Latest / The Breakfast Club / Affion Crockett On Jay-Z's Reaction To His Impression, Dangerous Karens, Toxic Relationships + More

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Affion Crockett On Jay-Z's Reaction To His Impression, Dangerous Karens, Toxic Relationships + More · The Breakfast Club

• 0:00
  Speaker 1: Wait that answer in the morning Breakfast Club Morning, everybody
• 0:05
  Speaker 1: is DJ Envy Angela Yee, Charlomane the guy. We are
• 0:09
  Speaker 1: to Breakfast Club. We got a special guest in the building, sir,
• 0:12
  Speaker 1: if y'all Crocket's handing over ya man, A long time
• 0:17
  Speaker 1: since I've been in the seat. That hoodie hard? Thank you, brother? Yeah,
• 0:20
  Speaker 1: I like that with the pick on the front. Yeah. Yeah,
• 0:21
  Speaker 1: my girl, Keisha, hook me up with this real quick.
• 0:23
  Speaker 1: What's up? Keisha? What Kasha? Now? You? I saw you
• 0:27
  Speaker 1: you was hosting the Martin Reunion man on BT Plus. Yeah,
• 0:29
  Speaker 1: how was that? Let me tell you something, man, we
• 0:32
  Speaker 1: all grew up on Martin, and you know, it's one
• 0:34
  Speaker 1: thing to be able to Let imagine if you watch
• 0:37
  Speaker 1: shamfond his soun all your life and he was able
• 0:39
  Speaker 1: to sit on the junkyard and interview them on the set,
• 0:42
  Speaker 1: you know what I mean. So for me, it was
• 0:44
  Speaker 1: like Martin is one of my biggest influences, So to
• 0:46
  Speaker 1: be able to sit in that seat and ask all
• 0:48
  Speaker 1: of the questions as a fan that it's still mind blowing.
• 0:53
  Speaker 1: It hasn't even sunk in that I was on the
• 0:55
  Speaker 1: set talking to Martin and the cash did he hand
• 0:58
  Speaker 1: pick you or like, how did that come about? Yeah?
• 1:00
  Speaker 1: I got a relationship with Mark. He's my big brok,
• 1:02
  Speaker 1: so we've worked together before. T Shirt Tesina. I got
• 1:05
  Speaker 1: relationship with them and uh yeah, they reached out. It
• 1:09
  Speaker 1: was like, Yo, if we want you to do it,
• 1:11
  Speaker 1: you're the guy. I was like, say less, dope, get
• 1:14
  Speaker 1: my mov suit. It's small, small, it's small. Now you
• 1:20
  Speaker 1: do small. You do it pretty much everybody's voices, you
• 1:24
  Speaker 1: make fun, everybody with skits. Has anybody ever step to
• 1:27
  Speaker 1: you where it was like, you know what, maybe I
• 1:30
  Speaker 1: should stop being the same building with that person. Just Charlomagne,
• 1:34
  Speaker 1: charlemagn Charlemagne threat my life one time. Never never happened.
• 1:37
  Speaker 1: Come on, nah, how does that look? Charlemagne threatening my life?
• 1:43
  Speaker 1: Exactly anybody's life, right nahum nobody. The thing about it
• 1:48
  Speaker 1: is when people see me do impressions of them, especially
• 1:52
  Speaker 1: in the hip hop world, they know that I'm a
• 1:54
  Speaker 1: hip hop head. So Nahs, for example, asked me to
• 1:58
  Speaker 1: do him before he asked pause as Jesus Christ, before
• 2:06
  Speaker 1: you got to it was way wait a second, that
• 2:09
  Speaker 1: didn't come out right, But yeah, he asked me to
• 2:11
  Speaker 1: do an impression of him. And I know your niggas
• 2:17
  Speaker 1: ain't laughing because y'all was fingering a booty hole with
• 2:21
  Speaker 1: no it was nothing but plenty of lubrication. And this
• 2:26
  Speaker 1: nigga was giggling, and he was like, you you want
• 2:31
  Speaker 1: me to put my finger in there? Wait? Wait, I've
• 2:35
  Speaker 1: never done this before, Like you want me to put
• 2:38
  Speaker 1: my finger in there? I thought it was a cake.
• 2:40
  Speaker 1: I was like, the only thing left to do is
• 2:42
  Speaker 1: to cut this ship and eat it with no pause.
• 2:46
  Speaker 1: Do you ever play gay gay games with your friends?
• 2:48
  Speaker 1: Whoa wait, wait a second, how did we get here? No?
• 2:53
  Speaker 1: I've never done. What you guys have done is going on.
• 2:58
  Speaker 1: Manhere's angel When you need the female presence in this bit,
• 3:05
  Speaker 1: I need too much, too much masculine. I think it's masculine.
• 3:10
  Speaker 1: I think they ain't maskling, but it definitely dicks a
• 3:13
  Speaker 1: lot of balls in the ball. Where would you rank
• 3:17
  Speaker 1: yourself as an impressionist when it comes to like Jay Farrell,
• 3:22
  Speaker 1: I don't. I've gone on record as I say Jay
• 3:24
  Speaker 1: farrell Is impression is two point oh. I don't consider
• 3:27
  Speaker 1: myself an impressionist. That's if you believe that or not.
• 3:29
  Speaker 1: I consider myself an artist who plays the part. I'm
• 3:34
  Speaker 1: an actor. So the same way you see Denzel play
• 3:37
  Speaker 1: whoever a Hurricane, Carter or Malcolm X, he dives into
• 3:41
  Speaker 1: the role and he gives you, you know what I'm saying,
• 3:44
  Speaker 1: the details that you need for that character. That's how
• 3:47
  Speaker 1: I end with impressions too, because I don't just do impressions.
• 3:51
  Speaker 1: But as far as the ranking the impressionists, to me,
• 3:55
  Speaker 1: Jay Farrell and Godfrey are two of the best that
• 3:58
  Speaker 1: I've ever seen hunt of Yeah. So so if I
• 4:01
  Speaker 1: had to rank myself out of them, I mean Aery
• 4:03
  Speaker 1: Spears too, He's another goat with it. I don't rate myself.
• 4:07
  Speaker 1: I would put all of them before me Jay, but
• 4:09
  Speaker 1: he put you up there. Jay said, he thinks you
• 4:11
  Speaker 1: wanted the best impressions. Well that's very humble of him.
• 4:13
  Speaker 1: Thank you, Jay Farrell. Appreciate that. But now I think
• 4:17
  Speaker 1: they do way more impressions than me. Way nahs. Yeah,
• 4:23
  Speaker 1: I mean I do a few, like I do the
• 4:24
  Speaker 1: russell siment Russell Jay, and then the newest one I've
• 4:29
  Speaker 1: been doing over the pandemic was My Angelo. Everybody was like,
• 4:31
  Speaker 1: how the fuck you do my Angel? Because I just
• 4:34
  Speaker 1: do Okay, it just is it? Why my Angel I
• 4:38
  Speaker 1: have no idea, Like literally she I was talking to
• 4:43
  Speaker 1: a couple of my homegirls and they just randomly mentioned
• 4:45
  Speaker 1: Maya and I just started doing it one night and
• 4:47
  Speaker 1: they fell on the ground laughing. So I was just like, okay,
• 4:50
  Speaker 1: And if you listen to the way I do to
• 4:51
  Speaker 1: my Angelo's voice, it's not too far from jay Z
• 4:55
  Speaker 1: because Jay has he has just stay stopped. I didn't
• 4:58
  Speaker 1: say the thing yet, nigga, don't half yet, Sharlamagne. It's
• 5:01
  Speaker 1: kind of in the same register. So as Jay talks
• 5:05
  Speaker 1: like this, you know you have to just go right
• 5:07
  Speaker 1: there it blad and to right hen to man old on.
