:38
Eddie
1:22:38
to
1:22:38
pay
1:22:39
attention
1:22:39
to
1:22:39
him,
1:22:40
but
1:22:40
Eddie's
1:22:40
been
1:22:40
so
1:22:40
distracted
1:22:41
with
1:22:42
Tommy,
1:22:42
with
1:22:43
Marisol,
1:22:43
with
1:22:44
all
1:22:44
this
1:22:44
other
1:22:44
stuff,
1:22:45
and
1:22:45
it's
1:22:46
just
1:22:46
like,
1:22:46
why
1:22:46
would
1:22:46
he
1:22:46
say
1:22:47
that
1:22:47
specifically
1:22:47
if
1:22:48
not,
1:22:48
you
1:22:49
know,
1:22:49
Tommy's
1:22:49
attention
1:22:50
doesn't
1:22:50
matter.
1:22:51
You
1:22:51
know,
1:22:51
it's
1:22:51
all
1:22:52
about
1:22:52
Eddie,
1:22:52
her,
1:22:52
Buck.
1:22:53
Then
1:22:53
Max
1:22:53
Gao
1:22:54
proceeds
1:22:54
to
1:22:54
ask
1:22:55
to
1:22:55
my
1:22:55
near
1:22:55
about
1:22:56
Tommy
1:22:56
and
1:22:56
Marisol
1:22:57
and
1:22:57
if.
1:22:57
And
1:22:57
if
1:22:58
we're
1:22:58
going
1:22:58
to
1:22:58
see
1:22:58
them
1:22:59
in
1:22:59
the
1:22:59
back
1:22:59
half
1:23:00
of
1:23:00
the
1:23:00
season,
1:23:01
and
1:23:01
if
1:23:01
they're
1:23:01
going
1:23:01
to
1:23:02
stick
1:23:02
around
1:23:02
into
1:23:02
next
1:23:03
season
1:23:03
until
1:23:03
my
1:23:03
near
1:23:04
says
1:23:04
they're
1:23:05
going
1:23:05
to
1:23:05
stick
1:23:05
around
1:23:06
to
1:23:06
whatever
1:23:07
degree
1:23:07
they're
1:23:07
going
1:23:07
to
1:23:08
stick
1:23:08
around.
1:23:10
What
1:23:10
a.
1:23:13
What
1:23:13
a
1:23:14
thing
1:23:14
to
1:23:14
say.
1:23:15
And
1:23:15
I'm
1:23:15
going
1:23:15
to
1:23:15
continue
1:23:16
to
1:23:16
say,
1:23:17
guys,
1:23:18
Tim,
1:23:19
my
1:23:19
near
1:23:19
told
1:23:20
you
1:23:21
he's.
1:23:22
Been
1:23:22
telling
1:23:22
you,
1:23:23
and
1:23:23
the
1:23:23
story
1:23:24
has
1:23:24
been
1:23:24
telling
1:23:25
you.
1:23:25
Yeah.
1:23:25
Yeah.
1:23:26
So
1:23:27
I
1:23:27
wish
1:23:27
I
1:23:27
had
1:23:27
seen
1:23:28
this
1:23:28
quote
1:23:29
a
1:23:29
long
1:23:29
time
1:23:29
ago.
1:23:30
I
1:23:30
mean,
1:23:30
I.
1:23:30
I
1:23:31
don't
1:23:31
read.
1:23:32
I
1:23:32
don't
1:23:33
repress
1:23:33
stuff
1:23:33
like.
1:23:34
Well,
1:23:34
like,
1:23:34
to
1:23:35
the
1:23:35
degree
1:23:35
that
1:23:35
Rachel
1:23:36
does,
1:23:36
and
1:23:36
I
1:23:36
probably
1:23:37
should.
1:23:37
But
1:23:38
I'll
1:23:38
tell
1:23:39
you.
1:23:39
But,
1:23:39
yeah,
1:23:39
and
1:23:40
that's
1:23:40
the
1:23:40
other
1:23:40
thing.
1:23:40
Rachel.
1:23:41
Rachel
1:23:41
will
1:23:41
tell
1:23:42
us.
1:23:42
Rachel
1:23:42
will
1:23:42
give
1:23:42
us
1:23:42
a
1:23:43
Cliff
1:23:43
Notes
1:23:43
version
1:23:43
or
1:23:44
I
1:23:44
just
1:23:44
see
1:23:44
what
1:23:44
Twitter,
1:23:45
like,
1:23:46
highlights.
1:23:46
But,
1:23:46
I
1:23:46
mean,
1:23:47
there's
1:23:47
some
1:23:47
things
1:23:48
that
1:23:48
I
1:23:48
feel
1:23:49
like
1:23:49
Twitter
1:23:50
specifically
1:23:51
kind
1:23:51
of
1:23:51
skips
1:23:52
over
1:23:53
or
1:23:53
just
1:23:53
don't.
1:23:54
Doesn't
1:23:54
really
1:23:54
think
1:23:54
about
1:23:54
it
1:23:55
too
1:23:55
much.
1:23:55
And
1:23:55
I'm
1:23:55
just
1:23:55
sitting
1:23:56
here.
1:23:56
I'm
1:23:56
like,
1:23:56
guys,
1:23:57
where
1:23:57
was
1:23:58
this?
1:23:58
I
1:23:58
didn't.
1:23:58
I
1:23:59
didn't
1:23:59
see
1:23:59
this
1:23:59
on
1:23:59
my
1:23:59
timeline.
1:24:01
Yeah.
1:24:01
I
1:24:01
mean,
1:24:02
on
1:24:02
one
1:24:02
level,
1:24:02
you
1:24:03
can
1:24:03
say
1:24:03
that
1:24:03
is
1:24:03
a
1:24:03
very.
1:24:04
Just,
1:24:04
like,
1:24:04
general
1:24:05
PR
1:24:05
answer.
1:24:06
Like,
1:24:06
I
1:24:06
can't
1:24:07
tell
1:24:07
you
1:24:07
anything.
1:24:08
So
1:24:08
they're
1:24:08
just
1:24:09
gonna
1:24:09
be
1:24:09
here
1:24:09
until
1:24:10
they're
1:24:10
not,
1:24:11
you
1:24:11
know,
1:24:11
because
1:24:11
he
1:24:11
can't
1:24:12
actually
1:24:13
say
1:24:13
anything.
1:24:15
But
1:24:15
that
1:24:16
realistically,
1:24:17
that's.
1:24:18
That's
1:24:19
kind
1:24:19
of
1:24:19
a
1:24:19
very
1:24:19
sassy
1:24:20
way
1:24:21
to
1:24:21
phrase,
1:24:22
like,
1:24:22
that
1:24:22
kind
1:24:22
of
1:24:22
PR
1:24:23
answer.
1:24:23
It's
1:24:23
like
1:24:24
they're
1:24:24
just
1:24:24
gonna.
1:24:25
He
1:24:26
was
1:24:26
literally
1:24:26
saying,
1:24:26
like,
1:24:27
they're
1:24:27
gonna
1:24:27
be
1:24:27
here
1:24:27
until
1:24:28
they're
1:24:28
not,
1:24:28
until
1:24:28
I
1:24:29
decide
1:24:29
they're
1:24:29
not.
1:24:30
But
1:24:30
until
1:24:31
he
1:24:31
decides
1:24:31
they're
1:24:31
not.
1:24:32
That
1:24:32
also
1:24:33
means
1:24:33
that
1:24:33
the
1:24:33
writers
1:24:34
room
1:24:34
are.
1:24:35
Are
1:24:35
not
1:24:35
giving.
1:24:36
I
1:24:37
mean,
1:24:37
we
1:24:37
haven't
1:24:37
even
1:24:37
talked
1:24:38
about
1:24:38
Marisol,
1:24:39
but,
1:24:39
like,
1:24:39
Tommy
1:24:40
and
1:24:40
in
1:24:40
essence,
1:24:41
Marisol.
1:24:41
Because
1:24:41
this
1:24:42
questions.
1:24:42
This
1:24:43
question
1:24:43
is
1:24:43
about.
1:24:43
Talk
1:24:44
about
1:24:44
what?
1:24:44
About
1:24:44
Marisol.
1:24:45
I
1:24:45
know,
1:24:47
but
1:24:47
yeah,
1:24:48
it's
1:24:48
like,
1:24:49
it's
1:24:50
indicative
1:24:50
that
1:24:50
the
1:24:51
writers
1:24:51
room
1:24:52
does
1:24:52
not
1:24:53
have
1:24:54
any
1:24:55
real
1:24:56
deep,
1:24:57
long
1:24:57
lasting
1:24:58
plans
1:24:58
for
1:24:59
the
1:24:59
development
1:25:00
of
1:25:00
these
1:25:00
characters.
1:25:01
They're
1:25:02
just
1:25:02
there.
1:25:03
That's
1:25:03
what
1:25:03
he
1:25:03
said.
1:25:04
They're
1:25:04
gonna
1:25:04
sound
1:25:05
like
1:25:05
they're
1:25:05
just
1:25:06
there
1:25:06
until
1:25:06
they're
1:25:06
not
1:25:07
going
1:25:07
to
1:25:07
be
1:25:07
there.
1:25:08
Yeah.
1:25:09
Because
1:25:09
the
1:25:09
plan
1:25:10
is
1:25:10
for
1:25:10
them
1:25:10
not
1:25:10
to
1:25:10
be
1:25:11
once
1:25:11
they
1:25:11
have
1:25:11
served
1:25:11
their
1:25:12
purpose.
1:25:12
Yeah,
1:25:12
exactly.
1:25:13
Like,
1:25:13
there's
1:25:13
an
1:25:13
implied
1:25:14
they
1:25:14
will
1:25:14
be
1:25:14
gone,
1:25:15
but
1:25:15
they're
1:25:15
just
1:25:16
here
1:25:16
until
1:25:17
for
1:25:17
now.
1:25:18
Yeah,
1:25:19
yeah.
1:25:19
It's
1:25:20
literally.
1:25:20
Literally
1:25:21
from
1:25:21
the
1:25:21
horse's
1:25:22
mouth.
1:25:22
It's
1:25:22
from
1:25:22
the
1:25:23
boss
1:25:23
guy.
1:25:24
What
1:25:24
more
1:25:24
do
1:25:24
you
1:25:25
want?
1:25:25
And.
1:25:26
And,
1:25:26
yes,
1:25:27
you
1:25:27
can
1:25:27
say,
1:25:27
like,
1:25:28
to
1:25:28
be
1:25:28
devil's
1:25:28
advocate,
1:25:29
you
1:25:29
can
1:25:29
say,
1:25:29
yes,
1:25:29
this
1:25:30
was
1:25:30
while
1:25:30
the
1:25:30
season
1:25:30
was
1:25:31
airing.
1:25:31
Yes,
1:25:31
they
1:25:31
had
1:25:32
not
1:25:32
finished
1:25:32
writing
1:25:33
all
1:25:33
of
1:25:33
the
1:25:33
episodes
1:25:34
of
1:25:34
the
1:25:34
season.
1:25:35
They
1:25:35
haven't.
1:25:35
They
1:25:36
hadn't
1:25:36
at
1:25:36
this
1:25:37
point
1:25:37
even,
1:25:37
I
1:25:37
think,
1:25:38
like,
1:25:38
started
1:25:39
blocking
1:25:40
out
1:25:40
season
1:25:41
eight
1:25:41
yet,
1:25:41
even
1:25:42
though
1:25:42
they
1:25:42
had
1:25:42
been
1:25:43
renewed.
1:25:44
But,
1:25:44
like,
1:25:45
you
1:25:45
can
1:25:45
still
1:25:46
have
1:25:46
plans
1:25:46
in
1:25:46
place,
1:25:47
like,
1:25:48
general
1:25:48
plans
1:25:48
in
1:25:49
place,
1:25:49
and
1:25:50
know,
1:25:52
like,
1:25:52
a
1:25:52
general
1:25:52
sense
1:25:53
of
1:25:53
where
1:25:53
they're
1:25:53
going
1:25:54
with
1:25:54
some
1:25:54
of
1:25:54
these
1:25:54
characters.
1:25:55
They.
1:25:55
They
1:25:55
just
1:25:55
don't
1:25:56
know
1:25:56
exactly.
1:25:57
The
1:25:57
actual.
1:25:57
Could
1:25:58
have
1:25:58
just
1:25:58
been
1:25:58
like,
1:25:59
yeah,
1:26:00
you.
1:26:00
Know
1:26:00
what
1:26:00
I
1:26:00
mean?
1:26:01
That
1:26:01
would
1:26:01
have
1:26:01
been
1:26:01
the
1:26:01
answer.
1:26:02
I
1:26:03
don't
1:26:03
know.
1:26:03
But
1:26:03
it's
1:26:03
just
1:26:04
like,
1:26:04
they'll
1:26:04
be
1:26:05
there
1:26:05
as
1:26:05
much
1:26:05
as
1:26:06
they'll
1:26:06
be
1:26:06
there
1:26:07
anyway
1:26:08
at
1:26:09
Buck's
1:26:09
loft
1:26:09
when
1:26:10
Eddie
1:26:11
comes
1:26:11
over
1:26:12
to
1:26:12
talk
1:26:12
about
1:26:13
his
1:26:13
own
1:26:13
problems.
1:26:14
Buck
1:26:15
finally
1:26:15
gets
1:26:15
his
1:26:15
attention
1:26:16
after
1:26:17
Eddie
1:26:18
says,
1:26:18
you
1:26:18
and
1:26:18
Tommy
1:26:18
have
1:26:19
the
1:26:19
right
1:26:19
idea.
1:26:19
Stay
1:26:20
single,
1:26:20
hang
1:26:20
out
1:26:21
with
1:26:21
the
1:26:21
boys.
1:26:23
Hang
1:26:24
out
1:26:24
with
1:26:24
the
1:26:24
boys?
1:26:26
Is
1:26:26
that
1:26:26
what
1:26:26
they're
1:26:26
calling
1:26:27
it
1:26:27
nowadays?
1:26:29
And
1:26:29
then
1:26:29
Buck
1:26:30
says
1:26:30
it
1:26:30
was
1:26:30
a
1:26:31
date
1:26:31
that
1:26:31
takes
1:26:32
Eddie
1:26:32
a
1:26:33
beat
1:26:33
and
1:26:33
he's
1:26:33
like,
1:26:34
this
1:26:34
is
1:26:34
his
1:26:34
response.
1:26:35
Wait,
1:26:36
Tommy's
1:26:36
gay?
1:26:37
That
1:26:38
was
1:26:38
your
1:26:38
takeaway?
1:26:39
That
1:26:39
was
1:26:39
your
1:26:39
takeaway
1:26:40
from
1:26:40
this?
1:26:41
Because
1:26:41
he,
1:26:43
Tommy
1:26:43
is
1:26:43
a
1:26:43
foil
1:26:44
for
1:26:45
Eddie
1:26:46
and
1:26:46
Eddie
1:26:47
has
1:26:47
all
1:26:47
these
1:26:48
things
1:26:48
in
1:26:48
common
1:26:48
with
1:26:49
him.
1:26:49
And
1:26:50
Eddie
1:26:50
has
1:26:50
all
1:26:50
these
1:26:51
preconceived
1:26:51
notions
1:26:51
of,
1:26:52
well,
1:26:52
we
1:26:53
do
1:26:53
all
1:26:53
these
1:26:53
things
1:26:54
that
1:26:54
are
1:26:54
super
1:26:54
hyper
1:26:55
masculine
1:26:55
and
1:26:56
like,
1:26:56
I've
1:26:56
never
1:26:57
gotten
1:26:57
that
1:26:58
vibe
1:26:58
from
1:26:58
him.
1:26:58
Like,
1:26:59
how
1:26:59
could
1:26:59
he.
1:26:59
Like,
1:26:59
if
1:27:00
we
1:27:00
are
1:27:00
so
1:27:00
similar,
1:27:01
how
1:27:01
is
1:27:01
he
1:27:01
gay?
1:27:02
And
1:27:02
it's
1:27:02
never
1:27:03
come
1:27:03
up.
1:27:03
Yeah,
1:27:03
that
1:27:03
too.
1:27:04
I
1:27:04
don't
1:27:04
even
1:27:04
want
1:27:04
to
1:27:05
get
1:27:05
into
1:27:05
that
1:27:05
line,
1:27:05
actually,
1:27:06
because
1:27:06
it
1:27:06
has
1:27:06
nothing
1:27:06
to
1:27:06
do
1:27:07
with
1:27:07
the
1:27:07
plot
1:27:07
device.
1:27:08
It's
1:27:08
just
1:27:08
a
1:27:08
ridiculous
1:27:09
line.
1:27:10
Buck
1:27:10
tells
1:27:10
him
1:27:11
how
1:27:12
he
1:27:13
messed
1:27:13
up
1:27:13
their
1:27:14
date.
1:27:14
Right.
1:27:15
And
1:27:16
I
1:27:17
think
1:27:17
this
1:27:17
is
1:27:17
an
1:27:17
important
1:27:18
line
1:27:18
to
1:27:18
point
1:27:18
out
1:27:19
because
1:27:19
Tommy
1:27:20
and
1:27:20
none
1:27:20
of
1:27:21
the
1:27:21
other
1:27:21
love
1:27:21
interests
1:27:22
of
1:27:22
Buck's
1:27:23
have
1:27:23
ever
1:27:24
given
1:27:24
him,
1:27:25
like,
1:27:26
especially
1:27:26
Abby,
1:27:26
who
1:27:26
is
1:27:27
also
1:27:27
a
1:27:28
parallel.
1:27:28
Parallels
1:27:29
Tommy
1:27:29
a
1:27:29
lot
1:27:30
have
1:27:30
never
1:27:30
given
1:27:30
him
1:27:31
his
1:27:32
own
1:27:33
autonomy
1:27:34
to
1:27:34
choose
1:27:35
what
1:27:35
he
1:27:36
wants
1:27:36
to
1:27:36
do
1:27:37
in
1:27:37
their
1:27:37
relationship.
1:27:38
The
1:27:38
decision's
1:27:39
always
1:27:39
made
1:27:39
for
1:27:40
him.
1:27:41
So
1:27:42
on
1:27:42
the
1:27:42
date,
1:27:43
Tommy
1:27:43
made
1:27:44
the
1:27:44
decision
1:27:44
that
1:27:44
Buck
1:27:45
wasn't
1:27:45
ready.
1:27:46
When
1:27:46
Buck
1:27:46
tells
1:27:46
Eddie
1:27:47
this,
1:27:47
Eddie
1:27:47
goes,
1:27:48
hmm,
1:27:48
what
1:27:48
do
1:27:49
you
1:27:49
think?
1:27:50
Wow,
1:27:51
so
1:27:51
easy.
1:27:52
What
1:27:52
do
1:27:53
you
1:27:53
think
1:27:53
about
1:27:54
your
1:27:54
own
1:27:54
readiness
1:27:55
and
1:27:55
your
1:27:56
own
1:27:56
feelings
1:27:56
and
1:27:57
mental
1:27:57
crazy?
1:27:58
And
1:27:59
that's
1:27:59
a
1:27:59
great.
1:28:00
You
1:28:00
know.
1:28:01
It
1:28:01
is.
1:28:01
Yeah.
1:28:01
This
1:28:01
is
1:28:02
like
1:28:02
a
1:28:02
great
1:28:02
comparison
1:28:03
of
1:28:04
like
1:28:04
the
1:28:04
plot
1:28:04
device
1:28:05
character
1:28:06
not
1:28:06
giving
1:28:06
him
1:28:06
any
1:28:07
autonomy.
1:28:07
It's
1:28:08
again,
1:28:09
serving
1:28:09
as.
1:28:09
I
1:28:10
mean,
1:28:10
this
1:28:10
is
1:28:10
probably
1:28:10
the
1:28:11
first
1:28:11
time,
1:28:11
I
1:28:11
think
1:28:12
more
1:28:12
in
1:28:12
season
1:28:13
eight
1:28:13
we
1:28:13
see
1:28:14
direct
1:28:14
comparisons
1:28:15
or
1:28:16
like
1:28:16
showing
1:28:17
the
1:28:17
difference
1:28:17
in
1:28:18
how
1:28:18
Tommy
1:28:18
and
1:28:19
Eddie
1:28:19
treat
1:28:20
Buck.
1:28:20
So
1:28:21
this
1:28:21
might
1:28:21
be
1:28:21
the
1:28:21
first
1:28:21
best
1:28:22
example
1:28:22
of
1:28:22
that
1:28:23
where
1:28:23
Eddie
1:28:24
is
1:28:24
like,
1:28:24
even
1:28:25
though
1:28:25
he's
1:28:25
not
1:28:26
the
1:28:26
one
1:28:26
in
1:28:27
this
1:28:27
relationship,
1:28:28
this
1:28:28
non
1:28:28
relationship
1:28:29
with
1:28:29
Tommy,
1:28:30
he
1:28:31
is
1:28:31
trying
1:28:31
to
1:28:32
get
1:28:33
Buck
1:28:33
to
1:28:34
embrace
1:28:35
his
1:28:35
own
1:28:36
autonomy
1:28:36
in
1:28:36
the
1:28:36
choice
1:28:37
of
1:28:37
what
1:28:38
he
1:28:38
thinks
1:28:38
he
1:28:38
is
1:28:39
ready
1:28:39
for.
1:28:40
Yeah.
1:28:40
And
1:28:40
then
1:28:41
Buck
1:28:41
says
1:28:41
he
1:28:41
can't
1:28:41
stop
1:28:42
thinking
1:28:42
about
1:28:42
him.
1:28:43
And
1:28:44
Eddie
1:28:45
says,
1:28:45
well,
1:28:45
you
1:28:45
know
1:28:45
what?
1:28:46
I
1:28:46
think
1:28:46
you
1:28:46
should
1:28:47
call
1:28:47
him.
1:28:48
Buck
1:28:48
is
1:28:48
anxious
1:28:49
that
1:28:49
like,
1:28:49
what
1:28:49
if
1:28:50
he
1:28:50
says
1:28:50
no?
1:28:51
Like,
1:28:51
what
1:28:51
if
1:28:51
I
1:28:51
call
1:28:51
him
1:28:52
and
1:28:52
he
1:28:52
doesn't
1:28:52
like,
1:28:53
want
1:28:53
to
1:28:53
to
1:28:54
try
1:28:54
again
1:28:54
with
1:28:54
me?
1:28:55
And
1:28:55
then
1:28:55
Eddie
1:28:56
says,
1:28:56
well,
1:28:57
then
1:28:57
he's
1:28:57
an
1:28:57
idiot.
1:28:58
Don't
1:28:58
walk
1:28:58
away
1:28:58
from
1:28:58
something
1:28:59
before
1:28:59
you
1:28:59
even
1:28:59
know
1:29:00
what
1:29:00
it
1:29:00
is.
1:29:01
And
1:29:01
Buck
1:29:01
says,
1:29:01
that
1:29:02
sounds
1:29:02
like
1:29:02
Some
1:29:02
good
1:29:02
advice.
1:29:03
So
1:29:03
they
1:29:03
both
1:29:03
just
1:29:03
gave
1:29:04
each
1:29:04
other
1:29:04
terrible
1:29:04
advice.
1:29:05
But
1:29:05
at
1:29:05
least
1:29:07
out
1:29:07
of
1:29:07
context,
1:29:08
it's
1:29:08
good
1:29:08
advice.
1:29:08
But
1:29:09
in
1:29:09
context,
1:29:09
it's
1:29:10
good
1:29:10
advice.
1:29:11
But.
1:29:11
Yeah.
1:29:11
I
1:29:11
don't
1:29:11
know.
1:29:12
He
1:29:12
tells
1:29:12
him
1:29:12
to
1:29:12
call
1:29:12
Tommy
1:29:13
again,
1:29:14
but
1:29:14
I
1:29:14
don't
1:29:15
think
1:29:15
this
1:29:16
is
1:29:16
conjecture.
1:29:16
I
1:29:17
don't
1:29:17
think
1:29:17
that
1:29:17
book
1:29:18
would
1:29:18
have
1:29:18
called
1:29:18
Tommy
1:29:19
if
1:29:19
Eddie
1:29:20
hadn't
1:29:20
told
1:29:20
him
1:29:20
to.
1:29:21
I
1:29:21
think
1:29:22
that's
1:29:22
fair.
1:29:22
Yeah.
1:29:23
Because
1:29:24
it.
1:29:24
To
1:29:24
me,
1:29:24
it
1:29:24
sounds
1:29:25
like.
1:29:25
Well,
1:29:25
like,
1:29:26
you
1:29:26
know,
1:29:26
Buck
1:29:27
at
1:29:27
the
1:29:27
time,
1:29:27
he
1:29:27
was
1:29:28
kind
1:29:28
of
1:29:28
like.
1:29:28
Well,
1:29:29
I
1:29:29
already
1:29:29
that
1:29:30
up.
1:29:30
So,
1:29:31
like,
1:29:31
I
1:29:31
feel
1:29:31
like
1:29:31
he
1:29:32
was
1:29:32
just
1:29:32
gonna
1:29:32
forget
1:29:32
about
1:29:32
it.
1:29:33
Yeah.
1:29:34
And
1:29:34
move
1:29:34
on.
1:29:35
When
1:29:35
he
1:29:35
says
1:29:35
he
1:29:35
can't
1:29:36
stop
1:29:36
thinking
1:29:36
about
1:29:36
Tommy,
1:29:37
I'm
1:29:37
just
1:29:37
like,
1:29:37
he
1:29:37
can't
1:29:38
stop
1:29:38
thinking
1:29:38
about,
1:29:38
like,
1:29:39
his
1:29:39
sexuality
1:29:40
and,
1:29:40
like,
1:29:40
what
1:29:40
it
1:29:41
is.
1:29:41
Because
1:29:41
he
1:29:41
doesn't.
1:29:42
He
1:29:42
still
1:29:42
hasn't
1:29:43
figured
1:29:43
it
1:29:43
out
1:29:43
yet.
1:29:44
Yeah.
1:29:44
And.
1:29:45
And
1:29:45
that's
1:29:45
the
1:29:45
thing
1:29:46
when.
1:29:46
By.
1:29:47
By
1:29:47
Buck
1:29:47
saying,
1:29:48
like,
1:29:48
he
1:29:48
can't
1:29:48
stop
1:29:49
thinking
1:29:49
about
1:29:49
Tommy.
1:29:50
Tommy
1:29:50
is
1:29:51
the
1:29:52
embodiment
1:29:53
of
1:29:54
this
1:29:55
new
1:29:55
aspect
1:29:55
of
1:29:55
Buck's
1:29:56
sexuality.
1:29:57
And
1:29:57
it's
1:29:57
not
1:29:58
actually
1:29:58
about.
1:29:59
Again,
1:30:00
I'm
1:30:00
getting
1:30:01
repetitive.
1:30:01
But
1:30:01
it's
1:30:01
not
1:30:02
actually
1:30:02
about
1:30:03
Tommy.
1:30:04
It
1:30:04
is
1:30:04
about
1:30:05
Buck
1:30:05
and
1:30:05
exploring
1:30:06
this
1:30:06
new
1:30:07
aspect
1:30:07
of
1:30:07
himself
1:30:08
that
1:30:09
he
1:30:09
has
1:30:10
yet
1:30:11
to
1:30:11
explore.
1:30:12
You
1:30:12
could
1:30:12
replace
1:30:13
Tommy
1:30:13
with
1:30:13
any
1:30:13
other
1:30:13
character
1:30:14
and
1:30:14
it
1:30:14
would
1:30:14
be
1:30:14
the
1:30:15
same.
1:30:15
Like,
1:30:15
Buck
1:30:15
would
1:30:15
still
1:30:16
be
1:30:16
thinking
1:30:16
about.
1:30:16
Insert,
1:30:17
whatever.
1:30:18
Yes.
1:30:19
About
1:30:20
any
1:30:20
random
1:30:21
dude
1:30:21
he
1:30:21
kissed.
1:30:21
Because
1:30:22
he
1:30:22
would
1:30:22
be
1:30:22
thinking
1:30:23
about
1:30:24
all
1:30:24
of
1:30:24
the
1:30:25
feelings
1:30:25
that
1:30:25
led
1:30:26
to
1:30:26
the
1:30:26
kiss.
1:30:26
And,
1:30:26
like,
1:30:27
why,
1:30:27
like,
1:30:28
he
1:30:28
has
1:30:28
not
1:30:29
figured
1:30:29
it
1:30:29
out.
1:30:29
This
1:30:29
is
1:30:29
the
1:30:30
one
1:30:30
time
1:30:30
in
1:30:30
his
1:30:30
life
1:30:30
that
1:30:31
he
1:30:31
has
1:30:31
not
1:30:31
done
1:30:31
a
1:30:31
fucking
1:30:32
media
1:30:32
search.
1:30:33
It's
1:30:34
his
1:30:34
radical
1:30:34
acceptance.
1:30:37
I
1:30:37
kiss
1:30:37
my
1:30:37
nose.
1:30:41
So
1:30:41
then.
1:30:42
Then
1:30:42
later
1:30:42
at
1:30:42
the
1:30:43
cafe,
1:30:44
Buck
1:30:44
says
1:30:44
to
1:30:45
Tommy,
1:30:45
seems
1:30:46
there
1:30:46
are
1:30:46
a
1:30:47
lot
1:30:47
of
1:30:47
things
1:30:47
we
1:30:47
don't
1:30:47
know
1:30:48
about
1:30:48
each
1:30:48
other.
1:30:49
And
1:30:49
Tommy
1:30:49
says
1:30:50
practically
1:30:50
everything.
1:30:51
Wow.
1:30:52
We
1:30:52
could
1:30:52
have
1:30:52
told
1:30:53
you
1:30:53
that.
1:30:53
And
1:30:54
guess
1:30:54
what?
1:30:55
This
1:30:55
never
1:30:55
changes.
1:30:57
This
1:30:57
never
1:30:57
changes.
1:30:58
I
1:30:59
mean,
1:30:59
it's
1:30:59
not
1:30:59
crazy
1:31:00
because
1:31:00
it's
1:31:00
like
1:31:00
he
1:31:00
was
1:31:01
there
1:31:01
for
1:31:01
a
1:31:01
purpose
1:31:01
and
1:31:02
he
1:31:02
served
1:31:02
the
1:31:02
purpose.
1:31:03
But
1:31:03
it's
1:31:03
like.
1:31:03
Like
1:31:04
we
1:31:04
were
1:31:04
never
1:31:04
gonna
1:31:04
really
1:31:05
get
1:31:05
to
1:31:05
know
1:31:05
more
1:31:05
about
1:31:05
Tommy.
1:31:06
So
1:31:07
in
1:31:07
essence,
1:31:07
Buck
1:31:08
was
1:31:08
never
1:31:08
gonna
1:31:08
get
1:31:09
to
1:31:09
know
1:31:09
more
1:31:09
about
1:31:09
Tommy.
1:31:10
Well,
1:31:10
the
1:31:10
fact
1:31:10
that
1:31:10
Tommy
1:31:11
never
1:31:11
gets
1:31:11
to
1:31:11
know
1:31:11
anything
1:31:12
about
1:31:12
Buck,
1:31:12
that's
1:31:13
the
1:31:13
wild
1:31:13
part.
1:31:14
Just
1:31:14
like
1:31:14
the
1:31:14
basic.
1:31:14
That
1:31:15
he
1:31:15
doesn't
1:31:15
even
1:31:15
like
1:31:16
basketball
1:31:16
crazy.
1:31:17
Yeah.
