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Suspense - "The Night Reveals" (Old Time Radio, 1943) · Suspense | Old Time Radio

• 0:00
  Speaker 1: Robert Young and Margot head the cast in a Cornell
• 0:02
  Speaker 1: Woolrich adaptation, with Young as insurance investigator Harry Jordan and
• 0:07
  Speaker 1: Margot as his wife, Marie. From 1943, this is Suspense,
• 0:13
  Speaker 1: Episode 9, The Night Reveals, adapted for radio by Sigmund
• 0:17
  Speaker 1: Miller and directed by William Speer. In a community troubled
• 0:22
  Speaker 1: by unexplained fires, Harry begins to suspect a connection between
• 0:27
  Speaker 1: the cases he investigates, his own home, and the woman
• 0:31
  Speaker 1: closest to him. Also heard are Byron Kane, Hans Conrad,
• 0:36
  Speaker 1: and Joseph Kearns in a CBS presentation sponsored by Roma Wines.
• 0:41
  Speaker 1: And now, our story begins.
• 0:55
  Speaker 2: Suspense.
• 1:01
  Speaker 3: Presented by Roma Wines. Made in California for enjoyment throughout
• 1:07
  Speaker 3: the world.
• 1:07
  Speaker 4: Salud.
• 1:09
  Speaker 2: Your health, senor.
• 1:10
  Speaker 3: The world toasts Roma and Roma toasts the world. The
• 1:13
  Speaker 3: wine for your table is Roma. Made in California for
• 1:18
  Speaker 3: enjoyment throughout the world.
• 1:21
  Speaker 5: This is the man in black here for Roma Wines.
• 1:25
  Speaker 5: to introduce this weekly half hour of Suspense. Tonight in Hollywood,
• 1:30
  Speaker 5: our stars are Mr. Robert Young and Margot. The suspense
• 1:35
  Speaker 5: play which stars Robert Young and Margot, and which is
• 1:37
  Speaker 5: produced and directed by William Spear, is a tale of
• 1:41
  Speaker 5: ordeal by fire by Cornell Woolrich. And so, with the
• 1:45
  Speaker 5: night reveals and with the performances of Robert Young and Margot,
• 1:49
  Speaker 5: Roma again hopes to keep you in Suspense.
• 2:05
  Speaker 2: Go ahead, tell us the story, Mr. Jordan. Might help
• 2:08
  Speaker 2: to get it out of your system.
• 2:09
  Speaker 4: Yes, go ahead, Harry.
• 2:11
  Speaker 2: What, tell it here, Marie, in front of you?
• 2:13
  Speaker 4: Sure, I can stand it if you can.
• 2:16
  Speaker 2: Well, all right. I'll tell it from when I first
• 2:19
  Speaker 2: began to know, for sure, two weeks ago. I should
• 2:25
  Speaker 2: have known before that something was wrong. I should have
• 2:28
  Speaker 2: known by her eyes. There was a queer look in them,
• 2:32
  Speaker 2: staring at me one minute and avoiding me the next. Well,
• 2:36
  Speaker 2: I came home late one Monday night. They were asleep,
• 2:39
  Speaker 2: my son Johnny and my wife here, Marie. I lay
• 2:43
  Speaker 2: in bed reviewing my day's work. You see, I'm an
• 2:47
  Speaker 2: investigator for the Herkimer Fire Insurance Company. And while thinking
• 2:51
  Speaker 2: about the fire on Second Avenue, I fell asleep. Suddenly,
• 2:55
  Speaker 2: I was sitting bolt upright, wide awake, with a strange
• 2:58
  Speaker 2: feeling of being alone in the room. I looked towards
• 3:01
  Speaker 2: Marie's bed. It was too dark to see. I called... Marie. Marie!
• 3:07
  Speaker 2: There was no answer. I got up and walked to
• 3:10
  Speaker 2: her bed. The quilt was bunched up. I pulled the
• 3:13
  Speaker 2: covers down. The bed was empty. In the bathroom. No,
• 3:18
  Speaker 2: she wasn't there. And not in Johnny's room either. Johnny
• 3:21
  Speaker 2: was alone. Marie wasn't in the apartment. I put on
• 3:25
  Speaker 2: the light and looked at my watch. It was two
• 3:28
  Speaker 2: in the morning. Got dressed and walked out and rang
• 3:31
  Speaker 2: for the elevator. It was nothing. Of course, it was
• 3:34
  Speaker 2: nothing important, but... My heart kept hammering away. Morning, Mr. Jordan.
• 3:40
  Speaker 2: Kind of late for the... Yes, good morning, Steve. Uh,
• 3:45
  Speaker 2: did you see my wife go down?
• 3:47
  Speaker 4: Yes, Mr.
• 3:47
  Speaker 2: Jordan. About half an hour ago, I'd say. Yes, yes,
• 3:50
  Speaker 2: of course. Uh, did you see which way she went? Yes,
• 3:54
  Speaker 2: she went towards 3rd Avenue. Said she was going to...
• 3:57
  Speaker 2: Went to the drugstore, I guess. Yes, that's right. There's
• 3:59
  Speaker 2: one over on 96th Street.
• 4:01
  Speaker 4: Open all night.
• 4:02
  Speaker 2: Thanks.
• 4:02
  Speaker 6: Thanks.
• 4:05
  Speaker 2: That was it. She went to the drugstore. I was
• 4:08
  Speaker 2: worried over nothing at all. I didn't know what to
• 4:12
  Speaker 2: do quite. I didn't want to follow her, but the
• 4:15
  Speaker 2: elevator boy was watching me, so I strolled easily along
• 4:18
  Speaker 2: towards Third Avenue. I stood on the deserted dark corner
• 4:21
  Speaker 2: and looked up and down the street. Then I saw
• 4:24
  Speaker 2: her coming. She was walking towards me briskly.
