Latest / Crime Stories with Nancy Grace / 'Rust' Armorer Convicted, Alec Baldwin Next?
Transcript
- 0:05Speaker 1: Crime Stories with Nancy Grace in the Last Days, the
- 0:14Speaker 1: armorer for the movie Rust starring Alec Baldwin is found
- 0:23Speaker 1: guilty of homicide and the shooting death of a young
- 0:28Speaker 1: wife and mom cinematographer Helena Hutchins. Is Alec Baldwin. Next,
- 0:37Speaker 1: I'm Nancy Grace. This is Crime Stories. Thanks for being
- 0:40Speaker 1: with us here at Crime Stories and on Serious Sex
- 0:42Speaker 1: sem one eleven Hannah Goutera's read found guilty of homicide
- 0:48Speaker 1: and the shooting death of the Rust cinematographer Helena Hutchins.
- 0:54Speaker 1: Gutera's read shows very little emotion, if any, when the
- 0:58Speaker 1: verdict was read. Now is Alec Baldwin, the movie and
- 1:03Speaker 1: TV star. Next, He's set to go on trial in
- 1:07Speaker 1: the same courthouse for manslaughter. That's right, the armorer. That
- 1:13Speaker 1: is movie talk for the person in charge of all
- 1:17Speaker 1: the guns and explosives use on a movie set. The
- 1:19Speaker 1: armorer for the Alec Baldwin movie Rust guilty in the
- 1:23Speaker 1: shooting death of Helena Hutchins. The jury determined Gutera's red
- 1:29Speaker 1: negligently allowed a live bullet in the gun on the
- 1:34Speaker 1: set of the western Baldwin used to shoot dead Helena Hutchins.
- 1:39Speaker 1: It just took two hours of deliberations at the courthouse
- 1:41Speaker 1: in Santa Fe, New Mexico, for a jury to fine
- 1:44Speaker 1: read guilty on manslaughter. They quitted her on charge of
- 1:48Speaker 1: tampering with evidence. Now, Guta's red is the daughter of
- 1:52Speaker 1: a very well respected industry armorer, thell Reed, and she's
- 1:57Speaker 1: facing about two years in jail eighteen months to be exact.
- 2:00Speaker 1: She showed no emotion, but one family member did break
- 2:04Speaker 1: down in the courtroom. That family member sitting behind Reid.
- 2:09Speaker 1: The judge Mary Sumner remanded that means scent Gata's read
- 2:14Speaker 1: in custody, telling her the reason is because you're now convicted.
- 2:20Speaker 1: It's criminal negligence. It's true, but still a death. Does
- 2:24Speaker 1: the verdict against Hannah Gata's read spell trouble for Alec
- 2:29Speaker 1: Baldwin When he goes on trial in July in the
- 2:31Speaker 1: same courthouse for manslaughter. He faces jail time as well.
- 2:36Speaker 1: I found guilty. What do we know?
- 2:39Speaker 2: The Sheriff's office there has just confirmed it was Baldwin
- 2:43Speaker 2: who fired the prop gun that killed a forty two
- 2:46Speaker 2: year old female director of stratography, Helena Hutchins. The film's director,
- 2:52Speaker 2: Juel Susa, was also hurt. This incident happened on the
- 2:56Speaker 2: side of the Western Rust.
- 2:57Speaker 1: You were just hearing our friend Christine John's with CBS
- 3:01Speaker 1: what really happened. According to reports, the assistant yelled out
- 3:08Speaker 1: cold gun just before the shooting, which means the gun
- 3:13Speaker 1: was safe, that it was loaded with a blank. So
- 3:15Speaker 1: how do we have a woman, dad, another film person
- 3:19Speaker 1: injured with me and all Star panel to make sense
- 3:22Speaker 1: of it all? If we can? With me? Dominate Romano
- 3:26Speaker 1: lawyer joining us out of New York at Romano Law
- 3:29Speaker 1: dot Com is specialty entertainment law, and I can tell
- 3:32Speaker 1: you if somebody's going to need a lawyer. Doctor Sherry
- 3:34Speaker 1: Schortz forensic psychologists joining us. Karen L. Smith, forensic expert,
- 3:40Speaker 1: host of Shattered Soul's podcast at Beerbonesforensics dot com. Paul
- 3:44Speaker 1: Zike joining us special guest, former police commander and author
- 3:49Speaker 1: of Stop Him From Killing Them on Amazon, and he
- 3:54Speaker 1: has lots of experience using firearms with blanks during live
- 3:59Speaker 1: action movie scenes like Terminator Salvation. Doctor Michelle du Pre
- 4:04Speaker 1: forensic pathologists, former medical examiner, author of Homicide Investigation Field Guide,
- 4:10Speaker 1: and a former police detective. But first to Alexis Terreschuk
- 4:15Speaker 1: Crime Online dot Com investigative reporter joining us from Hollywood.
- 4:18Speaker 1: Alexis is what is getting folded into the story, right
- 4:23Speaker 1: or wrong? Is Alec Baldwin's history, his reputation for let
- 4:31Speaker 1: me just say hot headedness to put it euphemistically. If
- 4:38Speaker 1: he thought it was a blank and it should have
- 4:40Speaker 1: been a blank, then history aside it was an accident.
- 4:45Speaker 1: But how can it really be an accident when somebody
- 4:50Speaker 1: loaded this prop gun with real bullets? Just start at
- 4:54Speaker 1: the beginning.
- 4:55Speaker 3: They were on a set in Santa Fe, New Mexico.
- 4:57Speaker 3: It's a Western style movie. So they were sitting in
- 5:00Speaker 3: a church at an old church scene, and Alex Baldwin
- 5:03Speaker 3: was sitting in one of the pews and he was
- 5:05Speaker 3: practicing what's called a cross draw. And so that would
- 5:09Speaker 3: be where the person say, take your left hand and
- 5:12Speaker 3: grabs the gun out of the holster on the opposite hip,
- 5:15Speaker 3: pulls it across to fire. He was practicing this move
- 5:19Speaker 3: standing the cinematographer, which is the person that makes the
- 5:22Speaker 3: movie beautiful. This is the person that the director that
- 5:27Speaker 3: films the scene. She was standing in front of him
- 5:29Speaker 3: with the assistant director Stumbard, with the director standing right
- 5:32Speaker 3: behind her. He was looking over her shoulder to see
- 5:35Speaker 3: what it would look like when Alex pulled the gun out.
