Latest / Stuff Mom Never Told You / SMNTY Fiction: SMNTY Fiction: Terminus, Part 2 (Chapter 8.1)
Transcript
- 0:05Speaker 1: Hey, this is Sanny and Samantha. I'm welcome to stuff
- 0:07Speaker 1: I never told you productive I hurried you, and welcome
- 0:19Speaker 1: to another edition of Sminty Fiction, which just a once
- 0:23Speaker 1: a month thing we do. It's lightly edited on my end.
- 0:27Speaker 1: Christina puts amazing sound effects in there, so huge shout
- 0:32Speaker 1: out to her. We love doing these And if you
- 0:35Speaker 1: have any suggestion for something else we can do in
- 0:36Speaker 1: this realm that's in the public domain, we'll get us
- 0:40Speaker 1: in trouble please, that's fine, we can't afford it. We
- 0:45Speaker 1: can't afford it, but that would be fun, especially because
- 0:49Speaker 1: we're moving into Halloween time. But that being said, this
- 0:55Speaker 1: is the final chapter of Terminus. This is part two
- 1:00Speaker 1: of Terminus, which is also called Big Things Start Small,
- 1:03Speaker 1: And this is the chapter you get where the title
- 1:05Speaker 1: came from till the end.
- 1:08Speaker 2: I like it.
- 1:09Speaker 1: My ex boyfriend used to hate that. He was like,
- 1:12Speaker 1: that's how you can tell a piece of media is
- 1:14Speaker 1: bad if they say the title in it. I was like, wow,
- 1:16Speaker 1: the title is in here. It's had a lot of
- 1:20Speaker 1: opinions that you did. Really very unhappy. I can go yes.
- 1:26Speaker 1: But yeah, So this is the final chapter we are
- 1:29Speaker 1: splitting it into because again, I'm terrible at chapter length,
- 1:32Speaker 1: and I'm really really excited. I'm really really excited because
- 1:36Speaker 1: the ending is a cliffhanger and I'm just happy because
- 1:40Speaker 1: I'm a monster, I guess, and I like torturing people.
- 1:43Speaker 1: But we'll move into Part three soon after, and Part
- 1:47Speaker 1: three is much shorter, and then we'll get to the
- 1:50Speaker 1: end of the terminus. Sokka. This is something I wrote
- 1:54Speaker 1: for National Novel Writing Month, I believe in twenty eleven.
- 2:00Speaker 1: But I have got to tell you, Samantha. I know
- 2:03Speaker 1: I said, I say this and everyone, I swear to god,
- 2:07Speaker 1: I wrote this before I played The Last of Us.
- 2:10Speaker 1: But there is literally a place called like Firefly Winery
- 2:19Speaker 1: in here. It's wild to me, like what was going
- 2:23Speaker 1: on Firefly? Oh yeah, what was going on in my brain?
- 2:27Speaker 3: Which I'm mistaken to be like a mixed drink fire vodka,
- 2:31Speaker 3: but it's just straight vodka.
- 2:33Speaker 1: And I just gave it to in front of the
- 2:35Speaker 1: show case.
- 2:36Speaker 2: She took it like a She was like, do you
- 2:39Speaker 2: mind if I get a mixer?
- 2:42Speaker 4: Yes.
- 2:43Speaker 1: This is when we were doing our Last of Us
- 2:46Speaker 1: watch parties and we were doing theme drinks and Fly
- 2:51Speaker 1: vodka which we brought. Yeah, yes, somehow don't know or remember.
- 3:00Speaker 1: Firefly is a big It's like a big It's like
- 3:03Speaker 1: the Resistance in the Last of Us. So I was
- 3:07Speaker 1: reading this, like what predictions? She just knew predictions or
- 3:13Speaker 1: maybe I'm just way off about the date. That is
- 3:15Speaker 1: entirely possible, But I could have sworn I wrote the
- 3:17Speaker 1: first one in twenty ten, and I wrote the next
- 3:18Speaker 1: one the next year. Oh no, someone's gonna come and
- 3:21Speaker 1: like debunk this. She wasst this is like my worst fear,
- 3:26Speaker 1: and I'm so embarrassed by it that I'll say something
- 3:29Speaker 1: minorly wrong and someone we'll be like, we can't trust anything.
- 3:33Speaker 1: She said, anyway, Yeah, I mean the game came out
- 3:39Speaker 1: in twenty thirteen. I don't know, Okay, okay, whatever. Anyway,
- 3:44Speaker 1: it's it's so content warning for disease aftermath of violence
- 3:50Speaker 1: into the world, stuff, internalized shame, and discussions of infertility.
- 3:57Speaker 1: Here is a brief summary. There is a disease called
- 4:01Speaker 1: HSV five that has decimated the human population, has made
- 4:05Speaker 1: having children incredibly difficult. The state, which is essentially the
- 4:09Speaker 1: government institution, alongside the religious organization, arm to control of
- 4:13Speaker 1: every part of reproduction. Our protagonist, Tilda escaped with her
- 4:17Speaker 1: illegally conceived child, Madison. They've been on their run from
- 4:22Speaker 1: enforcers of the government for seven years. She encounters the Resistance,
- 4:26Speaker 1: who claims that there is a vaccine, only to be
- 4:29Speaker 1: betrayed by them, and learns that there is a vaccine,
- 4:32Speaker 1: but ARM has destroyed all but two samples of it.