• 5:15
  Speaker 1: I never thought about that. Yo. It's the same person
• 5:19
  Speaker 1: because of but he don't rhyme when he talked, when
• 5:23
  Speaker 1: the words like that, they're both. They're both rappers both man,
• 5:28
  Speaker 1: it's the best rapper that ever lived. Whatever you choose
• 5:33
  Speaker 1: to take is whatever you give phenomenal. Woman in had phenomenally.
• 5:39
  Speaker 1: It's me, not jay Z. Now Hope company and even
• 5:48
  Speaker 1: find it funny or not funny. No, Hope loves the impression.
• 5:51
  Speaker 1: Like the first time I met him, I thought I
• 5:52
  Speaker 1: was gonna get slapped. I ain't gonna lie. This was
• 5:54
  Speaker 1: This was a long time ago in UM in DC
• 5:58
  Speaker 1: when Obama first Scott inaugurated. So Jay did the concert
• 6:02
  Speaker 1: right before and this ain't a flex at all. I
• 6:07
  Speaker 1: happen to run into Charlie Mac. I'm just walking taking
• 6:09
  Speaker 1: pictures in DC and I see Charlie Mac. Everybody know
• 6:11
  Speaker 1: Charlie and Charlie standing outside the venue back backstage. I
• 6:15
  Speaker 1: was like, Charlie, what up? And he's already was over
• 6:18
  Speaker 1: come on, come on. No, I'm all waiting for people,
• 6:21
  Speaker 1: for people, But I got you, I got you, come on,
• 6:24
  Speaker 1: come on, come on. So I get backstage with Charlie Mack.
• 6:26
  Speaker 1: It's just me and him, so he wasn't invited. He
• 6:28
  Speaker 1: just snuck it. I just snuck in. I was with
• 6:29
  Speaker 1: Charlie Mac and I'm sitting on a speaker. I'm just
• 6:33
  Speaker 1: in the back. I'm watching dudes working and ship and
• 6:35
  Speaker 1: then all of a sudden, a wave of people come
• 6:37
  Speaker 1: down the stairs and it's Jay and his entourage. They
• 6:40
  Speaker 1: about to go to the stage, right So I'm sitting
• 6:42
  Speaker 1: on the speaker. The stage is right here. He's coming
• 6:44
  Speaker 1: down the stairs and they're all about to go to
• 6:46
  Speaker 1: the stage. He sees me and starts walking over to
• 6:48
  Speaker 1: me and I you know how to in the movies
• 6:51
  Speaker 1: when the camera's coming towards you, but you started get smaller.
• 6:54
  Speaker 1: That's how I felt. I was like, oh shit, here
• 6:56
  Speaker 1: you go, here you go. It's going down by myself.
• 6:59
  Speaker 1: I'm solo. Jay would never get his hands dirty either way.
• 7:05
  Speaker 1: I thought someone was gonna you know what I'm saying.
• 7:09
  Speaker 1: And he walks into me. He extends his hand, He's like, yo,
• 7:11
  Speaker 1: you'd be doing the jigger man. I like that, and
• 7:15
  Speaker 1: he gave it, you know, the third person acknowledgement. You
• 7:18
  Speaker 1: know you'd be doing the jigger man. I was like,
• 7:20
  Speaker 1: all right, whatever name you choose to use, yes sir, Yeah,
• 7:23
  Speaker 1: you're right. And that whole night he just kept walking
• 7:27
  Speaker 1: up to me making shot was good, like yeah. And
• 7:29
  Speaker 1: then Mary was on stage Major Blox and he was like, yeah,
• 7:31
  Speaker 1: I bet you can't do that, and I bet you
• 7:32
  Speaker 1: can't sing like that. So he was like really cool.
• 7:37
  Speaker 1: He was really cool. And then we did a drop
• 7:39
  Speaker 1: on video and he showed the love and he made
• 7:41
  Speaker 1: me do the laugh in front of him. Wow. So
• 7:44
  Speaker 1: nothing but respect man. So if he didn't want to
• 7:45
  Speaker 1: do the laugh, he had to do do the laugh.
• 7:47
  Speaker 1: You're like no, no, no, he put he put his
• 7:48
  Speaker 1: arm around my neck and v I think you know
• 7:52
  Speaker 1: what that means when laugh, do you do the lab
• 7:56
  Speaker 1: if the nigga does that to youse? Like DJ, you
• 7:58
  Speaker 1: was like, chick, did you see the viral video of
• 8:02
  Speaker 1: the woman who was complaining that her child father only
• 8:04
  Speaker 1: boys food man the kids? What's your thoughts on that?
• 8:07
  Speaker 1: She need to shut the fuck up. She need to
• 8:10
  Speaker 1: go viral shutting the funk up? Did you see it though?
• 8:13
  Speaker 1: Did I see her? Yeah? She did. Literally, I was
• 8:15
  Speaker 1: just watching out in a lobby, um and she was
• 8:17
  Speaker 1: explaining with her wig on and she was like, you know,
• 8:20
  Speaker 1: he knew what this situation was. And I had four
• 8:24
  Speaker 1: other kids, bitch, just those kids came out of your vagina.
• 8:29
  Speaker 1: Those are your responsibility. Yeah, that's how I feel about it.
• 8:33
  Speaker 1: I'm paying, I'm buying my kid food. Now. If I
• 8:36
  Speaker 1: got a relationship with those other kids and it's that
• 8:39
  Speaker 1: kind of day and it's my kids party and I
• 8:41
  Speaker 1: invite them all, I'm gonna take care of all of them.
• 8:44
  Speaker 1: But it was a situation where we broke up and
• 8:46
  Speaker 1: I'm visiting my kids every day. He brings McDonald's. What
• 8:50
  Speaker 1: she's saying that he used to buy McDonald's for the
• 8:52
  Speaker 1: other kids. But now that they're not together, we broke
• 8:54
  Speaker 1: up with the kids too, the bit kids. I broke
• 8:57
  Speaker 1: up with the kids too when I left you, them
• 9:00
  Speaker 1: kids got left. They didn't come out of my dick. Yeah,
• 9:05
  Speaker 1: you kids didn't come out of my balls. Yo. They
• 9:09
  Speaker 1: don't get McDonald's. That's all my dimes. It is a
• 9:12
  Speaker 1: sympi of entitlement she has, though, and it's a privilege
• 9:14
  Speaker 1: that she clearly wasn't appreciating, you know what I mean.
• 9:18
  Speaker 1: And now that that guy's gone, she's not realizing, like
• 9:21
  Speaker 1: he doesn't have to do this. He don't. And what
• 9:23
  Speaker 1: she failed to realize too is most guys, unfortunately, don't
• 9:26
  Speaker 1: take care of their own kids. So the fact that
• 9:29
  Speaker 1: he showed up every day to see his kids, even
• 9:31
  Speaker 1: though he got tensioned with her, not to say that
• 9:33
  Speaker 1: he get a point for that, because you supposed to
• 9:35
  Speaker 1: take care of your kid. But she's just she's bugging.
