Latest / I Am All In with Scott Patterson / We're not stopping for a milkshake (S7 E19 “It’s Just Like Riding a Bike”)

Transcript

We're not stopping for a milkshake (S7 E19 “It’s Just Like Riding a Bike”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all In.
• 0:17
  Speaker 2: I am all in with Scott Patterson and iHeart Radio Podcast.
• 0:20
  Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast, one
• 0:23
  Speaker 1: of them productions iHeart Radio, iHeart Media, iHeart Podcast, joined
• 0:27
  Speaker 1: by a fraction, a large fraction of my Intrepid crew,
• 0:33
  Speaker 1: Amy Sugarman, Susanne Missing One, Danielle Romo. We're missing Tara.
• 0:37
  Speaker 1: What's going on with Tara?
• 0:38
  Speaker 2: Where is Tara?
• 0:39
  Speaker 1: Where is Tara?
• 0:41
  Speaker 2: I actually don't know.
• 0:42
  Speaker 3: People want to handling something for me.
• 0:46
  Speaker 1: She's busy handling things for.
• 0:49
  Speaker 3: A big studio.
• 0:50
  Speaker 1: We got Can I ask can I ask you a
• 0:53
  Speaker 1: personal question? Do you ever handle things for Tara?
• 0:57
  Speaker 3: Because she all the time?
• 0:59
  Speaker 1: Okay, there you go all the time.
• 1:01
  Speaker 3: I was there for her this morning. I was helping
• 1:02
  Speaker 3: her set up and everything.
• 1:04
  Speaker 2: So I don't.
• 1:08
  Speaker 1: I don't either.
• 1:10
  Speaker 2: For anybody. Maybe once in a blue moon, I do.
• 1:13
  Speaker 2: Actually sometimes I do.
• 1:14
  Speaker 1: Season seven, episode eighteen, It's just like riding a bike nineteen.
• 1:21
  Speaker 1: This is oh my gosh, error reset episode nineteen, just
• 1:26
  Speaker 1: like riding a bike.
• 1:27
  Speaker 2: No, you don't want to admit it, but we've got nineteen, twenty,
• 1:30
  Speaker 2: twenty one, twenty two. So this plus three.
• 1:34
  Speaker 1: This plus three crazy that's some solid math right there.
• 1:38
  Speaker 4: Thank you.
• 1:40
  Speaker 1: That's advanced math.
• 1:42
  Speaker 4: It's crazy.
• 1:44
  Speaker 1: That's for me.
• 1:46
  Speaker 2: iHeart podcasts.
• 1:48
  Speaker 3: Listen on the iHeartRadio app.
• 1:52
  Speaker 1: Who's synopsizing?
• 1:54
  Speaker 4: Whoever?
• 1:55
  Speaker 1: I will jump right on it. Just jump right on
• 1:59
  Speaker 1: your bike synopsis.
• 2:01
  Speaker 2: Question before the synopsisization?
• 2:03
  Speaker 1: Amy in the front row.
• 2:04
  Speaker 2: Scott, take yourself back.
• 2:07
  Speaker 1: Yeah, I'm going yes.
• 2:08
  Speaker 2: Filming season seven, episode nineteen. It's just like riding a bike.
• 2:14
  Speaker 2: Were you all sort of like whoa when they have
• 2:16
  Speaker 2: four more episodes together?
• 2:18
  Speaker 4: Three?
• 2:19
  Speaker 1: Nobody knew. No, nobody knew it was the end.
• 2:21
  Speaker 2: Oh, because you thought you might go again?
• 2:23
  Speaker 1: Correct?
• 2:24
  Speaker 2: Okay, okay, so you weren't feeling the phone.
• 2:26
  Speaker 1: I was looking forward to season eight because i'd signed, uh,
• 2:30
  Speaker 1: I'd signed a deal. I'd signed my deal already, I
• 2:32
  Speaker 1: think by that point.
• 2:34
  Speaker 2: All right, Okay, good Intel, good in tel thank you.
• 2:36
  Speaker 1: H Yeah, nobody knew.
• 2:40
  Speaker 2: Also, no one commented that my hair is halfway up today,
• 2:42
  Speaker 2: but that's okay.
• 2:43
  Speaker 1: Look you know it looks good. You look kind of
• 2:44
  Speaker 1: like you look like like Jackie o Nassas a little bit.
• 2:48
  Speaker 2: Thank you. I thought you were going to say laurala
• 2:49
  Speaker 2: and I got really excited, But.
• 2:52
  Speaker 1: That was going to be my next I was going
• 2:54
  Speaker 1: to go Jackie and then Laureal I, but you beat
• 2:58
  Speaker 1: me to it.
• 2:59
  Speaker 2: I'll take jack.
• 3:01
  Speaker 1: And Susanne, you look like Tricia Nixon, okay, and Danielle,
• 3:06
  Speaker 1: you've got some Jackie O vibes going Hi.
• 3:09
  Speaker 3: We'll take Jackie O vibes, Ednie and.
• 3:11
  Speaker 1: Every day we're gonna synopsize.
• 3:14
  Speaker 3: This is season seven, episode nineteen. It's just like riding
• 3:17
  Speaker 3: a bike. Air date April twenty fourth, two thousand and seven.
• 3:20
  Speaker 3: Lorlai goes to Luke Steiner, but it's awkward, so she
• 3:23
  Speaker 3: asks him for help. After her jeep breaks down, Paris
• 3:26
  Speaker 3: breaks up with Doyle because of her big decisions she
• 3:29
  Speaker 3: has to make. Plus, Rory is getting anxious waiting to
• 3:32
  Speaker 3: hear back from her rest and fellowship, and Suki and
• 3:36
  Speaker 3: Jackson are feeling overwhelmed with a third baby on the way.
• 3:40
  Speaker 1: All right, so we got a bike here?
• 3:41
  Speaker 2: Everybody ride a bike here? Everybody you rid Yes?
• 3:44
  Speaker 1: Oh? I was a master on the bike.
• 3:46
  Speaker 2: When's the last time I was on a bike?
• 3:48
  Speaker 1: Though. I bought a bike when we moved about three
• 3:53
  Speaker 1: years ago, and I used to ride up and down
• 3:56
  Speaker 1: the roads. But then I started reading articles about people
• 3:59
  Speaker 1: that were getting crossed by cars riding up and down
• 4:01
  Speaker 1: the roads. So I ceased and desisted that activity. I
• 4:09
  Speaker 1: didn't need a letter from anyone to tell me to
• 4:11
  Speaker 1: stop doing it. You know, I'm scary people around here,
• 4:16
  Speaker 1: all the fancy day of the twenty thousand dollars bikes,
• 4:18
  Speaker 1: in the fancy race suits and the helmets and all
• 4:20
  Speaker 1: the aerodynamic helpless I was just out there in my
• 4:23
  Speaker 1: cutoff jeans and my shwin my tear.
• 4:29
  Speaker 4: With a banana seat with a.
• 4:31
  Speaker 1: Basket, chilling man. I was cool.
• 4:37
  Speaker 2: I don't know about bike riding. I mean respect to
• 4:40
  Speaker 2: all the bike riders, but like the cars are scary, yeah,
• 4:44
  Speaker 2: and like mountain biking is scary too. Anybody here write
• 4:48
  Speaker 2: a unicycle just before we get into it.
• 4:50
  Speaker 1: I just want to know, you know, I just got
• 4:51
  Speaker 1: off my unicycle. I went to the grocery store with it. Yeah.
• 4:55
  Speaker 1: Can you imagine I live in a circus world?
• 4:57
  Speaker 2: It's ac the dude from Gilmore Girls unit cycle.
• 5:01
  Speaker 4: It's hard to bring your groceries home on a unicycle.
• 5:04
  Speaker 2: You have to have a backpack, Okay, you got it.
• 5:07
  Speaker 1: You have to have very good precise balance gravity.
• 5:11
  Speaker 2: I apologize that I took us. There After the Juggling
• 5:14
  Speaker 2: Call conversation last week, I felt like we should add unicycles.
• 5:18
  Speaker 1: Why not add to the circus atmosphere. I like it.
• 5:22
  Speaker 2: Anyone here ever been on the bicycle built for two?
• 5:25
  Speaker 1: Oh? Sure, I have no bikes bicycle built for three?
• 5:29
  Speaker 2: Actually, and it's like I don't know what a bikes
• 5:33
  Speaker 2: goes like one?
• 5:33
  Speaker 4: Two?
• 5:35
  Speaker 3: Yeah.
• 5:36
  Speaker 2: I have been on those things though, where like you're
• 5:38
  Speaker 2: lazy at a concert and there's like a guy and
• 5:41
  Speaker 2: for twelve dollars he'll ride you from the venue. Yeah,
• 5:46
  Speaker 2: those are great. Those are great.
