Latest / Ridiculous History / The Bizarrely Xenophobic Origins of Scotch Tape
Transcript
- 0:00Speaker 1: Ridiculous History is a production of I Heart Radio. Welcome
- 0:27Speaker 1: back to the show Ridiculous Historians. Thank you, as always
- 0:30Speaker 1: so much for tuning in. Quick note before we begin,
- 0:34Speaker 1: this episode touches on discrimination in a surprising way. We
- 0:40Speaker 1: just want you to be ready for that. Of course,
- 0:42Speaker 1: we're going to approach it objectively and with empathy, as
- 0:46Speaker 1: we do all of those dare I say, sticky topics.
- 0:50Speaker 1: There we go, dare you? Yeah, there's a question I've
- 0:56Speaker 1: been meaning to ask, but now you're astly right. And
- 0:58Speaker 1: it is surprising in that, like so many things in history,
- 1:03Speaker 1: the most innocuous subjects can often be a breeding ground
- 1:08Speaker 1: for very uninnocuous racism and and xenophobia and and weird stuff,
- 1:13Speaker 1: weird behavior, and oftentimes these things are tied to works
- 1:17Speaker 1: of literature, inventions perhaps you know, or people that you
- 1:23Speaker 1: can't really always throw the baby out with the bathwater,
- 1:26Speaker 1: and today is a great example of that. We still
- 1:29Speaker 1: use this product all the time, especially you know, if
- 1:32Speaker 1: you're like a office worker, like you know, working at
- 1:35Speaker 1: Kinkos or something, or an educator. What are we talking about.
- 1:39Speaker 1: We're talking about Scotch tape, um O G Scotch tape
- 1:44Speaker 1: from the Minnesota Mining and Manufacturing Company is now known
- 1:49Speaker 1: as three AM. I guess that's for Minnesota Mining and Manufacturing.
- 1:54Speaker 1: That is literally I learned something new today, and we
- 1:57Speaker 1: want to start out with a big shout out to
- 1:59Speaker 1: our or one and only super producer, Mr Max Williams.
- 2:04Speaker 1: Did you know? Did you know what three M stood for?
- 2:06Speaker 1: Absolutely not. I never even thought about it. I actually
- 2:09Speaker 1: did just because of another show and because it's such
- 2:13Speaker 1: a huge company now. But I'm Ben your Knoll and
- 2:17Speaker 1: this is the weird, weirdly xenophobic history of Scotch tape,
- 2:23Speaker 1: so we all know what we're talking about. I think,
- 2:26Speaker 1: especially as you get closer to holidays, a lot more
- 2:29Speaker 1: people are buying scotch tape for presents, right, and that's
- 2:34Speaker 1: double sided that your thing. I don't can't stand the stuff.
- 2:38Speaker 1: I guess I can see the value of it, but
- 2:39Speaker 1: I just tend to stick with regular scotch. I only
- 2:42Speaker 1: just learned how to properly wrap a present like last year,
- 2:44Speaker 1: so you need to be you need a certain threshold
- 2:47Speaker 1: of skill in present rapping for double sided tape to matter.
- 2:51Speaker 1: You know, I'm always impressed with it, But this stuff
- 2:55Speaker 1: cellophane tape. It's got that kind of eponymous trademark thing
- 3:00Speaker 1: that happens. A lot of folks will call stuff that's
- 3:03Speaker 1: not branded scotch tape just scotch tape. It comes about
- 3:08Speaker 1: from a time, comes about from a time when Scotch
- 3:12Speaker 1: was a an epithet derogatory term. It wasn't just describing
- 3:19Speaker 1: people from Scotland. It had the added connotation in the
- 3:22Speaker 1: nineteen twenties of implying that they were cheap skates. So
- 3:27Speaker 1: if something was Scotch, it was cheap, or people might
- 3:31Speaker 1: even say, just hypothetically, they might say, you know, you
- 3:34Speaker 1: really scotched me on that one. Don't say that. To
- 3:38Speaker 1: the point about the unsavory origin of seemingly innocuous things,
- 3:43Speaker 1: you'll find this in a lot of common freezes in
- 3:46Speaker 1: American English, like don't say cow taw, trying to say
- 3:50Speaker 1: pow wow, or off the reservation, or of course mumbo jumbo,
- 3:54Speaker 1: all of which have these really messed up at amount
- 3:56Speaker 1: etymological origins. Definitely, I don't say wow wow or how Now,
- 4:02Speaker 1: anything that rhymes is usually racist. I'm kidding, that's a joke,