• 9:38
  Speaker 1: That's that's all I can say. She's bugging. Now. I
• 9:41
  Speaker 1: was gonna ask you, now, you ain't carolyzed this weekend
• 9:43
  Speaker 1: Friday Saturday, No Thursday, Friday Saturday. So when you're on stage.
• 9:48
  Speaker 1: Now everything is so sensitive. Do you watch what you
• 9:51
  Speaker 1: say and do you curb your jokes or nah? I uh?
• 9:55
  Speaker 1: Because I don't say, well let me out, I do say,
• 9:58
  Speaker 1: will you just yeah? You never know what's going to
• 10:01
  Speaker 1: bed When I hear you say the word be I understand, coach,
• 10:04
  Speaker 1: you know what I mean. But something I say it
• 10:07
  Speaker 1: a lot. And when I say it and I see
• 10:09
  Speaker 1: the women laugh, they understand that I'm saying it in
• 10:12
  Speaker 1: the funny way, like I'm never being derogatory. But the
• 10:15
  Speaker 1: point to answer your question, no, I don't. I don't. Uh.
• 10:19
  Speaker 1: I don't edit what I say because it comes from
• 10:22
  Speaker 1: a real place to me, and it's not coming from
• 10:24
  Speaker 1: a disrespectful place. And when you hear the context of
• 10:26
  Speaker 1: what I'm saying, people don't get offended by that. I mean,
• 10:30
  Speaker 1: I had I did have a Karen last year. I
• 10:32
  Speaker 1: saw that that was a mix of alcohol and entitlement,
• 10:35
  Speaker 1: you know, Karen, entitlement on the stage. What do you do?
• 10:39
  Speaker 1: What do you think? Because that, first of all, there
• 10:41
  Speaker 1: was no storm. Let's just let's just talk about it, right,
• 10:44
  Speaker 1: Let's get let's get into the nitty gritty of it. No, no,
• 10:47
  Speaker 1: she actually crawled. I ain't gonna hold I'm on stage
• 10:52
  Speaker 1: and I'm talking. I'm I'm playing to my left side
• 10:55
  Speaker 1: and I look out my peripheral and she literally has
• 10:58
  Speaker 1: her hands on the stage like a baby learning the
• 11:01
  Speaker 1: walk like she's and in my mind when in Jacksonville,
• 11:04
  Speaker 1: shout out to du Vall. We're in Jacksonville, Florida, and
• 11:09
  Speaker 1: the stage is packed, like in front of the stage
• 11:11
  Speaker 1: is packed, and I'm thinking she has to go to
• 11:13
  Speaker 1: the bathroom and she can't get her way around. So
• 11:16
  Speaker 1: the only way for her to get to the bathroom
• 11:19
  Speaker 1: is to come on stage and the walk down the
• 11:20
  Speaker 1: stairs in the front. And then when she she stands
• 11:23
  Speaker 1: up and then she had her hands in the Sally
• 11:26
  Speaker 1: Struther's hands like she's about to save a little nigga
• 11:28
  Speaker 1: right like like she's about to play. I say, oh,
• 11:30
  Speaker 1: she has something she wants to say. I need to
• 11:34
  Speaker 1: hear this now. Some people were like, hey, man, she
• 11:37
  Speaker 1: could have killed you. She could have nigga. I assessed
• 11:42
  Speaker 1: her vital organs like the terminator within two seconds. Like
• 11:46
  Speaker 1: I'm a martial artist. I know I know danger when
• 11:48
  Speaker 1: I'm around it. I don't I don't have to look.
• 11:50
  Speaker 1: You don't have to be in front of me for
• 11:51
  Speaker 1: me to feel the danger, right, at no point that
• 11:54
  Speaker 1: I feel like my life was threatened. So I don't know, man,
• 11:56
  Speaker 1: I saw all white thugs to them the stage on you, Avion.
• 11:59
  Speaker 1: That's what you didn't see that that's all white. She's
• 12:02
  Speaker 1: a white doug. She was. She was a white thug
• 12:05
  Speaker 1: who was trying to creep up on you. That's why
• 12:06
  Speaker 1: she was crawling. And she she needed to be treated.
• 12:09
  Speaker 1: She need to be treated like the thugs she is. Yeah,
• 12:11
  Speaker 1: you know what, I didn't think of it and look
• 12:14
  Speaker 1: at it in that way. I stand corrected. That woman
• 12:18
  Speaker 1: was a dangerous and to my young black life, that's right, right,
• 12:22
  Speaker 1: even though I'm not that young. But nah, man, I
• 12:26
  Speaker 1: could have easily gave her the end to the dragon
• 12:28
  Speaker 1: Bruce Lee slow motion sidekick and had a bitch fly
• 12:32
  Speaker 1: over eighteen people. And you can't give you a black
• 12:34
  Speaker 1: man so soon as you do. So that's what I knew.
• 12:39
  Speaker 1: I was like, Yeah, what am I gonna do to
• 12:41
  Speaker 1: this woman That's gonna be positive for me other than
• 12:44
  Speaker 1: you know. I talked about it for about twenty minutes,
• 12:46
  Speaker 1: so verbally she caught that ass woman. Yeah, but outside
• 12:49
  Speaker 1: of that, she was wobbling and doing her thing in
• 12:53
  Speaker 1: because I told my sex. I told my sex, and
• 12:55
  Speaker 1: she was just like, you're offending a lot of people
• 12:57
  Speaker 1: in here. And I asked, I said, all these grown
• 12:59
  Speaker 1: ass black people there, I asked them, are y'all offended
• 13:02
  Speaker 1: by me talking about fucking? And it was like, hell, no,
• 13:05
  Speaker 1: get your white ass off the stage, is what they said.
• 13:07
  Speaker 1: How you come to a comedy show on your macat
• 13:09
  Speaker 1: somebody talking about sex? Clearly she wasn't getting enough. Well,
• 13:13
  Speaker 1: who was the boys? The context? Come to Carolines this weekend.
• 13:16
  Speaker 1: You'll find out the context of the sex jokes that
• 13:19
  Speaker 1: I'd be talking about. I'm talking about my dick going
• 13:22
  Speaker 1: inside vaginas and the creative party. They let her, They
• 13:24
  Speaker 1: let her sit back in the show after doing that. No,
• 13:26
  Speaker 1: I don't know. She got kicked out, Okay, scored her
• 13:28
  Speaker 1: right out and I did twenty long minutes on her
• 13:31
  Speaker 1: after that. It was it was because it was unexpected,
• 13:34
  Speaker 1: like she threw off the floor of the show for everybody.
• 13:37
  Speaker 1: And then it made TMZ and it caught on. And
• 13:41
  Speaker 1: then the next city I went to, another white woman
• 13:43
  Speaker 1: tried it. What yeah, yeah, But my boy Carlos, he
• 13:46
  Speaker 1: was like bitch he was. He flew to the front
• 13:49
  Speaker 1: of the stage was like, no, we're not even gonna
• 13:50
  Speaker 1: acknowledge this now. It was just before the Will Chris
• 13:52
  Speaker 1: rock thing. Yeah before okay, okay, okay, So this I mean,
• 13:55
  Speaker 1: I got I think it was a cloud chase. It
• 13:57
  Speaker 1: was a TMG moment. She was like, oh, that other
• 13:59
  Speaker 1: white one got on DMZ, so let me try my
• 14:02
  Speaker 1: hand at it. And we didn't even acknowledge it. Are
• 14:05
  Speaker 1: you concerned about that type of stuff as a comedian now,
• 14:07
  Speaker 1: because it seemed like you see what happened to day,
• 14:10
  Speaker 1: you know, I mean Will and Chris. That's I hate
• 14:11
  Speaker 1: when people even bring that, because that's the ones in
• 14:13
  Speaker 1: a generation to hate when people start saying comedians are
• 14:17
  Speaker 1: under attack. No the fuck we're not. These are all
• 14:19
  Speaker 1: isolated incidents, even the guy I was there when Chappelle
• 14:22
  Speaker 1: got attacked, and you know, I knew what was about
• 14:26
  Speaker 1: to happen to him because I knew who all we
• 14:28
  Speaker 1: were all there, So um, that was even an isolated incident.