- 5:38Speaker 3: He pulls it out of the side, points it at
- 5:40Speaker 3: her to show them, pulls the trigger, and it fires
- 5:44Speaker 3: a live round into her. Hits her in the stomach
- 5:47Speaker 3: and actually I believe goes through her and grazes the
- 5:50Speaker 3: director sitting standing right behind her.
- 5:53Speaker 1: Hush is pronounced Dad at an Albuquerque hospital after being
- 5:56Speaker 1: rushed to the emergency room. You know what I always
- 5:59Speaker 1: love of playing nine one one calls for a jury
- 6:03Speaker 1: because it takes you back to what's really happening. Not
- 6:06Speaker 1: a description, not someone recounting what happened, but you're hearing
- 6:11Speaker 1: what really happened. Take a listen to the beginning of
- 6:14Speaker 1: that nine to one one call.
- 6:16Speaker 4: On the location of your emergency pointed and that we
- 6:20Speaker 4: need and at a Bonanza Creek grants right now. We
- 6:24Speaker 4: got to people shot on a mo.
- 6:27Speaker 5: Said someone was shot.
- 6:29Speaker 4: Two people accidental gun shot on movie steps and wondered
- 6:35Speaker 4: often with medical who are you calling?
- 6:41Speaker 6: Where are the road.
- 6:48Speaker 4: Emergency?
- 6:50Speaker 7: Bonanza people accidentally.
- 6:53Speaker 5: Shot on a movie.
- 6:54Speaker 4: Step by top gun. We need help the immediate, like Fananza
- 6:58Speaker 4: free grant, come on.
- 7:03Speaker 5: Your name, Let Mitchell.
- 7:07Speaker 3: That Mitchell wants.
- 7:07Speaker 4: The one where you're calling from five up, don't hang up?
- 7:12Speaker 4: Okay one seconds for somebody else is calling for better.
- 7:26Speaker 4: Everybody should be need some help us director in our
- 7:30Speaker 4: cameraman camera woman.
- 7:33Speaker 1: Now you hear repeatedly the word accident accidentally throughout that.
- 7:39Speaker 1: But is it an accident? Very often when you have,
- 7:43Speaker 1: for instance, a d UI crash, people go, well, it
- 7:47Speaker 1: was an accident. But was it because the driver chooses
- 7:52Speaker 1: to go to a bar to order drinks, to drink,
- 7:56Speaker 1: to become legally intoxicated, to then get the car, key,
- 8:00Speaker 1: walk to the car, get in the car, crank up,
- 8:03Speaker 1: reverse and drive out onto the roads. That sounds pretty deliberate.
- 8:09Speaker 1: So is it an accident? Is it gross negligence? Well,
- 8:13Speaker 1: take a listen to more of that nine to one
- 8:14Speaker 1: one call.
- 8:15Speaker 5: So was it loaded with a real bullet?
- 8:17Speaker 4: Or I cannot shot you that? Okay, we have two
- 8:21Speaker 4: injuries from the movie gun Shock.
- 8:25Speaker 5: Okay, we're getting.
- 8:26Speaker 8: Out there already.
- 8:26Speaker 5: Just down upone with me.
- 8:28Speaker 3: Okay, I did see that yelled at me at lunch.
- 8:34Speaker 4: Could ask him about re vision. You can and yell
- 8:38Speaker 4: at me he's a succested gun See responsible, I would
- 8:44Speaker 4: have to.
- 8:44Speaker 3: Answer how many?
- 8:46Speaker 4: No, No, no, I'm a super hard people were injured,
- 8:49Speaker 4: true that I know of. I was hearing we were
- 8:52Speaker 4: rehearsing and it went off and I ran out. We
- 8:54Speaker 4: all ran out. There were but doubles over the id
- 8:58Speaker 4: and the camera woman and the director and the directors
- 9:02Speaker 4: were clearing the road. Can you come back. We're back
- 9:04Speaker 4: on the web. We're back in the town to call
- 9:06Speaker 4: the way back in the western town.
- 9:11Speaker 5: Is there any serious bleeding? I don't know.
- 9:14Speaker 4: I ran out of the building, but I still have
- 9:17Speaker 4: to go through VESE. Okay, are they completely alert?
- 9:22Speaker 1: I'm here A lot of discussion in the background. You
- 9:26Speaker 1: hear this speaker talking to somebody else about someone yelling
- 9:30Speaker 1: at her and lunch about script revision, and she says
- 9:35Speaker 1: she's supposed to check the gun. He's responsible for what happened. No, No,
- 9:38Speaker 1: I'm a script supervisor, so I don't know a lot
- 9:41Speaker 1: about movie sets. I can tell you more about a
- 9:43Speaker 1: murder trial, but I know this, A script supervisor should
- 9:47Speaker 1: not be checking dangerous weapons crime stories. With Nancy Grace.
- 10:07Speaker 1: In the Last Days, the armorer for the Alec Baldwin
- 10:12Speaker 1: movie Rust is found guilty of homicide by a jury,
- 10:18Speaker 1: will the next shoe to drop be the conviction of
- 10:22Speaker 1: movie star Alec Baldwin. Hannah Gata's Read's defense at trial
- 10:28Speaker 1: was basically to blame everybody else but herself, especially Alec Baldwin.