• 4:27
  Speaker 4: Harry, what are you doing here?
• 4:29
  Speaker 2: Well, I got up and saw you were gone, and I.
• 4:31
  Speaker 4: I couldn't sleep. I had a dreadful headache, so I
• 4:34
  Speaker 4: decided to go down for some aspirin.
• 4:35
  Speaker 2: Yes. Yes, of course. The drugstore on 96th Street. But
• 4:42
  Speaker 2: you were coming from 98th Street.
• 4:43
  Speaker 4: I took a little walk. I thought some fresh air
• 4:45
  Speaker 4: would do me some good.
• 4:47
  Speaker 2: Yes. It is a nice night.
• 4:49
  Speaker 4: I've only been gone about ten minutes.
• 4:52
  Speaker 2: Steve says you were gone about a half hour.
• 4:53
  Speaker 4: It was only ten minutes. What time is it now?
• 4:56
  Speaker 2: 2.35.
• 4:58
  Speaker 4: Been out for almost 15 minutes.
• 5:01
  Speaker 2: Oh, it's more than.
• 5:01
  Speaker 4: It was 15 minutes, no more than that.
• 5:04
  Speaker 2: Yeah. Yeah, I guess so. Everything seemed all right. Still,
• 5:11
  Speaker 2: I felt something was wrong. We got into our apartment
• 5:14
  Speaker 2: and we both went to bed. For a minute or so,
• 5:18
  Speaker 2: we said nothing.
• 5:19
  Speaker 6: You've been working hard, Harry. Don't you think you ought
• 5:22
  Speaker 6: to take a week off and sort of rest up?
• 5:25
  Speaker 2: Oh, I feel perfectly all right, dear. There's nothing wrong
• 5:27
  Speaker 2: with me.
• 5:28
  Speaker 4: Listen. A fire. A fire.
• 5:31
  Speaker 2: Yes, not far. Over east a couple of blocks. By
• 5:35
  Speaker 2: the river, I'd say. That's my district.
• 5:37
  Speaker 4: A fire.
• 5:38
  Speaker 2: Oh, what the.
• 5:41
  Speaker 2: Hello.
• 5:41
  Speaker 5: Hello, Harry.
• 5:42
  Speaker 7: I'm sorry to wake you in the middle of the night.
• 5:44
  Speaker 7: There's a bad one over near you between 2nd and 3rd.
• 5:48
  Speaker 7: Maybe a total loss.
• 5:49
  Speaker 2: Between 2nd and 3rd, Mr.
• 5:50
  Speaker 4: Parmeter?
• 5:51
  Speaker 2: An apartment building? Yeah, 98th Street. 340 East 98th.
• 5:56
  Speaker 7: I called you because I'd like you to go there
• 5:57
  Speaker 7: direct first thing in the morning instead of come at
• 5:59
  Speaker 7: the office, okay?
• 6:00
  Speaker 2: I'll meet you there.
• 6:01
  Speaker 4: Okay, Mr.
• 6:02
  Speaker 2: Parmiter. Good night.
• 6:04
  Speaker 4: A fire? On 98th Street?
• 6:08
  Speaker 2: Yeah. I couldn't see Marie in the dark. I knew
• 6:13
  Speaker 2: she was staring at me. I was very tired. Good night, Marie.
• 6:19
  Speaker 4: Good night, Harry.
• 6:31
  Speaker 5: This is a story of a husband and a wife.
• 6:35
  Speaker 5: In a moment, as the story continues, we shall learn
• 6:39
  Speaker 5: how they came to know that death was living with them. Tonight,
• 6:51
  Speaker 5: the Roma Wine Company of Fresno, California brings you Robert
• 6:54
  Speaker 5: Young and Margot as stars of suspense, radio's outstanding theater
• 6:59
  Speaker 5: of thrills.
• 7:02
  Speaker 3: Somewhere tonight, perhaps in Havana, Cuba, a man and a
• 7:06
  Speaker 3: girl sit at a table in a gay cafe. Music,
• 7:09
  Speaker 3: laughter fill the big room. A tropic breeze stirs the
• 7:11
  Speaker 3: palms in the terrace. As we watch, the young man
• 7:14
  Speaker 3: pours wine into their glasses. They raise them in a
• 7:17
  Speaker 3: toast to each other.
• 7:18
  Speaker 1: Salud.
• 7:19
  Speaker 2: Salud. Salud.
• 7:21
  Speaker 8: Ah, an excellent wine, Verda. As pleasant to the taste
• 7:24
  Speaker 8: as your beauty is to the eye. Do you know
• 7:27
  Speaker 8: where this fine wine comes from? It comes from our
• 7:30
  Speaker 8: good neighbor to the north, Los Estados Unidos. From America.
• 7:34
  Speaker 8: His name is Roma.
• 7:35
  Speaker 3: Yes, from our own America. From our own sunny California
• 7:38
  Speaker 3: come Roma wines. Made in California for the enjoyment of
• 7:43
  Speaker 3: the world. Doesn't that tell you all you need to
• 7:46
  Speaker 3: know to make you want to choose Roma wines for
• 7:48
  Speaker 3: your own use? Whether your particular preference is for a
• 7:51
  Speaker 3: nut-brown sherry, a delicious red claret, a full-bodied burgundy, when
• 7:56
  Speaker 3: you choose Roma, you know you are getting the world's
• 7:59
  Speaker 3: best wine value, for Roma wines are America's largest selling wines.
• 8:05
  Speaker 3: Only through such tremendous popularity can Roma afford to sell
• 8:09
  Speaker 3: so reasonably wines into which have gone all the care
• 8:12
  Speaker 3: and wine knowledge that produce wine masterpieces. There is a
• 8:16
  Speaker 3: Roma wine for every taste. Simply choose the one you
• 8:20
  Speaker 3: like best. Roma wine, made in California for enjoyment throughout
• 8:26
  Speaker 3: the world.