• 14:33
  Speaker 1: That was somebody who had a personal beef with Dave
• 14:37
  Speaker 1: and his content and whatever his cloud chase moment was.
• 14:42
  Speaker 1: But I'm not concerned. Scary though you look at the
• 14:44
  Speaker 1: weapon he brought in and the fact that he was
• 14:45
  Speaker 1: able to get on that stage, none of that that
• 14:47
  Speaker 1: that's very scary, you know, Like you said, you could
• 14:49
  Speaker 1: be looking to the less talking to these people and
• 14:52
  Speaker 1: he come behind you. Right. But again, if I feared that,
• 14:56
  Speaker 1: then I would fear going to the grocery storell going
• 14:59
  Speaker 1: to the air for it, because niggas is wilding the
• 15:01
  Speaker 1: airports now. I don't know if you don't know, even
• 15:03
  Speaker 1: watching they've been fighting and doing all kinds of stuff.
• 15:05
  Speaker 1: So it is what it is. Man. If it's my time,
• 15:09
  Speaker 1: it's my time. But I'm not. I don't walk in
• 15:12
  Speaker 1: or live in fear of that. I didn't know you
• 15:14
  Speaker 1: knew martial arts. There's a lot you don't know, you know,
• 15:17
  Speaker 1: you guys finger booty holes in here, big rubber that
• 15:21
  Speaker 1: is martial arts. That is martial arts. That is not
• 15:25
  Speaker 1: wax on, wax off. That martial arts. We can kill
• 15:29
  Speaker 1: people with these fingers. We were practicing martial arts and
• 15:32
  Speaker 1: then but yeah, you know, I don't I'm not a
• 15:35
  Speaker 1: I'm not a master or anything like that, but I
• 15:38
  Speaker 1: know enough to get away. No, ok way, you know,
• 15:42
  Speaker 1: you know, it's so interesting I say this all about
• 15:44
  Speaker 1: time Nick Cannon. Those martial arts two people think, if
• 15:47
  Speaker 1: you want to know nigga's a nigga's a little bro.
• 15:50
  Speaker 1: I've known Nick for a long time, obviously wilding out,
• 15:53
  Speaker 1: but Nick Nick trains. The thing about Nick that people
• 15:56
  Speaker 1: sleep on is how multi talented he really is. Yeah, Like,
• 16:00
  Speaker 1: I don't know where he got caught up in this
• 16:02
  Speaker 1: what people call him corny, but he's far from corny.
• 16:05
  Speaker 1: The dude I used to watch him on set. He
• 16:08
  Speaker 1: would have a programming music board in front of him.
• 16:10
  Speaker 1: He'd be programming beats, and the MTV execs will be
• 16:13
  Speaker 1: trying to have a meeting with him, and he's meeting
• 16:14
  Speaker 1: with him. He's talking about the next line of shows
• 16:17
  Speaker 1: and blah blah blah. Then he's djan and after party
• 16:21
  Speaker 1: literally DJAM and then he's getting on stage with us
• 16:23
  Speaker 1: and he's doing characters and he's doing then he freestyle
• 16:27
  Speaker 1: raps and then he dances too, So he's really he's
• 16:31
  Speaker 1: really a multi hyphen And then he got a bunch
• 16:34
  Speaker 1: of kids to who's more talented? Nick Cannon and Michael Jackson,
• 16:37
  Speaker 1: Shut up, man, you can karate cha. That's a valid question.
• 16:45
  Speaker 1: Come on, man, let's let's just move on from that. Charlomagne, Okay,
• 16:48
  Speaker 1: it's clearly Nick Cannon. You know, we talked about it.
• 16:53
  Speaker 1: Charlomagne was out this way, Chris Brown, Michael Jackson. Who's
• 16:56
  Speaker 1: more talented? Chris said it himself, he said, that's that's
• 17:04
  Speaker 1: cap You can't. You can't. You can't even compare the
• 17:07
  Speaker 1: two because Michael is the influence of Chris. Right, So
• 17:12
  Speaker 1: it's almost like saying, who's more talented between Eddie Murphy
• 17:15
  Speaker 1: and Richard Pryor you can't one doesn't cancel out the other.
• 17:18
  Speaker 1: I actually heard Eddie say this years ago on our cineo.
• 17:21
  Speaker 1: He said there was a time when people were trying
• 17:25
  Speaker 1: to pit him and Richard against each other, and Richard
• 17:28
  Speaker 1: was feeling like, oh, you're the new young guy that's
• 17:30
  Speaker 1: stealing my thunder. And so Eddie says, if I come
• 17:33
  Speaker 1: to high school and get a hundred on my tests
• 17:37
  Speaker 1: this year and years ago you got a hundred on
• 17:40
  Speaker 1: your test, does my hundred cancel out your hundred? No?
• 17:43
  Speaker 1: It doesn't. So why can't we just let Chris be
• 17:47
  Speaker 1: great now and Michael was great then? Period. There's there's
• 17:52
  Speaker 1: no there's no who's more talented because to me, they're
• 17:56
  Speaker 1: talented in different ways. Chris is a more youthful Chris
• 18:00
  Speaker 1: crumps and does be's a b boy, He's a multiple hyphening.
• 18:05
  Speaker 1: He does all that shit. Michael wasn't flipping both the
• 18:08
  Speaker 1: stuff Michael. I saw Michael in concert. I saw people
• 18:11
  Speaker 1: fainting in front of them. I've seen a lot of
• 18:14
  Speaker 1: people in concert, and let me tell you something, I've
• 18:17
  Speaker 1: never seen niggas faint at any other concert. And I've
• 18:21
  Speaker 1: seen all the greats. Michael by far was the one
• 18:25
  Speaker 1: that was an alien on stage. He made people come,
• 18:27
  Speaker 1: he made people float. It was niggas was wild and
• 18:32
  Speaker 1: they was. They had emergency tents on the side of
• 18:35
  Speaker 1: his shows for er like for people that was passing
• 18:39
  Speaker 1: out or or or whatever. They were convulsion. They were
• 18:43
  Speaker 1: doing all kinds of shit. Um, but Michael just had
• 18:46
  Speaker 1: that effect on people. So his his gift is beyond
• 18:49
  Speaker 1: a talent. Like all, he can dance really good. Michael
• 18:52
  Speaker 1: was phenomenal. Yeah, the problem with the Michael Jackson Chris
• 18:55
  Speaker 1: Brown debates that they're not even talking music and dancing
• 18:58
  Speaker 1: no more like they start. Oh he can play bath
• 19:00
  Speaker 1: ball and even spray paint. It's like, what that gotta do?