- 10:34Speaker 1: Reid's lawyer Jason Bowles kept repeating over and over that Baldwin,
- 10:39Speaker 1: Alec Baldwin was the quote big boss on the set
- 10:42Speaker 1: that nobody would stand up to, even though he rushed
- 10:45Speaker 1: people and ignored safety checks because Rust, on which he
- 10:49Speaker 1: was a producer, had a tight budget. The jury heard
- 10:54Speaker 1: from the defense Baldwin commissioned the director SUSA to write
- 10:58Speaker 1: the script, that Baldwin owns the rights to the script,
- 11:03Speaker 1: that he was the lead actor on the movie and
- 11:05Speaker 1: was also a producer. Now, the defense lawyer Jason Bowles
- 11:10Speaker 1: called his client, Hannah Reid a quote scapegoat for wider
- 11:16Speaker 1: failings that led in a Mexico safety regulator to issue
- 11:21Speaker 1: one hundred and thirty six thousand dollars fine on the
- 11:24Speaker 1: producers for serious safety failings. She's a scapegoat. Well, a
- 11:29Speaker 1: jury disagreed. What do we know? Paul Zike joining us
- 11:35Speaker 1: special guest, former police commander and author of Stop Him
- 11:40Speaker 1: From Killing Them? He's with the Screen Actors Guild and
- 11:44Speaker 1: he has experienced using firearms with blanks during live action
- 11:48Speaker 1: movie scenes. I could go on, but I think that
- 11:51Speaker 1: sums it up for today. Paul Zake, thank you for
- 11:53Speaker 1: being with us. What went wrong? Obviously there was a
- 11:57Speaker 1: live bullet and what should have been a proper god,
- 12:00Speaker 1: but what happened, Nancy?
- 12:03Speaker 8: The only explanation for this is a systemic breakdown in
- 12:08Speaker 8: systems that are in place to ensure that live ammunition
- 12:11Speaker 8: is not present on the set.
- 12:14Speaker 1: Okay, now that was a lot of words, Paul's I
- 12:16Speaker 1: think you're saying somebody didn't do their job.
- 12:19Speaker 8: Well, absolutely, somebody did not do their job and catastrophically
- 12:25Speaker 8: did not do that. There's no reason whatsoever for live
- 12:27Speaker 8: ammunition to be on the set of any set. Because
- 12:31Speaker 8: these weapons are capable of firing live rounds. They're not
- 12:34Speaker 8: really prop guns. They're deadly weapons being used as props.
- 12:38Speaker 1: Okay, hold on, right there, I want to make that distinction.
- 12:41Speaker 1: You're absolutely right when look, I'm a trial lawyer, I'm
- 12:46Speaker 1: a legal expert. You're the expert in this world. When
- 12:49Speaker 1: I say prop gun, I mean they're using it as
- 12:53Speaker 1: a prop. But you're making a very fine, subtle but
- 12:58Speaker 1: important distinction. A prop gun is a fake gun. I
- 13:02Speaker 1: don't think it even can shoot? Is that right?
- 13:05Speaker 8: Exactly? If you're talking about say it prop knife, correct,
- 13:08Speaker 8: It has a flat edge on it. It's incapable of
- 13:10Speaker 8: cutting you. These are things that are not deemed to
- 13:13Speaker 8: be dangerous. A prop gun is simply as utilized on
- 13:18Speaker 8: set our weapons that are capable of firing live ammunition
- 13:22Speaker 8: and therefore accidentally live ammunition could be mixed with blank rounds.
- 13:28Speaker 8: You know, given time, this is just a disaster waiting
- 13:31Speaker 8: to happen. They need to move to true guns that
- 13:35Speaker 8: are incapable of chambering live ammunition. Until that happens, this
- 13:40Speaker 8: has a very strong chance of repeating itself.
- 13:43Speaker 1: Well, okay, tell me this. Paul's II guys with me.
- 13:46Speaker 8: Paul z II.
- 13:47Speaker 1: He is a former police commander. He's an author screen
- 13:52Speaker 1: actors gil and has experience using blanks during live action
- 13:57Speaker 1: movie scenes where we all think they're shooting real guns.
- 14:00Speaker 1: If you suspend your disbelief in movies like His Terminator Salvation,
- 14:05Speaker 1: those aren't real guns. So why are they using a
- 14:07Speaker 1: real gun? To start with? Paul Zeike and I mean
- 14:11Speaker 1: to me having been forced to handle so many guns
- 14:16Speaker 1: and so many homicides, what moron wouldn't make sure that
- 14:21Speaker 1: there were blanks in the gun.
- 14:23Speaker 8: It's hard to imagine that during the loading of the
- 14:27Speaker 8: weapon that that was not viewed very strictly as the
- 14:31Speaker 8: weapon is loaded. And also there's a chain of custody
- 14:35Speaker 8: issue here on the scene of Terminator Salvation. As we
- 14:38Speaker 8: would go out and we would you conduct the battle scene,
- 14:41Speaker 8: if you will, in the middle of the night. We
- 14:43Speaker 8: would be handed directly from the armor fully automatic weapons
- 14:47Speaker 8: and magazines, fully loaded with blanks, and we would head
- 14:51Speaker 8: straight out to where the scene was to be shot,
- 14:54Speaker 8: and then we would engage in the scene, you know,
- 14:56Speaker 8: five to ten minutes later, hand the weapons straight back
- 14:59Speaker 8: to the armor, all the ammunition back to the armor,
- 15:02Speaker 8: all the magazines back to the armor, and we would
- 15:05Speaker 8: not be able to touch those weapons again until the
- 15:08Speaker 8: next scene. So from a chain of custody standpoint, I
- 15:11Speaker 8: went directly from the armor directly to my hand, my
- 15:15Speaker 8: the co actor's hands that were with me, and that
- 15:19Speaker 8: was maintained very strictly.
- 15:20Speaker 1: Hold on, Paul, I've got to soak in everything you're saying,
- 15:24Speaker 1: because Dominic romano a high profile lawyer joining us out
- 15:28Speaker 1: of New York's specialty entertainment law. And that's why Dominic's
- 15:31Speaker 1: joining us today. Dominick, hold on. When you heard Paul's
- 15:35Speaker 1: like say, chain of custody, I immediately thought of a
- 15:38Speaker 1: serial murderer that I prosecuted on one murder. We could
- 15:41Speaker 1: get them on one and there ended up. I would say,
- 15:45Speaker 1: three weeks before trial. I was just looking at the
- 15:48Speaker 1: evidence and I noticed that the bag that contained the
- 15:52Speaker 1: evidence wasn't signed. It had never been signed by the
- 15:57Speaker 1: homicide cop that picked it up from It was DNA
- 16:01Speaker 1: in there's blood from where it had been taken and
- 16:04Speaker 1: carried to the crime lab. It wasn't written on the back.