1:31:18
And
1:31:18
then
1:31:18
Buck
1:31:18
says
1:31:18
this
1:31:18
whole
1:31:19
thing
1:31:19
about,
1:31:19
like,
1:31:19
I
1:31:19
don't
1:31:19
know
1:31:20
what
1:31:20
I'm
1:31:20
ready
1:31:20
for,
1:31:20
but
1:31:21
I
1:31:21
am
1:31:21
ready
1:31:21
for
1:31:21
something.
1:31:23
Don't
1:31:23
think
1:31:23
that
1:31:24
necessarily
1:31:24
means
1:31:25
that,
1:31:25
like,
1:31:25
he's
1:31:25
like.
1:31:26
And
1:31:26
I
1:31:26
think
1:31:26
that
1:31:26
could
1:31:27
be
1:31:27
with
1:31:27
you
1:31:27
again.
1:31:28
It's.
1:31:28
I
1:31:28
think
1:31:29
he
1:31:29
doesn't
1:31:31
he's
1:31:31
not
1:31:31
super
1:31:31
sure
1:31:32
that,
1:31:32
like,
1:31:32
all
1:31:32
these
1:31:32
feelings
1:31:33
are
1:31:33
about
1:31:33
Tommy,
1:31:34
but
1:31:34
he's.
1:31:35
He
1:31:35
wants
1:31:36
to
1:31:36
try.
1:31:37
And
1:31:37
Tommy
1:31:37
is
1:31:37
the
1:31:37
person
1:31:38
who
1:31:38
he's
1:31:38
decided
1:31:38
the
1:31:39
feelings
1:31:40
are
1:31:40
about.
1:31:40
It's
1:31:41
all
1:31:42
projecting.
1:31:43
Yeah.
1:31:43
So
1:31:43
he's
1:31:44
exploring
1:31:44
these
1:31:45
new
1:31:46
kinds
1:31:46
of
1:31:47
feelings
1:31:48
on
1:31:48
to
1:31:49
Tommy.
1:31:49
And
1:31:49
it's
1:31:49
not
1:31:50
about
1:31:50
Tommy
1:31:51
because
1:31:51
he
1:31:51
doesn't
1:31:52
know
1:31:52
anything
1:31:53
of
1:31:54
true
1:31:54
value
1:31:56
about
1:31:56
Tommy.
1:31:57
It's
1:31:57
all.
1:31:58
The
1:31:58
only
1:31:58
things
1:31:59
that
1:31:59
he
1:31:59
knows
1:31:59
about
1:31:59
Tommy
1:32:00
are
1:32:00
what
1:32:01
he
1:32:01
has
1:32:01
in
1:32:02
common
1:32:02
with
1:32:02
Eddie
1:32:04
and
1:32:05
what
1:32:06
Buck
1:32:06
feels.
1:32:07
He
1:32:08
realizes
1:32:09
that
1:32:09
he
1:32:09
is
1:32:09
attracted
1:32:10
to
1:32:11
Tommy
1:32:11
in
1:32:12
some
1:32:12
way,
1:32:12
shape,
1:32:12
or
1:32:12
form.
1:32:13
It's
1:32:13
just
1:32:13
projection.
1:32:14
Yeah.
1:32:15
Honestly,
1:32:16
you
1:32:16
could
1:32:16
change
1:32:16
the
1:32:16
word
1:32:16
you
1:32:17
and
1:32:17
just
1:32:17
put
1:32:17
with
1:32:18
a
1:32:18
man
1:32:19
or
1:32:19
with
1:32:19
a
1:32:20
guy
1:32:20
or
1:32:21
whatever.
1:32:22
Basically,
1:32:22
what
1:32:22
you
1:32:23
said,
1:32:23
Rachel,
1:32:23
it's
1:32:24
not
1:32:24
about
1:32:25
him.
1:32:26
It's
1:32:26
not
1:32:27
about
1:32:27
Tommy.
1:32:28
A
1:32:28
lot
1:32:28
of
1:32:28
this
1:32:29
episode
1:32:29
is
1:32:29
just,
1:32:31
like,
1:32:31
really
1:32:32
hammering
1:32:32
home
1:32:33
that
1:32:33
Tommy
1:32:34
isn't
1:32:34
that
1:32:35
important.
1:32:35
Tommy's
1:32:36
a
1:32:36
tool.
1:32:40
He
1:32:40
is
1:32:40
a
1:32:41
tool
1:32:41
because
1:32:41
he's
1:32:42
a
1:32:42
device.
1:32:42
He's
1:32:43
a
1:32:43
plot
1:32:43
device.
1:32:43
He's
1:32:44
a
1:32:44
tool.
1:32:44
And
1:32:45
he
1:32:45
also
1:32:45
is
1:32:45
a
1:32:46
tool
1:32:46
because
1:32:46
he
1:32:46
doesn't
1:32:47
get
1:32:47
to
1:32:47
know
1:32:47
his
1:32:48
boyfriend.
1:32:48
Yeah.
1:32:49
After
1:32:49
six
1:32:50
months.
1:32:51
Jesus
1:32:51
Christ.
1:32:51
Anyway,
1:32:53
I
1:32:53
think
1:32:54
that
1:32:54
we
1:32:54
should
1:32:54
move
1:32:54
on
1:32:55
to
1:32:55
season
1:32:55
seven,
1:32:55
episode
1:32:56
six,
1:32:56
There
1:32:57
Goes
1:32:57
the
1:32:57
Groom.
1:32:58
Okay,
1:32:59
so
1:32:59
Tommy
1:33:00
is
1:33:00
a
1:33:00
plot
1:33:00
device
1:33:01
here
1:33:02
just
1:33:02
to
1:33:03
outbug
1:33:03
to
1:33:03
everyone
1:33:04
but
1:33:04
Eddie
1:33:04
and
1:33:04
Maddie
1:33:05
and
1:33:05
showcase
1:33:06
Eddie's
1:33:07
jealousy.
1:33:08
Jealousy.
1:33:09
Jealousy.
1:33:12
SIRI
1:33:13
playing
1:33:13
Jealousy
1:33:14
by
1:33:14
Olivia
1:33:15
Rodrigo
1:33:16
so.
1:33:17
We
1:33:17
are
1:33:18
back
1:33:18
in
1:33:18
the
1:33:18
blocking
1:33:18
building
1:33:19
again
1:33:19
at
1:33:20
the
1:33:20
karaoke
1:33:20
bar.
1:33:21
One
1:33:21
of
1:33:22
my
1:33:22
favorites.
1:33:23
This
1:33:23
was
1:33:23
the
1:33:23
first
1:33:24
episode
1:33:24
we
1:33:24
watched
1:33:24
live,
1:33:25
so
1:33:25
it
1:33:25
has
1:33:25
a
1:33:25
special
1:33:25
place
1:33:26
in
1:33:26
my
1:33:26
heart.
1:33:28
So
1:33:28
we
1:33:28
have
1:33:29
two
1:33:29
points
1:33:29
of
1:33:29
view
1:33:29
for
1:33:29
this
1:33:30
blocking.
1:33:30
We
1:33:30
have
1:33:30
Buck's
1:33:31
point
1:33:31
of
1:33:31
view
1:33:31
and
1:33:31
Eddie's
1:33:31
point
1:33:31
of
1:33:32
view,
1:33:32
and
1:33:32
they're
1:33:32
over
1:33:33
each
1:33:33
of
1:33:33
their
1:33:33
shoulders.
1:33:34
So
1:33:34
when
1:33:34
we're
1:33:34
looking
1:33:35
over
1:33:35
Buck's
1:33:35
shoulder
1:33:36
from
1:33:36
his
1:33:36
point
1:33:36
of
1:33:36
view,
1:33:37
Buck
1:33:37
is
1:33:37
on
1:33:37
the
1:33:37
left,
1:33:38
Eddie
1:33:38
is
1:33:39
in
1:33:39
the
1:33:39
middle,
1:33:39
Tommy's
1:33:40
on
1:33:40
the
1:33:40
right.
1:33:41
And
1:33:41
then
1:33:41
from
1:33:41
Eddie's
1:33:42
point
1:33:42
of
1:33:42
view
1:33:42
over
1:33:42
his
1:33:43
shoulder,
1:33:43
Tommy's
1:33:44
on
1:33:44
the
1:33:44
left,
1:33:44
Buck
1:33:45
is
1:33:45
in
1:33:45
the
1:33:45
middle,
1:33:45
and
1:33:45
Eddie's
1:33:46
on
1:33:46
the
1:33:46
right.
1:33:47
So.
1:33:48
God,
1:33:49
Silly,
1:33:49
you
1:33:49
cracked
1:33:50
this
1:33:50
so
1:33:50
well.
1:33:50
Yeah.
1:33:51
So
1:33:52
Eddie
1:33:52
in
1:33:52
the
1:33:52
middle,
1:33:53
thinks
1:33:53
he
1:33:54
can't
1:33:54
have
1:33:54
Buck.
1:33:55
Oh,
1:33:56
okay,
1:33:57
okay,
1:33:57
okay.
1:33:58
And
1:33:58
then
1:33:58
Buck
1:33:59
in
1:33:59
the
1:33:59
middle
1:34:01
thinks
1:34:01
he
1:34:01
can't
1:34:02
have
1:34:02
Tommy.
1:34:02
Tommy
1:34:03
for
1:34:03
the
1:34:03
night
1:34:04
because
1:34:04
he's
1:34:04
leaving.
1:34:05
There
1:34:06
you
1:34:06
go.
1:34:07
Or
1:34:07
actually,
1:34:07
that's
1:34:07
Eddie's
1:34:08
point
1:34:08
of
1:34:08
view.
1:34:09
So
1:34:09
if
1:34:09
Eddie's
1:34:10
looking
1:34:10
at
1:34:10
it
1:34:11
and
1:34:11
he's
1:34:11
like,
1:34:12
buck
1:34:12
can't
1:34:13
have
1:34:13
Tommy
1:34:14
or
1:34:14
he
1:34:14
doesn't
1:34:14
want
1:34:14
him
1:34:15
to
1:34:15
be
1:34:15
with
1:34:15
Tommy,
1:34:16
maybe
1:34:17
that's
1:34:17
the
1:34:17
read.
1:34:18
I
1:34:18
mean,
1:34:18
that's
1:34:19
the
1:34:19
read
1:34:19
from
1:34:19
how
1:34:19
he
1:34:19
acts.
1:34:20
Yeah,
1:34:20
because
1:34:20
he
1:34:21
doesn't
1:34:21
want
1:34:21
him
1:34:21
to
1:34:21
be
1:34:21
with
1:34:21
Tommy.
1:34:23
And
1:34:23
he's
1:34:24
like.
1:34:24
It's
1:34:24
so
1:34:25
weird.
1:34:25
Cause
1:34:25
he
1:34:25
just
1:34:25
goes
1:34:26
from
1:34:26
like,
1:34:26
hey,
1:34:26
man.
1:34:27
To
1:34:27
like,
1:34:27
I
1:34:28
hate
1:34:28
everything
1:34:28
about
1:34:28
this,
1:34:29
like,
1:34:30
immediately.
1:34:31
But
1:34:31
then,
1:34:31
so
1:34:32
going
1:34:32
back
1:34:32
to
1:34:33
my
1:34:33
whole
1:34:33
point
1:34:33
about
1:34:34
theater
1:34:34
and
1:34:34
the
1:34:34
whatever
1:34:35
and
1:34:35
the
1:34:35
staging.
1:34:35
So,
1:34:36
like,
1:34:36
Eddie
1:34:37
at
1:34:37
this
1:34:37
point
1:34:37
is
1:34:37
just
1:34:37
an
1:34:37
audience
1:34:38
member.
1:34:39
Because
1:34:39
all
1:34:39
of
1:34:39
this
1:34:40
applies
1:34:40
to
1:34:40
the
1:34:40
audience
1:34:41
member
1:34:42
observing
1:34:43
what
1:34:43
the
1:34:44
ever
1:34:44
the
1:34:44
hell
1:34:44
is
1:34:45
happening.
1:34:45
So
1:34:45
in.
1:34:46
In
1:34:46
theory,
1:34:47
technically,
1:34:47
Tommy's
1:34:48
on
1:34:48
the
1:34:48
left
1:34:49
and
1:34:50
Buck
1:34:50
is
1:34:50
on
1:34:50
the
1:34:50
right.
1:34:51
But
1:34:51
I
1:34:51
see
1:34:51
it
1:34:51
from
1:34:52
their
1:34:52
point
1:34:52
of
1:34:52
view.
1:34:53
Like
1:34:53
whenever
1:34:53
we
1:34:53
do
1:34:54
an
1:34:54
over
1:34:54
the
1:34:54
shoulder
1:34:54
shot,
1:34:55
I
1:34:55
see
1:34:55
it
1:34:55
as
1:34:55
a
1:34:55
point
1:34:56
of
1:34:56
view
1:34:56
from
1:34:56
whoever's
1:34:57
shoulder
1:34:57
we're
1:34:57
looking
1:34:57
over.
1:34:58
Hmm.
1:35:00
That's
1:35:00
how
1:35:00
I
1:35:01
understand
1:35:01
over
1:35:01
the
1:35:02
shoulder
1:35:02
shots
1:35:02
to
1:35:02
be.
1:35:03
Well,
1:35:03
if
1:35:04
we're
1:35:04
going
1:35:04
with
1:35:04
my
1:35:04
theory
1:35:05
back
1:35:05
to
1:35:06
that
1:35:06
whole
1:35:06
left
1:35:06
versus
1:35:07
right
1:35:07
thing,
1:35:08
I
1:35:08
know
1:35:08
what
1:35:08
I
1:35:09
said
1:35:09
about
1:35:09
the
1:35:10
whole,
1:35:10
like,
1:35:10
maybe
1:35:10
that's
1:35:11
something
1:35:11
that
1:35:11
the
1:35:11
other
1:35:11
character
1:35:12
can't
1:35:12
have.
1:35:13
Let's
1:35:13
change
1:35:13
that
1:35:14
connotation
1:35:14
of
1:35:14
can't.
1:35:15
More
1:35:15
like
1:35:15
shouldn't.
1:35:18
You
1:35:18
know
1:35:18
what
1:35:18
I
1:35:18
mean?
1:35:19
That
1:35:19
can
1:35:19
work
1:35:19
too.
1:35:20
Can't.
1:35:20
Shouldn't.
1:35:21
Yeah,
1:35:21
that
1:35:21
works
1:35:21
too.
1:35:22
Your
1:35:23
brain,
1:35:24
sometimes
1:35:24
it
1:35:24
works.
1:35:27
Mood.
1:35:29
I
1:35:29
just
1:35:29
remember
1:35:29
Rachel
1:35:30
asking
1:35:30
me,
1:35:30
what
1:35:31
brain
1:35:33
that
1:35:33
wasn't
1:35:34
at
1:35:34
you.
1:35:34
I
1:35:35
know.
1:35:35
I
1:35:36
am
1:35:36
pulling
1:35:36
your
1:35:37
leg.
1:35:39
So
1:35:40
once
1:35:40
Anne
1:35:40
and
1:35:41
Karen
1:35:41
arrive
1:35:41
to
1:35:42
interrupt
1:35:43
whatever
1:35:43
weird
1:35:44
fucking
1:35:44
scene
1:35:44
this
1:35:45
was,
1:35:45
Eddie
1:35:45
and
1:35:46
Buck
1:35:46
are
1:35:46
left
1:35:46
alone
1:35:46
in
1:35:47
the
1:35:47
frame
1:35:47
with
1:35:47
Buck
1:35:47
in
1:35:48
the
1:35:48
foreground
1:35:48
and
1:35:49
Eddie
1:35:49
kind
1:35:49
of
1:35:50
behind
1:35:50
him.
1:35:50
Who's
1:35:51
on
1:35:51
which
1:35:51
side?
1:35:52
There's
1:35:52
not
1:35:52
really
1:35:53
sides.
1:35:54
Yeah,
1:35:54
on
1:35:54
this
1:35:54
one,
1:35:54
it's
1:35:54
gonna
1:35:55
be
1:35:55
hard.
1:35:55
Eddie's
1:35:56
kind
1:35:56
of
1:35:56
directly
1:35:57
behind
1:35:57
him.
1:35:58
Equal
1:35:58
partnership.
1:35:59
Well,
1:35:59
I
1:35:59
kind
1:36:00
of
1:36:00
looked
1:36:00
at
1:36:00
it
1:36:00
as
1:36:00
like,
1:36:01
Buck
1:36:01
is
1:36:02
in
1:36:02
the
1:36:02
foreground
1:36:03
of
1:36:03
his
1:36:03
sexual
1:36:03
realization
1:36:05
and
1:36:05
Eddie's
1:36:06
far
1:36:06
behind
1:36:06
him,
1:36:07
out
1:36:08
of
1:36:08
focus.
1:36:09
That
1:36:10
I
1:36:11
think
1:36:11
gets
1:36:11
like,
1:36:12
reiterated
1:36:13
with
1:36:13
that
1:36:14
kind
1:36:14
of.
1:36:14
Oh,
1:36:15
yeah,
1:36:15
yeah.
1:36:15
With
1:36:15
couch
1:36:16
stuff.
1:36:17
Listen
1:36:17
to
1:36:18
couch
1:36:18
theory,
1:36:18
fam.
1:36:19
And
1:36:19
other
1:36:19
stuff.
1:36:19
Yeah,
1:36:20
I
1:36:20
think
1:36:20
we
1:36:20
see
1:36:21
that
1:36:21
kind
1:36:21
of
1:36:21
blocking
1:36:22
as
1:36:22
well,
1:36:22
where
1:36:22
Eddie
1:36:22
is
1:36:23
just
1:36:23
kind
1:36:23
of
1:36:23
like
1:36:23
behind.
1:36:24
And
1:36:24
that
1:36:24
can
1:36:24
be
1:36:25
like,
1:36:25
you
1:36:25
know,
1:36:25
he
1:36:26
has
1:36:26
Buck's
1:36:26
back
1:36:27
sort
1:36:27
of
1:36:27
thing.
1:36:27
But
1:36:27
it's
1:36:28
also,
1:36:28
you
1:36:28
know,
1:36:29
this
1:36:29
extra
1:36:30
level
1:36:30
now,
1:36:31
later.
1:36:33
So
1:36:34
with
1:36:34
remembering
1:36:35
the
1:36:35
context
1:36:35
that
1:36:36
we
1:36:36
said,
1:36:37
the
1:36:37
purpose
1:36:37
of
1:36:38
the
1:36:38
plot
1:36:38
device,
1:36:39
Tommy,
1:36:40
in
1:36:40
this
1:36:40
episode,
1:36:41
one
1:36:41
of
1:36:41
the
1:36:41
big
1:36:41
ones
1:36:42
is
1:36:42
to
1:36:42
make
1:36:43
showcase
1:36:44
Eddie's
1:36:44
jealousy.
1:36:45
So
1:36:45
with
1:36:46
that
1:36:46
in
1:36:46
mind,
1:36:46
one
1:36:46
of
1:36:46
you
1:36:46
read
1:36:47
these
1:36:47
bold
1:36:47
quote
1:36:47
quotes
1:36:48
for
1:36:48
fervor.
1:36:50
So
1:36:50
once
1:36:51
Tommy
1:36:51
has
1:36:51
already
1:36:52
arrived,
1:36:53
Eddie
1:36:54
says,
1:36:54
hey,
1:36:55
I
1:36:55
didn't
1:36:55
know
1:36:55
you
1:36:56
could
1:36:56
bring
1:36:56
a
1:36:56
date
1:36:56
to
1:36:56
a
1:36:57
bachelor
1:36:57
party.
1:36:58
Very
1:36:58
sassy.
1:36:59
And
1:36:59
then
1:37:00
offers
1:37:01
Tommy
1:37:01
a
1:37:01
drink.
1:37:02
And
1:37:03
Tommy
1:37:04
says
1:37:05
that
1:37:05
he
1:37:05
would
1:37:06
just
1:37:06
take
1:37:06
an
1:37:06
orange
1:37:06
juice.
1:37:07
Because
1:37:07
he's
1:37:07
on
1:37:08
standby
1:37:09
or
1:37:09
for
1:37:09
work
1:37:10
and
1:37:10
we
1:37:10
can't
1:37:10
get
1:37:11
into
1:37:11
this
1:37:11
right
1:37:11
now.
1:37:11
But
1:37:12
Juice
1:37:12
theory
1:37:13
is
1:37:13
a
1:37:13
thing.
1:37:14
Oh,
1:37:14
yeah,
1:37:14
for
1:37:15
sure.
1:37:15
That's
1:37:15
one
1:37:15
of
1:37:15
the
1:37:16
reasons
1:37:16
I
1:37:16
highlighted
1:37:16
this.
1:37:17
But
1:37:17
also
1:37:18
I'm
1:37:18
on
1:37:18
standby.
1:37:20
Oh,
1:37:21
I
1:37:21
just
1:37:21
went.
1:37:22
I
1:37:22
was
1:37:22
like,
1:37:23
juice.
1:37:25
That
1:37:25
he
1:37:25
specifically
1:37:26
asks
1:37:26
for
1:37:26
the
1:37:27
juice.
1:37:27
Yeah.
1:37:28
Because
1:37:28
he
1:37:28
wants
1:37:28
it
1:37:28
and
1:37:29
he
1:37:29
has.
1:37:29
It
1:37:29
and
1:37:30
he
1:37:30
feels
1:37:30
like
1:37:30
he
1:37:31
can.
1:37:31
Fuck
1:37:32
is
1:37:32
the
1:37:32
juice.
1:37:33
Many
1:37:33
feels
1:37:34
like
1:37:34
he
1:37:34
can.
1:37:35
Like
1:37:35
he's
1:37:36
entitled
1:37:36
to
1:37:36
it,
1:37:38
maybe.
1:37:39
Anyway,
1:37:40
we'll
1:37:40
put
1:37:40
a
1:37:40
pin
1:37:40
in
1:37:41
that
1:37:41
for
1:37:41
whatever
1:37:42
that
1:37:42
is.
1:37:42
Juice
1:37:43
theory.
1:37:44
Juice
1:37:44
theory.
1:37:45
But
1:37:45
yes,
1:37:45
on
1:37:45
standby.
1:37:47
Yeah.
1:37:47
You
1:37:47
really
1:37:47
are,
1:37:48
man.
1:37:48
You
1:37:48
really
1:37:49
are.
1:37:49
Yeah.
1:37:49
Meaning
1:37:50
he's
1:37:51
just
1:37:52
there
1:37:52
for
1:37:52
now
1:37:54
and
1:37:54
he
1:37:54
can
1:37:54
get
1:37:55
called
1:37:55
back
1:37:55
at
1:37:55
any
1:37:56
time.
1:37:56
Right.
1:37:57
So
1:37:58
I
1:37:58
think
1:37:58
it's
1:37:59
worth
1:37:59
mentioning
1:37:59
that
1:38:00
in
1:38:00
this
1:38:00
scene,
1:38:01
Eddie
1:38:01
are
1:38:01
wearing
1:38:02
a
1:38:02
couple's
1:38:02
costume
1:38:04
that
1:38:04
Eddie
1:38:05
chose.
1:38:06
They
1:38:06
sure
1:38:06
are.
1:38:07
They're
1:38:07
wearing
1:38:07
a
1:38:07
couple's
1:38:08
costume.
1:38:08
So
1:38:09
Tommy
1:38:09
is
1:38:09
the
1:38:10
odd
1:38:10
man
1:38:10
out
1:38:10
in
1:38:11
that
1:38:11
context.
1:38:12
And
1:38:13
he
1:38:13
incorrectly
1:38:13
guesses,
1:38:14
like,
1:38:14
what
1:38:14
they
1:38:15
are.
1:38:15
And
1:38:16
then
1:38:17
once
1:38:17
he's
1:38:17
told
1:38:18
what
1:38:18
they
1:38:18
are,
1:38:18
he
1:38:18
goes,
1:38:19
ah,
1:38:19
which
1:38:19
one's
1:38:20
Crockett?
1:38:21
As
1:38:21
in
1:38:21
which
1:38:21
one's
1:38:22
the
1:38:22
gay
1:38:22
one?
1:38:23
Yeah,
1:38:23
from
1:38:23
Crockett
1:38:23
and
1:38:24
Tubbs
1:38:24
in
1:38:24
Miami.
1:38:24
Bison
1:38:25
Crockett
1:38:25
has
1:38:26
always
1:38:26
been
1:38:26
the
1:38:27
very
1:38:27
queer
1:38:27
coded
1:38:28
character.
1:38:28
And
1:38:29
don't
1:38:29
they
1:38:29
both
1:38:30
like,
1:38:30
kind
1:38:30
of.
1:38:30
They
1:38:31
both
1:38:31
think
1:38:31
they're
1:38:31
Crockett.
1:38:32
Yeah.
1:38:33
Buck
1:38:33
is
1:38:33
actually
1:38:33
Crockett.
1:38:34
But
1:38:34
the
1:38:35
fact
1:38:35
that
1:38:35
Eddie
1:38:35
keeps
1:38:36
saying
1:38:36
and
1:38:36
insisting
1:38:36
he's
1:38:37
Crockett
1:38:38
makes
1:38:38
me
1:38:38
absolutely
1:38:39
feral.
1:38:40
Because
1:38:41
it's
1:38:41
Eddie's
1:38:41
idea.
1:38:42
So
1:38:42
you
1:38:42
would
1:38:43
think
1:38:43
that
1:38:43
he
1:38:43
would
1:38:43
know
1:38:44
the
1:38:44
difference,
1:38:44
Right?
1:38:45
I
1:38:45
think
1:38:45
he
1:38:45
suggested
1:38:46
it
1:38:47
because
1:38:47
Buck
1:38:47
really
1:38:48
likes
1:38:48
the
1:38:48
show.
1:38:49
Yeah,
1:38:49
like,
1:38:49
that's
1:38:49
my
1:38:50
head,
1:38:50
Ganon.
1:38:50
And
1:38:51
he
1:38:51
doesn't
1:38:51
really
1:38:51
understand
1:38:52
the
1:38:52
queer
1:38:53
coding
1:38:53
of
1:38:53
it,
1:38:54
but.
1:38:54
Lol.
1:38:55
But
1:38:55
he's
1:38:56
also.
1:38:56
He
1:38:56
is
1:38:57
actually
1:38:57
dressed
1:38:57
like
1:38:58
Tubbs.
1:38:58
Yes.
1:38:59
And
1:38:59
not
1:38:59
Crockett.
1:39:00
So
1:39:00
different
1:39:01
conversation.
1:39:01
Just
1:39:02
for
1:39:02
Tommy
1:39:02
to
1:39:02
show
1:39:03
up
1:39:03
to
1:39:04
the
1:39:04
bachelor
1:39:05
party.
1:39:05
And
1:39:06
the
1:39:06
only
1:39:06
people
1:39:06
there
1:39:07
are
1:39:07
the
1:39:07
guy
1:39:07
he's.
1:39:07
He's
1:39:08
on
1:39:08
a
1:39:08
date
1:39:08
with.
1:39:09
Dating.
1:39:09
I
1:39:10
don't
1:39:10
know.
1:39:10
On
1:39:10
a
1:39:10
date
1:39:10
with.
1:39:11
We'll
1:39:11
say
1:39:11
that
1:39:11
they
1:39:11
aren't
1:39:11
dating
1:39:12
yet.
1:39:12
It.
1:39:12
And
1:39:12
one
1:39:13
of
1:39:13
his
1:39:13
new
1:39:14
good
1:39:14
friends,
1:39:14
Eddie.
1:39:15
And
1:39:15
then
1:39:16
immediately
1:39:17
his
1:39:17
new
1:39:17
friend
1:39:17
Eddie,
1:39:18
who's
1:39:18
normally
1:39:19
super
1:39:19
chill,
1:39:19
fun,
1:39:19
good
1:39:20
times,
1:39:20
is
1:39:21
all
1:39:21
of
1:39:21
a
1:39:21
sudden
1:39:22
aggro
1:39:23
out
1:39:23
of
1:39:23
fucking
1:39:23
nowhere.
1:39:24
Like.
1:39:24
Like
1:39:25
icy.
1:39:25
Mm.
1:39:27
Very
1:39:27
sassy,
1:39:28
very
1:39:28
snide.
1:39:29
The
1:39:30
face
1:39:30
and
1:39:31
that
1:39:31
he's
1:39:31
wearing
1:39:31
a
1:39:31
couple's
1:39:32
costume.
1:39:33
The
1:39:33
guy's
1:39:33
on
1:39:34
a
1:39:34
date
1:39:34
with.
1:39:35
Yeah,
1:39:36
I
1:39:36
would
1:39:36
have
1:39:36
left.
1:39:37
Honestly.
1:39:38
Very
1:39:38
messy,
1:39:38
Eddie.
1:39:40
Oh,
1:39:41
he's
1:39:41
so
1:39:41
messy.
1:39:42
So
1:39:42
messy.
1:39:43
No,
1:39:43
I.
1:39:44
I
1:39:44
don't
1:39:44
know
1:39:45
if
1:39:45
this
1:39:45
has
1:39:45
any
1:39:46
place
1:39:46
in
1:39:46
this
1:39:46
episode
1:39:47
per
1:39:47
se,
1:39:47
but,
1:39:47
like,
1:39:48
the
1:39:48
whole
1:39:49
when
1:39:49
Buck
1:39:49
is
1:39:50
coming
1:39:50
out
1:39:50
to
1:39:50
Eddie
1:39:51
and
1:39:51
Eddie's
1:39:51
like,
1:39:52
you
1:39:52
know,
1:39:52
this
1:39:52
doesn't
1:39:52
change
1:39:53
a
1:39:53
thing
1:39:53
between
1:39:53
us.
1:39:54
Oh,
1:39:54
yeah,
1:39:54
it
1:39:54
doesn't.
1:39:55
It
1:39:55
doesn't
1:39:55
change
1:39:56
a
1:39:56
thing
1:39:56
between
1:39:57
Buck
1:39:57
and
1:39:57
Eddie,
1:39:58
but
1:39:58
it
1:39:58
changes
1:39:58
everything
1:39:59
between
1:40:00
Tommy
1:40:01
and
1:40:01
Eddie.
1:40:02
Once
1:40:02
he
1:40:03
knows.
1:40:03
Never
1:40:03
hear
1:40:04
about
1:40:04
them
1:40:04
hanging
1:40:05
out,
1:40:05
doing
1:40:05
things
1:40:05
again,
1:40:06
do
1:40:06
we?
1:40:06
Which
1:40:06
is
1:40:07
real
1:40:07
interesting.
1:40:08
I
1:40:09
don't
1:40:09
know
1:40:09
if
1:40:09
that
1:40:09
actually
1:40:09
goes
1:40:10
in
1:40:10
this
1:40:10
episode
1:40:10
or
1:40:10
not,
1:40:11
but
1:40:11
I
1:40:11
just
1:40:11
wanted
1:40:12
to
1:40:12
point
1:40:12
out
1:40:12
almost
1:40:13
like.
1:40:13
They
1:40:13
were
1:40:13
only
1:40:14
friends
1:40:15
to
1:40:15
further
1:40:15
the
1:40:16
plot
1:40:16
for
1:40:16
Buck.
1:40:17
Yeah,
1:40:18
interesting.
1:40:19
Once
1:40:19
we're
1:40:19
done
1:40:19
with
1:40:20
the
1:40:20
bachelor
1:40:21
party
1:40:21
and
1:40:21
it
1:40:21
ends
1:40:22
up
1:40:22
being
1:40:22
like
1:40:22
the
1:40:22
actual
1:40:24
hospital
1:40:24
wedding.