• 19:02
  Speaker 1: What we're dealing with a series of people that don't
• 19:04
  Speaker 1: recognize talent the generation that we're in. You don't have
• 19:07
  Speaker 1: to be talented to make it, So you have a
• 19:08
  Speaker 1: lot of people who have no idea what talent is.
• 19:12
  Speaker 1: You know, everything is viral videos and reality shows. You
• 19:15
  Speaker 1: don't have to be talented to be famous now. So
• 19:18
  Speaker 1: when people are talking about talent and who's more talented,
• 19:21
  Speaker 1: they don't know what the fuck they're saying. I don't
• 19:23
  Speaker 1: even know what fame is anymore. We had Kim Fields
• 19:25
  Speaker 1: and here here yesterday, and I was saying that Kim, like, man,
• 19:28
  Speaker 1: you came up in the eighties when celebrity feb Yeah,
• 19:31
  Speaker 1: that's why it's still last night. That's why you see
• 19:33
  Speaker 1: them now be like, oh shit, right famous real? Yeah,
• 19:36
  Speaker 1: it's it's you don't have to do anything to qualify
• 19:40
  Speaker 1: to be famous now. You just have to be seen
• 19:42
  Speaker 1: a whole bunch of times. And when people see you
• 19:45
  Speaker 1: on the street and recognize you and want to take
• 19:47
  Speaker 1: a picture with you, now you're famous. So there's that
• 19:48
  Speaker 1: cheapened uh, like somebody like yourself who's actually talented? Right,
• 19:52
  Speaker 1: do you think people appreciate that talent. They probably don't,
• 19:55
  Speaker 1: but I don't. I don't base my I don't hate
• 19:57
  Speaker 1: my validation on that. I know who I am, I
• 20:00
  Speaker 1: know what I got. Like, I haven't been on y'all show,
• 20:02
  Speaker 1: and damn they're eleven years. It's been that long. Yeah,
• 20:06
  Speaker 1: it's been a long time. This is only my second
• 20:08
  Speaker 1: time on this show. Yet I'm still relevant eleven years later, right,
• 20:13
  Speaker 1: So for me, it don't matter what they're saying or
• 20:17
  Speaker 1: how they define me. I just do what the funk
• 20:20
  Speaker 1: I do. And because I know that they're not qualified
• 20:23
  Speaker 1: to put me in a category or a box, I
• 20:26
  Speaker 1: just keep doing what I do. And you made those adjustments.
• 20:28
  Speaker 1: You know, you see you on social media. We saw
• 20:30
  Speaker 1: you on the joint with Cardi bad when y'all was
• 20:32
  Speaker 1: out in the woods. You know what I mean. Cardi
• 20:35
  Speaker 1: tried shout out to Cardi bad Man. She wanted the
• 20:36
  Speaker 1: sweetest people in the world. Cardi's dope. Yeah, I was
• 20:39
  Speaker 1: gonna ask, you know, since you grind it. We talked
• 20:41
  Speaker 1: about your grinding. How long you've been grinding? Do you
• 20:44
  Speaker 1: respect some of these these new comedians that come up
• 20:46
  Speaker 1: and necessarily don't have to grind the same way A
• 20:49
  Speaker 1: thousand percent a thousand. I was just talking to Country
• 20:52
  Speaker 1: Wayne the other day and telling him the same thing, Like,
• 20:55
  Speaker 1: we put so much emphasis on the platform that they're
• 20:59
  Speaker 1: using when we all have the access to the same platform.
• 21:03
  Speaker 1: So just because they're using it and it looks easier
• 21:06
  Speaker 1: and they don't have to grind that, you sound like
• 21:08
  Speaker 1: the old nigga like man beg in my day, we
• 21:10
  Speaker 1: had to walk eighteen miles in snow, bad footage. Nah.
• 21:15
  Speaker 1: When I see those guys, it puts me in the
• 21:18
  Speaker 1: mindset of deaf comedy jam back in the day or
• 21:22
  Speaker 1: a comic view. Right, that's so called the traditional way
• 21:25
  Speaker 1: of how you grind to be a comedian. Right. There
• 21:27
  Speaker 1: was garbage niggas there too, and there was greatness in
• 21:31
  Speaker 1: that platform too, So now you have garbage on the
• 21:34
  Speaker 1: Internet and you have greatness on the Internet. So haha, Davis,
• 21:39
  Speaker 1: Country Wayne, Desi Banks Jest hilarious, pretty mist They are
• 21:45
  Speaker 1: all hilarious. I literally watch their pages. I don't just
• 21:49
  Speaker 1: watch one video. I will scroll through their pages and
• 21:51
  Speaker 1: just have a good laugh because they're very clever, they're
• 21:53
  Speaker 1: very funny, and they've taken that platform and use it
• 21:56
  Speaker 1: to their advantage. So why wouldn't I use it in
• 21:58
  Speaker 1: the same way. I have the ability to do it,
• 22:00
  Speaker 1: and I'm a traditional stand up So I don't feel
• 22:04
  Speaker 1: no kind of way. I feel like, thank god they
• 22:06
  Speaker 1: found a newer way to do it and to reach
• 22:08
  Speaker 1: the audience directly. It cuts out the middleman, you know
• 22:11
  Speaker 1: what I mean. Agency managers don't always have the answer,
• 22:14
  Speaker 1: and a lot of times they don't have the patience
• 22:17
  Speaker 1: or the desire to help develop you. And so I'm
• 22:22
  Speaker 1: thankful that these guys figure out a way. The white
• 22:24
  Speaker 1: boy Trevor Wilds its hilarious. Look up Trevor Wilds. He's
• 22:29
  Speaker 1: he's stupid, but he's selling out theaters just off the internet.
• 22:34
  Speaker 1: You know, you don't need necessarily to have a stand
• 22:37
  Speaker 1: up special anymore to get that visibility and to have
• 22:40
  Speaker 1: people want to come see you. Like we were just
• 22:42
  Speaker 1: saying earlier, your fame is based on how many times
• 22:45
  Speaker 1: they see you over and over and over. Yeah, so
• 22:48
  Speaker 1: that's that's what famous is cumulative. Now you can you
• 22:51
  Speaker 1: can put a number to it. But to answer your question,
• 22:54
  Speaker 1: I feel no kind of way. I love these the
• 22:58
  Speaker 1: folks that are on the internet that Anny I was
• 23:00
  Speaker 1: just watching in the lobby y'all, y'all watch File at
• 23:03
  Speaker 1: the dude that the basketball? Yeah, hey man, I get
• 23:08
  Speaker 1: great laughs watching him and all he's doing his commentary.
• 23:11
  Speaker 1: But it's the way he's saying. It's a talent. It's
• 23:14
  Speaker 1: how he's describing basketball, something we all love to watch.
• 23:17
  Speaker 1: But he's he because he plays, he's watching it in
• 23:20
  Speaker 1: a certain way. And then he's singing the you know
• 23:22
  Speaker 1: file you know it's it's just dope. I get I
• 23:25
  Speaker 1: get a kick out of all that shit. And I'm
• 23:27
  Speaker 1: not a hater. I support anybody that's doing it the
• 23:29
  Speaker 1: right way. Or that's that's funny, you think because we
• 23:32
  Speaker 1: were born in like the nineteen hundreds right right that
• 23:34
  Speaker 1: we're looking we're looking for these people. We're looking for
• 23:38
  Speaker 1: something to validate these people like instead of just enjoying
• 23:41
  Speaker 1: them and realizing this is the new way, we're waiting
• 23:43
  Speaker 1: for them to get signed to a TV show or movie.