• 8:29
  Speaker 5: And now it is with pleasure that we bring back
• 8:32
  Speaker 5: to our soundstage Mr. Robert Young as Harry Jordan and
• 8:36
  Speaker 5: Margot as Marie, his wife, in The Night Reveals, a
• 8:40
  Speaker 5: story well calculated to keep you in suspense.
• 8:54
  Speaker 2: Go on, Mr.
• 8:55
  Speaker 5: Jordan.
• 8:56
  Speaker 2: Well, gentlemen, the next morning I went over to 98th
• 8:59
  Speaker 2: Street to inspect the remains of number 340 and to
• 9:02
  Speaker 2: see if there was evidence of anything suspicious about the
• 9:06
  Speaker 2: origin of the fire. Mr. Parminder was there. Well, there
• 9:09
  Speaker 2: it is.
• 9:10
  Speaker 4: Got it.
• 9:11
  Speaker 2: I guess we'll be paying off on this one, all right. Yeah.
• 9:14
  Speaker 2: Completely burned out.
• 9:16
  Speaker 4: Uh.
• 9:17
  Speaker 2: Anyone hurt? A few, but no one dead.
• 9:19
  Speaker 4: Lucky they just installed the new fire escapes.
• 9:22
  Speaker 2: Just the walls left. That fire must have been quite
• 9:25
  Speaker 2: a sight in the height of its glory. Yeah, quite
• 9:27
  Speaker 2: a sight. Man, those walls look pretty bad.
• 9:29
  Speaker 4: They might collapse almost any time.
• 9:31
  Speaker 2: Yeah, the building will have to be razed. That fire
• 9:33
  Speaker 2: did a good job. Oh, here's the commissioner. Hello, Babbitt.
• 9:37
  Speaker 2: How are you, Mr.
• 9:38
  Speaker 5: Morales?
• 9:39
  Speaker 2: You know anything about the fire commission?
• 9:40
  Speaker 5: No, not a thing.
• 9:41
  Speaker 2: Well, we'll take a look. I wouldn't go in there, Jordan.
• 9:43
  Speaker 2: Those walls are pretty bad. I can take care of myself.
• 9:45
  Speaker 2: Maybe you better not go inside. Don't worry about me.
• 9:47
  Speaker 2: I know fires as well as anyone. You stay outside, Mr. Parmenter.
• 9:50
  Speaker 2: I'm going in. I walked gingerly into the blackened, ruined
• 9:54
  Speaker 2: hallway in ashes up to my ankles until I reached
• 9:57
  Speaker 2: the remains of the stairway underneath where several baby carriages.
• 10:01
  Speaker 2: Just twisted pieces of metal. A burned fragment of something
• 10:05
  Speaker 2: fell nearby. Come on back, John. I'm all right. I
• 10:09
  Speaker 2: poked around the carriages, sifting through the clean, fine ashes.
• 10:13
  Speaker 2: Something caught my eye. A glob of yellow metal. I
• 10:17
  Speaker 2: picked it up. Then I worked my way out.
• 10:21
  Speaker 1: She's going through, isn't she?
• 10:22
  Speaker 4: Yep.
• 10:23
  Speaker 2: Lean through. Nothing left of her.
• 10:25
  Speaker 4: Did you find anything, Harry?
• 10:26
  Speaker 2: Nothing much. The fire started in the hallway, all right.
• 10:28
  Speaker 2: Cellar's untouched. Fireworks, it's way up. What's that in your hand? Well,
• 10:32
  Speaker 2: that is just a piece of metal I found. Here.
• 10:35
  Speaker 2: I just picked it up for my kid. He likes
• 10:37
  Speaker 2: shiny things. What do you think, Commissioner? Probably one of
• 10:40
  Speaker 2: those gadgets they have on baby carriages. I guess you're right.
• 10:43
  Speaker 2: It isn't anything. But it was something. I had run
• 10:47
  Speaker 2: my fingernail across this glob of metal. It looked like gold.
• 10:51
  Speaker 2: I decided to examine it in detail at home.
• 10:53
  Speaker 8: Hello, Daddy.
• 10:58
  Speaker 4: How are you, Johnny? Mama says I was bad today. Harry!
• 11:03
  Speaker 4: You're home early.
• 11:04
  Speaker 2: Yes, I got through sooner than I expected, and I.
• 11:08
  Speaker 4: What is it, Harry?
• 11:09
  Speaker 2: Your locket. You're not wearing it. You never had it
• 11:13
  Speaker 2: off before.
• 11:14
  Speaker 4: My locket?
• 11:15
  Speaker 2: Well, I.
• 11:16
  Speaker 4: Don't you remember? Daddy, can I go over to see
• 11:18
  Speaker 4: Davy Taylor for a minute?
• 11:19
  Speaker 2: Yeah, yeah, go ahead, Johnny.
• 11:20
  Speaker 5: All right.
• 11:21
  Speaker 2: Gee, thanks, Daddy.
• 11:23
  Speaker 4: You shouldn't have done that. I didn't want him to go.
• 11:25
  Speaker 4: He hasn't had his dinner.
• 11:26
  Speaker 2: Never mind, Johnny. What did you say happened to the locket?
• 11:32
  Speaker 4: Well, I gave it to you.
• 11:34
  Speaker 2: To me?
• 11:35
  Speaker 4: Yes, I put it in your pocket to have it fixed.
• 11:38
  Speaker 4: The catch was loose.
• 11:39
  Speaker 2: I don't remember.
• 11:40
  Speaker 4: You've been very forgetful lately. Very forgetful.
• 11:44
  Speaker 2: Maybe you thought you gave it to me. No, no.