- 4:35Speaker 1: Tilda ventures with Madison into the heart of DC and
- 4:38Speaker 1: learns that the leaders of ARM are Madison's grandparents. In
- 4:42Speaker 1: a violent confrontation, Madison receives the last vaccine. Untilda broadcast
- 4:47Speaker 1: out over the national system what ARM and the state
- 4:50Speaker 1: has done. They then flee and have been on the
- 4:53Speaker 1: run since then, not knowing who to trust. They have
- 4:56Speaker 1: braved harsh Weather, heard a broadcast from the leader of
- 4:59Speaker 1: the resistance trying to convince them to come back to DC,
- 5:02Speaker 1: and survived a brutal attack. After a tense conversation and
- 5:06Speaker 1: some recovery, they are setting out once again. So that
- 5:10Speaker 1: is where we are. Let us get into both she
- 5:27Speaker 1: and Madison rose.
- 5:28Speaker 4: Early.
- 5:29Speaker 1: Tilda felt like a set of badly screwed together bones
- 5:32Speaker 1: in a much abused suit of skin. They followed their
- 5:36Speaker 1: regular morning routine pop tarts. This day strawberry flavored and
- 5:40Speaker 1: bottles of water. Tilda found a pan and poured some
- 5:43Speaker 1: water for Scalp, who drank it thirstily. The pop tarts
- 5:47Speaker 1: stuck painfully, and Tilda's throat she fought valiantly to keep
- 5:51Speaker 1: her pain from showing on her face. Without much said
- 5:55Speaker 1: between them, they packed up, collected the flashlight from the table,
- 5:58Speaker 1: zipped jackets and tied boots, adjusted hats and gloves, and
- 6:02Speaker 1: exited the farmhouse, Madison leading Scout by the reins. Tilda
- 6:07Speaker 1: passed a mirror, her step faltering at the sight of
- 6:10Speaker 1: her face, her throat decorated with hues of reds, purples, blues, blacks,
- 6:15Speaker 1: her eyes bloodshot, her face puffy in red, angry red
- 6:19Speaker 1: welts and specks of red cuts, purple bruises, wringing her neck,
- 6:23Speaker 1: and red scratches from fingernails. A cocktail of anger and
- 6:28Speaker 1: shame flared up within her, and she looked away, unable
- 6:31Speaker 1: to face the ugly, damaged creature wearing her face. The
- 6:35Speaker 1: air outside was brisk and chilly, but not the brutal
- 6:38Speaker 1: cold they become accustomed to over the past few weeks.
- 6:41Speaker 1: She shut the door behind them, and they stepped down
- 6:44Speaker 1: the stairs where they both mounted Scout, Tilda struggling more
- 6:48Speaker 1: than usual with the soreness of her joints. The sun
- 6:51Speaker 1: was still middling near the horizon, so early was their start.
- 6:55Speaker 1: As they passed through the rows of papery dried out
- 6:57Speaker 1: corn husk, they took the right on Seneca Hollow Road,
- 7:00Speaker 1: heading southwest. A few rusted skeletons of cars were abandoned
- 7:05Speaker 1: on the side, one of them with little sprouts growing
- 7:08Speaker 1: out the hubcaps. Not too long after they had left
- 7:11Speaker 1: the farmhouse behind, they crossed over a small river on
- 7:14Speaker 1: a rickety wooden bridge that Tilda was afraid would collapse
- 7:17Speaker 1: underneath them. Though it creaked and wriggled with each of
- 7:20Speaker 1: scouts steps, the wood held. Tilda released the breast she'd
- 7:24Speaker 1: been holding. When they reached the solid ground on the
- 7:26Speaker 1: other side. She was just as relieved that Scout kept
- 7:29Speaker 1: up the quicker pace Tilda had been pushing her to
- 7:32Speaker 1: maintain the road. Beard sharply left and Tilda followed it,
- 7:36Speaker 1: her eyes darting from side to side, the pain pulsing
- 7:39Speaker 1: through her body making it difficult to focus. She needed
- 7:43Speaker 1: something else to anchor her. What were you dreaming about
- 7:48Speaker 1: last night? Mouse, She felt him tense. Did I wake
- 7:52Speaker 1: you up? Was his response. A moment later, Recognizing the
- 7:57Speaker 1: diversionary tactic, Tilda responded with I was already awake. I
- 8:01Speaker 1: had a bad dream myself. What did you dream about?