- 4:06Speaker 1: that's not true. Rhyming is wonderful, but you're right. Then
- 4:09Speaker 1: there's a lot of things that and and honestly, we've
- 4:11Speaker 1: been called out sometimes on uh potentially shaky racist etymologies
- 4:17Speaker 1: for phrases that are in fact innocuous that we have
- 4:20Speaker 1: then gone back to look into and investigates, you know,
- 4:24Speaker 1: the accusations, uh and and found them to be more
- 4:28Speaker 1: you know, rumor than than reality. So it's it's very interesting,
- 4:31Speaker 1: especially when you go back and you're using these kind
- 4:33Speaker 1: of like dated phrases. But it's so interesting the way
- 4:36Speaker 1: these types of terms can kind of come in and
- 4:38Speaker 1: out of fashion and then in and out of like
- 4:41Speaker 1: being considered offensive or not. An interesting one that I
- 4:45Speaker 1: just thought about is um a term that has definitely
- 4:49Speaker 1: fallen out of out of political correctness, referring to the
- 4:53Speaker 1: roma people. That also a form of it could have
- 4:56Speaker 1: been used to refer to somebody ripping you off or
- 5:00Speaker 1: are you know chief skate kind of vibe, and that
- 5:02Speaker 1: term has become so kind of canceled that even a
- 5:05Speaker 1: moth named after this term, the Gypsy moth uh, was
- 5:10Speaker 1: renamed yeah recently. So these these things matter. They do
- 5:15Speaker 1: also shout out to a a poet uh MC and
- 5:21Speaker 1: musician that I absolutely love, who also changed her name
- 5:26Speaker 1: as a result of learning that specific etymology. So no
- 5:29Speaker 1: name if you happen't her name was originally no name,
- 5:33Speaker 1: and then the other word. She just changed no names,
- 5:36Speaker 1: no name. If you're listening, I think you might made
- 5:38Speaker 1: the right decision. Big fan here ridiculous history. I wonder
- 5:42Speaker 1: what your opinion of Scotch tape is. And maybe at
- 5:44Speaker 1: the end of today's show, we're gonna ask how long
- 5:48Speaker 1: it will be able to keep this name. Let's let's
- 5:51Speaker 1: talk about it. Though the tape is amazing, there's so
- 5:53Speaker 1: many amazing inventions that we often take for granted because
- 5:58Speaker 1: we who are alive in two we're lucky enough to
- 6:02Speaker 1: grow up with them. But it turns out producing the
- 6:06Speaker 1: first role of this cellophane tape, Scotch tape, it wasn't
- 6:10Speaker 1: just an uphill battle. It was kind of a feat
- 6:13Speaker 1: of engineering, especially if we look at the story of
- 6:17Speaker 1: the guy who created it. So there's this guy, a
- 6:21Speaker 1: kid really, he's twenty three years old. His name is
- 6:23Speaker 1: Richard G. Drew Dick. To his friends. He is a
- 6:27Speaker 1: research assistant at three n and he is uh. He
- 6:32Speaker 1: went to engineering school, but he dropped out. He wasn't
- 6:35Speaker 1: the world's foremost expert on chemistry, but he is the
- 6:40Speaker 1: guy who came up with masking tape, and masking tape
- 6:45Speaker 1: is sort of the predecessor of transparent tape or Scotch
- 6:49Speaker 1: brand transparent tape. Yeah, there's a great article on ACS
- 6:55Speaker 1: dot org, which is uh, American Chemistry Society their their
- 7:00Speaker 1: their slogan is chemistry for Life. So I'm guessing that's
- 7:03Speaker 1: what this means. But there's a really good, just kind
- 7:05Speaker 1: of play by play of this guy's life and the
- 7:07Speaker 1: history of Scotch tape. But that's right. This article also
- 7:12Speaker 1: refers to him as a banjo player, as if that's
- 7:16Speaker 1: like a term of abuse, you know, he said. They
- 7:20Speaker 1: say it was the brainchild of a banjo playing engineering
- 7:23Speaker 1: school dropout who had a limited background in chemistry that
- 7:26Speaker 1: had no idea what he was getting into when he
- 7:28Speaker 1: told a client he could solve his problem. That is
- 7:31Speaker 1: where often the genius ideas come from. Yeah, problem to solve,
- 7:36Speaker 1: And I agree. I like the I like the idea
- 7:39Speaker 1: of banjo playing as a condemnation. Like picture a bunch
- 7:42Speaker 1: of stuffy old patricians in a three m boardroom saying