• 11:46
  Speaker 6: I put it in your pocket, Harry. I forgot to
• 11:49
  Speaker 6: mention it to you. I wanted you to take it
• 11:51
  Speaker 6: to the jewelers and get the catch fixed. I just
• 11:54
  Speaker 6: put it in your coat pocket while you were shaving.
• 11:57
  Speaker 2: When?
• 11:58
  Speaker 4: Yesterday.
• 11:59
  Speaker 5: Yes.
• 12:00
  Speaker 4: Yesterday morning.
• 12:01
  Speaker 2: Then it should be in my pocket now. I wore
• 12:03
  Speaker 2: this suit yesterday, too. Nothing in my pockets, Marie.
• 12:08
  Speaker 1: Well?
• 12:10
  Speaker 2: Marie.
• 12:10
  Speaker 4: Yes, Harry?
• 12:12
  Speaker 2: Is anything... wrong with you? Don't you feel... With me?
• 12:16
  Speaker 4: No, no, of course not. I'm all right. I'm perfectly
• 12:19
  Speaker 4: all right. There's not a thing wrong with me.
• 12:21
  Speaker 2: You look worried, as if you've got something on your mind.
• 12:24
  Speaker 4: Oh, it's nothing. I've just been having a headache.
• 12:27
  Speaker 2: Maybe you ought to see a doctor.
• 12:28
  Speaker 4: Oh, no, it really doesn't amount to much.
• 12:32
  Speaker 2: Well, I think I'll take another look for the locket.
• 12:35
  Speaker 2: Which suit did you say you put it in?
• 12:38
  Speaker 4: Your blue suit, I think. Oh, maybe it was the gray, though.
• 12:41
  Speaker 2: I don't... I couldn't make it out. What had she
• 12:45
  Speaker 2: done with the locket? Had she pawned it? Had she
• 12:47
  Speaker 2: given it away? Then I remembered something. I went into
• 12:51
  Speaker 2: the bathroom and locked the door. I looked at this
• 12:55
  Speaker 2: shapeless little glob of yellow metal. I rubbed the blackened
• 12:58
  Speaker 2: spots away, all of it, until it was gleaming. I
• 13:02
  Speaker 2: studied it, turning it over and over. I noticed a
• 13:05
  Speaker 2: thin crack. It was small, so I took a nail
• 13:07
  Speaker 2: file out of the medicine chest and began to file it.
• 13:09
  Speaker 2: I kept filing until I had enlarged the crack to
• 13:11
  Speaker 2: the full length of the piece of gold. Then I
• 13:13
  Speaker 2: slipped the nail file inside and pried it open. Tiny
• 13:17
  Speaker 2: fragments of glass and then... Then I saw a piece
• 13:20
  Speaker 2: of scorched paper. It was a photograph. A picture of
• 13:26
  Speaker 2: my son, Johnny. This glob of metal was my wife's locket.
• 13:31
  Speaker 2: I put the locket and the picture in my pocket
• 13:33
  Speaker 2: and walked out. The next hour, I sat trying to
• 13:42
  Speaker 2: read a book while Marie busied herself, first feeding Johnny
• 13:45
  Speaker 2: and then helping him with his homework.
• 13:48
  Speaker 4: What's the largest continent in the world?
• 13:50
  Speaker 7: Oh, I know.
• 13:51
  Speaker 4: It's, uh, it's Asia. And the next largest?
• 13:55
  Speaker 2: Oh, that's easy.
• 13:56
  Speaker 7: Africa.
• 13:56
  Speaker 4: It's full of jungles. That's where Tarzan lives.
• 13:59
  Speaker 2: Isn't it time for Johnny to be in bed? Oh, yes.
• 14:02
  Speaker 4: I had no idea it was so late. Run along
• 14:04
  Speaker 4: to your room, Johnny. I'll be in in a minute.
• 14:06
  Speaker 4: All right, Mother.
• 14:07
  Speaker 3: Good night, Dad.
• 14:08
  Speaker 2: Good night, Johnny. Sleep well.
• 14:10
  Speaker 6: He's getting along very well in school, except for arithmetic.
• 14:14
  Speaker 6: He seems to be having a little trouble.
• 14:16
  Speaker 2: Oh, Johnny will be all right.
• 14:17
  Speaker 4: Yes. Johnny will be all right. I know he'll be
• 14:21
  Speaker 4: all right.
• 14:23
  Speaker 2: I watched her. She seemed very uneasy. I walked over
• 14:27
  Speaker 2: to my pipe rack where I kept several books of
• 14:29
  Speaker 2: matches in a jar. There weren't any there. All this time,
• 14:34
  Speaker 2: I knew she was watching me, watching me closely. I
• 14:37
  Speaker 2: looked behind the rack. There wasn't a match around. What
• 14:42
  Speaker 2: the devil happened to all my matches?
• 14:44
  Speaker 4: I have a match here. Let me light it for you.
• 14:46
  Speaker 2: Did you take the matches out of the jar, Marie?
• 14:48
  Speaker 4: Well, I.
• 14:49
  Speaker 2: Did you?
• 14:50
  Speaker 4: Yes, I needed them in the kitchen. Shall I light
• 14:53
  Speaker 4: your pipe for you?
• 14:54
  Speaker 2: No, I'll light it myself. I picked a match out
• 14:59
  Speaker 2: of the booklet. It was a clean white match with
• 15:01
  Speaker 2: a green head. I struck it against the side. The
• 15:04
  Speaker 2: match sputtered up into a yellow flame, fringed on the
• 15:06
  Speaker 2: bottom with glue. Marie stared at it until I felt
• 15:10
  Speaker 2: the sharp bite of the flame on my thumb.
• 15:13
  Speaker 4: Would you like a cup of tea, Harry?
• 15:15
  Speaker 2: No, dear, I don't think so. I watched her. Her
• 15:19
  Speaker 2: hand casually brushed along the table and picked up the matches.
• 15:22
  Speaker 3: Marie!