- 8:05Speaker 1: Tilda chuckled humorlessly, I asked you first? Another pause. I
- 8:13Speaker 1: don't remember. You don't have to tell me if you
- 8:17Speaker 1: don't want to, but I think it might help. Tilda
- 8:21Speaker 1: new talking about these things wasn't easy for either of them,
- 8:24Speaker 1: but she didn't want Madison to suffer in silence if
- 8:27Speaker 1: she could do something to help. Madison waited for another
- 8:31Speaker 1: long minute, his shoulders tense. I jumpte couldn't find you,
- 8:37Speaker 1: he relented quietly. I didn't know where you were. I
- 8:41Speaker 1: was all alone. Tilda didn't press, even though she could
- 8:44Speaker 1: tell there was more. She was sure that that was
- 8:47Speaker 1: what it boiled down to. Most of her nightmares, reduced
- 8:50Speaker 1: to the bare bones of the fear that they played on,
- 8:52Speaker 1: were essentially that as well. I don't know what i'd
- 8:58Speaker 1: do if you weren't here. I think i'd die, he
- 9:01Speaker 1: admitted quietly. Tildo's heart clenched. You're stronger than you think,
- 9:08Speaker 1: she told him, just as quietly. He shook his head,
- 9:11Speaker 1: but she spoke over him before he could say anything. Yes,
- 9:14Speaker 1: you are. You're stronger than you know. He didn't respond,
- 9:19Speaker 1: but it was obvious he didn't believe her. What'd you
- 9:23Speaker 1: dream about? He asked, the same kind of thing. Tilda
- 9:28Speaker 1: tugged on the reins, pushing Scout to speed up, but jumped.
- 9:32Speaker 1: I'd lost you and I didn't know where I was.
- 9:35Speaker 1: All I knew was that I had to find you again.
- 9:39Speaker 1: Did you find me, Madison asked, No, she thought to herself,
- 9:47Speaker 1: she never did. It was just a dream, she intoned.
- 9:52Speaker 1: Scanning the tree lines a head, she could make out
- 9:56Speaker 1: what looks like a major highway intersecting the one they
- 9:59Speaker 1: were following. But if I ever lost you, Mause, I'd
- 10:03Speaker 1: never stop looking for you. I would never stop until
- 10:06Speaker 1: I found you. You know that, right, Madison sniffled. I
- 10:13Speaker 1: know you won't be alone, not as long as I'm alive.
- 10:19Speaker 1: She couldn't be sure why these words were tumbling from
- 10:21Speaker 1: her lips, but she felt it was important for him
- 10:23Speaker 1: to know. Okay, Madison said, in a watery voice. You
- 10:31Speaker 1: believe me, she pressed. Yes. Madison's whisper was almost lost.
- 10:38Speaker 1: You'd find me. That was different than she'd never stop looking.
- 10:43Speaker 1: But she wanted to believe that too, that no matter
- 10:45Speaker 1: how lost Madison was to her, no matter how well
- 10:48Speaker 1: she was to herself, she'd find him again. She'd never
- 10:53Speaker 1: stop looking. She wouldn't know how. Signs begin to pop
- 11:00Speaker 1: up for Interstate eighty one. The closer they came to it,
- 11:03Speaker 1: the more nervous Tilda grew six thirty six road they
- 11:07Speaker 1: were on ramped over it the inner state, passing under
- 11:12Speaker 1: Scout gambled up the cracked slope, and the tree line broke.
- 11:16Speaker 1: They were out and open. Tilda hunched in on herself,
- 11:19Speaker 1: glancing down the length of the highway from their vantage
- 11:22Speaker 1: point above it, a jungle of abandoned trucks, RVs, sedans, SUVs,
- 11:27Speaker 1: a maze, crammed into each other at different angles, stretching
- 11:31Speaker 1: as far as her eyes could make out. In the
- 11:33Speaker 1: distance to the north, she could make out pinpoints of
- 11:36Speaker 1: figures people making the journey to DC. Tilda hoped they
- 11:40Speaker 1: were too focused on the hardship ahead of them to
- 11:42Speaker 1: look behind them and see the woman and child crossing
- 11:45Speaker 1: on horseback. A chunk of the bridge had crumbled away
- 11:49Speaker 1: on one side, slabs of asphalts of varying sizes hanging
- 11:52Speaker 1: from cables, and bent metal rods dangling like vines. Tilda
- 11:58Speaker 1: gave the gap a wide berth, afraid it collapsed if
- 12:01Speaker 1: they put too much weight near it. The highway sloped
- 12:04Speaker 1: down and back to solid ground, once again, ensconcing them
- 12:07Speaker 1: in pine trees. Tilda relaxed the tiniest bit, glancing over
- 12:12Speaker 1: her shoulder, suddenly afraid she'd see the corpses of Ellis
- 12:15Speaker 1: and Jake mindlessly shambling after them. It was a brighter
- 12:19Speaker 1: day than it had been in a long time. The sun,
- 12:22Speaker 1: in sharp contrast to the crisp blue sky. Six thirty
- 12:26Speaker 1: six curved to run parallel with the interstate, but a
- 12:28Speaker 1: clump of trees shielded them from view, giving them a
- 12:31Speaker 1: small measure of security. Six thirty six forked, branching off
- 12:35Speaker 1: into eight twenty one. Tilda slowed scouted, but quickly decided
- 12:39Speaker 1: to skew right and thus more westerly on eight twenty one,
- 12:43Speaker 1: in order to put more distance between them and the
- 12:45Speaker 1: highway and the bodies they'd left behind in Lafayette, along
- 12:49Speaker 1: with a camp of people surely looking for them. Eight
- 12:53Speaker 1: twenty one was an even smaller highway than six thirty six,
- 12:57Speaker 1: all the back roads connecting to it containing hollow and
- 13:00Speaker 1: knee Ginger Hollow, Dark Hollow, Apple hollow. The stream ran
- 13:05Speaker 1: on either side of them, gurgling water. When they reached
- 13:10Speaker 1: another fork, Tilda coaxed Scout into a convenience store parking lot,
- 13:14Speaker 1: avoiding a string of street lights hanging from a post.