• 5:48
  Speaker 3: You know, it's the best of bicycle. That's the ones
• 5:51
  Speaker 3: where the barcycles.
• 5:55
  Speaker 2: It's a barcycle. What's a barcycle?
• 5:57
  Speaker 3: Is a bar Yeah, there's a bar in the middle
• 6:00
  Speaker 3: and there's just seats around it and you just pedal, pedal, pedal, pedal, pedal.
• 6:04
  Speaker 4: No, you have never.
• 6:05
  Speaker 2: Been I've never seen anything like that.
• 6:07
  Speaker 1: Does it go anywhere? You just drink?
• 6:09
  Speaker 2: Yes?
• 6:09
  Speaker 3: You just like if you like, go to downtown San
• 6:12
  Speaker 3: Diego or that's the only pace I could think of,
• 6:14
  Speaker 3: because that's where I've done it.
• 6:15
  Speaker 1: But who steers it?
• 6:18
  Speaker 3: There is a steerer, but everyone is powering the bike
• 6:22
  Speaker 3: by pet A steer.
• 6:24
  Speaker 1: I wonder if that's if there's there's a pilot, there's
• 6:27
  Speaker 1: a pilot and a bunch of co pilots.
• 6:29
  Speaker 3: There's a captain.
• 6:31
  Speaker 1: Huh.
• 6:32
  Speaker 3: It's a very bachelorette thing to do. That's the only
• 6:36
  Speaker 3: time I've done it.
• 6:37
  Speaker 2: E bikes are real popular too, Lorla really need an
• 6:40
  Speaker 2: e bike.
• 6:41
  Speaker 1: But anyway, an e bike, yeah, that's like.
• 6:44
  Speaker 2: The electric ones that just go jamming down. Like these
• 6:48
  Speaker 2: kids are basically riding motorcycle.
• 6:49
  Speaker 1: Oh my god, yes they are there.
• 6:52
  Speaker 4: So what did you guys think of this episode?
• 6:55
  Speaker 2: I thought it's okay.
• 6:57
  Speaker 1: Oh, it's like a barrel. It's a barrel of monkeys.
• 6:59
  Speaker 4: I think this episode.
• 7:00
  Speaker 1: I did too. I actually thought it was very strong. Yeah,
• 7:04
  Speaker 1: it's it's it's a It was kind of it was spicy.
• 7:09
  Speaker 1: It was a lot going on, a lot of a
• 7:12
  Speaker 1: lot of a lot of energy coming out of the
• 7:16
  Speaker 1: Doyle Paris stuff, a lot of energy coming out of
• 7:18
  Speaker 1: the Luke Laurelized stuff, a lot.
• 7:20
  Speaker 4: Of energyralized stuff.
• 7:22
  Speaker 2: But I feel like they didn't fight to get along.
• 7:24
  Speaker 2: But whatever, we'll get to that.
• 7:26
  Speaker 1: I think the point of that was she missed that old.
• 7:30
  Speaker 2: That ping pongy.
• 7:31
  Speaker 1: Yeah, the ping pongy, curmudgeonly guy who just let her
• 7:37
  Speaker 1: know how he felt, unedited, you know, finny stuff. I thought, yeah, it's.
• 7:43
  Speaker 2: Bad, let's go through it.
• 7:45
  Speaker 4: So it starts out.
• 7:47
  Speaker 2: So the one thing I.
• 7:50
  Speaker 4: Didn't like, it's not that I didn't like it, but
• 7:52
  Speaker 4: some of the outfits in this episode. I wasn't really
• 7:55
  Speaker 4: a fan of the way either.
• 7:58
  Speaker 2: I didn't have one note on great outfits, so that's why, Yeah,
• 8:07
  Speaker 2: very nothing was great.
• 8:09
  Speaker 4: So it opens with Laurel I wearing that dress that
• 8:12
  Speaker 4: kind of ties at the neck and.
• 8:13
  Speaker 2: Some some people love.
• 8:15
  Speaker 4: That, but to me, it just feels like it provokes
• 8:18
  Speaker 4: my anxiety because I don't like things touching my neck.
• 8:21
  Speaker 1: But I like that.
• 8:23
  Speaker 2: I thought she looked too May I say something inappropriate?
• 8:28
  Speaker 1: Yes? Please do? Do you never do?
• 8:31
  Speaker 2: There was an outfit in this that was very uh
• 8:35
  Speaker 2: the booby dress.
• 8:38
  Speaker 3: Yeahs that's what Suzanne's talking about, because it was like
• 8:43
  Speaker 3: it was like this, Yeah.
• 8:44
  Speaker 2: It was kind of it was yeah, very revealing. Not
• 8:48
  Speaker 2: mad about it, totally fine, but like just calling it out.
• 8:52
  Speaker 1: Yeah great. I thought she looked sophisticated.
• 8:55
  Speaker 2: She's like so pretty man. I liked her riding the bike.
• 8:59
  Speaker 1: Let the Eagles fly let the Eagles fly.
• 9:03
  Speaker 3: I can't. I've never heard it referred to as eagles.
• 9:08
  Speaker 4: Yeah, I'm just gonna skip right over to that. Oh,
• 9:16
  Speaker 4: I think we're all in a movie today. So Laurla
• 9:19
  Speaker 4: like goes into the diner to return as to why
• 9:21
  Speaker 4: we're here, and we find out she hasn't been in
• 9:24
  Speaker 4: the diner for like ten months because really it's been
• 9:27
  Speaker 4: keeping track in his diary. It's been since second yeah,
• 9:31
  Speaker 4: two thousand and six. So it was cute. We had,
• 9:35
  Speaker 4: you know, Babbett and Miss Patty kind of observing in
• 9:39
  Speaker 4: the background and they had their weird, little awkward moment,
• 9:43
  Speaker 4: but it was nice to see them.
• 9:46
  Speaker 3: If Stars Hollow had a gossip girl, it would be
• 9:50
  Speaker 3: Miss Patty. Yeah, sure, exox so Miss Patty for sure.
• 9:56
  Speaker 4: But it was a little bit of progress. So she
• 9:58
  Speaker 4: she starts out she's gonna have her up of coffee
• 10:00
  Speaker 4: there and then she it ends up just being too
• 10:03
  Speaker 4: awkward so she has to leave. But it was it
• 10:08
  Speaker 4: broke the ice, so that was that was good.
• 10:11
  Speaker 1: And then on this scene talk to me, I thought
• 10:16
  Speaker 1: I was too I thought I overacted it. I was
• 10:18
  Speaker 1: not comfortable with what I did in this really, yeah,
• 10:21
  Speaker 1: I should have let her play the awkwardness of it
• 10:24
  Speaker 1: and just been straighter and cooler about it.
• 10:27
  Speaker 2: No, I did not notice that.
• 10:31
  Speaker 1: I was kind of I don't know. For me, it
• 10:35
  Speaker 1: was just like it was just too much what I
• 10:38
  Speaker 1: was doing. It was uncomfortable to watch.
• 10:41
  Speaker 2: Oh, I didn't feel that, But I like when you call.
• 10:43
  Speaker 4: That out, I like, yeah, I think it'd be too
• 10:46
  Speaker 4: hard on yourself.
• 10:47
  Speaker 1: I don't think so.
• 10:49
  Speaker 2: I thought the awkwardness was awkward.
• 10:52
  Speaker 1: I think I was playing the awkwardness instead of being awkward.
• 10:55
  Speaker 2: Oh, I like, I like what you're saying there.
• 10:57
  Speaker 1: There's a difference there, and I just love I was
• 11:00
  Speaker 1: trying too hard. She was great, but I was trying
• 11:03
  Speaker 1: too hard and I didn't need to try that hard.
• 11:06
  Speaker 1: That's all I'm saying. That's all interesting.
• 11:07
  Speaker 2: Yeah, I thought the awkwardness was awkward, and I think
• 11:10
  Speaker 2: you're you're onto something.
• 11:13
  Speaker 1: Yeah, I just landed on landed on too thick.
• 11:16
  Speaker 2: Nice fair.
• 11:20
  Speaker 4: So then it goes to Lorlai in the car and
• 11:23
  Speaker 4: she gets a call from Suki. This scene made me
• 11:27
  Speaker 4: laugh because of all the stuff that was going on
• 11:29
  Speaker 4: at Suki's house. I don't know if you were watching it.
• 11:32
  Speaker 4: She has like a banana peel that she just threw
• 11:34
  Speaker 4: off into another part of the room. There's a used
• 11:37
  Speaker 4: lollipop that she throws somewhere, and then she pours a
• 11:42
  Speaker 4: cup of coffee and was dumping the milk out of
• 11:44
  Speaker 4: the sippy cup into her coffee cup.
• 11:47
  Speaker 2: I thought, I need to rewatch was it.