• 23:45
  Speaker 1: I think I think we live in a hater culture.
• 23:48
  Speaker 1: That's what hip hop has become. We can't wait to hate,
• 23:52
  Speaker 1: you know what I'm saying. I've seen it with y'all.
• 23:54
  Speaker 1: I've seen it with anyone who is doing their thing.
• 23:57
  Speaker 1: People want to find something to say to tear you down,
• 24:01
  Speaker 1: and that's just our coach. I don't know why the
• 24:02
  Speaker 1: fuck that is. Back in the seventies, Uh, it was
• 24:06
  Speaker 1: more peace loving and you know what I'm saying in
• 24:08
  Speaker 1: hair Grease and everybody was more like yeah brother, yeah sister,
• 24:10
  Speaker 1: and it was more unity and something about this hip
• 24:13
  Speaker 1: hop world man, where we want to throw away everything
• 24:16
  Speaker 1: tomorrow and are you wearing them? You still wearing them
• 24:18
  Speaker 1: slides last week? You need the new ship and it's
• 24:22
  Speaker 1: just the new ship. So we do that with our
• 24:24
  Speaker 1: gems too, you know what I mean. Thank God for
• 24:26
  Speaker 1: the New Addition movie, for example, because we all loved
• 24:30
  Speaker 1: New Addition, right, but it opened them up to a
• 24:33
  Speaker 1: new fan base that that that that movie, and now
• 24:36
  Speaker 1: they're thriving again. They're having another wave and they've had
• 24:38
  Speaker 1: about seventy five waves. But I say that to say
• 24:42
  Speaker 1: it's a shame that a lot of our artists got
• 24:44
  Speaker 1: to do joint concerts in theaters when Rolling Stones can
• 24:49
  Speaker 1: do arenas for the rest of their life or you two,
• 24:52
  Speaker 1: because they don't throw away their gems. We always want
• 24:55
  Speaker 1: the next new hot shit. I would say that in
• 24:57
  Speaker 1: radio as well, Like you listen to some of the
• 24:59
  Speaker 1: pop stag. They still play Rolling Stones, right, But like
• 25:02
  Speaker 1: if you listen to to some of these hip hop stations,
• 25:05
  Speaker 1: you won't hear a ll cool J. You won't hear
• 25:07
  Speaker 1: a new edition unless it's Poison. Poison. They're they're gonna
• 25:10
  Speaker 1: play poison, but like you don't even hear montell Jordan,
• 25:13
  Speaker 1: this is how we do it, unless it's throwback our
• 25:15
  Speaker 1: You know what I mean. It's crazy because, like you said,
• 25:16
  Speaker 1: it's still our gems. It's still a lot of music,
• 25:18
  Speaker 1: it's still hits, and we need to value that. We
• 25:20
  Speaker 1: need to value We need to value to the gems. Man.
• 25:24
  Speaker 1: I think we're so quick to throw away and to
• 25:26
  Speaker 1: hate on. And you know, people want to see you fall,
• 25:29
  Speaker 1: they want to see the scandal. But what I've learned
• 25:31
  Speaker 1: on how to pivot out of all that shit is
• 25:33
  Speaker 1: because of all of that, we live in a short
• 25:36
  Speaker 1: attention span generation. So you do some dumb shit today
• 25:42
  Speaker 1: and it's by next Thursday, they're gonna forget about that
• 25:46
  Speaker 1: shit because there's gonna be forty other things that happensolutely.
• 25:48
  Speaker 1: And by the way, people don't really care because here's
• 25:51
  Speaker 1: the truth, didn't matter if all of those people that
• 25:53
  Speaker 1: critique us got the same type of critique every day.
• 25:57
  Speaker 1: That culture wouldn't even exist because nobody body would want that,
• 26:00
  Speaker 1: that smoke, nobody would want that for themself. And you're right,
• 26:03
  Speaker 1: So the people that sit back and critique everything that
• 26:06
  Speaker 1: we do. Right. And I don't like his beard. This
• 26:09
  Speaker 1: beard is fake. I've heard people saying that, but it's true.
• 26:11
  Speaker 1: That's true. I've heard it saying that, and they're talking
• 26:15
  Speaker 1: about your your your transformation of your face. That's true too.
• 26:19
  Speaker 1: I never bleached, but I got a vibes cartel. No, No,
• 26:23
  Speaker 1: I got a good dermatologist. No surgery that they think
• 26:25
  Speaker 1: I got surgery. And he gets his eyebrows though, never
• 26:31
  Speaker 1: got my brows done. You get your eye No I don't.
• 26:34
  Speaker 1: I've never got my eyebrows done. I would tell y'all no,
• 26:37
  Speaker 1: they didn't getting that one thread. No, no reconstruction surgery
• 26:41
  Speaker 1: on my brow. That's why goes up like this. Not
• 26:42
  Speaker 1: to be honest, I did get him ars back in
• 26:44
  Speaker 1: the day. But I'll tell you why. The truth always
• 26:47
  Speaker 1: comes out. It always come out. I never never touched
• 26:51
  Speaker 1: my hint brown, except for one time back in nineteen
• 26:55
  Speaker 1: seventy nine when I had one incident. I did. I
• 26:58
  Speaker 1: used to do tell the marketing, but my two home brothers,
• 27:01
  Speaker 1: Nina and you don't care about the story. Now. Is
• 27:03
  Speaker 1: the fact that you had it done, but they gasped
• 27:05
  Speaker 1: me up. They told me too, pot got the liye
• 27:06
  Speaker 1: brother dos all right. The fact that you got it
• 27:10
  Speaker 1: done and you're fucking lied about it two minutes ago,
• 27:12
  Speaker 1: and now you had to face up. So that means
• 27:14
  Speaker 1: every other thing is true. Ye, reconstructive surgery, surgery, BELI
• 27:21
  Speaker 1: dream is real. It's all real. I forgot what our
• 27:24
  Speaker 1: point was. But what was he talking about? I don't know. No,
• 27:28
  Speaker 1: he's not getting to stop it. What do you think?
• 27:30
  Speaker 1: What do you think about the current state of like
• 27:33
  Speaker 1: just comedy, is its standing stand up still matter or
• 27:37
  Speaker 1: one thousand percent? Um? I think I think comedy is
• 27:40
  Speaker 1: in a great place actually, Like we're all making money
• 27:42
  Speaker 1: off of it. The bags are nice. Um, it's a
• 27:45
  Speaker 1: way for you to control your own voice and destiny. Um,
• 27:49
  Speaker 1: it's a lot of us out here getting it and
• 27:52
  Speaker 1: with legitimate fan bases. And comedy is very necessary. You know.
• 27:57
  Speaker 1: I get people all the time coming up to me saying, man,
• 28:00
  Speaker 1: during the pandemic, you saved my life. These are the
• 28:02
  Speaker 1: words that they use. I'm just doing what I'm doing.
• 28:05
  Speaker 1: I don't think about who I'm affecting, whose life I'm
• 28:08
  Speaker 1: so called saving, but the fact that they feel that
• 28:12
  Speaker 1: I had helped them through whatever dark time they was in.