- 13:17Speaker 1: She and Madison dismounted. A quick perusal of the convenience
- 13:21Speaker 1: store returned nothing useful. Scout meandered over the short distance
- 13:25Speaker 1: to the stream for water. Tilda kept an eye on her,
- 13:28Speaker 1: but doubted Scout would run from them. Now can I
- 13:32Speaker 1: feed her? Madison asked, as Tilda pulled out two granola
- 13:35Speaker 1: bars and two small bottles. Yes, after we eat. Madison
- 13:41Speaker 1: nodded his consent. Munching on his granola bar. Tilda took
- 13:44Speaker 1: a bite, then immediately regretted it as it grated down
- 13:47Speaker 1: her throat. Madison watched her like a hawk, so she
- 13:50Speaker 1: forced the rest of the unappetizing, dust tasting bar down,
- 13:54Speaker 1: chasing every bite with water. Scout had wandered back and
- 13:58Speaker 1: was watching them alternately. Madison popped up and gathered a
- 14:02Speaker 1: handful of the pellets from her pouch and fed them
- 14:04Speaker 1: to her. She ate them hungrily and tilted neew a
- 14:07Speaker 1: flash of guilt. She'd been pushing Scout harder and harder,
- 14:10Speaker 1: but there was not much to feed her with or
- 14:12Speaker 1: in the way of water either, But she'd just have
- 14:16Speaker 1: to make de like the rest of them. They packed
- 14:20Speaker 1: back up and set off again following eight twenty one.
- 14:23Speaker 1: At the fork, a roaring sound grew gradually louder. A
- 14:27Speaker 1: river ran along the road, white capped with melted ice.
- 14:31Speaker 1: They traveled against its current for a couple of miles
- 14:33Speaker 1: before they crossed over it, the white noise loud in
- 14:36Speaker 1: their ears. The road continued north for another mile and
- 14:40Speaker 1: then turned sharply south, dead ending into six zero three,
- 14:45Speaker 1: which followed closely along the river in the opposite direction
- 14:47Speaker 1: they'd just traveled.
- 14:50Speaker 3: This time.
- 14:50Speaker 1: Tilda didn't even hear the click are the static, just
- 14:54Speaker 1: all of a sudden, her mother's voice, quiet and close.
- 14:57Speaker 1: At first, she thought she was hallucinating, but Madison alted
- 15:00Speaker 1: as if electrified, telling her he'd heard it too. Till
- 15:04Speaker 1: the my child, it's your mother, she implored wetly. She
- 15:10Speaker 1: was near tears, her words textured with emotion.
- 15:14Speaker 3: Again but this time under very different circumstances.
- 15:20Speaker 1: A pause and the transmission. Tilda looked around wildly, causing
- 15:24Speaker 1: Scout to stamp in a semicircle. Confused, you understood.
- 15:29Speaker 4: The code I gave you in my last transition.
- 15:31Speaker 1: You must have another laugh. A lump lodged and tiled
- 15:36Speaker 1: his throat.
- 15:38Speaker 4: I reminded you where you came from. I told you
- 15:41Speaker 4: to fight, and you did. You were stronger than I
- 15:45Speaker 4: ever did have imagine it.
- 15:47Speaker 1: Tilda's vision was blurry with tears. She corrected course, determined.
- 15:53Speaker 1: Masen tried to spin and look at her, but couldn't
- 15:55Speaker 1: on Scout's back.
- 15:57Speaker 4: You don't have to fight any more, baby, You've done
- 16:01Speaker 4: your part.
- 16:02Speaker 3: We're working on manufacturing vaccine a mass pucing it from
- 16:06Speaker 3: the one.
- 16:06Speaker 5: We recovered from the vaults of arm Headquarters, members of
- 16:10Speaker 5: Armor and custody. As a leaders of the state, we
- 16:14Speaker 5: have formed a transient governments with members of the existence
- 16:17Speaker 5: other civilians.
- 16:19Speaker 4: We hoped to hold elections soon.
- 16:23Speaker 2: More and more people flood in every day, more than
- 16:26Speaker 2: I thought was still a lot.
- 16:28Speaker 3: Children will too, It's been so long since I've seen one.
- 16:34Speaker 1: Tilda wondered if her hair was gray and her face wrinkled.
- 16:38Speaker 1: The image she pulled up of her mother was blurry,
- 16:41Speaker 1: fuzzy edges she could barely remember.
- 16:46Speaker 4: I want to meet mass, my grandson. I want to
- 16:51Speaker 4: see my daughter again.
- 16:54Speaker 1: I want you to know how her voice broke, how
- 16:59Speaker 1: proud your.
- 17:00Speaker 4: Father and I am with you, and how much I'd
- 17:02Speaker 4: love you. But I know that the last time I
- 17:06Speaker 4: sent a message like this to you, it was a chap.
- 17:10Speaker 3: I know he'd been betrayed and hunted and almost killed.
- 17:15Speaker 3: Right here.
- 17:17Speaker 4: And DC, your child was always taken from you. Trust me,
- 17:23Speaker 4: and I know what that's like.
