Latest / For All Nerds Show / Ironheart Episode Five: "Karma's A Glitch" Review & Reaction!

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Ironheart Episode Five: "Karma's A Glitch" Review & Reaction! · For All Nerds Show

• 0:00
  Speaker 1: What's up.
• 0:00
  Speaker 2: You're listening to four All Nerds. And on this episode,
• 0:02
  Speaker 2: we talked about episode five of Iron Heart, in which
• 0:06
  Speaker 2: White Castle tries to compete with waffle House.
• 0:10
  Speaker 3: For best fight ever.
• 0:25
  Speaker 4: The first thing that hit me on SO five was
• 0:28
  Speaker 4: that when they was first of all, this was the
• 0:30
  Speaker 4: Battle Royale in White Castle.
• 0:32
  Speaker 5: I was just I love that.
• 0:34
  Speaker 1: Okay, people have been upset about that.
• 0:37
  Speaker 2: Why well, like for people who have seen everything like us,
• 0:41
  Speaker 2: because that was like one of the things where they're
• 0:43
  Speaker 2: like this, they could have fought in I don't know,
• 0:45
  Speaker 2: the Chicago Fast Food or us that's in Chicago.
• 0:48
  Speaker 4: I mean it's also in New York. So yeah, that's
• 0:51
  Speaker 4: the thing. Are those people who were complaining from Chicago.
• 0:56
  Speaker 5: Then to fight?
• 0:57
  Speaker 4: And what's that the name of the hot spot?
• 1:00
  Speaker 5: Chicken?
• 1:01
  Speaker 1: Harold Chicken, Harold Chicken. Yeah, Harold don't have that much.
• 1:06
  Speaker 1: I've never been in Harolds. It's so good.
• 1:08
  Speaker 5: That's not what the was wrong with.
• 1:10
  Speaker 3: First of all, white cous will probably pay that bread to.
• 1:13
  Speaker 6: Get but let me, can I say something about this?
• 1:17
  Speaker 6: So I feel like, I don't know, white Castle kind
• 1:20
  Speaker 6: of screwed themselves because she throws up her White Castle.
• 1:26
  Speaker 6: I was like let's be real exactly, That's what I'm saying,
• 1:30
  Speaker 6: Like it's one or the other, it's gonna come out.
• 1:34
  Speaker 3: No shade, shade the white Castle. I grew up with
• 1:36
  Speaker 3: that white.
• 1:41
  Speaker 2: Castle as a Estonian dog. I never like white Castle
• 1:46
  Speaker 2: was saying that rappers talked about. That was not a
• 1:50
  Speaker 2: did you'll have a white house?
• 1:57
  Speaker 4: Maybe not you in Houston, but down sow they have
• 2:00
  Speaker 4: thing called crystals and the States, which is almost equivalent.
• 2:04
  Speaker 1: To we have water burger.
• 2:06
  Speaker 4: Yeah I'm not We're talking about very particular type of burger.
• 2:08
  Speaker 4: We're talking about that, well, not white Castle.
• 2:12
  Speaker 5: You know, we're talking about sliders.
• 2:14
  Speaker 7: Were talking about slag, But did y'all have sliders?
• 2:19
  Speaker 5: Did you have a place to have sliders?
• 2:21
  Speaker 2: No?
• 2:21
  Speaker 1: Nothing.
• 2:23
  Speaker 2: Sliders was the thing that like, it wasn't until like
• 2:25
  Speaker 2: very recently in my life that I was like, okay,
• 2:28
  Speaker 2: you know, like yeah, you know yeah.
• 2:29
  Speaker 3: Black castles up north of New York.
• 2:31
  Speaker 4: I didn't even realize they did it like that in
• 2:33
  Speaker 4: Chicago's When I saw it, I was like, well that's familiar,
• 2:35
  Speaker 4: but yeah, this fight happening, you know again, I felt like.
• 2:38
  Speaker 3: I was on a teching stage.
• 2:39
  Speaker 1: It was.
• 2:39
  Speaker 4: I loved it so random and like it was in
• 2:43
  Speaker 4: the neighborhood. It wasn't like some random set piece. It
• 2:47
  Speaker 4: wasn't on top of the tallest tower. It was on
• 2:51
  Speaker 4: the ground in a fucking restaurant that happened to be
• 2:54
  Speaker 4: on the strip where you be at.
• 2:55
  Speaker 3: Like that makes sense to me.
• 2:57
  Speaker 2: All white castles look alike to so like the one
• 2:59
  Speaker 2: that I've been in, you know, the same familion.
• 3:03
  Speaker 4: Familiarity to remember. I think I gotta say this, the
• 3:05
  Speaker 4: show is very black white. I'm not saying only white
• 3:08
  Speaker 4: black people go to White Castle because they love White
• 3:10
  Speaker 4: Castle in Japan, I'm gonna tell you that.
• 3:12
  Speaker 3: But black people know White Castle.
• 3:14
  Speaker 5: Okay.
• 3:15
  Speaker 4: When you see that, especially from a certain region anyway,
• 3:17
  Speaker 4: and when you see that ship.
• 3:18
  Speaker 3: Is like I know that I know that place. That's
• 3:22
  Speaker 3: for real.
• 3:22
  Speaker 6: The first time I had White Castle was I was
• 3:24
  Speaker 6: living I lived in Chicago. I used to work at
• 3:27
  Speaker 6: Best Buy and we used to have six am meetings
• 3:31
  Speaker 6: on Saturdays, and after those meetings we'd all go to
• 3:34
  Speaker 6: White Castle. So that definitely is a Chicago for your thing.
• 3:38
  Speaker 1: So it's you.
• 3:40
  Speaker 4: Said, after six am, whats they.
• 3:44
  Speaker 1: Was there in the morning? We were up in the morning.
• 3:46
  Speaker 2: We went to one get them breakfast sandwiches right there and.
• 3:51
  Speaker 3: Cheese burgers on your rings at six.
• 3:54
  Speaker 6: Am, seven eight, but not the best.
• 4:00
  Speaker 1: It was just funny that White Castle.
• 4:01
  Speaker 6: It was just like it was so it was it
• 4:03
  Speaker 6: was random, but it wasn't because it was just like, oh,
• 4:07
  Speaker 6: White Castle, you know what they're doing. They're ruining your
• 4:10
  Speaker 6: restaurant and the lead character is the lead character threw
• 4:15
  Speaker 6: up your food.
