Latest / The Breakfast Club / Chadwick Boseman Interview to Valentine's Day Pettiness

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Chadwick Boseman Interview to Valentine's Day Pettiness · The Breakfast Club

• 0:02
  Speaker 1: It's time time to wake up. Teaching instantially and Charlomagne,
• 0:07
  Speaker 1: the God of the Practice Club bitches, the voice of
• 0:10
  Speaker 1: the culture. People watch The Breckfas Club for like news
• 0:13
  Speaker 1: to really be tuned in. It's one of my favorite
• 0:16
  Speaker 1: shows to do, just because y'all always keep you one, honey,
• 0:19
  Speaker 1: y'all keep your Really, they might not watch the news,
• 0:21
  Speaker 1: but they're on Twitter, they're on Facebook, they're you know,
• 0:23
  Speaker 1: they're listening to the Breath of the Brothers show ass suh.
• 0:36
  Speaker 1: White people question, good morning USA. Yell ya ya ya
• 0:41
  Speaker 1: ya ya ya ya ya ya ya ya ya ya
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  Speaker 1: ya ya ya ya ya yo yo yo yo yo
• 0:45
  Speaker 1: yo yo yo yo yo yo yo yo yo. Good
• 0:47
  Speaker 1: morning Angela good money. She's amby Charlomagne, the guy Peace
• 0:51
  Speaker 1: of the planet. Guess what day it is? Guess what
• 0:54
  Speaker 1: day it is? Yes, it's humped. It's Valentine's Day. Read today.
• 1:04
  Speaker 1: I see you couldn't be a blood and ever my
• 1:08
  Speaker 1: red headphones spare. I've been very hard on single women
• 1:13
  Speaker 1: or the past couple of years, past few years on
• 1:16
  Speaker 1: Valentine's Day. But um I realized it's not their fault.
• 1:20
  Speaker 1: I don't know whose fault it is, but it's not
• 1:21
  Speaker 1: their fault. I focus my energy on today's Valentine's Day
• 1:25
  Speaker 1: on women who are still falling for the lie. I'm
• 1:29
  Speaker 1: busy today, Okay. I sat in the restaurant last night
• 1:34
  Speaker 1: with my home girl who shall remain nameless, and she
• 1:37
  Speaker 1: was like, yeah, you know my boyfriend and I he
• 1:39
  Speaker 1: told me he's gonna be busy tomorrow. Oh laugh, Oh
• 1:44
  Speaker 1: my god, iridd everybody today. We decided I had my
• 1:52
  Speaker 1: lip service alive last night, and there were a lot
• 1:55
  Speaker 1: of women there that were single lipt live. It's like
• 1:58
  Speaker 1: a plethora of women, and so we had a great
• 2:01
  Speaker 1: time last night. Shout out to everyone who came through.
• 2:04
  Speaker 1: I was up first dropping a bomb for Marlon Negre.
• 2:07
  Speaker 1: She was there. Also. Stephan LaCour was in town, so
• 2:10
  Speaker 1: she came through as well. Stevin Streeter just happened to
• 2:13
  Speaker 1: hit me and was like, I'm in New York. So
• 2:15
  Speaker 1: she came by and showed love to everybody also, And
• 2:18
  Speaker 1: then we had Little Mo and her husband, Carl Dargan
• 2:21
  Speaker 1: came through and had some fun. Apparently he doesn't know
• 2:24
  Speaker 1: a lot about her, well, no he does. They played
• 2:26
  Speaker 1: like a newly wed type of game. And then last
• 2:29
  Speaker 1: but night Lee, shout out to Girls Club. They came
• 2:31
  Speaker 1: through and performed, so we had a good time. Okay,
• 2:34
  Speaker 1: my ladies last night, So shout out to everybody out there.
• 2:36
  Speaker 1: Listen today, it's just February fourteenth. It's not a big
• 2:39
  Speaker 1: deal people care about today. People don't. If it's a
• 2:45
  Speaker 1: big deal to people, let it be a big deal.
• 2:46
  Speaker 1: It's a big deal to some people. Yes, Okay, some
• 2:49
  Speaker 1: people don't care about it because they don't have no choice. Now,
• 2:51
  Speaker 1: I'm all right, they don't have no other options but
• 2:54
  Speaker 1: to look towards the future. I will say this. I
• 2:56
  Speaker 1: have my Black Panther premiere last night too. Man, So
• 2:59
  Speaker 1: I feel so blessed black and Holly favored because I
• 3:02
  Speaker 1: saw a Black Panther on Monday, and I saw a
• 3:04
  Speaker 1: Black Panther on Tuesday, And you know, yesterday I didn't
• 3:07
  Speaker 1: want to say much about Black panthering I still not
• 3:08
  Speaker 1: gonna say much about Black Panther. All I'm gonna tell
• 3:11
  Speaker 1: you is you need to go see it. Yeah, I'm
• 3:15
  Speaker 1: just gonna leave it at that and say you need
• 3:17
  Speaker 1: to go see it. I was gonna see it out
• 3:18
  Speaker 1: in LA but I really want to bring the kids,
• 3:20
  Speaker 1: so I'll rate till I get back home on the
• 3:22
  Speaker 1: weekend to go see it. M. Valentine's. Like you said, yee,
• 3:25
  Speaker 1: it's very special to me and my wife. We don't
• 3:28
  Speaker 1: go out because usually when you go out, the food
• 3:29
  Speaker 1: is disgusting. It's it's yeah, they make the food too
• 3:32
  Speaker 1: fast because they're trying to get so many people in
• 3:34
  Speaker 1: the restaurant, so it's never really good. The service is
• 3:37
  Speaker 1: never really good. So we really don't go out for
• 3:39
  Speaker 1: dinner per se. But we always do something And shout
• 3:41
  Speaker 1: to everybody that watched this on the rail yesterday. My
• 3:44
  Speaker 1: wife and I were on the rail, had an amazing time.
• 3:46
  Speaker 1: Shout to the ladies of the reel. Yeah, a lot
• 3:48
  Speaker 1: of people that they were at the podcast yesterday said
• 3:50
  Speaker 1: they saw it and that you guys did a great job.
• 3:52
  Speaker 1: We have it on the DVR, so I got to
• 3:54
  Speaker 1: check it out. Yeah. So we had a great time
• 3:56
  Speaker 1: on the rail. And then of course my live show
• 3:58
  Speaker 1: is Monday and we do the same thing. Live podcast
• 4:01
  Speaker 1: is sold out, so we don't have a lot of fus.
• 4:02
  Speaker 1: Let's get the show cracking. Now. Who do we have
• 4:04
  Speaker 1: joining us? Who? What do you mean? Who do we
• 4:06
  Speaker 1: have joining us? This morning? Okay, we got my South
• 4:09
  Speaker 1: Carolina Brethren King Tshaala. Chadwick Bowsman will be here this morning.
• 4:13
  Speaker 1: He'll be back on the Breakfast Club. Okay, he hasn't
• 4:16
  Speaker 1: been to the breakfast clubs his twenty fourteen. I think
• 4:18
  Speaker 1: he can't win. I think he's promoting forty two at
• 4:20
  Speaker 1: the time. Right, Yeah, And at the time I was
• 4:23
  Speaker 1: pressing him about playing Black Panther. Don't even know how
• 4:25
  Speaker 1: I even had that in my mind, and he was
• 4:28
  Speaker 1: duck in the question. But he claims he didn't know
• 4:31
  Speaker 1: who will talk about it when he comes all right,
• 4:32
  Speaker 1: and we got front page news. What we're talking about, Well,
• 4:35
  Speaker 1: if we're asking Valentine's Day stories for you, we'll tell
• 4:37
  Speaker 1: you about the school who is catching flat because there's
• 4:40
  Speaker 1: a school dance on Valentine's Day every year and they
• 4:43
  Speaker 1: tell the girls they can't say no if a boy
• 4:45
  Speaker 1: asked them to dance. Wow. All right, we'll get into
• 4:47
  Speaker 1: that when we come back. It's the breakfast Club goal
• 4:48
  Speaker 1: morning Satti is dj Envy Angela Yee, Charlomagne the guy
• 4:52
  Speaker 1: we are the breakfasts come in Happy Valentine said, everybody
• 4:55
  Speaker 1: out they are happy Valentine's Day and I also want
• 4:58
  Speaker 1: to say too, Man, if you've seen black panther and
• 5:00
  Speaker 1: you don't greet me with the appropriate handshake, go on,
• 5:02
  Speaker 1: trust you. Okay, I just want to throw that out there.
• 5:06
  Speaker 1: All right. Well let's get into some front page news. Now,
• 5:09
  Speaker 1: what is this school doing? It sounds so crazy when
• 5:11
  Speaker 1: you just tease the sheet. All right. So there is
• 5:13
  Speaker 1: a school, Kingsville Elementary School in odd In, Utah. They
• 5:16
  Speaker 1: have a sixth grade dance today on Valentine's Day every
• 5:19
  Speaker 1: single year. Now, the dance is intended to promote inclusion
• 5:23
  Speaker 1: and kindness. So one thing that they do. Students have
• 5:26
  Speaker 1: been told by their teachers say yes when a classmate
• 5:29
  Speaker 1: asked them to dance. That's trash. But now some parents
• 5:32
  Speaker 1: are angry because they said that they don't want to
• 5:34
  Speaker 1: teach their daughters or their sons that if somebody asked
• 5:38
  Speaker 1: you something, you can't say no. So psychologically, according to
• 5:41
  Speaker 1: one parent, my daughter keeps coming to me and saying
• 5:44
  Speaker 1: I can't say no to a boy. That's the message
• 5:46
  Speaker 1: that kids are getting. So the way the dance works,
• 5:48
  Speaker 1: students have to fill out a dance card but names
• 5:50
  Speaker 1: a classmates they like to dance with. Half the dance
• 5:53
  Speaker 1: and selections are the girls choice the other half of
• 5:54
  Speaker 1: the boys choice. Students can't dance with the same person
• 5:57
  Speaker 1: more than once, and traditionally they're told to say yes
• 6:00
  Speaker 1: no matter what. But now the school is saying that
• 6:03
  Speaker 1: you can say no. This is the first time this year.
• 6:06
  Speaker 1: One of the many reasons that's really, really really whack
• 6:08
  Speaker 1: is because being let down by a woman builds character. Okay,
• 6:12
  Speaker 1: and by the way, that's not the way life works.
• 6:14
  Speaker 1: People aren't gonna tell you yes all a goddamn time. Okay,
• 6:17
  Speaker 1: you're gonna hear a lot more nose than you do. Yes,
• 6:19
  Speaker 1: I do look bad. There's like one little boy that
• 6:22
  Speaker 1: everybody says no to. So, but you can't force a girl.
• 6:25
  Speaker 1: Are gonna dance what you're going to date with you?
• 6:27
  Speaker 1: That's why? Yeah, because it's not realistic. What does it teach.
• 6:31
  Speaker 1: That's not how life works. Okay. I always tell people
• 6:33
  Speaker 1: all you need is one yes, because you're gonna hear
• 6:35
  Speaker 1: way more nose than you do yes. You know how
• 6:37
  Speaker 1: many times my wife told me no before she finally
• 6:40
  Speaker 1: said yes, like at least ten times. No, you are
• 6:43
  Speaker 1: now exhausted, Okay, Sometimes you gotta do what you gotta do.
• 6:47
  Speaker 1: They persistence over times resistance times up. Brother, No persist,
• 6:52
  Speaker 1: I was persistent resisting. I'm sorry, I said I was persistent.
• 6:57
  Speaker 1: All right. Now, here's a really great story. A single dad,
• 7:01
  Speaker 1: Trenton Lewis, would walk to work. He would walk to
• 7:04
  Speaker 1: ups eleven miles every single day. This is in Little Rock, Arkansas.
• 7:09
  Speaker 1: And his co workers found out. You know, there's always
• 7:12
  Speaker 1: one person at work that knows everybody's business. Now that
• 7:14
  Speaker 1: one person at his job actually ended up telling the
• 7:17
  Speaker 1: other people. Patricia, Mama Pat Bryant told the other co workers.
• 7:21
  Speaker 1: A lot of them didn't even know Trenton Lewis, and
• 7:23
  Speaker 1: they all put their money together and bought him a car.
• 7:26
  Speaker 1: They told him that they were going to be having
• 7:28
  Speaker 1: a meeting. He came to the meeting and they gave
• 7:30
  Speaker 1: him brand new a brand well not a brand new car,
• 7:32
  Speaker 1: but keys to a brand new car for him. They
• 7:35
  Speaker 1: raised two thousand dollars. So the seller of the car
• 7:37
  Speaker 1: understood what was happening when Mama Pat Brian put together
• 7:40
  Speaker 1: this whole fundraiser to get him a car. Because he
• 7:43
  Speaker 1: didn't tell anybody. She just knew that he would walk
• 7:45
  Speaker 1: to work. And he has a fourteen month old daughter.
• 7:47
  Speaker 1: He's a single dad, so he would work eleven miles
• 7:49
  Speaker 1: to work in eleven miles home every single day for
• 7:51
  Speaker 1: the past seven months. Damn hey, respect to him because
• 7:54
  Speaker 1: out of bought him a bike. I'm gonna be honest
• 7:56
  Speaker 1: with your a nice little huf for your nice little
• 7:57
  Speaker 1: tin speed. You know what I'm saying, because he probably
• 8:00
  Speaker 1: likes the exercise to be honest. My goodness. All right, Well,
• 8:02
  Speaker 1: I just thought that was a beautiful for UPS. What
• 8:05
  Speaker 1: does brown do for you? Okay? I used to want
• 8:08
  Speaker 1: to work at UPS, but I looked at the benefits
• 8:10
  Speaker 1: from stuff like that, and they had like really good benefits,
• 8:12
  Speaker 1: this when I didn't really know what I wanted to
• 8:14
  Speaker 1: do in my life. They are very flexible hours too,
• 8:16
  Speaker 1: because you can't work like the overnight shift. You can
• 8:18
  Speaker 1: either load the truck, you can be a driver. And
• 8:20
  Speaker 1: one of my uncles used to be a UPS worker
• 8:22
  Speaker 1: and he had like a really nice house, and like, wow,
• 8:25
  Speaker 1: I wanted to work for UPS. And then Biggie killed
• 8:27
  Speaker 1: that dream when he said, don't be mad UPS, all right,
• 8:29
  Speaker 1: Charlott man, that's let y'all know my life, all right,
• 8:32
  Speaker 1: get it off your chests. Eight hundred five eight five
• 8:35
  Speaker 1: one oh five. One. If you're upset, you need to
• 8:36
  Speaker 1: hit us up right now. Or maybe you feel blessed
• 8:39
  Speaker 1: you want to call us up eight hundred five eight
• 8:41
  Speaker 1: five one oh five. Or they shout out your Valentine's
• 8:43
  Speaker 1: this morning when you call out, don't do that now.