• 15:24
  Speaker 2: Leave the matches on the table.
• 15:25
  Speaker 4: I need them. I'm rather short of matches and the
• 15:28
  Speaker 4: pilot light isn't working.
• 15:30
  Speaker 2: Is this the only book of matches in the house?
• 15:32
  Speaker 4: I'll have to get them tomorrow. Where are you going, Harry?
• 15:35
  Speaker 2: Get a drink of water.
• 15:36
  Speaker 4: No, no, I'll get it for you, Harry.
• 15:38
  Speaker 2: Never mind, Marie, I'll get it myself. I went into
• 15:41
  Speaker 2: the kitchen. There was a paper bag alongside the gas range. Matches.
• 15:46
  Speaker 2: All thrown in, helter-skelter. Books of matches and safety matches
• 15:50
  Speaker 2: all mixed together. I walked back and sat down in
• 15:54
  Speaker 2: my chair. She sat a few feet away, torturing a handkerchief.
• 15:59
  Speaker 2: She looked so helpless and terrified that my anger passed away. Marie,
• 16:05
  Speaker 2: you've been having headaches lately. Perhaps you ought to see
• 16:09
  Speaker 2: a doctor.
• 16:12
  Speaker 4: It's nothing serious.
• 16:14
  Speaker 2: Look, how would you like to go away for a
• 16:16
  Speaker 2: few days? Take a vacation. I'll get a maid to
• 16:19
  Speaker 2: take care of Johnny and me. It'll do you a
• 16:20
  Speaker 2: lot of good.
• 16:21
  Speaker 4: No, no, I don't need a vacation. There's nothing wrong
• 16:23
  Speaker 4: with me. But, Harry, there is.
• 16:26
  Speaker 2: Yes?
• 16:28
  Speaker 4: There's nothing the matter with.
• 16:30
  Speaker 2: You were about to say something else.
• 16:32
  Speaker 4: I've got to go into Johnny's room and see that
• 16:34
  Speaker 4: he's covered. He always throws the covers off.
• 16:37
  Speaker 2: I sat there looking at the door. Then I glanced
• 16:40
  Speaker 2: about the room. There was the pack of matches lying
• 16:43
  Speaker 2: open on the table. I closed the cover and my
• 16:46
  Speaker 2: eye caught a purse lying nearby. It was bulging.
• 16:49
  Speaker 5: Harry!
• 16:50
  Speaker 2: Well, what's the matter?
• 16:51
  Speaker 4: My purse!
• 16:51
  Speaker 2: Yes. That's your purse. Here, look. See, the handle's loose.
• 16:57
  Speaker 2: And it's full of matches. A dozen books of them.
• 17:00
  Speaker 2: And these newspaper clippings.
• 17:01
  Speaker 4: Give it back to me!
• 17:02
  Speaker 2: Why are you saving these clippings? Why do you carry
• 17:04
  Speaker 2: matches with you?
• 17:05
  Speaker 4: I bought the matches in a store. They were a
• 17:07
  Speaker 4: dozen for five cents.
• 17:08
  Speaker 2: These clippings. Look here. Fire on 112th Street causes severe damage.
• 17:12
  Speaker 2: And these others. Why are you saving these clippings, Marie?
• 17:15
  Speaker 4: There's nothing wrong in that. I'm interested, interested in your work.
• 17:19
  Speaker 4: I intend to keep a file on fires. It'll help
• 17:21
  Speaker 4: you in your work.
• 17:22
  Speaker 2: Well, that's very considerate, Marie.
• 17:24
  Speaker 4: Oh, Harry. You're so good. Why should this have to
• 17:29
  Speaker 4: happen to us?
• 17:37
  Speaker 2: Towards midnight, I went to bed. Marie didn't follow me.
• 17:41
  Speaker 2: I lay in the semi-darkness, wide awake, trying to think
• 17:44
  Speaker 2: what I should do. I couldn't collect my thoughts. Every
• 17:47
  Speaker 2: time I closed my eyes, I could see the flame
• 17:49
  Speaker 2: of the match, yellow and blue, crawling along the matchstick.
• 17:53
  Speaker 2: Then Marie came in with a cup of steaming liquid.
• 17:56
  Speaker 4: Drink this, Harry. It'll help you sleep.
• 17:59
  Speaker 2: What is it?
• 17:59
  Speaker 4: It's cocoa. It's very good for you.
• 18:02
  Speaker 2: I'm not the one that's having trouble falling asleep.
• 18:04
  Speaker 6: We both couldn't sleep last night. I'm taking some of
• 18:07
  Speaker 6: this myself as soon as I.
• 18:08
  Speaker 4: Go to bed.
• 18:09
  Speaker 2: All right, leave it on the nightstand.
• 18:12
  Speaker 4: Be sure to drink it while it's hot.
• 18:13
  Speaker 2: Yes, Marie, I will.
• 18:14
  Speaker 4: Good night, darling.
• 18:15
  Speaker 2: Good night, Marie. Cocoa. Then suddenly I knew. I looked
• 18:23
  Speaker 2: around quickly for something to pour it in. There was
• 18:26
  Speaker 2: a radiator pan. It was empty. I poured the cup
• 18:27
  Speaker 2: of liquid into it. Then I lay back and waited.
• 18:31
  Speaker 2: Waited for her next move. About a half hour later,
• 18:34
  Speaker 2: I heard the door open softly and Marie tiptoed towards
• 18:36
  Speaker 2: my bed. Harry.
• 18:40
  Speaker 4: Harry. Are you asleep?
• 18:46
  Speaker 2: I didn't answer, but breathed evenly. She hovered for a
• 18:49
  Speaker 2: moment over me, then she tiptoed out, carefully closing the
• 18:51
  Speaker 2: door behind her. I dashed out of bed and hurried
• 18:54
  Speaker 2: into my clothes. Quickly, I poured the liquid from the
• 18:56
  Speaker 2: pan into a bottle and put it into my pocket.