• 11:50
  Speaker 4: Was really I wasn't even listening to the words. I
• 11:52
  Speaker 4: just was watching everything that Melissa McCarthy was doing. It
• 11:55
  Speaker 4: was really funny.
• 11:56
  Speaker 2: Driving was less fake. So I appreciated that.
• 11:59
  Speaker 4: Yes, so Suki's got chicken pox in her house, and
• 12:03
  Speaker 4: so Jackson's going to come stay with Laurele I.
• 12:07
  Speaker 2: And then.
• 12:09
  Speaker 4: Laurel I talks about how awkward the whole Luke's thing was,
• 12:14
  Speaker 4: and I thought it was funny when Suki says, well,
• 12:16
  Speaker 4: it's not like they have the plague. You should have
• 12:18
  Speaker 4: told me that in the beginning. And then Laura, you take.
• 12:22
  Speaker 2: Someone with chicken pox into your house or without chicken pox,
• 12:26
  Speaker 2: that had been exposed to chicken pox, I don't know how.
• 12:30
  Speaker 1: Would you know if they were I mean.
• 12:32
  Speaker 2: Were he never had chicken pox, So that also was
• 12:37
  Speaker 2: sort of a flag for me, like he's been exposed.
• 12:42
  Speaker 1: Right, like just going through life, he spent.
• 12:47
  Speaker 2: I was like, oh, I don't know. I don't know
• 12:48
  Speaker 2: if that was the COVID in me. That was like, oh,
• 12:50
  Speaker 2: that's okay. I don't know that. I'm just like, yeah, come.
• 12:53
  Speaker 1: On over in me, that was the chicken pox in you.
• 12:56
  Speaker 2: I guess she's had chicken pox, so she doesn't care.
• 13:00
  Speaker 2: I don't know anyway, sure thing, come on over, right.
• 13:05
  Speaker 4: And so then Laurelie's car breaks down. It looked like
• 13:09
  Speaker 4: the same place where she ran out of gas a
• 13:10
  Speaker 4: couple episodes ago.
• 13:12
  Speaker 2: First of all, correct, I thought the same thing. I'm like,
• 13:16
  Speaker 2: are they back in Griffith Park again? Like, what is happening?
• 13:19
  Speaker 2: That must be where they block off the road so
• 13:21
  Speaker 2: they can do the driving sun.
• 13:23
  Speaker 1: And I think we need to throw a flag on
• 13:25
  Speaker 1: social responsibility with her talking on the phone while she's striving.
• 13:32
  Speaker 2: That's awkward.
• 13:34
  Speaker 1: Put it on speak.
• 13:36
  Speaker 2: Emily get in trouble for that. I was just going to.
• 13:39
  Speaker 4: Say, we know what was illegal because Emily got pulled.
• 13:43
  Speaker 2: Some strange consistency issues. But it correct.
• 13:47
  Speaker 4: But you know, Laurel special, the rules don't fight.
• 13:50
  Speaker 2: It doesn't have a speakerphone in that.
• 13:52
  Speaker 1: I mean, you know, given the laxity of these rules,
• 13:55
  Speaker 1: she should have been puffing on a cigarette too. Why not?
• 14:00
  Speaker 2: Are you to the scene that annoyed me? There's one
• 14:02
  Speaker 2: where I'm like, I couldn't watch this anymore.
• 14:05
  Speaker 4: It was too long. The scene all of the letters.
• 14:09
  Speaker 1: Okay, I like, I love this scene. What are you
• 14:12
  Speaker 1: guys talking about?
• 14:14
  Speaker 4: I liked it first, but then after letter after letter,
• 14:17
  Speaker 4: I was literally like, I.
• 14:20
  Speaker 1: Knew that it was going to go bad at some
• 14:23
  Speaker 1: point for her, that she was going to get rejected
• 14:26
  Speaker 1: by somebody and freak out, or everybody was going to
• 14:29
  Speaker 1: accept her and she was going to freak out. I
• 14:31
  Speaker 1: knew it was going there. I just enjoyed the ride.
• 14:34
  Speaker 1: I really it was so. It was so it was
• 14:37
  Speaker 1: notable in that the energy was so sustained and it
• 14:42
  Speaker 1: went on for so long, and I say, yeah, keep
• 14:44
  Speaker 1: opening up those letters. I really wanted to know if
• 14:47
  Speaker 1: Stanford was going to take her. I har I was gonna.
• 14:49
  Speaker 1: I did as as an audience. I was like, keep
• 14:51
  Speaker 1: opening those letters, just don't cut it off after one
• 14:53
  Speaker 1: or two. Just I want to open them all because
• 14:55
  Speaker 1: I want to see her react. I want to see
• 14:58
  Speaker 1: Paris react. And I I'm defending the scene fair.
• 15:03
  Speaker 2: I did not feel the same it was like watching
• 15:05
  Speaker 2: paint dry. I was like, how many more of these
• 15:08
  Speaker 2: are we opening? Obviously she got into everywhere.
• 15:12
  Speaker 5: Yeah, so how I felt, Yeah.
• 15:24
  Speaker 4: Then we have the whole letter opening scene or part
• 15:27
  Speaker 4: of the scene, but then it like pivots. It's still
• 15:29
  Speaker 4: the same scene, but then we're it shifts to her
• 15:32
  Speaker 4: talking about She kind of upsets Rory when she says,
• 15:37
  Speaker 4: you know, when she talks about the fellowship.
• 15:40
  Speaker 1: And she got lucky right.
• 15:43
  Speaker 4: So, I don't know. It just was a really long
• 15:46
  Speaker 4: scene to me.
• 15:48
  Speaker 1: You know, if it's a paras scene of any lengths,
• 15:49
  Speaker 1: she's going to insult everybody in the room. Yeah, I
• 15:52
  Speaker 1: mean we're we're expecting that. That's that's a big deal.
• 15:56
  Speaker 2: Yeah. Too long, great sort of idea. Mm hmm, too long, Oh, Jackie.
• 16:02
  Speaker 2: Our producer just said, it's a six minute scene. Very long.
• 16:06
  Speaker 1: Like, yeah, it was a long scene. It was a
• 16:09
  Speaker 1: long scene. But they needed that. They needed to set
• 16:13
  Speaker 1: that up so that there would be that Doyle Paris
• 16:17
  Speaker 1: break up later on, because how to how to make
• 16:20
  Speaker 1: her she had to be overwhelmed with all of those
• 16:23
  Speaker 1: choices in order to make that decision. Then then you
• 16:25
  Speaker 1: sprinkle in a little Doyle and house. It's going to
• 16:28
  Speaker 1: affect our relationship, and I thought that paid off so
• 16:31
  Speaker 1: long and more it could.
• 16:37
  Speaker 2: Yeah, I'm like, I'm happy for it, but I just
• 16:39
  Speaker 2: don't need to see Paris get into all those schools.
• 16:41
  Speaker 2: It's like, okay, got it, you got your your you
• 16:43
  Speaker 2: got everyone got in to every medical school, you got
• 16:45
  Speaker 2: into every law school. Great, Like yeah, yeah, move it along.
• 16:51
  Speaker 4: That's kind of how I felt like there was already
• 16:53
  Speaker 4: enough drama and overwhelmed just trying to decide between law
• 16:55
  Speaker 4: school versus medical school, Like we didn't need to layer
• 16:58
  Speaker 4: four schools of Like.
• 17:00
  Speaker 2: I like the payoff that she's going to be a
• 17:02
  Speaker 2: doctor totally down. Also made me think of the movies.
• 17:06
  Speaker 2: And then I like the ending obviously, and I think
• 17:10
  Speaker 2: that you had to have the pairs stuff to sort
• 17:12
  Speaker 2: of really get the rory stuff, but just too long.
• 17:16
  Speaker 4: Yeah yeah, I mean they had to set up that contrast,
• 17:19
  Speaker 4: especially like you say, when to get to the ending.
• 17:22
  Speaker 4: But yeah, it could have just.
• 17:24
  Speaker 2: Been a couple of letters, a little clippy clip on
• 17:26
  Speaker 2: that would have been great.
• 17:27
  Speaker 4: But so then we go to Lorelized house when Suki
• 17:31
  Speaker 4: is dropping off Jackson and she's being really mean. She's
• 17:36
  Speaker 4: telling him you know, don't leave dirty towels, don't make
• 17:40
  Speaker 4: a mess when you eat, like she's just also.
• 17:42
  Speaker 2: Kind of irritating. Sorry, yawn, But these two things kind
• 17:45
  Speaker 2: of where I was like, oh, this is why I
• 17:47
  Speaker 2: think this episode's like only okay, the rest is like
• 17:50
  Speaker 2: pretty at good actually, but this I was like, you.
• 17:55
  Speaker 1: Know, I almost like, I almost like the type of
• 18:00
  Speaker 1: writing that makes me irritated. It's the main characters at times,
• 18:05
  Speaker 1: because I think that's real. I don't. I think if
• 18:09
  Speaker 1: if they're writing and it's too fluffy and we love
• 18:12
  Speaker 1: them all the time, every scene, every episode, it's just
• 18:16
  Speaker 1: it's just not real.