• 8:45
  Speaker 1: Shot somebody shot somebody else Valentine too. All right, Well,
• 8:48
  Speaker 1: at least you figured out today. And for everybody out
• 8:51
  Speaker 1: there this single, don't you worry about it. Listen, it
• 8:54
  Speaker 1: doesn't define you to be in a relationship. The right
• 8:59
  Speaker 1: play your play? What time boy? Take you lonely now?
• 9:04
  Speaker 1: Waiting down to night girl? God? Damn it? All right,
• 9:08
  Speaker 1: it's the breakfast club about it. The breakfast club can
• 9:15
  Speaker 1: pick up the mother mother phone and doctor, this is
• 9:18
  Speaker 1: your time to get it off. He chat mother, you're
• 9:20
  Speaker 1: mad or blas you want to hear from you on
• 9:23
  Speaker 1: the breakfast club, so you better have the same energy. Hello,
• 9:26
  Speaker 1: who's this? All right? Good morning? It's from the Bronk.
• 9:29
  Speaker 1: Hey Debro. How you doing morning, devor how are you great?
• 9:32
  Speaker 1: I'm great. Happy Valentine's Day to all of you guys.
• 9:36
  Speaker 1: I love y'all, a charlavage. Thank you for being a
• 9:38
  Speaker 1: gracious whole yesterday. Thank you for signing my book, my book.
• 9:43
  Speaker 1: Oh yeah, you can't to save the day. Yes you can't. Dad.
• 9:47
  Speaker 1: What do you think of Black Panther? I love it. Yeah,
• 9:50
  Speaker 1: go back, definitely will go back. But you know I
• 9:53
  Speaker 1: love spending it with y'all yesterday. I had a great time.
• 9:55
  Speaker 1: Thank you. And please remember anybody that you know that's
• 9:57
  Speaker 1: all Black Panther already, if they don't greet you with
• 9:59
  Speaker 1: the pro Brett handshake, the day, you can't trust. Thank you, mamma.
• 10:02
  Speaker 1: All right, have a good one. All right. Hello, who's this?
• 10:05
  Speaker 1: It's Jay? Hey, Jay, get it off your chess. All right.
• 10:08
  Speaker 1: I'm very mad, very very very mad. This morning, the
• 10:11
  Speaker 1: first week of February, I sent my son to school
• 10:14
  Speaker 1: and I told him, I says, you're coming home with
• 10:16
  Speaker 1: lessons on ground, hot day and so on and so forth.
• 10:19
  Speaker 1: Go to school tomorrow, ask your teacher when you're going
• 10:22
  Speaker 1: to learn about black history month. Right. Son's five, he's
• 10:24
  Speaker 1: in kindergarten. So he comes home and he tells me verbatim,
• 10:28
  Speaker 1: you know, you know when your kids are lying. So
• 10:29
  Speaker 1: he tells me, oh yeah, mom, my teacher told me,
• 10:33
  Speaker 1: don't worry. We'll learn about Black History Month. It's not
• 10:35
  Speaker 1: like the end of the world. Well okay, okay, I
• 10:39
  Speaker 1: sold some type of way. But this was the first
• 10:41
  Speaker 1: week of February. Like I said, the kids where I live,
• 10:43
  Speaker 1: I mean Massachusetts, the kids go on vacation Friday. When
• 10:47
  Speaker 1: they come back, ain't no more Febtruary. Ain't no more
• 10:49
  Speaker 1: Black History Month? What is going on? Yeah? But you
• 10:51
  Speaker 1: know what, though, Man, I'm gonna be honest with you.
• 10:53
  Speaker 1: You can't expect you can't expect white people to teach
• 10:55
  Speaker 1: black kids about black history. That's our job. That's just
• 10:58
  Speaker 1: the truth to the matter. Man. Like you know, let
• 10:59
  Speaker 1: let them go school, learn whatever, learn from the colonizers,
• 11:02
  Speaker 1: and then come home and then you teach them about
• 11:04
  Speaker 1: black history. My daughter just finished reading the Life of
• 11:08
  Speaker 1: Henrietta Lacks book, you know, like that's we gotta teach
• 11:11
  Speaker 1: our own people. But I would I would expect for
• 11:13
  Speaker 1: because my son most was cool. It's named after a
• 11:16
  Speaker 1: famous um Underground World leader, William Corney. He goes to
• 11:20
  Speaker 1: a school. We live in a city that is known
• 11:22
  Speaker 1: for the Underground worldroad. Fretric Suplass was born here. Harriet
• 11:25
  Speaker 1: Tubman had people had slaves hidden in houses that are
• 11:28
  Speaker 1: now historic places downtown. I would expect so much more
• 11:32
  Speaker 1: from these people. Well, little millennial, teach her to get
• 11:35
  Speaker 1: it together. I bet you, Hi, millennial, I bet you
• 11:36
  Speaker 1: saying our twenties exactly. She's a young Halon Tenderoni exactly.
• 11:43
  Speaker 1: So go get her before she show your kids twelve
• 11:45
  Speaker 1: years of slave in the classroom. Man, My goodness, state, mamma,
• 11:48
  Speaker 1: thank you. All right? Hello, who's this? Oh? This is
• 11:51
  Speaker 1: Whitney called it out of Houston. Hey, Whitney, get it
• 11:53
  Speaker 1: off your chest. Yeah. I just wanted to give two things.
• 11:56
  Speaker 1: I want to give a birthday shout out for my
• 11:58
  Speaker 1: son and Cash as he turned for today, and um
• 12:01
  Speaker 1: to my husband of ten years. Hey, Cash is happy birthday.
• 12:06
  Speaker 1: That is not Cash that four years old. Oh that's
• 12:09
  Speaker 1: a new one. That's a new one. Yeah, that's a
• 12:11
  Speaker 1: new one. Oh if you know that you're here because
• 12:14
  Speaker 1: you had a Valentine's last year or did you know
• 12:16
  Speaker 1: that was four years ago? Oh you had a Valentine's
• 12:19
  Speaker 1: sense Yeah, thank you, mama, five five one on five one.
• 12:27
  Speaker 1: If you're upset, you need to vent. It's the Breakfast Club.
• 12:29
  Speaker 1: Good morning, the Breakfast Club. Wake up, wake up. Wait,
• 12:37
  Speaker 1: you're trying to get it off your chest. You mad
• 12:41
  Speaker 1: or blessed? We want to hear from you on a
• 12:42
  Speaker 1: breakfast block. Hello, who's this hey, traf? Traf? People be
• 12:48
  Speaker 1: so mad they think you have like a special hotline pieces.
• 12:54
  Speaker 1: How you spending Valentine? Um? You know, so it's a
• 12:59
  Speaker 1: little story about that. We're here for the store, Traft.
• 13:02
  Speaker 1: Tell us what's going on? What happened? I don't even
• 13:05
  Speaker 1: want to talk about that. I can't I talk, Okay,
• 13:07
  Speaker 1: I call him talk about something else. But we gotta
• 13:09
  Speaker 1: know because we care. I'm I'm kind of finger right now.
• 13:13
  Speaker 1: Boy broke up after him to the white dude, Traff,
• 13:16
  Speaker 1: he was in love her friend of all he is
• 13:19
  Speaker 1: man is not white. Oh, I'm sorry, he was in love.
• 13:23
  Speaker 1: What happened? Traft? Oh Man, he just he kind of
• 13:27
  Speaker 1: cheated on me. He's crazy. Give us this, give us
• 13:32
  Speaker 1: this number, let us let us talk to him for
• 13:33
  Speaker 1: a second. I'm not calling no man on Valentine's Then
• 13:36
  Speaker 1: ask him why he's doing something better? Why would you
• 13:38
  Speaker 1: do that to you? How long ago did this happen?
• 13:40
  Speaker 1: In fact, like were Valentine's Day two? I respect him,
• 13:45
  Speaker 1: though Lizie broke up with you last week. You know
• 13:46
  Speaker 1: what I'm saying. That's a nice respect of time. He
• 13:49
  Speaker 1: didn't break up with me. I broke up with him, right,
• 13:52
  Speaker 1: that's right track. You could at least thought about it,
• 13:54
  Speaker 1: so you didn't want to wait to at least Valentine
• 13:56
  Speaker 1: didn't get a little Valentine didn't give. Yeah, I broke away.
• 14:00
  Speaker 1: My name is not beyond sale CARDI b I'm not
• 14:02
  Speaker 1: sticking around for that. Your lemonade here, Well, we'll go
• 14:08
  Speaker 1: try and clicking with a broken heart trap. But never matter.
• 14:14
  Speaker 1: Now I'll call another day. You see, y'all got him depressed.
• 14:17
  Speaker 1: Now you gotta find traveling day trap. I'm not gonna travel.
• 14:21
  Speaker 1: I'm not gonna try to find you a bay on
• 14:23
  Speaker 1: Valentine's Day because I don't think that's fair to you
• 14:25
  Speaker 1: or the other person. But I'm gonna find you a
• 14:26
  Speaker 1: bay trap. Trap you need to follow. It's that black man.
• 14:29
  Speaker 1: He loves you on Twitter. He always asked about you.
• 14:32
  Speaker 1: I have to tell him you had a boyfriend last time.
• 14:34
  Speaker 1: You like black guys? Right? Yeah? Want to make sure, okay,
• 14:38
  Speaker 1: all right, shout out there. I'm find being a single
• 14:43
  Speaker 1: right now. I don't want anybody right now, we'll forget you.
• 14:46
  Speaker 1: Then we try to get your a little black on
• 14:47
  Speaker 1: black penetration going, and you you donna act on great
• 14:50
  Speaker 1: by y'all, y'all, don't mess up my name now by
• 14:53
  Speaker 1: he did sound massive press. Now he's calling unhappy for
• 14:56
  Speaker 1: a trap. We love trap man, he's too, hey man,
• 14:59
  Speaker 1: Today is all about Valentine' Day. We are here to
• 15:01
  Speaker 1: lift your spirits right, get it off your chest. Eight
• 15:05
  Speaker 1: hundred five eight five one oh five one. If you're upset,
• 15:07
  Speaker 1: you need to vent, maybe your boot broke up? What
• 15:09
  Speaker 1: you right before Valentine's Day? You can call us up.
• 15:12
  Speaker 1: We got rooms on the way. Yeah, we are going
• 15:14
  Speaker 1: to talk about Meek males. Best to report about Meek
• 15:17
  Speaker 1: Mill and something that is going on in Philly that
• 15:19
  Speaker 1: we want to fill you in on. All right, we'll
• 15:21
  Speaker 1: get into all that when we come back. Keeping lock
• 15:23
  Speaker 1: this to Breakfast Club. Good morning, the Breakfast Club Lord,
• 15:29
  Speaker 1: and everybody is DJ Envy Angela, Yee, Charlomagne the guy.
• 15:32
  Speaker 1: We are the Breakfast Club. Happy Valentine's Date every Valentine's Day. Man, Listen,
• 15:36
  Speaker 1: I'm promise you I'm not gonna be hard on the
• 15:38
  Speaker 1: single ladies this year. I'm not gonna do it. I've
• 15:40
  Speaker 1: been too hard on them the past a couple of years.
• 15:42
  Speaker 1: I'm not gonna be petty. You know, God has a
• 15:44
  Speaker 1: plan for you. It just happened. Boy, it just happens
• 15:47
  Speaker 1: to be a single device plan, not a family plan.
• 15:49
  Speaker 1: But no, don't worry about that. My goodness, all right.
• 15:52
  Speaker 1: I would just say I would rather you be in
• 15:53
  Speaker 1: a great relationship than just be with anybody, because you
• 15:56
  Speaker 1: don't want to be alone. That's new terrible idea. There's
• 15:58
  Speaker 1: nothing worse than being with somebody that's not worth your time.
• 16:06
  Speaker 1: Let's get to the rooms. Let's tell Cardi B. It's
• 16:09
  Speaker 1: about Angel on the Breakfast Club. Well, according to tim Z,
• 16:21
  Speaker 1: Cardi B's team has been telling people that she is pregnant,
• 16:24
  Speaker 1: and they were saying that during Super Bowl weekend. So
• 16:27
  Speaker 1: that is according to TMZ. They said after Cardi performed,
• 16:31
  Speaker 1: a venue stafford asked her team if they could bring
• 16:33
  Speaker 1: her back to the VIP room where there was some drinks,
• 16:35
  Speaker 1: and they said they didn't want to be in a
• 16:37
  Speaker 1: party atmosphere and want to stay by the stage. They
• 16:39
  Speaker 1: said that she is three to four months pregnant. According
• 16:41
  Speaker 1: to the rep tim Z, so did yeah, They're just
• 16:45
  Speaker 1: reported that because somebody randomly told him that. Well, they
• 16:47
  Speaker 1: said it was Yeah, according to a staffer, one of
• 16:51
  Speaker 1: the reps, well, Cardi B said that she's pregnant. Well,
• 16:53
  Speaker 1: I'm glad that that is out there, if if it
• 16:55
  Speaker 1: is indeed true, because you know, everybody was saying that
• 16:58
  Speaker 1: Cardi was going to have issues this week because it's
• 17:00
  Speaker 1: All Star week. She's gonna have issues with the the
• 17:04
  Speaker 1: Bloods and with the crips you mean crips, Oh yeah,
• 17:07
  Speaker 1: crips and Callie you know. So I'm glad to put
• 17:10
  Speaker 1: that out there because you can't do nothing to a
• 17:11
  Speaker 1: pregnant one, now you definitely speaking of All Star Weekend
• 17:15
  Speaker 1: in La Wili has put out an anti Valentine's Day
• 17:18
  Speaker 1: song and the song is called All Star Breakup because
• 17:21
  Speaker 1: it is NBA All Star Weekend. And here is a
• 17:25
  Speaker 1: little snippet from All Star Breakup and now I heard
• 17:28
  Speaker 1: you Love Me. Now you can track out must the
• 17:34
  Speaker 1: All Star Breaking Day. So Valentine, So Mike and Bryson
• 17:38
  Speaker 1: shot he doesn't know the game. This Valentine dollars signs out.