• 4:16
  Speaker 7: Were talking about it, but up some White Castle, right
• 4:20
  Speaker 7: I had weeks ago.
• 4:25
  Speaker 4: In fact, White Castle has become integral and pieces of
• 4:28
  Speaker 4: black culture because they helped the fund tew far so.
• 4:31
  Speaker 6: He really.
• 4:34
  Speaker 4: So yeah, you got to look at that story of
• 4:36
  Speaker 4: White Castle and how that came to be, like literally,
• 4:39
  Speaker 4: would you help?
• 4:40
  Speaker 3: And it was like.
• 4:41
  Speaker 5: That's dope, that's dope.
• 4:43
  Speaker 1: Yeah.
• 4:43
  Speaker 7: I just remember like it just just as a kid
• 4:46
  Speaker 7: going to the White Castle on Boston Road in the
• 4:48
  Speaker 7: Bronx and you could just get what felt like mad
• 4:52
  Speaker 7: food because everything is tiny. It just felt like, yo,
• 4:54
  Speaker 7: we're about to have a feast.
• 4:56
  Speaker 5: I could get.
• 4:57
  Speaker 7: I could get more than French fries as a side.
• 5:00
  Speaker 1: I was so like, that's me.
• 5:02
  Speaker 2: But my first experience for White CAUs I was like,
• 5:03
  Speaker 2: what you know, they brought out sliders.
• 5:05
  Speaker 1: I was like, Okay, this is interesting.
• 5:07
  Speaker 5: That was nasty.
• 5:09
  Speaker 2: Well what By the time I ate White Castle, I
• 5:11
  Speaker 2: was only eating fish, so I think I had like, yeah,
• 5:13
  Speaker 2: they got fish.
• 5:14
  Speaker 5: They have a good fish sandwich, they got a fish fil.
• 5:16
  Speaker 1: Air, And I remember the frod. I wasn't like mad
• 5:20
  Speaker 1: at it.
• 5:20
  Speaker 2: No, I was not like, you know, I've only been
• 5:22
  Speaker 2: to like, you know, twice in my life, I think,
• 5:24
  Speaker 2: but you know, I wasn't mad at it.
• 5:26
  Speaker 7: Now that we're talking about this White Castle fight. So
• 5:29
  Speaker 7: I do want to correct myself last week when we
• 5:31
  Speaker 7: were talking about the siblings, the Blood siblings, I actually misgendered.
• 5:37
  Speaker 7: I was trying to say they for the most part,
• 5:38
  Speaker 7: I was trying to say they, but I know I
• 5:39
  Speaker 7: flubbed a few times. But Jerry Blood is actually trans
• 5:44
  Speaker 7: masculine in both real life. And yeah, they're non binary
• 5:49
  Speaker 7: trans masculine person. And I hear it in the and
• 5:52
  Speaker 7: maybe their pronouns were used before, but I heard, uh
• 5:56
  Speaker 7: Jerry referenced as him in the White Castle.
• 6:00
  Speaker 5: Uh yeah, so when.
• 6:06
  Speaker 7: Yeah, but when rise when when when they go into
• 6:09
  Speaker 7: the into the White Castle, Jerry is like, all right,
• 6:11
  Speaker 7: everybody out, you know, we're closed or whatever, and then
• 6:14
  Speaker 7: when they don't leave, is like he said get out
• 6:18
  Speaker 7: or he said they're closed. But a lot of us
• 6:21
  Speaker 7: use multiple pronouns or whatever.
• 6:22
  Speaker 2: That's right, Yeah, okay, because that's something that like even
• 6:25
  Speaker 2: with uh, the one from magic Board, like they were
• 6:28
  Speaker 2: introduced as they and then at one point I heard
• 6:31
  Speaker 2: someone say get off her or she needs to do this.
• 6:34
  Speaker 5: Yeah, a lot of us use multiple pronouns.
• 6:37
  Speaker 7: I'm she they when somebody days me, I feel warm
• 6:40
  Speaker 7: and fuzzy and cozy inside or whatever, you know what
• 6:42
  Speaker 7: I'm saying, Like it's it's a it's a very important thing.
• 6:45
  Speaker 7: So it's not uncommon to use flex pronouns.
• 6:49
  Speaker 1: It's not as many people as I can, just because you.
• 6:52
  Speaker 7: Know, yeah, I try to do right, Yeah, yeah, yeah,
• 6:57
  Speaker 7: yeah for sure. So I tried to do that last week.
• 6:59
  Speaker 7: But I think there was a time where I missgendered them.
• 7:02
  Speaker 7: So I want to mention that. And and then I
• 7:04
  Speaker 7: in my research of this in the comics, are they
• 7:08
  Speaker 7: you want to talk about them in in the comics
• 7:10
  Speaker 7: a little bit?
• 7:10
  Speaker 5: Are they brothers?
• 7:13
  Speaker 1: And I guess they're aliens, you know, like be you know.
• 7:18
  Speaker 5: Who knows I saw them. I saw them referenced repeatedly
• 7:22
  Speaker 5: as brothers, So I.
• 7:23
  Speaker 2: Thought they call the Brothers. Chad called the Blood Siblings. Yeah,
• 7:27
  Speaker 2: I mean, but they're aliens.
• 7:29
  Speaker 1: You know, who knows?
• 7:30
  Speaker 2: They're red skinned aliens. They were created by Jim Starling
• 7:34
  Speaker 2: and they're very much alien. They don't ever, as far
• 7:37
  Speaker 2: as I know, even interact with anyone on Earth. So
• 7:40
  Speaker 2: they pretty much just took the name and you know,
• 7:41
  Speaker 2: use it on other characters. Gotcha, And I've seen that,
• 7:45
  Speaker 2: I'm not I've seen two sides of the story, so
• 7:48
  Speaker 2: I don't know which one is true. Because in the
• 7:51
  Speaker 2: slug is from Mad and in the comics there is
• 7:54
  Speaker 2: one slug that I know of who is this giant,
• 7:56
  Speaker 2: fat white man who is a crime boss and fought
• 8:00
  Speaker 2: with Captain America and Captain America's uh side kid named Nomad,
• 8:05
  Speaker 2: and when I knew them, but then someone said that
• 8:07
  Speaker 2: there's another slug in the comics who this one is
• 8:10
  Speaker 2: based off of.
• 8:11
  Speaker 1: I'm not one hundred percent sure.