• 18:18
  Speaker 4: It's it's a little sick commy right, good point.
• 18:22
  Speaker 2: Good point.
• 18:22
  Speaker 1: So I think I think putting a pox or two
• 18:26
  Speaker 1: on one of these characters at times, or two of
• 18:29
  Speaker 1: these characters at times, is not a bad thing.
• 18:32
  Speaker 2: Oh, I agree with that. I think that's a really
• 18:34
  Speaker 2: astute point you make there. Yeah.
• 18:36
  Speaker 4: Truth, Yeah, I mean I didn't mind the scene, Like,
• 18:39
  Speaker 4: you know, Suki's kind of she's very pregnant and she's
• 18:43
  Speaker 4: just she's just done, like.
• 18:44
  Speaker 1: She's over it, and she's.
• 18:47
  Speaker 2: Got two kids with chicken pox, like I think, sort
• 18:49
  Speaker 2: of alluding to the vasectomy thing. Though, it's kind of like,
• 18:52
  Speaker 2: have they not talked about this?
• 18:55
  Speaker 1: Well, I guess it's all been buried.
• 18:57
  Speaker 2: And yeah, I mean.
• 19:01
  Speaker 1: She's got a lot of reasons to began.
• 19:04
  Speaker 3: She still has to be meds.
• 19:06
  Speaker 1: Not getting sleep, lack of sleep, she's pregnant, the kids
• 19:10
  Speaker 1: have chicken pox. She's not dealt with the best ectomy
• 19:13
  Speaker 1: thing with him yet. Yeah, I haven't had. Of course,
• 19:16
  Speaker 1: she's going to be a little snippy.
• 19:17
  Speaker 4: She's just cranky, no unintended.
• 19:21
  Speaker 1: One thing, Thank you Danielle for the safe.
• 19:25
  Speaker 2: Yeah, I keep going. I'm way more into the like
• 19:27
  Speaker 2: Luke saving the day.
• 19:28
  Speaker 4: Thank you. So one thing I wanted to point out
• 19:31
  Speaker 4: in this scene when I noticed the dollhouse had lights
• 19:34
  Speaker 4: on inside of Oh my gosh, it was so cute
• 19:38
  Speaker 4: picture like little doll people living inside of it.
• 19:40
  Speaker 2: So I had a dollhouse like that that my grandpa made.
• 19:42
  Speaker 2: It fully had electricity, the whole thing. The destruction of
• 19:47
  Speaker 2: the dollhouse like actually really stressed me out.
• 19:51
  Speaker 1: I was like, oh my god, I'll tell you why.
• 19:54
  Speaker 1: Do you know why? I think I know why it's
• 19:55
  Speaker 1: stressed you out. Why Because we didn't get to see
• 19:58
  Speaker 1: him fall on it, and they could have made a
• 20:02
  Speaker 1: fake dollhouse.
• 20:03
  Speaker 2: That would have that's a really good point.
• 20:05
  Speaker 1: So that's a funny scene, right, that's a really funny scene,
• 20:09
  Speaker 1: and that would have given Jackson a chance to perform
• 20:13
  Speaker 1: some not you know, some some physical comedy chops, because
• 20:17
  Speaker 1: that's a really funny scene. He's loses balance and he
• 20:20
  Speaker 1: falls on it. That's it. Come on, let's see to
• 20:22
  Speaker 1: get it fixed.
• 20:23
  Speaker 2: I think you're right. They're going to get it fixed.
• 20:25
  Speaker 2: So that's great. I'm happy that it's not ruined forever.
• 20:28
  Speaker 2: But like I think you're right, Like without the fall,
• 20:31
  Speaker 2: it's just another sort of why for me, Like why
• 20:35
  Speaker 2: why we destroyed the dollhouse?
• 20:38
  Speaker 1: If we got if we got to enjoy that?
• 20:41
  Speaker 2: Why think you're right.
• 20:42
  Speaker 4: That's kind of a typical motif for this show though,
• 20:46
  Speaker 4: is they talk about things without showing them like that
• 20:49
  Speaker 4: has happened so many times.
• 20:51
  Speaker 1: I think with all the words generated, they could use
• 20:54
  Speaker 1: a little action. Yeah, it really needed a little action there. Yes,
• 21:00
  Speaker 1: that's amazing.
• 21:01
  Speaker 2: Bike didn't give me enough.
• 21:02
  Speaker 1: Right, so imagine his reaction after he fell on it, like,
• 21:07
  Speaker 1: oh my god.
• 21:08
  Speaker 4: Yeah. So speaking of riding bikes, So the next scene
• 21:13
  Speaker 4: is is Laurela I riding through that same stretch where
• 21:15
  Speaker 4: her car had just broken.
• 21:16
  Speaker 1: All right, sorry, I don't interrupted, but but I mean
• 21:19
  Speaker 1: they set him up so beautifully to fall on it.
• 21:22
  Speaker 1: Because if that scene with Suki, don't do this, don't
• 21:25
  Speaker 1: put your feet there, and then the next thing, you know,
• 21:29
  Speaker 1: the guy's falling into the thing, it would have been
• 21:30
  Speaker 1: the biggest.
• 21:31
  Speaker 2: Calling her Jackson, calling Suki being like that would have
• 21:36
  Speaker 2: been funny.
• 21:37
  Speaker 4: Yeah, that would have been a natural extension.
• 21:39
  Speaker 1: Right there you go. Sorry, sorry to interrupt you.
• 21:42
  Speaker 4: Oh no, no worries.
• 21:43
  Speaker 1: Just don't please, don't fire me.
• 21:47
  Speaker 4: So Laurela is riding her bike and I could not
• 21:50
  Speaker 4: stop looking at the puffy sleeves on that shirt, Like
• 21:53
  Speaker 4: that was the only thing I got from that scene
• 21:56
  Speaker 4: was the puffy sleeves.
• 21:57
  Speaker 2: Well, and now she's got the phone in her ears too.
• 22:00
  Speaker 4: And she had like wide legged pants. I'm like, she's
• 22:03
  Speaker 4: gonna get that caught in the bike chain. That was
• 22:05
  Speaker 4: the other thing that was.
• 22:08
  Speaker 2: How far is the inn all of a sudden.
• 22:10
  Speaker 3: Yeah, it's very it's walking distance.
• 22:15
  Speaker 2: But then yet the tourists took a bus to the
• 22:19
  Speaker 2: hay Bail Maze and now she's like jaunting down the
• 22:24
  Speaker 2: highway it's very like, I can't what where's the the inn,
• 22:27
  Speaker 2: like just like over yonder.
• 22:29
  Speaker 4: Yeah, because they showed it. There was one episode where
• 22:32
  Speaker 4: she ran from the Inn to Luke's and she stepped
• 22:35
  Speaker 4: in the icy hole on the lot. The ends like
• 22:37
  Speaker 4: super close, right, Well, the inn was at the ranch,
• 22:42
  Speaker 4: it was I thought.
• 22:43
  Speaker 2: The inn was on the lot. Oh, pardon me, pardon me,
• 22:48
  Speaker 2: James Pettitt, I need a mappy pooh.
• 22:52
  Speaker 4: Okay, the ranch may at rest in peace?
• 22:54
  Speaker 2: Was the ranch gone?
• 22:55
  Speaker 1: Now?
• 22:56
  Speaker 4: The ranch is gone?
• 22:58
  Speaker 2: So for everyone listening, we're talking about war Our Brothers
• 23:00
  Speaker 2: has the Warner Brothers lot where the whole set is,
• 23:04
  Speaker 2: and then there was the Warner Ranch, which was sort
• 23:06
  Speaker 2: of like not even half a mile away, like a
• 23:09
  Speaker 2: mile away.
• 23:11
  Speaker 1: A lot, right right, right?
• 23:13
  Speaker 4: Yeah.
• 23:14
  Speaker 2: I learned that the Gilmour's house exterior is a real
• 23:18
  Speaker 2: house somewhere like far away. I saw it on Instagram.
• 23:26
  Speaker 2: I'll try to find it.
• 23:27
  Speaker 4: Yeah, the one they used in the pilot was a
• 23:29
  Speaker 4: real one in Canada somewhere.
• 23:32
  Speaker 2: Yeah, in Canada. Okay, Yeah, that's that's that's what I saw. Well,
• 23:35
  Speaker 2: that's right, because they shot the pilot, all right.
• 23:43
  Speaker 1: So I tried to get us to shoot it up there,
• 23:45
  Speaker 1: and we said.
• 23:46
  Speaker 4: No, yeah, yeah, yeah.
• 23:49
  Speaker 1: We voted, we voted.