- 16:07Speaker 1: Did anybody ten forer with it? No, he just didn't
- 16:10Speaker 1: put his initials. I'm like, oh, dear Lord in Heaven,
- 16:12Speaker 1: the chain is broken. This could be attacked at trial.
- 16:16Speaker 1: I had to go back out to the jail, stand
- 16:18Speaker 1: there and look at this killer while he pulled his
- 16:21Speaker 1: blood again. Then I carried it with my investigator myself
- 16:26Speaker 1: back to the crime lab to have it retested. Praise
- 16:29Speaker 1: the Lord in Heaven. It was his DNA. Long story short,
- 16:32Speaker 1: that's chain of custody. Your case can be lost. You
- 16:35Speaker 1: can lose a serial killer because somebody didn't keep the
- 16:39Speaker 1: chain to preserve the integrity of the trial. That's what
- 16:43Speaker 1: I thought when Paul Zike said chain of custody. But
- 16:47Speaker 1: did you also hear him say, Dominic Romano, he handed
- 16:50Speaker 1: it back to the It sounded like he was saying
- 16:52Speaker 1: armor or armory. But I've been reading about this case.
- 16:55Speaker 1: It's an arm er, armor er who is person in
- 17:01Speaker 1: charge of all the weapons. Hey, somebody is either going
- 17:05Speaker 1: to jail. Are they going to lose their house over
- 17:08Speaker 1: a lawsuit? Domino Romano.
- 17:09Speaker 9: I think you're right, Nancy, and I think Paul is
- 17:12Speaker 9: absolutely right. Look in twenty twenty one, no one should
- 17:16Speaker 9: ever be killed by a gun on a film set. Period.
- 17:19Speaker 9: Those are the words of Brandon Lee's sister. Brandon Lee
- 17:24Speaker 9: shot on a film set in the early nineteen nineties.
- 17:27Speaker 9: They should not happen. There are established protocols, chains of command.
- 17:31Speaker 9: Nancy said, someone would either going to jail or lose
- 17:34Speaker 9: their house.
- 17:35Speaker 8: It's highly likely here.
- 17:37Speaker 9: I mean, there appears to be some serious gross negligence
- 17:42Speaker 9: on that set to allow that to have that. That
- 17:44Speaker 9: is the appearance, and I don't know what evidence can
- 17:47Speaker 9: come out to rebut that.
- 17:49Speaker 1: Presumption alive round in well, as paul's Ikus corrected me,
- 17:55Speaker 1: it's not a prop gun. They were using real guns. Hey,
- 17:59Speaker 1: let me ask you a question. Explain the difference and
- 18:02Speaker 1: what a blank looks like as opposed to a live
- 18:06Speaker 1: round a bullet. We're saying live rounds, we're talking about
- 18:09Speaker 1: a bullet. What's the difference. Can't you just look at
- 18:12Speaker 1: them and you can see the difference in.
- 18:14Speaker 8: Most cases, absolutely, it's very clear. You can see the difference.
- 18:19Speaker 8: In some types of calibers, say two two three if
- 18:22Speaker 8: you will, that's an AR fifteen would shoot. The blanks
- 18:27Speaker 8: are kind of crimped at the end to almost look
- 18:31Speaker 8: like there's a bullet on the end of them. But
- 18:34Speaker 8: any sort of trained professional whatsoever, when you're handling a blank,
- 18:37Speaker 8: you know it's a blank.
- 18:38Speaker 9: When it's a bullet, you know it's a bullet.
- 18:40Speaker 8: The blank does not have a lead projectile or a
- 18:44Speaker 8: steel projectile at the end of the round, So at
- 18:48Speaker 8: the end it's either flat or it's slightly crimped to
- 18:52Speaker 8: hold in the gunpowder, which you know, the firearm usually
- 18:55Speaker 8: needs the gunpowder to correctly function the weapon cycle, the
- 19:00Speaker 8: weapon and.
- 19:01Speaker 9: It's one of the reasons why blanks are used.
- 19:04Speaker 1: Prosecutors call the armorer for the Alec Baldwin movie Hanicata's
- 19:08Speaker 1: read quote sloppy in handling guns and amo, even staying
- 19:13Speaker 1: in the opening statement in that prosecutors Jason Lewis, Good
- 19:16Speaker 1: Lawyer says she quote routinely left guns and ammo lying
- 19:20Speaker 1: around the set unattended, that the gun safe and ammo
- 19:25Speaker 1: cart were constantly disorganized. He also said the prospect of
- 19:30Speaker 1: live ammunition landing up on a film set is incomprehensible.
- 19:35Speaker 1: It should never happen, and he's right. Why do a
- 19:39Speaker 1: bunch of movie stars need to have guns with live
- 19:42Speaker 1: ammo in them? The jury was even shown photos taken
- 19:45Speaker 1: by a crime scene investigator that shows the chaotic way
- 19:49Speaker 1: in which the ammunition and guns were stored all the
- 19:52Speaker 1: set of Rust. They didn't even have the guns locked
- 19:55Speaker 1: away as is standard practices. Images photos trial shows a
- 20:01Speaker 1: gun which could have fired live rounds just sitting on
- 20:04Speaker 1: top of the cart. Loose rounds of all sorts of
- 20:07Speaker 1: calibers were scattered everywhere, and Gatira's Reid actually kept them
- 20:11Speaker 1: in a fanny pack with a can of red bull. Okay,
- 20:16Speaker 1: that's professional. We now know. Another live round was found
- 20:20Speaker 1: in a box of bullets, from which Gatara's reid said
- 20:24Speaker 1: she got the AMMO to put in Baldwin's gun. Okay,
- 20:29Speaker 1: right there, and there's your guilty verdict. Gatira's reed is
- 20:32Speaker 1: stating she got the AMMO, which contained live rounds, to
- 20:36Speaker 1: put in Baldwin's gun. Hello, now, even though that round
- 20:41Speaker 1: is visibly different to the fake bullets, and even had
- 20:47Speaker 1: a bright silver primer on the back, that was something
- 20:51Speaker 1: the others didn't have. In one damning moment, a trial
- 20:56Speaker 1: corporal Alexandra Handcock from Santa Fe County shri ask Goodtara's
- 21:01Speaker 1: reed if the silver primer on that live bullet didn't
- 21:06Speaker 1: stick out when she loaded the gun. Good Tarra's reid
- 21:09Speaker 1: responds no. The corporal then goes to say, you didn't
- 21:16Speaker 1: notice the rest of them were not the same color.