1:40:25
Another
1:40:26
conversation
1:40:27
we
1:40:27
get
1:40:28
into,
1:40:28
like,
1:40:28
the
1:40:28
reason
1:40:29
why
1:40:29
Tommy
1:40:30
is
1:40:30
a
1:40:30
plot
1:40:30
device
1:40:30
in
1:40:31
this
1:40:31
episode.
1:40:31
The
1:40:31
second
1:40:32
reason
1:40:32
or
1:40:32
the
1:40:32
second
1:40:33
reason.
1:40:33
Besides,
1:40:34
you
1:40:34
know,
1:40:35
inciting
1:40:35
some
1:40:35
jealousy
1:40:36
in
1:40:36
Eddie,
1:40:36
which
1:40:37
is
1:40:37
just
1:40:37
real
1:40:38
funny
1:40:38
that,
1:40:39
like,
1:40:39
both
1:40:39
Buck
1:40:40
and
1:40:40
Eddie
1:40:40
are
1:40:41
real
1:40:41
jealous
1:40:41
over
1:40:42
Tommy.
1:40:43
Huh?
1:40:44
Yeah.
1:40:44
I'm
1:40:44
so
1:40:45
sure.
1:40:45
Not
1:40:45
like
1:40:46
Tommy
1:40:46
is,
1:40:47
you
1:40:47
know,
1:40:47
stand
1:40:48
in
1:40:48
for
1:40:49
either
1:40:49
character
1:40:50
at
1:40:50
any
1:40:50
point.
1:40:51
You
1:40:51
know,
1:40:51
it
1:40:51
was
1:40:52
crazy
1:40:52
stuff.
1:40:53
So
1:40:53
the
1:40:53
secondary
1:40:53
reason
1:40:54
that
1:40:55
Tommy
1:40:55
is
1:40:55
a
1:40:55
plot
1:40:55
device
1:40:56
in
1:40:56
this
1:40:56
episode
1:40:56
is
1:40:57
so
1:40:58
Buck
1:40:58
can
1:40:58
be
1:40:59
out
1:40:59
to
1:41:00
the
1:41:00
rest
1:41:00
of
1:41:00
his
1:41:00
friends
1:41:01
and
1:41:01
family
1:41:01
besides
1:41:02
the
1:41:02
two
1:41:03
people
1:41:03
that
1:41:03
already
1:41:03
know.
1:41:05
So
1:41:05
when
1:41:06
Tommy
1:41:06
shows
1:41:07
up
1:41:07
at
1:41:07
the
1:41:07
hospital
1:41:08
and,
1:41:09
you
1:41:10
know,
1:41:10
Buck
1:41:11
goes
1:41:11
to
1:41:11
greet
1:41:11
him,
1:41:12
then
1:41:12
they
1:41:13
kiss,
1:41:14
and
1:41:14
because
1:41:15
Tommy
1:41:15
just
1:41:15
came
1:41:15
back
1:41:16
from
1:41:16
a
1:41:16
fire,
1:41:17
he
1:41:17
has,
1:41:18
like,
1:41:18
all
1:41:18
over
1:41:18
his
1:41:19
face.
1:41:19
So
1:41:19
then
1:41:19
he
1:41:19
gets
1:41:19
it,
1:41:19
like,
1:41:20
all
1:41:20
over
1:41:20
Buck's
1:41:20
face
1:41:20
and
1:41:21
then
1:41:21
doesn't
1:41:22
say
1:41:22
anything
1:41:23
because
1:41:23
it's
1:41:24
all
1:41:24
over
1:41:24
Buck's
1:41:24
face.
1:41:24
And
1:41:25
Buck
1:41:25
just
1:41:25
goes
1:41:25
like,
1:41:26
you
1:41:26
know.
1:41:26
Because
1:41:27
it's
1:41:27
for
1:41:27
the
1:41:27
plot.
1:41:27
Yeah.
1:41:28
Looking
1:41:28
like
1:41:29
the
1:41:29
cat
1:41:29
that
1:41:29
got
1:41:30
the
1:41:30
cream.
1:41:31
Did
1:41:32
not
1:41:32
mean
1:41:32
that
1:41:32
in
1:41:33
any
1:41:33
particular
1:41:33
way
1:41:34
besides
1:41:35
the
1:41:36
metaphor.
1:41:37
So
1:41:37
just,
1:41:37
like,
1:41:37
returning
1:41:38
back
1:41:38
to
1:41:38
the
1:41:38
friends
1:41:39
and
1:41:39
family
1:41:39
with
1:41:39
all
1:41:39
the
1:41:40
soot
1:41:40
over
1:41:40
his
1:41:40
face.
1:41:41
And
1:41:41
it's
1:41:41
basically
1:41:42
just
1:41:43
does
1:41:43
the
1:41:43
job
1:41:43
of
1:41:44
outing
1:41:45
Buck
1:41:45
or
1:41:45
him
1:41:46
allowing
1:41:46
himself
1:41:47
to
1:41:47
be
1:41:47
out
1:41:48
with
1:41:48
everyone
1:41:48
else.
1:41:49
Because
1:41:50
people
1:41:50
can
1:41:51
put
1:41:51
two
1:41:51
and
1:41:52
two
1:41:52
together
1:41:52
and
1:41:52
be
1:41:53
like,
1:41:53
oh,
1:41:53
here's
1:41:53
this
1:41:53
really,
1:41:54
you
1:41:54
know,
1:41:55
sooty
1:41:56
guy.
1:41:56
Firefighter
1:41:57
who
1:41:57
came.
1:41:57
Who
1:41:58
is
1:41:58
he?
1:41:58
Because
1:41:59
Ravi
1:41:59
didn't
1:41:59
know.
1:42:01
And
1:42:01
then
1:42:01
Buck,
1:42:01
who
1:42:02
is
1:42:02
also
1:42:02
strangely
1:42:03
sooty,
1:42:04
but
1:42:04
only
1:42:04
on
1:42:04
the
1:42:05
lower
1:42:05
half
1:42:05
of
1:42:05
his
1:42:05
face.
1:42:06
So
1:42:06
then
1:42:06
everyone
1:42:06
is
1:42:07
just
1:42:07
like,
1:42:07
oh,
1:42:08
two
1:42:08
plus
1:42:08
two
1:42:08
equals
1:42:09
four.
1:42:10
There
1:42:10
is
1:42:11
no
1:42:11
scene
1:42:11
of
1:42:12
really
1:42:13
introducing
1:42:14
everybody
1:42:14
to
1:42:14
Tommy
1:42:15
as,
1:42:15
you
1:42:16
know,
1:42:16
the.
1:42:16
Guy
1:42:16
he's
1:42:16
seeing
1:42:17
because
1:42:17
he's
1:42:17
serving
1:42:17
his
1:42:17
purpose.
1:42:18
Yeah.
1:42:18
Just
1:42:19
by
1:42:19
giving
1:42:19
context
1:42:19
of
1:42:20
why
1:42:20
there's
1:42:20
soot
1:42:20
all
1:42:20
over
1:42:21
Buck's
1:42:21
mouth.
1:42:21
It's
1:42:21
literally
1:42:22
why
1:42:22
he's
1:42:22
there.
1:42:22
Yeah.
1:42:23
In
1:42:23
the
1:42:23
context
1:42:24
for
1:42:24
that
1:42:24
is
1:42:24
oh,
1:42:25
Buck
1:42:25
is
1:42:25
now
1:42:26
dating
1:42:26
a
1:42:26
guy
1:42:27
and
1:42:27
it's
1:42:27
a
1:42:27
very
1:42:28
Buck
1:42:28
thing
1:42:28
to
1:42:29
do
1:42:29
for
1:42:29
him
1:42:29
just
1:42:29
to
1:42:30
like
1:42:30
make
1:42:30
this,
1:42:30
you
1:42:31
know,
1:42:31
sweeping.
1:42:32
Not
1:42:32
even
1:42:33
announcement,
1:42:33
just
1:42:34
kind
1:42:34
of
1:42:34
like,
1:42:34
I
1:42:34
am
1:42:35
also
1:42:35
here.
1:42:35
I'm
1:42:35
also
1:42:36
queer.
1:42:39
Yeah.
1:42:39
Thank
1:42:40
you,
1:42:40
Oliver
1:42:40
Stark
1:42:40
for
1:42:40
the
1:42:41
joke
1:42:41
because
1:42:42
it's
1:42:42
never
1:42:42
going
1:42:43
to
1:42:43
die.
1:42:43
I
1:42:43
gotta
1:42:43
start
1:42:44
giving
1:42:44
him
1:42:44
royalties
1:42:45
or
1:42:45
something.
1:42:47
That
1:42:47
has
1:42:47
become
1:42:48
like
1:42:48
everyday
1:42:48
vernacular.
1:42:49
I'm
1:42:49
also
1:42:50
here.
1:42:50
I
1:42:51
love
1:42:51
it
1:42:51
as
1:42:52
a
1:42:52
cancer.
1:42:52
It's
1:42:53
just
1:42:53
the
1:42:53
best,
1:42:54
honestly.
1:42:55
Anytime
1:42:55
we're
1:42:55
feeling
1:42:55
our
1:42:56
Tinkerbelliest.
1:42:57
Tomi
1:42:58
apologized
1:42:58
for
1:42:59
missing
1:42:59
the
1:42:59
ceremony
1:43:00
and
1:43:00
Chim's
1:43:00
like,
1:43:01
thanks,
1:43:02
looks
1:43:02
like
1:43:02
you
1:43:02
were
1:43:03
busy.
1:43:03
And
1:43:04
then
1:43:04
Hen
1:43:05
and
1:43:05
Karen
1:43:05
are
1:43:05
like,
1:43:06
just
1:43:06
the
1:43:06
faces
1:43:07
they
1:43:07
make
1:43:07
are
1:43:07
the
1:43:07
best.
1:43:08
And
1:43:08
Hen
1:43:08
says,
1:43:09
well,
1:43:09
it's
1:43:09
about
1:43:09
damn
1:43:09
time.
1:43:10
Also
1:43:10
crazy.
1:43:11
She
1:43:11
clocked
1:43:11
it.
1:43:11
Yeah,
1:43:12
before.
1:43:12
Now
1:43:13
that
1:43:13
fuck
1:43:14
is
1:43:14
by.
1:43:14
I
1:43:14
just
1:43:15
want
1:43:15
to
1:43:15
talk
1:43:15
really
1:43:15
briefly
1:43:16
about
1:43:16
the
1:43:16
blocking
1:43:17
here.
1:43:17
We
1:43:17
don't
1:43:17
quite
1:43:18
get
1:43:18
a
1:43:18
triangle,
1:43:19
but
1:43:19
we
1:43:19
get
1:43:19
an
1:43:19
interesting
1:43:20
close
1:43:21
up
1:43:21
pan
1:43:22
situation.
1:43:22
So
1:43:23
Tommy
1:43:23
is
1:43:24
on
1:43:24
the
1:43:24
left
1:43:24
and
1:43:24
Buck
1:43:25
is
1:43:25
on
1:43:25
the
1:43:25
right
1:43:26
for
1:43:26
when
1:43:26
they
1:43:27
like
1:43:27
show
1:43:27
up
1:43:27
to
1:43:28
the
1:43:28
hospital
1:43:29
room.
1:43:29
But
1:43:30
you
1:43:30
don't
1:43:30
see
1:43:30
them
1:43:30
both
1:43:31
in
1:43:31
the
1:43:31
same
1:43:31
shot
1:43:31
right
1:43:32
away.
1:43:32
You
1:43:32
see
1:43:32
a
1:43:32
close
1:43:32
up
1:43:33
of
1:43:33
Tommy
1:43:33
and
1:43:33
then
1:43:33
it
1:43:34
pans
1:43:34
to
1:43:34
a
1:43:34
close
1:43:34
of
1:43:35
Buck
1:43:35
showing
1:43:36
the
1:43:36
soot
1:43:36
on
1:43:36
his
1:43:36
face.
1:43:37
And
1:43:37
then
1:43:38
he
1:43:39
cuts.
1:43:40
Chimp
1:43:41
cuts
1:43:41
ahead
1:43:41
and
1:43:41
Karen.
1:43:42
And
1:43:42
then
1:43:42
finally
1:43:43
there's
1:43:43
a
1:43:43
shot
1:43:43
of
1:43:44
both
1:43:44
of
1:43:44
them
1:43:45
before
1:43:45
panning
1:43:46
to
1:43:46
Buck
1:43:46
as
1:43:47
he
1:43:47
moves.
1:43:48
And
1:43:48
then
1:43:49
Eddie
1:43:49
is
1:43:49
there
1:43:49
and
1:43:50
Eddie's
1:43:50
smiling
1:43:50
at
1:43:50
him.
1:43:51
Interesting
1:43:51
stuff.
1:43:52
Super
1:43:52
interesting,
1:43:53
intentional
1:43:53
stuff.
1:43:53
I'm
1:43:54
sure
1:43:54
it
1:43:54
means
1:43:55
absolutely
1:43:56
nothing.
1:43:56
Yeah.
1:43:57
Yay.
1:43:58
So
1:43:58
in
1:43:58
709
1:43:59
Ashes
1:43:59
Ashes,
1:44:00
the
1:44:01
main
1:44:01
role
1:44:01
of
1:44:01
Tommy
1:44:02
in
1:44:02
this
1:44:03
episode
1:44:03
is
1:44:04
to
1:44:05
be
1:44:05
utilized
1:44:06
to
1:44:07
help
1:44:07
convince
1:44:08
Bobby
1:44:08
that
1:44:09
Buck
1:44:09
is
1:44:09
doing
1:44:09
well
1:44:09
and
1:44:09
taking
1:44:10
care
1:44:10
of.
1:44:10
Because
1:44:11
Bobby
1:44:11
is
1:44:11
like,
1:44:11
you
1:44:12
know,
1:44:12
on
1:44:12
his
1:44:13
retirement
1:44:13
era
1:44:14
sort
1:44:14
of
1:44:14
thing.
1:44:15
Farewell
1:44:15
tour.
1:44:16
Yes.
1:44:17
Yeah.
1:44:17
Bobby's
1:44:18
on
1:44:18
his.
1:44:18
On
1:44:18
his
1:44:18
grandfather.
1:44:19
One
1:44:19
degree
1:44:20
left
1:44:20
of
1:44:20
suicidal
1:44:21
ideation.
1:44:22
Yes.
1:44:22
Pretty
1:44:23
much
1:44:23
getting
1:44:23
your
1:44:23
affairs
1:44:23
in
1:44:24
order.
1:44:25
So
1:44:26
kind
1:44:27
of
1:44:27
for
1:44:28
Bobby
1:44:28
to,
1:44:29
you
1:44:29
know,
1:44:30
ensure
1:44:30
that
1:44:31
Buck
1:44:31
is
1:44:31
doing
1:44:32
well
1:44:32
and
1:44:32
Buck
1:44:32
is
1:44:33
happy
1:44:34
again,
1:44:34
it
1:44:35
all
1:44:35
revolves
1:44:36
around
1:44:36
Buck
1:44:37
and
1:44:37
his
1:44:37
feelings
1:44:38
and
1:44:38
not
1:44:39
necessarily
1:44:39
Tommy
1:44:40
even
1:44:40
give
1:44:40
a
1:44:40
shit
1:44:41
individually.
1:44:42
This
1:44:42
is
1:44:42
also
1:44:43
like
1:44:43
the
1:44:43
only
1:44:43
time
1:44:43
that
1:44:44
Buck
1:44:44
and
1:44:44
Bobby
1:44:45
speak
1:44:45
about
1:44:46
Buck's
1:44:47
new
1:44:47
relationship
1:44:47
with
1:44:48
Tommy.
1:44:48
Because
1:44:49
Buck
1:44:49
even
1:44:49
says,
1:44:50
like,
1:44:50
I
1:44:50
know
1:44:50
we
1:44:50
haven't
1:44:50
really
1:44:51
talked
1:44:51
about
1:44:51
him.
1:44:51
And
1:44:52
Bobby
1:44:52
says,
1:44:53
well,
1:44:53
what's
1:44:53
there
1:44:54
to
1:44:54
talk
1:44:54
about?
1:44:57
And
1:44:58
he's
1:44:58
like,
1:44:58
yeah,
1:44:59
Tommy's
1:44:59
good
1:44:59
people,
1:44:59
he's
1:45:00
good
1:45:00
for
1:45:00
you.
1:45:00
And
1:45:01
Buck's
1:45:01
all
1:45:01
like,
1:45:01
how
1:45:02
do
1:45:02
you
1:45:02
know
1:45:02
that?
1:45:03
And
1:45:03
Bobby
1:45:04
says,
1:45:04
because
1:45:04
we
1:45:04
haven't
1:45:05
had
1:45:05
to
1:45:05
talk
1:45:05
about
1:45:06
it.
1:45:06
Which
1:45:07
is
1:45:07
kind
1:45:07
of
1:45:08
completely
1:45:08
counterintuitive
1:45:09
to
1:45:09
the
1:45:10
whole
1:45:10
thing.
1:45:10
Because
1:45:10
if
1:45:11
it
1:45:11
was
1:45:11
an
1:45:11
actually
1:45:12
good
1:45:13
beneficial
1:45:13
relationship,
1:45:14
Buck
1:45:14
would
1:45:15
be
1:45:15
screaming
1:45:15
to
1:45:15
the
1:45:15
rooftop.
1:45:16
Wouldn't
1:45:16
Buck,
1:45:17
who
1:45:17
can't
1:45:17
shut
1:45:17
the
1:45:18
fuck
1:45:18
up
1:45:18
about
1:45:19
things
1:45:19
that
1:45:20
he's
1:45:20
happy
1:45:20
about.
1:45:21
Yeah,
1:45:22
and
1:45:22
it's
1:45:22
like
1:45:23
they
1:45:23
wouldn't
1:45:23
necessarily
1:45:24
have
1:45:24
to
1:45:24
talk
1:45:24
about
1:45:25
like,
1:45:25
you
1:45:25
know,
1:45:26
the
1:45:26
issues
1:45:27
of
1:45:27
the
1:45:27
relationship
1:45:28
if
1:45:28
it's
1:45:28
so
1:45:28
great,
1:45:29
but
1:45:29
you
1:45:29
would
1:45:29
talk
1:45:30
about
1:45:30
it
1:45:31
period,
1:45:31
at
1:45:31
all
1:45:32
at
1:45:32
some
1:45:32
point.
1:45:33
So
1:45:33
just
1:45:34
another
1:45:34
instance
1:45:35
of
1:45:35
showing
1:45:35
that
1:45:35
like,
1:45:36
yeah,
1:45:37
they
1:45:37
don't
1:45:37
have
1:45:38
to
1:45:38
talk
1:45:38
about
1:45:38
it
1:45:38
because
1:45:39
Tommy,
1:45:39
in
1:45:39
the
1:45:40
grand
1:45:40
scheme
1:45:40
of
1:45:40
things,
1:45:41
doesn't
1:45:41
really
1:45:41
matter
1:45:41
that
1:45:42
much.
1:45:42
And
1:45:42
that
1:45:42
conversation
1:45:43
is
1:45:43
mainly
1:45:44
about
1:45:45
Bobby
1:45:46
making
1:45:46
sure
1:45:47
that
1:45:47
Buck
1:45:48
is
1:45:48
happy
1:45:49
as
1:45:49
he's
1:45:49
doing
1:45:49
his
1:45:50
grand
1:45:50
farewell
1:45:51
tour.
1:45:51
So
1:45:52
we
1:45:52
see
1:45:52
Tommy
1:45:53
with
1:45:53
like
1:45:54
the
1:45:54
medal
1:45:54
ceremony,
1:45:55
but
1:45:56
that's
1:45:56
pretty
1:45:57
much
1:45:58
it.
1:45:58
He's
1:45:59
there
1:45:59
because
1:45:59
he's
1:45:59
there.
1:46:00
He's
1:46:00
there
1:46:00
because.
1:46:01
Because
1:46:01
he
1:46:01
was
1:46:01
also
1:46:02
there.
1:46:02
He
1:46:02
was
1:46:02
also
1:46:03
there
1:46:03
with.
1:46:04
With
1:46:04
the.
1:46:04
Saving
1:46:05
Bobby
1:46:05
and
1:46:05
Athena.
1:46:06
And
1:46:06
he
1:46:07
was
1:46:07
only
1:46:07
there
1:46:07
because
1:46:08
he
1:46:08
knew
1:46:08
how
1:46:08
to
1:46:08
fly
1:46:09
plane.
1:46:09
So
1:46:10
he's
1:46:10
there.
1:46:11
So
1:46:12
that
1:46:12
brings
1:46:12
us
1:46:12
to
1:46:13
the
1:46:13
season
1:46:14
finale
1:46:14
of
1:46:14
Seven,
1:46:15
which
1:46:15
is
1:46:15
I'll
1:46:16
Fall
1:46:16
down
1:46:16
episode
1:46:17
10.
1:46:18
And
1:46:19
basically
1:46:20
Tommy's
1:46:21
main
1:46:21
purpose
1:46:22
in
1:46:22
this
1:46:22
episode
1:46:23
is
1:46:23
to
1:46:23
Showcase
1:46:24
how
1:46:24
the
1:46:24
118
1:46:25
is
1:46:25
Buck's
1:46:26
found
1:46:26
family
1:46:27
and
1:46:27
specifically,
1:46:28
like
1:46:28
Bobby
1:46:29
is
1:46:29
his
1:46:29
father
1:46:29
figure
1:46:30
with
1:46:30
the
1:46:30
118
1:46:31
and
1:46:31
how
1:46:31
it
1:46:31
was
1:46:32
never
1:46:32
as
1:46:32
tight
1:46:33
knit
1:46:33
and
1:46:33
cohesive
1:46:34
when
1:46:34
Tommy
1:46:34
was
1:46:35
around.
1:46:35
So
1:46:35
this
1:46:35
hearkens
1:46:36
back
1:46:36
to
1:46:36
what
1:46:37
we
1:46:37
were
1:46:37
talking
1:46:37
about
1:46:37
with
1:46:38
Bobby
1:46:38
begins
1:46:39
again
1:46:39
where,
1:46:40
you
1:46:40
know,
1:46:40
it
1:46:40
was
1:46:40
just
1:46:41
co
1:46:41
workers
1:46:41
until
1:46:42
Buck
1:46:42
showed
1:46:42
up
1:46:43
and
1:46:43
literally
1:46:44
replaced
1:46:45
Tommy.
1:46:45
So
1:46:46
this
1:46:46
kind
1:46:46
of
1:46:46
means
1:46:47
that
1:46:47
like
1:46:47
Buck
1:46:48
as
1:46:48
Tommy's
1:46:49
literal
1:46:49
replacement
1:46:50
was
1:46:50
the
1:46:50
missing
1:46:51
piece
1:46:51
the
1:46:51
118
1:46:52
needed,
1:46:53
and
1:46:53
the
1:46:54
118
1:46:54
was
1:46:54
the
1:46:55
missing
1:46:55
piece
1:46:55
for
1:46:55
Buck
1:46:56
in
1:46:56
return.
1:46:57
That's
1:46:57
it.
1:46:58
That's
1:46:59
it.
1:47:00
Like,
1:47:00
I'm
1:47:00
sorry,
1:47:01
that's.
1:47:01
That's
1:47:01
just
1:47:01
kind
1:47:02
of
1:47:02
it.
1:47:02
It's
1:47:03
kind
1:47:03
of
1:47:03
another
1:47:04
instance
1:47:04
that
1:47:05
we're
1:47:05
seeing
1:47:06
trickle
1:47:06
in
1:47:06
a
1:47:07
little
1:47:07
more
1:47:07
in
1:47:08
this
1:47:08
second
1:47:08
half
1:47:08
of
1:47:08
season
1:47:09
seven
1:47:09
that
1:47:09
will
1:47:09
roll
1:47:10
into
1:47:10
eight.
1:47:10
Like,
1:47:11
showcasing
1:47:11
how
1:47:11
Tommy
1:47:12
doesn't
1:47:12
belong
1:47:13
in
1:47:13
Buck's
1:47:13
world
1:47:15
because
1:47:16
he's
1:47:16
just
1:47:17
a
1:47:17
plot
1:47:17
device.
1:47:17
He's
1:47:18
just
1:47:18
there
1:47:19
to
1:47:19
emphasize
1:47:20
other
1:47:20
things
1:47:21
about
1:47:21
Buck
1:47:22
or
1:47:22
Eddie.
1:47:24
So
1:47:24
backstage.
1:47:25
Yeah,
1:47:26
I
1:47:26
don't
1:47:26
know
1:47:26
how
1:47:27
else
1:47:27
to
1:47:27
say
1:47:27
that.
1:47:28
Like
1:47:28
when
1:47:28
they're
1:47:28
talking
1:47:29
and
1:47:29
they're
1:47:29
having
1:47:30
dinner
1:47:30
together
1:47:30
while
1:47:31
Bobby's
1:47:31
in
1:47:31
the
1:47:32
hospital
1:47:32
and
1:47:33
Buck's
1:47:33
saying,
1:47:33
you
1:47:34
know,
1:47:34
like,
1:47:34
Bobby's
1:47:34
like
1:47:35
the
1:47:35
father
1:47:35
I
1:47:36
never
1:47:36
had
1:47:36
and
1:47:36
he
1:47:37
means
1:47:37
that
1:47:37
much
1:47:37
to
1:47:37
me
1:47:38
and
1:47:38
Tommy
1:47:39
is
1:47:39
just
1:47:39
like,
1:47:39
I'm
1:47:40
just
1:47:40
a
1:47:40
little
1:47:40
bit
1:47:40
jealous.
1:47:40
It
1:47:41
wasn't
1:47:41
like
1:47:41
this
1:47:41
when
1:47:41
I
1:47:42
was
1:47:42
at
1:47:42
the
1:47:42
118
1:47:43
and
1:47:43
I
1:47:43
had
1:47:43
Gerard,
1:47:44
which
1:47:45
didn't
1:47:45
make
1:47:45
me
1:47:45
a
1:47:46
better
1:47:46
person,
1:47:47
but
1:47:48
Captain
1:47:48
Gerard
1:47:48
was
1:47:49
like
1:47:49
having
1:47:49
the
1:47:50
dad
1:47:50
I
1:47:50
already
1:47:50
had.
1:47:51
So
1:47:51
that's,
1:47:52
I
1:47:52
think,
1:47:52
the
1:47:52
most
1:47:53
backstory
1:47:53
we
1:47:54
actually
1:47:54
get
1:47:55
about
1:47:55
Tommy,
1:47:56
like,
1:47:56
Tommy's
1:47:57
inner
1:47:57
world.
1:47:58
Everything
1:47:59
we
1:47:59
learn
1:47:59
about
1:48:00
Tommy
1:48:00
is
1:48:00
stuff
1:48:00
he
1:48:01
likes
1:48:02
or
1:48:03
things
1:48:03
that
1:48:03
are
1:48:03
similar
1:48:04
to
1:48:04
Eddie.
1:48:05
This
1:48:05
is
1:48:05
the
1:48:06
only
1:48:06
instance
1:48:07
we
1:48:07
get
1:48:07
of,
1:48:08
like,
1:48:08
an
1:48:08
actual
1:48:09
why
1:48:10
he
1:48:10
is
1:48:10
the
1:48:10
way
1:48:10
he
1:48:11
is.
1:48:11
And
1:48:12
it's
1:48:12
relating
1:48:13
Captain
1:48:13
Gerard
1:48:14
to
1:48:14
his
1:48:15
real
1:48:15
dad,
1:48:15
which
1:48:16
is
1:48:16
so
1:48:16
sad.
1:48:17
I
1:48:17
mean,
1:48:18
what
1:48:18
if
1:48:18
I
1:48:18
told
1:48:19
you
1:48:19
that
1:48:19
was
1:48:20
still
1:48:20
parallel
1:48:21
to
1:48:21
Eddie?
1:48:22
It
1:48:22
is.
1:48:24
So
1:48:24
it's
1:48:24
not
1:48:25
just
1:48:25
about
1:48:25
him.
1:48:26
It's
1:48:26
still
1:48:26
not
1:48:27
just
1:48:27
about
1:48:27
Tommy.
1:48:28
Yeah.
1:48:29
Because
1:48:29
you
1:48:30
can
1:48:30
say
1:48:30
that
1:48:31
a
1:48:31
lot
1:48:31
of
1:48:31
that,
1:48:31
you
1:48:32
know,
1:48:32
performative
1:48:32
masculinity
1:48:33
stuff.
1:48:34
Still
1:48:34
relates
1:48:35
to
1:48:36
Eddie
1:48:36
and
1:48:36
his
1:48:37
terrible
1:48:37
father.
1:48:38
Yeah,
1:48:38
yeah,
1:48:38
yeah.
1:48:39
Even
1:48:40
the,
1:48:43
like,
1:48:43
crumb
1:48:44
that
1:48:45
we
1:48:45
get
1:48:45
of
1:48:46
an
1:48:47
inner
1:48:47
world
1:48:48
at
1:48:48
all,
1:48:48
it's
1:48:49
like
1:48:49
a
1:48:49
piece
1:48:49
of
1:48:49
sand.
1:48:50
It's
1:48:50
a
1:48:50
grain
1:48:51
of
1:48:51
sand.
1:48:51
It
1:48:52
still
1:48:52
can
1:48:53
be
1:48:53
drawn
1:48:54
back
1:48:54
to
1:48:54
Eddie
1:48:55
or
1:48:55
buck
1:48:56
being
1:48:57
the
1:48:57
118
1:48:58
is
1:48:58
Buck's
1:48:58
family,
1:48:59
but
1:48:59
it
1:48:59
wasn't
1:48:59
Tommy's.
1:49:00
Yep.
1:49:01
That's
1:49:01
all
1:49:01
she
1:49:01
wrote
1:49:02
for
1:49:02
season
1:49:02
seven,
1:49:03
at
1:49:03
least.
1:49:03
Now
1:49:04
for
1:49:04
season
1:49:04
eight.
1:49:05
Oh,
1:49:06
man.
1:49:07
There's
1:49:07
not
1:49:07
a
1:49:07
lot
1:49:07
to
1:49:08
talk
1:49:08
about
1:49:08
in
1:49:09
episode
1:49:09
one
1:49:09
of
1:49:09
season
1:49:10
eight,
1:49:10
Buzzkill.
1:49:11
He's
1:49:11
literally
1:49:12
just
1:49:12
there
1:49:13
to
1:49:14
show
1:49:14
how
1:49:14
Buck
1:49:15
is
1:49:15
at
1:49:15
home
1:49:15
in
1:49:15
the
1:49:16
Diaz
1:49:16
home
1:49:17
and
1:49:18
Tommy
1:49:19
does
1:49:19
not
1:49:19
belong
1:49:20
there.
1:49:20
No.
1:49:21
And
1:49:21
he's
1:49:21
just
1:49:22
there
1:49:22
to
1:49:22
eat
1:49:22
cupcakes.
1:49:23
He
1:49:23
is
1:49:24
again,
1:49:24
just
1:49:25
there.
1:49:25
He
1:49:26
seems
1:49:26
out
1:49:27
of
1:49:27
place,
1:49:28
especially
1:49:28
when
1:49:28
they're
1:49:29
on
1:49:29
the
1:49:29
video
1:49:29
call,
1:49:30
and
1:49:30
he
1:49:30
just
1:49:30
kind
1:49:30
of
1:49:30
like
1:49:30
walks
1:49:31
away
1:49:31
once
1:49:31
it
1:49:31
starts
1:49:32
going
1:49:32
bad
1:49:33
and
1:49:33
starts
1:49:33
eating
1:49:33
cupcakes
1:49:34
or
1:49:35
whatever.