• 8:12
  Speaker 2: I don't know if they just took the white Man's
• 8:14
  Speaker 2: slug and flipped it like they did with the Blood Brothers,
• 8:16
  Speaker 2: or there's another slug that is based off of I'm
• 8:19
  Speaker 2: not that there was.
• 8:21
  Speaker 4: There was an exchange in the White Castle again, which
• 8:24
  Speaker 4: I thought, again just the social commentary of the show,
• 8:27
  Speaker 4: whether that over or not. When the we just said
• 8:31
  Speaker 4: the siblings, they were saying, you know, when you know
• 8:34
  Speaker 4: the news comes and they talk about your death, and
• 8:36
  Speaker 4: and Reeve said, my death won't.
• 8:38
  Speaker 5: Make the news.
• 8:38
  Speaker 3: Yeah, I was like, like for her to have to
• 8:41
  Speaker 3: say that.
• 8:41
  Speaker 4: And then again that's when it came back again from me,
• 8:44
  Speaker 4: Jen he said, when you keep talking about how we
• 8:46
  Speaker 4: get to remember she's a child, She's a child. That's
• 8:48
  Speaker 4: when it came back for a child to be saying
• 8:50
  Speaker 4: that I'm black child.
• 8:52
  Speaker 2: That he's saying, I was like, ugh, Like that also
• 8:54
  Speaker 2: says something to how much people know about her as ironheart,
• 8:58
  Speaker 2: you know, like we were saying, I don't think the
• 9:00
  Speaker 2: whole Conda stuff is very well know, that's not if
• 9:03
  Speaker 2: it was known, like you know, like the Avengers are
• 9:05
  Speaker 2: known that fought off Thanos or fought off the thing
• 9:07
  Speaker 2: in New York, I think more people would know about
• 9:10
  Speaker 2: her dying in a white castle.
• 9:11
  Speaker 1: Right, And she's a genius.
• 9:13
  Speaker 6: I think, yeah, yeah, that's true what you say, Chris
• 9:17
  Speaker 6: about it was a genius.
• 9:19
  Speaker 1: You know, no genius is getting killed in the White Castle.
• 9:22
  Speaker 1: But not make the news. I don't know.
• 9:23
  Speaker 6: I mean, she wasn't she a Scott What about the
• 9:25
  Speaker 6: like is it the episode one or two?
• 9:27
  Speaker 2: She's a black genius? Still, like, black girl gets shot
• 9:32
  Speaker 2: in white Castle.
• 9:33
  Speaker 7: I think it would make it would make the local.
• 9:37
  Speaker 7: It would make the local black paper for sure. But yeah,
• 9:41
  Speaker 7: so she's she's also witnessed so many people die that
• 9:45
  Speaker 7: she knows how that goes.
• 9:47
  Speaker 1: She had made the news right.
• 9:49
  Speaker 7: It spoke to her relationship with death as a black
• 9:52
  Speaker 7: girl from Chicago living in Chicago, which.
• 9:55
  Speaker 1: Is Heregarian, Natalie didn't make the news right.
• 9:59
  Speaker 4: And and and that I everything y'all just said I
• 10:01
  Speaker 4: just thought about in that moment. And then that also
• 10:03
  Speaker 4: made it hard to take use like she was just
• 10:05
  Speaker 4: telling her truth and I was just like, fuck for
• 10:07
  Speaker 4: you to have to even deal with that thought, which
• 10:09
  Speaker 4: is what we deal with all the time as black
• 10:11
  Speaker 4: people in America.
• 10:12
  Speaker 1: So I did.
• 10:15
  Speaker 2: And before we get I mean, we were talking about it,
• 10:17
  Speaker 2: but like one thing we didn't talk about was the
• 10:19
  Speaker 2: two fights. Well before the two fights is dimension of
• 10:21
  Speaker 2: Dormammu in the scene, and you know, Zelma was saying
• 10:25
  Speaker 2: that it's Dormamu who's controlling everything or behind the hood.
• 10:29
  Speaker 2: And what did y'all feel about that?
• 10:31
  Speaker 3: I thought it was funny because we know that's not
• 10:32
  Speaker 3: the case. I already knew her jumping. I'm like, that's
• 10:35
  Speaker 3: not fucking Dormamu. Like we trained dealt with Dormama already.
• 10:39
  Speaker 3: He played his ass.
• 10:40
  Speaker 4: Yeah, how many times he did that that scene over
• 10:43
  Speaker 4: and over again against him, Remember in the movie where
• 10:46
  Speaker 4: he just kept bargaining with him, like literally maybe nine
• 10:50
  Speaker 4: hundred and ninety nine thousand times or.
• 10:52
  Speaker 3: Some shit like that.
• 10:53
  Speaker 4: He already played his ass and Dormama say, get the
• 10:55
  Speaker 4: fuck out of my house. So we knew Dormamu had
• 10:57
  Speaker 4: nothing to do with this. I did anyway, dor.
• 10:59
  Speaker 7: Mamu look like a nigga in one of those hotel pamphlets.
• 11:03
  Speaker 5: That's how deep the hotel bullshit can get.
• 11:06
  Speaker 7: Where you annually, where you're not looking at a comic book,
• 11:08
  Speaker 7: you're looking at her for real as black fucking literature. Okay,
• 11:12
  Speaker 7: and it's fucking black people passing these fucking pamphlets around
• 11:16
  Speaker 7: with aliens and shit in them.
• 11:18
  Speaker 2: Okay, anyway, coming soon, Oh oh.
• 11:24
  Speaker 1: God, we got pat that.
• 11:28
  Speaker 4: But I just want to get back and I'm going
• 11:30
  Speaker 4: to fast forward a bit just so that we can
• 11:31
  Speaker 4: get through. But really like it was several things that
• 11:34
  Speaker 4: other things and more like these realization points right cause
• 11:36
  Speaker 4: Brand and the heroes.
• 11:37
  Speaker 1: Are this episode we need to talk about.
• 11:40
  Speaker 4: Yeah, some big so we talked so you mentioned it earlier, Well, no,
• 11:43
  Speaker 4: maybe a few EPs ago. He was just like, you know,
• 11:44
  Speaker 4: the mom asked, why are you doing this irons man
• 11:47
  Speaker 4: suit and the iron suit?
• 11:48
  Speaker 3: Excuse me?
• 11:49
  Speaker 4: And Rev says, because I could, And then you know,
• 11:51
  Speaker 4: she makes sure dig deeper. And that's what we're seeing
• 11:53
  Speaker 4: that happened over and over this episode where it's just
• 11:55
  Speaker 4: like like Rea Re.