• 18:58
  Speaker 2: Then I grabbed my coat and followed her. I rang
• 19:00
  Speaker 2: for the elevator. She had only a few minutes headway.
• 19:02
  Speaker 2: I would catch up to her easily and then we'd
• 19:05
  Speaker 2: have a showdown. Steve looked at me with controlled amazement. Uh, hello, Steve. Hello, Mr.
• 19:14
  Speaker 5: Jordan.
• 19:15
  Speaker 2: Uh, my wife went down a moment ago, didn't she? Yes, Mr. Jordan.
• 19:20
  Speaker 2: Just took her down. She went towards Third Avenue, didn't she? Uh,
• 19:24
  Speaker 2: I think so. She sort of stopped me for a
• 19:27
  Speaker 2: minute and then turned towards Third. Had to get back
• 19:29
  Speaker 2: to the elevator because you were ringing. When I reached
• 19:35
  Speaker 2: the corner, I looked up and down 3rd Avenue, and
• 19:37
  Speaker 2: I saw her. She was walking north. I crossed to
• 19:40
  Speaker 2: the other side of the street and followed her, keeping
• 19:41
  Speaker 2: at a distance. At 98th Street, she turned east. Down
• 19:44
  Speaker 2: the middle of the block was the remains of last
• 19:46
  Speaker 2: night's fire. She paused in front of the gutted buildings.
• 19:50
  Speaker 2: a long time just stood there looking at it and
• 19:53
  Speaker 2: she walked inside I waited for a few seconds and
• 19:56
  Speaker 2: then followed her it was pitch dark in the burnt-out
• 19:58
  Speaker 2: hallway ahead of me I could see the glow of
• 20:01
  Speaker 2: a match then I saw what she was doing she
• 20:05
  Speaker 2: was collecting the charred debris near the baby carriages how
• 20:09
  Speaker 2: foolish There wasn't anything that could burn there now. She
• 20:12
  Speaker 2: lit another match. I watched the flame light up her face.
• 20:15
  Speaker 2: A face so intent upon her work that she didn't
• 20:17
  Speaker 2: hear me approach.
• 20:18
  Speaker 1: Marie?
• 20:21
  Speaker 2: Who's there? It's me, Harry. Harry, why did you... Come along, Marie.
• 20:25
  Speaker 2: We'd better get out of here. The police. I took
• 20:29
  Speaker 2: her hand and without a word she came along. We
• 20:32
  Speaker 2: walked home in complete silence. We both knew. When we
• 20:37
  Speaker 2: came to our apartment house, I stopped and rang for
• 20:39
  Speaker 2: the elevator... In the light of the hallway, I could
• 20:41
  Speaker 2: see her face. My wife's face. Ashy gray. Her eyes
• 20:46
  Speaker 2: bright and painful. You run upstairs, Marie. I'll be along
• 20:50
  Speaker 2: in a minute.
• 20:51
  Speaker 4: Harry, where are you going?
• 20:52
  Speaker 2: I'll be right back.
• 20:53
  Speaker 4: Please, Harry, don't do anything.
• 20:54
  Speaker 2: You run along, Marie.
• 20:55
  Speaker 4: You're not going to.
• 20:56
  Speaker 2: No, I'm only going to the drugstore to get something.
• 20:59
  Speaker 2: I'll be back in a few minutes. I came home
• 21:12
  Speaker 2: a half hour later. She was waiting for me.
• 21:14
  Speaker 4: Did you? Did you do it, Harry? Harry, please, please
• 21:18
  Speaker 4: tell me. I've got to know.
• 21:19
  Speaker 2: I had the cocoa you gave me analyzed. I'm sorry.
• 21:22
  Speaker 4: I had to do it. Don't you see? I couldn't
• 21:24
  Speaker 4: help it.
• 21:25
  Speaker 2: It was very easy for the druggist, especially when I
• 21:27
  Speaker 2: told him what I thought was in it. Sodium amytol.
• 21:31
  Speaker 2: That's the stuff that makes you sleep through an earthquake.
• 21:33
  Speaker 4: Please try to understand, Harry. You must understand.
• 21:35
  Speaker 2: Is the kid asleep?
• 21:37
  Speaker 4: Yes, Johnny's all right.
• 21:39
  Speaker 2: I was sorry for Marie. She looked so haggard and worn.
• 21:42
  Speaker 2: It wasn't her fault. I'm sorry for myself. My head
• 21:46
  Speaker 2: was roaring. I wasn't feeling too well. I kept seeing
• 21:50
  Speaker 2: sparks in front of my eyes. I closed my eyes
• 21:53
  Speaker 2: for a moment.
• 21:54
  Speaker 4: Let's go to bed, Harry.
• 21:55
  Speaker 2: Marie, we can do something. Let's burn up every match.
• 21:59
  Speaker 2: Every match in the house. We'll never bring another match
• 22:01
  Speaker 2: in here.
• 22:01
  Speaker 4: No, no, Harry. We can't do that.
• 22:03
  Speaker 2: You don't want to?
• 22:03
  Speaker 7: No, Harry.
• 22:04
  Speaker 4: Not now.
• 22:05
  Speaker 5: See?
• 22:05
  Speaker 2: This is the first book. It's turning black. We'll do
• 22:07
  Speaker 2: it with every book of matches.
• 22:08
  Speaker 4: It's no use. It's no use, Harry.
• 22:10
  Speaker 2: Strange, isn't it, that this should happen to me? Me,
• 22:12
  Speaker 2: a fire inspector. That's funny. Give me the matches, Marie.
• 22:16
  Speaker 4: All the matches. No, I can't do it.
• 22:17
  Speaker 5: I won't.
• 22:18
  Speaker 2: Give them to me.