1:49:36
But
1:49:36
the
1:49:36
blocking
1:49:37
is
1:49:37
Eddie
1:49:37
is
1:49:37
shown
1:49:38
between
1:49:38
Buck
1:49:38
and
1:49:38
Tommy.
1:49:39
Buck
1:49:40
is
1:49:40
on
1:49:40
the
1:49:41
left,
1:49:41
and
1:49:42
Eddie's
1:49:43
in
1:49:43
the
1:49:43
center.
1:49:44
Tommy's
1:49:44
on
1:49:44
the
1:49:44
right,
1:49:45
which
1:49:45
falls
1:49:45
in
1:49:45
with
1:49:46
our
1:49:46
person
1:49:47
in
1:49:47
the
1:49:47
middle.
1:49:48
Can't
1:49:48
have
1:49:49
thing
1:49:49
on
1:49:49
the
1:49:50
left.
1:49:50
And
1:49:50
it's
1:49:51
the
1:49:51
first
1:49:51
time
1:49:51
we
1:49:51
see
1:49:52
Eddie
1:49:53
in
1:49:53
the
1:49:53
center
1:49:55
being
1:49:55
like,
1:49:55
I
1:49:56
can't
1:49:56
have
1:49:56
Buck.
1:49:57
Interesting
1:49:59
first
1:50:00
episode
1:50:00
of
1:50:00
season
1:50:00
eight.
1:50:01
I
1:50:01
see
1:50:01
you
1:50:01
see
1:50:02
me
1:50:02
Norman.
1:50:04
Jesus
1:50:04
Christ.
1:50:05
That's
1:50:05
all
1:50:05
I
1:50:06
got
1:50:06
for
1:50:06
that
1:50:06
episode,
1:50:07
fam.
1:50:07
So
1:50:07
you
1:50:07
want
1:50:08
to
1:50:08
go.
1:50:08
So
1:50:09
episode
1:50:10
five
1:50:11
of
1:50:11
season
1:50:11
eight,
1:50:12
masks
1:50:13
Mr.
1:50:13
Plot
1:50:14
Device.
1:50:18
No.
1:50:19
How
1:50:20
have
1:50:20
we
1:50:20
not
1:50:20
done
1:50:20
that
1:50:20
the
1:50:21
whole
1:50:21
time?
1:50:21
That's
1:50:21
fantastic.
1:50:22
So
1:50:23
Mr.
1:50:23
Plot
1:50:23
Device
1:50:24
is
1:50:24
here
1:50:26
to
1:50:26
show
1:50:27
the
1:50:27
difference
1:50:27
between
1:50:27
how
1:50:28
he
1:50:28
and
1:50:28
Eddie
1:50:28
treat
1:50:29
Buck
1:50:29
and
1:50:30
how
1:50:30
Buck
1:50:30
responds
1:50:31
to
1:50:31
both.
1:50:31
Of
1:50:31
them,
1:50:32
which
1:50:33
is
1:50:33
different.
1:50:34
I
1:50:34
can't
1:50:34
believe
1:50:34
we
1:50:34
finally
1:50:35
got
1:50:35
it.
1:50:35
We
1:50:36
got
1:50:36
here
1:50:36
finally.
1:50:38
I
1:50:38
mean,
1:50:38
text
1:50:39
and
1:50:39
on
1:50:40
screen
1:50:40
wise
1:50:40
that
1:50:40
we
1:50:41
finally
1:50:41
got
1:50:41
to
1:50:41
the
1:50:41
point
1:50:42
where,
1:50:42
hey,
1:50:43
he's
1:50:43
not
1:50:43
that
1:50:44
great.
1:50:45
So.
1:50:47
Yeah.
1:50:47
Anyway.
1:50:48
So
1:50:48
there
1:50:48
are
1:50:49
no
1:50:49
Triangular
1:50:49
things.
1:50:50
But
1:50:50
in
1:50:51
the
1:50:51
hospital,
1:50:52
Eddie
1:50:52
is
1:50:52
shown
1:50:53
beside
1:50:53
in
1:50:53
the
1:50:53
traditional
1:50:54
spot
1:50:54
as
1:50:54
the
1:50:55
spouse
1:50:55
or
1:50:55
significant
1:50:56
other,
1:50:56
while
1:50:57
Tommy
1:50:57
is
1:50:57
standing
1:50:57
on
1:50:58
the
1:50:58
other
1:50:58
side.
1:50:58
Buck
1:50:58
is
1:50:59
in
1:50:59
the
1:50:59
middle.
1:51:00
Buck
1:51:00
is
1:51:00
in
1:51:00
the
1:51:00
middle.
1:51:01
Eddie's
1:51:01
on
1:51:02
the
1:51:02
left.
1:51:04
There's
1:51:04
a
1:51:04
theme
1:51:05
here
1:51:05
happening,
1:51:07
but
1:51:07
yeah.
1:51:07
And
1:51:07
then
1:51:08
Eddie
1:51:08
translates
1:51:08
for
1:51:08
Buck
1:51:09
the
1:51:09
entire
1:51:09
conversation.
1:51:10
And
1:51:11
that's
1:51:11
really
1:51:12
showing
1:51:13
how
1:51:13
Eddie
1:51:13
can
1:51:13
finish
1:51:13
Buck.
1:51:14
Sentences.
1:51:14
Knows
1:51:15
everything
1:51:15
about
1:51:15
him
1:51:16
and
1:51:16
his
1:51:16
family
1:51:16
because
1:51:16
he's
1:51:17
part
1:51:17
of
1:51:17
it.
1:51:17
Sorry,
1:51:19
we
1:51:19
finished
1:51:19
each
1:51:20
other.
1:51:20
Finished
1:51:21
sandwiches.
1:51:22
That's
1:51:22
what
1:51:22
I
1:51:22
was
1:51:23
gonna
1:51:23
say.
1:51:24
And
1:51:24
Tommy
1:51:25
still
1:51:25
barely
1:51:25
knows
1:51:26
Buck
1:51:26
or
1:51:26
his
1:51:26
life
1:51:27
after
1:51:27
dating
1:51:27
him
1:51:28
for
1:51:28
months.
1:51:30
Like,
1:51:30
doesn't
1:51:31
even
1:51:31
know
1:51:31
that
1:51:31
Bobby's
1:51:32
wife
1:51:33
is
1:51:33
Athena.
1:51:34
I
1:51:34
know.
1:51:35
Like,
1:51:35
these
1:51:35
are
1:51:36
basics.
1:51:37
Six
1:51:37
months.
1:51:37
And
1:51:38
that's
1:51:38
ridiculous.
1:51:39
Ridiculous,
1:51:40
ridiculous,
1:51:41
ridiculous.
1:51:44
Oh,
1:51:45
God.
1:51:45
Okay,
1:51:46
sorry,
1:51:46
continue.
1:51:47
That's
1:51:47
it.
1:51:48
I
1:51:48
don't
1:51:48
really
1:51:48
feel
1:51:49
like
1:51:49
I
1:51:49
need
1:51:49
to
1:51:50
expand
1:51:50
on
1:51:50
that.
1:51:50
Like,
1:51:51
he.
1:51:51
It's
1:51:51
a.
1:51:52
It's
1:51:52
a
1:51:52
stark
1:51:53
contrast
1:51:53
in
1:51:54
how
1:51:54
much
1:51:54
they
1:51:55
know
1:51:55
about
1:51:55
Buck.
1:51:56
And
1:51:57
yeah,
1:51:57
Eddie's
1:51:58
been
1:51:58
there
1:51:58
for
1:51:58
years,
1:51:59
but
1:51:59
when
1:51:59
you're
1:52:00
dating
1:52:00
someone,
1:52:00
you're
1:52:00
supposed
1:52:01
to.
1:52:01
The
1:52:01
whole
1:52:01
purpose
1:52:02
of,
1:52:02
like,
1:52:02
dating
1:52:03
before
1:52:03
you
1:52:03
get
1:52:03
serious
1:52:03
with
1:52:04
someone
1:52:04
is
1:52:04
to
1:52:04
get
1:52:04
to
1:52:04
know
1:52:05
them.
1:52:05
And
1:52:06
he
1:52:06
knows
1:52:07
nothing
1:52:07
about
1:52:07
him.
1:52:08
And
1:52:08
that's
1:52:08
made
1:52:08
apparent.
1:52:09
I
1:52:09
don't
1:52:10
know,
1:52:10
just
1:52:10
that
1:52:10
Sunner
1:52:11
with
1:52:11
the
1:52:11
left.
1:52:12
I
1:52:12
think
1:52:12
this
1:52:13
episode
1:52:13
also
1:52:14
does
1:52:14
show
1:52:15
very
1:52:15
much,
1:52:15
kind
1:52:16
of
1:52:16
how
1:52:16
we
1:52:16
just
1:52:17
mentioned
1:52:17
again
1:52:17
with
1:52:18
7
1:52:18
10,
1:52:19
how
1:52:20
truly
1:52:21
Tommy
1:52:22
does
1:52:22
not
1:52:22
fit
1:52:22
in.
1:52:23
But
1:52:23
Buck's
1:52:23
world,
1:52:24
he
1:52:24
doesn't
1:52:25
have,
1:52:25
like,
1:52:26
a
1:52:26
place.
1:52:27
He
1:52:27
wants
1:52:28
to
1:52:28
be
1:52:28
part
1:52:28
of
1:52:28
his
1:52:29
world
1:52:29
so
1:52:30
bad.
1:52:34
Sorry,
1:52:34
Ariel.
1:52:35
Yeah,
1:52:35
he's
1:52:35
like,
1:52:36
look
1:52:36
at
1:52:36
that
1:52:36
stuff.
1:52:37
Isn't
1:52:37
it
1:52:38
neat?
1:52:39
Oh,
1:52:39
my
1:52:39
God.
1:52:40
And
1:52:40
his
1:52:40
collection
1:52:40
isn't
1:52:41
complete
1:52:41
because
1:52:41
he
1:52:42
wants
1:52:42
to
1:52:42
collect
1:52:42
both.
1:52:43
And
1:52:43
Eddie,
1:52:44
at
1:52:44
least
1:52:44
he
1:52:45
understands
1:52:45
that
1:52:45
they
1:52:46
are
1:52:46
not
1:52:47
sold
1:52:47
separately.
1:52:49
Do
1:52:50
not
1:52:50
separate
1:52:51
in
1:52:52
your
1:52:52
adoption
1:52:53
of
1:52:53
them.
1:52:53
Another
1:52:54
scene
1:52:54
that
1:52:55
I
1:52:55
like
1:52:55
to
1:52:56
talk
1:52:56
about,
1:52:57
the
1:52:57
blocking
1:52:58
specifically,
1:52:58
is
1:52:59
when
1:52:59
all
1:53:00
three
1:53:00
of
1:53:00
them
1:53:00
are
1:53:01
in
1:53:01
Buck's
1:53:02
loft
1:53:03
after
1:53:03
Buck
1:53:04
gets
1:53:04
all
1:53:05
of
1:53:05
those
1:53:05
boils
1:53:06
from
1:53:07
Billy
1:53:07
Boyles
1:53:08
and
1:53:09
they
1:53:10
call
1:53:10
Eddie
1:53:10
in
1:53:11
to
1:53:11
treat
1:53:11
Buck,
1:53:11
basically.
1:53:12
And
1:53:14
so
1:53:15
it's
1:53:15
very
1:53:15
interesting
1:53:16
too,
1:53:16
because
1:53:16
it's
1:53:17
not
1:53:17
like
1:53:17
a
1:53:17
straight
1:53:17
up
1:53:18
triangle,
1:53:18
but
1:53:18
it
1:53:18
is
1:53:19
like
1:53:19
triangular.
1:53:21
It's
1:53:21
triangular
1:53:22
because
1:53:22
there
1:53:23
are
1:53:23
three
1:53:23
people
1:53:23
there.
1:53:23
But
1:53:24
it's
1:53:24
mostly,
1:53:24
I
1:53:25
think
1:53:25
what
1:53:25
we
1:53:25
end
1:53:26
up
1:53:26
seeing
1:53:27
from
1:53:27
kind
1:53:28
of
1:53:28
this
1:53:29
point
1:53:29
on
1:53:29
is
1:53:30
there's
1:53:31
a
1:53:31
separation,
1:53:32
right?
1:53:32
And
1:53:33
Buck
1:53:33
and
1:53:33
Eddie
1:53:34
are
1:53:34
kind
1:53:35
of
1:53:35
on
1:53:35
one
1:53:35
side
1:53:36
and
1:53:37
Tommy
1:53:37
is
1:53:37
on
1:53:38
another
1:53:38
side.
1:53:38
So
1:53:38
we
1:53:39
have
1:53:39
Buck
1:53:39
and
1:53:39
Eddie
1:53:40
on
1:53:40
one
1:53:40
side
1:53:41
of
1:53:41
Buck's
1:53:42
table
1:53:42
in
1:53:42
the
1:53:42
kitchen,
1:53:43
and
1:53:43
Tommy
1:53:43
is
1:53:44
sitting
1:53:44
on
1:53:45
the
1:53:45
whole
1:53:45
other
1:53:45
side.
1:53:46
So
1:53:46
he
1:53:46
is
1:53:46
facing
1:53:47
them.
1:53:48
They're
1:53:48
not
1:53:49
facing
1:53:49
him.
1:53:50
Mostly
1:53:50
they
1:53:50
are
1:53:51
looking
1:53:51
at
1:53:51
each
1:53:51
other.
1:53:52
The
1:53:52
previous
1:53:53
scene
1:53:53
is
1:53:53
the
1:53:53
last
1:53:54
time
1:53:54
they're
1:53:55
ever
1:53:55
all
1:53:55
three
1:53:56
in
1:53:56
a
1:53:56
shot
1:53:57
together.
1:53:58
Oh,
1:53:58
in
1:53:58
like,
1:53:58
one
1:53:59
frame,
1:53:59
you
1:53:59
mean?
1:54:00
Yes.
1:54:01
So
1:54:01
Tommy
1:54:01
is
1:54:01
on,
1:54:02
like,
1:54:02
the
1:54:02
complete
1:54:02
other
1:54:03
side
1:54:03
of
1:54:03
the
1:54:03
table
1:54:03
by
1:54:04
himself,
1:54:05
But
1:54:05
Buck
1:54:06
and
1:54:06
Tommy.
1:54:07
Buck
1:54:07
and
1:54:07
Eddie
1:54:07
are
1:54:08
aligned
1:54:08
on
1:54:08
the
1:54:09
other
1:54:09
side.
1:54:10
And
1:54:10
when
1:54:10
you
1:54:10
kind
1:54:11
of
1:54:11
look
1:54:11
at
1:54:11
it,
1:54:11
I
1:54:11
don't
1:54:12
know
1:54:12
if
1:54:12
this
1:54:12
is
1:54:12
exactly
1:54:13
a
1:54:13
shot
1:54:14
in
1:54:14
the
1:54:14
episode,
1:54:15
but
1:54:15
there
1:54:15
is
1:54:15
a
1:54:15
still
1:54:16
shot,
1:54:16
like
1:54:16
a
1:54:17
promotional,
1:54:17
still
1:54:18
angular
1:54:19
setup.
1:54:19
And
1:54:20
it
1:54:20
has
1:54:21
Tommy
1:54:21
in
1:54:22
the
1:54:22
middle
1:54:22
in
1:54:23
the
1:54:23
background,
1:54:24
you
1:54:24
know,
1:54:25
on
1:54:25
the
1:54:25
other
1:54:25
side
1:54:25
of
1:54:26
the
1:54:26
table.
1:54:26
And
1:54:27
it
1:54:27
has
1:54:27
Buck
1:54:28
on
1:54:28
the
1:54:28
left,
1:54:29
and
1:54:30
Eddie
1:54:30
is
1:54:30
the
1:54:30
one
1:54:31
on
1:54:31
the
1:54:31
right
1:54:31
of
1:54:32
the
1:54:33
picture
1:54:34
treating
1:54:34
Buck
1:54:35
and
1:54:35
his
1:54:35
oils.
1:54:36
And
1:54:37
it
1:54:37
does
1:54:37
show
1:54:38
what.
1:54:38
So
1:54:38
is
1:54:39
this,
1:54:39
like,
1:54:40
now
1:54:40
Tommy
1:54:40
can't
1:54:41
have
1:54:41
Buck.
1:54:41
He's
1:54:41
losing
1:54:42
Buck.
1:54:42
Is
1:54:42
this
1:54:42
how
1:54:43
we're
1:54:43
interpreting
1:54:44
that?
1:54:45
Yeah.
1:54:45
Yeah.
1:54:46
So,
1:54:46
man,
1:54:46
I
1:54:46
did
1:54:47
crack
1:54:47
it.
1:54:47
Wow,
1:54:47
you
1:54:48
really
1:54:48
did
1:54:48
crack
1:54:48
it.
1:54:49
You
1:54:49
did.
1:54:49
You.
1:54:50
I
1:54:50
knew
1:54:50
there
1:54:50
was
1:54:50
something
1:54:50
there,
1:54:51
and
1:54:51
I
1:54:51
was
1:54:51
like,
1:54:51
hopefully
1:54:52
one
1:54:52
of
1:54:52
us
1:54:52
can
1:54:53
put
1:54:53
it
1:54:53
together.
1:54:54
Still
1:54:54
had
1:54:54
the
1:54:54
brain
1:54:54
cell
1:54:55
today.
1:54:55
Like,
1:54:55
dang.
1:54:56
I
1:54:56
was
1:54:56
like,
1:54:57
I
1:54:57
know
1:54:57
this
1:54:57
who
1:54:57
the
1:54:58
center
1:54:58
thing
1:54:58
is
1:54:58
about.
1:54:58
Like,
1:54:59
whoever
1:54:59
center
1:54:59
is
1:54:59
the
1:55:00
one
1:55:00
who's,
1:55:00
like,
1:55:00
having
1:55:00
the
1:55:01
emotion.
1:55:01
But
1:55:01
I'm
1:55:01
like,
1:55:02
I
1:55:02
don't
1:55:03
know
1:55:03
what.
1:55:03
What
1:55:03
the
1:55:03
who's
1:55:04
on
1:55:04
left
1:55:04
and
1:55:04
right
1:55:04
is
1:55:04
about,
1:55:05
but
1:55:05
I
1:55:05
just
1:55:05
thought
1:55:05
it
1:55:06
was
1:55:06
super
1:55:06
interesting
1:55:07
that
1:55:07
the
1:55:07
last
1:55:07
time
1:55:07
we
1:55:08
ever
1:55:08
see
1:55:08
all
1:55:09
three
1:55:09
of
1:55:09
them
1:55:09
in
1:55:09
these.
1:55:10
This
1:55:10
very
1:55:10
intentional
1:55:11
triangular
1:55:12
setup
1:55:12
we've
1:55:13
had
1:55:13
since
1:55:13
the
1:55:13
first
1:55:14
time
1:55:14
they
1:55:15
were
1:55:15
all
1:55:15
in
1:55:15
an
1:55:15
episode
1:55:15
together
1:55:16
is
1:55:17
in
1:55:17
the
1:55:17
hospital
1:55:17
room
1:55:18
scene
1:55:18
where
1:55:19
it's
1:55:19
just
1:55:19
shown
1:55:20
how
1:55:20
huge
1:55:21
of
1:55:21
a
1:55:21
difference
1:55:21
there
1:55:22
is.
1:55:22
Yes.
1:55:23
Between
1:55:24
how
1:55:24
they
1:55:24
know
1:55:26
and
1:55:26
treat
1:55:26
book.
1:55:27
And
1:55:27
then
1:55:28
in
1:55:28
this
1:55:28
scene,
1:55:29
it's
1:55:29
like
1:55:30
Buck's
1:55:30
all
1:55:30
looking
1:55:31
up
1:55:31
at
1:55:31
Eddie
1:55:31
with
1:55:32
those,
1:55:32
like,
1:55:32
doe
1:55:32
eyes.
1:55:33
And
1:55:33
then
1:55:33
whenever
1:55:33
he
1:55:33
looks
1:55:34
at
1:55:34
Tommy,
1:55:35
it's
1:55:35
like,
1:55:35
so.
1:55:36
Oh,
1:55:36
so
1:55:36
I'm
1:55:37
disgusting.
1:55:37
Oh,
1:55:37
so
1:55:38
I'm
1:55:38
gross.
1:55:39
Yeah.
1:55:40
And.
1:55:40
And
1:55:40
I
1:55:41
think
1:55:41
that
1:55:41
really
1:55:42
gets
1:55:42
underscored
1:55:43
here
1:55:44
with
1:55:44
the
1:55:44
fact
1:55:44
that,
1:55:45
like,
1:55:45
Tommy
1:55:46
isn't
1:55:46
treating
1:55:47
Buck,
1:55:47
Eddie
1:55:48
is
1:55:48
treating
1:55:48
Buck
1:55:48
and
1:55:49
trying
1:55:49
to
1:55:49
get
1:55:49
better.
1:55:50
So
1:55:50
there's
1:55:50
this,
1:55:50
like,
1:55:51
under
1:55:53
lining
1:55:54
sense
1:55:54
of,
1:55:54
like,
1:55:54
tender
1:55:55
loving
1:55:55
care.
1:55:56
You
1:55:56
know,
1:55:56
a
1:55:56
little
1:55:56
bit
1:55:57
of
1:55:57
tlc.
1:55:57
Right.
1:55:59
Kind
1:55:59
of
1:55:59
how
1:56:00
we
1:56:00
interpret
1:56:01
on
1:56:01
a
1:56:02
more
1:56:02
macro
1:56:03
level
1:56:04
how
1:56:04
Eddie
1:56:05
treats
1:56:05
Buck
1:56:06
with
1:56:06
a
1:56:06
little
1:56:06
more,
1:56:07
like,
1:56:07
understanding
1:56:09
and
1:56:09
love
1:56:10
and
1:56:10
care.
1:56:11
And
1:56:12
Tommy's
1:56:13
just
1:56:13
kind
1:56:13
of,
1:56:13
like,
1:56:14
sitting
1:56:14
there
1:56:14
not
1:56:15
being
1:56:15
helpful
1:56:15
at
1:56:15
all.
1:56:16
But,
1:56:17
you
1:56:18
know,
1:56:18
just
1:56:18
kind
1:56:18
of
1:56:18
talking
1:56:19
about
1:56:19
how,
1:56:20
yeah,
1:56:20
my
1:56:20
cousin
1:56:21
did
1:56:21
this
1:56:21
happened.
1:56:22
And.
1:56:23
And
1:56:23
it
1:56:24
not
1:56:24
helpful.
1:56:25
And
1:56:26
Buck
1:56:26
interprets
1:56:27
that
1:56:27
as
1:56:28
Tommy
1:56:28
saying
1:56:29
that
1:56:29
Buck
1:56:29
is.
1:56:30
He
1:56:30
says,
1:56:30
oh,
1:56:31
so
1:56:31
I
1:56:31
am
1:56:31
gross.
1:56:33
Makes
1:56:33
how
1:56:33
he
1:56:34
words
1:56:34
that
1:56:34
sound
1:56:34
like
1:56:35
there
1:56:35
was
1:56:35
a
1:56:36
discussion
1:56:36
before
1:56:37
Eddie
1:56:37
Got
1:56:37
there
1:56:37
about
1:56:38
how,
1:56:38
oh,
1:56:38
you
1:56:38
couldn't
1:56:39
even
1:56:39
look
1:56:39
at
1:56:39
me
1:56:39
like
1:56:39
you
1:56:40
think
1:56:40
I'm
1:56:40
gross.
1:56:41
Yeah.
1:56:41
Which
1:56:42
is
1:56:42
part
1:56:42
of
1:56:43
that
1:56:43
whole
1:56:43
scene
1:56:43
when,
1:56:44
you
1:56:44
know,
1:56:44
Buck
1:56:45
wakes
1:56:45
up
1:56:45
that
1:56:45
morning
1:56:45
and
1:56:46
Tommy's
1:56:46
like,
1:56:46
ah,
1:56:47
you
1:56:48
know,
1:56:48
and
1:56:49
kind
1:56:49
of
1:56:49
like
1:56:49
hands
1:56:50
him
1:56:50
the
1:56:50
phone,
1:56:50
like
1:56:51
he's,
1:56:51
you
1:56:51
know,
1:56:52
wouldn't
1:56:52
touch
1:56:52
him
1:56:53
with
1:56:53
a
1:56:53
10
1:56:53
foot
1:56:53
pole.
1:56:54
And
1:56:54
you
1:56:54
see
1:56:55
that
1:56:55
space
1:56:56
continued
1:56:57
except
1:56:58
when
1:56:58
they're
1:56:58
right
1:56:58
next
1:56:58
to
1:56:59
each
1:56:59
other
1:56:59
in
1:56:59
the
1:57:00
hospital
1:57:00
waiting
1:57:00
room.
1:57:01
But
1:57:01
that
1:57:02
is
1:57:02
less
1:57:02
of
1:57:03
a
1:57:03
physical
1:57:03
distance
1:57:04
and
1:57:05
more
1:57:05
of
1:57:05
an
1:57:05
emotional
1:57:06
distance
1:57:07
because
1:57:07
Tommy's
1:57:08
not
1:57:08
in
1:57:09
that
1:57:09
group
1:57:09
text
1:57:10
with
1:57:10
a
1:57:10
118.
1:57:11
So
1:57:11
it's
1:57:11
just
1:57:12
like,
1:57:12
even
1:57:12
though
1:57:13
he's
1:57:13
still
1:57:14
technically
1:57:15
there
1:57:15
physically,
1:57:16
I,
1:57:16
I
1:57:16
think
1:57:16
you're
1:57:17
right
1:57:17
that
1:57:17
this
1:57:17
is
1:57:17
the
1:57:18
last
1:57:18
time
1:57:18
that
1:57:18
we
1:57:19
see
1:57:19
all
1:57:19
three
1:57:19
of
1:57:20
them
1:57:20
in
1:57:20
a
1:57:20
shot
1:57:21
together,
1:57:22
like
1:57:23
in
1:57:23
the
1:57:23
same
1:57:23
frame.
1:57:24
Because
1:57:25
in
1:57:25
the
1:57:25
hospital
1:57:26
waiting
1:57:26
room
1:57:27
afterwards,
1:57:28
when
1:57:29
they're
1:57:29
waiting
1:57:30
for
1:57:31
news
1:57:32
on
1:57:32
Denny's
1:57:33
status,
1:57:34
you
1:57:34
know,
1:57:34
Tommy
1:57:35
is
1:57:35
sitting
1:57:35
next
1:57:36
to
1:57:36
Buck
1:57:37
and
1:57:37
Eddie
1:57:38
is
1:57:38
across
1:57:38
from
1:57:38
Buck.
1:57:39
So
1:57:39
physically
1:57:40
they're
1:57:40
right
1:57:40
next
1:57:40
to
1:57:40
each
1:57:41
other.
1:57:41
But
1:57:42
when,
1:57:42
you
1:57:43
know,
1:57:43
Buck
1:57:43
and
1:57:43
Eddie
1:57:44
and
1:57:44
Chimney
1:57:44
and
1:57:45
Bobby
1:57:45
and
1:57:45
Athena
1:57:45
and
1:57:46
everyone
1:57:46
else
1:57:46
gets
1:57:46
the
1:57:47
text
1:57:47
in
1:57:47
their
1:57:48
group,
1:57:48
their
1:57:48
family
1:57:49
group
1:57:49
chat,
1:57:49
basically,
1:57:50
and
1:57:50
it's
1:57:50
like,
1:57:51
ding,
1:57:51
ding,
1:57:51
ding,
1:57:51
ding,
1:57:51
ding.
1:57:52
Everything's
1:57:52
dinging.
1:57:53
And
1:57:53
they're
1:57:53
all
1:57:53
looking
1:57:53
at
1:57:54
each
1:57:54
other
1:57:54
like,
1:57:54
oh
1:57:54
my
1:57:54
gosh,
1:57:55
isn't
1:57:55
that
1:57:55
great
1:57:55
news?
1:57:56
Tommy's
1:57:56
just
1:57:56
kind
1:57:57
of
1:57:57
like
1:57:57
looking
1:57:57
on
1:57:57
as
1:57:58
an
1:57:58
outsider.
1:57:59
So
1:57:59
it's
1:57:59
that
1:58:00
space
1:58:00
carried
1:58:01
over
1:58:01
from
1:58:02
that
1:58:02
scene
1:58:02
in
1:58:03
the
1:58:03
loft
1:58:03
where
1:58:03
he's
1:58:04
on
1:58:05
the
1:58:05
other
1:58:05
side
1:58:05
of
1:58:05
the
1:58:05
table.
1:58:06
But
1:58:06
it's
1:58:07
more
1:58:07
of
1:58:07
an
1:58:07
emotional
1:58:08
distance
1:58:09
than
1:58:09
a
1:58:09
physical
1:58:10
one.
1:58:10
It
1:58:11
is
1:58:11
interesting
1:58:11
though
1:58:11
because,
1:58:12
like
1:58:12
the
1:58:12
way
1:58:13
Tommy's
1:58:13
sitting.
1:58:14
Is
1:58:14
Buck
1:58:14
on
1:58:15
his
1:58:15
right
1:58:15
shoulder?
1:58:16
The
1:58:16
hospital
1:58:16
waiting
1:58:17
room
1:58:17
with
1:58:17
everyone,
1:58:17
or.
1:58:18
Is
1:58:18
Buck
1:58:18
on
1:58:18
his
1:58:18
left
1:58:18
shoulder?
1:58:19
Buck's
1:58:19
on
1:58:19
his
1:58:19
left.
1:58:20
Okay,
1:58:20
so
1:58:21
Buck's
1:58:21
on
1:58:21
his
1:58:21
left
1:58:22
and
1:58:22
Tommy,
1:58:22
I
1:58:22
guess,
1:58:23
would
1:58:23
Ish
1:58:23
be
1:58:23
in
1:58:24
the
1:58:24
center?
1:58:24
I
1:58:24
don't.
1:58:25
Yeah.
1:58:25
So
1:58:25
Buck
1:58:26
is
1:58:26
still
1:58:26
on
1:58:26
Tommy's
1:58:27
left
1:58:28
in
1:58:28
this
1:58:29
case.
1:58:29
Meaning
1:58:29
he
1:58:30
still
1:58:30
wants
1:58:30
to
1:58:31
be
1:58:31
part
1:58:31
of
1:58:31
that
1:58:31
world.
1:58:32
He's
1:58:32
just
1:58:33
not.
1:58:33
And
1:58:34
I
1:58:34
guess
1:58:34
you
1:58:34
could
1:58:35
extrapolate
1:58:35
like
1:58:36
Eddie
1:58:36
by
1:58:37
sitting
1:58:37
across.
1:58:37
He's
1:58:38
like
1:58:38
being
1:58:39
more
1:58:39
of
1:58:39
an
1:58:39
observer
1:58:40
in
1:58:40
this
1:58:40
case.
1:58:40
So
1:58:41
he
1:58:41
like
1:58:41
had
1:58:41
taken
1:58:42
a
1:58:42
closer
1:58:42
step
1:58:43
forward
1:58:43
with
1:58:43
them
1:58:44
with
1:58:44
taking
1:58:45
care
1:58:45
of
1:58:45
Buck.
1:58:46
But
1:58:46
once
1:58:46
that
1:58:46
purpose
1:58:47
had
1:58:47
been
1:58:47
filled,
1:58:47
he
1:58:48
took
1:58:48
his
1:58:48
step
1:58:48
back
1:58:49
again.
1:58:49
Right.
1:58:50
But
1:58:50
it's
1:58:50
still.
1:58:51
But
1:58:51
he's
1:58:51
still
1:58:51
sitting
1:58:52
directly
1:58:52
across
1:58:53
from
1:58:53
Book.