- 21:18Speaker 1: She says, no, I would not want her in charge
- 21:21Speaker 1: of ammunition, and I want to follow up with Alexis
- 21:23Speaker 1: Tereschuk on the Alec Baldwin set of rust. There apparently
- 21:29Speaker 1: were problems with working conditions. A group of the crew
- 21:35Speaker 1: had walked out, I think the night before the claiming
- 21:38Speaker 1: that they had bad hotels, they were an hour away
- 21:41Speaker 1: from a hotel or motel, and if they worked late
- 21:44Speaker 1: into the night, they have to drive through I guess
- 21:47Speaker 1: the desert, and a lot of them were actually sleeping
- 21:49Speaker 1: in their cars overnight. That's just some of the complaints
- 21:53Speaker 1: I've heard. But what are the other complaints, if any,
- 21:58Speaker 1: on the Alec Baldwin movie set.
- 22:00Speaker 3: Well, there have been complaints that things were not safe. Quote,
- 22:04Speaker 3: but one of the person is being directly blamed for
- 22:08Speaker 3: a lot of the unsafe is when you were listening
- 22:10Speaker 3: to the nine one one call and you said you
- 22:11Speaker 3: heard the woman saying that he was yelling at me
- 22:14Speaker 3: things like that. This is the assistant director that they're
- 22:16Speaker 3: talking about. And this is the assistant director, David Halls,
- 22:20Speaker 3: who handed the gun to Baldwin and said this is
- 22:23Speaker 3: a cold gun.
- 22:25Speaker 5: So what the.
- 22:26Speaker 3: People on the set were saying is that Halls was
- 22:28Speaker 3: not a responsible person. He was very angry, he was
- 22:32Speaker 3: making the job very difficult for everybody to do, and
- 22:35Speaker 3: they didn't trust him.
- 22:35Speaker 1: Wait a minute, you're saying David Halls was an assistant director. Yes, okay,
- 22:40Speaker 1: Well what about the honor. Isn't she the one responsible
- 22:43Speaker 1: for all the weapons and the blanks or the bullets.
- 22:47Speaker 1: Karen L. Smith, forensic expert, host of Shadowed Soul's podcast
- 22:51Speaker 1: at Beerbones for instance dot com way in.
- 22:53Speaker 10: Karensmith, well, we do a lot with forensics in physics.
- 22:57Speaker 10: When we do a reconstruction, we use of time and
- 23:01Speaker 10: sometimes that can be split seconds, and this includes trajectories
- 23:04Speaker 10: of projectiles, and this trajectory can generally be explained by
- 23:08Speaker 10: the reporting. Alec Baldwin was reported to be sitting at
- 23:11Speaker 10: a church pew to align a camera angle when the
- 23:13Speaker 10: gun was fired. Alena Hutchins then collapsed on the floor
- 23:17Speaker 10: and Joel Susa was struck in the clavicles. That's an
- 23:20Speaker 10: upward trajectory, which means both Hutchins and Susa were standing
- 23:23Speaker 10: up when the event occurred. The projectile that perforated Helena's
- 23:28Speaker 10: body and subsequently struck Joels.
- 23:30Speaker 1: Now, in order for that to.
- 23:31Speaker 10: Happen, the kinetic energy, which is energy as the result
- 23:35Speaker 10: of motion, would be very high. We're dealing with mass
- 23:39Speaker 10: or the amount of matter in an object and energy dispersion.
- 23:42Speaker 10: Guns carry a high volume of energy in a small space,
- 23:46Speaker 10: and that from my experience, it tells me that it
- 23:48Speaker 10: was something other than just the paper or plastic wadding
- 23:52Speaker 10: from a blank round. That needs to be confirmed by
- 23:55Speaker 10: the emmy and the investigators. But there are reports of
- 23:58Speaker 10: live ammunition bullets being on the bet and that particular
- 24:03Speaker 10: gun allegedly being used for target practice that morning.
- 24:07Speaker 1: A gun for the set being used as target practice.
- 24:11Speaker 1: Paul zeike that that shouldn't be that you've got crew
- 24:14Speaker 1: members out shooting bottles. I think that that's coming out
- 24:19Speaker 1: with live bullets and use that same gun for a
- 24:23Speaker 1: sane and a church full of people.
- 24:26Speaker 8: And Nancy, I just want to clarify the prior point,
- 24:29Speaker 8: so very simply, a blank is a is a shellcasing
- 24:33Speaker 8: with gunpowder in it with no bullet. A bullet is
- 24:36Speaker 8: the same exact thing with more gunpowder and a live
- 24:40Speaker 8: bullet at the end of it that is made to
- 24:43Speaker 8: travel through the barrel and exit the weapon. Back to
- 24:47Speaker 8: what you were saying, that's the cardinal rule that's been broken,
- 24:50Speaker 8: whether you're whether you're involved in police training or you're
- 24:53Speaker 8: involved in a movie set, keeping live ammunition away from
- 24:58Speaker 8: weapons that fire live ami indition and keeping weapons at
- 25:02Speaker 8: fire blanks away from those instances, and when you mix
- 25:06Speaker 8: those two together, the odds of somebody having a spare
- 25:09Speaker 8: live round in one of their pockets or you name
- 25:12Speaker 8: it is super high and saying it sounds very sloppy,
- 25:16Speaker 8: and it just just opens the door for terrible things
- 25:21Speaker 8: that happen. And that's where the systemic breakdown and that
- 25:25Speaker 8: controlled environment.