• 23:52
  Speaker 2: Is that true? You guys have the power?
• 23:53
  Speaker 1: Now, well they I don't know if we had the
• 23:55
  Speaker 1: ultimate power, but they asked. They were nice enough to ask. Everybody,
• 23:59
  Speaker 1: you know.
• 23:59
  Speaker 3: Get makes sense with seasons, right, like when it's cold,
• 24:02
  Speaker 3: it was right.
• 24:04
  Speaker 2: Right, maybe.
• 24:06
  Speaker 1: Yeah.
• 24:07
  Speaker 4: Everybody always comments on how the trees always have leaves
• 24:10
  Speaker 4: on them all year round. So if you were sew
• 24:12
  Speaker 4: in Canada, you would have a little more realistic winter.
• 24:15
  Speaker 1: If you're really going through realistic winters, it's a it's
• 24:18
  Speaker 1: a production nightmare.
• 24:20
  Speaker 4: Yeah.
• 24:20
  Speaker 1: Actually, to keep things the continuity becomes a huge issue
• 24:24
  Speaker 1: and it just takes forever to shoot stuff. It's just
• 24:27
  Speaker 1: it's better to control it if you're on a tiny budget.
• 24:30
  Speaker 1: We kind of had a smaller budget.
• 24:32
  Speaker 2: Yeah, she's just riding that bike.
• 24:35
  Speaker 4: So and she doesn't have a helmet on, so we're
• 24:37
  Speaker 4: talking about, you know, things that are not socially acceptable anymore.
• 24:42
  Speaker 4: She should have been wearing a helmet. Yeah, but you
• 24:45
  Speaker 4: know that would mess up her hair. So uh okay.
• 24:49
  Speaker 4: So Rory admits that she's worried about the rest and fellowship, which.
• 24:55
  Speaker 2: Job, right, take that other job or negotiate better. But
• 24:59
  Speaker 2: we talked about that last week.
• 25:01
  Speaker 4: That's water under the bridge now, Rory. Yeah, okay, So
• 25:05
  Speaker 4: then at the drag.
• 25:10
  Speaker 2: Her future is a real letdown, Danielle, but just telling.
• 25:13
  Speaker 4: You don't give anything.
• 25:15
  Speaker 2: Sorry, I'm getting better. I'm getting a little better. It's like,
• 25:21
  Speaker 2: really shocking. We'll get to that, okay.
• 25:23
  Speaker 4: Anyway, all right, So we're at the Dragonfly now and
• 25:31
  Speaker 4: Larela is trying to decide on new cars. Suki expects
• 25:36
  Speaker 4: that Jackson is causing Lorelei a lot of problems and
• 25:39
  Speaker 4: he's not. Did you notice on Suki's jacket the buttons
• 25:45
  Speaker 4: have dragonflies on them? Like, oh, I don't know.
• 25:51
  Speaker 2: What car? Do you think?
• 25:52
  Speaker 1: Are you watching this show under a microscope? How are
• 25:55
  Speaker 1: you seeing these things? This is bizarre.
• 25:58
  Speaker 4: Was going on on a big TV screen When they're
• 26:02
  Speaker 4: doing a close up? You can you can see you?
• 26:05
  Speaker 1: No, you can't see that. Have you read all the books?
• 26:08
  Speaker 1: You've read all the books? You're doing all kinds of research?
• 26:12
  Speaker 4: Oh well no, I just used my eyes on what
• 26:18
  Speaker 4: she just pays attention.
• 26:19
  Speaker 2: I don't know the half this stuff. I'm like, wait, wait,
• 26:27
  Speaker 2: you had to buy a car for Laura she's got
• 26:34
  Speaker 2: to exactly, she's like way egalized compared to the rest
• 26:37
  Speaker 2: of us that are just I am. She noticed the artwork,
• 26:43
  Speaker 2: remember when she noticed the artwork that the artwork at
• 26:45
  Speaker 2: Suki's was the same artwork. That was like who noticed that? Anyway? Guys,
• 26:52
  Speaker 2: if you had to buy Loreli car not a g
• 26:54
  Speaker 2: what was you? What is the right car for her?
• 26:58
  Speaker 4: Oh?
• 26:59
  Speaker 1: I don't know. You know, in real life she bought
• 27:01
  Speaker 1: a used Porsche and I just ripped her a new
• 27:04
  Speaker 1: one for that.
• 27:05
  Speaker 2: Oh yeah, I think like a Ford Explorer.
• 27:07
  Speaker 1: She bought a used Porsche.
• 27:10
  Speaker 2: Bought a used what's wrong with the used?
• 27:14
  Speaker 1: Because she's the lead of a hit show at that point,
• 27:17
  Speaker 1: and she goes off like why can't she buy Because
• 27:20
  Speaker 1: I got on her about it, I'm like, what are
• 27:22
  Speaker 1: you think? No? Not even a classic. It was just
• 27:26
  Speaker 1: like a couple you know, it was like ten years
• 27:28
  Speaker 1: old or something like that wasn't No, No, I'm not
• 27:32
  Speaker 1: mad about it because she's the lead of the show
• 27:35
  Speaker 1: and you gotta she's got to be in a big
• 27:37
  Speaker 1: suv and be partic. You're not. You're not getting it.
• 27:43
  Speaker 1: You're not getting the point.
• 27:44
  Speaker 2: Do you feel like she should be more protected. Yes,
• 27:49
  Speaker 2: well maybe she had to her. I told her, whoa
• 27:52
  Speaker 2: like you just thought she was in a speedy roadster.
• 27:55
  Speaker 3: That could such a dad comment of you, Scott.
• 27:58
  Speaker 4: He's like, my dad says that, like you don't bigger car.
• 28:01
  Speaker 2: God likes SUVs because he likes to be safe.
• 28:04
  Speaker 1: I like sitting up high and I like, yeah, because
• 28:06
  Speaker 1: there's so many SUVs out there. You can't realize that.
• 28:09
  Speaker 2: Car that Scott would never drive, like not a Mini Cooper,
• 28:13
  Speaker 2: but there's one that's like smallmart cars, more cars. What
• 28:17
  Speaker 2: if we were like, Scott, you have to drive this
• 28:18
  Speaker 2: smart car, he like, won't do it. I don't think
• 28:20
  Speaker 2: he could fit.
• 28:21
  Speaker 4: I don't think too tall. That's just like it needs
• 28:26
  Speaker 4: would be like a bround his chin.
• 28:28
  Speaker 1: Those are those are great cars for small Belgian villages
• 28:32
  Speaker 1: up in the mountain or something that everybody has a
• 28:34
  Speaker 1: smart car. If everybody's driving a smart car.
• 28:36
  Speaker 2: That what you're saying. I would have liked her to
• 28:39
  Speaker 2: get a truck. I actually not Lauren, but Laurel. I
• 28:43
  Speaker 2: I think a truck would suit her.
• 28:46
  Speaker 3: Cute truck that's Lukes okay, then Bronco, Yeah, Bronco for sure.
• 28:52
  Speaker 1: Yeah, maybe I don't know lorle.
• 28:55
  Speaker 4: Suki suggests that she should ask Luke for help with
• 28:58
  Speaker 4: the car buying things. That's kind of his wheelhouse, and
• 29:02
  Speaker 4: that makes sense.
• 29:03
  Speaker 1: Totally again, I'm here, I'm gonna throw another flag here.
• 29:07
  Speaker 1: She goes out to the porch of the Dragonfly and
• 29:11
  Speaker 1: she calls them, but we don't see the other side
• 29:13
  Speaker 1: of the conversation.
• 29:15
  Speaker 2: M hm.
• 29:15
  Speaker 1: And that was a fairly big moment in there, kind
• 29:19
  Speaker 1: of coming to get you know this. I mean, that
• 29:21
  Speaker 1: was awkward too, but maybe they felt since they already
• 29:23
  Speaker 1: had the awkward thing in the diner, they didn't want
• 29:25
  Speaker 1: to have another awkward scene. But why is less of
• 29:28
  Speaker 1: Luke and Laurelai. More well, I didn't get that because
• 29:33
  Speaker 1: I was waiting for them to cut to me on
• 29:34
  Speaker 1: the other side, and they never cut to the other side.
• 29:38
  Speaker 4: And right before she walks outside, Suki gets a phone
• 29:42
  Speaker 4: call from Jackson, and we don't see the other side
• 29:44
  Speaker 4: of that phone call either, So we see Suki side
• 29:47
  Speaker 4: of a phone call, and then it goes straight to
• 29:49
  Speaker 4: Laurelized side of the phone call, so we didn't see
• 29:51
  Speaker 4: like there was maybe maybe some lost opportunities there and weird,
• 29:56
  Speaker 4: but yeah.
• 29:57
  Speaker 1: What are you gonna do? What are you gonna do?
• 29:59
  Speaker 2: Yeah?