1:58:53
Yes.
1:58:54
And
1:58:54
that's
1:58:54
shown
1:58:55
before
1:58:55
Tommy
1:58:56
even
1:58:56
gets
1:58:56
there.
1:58:56
So
1:58:57
yeah,
1:58:57
there's
1:58:57
more
1:58:58
like
1:58:58
emotional
1:58:59
distance
1:58:59
as
1:58:59
opposed
1:58:59
to
1:59:00
physical
1:59:00
distance
1:59:00
that
1:59:00
we
1:59:01
saw
1:59:01
earlier.
1:59:02
Moving
1:59:02
along
1:59:02
episode
1:59:03
six
1:59:03
of
1:59:03
season
1:59:04
eight
1:59:04
confessions.
1:59:06
We're
1:59:06
finally
1:59:06
here.
1:59:09
So
1:59:09
Mr.
1:59:10
Redacted.
1:59:12
You
1:59:12
should
1:59:13
have
1:59:13
been
1:59:13
doing
1:59:13
this
1:59:13
the
1:59:13
whole
1:59:14
time.
1:59:15
So,
1:59:15
Mr.
1:59:16
Soon
1:59:16
to
1:59:16
be
1:59:16
redacted.
1:59:17
Mr.
1:59:18
Bones.
1:59:19
Yes,
1:59:20
Mr.
1:59:20
Soon
1:59:20
to
1:59:20
be
1:59:21
Redacted
1:59:22
is
1:59:23
used
1:59:24
as
1:59:24
a
1:59:24
plot
1:59:24
device
1:59:25
to
1:59:26
reveal
1:59:27
this
1:59:27
big
1:59:28
bombshell.
1:59:31
Mr.
1:59:32
Bones
1:59:33
is
1:59:33
also
1:59:34
here
1:59:35
to
1:59:35
basically
1:59:36
culminate
1:59:36
Buck's
1:59:37
first
1:59:37
queer
1:59:37
relationship.
1:59:38
Which
1:59:38
really
1:59:39
sets
1:59:39
up
1:59:39
the
1:59:39
whole.
1:59:40
I
1:59:41
was
1:59:41
your
1:59:41
first,
1:59:41
not
1:59:41
your
1:59:42
last.
1:59:43
Help
1:59:43
setting
1:59:43
up
1:59:44
Buck
1:59:44
to
1:59:44
learn
1:59:45
to
1:59:45
not
1:59:46
judge
1:59:46
less
1:59:47
than
1:59:47
noble
1:59:47
things
1:59:48
people
1:59:48
have
1:59:48
done
1:59:49
to
1:59:49
protect
1:59:49
themselves.
1:59:50
And
1:59:50
it's
1:59:50
also
1:59:51
here.
1:59:52
I
1:59:52
mean,
1:59:52
this
1:59:52
whole
1:59:52
plot
1:59:52
device
1:59:53
situation
1:59:53
is
1:59:54
also
1:59:54
here.
1:59:54
The
1:59:54
plot
1:59:55
device
1:59:55
of
1:59:55
the
1:59:55
plot
1:59:55
device.
1:59:55
The
1:59:56
plot
1:59:56
device.
1:59:57
Plot
1:59:57
device
1:59:57
Ception.
2:00:00
The
2:00:01
plot
2:00:01
device
2:00:01
to
2:00:02
all.
2:00:02
Plot
2:00:02
device.
2:00:03
God.
2:00:04
It's
2:00:04
also
2:00:04
here
2:00:04
to
2:00:05
reveal
2:00:05
the
2:00:06
Tommy
2:00:06
and
2:00:06
Abby
2:00:07
parallels.
2:00:08
I
2:00:08
love
2:00:08
the
2:00:08
way
2:00:09
you
2:00:09
say
2:00:09
Abby.
2:00:10
It's
2:00:11
reminding
2:00:11
me
2:00:11
of.
2:00:12
Fine.
2:00:16
It
2:00:16
absolutely
2:00:17
does.
2:00:17
Anytime
2:00:17
Sil
2:00:18
says
2:00:18
abbe
2:00:19
or
2:00:20
I'm
2:00:20
just
2:00:20
like.
2:00:24
It's
2:00:24
big
2:00:24
Eric
2:00:25
Matthews
2:00:25
vibes
2:00:25
and
2:00:25
I
2:00:26
love
2:00:26
it
2:00:26
so
2:00:26
much.
2:00:27
Well,
2:00:27
fam,
2:00:28
we
2:00:28
are
2:00:28
gathered
2:00:28
here
2:00:29
today.
2:00:29
Back
2:00:30
at
2:00:30
the
2:00:30
restaurant,
2:00:31
sitting
2:00:33
in
2:00:33
the
2:00:33
corner,
2:00:34
Abby
2:00:34
haunts.
2:00:35
Listen,
2:00:36
this
2:00:36
is
2:00:36
where
2:00:36
Tim
2:00:37
decided
2:00:37
to
2:00:37
bring
2:00:38
Tommy
2:00:39
back
2:00:39
and
2:00:39
was
2:00:39
like,
2:00:40
this
2:00:40
would
2:00:40
be
2:00:41
fucking
2:00:41
hilarious.
2:00:41
This
2:00:42
is
2:00:42
where
2:00:42
it
2:00:42
was
2:00:42
going
2:00:42
from
2:00:43
the
2:00:43
beginning.
2:00:43
He
2:00:44
had
2:00:44
this
2:00:44
planned
2:00:45
the
2:00:45
fuck
2:00:45
out.
2:00:45
Okay?
2:00:46
It's
2:00:46
so
2:00:47
clear,
2:00:47
it's
2:00:48
calling
2:00:48
back
2:00:48
to
2:00:48
dialogue.
2:00:49
So
2:00:49
anyway,
2:00:50
at
2:00:50
the
2:00:50
restaurant,
2:00:50
it's
2:00:51
the
2:00:51
same
2:00:51
one
2:00:51
as
2:00:51
7:05
2:00:52
5.
2:00:52
Their
2:00:53
first
2:00:53
date.
2:00:54
Imagine.
2:00:54
And
2:00:54
their
2:00:55
last.
2:00:55
How
2:00:56
poetic.
2:00:57
Their
2:00:58
first
2:00:58
and
2:00:58
their
2:00:59
last.
2:00:59
And
2:00:59
they've
2:00:59
gone
2:01:00
nowhere
2:01:00
is
2:01:00
the
2:01:00
thing.
2:01:01
They
2:01:01
haven't
2:01:01
moved
2:01:02
as
2:01:02
a
2:01:02
couple.
2:01:03
There
2:01:03
has
2:01:03
been
2:01:03
no
2:01:04
propulsion.
2:01:05
Except
2:01:06
for
2:01:06
on
2:01:07
Buck's
2:01:07
side.
2:01:08
Right.
2:01:09
That's
2:01:09
just
2:01:10
getting
2:01:10
experience
2:01:10
and
2:01:11
dating
2:01:11
someone
2:01:11
of
2:01:11
the
2:01:11
same
2:01:12
gender.
2:01:12
So
2:01:13
this
2:01:13
is
2:01:14
their
2:01:14
six
2:01:14
month
2:01:15
anniversary.
2:01:16
Buck
2:01:16
didn't
2:01:17
get
2:01:17
him
2:01:18
anything.
2:01:19
Which
2:01:19
is
2:01:19
crazy.
2:01:20
That
2:01:20
seems
2:01:21
so
2:01:21
out
2:01:21
of
2:01:21
character
2:01:22
too.
2:01:22
It's
2:01:22
so
2:01:22
out
2:01:22
of
2:01:23
character.
2:01:23
And
2:01:23
then
2:01:24
Tommy
2:01:25
gives
2:01:25
him
2:01:26
something
2:01:26
which
2:01:26
seems
2:01:26
even
2:01:27
more
2:01:27
out
2:01:27
of
2:01:27
character
2:01:28
because
2:01:28
he's
2:01:29
like
2:01:29
canonically
2:01:30
selfish.
2:01:31
But
2:01:31
then
2:01:32
it's
2:01:32
oh,
2:01:32
he
2:01:33
gives
2:01:33
him.
2:01:33
Lakers
2:01:34
tickets,
2:01:35
which
2:01:35
is
2:01:36
a
2:01:36
gift
2:01:36
for
2:01:36
himself.
2:01:37
And
2:01:37
he
2:01:37
says,
2:01:37
take
2:01:38
Eddie
2:01:38
if
2:01:38
you
2:01:38
want.
2:01:39
Buck's
2:01:39
like,
2:01:40
really?
2:01:41
He's
2:01:42
like,
2:01:42
huh?
2:01:42
Yeah.
2:01:43
And
2:01:43
I.
2:01:43
Waiter
2:01:44
comes
2:01:44
over
2:01:45
after
2:01:45
the
2:01:45
Abbey
2:01:45
Bomb
2:01:46
is
2:01:46
dropped,
2:01:47
which
2:01:47
I
2:01:47
don't
2:01:47
do
2:01:48
we
2:01:48
need
2:01:48
to
2:01:48
discuss
2:01:48
that.
2:01:49
It
2:01:50
just.
2:01:50
It
2:01:51
blows
2:01:51
his
2:01:51
mind
2:01:52
and
2:01:52
it
2:01:52
blows
2:01:52
everyone
2:01:53
else's
2:01:53
mind.
2:01:54
Exactly.
2:01:54
They
2:01:54
both
2:01:55
dated
2:01:55
Abby.
2:01:56
And
2:01:56
if
2:01:56
you'd
2:01:56
like
2:01:56
to
2:01:57
see
2:01:57
our
2:01:57
reaction
2:01:57
to
2:01:58
that,
2:01:58
watching
2:01:59
the
2:01:59
episode
2:01:59
live,
2:02:00
that
2:02:00
is
2:02:00
available
2:02:00
on
2:02:01
YouTube.
2:02:01
And
2:02:02
it's
2:02:02
really
2:02:03
funny.
2:02:04
It's
2:02:04
a
2:02:05
bunch
2:02:05
of
2:02:05
screaming
2:02:06
because
2:02:06
we'd.
2:02:06
Been
2:02:06
calling
2:02:07
it
2:02:07
for
2:02:07
a
2:02:07
while
2:02:07
and
2:02:07
we
2:02:08
were
2:02:08
so
2:02:08
excited.
2:02:09
Yeah,
2:02:09
that
2:02:10
Was
2:02:10
a
2:02:10
gift
2:02:10
that
2:02:10
Tim
2:02:10
Moneyer
2:02:11
gave
2:02:11
specifically
2:02:12
to
2:02:12
us.
2:02:12
Yeah,
2:02:13
God
2:02:13
bless.
2:02:13
Anyway,
2:02:14
the
2:02:14
waiter
2:02:15
comes
2:02:15
up,
2:02:15
says,
2:02:15
how
2:02:16
is
2:02:16
everything
2:02:16
tonight,
2:02:17
guys?
2:02:17
And
2:02:17
Tommy
2:02:17
says,
2:02:18
perfect,
2:02:18
thank
2:02:19
you.
2:02:20
So
2:02:20
out
2:02:20
of
2:02:20
touch.
2:02:22
I
2:02:22
don't
2:02:23
know
2:02:23
how
2:02:23
any
2:02:23
of
2:02:24
that
2:02:24
was
2:02:24
perfect.
2:02:25
No.
2:02:25
Super
2:02:25
strange.
2:02:26
Can
2:02:26
I
2:02:27
get
2:02:27
you
2:02:27
anything
2:02:27
else?
2:02:27
The
2:02:28
waiter
2:02:28
says,
2:02:28
oh,
2:02:29
no,
2:02:29
I
2:02:29
think
2:02:29
we're
2:02:29
good.
2:02:30
Are
2:02:30
you?
2:02:31
Oh,
2:02:31
I'm
2:02:31
so
2:02:32
charm.
2:02:32
Then
2:02:33
the
2:02:33
waiter
2:02:33
says,
2:02:33
okay,
2:02:34
who
2:02:34
gets
2:02:35
the
2:02:35
damage?
2:02:37
Tommy
2:02:38
says,
2:02:39
that
2:02:39
would
2:02:39
be
2:02:39
him.
2:02:40
It
2:02:41
points
2:02:41
to
2:02:42
like,
2:02:42
truly
2:02:42
because
2:02:43
he's
2:02:43
getting
2:02:43
the
2:02:43
damage
2:02:44
from
2:02:44
the
2:02:44
plot
2:02:45
device.
2:02:45
Plot
2:02:45
device?
2:02:45
Yeah,
2:02:45
the
2:02:46
emotional
2:02:46
damage.
2:02:48
Emotional
2:02:49
damage.
2:02:50
Emotional
2:02:51
damage.
2:02:51
I'm
2:02:52
bringing
2:02:52
that
2:02:52
back.
2:02:53
Anyway,
2:02:53
then
2:02:54
the
2:02:54
waiter
2:02:54
says,
2:02:54
whenever
2:02:55
you're
2:02:55
ready.
2:02:55
No
2:02:56
rush.
2:02:58
That's
2:02:58
wild.
2:02:58
Yeah,
2:02:59
it's
2:02:59
crazy
2:03:00
that
2:03:00
Tommy
2:03:01
is
2:03:01
like,
2:03:02
you
2:03:02
know,
2:03:02
buckets
2:03:03
the
2:03:03
damage
2:03:03
because
2:03:04
again,
2:03:05
there's
2:03:05
no
2:03:06
as
2:03:06
a
2:03:06
plot
2:03:06
device.
2:03:07
There's
2:03:07
nothing
2:03:08
that
2:03:08
will
2:03:09
really
2:03:09
affect
2:03:10
him
2:03:10
because
2:03:10
he's
2:03:11
just
2:03:11
there
2:03:12
there
2:03:12
like
2:03:13
as
2:03:13
a
2:03:13
stand
2:03:13
in
2:03:14
for
2:03:15
whatever
2:03:16
they
2:03:16
want
2:03:16
him
2:03:16
to
2:03:16
be.
2:03:17
So
2:03:18
he
2:03:18
has
2:03:18
no,
2:03:19
like
2:03:19
true
2:03:20
motivation
2:03:22
for
2:03:22
anything
2:03:23
other
2:03:23
than,
2:03:24
you
2:03:24
know,
2:03:24
to
2:03:25
be
2:03:25
in
2:03:25
a
2:03:25
relationship
2:03:26
with
2:03:26
Buck.
2:03:27
But
2:03:27
like
2:03:28
there's
2:03:28
nothing
2:03:28
for
2:03:29
him.
2:03:30
And
2:03:30
he'll.
2:03:30
He'll
2:03:30
just
2:03:31
go
2:03:31
like,
2:03:31
bye,
2:03:31
bye.
2:03:32
That's
2:03:33
it.
2:03:33
And
2:03:33
that's
2:03:33
all.
2:03:34
We'll
2:03:34
see.
2:03:34
Just
2:03:35
gonna
2:03:35
very
2:03:36
briefly
2:03:36
touch
2:03:36
on
2:03:37
the
2:03:38
whatever
2:03:38
that
2:03:38
was
2:03:38
at
2:03:39
dispatch.
2:03:40
Josh
2:03:40
says,
2:03:40
who
2:03:41
kissed
2:03:41
a
2:03:41
boy?
2:03:42
Maddie
2:03:42
goes,
2:03:42
buck.
2:03:43
And
2:03:43
he
2:03:43
goes,
2:03:43
oh,
2:03:44
Tommy.
2:03:45
Unless
2:03:45
there's
2:03:45
another
2:03:46
boy.
2:03:47
And
2:03:48
Buck
2:03:48
says,
2:03:48
no,
2:03:49
there's
2:03:49
not
2:03:49
another
2:03:50
boy.
2:03:50
Are
2:03:50
you
2:03:51
sure?
2:03:51
Interesting.
2:03:52
Interesting.
2:03:52
Weird
2:03:53
choice.
2:03:53
And
2:03:53
then
2:03:53
my
2:03:53
takeaway
2:03:54
from
2:03:55
his
2:03:55
entirely
2:03:56
speech
2:03:57
where
2:03:57
he
2:03:57
tries
2:03:58
to
2:03:58
make
2:03:58
Tommy
2:03:58
sound
2:03:59
like
2:03:59
he
2:03:59
was
2:03:59
throwing
2:04:00
the
2:04:00
first
2:04:01
fucking
2:04:01
brick
2:04:02
at
2:04:02
Stonewall.
2:04:03
Oh
2:04:03
my
2:04:04
God.
2:04:06
No,
2:04:06
he
2:04:07
really
2:04:07
did,
2:04:07
though.
2:04:07
We've
2:04:07
said
2:04:08
it
2:04:08
before.
2:04:08
Yeah.
2:04:09
The
2:04:09
takeaway
2:04:10
is
2:04:10
don't
2:04:11
judge
2:04:11
the
2:04:11
people
2:04:12
who
2:04:12
went
2:04:13
through
2:04:13
battles.
2:04:13
You
2:04:14
didn't
2:04:14
have
2:04:14
to
2:04:15
because
2:04:15
they
2:04:15
have
2:04:15
scars
2:04:16
and
2:04:16
you
2:04:16
honor
2:04:16
their
2:04:17
scars.
2:04:17
And
2:04:18
once
2:04:18
again,
2:04:19
I'm
2:04:19
here
2:04:19
to
2:04:20
say
2:04:20
this
2:04:21
is
2:04:21
not
2:04:21
about
2:04:22
Tommy.
2:04:23
This
2:04:24
is
2:04:24
priming
2:04:25
him.
2:04:25
This
2:04:25
whole
2:04:26
thing.
2:04:26
The
2:04:26
Abby,
2:04:27
the
2:04:27
Abby
2:04:28
of
2:04:28
it
2:04:28
all.
2:04:28
And
2:04:29
then
2:04:29
the
2:04:29
Tommy
2:04:29
of
2:04:30
how
2:04:31
that
2:04:31
he
2:04:31
was
2:04:31
with
2:04:32
Abby
2:04:32
and
2:04:32
that
2:04:33
he
2:04:33
was
2:04:33
gay
2:04:33
and
2:04:34
knew
2:04:34
he
2:04:34
was
2:04:34
gay,
2:04:34
but
2:04:35
was
2:04:35
with
2:04:35
Abby.
2:04:36
And
2:04:36
having
2:04:36
to
2:04:36
come
2:04:37
to
2:04:37
terms
2:04:37
with.
2:04:37
That,
2:04:38
it's
2:04:38
priming
2:04:39
it
2:04:39
up
2:04:39
for
2:04:40
Eddie's
2:04:41
sexuality
2:04:42
realization.
2:04:43
Realizing
2:04:44
that
2:04:44
he's
2:04:45
gay.
2:04:46
Gay.
2:04:46
Yeah,
2:04:47
gay,
2:04:48
gay,
2:04:48
gay,
2:04:49
gay,
2:04:49
gay.
2:04:50
So
2:04:50
that
2:04:50
Buck
2:04:50
has
2:04:51
understanding
2:04:52
going
2:04:52
into
2:04:52
that
2:04:53
instead
2:04:53
of
2:04:54
like
2:04:54
reacting
2:04:54
in
2:04:55
a
2:04:55
way
2:04:55
that's
2:04:55
like,
2:04:56
wait,
2:04:56
somehow
2:04:57
you
2:04:57
knew
2:04:57
deep
2:04:58
down
2:04:58
and
2:04:58
you
2:04:58
still
2:04:59
were
2:04:59
married
2:05:00
to
2:05:00
Shannon.
2:05:01
Not
2:05:02
that
2:05:02
he
2:05:02
was
2:05:02
close
2:05:02
with
2:05:02
Shannon
2:05:03
and
2:05:03
he
2:05:03
didn't
2:05:03
date
2:05:04
Shannon
2:05:04
like
2:05:04
he
2:05:05
did
2:05:05
Abby.
2:05:05
Right.
2:05:06
But
2:05:07
I
2:05:07
still
2:05:07
feel
2:05:07
like
2:05:07
Buck
2:05:08
would
2:05:08
feel
2:05:08
A
2:05:08
certain
2:05:09
way
2:05:09
about
2:05:09
that
2:05:09
because
2:05:10
of
2:05:10
how
2:05:10
strongly
2:05:11
he
2:05:11
feels
2:05:11
about
2:05:11
fairness
2:05:12
and,
2:05:13
you
2:05:13
know.
2:05:13
Yeah.
2:05:13
Treating
2:05:14
people.
2:05:14
And
2:05:15
this
2:05:15
is
2:05:15
basically
2:05:16
like,
2:05:17
the
2:05:17
culmination
2:05:18
of
2:05:19
why
2:05:20
Buck
2:05:21
is
2:05:21
in
2:05:21
a
2:05:21
relationship
2:05:22
with
2:05:22
Tommy
2:05:23
as
2:05:23
a
2:05:23
narrative
2:05:24
plot
2:05:24
point.
2:05:25
Right.
2:05:25
It's
2:05:26
to
2:05:26
prime
2:05:27
Buck
2:05:28
for
2:05:28
what
2:05:28
will
2:05:28
come
2:05:29
next
2:05:30
in
2:05:30
multiple
2:05:31
different
2:05:31
ways.
2:05:32
So
2:05:32
this
2:05:33
is
2:05:33
an
2:05:33
important
2:05:33
part
2:05:34
of
2:05:34
it,
2:05:34
because
2:05:35
once
2:05:35
it
2:05:35
gets
2:05:35
past,
2:05:36
like,
2:05:36
the
2:05:36
shock
2:05:37
and
2:05:37
kind
2:05:38
of
2:05:38
the
2:05:38
judgment,
2:05:39
then
2:05:39
there's
2:05:39
acceptance
2:05:40
and
2:05:41
compassion
2:05:42
there.
2:05:43
Right.
2:05:44
So
2:05:44
by
2:05:45
him
2:05:45
already
2:05:46
having
2:05:46
dealt
2:05:47
with
2:05:47
that
2:05:47
with
2:05:48
someone
2:05:48
else,
2:05:48
with
2:05:49
Tommy,
2:05:49
he
2:05:49
can
2:05:50
deal
2:05:50
with
2:05:50
that
2:05:50
with
2:05:51
someone
2:05:51
else
2:05:52
again.
2:05:52
And
2:05:53
coming
2:05:53
from
2:05:53
a
2:05:53
place
2:05:54
where
2:05:54
he
2:05:54
is
2:05:54
already
2:05:55
at
2:05:55
that
2:05:55
compassionate
2:05:57
point,
2:05:58
meaning
2:05:58
with
2:05:58
Eddie,
2:05:59
and
2:05:59
then
2:06:00
it
2:06:00
ends
2:06:01
where.
2:06:01
It
2:06:01
all
2:06:01
began,
2:06:02
as
2:06:02
if
2:06:03
it
2:06:03
never
2:06:03
happened.
2:06:04
Nothing
2:06:05
really
2:06:05
matters.
2:06:06
So
2:06:07
Tommy
2:06:07
shows
2:06:08
up
2:06:08
and
2:06:08
is
2:06:08
like,
2:06:08
you're
2:06:09
not
2:06:09
gonna
2:06:09
believe
2:06:09
this.
2:06:09
I
2:06:10
got
2:06:10
a
2:06:10
spot
2:06:10
right
2:06:10
out
2:06:10
front.
2:06:11
Meaning
2:06:11
he
2:06:11
drove
2:06:11
there
2:06:12
just
2:06:12
like
2:06:12
he
2:06:13
did
2:06:13
the
2:06:13
first
2:06:13
time.
2:06:14
I'm
2:06:15
reading
2:06:15
into
2:06:15
that.
2:06:15
Like,
2:06:16
he
2:06:16
chose
2:06:16
to
2:06:17
go
2:06:17
into
2:06:18
this
2:06:18
relationship.
2:06:19
Yes.
2:06:19
I
2:06:20
think
2:06:20
we
2:06:20
should
2:06:20
get
2:06:20
an
2:06:20
Uber
2:06:21
to
2:06:21
the
2:06:21
movie
2:06:21
so
2:06:21
I
2:06:21
don't
2:06:22
lose
2:06:22
it.
2:06:23
Once
2:06:23
again,
2:06:24
there's
2:06:24
an
2:06:24
Uber
2:06:24
involved
2:06:25
at
2:06:25
the
2:06:25
scene
2:06:25
of
2:06:25
the
2:06:26
crime
2:06:26
and
2:06:27
a
2:06:27
movie
2:06:27
that
2:06:28
they
2:06:28
literally
2:06:28
never
2:06:28
make.
2:06:29
They've
2:06:29
never
2:06:29
made
2:06:29
it
2:06:29
to
2:06:30
a
2:06:30
movie?
2:06:30
No,
2:06:31
they
2:06:31
never
2:06:31
make
2:06:31
it
2:06:32
to
2:06:32
the
2:06:32
movie
2:06:33
ever,
2:06:33
ever,
2:06:33
ever.
2:06:34
The
2:06:34
only
2:06:34
dates
2:06:35
we've
2:06:35
seen
2:06:35
them
2:06:35
on,
2:06:36
our
2:06:36
dinner
2:06:36
dates.
2:06:37
There's
2:06:38
two
2:06:38
out
2:06:38
in
2:06:38
public
2:06:39
and
2:06:39
one
2:06:39
in
2:06:39
the
2:06:39
loft.
2:06:40
Three
2:06:40
dates
2:06:41
and
2:06:41
six
2:06:41
months.
2:06:41
Incredible
2:06:42
work.
2:06:42
No
2:06:42
wonder
2:06:43
they
2:06:43
know
2:06:43
so
2:06:43
much
2:06:44
about
2:06:44
each
2:06:44
other.
2:06:44
Tommy
2:06:45
really
2:06:45
wasn't
2:06:45
pulling
2:06:45
out
2:06:46
the
2:06:46
stops
2:06:46
for
2:06:47
Buck
2:06:47
like
2:06:47
he
2:06:47
did
2:06:48
for
2:06:48
Eddie.
2:06:48
Yeah.
2:06:49
Flying
2:06:49
him
2:06:49
to
2:06:50
Vegas,
2:06:50
taking
2:06:50
him
2:06:51
or
2:06:51
teaching
2:06:51
him
2:06:52
how
2:06:52
to
2:06:52
fly
2:06:53
or
2:06:54
any
2:06:54
of
2:06:54
those
2:06:54
things
2:06:55
that
2:06:55
he
2:06:55
said
2:06:55
he
2:06:55
would
2:06:55
do.
2:06:55
I'll
2:06:55
teach
2:06:56
you
2:06:56
Muay
2:06:56
Thai.
2:06:56
I'll
2:06:57
take
2:06:57
you
2:06:57
on.
2:06:58
It's
2:06:58
almost
2:06:59
like
2:06:59
he
2:06:59
was
2:06:59
trying
2:07:00
to
2:07:00
impress
2:07:01
Eddie
2:07:01
and
2:07:02
realized
2:07:02
he
2:07:02
didn't
2:07:03
have
2:07:03
to
2:07:03
impress.
2:07:04
Interesting.
2:07:05
Then
2:07:05
we
2:07:06
have
2:07:06
luck
2:07:06
saying
2:07:07
later,
2:07:08
after
2:07:08
he
2:07:08
reveals
2:07:09
that
2:07:09
he's
2:07:09
the
2:07:09
himbo.
2:07:10
This
2:07:10
is
2:07:10
text
2:07:11
from
2:07:12
the
2:07:12
show,
2:07:12
not
2:07:13
our
2:07:13
opinion,
2:07:14
because
2:07:14
Buck
2:07:14
is,
2:07:15
I
2:07:15
think,
2:07:15
too
2:07:16
smart
2:07:16
to
2:07:16
be
2:07:16
a
2:07:16
himbo.
2:07:17
He
2:07:17
is
2:07:17
way
2:07:17
too
2:07:17
smart.
2:07:18
And
2:07:18
the
2:07:18
fact
2:07:19
that,
2:07:19
like,
2:07:19
Tommy.
2:07:19
Apologies.
2:07:20
Like,
2:07:20
well,
2:07:20
if
2:07:20
I
2:07:20
had
2:07:21
known,
2:07:21
I
2:07:21
never
2:07:21
would
2:07:21
have
2:07:21
used
2:07:22
that
2:07:22
word.
2:07:22
It's
2:07:22
like,
2:07:22
you
2:07:23
could
2:07:23
just,
2:07:23
like,
2:07:23
not
2:07:23
call
2:07:24
a
2:07:24
stranger
2:07:24
a
2:07:24
himbo
2:07:26
anyway.
2:07:26
It
2:07:27
doesn't
2:07:27
negate
2:07:27
the
2:07:27
fact
2:07:28
that
2:07:28
you
2:07:28
called
2:07:29
someone
2:07:29
a
2:07:29
himbo.
2:07:30
Exactly.
2:07:31
Which
2:07:31
is
2:07:31
not
2:07:31
necessarily
2:07:32
like.
2:07:32
Like,
2:07:33
implicitly
2:07:34
like
2:07:34
a
2:07:34
bad
2:07:34
thing,
2:07:35
but
2:07:35
the
2:07:35
way
2:07:36
that
2:07:36
it
2:07:36
was
2:07:36
used
2:07:36
in
2:07:37
context
2:07:37
had
2:07:38
a
2:07:38
less
2:07:38
than
2:07:38
positive
2:07:39
connotation.
2:07:40
No,
2:07:40
it
2:07:40
was
2:07:40
all
2:07:41
very
2:07:41
negative.
2:07:41
Yeah,
2:07:42
it
2:07:42
was
2:07:42
basically
2:07:42
like
2:07:42
she
2:07:43
was
2:07:43
spitting
2:07:44
out,
2:07:44
dating
2:07:44
a
2:07:44
man
2:07:45
half
2:07:45
her
2:07:45
age.
2:07:45
Some,
2:07:46
like,
2:07:46
dumb
2:07:46
Jock
2:07:47
guy.
2:07:47
Yeah.
2:07:48
And
2:07:48
it's
2:07:48
like
2:07:48
you're
2:07:49
dating
2:07:49
Jack
2:07:50
guy
2:07:50
half
2:07:50
your
2:07:51
age.
2:07:51
And
2:07:52
anyway,
2:07:53
Muk
2:07:54
then
2:07:54
says,
2:07:55
what
2:07:55
I
2:07:55
had
2:07:55
with
2:07:56
her
2:07:56
was
2:07:56
not
2:07:56
that
2:07:56
if
2:07:57
I'm
2:07:57
stuttering,
2:07:57
it's
2:07:57
because
2:07:58
it's
2:07:58
what's
2:07:58
in
2:07:58
the
2:07:58
text.
2:07:59
For
2:07:59
Buck.
2:08:02
You
2:08:02
don't
2:08:02
have
2:08:02
to
2:08:02
do
2:08:03
the
2:08:03
stuttering
2:08:03
unless
2:08:04
you
2:08:04
want.
2:08:04
I
2:08:04
gotta.
2:08:06
At
2:08:06
least
2:08:07
not.
2:08:07
Not
2:08:07
for
2:08:08
me.
2:08:09
No.
2:08:10
My.
2:08:10
My
2:08:10
relationship
2:08:11
with
2:08:11
Abby
2:08:11
was.
2:08:12
It
2:08:12
was
2:08:12
the
2:08:12
most
2:08:12
transformative
2:08:13
of
2:08:13
my
2:08:13
life
2:08:14
until
2:08:15
now.
2:08:16
So.
2:08:17
But
2:08:17
here's
2:08:17
the
2:08:17
thing.
2:08:18
It
2:08:18
is
2:08:18
transformative
2:08:19
so
2:08:19
far
2:08:19
that
2:08:19
he's
2:08:19
had.