• 11:57
  Speaker 3: Again, she's going through so much.
• 11:58
  Speaker 4: Yes, she's a child, and it's so much to calculate
• 12:02
  Speaker 4: and interrogate in her mind, in her in her spirit
• 12:05
  Speaker 4: about everything happening, and it's stuff that she still has
• 12:07
  Speaker 4: not come to turns. But she has not come to
• 12:09
  Speaker 4: terms with the death of her stepfather, the death of
• 12:12
  Speaker 4: her best friend, the way that whole shit happened, which
• 12:15
  Speaker 4: was traumatic. She has not come to terms with none
• 12:17
  Speaker 4: of that shit and allowed herself to heal from or
• 12:20
  Speaker 4: even begin to heal from.
• 12:21
  Speaker 3: At least that's how I see.
• 12:22
  Speaker 4: She's still suffering deeply from it and she actually when
• 12:26
  Speaker 4: her mother like kind of pushes her to talk a
• 12:28
  Speaker 4: little bit more, she goes into why she what she says,
• 12:31
  Speaker 4: the reason why she wanted it when she says, you know,
• 12:33
  Speaker 4: the paramedics came one minute too late, and if I
• 12:35
  Speaker 4: was able to you know, they was there right, because
• 12:37
  Speaker 4: remember that's her premise. When she talks to the MIT people,
• 12:40
  Speaker 4: they said, well why are you doing this? They said,
• 12:41
  Speaker 4: this is going to revolutionize, you know, the the medical industry,
• 12:44
  Speaker 4: or does no one to revolutionize emergency care and all
• 12:47
  Speaker 4: that stuff. It's really because that was her way. She
• 12:49
  Speaker 4: can't turn change time she needed. She wanted to save them,
• 12:53
  Speaker 4: and this is her, I guess, retroactive way of potentially
• 12:56
  Speaker 4: being able to do something to say them, Like Reebe's
• 12:59
  Speaker 4: whole thing is about I need to do something I can,
• 13:03
  Speaker 4: so I should, and in that moment she couldn't. So
• 13:06
  Speaker 4: now she's been reconciling with that thought for so long
• 13:10
  Speaker 4: since that happened, don't I'm not quite sure when that
• 13:12
  Speaker 4: that that incident happened, but she's been reconciling with that
• 13:16
  Speaker 4: this whole time, on top of being at war and
• 13:18
  Speaker 4: this and this and that. So I just think, like
• 13:20
  Speaker 4: you you see that happening a lot this episode, like
• 13:25
  Speaker 4: towards This is also episode where her mom brings her
• 13:28
  Speaker 4: back to the garage and you know, Natalie Ai shows
• 13:32
  Speaker 4: her that imagery, that video of when Reebe was a
• 13:35
  Speaker 4: child dancing with her father, you know, having the good times,
• 13:38
  Speaker 4: and you.
• 13:38
  Speaker 3: See Reevee's like turn that shit off. At first, she don't.
• 13:40
  Speaker 4: Even want to deal with it again, just not being
• 13:43
  Speaker 4: able to come to terms that it's too hurtful, it's
• 13:46
  Speaker 4: too much, but then being able to sit with it,
• 13:48
  Speaker 4: go ahead.
• 13:49
  Speaker 1: I think that's the best scene in this show.
• 13:51
  Speaker 4: Yeah, it's beautiful, it's it's incredible.
• 13:54
  Speaker 6: And that's a great that's a great needle drop with
• 13:56
  Speaker 6: that that Leon Bridges and I think maybe you guys
• 13:59
  Speaker 6: might have touched on a previous episode, but like the
• 14:02
  Speaker 6: needle drops on here are really great too. And I
• 14:05
  Speaker 6: I really I'm a sucker for dad stuff, especially after
• 14:10
  Speaker 6: my dad died. But like that was just a pure
• 14:13
  Speaker 6: moment with a black man and his kid. That's powerful
• 14:18
  Speaker 6: and her and like Tatiana, like you mentioned her not
• 14:21
  Speaker 6: wanting to deal with it and Natalie saying, hey, no,
• 14:24
  Speaker 6: you gotta you have to face this. You have to
• 14:27
  Speaker 6: see this because if you forget what did she say?
• 14:31
  Speaker 6: What's I forget the.
• 14:31
  Speaker 3: Line, but don't want to forget this.
• 14:35
  Speaker 1: Right, it's a powerful scene.
• 14:36
  Speaker 6: And it's like and I think and and to our
• 14:39
  Speaker 6: discussion about the emotional intelligence, I think that's where the
• 14:43
  Speaker 6: shift is. And then that's where you see the you
• 14:47
  Speaker 6: see community come in, you see all that, all that,
• 14:51
  Speaker 6: all that, those really great montages. But I think that's
• 14:54
  Speaker 6: where you see her shift. I think that's where you
• 14:56
  Speaker 6: see her actually come to a realization to want to
• 15:02
  Speaker 6: do better until his episode six. But you know, like
• 15:05
  Speaker 6: I really thought that was a powerful scene.
• 15:08
  Speaker 2: Now I second, dad, I thought it was very powerful scene.
• 15:11
  Speaker 2: And again this shows said when people have these criticisms
• 15:14
  Speaker 2: of the show where they're like it's not well, wait,
• 15:15
  Speaker 2: it's not well directed. I'm gonna look at this montage
• 15:18
  Speaker 2: just really incredibly well done. Having all these characters come
• 15:22
  Speaker 2: back around, who were you know, some of them were introduced,
• 15:25
  Speaker 2: like the little boy in the first episode, and to
• 15:27
  Speaker 2: have him come back around and be part of this
• 15:29
  Speaker 2: community that uplift three read and just to show the
• 15:32
  Speaker 2: blackness and that you know, of a black community coming together,
• 15:36
  Speaker 2: like you said, the black dad with his daughter I mean,
• 15:39
  Speaker 2: the super emotional just everything was I thought that was
• 15:43
  Speaker 2: also great and also a really great contrast to one
• 15:49
  Speaker 2: of my big problems with this episode and how.
• 15:53
  Speaker 1: The Hood deals with his community. But I'll get to
• 15:57
  Speaker 1: that in a second.
• 15:58
  Speaker 2: Less anyone else had anything else to say on that
• 16:00
  Speaker 2: montage scene and all that.
• 16:03
  Speaker 1: That's where I keep going.