• 29:59
  Speaker 4: Can it now?
• 30:00
  Speaker 2: But that's kind of rare. Usually on Gilmer Girls, they
• 30:02
  Speaker 2: show both sides of the conversation. They're big into phone calls.
• 30:05
  Speaker 1: Yeah, you know, maybe it was probably a last minute
• 30:08
  Speaker 1: thing that they threw in realizing they needed to connect that.
• 30:12
  Speaker 1: Maybe so they only had the time, yeah, to do
• 30:18
  Speaker 1: her side of it or something.
• 30:20
  Speaker 2: Paris opening the envelope scene was actually ten minutes, and
• 30:23
  Speaker 2: they spared us four minutes of it to squeeze in
• 30:25
  Speaker 2: these phone calls. I do not know, but.
• 30:29
  Speaker 4: Yeah, it would have been fun to see, like is
• 30:31
  Speaker 4: Luke awkward or is he excited? Like how they would
• 30:34
  Speaker 4: have played that.
• 30:35
  Speaker 1: Yeah, I mean it's a fairly big moment, right, I
• 30:37
  Speaker 1: mean it's like these two coming back together at the
• 30:40
  Speaker 1: beginnings of that totally.
• 30:42
  Speaker 4: Yeah, and then it goes straight from there to the truck,
• 30:47
  Speaker 4: So we go straight from the phone call to they're
• 30:50
  Speaker 4: in the truck. I thought it was funny that they
• 30:53
  Speaker 4: would both rather listen to static than try to talk
• 30:56
  Speaker 4: to each other.
• 30:57
  Speaker 2: So that was so weird. First of all, that was
• 31:00
  Speaker 2: so weird.
• 31:00
  Speaker 1: I thought it was weird too that.
• 31:04
  Speaker 2: These two would be fine chatting away. Number two he'd
• 31:07
  Speaker 2: obviously like have a cassette or something. Not static, he'd
• 31:11
  Speaker 2: be like, let me just put on my journey. You know,
• 31:14
  Speaker 2: I don't know that was weird.
• 31:17
  Speaker 4: Yeah, I didn't mind it. I thought it was okay.
• 31:20
  Speaker 4: So then we had a surprise. We go to Paris's
• 31:24
  Speaker 4: apartment and Paris kicked him out, which that was not expected.
• 31:33
  Speaker 4: And so this is kind of where Rory and Paris
• 31:36
  Speaker 4: are starting to go through the same process, like making
• 31:39
  Speaker 4: the decision and taking the boyfriend into account, not taking
• 31:42
  Speaker 4: the boyfriend into account, et cetera, et cetera.
• 31:46
  Speaker 2: Kind of a good conversation. I didn't I thought it
• 31:49
  Speaker 2: could have been had a little bit better, but a
• 31:52
  Speaker 2: good conversation.
• 31:53
  Speaker 4: Yeah, I I thought it was funny. You know, Paris
• 31:57
  Speaker 4: has her point system, and she says, of course I'm
• 31:58
  Speaker 4: going to make the right decision. That that's why i
• 32:00
  Speaker 4: have a point system. That was just so stereotypically Paris.
• 32:03
  Speaker 4: I thought that was funny. Okay. So then we're back
• 32:15
  Speaker 4: at Lorelize and it's Sukie and Jackson looking at the
• 32:18
  Speaker 4: smashup dollhouse, and then this is where they have the
• 32:24
  Speaker 4: conversation you haven't forgiven me, blah blah, blah. So they
• 32:28
  Speaker 4: have like their little kind of meeting of the minds
• 32:32
  Speaker 4: on the whole you know, vasectomy pregnancy thing, and they're
• 32:38
  Speaker 4: both kind of scared about having a third kid.
• 32:43
  Speaker 2: Yeah, it seems like even when you're talking about it,
• 32:45
  Speaker 2: I'm like, huh.
• 32:47
  Speaker 4: Yeah, it was. It was. I mean that conversation had
• 32:51
  Speaker 4: to have had to happen somewhere, so I guess this
• 32:53
  Speaker 4: is just where they decided to put it.
• 32:55
  Speaker 1: So the question then becomes, is this the Gilmour to
• 33:02
  Speaker 1: portray as having deep problems? No? Or is the Gilmore?
• 33:08
  Speaker 1: Is this the Gilmour couple that that manufacture stability?
• 33:14
  Speaker 4: Yeah, well that's one good times. That kind of goes
• 33:19
  Speaker 4: back to the whole thing that I had an issue
• 33:22
  Speaker 4: with when the whole thing happened, Like why did they
• 33:24
  Speaker 4: have to make why did they have to use that
• 33:28
  Speaker 4: reason to have her get pregnant? Like why couldn't they
• 33:31
  Speaker 4: just have said the vasectomy failed? Like why did there
• 33:33
  Speaker 4: need to be this big breach of trust and controversy
• 33:38
  Speaker 4: between them? Because I agree with your points, Scott, like
• 33:42
  Speaker 4: we want them to be happy and stable, and because
• 33:45
  Speaker 4: everybody else's relationship is crazy and mixed up, like lorele
• 33:49
  Speaker 4: I and Rory and everybody else, like we want Suki
• 33:52
  Speaker 4: and Jackson to succeed, Like, why did they have to
• 33:54
  Speaker 4: throw that in there? They could have just made it,
• 33:56
  Speaker 4: you know, Vasseectumi's failed. It's something that happens, and why
• 33:58
  Speaker 4: did they have to make it something better? I guess
• 34:01
  Speaker 4: it's that was my question from the beginning, and that
• 34:04
  Speaker 4: that's what you're saying. I think Scott he never got
• 34:10
  Speaker 4: the vasectomy, I.
• 34:12
  Speaker 1: Know, but the fact, bad man, bad man.
• 34:15
  Speaker 2: You're saying they should have just made it where he
• 34:18
  Speaker 2: got the vasectomy right then they got pregnant anyway.
• 34:21
  Speaker 4: Because we didn't know that he got the vasectomy until
• 34:24
  Speaker 4: they had to come up with a reason for Suki
• 34:26
  Speaker 4: to be pregnant.
• 34:27
  Speaker 2: Because I set real life right.
• 34:31
  Speaker 4: So because in a different episode they referred to in
• 34:34
  Speaker 4: the in the baptism episode, they referred to him having
• 34:37
  Speaker 4: had the vaseectomy, so it was understood that he had
• 34:41
  Speaker 4: had it, even though in real life you don't just.
• 34:43
  Speaker 2: Worr or did they refer to it because everyone thought
• 34:46
  Speaker 2: did they refer to it because everyone thought he did
• 34:49
  Speaker 2: it but he didn't do it.
• 34:52
  Speaker 4: Well, they talked about I can't remember the exact context.
• 34:55
  Speaker 4: It was something about his mom and they had to
• 34:58
  Speaker 4: do the baptism because his mom was mad about the
• 35:01
  Speaker 4: vasecta me and this was going to be to make
• 35:03
  Speaker 4: it up to her or something like that. Oh, it's
• 35:05
  Speaker 4: just so yeah. So they kind of went with the
• 35:09
  Speaker 4: story that he'd even though it was in real life
• 35:11
  Speaker 4: he would never have had the vasectomy because you don't
• 35:15
  Speaker 4: just sign people up for surgical procedures like that. But
• 35:19
  Speaker 4: they they kind of went with that narrative that he
• 35:22
  Speaker 4: had had the vasectomy until they needed to make Suki pregnant,
• 35:25
  Speaker 4: and then then it came out that he had lied
• 35:29
  Speaker 4: about it. Why could they have just said it failed?
• 35:32
  Speaker 3: I don't know, because it's also interesting because not necessary.
• 35:35
  Speaker 3: We only have a few episodes left, and how many
• 35:37
  Speaker 3: episodes has Suki been pregnant for?
• 35:39
  Speaker 4: Like four?
• 35:41
  Speaker 2: So I thought you meant over the course with the
• 35:43
  Speaker 2: three kids. Sorry sorry, sorry.
• 35:44
  Speaker 3: Sorry, No, I mean this with this last pregnancy. It's
• 35:48
  Speaker 3: kind of like, couldn't they have just finished the season
• 35:50
  Speaker 3: without Suki getting pregnant?
• 35:52
  Speaker 2: Couldn't you just carry grocery bagags or like right right?
• 35:55
  Speaker 4: That was another question too, especially well, I don't want
• 35:58
  Speaker 4: to spoil anything, but for the outcome of Suki's for
• 36:03
  Speaker 4: where Suki is in the final episode. It was all
• 36:06
  Speaker 4: pointless and that will make more sense later. But I
• 36:11
  Speaker 4: thought it was unnecessary to create this conflict between them boring.
• 36:15
  Speaker 2: I stand by my whole thing. This episode's kind of
• 36:17
  Speaker 2: it okay, okay.