2:08:20
Low
2:08:20
fucking
2:08:21
bar
2:08:21
is
2:08:22
underground
2:08:22
40ft
2:08:23
for
2:08:23
his
2:08:23
relationships.
2:08:24
40ft
2:08:25
underground.
2:08:26
Even
2:08:26
in
2:08:26
this
2:08:26
episode,
2:08:27
Abby
2:08:28
was
2:08:28
the.
2:08:28
Most
2:08:28
transformative
2:08:29
until
2:08:29
now
2:08:30
because
2:08:30
it
2:08:30
was
2:08:30
the
2:08:31
first
2:08:31
real
2:08:32
relationship
2:08:33
he
2:08:33
had.
2:08:34
Right.
2:08:34
Even
2:08:35
though
2:08:35
she
2:08:35
was,
2:08:35
like,
2:08:36
not
2:08:36
there
2:08:36
most
2:08:37
of
2:08:37
it.
2:08:38
And
2:08:38
then
2:08:38
now
2:08:39
Tommy
2:08:39
is
2:08:40
the.
2:08:40
Is
2:08:40
the
2:08:41
most
2:08:41
transformative
2:08:42
recently
2:08:43
because
2:08:43
it's
2:08:43
the
2:08:44
first
2:08:44
queer
2:08:45
relationship
2:08:45
he's
2:08:45
had.
2:08:46
So.
2:08:46
Yeah,
2:08:47
that's.
2:08:47
I
2:08:47
don't
2:08:48
know.
2:08:48
That's
2:08:48
just
2:08:48
what
2:08:49
it
2:08:49
says
2:08:49
on
2:08:49
the
2:08:49
tin.
2:08:50
Yeah.
2:08:51
Again,
2:08:51
reiterating
2:08:52
that,
2:08:52
like,
2:08:53
he
2:08:53
was
2:08:53
there
2:08:54
to
2:08:54
be
2:08:55
this
2:08:56
catalyst,
2:08:57
just
2:08:57
like
2:08:58
Abby
2:08:58
was.
2:08:59
Just
2:08:59
like
2:08:59
Abby
2:09:00
was.
2:09:00
And
2:09:00
then
2:09:01
she's
2:09:01
gone.
2:09:02
But
2:09:02
he's
2:09:02
not
2:09:02
gonna
2:09:02
be
2:09:03
haunting
2:09:03
the
2:09:03
narrative
2:09:04
again.
2:09:04
Like
2:09:04
we
2:09:04
said
2:09:04
earlier,
2:09:05
he's
2:09:05
already
2:09:05
forgotten
2:09:06
that
2:09:06
he
2:09:06
exists.
2:09:07
Yeah.
2:09:08
Also,
2:09:08
the
2:09:09
way
2:09:09
that
2:09:09
they
2:09:10
break
2:09:10
up
2:09:11
is
2:09:11
very
2:09:12
plot
2:09:13
devicey.
2:09:13
It's
2:09:13
just
2:09:14
kind
2:09:14
of
2:09:14
like
2:09:14
a
2:09:15
way
2:09:15
to
2:09:17
excuse
2:09:18
pulling
2:09:18
Tommy
2:09:19
back
2:09:19
out
2:09:20
of
2:09:20
the
2:09:20
narrative.
2:09:20
They're
2:09:21
yoinking
2:09:21
him
2:09:22
back
2:09:22
out
2:09:23
because
2:09:23
they're
2:09:23
like,
2:09:23
okay,
2:09:24
you've
2:09:24
served
2:09:24
your
2:09:24
purp
2:09:24
purpose.
2:09:25
We
2:09:25
don't
2:09:26
need
2:09:26
you
2:09:26
anymore,
2:09:27
so
2:09:27
we're
2:09:27
gonna
2:09:28
have
2:09:28
you
2:09:28
go
2:09:29
back
2:09:29
to,
2:09:30
like,
2:09:30
the
2:09:30
empty
2:09:31
or
2:09:31
whatever
2:09:32
that
2:09:33
characters
2:09:33
hang
2:09:34
out
2:09:34
in.
2:09:35
Just
2:09:35
like
2:09:36
a
2:09:36
loading
2:09:36
space.
2:09:37
Right,
2:09:38
Sorry.
2:09:39
I'm
2:09:39
just
2:09:39
gonna
2:09:39
say
2:09:39
he's
2:09:40
erasing
2:09:40
himself
2:09:41
from
2:09:41
the
2:09:41
narrative.
2:09:44
No,
2:09:44
no,
2:09:45
he
2:09:45
really
2:09:45
is,
2:09:46
though,
2:09:46
because
2:09:47
he
2:09:47
is
2:09:47
making.
2:09:48
This
2:09:49
is
2:09:49
also,
2:09:49
like,
2:09:50
one
2:09:50
of
2:09:50
the
2:09:50
only
2:09:51
decisions
2:09:51
that
2:09:51
Tommy
2:09:52
does
2:09:52
make.
2:09:53
But
2:09:53
it's
2:09:54
not
2:09:54
for
2:09:54
his
2:09:55
character.
2:09:55
It's
2:09:56
four
2:09:56
books.
2:09:57
Right.
2:09:58
He,
2:09:58
in
2:09:58
fact,
2:09:58
pulls
2:09:59
himself
2:09:59
out
2:09:59
of
2:09:59
the
2:10:00
narrative.
2:10:01
One
2:10:01
that
2:10:01
he
2:10:02
put
2:10:02
himself
2:10:02
into.
2:10:03
Because
2:10:03
he
2:10:04
never
2:10:05
belonged
2:10:05
there
2:10:05
to
2:10:06
begin
2:10:06
with.
2:10:06
No,
2:10:07
because
2:10:07
he
2:10:07
was
2:10:07
forcing
2:10:08
himself
2:10:08
into
2:10:09
this.
2:10:10
Okay.
2:10:10
As
2:10:10
a
2:10:11
character.
2:10:11
I'm
2:10:11
not
2:10:11
talking
2:10:11
about,
2:10:12
like,
2:10:12
meta
2:10:12
analysis
2:10:13
with
2:10:13
the
2:10:13
writers.
2:10:14
Tommy
2:10:14
himself
2:10:15
was
2:10:15
forcing
2:10:15
his
2:10:16
way
2:10:16
into
2:10:17
this
2:10:17
world,
2:10:18
and
2:10:18
he
2:10:18
didn't
2:10:18
fit.
2:10:19
It
2:10:19
was
2:10:20
not
2:10:20
the
2:10:20
right
2:10:20
puzzle
2:10:21
piece.
2:10:21
So
2:10:22
then
2:10:22
he's
2:10:22
yoinking
2:10:22
himself
2:10:23
back
2:10:23
out,
2:10:24
does
2:10:25
exactly
2:10:25
what
2:10:25
the
2:10:25
writers
2:10:26
intended,
2:10:27
which
2:10:28
was
2:10:28
for
2:10:28
him
2:10:28
to
2:10:28
just,
2:10:29
like,
2:10:29
peace
2:10:29
out
2:10:29
once
2:10:30
Buck
2:10:30
gets
2:10:31
to
2:10:31
a
2:10:31
place
2:10:31
where
2:10:31
he
2:10:32
feels
2:10:33
confident
2:10:33
and
2:10:33
comfortable
2:10:34
enough
2:10:34
to
2:10:34
kind
2:10:34
of
2:10:35
also.
2:10:36
Also,
2:10:36
the
2:10:37
whole
2:10:37
breakup
2:10:37
is
2:10:37
a
2:10:38
plot
2:10:38
device
2:10:38
too,
2:10:39
because
2:10:39
that
2:10:39
Sends.
2:10:40
It
2:10:40
sends
2:10:41
Buck
2:10:41
from
2:10:42
feeling
2:10:42
comfortable
2:10:43
and
2:10:43
confident
2:10:44
in
2:10:44
his
2:10:45
sex
2:10:45
in
2:10:46
acknowledging
2:10:47
that
2:10:47
he.
2:10:48
An
2:10:48
aspect
2:10:48
of
2:10:48
his
2:10:49
sexuality
2:10:50
and
2:10:51
as
2:10:51
well
2:10:51
as
2:10:51
having
2:10:52
a
2:10:52
relationship
2:10:53
that.
2:10:54
With
2:10:54
another
2:10:55
person
2:10:55
that
2:10:56
feels
2:10:56
substantial
2:10:57
to
2:10:57
him,
2:10:58
even
2:10:58
if
2:10:58
it's
2:10:58
not
2:10:58
like
2:10:59
actually
2:11:00
of
2:11:00
any
2:11:00
substance
2:11:01
when
2:11:01
you
2:11:01
look
2:11:02
at
2:11:02
it
2:11:02
from
2:11:02
an
2:11:02
outside
2:11:03
perspective.
2:11:04
So
2:11:04
the
2:11:04
breakup
2:11:05
itself
2:11:05
is
2:11:06
its
2:11:06
own
2:11:06
plot
2:11:06
device
2:11:07
to
2:11:07
get
2:11:07
Buck
2:11:08
to
2:11:08
spiral.
2:11:10
It's
2:11:10
to
2:11:11
prime
2:11:11
him
2:11:11
to
2:11:11
spiral.
2:11:12
Yeah.
2:11:13
Or
2:11:13
another
2:11:14
thing.
2:11:14
To
2:11:14
set
2:11:14
it
2:11:14
up.
2:11:15
Another
2:11:15
thing.
2:11:16
Yeah,
2:11:16
it's
2:11:16
the.
2:11:17
It's
2:11:17
the
2:11:17
MacGuffin
2:11:18
comeback
2:11:18
again.
2:11:19
And
2:11:19
it's.
2:11:19
It's
2:11:19
that.
2:11:20
So
2:11:20
there's
2:11:20
a.
2:11:21
There's
2:11:22
a
2:11:22
trope
2:11:23
and
2:11:23
it's
2:11:23
called
2:11:23
like
2:11:24
a.
2:11:24
A
2:11:25
closet
2:11:25
key.
2:11:26
And
2:11:26
it's
2:11:26
basically
2:11:27
to
2:11:27
like
2:11:28
this.
2:11:29
This
2:11:30
archetypal
2:11:31
character
2:11:32
is
2:11:32
just
2:11:33
as
2:11:33
a
2:11:33
plot
2:11:34
device
2:11:34
just
2:11:34
opens
2:11:35
the
2:11:35
door
2:11:35
to
2:11:35
the
2:11:35
closet.
2:11:36
It.
2:11:36
And
2:11:36
lets
2:11:37
that
2:11:37
other
2:11:37
character
2:11:38
walk
2:11:38
out.
2:11:39
And
2:11:39
then
2:11:39
that
2:11:40
plot
2:11:40
device
2:11:40
character
2:11:41
just
2:11:41
kind
2:11:41
of
2:11:41
like
2:11:43
feeds
2:11:43
into
2:11:43
the
2:11:44
distance
2:11:44
because
2:11:45
he
2:11:45
did
2:11:45
his
2:11:46
part
2:11:47
and
2:11:47
that's
2:11:47
all
2:11:47
they
2:11:48
needed
2:11:48
him
2:11:48
for.
2:11:49
He
2:11:49
says
2:11:50
the
2:11:50
whole,
2:11:50
I'm
2:11:50
your
2:11:51
first,
2:11:51
not
2:11:51
your
2:11:52
last.
2:11:52
No
2:11:52
matter
2:11:53
how
2:11:53
much
2:11:53
I
2:11:53
wanted
2:11:53
to
2:11:53
be.
2:11:53
I'm
2:11:53
your
2:11:54
first,
2:11:54
not
2:11:54
your
2:11:54
last.
2:11:55
If
2:11:55
I
2:11:55
stay
2:11:55
with
2:11:55
you,
2:11:56
you'd
2:11:56
break
2:11:56
my
2:11:56
heart.
2:11:56
This,
2:11:57
all
2:11:57
of
2:11:57
this
2:11:57
is
2:11:58
giving.
2:11:59
He
2:11:59
knew
2:11:59
from
2:11:59
the
2:11:59
start
2:12:00
that
2:12:00
Buck
2:12:01
has
2:12:01
a
2:12:02
thing
2:12:02
for
2:12:02
Eddie
2:12:02
and
2:12:03
probably
2:12:03
vice
2:12:03
versa.
2:12:04
And
2:12:04
he
2:12:05
put
2:12:05
himself
2:12:05
in
2:12:05
that
2:12:05
narrative
2:12:06
and
2:12:08
was
2:12:08
like,
2:12:08
well,
2:12:09
I'm
2:12:09
removing
2:12:10
myself
2:12:10
from
2:12:10
this
2:12:10
because
2:12:11
it's
2:12:11
not
2:12:11
going
2:12:12
the
2:12:12
way
2:12:12
that
2:12:12
I
2:12:12
want.
2:12:12
Like,
2:12:13
we
2:12:13
picked
2:12:13
up
2:12:13
on
2:12:13
it
2:12:13
early
2:12:14
in
2:12:14
the
2:12:14
season,
2:12:14
but
2:12:14
I
2:12:14
really
2:12:14
think
2:12:14
they
2:12:15
showed
2:12:15
their
2:12:15
hand
2:12:15
with
2:12:15
that
2:12:16
line
2:12:17
with
2:12:17
the,
2:12:17
you'll
2:12:17
break
2:12:18
my
2:12:18
heart.
2:12:18
You
2:12:18
wouldn't
2:12:19
mean
2:12:19
to,
2:12:19
but
2:12:19
you
2:12:20
would
2:12:20
eventually.
2:12:21
Anyway.
2:12:21
We
2:12:21
talked
2:12:21
about
2:12:21
that
2:12:22
before.
2:12:22
That's
2:12:22
more
2:12:23
in
2:12:23
character
2:12:24
analysis
2:12:24
than
2:12:24
what
2:12:25
we're
2:12:25
doing
2:12:25
now.
2:12:25
But
2:12:25
I
2:12:26
think
2:12:26
we
2:12:26
talked
2:12:26
about
2:12:26
that
2:12:26
a
2:12:27
lot
2:12:27
in
2:12:27
our
2:12:27
season
2:12:28
eight
2:12:28
episode
2:12:29
six.
2:12:29
Seven.
2:12:30
Eight.
2:12:30
Seven.
2:12:30
No,
2:12:31
it's
2:12:31
just
2:12:31
seven
2:12:31
and
2:12:31
eight.
2:12:33
Mostly
2:12:33
eight.
2:12:34
Mostly
2:12:35
eight.
2:12:36
Yeah.
2:12:36
But
2:12:36
yeah.
2:12:37
So
2:12:39
he's
2:12:39
like,
2:12:39
I
2:12:39
don't
2:12:40
think
2:12:40
I
2:12:40
could
2:12:40
deal
2:12:40
with
2:12:40
that.
2:12:40
I
2:12:41
should
2:12:41
go.
2:12:41
And
2:12:41
we
2:12:42
were
2:12:42
all
2:12:42
like,
2:12:42
yeah,
2:12:42
you
2:12:43
should.
2:12:44
Please.
2:12:44
And
2:12:45
the
2:12:45
writers
2:12:45
were
2:12:45
like,
2:12:45
yeah,
2:12:46
you
2:12:46
should.
2:12:46
You
2:12:46
should
2:12:47
do
2:12:47
what
2:12:47
my
2:12:47
dad
2:12:48
does.
2:12:48
It's
2:12:48
the
2:12:48
eight
2:12:48
finger
2:12:49
brush.
2:12:49
Oh,
2:12:50
just
2:12:50
like,
2:12:52
shoo,
2:12:52
shoo,
2:12:52
shoo.
2:12:52
Buck
2:12:53
asks
2:12:53
if
2:12:53
he
2:12:54
just
2:12:54
broke
2:12:54
up
2:12:54
with
2:12:54
them.
2:12:54
And
2:12:55
he's
2:12:55
like,
2:12:55
I
2:12:55
guess
2:12:56
I
2:12:56
did.
2:12:56
Believe
2:12:56
me,
2:12:57
I
2:12:57
didn't
2:12:57
see
2:12:57
it
2:12:57
coming
2:12:58
either.
2:12:58
We
2:12:59
saw
2:12:59
this
2:12:59
coming.
2:13:00
We
2:13:00
all.
2:13:00
I
2:13:00
mean,
2:13:00
most
2:13:01
of
2:13:01
us
2:13:01
saw
2:13:01
this
2:13:02
coming.
2:13:02
We
2:13:02
saw
2:13:03
it
2:13:03
coming.
2:13:04
We
2:13:04
saw
2:13:04
it.
2:13:05
Saw
2:13:05
it
2:13:05
coming.
2:13:05
He
2:13:06
only
2:13:06
had
2:13:07
himself
2:13:07
delay
2:13:08
and
2:13:09
then
2:13:09
we
2:13:09
get.
2:13:09
Should
2:13:10
have
2:13:10
known
2:13:10
that
2:13:10
parking's
2:13:10
pose
2:13:11
too
2:13:11
good
2:13:11
to
2:13:11
be
2:13:11
true.
2:13:12
That's
2:13:13
Wild.
2:13:13
That
2:13:14
is
2:13:14
wild,
2:13:14
actually.
2:13:15
I'll
2:13:16
see
2:13:16
you
2:13:16
around,
2:13:16
Buck.
2:13:17
It's
2:13:17
the
2:13:17
first
2:13:17
time
2:13:17
he
2:13:17
calls
2:13:18
him
2:13:18
Buck
2:13:19
in
2:13:19
the
2:13:20
last.
2:13:20
Yeah.
2:13:20
It
2:13:21
just
2:13:21
ends
2:13:21
right
2:13:21
where
2:13:22
it
2:13:22
began.
2:13:22
He
2:13:22
leaves
2:13:23
his
2:13:23
apartment.
2:13:24
It
2:13:24
began
2:13:24
with
2:13:24
him
2:13:24
walking
2:13:25
into
2:13:25
the
2:13:25
apartment
2:13:25
and
2:13:26
inviting
2:13:26
himself.
2:13:26
And
2:13:26
now
2:13:27
he's
2:13:27
showing
2:13:27
himself
2:13:27
out.
2:13:27
Out.
2:13:28
He
2:13:28
invited
2:13:29
himself
2:13:29
in.
2:13:29
Showing
2:13:30
himself
2:13:30
out.
2:13:31
Yeah,
2:13:31
We.
2:13:32
We
2:13:32
talked
2:13:32
about
2:13:32
this
2:13:32
also
2:13:33
in
2:13:33
our
2:13:34
season
2:13:35
eight
2:13:35
episode.
2:13:35
Seven
2:13:35
and
2:13:36
eight
2:13:36
episode.
2:13:37
But
2:13:38
to
2:13:38
kind
2:13:38
of
2:13:39
like
2:13:39
drive
2:13:40
home
2:13:40
the
2:13:40
fact
2:13:41
that
2:13:41
he
2:13:41
is
2:13:41
a
2:13:41
plot
2:13:42
device.
2:13:42
It.
2:13:43
Like
2:13:43
you're
2:13:43
saying,
2:13:43
it
2:13:44
really
2:13:44
does
2:13:45
end
2:13:45
where
2:13:45
it
2:13:46
began
2:13:47
because
2:13:47
so
2:13:47
much
2:13:48
of
2:13:49
the
2:13:50
Buck
2:13:50
and
2:13:50
Tommy
2:13:51
first
2:13:51
date
2:13:52
and
2:13:52
some
2:13:52
of
2:13:52
the
2:13:52
stuff
2:13:53
preceding
2:13:53
it
2:13:54
and
2:13:54
the
2:13:55
last
2:13:55
date
2:13:56
are
2:13:57
exact
2:13:58
mirrors
2:13:58
of
2:13:59
each
2:13:59
other
2:13:59
with
2:14:00
like
2:14:00
the
2:14:01
date
2:14:01
at
2:14:01
the
2:14:01
same
2:14:01
restaurant.
2:14:02
Something
2:14:03
about
2:14:03
a
2:14:03
basketball
2:14:04
game.
2:14:04
Something
2:14:05
about
2:14:05
ubering
2:14:06
to
2:14:06
a
2:14:07
movie
2:14:07
and
2:14:07
not
2:14:07
making
2:14:08
the
2:14:08
movie.
2:14:09
It's
2:14:10
all.
2:14:10
It's
2:14:10
all
2:14:11
of
2:14:11
the
2:14:11
same
2:14:11
beats
2:14:12
if
2:14:12
kind
2:14:12
of
2:14:13
mixed
2:14:13
around
2:14:14
a
2:14:14
little
2:14:14
bit.
2:14:14
But
2:14:15
it's
2:14:16
essentially
2:14:16
the
2:14:17
same
2:14:17
thing.
2:14:17
So
2:14:18
that
2:14:18
means
2:14:18
that
2:14:18
there
2:14:19
was
2:14:19
no
2:14:20
true
2:14:21
development
2:14:21
for
2:14:22
them
2:14:22
as
2:14:22
a
2:14:22
couple.
2:14:23
The
2:14:24
only
2:14:24
development
2:14:25
that
2:14:25
we
2:14:25
see
2:14:26
the
2:14:26
entire
2:14:26
time
2:14:27
throughout
2:14:27
Tommy's
2:14:28
run
2:14:29
as
2:14:29
Buck's
2:14:30
love
2:14:30
interest,
2:14:31
because
2:14:32
he's
2:14:32
not
2:14:32
a
2:14:32
character
2:14:32
in
2:14:33
and
2:14:33
of
2:14:33
itself
2:14:34
the
2:14:34
only
2:14:34
character.
2:14:35
The
2:14:35
only
2:14:35
development
2:14:36
we
2:14:36
see
2:14:36
is
2:14:36
for
2:14:37
Buck.
2:14:37
And
2:14:38
you
2:14:38
can't
2:14:38
have
2:14:39
a
2:14:40
relationship
2:14:40
with
2:14:41
two
2:14:41
characters
2:14:42
mean
2:14:42
something
2:14:43
for
2:14:43
two
2:14:43
characters.
2:14:44
If
2:14:44
one
2:14:44
of
2:14:44
them
2:14:44
doesn't
2:14:45
get
2:14:45
developed.
2:14:46
And
2:14:46
Tommy
2:14:46
never
2:14:47
does.
2:14:47
He's
2:14:48
just
2:14:48
there
2:14:49
to
2:14:49
propel
2:14:50
as
2:14:50
momentum
2:14:51
for
2:14:51
Buck
2:14:53
and
2:14:53
sometimes
2:14:53
Eddie.
2:14:54
That's
2:14:54
it.
2:14:55
What
2:14:55
do
2:14:55
we
2:14:55
know
2:14:56
about
2:14:56
him
2:14:56
that
2:14:56
he
2:14:56
doesn't
2:14:57
also
2:14:57
have
2:14:57
in
2:14:58
common
2:14:58
or.
2:14:59
Mirrored
2:14:59
coiled
2:15:00
for
2:15:01
Eddie,
2:15:01
he
2:15:02
flies
2:15:02
planes
2:15:03
or
2:15:03
helicopters.
2:15:04
That's
2:15:05
the
2:15:05
only
2:15:06
thing.
2:15:06
Eddie's
2:15:07
been
2:15:07
in
2:15:08
a
2:15:08
helicopter.
2:15:08
And
2:15:09
he
2:15:09
knows
2:15:09
ordinances
2:15:10
about
2:15:10
them
2:15:11
because
2:15:11
he
2:15:11
knew
2:15:11
about
2:15:12
the
2:15:12
dynamic
2:15:12
rollover.
2:15:13
Oh.
2:15:13
Oh,
2:15:14
that
2:15:14
dynamic
2:15:15
rollover
2:15:15
man.
2:15:18
Yeah.
2:15:19
I
2:15:19
think
2:15:19
that's
2:15:19
the
2:15:19
only
2:15:20
thing
2:15:20
that,
2:15:20
like,
2:15:20
really
2:15:21
sets
2:15:21
Tommy
2:15:22
apart
2:15:22
is
2:15:22
that
2:15:23
he
2:15:23
is.
2:15:24
And
2:15:24
the
2:15:24
sexism
2:15:25
and
2:15:25
homophobia,
2:15:25
the
2:15:26
things
2:15:26
that
2:15:26
existed
2:15:26
that
2:15:27
we
2:15:27
knew
2:15:27
about
2:15:27
him
2:15:27
before
2:15:27
Tommy
2:15:28
showed.
2:15:28
Yeah,
2:15:28
I
2:15:28
think
2:15:29
that's
2:15:29
he's
2:15:29
a
2:15:29
pilot.
2:15:31
But
2:15:31
that
2:15:31
could
2:15:32
have
2:15:32
so
2:15:32
easily
2:15:33
been.
2:15:33
Losing
2:15:34
literally
2:15:34
anyone
2:15:35
or
2:15:35
someone.
2:15:36
Yeah.
2:15:37
So.
2:15:38
Which
2:15:38
I
2:15:38
think
2:15:40
leads
2:15:41
us
2:15:41
to
2:15:42
our
2:15:42
last
2:15:43
article.
2:15:44
Quotes.
2:15:45
All
2:15:46
right.
2:15:46
In
2:15:46
an
2:15:46
interview
2:15:47
with
2:15:47
Tim
2:15:48
My
2:15:48
near
2:15:49
by
2:15:49
Meredith
2:15:50
Jacobs
2:15:50
from
2:15:51
TV
2:15:52
Insider
2:15:53
titled
2:15:53
911
2:15:54
Boss
2:15:54
on
2:15:54
Tommy's
2:15:55
Wild
2:15:55
revelation,
2:15:56
Buck
2:15:56
and
2:15:56
Eddie
2:15:57
figuring
2:15:58
themselves
2:15:58
out.
2:15:59
Insane
2:15:59
title.
2:16:00
Great
2:16:00
work,
2:16:01
Meredith.
2:16:01
Shout
2:16:02
out.
2:16:02
Meredith.
2:16:03
Meredith
2:16:04
asks.
2:16:04
We
2:16:04
have
2:16:04
to
2:16:05
start
2:16:05
with
2:16:05
the
2:16:05
Tommy
2:16:05
and
2:16:06
Abby
2:16:06
of
2:16:06
it
2:16:06
all.
2:16:07
Why?
2:16:07
When
2:16:07
did
2:16:08
you
2:16:08
come
2:16:08
up
2:16:08
with
2:16:08
that?
2:16:10
Just
2:16:10
why
2:16:13
that
2:16:14
would
2:16:14
be.
2:16:14
That
2:16:14
would
2:16:14
be
2:16:15
us
2:16:15
having
2:16:15
an
2:16:15
interview
2:16:16
just
2:16:16
like,
2:16:17
why.
2:16:21
Why
2:16:22
did
2:16:22
you
2:16:23
put
2:16:23
me
2:16:23
through
2:16:23
this?
2:16:24
We
2:16:24
ever
2:16:25
get
2:16:25
a
2:16:25
chance
2:16:25
to
2:16:25
sit
2:16:26
down
2:16:26
with
2:16:26
him.
2:16:26
My
2:16:27
near.
2:16:27
It's
2:16:27
just
2:16:28
why
2:16:29
I
2:16:30
feel
2:16:30
like
2:16:30
we.
2:16:30
Would
2:16:30
have
2:16:30
thanked
2:16:30
him
2:16:31
profusely
2:16:31
for
2:16:31
this.
2:16:32
It's
2:16:32
like
2:16:32
our
2:16:33
wish
2:16:33
list.
2:16:33
Thank
2:16:33
you.
2:16:33
But
2:16:34
why?
2:16:36
All
2:16:36
right,
2:16:36
so
2:16:36
Tim
2:16:37
Miner
2:16:37
says
2:16:38
we
2:16:38
actually
2:16:38
talked
2:16:39
about
2:16:39
that
2:16:39
last
2:16:39
year
2:16:39
just
2:16:40
as
2:16:40
a
2:16:40
fun
2:16:40
way
2:16:40
to
2:16:41
complicate
2:16:41
Buck's
2:16:42
life.
2:16:42
Because.
2:16:42
Because
2:16:42
in
2:16:43
the
2:16:43
pilot
2:16:43
she's
2:16:44
coming
2:16:44
off
2:16:45
the
2:16:45
breakup
2:16:46
of
2:16:46
a
2:16:46
long
2:16:46
term
2:16:46
relationship
2:16:47
with
2:16:47
a
2:16:47
guy
2:16:47
named
2:16:48
Tommy.
2:16:49
And
2:16:49
I
2:16:49
think
2:16:50
initially
2:16:50
it
2:16:50
just
2:16:50
amused
2:16:51
us
2:16:51
and
2:16:51
it
2:16:52
was
2:16:52
a
2:16:52
great
2:16:53
way
2:16:53
to
2:16:54
introduce
2:16:54
a
2:16:54
little
2:16:54
conflict
2:16:55
into
2:16:55
a
2:16:56
scene
2:16:56
from
2:16:56
the
2:16:56
beginning.
2:16:57
I
2:16:57
love
2:16:58
pulling
2:16:58
from
2:16:58
canon
2:16:59
whenever
2:16:59
possible.
2:17:00
It's
2:17:00
just
2:17:00
like
2:17:00
when
2:17:00
you
2:17:00
have
2:17:01
all
2:17:01
these
2:17:01
episodes
2:17:01
stored
2:17:02
up,
2:17:02
you
2:17:02
can
2:17:02
always
2:17:02
go
2:17:03
back
2:17:03
to
2:17:03
the
2:17:03
pantry
2:17:04
and
2:17:04
see
2:17:05
what
2:17:05
leftovers
2:17:06
you
2:17:06
got
2:17:06
to
2:17:06
make
2:17:07
something
2:17:07
delicious.
2:17:08
Which
2:17:08
you
2:17:09
know
2:17:09
what's
2:17:09
so
2:17:09
true,
2:17:10
Tim.
2:17:10
So
2:17:11
true.
2:17:11
Timberly,
2:17:12
I
2:17:13
thank
2:17:13
you
2:17:13
for
2:17:13
this.
2:17:14
You
2:17:15
think
2:17:15
Tim
2:17:15
is
2:17:16
goes
2:17:16
on
2:17:16
a
2:17:16
baking
2:17:17
spree
2:17:17
sometimes.
2:17:18
Oh,
2:17:19
with
2:17:19
all
2:17:19
the
2:17:19
episodes
2:17:20
he's
2:17:20
got
2:17:20
stored
2:17:20
up
2:17:21
in
2:17:21
the
2:17:21
oven?
2:17:21
Yeah,
2:17:22
absolutely.
2:17:23
Sorry,
2:17:24
I'm
2:17:24
just
2:17:24
going
2:17:24
literally.
2:17:25
But
2:17:25
I
2:17:25
like
2:17:25
yours
2:17:26
better.
2:17:26
I
2:17:26
know
2:17:27
he
2:17:27
cooks
2:17:28
more
2:17:28
than
2:17:28
he
2:17:28
bakes.
2:17:28
Yeah,
2:17:29
I
2:17:29
wanna
2:17:29
bet
2:17:30
Wannabe
2:17:30
Bobby's
2:17:31
propensity.
2:17:32
For
2:17:32
cooking
2:17:32
is
2:17:32
a
2:17:33
to
2:17:33
my
2:17:33
nearest.
2:17:34
Probably
2:17:34
my
2:17:35
near
2:17:35
self.
2:17:35
Insert
2:17:36
characteristic
2:17:37
insane
2:17:38
work.
2:17:38
And
2:17:39
in
2:17:39
another
2:17:39
interview
2:17:40
from
2:17:40
Jennifer
2:17:40
Mass
2:17:41
in
2:17:41
Variety
2:17:42
titled
2:17:43
911
2:17:43
star
2:17:44
Oliver
2:17:44
Stark
2:17:45
on
2:17:45
that
2:17:45
X
2:17:46
twist
2:17:47
Tommy's
2:17:47
choice
2:17:48
and
2:17:48
why
2:17:48
Buck
2:17:49
went
2:17:50
to
2:17:50
Eddie
2:17:50
for
2:17:50
comfort.