- 25:26Speaker 1: We'm jelling you, Paul Zike, You're right. Super sloppy is
- 25:29Speaker 1: one way to put it. Gross negligence or unintentional murder
- 25:34Speaker 1: is another way to put it. I think I hear
- 25:36Speaker 1: Dominic Ramano jumping in. Go ahead.
- 25:37Speaker 9: Yeah, basically it's a catastrophic miscalculation. I think two people
- 25:42Speaker 9: here should be folks. We should focus on one is
- 25:47Speaker 9: the armor? Right? This is only according to reports her
- 25:50Speaker 9: second movie with Cheers Read and the assistant director Dave
- 25:54Speaker 9: Haul's you mentioned before. According to reports, he was fired
- 25:57Speaker 9: from a twenty nineteen production of Freedom's Past members suffered
- 26:01Speaker 9: a my minor injury.
- 26:02Speaker 1: Whoa whit a minute? Why why white white You got
- 26:05Speaker 1: me drinking from the fire high hydrant, which is not
- 26:07Speaker 1: a bad thing. It's too much at once. Hold on,
- 26:09Speaker 1: why in the world would you have somebody that was
- 26:12Speaker 1: fired off another similar job handling your weapon? Okay, is
- 26:17Speaker 1: that what you just said, Dominic.
- 26:18Speaker 9: Okay, almost so almost. The armorer is twenty four years old,
- 26:24Speaker 9: the person handling the weapons. It's only her second film.
- 26:27Speaker 9: She was just in a podcast where she said, you know,
- 26:30Speaker 9: she's a bit nervous about her film, but it went well.
- 26:32Speaker 9: Her father is apparently a famous armor Okay, so we
- 26:35Speaker 9: have that an experienced armor. Number two, we have the
- 26:37Speaker 9: assistant director known as the AD Dave Holes. Apparently, according
- 26:42Speaker 9: to a report, he was fired from the twenty nineteen production.
- 26:45Speaker 9: The movie was freedom passed after crew members suffered guess
- 26:49Speaker 9: what a minor injury when a gun unexpectedly discharged.
- 26:54Speaker 1: M Dominic Ramano, there were similar transactions are jumping to mind.
- 27:00Speaker 1: I mean, if there is a trial, you know that
- 27:03Speaker 1: previous incident is going to come in. I mean, this
- 27:08Speaker 1: solidifies my thought that this is not an accident, because
- 27:13Speaker 1: an accident when you totally don't see it coming, it's
- 27:16Speaker 1: just like out of the blue. But if this guy,
- 27:18Speaker 1: if it's correct, the AD had a previous incident where
- 27:21Speaker 1: somebody was shot on a set. Even if it was
- 27:24Speaker 1: a minor injury, then you should have seen. You either
- 27:28Speaker 1: new or should have known. Would you agree with that?
- 27:30Speaker 1: Dominic Romano there going to be some serious.
- 27:35Speaker 9: Questions to be asked, and there have to be answers.
- 27:39Speaker 9: And if we don't have good answers, someone is either
- 27:44Speaker 9: going to be involved in a very expensive lawsuit or
- 27:47Speaker 9: depending on what they knew and when they knew it
- 27:50Speaker 9: and how careless they were, probably facing some time. The
- 27:54Speaker 9: other issue you alluded to earlier is, you know, cost cutting,
- 27:58Speaker 9: it's rampant in the industry right now, and the production
- 28:02Speaker 9: company's decision not to book the crew hotel rooms near
- 28:07Speaker 9: the actual set, but to have them travel an hour
- 28:10Speaker 9: in each direction to get to and from their accommodation,
- 28:14Speaker 9: to have long hours where people walked off the set
- 28:18Speaker 9: earlier that day in protest. So this is a combination
- 28:23Speaker 9: of what turned out to be a lethal combination at
- 28:25Speaker 9: catastrophic calculation on the part of the production company.
- 28:29Speaker 1: Well, you just said a mouthful, all in a good way.
- 28:32Speaker 1: Between the armorer being an experience, the ad having a
- 28:36Speaker 1: prior similar transaction, and budget cuts problems amongst the crew.
- 28:41Speaker 1: Take a listen to our cut six that are from
- 28:44Speaker 1: our friends at News Nation.
- 28:45Speaker 6: Now let's start with the people responsible for handling a gun.
- 28:49Speaker 6: There are no ubiquitous rules across all film sets, but
- 28:52Speaker 6: generally there are some guidelines that they follow, and here
- 28:55Speaker 6: into a budget don't usually plays a big role. In
- 28:57Speaker 6: many sets, there are no fewer than three people responsible
- 29:01Speaker 6: for monitoring a weapon.
- 29:02Speaker 9: A prop master.
- 29:02Speaker 6: Who's in charge of all cross is often supported by
- 29:05Speaker 6: a safety officer and a stunt coordinator. And depending on
- 29:08Speaker 6: the state, you may also need to bring in an
- 29:10Speaker 6: armorer whose only job is handling weapons. An armorer is
- 29:14Speaker 6: required by New Mexico state law.
- 29:16Speaker 1: So the point is, just like Dominic Ramona was saying,
- 29:20Speaker 1: budget plays a big role, Well, you know what, you
- 29:22Speaker 1: can tell that to the victim and the victim's child
- 29:27Speaker 1: and husband. Prime Stories with Nancy Grace. After one guilty
- 29:44Speaker 1: verdict by a jury in the shooting death of cinematographer
- 29:48Speaker 1: Helena Hutchins, will the next you to drop be the
- 29:53Speaker 1: conviction of movie star Alec Baldwin now Guta's read at trial.
- 29:59Speaker 1: The jury was also shown behind the scenes videos from filming,
- 30:03Speaker 1: and it showed what firearms experts claim are gross breaches
- 30:10Speaker 1: of safety. One shows Guitarra's Reed holding a shotgun with
- 30:15Speaker 1: the muzzle face up, pointing straight at her own face.
- 30:19Speaker 1: Is she crazy? In another scene called on video, a
- 30:23Speaker 1: male actor points a gun at a twelve year old
- 30:26Speaker 1: boy who was part of the cast. Especially chilling now
- 30:30Speaker 1: that we know there were live rounds on the set
- 30:33Speaker 1: out a twelve year old boy. What more do we know?