• 36:20
  Speaker 4: But then we go to the car lot, and I
• 36:22
  Speaker 4: really liked the scenes on the car.
• 36:24
  Speaker 2: It was okay for me, you guys, you guys say, Danielle,
• 36:28
  Speaker 2: I want to hear what you think. For me, it
• 36:29
  Speaker 2: was all just sort of okay, like I love that
• 36:32
  Speaker 2: they're together.
• 36:33
  Speaker 1: But the tail end of the car scene was great.
• 36:37
  Speaker 1: It was one of the best Luke lore Law scenes
• 36:39
  Speaker 1: film that I agree with.
• 36:41
  Speaker 2: That I agree with. Yeah, yeah, I wanted to get there.
• 36:44
  Speaker 3: Yeah, I like the diner stuff in the beginning, and
• 36:46
  Speaker 3: I did. I did like the car stuff. I do
• 36:49
  Speaker 3: feel to echo your point about the whole Paris College
• 36:52
  Speaker 3: a lot of thing too long to get to the
• 36:54
  Speaker 3: point that we needed to get to.
• 36:57
  Speaker 2: You know, I agree, everything's a little long.
• 37:01
  Speaker 4: It was bantery and talking about you know, sedans are
• 37:06
  Speaker 4: not afraid of getting dirty and small cars do not
• 37:10
  Speaker 4: have inferiority complexes.
• 37:12
  Speaker 1: All that Luke rant was classic, and you know, lauralized
• 37:18
  Speaker 1: reactions were classic and great, and her smile was just
• 37:24
  Speaker 1: perfect when she and all the all the memories were
• 37:27
  Speaker 1: flooding back in, like, boy, does this feel right? And
• 37:31
  Speaker 1: does this feel good? And then I sure missed this
• 37:33
  Speaker 1: guy and it was just such a great moment. Yeah,
• 37:36
  Speaker 1: And I think I think she she Lauren executed throughout
• 37:41
  Speaker 1: this entire scene so flawlessly and so beautifully to show
• 37:45
  Speaker 1: us exactly how she was feeling without getting caught up.
• 37:50
  Speaker 1: And the rant, she was like welcoming the rant, you know.
• 37:55
  Speaker 4: She starts to smile and Luke was like, what it was?
• 37:58
  Speaker 4: That was perfect?
• 38:00
  Speaker 2: But the payoff was great.
• 38:01
  Speaker 1: Yeah, was great, really great.
• 38:05
  Speaker 4: And then so they get in the car and she
• 38:07
  Speaker 4: wants to stop for a milkshake and he say, no, no, no,
• 38:10
  Speaker 4: we're not stopping. And then I wanted her to roll
• 38:13
  Speaker 4: up in the next scene with a milkshake in her hand,
• 38:15
  Speaker 4: because the same thing she rides her bike up to
• 38:20
  Speaker 4: the front porch for Jackson, I'm like, where's the milkshake?
• 38:23
  Speaker 4: Because you stop for a milk?
• 38:25
  Speaker 1: I mean, that's that's an easy one. Just connect that, man.
• 38:29
  Speaker 2: Did I miss already the scene where Rory talks about
• 38:36
  Speaker 2: Hoosy and Doozy's dumb apartment.
• 38:38
  Speaker 4: No, that's that's the next scene. Yeah, we haven't gotten
• 38:42
  Speaker 4: there yet. We hadn't seen them for a while until
• 38:46
  Speaker 4: the bar scene. So so Laura comes home on her
• 38:52
  Speaker 4: bike and that's when she finds out about the dollhouse
• 38:58
  Speaker 4: and she you know, she looks sad, but she was happy.
• 39:04
  Speaker 4: I liked when she said what did she She made
• 39:07
  Speaker 4: some comment like, oh, we started bickering and it was great. Yeah, yeah, yeah, yeah,
• 39:13
  Speaker 4: so it was that was a cute scene. The dog
• 39:15
  Speaker 4: was there.
• 39:16
  Speaker 2: I'm just glad that the dollhouse is going to get
• 39:18
  Speaker 2: fixed because I would have had like serious adjuda if
• 39:21
  Speaker 2: I was like, it's just broken forever, like oh my god.
• 39:24
  Speaker 2: So I'm happy that I know that in my heart
• 39:26
  Speaker 2: that the dollhouse is getting fixed. Yeah.
• 39:29
  Speaker 4: She made she made a comment that Rory wrote her
• 39:32
  Speaker 4: name in the old jeep in permanent marker, and I'm thinking,
• 39:36
  Speaker 4: but it was only eight years old, so she would
• 39:39
  Speaker 4: have been Rory would have been fourteen, Like why would
• 39:42
  Speaker 4: have fourteen year old write their name? But you know,
• 39:49
  Speaker 4: the timeline doesn't often make sense in this show. So
• 39:52
  Speaker 4: that's fine. So then that now is the scene you
• 39:55
  Speaker 4: were thinking of Amy where they're in the bar and
• 39:57
  Speaker 4: they're talking about Olivia's Lucy and Olivia's new London twenty one.
• 40:03
  Speaker 4: Olivia is making twenty one thousand dollars a year at
• 40:06
  Speaker 4: her art gallery. That was not very much money even
• 40:09
  Speaker 4: in two thousand and seven.
• 40:11
  Speaker 2: No, and I'm so not into them. Were they even
• 40:14
  Speaker 2: in the scene or were we just talking about them?
• 40:16
  Speaker 4: They know they were there in it. They were there
• 40:18
  Speaker 4: for a hot minute, and then when they sensed that
• 40:22
  Speaker 4: Rory and Paris needed to talk, then they went to
• 40:25
  Speaker 4: go play our adult God. I never saw not.
• 40:27
  Speaker 2: It's just okay, bye. Is that our last appearance with them?
• 40:31
  Speaker 4: No, they are in the finale.
• 40:34
  Speaker 2: Sorry to be so negative, Nelly, but it's just.
• 40:37
  Speaker 4: Like, I don't mind them.
• 40:39
  Speaker 3: I liked the man and Louise n say.
• 40:44
  Speaker 2: Like it's just such a bad imitation.
• 40:47
  Speaker 4: Yeah, they were better, but I didn't mind Lucy and Olivia.
• 40:52
  Speaker 4: So this is where they have the conversation about what's
• 40:55
  Speaker 4: more important, right, the career or the boy. It was interesting.
• 41:01
  Speaker 2: That's good.
• 41:01
  Speaker 4: Yeah, that hit home for me. I had to make
• 41:05
  Speaker 4: a similar I was back in the day. I don't
• 41:11
  Speaker 4: know what did you guys think about that good.
• 41:13
  Speaker 2: I thought that they're having compelling conversations in this episode. Yeah,
• 41:18
  Speaker 2: and I'm good with that.
• 41:20
  Speaker 1: Yeah. I think they really fleshed out that the Paris
• 41:25
  Speaker 1: Doyle relationship adventure in this episode, and they really gave
• 41:33
  Speaker 1: it great care and we're seeing all signs of it,
• 41:37
  Speaker 1: so it's, you know, it's a full experience, and.
• 41:41
  Speaker 4: It was It was good to see Paris kind of
• 41:44
  Speaker 4: in a vulnerable moment because she's usually so like she's
• 41:48
  Speaker 4: just so you know, self confident, embossing everybody else around.
• 41:51
  Speaker 4: So it was nice to see her kind of breaking down, like,
• 41:54
  Speaker 4: I'm only twenty two. I didn't expect this to happen.
• 41:59
  Speaker 4: And then then we have the reappearance of Jackson and
• 42:02
  Speaker 4: his wrestling pajamas. I think they probably figured they had
• 42:07
  Speaker 4: to get those pajamas into one more episode.
• 42:10
  Speaker 2: Before the season, spent the fifty bucks on them, let's
• 42:13
  Speaker 2: say exactly. I agree, I actually agree.
• 42:19
  Speaker 4: And Luca's kind of looking at him like what are
• 42:21
  Speaker 4: you doing here? Like why are you be lorelized house
• 42:24
  Speaker 4: in your pajamas? So that was funny. And then c
• 42:28
  Speaker 4: cute band I really like yeah, yeah, yeah, really, yeah,
• 42:31
  Speaker 4: he found a jeep and it's gonna be silly to
• 42:35
  Speaker 4: replace the engine in her old jeep, but that's what
• 42:37
  Speaker 4: she wants, so that's what she gets. Like she doesn't
• 42:40
  Speaker 4: want a bell, she wants a horn.
• 42:43
  Speaker 1: Yeah that was their banter is great, isn't it?
• 42:47
  Speaker 4: It really is.
• 42:48
  Speaker 2: This was great. This, This was worth the whole episode
• 42:50
  Speaker 2: because this was good.
• 42:52
  Speaker 4: Yeah, and like that smile on her face at the end,
• 42:54
  Speaker 4: she's like, okay, we're back, Like yeah, we're you know,
• 42:59
  Speaker 4: things are the universe is right again.