• 17:43
  Speaker 1: You gotta fight ther Golds, she gotta ruling and fashion
• 17:46
  Speaker 1: over and I don't mean to talk to you like, Okna,
• 17:51
  Speaker 1: we vote to what we want. But if I want
• 17:53
  Speaker 1: you while must want you bad, all right, I ain't
• 17:55
  Speaker 1: go like you're damn fool buying a Valentine's Day gift
• 17:57
  Speaker 1: for some woman that's going to All Star this weekend.
• 17:59
  Speaker 1: Well yeah, that's part of what he talks about in
• 18:01
  Speaker 1: the song. He says, you ever lost your main john
• 18:03
  Speaker 1: to a point guard or a small forward And that's
• 18:05
  Speaker 1: a fact. If you really my Valentine, you know what
• 18:07
  Speaker 1: you're gonna do this weekend? Stay your ass home and
• 18:08
  Speaker 1: go see Black Panther with me. Okay, buying you? And
• 18:11
  Speaker 1: he said I don't believe in Valentine's in the song,
• 18:13
  Speaker 1: just so you know he's been hurt and you dare
• 18:16
  Speaker 1: Can you imagine that you buy a girl of Valentine's
• 18:18
  Speaker 1: You're like, why I'm going to Autar on Thursday? All know?
• 18:20
  Speaker 1: You not? Where were you going? Where we go? Yuh?
• 18:23
  Speaker 1: Where we going? Now? Do I time to get into
• 18:25
  Speaker 1: this Meek Mill story or do I need to save it? Yes? Okay,
• 18:27
  Speaker 1: meek mil I gotta tell you guys this whole situation. Now,
• 18:30
  Speaker 1: Meek Mill's legal team they're launching a bid to free
• 18:33
  Speaker 1: Meek Mill after they found out the police officer who
• 18:36
  Speaker 1: initially arrested him was on a DA's list of cops
• 18:39
  Speaker 1: suspected of framing suspects and lying in court. This is
• 18:43
  Speaker 1: important because Officer Reginald B. Grant, former officer he arrested
• 18:46
  Speaker 1: Meek Mill in two thousand and seven. This was his
• 18:48
  Speaker 1: original arrest when he was eighteen years old on gunn
• 18:50
  Speaker 1: and drug charge, just testified against him in court. A
• 18:53
  Speaker 1: large part of the reason that Meek Mill actually got
• 18:55
  Speaker 1: locked up was because of this police officer testifying against him,
• 18:58
  Speaker 1: and he was one of the people that was on
• 19:00
  Speaker 1: that secret list that the DA had of cops who
• 19:03
  Speaker 1: would frame suspects and lying in court. Now Graham testified
• 19:06
  Speaker 1: that police informants had seen Meek, who was eighteen, sell
• 19:10
  Speaker 1: crack cocaine on the street to Philly, even though Meek
• 19:13
  Speaker 1: said he was not there and was actually in court
• 19:15
  Speaker 1: at the time supporting his cousin, which his lawyers say
• 19:18
  Speaker 1: is a provable fact that they did not even consider
• 19:21
  Speaker 1: in this case. Now. The police also said that they
• 19:24
  Speaker 1: got a police warrant after that to search his cousin's home,
• 19:27
  Speaker 1: where Meek had been saying Now Meek admits that he
• 19:29
  Speaker 1: did have an illegal gun, but according to Graham, he
• 19:32
  Speaker 1: said that meek Mill actually pulled out a gun, ducked
• 19:35
  Speaker 1: behind a car and tried to shoot them, and that's
• 19:37
  Speaker 1: when they wrestled him to the ground and arrested him
• 19:39
  Speaker 1: as he tried to flee. Now, Meek said that cops
• 19:41
  Speaker 1: had actually cuffed him outside the house, then dragged him
• 19:44
  Speaker 1: inside the house and beat him up. He was beat
• 19:46
  Speaker 1: up so badly that he actually had to go to
• 19:47
  Speaker 1: the hospital, and they had picture of him chained to
• 19:50
  Speaker 1: a chair in the hospital, and he said they actually
• 19:52
  Speaker 1: pulled out one of his dreads. They were kicking him,
• 19:55
  Speaker 1: punching him in his face and all of that. So
• 19:59
  Speaker 1: they feel like that should be overturned because that cop
• 20:02
  Speaker 1: was known for lying under oath, and he actually was
• 20:06
  Speaker 1: known for stealing as well. One of his partners testified
• 20:09
  Speaker 1: against him, a former narcotics officer, saying that they would
• 20:12
  Speaker 1: steal together. I'm not mad at meek Mill's defense team.
• 20:14
  Speaker 1: They're throwing a whole bunch of things against the wall
• 20:16
  Speaker 1: to see what she sticks try to get their guy home.
• 20:18
  Speaker 1: I'm not mad at that at all, right, glad Angelie
• 20:21
  Speaker 1: took a breath because she sounded like she was talking
• 20:23
  Speaker 1: to the police on behalf of me. I know what,
• 20:26
  Speaker 1: I know. The body is gunn o here, and I
• 20:28
  Speaker 1: just think it's crazy. They have a whole list of
• 20:30
  Speaker 1: police officers who are known for lying in court under oath,
• 20:34
  Speaker 1: and they keep that list from people. It's a secret list.
• 20:36
  Speaker 1: And then Meek Mill went to jail originally because of
• 20:39
  Speaker 1: this police officer, and he proved that he was in
• 20:41
  Speaker 1: court with his cousin. He had proof of that, but
• 20:43
  Speaker 1: they didn't even consider it at the time. I mean,
• 20:46
  Speaker 1: it makes sense. All right. Well I'm Angela Yee and
• 20:49
  Speaker 1: that is your rumor report. All right, thank you, miss ye.
• 20:52
  Speaker 1: Now when we come back, who do we have joining us?
• 20:54
  Speaker 1: Charlomagne oh man, we have my South Carolina Bredren King
• 20:58
  Speaker 1: to Shalah Chadwick Bow We'll be here joining us. And
• 21:02
  Speaker 1: this isn't this first time on the Breakfast Club. But
• 21:03
  Speaker 1: I love when the black actors and black actresses in
• 21:06
  Speaker 1: Hollywood come through because a lot of times they like
• 21:08
  Speaker 1: to blow off their their black media outlets to go
• 21:11
  Speaker 1: run and go do all of you know, big mainstream
• 21:13
  Speaker 1: white stuff like good Morning America. In today's show and
• 21:15
  Speaker 1: all that. So I like when they pull up on
• 21:17
  Speaker 1: the little old black shells. All right, we'll get it.
• 21:19
  Speaker 1: We'll talk to him when we come back. Don't move.
• 21:21
  Speaker 1: It's the Breakfast Club. Good morning, but everybody is DJ
• 21:24
  Speaker 1: Envy Angela Yee, Charlomagne the guy. We are the Breakfast Club.
• 21:28
  Speaker 1: Now we have a special guest in the building. I
• 21:30
  Speaker 1: wasn't there because I'm in La. Chadwick Bozeman. What's happening
• 21:33
  Speaker 1: to my brother? Everything? It's great pressures on man, you
• 21:37
  Speaker 1: think so they're a good pressure. Yeah, it's good pressure.
• 21:40
  Speaker 1: And you know, I remember reading one time that you
• 21:42
  Speaker 1: said you skipped the Civil War premiere because it felt
• 21:46
  Speaker 1: too big. So Civil War felt too big? How did
• 21:49
  Speaker 1: you get used to this? It was, you know what
• 21:52
  Speaker 1: it was? I had to I had to work my
• 21:54
  Speaker 1: way into it. I had to work my way into it.
• 21:57
  Speaker 1: And you know when you go to those Marvel premiers,
• 22:01
  Speaker 1: the ones in La, they take up blocks, blocks of blocks,
• 22:04
  Speaker 1: and I was just like, you know what, I'm gonna
• 22:06
  Speaker 1: sit this out. Uh. I went to Aga l Trin,
• 22:11
  Speaker 1: you know, I saw it. It was like I went
• 22:12
  Speaker 1: to doctor Strange. And so I think it got me
• 22:15
  Speaker 1: to the place where I was like, I'm ready for
• 22:17
  Speaker 1: mine now. Yeah, so I Marvel would be disappointed if
• 22:20
  Speaker 1: you didn't show up to my own Yeah, oh yeah,
• 22:23
  Speaker 1: what are you doing? Yeah? I was was festive too,
• 22:26
  Speaker 1: I was. It was an amazing experience. You know we
• 22:28
  Speaker 1: had you know, everybody was was was dressed to the
• 22:31
  Speaker 1: nons and that and the African gear and we all
• 22:34
  Speaker 1: have the beautiful man was beautiful. You're something from anxiety,
• 22:38
  Speaker 1: anxiety about what just in general, like like just I
• 22:42
  Speaker 1: don't think so yeah, yeah, no, I'm having a good
• 22:44
  Speaker 1: it's a good time. You know, four years ago we
• 22:47
  Speaker 1: had you up here and I asked you if you
• 22:48
  Speaker 1: were playing Black Panthers. You have the worst poker face.
• 22:51
  Speaker 1: The man, I don't know. I didn't know, I didn't
• 22:55
  Speaker 1: time that, I had no idea the events that led
• 22:58
  Speaker 1: to this. You know, I'll get what I do is
• 23:01
  Speaker 1: I give you credit for being prophetic about it. Okay,
• 23:07
  Speaker 1: you're my credit. I like my credit. You are Sharlot
• 23:08
  Speaker 1: mean the guy right, you sho me the guy right? Absolutely? Yeah, yeah,
• 23:13
  Speaker 1: claim me claiming. You know, it's been a couple it's
• 23:15
  Speaker 1: been a couple of people that that predicted it. So
• 23:17
  Speaker 1: I'll say you one of there you go. None did
• 23:19
  Speaker 1: you have to keep it a secret when you found out?
• 23:21
  Speaker 1: It was like two and a half months. That's a
• 23:24
  Speaker 1: long time to it was. Yeah, yeah, it was two
• 23:27
  Speaker 1: and a half months. Like my mama didn't know. Really
• 23:30
  Speaker 1: nobody knew because your mind probably would have told everybody. Yeah, like,
• 23:34
  Speaker 1: you know what, how the hell did I find out?
• 23:36
  Speaker 1: What do you mean how did you find out? I'm
• 23:38
  Speaker 1: trying to think how did I what? I didn't find out,
• 23:39
  Speaker 1: but I kind of knew. Yeah, yeah, the guy right,
• 23:46
  Speaker 1: I'm just trying to think what I remember, you know
• 23:49
  Speaker 1: before other people before I knew. That's amazing. I made
• 23:54
  Speaker 1: you want to comment to that character to panther. Yeah.
• 23:57
  Speaker 1: The funny thing is when you said it, it wasn't
• 24:00
  Speaker 1: something that that was outside of, you know, my scope.
• 24:03
  Speaker 1: It was something that I had been thinking about for
• 24:05
  Speaker 1: a few years. I had a few incidents that they
• 24:09
  Speaker 1: led me to to the cop back to the comic book.
• 24:12
  Speaker 1: You know, it was across a chicana in Peru that
• 24:16
  Speaker 1: has you know, the condor, uh, it has the puma
• 24:20
  Speaker 1: and um and a serpent on it, and so that
• 24:24
  Speaker 1: that you know, the puma is a black panther so
• 24:26
  Speaker 1: you're there in mantre Pechu, which is sort of a
• 24:29
  Speaker 1: lost city, and it reminded me of Wakane. It might
• 24:32
  Speaker 1: reminded me of the idea of Wakanda. Um very various different,
• 24:37
  Speaker 1: various different trips that I took that that made me
• 24:39
  Speaker 1: think of Wakanna. So I had notes written about what
• 24:42
  Speaker 1: a Black Panther movie would be like even before I
• 24:45
  Speaker 1: was cast. So when you said it, it was like,
• 24:49
  Speaker 1: you know, what, that would be good if that happened
• 24:52
  Speaker 1: one day. This is I think this is one of
• 24:54
  Speaker 1: those really really special um moments you know in in
• 24:59
  Speaker 1: history art where things just sort of come come together
• 25:03
  Speaker 1: in a way that you can't explain. Yeah, I saw
• 25:05
  Speaker 1: you say that Black Panther is a cultural moment. I
• 25:08
  Speaker 1: think your exact quote was, we're not remembering breaking the
• 25:11
  Speaker 1: color barrier, how funk was created, but we are living this.
• 25:14
  Speaker 1: Can you elaborate on that? Yeah, this is I hesitated
• 25:17
  Speaker 1: to say this before we got here because we didn't
• 25:20
  Speaker 1: know whether we had a good movie. We didn't know
• 25:22
  Speaker 1: how people were going to respond to it. Um. But
• 25:24
  Speaker 1: just seeing how people have bought out theaters, you know,
• 25:28
  Speaker 1: before they've ever seen they they haven't even seen what
• 25:30
  Speaker 1: the movie years you've seen it. Yeah, they haven't even
• 25:33
  Speaker 1: seen what the movie is in there. And in some ways,
• 25:35
  Speaker 1: when when you're seeing like the Black Panther Challenge, which
• 25:39
  Speaker 1: fred T. Joseph started, Uh, they're living up to some
• 25:43
  Speaker 1: of the ideas of the movie. When they do that,
• 25:46
  Speaker 1: that's historic. You know, this is history being created. In
• 25:50
  Speaker 1: those other movies I was doing, you know, we were
• 25:53
  Speaker 1: remembering the past. You know, we were that, we were
• 25:56
  Speaker 1: we were looking back at history. This is you know,
• 25:58
  Speaker 1: a very very present moment that takes us into what
• 26:02
  Speaker 1: could be a you know, a different future. That was
• 26:05
  Speaker 1: history recreated. And I do love all the roles you played.