2:17:51
Jennifer
2:17:52
asks.
2:17:52
In
2:17:52
this
2:17:53
episode,
2:17:53
the
2:17:54
writers
2:17:54
invoke
2:17:55
Abby,
2:17:55
a
2:17:55
character
2:17:56
that
2:17:56
has
2:17:56
not
2:17:56
come
2:17:57
up
2:17:57
in
2:17:57
a
2:17:58
long
2:17:58
time.
2:17:58
On
2:17:59
911
2:17:59
in
2:18:00
a
2:18:00
very
2:18:00
unexpected
2:18:01
way,
2:18:02
she's
2:18:02
revealed
2:18:02
to
2:18:03
be
2:18:03
the
2:18:03
ex
2:18:03
fiance
2:18:04
of
2:18:04
Tommy,
2:18:05
Buck's
2:18:05
current
2:18:06
boyfriend.
2:18:06
What
2:18:06
was
2:18:07
your
2:18:07
reaction
2:18:08
to
2:18:09
that
2:18:09
storyline
2:18:09
and
2:18:10
how
2:18:10
did
2:18:10
you
2:18:10
work
2:18:10
through
2:18:11
that
2:18:11
in
2:18:11
the
2:18:11
episode
2:18:12
and
2:18:12
what
2:18:12
it
2:18:12
meant
2:18:12
for
2:18:13
Buck
2:18:13
and
2:18:14
Tommy's
2:18:14
future
2:18:15
that
2:18:15
he
2:18:15
was
2:18:16
evaluating
2:18:16
his
2:18:17
past
2:18:17
sexuality.
2:18:18
And
2:18:18
Oliver
2:18:19
Stark
2:18:19
says
2:18:20
Abby
2:18:20
was
2:18:20
such
2:18:21
a
2:18:21
big
2:18:21
turning
2:18:22
point
2:18:22
in
2:18:22
Buck's
2:18:23
life
2:18:24
as
2:18:24
he
2:18:24
mentions
2:18:24
in
2:18:25
the
2:18:25
episode.
2:18:25
So
2:18:25
even
2:18:26
though
2:18:26
day
2:18:26
to
2:18:26
day
2:18:27
in
2:18:27
his
2:18:27
conscious
2:18:28
mind
2:18:28
he
2:18:28
had
2:18:29
very
2:18:29
much
2:18:29
moved
2:18:30
on
2:18:30
from
2:18:30
that
2:18:31
experience.
2:18:31
I
2:18:31
think
2:18:31
it's
2:18:32
pretty
2:18:32
fair
2:18:32
that
2:18:33
finding
2:18:33
out
2:18:33
that
2:18:34
your
2:18:34
new
2:18:34
partner
2:18:34
used
2:18:35
to
2:18:35
be
2:18:35
engaged
2:18:35
to
2:18:36
this
2:18:36
hugely
2:18:37
important
2:18:37
relationship
2:18:38
is
2:18:39
somewhat
2:18:39
jarring
2:18:40
to
2:18:40
say
2:18:40
the
2:18:40
least.
2:18:40
Yeah.
2:18:41
And
2:18:41
originally
2:18:42
we
2:18:42
actually
2:18:42
saw
2:18:43
a
2:18:43
couple
2:18:43
more
2:18:43
scenes
2:18:44
of
2:18:44
Buck
2:18:44
dealing
2:18:44
with
2:18:45
this
2:18:45
new
2:18:46
information.
2:18:46
One
2:18:46
of
2:18:46
which
2:18:47
was
2:18:47
a
2:18:47
big
2:18:47
talk
2:18:47
with
2:18:48
Peter
2:18:48
Krausa,
2:18:49
with
2:18:49
Bobby
2:18:50
and
2:18:50
Buck
2:18:50
kind
2:18:51
of
2:18:51
just
2:18:52
trying
2:18:52
to.
2:18:53
Trying
2:18:53
to
2:18:53
unpack
2:18:54
it
2:18:54
all.
2:18:54
It
2:18:54
was
2:18:54
this
2:18:55
wonderful
2:18:55
coincidence
2:18:56
that
2:18:56
in
2:18:56
season
2:18:56
one
2:18:56
Abby
2:18:57
mentioned
2:18:57
a
2:18:58
fiance
2:18:58
by
2:18:58
the
2:18:58
name
2:18:58
of
2:18:58
Tommy.
2:18:59
I
2:19:00
don't
2:19:00
think
2:19:00
at
2:19:00
the
2:19:00
time
2:19:00
they
2:19:01
knew
2:19:01
they
2:19:01
will
2:19:01
be
2:19:01
introducing
2:19:03
many
2:19:03
seasons
2:19:04
Later,
2:19:04
a
2:19:04
character
2:19:05
called
2:19:05
Tommy.
2:19:06
But
2:19:06
it
2:19:06
felt
2:19:06
like
2:19:06
it
2:19:07
would
2:19:07
be
2:19:08
a
2:19:08
missed
2:19:08
opportunity
2:19:09
to
2:19:09
not
2:19:10
kind
2:19:10
of
2:19:10
make
2:19:10
that
2:19:11
link
2:19:11
and
2:19:11
make
2:19:12
the
2:19:12
universe
2:19:13
feel
2:19:13
a
2:19:13
little
2:19:13
bit
2:19:13
joined
2:19:14
up.
2:19:14
I
2:19:14
think
2:19:14
the
2:19:15
opportunity
2:19:15
presented
2:19:16
itself
2:19:16
and
2:19:16
it
2:19:16
would
2:19:17
have
2:19:17
been
2:19:17
silly
2:19:18
to
2:19:18
not
2:19:18
take
2:19:19
advantage
2:19:19
of
2:19:19
that
2:19:19
and
2:19:20
present
2:19:20
Buck
2:19:20
with
2:19:21
an
2:19:21
opportunity
2:19:22
to
2:19:22
spiral
2:19:23
as
2:19:23
he
2:19:23
does
2:19:23
so
2:19:24
often.
2:19:24
I
2:19:25
love
2:19:25
when
2:19:25
Oliver
2:19:26
says
2:19:26
the
2:19:26
same
2:19:26
things
2:19:27
that
2:19:27
we
2:19:27
say.
2:19:29
Mm.
2:19:30
Makes
2:19:30
us
2:19:30
feel
2:19:31
smart
2:19:31
with
2:19:31
great
2:19:31
opinions.
2:19:32
It's
2:19:32
so
2:19:32
nice.
2:19:33
Yeah.
2:19:33
Yeah.
2:19:34
We
2:19:34
feel
2:19:34
validated,
2:19:35
don't
2:19:35
we?
2:19:36
Yeah.
2:19:36
Invoke
2:19:37
Abby.
2:19:38
That
2:19:38
is
2:19:39
the
2:19:40
funniest
2:19:40
phrasing.
2:19:41
It's
2:19:42
like
2:19:42
a
2:19:42
seance
2:19:43
because
2:19:43
she's
2:19:43
haunting
2:19:44
the
2:19:44
narrative.
2:19:45
Invoke
2:19:45
thy
2:19:45
name
2:19:46
or
2:19:46
some
2:19:47
shit
2:19:47
like
2:19:47
that.
2:19:47
Yeah,
2:19:48
yeah.
2:19:49
Oh,
2:19:49
my
2:19:49
gosh.
2:19:49
I
2:19:50
invoke
2:19:50
you
2:19:50
to
2:19:51
ruin
2:19:52
my
2:19:52
relationship
2:19:53
or
2:19:53
maybe
2:19:53
help
2:19:54
my
2:19:54
relationship
2:19:55
by
2:19:55
ruining
2:19:56
it.
2:19:57
Oh,
2:19:58
my
2:19:58
God.
2:19:58
Help
2:19:59
me
2:19:59
by
2:19:59
ruining
2:20:00
my
2:20:00
relationship.
2:20:01
Thank
2:20:01
you
2:20:01
so
2:20:02
much.
2:20:03
Help
2:20:03
me
2:20:03
in
2:20:03
the
2:20:03
greater
2:20:04
scheme
2:20:04
of
2:20:04
things.
2:20:04
Right.
2:20:06
Also,
2:20:06
going
2:20:07
back
2:20:07
to
2:20:08
how
2:20:09
the
2:20:10
whole
2:20:10
Buck
2:20:10
and
2:20:10
Tommy
2:20:11
relationship
2:20:12
ended,
2:20:12
where
2:20:12
it
2:20:12
began,
2:20:13
basically.
2:20:14
Right.
2:20:14
Here's
2:20:14
a
2:20:15
couple
2:20:15
quotes
2:20:15
from
2:20:16
an
2:20:16
interview
2:20:17
that
2:20:17
both
2:20:18
Oliver
2:20:18
Stark
2:20:19
and
2:20:19
Tim
2:20:19
Minear
2:20:20
did
2:20:20
with
2:20:21
Entertainment
2:20:22
Weekly.
2:20:22
I
2:20:23
think
2:20:23
this
2:20:23
is
2:20:24
written
2:20:24
by
2:20:24
Patrick
2:20:25
Gomez,
2:20:25
titled
2:20:26
91
2:20:26
1's
2:20:27
Oliver
2:20:27
Stark
2:20:28
on
2:20:28
Buck
2:20:28
and
2:20:28
Tommy's
2:20:29
shocking
2:20:29
breakup.
2:20:30
So
2:20:31
Oliver
2:20:32
says
2:20:33
that,
2:20:33
you
2:20:34
know,
2:20:34
the
2:20:34
breakup
2:20:35
very
2:20:35
much
2:20:35
does
2:20:36
come
2:20:36
out
2:20:36
of
2:20:36
nowhere.
2:20:37
I
2:20:37
think
2:20:37
Buck
2:20:38
asking
2:20:39
such
2:20:39
a
2:20:39
huge
2:20:40
thing
2:20:40
of
2:20:40
Tommy
2:20:41
by
2:20:41
asking
2:20:42
him
2:20:42
to
2:20:42
move
2:20:42
in
2:20:42
jolts
2:20:43
him
2:20:43
into
2:20:44
almost
2:20:44
having
2:20:44
to
2:20:45
make
2:20:45
this
2:20:45
decision
2:20:45
for
2:20:46
himself
2:20:46
and
2:20:46
for
2:20:46
Buck.
2:20:47
To
2:20:47
me,
2:20:48
the
2:20:48
scene
2:20:48
plays
2:20:49
that
2:20:49
Tommy
2:20:49
has
2:20:50
been
2:20:50
hurt
2:20:50
before
2:20:51
and
2:20:51
is
2:20:51
scared
2:20:51
of
2:20:51
being
2:20:52
hurt
2:20:52
again.
2:20:52
He's
2:20:53
very
2:20:53
much
2:20:53
trying
2:20:53
to
2:20:53
protect
2:20:54
himself,
2:20:54
which
2:20:55
I
2:20:55
hold
2:20:55
no
2:20:55
judgment
2:20:56
over.
2:20:56
And
2:20:56
yeah,
2:20:57
unfortunately,
2:20:57
Buck
2:20:57
is
2:20:58
just
2:20:58
the
2:20:58
casualty
2:20:59
of
2:20:59
that
2:20:59
playing
2:21:00
out.
2:21:01
And
2:21:01
to
2:21:01
my
2:21:02
near
2:21:02
comments
2:21:03
as
2:21:03
well,
2:21:04
saying,
2:21:04
I
2:21:04
think
2:21:05
Tommy
2:21:05
probably
2:21:05
went
2:21:06
into
2:21:06
this
2:21:06
relationship
2:21:07
realizing
2:21:08
that
2:21:08
at
2:21:09
some
2:21:09
point
2:21:09
his
2:21:09
heart
2:21:09
would
2:21:10
get
2:21:10
broken.
2:21:11
But
2:21:11
it's
2:21:11
just
2:21:11
like,
2:21:12
how
2:21:12
broken?
2:21:13
How
2:21:13
much
2:21:13
are
2:21:13
you
2:21:14
going
2:21:14
to
2:21:14
let
2:21:14
somebody
2:21:15
capture
2:21:15
it?
2:21:16
How
2:21:16
broken
2:21:16
do
2:21:16
you
2:21:17
want
2:21:17
it
2:21:17
it
2:21:18
by
2:21:18
the
2:21:18
end
2:21:18
of
2:21:19
it?
2:21:19
It's
2:21:19
worth
2:21:20
it
2:21:20
for
2:21:20
him
2:21:20
to
2:21:20
have
2:21:20
a
2:21:21
broken
2:21:21
heart
2:21:21
here
2:21:22
because
2:21:22
he's
2:21:22
with
2:21:23
Buck
2:21:23
and
2:21:23
it's
2:21:23
kind
2:21:23
of
2:21:23
great.
2:21:24
Tommy
2:21:24
knows
2:21:25
that
2:21:25
the
2:21:25
bloom
2:21:25
is
2:21:26
going
2:21:26
to
2:21:26
fade
2:21:26
off
2:21:26
the
2:21:26
rose
2:21:27
at
2:21:27
some
2:21:27
point
2:21:28
and
2:21:28
that
2:21:28
if
2:21:28
he
2:21:28
took
2:21:29
Buck
2:21:29
up
2:21:29
on
2:21:30
his
2:21:30
offer
2:21:30
to
2:21:30
move
2:21:30
in
2:21:31
like
2:21:31
he
2:21:31
says,
2:21:32
I
2:21:32
know
2:21:32
how
2:21:33
this
2:21:33
ends.
2:21:33
Which
2:21:34
may
2:21:34
be
2:21:34
a
2:21:34
stupid
2:21:34
thing
2:21:35
for
2:21:35
Tommy
2:21:35
or
2:21:35
maybe
2:21:36
a
2:21:36
wise
2:21:36
self
2:21:37
protecting
2:21:38
thing
2:21:38
for
2:21:38
Tommy.
2:21:39
I
2:21:39
would
2:21:39
just
2:21:40
like
2:21:40
to
2:21:40
have
2:21:40
it
2:21:40
point
2:21:41
out
2:21:41
here
2:21:41
that
2:21:42
we
2:21:43
get
2:21:43
more
2:21:44
conjecture
2:21:45
about
2:21:46
Tommy's
2:21:46
inner
2:21:47
world
2:21:47
and
2:21:48
his
2:21:48
motivations
2:21:49
for
2:21:49
why
2:21:50
he
2:21:50
does
2:21:50
certain
2:21:51
things
2:21:52
through
2:21:53
the
2:21:53
interviews
2:21:54
with
2:21:54
the
2:21:55
writers
2:21:55
and
2:21:56
the
2:21:56
actors
2:21:57
who
2:21:57
are
2:21:58
thinking
2:21:58
about
2:21:59
it
2:21:59
because
2:21:59
they
2:21:59
have
2:22:00
to
2:22:00
think
2:22:00
about
2:22:00
it.
2:22:00
You
2:22:00
know,
2:22:00
Oliver
2:22:01
has
2:22:01
to
2:22:01
think
2:22:01
about
2:22:01
it
2:22:01
from
2:22:02
Buck's
2:22:02
perspective
2:22:02
and
2:22:03
Tim
2:22:03
is
2:22:03
thinking
2:22:03
about
2:22:04
it
2:22:04
from
2:22:05
both
2:22:05
of
2:22:05
those
2:22:06
perspectives
2:22:06
for
2:22:06
both
2:22:06
characters.
2:22:07
But
2:22:07
we
2:22:08
get
2:22:08
more
2:22:09
kind
2:22:09
of
2:22:09
fleshing
2:22:10
out
2:22:10
of,
2:22:10
of
2:22:11
what
2:22:11
would
2:22:11
be
2:22:11
going
2:22:12
on
2:22:12
in
2:22:12
Tommy's
2:22:13
mind
2:22:13
in
2:22:14
an
2:22:14
article
2:22:15
interview
2:22:16
rather
2:22:16
than
2:22:16
in
2:22:17
the
2:22:17
actual
2:22:17
text
2:22:18
of
2:22:18
the
2:22:18
story.
2:22:19
So
2:22:19
while
2:22:20
we
2:22:20
know
2:22:20
now
2:22:21
that
2:22:21
with
2:22:22
comments
2:22:22
like
2:22:22
these,
2:22:22
like
2:22:23
that
2:22:23
is
2:22:23
the
2:22:23
intentions
2:22:24
of
2:22:24
the
2:22:25
writers,
2:22:26
it's
2:22:26
not
2:22:27
stated
2:22:28
as
2:22:28
such
2:22:28
in
2:22:29
the
2:22:29
actual
2:22:30
text
2:22:30
of
2:22:31
the
2:22:31
show
2:22:32
through
2:22:32
any
2:22:33
of
2:22:33
the
2:22:33
dialogue
2:22:34
or
2:22:34
any
2:22:34
of
2:22:34
the,
2:22:35
you
2:22:35
know,
2:22:35
so
2:22:36
much
2:22:36
of
2:22:36
a
2:22:36
show
2:22:37
is
2:22:37
just
2:22:37
show
2:22:38
don't
2:22:38
tell.
2:22:39
So
2:22:39
they
2:22:39
don't.
2:22:40
Wouldn't
2:22:40
even
2:22:40
have
2:22:40
to
2:22:41
like
2:22:41
speak
2:22:41
about
2:22:42
it
2:22:42
per
2:22:42
se.
2:22:43
But
2:22:43
it's
2:22:43
also
2:22:43
not
2:22:44
shown.
2:22:45
So
2:22:46
what
2:22:46
do,
2:22:46
what
2:22:47
do
2:22:47
we
2:22:47
do
2:22:47
with
2:22:47
that?
2:22:47
And
2:22:48
this
2:22:48
is
2:22:48
all
2:22:48
coming
2:22:48
out
2:22:49
afterwards.
2:22:51
So
2:22:51
it's
2:22:51
just
2:22:51
that
2:22:52
little
2:22:52
extra
2:22:52
bit
2:22:53
of
2:22:53
context
2:22:53
that
2:22:54
we
2:22:54
get
2:22:54
to
2:22:56
include
2:22:56
into
2:22:57
our
2:22:57
reading
2:22:58
of
2:22:58
the,
2:22:59
the
2:22:59
storyline
2:23:00
and
2:23:00
the
2:23:00
show
2:23:00
as
2:23:00
a
2:23:00
whole.
2:23:01
But
2:23:01
that
2:23:02
still
2:23:02
doesn't
2:23:02
negate
2:23:03
the
2:23:03
fact
2:23:03
that,
2:23:03
that
2:23:04
it
2:23:04
wasn't
2:23:04
expressed
2:23:05
as
2:23:05
such
2:23:06
in
2:23:07
the
2:23:07
show.
2:23:08
This
2:23:08
is
2:23:08
all
2:23:08
just
2:23:08
like
2:23:09
extra
2:23:09
bonus
2:23:10
stuff
2:23:10
for
2:23:11
us
2:23:11
who
2:23:11
are
2:23:11
like
2:23:12
chronically
2:23:12
online
2:23:12
and
2:23:13
like
2:23:13
to
2:23:13
read
2:23:13
all
2:23:13
the
2:23:13
stuff
2:23:14
about
2:23:14
it,
2:23:14
you
2:23:14
know.
2:23:15
Okay,
2:23:17
so
2:23:18
kind
2:23:18
of
2:23:18
talk
2:23:18
about
2:23:19
referring
2:23:20
back
2:23:20
to
2:23:21
Mr.
2:23:22
Plot
2:23:22
Device
2:23:23
in
2:23:24
episodes
2:23:25
seven
2:23:26
and
2:23:27
eight,
2:23:27
I
2:23:28
guess
2:23:28
when
2:23:28
he's
2:23:28
like
2:23:28
not
2:23:29
there.
2:23:29
But,
2:23:29
but,
2:23:29
but
2:23:30
Buck
2:23:30
is,
2:23:31
you
2:23:31
know,
2:23:31
dealing
2:23:31
with
2:23:32
the
2:23:32
breakup
2:23:33
and,
2:23:33
and
2:23:33
the
2:23:33
call
2:23:33
that
2:23:34
never
2:23:34
happens.
2:23:34
Tommy
2:23:35
never
2:23:35
actually
2:23:35
calls
2:23:35
him
2:23:36
and
2:23:36
he
2:23:36
doesn't
2:23:36
call
2:23:36
Tommy.
2:23:37
This
2:23:37
is
2:23:38
from
2:23:39
an
2:23:39
article
2:23:40
by
2:23:40
Whitney
2:23:40
Evans
2:23:41
at
2:23:41
TV
2:23:41
Fanatic
2:23:42
titled
2:23:43
91
2:23:43
1.
2:23:43
Showrunner
2:23:44
Tim
2:23:44
Mynier
2:23:44
talks.
2:23:45
Athena's
2:23:45
rookie,
2:23:46
Bobby's
2:23:46
Hotshots
2:23:47
return,
2:23:47
Buck's
2:23:48
heartache
2:23:48
and
2:23:48
Tisa's
2:23:48
mid
2:23:49
season
2:23:49
finale.
2:23:50
She
2:23:50
covered
2:23:50
it
2:23:50
all.
2:23:51
She.
2:23:51
Yeah,
2:23:52
she's
2:23:53
all
2:23:53
the
2:23:53
things
2:23:55
she
2:23:55
wrote.
2:23:55
As
2:23:56
Buck
2:23:56
processes
2:23:56
the
2:23:57
end
2:23:57
of
2:23:57
that
2:23:57
relationship
2:23:58
with
2:23:58
Tommy,
2:23:59
Mynier
2:23:59
told
2:24:00
us
2:24:00
what
2:24:00
we
2:24:00
should
2:24:00
expect
2:24:01
from
2:24:01
Buck's
2:24:01
continued
2:24:02
pissed
2:24:02
breakup
2:24:02
period.
2:24:03
And
2:24:03
Tim
2:24:04
Mynier
2:24:04
said
2:24:05
for
2:24:05
Buck,
2:24:06
now
2:24:06
that
2:24:06
he's
2:24:06
discovered
2:24:07
his
2:24:07
bisexuality,
2:24:08
I
2:24:08
think
2:24:09
at
2:24:09
some
2:24:09
point
2:24:09
he
2:24:09
says,
2:24:10
I
2:24:10
don't
2:24:10
know
2:24:10
what
2:24:10
Pona
2:24:11
jumped
2:24:11
back
2:24:11
into.
2:24:12
For
2:24:12
Buck,
2:24:12
this
2:24:13
isn't
2:24:13
just
2:24:13
like
2:24:13
a
2:24:13
normal
2:24:14
piss
2:24:14
breakup.
2:24:14
He
2:24:15
was
2:24:15
discovering
2:24:15
something
2:24:16
about
2:24:16
himself.
2:24:17
And
2:24:17
as
2:24:17
Tommy
2:24:17
said
2:24:18
last
2:24:18
week,
2:24:18
you're
2:24:18
still
2:24:18
figuring
2:24:19
out
2:24:19
and
2:24:20
that's
2:24:20
good.
2:24:20
Buck's
2:24:21
still
2:24:21
figuring
2:24:21
himself
2:24:22
out.
2:24:23
So
2:24:23
I
2:24:23
don't
2:24:23
think
2:24:24
it's
2:24:24
as
2:24:24
simple
2:24:24
as
2:24:25
the
2:24:25
old
2:24:25
hamster
2:24:25
wheel
2:24:26
of
2:24:26
get
2:24:26
together,
2:24:27
let's
2:24:27
move
2:24:27
in
2:24:28
together,
2:24:28
break
2:24:28
up,
2:24:29
move
2:24:29
on.
2:24:29
For
2:24:30
Buck,
2:24:30
it's
2:24:30
much
2:24:30
more.
2:24:30
He
2:24:31
has
2:24:31
to
2:24:31
turn
2:24:31
his
2:24:31
gaze
2:24:32
onto
2:24:32
himself
2:24:33
kind
2:24:33
of
2:24:33
in
2:24:33
the
2:24:33
way
2:24:34
Eddie
2:24:34
is
2:24:34
for
2:24:34
himself,
2:24:35
too.
2:24:36
Oh,
2:24:37
oh,
2:24:37
the
2:24:37
gays.
2:24:39
Oh,
2:24:39
the.
2:24:40
The
2:24:40
gays.
2:24:42
But
2:24:42
also
2:24:43
fork
2:24:43
founding
2:24:43
kitchen
2:24:44
Tim
2:24:44
my
2:24:44
near
2:24:44
brings
2:24:45
up
2:24:45
Eddie
2:24:45
when
2:24:46
talking
2:24:46
about
2:24:47
someone
2:24:47
else.
2:24:47
Every
2:24:47
time
2:24:48
Buck.
2:24:48
Every
2:24:49
time.
2:24:49
Every
2:24:49
time.
2:24:51
He's
2:24:52
so
2:24:52
us
2:24:52
coded.
2:24:54
Yeah,
2:24:55
I
2:24:55
think
2:24:56
we
2:24:56
don't
2:24:56
get
2:24:56
along,
2:24:56
brain.
2:24:57
Buck
2:24:57
coded.
2:24:58
Yeah.
2:24:59
Just
2:25:00
to
2:25:00
backtrack
2:25:00
so
2:25:00
I
2:25:01
can
2:25:01
say
2:25:01
this
2:25:01
again.
2:25:02
For
2:25:02
Buck,
2:25:03
it's
2:25:03
much
2:25:03
more.
2:25:03
He
2:25:03
has
2:25:04
to
2:25:04
turn
2:25:04
his
2:25:04
gaze
2:25:05
onto
2:25:05
himself,
2:25:06
kind
2:25:06
of
2:25:06
in
2:25:06
the
2:25:06
way
2:25:07
Eddie
2:25:07
is
2:25:07
for
2:25:07
himself
2:25:08
too.
2:25:08
Oh,
2:25:09
I'm
2:25:09
so
2:25:09
sure.
2:25:10
These
2:25:10
guys
2:25:10
are
2:25:10
now
2:25:11
at
2:25:11
a
2:25:11
stage
2:25:11
in
2:25:11
their
2:25:11
lives
2:25:12
where
2:25:13
they're
2:25:13
still
2:25:13
kind
2:25:13
of
2:25:14
figuring
2:25:14
out
2:25:14
who
2:25:14
they
2:25:14
are.
2:25:15
And
2:25:15
I
2:25:16
think
2:25:16
that's
2:25:16
particularly
2:25:17
true
2:25:17
for
2:25:17
Buck.
2:25:17
Although
2:25:18
in
2:25:18
a
2:25:18
way,
2:25:19
Buck
2:25:19
knows
2:25:19
a
2:25:20
little
2:25:20
bit
2:25:20
more
2:25:20
about
2:25:20
who
2:25:20
he
2:25:21
is
2:25:21
after
2:25:21
his
2:25:21
relationship
2:25:22
with
2:25:22
Tommy.
2:25:22
But
2:25:23
there
2:25:23
are
2:25:23
a
2:25:23
lot
2:25:23
of
2:25:23
possibilities
2:25:24
open
2:25:24
to
2:25:24
him.
2:25:25
Hmm.
2:25:27
Then
2:25:27
Whitney
2:25:28
writes
2:25:28
at
2:25:28
one
2:25:28
point
2:25:29
during
2:25:29
the
2:25:29
hour,
2:25:29
Eddie
2:25:30
and
2:25:30
hen
2:25:30
good
2:25:30
naturedly
2:25:31
hide
2:25:31
Buck's
2:25:31
phone
2:25:32
for
2:25:32
him
2:25:32
when
2:25:32
he
2:25:32
complains
2:25:33
about
2:25:33
whether
2:25:33
or
2:25:33
not
2:25:33
he
2:25:34
should
2:25:34
call
2:25:34
his
2:25:34
ex.
2:25:35
A
2:25:35
call
2:25:35
never
2:25:36
happens,
2:25:36
but
2:25:36
it
2:25:37
begs
2:25:37
the
2:25:37
question
2:25:37
of
2:25:38
whether
2:25:38
or
2:25:38
not
2:25:38
Buck
2:25:38
is
2:25:39
ready
2:25:39
to
2:25:39
put
2:25:39
that
2:25:39
relationship
2:25:40
in
2:25:40
the
2:25:40
past
2:25:41
to
2:25:41
move
2:25:41
toward
2:25:41
the
2:25:41
future.
2:25:42
When
2:25:42
asked
2:25:43
just
2:25:43
that,
2:25:43
Mynier
2:25:44
stated,
2:25:45
yeah,
2:25:45
I
2:25:45
mean,
2:25:45
he's
2:25:46
going
2:25:46
to
2:25:46
be
2:25:46
moving
2:25:47
to
2:25:47
what's
2:25:47
in
2:25:48
his
2:25:48
future.
2:25:48
And
2:25:48
look,
2:25:49
Tommy
2:25:49
is
2:25:49
in
2:25:50
Buck's
2:25:50
romantic
2:25:50
past
2:25:51
for
2:25:51
sure.
2:25:51
For
2:25:52
sure.
2:25:53
Sometimes
2:25:53
I
2:25:54
want
2:25:54
video
2:25:54
of
2:25:54
these
2:25:55
to
2:25:55
hear
2:25:55
the
2:25:55
tone
2:25:55
of
2:25:55
voice,
2:25:56
but
2:25:56
it's
2:25:56
like
2:25:56
I
2:25:56
feel
2:25:56
like
2:25:56
I
2:25:57
can
2:25:57
hear
2:25:57
it,
2:25:58
you
2:25:58
know?
2:25:59
Yeah.
2:26:01
But
2:26:02
that
2:26:02
doesn't
2:26:02
mean
2:26:02
that
2:26:02
Tommy
2:26:02
is
2:26:03
necessarily
2:26:03
not
2:26:04
ever
2:26:04
going
2:26:04
to
2:26:04
intersect
2:26:04
with
2:26:05
Buck
2:26:05
in
2:26:05
the
2:26:05
universe
2:26:06
again.
2:26:06
Tommy
2:26:07
is
2:26:07
always
2:26:07
going
2:26:08
to
2:26:08
be
2:26:08
somebody
2:26:08
who
2:26:08
kind
2:26:09
of
2:26:09
opened
2:26:09
a
2:26:09
door
2:26:09
for
2:26:09
Buck.
2:26:10
What
2:26:10
did
2:26:10
we.
2:26:11
What
2:26:11
did
2:26:11
Rachel
2:26:11
just
2:26:12
talk
2:26:12
about?
2:26:13
The
2:26:13
key
2:26:14
for
2:26:14
the
2:26:14
closet
2:26:15
door.
2:26:15
Yes.
2:26:16
Oh,
2:26:16
interesting.
2:26:17
Aha.
2:26:18
Somebody
2:26:19
who
2:26:19
opened
2:26:19
a
2:26:19
door
2:26:19
for
2:26:20
Buck.
2:26:20
And
2:26:20
that's
2:26:20
an
2:26:20
important
2:26:21
thing
2:26:21
to
2:26:21
be
2:26:21
in
2:26:21
somebody's
2:26:22
life.
2:26:22
So
2:26:22
the
2:26:23
importance
2:26:23
was
2:26:24
that
2:26:24
he
2:26:24
helped
2:26:25
open
2:26:25
a
2:26:25
door
2:26:26
for
2:26:26
Buck.
2:26:26
That's
2:26:26
it
2:26:27
for
2:26:27
Buck.
2:26:27
He
2:26:28
walked
2:26:28
through
2:26:29
and
2:26:29
then
2:26:29
he
2:26:29
closed
2:26:30
it
2:26:30
behind
2:26:31
him.
2:26:31
Bye.
2:26:32
This
2:26:32
is
2:26:33
like
2:26:33
a
2:26:33
nail
2:26:33
in
2:26:33
the
2:26:33
coffin.