• 28:16
  Speaker 1: I know what my purpose is. I know that I'm
• 28:18
  Speaker 1: in my purpose, and even though I go through my
• 28:19
  Speaker 1: own dark shit. You know what I'm saying, I go
• 28:21
  Speaker 1: through my own struggles and I'm glad you are one
• 28:23
  Speaker 1: of the first advocates of therapy. Um. I've been in
• 28:27
  Speaker 1: therapy for the last three years too, So just managing
• 28:30
  Speaker 1: my own transparency, of my own you know, my my
• 28:34
  Speaker 1: bags of darkness or my bags of trauma. I'm happy
• 28:40
  Speaker 1: that I can help somebody else to my gift. You
• 28:42
  Speaker 1: know what I'm saying, Well, got you in therapy. What
• 28:44
  Speaker 1: was the reason you decided to relationship? I was I
• 28:47
  Speaker 1: was breaking up with this with this girl, and in
• 28:50
  Speaker 1: the middle of an argument we were having, I saw
• 28:55
  Speaker 1: the spotlight turn around on me and I was like, wait,
• 28:57
  Speaker 1: I've been here before with several other women and this
• 29:00
  Speaker 1: same type of argument, the same exact energy. It has
• 29:04
  Speaker 1: to be me. It has to be something that I'm
• 29:06
  Speaker 1: doing to attract this type of toxicity. And I literally
• 29:10
  Speaker 1: got on the phone with my boy jay Lee. Jay
• 29:12
  Speaker 1: Lee as an actor, he's comedian too, but he's one
• 29:16
  Speaker 1: of the first friends that I had that talked about therapy. Right.
• 29:20
  Speaker 1: He did a whole movie about it with Michael Eally
• 29:22
  Speaker 1: called Atypical Wednesdays. And so I call him in the
• 29:26
  Speaker 1: midst of that argument, like she's packing her ship, she's
• 29:29
  Speaker 1: doing all that shit. I said, Yo, man, can you
• 29:32
  Speaker 1: refer media therapist? I think I need to talk to
• 29:34
  Speaker 1: somebody like I was really in that in that mindset.
• 29:36
  Speaker 1: And so anyway, long story short, I ended up getting
• 29:40
  Speaker 1: a therapist, and I wanted to make sure it was
• 29:41
  Speaker 1: a black therapist because I didn't want to explain the
• 29:43
  Speaker 1: black experience to somebody too on top of other traumas, right,
• 29:48
  Speaker 1: And yeah, I saw I started going and we clicked immediately,
• 29:51
  Speaker 1: and she helped me really navigate my life and to
• 29:55
  Speaker 1: put her on the table. And that's something that I
• 29:57
  Speaker 1: don't mind doing anyway. I like to be trans parent
• 30:00
  Speaker 1: with myself and I don't like to lie to myself.
• 30:02
  Speaker 1: I mean, most comedians are very self aware. That's why
• 30:04
  Speaker 1: y'all are able to be so observational. Yeah, but a
• 30:07
  Speaker 1: lot of us feel like, especially in this hip hop culture,
• 30:09
  Speaker 1: a lot of us feel like we still have to
• 30:10
  Speaker 1: be tough and we gotta be cool. We gotta be
• 30:13
  Speaker 1: we think we're rappers, you know. We we try to
• 30:16
  Speaker 1: act like with rappers personify and I'm not trying to
• 30:20
  Speaker 1: do that. Man Like I can rap, but that don't
• 30:23
  Speaker 1: mean I gotta act like sh is all good nigga,
• 30:26
  Speaker 1: you know me, I'm out here so good like my entourage.
• 30:30
  Speaker 1: These niggas. Comedians are way really. The rappers comedians way
• 30:35
  Speaker 1: really and rappers to me, none, no, But we're rappers
• 30:38
  Speaker 1: aren't allowed to be real. The culture of rap does
• 30:40
  Speaker 1: not allow them to be vulnerable. And I don't I
• 30:45
  Speaker 1: use the word soft loosely, but you get looked at
• 30:50
  Speaker 1: as soft if you're a rapper that's crying or or
• 30:55
  Speaker 1: showing emotion about something. It's just you know, rappers still
• 30:58
  Speaker 1: built on that street mentality. And I get it, like
• 31:01
  Speaker 1: I bumped that shit in the whip, but I don't
• 31:03
  Speaker 1: want to feel angry all the time. Yeah, you know,
• 31:05
  Speaker 1: it's an undressing. Some comedians say they don't want to
• 31:07
  Speaker 1: go to therapy and stuff because they don't want to
• 31:09
  Speaker 1: fix that trauma. Because they feel like that trauma is
• 31:11
  Speaker 1: like the source of a lot of their their their inspiration,
• 31:14
  Speaker 1: their creativity, their jokes. Now, get that shit out. Get
• 31:18
  Speaker 1: that shit out. I don't give a fuck how how
• 31:21
  Speaker 1: creative you think is making you go to therapy and
• 31:24
  Speaker 1: get that stuff out, because there's always a pattern that
• 31:26
  Speaker 1: you're leaving when there's trauma, there's a pattern that you're living,
• 31:30
  Speaker 1: and there's a pattern that you're leaving in the wake
• 31:32
  Speaker 1: of whoever's path that you cross. You have to get
• 31:36
  Speaker 1: that out. You know. It's a lot of people that
• 31:38
  Speaker 1: that say cocaine makes them a better artist. Yeah, all right,
• 31:41
  Speaker 1: but that shit is sucking your brain up though. You know,
• 31:43
  Speaker 1: I'm saying, you may have five fire projects off of
• 31:47
  Speaker 1: that cocaine, but you need to get healed from that.
• 31:49
  Speaker 1: You need you need to flush. Did it? Did it
• 31:52
  Speaker 1: help you? Can? You know? Breaking up? People don't realize
• 31:54
  Speaker 1: that's like that's grieving. You know what I'm saying, when
• 31:56
  Speaker 1: you break up with somebody, Oh for sure. Cor the
• 31:59
  Speaker 1: radio yesterday he was hurt. Emmins girl broken up. It's real. Um.
• 32:05
  Speaker 1: I was on tour years ago when I when I
• 32:07
  Speaker 1: first started with this this older comedian and he said calmly.
• 32:12
  Speaker 1: He said, a woman can make you feel your best
• 32:15
  Speaker 1: and a woman can make you feel your worst. That's
• 32:18
  Speaker 1: all he said. Bars And hell yeah, I agrieve. I
• 32:24
  Speaker 1: grieve because it's it's it's it's hard when you really
• 32:27
  Speaker 1: are in love with somebody and you cannot figure out
• 32:30
  Speaker 1: how to make it work. And then you start going
• 32:32
  Speaker 1: back and saying, man, where did I go wrong? Somewhere?
• 32:35
  Speaker 1: Did I not get to notice person enough to to
• 32:38
  Speaker 1: bond with them and to make it real, to make
• 32:40
  Speaker 1: it last? Yeah, that shit is, it's crazy. And you know,
• 32:44
  Speaker 1: a lot of times we breaking up with one person,
• 32:46
  Speaker 1: it's hard, and some of us have broken up with
• 32:48
  Speaker 1: five people, and that shit is, it's tough, it's tough
• 32:50
  Speaker 1: to carry. So you got to get therapy for those
• 32:53
  Speaker 1: things and then realize how the relationship that your parents
• 32:56
  Speaker 1: had affected you. No, absolutely, you know what I mean.
• 32:58
  Speaker 1: That's that's where a lot of the trama lives. So
• 33:02
  Speaker 1: um therapy, therapy, therapy, go get it word. This weekend
• 33:06
  Speaker 1: you will be at Carolines They didn't believe in Me.