• 26:08
  Speaker 1: It seems like you've been really great at picking these
• 26:10
  Speaker 1: really impactful movies to play in. Some of it I picked,
• 26:15
  Speaker 1: and some of it, you know, some of it you know,
• 26:17
  Speaker 1: was I like that. I really liked the Marshall. I
• 26:21
  Speaker 1: honestly didn't know a lot about their good Marshall until
• 26:23
  Speaker 1: I saw that, right, you know, James Brown with great
• 26:26
  Speaker 1: Jackie Robinson forty two. Yeah, Why does Hollywood think all
• 26:29
  Speaker 1: black people look like Chadwick Boseman. They don't think we
• 26:32
  Speaker 1: all look alike. They think we all look like you,
• 26:33
  Speaker 1: They don't that I had so many um, so many
• 26:38
  Speaker 1: biopicks after forty two to come at me. You know,
• 26:42
  Speaker 1: so many scripts that like if I told you all
• 26:44
  Speaker 1: the different ones mean hundreds of people, and so uh
• 26:50
  Speaker 1: it just so happens that those are the ones that resonated,
• 26:53
  Speaker 1: you know, those are the ones that that that you
• 26:55
  Speaker 1: know I refused and wouldn't go away, you know. The
• 26:59
  Speaker 1: Marshall's son, John Marshall actually wrote me a letter then
• 27:02
  Speaker 1: convinced me to play the Marshall because because I didn't
• 27:06
  Speaker 1: want to do it, because I was like, I was like,
• 27:07
  Speaker 1: he's way too light skin. I can't play him, you know,
• 27:10
  Speaker 1: like like nowhere where I could do that? Well, famous
• 27:14
  Speaker 1: black men have you turned up? Not like that? Don't
• 27:17
  Speaker 1: just take that. I don't want to say. I don't
• 27:25
  Speaker 1: want to say all of them, you know what I'm
• 27:26
  Speaker 1: saying because uh one, well, let me just tell you
• 27:30
  Speaker 1: why why I'm trying to I'm trying to think of
• 27:33
  Speaker 1: one that I can't say while I while I say why,
• 27:35
  Speaker 1: I won't say most of them because you never know
• 27:38
  Speaker 1: as an actor, who's gonna end up playing something that
• 27:41
  Speaker 1: you turned down, And so you don't want to say, well,
• 27:45
  Speaker 1: that would they gave it to me first? You know
• 27:47
  Speaker 1: what I'm saying, You got my sloppy sickets. You know,
• 27:49
  Speaker 1: they never want to you never want to do that, um,
• 27:52
  Speaker 1: because I think it always is with the person that's
• 27:53
  Speaker 1: supposed to end up with. UM. But uh, one of them.
• 27:58
  Speaker 1: I'm trying to think of something that had various different
• 28:00
  Speaker 1: versions of there's a Sam Cook, these Sam Cook movies,
• 28:05
  Speaker 1: so one of them, it was one of those versions. Um.
• 28:08
  Speaker 1: You know, so it's a few characters there a few
• 28:12
  Speaker 1: Lifetime movies. No, yes, when people come with everything, No, no, no,
• 28:24
  Speaker 1: people come they shoot their shot. You know what I'm saying, people,
• 28:27
  Speaker 1: it could happen. Yeah, they come with everything. What's your
• 28:29
  Speaker 1: guilty pleasure is like things that you watch that you're like, damn,
• 28:33
  Speaker 1: oh man, Uh I'm looking at while public and there's
• 28:40
  Speaker 1: no there's there's honestly there's no musty. But but there
• 28:45
  Speaker 1: there are times when you know it's so much going
• 28:48
  Speaker 1: on that I need you need that mindless you know
• 28:52
  Speaker 1: sound that mine and I'm not. That's no disrespect to
• 28:55
  Speaker 1: the shows. Like you're like, you're like, what are you like?
• 29:04
  Speaker 1: What what does mean me doing? What what are they doing?
• 29:06
  Speaker 1: You know, you have to, um, you know, you have
• 29:09
  Speaker 1: to have some you look at black ink or something
• 29:11
  Speaker 1: like that. You have to you have to ask some
• 29:14
  Speaker 1: some of that sometimes. All right, we got more with
• 29:17
  Speaker 1: Chadwick Boseman when we come back. Don't move. It's the
• 29:19
  Speaker 1: Breakfast Club. Good morning, the Breakfast Club more than everybody
• 29:25
  Speaker 1: is dj N v Angela Yee, Charlomagne the guy. We
• 29:29
  Speaker 1: are the Breakfast Club from Black Panther. We have Chadwick
• 29:32
  Speaker 1: Boseman in the building. Charlomagne. Would you can see The
• 29:34
  Speaker 1: Black Panther a black film? Yes? And no, okay, I
• 29:38
  Speaker 1: mean it's a lot of black people in it. Yes.
• 29:40
  Speaker 1: And you know, there's a conversation in this movie that
• 29:45
  Speaker 1: is an in house conversation. It's a conversation that could
• 29:49
  Speaker 1: that can only happen if you are on one continent
• 29:53
  Speaker 1: or the other. You know, if if you if you,
• 29:55
  Speaker 1: I shouldn't even say that. You have to be part
• 29:57
  Speaker 1: of the diaspora. And so as an freaking American, Um,
• 30:02
  Speaker 1: there's there's a conversation that you're having with the continent
• 30:06
  Speaker 1: as you watch this movie. The continent is having a
• 30:08
  Speaker 1: conversation with you. As a debate that has probably never
• 30:12
  Speaker 1: happened in a movie on this stage ever. Yeah, it's
• 30:17
  Speaker 1: it's it's never happened. And so in that conversation will
• 30:21
  Speaker 1: people will be talking about that, I think, you know,
• 30:23
  Speaker 1: even after the movie is over. And so it's definitely
• 30:26
  Speaker 1: a black film because that conversation is happening, um, without
• 30:32
  Speaker 1: regard for white people. Ye, white people are privy to it. Yeah, yeah, yeah,
• 30:40
  Speaker 1: don't give anything away that that needs to be Yeah,
• 30:44
  Speaker 1: you know what I'm saying. But it's it's it's happening
• 30:48
  Speaker 1: and everybody's able to enjoy it because it's so specific,
• 30:52
  Speaker 1: um of a question. So it definitely is a black
• 30:55
  Speaker 1: film or what I believe truly, Um, you know, it's
• 30:58
  Speaker 1: sort of a toll story. Um. Idea is that that, uh,
• 31:03
  Speaker 1: the more specific you are in your artistry, the more
• 31:08
  Speaker 1: universally become. Yeah. Like so the more I go into
• 31:12
  Speaker 1: into like a particular culture, which is what we tried
• 31:16
  Speaker 1: to do because we didn't want to do like a
• 31:17
  Speaker 1: generalized Africa. You know, you needed to be able to
• 31:20
  Speaker 1: pour from, you know, the whole continent in order to
• 31:24
  Speaker 1: create this fictitious African nation. And so they're very very
• 31:28
  Speaker 1: real concepts and rituals and ideas and like even in
• 31:32
  Speaker 1: the design. You know, if you see the skyscrapers in
• 31:35
  Speaker 1: the movie, those are are actual you know, architectural um uh,
• 31:41
  Speaker 1: you know images that you see in Africa, and so
• 31:46
  Speaker 1: we wanted to pour from real things. I think when
• 31:48
  Speaker 1: you do that, people recognize things that's being real and
• 31:51
  Speaker 1: they can identify with it more. So that's why you
• 31:53
  Speaker 1: see people from all over the world, Like we were
• 31:56
  Speaker 1: in Korea and people were coming in wearing their own
• 31:59
  Speaker 1: tradition you know, um a guard yeah, and just to
• 32:03
  Speaker 1: greet us. You know, that's that's how they felt about
• 32:06
  Speaker 1: the movie, because they saw us doing the same thing. Now,
• 32:08
  Speaker 1: for someone who's not knowledgeable like myself about Marvel Black Panther,
• 32:12
  Speaker 1: is this a movie when I go see it, I'll
• 32:14
  Speaker 1: be able to know what's going on with happening without
• 32:16
  Speaker 1: having the background. Yeah, the exposition is clear. Okay. You know,
• 32:20
  Speaker 1: I think within the first five minutes you have the
• 32:24
  Speaker 1: background of what Wakanda is and and even how it
• 32:29
  Speaker 1: relates to the last to the last movie. It connects
• 32:32
  Speaker 1: to Civil War. You know, you meant my character civil
• 32:36
  Speaker 1: and captain American Civil War. So I think all the
• 32:39
  Speaker 1: exposition is very clear. You know, and there's a lot
• 32:43
  Speaker 1: of people are going to see this that might have
• 32:45
  Speaker 1: never gone to see a Marvel movie before. You think, yeah,
• 32:50
  Speaker 1: there will there will be some people, you know, I hope.
• 32:53
  Speaker 1: So yeah, this makes people go back and say, Okay,
• 32:56
  Speaker 1: let me see what I missed before. This feel like
• 32:58
  Speaker 1: a sports game. You know, you'd be watching sports somebody
• 33:00
  Speaker 1: who don't watch sports anything, like what's that? You won't
• 33:03
  Speaker 1: do that? You won't do that, you won't do that,
• 33:05
  Speaker 1: like the I think the opening of the movie is
• 33:07
  Speaker 1: very smart in a way that it um, it keeps
• 33:11
  Speaker 1: everything it closed in this movie. Um, you don't you
• 33:15
  Speaker 1: don't need to have part information. How many times have
• 33:18
  Speaker 1: you seen the movie at this point? I can't answer
• 33:20
  Speaker 1: that execs that that's complicated. Yeah, it lives up, it
• 33:27
  Speaker 1: lives up to it. It's different. It's different. It's different
• 33:30
  Speaker 1: for me because you know, as as an actor, you
• 33:34
  Speaker 1: always go in you know, you know how many takes
• 33:37
  Speaker 1: you did of this scene, how many takes you what
• 33:40
  Speaker 1: they and you know what they chose and what they
• 33:41
  Speaker 1: didn't choose. So you're trying to deal with, you know,
• 33:45
  Speaker 1: the movie that that that you shot versus versus the
• 33:48
  Speaker 1: movie that ends up on the screen the first few
• 33:49
  Speaker 1: times you did it, so um, overall, I'm very very
• 33:55
  Speaker 1: happy with with what we've done. But then there's a
• 33:57
  Speaker 1: there's a part of me that is that is always
• 34:00
  Speaker 1: going to be critical or always analyzing the process and
• 34:05
  Speaker 1: so that you could so that the next time you
• 34:06
  Speaker 1: do it, you know you have a more of a
• 34:10
  Speaker 1: of a of a way you want to tackle it.
• 34:11
  Speaker 1: But that's that's just you know the strategy of doing anything.
• 34:15
  Speaker 1: You always you're you're thinking of new ways. You're gonna
• 34:18
  Speaker 1: do what you do. Everybody is. But but you can
• 34:21
  Speaker 1: still be happy with with the final project. I want
• 34:23
  Speaker 1: to thank you for confirming that there is a sequel too,
• 34:24
  Speaker 1: because you said the next time, the next time, Yeah, yeah, yeah,
• 34:30
  Speaker 1: I didn't confirm that they And I want to go
• 34:32
  Speaker 1: back to what you talked about with a black film
• 34:34
  Speaker 1: because you said yes saying no, what what makes a
• 34:36
  Speaker 1: film a black film? It's like, you know, when somebody
• 34:40
  Speaker 1: is is authentic. I think that's that's part of what
• 34:44
  Speaker 1: what I'm talking about here. Like Ryan Coogler is very authentic. Absolutely.
• 34:47
  Speaker 1: You know, he makes films um because they he connects
• 34:53
  Speaker 1: with them and there is you know he I think
• 34:56
  Speaker 1: he found his stamp um and putting on this film,
• 35:00
  Speaker 1: and he's very clear about his position. I think in
• 35:05
  Speaker 1: his his journey in this film in trying to connect
• 35:09
  Speaker 1: to Africa, you know, and Oakland, and he finds the
• 35:15
  Speaker 1: way to put Oakland and everything. I hesitate sometimes when
• 35:19
  Speaker 1: people say it's black and because they feel like that's
• 35:23
  Speaker 1: a limitation. A lot of people feel that way. I
• 35:25
  Speaker 1: don't feel like that's a limitation or Um, I feel
• 35:28
  Speaker 1: like it could be a black film and also just
• 35:30
  Speaker 1: be a good film, you know, it could just be
• 35:32
  Speaker 1: a film at the same time. Um, this is just
• 35:37
  Speaker 1: the film and it's authentically authentically black. Yeah, because the
• 35:42
  Speaker 1: little bit of negativity that I'm seeing from people is
• 35:46
  Speaker 1: but it's a it's a black cast. But then it's
• 35:48
  Speaker 1: using black people to make the white people at Disney
• 35:51
  Speaker 1: all of this money. Honestly, who cares or at the
• 35:55
  Speaker 1: end of the day, filmmaker is it's it's it is
• 35:59
  Speaker 1: a commercial art. You know. If you don't make art
• 36:03
  Speaker 1: when you make when you make movies, if you don't
• 36:05
  Speaker 1: make money when you make movies, then you can't make movies. Yeah,
• 36:07
  Speaker 1: that's that's what it is. So the precedent because it
• 36:10
  Speaker 1: shows the value of having black people play these lead
• 36:14
  Speaker 1: roles like director, yeah, and all of that, and now
• 36:17
  Speaker 1: that's like, Okay, we got to do more of this.
• 36:19
  Speaker 1: I'm assuming that the person you're talking about who said
• 36:21
  Speaker 1: that was black. Yeah. Yeah. You gotta be careful of
• 36:24
  Speaker 1: being racist against yourself, right, because a lot of times
• 36:30
  Speaker 1: people see the name on the outside of a building
• 36:33
  Speaker 1: and they make it. They make the assumption there's a
• 36:35
  Speaker 1: bunch of white people sitting around the table, right, they
• 36:39
  Speaker 1: haven't been in the building. Say they don't know who's
• 36:42
  Speaker 1: in there. They don't know that one of the shot callers,
• 36:48
  Speaker 1: that one of the hair producers at Marvel is black.