2:26:34
I
2:26:34
mean,
2:26:34
like
2:26:36
Buck's
2:26:37
moving
2:26:37
to
2:26:37
what's
2:26:37
in
2:26:38
his
2:26:38
future.
2:26:38
And
2:26:38
look,
2:26:39
Tommy
2:26:39
is
2:26:39
in
2:26:39
Buck's
2:26:40
romantic
2:26:40
past
2:26:41
for
2:26:41
sure.
2:26:42
Like
2:26:42
he's
2:26:42
not.
2:26:43
Yeah.
2:26:43
There's
2:26:43
no
2:26:44
PR
2:26:44
answer
2:26:44
here.
2:26:45
No,
2:26:45
that.
2:26:46
That
2:26:46
is
2:26:47
dead
2:26:47
done.
2:26:48
Bones
2:26:49
buried
2:26:49
dead
2:26:50
40ft
2:26:51
under.
2:26:51
He
2:26:52
did
2:26:52
what
2:26:52
he
2:26:52
set
2:26:52
out
2:26:52
to
2:26:53
do
2:26:53
with
2:26:53
this
2:26:53
character.
2:26:53
Yeah,
2:26:54
he's
2:26:54
done.
2:26:54
Which
2:26:55
I
2:26:55
know
2:26:55
he.
2:26:57
We
2:26:57
were
2:26:57
trying
2:26:57
to
2:26:58
find
2:26:58
this
2:26:58
article
2:26:59
earlier
2:26:59
where
2:27:00
like
2:27:00
almost
2:27:01
100%
2:27:02
sure
2:27:02
that
2:27:03
Tim
2:27:03
Minier
2:27:03
has
2:27:03
said
2:27:04
almost
2:27:05
like
2:27:05
almost
2:27:06
verbatim.
2:27:06
Yeah,
2:27:07
I
2:27:07
did
2:27:07
what
2:27:07
I
2:27:07
set
2:27:08
out
2:27:08
to
2:27:08
do
2:27:08
with
2:27:09
Tommy.
2:27:10
Couldn't
2:27:10
find
2:27:11
the
2:27:11
article.
2:27:11
If
2:27:11
you
2:27:12
know
2:27:12
which
2:27:12
one
2:27:12
it
2:27:12
is,
2:27:13
please
2:27:13
let
2:27:13
us
2:27:13
know.
2:27:14
Pretty
2:27:14
sure
2:27:14
he
2:27:15
used
2:27:15
the
2:27:15
word
2:27:15
satisfied
2:27:16
in
2:27:16
there.
2:27:18
Okay,
2:27:19
so
2:27:20
last
2:27:20
little
2:27:20
bit
2:27:21
I
2:27:21
think
2:27:21
we
2:27:21
have
2:27:21
in
2:27:22
terms
2:27:22
of
2:27:23
quotes
2:27:23
from
2:27:23
articles
2:27:24
regarding
2:27:25
the
2:27:25
Buck
2:27:25
and
2:27:25
Tommy
2:27:26
relationship.
2:27:27
Right.
2:27:27
Is
2:27:28
talking
2:27:28
about
2:27:29
how
2:27:29
the
2:27:29
breakup
2:27:30
was
2:27:30
premature
2:27:32
on
2:27:32
purpose.
2:27:33
Right.
2:27:34
So
2:27:34
there's
2:27:35
an
2:27:35
article
2:27:35
from
2:27:36
Decider
2:27:37
written
2:27:37
by
2:27:37
Nicole
2:27:38
Gallucci.
2:27:38
I
2:27:39
think
2:27:39
we
2:27:39
mentioned
2:27:40
one
2:27:40
of
2:27:40
her
2:27:40
other
2:27:40
articles
2:27:41
earlier
2:27:41
and
2:27:42
it's
2:27:42
titled
2:27:43
911
2:27:43
boss
2:27:44
Tim
2:27:44
my
2:27:44
near
2:27:44
Unpacks
2:27:45
the
2:27:45
mid
2:27:45
season
2:27:46
Finale
2:27:46
and
2:27:47
shares
2:27:47
his
2:27:47
season
2:27:48
eight
2:27:48
goal
2:27:49
to
2:27:49
Blow
2:27:49
it
2:27:50
the
2:27:50
hell
2:27:50
apart.
2:27:51
Quotes
2:27:54
gonna
2:27:54
be
2:27:54
great
2:27:54
for
2:27:55
us.
2:27:55
So
2:27:55
this
2:27:55
article
2:27:55
came
2:27:56
out
2:27:56
with
2:27:56
the
2:27:57
mid
2:27:57
season
2:27:58
finale
2:27:59
and
2:28:00
the
2:28:00
interviewer
2:28:01
Nicole
2:28:02
spoke
2:28:02
with
2:28:02
Tim
2:28:03
and
2:28:03
she
2:28:04
asked
2:28:04
for
2:28:04
fans
2:28:05
like
2:28:05
Buck
2:28:06
who
2:28:06
are
2:28:06
still
2:28:06
processing
2:28:07
his
2:28:08
breakup
2:28:08
with
2:28:08
Tommy
2:28:09
or
2:28:09
feel
2:28:09
like
2:28:09
their
2:28:10
connection
2:28:10
was
2:28:10
unexpectedly
2:28:11
cut
2:28:12
short.
2:28:12
Mynier
2:28:13
agrees,
2:28:14
but
2:28:14
stresses
2:28:15
that
2:28:15
the
2:28:15
move
2:28:15
was
2:28:16
intentional.
2:28:17
And
2:28:17
this
2:28:18
is
2:28:18
what
2:28:18
he
2:28:18
says.
2:28:19
Look,
2:28:19
I
2:28:19
think
2:28:20
the
2:28:20
breakup
2:28:20
was
2:28:20
premature,
2:28:21
but
2:28:21
that
2:28:22
was
2:28:22
by
2:28:22
design
2:28:23
for
2:28:23
me.
2:28:24
The
2:28:24
story
2:28:24
that
2:28:24
I
2:28:24
was
2:28:25
trying
2:28:25
to
2:28:25
tell
2:28:26
was
2:28:26
here's
2:28:27
a
2:28:27
guy,
2:28:27
Tommy,
2:28:28
he's
2:28:28
not
2:28:29
a
2:28:29
main
2:28:29
character
2:28:29
on
2:28:30
the
2:28:30
show.
2:28:30
We
2:28:31
haven't
2:28:31
done
2:28:32
Tommy
2:28:32
Begins
2:28:33
or
2:28:33
something.
2:28:34
But
2:28:34
you
2:28:34
do
2:28:35
see
2:28:35
him
2:28:35
in
2:28:35
the
2:28:35
Begins
2:28:36
episodes
2:28:37
in
2:28:37
flashbacks.
2:28:38
And
2:28:38
by
2:28:38
the
2:28:38
time
2:28:39
he
2:28:39
leaves
2:28:39
in
2:28:40
Bobby
2:28:40
Begins
2:28:40
Again,
2:28:41
he's
2:28:42
turned
2:28:42
over
2:28:42
a
2:28:42
new
2:28:43
leaf.
2:28:44
He's
2:28:44
feeling
2:28:45
more
2:28:45
comfortable.
2:28:46
He's
2:28:46
hanging
2:28:46
out
2:28:47
with
2:28:47
the
2:28:47
new
2:28:47
people
2:28:47
at
2:28:48
the
2:28:48
118
2:28:49
once
2:28:49
Bobby
2:28:49
takes
2:28:50
over
2:28:50
and
2:28:51
they
2:28:51
throw
2:28:51
him
2:28:51
a
2:28:52
party
2:28:52
and
2:28:52
bake
2:28:52
him
2:28:52
a
2:28:53
cake
2:28:53
where
2:28:53
he
2:28:53
goes
2:28:54
off
2:28:54
to
2:28:54
his
2:28:54
new
2:28:54
post.
2:28:55
There
2:28:55
was
2:28:55
even
2:28:56
a
2:28:56
reference
2:28:56
in
2:28:57
Broken
2:28:57
when
2:28:57
Chimney
2:28:58
calls
2:28:58
him
2:28:58
to
2:28:58
do
2:28:58
the
2:28:59
water
2:28:59
drop.
2:28:59
But
2:29:00
Tommy's
2:29:00
a
2:29:00
guy
2:29:01
who's
2:29:01
in
2:29:02
a
2:29:02
different
2:29:02
place
2:29:02
in
2:29:02
his
2:29:03
life
2:29:03
than
2:29:03
Buck
2:29:03
is.
2:29:04
And
2:29:04
I
2:29:04
think
2:29:05
what
2:29:05
Tommy
2:29:06
realizes
2:29:06
is
2:29:07
exactly
2:29:07
what
2:29:07
he
2:29:07
said,
2:29:08
which
2:29:08
is,
2:29:09
I'm
2:29:09
not
2:29:09
your
2:29:09
last,
2:29:10
I'm
2:29:10
your
2:29:10
first.
2:29:12
That
2:29:13
is
2:29:13
a
2:29:13
loaded
2:29:14
statement
2:29:15
here,
2:29:15
right?
2:29:16
Tommy
2:29:16
is
2:29:17
not
2:29:17
a
2:29:17
main
2:29:17
character.
2:29:17
He
2:29:18
does
2:29:18
not
2:29:18
have
2:29:18
a
2:29:18
Begins
2:29:19
episodes.
2:29:20
As
2:29:20
in
2:29:20
we
2:29:20
don't
2:29:21
get
2:29:21
to
2:29:21
learn
2:29:21
more
2:29:21
about
2:29:22
his
2:29:22
backstory.
2:29:23
We
2:29:23
see
2:29:23
him
2:29:24
around
2:29:24
because
2:29:25
he's
2:29:25
an
2:29:25
established
2:29:26
character
2:29:27
and
2:29:27
that's
2:29:28
why
2:29:29
they
2:29:29
had
2:29:29
him.
2:29:29
That's
2:29:30
why
2:29:30
he
2:29:30
used
2:29:30
him.
2:29:30
Yes,
2:29:31
he
2:29:31
literally
2:29:31
just
2:29:32
said
2:29:32
in
2:29:33
a
2:29:33
long
2:29:33
winded
2:29:33
way.
2:29:34
This
2:29:34
was
2:29:34
a
2:29:35
plot
2:29:35
device
2:29:36
that
2:29:36
I
2:29:36
used
2:29:37
by
2:29:37
design.
2:29:38
Nicole
2:29:39
Gallucci
2:29:39
goes
2:29:39
on
2:29:40
to
2:29:40
write
2:29:40
that
2:29:41
to
2:29:41
my
2:29:41
near
2:29:42
reference,
2:29:42
the
2:29:42
coffee
2:29:43
shop
2:29:43
scene
2:29:43
in
2:29:43
season
2:29:44
seven
2:29:44
where
2:29:45
Buck
2:29:45
asked
2:29:45
Tommy
2:29:46
to
2:29:46
give
2:29:46
them
2:29:47
another
2:29:47
shot
2:29:48
and
2:29:48
to
2:29:49
come
2:29:49
to
2:29:49
Maddie's
2:29:49
wedding
2:29:50
at
2:29:50
a
2:29:50
point
2:29:50
when
2:29:50
Tommy
2:29:51
thought,
2:29:51
all
2:29:52
right,
2:29:52
this
2:29:52
guy's
2:29:52
kind
2:29:52
of
2:29:53
great.
2:29:53
He's
2:29:54
super
2:29:54
hot
2:29:54
and
2:29:55
he's
2:29:55
sweet
2:29:55
and
2:29:55
this
2:29:56
will
2:29:56
be
2:29:56
nice.
2:29:56
And
2:29:56
I'm
2:29:57
going
2:29:57
to
2:29:57
be
2:29:57
vulnerable
2:29:58
for
2:29:58
this.
2:29:58
As
2:29:58
the
2:29:58
relationship
2:29:59
grew
2:29:59
stronger
2:30:00
and
2:30:00
the
2:30:00
stakes
2:30:00
grew
2:30:01
higher,
2:30:01
however,
2:30:02
Tommy
2:30:02
reevaluated
2:30:03
things.
2:30:04
So
2:30:05
another
2:30:05
thing
2:30:05
that
2:30:06
Tim
2:30:06
Mynier
2:30:06
went
2:30:06
on
2:30:07
to
2:30:07
say
2:30:07
in
2:30:08
relation
2:30:08
to
2:30:08
that
2:30:08
was,
2:30:09
I
2:30:09
think
2:30:10
Tommy,
2:30:10
in
2:30:10
the
2:30:11
end,
2:30:11
understood
2:30:12
that
2:30:12
this
2:30:12
was
2:30:12
not
2:30:13
forever,
2:30:14
that
2:30:14
Buck
2:30:14
is
2:30:15
exploring
2:30:15
himself.
2:30:16
He's
2:30:16
still
2:30:16
figuring
2:30:17
himself
2:30:17
out.
2:30:17
And
2:30:18
even
2:30:18
if
2:30:18
Tommy
2:30:19
doesn't
2:30:19
know
2:30:19
it,
2:30:20
he
2:30:20
might
2:30:20
sense
2:30:21
the
2:30:21
fact
2:30:21
that
2:30:21
Buck
2:30:22
likes
2:30:22
to
2:30:22
jump
2:30:22
in
2:30:23
with
2:30:23
both
2:30:23
feet
2:30:24
a
2:30:24
little
2:30:24
precipitously.
2:30:26
Good
2:30:26
sat
2:30:26
word.
2:30:28
So
2:30:28
was
2:30:28
the
2:30:29
breakup
2:30:29
premature?
2:30:30
Yes,
2:30:31
because
2:30:32
Tommy
2:30:33
was
2:30:33
put
2:30:33
in
2:30:33
a
2:30:33
position
2:30:34
where
2:30:34
he
2:30:34
had
2:30:34
to
2:30:35
be
2:30:35
honest.
2:30:35
And
2:30:36
once
2:30:36
he
2:30:36
speaks
2:30:37
the
2:30:37
truth,
2:30:37
which
2:30:37
is,
2:30:38
I
2:30:38
think
2:30:38
I
2:30:38
know
2:30:39
where
2:30:39
things
2:30:39
end,
2:30:39
where
2:30:40
this
2:30:40
ends,
2:30:41
and
2:30:41
I
2:30:41
can't
2:30:41
move
2:30:41
in
2:30:42
with
2:30:42
you,
2:30:42
he's
2:30:43
kind
2:30:43
of
2:30:43
breaking
2:30:43
the
2:30:44
spell,
2:30:44
the
2:30:45
spell
2:30:45
of
2:30:45
that
2:30:45
honeymoon
2:30:46
phase.
2:30:46
Tommy
2:30:47
even
2:30:47
says,
2:30:48
I
2:30:48
didn't
2:30:48
see
2:30:48
this
2:30:49
coming
2:30:49
either.
2:30:50
And
2:30:50
then
2:30:50
Tim
2:30:50
says,
2:30:51
I
2:30:51
don't
2:30:51
think
2:30:51
either
2:30:51
one
2:30:52
of
2:30:52
them
2:30:52
did.
2:30:53
So
2:30:53
Buck
2:30:53
and
2:30:54
Tommy
2:30:54
may
2:30:54
not
2:30:54
have
2:30:55
seen
2:30:55
that
2:30:55
coming,
2:30:56
but
2:30:56
Tim
2:30:56
did.
2:30:57
And
2:30:57
it
2:30:57
was
2:30:58
by
2:30:58
design.
2:30:59
The
2:30:59
relationship
2:31:00
ran
2:31:00
its
2:31:00
course.
2:31:01
They
2:31:02
got
2:31:02
Buck
2:31:02
to
2:31:02
where
2:31:03
they
2:31:03
needed
2:31:03
him
2:31:03
to
2:31:04
be,
2:31:04
and
2:31:04
then
2:31:05
they
2:31:05
broke
2:31:05
them
2:31:05
up.
2:31:06
And
2:31:06
Buck
2:31:07
is
2:31:07
the
2:31:07
main
2:31:07
character,
2:31:08
so
2:31:08
he
2:31:08
stays
2:31:08
in
2:31:08
the
2:31:08
narrative
2:31:09
and
2:31:09
Tommy
2:31:09
is
2:31:10
not
2:31:10
period.
2:31:11
And
2:31:11
that's
2:31:11
on
2:31:12
period.
2:31:15
Or
2:31:15
is
2:31:15
it.
2:31:16
And
2:31:16
that's
2:31:16
on
2:31:16
cap?
2:31:17
I
2:31:17
don't
2:31:17
know.
2:31:17
I.
2:31:18
I
2:31:18
don't.
2:31:18
No,
2:31:18
It's.
2:31:18
That's
2:31:19
on
2:31:19
period,
2:31:19
and
2:31:20
that's
2:31:20
no
2:31:20
cap.
2:31:20
Anyways,
2:31:21
you
2:31:21
heard
2:31:22
it
2:31:22
here
2:31:23
from
2:31:23
the
2:31:24
showrunners.
2:31:25
Listen.
2:31:26
From
2:31:26
the
2:31:26
showrunner
2:31:27
himself.
2:31:27
Like,
2:31:27
here's
2:31:28
the
2:31:28
proof.
2:31:28
Here's
2:31:28
the
2:31:29
facts.
2:31:29
Not
2:31:30
just
2:31:30
our
2:31:30
observations
2:31:31
and
2:31:32
direct
2:31:32
quotes
2:31:33
from
2:31:33
the
2:31:33
show,
2:31:34
but
2:31:34
from
2:31:35
the
2:31:36
actors,
2:31:37
Oliver
2:31:38
and
2:31:38
lfj,
2:31:40
but
2:31:40
the
2:31:41
showrunner,
2:31:41
Tim
2:31:41
Mynier.
2:31:42
I
2:31:42
don't
2:31:43
know
2:31:43
what
2:31:43
else
2:31:43
we
2:31:43
could.
2:31:43
Possibly
2:31:44
tell
2:31:45
you,
2:31:45
and
2:31:45
this
2:31:45
hasn't
2:31:46
really.
2:31:46
Besides
2:31:47
what
2:31:47
we
2:31:48
kind
2:31:49
of
2:31:49
talked
2:31:49
about
2:31:50
with
2:31:50
the
2:31:51
racism
2:31:51
and
2:31:52
the
2:31:52
sexism
2:31:52
and
2:31:52
the
2:31:52
homophobia
2:31:54
from
2:31:54
Chimneys
2:31:55
and
2:31:55
Hens
2:31:56
begins
2:31:56
episodes.
2:31:57
We
2:31:58
weren't
2:31:58
talking
2:31:58
about
2:31:58
Tommy
2:31:59
as
2:31:59
a
2:31:59
person.
2:32:00
We
2:32:00
were
2:32:00
just
2:32:01
literally
2:32:01
talking
2:32:01
about
2:32:02
what
2:32:03
he
2:32:03
was
2:32:04
there
2:32:04
doing
2:32:05
in
2:32:06
the
2:32:06
actual
2:32:06
narrative
2:32:07
of
2:32:07
the
2:32:07
story
2:32:08
being
2:32:08
told.
2:32:09
And
2:32:09
the
2:32:09
fact
2:32:10
that
2:32:10
we
2:32:10
don't
2:32:11
see
2:32:11
him
2:32:11
or
2:32:12
the
2:32:12
fact
2:32:12
that,
2:32:13
like,
2:32:13
the
2:32:13
narrative
2:32:14
doesn't
2:32:14
see
2:32:14
him
2:32:15
as
2:32:15
a
2:32:15
person,
2:32:16
only
2:32:17
a
2:32:18
tool
2:32:18
to
2:32:18
be
2:32:18
utilized
2:32:19
in
2:32:21
moving
2:32:21
Buck's
2:32:22
story
2:32:23
forward.
2:32:23
And
2:32:23
sometimes
2:32:24
a
2:32:24
little
2:32:24
bit
2:32:24
of
2:32:24
Eddie.
2:32:25
But
2:32:25
it's
2:32:25
most.
2:32:26
It's
2:32:26
pretty
2:32:26
much
2:32:26
Buck.
2:32:27
I
2:32:27
mean,
2:32:27
it's
2:32:27
not
2:32:28
even
2:32:28
getting
2:32:28
Eddie's
2:32:29
storyline
2:32:29
moving
2:32:29
forward.
2:32:30
It's
2:32:30
planting
2:32:31
some
2:32:31
seeds.
2:32:32
It's.
2:32:32
It's
2:32:32
planting
2:32:33
seeds.
2:32:33
It's
2:32:33
to
2:32:34
provide
2:32:34
a
2:32:35
mirror
2:32:36
to
2:32:36
Eddie,
2:32:37
like
2:32:37
holding
2:32:37
up
2:32:38
a
2:32:38
mirror
2:32:39
for
2:32:39
him.
2:32:39
But
2:32:40
it's
2:32:40
really
2:32:41
only
2:32:41
banning
2:32:42
some
2:32:42
jealousy.
2:32:43
Yeah.
2:32:43
It's.
2:32:44
It's
2:32:44
only
2:32:44
moving
2:32:45
forward
2:32:45
Buck's
2:32:46
storyline
2:32:47
because
2:32:47
Tommy
2:32:48
doesn't
2:32:48
have
2:32:49
his
2:32:49
own
2:32:49
storyline.
2:32:50
Everything
2:32:50
that
2:32:50
we've
2:32:51
just
2:32:51
laid
2:32:52
out
2:32:52
here
2:32:53
is
2:32:54
how
2:32:54
anything
2:32:55
that
2:32:55
he
2:32:55
does
2:32:56
is
2:32:56
in
2:32:56
relation
2:32:57
or
2:32:58
really
2:32:58
revolves
2:32:59
around
2:33:00
one
2:33:00
of
2:33:00
our
2:33:01
main
2:33:01
characters.
2:33:02
And
2:33:02
that's
2:33:02
what
2:33:03
a
2:33:03
plot
2:33:03
device
2:33:03
is.
2:33:04
So
2:33:04
the
2:33:04
plot
2:33:04
device
2:33:05
character
2:33:05
is.
2:33:05
Yeah.
2:33:06
Or
2:33:06
a
2:33:06
MacGuffin.
2:33:07
Whatever
2:33:07
you
2:33:07
want
2:33:07
to.
2:33:07
If
2:33:08
you
2:33:08
want
2:33:08
to
2:33:08
be
2:33:08
specific
2:33:09
with
2:33:09
it.
2:33:09
Because
2:33:10
you're
2:33:10
like,
2:33:10
well,
2:33:11
so
2:33:11
many
2:33:11
things
2:33:11
can
2:33:11
be
2:33:11
plot
2:33:12
devices.
2:33:12
You
2:33:12
are
2:33:12
correct.
2:33:13
And
2:33:13
like,
2:33:14
how
2:33:14
a
2:33:14
lot
2:33:14
of
2:33:15
what
2:33:15
role
2:33:15
he
2:33:16
plays
2:33:16
in
2:33:17
the
2:33:17
story
2:33:17
is
2:33:18
very
2:33:18
archetypal.
2:33:19
It
2:33:20
perpetuates
2:33:21
a
2:33:21
lot
2:33:21
of
2:33:21
tropes
2:33:21
which
2:33:22
aren't
2:33:22
necessarily
2:33:23
a
2:33:23
bad
2:33:23
thing.
2:33:24
I
2:33:24
know
2:33:24
stereotypes.
2:33:25
I
2:33:26
know
2:33:26
some
2:33:26
people
2:33:26
think,
2:33:26
like,
2:33:27
tropes
2:33:27
can
2:33:27
be
2:33:27
bad
2:33:28
and
2:33:28
because
2:33:28
they're
2:33:29
cliche,
2:33:29
but,
2:33:29
like,
2:33:30
they
2:33:30
serve
2:33:31
a
2:33:31
specific
2:33:32
purpose.
2:33:32
Yeah.
2:33:33
And
2:33:33
that's
2:33:33
fine.
2:33:34
But
2:33:35
it's
2:33:35
not
2:33:35
anything
2:33:35
more
2:33:36
than
2:33:36
what
2:33:36
it
2:33:36
is.
2:33:36
It.
2:33:37
I
2:33:37
feel
2:33:37
like
2:33:37
I'm
2:33:38
being
2:33:38
very
2:33:38
like.
2:33:40
No,
2:33:41
no.
2:33:41
This
2:33:42
is
2:33:42
the
2:33:42
summary
2:33:42
at
2:33:43
the
2:33:43
end
2:33:43
of
2:33:43
our
2:33:44
paper.
2:33:44
Yeah.
2:33:44
You
2:33:45
know.
2:33:45
Yeah.
2:33:45
This
2:33:45
is
2:33:45
us
2:33:45
being
2:33:46
like,
2:33:46
well,
2:33:46
we
2:33:46
showed
2:33:47
you
2:33:47
all
2:33:47
the
2:33:47
facts.
2:33:47
In
2:33:48
conclusion,
2:33:48
we're
2:33:49
correct.
2:33:49
Thank
2:33:49
you
2:33:50
so
2:33:50
much
2:33:50
for
2:33:50
tuning
2:33:50
into
2:33:51
this
2:33:51
episode
2:33:51
that
2:33:51
you
2:33:52
voted
2:33:52
for.
2:33:52
We
2:33:53
hope
2:33:53
you
2:33:53
enjoyed
2:33:54
it.
2:33:55
Our
2:33:55
fifth
2:33:56
grade
2:33:56
persuasive
2:33:57
essay.
2:33:59
Yeah.
2:34:00
I
2:34:00
hope
2:34:00
you
2:34:00
guys
2:34:01
got
2:34:01
a
2:34:01
lot
2:34:01
out
2:34:01
of
2:34:01
this.
2:34:02
I
2:34:02
think
2:34:02
this
2:34:02
is
2:34:03
the
2:34:03
first
2:34:03
episode
2:34:03
that
2:34:03
we've
2:34:04
really
2:34:04
done
2:34:04
like,
2:34:04
a
2:34:04
narrative
2:34:05
and
2:34:05
like,
2:34:05
like
2:34:06
production
2:34:07
kind
2:34:07
of
2:34:07
lens
2:34:08
on,
2:34:09
which
2:34:10
was
2:34:10
cool.
2:34:10
And
2:34:11
if
2:34:11
you
2:34:11
guys
2:34:11
want
2:34:11
to
2:34:12
see
2:34:12
more
2:34:12
of
2:34:12
that
2:34:12
in
2:34:13
the
2:34:13
future
2:34:14
or
2:34:14
anything
2:34:14
specifically,
2:34:15
let
2:34:15
us
2:34:15
know.
2:34:16
Yeah.
2:34:16
If
2:34:16
you
2:34:16
have
2:34:16
any
2:34:17
requests
2:34:18
or
2:34:18
suggestions,
2:34:19
we
2:34:19
will
2:34:20
totally
2:34:20
take
2:34:20
it
2:34:21
into
2:34:21
consideration.
2:34:22
It
2:34:22
is
2:34:22
an
2:34:22
interesting
2:34:23
and
2:34:23
I
2:34:24
think
2:34:24
slightly
2:34:24
different
2:34:25
way
2:34:25
for
2:34:25
us
2:34:25
to
2:34:26
analyze
2:34:27
aspects
2:34:27
of
2:34:27
the
2:34:28
show
2:34:28
because
2:34:29
usually,
2:34:29
you
2:34:29
know,
2:34:30
we
2:34:30
are
2:34:30
so
2:34:30
very,
2:34:30
like,
2:34:31
character
2:34:32
centric.
2:34:33
It
2:34:33
is
2:34:33
kind
2:34:34
of
2:34:34
interesting
2:34:34
to,
2:34:34
like,
2:34:35
take
2:34:35
a
2:34:35
step
2:34:36
back
2:34:36
a
2:34:36
little
2:34:36
bit
2:34:36
and
2:34:37
look
2:34:37
at
2:34:37
it
2:34:37
from
2:34:38
this
2:34:39
very,
2:34:39
like,
2:34:40
wide
2:34:41
angle
2:34:42
lens
2:34:42
that
2:34:43
encompasses.
2:34:43
What's
2:34:44
the
2:34:44
big
2:34:44
picture.
2:34:44
Yeah,
2:34:45
that.
2:34:45
That
2:34:45
really
2:34:46
encompasses
2:34:47
the.
2:34:47
Yeah.
2:34:48
The
2:34:48
intentions
2:34:49
of
2:34:49
the
2:34:50
people
2:34:50
making
2:34:50
the
2:34:51
show.
2:34:51
Well,
2:34:51
fam.
2:34:52
I
2:34:52
had
2:34:52
a
2:34:52
pretty
2:34:53
good
2:34:53
time
2:34:53
with
2:34:53
this.
2:34:54
Just
2:34:54
kind
2:34:54
of
2:34:54
like,
2:34:54
would
2:34:55
like
2:34:55
to
2:34:55
take
2:34:55
a
2:34:55
break
2:34:56
from
2:34:56
talking
2:34:56
about
2:34:56
this
2:34:57
man.
2:34:58
Redacted.
2:34:58
But
2:34:59
unfortunately,
2:34:59
he's
2:35:00
so
2:35:00
involved
2:35:01
in
2:35:01
the
2:35:01
narrative
2:35:02
as
2:35:02
a
2:35:02
plot
2:35:03
device
2:35:03
that
2:35:03
I'm
2:35:03
going
2:35:04
to
2:35:04
have
2:35:04
to
2:35:04
keep
2:35:05
talking
2:35:05
about
2:35:05
him.
2:35:05
But
2:35:06
at
2:35:06
least
2:35:06
he's
2:35:06
gone.
2:35:07
Good
2:35:07
news.
2:35:11
He's
2:35:11
good
2:35:12
as
2:35:12
dead.
2:35:15
The
2:35:15
relationship
2:35:16
is
2:35:17
dead.
2:35:20
The
2:35:20
worst
2:35:20
relationship
2:35:21
there
2:35:21
ever
2:35:22
was.
2:35:22
The
2:35:23
enemy
2:35:23
of
2:35:23
all
2:35:24
of
2:35:24
us
2:35:24
here
2:35:24
in
2:35:25
Buds.
2:35:27
I
2:35:27
don't
2:35:27
know.
2:35:28
Oh,
2:35:28
God.
2:35:29
Okay,
2:35:29
remember,
2:35:30
don't
2:35:31
date
2:35:31
a
2:35:31
plot
2:35:31
device.
2:35:32
But
2:35:32
if
2:35:32
you
2:35:33
do,
2:35:33
take
2:35:33
a
2:35:34
buddy
2:35:34
with
2:35:34
you.
2:35:34
And
2:35:35
that's
2:35:35
no
2:35:35
cat.
2:35:40
I'm
2:35:41
so
2:35:41
done
2:35:41
with
2:35:41
you
2:35:42
guys.
2:35:44
Thank
2:35:44
you
2:35:44
for
2:35:44
listening
2:35:45
to
2:35:45
the
2:35:45
Buddy
2:35:45
System
2:35:46
podcast
2:35:46
from
2:35:46
start
2:35:47
to
2:35:47
finish.
2:35:48
We
2:35:48
literally
2:35:49
cannot
2:35:49
shut
2:35:49
up
2:35:49
about
2:35:50
91
2:35:50
1,
2:35:50
so
2:35:51
please
2:35:51
come
2:35:51
talk
2:35:51
to
2:35:51
us
2:35:52
on
2:35:52
your
2:35:52
favorite
2:35:52
social
2:35:53
media
2:35:53
platform.
2:35:54
We're
2:35:54
at
2:35:55
BuddySystemPod
2:35:57
Everywhere.
2:35:57
That's
2:35:58
B
2:35:58
U
2:35:59
D
2:35:59
D
2:35:59
I
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E
2:36:00
System
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Pod.
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The
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Buddy
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