- 17:26Speaker 1: Tilda remembered suddenly herself screaming for her mother as the
- 17:30Speaker 1: enforcers led her from her child at home. The look
- 17:33Speaker 1: of shock and horror on her mother's face. She'd always
- 17:36Speaker 1: assumed it had been due to the realization that her
- 17:38Speaker 1: daughter was pregnant. She'd never thought about how her mom
- 17:42Speaker 1: must have felt afterwards, barred from seeing her daughter, her
- 17:46Speaker 1: only child. Her mother continued, the day they took you.
- 17:51Speaker 4: From me, if I could go back, i'd fight harder.
- 17:56Speaker 3: I fight everything I had to keep you, just as
- 18:00Speaker 3: you've done, per son. I understand you can't come back now.
- 18:05Speaker 3: Trust comes with time. And the healing of blues.
- 18:09Speaker 2: But just know your father will be worried for you
- 18:13Speaker 2: when you're right. We're building a better world for Madison,
- 18:19Speaker 2: wherever you are.
- 18:21Speaker 3: I hope that you can hear this and that you're safe.
- 18:25Speaker 3: That you know that I love you and Madison.
- 18:30Speaker 1: Madison whipped his head around so quickly she was worried.
- 18:32Speaker 1: He twisted right off his shoulders.
- 18:35Speaker 4: I love you too. I can't wait to see you.
- 18:40Speaker 1: On other pause and then please stay safe. The transmission
- 18:48Speaker 1: cut out. Tilda stared at the speakers as if she
- 18:52Speaker 1: could see through them to their origin, if she could
- 18:55Speaker 1: see her mother's face. A tear trickled down her cheek,
- 18:59Speaker 1: and she took a gasping breath. She was more confused
- 19:03Speaker 1: than ever. She turned her mother's words over and over
- 19:06Speaker 1: again in her head, clanging around in her skull, unable
- 19:10Speaker 1: to suss out if it was another trap. The words
- 19:13Speaker 1: behind the words, her mother understood, though they were remembers
- 19:18Speaker 1: of the same club now, the club where your needs
- 19:20Speaker 1: were almost exclusively tied up in the needs of someone else,
- 19:24Speaker 1: in the need to keep them safe. Her mother understood.
- 19:29Speaker 1: It was strange, but she never thought that her mother
- 19:31Speaker 1: must view her in this way as well. She never
- 19:34Speaker 1: imagined she could feel the level of love she felt
- 19:36Speaker 1: for Madison, much less that someone could feel such an overwhelming,
- 19:40Speaker 1: powerful emotion of love for her. Tilda wiped at her
- 19:45Speaker 1: cheeks and pulled at their reins, pushing scout forward. What
- 19:49Speaker 1: do we do, Madison asked? We keep going, Tilda said, roughly,
- 19:55Speaker 1: marveling that this was the second time her mother had
- 19:57Speaker 1: sent her a message over the universal broadcast system. But
- 20:02Speaker 1: your mother will understand, Tilda cut in. Madison waited, restless.
- 20:12Speaker 1: Will I ever meet her? I want to meet her
- 20:15Speaker 1: and your dad. You will one day. Mouse. We just
- 20:20Speaker 1: have to let things settle down and become safer. Then
- 20:24Speaker 1: we'll go back and I'll introduce you to my parents. Deal.
- 20:29Speaker 1: After considering the terms, Madison agreed. Deal. Do you think
- 20:36Speaker 1: they'll like me? Tilda laughed, kissing the top of his head.
- 20:42Speaker 1: They'll love you, baby, and they'll like you too, I hope, so,
- 20:48Speaker 1: Madison said, wistfully. I know. So. They lulled into silence, Tilda,
- 20:54Speaker 1: still on edge that they were being watched. Hearing her
- 20:57Speaker 1: mother's voice had sent her heart galloping, electrified her nerves,
- 21:01Speaker 1: but she was so tired that it was morphing into
- 21:03Speaker 1: a pounding headache in a sort of adrenaline. She couldn't
- 21:09Speaker 1: keep still, which aggravated her soer muscles. She could tell
- 21:13Speaker 1: she was putting Madison on edge with her nervousness. Every
- 21:16Speaker 1: time they passed a speaker mounted on a pole, she
- 21:19Speaker 1: stared at it as if it could see her, at
- 21:21Speaker 1: being waiting to speak to her, to tell her that
- 21:23Speaker 1: they were coming for her. A train whistle blew in
- 21:29Speaker 1: the distance. Untilda badly jumped, startling scout into a brief
- 21:32Speaker 1: running start. It was some ways away, by the sound
- 21:36Speaker 1: of it, north, but Tilda felt as if it were
- 21:38Speaker 1: chasing them, the howl of a ghostly specter bearing down
- 21:41Speaker 1: on them, refusing to let them forget the machinations of
- 21:45Speaker 1: a dying race. As the sun sank lower and lower,
- 21:50Speaker 1: the river sneaking along next to them, Tilda spotted a
- 21:53Speaker 1: wood wash sign that read firefly Vineyards. By the looks
- 21:57Speaker 1: of it, there was nothing else for a good thirty
- 21:59Speaker 1: minute by horseback. What's a vineyard, Madison asked, stuttering over
- 22:05Speaker 1: the new word. Tilda corrected the pronunciation and then explained,
- 22:10Speaker 1: it's a place. It used to be a place where
- 22:13Speaker 1: people grew grapes to make wine. What's wine, Madison followed
- 22:19Speaker 1: up innocently. Tilda smiled, it's sort of a juice made
- 22:25Speaker 1: from fermented grapes. Fermented, Madison parroted, bewildered, it's an aging
- 22:32Speaker 1: process that turns the sugar and foods to acid, or,
- 22:36Speaker 1: in the case of wine, into alcohol. Alcohol, Maison repeated,
- 22:43Speaker 1: it's a chemical that makes people feel funny. Adults used
- 22:47Speaker 1: to drink it as expected. Madison asked, why for fun
- 22:56Speaker 1: to feel better? To make things easier? Sometimes forget it
- 23:02Speaker 1: makes things easier for some people. It makes you less afraid,
- 23:08Speaker 1: are easier to talk to other people. Madison shook his head.