• 36:53
  Speaker 1: They don't know, They don't know Nate More, you know
• 36:55
  Speaker 1: what I'm saying. So if you don't know who behind
• 36:58
  Speaker 1: the who's behind the walls, you can't make an assumption
• 37:02
  Speaker 1: that that the person calling the shots is. They don't
• 37:06
  Speaker 1: know that one of their head producers is a woman.
• 37:08
  Speaker 1: You know that it's Victoria, Like it's it's it's one
• 37:12
  Speaker 1: of the things that you know, being racist against yourself
• 37:16
  Speaker 1: and saying, oh, they you don't know who they is? Yeah, yeah, yeah,
• 37:19
  Speaker 1: you don't know. This is all about the people, you know,
• 37:22
  Speaker 1: it's not about the names on the studios. You can't
• 37:27
  Speaker 1: make assumptions about things because it just I'm what I'm saying.
• 37:34
  Speaker 1: One last thing on that, What do you think of
• 37:35
  Speaker 1: this petition that's going around that wants to get trying
• 37:38
  Speaker 1: to get Marvel to give twenty five percent of proceeds
• 37:40
  Speaker 1: from Black Panther and the black community. This is a
• 37:43
  Speaker 1: real thing. I mean, it's not gonna happen. That's what
• 37:50
  Speaker 1: I think about it. You know, sometimes when you make art,
• 37:53
  Speaker 1: you've already given what you're supposed to get. Yeah, that's
• 37:56
  Speaker 1: that's how I feel about it. You know, they can't
• 38:00
  Speaker 1: do that, and um, they have overhead that they have
• 38:04
  Speaker 1: to cover. Yeah, everybody has overhead. Even if you're not
• 38:07
  Speaker 1: a business, you got overhead and so so in order
• 38:10
  Speaker 1: for them to continue to make movies, you know, they
• 38:13
  Speaker 1: have to make money off of it. The way I
• 38:14
  Speaker 1: explained is Ryan is going to continue after this to
• 38:18
  Speaker 1: be one He's gonna be one of the biggest biggest directors,
• 38:19
  Speaker 1: if not biggest director in Hollywood. He's gonna continue to
• 38:22
  Speaker 1: empower black people. You're going to continue to empower black
• 38:24
  Speaker 1: Michael Jordan's gonna continue to empower black people with Peter.
• 38:26
  Speaker 1: So that's that's that's the win. That's the win. That's
• 38:29
  Speaker 1: the win. It's one of those things where people have
• 38:32
  Speaker 1: to understand how business works. And you know, I didn't
• 38:36
  Speaker 1: even do a goal fund me in South Carolina. I
• 38:38
  Speaker 1: just you know, bought it. Yeah, like, and they asked
• 38:42
  Speaker 1: nobody else to do it. I have the power to
• 38:44
  Speaker 1: do that because I'm doing this film, so I get
• 38:46
  Speaker 1: to give back. I don't have to ask Marvel to
• 38:48
  Speaker 1: give back. Or you know, we have more with Chadwick
• 38:51
  Speaker 1: Boseman when we come back, don't move. It's the Breakfast Club,
• 38:53
  Speaker 1: the money, more than everybody is dj n Z Angela Yee,
• 38:57
  Speaker 1: Charlomagne the guy. We all the Breakfast Club. We have
• 39:00
  Speaker 1: Chadmick Bowseeman in the building, Charalaming So in real life,
• 39:03
  Speaker 1: who would you ever agree with more Tachalla kill Manger. Well,
• 39:07
  Speaker 1: as an African American, I connect with kill Monger. Um yeah,
• 39:12
  Speaker 1: I like he treated people. But yeah yeah, as an
• 39:14
  Speaker 1: African American, I have both sides because I have a
• 39:18
  Speaker 1: huge family. You know, I have a lot of the
• 39:22
  Speaker 1: traits of ta Challa. But as African Americans, we've been
• 39:27
  Speaker 1: severed from our past we've been severed from the continent
• 39:31
  Speaker 1: in a way where we're reaching for a connection to it.
• 39:36
  Speaker 1: So he has them, he has the market demarcations on
• 39:39
  Speaker 1: his body, but he doesn't have like a real ritual
• 39:43
  Speaker 1: connection to those demarcations. He made it into something else.
• 39:48
  Speaker 1: And so I think we're all searching for things because
• 39:51
  Speaker 1: we're looking for those rights of passages that that that
• 39:54
  Speaker 1: have been left behind. Tachalla has a tradition and U
• 40:00
  Speaker 1: he has a connection to his ancestors that I long for.
• 40:04
  Speaker 1: I long for that, and I feel like kill Maglong.
• 40:08
  Speaker 1: There're two sides at the same point. Yeah, but as
• 40:10
  Speaker 1: an African America, you're always gonna feel like until you
• 40:14
  Speaker 1: make that connection, that that there's a disconnect there. What
• 40:18
  Speaker 1: idea is I took a DNA test too, Yeah, so
• 40:21
  Speaker 1: I'm from ninety seven percent of East African North African.
• 40:25
  Speaker 1: Now see that's the wrong test. You took ancestry. Yeah,
• 40:29
  Speaker 1: I took African ancestry. That's a difference. So African ancestry
• 40:34
  Speaker 1: can tell you the specific um ethnic group that you
• 40:38
  Speaker 1: come from. So if you just know the country, that's
• 40:43
  Speaker 1: still the European borders to a certain degree. But if
• 40:47
  Speaker 1: you know that you're Europe but from Nigeria. Then you
• 40:51
  Speaker 1: can now now you can you can pinpoint specific customers
• 40:55
  Speaker 1: and rituals that they are part of your past. I
• 40:59
  Speaker 1: need to do that. So it's told about ninety seven
• 41:01
  Speaker 1: percent West African, which made sense because you know, if
• 41:03
  Speaker 1: you go to Charleston, they're building a African American art
• 41:06
  Speaker 1: museum on this plot of land. And that plot of
• 41:08
  Speaker 1: land was the doctor that like sixty something percent of
• 41:11
  Speaker 1: all slaves in America came came through, right, Yeah, so
• 41:14
  Speaker 1: that makes sense. And then they said if you look,
• 41:16
  Speaker 1: I mean, it sounds crazy like Sarah Pellin looking at
• 41:18
  Speaker 1: a Russian from Alaska, but if he looks, great, you
• 41:20
  Speaker 1: can see from Saluston it's a great path to West Averca. Right,
• 41:23
  Speaker 1: That's what I said, Yeah, that it was one of
• 41:25
  Speaker 1: the direct stops along the way. So what would it
• 41:28
  Speaker 1: take for black people to build their own Wakanda. I
• 41:30
  Speaker 1: feel like what Kanda is is a is an idea
• 41:33
  Speaker 1: that it's very real. I mean in terms of you know,
• 41:36
  Speaker 1: I think there should be a connection to technology and
• 41:40
  Speaker 1: math when people see this movie. Um, I think people
• 41:43
  Speaker 1: are gonna be inspired by but Shari's character and you know,
• 41:48
  Speaker 1: I think people will will be inspired by, you know,
• 41:51
  Speaker 1: a connection to the tradition in a way that has
• 41:55
  Speaker 1: hasn't happened. You know, I don't really know what's gonna
• 41:58
  Speaker 1: happen after people see this movie. Um, but but hopefully
• 42:02
  Speaker 1: people will begin to look like if they do that
• 42:05
  Speaker 1: DNA test in other words, and find where they're specifically
• 42:09
  Speaker 1: from and make those connections, that's gonna be a path
• 42:14
  Speaker 1: in and of itself about so you can you can
• 42:16
  Speaker 1: each person can find their own wakanda um based upon
• 42:19
  Speaker 1: the things that they do after this movie. But it's
• 42:21
  Speaker 1: just kind of up to you did this movie change
• 42:23
  Speaker 1: your life after you filmed it? They take some pieces
• 42:26
  Speaker 1: of things that you learn about you were doing it
• 42:28
  Speaker 1: or from acting that you're like, I'm a different person
• 42:32
  Speaker 1: in some ways now every movie does. There's a little
• 42:36
  Speaker 1: bit of James Brown still left. I'm a better dancing now,
• 42:41
  Speaker 1: but even more than that, probably a better business person now,
• 42:44
  Speaker 1: you know. Um, a little bit of Jackie Robinson, a
• 42:47
  Speaker 1: little a little bit of a little bit of Thurger Marshall. Um.
• 42:51
  Speaker 1: So it's always gonna be, um something from a movie
• 42:56
  Speaker 1: that you take with you. But this is one that
• 42:58
  Speaker 1: I'm still there's a character I'm they're working on, you know,
• 43:01
  Speaker 1: so it remains to be seen with all the things
• 43:05
  Speaker 1: will be. It's kind of is for you, bro, like
• 43:07
  Speaker 1: what do you do? What do you do? Feel like
• 43:12
  Speaker 1: that your career has been a five film deal and
• 43:17
  Speaker 1: this is a big category. This is this is like
• 43:19
  Speaker 1: a a iconic character that we haven't seen in our
• 43:22
  Speaker 1: generation in a long time. Like, where do you go
• 43:24
  Speaker 1: from here? You gotta you gotta do something smaller? You
• 43:30
  Speaker 1: got you do? You have to do something smaller. You
• 43:32
  Speaker 1: have to do something that that is that is exactly
• 43:35
  Speaker 1: an independent film, something that you wrote, directed and started. No, no, no,
• 43:39
  Speaker 1: not near, not necessarily that. But I think you have
• 43:42
  Speaker 1: to do something smaller, you know, you have to do
• 43:44
  Speaker 1: something that gets you back to, you know, just the
• 43:47
  Speaker 1: ground flow of what acting is about. Theater could be
• 43:52
  Speaker 1: a place, could be a play too. I'm not not
• 43:54
  Speaker 1: I'm not saying that I won't do another block Bus
• 43:57
  Speaker 1: the movie. You know, you definitely want to find no
• 44:00
  Speaker 1: smaller movies that you can do to just sort of
• 44:02
  Speaker 1: balance out, you know, the bigger one. Do you think
• 44:05
  Speaker 1: that they would explore the relationship between Storm and uh
• 44:09
  Speaker 1: the Shotott at some point in the future. I don't know,
• 44:13
  Speaker 1: especially with everybody merging now, Foxing, Disney and all that
• 44:16
  Speaker 1: other good stuff. Let me tell you, let me say
• 44:18
  Speaker 1: the like, there's a few reasons why I can't answer that,
• 44:21
  Speaker 1: but Lotu Peter is gonna kill me if if we
• 44:24
  Speaker 1: don't end up together in the movie. She literally told me,
• 44:30
  Speaker 1: she was like, if they try to bring Storm in this,
• 44:34
  Speaker 1: She's She's like, I'm gonna turn into a villain. Yeah,
• 44:41
  Speaker 1: married in the comics, I know, I know, yeah, I
• 44:44
  Speaker 1: have no way of knowing what they're gonna do. Yeah, right.
• 44:53
  Speaker 1: What do you want people to take from Black Panther Man?
• 44:56
  Speaker 1: I hope people are proud when they finished watching the movie.
• 45:00
  Speaker 1: I felt, yeah, just you know, if you if if
• 45:02
  Speaker 1: people look, if people walk out of that movie and
• 45:05
  Speaker 1: they're proud, everything else will take care of itself. And
• 45:08
  Speaker 1: I think, um, you're gonna get what you bring, Like
• 45:13
  Speaker 1: this is one of those movies where you get what
• 45:14
  Speaker 1: you bring. But at the same time, I think there's
• 45:16
  Speaker 1: a certain amount of pride you you should have, um
• 45:20
  Speaker 1: from just just the expiration, uh within it's the questions
• 45:25
  Speaker 1: that are asked and the debate, um, you know, and
• 45:29
  Speaker 1: even just the way it's we're depicted. But but I
• 45:32
  Speaker 1: think it's really the debate that actually happens. I think
• 45:35
  Speaker 1: you should. I hope people feel proud that that that happened,
• 45:39
  Speaker 1: um on this stage. Yeah, I think it askewed the
• 45:41
  Speaker 1: conversation of black pride, you know what I mean, because
• 45:43
  Speaker 1: you know, I called my book black Privilege because said
• 45:45
  Speaker 1: it's a privilege to be black and love love by
• 45:48
  Speaker 1: the way, yeah, thank you. And I feel like Black
• 45:50
  Speaker 1: Panther is adding to that, like, Yo, this is how
• 45:52
  Speaker 1: dope we could be, you know, and even how dope
• 45:55
  Speaker 1: we are, just how dope we are. It's it's it's fantasy.
• 45:59
  Speaker 1: But it's it's actually not, you know, it's it's it's
• 46:02
  Speaker 1: who we are. It's who we always have been. There
• 46:06
  Speaker 1: have been African empires and so um, African civilization and
• 46:11
  Speaker 1: so it's not it's not a thing that we're just
• 46:13
  Speaker 1: making up. It's it's just an amalgamation. UM. Put aside,
• 46:20
  Speaker 1: this this fictitious world, and great for kids to see
• 46:22
  Speaker 1: those representations of themselves screen. Yes, yes, indeed, Well Chadwick
• 46:27
  Speaker 1: has to go because you know, he is promoting a
• 46:31
  Speaker 1: movie that's about to make well over a billion dollars
• 46:33
  Speaker 1: and then he's gonna have to change his number. You
• 46:35
  Speaker 1: know what I mean, Nobody in Ana's will be able
• 46:37
  Speaker 1: to reach him. Mama Black fan of this weekend. It's
• 46:43
  Speaker 1: a breakfast club. It's the breakfast club wanting everybody is
• 46:50
  Speaker 1: DJ Envy, Angela Yee, Charlomagne the guy. We all the
• 46:54
  Speaker 1: breakfast clubbers get to the Rumors's Valentine's stay happy. Valentine's
• 46:57
  Speaker 1: say that everybody out there Now, let's it's the rooms
• 47:00
  Speaker 1: to talk Lebron James. This is the rumor report with
• 47:08
  Speaker 1: Angela Yee on the Breakfast Club. So Lebron is going
• 47:13
  Speaker 1: to be producing a remake of House Party. That's the
• 47:16
  Speaker 1: kid in playing movie from the nineties in case you
• 47:18
  Speaker 1: don't know, and that should be pretty exciting now. Atlanta
• 47:22
  Speaker 1: writer Stephen Glover, who's done a Glove's brother, and Jamal
• 47:24
  Speaker 1: Alorie are going to be reportedly writing the screenplay for that. Also,
• 47:29
  Speaker 1: according to Lebron, it's not a rebooty said, it's entirely
• 47:32
  Speaker 1: new look for a classic movie. Everyone I grew up
• 47:35
  Speaker 1: with loved House Party. To partner with this creative team
• 47:37
  Speaker 1: to bring a new House Party to a new generation
• 47:40
  Speaker 1: is unbelievable. I always thought that would be a good idea.