• 16:04
  Speaker 2: Then all right, well this is where you know me
• 16:06
  Speaker 2: and said definitely had you know, disagreemental discussions about last
• 16:11
  Speaker 2: week how to queer representation is on this show and
• 16:17
  Speaker 2: this episode where when I was like, well, we could
• 16:19
  Speaker 2: have saved some of that criticism, because this is where
• 16:20
  Speaker 2: I fully agree with you, Like my Manhood just basically
• 16:23
  Speaker 2: puts the whole queer contingent on the elevator and sends
• 16:25
  Speaker 2: them away and they do not return.
• 16:28
  Speaker 4: I'm laughing because it was like I was rolling on
• 16:32
  Speaker 4: my second rewatch.
• 16:33
  Speaker 2: That's when I realized this ship. I'm like, wait a minute,
• 16:36
  Speaker 2: they're not an episode sick. The last we see him
• 16:39
  Speaker 2: is get on this elevator pof.
• 16:42
  Speaker 4: All of y'all tries on his fit and he says
• 16:45
  Speaker 4: that was the last fucking straw for him.
• 16:46
  Speaker 3: He said, fuck noah. It was like a Martin episode
• 16:49
  Speaker 3: where he.
• 16:49
  Speaker 1: Goes, now get the stepping, like.
• 16:55
  Speaker 3: Fucking kicked them all the fuck out and said.
• 16:58
  Speaker 2: Jackal, and they don't like, they don't show up again
• 17:01
  Speaker 2: to help out reread nothing.
• 17:03
  Speaker 1: You know, it's just like, get the funk out of
• 17:05
  Speaker 1: this series. You literally do.
• 17:07
  Speaker 3: Not see them again.
• 17:09
  Speaker 4: Literally they even show like at the clown presses the button,
• 17:12
  Speaker 4: they show the slow mold.
• 17:18
  Speaker 5: That's enough of that.
• 17:21
  Speaker 2: And again I have to agree with you, Jay, because
• 17:23
  Speaker 2: like a lot of the marketing has featured them so
• 17:26
  Speaker 2: prominently where it's really ridiculous that they get sent away
• 17:30
  Speaker 2: like this and how they've been dealt with throughout this
• 17:32
  Speaker 2: whole series. So yeah, I was like, we could have
• 17:34
  Speaker 2: saved that, because you know, it wholeheartedly deserved it in
• 17:39
  Speaker 2: that moment.
• 17:39
  Speaker 5: That was well it deserved it when I said it.
• 17:41
  Speaker 7: But but yes, everybody else, everybody saw it. That was
• 17:45
  Speaker 7: a that was a physical, physical manifestation of that, especially
• 17:49
  Speaker 7: with the elevator clothes.
• 17:51
  Speaker 1: It was like you see on their faces staring ahead,
• 17:54
  Speaker 1: and it's.
• 17:55
  Speaker 4: Just like I was just like, like, like I said,
• 17:58
  Speaker 4: the second watch, I was laughing, like, dam they ceremoniously
• 18:01
  Speaker 4: ushered them out text.
• 18:04
  Speaker 1: They don't show up again.
• 18:06
  Speaker 5: And I was just like clown on his face.
• 18:09
  Speaker 2: Keep it was also Clown investigating him, you know, because
• 18:15
  Speaker 2: Clown starts looking into the whole rampage thing and questions him.
• 18:18
  Speaker 1: Yeah, now I do the character.
• 18:21
  Speaker 5: I love her character, Clown Clown to the end Rider died.
• 18:25
  Speaker 1: All right, Yeah, well, you know, also trying to blow
• 18:29
  Speaker 1: up in his episode.
• 18:30
  Speaker 7: She thought she thought that re Re killed She was
• 18:33
  Speaker 7: told that re Re killed John. She's a writer, you
• 18:37
  Speaker 7: know what I'm saying.
• 18:38
  Speaker 5: And job, she's a like and she wrote she wrote
• 18:47
  Speaker 5: that whole We didn't we didn't mention this.
• 18:48
  Speaker 7: But quickly in episode five, we see her have a code,
• 18:52
  Speaker 7: you know what I'm saying, because yeah, because she's asked
• 18:55
  Speaker 7: about that white man if he killed Red.
• 18:59
  Speaker 5: Yeah, it is asking and she co signs it. And
• 19:02
  Speaker 5: she knows she watched re walk away alive.
• 19:04
  Speaker 7: Yeah, but she's still she knows something weird is up.
• 19:07
  Speaker 7: This is when her antennas go up. This is when
• 19:09
  Speaker 7: it's like, Okay, this is not really what I thought
• 19:11
  Speaker 7: it was. This man is not who I thought he was.
• 19:14
  Speaker 7: And so you know, we get into the bottom of
• 19:16
  Speaker 7: things or whatever.
• 19:17
  Speaker 1: I think it's enjoys abusive relationships because she burned up.
• 19:23
  Speaker 7: You're gonna make me say something I didn't want to say.
• 19:25
  Speaker 7: I'm gonna have to say it now. I'm gonna have
• 19:27
  Speaker 7: to say it.
• 19:28
  Speaker 5: Well, first, say what you mean real quick?
• 19:30
  Speaker 1: I mean, she burned up her excess car. She's definitely
• 19:32
  Speaker 1: that type of you.
• 19:33
  Speaker 7: Know, we don't know what happened with that relationship, but
• 19:37
  Speaker 7: that toxic. Sure, anything that ends in that kind of
• 19:40
  Speaker 7: violence is toxic. But we also don't know what she
• 19:42
  Speaker 7: was getting her lock back for. You know what I'm saying.
• 19:43
  Speaker 1: I know that I'm not saying it. I'm just saying, yeah, sure, sure.
• 19:49
  Speaker 5: Lots of us have been in toxic relationship we have, right.
• 19:52
  Speaker 2: And lots of don't burn up cars. But I also
• 19:54
  Speaker 2: think that just John banging her head into the thing,
• 19:56
  Speaker 2: that that's where I'm kind of like you drew the
• 19:59
  Speaker 2: line like brother or cold or not like John.
• 20:02
  Speaker 1: You know, physically abused you. Like That's where I'm like, nah,
• 20:06
  Speaker 1: you don't you know like fuck that, you know, like.
• 20:08
  Speaker 3: You also know how abuse works, right, Yeah, that's.
• 20:11
  Speaker 1: What I mean.