- 23:14Speaker 1: She knew that he had a lot more questions, but
- 23:16Speaker 1: was refraining from asking them. Tilda was sure the topic
- 23:19Speaker 1: would re emerge later. The road up to the vineyard
- 23:23Speaker 1: was steep and unpaved. Scout had to labor carefully up it,
- 23:28Speaker 1: the dirt and gravel treacherous beneath her hoofs. Large twisted
- 23:32Speaker 1: trunks lined the winding path whethered stone statues peeked through
- 23:37Speaker 1: the trees, Bears and hawks and other wildlife. Elaborate cursive
- 23:41Speaker 1: letters carved into the stone are rendered illegible with time.
- 23:46Speaker 1: The light dimmed rapidly as they reached the top, a
- 23:49Speaker 1: mansion looming on the hill's peak. All around them, grapevines
- 23:52Speaker 1: had grown wildly from their trellis, dead with frost, but
- 23:56Speaker 1: waiting to bloom again. Did they still grow grape? She
- 23:59Speaker 1: wondered from the spring, with no one here to eat them,
- 24:03Speaker 1: was there still wine? A quaint stone bridge crossed over
- 24:08Speaker 1: a small stream and passed a crumbling fountain. Tilda hopped
- 24:11Speaker 1: off on the stone path on the other side, helping
- 24:14Speaker 1: Madison down and letting Scout drink from the stream and
- 24:17Speaker 1: graze on the grass. Hand in hand, she and Madison
- 24:21Speaker 1: approached the large oak double doors with ornate handles. They
- 24:26Speaker 1: looked at each other before Tilda reached out and grasped
- 24:28Speaker 1: the handle, leveraging her weight to pull it open. The
- 24:31Speaker 1: wooden panel was thick and heavy. Tilda grunted, ushering Madison
- 24:35Speaker 1: inside and slipping between the gap behind him, doing her
- 24:38Speaker 1: best to keep it from slamming heavily into place. What
- 24:42Speaker 1: would have been allowed bang was muffled to a quieter
- 24:44Speaker 1: one little victories. Inside was a wide open space, windows
- 24:50Speaker 1: making up the walls on all sides with the one
- 24:53Speaker 1: behind them, so that they could see the blue mountain
- 24:55Speaker 1: range to their north and a lake nestled in the
- 24:57Speaker 1: vineyards below them. At one time time, firefly cellars as
- 25:01Speaker 1: the plaque above the mahogany bar red, must have been beautiful.
- 25:06Speaker 1: Now it was gloomy in the dusk, orange and pink
- 25:08Speaker 1: smuted through the windows and against the dull wood and cobwebbed,
- 25:13Speaker 1: dusty empty A place like this needed to be full.
- 25:19Speaker 1: A wooden porch lined at the mansion, with an outdoor
- 25:21Speaker 1: seating area. This must have also been a restaurant as well.
- 25:26Speaker 1: A double staircase spiraled around both edges of the open room,
- 25:29Speaker 1: leading to a second story. The lights were industrial lanterns
- 25:33Speaker 1: and wooden candle holders. The floor was dark stained wood,
- 25:37Speaker 1: but mostly covered with dusty heavy rugs and shades of
- 25:40Speaker 1: bread and purple colors of wine. Tilda guest. A quick
- 25:47Speaker 1: check behind the bar revealed nothing other than glasses and
- 25:49Speaker 1: empty containers, some corkscrews and bottle stoppers. Tilda continued her inspection.
- 25:56Speaker 1: Two bathrooms and a wide open door descending into the darkness.
- 26:00Speaker 1: From the pink light of the quickly fading sunset, Tilda
- 26:03Speaker 1: could make out an iron candle holder mounted into the wall.
- 26:07Speaker 1: Tilda fished out her lighter from her backpack's side pocket
- 26:10Speaker 1: and lit it. It flared to life, only managing to
- 26:13Speaker 1: light about half the staircase. Tilda glanced back toward the door,
- 26:17Speaker 1: deciding to check on Scout before descending into the creepy basement.
- 26:21Speaker 1: She braced herself and yanked the door open. Madison slipped
- 26:25Speaker 1: out and grabbed Scout's reins, leading her inside. Thanks mouse,
- 26:30Speaker 1: Tilda stroked Scout's neck. Scout looked around, seemingly bored. As
- 26:34Speaker 1: Tilda and Madison returned to the staircase. Tilda took the
- 26:38Speaker 1: first few stairs, listening intently. Each stair whined loudly in protest.