• 47:42
  Speaker 1: I always thought that somebody should grab Rach murmured and remaker.
• 47:47
  Speaker 1: You said that before. I think that would be dope,
• 47:48
  Speaker 1: and I thought about that a few years ago. But
• 47:50
  Speaker 1: you know whatever, all right, But we'll see. They haven't
• 47:52
  Speaker 1: said who's going to be starring in it as of yet.
• 47:55
  Speaker 1: Speaking of films and television, Chris Rock is gonna be
• 47:59
  Speaker 1: put well out now today Valentine's Day Tambourine. That is
• 48:03
  Speaker 1: his new comedy special. It is on Netflix. So in
• 48:07
  Speaker 1: case y'all haven't seen the trailer, because there's a tambourine
• 48:10
  Speaker 1: floating around, and they didn't. They just kind of sprung
• 48:13
  Speaker 1: it on us yesterday. Here is a little bit of
• 48:16
  Speaker 1: a snippet from the Netflix special. People like where you've
• 48:19
  Speaker 1: been trying to raise kids? That's scary because I got
• 48:26
  Speaker 1: black kids. I got to get them ready for America,
• 48:31
  Speaker 1: up for a black boy. So if you got a
• 48:34
  Speaker 1: black son, you gotta just punch them in the face.
• 48:37
  Speaker 1: You don't punch your black son in the face. That's
• 48:40
  Speaker 1: child abuse. I was married for sixteen years. That's a
• 48:47
  Speaker 1: long run. Hamilton won't last that long. Now. Chris Rock
• 48:51
  Speaker 1: hasn't done to stand up in ten of years, so
• 48:54
  Speaker 1: there's a lot that's happened in his life obviously since then.
• 48:56
  Speaker 1: He got divorced in twenty fourteen, and that's really where
• 48:59
  Speaker 1: tambourine comes from. I know all three of us went
• 49:01
  Speaker 1: to go see his stand up. Yes, the total blackout
• 49:03
  Speaker 1: toy drop on a clue's bomb for the guy, Chris Rock.
• 49:05
  Speaker 1: This is a great man, which if you don't get
• 49:07
  Speaker 1: my bomber. Now, the tambourine part is where he said
• 49:11
  Speaker 1: there's no equality in a relationship. You're both there to serve.
• 49:14
  Speaker 1: He said, sometimes you sing lead and sometimes you play
• 49:17
  Speaker 1: the tambourine. That's a fact though. Yeah, that's what it is,
• 49:20
  Speaker 1: so should be pretty interesting. We loved it when we
• 49:23
  Speaker 1: saw it, so tell you guys check that out on Netflix.
• 49:25
  Speaker 1: And I mean it's a different situation for him. He
• 49:28
  Speaker 1: was on BT he did five comedy specials there, so
• 49:31
  Speaker 1: they lured him away to Netflix. I mean h HBO.
• 49:37
  Speaker 1: He was on HBO. He had five specials on HBO
• 49:39
  Speaker 1: before and so this is his first one with Netflix.
• 49:42
  Speaker 1: He has two that are be on Netflix, so he
• 49:44
  Speaker 1: has one more after this. Mad at that at all.
• 49:46
  Speaker 1: This is a great week for content. Yeah. Now. Oh,
• 49:49
  Speaker 1: and since we're talking about things coming out today, I
• 49:52
  Speaker 1: just thought I throw it in there that Eminem and
• 49:54
  Speaker 1: Ed Sharon's video River comes out today. Also, I've been
• 49:56
  Speaker 1: looking to see online if it's out yet, but it's not.
• 49:59
  Speaker 1: But it is dropping. Oh they should have waited un
• 50:01
  Speaker 1: till much today. This video you can't drop in Black
• 50:05
  Speaker 1: History m off the same week as Black Panther, Chris
• 50:07
  Speaker 1: Rock Special and All Starwards. Just a video. Ya should
• 50:10
  Speaker 1: tell yall should have waited to tell much this bad
• 50:12
  Speaker 1: timing all right? Now, Nellie is under criminal investigation for
• 50:16
  Speaker 1: sexual assault. His attorney, Scott Rosenbum is saying these allegations
• 50:20
  Speaker 1: arose after the woman, Miss Green, amended her suit for
• 50:24
  Speaker 1: money to include a reference to these claims. The fact
• 50:26
  Speaker 1: that the police are investigating these claims, it's not new
• 50:28
  Speaker 1: information that Nellie welcome to thorough investigation. Now. This is
• 50:31
  Speaker 1: for a situation that went down in England. The incident
• 50:35
  Speaker 1: went down allegedly December fifth, after he performed. A woman
• 50:39
  Speaker 1: said she went to his dressing room with friends. He
• 50:42
  Speaker 1: asked her to come to her room next door. She
• 50:43
  Speaker 1: claimed Once in the room, he dropped his pants and
• 50:46
  Speaker 1: began masturbating in front of her and tried to put
• 50:48
  Speaker 1: his hands on her top and tried pulling it off
• 50:50
  Speaker 1: as well. The woman said she didn't go to cops
• 50:52
  Speaker 1: immediately because she didn't think that they would believe her.
• 50:55
  Speaker 1: So I'm gonna be honest with you, man. Every time
• 50:57
  Speaker 1: I see a headline about Nellie sexually assaulting a woman,
• 51:00
  Speaker 1: my heart starts beating fast because all I keep thinking is,
• 51:02
  Speaker 1: this is only a matter of time for every woman
• 51:04
  Speaker 1: on that Tip Drill video set file some type of claim.
• 51:07
  Speaker 1: All right, because does anybody remember that Tip Drill vide
• 51:12
  Speaker 1: the woman that got the credit card across all right,
• 51:15
  Speaker 1: it's only a matter of time now. Since you wanted
• 51:17
  Speaker 1: to bring up Black Panther, that soundtrack is going to
• 51:21
  Speaker 1: be on top this week, So congratulations to Tap Dog,
• 51:24
  Speaker 1: to Kendrick Black Panther. The album is heading for that
• 51:27
  Speaker 1: number one debut. Congratulations to that want to close bombs
• 51:31
  Speaker 1: for Top Dog Entertainment, So it's gonna be the number
• 51:32
  Speaker 1: one movie in the country end then one album in
• 51:34
  Speaker 1: the country in the same yep. So listen, soundtracks matter.
• 51:38
  Speaker 1: I just know certain movies, if they have a great
• 51:40
  Speaker 1: soundtrack with them, they'll forever be class. I'm very glad
• 51:43
  Speaker 1: that I did not listen to that soundtrack until after
• 51:45
  Speaker 1: I saw the movie. I saw the movie Monday, and
• 51:47
  Speaker 1: I listened to the soundtrack Tuesday morning. And it's a great,
• 51:51
  Speaker 1: great project. All right, totally go with the movie, all right,
• 51:54
  Speaker 1: which I've seen two days in a row. Just want
• 51:56
  Speaker 1: to throw that out there. Well, I'm Angela Yee and
• 51:58
  Speaker 1: that is your rumor reports, all right, thank you, mischie Charlomage.
• 52:01
  Speaker 1: Who are you giving that down? You know, it's Valentine's Day,
• 52:04
  Speaker 1: and oh boy, I'm just getting all of these twitters
• 52:06
  Speaker 1: on social media, everybody hitting me up saying, you know, Charlemagne,
• 52:09
  Speaker 1: you're so hard on single women on Valentine's Day. So
• 52:13
  Speaker 1: I don't want to be hard on the single women
• 52:15
  Speaker 1: on Valentine's Day. I don't, I don't, Okay. I just
• 52:17
  Speaker 1: want to tell a little story about something that I
• 52:20
  Speaker 1: witnessed last night. And now I hope you know women
• 52:22
  Speaker 1: aren't putting themselves in this position. That's all. So let's
• 52:25
  Speaker 1: let's just talk for after the hour. Your uncle Shaul
• 52:27
  Speaker 1: is here for you, Charlemagne. Listen, treat the women tenderly.
• 52:32
  Speaker 1: So Charlotte is here for you'll be nice, not you.
• 52:35
  Speaker 1: It's not your fault. You're alone, it's Valentine's it's not
• 52:39
  Speaker 1: your fault. And there's a lot of single men out there,
• 52:47
  Speaker 1: all right, ask eat I'm saying redugant a day is
• 52:51
  Speaker 1: up next even like it's about it. It's donkey of
• 52:59
  Speaker 1: the day, being dunky of the day, a little bit
• 53:05
  Speaker 1: of a mixed so like the other day. Now, I've
• 53:12
  Speaker 1: been called a lot of my twenty three years that
• 53:15
  Speaker 1: dunkey of the day is a new wife, Hugh my
• 53:18
  Speaker 1: Mary J. Blige instrumental m dunk here today for Wednesday,
• 53:21
  Speaker 1: February fourteen, Valentine's Day. I will admit that over the
• 53:25
  Speaker 1: years I've been very very hard on the single ladies
• 53:27
  Speaker 1: on Valentine's Day. In fact, Mimi you chee hot on
• 53:31
  Speaker 1: Twitter posted at six something this morning and I quote,
• 53:33
  Speaker 1: I'm gonna tell you now, if you're sensitive about V Day,
• 53:36
  Speaker 1: don't listen to the breakfast Club to day because see
• 53:38
  Speaker 1: the god level of petty will be through the roof. Listen, man,
• 53:41
  Speaker 1: I'm not here to be hard on you single ladies
• 53:43
  Speaker 1: to day because I have a lot of single home girls,
• 53:45
  Speaker 1: beautiful women, intelligent women, career driven women who for some
• 53:48
  Speaker 1: reason can't get nobody. Okay, so there's no need for
• 53:51
  Speaker 1: me to twist the knife that reads single on the blade.
• 53:53
  Speaker 1: All Right, you ladies know you're single. You know why
• 53:55
  Speaker 1: you're single. Y'all just waiting on God to deliver the
• 53:58
  Speaker 1: right man to your doorstep. And he will, Oh yes,
• 54:01
  Speaker 1: God will deliver you a good man. The package is
• 54:03
  Speaker 1: on the way, but once again, for another consecutive year,
• 54:06
  Speaker 1: the package didn't make it in time for Valentine's Day. Single, ladies,
• 54:09
  Speaker 1: I am not here to chastise you on this fine
• 54:11
  Speaker 1: Valentine's Day. I am just here to remind you don't
• 54:14
  Speaker 1: let the enemy steal your joy today because it's a
• 54:16
  Speaker 1: day of love. And Satan despises everything about real love
• 54:19
  Speaker 1: because we all know real love starts with God. And
• 54:22
  Speaker 1: I know it gets frustrating because you are a God
• 54:24
  Speaker 1: fearing woman. You pray often, you give up ties and offerings,
• 54:28
  Speaker 1: but you still ain't got nobody and you don't understand why.
• 54:31
  Speaker 1: But don't question in God. He got a plan for you.
• 54:34
  Speaker 1: Oh yes, God has a plan for you. But the
• 54:36
  Speaker 1: gag is it's a single line plan, not a family plan.
• 54:40
  Speaker 1: And that's fine, okay, because in two thousand and three, Beyonce,
• 54:43
  Speaker 1: they told you that all you got in the end
• 54:46
  Speaker 1: is me, myself and high Its song. I bet you too,
• 54:53
  Speaker 1: It's just the end for you. I would hope not,
• 54:55
  Speaker 1: but I understand what Beyonce was trying to say. All
• 54:58
  Speaker 1: she was trying to say was you're single, okay, Me,
• 55:01
  Speaker 1: myself and I are all singular pronouns. I is a
• 55:04
  Speaker 1: subject singular pronoun. Me is an object singular pronoun. Myself
• 55:08
  Speaker 1: is a reflexive and intensive singular pronoun. All Beyonce was
• 55:11
  Speaker 1: trying to do was make you feel good about being
• 55:14
  Speaker 1: single or singular. In fact, God blessed Beyonce because five
• 55:17
  Speaker 1: years later, in two thousand and eight, she gave the
• 55:19
  Speaker 1: single ladies another anthem, and that anthem was a little
• 55:22
  Speaker 1: more a matter of factor. Kare was a celebration of
• 55:24
  Speaker 1: being single, called single ladies. Oh man, she gave you
• 55:29
  Speaker 1: a little dance and everything to go with it. Because
• 55:31
  Speaker 1: whenever you're angry and frustrated and upset, nothing better than
• 55:35
  Speaker 1: physical activity to help you shake off your frustrations. Okay,
• 55:39
  Speaker 1: that's why the day on Valentine's Day, spin classes everywhere
• 55:43
  Speaker 1: are popping. Oh not just spin classes, pilates, zoomba, self
• 55:48
  Speaker 1: defense classes, towerque workouts. Oh it is a full It's
• 55:51
  Speaker 1: just a full day. It's full of single women trying
• 55:53
  Speaker 1: to shake off the frustration of being single, and Beyonce
• 55:56
  Speaker 1: created created a jam for you to sweat too in
• 55:59
  Speaker 1: those fitness classes. Ladies. Here's the thing about that jam,
• 56:02
  Speaker 1: single ladies, it wasn't really a celebration of being single.
• 56:05
  Speaker 1: It was actually a Vince session. Okay. Beyonce actually actually
• 56:09
  Speaker 1: was expressing the frustration of millions of women around the
• 56:11
  Speaker 1: world when she screamed, if you like it, put a
• 56:13
  Speaker 1: ring on it. That was the demand, okay, and it
• 56:16
  Speaker 1: worked because she's married with kids now and you don't
• 56:19
  Speaker 1: even have a Valentine's But that's okay, that's okay. We
• 56:22
  Speaker 1: are not here to shame the single ladies today. That
• 56:25
  Speaker 1: is not what this is about. I just want to
• 56:27
  Speaker 1: sit and love to all the women who will be
• 56:29
  Speaker 1: posting first Cariffians thirteen four through eight all day to day, Fellas.