• 20:11
  Speaker 2: Like, and that's what that's what I say about clown
• 20:14
  Speaker 2: where it's like and that's what I also said about
• 20:16
  Speaker 2: the crew. They were also a crew who was willing
• 20:18
  Speaker 2: to go along with that. That's not what Tatiana was
• 20:21
  Speaker 2: saying about it, But that's what I'm saying. But say
• 20:25
  Speaker 2: what you're saying about abuse and how abuse works.
• 20:27
  Speaker 4: Well, just in the fact that, like I know what
• 20:29
  Speaker 4: you said, Like yes, from a logic one point one
• 20:31
  Speaker 4: equals two perspective, someone bangs your head into the floor,
• 20:34
  Speaker 4: you would be.
• 20:34
  Speaker 1: Like fuck that.
• 20:35
  Speaker 3: But that's not how that works in that type of relationship.
• 20:38
  Speaker 4: If and again, if we don't know all the details
• 20:40
  Speaker 4: about Clown, but in that type of situation, and particularly
• 20:43
  Speaker 4: when you are the victim in that situation, you're not
• 20:45
  Speaker 4: going to see it in that light.
• 20:46
  Speaker 3: You're not that that that that doesn't equate to you.
• 20:49
  Speaker 4: If anything, that I'm not even gonna say what she
• 20:51
  Speaker 4: may have even taken that ass But the point is
• 20:53
  Speaker 4: that that did come to the same conclusion that you did,
• 20:57
  Speaker 4: but not in that type of relationship because because it
• 20:59
  Speaker 4: could have been a higher deeper relationship.
• 21:01
  Speaker 3: Than you knew of and she's going to give what
• 21:04
  Speaker 3: you would see as a past.
• 21:05
  Speaker 1: Or something like that.
• 21:06
  Speaker 2: But that's what That's exactly what I am saying. But
• 21:08
  Speaker 2: I also do say that Clown had a problem with
• 21:11
  Speaker 2: it earlier. You know, she addressed John, she was like, Yo,
• 21:13
  Speaker 2: this fucked up.
• 21:14
  Speaker 1: You know. So that's why I'm like her, She's I
• 21:19
  Speaker 1: don't I just don't know exactly where she was. Like.
• 21:21
  Speaker 2: I get she defended Rere in that moment, but I
• 21:24
  Speaker 2: also don't understand why she didn't, you know.
• 21:27
  Speaker 1: More so, you know, have an issue with the whole
• 21:29
  Speaker 1: crew as it is.
• 21:30
  Speaker 5: I'm gonna say it. I think we're being hard on
• 21:32
  Speaker 5: her because she's a black girl.
• 21:34
  Speaker 7: I think that that's I think that that's the association
• 21:38
  Speaker 7: of her as Yeah, I think we're being she of
• 21:42
  Speaker 7: all the characters, right, of all those villains right in
• 21:47
  Speaker 7: or we'll call them villains, Of all the villains in
• 21:49
  Speaker 7: that crew, she is the one that we get the
• 21:52
  Speaker 7: most amount of nuance and depth with, And I feel
• 21:56
  Speaker 7: I just don't see how somebody could how we can
• 22:00
  Speaker 7: see her as I don't know she was To me,
• 22:04
  Speaker 7: she was the most humanized, at least the way that
• 22:06
  Speaker 7: she was written, she was the most humanized.
• 22:08
  Speaker 5: She was given the most depth.
• 22:10
  Speaker 7: And it feels like talking about her, not that we
• 22:14
  Speaker 7: should not talk about black girls black villains as villains, right,
• 22:17
  Speaker 7: but I feel like we're being a little bit heavy handed,
• 22:20
  Speaker 7: and I feel like we're being heavy handed because she's
• 22:21
  Speaker 7: a black girl. Well this is I'm Chris, I'm talking
• 22:27
  Speaker 7: about We talked about this last episode together as well.
• 22:30
  Speaker 5: It's not just this episode.
• 22:31
  Speaker 6: From this though, I'll say that they're the henchmen, and
• 22:35
  Speaker 6: I think there a lot of them are talented. I
• 22:38
  Speaker 6: think this Sonya Denise, who played Clown, was just good
• 22:44
  Speaker 6: because when I saw that moment, that moment when when
• 22:47
  Speaker 6: Parker was questioning them, and I was like because because
• 22:51
  Speaker 6: in that moment, I was like, oh shit, he knows
• 22:52
  Speaker 6: it's something. He knows that she's still alive. And then
• 22:55
  Speaker 6: when she said, yeah, we took care of her and
• 22:57
  Speaker 6: we did this and we did that, and like, did
• 23:00
  Speaker 6: he believe that?
• 23:01
  Speaker 1: I don't know, but.
• 23:04
  Speaker 3: Go ahead, sorry you were talking.
• 23:06
  Speaker 6: I think these are I think sending them down the elevator,
• 23:09
  Speaker 6: I think it's just like a weird way of getting
• 23:13
  Speaker 6: rid of the quote unquote bumbling henchmen. Where I thought
• 23:18
  Speaker 6: that White Castle scene was pretty compelling, the way she
• 23:21
  Speaker 6: eluded them and everything, and I was happy that she.
• 23:23
  Speaker 1: Made, you know, light work of them into a to
• 23:27
  Speaker 1: a certain degree. But those are the quintessential benchmen people buy.
• 23:38
  Speaker 3: Yeah, I personally like I didn't. I wasn't tough for
• 23:43
  Speaker 3: none of them.
• 23:43
  Speaker 4: I was just like that they are who they are,
• 23:45
  Speaker 4: and they were chosen for their skill set in crime.
• 23:48
  Speaker 1: Exactly.
• 23:50
  Speaker 4: At the end of the day, I felt that clown, yes,
• 23:53
  Speaker 4: she may have exhibited the most, was written anyway to
• 23:56
  Speaker 4: exhibit the most out of all of them in terms
• 23:58
  Speaker 4: of humanity. At the same time, she was also written,
• 24:01
  Speaker 4: in my view, to be a pyromaniac and an anarchist. Yeah,
• 24:05
  Speaker 4: and whe whether whatever you feel about anarchy is, you know,
• 24:08
  Speaker 4: everybody else's business.
• 24:09
  Speaker 3: But like me, I'm just like, Okay, Crime's great plug.
• 24:14
  Speaker 4: They off the bat, they said, I'm from madrophor Madrophort
• 24:18
  Speaker 4: is basically a land of villains.
• 24:21
  Speaker 3: So I just thought, okay, Crime.