- 26:45Speaker 1: She lit the next candle at the mount halfway down,
- 26:47Speaker 1: which illuminated the rest of the way. At the bottom
- 26:51Speaker 1: of the stairs was a floor made of stones. A
- 26:54Speaker 1: chilly draft made Tilda shudder. She lit the final candle,
- 26:57Speaker 1: and its orange glow painted the cellar. Enormous wood oaked
- 27:01Speaker 1: barrels lined both walls, fitted with spouts. The wood was
- 27:05Speaker 1: rotting in some places, giving the room an earthy, sweet smell.
- 27:10Speaker 1: At the opposite wall was a wine wrack, a diamond
- 27:13Speaker 1: patterned wooden apparatus holding what Tilda estimated to be over
- 27:16Speaker 1: one hundred dusty bottles of wine. Curious, Tilda inspected some
- 27:21Speaker 1: of the bottles, looking for vintages. She vaguely remembered that
- 27:26Speaker 1: wine was supposed to get better with age, but she
- 27:28Speaker 1: doubted that wine this ould would still be good or
- 27:30Speaker 1: even safe to drink. Nevertheless, she turned the bottles in
- 27:34Speaker 1: her hands, looking at the labels, off white with black ink,
- 27:38Speaker 1: the mountains and bobbles of light fireflies. Is this wine,
- 27:45Speaker 1: Madison asked in a hushed tone, Yes, Tilda answered equally soft.
- 27:51Speaker 1: Can we drink it? He asked eagerly. No, I don't
- 27:56Speaker 1: think so. Why not want to make us feel better?
- 28:01Speaker 1: Tilda smirked, No, or dehydrated, and this is really old.
- 28:07Speaker 1: It would probably make us feel much worse. Madison frowned,
- 28:13Speaker 1: sliding the bottle of wine he'd been eyeing back into place.
- 28:17Speaker 1: A loud thump reverberated from above them. They both froze. Scout,
- 28:24Speaker 1: Madison asked. Untila shook her head silently, she didn't know
- 28:29Speaker 1: another sound, creaking, Gesturing for Madison to be quiet, she
- 28:34Speaker 1: crept toward the stairs. Knowing there was no way she
- 28:37Speaker 1: could ascend them without making creaking sounds of her own.
- 28:40Speaker 1: She weighed their options. They could wait down here, hiding
- 28:45Speaker 1: and hoping that it was just an old creaking house,
- 28:47Speaker 1: or scout, and if it wasn't that whoever was here
- 28:50Speaker 1: would not find them. But this option seemed highly optimistic,
- 28:55Speaker 1: with Scout resting upstairs. Yes, if this was people making
- 28:59Speaker 1: these noises, they come looking for them. Tilda spared to
- 29:02Speaker 1: glance from Madison, pulling the rifle from where it was
- 29:04Speaker 1: slung across her shoulder and adjusting it in her grip.
- 29:07Speaker 1: Her hands were shaking. What was she becoming? Were events
- 29:12Speaker 1: like these going to become a regular thing? How many
- 29:15Speaker 1: tally marks was she going to earn? How many bodies
- 29:17Speaker 1: would she leave behind? If her mother knew, what would
- 29:21Speaker 1: she think? Could she still love Tilda the murderer? Would
- 29:26Speaker 1: she still welcome her home with open arms? Tilda crept
- 29:31Speaker 1: up the stairs, pausing at each one, listening, wincing with
- 29:35Speaker 1: each creek. The gun pointed out in front of her
- 29:37Speaker 1: much too long, she could hear something from upstairs, something
- 29:42Speaker 1: so soft it could be a figment of an anxious imagination.
- 29:45Speaker 1: All the stretching and warping of wood and pipes. At
- 29:48Speaker 1: the top of the stairs, Tilda took a deep breath
- 29:50Speaker 1: that somehow felt like more oxygen than she was used
- 29:52Speaker 1: to and made her light headed. She blinked back stars.
- 29:56Speaker 1: Steadying herself, she rounded the corner, her weapon aimed. She
- 30:01Speaker 1: looked left, pivoted, squared her shoulders right. Nothing. She edged
- 30:06Speaker 1: along the back side of the wall, her heart and
- 30:08Speaker 1: her throat. The floor above her creaked, and she caught
- 30:11Speaker 1: someone whispering. Tilda's finger instinctively tightened on the trigger. Hello,
- 30:18Speaker 1: someone called, a male voice from the second story. Someone there.
- 30:24Speaker 1: Tilda trained her gun on the foot of the stairs footsteps,
- 30:27Speaker 1: patting down the right staircase. Her nostrils flared, her eyes narrowed.
- 30:32Speaker 1: Everything else fell away, but the foot of the stairs.
- 30:36Speaker 1: Is that a horse? A female voice quiet? From above?
- 30:41Speaker 1: A man appeared at the foot of the stairs, tall
- 30:44Speaker 1: stained khakis and orange bubble jacket and blue beanie pulled
- 30:47Speaker 1: tight around his head, big brown boots. His back was
- 30:51Speaker 1: to Tilda, surveying the open room. She had the perfect shot.