• 56:33
  Speaker 1: If you see a woman post to the scripture, leave
• 56:36
  Speaker 1: a broken heart in her comments. The scripture is love
• 56:38
  Speaker 1: is patient, love is kind. It is not envy, It
• 56:41
  Speaker 1: does not boasted, is not proud of It does not
• 56:42
  Speaker 1: dishonor others. It is not self seeking, It is not
• 56:45
  Speaker 1: easily angered. It keeps no record of wrongs. Love does
• 56:47
  Speaker 1: not delighting evil, but rejoices with the truth. It always protects,
• 56:50
  Speaker 1: always trust, always hopes, always perseveres. Love never fails. But
• 56:54
  Speaker 1: where there are prophecies, they will cease. Where there are tongues,
• 56:56
  Speaker 1: they will be stilled. Where there is knowledge, it will
• 56:58
  Speaker 1: pass away. I'm not show what all that means what.
• 57:01
  Speaker 1: Singular women love it, and they will be posting it
• 57:04
  Speaker 1: on social media all day, So just leave a broken
• 57:06
  Speaker 1: heart in their comments. Now, I promise you I am
• 57:09
  Speaker 1: not here to make single women feel bad this morning.
• 57:12
  Speaker 1: That's not my intention. In fact, today's donkey It Day
• 57:14
  Speaker 1: is not about y'all. Okay. We know where the single
• 57:17
  Speaker 1: women stand to day, and where they stand is alone. Okay,
• 57:21
  Speaker 1: So I just want to say donkey today. It's going
• 57:23
  Speaker 1: to all the women who didn't know they were single
• 57:25
  Speaker 1: until this week. See. I was out with my homegirl
• 57:27
  Speaker 1: last night, oh boy, and she shall remain nameless, And
• 57:30
  Speaker 1: she has been dating this guy for a while. And
• 57:33
  Speaker 1: last night at dinner, she turns to my wife and
• 57:35
  Speaker 1: my homegirl Sasha, and I overhear her say, yeah, the
• 57:38
  Speaker 1: guy I've been dating that he's gonna be busy tomorrow,
• 57:40
  Speaker 1: but it's cool. I'm gonna just go to zumber class.
• 57:43
  Speaker 1: And immediately I said, excuse me, say what? Excuse me?
• 57:46
  Speaker 1: I couldn't even finish my food, not a knife plate
• 57:49
  Speaker 1: of salmon, because I knew in that moment that I
• 57:51
  Speaker 1: had failed my friend because I didn't properly prepare her
• 57:53
  Speaker 1: for this kind of letdown. And it's a lot of
• 57:55
  Speaker 1: women experiencing that letdown to day. But what makes you
• 57:58
  Speaker 1: a donkey is if you are bad with the person
• 58:00
  Speaker 1: who said they couldn't be with you today tomorrow. Everybody
• 58:05
  Speaker 1: knows you don't spend Valentine's Day with the side chick.
• 58:08
  Speaker 1: So when many hit you with the I'm busy to
• 58:09
  Speaker 1: day text or I have to work over time on
• 58:12
  Speaker 1: the fourteenth, or damn, I won't be around today something
• 58:14
  Speaker 1: came up. If you fall for that, then it's on
• 58:17
  Speaker 1: your dumb ass. You know, the saying fool me once
• 58:20
  Speaker 1: on Valentine's shame on you, fool me twice on Valentine's
• 58:23
  Speaker 1: shame on me, fool me three years in a row
• 58:25
  Speaker 1: on Valentine's Then you just a goddamn fool and you
• 58:28
  Speaker 1: if you get fooled again, don't tell him you'll see
• 58:31
  Speaker 1: him tomorrow or later this week. And don't you dare cry? Nope,
• 58:34
  Speaker 1: don't you shed a tail if that man you've been
• 58:36
  Speaker 1: sleeping with leaves you high and dry on Valentine's Then
• 58:39
  Speaker 1: you put on your big girl drawers. Okay, you put
• 58:42
  Speaker 1: on your big girl drawers. You're the big white ones,
• 58:45
  Speaker 1: the ones you wear with your period on. You put
• 58:46
  Speaker 1: those on, and you put on some sweatpants and a hoodie,
• 58:49
  Speaker 1: and you get in your car and you turn that
• 58:51
  Speaker 1: Alicia Keys try Sleeping with a Broken Heart on. Then
• 58:58
  Speaker 1: you drive, You put this goddamn song on, and you
• 59:05
  Speaker 1: just drive, drive to that spin class and sweat all
• 59:11
  Speaker 1: that frustration out with all the other singulars to Beyonce
• 59:15
  Speaker 1: a single lady. But I'm not here to make you
• 59:18
  Speaker 1: feel bad. Nope, not at all. Okay, just please let
• 59:23
  Speaker 1: remy ma give these ladies who just found out they
• 59:26
  Speaker 1: were gonna be single on Valentine's Day this week the
• 59:29
  Speaker 1: biggest he haw, he haw, he haw. You stupid mother,
• 59:33
  Speaker 1: are you dumb? I thought you said you wasn't gonna
• 59:36
  Speaker 1: hurt feeling Shout out to all my ladies out there, okay, okay,
• 59:40
  Speaker 1: that you have gotten out of a bad situation and
• 59:42
  Speaker 1: there's so much happier. Make me to have that burden
• 59:45
  Speaker 1: off their bags. Shout out to y'all. Shout out to
• 59:47
  Speaker 1: all my women out there that are happily single, that
• 59:51
  Speaker 1: have that just han't found the man yet. Shout out
• 59:56
  Speaker 1: to y'all. And I just want to get some advice.
• 59:58
  Speaker 1: Oh boy, nothing wrong. We have the nice girl's day
• 1:00:01
  Speaker 1: to day A better stop. You know what you shot
• 1:00:03
  Speaker 1: out to all those ladies you're talking about. I want
• 1:00:06
  Speaker 1: to add on to all those ladies. Y is big
• 1:00:09
  Speaker 1: ingen up. If you thank you're lonely now, My goodness,
• 1:00:14
  Speaker 1: you thank you because as a woman, we all know
• 1:00:22
  Speaker 1: it does not take a man to complete you. Car
• 1:00:24
  Speaker 1: make you happy. You have to be happy with yourself.
• 1:00:27
  Speaker 1: Why you have your life together? Why do you pa Noh?
• 1:00:31
  Speaker 1: My goodness? All right, well, thank you for that donkey
• 1:00:35
  Speaker 1: today and shout out to our boy travel calls every
• 1:00:37
  Speaker 1: morning who just broke up with his boyfriend last week?
• 1:00:40
  Speaker 1: M not triving sleeping with a broken part for a
• 1:00:42
  Speaker 1: long time, asking he is next eight hundred five eight
• 1:00:47
  Speaker 1: five one on five one. Maybe you need relationship advice.
• 1:00:50
  Speaker 1: Maybe you're single and you need something to do tonight.
• 1:00:53
  Speaker 1: Maybe advise you. Whatever it may be, call it right now.
• 1:00:56
  Speaker 1: If you need relationship advice eight hundred five eight five
• 1:00:59
  Speaker 1: one on five one, call ye right now. It's the
• 1:01:01
  Speaker 1: Breakfast Club. Good morning, the Breakfast Club Morning. Everybody is
• 1:01:08
  Speaker 1: DJ Envy, Angela, Ye, Charlomagne, the guy. We are the
• 1:01:11
  Speaker 1: Breakfast Club. It is time for ask ye. Hello, who's this? Hey?
• 1:01:15
  Speaker 1: This is Jocelyn. Hey, Jocelyn, Appy Valentine's Mama. Hi, thank you?
• 1:01:21
  Speaker 1: What's that? What's that? Jocelyn? I have a question for you.
• 1:01:25
  Speaker 1: So I'm actually in a relationship, um, not single, Charlomagne,
• 1:01:29
  Speaker 1: and I know you're like, okay, So I'm in a
• 1:01:33
  Speaker 1: relationship and I'm in a long distance relationship. My boyfriend
• 1:01:38
  Speaker 1: is in California, So I have a question to it.
• 1:01:41
  Speaker 1: One time to say I usually don't make a big
• 1:01:43
  Speaker 1: deal out of it, but he I said, like, no,
• 1:01:46
  Speaker 1: it's fine. You don't have to give me anything. But
• 1:01:48
  Speaker 1: obviously when girls say that, it means I want you
• 1:01:51
  Speaker 1: to give me. I don't know that. That's Jocelyn. We
• 1:01:53
  Speaker 1: have to stop acting like that's obvious. But go ahead. Um,
• 1:01:57
  Speaker 1: we have talked about it previously and he said he
• 1:01:59
  Speaker 1: was gonna get me something, you know, for like the
• 1:02:01
  Speaker 1: big day or something. So he's been California and I'm
• 1:02:04
  Speaker 1: here in Houston and he didn't give me anything. But
• 1:02:08
  Speaker 1: what time is it there? Really early? How do you
• 1:02:11
  Speaker 1: know he didn't get you anything yet? Because he said
• 1:02:14
  Speaker 1: because he just said he was gonna give it to
• 1:02:16
  Speaker 1: me like the day before. Because today he like comes
• 1:02:19
  Speaker 1: up his jobs. It's like I know his job and
• 1:02:21
  Speaker 1: he can't really do as today. Why did you tell
• 1:02:24
  Speaker 1: him not to get you anything if you wanted something? Well,
• 1:02:26
  Speaker 1: I didn't tell him not to give me anything. I
• 1:02:28
  Speaker 1: was like it would be nice, but obviously like I'm
• 1:02:31
  Speaker 1: not gonna get hurt if you don't give me anything,
• 1:02:33
  Speaker 1: but you are hurt a little thing, yeah, because I'm
• 1:02:37
  Speaker 1: a lady like two years see it. You can't be
• 1:02:41
  Speaker 1: sending out these mixed messages now. Of course ideally he
• 1:02:45
  Speaker 1: should have gotten you something, but you should have been honest.
• 1:02:48
  Speaker 1: Don't tell the man that's no big dale. You don't
• 1:02:50
  Speaker 1: have to get me anything. If you don't really mean that,
• 1:02:52
  Speaker 1: you really have to say what you mean. You have
• 1:02:54
  Speaker 1: to be like listen. I'm excited. Thank you so much.
• 1:02:56
  Speaker 1: Anything you get me I'll appreciate. Keep it real. Yeah,
• 1:02:59
  Speaker 1: you're right, so we'll see. He has the rest of
• 1:03:02
  Speaker 1: the day. Yeah, and it's still super early in the
• 1:03:05
  Speaker 1: morning's like not even noon yet, so he has plenty
• 1:03:08
  Speaker 1: of time. You don't know what he's gonna do. So
• 1:03:09
  Speaker 1: I don't know why you're acting like he hasn't done
• 1:03:12
  Speaker 1: anything yet, But I do feel like if you want
• 1:03:15
  Speaker 1: to make sure that you're not upset later, you should
• 1:03:19
  Speaker 1: let him know. You know what, I should never have
• 1:03:21
  Speaker 1: told you that I didn't want anything, because I'm not
• 1:03:23
  Speaker 1: gonna lie rethinking it. I really do you know anything.
• 1:03:27
  Speaker 1: Whatever you do for me, I appreciate, but I would
• 1:03:30
  Speaker 1: like for you to do something. Just keep it real. Listen,
• 1:03:33
  Speaker 1: Why why are you mad at to me? If we're
• 1:03:34
  Speaker 1: doing who all women want? What is listening? He listened
• 1:03:36
  Speaker 1: to what his woman wanted. He gave it exactly what
• 1:03:38
  Speaker 1: she said you wanted. Yeah, but if you can't think
• 1:03:40
  Speaker 1: she was when you want somebody to do what you say,
• 1:03:43
  Speaker 1: he should have got a guilt. If he loves that,
• 1:03:44
  Speaker 1: he would have got to do. But maybe he did.
• 1:03:46
  Speaker 1: We don't know that he didn't. That's true too, man,
• 1:03:48
  Speaker 1: I would say my funny as acting Berjadien for two years.
• 1:03:52
  Speaker 1: So I'm kind of like, um, did you get himself
• 1:03:54
  Speaker 1: a little sing? Did? I? Yes, I have, But it's
• 1:03:57
  Speaker 1: not gonna get there until after valentimes rape. But already
• 1:03:59
  Speaker 1: told him maybe he's devastated. No, I told him I'm
• 1:04:04
  Speaker 1: gonna get him something. I told him, it's just gonna
• 1:04:07
  Speaker 1: get there before a little bit. I remember, it's always
• 1:04:09
  Speaker 1: the thought that council. Hopefully he's thoughtful enough. But girl,
• 1:04:13
  Speaker 1: just to avoid this possible tragedy for you, hit him
• 1:04:16
  Speaker 1: up with a tax and be like, listen, I know
• 1:04:18
  Speaker 1: I was talking crazy, but just so you know, I'm
• 1:04:20
  Speaker 1: gonna be devastated if you don't get me a present.
• 1:04:22
  Speaker 1: Lool Okay, thank you, all right, have a great day.
• 1:04:26
  Speaker 1: How An I say hello? Somebody? At least at least
• 1:04:30
  Speaker 1: somebody does on Valentine's We gotta stop saying don't get
• 1:04:33
  Speaker 1: me nothing? All right? Well, ask ye eight hundred five
• 1:04:37
  Speaker 1: eight five one oh five one. If you got a
• 1:04:38
  Speaker 1: question for ye, call her right now? Was the breakfast club?
• 1:04:40
  Speaker 1: Good morning? More than everybody is dj Envy Angela, Ye, Charlomagne,
• 1:04:45
  Speaker 1: the guy we are the breakfast club we're in the
• 1:04:47
  Speaker 1: middle of. Ask ye, let's go to line five. Hello Pike, Hey, Lisa,
• 1:04:51
  Speaker 1: come morning. I have Valentine's Hey, I have you. Valentine
• 1:04:54
  Speaker 1: facing it too, though, saying what's your question for you?