• 24:24
  Speaker 4: And then the Twins or the Tiplings, all they wanted
• 24:28
  Speaker 4: to do was fucking have a fight club.
• 24:30
  Speaker 1: They were found a club and they wanted to build
• 24:33
  Speaker 1: another fight club.
• 24:34
  Speaker 4: At least they're consistent. But even in a little bit
• 24:38
  Speaker 4: of backstory, we got they was doing this ship illegally.
• 24:41
  Speaker 3: Crime, So all I saw was henchman.
• 24:44
  Speaker 4: Yeah, it's not fair necessarily, because again, this was all
• 24:48
  Speaker 4: concentrated within a queer group of people.
• 24:51
  Speaker 3: But that's what I got.
• 24:53
  Speaker 7: From yeah, And I think for me, the distinction comes
• 24:57
  Speaker 7: when we start talking about like somebody's character versus them
• 25:00
  Speaker 7: being a criminal, versus them being because I feel like
• 25:02
  Speaker 7: what we were shown about.
• 25:04
  Speaker 5: Her character is that her character is bigger.
• 25:07
  Speaker 7: And broader and more expansive and nuanced than just being
• 25:10
  Speaker 7: a henchman. And what some of the conversation has been
• 25:13
  Speaker 7: in the last review and a little bit of this
• 25:15
  Speaker 7: one is about her character. And that's when it starts
• 25:18
  Speaker 7: to feel like we're being a little heavy handed with
• 25:20
  Speaker 7: her because she's a black girl.
• 25:22
  Speaker 2: And I want to move on, but I just say, well,
• 25:25
  Speaker 2: I will agree to disagree here because I don't feel
• 25:28
  Speaker 2: like I'm being heavy handed on her because she's a
• 25:29
  Speaker 2: black girl. I just think that her I'm asking a question,
• 25:32
  Speaker 2: like her character is very interesting to me, Like John
• 25:34
  Speaker 2: beats on her, but then she's willing to blow up
• 25:36
  Speaker 2: reread over John, and that's you know, that's interesting. That's like, yeah,
• 25:44
  Speaker 2: and I said that last week. I don't like that comparison,
• 25:49
  Speaker 2: and I don't like the term reprimanded.
• 25:51
  Speaker 5: But I don't like I don't like that shit either
• 25:56
  Speaker 5: I want I don't like it.
• 26:00
  Speaker 7: I was told parallels, I believe, I believe, Yes, I
• 26:04
  Speaker 7: believe it's a bad I believe it's a bad.
• 26:06
  Speaker 5: Productive it's a productive comparison.
• 26:08
  Speaker 6: I would you can you can still just because just
• 26:12
  Speaker 6: because a character is a bad person or a criminal.
• 26:16
  Speaker 6: It's the same way we we we liked Walter White,
• 26:19
  Speaker 6: we lost, we liked Tony Soprano.
• 26:22
  Speaker 1: Not not the same who is.
• 26:35
  Speaker 3: Jamie Lanister? And he would have been on your side.
• 26:37
  Speaker 6: I'm sorry I didn't watch that show, but the same,
• 26:41
  Speaker 6: But the same way critics lauded Omar or any of
• 26:47
  Speaker 6: these characters that were considered bad who were breaking rules. Yes, okay,
• 26:53
  Speaker 6: so you can have empathy for them, you can have
• 26:55
  Speaker 6: compassion for him. It's a testament to the work that
• 26:59
  Speaker 6: these acts are doing. It's not you can you can
• 27:02
  Speaker 6: feel everybody has team this person, team that person. But
• 27:06
  Speaker 6: it's these characters in the world of this show really
• 27:12
  Speaker 6: is the hero. These other people.
• 27:17
  Speaker 2: Are are not.
• 27:18
  Speaker 5: Thank you, thank you Chris. You know.
• 27:25
  Speaker 1: I said it's not right. I said that it's not
• 27:32
  Speaker 1: called that you can like.
• 27:34
  Speaker 6: I like my favor the best to me, one of
• 27:36
  Speaker 6: the best actors on the show Manny Montana cousin John
• 27:41
  Speaker 6: a bad guy not a good guy episode.
• 27:44
  Speaker 3: Yeah, yeah, I guess you just again quickly close this
• 27:49
  Speaker 3: out this episode. Uh, that's this. We also see them.
• 27:53
  Speaker 4: She gets to rebuild the iron Heart suit with the
• 27:56
  Speaker 4: dad's I don't know what kind of card is that?
• 27:57
  Speaker 5: A Camaro?
• 27:58
  Speaker 3: Whatever that car is.
• 28:00
  Speaker 1: Rod the man we're supposed to be like, Oh, I
• 28:05
  Speaker 1: I can tell you how to fix a steak, but
• 28:07
  Speaker 1: I don't know about that. I can change a tire, Yeah,
• 28:10
  Speaker 1: I can do that. That's about it.
• 28:11
  Speaker 3: Great, great, no maxillating please.
• 28:14
  Speaker 2: Uh.
• 28:15
  Speaker 4: They imbue the ironheartsuit with magic, which accidentally racist Natalie a. I.
• 28:20
  Speaker 4: Parker's dad is a horrible, no good, very bad man
• 28:24
  Speaker 4: on top of any things.
• 28:26
  Speaker 1: Yeah, I want to mention that real quick.
• 28:28
  Speaker 5: Yeah it looks great, yeah.
• 28:31
  Speaker 4: Right, and dressed down, but it is not quite the
• 28:35
  Speaker 4: best father. Because that's what you said we said early.
• 28:37
  Speaker 5: No, no, no, you're talking about re Resood, right, he
• 28:39
  Speaker 5: wasn't talking about was incredible. Nobody remembers what that man
• 28:46
  Speaker 5: was wearing.
• 28:47
  Speaker 1: I remember that.
• 28:51
  Speaker 5: He's a horrible father.
• 28:52
  Speaker 7: Let's talk about the dad for a time. That get Yeah,
• 28:56
  Speaker 7: we meet him in five. We meet him five him,
• 28:59
  Speaker 7: this is one thing.
• 29:00
  Speaker 3: And the interaction happens with Parker, Yeah, oh no, you're.
• 29:03
  Speaker 1: Right, and I have I have, I have my notes.
• 29:05
  Speaker 2: When he has an orgasm when he sits down in
• 29:07
  Speaker 2: his dad's chair, Oh my god, I mean he did, yo,
• 29:10
  Speaker 2: he had a real visible reaction to sitting in that
• 29:12
  Speaker 2: man's chair.