• 33:09
  Speaker 1: Friday Carolines did five, Saturday at seven and Saturday at
• 33:14
  Speaker 1: nine forty five. You can get your tickets at Carolines
• 33:16
  Speaker 1: dot com. And we appreciate you for your New York
• 33:18
  Speaker 1: didn't believe in me. Carolines did when when this all said,
• 33:24
  Speaker 1: how do you think people gonna remember Avion Crock? They
• 33:27
  Speaker 1: gonna remember me as the guy that did it his way,
• 33:31
  Speaker 1: you know, with the with a good attitude. You know,
• 33:35
  Speaker 1: I don't complain. I don't ask people for shit. I
• 33:37
  Speaker 1: just do it my way. I don't mind putting my
• 33:40
  Speaker 1: money where my mouth is. I financed my own projects.
• 33:44
  Speaker 1: Um I I have the attitude of gratitude and I
• 33:49
  Speaker 1: don't feel entitled to anything. No one owes me anything.
• 33:51
  Speaker 1: So hopefully when they remember me, they're like, yo, that
• 33:54
  Speaker 1: dude worked his ass off and he did it with
• 33:56
  Speaker 1: a smile. We appreciate you for joining us. And how
• 33:59
  Speaker 1: do you pronounce the name the correct name? Now? But
• 34:04
  Speaker 1: I think that all these years has been Apion. There's
• 34:08
  Speaker 1: no va. My fucking name Charlotta Magne. I just thought
• 34:10
  Speaker 1: I can say Chota. I didn't you say Charlotte Mane.
• 34:15
  Speaker 1: There's a G in that motherfucker. How did I know
• 34:19
  Speaker 1: how to say that? I didn't say Charlotte Magnee. I
• 34:20
  Speaker 1: don't think i've ever heard that a fion. How did
• 34:23
  Speaker 1: you not hear it? Nigga? I always thought they was
• 34:26
  Speaker 1: saying afion this whole time. Wow, you learned something new
• 34:31
  Speaker 1: every day. Goodness, charlotmagine, fuck you and just give me
• 34:35
  Speaker 1: the number to your eyebrows. Specially before my shows at Caroline,
• 34:38
  Speaker 1: I want to make sure my shit is lined up
• 34:40
  Speaker 1: and plucked and all going in the right direction. So
• 34:44
  Speaker 1: last question before we get a patt of here, we
• 34:45
  Speaker 1: always asked the mount Rushmore of comedians, Yeah, who do
• 34:49
  Speaker 1: you have? That's that's a long list. But for me,
• 34:53
  Speaker 1: I had to talk about who influenced me. The most correct.
• 34:56
  Speaker 1: Number one is Eddie Murphy, Eddie Murphy, Um, Martin Lawrence. Okay,
• 35:03
  Speaker 1: the Wayn's family, I count his one because it's a
• 35:07
  Speaker 1: lot of faces on that. But but you know, Kenan
• 35:10
  Speaker 1: and Damon and all of them. So you mean when
• 35:12
  Speaker 1: you say way, you mean just with the show I
• 35:14
  Speaker 1: would stand up everything, everything wins. Those those they don't
• 35:19
  Speaker 1: get talked about enough as a comedy royalty right um, writing, producing, performing,
• 35:27
  Speaker 1: stand up nepotism right in the in the in the
• 35:31
  Speaker 1: right way. You know what I'm saying, Like, they just
• 35:34
  Speaker 1: don't get they don't get talked about enough and kind
• 35:36
  Speaker 1: of unofficial in a way. Yeah, I'm ways they they
• 35:39
  Speaker 1: adopted me. They definitely adopted me, but rightfully so. And
• 35:45
  Speaker 1: I was able to say this to Keenan when we
• 35:46
  Speaker 1: did dance Flick. I said, I said, you know, I
• 35:48
  Speaker 1: went to the School of Wains, I went to your school.
• 35:51
  Speaker 1: I studied everything you did. And he looked at me
• 35:54
  Speaker 1: and said, he said, you did it the right way.
• 35:56
  Speaker 1: You you did great. You soaked up all the right
• 35:59
  Speaker 1: information and that's why you're here. So yeah, I definitely
• 36:04
  Speaker 1: I no, no, no, cap Like, I really studied those
• 36:08
  Speaker 1: those folks who's the first one that embraced you with it? Marlin,
• 36:12
  Speaker 1: Marlon and Sean because I auditioned for them, uh for
• 36:15
  Speaker 1: this this pilot that we did on VH one, And
• 36:19
  Speaker 1: I made them niggas laugh so hard in the room,
• 36:22
  Speaker 1: Sean through a water bottle at me while I was
• 36:24
  Speaker 1: still in audition mode. Right I was playing this this
• 36:27
  Speaker 1: rapper and I was freestyle rapping. I was going going
• 36:30
  Speaker 1: off in the room. But anyway, the two of them
• 36:33
  Speaker 1: were the ones that, uh that understood the DNA because
• 36:36
  Speaker 1: I studied them. They were the younger Wayans and so
• 36:38
  Speaker 1: when they used to do those characters snuff in Rome.
• 36:41
  Speaker 1: I copied that, like I really was just you know,
• 36:44
  Speaker 1: I dialed into that voice of what they did. Um.
• 36:47
  Speaker 1: But anyways, Um, George Carlin, Oh yeah, I would have
• 36:56
  Speaker 1: said Chris Rock because he's up there too, but he's
• 36:59
  Speaker 1: in fluenced by Carlin as well, so we got to
• 37:01
  Speaker 1: go to the source. But again, that Mount Rushmore is
• 37:05
  Speaker 1: a it's a it's a long list of people I
• 37:06
  Speaker 1: slept on calling. And I mean, don't get me wrong,
• 37:08
  Speaker 1: I've always heard the greatness of George Colin. But when
• 37:11
  Speaker 1: I saw that doctor that's on HBO Max right now,
• 37:13
  Speaker 1: oh my god, yeah, I was like, man, there's nobody
• 37:16
  Speaker 1: doing that right now fearlessly. Yeah. And he was doing
• 37:19
  Speaker 1: it way back then. So you know, imagine if he
• 37:21
  Speaker 1: was alive today and doing some of that same material,
• 37:24
  Speaker 1: how it would be received or not received because of
• 37:27
  Speaker 1: the sensitivities that we're in. But honorable mention that Richard
• 37:30
  Speaker 1: Pryor like, he's the guy frother of it at all.
• 37:32
  Speaker 1: I don't think he can even be ranked. Um and
• 37:34
  Speaker 1: like it or love it? Uh, the genius of Cosby
• 37:37
  Speaker 1: as a comedian as a comedian, Um, it's it's it's warranted. Um.
• 37:43
  Speaker 1: He did some brilliant stuff as a businessman, as a comedian,
• 37:46
  Speaker 1: all the other shit I can't vouch for. Got you,
• 37:48
  Speaker 1: fellow me. You will say his name right? What's my name? Afion,
• 37:54
  Speaker 1: mister Crockett, that's what Russell. It's very He never said
• 37:59
  Speaker 1: it correct way. The afion. Afion sounds smarter, thounds more,
• 38:04
  Speaker 1: sounds more, Luca, you should say Affion. He called me
• 38:06
  Speaker 1: Afion all the time. This guys good, he's good. He
• 38:10
  Speaker 1: appreciate you. Charlotte Magnee breathlest club on it