• 22:18
  Speaker 4: Please, please, please don't take them. I'll do anything you want. Anything.
• 22:22
  Speaker 2: Where did you hide them?
• 22:23
  Speaker 5: Tell me.
• 22:23
  Speaker 2: Where are they?
• 22:24
  Speaker 4: Inside the range, behind the paper bag.
• 22:27
  Speaker 2: I dropped her hand and she sank to the floor
• 22:29
  Speaker 2: in a huddle, weeping. Then I went into the kitchen
• 22:32
  Speaker 2: and got all the matches. By now, my anger was
• 22:36
  Speaker 2: cooling off. Look, Marie, look up. See? I'll light each
• 22:39
  Speaker 2: book of matches, one at a time, until they're all.
• 22:41
  Speaker 4: Gone up in smoke.
• 22:43
  Speaker 2: Yellow flame licked its way down the matches. The cover
• 22:45
  Speaker 2: caught fire and blackened. I watched her look at the
• 22:47
  Speaker 2: flame with dazed eyes. Listen.
• 22:50
  Speaker 4: Listen, Harry, do you hear?
• 22:52
  Speaker 2: Just someone in the hall.
• 22:53
  Speaker 4: Oh, it's more than someone. Something's happened. Something has happened.
• 22:57
  Speaker 2: I'll take a look.
• 22:59
  Speaker 4: Hey, Mr.
• 22:59
  Speaker 2: Jordan, the house is on fire.
• 23:01
  Speaker 4: The house, the house is on fire.
• 23:02
  Speaker 2: Yes, Marie, wake up Johnny. Johnny, Johnny. We'll have to hurry.
• 23:06
  Speaker 2: The flames are coming up the stairs. There's an upward draft.
• 23:08
  Speaker 2: What's the matter, Mother?
• 23:10
  Speaker 4: The house is on fire. We've got to get out, Johnny.
• 23:12
  Speaker 5: Come on.
• 23:12
  Speaker 2: It's too late to go down. We'll have to go
• 23:14
  Speaker 2: up through the roof.
• 23:15
  Speaker 4: I've hurt my leg.
• 23:17
  Speaker 5: Come along, Johnny.
• 23:18
  Speaker 4: Mother, wait for Mother.
• 23:19
  Speaker 2: She'll come along.
• 23:20
  Speaker 5: No.
• 23:21
  Speaker 1: No, I want to wait for Mother.
• 23:22
  Speaker 4: It's all right, Johnny. Go along with Daddy.
• 23:24
  Speaker 2: I'll follow you.
• 23:25
  Speaker 4: No.
• 23:25
  Speaker 8: No, I won't go.
• 23:27
  Speaker 2: I won't go without you, Mother. Hold on to my armory.
• 23:30
  Speaker 2: Come on. Give me your hand, Johnny. Don't be scared.
• 23:32
  Speaker 2: The fire won't hurt you. It won't hurt you at all.
• 23:35
  Speaker 2: You're safe with me. We made our way upstairs very
• 23:47
  Speaker 2: slowly because of Marie's sprained ankle. Finally, we got to
• 23:50
  Speaker 2: the roof. There were some firemen on the next roof,
• 23:52
  Speaker 2: about ten feet separated the two buildings. Don't get panicky.
• 23:55
  Speaker 2: We'll get you off safely. Are we going to have
• 23:59
  Speaker 2: to jump across, Daddy?
• 24:01
  Speaker 4: Because Mother won't be able to jump. It's all right, Johnny.
• 24:05
  Speaker 4: Don't be scared.
• 24:06
  Speaker 2: They're putting a board across the two roofs. We'll just
• 24:08
  Speaker 2: walk across. All right, now.
• 24:10
  Speaker 4: One at a time.
• 24:11
  Speaker 1: Tie the rope around you and come across.
• 24:14
  Speaker 2: Johnny, you go first. Don't be afraid. Go ahead. There,
• 24:16
  Speaker 2: now the rope will hold you in case you slip.
• 24:18
  Speaker 4: Mother, you gotta go first. I'll go right after you, Johnny.
• 24:24
  Speaker 4: You promise?
• 24:24
  Speaker 2: Go ahead, Johnny, another will follow you. Don't turn around.
• 24:28
  Speaker 2: Keep walking.
• 24:28
  Speaker 8: All right.
• 24:30
  Speaker 2: Kid's safe. Now you, lady.
• 24:32
  Speaker 4: Be careful of the board.
• 24:33
  Speaker 2: Hey, the board slipped off.
• 24:36
  Speaker 8: Hurry, one of you guys.
• 24:36
  Speaker 4: Get another board.
• 24:37
  Speaker 5: Mother.
• 24:38
  Speaker 4: Mother.
• 24:39
  Speaker 2: I want my mother. Your mother's going to be all right, kid.
• 24:42
  Speaker 4: You pushed the board off, Harry. I saw you do it. No, no,
• 24:44
  Speaker 4: I didn't, Marie. I didn't. All right, lady.
• 24:47
  Speaker 2: Let's tie the rope around you. Don't be afraid. Don't
• 24:50
  Speaker 2: look down. Ready? Ready? Okay, boys. She's all right. How
• 24:57
  Speaker 2: are you, mister? That's right. Tie the rope around you.
• 25:00
  Speaker 6: Okay.
• 25:01
  Speaker 2: All set? Okay. On the ground we stood there, the
• 25:11
  Speaker 2: three of us watching the fire. Sparks were shooting up
• 25:14
  Speaker 2: through the hole where it had bitten through. Great flames
• 25:17
  Speaker 2: shot out, stabbing at the sky. The top of the
• 25:20
  Speaker 2: roof was burning now. A red flame crawled along, searching
• 25:22
  Speaker 2: out the inflammable spots. A wooden pole caught fire and
• 25:25
  Speaker 2: blazed up in a long, narrow, curving arc. The wind
• 25:29
  Speaker 2: was helping her. All this time, Marie was shaking. Shaking violently.