• 29:12
  Speaker 3: It was it was because he got everything he asked for.
• 29:16
  Speaker 5: Thought but on the second second, watch it again.
• 29:19
  Speaker 1: Second came on my second watched it the second time.
• 29:25
  Speaker 3: The third time, he's like, he does, Chris, Chris, I
• 29:29
  Speaker 3: want to go to you real quick.
• 29:30
  Speaker 4: Because you said this earlier about trauma being a very
• 29:33
  Speaker 4: center point of this series. We see the trauma front
• 29:36
  Speaker 4: and center, with his dad not giving a fuck about
• 29:38
  Speaker 4: Parker since he was twelve. Apparently after the mom died,
• 29:42
  Speaker 4: he said, I never really liked you anyway, nigga, get
• 29:45
  Speaker 4: the fuck.
• 29:45
  Speaker 1: Out my house.
• 29:47
  Speaker 4: So dynamic was way and I'm just like, is this
• 29:50
  Speaker 4: the Disney thing where they just like all the parents
• 29:52
  Speaker 4: are trash like it's so fucked up.
• 29:56
  Speaker 1: Yeah, it's. It gives you a reason his he's for
• 30:01
  Speaker 1: why he is the way he is, or at least
• 30:03
  Speaker 1: one of them.
• 30:04
  Speaker 6: His dad didn't love him, and he never got that
• 30:07
  Speaker 6: acceptance because he wanted to be stupid, dumb, rich, empower,
• 30:12
  Speaker 6: he nasty, crazy. I ain't never heard that that was
• 30:19
  Speaker 6: that was that was a lot, but you know he
• 30:24
  Speaker 6: wanted so just it was just a testament to that's
• 30:29
  Speaker 6: that's the reason why he is the way he is
• 30:31
  Speaker 6: and making him a super villain, his evil ass dad.
• 30:37
  Speaker 7: I want to know if they get tired of looking
• 30:40
  Speaker 7: alike in real life. Okay, they look like family. And
• 30:44
  Speaker 7: from the moment we saw that man's face because they
• 30:47
  Speaker 7: flashed to his face in an earlier episode, I'm like,
• 30:51
  Speaker 7: so that's his.
• 30:52
  Speaker 5: Dad, So I know immediately, yes, yes, you have him.
• 30:58
  Speaker 7: As I said last episode, you have thehood walking around
• 31:00
  Speaker 7: with his African face and hiss.
• 31:03
  Speaker 1: Then you show.
• 31:07
  Speaker 7: Right African, but it's this it's an African face that
• 31:10
  Speaker 7: he has. Then you have his black dad show up.
• 31:13
  Speaker 7: This is the only black dad outside OF's dad who
• 31:15
  Speaker 7: shows up. Well, he's a black man. He's an older
• 31:17
  Speaker 7: black man with freckles. I'm like, oh, Dad, I knew
• 31:20
  Speaker 7: immediately that was his dad. Uh And then yeah, and
• 31:24
  Speaker 7: then he shows up. They need I need to see
• 31:25
  Speaker 7: them in a full separate series. B Dad and and
• 31:28
  Speaker 7: father because that was excellent casting.
• 31:32
  Speaker 3: It was he is Puerto Rican and of African indigenous descent, so.
• 31:37
  Speaker 5: Well he has a whole African face.
• 31:38
  Speaker 1: So yes, I'm about the dad.
• 31:41
  Speaker 7: I know.
• 31:41
  Speaker 1: I know you're right, Yeah, has.
• 31:46
  Speaker 5: An African face.
• 31:47
  Speaker 1: Yeah, but they do look until you pointed it.
• 31:50
  Speaker 5: Out, they do.
• 31:53
  Speaker 3: No, You're absolutely right.
• 31:55
  Speaker 1: I hate involved with you know it? Bro? Yeah? Damn
• 32:02
  Speaker 1: like hate pure Yeah. Okay, Well where y'all like y'all
• 32:09
  Speaker 1: like Hamilton.
• 32:10
  Speaker 7: No, I just want to know. I want to see
• 32:11
  Speaker 7: your resume and all the places that you work, because
• 32:13
  Speaker 7: I'm sure it's places that are questionable on this what
• 32:16
  Speaker 7: I'm saying.
• 32:17
  Speaker 1: I mean, you know, I'm saying water.
• 32:20
  Speaker 2: From where I got to work cake, you know, like
• 32:23
  Speaker 2: that off of you know, something like that. I can
• 32:26
  Speaker 2: say that profounding you know, and you know, hey, how
• 32:31
  Speaker 2: much K do you need? Is all I can say.
• 32:32
  Speaker 1: You know.
• 32:34
  Speaker 3: The dad Dad said you was a liability. I didn't
• 32:37
  Speaker 3: want you. Doesn't that he said them words.
• 32:40
  Speaker 1: Like that? You it was like it was I don't
• 32:42
  Speaker 1: want you, like it was ugly.
• 32:44
  Speaker 2: It's almost really like it was something the most differentspects
• 32:47
  Speaker 2: Like I've heard a lot.
• 32:47
  Speaker 5: Of you know, bad dads and I didn't want you.
• 32:50
  Speaker 1: Yeah, but it was like that, like he was just like,
• 32:52
  Speaker 1: get the funk out of here, Like yeah, just like,
• 32:54
  Speaker 1: why are you even here? Dude? Didn't you get the
• 32:56
  Speaker 1: message after thirty years?
• 32:58
  Speaker 4: You know?
• 32:59
  Speaker 1: Yeah, it was yeah, you know.
• 33:02
  Speaker 4: And then you know, and it ends, as you y'all said,
• 33:04
  Speaker 4: it ends with him getting what he wants. And according
• 33:06
  Speaker 4: to Ben him, you know, I.
• 33:08
  Speaker 1: Mean, he definitely has a viscile reaction to he does.
• 33:12
  Speaker 3: I think that might just be his the influence of
• 33:14
  Speaker 3: what's going on.
• 33:16
  Speaker 2: I'm exaggerating for comedic effect, but you know, my man
• 33:19
  Speaker 2: has a you know, he sits in the chair and.
• 33:21
  Speaker 1: He feels it.
• 33:29
  Speaker 3: Hey, what's up? Internet's in the fan fam.
• 33:31
  Speaker 4: This is Tatiana King for four All Nerds and I
• 33:33
  Speaker 4: want to thank you so much for listening and watching
• 33:36
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• 33:37
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• 34:40
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• 34:46
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