- 30:38Speaker 1: Doctor Michelle Duprex, forensic pathologists, former medical examiner, author of
- 30:43Speaker 1: Homicide Investigation Field Guide, and a former police detective. Doctor Duprix,
- 30:49Speaker 1: I'm sure you, like myself, have had to handle weapons
- 30:54Speaker 1: in front of jury's and I learned this from watching
- 30:58Speaker 1: a pro trycases. I would always pick the gun up,
- 31:03Speaker 1: holding it face down with a barrel pointing to the ground,
- 31:08Speaker 1: so the jury or anyone else would not be alarmed.
- 31:11Speaker 1: What you don't want to do is scare your jury.
- 31:15Speaker 1: I would walk in front of the jury holding the
- 31:17Speaker 1: weapon nose down, open the chamber, let them see me
- 31:22Speaker 1: check it, hold it up like I was examining it
- 31:25Speaker 1: through you know, my eye level, so they can see
- 31:30Speaker 1: that it was empty, and then shut it and then
- 31:34Speaker 1: give it to the witness without fail. Even if it
- 31:38Speaker 1: was a weapon that I knew was inoperable, that was
- 31:42Speaker 1: sp Why would that not occur on a movie set?
- 31:49Speaker 1: But describe how you're supposed to handle weapons.
- 31:52Speaker 5: Exactly answer, you described it perfectly. That is exactly what
- 31:55Speaker 5: you should do. And if you're giving a weapon to
- 31:57Speaker 5: someone else, normally you have the chamber open so that
- 32:00Speaker 5: they can also see, and then you both check it
- 32:04Speaker 5: and know that it's it's empty or that the blanks
- 32:06Speaker 5: are in it.
- 32:07Speaker 1: Tell me what you can discern about what Karen Smith,
- 32:11Speaker 1: forensics expert, just told us about the injuries. What happened Nancy.
- 32:16Speaker 5: Even though these are quote prop guns or blanks, they
- 32:20Speaker 5: can still obviously do devastating damage the wadding or whatever
- 32:24Speaker 5: they are filled with, even in a blank. But this
- 32:27Speaker 5: was not a blank. This was an actual projectile. And
- 32:30Speaker 5: as we know, you mean.
- 32:31Speaker 1: A bullet speak English, a bullet.
- 32:34Speaker 5: Yes, yes, this is a bullet. And the caliber of
- 32:38Speaker 5: that bullet of the gun is what is going to
- 32:41Speaker 5: determine how much damage is done. As she explained, the
- 32:45Speaker 5: higher the caliber, the more energy in that bullet, and
- 32:49Speaker 5: so the more damage done to the physical body. And
- 32:51Speaker 5: of course the location where that bullet enters the body
- 32:55Speaker 5: in this case was devastating.
- 32:58Speaker 1: You know, another issue to dot to Sherry. I've been
- 33:00Speaker 1: on a lot of TV sets, obviously in movie sets
- 33:03Speaker 1: for you know, cameos or some legal issue. And I
- 33:08Speaker 1: got to tell you, doctor Sherry Schwartz, a movie set
- 33:12Speaker 1: takes on a whole It's like you're in a different world.
- 33:16Speaker 1: Like when you go to the movies and you sit
- 33:18Speaker 1: down and it goes dark. Your mind takes you there
- 33:22Speaker 1: when you're on a movie set. I've never been on
- 33:25Speaker 1: a single movie set that went on time. You go
- 33:28Speaker 1: till one or two o'clock in the morning, it's pitch
- 33:31Speaker 1: dark outside. You keep going until you get the shot
- 33:35Speaker 1: or you finish the scene, or whatever it's called in
- 33:37Speaker 1: movie world. I think that there is a suspended fear
- 33:44Speaker 1: you think you're at a movie set, like when you
- 33:46Speaker 1: go to Disneyland or when you're on vacation on a
- 33:49Speaker 1: cruise ship. You suspend your normal thinking it doesn't seem
- 33:54Speaker 1: real and you're not thinking, wow, there's a gun I
- 33:58Speaker 1: could get shot because it's quote just a movie. It's
- 34:02Speaker 1: not real. How do we let me just say, suspend
- 34:07Speaker 1: our disbelief, suspend rational rules of functioning when you're on
- 34:12Speaker 1: a movie set or in a movie, you know, like
- 34:14Speaker 1: in movies where there's some nut with a gun and
- 34:18Speaker 1: you hear a sound, but you don't think it's real
- 34:20Speaker 1: because you're in a movie. What happens in the human mind?
- 34:24Speaker 1: Doctor Sherry, Well, when.
- 34:25Speaker 7: You don't think that something is actually real, then you
- 34:31Speaker 7: would not calculate accurately what the potential risks are, right,
- 34:36Speaker 7: And so there is this gun on the set, but
- 34:40Speaker 7: everybody thinks, oh, it's just make believe. We're setting this
- 34:42Speaker 7: up to film it. Nobody's actually going to get hurt.
- 34:46Speaker 7: And so what happens mentally is that you underestimate what
- 34:51Speaker 7: the potential risks are. And what happened here is an
- 34:54Speaker 7: egregious underestimation, right, So for the rest of us, it's
- 34:58Speaker 7: make believes. Maybe even for the actor. They know that
- 35:02Speaker 7: they're just playing a role, and everybody around them might
- 35:04Speaker 7: know they're playing a role. But there are people on
- 35:07Speaker 7: the set who are responsible for that gun and for
- 35:10Speaker 7: taking that proper care and knowing what the potential risks are.
- 35:14Speaker 1: Bet g You, Alexis Tereshia at Crime online dot Com
- 35:17Speaker 1: investigative reporter. You have heard dominant Romano. Paul's like, well,
- 35:21Speaker 1: everyone on the panel weighing in, but apparently there were
- 35:25Speaker 1: a lot of problems and a lot of disgruntled crew members.