- 30:56Speaker 1: Her face broke out in a cold sweat, her breath quickened,
- 31:00Speaker 1: her finger twitched over the trigger, but she couldn't pull it.
- 31:06Speaker 1: She couldn't. Her aim jerked, the butt of the gun
- 31:09Speaker 1: jammed painfully against her shoulders. The man turned slowly around,
- 31:13Speaker 1: coming to face her and Madison. He shouted at the
- 31:16Speaker 1: sight of the gun aimed at him, almost dropping his
- 31:18Speaker 1: electric torch. He stumbled back several steps, almost falling, but
- 31:22Speaker 1: managed to regain his footing wide eyes with specs of
- 31:24Speaker 1: blue light bright, never leaving Tilda. What the what is it?
- 31:30Speaker 1: What do you see? A woman shouted frantically from the
- 31:32Speaker 1: second story. The man's mouth worked silently, Tilda using her
- 31:36Speaker 1: peripheral vision to seek out Scout. His eyes darted to
- 31:40Speaker 1: the second story. Shaking his head fiercely. He held his
- 31:43Speaker 1: hands up slowly, Tilda following his every move with her gun.
- 31:48Speaker 1: We don't mean you any harm, he said, his voice steady,
- 31:50Speaker 1: a deep, oddly comforting rumble, but Tilda did not waver.
- 31:56Speaker 1: Madison huddled behind her, trembling. No stay up there, the
- 32:00Speaker 1: man called, his gaze, sliding upstairs and then back down
- 32:03Speaker 1: to focus on Tilda. Scout wandered into the front room
- 32:06Speaker 1: behind him. Look, we didn't know anyone else was here.
- 32:12Speaker 1: We can leave, we can, he broke off, catching sight
- 32:15Speaker 1: of Madison his brown furring, Tilda steadied her aim, preparing
- 32:19Speaker 1: to pull the trigger once again. Wait are you Tilda?
- 32:27Speaker 1: Tilda and Madison, And that brings us to the end
- 32:50Speaker 1: of this penultimate addition of Spinty Fiction, Terminus Part two,
- 32:56Speaker 1: Dun Dum Dum cliff a lot of the cliffhangers, Oh
- 33:00Speaker 1: my gosh. Also, as I said, this is very time
- 33:04Speaker 1: and place. I can tell where I was when I
- 33:06Speaker 1: wrote this. This is when I was discovering Dalanago wineries.
- 33:10Speaker 1: That like the description of the winery at the end,
- 33:12Speaker 1: I was like, yeah, yeah, yeah, I know, I know
- 33:15Speaker 1: what you were doing. I know where you were at
- 33:19Speaker 1: I remember, I remember, you know, it's quite possible there
- 33:22Speaker 1: is a firefly winery. I don't know. Also, the names
- 33:29Speaker 1: are definitely references of this group that they encounter at
- 33:33Speaker 1: the end, are deffinitely references to my survivalist neighbors. So
- 33:37Speaker 1: take that as you will. And yeah, this message that
- 33:42Speaker 1: Tilda gets from her mom, I've always this is apparently
- 33:48Speaker 1: something I really like to do when I write. I
- 33:51Speaker 1: still do this, but kind of feel like dramatic, it's
- 33:53Speaker 1: broadcast to everybody message, but just this sort of heartfelt like,
- 33:58Speaker 1: please trust me and please come back. This was inspired
- 34:03Speaker 1: in part by a story I read that really impacted
- 34:06Speaker 1: me when I was a kid, where, uh, the child
- 34:12Speaker 1: in question just goes off and parties and causes all
- 34:15Speaker 1: this trouble and all this stuff, and then at the
- 34:19Speaker 1: end he returns home and he thinks his parents are
- 34:22Speaker 1: going to be so angry with them, and they're just
- 34:24Speaker 1: happy he's alive. So that's definitely what the inspiration was
- 34:27Speaker 1: for that that section. That is something else going on.
- 34:32Speaker 1: I don't know. I don't know, but we will find
- 34:36Speaker 1: out in the last chapter of part two coming next month,
- 34:41Speaker 1: so please keep a lookout for that. I'm really excited
- 34:45Speaker 1: for that one. As always, you can contact us if
- 34:49Speaker 1: you have any theories about this, or if you have
- 34:52Speaker 1: any suggestions with something else that we could do in
- 34:55Speaker 1: the fiction realm. You can email us a Stephanie mom
- 34:58Speaker 1: Stuff at iheartmeta dot com. You can buyse on Twitter
- 35:00Speaker 1: at mom Stuff podcast, or on Instagram and TikTok at
- 35:02Speaker 1: stuff and we Never told you for us on YouTube.
- 35:04Speaker 1: We have a Tea Pup bookstore, and we have a
- 35:06Speaker 1: book you can get wherever you get your books. Thanks,
- 35:08Speaker 1: as always to our super producer Christina, are Expected producer Maya,
- 35:12Speaker 1: and our contributor Joey. Thank you and thanks to you
- 35:14Speaker 1: for listening. Stuff Never Told You is production by Heart Radio.
- 35:17Speaker 1: For more podcasts from my Heart Radio, you can check
- 35:19Speaker 1: out the heart Radio app Apple podcast wherever you listen
- 35:21Speaker 1: to your favorite shows,