• 43:03
  Speaker 1: And then.
• 43:05
  Speaker 4: So this scene now this is again. It kind of
• 43:08
  Speaker 4: is dragging out, like we're gonna talk about Paris.
• 43:10
  Speaker 2: Is kind of dragging out. The whole episode is kind.
• 43:12
  Speaker 4: Of Yeah, she wants to be a doctor. She still
• 43:16
  Speaker 4: doesn't know what school, but she got two more acceptances
• 43:18
  Speaker 4: because Doyle walks in with the mail.
• 43:20
  Speaker 1: Right. It's really it's like, yeah, it's weird.
• 43:24
  Speaker 3: Because when I watched it didn't feel this slow. But
• 43:26
  Speaker 3: now I'm like talking about him like.
• 43:31
  Speaker 1: This is right, and then he and then he comes
• 43:33
  Speaker 1: in with that kind of weird scene like wherever you go,
• 43:36
  Speaker 1: I'll be there with you. I won't elect whoa Okay, yeah.
• 43:42
  Speaker 2: You know what?
• 43:43
  Speaker 4: Good for them?
• 43:44
  Speaker 3: I love Paris and Doyle together. I knew that breakup
• 43:48
  Speaker 3: wasn't gonna last, and they found their way back to
• 43:53
  Speaker 3: each other.
• 43:53
  Speaker 4: Yeah, they're kind of meant for each other because episode it's.
• 43:57
  Speaker 2: Like, look in season seven, it's pretty good compared to
• 44:05
  Speaker 2: the rest of the show not so good only Okay, yeah,
• 44:10
  Speaker 2: I mean I like the negative Nelly on season seven.
• 44:13
  Speaker 2: I'm just giving my real, honest feedback.
• 44:16
  Speaker 4: For me, the Luke and Laureli stuff was enough to
• 44:19
  Speaker 4: carry the episode. So even though there were those other
• 44:21
  Speaker 4: scenes that dragged out, I still loved this episode, I agree.
• 44:26
  Speaker 4: And then so to wrap the whole thing up, then
• 44:28
  Speaker 4: Rory opens her letter from the New York Times and
• 44:31
  Speaker 4: did not get the fellowship. Who saw that?
• 44:35
  Speaker 3: I didn't see that coming. I thought she was going
• 44:37
  Speaker 3: to get out. Yeah, I thought she was going to
• 44:39
  Speaker 3: get it.
• 44:40
  Speaker 4: I you know, they they made a point to say
• 44:43
  Speaker 4: that only four people in the entire country get picked. So,
• 44:47
  Speaker 4: I mean, I know that we're supposed to think that,
• 44:49
  Speaker 4: you know, Rory is this wonder child, but I just
• 44:53
  Speaker 4: felt like, you know, eventually, it's going to catch up
• 44:55
  Speaker 4: with her at.
• 44:55
  Speaker 3: Some but I just thought that, like, they didn't give
• 45:00
  Speaker 3: her Harvard, so I thought they would give her this,
• 45:03
  Speaker 3: you know, like I did give her Harvard.
• 45:05
  Speaker 2: She picked Yale, she got into both.
• 45:08
  Speaker 1: Got into her.
• 45:09
  Speaker 2: Yeah, she picked YALEH you're right. It was that didn't
• 45:14
  Speaker 2: get right.
• 45:15
  Speaker 4: You're right, you're right.
• 45:16
  Speaker 2: But I'll say about Rory, she's entering into a career
• 45:21
  Speaker 2: that's very, very hard, and very few like I don't
• 45:23
  Speaker 2: mean to be a preacher, but preach, very few people
• 45:26
  Speaker 2: go from like Yale, even to the New York Times,
• 45:30
  Speaker 2: like let's be applying to the Des Moines Gazette, or
• 45:34
  Speaker 2: like k w b X Sam to cruise, do you
• 45:39
  Speaker 2: know what I mean?
• 45:40
  Speaker 1: Like your craft first?
• 45:41
  Speaker 4: Right, So she's so.
• 45:42
  Speaker 2: That's why I'm like, this doesn't track, you know, I don't.
• 45:47
  Speaker 4: Know, but it does track though, because she's she's kind
• 45:50
  Speaker 4: of cocky like her years at Yale, she got less humble. Yeah,
• 45:57
  Speaker 4: she thought she had it wrapped up. She that's why
• 46:00
  Speaker 4: she turned down that other job, because she was sure
• 46:02
  Speaker 4: she was going to get this this thing. So I
• 46:05
  Speaker 4: don't know, for me, it kind of tracked because she's
• 46:08
  Speaker 4: what I what she wants.
• 46:10
  Speaker 2: I don't mind that she's not getting it in this series.
• 46:13
  Speaker 2: My beef comes later in the movies, but or whatever,
• 46:15
  Speaker 2: you guys want to call them, I'll call them movies
• 46:17
  Speaker 2: just to differentiate.
• 46:18
  Speaker 4: But yeah, yeah, I can't wait until we watch this
• 46:22
  Speaker 4: because that's going There's gonna be some interesting conversations there.
• 46:25
  Speaker 4: And I haven't seen them in a long time, so
• 46:26
  Speaker 4: I'm looking either.
• 46:27
  Speaker 2: I only watched them once because I didn't love them.
• 46:29
  Speaker 4: Oh really, I've seen it a couple of times and
• 46:32
  Speaker 4: only really only.
• 46:33
  Speaker 2: There's only one scene. I rewatch a lot from the movies,
• 46:37
  Speaker 2: and I'll tell you when we get to it, because
• 46:39
  Speaker 2: I love it.
• 46:40
  Speaker 3: I just want Milo back.
• 46:43
  Speaker 2: He comes back right in the movies.
• 46:44
  Speaker 3: Yeah, yeah, that's what I say.
• 46:46
  Speaker 2: In a really good scene. Actually I cannot wait.
• 46:52
  Speaker 4: So anyways, that was the end of the episode, was
• 46:54
  Speaker 4: her opening that letter, all right, what do we think?
• 46:58
  Speaker 1: What do we think? I see?
• 47:00
  Speaker 2: Guys, I hate to be right, but I might have
• 47:02
  Speaker 2: been right.
• 47:03
  Speaker 1: What are you giving it?
• 47:06
  Speaker 2: Why don't I go first? Since I'm the negative? Now, yeah,
• 47:09
  Speaker 2: you're you're going to give it six point nine bicycles.
• 47:19
  Speaker 3: I'll give it eight mm eight point one college except.
• 47:24
  Speaker 4: What I will give it a nine?
• 47:30
  Speaker 2: Who nine?
• 47:33
  Speaker 4: I love this episode. I took I took points off
• 47:35
  Speaker 4: because I didn't love the clothes and some of the
• 47:37
  Speaker 4: pair of stuff was draggy, So half a point for
• 47:41
  Speaker 4: each of those.
• 47:43
  Speaker 1: You know, I'm going to give it. I think I'll
• 47:46
  Speaker 1: go eight five. I'll give it eight point five. Luke
• 47:50
  Speaker 1: awkward expressions, milk trying to milk that scene.
• 47:56
  Speaker 2: I felt like I was on the car lot long
• 47:58
  Speaker 2: enough to buy a used car.
• 48:01
  Speaker 4: I'm like, wow, I've been in a long time.
• 48:06
  Speaker 1: All right, that's going to wrap it up for this episode.
• 48:08
  Speaker 1: Thanks for downloading everyone. We will see you next time
• 48:11
  Speaker 1: for episode twenty, season seven. Laurel Laurel, thank you, Danielle,
• 48:16
  Speaker 1: thank you, Susanne Amy.
• 48:18
  Speaker 2: Any more episodes. We have three more episodes to go,
• 48:21
  Speaker 2: and everybody listening nervous about what will come after.
• 48:26
  Speaker 1: When what what is happening we will reveal. We're going
• 48:30
  Speaker 1: to welcome it.
• 48:31
  Speaker 3: I can't wait.
• 48:32
  Speaker 2: There's exciting stuff.
• 48:33
  Speaker 1: So there's yeah, stay tuned because there's exciting developments happening
• 48:37
  Speaker 1: in the I Am all in world. That universe is expanding, uh, anyway,
• 48:47
  Speaker 1: that is going to do it best fans on the planet.
• 48:50
  Speaker 1: Thanks for download and keep the cards and letters coming.
• 48:53
  Speaker 1: We need you, We love you. We'll see you next time.
• 48:56
  Speaker 1: Remember we and I I'm all in, Stay safe, everyone
• 49:08
  Speaker 1: dot Hey, everybody forget. Follow us on Instagram at I
• 49:32
  Speaker 1: Am all In podcast, and email us at Gilmore at
• 49:36
  Speaker 1: iHeartRadio dot com