- 35:29Speaker 1: I understand that one of the motels they had set
- 35:32Speaker 1: them up to stay overnight was at a place for
- 35:35Speaker 1: the homeless, and there were drug addicts there. They were
- 35:41Speaker 1: afraid to stay there. What was going on on the set.
- 35:45Speaker 3: It seems like what they were trying to do was
- 35:46Speaker 3: make this film as cheaply as possible. Understandable, but they
- 35:51Speaker 3: were putting people's lives at risk. It was fifty's hotels
- 35:54Speaker 3: were fifty miles away, so after working fourteen hour days,
- 35:57Speaker 3: the crew was having to drive over and hour to
- 36:00Speaker 3: get to their hotel. Then they would have to be
- 36:02Speaker 3: back within like six hours, so they would get almost
- 36:04Speaker 3: no sleep at off. But they were also saying that things.
- 36:07Speaker 5: Were just not safe.
- 36:09Speaker 3: There had been an incident a few days earlier that
- 36:12Speaker 3: one of the prop guns again prop done real gun
- 36:16Speaker 3: had been accidentally fired, and so the crew had been
- 36:19Speaker 3: complaining to the producer saying this is not a safe
- 36:22Speaker 3: working environment, and they walked off the set. And so
- 36:27Speaker 3: Hollywood is very much a union business, but the producers
- 36:33Speaker 3: hired non union people to replace them. These none union people, though,
- 36:37Speaker 3: are not the people. That's not the armor, and it's
- 36:39Speaker 3: not the assistant director.
- 36:41Speaker 10: And everybody's been.
- 36:41Speaker 3: Talking there at a line of protocol. You have so
- 36:45Speaker 3: many steps in the line of defense, so that when
- 36:48Speaker 3: this gun got to Alex Baldwin, at least two other
- 36:52Speaker 3: people were responsible for saying that it wasn't loaded.
- 36:56Speaker 1: I mean, didn't somebody even scream out cold yes. I
- 37:00Speaker 1: mean they have to yell it out, you know what
- 37:03Speaker 1: you were just saying. I know so many times for
- 37:06Speaker 1: different shoots. I don't know who he is that carries
- 37:10Speaker 1: it comes over and they have to do it a
- 37:13Speaker 1: certain way. They have to say a certain thing, and
- 37:16Speaker 1: they say it really loudly. I don't know why, but
- 37:19Speaker 1: I'm sure there's a reason for it, just like they
- 37:22Speaker 1: would yell out cold gun and everybody would hear it.
- 37:26Speaker 1: But I guess they yelled it out without checking alexis.
- 37:29Speaker 3: And there are reports that yes there. So there were
- 37:31Speaker 3: three guns that were set up and they were put
- 37:34Speaker 3: on a table outside the church set. And this is
- 37:37Speaker 3: because of COVID nineteen protocols, so not a lot of
- 37:39Speaker 3: people are in the if it's an inclosed set, they're
- 37:43Speaker 3: not there three guns. So the assistant director picked it up,
- 37:47Speaker 3: is Dave Halls. As the other guest said, you don't
- 37:49Speaker 3: have a history of a lot of accidents on sets,
- 37:53Speaker 3: and handed it to Badlin and he is the one
- 37:55Speaker 3: that yelled out cold gun. There's no nobody has said
- 37:58Speaker 3: there's so many people have spoken to the police on
- 38:02Speaker 3: the set, so many of the other crew members, and
- 38:04Speaker 3: they said they didn't know whether it actually was empty
- 38:08Speaker 3: or not. And these guns were used at lunch. This
- 38:11Speaker 3: is a post lunch break, so they broke for lunch
- 38:13Speaker 3: at twelve thirty. They come back after lunch. During that lunchtime,
- 38:17Speaker 3: there are reports that those crew members were using this
- 38:20Speaker 3: gun and other guns to shoot beer bottles out in
- 38:24Speaker 3: the desert area and using it as target practice. So
- 38:27Speaker 3: there could have been alive and there said there were
- 38:30Speaker 3: lots of live ammunition. Nobody was told they couldn't bring
- 38:33Speaker 3: live ammunition on set.
- 38:35Speaker 1: That's another thing that do you need you live round
- 38:37Speaker 1: on set.
- 38:38Speaker 3: That's a big problem here.
- 38:39Speaker 1: And I think I've seen is that Paul jump in.
- 38:42Speaker 8: I'd like to jump in there. It's it's simply a
- 38:46Speaker 8: breakdown of the security of the scene. The only people
- 38:48Speaker 8: there that our arms should be security personnel. And you know,
- 38:52Speaker 8: in my years, my decade of fighting to keep workplaces
- 38:56Speaker 8: safe and to stop stalking offenders from killing victims, I
- 39:01Speaker 8: can tell you one thing and that is, nobody thinks
- 39:04Speaker 8: the unthinkable is going to happen. It's a matter of
- 39:08Speaker 8: just human thinking. They think that, well, that happened to
- 39:10Speaker 8: somebody else, that didn't happen to me. And because this
- 39:13Speaker 8: is somewhat of a rare occurrence on a set, people
- 39:17Speaker 8: got laxed, They got lackadaisical about fundamental when it comes
- 39:22Speaker 8: to shooting a scene such as this. And just like
- 39:25Speaker 8: at any workplace, this is a workplace out in the
- 39:28Speaker 8: middle of the desert, just like it would be in
- 39:30Speaker 8: an office building, those protocols broke down, and people at work,
- 39:35Speaker 8: attempting to do the right thing for the right reasons,
- 39:38Speaker 8: had a catastrophic, devastating thing happen. Because we as human
- 39:43Speaker 8: beings think, well, if it hasn't happened, it won't happen.
- 39:46Speaker 8: And that's just not the reality of life when it
- 39:48Speaker 8: comes to dangerous events.
- 39:49Speaker 1: A chaotic, shambolic movie set lies a wife and a
- 39:56Speaker 1: mother dead. The movie armorer Hannigateer's read guilty on negligent
- 40:06Speaker 1: involuntary homicide. Is movie star Alec Baldwin the next to
- 40:11Speaker 1: go down? We wait as just as Unfalds Goodbye friend,