• 25:34
  Speaker 2: Not with cold.
• 25:36
  Speaker 5: I pitied her.
• 25:37
  Speaker 2: And then she threw up her hands and shrieked. Oh!
• 25:43
  Speaker 4: Harry!
• 25:44
  Speaker 2: No, no, darling, don't. I can't.
• 25:46
  Speaker 4: I can't stand it. We can't go on this way. Police! Police!
• 25:49
  Speaker 1: Come here!
• 25:50
  Speaker 4: Don't do it, Marie.
• 25:50
  Speaker 2: There's no need to. Not the police. You don't know
• 25:52
  Speaker 2: what you're saying.
• 25:53
  Speaker 1: What is it, lady?
• 25:54
  Speaker 4: You'd better calm down now.
• 25:56
  Speaker 2: Officer, please. No, no, it's no use, Harry.
• 25:58
  Speaker 4: Officer, these awful fires, they're not accidental. There's a pyromaniac,
• 26:03
  Speaker 4: a criminal. What? And I know who it is. You've
• 26:06
  Speaker 4: got to arrest the person. Arrest. So there won't be
• 26:10
  Speaker 4: any more.
• 26:11
  Speaker 2: All right, lady. Now, what is this?
• 26:13
  Speaker 4: Who is the pyromaniac? The criminal is my husband. Hurry, Jordan.
• 26:19
  Speaker 4: This man here. Arrest him, officer.
• 26:40
  Speaker 2: Well, that's about all there is to the story, gentlemen.
• 26:44
  Speaker 2: Then I was brought here. Must have sounded kind of, well,
• 26:49
  Speaker 2: painful for you to hear it all over again, Marie.
• 26:51
  Speaker 4: No, it was all right, Harry.
• 26:54
  Speaker 2: I wonder, um, I got a cigarette.
• 26:56
  Speaker 4: Could I... No, I'll light it for you, Harry.
• 27:00
  Speaker 2: You don't have to worry. I won't try and keep
• 27:03
  Speaker 2: the matches here. She's been awfully good to me, gentlemen.
• 27:08
  Speaker 2: You'll take good care of her, won't you? She tried
• 27:10
  Speaker 2: everything to help. She hid the matches so as to
• 27:14
  Speaker 2: keep them from me. She even tried to give me
• 27:17
  Speaker 2: sleeping pills so I wouldn't... It's all right, Harry. I'm
• 27:23
  Speaker 2: sorry about the locket, dear. It must have fallen out
• 27:26
  Speaker 2: of my coat when I was in that building on
• 27:28
  Speaker 2: 98th Street. I.
• 27:31
  Speaker 4: It's all right, Harry. You can buy me another one sometime.
• 27:36
  Speaker 5: You.
• 27:38
  Speaker 2: You can't... blame anybody for liking fires. It's not their fault.
• 27:43
  Speaker 2: Fires are beautiful to watch. So bright and clean. They
• 27:49
  Speaker 2: burn up all the filth and dirt. And they're magnificent
• 27:52
  Speaker 2: to watch. Especially the big ones. The way the flames
• 27:56
  Speaker 2: roar and crackle, lighting up everything around you. The beautiful fire.
• 28:02
  Speaker 2: The beautiful fire. The beautiful fire.
• 28:22
  Speaker 5: And so closes The Night Reveals, starring Mr. Robert Young
• 28:26
  Speaker 5: and Margot. Tonight's tale of suspense.
• 28:33
  Speaker 3: I want you to know that the distinguished Roma California
• 28:35
  Speaker 3: wines include the most enjoyable types for every possible occasion.
• 28:39
  Speaker 3: Dry table wines, red and white, appetizer and dessert wines,
• 28:43
  Speaker 3: and also champagne and sparkling burgundy. Nothing can add more
• 28:47
  Speaker 3: downright pleasure to your meals or to your entertainment of friends...
• 28:51
  Speaker 3: and no enjoyment could be more economical. For not only
• 28:54
  Speaker 3: are they supremely delicious, Roma wines are America's largest selling wines,
• 28:59
  Speaker 3: and they cost only a few cents a glass. The
• 29:02
  Speaker 3: vast quantities regularly purchased and enjoyed by wine lovers, the
• 29:07
  Speaker 3: advantageous locations of the great Roma wineries in the favored
• 29:10
  Speaker 3: wine districts throughout California, these things permit truly modest prices
• 29:15
  Speaker 3: that make Roma wines the world's outstanding wine values. Roma, R-O-M-A.
• 29:23
  Speaker 3: Roma wines are true to type. Roma wines are faithful
• 29:26
  Speaker 3: in flavor. Roma wines are sound of character. Roma wines
• 29:29
  Speaker 3: are reasonable in cost. Made in California for enjoyment throughout
• 29:34
  Speaker 3: the world.
• 29:36
  Speaker 2: This is Robert Young. It's been a great pleasure for
• 29:39
  Speaker 2: me to appear tonight on... Suspense, one of my very
• 29:41
  Speaker 2: favorite programs. And I know you'll want to be listening
• 29:44
  Speaker 2: next Thursday when my friend and colleague at Metro-Goldwyn-Mayer, Mr.
• 29:47
  Speaker 2: Charles Lawton, will be your star.
• 29:50
  Speaker 5: Then next Thursday, same time, for Charles Lawton in Suspense.
• 29:54
  Speaker 3: Presented by Roma Wines, R-O-M-A. Made in California for enjoyment
• 30:00
  Speaker 3: throughout the world. This is the Columbia Broadcasting System.
• 30:16
  Speaker 1: The hour closes with suspense. The night reveals. Good night
• 30:20
  Speaker 1: and thank you for sharing this 1943 CBS broadcast.