• 1:05:01
  Speaker 1: All right? So I'm seeing this guy. He's an Italian,
• 1:05:05
  Speaker 1: he's a doctor. He has to move back to Italy
• 1:05:07
  Speaker 1: and June. We just started seeing each other in for
• 1:05:11
  Speaker 1: like a month, and now I wasn't going to see
• 1:05:13
  Speaker 1: other people, but now someone else started reaching out to
• 1:05:16
  Speaker 1: me on Snapchat and I'm kind of interested in him.
• 1:05:19
  Speaker 1: But I don't know if I should like talk to
• 1:05:22
  Speaker 1: the other guy, or like clarify things with the first guy,
• 1:05:26
  Speaker 1: or what to do? Really, Anisa, you said seeing someone,
• 1:05:30
  Speaker 1: Does that mean that's your boyfriend? Are you in a
• 1:05:31
  Speaker 1: monogamous relationship? I don't know. That's the thing. I don't
• 1:05:34
  Speaker 1: know if he's dating other people. Like I mean, we're
• 1:05:38
  Speaker 1: you know, pretty like intense, but we're seeing each other
• 1:05:41
  Speaker 1: like twice a week, you know, he stays over or whatever.
• 1:05:44
  Speaker 1: But do you do you want to see other people
• 1:05:47
  Speaker 1: or do you want to be in a committee relationship?
• 1:05:50
  Speaker 1: I don't know. Like with him, I really like him,
• 1:05:53
  Speaker 1: I mean, I'd like to date around, Like, there's things
• 1:05:55
  Speaker 1: that I don't like about him. He's very messy, but
• 1:05:59
  Speaker 1: you know that I do like him as a person.
• 1:06:03
  Speaker 1: But I don't know, you know, Okay, So if you did,
• 1:06:07
  Speaker 1: if you did want to be with him like that,
• 1:06:08
  Speaker 1: you would know. Okay. So I'm gonna assume that you're
• 1:06:11
  Speaker 1: enjoying dating him, but that's not your be all end
• 1:06:14
  Speaker 1: all right here, probably not. Yeah, And the fact that
• 1:06:17
  Speaker 1: you're even interested in entertaining somebody else really shows me
• 1:06:21
  Speaker 1: that as well, you're not looking at this guy is like,
• 1:06:23
  Speaker 1: this is my boyfriend. It's just maybe you like him.
• 1:06:26
  Speaker 1: It's convenient, he comes over, y'all have a good time,
• 1:06:28
  Speaker 1: but you're not feeling that it thing. Yeah, So I
• 1:06:31
  Speaker 1: believe that you shouldn't commit to somebody if that's if
• 1:06:34
  Speaker 1: you don't feel strongly that you went to and yes,
• 1:06:37
  Speaker 1: you should see other people. Huh. Okay, all right, well,
• 1:06:40
  Speaker 1: thank you for the help. But the other thing, the
• 1:06:42
  Speaker 1: other food thing though the other guy I don't even know,
• 1:06:44
  Speaker 1: like if he's interested and the other I'd never really
• 1:06:47
  Speaker 1: do this, Like I don't date arount, you know, and
• 1:06:50
  Speaker 1: you know, just because you go out with somebody else says,
• 1:06:53
  Speaker 1: I mean you have to sleep with somebody else. It
• 1:06:54
  Speaker 1: could just be you having a friendship, and I would
• 1:06:57
  Speaker 1: be honest. I would be like, look, I'm seeing somebody else.
• 1:06:59
  Speaker 1: I'm not in a committed relationship, and I'm not really
• 1:07:02
  Speaker 1: sure what i want to do. But yeah, you know,
• 1:07:04
  Speaker 1: at the least we can be friends. Yeah, just keep
• 1:07:07
  Speaker 1: it real and take your time. There's no rush for
• 1:07:09
  Speaker 1: you to do anything and make any decisions. Okay, cool,
• 1:07:12
  Speaker 1: all right, thank you, all right, by honey. All right,
• 1:07:15
  Speaker 1: ask ye eight undred five eighty five, one oh five one.
• 1:07:18
  Speaker 1: If you need relationship advice or any type of advice,
• 1:07:20
  Speaker 1: you can call ye right now. Now, we got rumors
• 1:07:23
  Speaker 1: on the way. Yes, let's talk about Tamer Braxton and
• 1:07:26
  Speaker 1: Vince Herbert. There's some issues now and it has to
• 1:07:29
  Speaker 1: do with a Rolls Royce. Oh boy, all right, we'll
• 1:07:32
  Speaker 1: get into all that when we come back. Keep a lock.
• 1:07:34
  Speaker 1: This to Breakfast Club. Good morning, all right, morning, everybody
• 1:07:37
  Speaker 1: is DJ Envy Angela Yee, Charlomagne the guy. We are
• 1:07:40
  Speaker 1: the Breakfast Club. Now let's get to the rumors to
• 1:07:43
  Speaker 1: talk Jason Derulo, Oh gosh, got Breakfast Club. Well, things
• 1:07:56
  Speaker 1: got a little crazy. When Jason Derulo jumped in Jordan
• 1:07:59
  Speaker 1: spark mentions. He went on her post on Instagram, it's
• 1:08:02
  Speaker 1: a boy. We have so much to be thankful for
• 1:08:04
  Speaker 1: and this is definitely at the top of the list.
• 1:08:07
  Speaker 1: And then she added to her boyfriend that he's gonna
• 1:08:10
  Speaker 1: have a little mini me running around. We can't wait
• 1:08:12
  Speaker 1: to meet him. We love you, little man. Well. Jason
• 1:08:15
  Speaker 1: Derulo then posted under it, I wish that was my
• 1:08:18
  Speaker 1: boy hashtag all my songs are about you. Oh he didn't,
• 1:08:22
  Speaker 1: Yes he did. It's a little too late to be
• 1:08:23
  Speaker 1: shooting your shot. Jason, you should have did that months ago.
• 1:08:26
  Speaker 1: Now he didn't respond because everybody went crazy when they
• 1:08:29
  Speaker 1: saw that. His response is relaxed. People. I was on
• 1:08:32
  Speaker 1: the TV show Safe Word. The show hacked my pages.
• 1:08:35
  Speaker 1: Drop Jason Derulo. At the end of the day, he's
• 1:08:41
  Speaker 1: just a Asian negro from the streets, all right, I
• 1:08:43
  Speaker 1: saw all that. Just add that just a grimy Asian
• 1:08:46
  Speaker 1: negro doing grimy things. Okay, to Jason Darrullo, that is
• 1:08:50
  Speaker 1: my kind of petty right there. Well, he didn't do it.
• 1:08:53
  Speaker 1: Someone else clearly took his post. But that's funny. Safe
• 1:08:55
  Speaker 1: for It is the funny show sut MTV Safe for
• 1:08:57
  Speaker 1: It probably the best show they got on MTV Magic.
• 1:09:00
  Speaker 1: What kind of chaos that could have caused in her house?
• 1:09:03
  Speaker 1: But by the way, I'm gonna tell you what make
• 1:09:04
  Speaker 1: Jason Druelo petty. They didn't have to post it. He
• 1:09:07
  Speaker 1: could have told him no. She could have used to
• 1:09:09
  Speaker 1: say for it. Damn. Like what if she would have
• 1:09:13
  Speaker 1: responded and been like, oh my god, me too, I've
• 1:09:16
  Speaker 1: been waiting for you to say it would have felt terrible.
• 1:09:22
  Speaker 1: All right, Well, she seems very happy though, so she's good.
• 1:09:25
  Speaker 1: Troth Jason Druela. That all right. Nicki Minas a lot
• 1:09:30
  Speaker 1: of people have been wondering where has she been? They
• 1:09:32
  Speaker 1: did this whole thing. Where can you find Nicki Mina's
• 1:09:34
  Speaker 1: They showed a Vogue shoot that she did well. According
• 1:09:37
  Speaker 1: to sources, she is just not on social media to
• 1:09:41
  Speaker 1: fully focus on her music. That's why she has no
• 1:09:43
  Speaker 1: new posts since December thirtieth. She feels way more creative
• 1:09:47
  Speaker 1: without Instagram and Twitter distracting her. That's probably part of it.
• 1:09:50
  Speaker 1: And she probably got tired of y'all hounding her about
• 1:09:52
  Speaker 1: the H and M deal that she won't give up
• 1:09:54
  Speaker 1: or hasn't given up. All right, Well, they said she's
• 1:09:56
  Speaker 1: been working day and night in the studio with major
• 1:09:58
  Speaker 1: producers and with their everybody. So she wents to just
• 1:10:01
  Speaker 1: I could feel you on that least social media alone,
• 1:10:04
  Speaker 1: and then bang, you got something to prove and listen, listen,
• 1:10:08
  Speaker 1: I'm rooting for her, contrary to popular movie. Alright, I
• 1:10:16
  Speaker 1: like NICKI. I've always liked Nikki away. Yeah, all right, year,
• 1:10:22
  Speaker 1: don't mean I dislike you. Whack year. It was whacked
• 1:10:26
  Speaker 1: for your standards of what you expected from Nikki. It
• 1:10:29
  Speaker 1: wasn't a whack year. It wasn't a whack year, all right.
• 1:10:32
  Speaker 1: D Wade and Chance the Rapper, they're basketball documentary Shot
• 1:10:35
  Speaker 1: in the Dark. Trailer has been released. We told you
• 1:10:38
  Speaker 1: that they have this documentary they're producing about a team
• 1:10:42
  Speaker 1: in basketball in Chicago, Chicago or as Basketball Academy, and
• 1:10:46
  Speaker 1: they're looking at the rigorous, in your face training regiment
• 1:10:49
  Speaker 1: that the coach gives the young team. Here is part
• 1:10:52
  Speaker 1: of that trailer. Once you get your feet stuck into
• 1:10:57
  Speaker 1: quick saying, it's hard to get out the rubber mind.
• 1:11:00
  Speaker 1: It is really rough. That's a gunshot. Wether Man. Forty
• 1:11:05
  Speaker 1: boys on my team don't have follow Forty guys that
• 1:11:09
  Speaker 1: depend on me every day. The big story is tiquin career.
• 1:11:15
  Speaker 1: How do you want to go to college? Hip? I
• 1:11:17
  Speaker 1: know it's slow way out. I don't want to be
• 1:11:19
  Speaker 1: the one to get stuck in and quick said way
• 1:11:23
  Speaker 1: board didn't want to be a basketball get all right,
• 1:11:26
  Speaker 1: So that doesn't It's gonna be really good. Did I
• 1:11:28
  Speaker 1: just listen? Now? This is the trailer for the d
• 1:11:30
  Speaker 1: Wade and Chance to Wrapper basketball documentary Shot in the
• 1:11:32
  Speaker 1: Dark that they're putting out in Chicago. So it's gonna
• 1:11:35
  Speaker 1: be on Fox as part of their Magnified docuseries, which
• 1:11:38
  Speaker 1: looks at lives of athletes on and off the field.
• 1:11:40
  Speaker 1: I need to watch that because I'm really not I'm
• 1:11:42
  Speaker 1: not understanding the story. The guy got shot in that
• 1:11:45
  Speaker 1: and he went back. I don't know, how do you?
• 1:11:46
  Speaker 1: Then he got shot in the Yeah, he was there.
• 1:11:49
  Speaker 1: He got shot that day and played while he had
• 1:11:52
  Speaker 1: a bulletool in him. And he also, yeah, he scored
• 1:11:54
  Speaker 1: a game winning three in the game. The shot that
• 1:11:55
  Speaker 1: he took actually won the game. How impressive. I don't
• 1:11:58
  Speaker 1: know if that's that is very im That is impressive,
• 1:12:01
  Speaker 1: DEPREDI where you got shot? Anyway? Um? And Tamar Braxton
• 1:12:06
  Speaker 1: and Vincent Herbert more issues. I guess Vince's Royals Rice
• 1:12:09
  Speaker 1: Raith got reposed. V I'm gonna defer to you on this. Yes,
• 1:12:14
  Speaker 1: you know, yeah, it's it's it's about a three hundred
• 1:12:17
  Speaker 1: sixty five thousand dollar car. Well, apparently he feels so
• 1:12:19
  Speaker 1: far behind on these payments that they repoted and then
• 1:12:22
  Speaker 1: they resold it, but they said it was you, So
• 1:12:24
  Speaker 1: they lost more than sixty two thousand dollars when they
• 1:12:27
  Speaker 1: resold the car, so they want him to pay sixty
• 1:12:29
  Speaker 1: five thousand for it. All right, Well, I'm Angela Yee
• 1:12:33
  Speaker 1: and that is your rumor report. All right, thank you,
• 1:12:36
  Speaker 1: miss Yee. Now shout to revote. We'll see you guys tomorrow.
• 1:12:39
  Speaker 1: Everybody else the People's Choice mix, it's all about Valentine.
• 1:12:43
  Speaker 1: So we're gonna get a Valentine's Day mix on. Let
• 1:12:45
  Speaker 1: me know what you want to hear for your Valentine.
• 1:12:46
  Speaker 1: You know what I love about you and man, you
• 1:12:48
  Speaker 1: have been committed to that live for seven years. What's
• 1:12:51
  Speaker 1: that asking people what they want to hit? No good
• 1:12:53
  Speaker 1: and damn well you're not taking no request. I'm definitely
• 1:12:55
  Speaker 1: am it's Valentine, you doing love songs today. Yes, all right,
• 1:12:59
  Speaker 1: well I want you to start all for Bobby Walmack.
• 1:13:00
  Speaker 1: I think if you think they now that's a that
• 1:13:04
  Speaker 1: is a love song. That is the back to back
• 1:13:05
  Speaker 1: of heartbreak songs. Okay, that was ether, that is eat
• 1:13:08
  Speaker 1: something to take something. That was a dish record. Bobby
• 1:13:10
  Speaker 1: Walmack was pissed off at some girl in the sixties
• 1:13:12
  Speaker 1: and seventies and he decided to record that dish record.
• 1:13:14
  Speaker 1: If you think you're lonely now you just wait until
• 1:13:17
  Speaker 1: the night. God damn, but shout out to all my
• 1:13:19
  Speaker 1: ladies out there, goodness. Shout that's right. If you think
• 1:13:25
  Speaker 1: you're lonely, not waiting till the night, ladies, my goodness.
• 1:13:27
  Speaker 1: All right, the mix is up. Next is to Breakfast,
• 1:13:29
  Speaker 1: get down early to five o'clock to be crying.