- 7:47Speaker 1: this man dropped out of of engineering school. He knows
- 7:51Speaker 1: nothing of chemistry and rumor has it he plays banjo
- 7:56Speaker 1: and everyone right. It also make it does make you think,
- 8:01Speaker 1: it gives you deliverance wipes U. I can also picture
- 8:04Speaker 1: these executives or somebody working like, well, he's in there
- 8:06Speaker 1: in his office or his cubicle. What's that racket? Dicky
- 8:11Speaker 1: gets out here? What is that thing? Get it out
- 8:14Speaker 1: and they smash it in front of his eyes. Um,
- 8:16Speaker 1: you with your ham office, I'm taking too far, But
- 8:21Speaker 1: where man, here's the thing. In the early nineteen twenties,
- 8:26Speaker 1: there was a style of like paint for cars that
- 8:30Speaker 1: was very popular. To tone. To tone things in general
- 8:33Speaker 1: were popular in the twenties and then thirties. You know,
- 8:35Speaker 1: like think of like saddle shoes and uh saddle shoes yea,
- 8:41Speaker 1: and example of saddle shoes. But it was difficult, right
- 8:46Speaker 1: because to get that two tone look you needed to
- 8:50Speaker 1: have you need to make it so that the paint
- 8:52Speaker 1: wouldn't bleed, you know, so you could like literally mask
- 8:56Speaker 1: off one side from the other while you painted one
- 8:59Speaker 1: color and then you know, have this dividing line that
- 9:01Speaker 1: would be clean. Um. So this was a problem that
- 9:06Speaker 1: hadn't really existed prior exactly. I mean, you know, there
- 9:09Speaker 1: would be other things that this would solve as well.
- 9:11Speaker 1: But this kind of fashion conundrum led to some you know,
- 9:16Speaker 1: folks at three M and probably other companies puting their
- 9:18Speaker 1: heads together to try to figure out what to do.
- 9:21Speaker 1: There were some sort of life hackey examples that weren't
- 9:24Speaker 1: really that great. Yeah, the thing was people had had
- 9:27Speaker 1: a mask off sections of whatever while painting things in
- 9:31Speaker 1: the past. But now this is such a common problem
- 9:36Speaker 1: that people are making their own cottage industry solutions. So automakers,
- 9:41Speaker 1: body shops, you know, these classic mcgivers of the car world.
- 9:46Speaker 1: They improvised. They take old newspaper and they glue it
- 9:49Speaker 1: over the body and the windows with sometimes homemade glue,
- 9:53Speaker 1: sometimes medical grade surgical adhesive tape. And they did this
- 9:57Speaker 1: because if you're a fan of car from the twenties,
- 10:00Speaker 1: you know that you need that sharp line, that sharp
- 10:05Speaker 1: border between the two different colors. But because they were improvising,
- 10:10Speaker 1: they weren't using stuff custom made for this purpose. Oftentimes
- 10:16Speaker 1: the pendulum of their solutions swung too far in the
- 10:19Speaker 1: wrong direction. This this glue, these adhesives would work so
- 10:24Speaker 1: well that trying to remove them messed up the paint job.
- 10:27Speaker 1: Shout out to anyone who's had to paint a house
- 10:30Speaker 1: when they move in or move out. Around this time,
- 10:33Speaker 1: three M is already making a bunch of other stuff.
- 10:36Speaker 1: They make a lot of a braces, mainly sand paper.
- 10:39Speaker 1: Think of sand paper or for our second and third examples,
- 10:42Speaker 1: other kinds of sand paper. So this guy drew. One
- 10:46Speaker 1: of his first jobs there was taking these samples of
- 10:50Speaker 1: a kind of waterproof sand paper three M made and
- 10:53Speaker 1: bringing it to auto body shops to test it. So
- 10:57Speaker 1: picture this one morning. It's nineteen twenty three, Max whatever
- 11:01Speaker 1: our nineteen twenties music is here perfect. Drew walks into
- 11:09Speaker 1: this job and he overhears this amazing cursing. Now you know,
- 11:17Speaker 1: the US or American English, i should say, is a
- 11:21Speaker 1: beautiful language for profanity, and this guy is hearing an
- 11:24Speaker 1: artist in the world of profanity. And the reason the
- 11:27Speaker 1: guy is so mad is because they're homemade painting Solutions
- 11:33Speaker 1: had yet again messed up a paint job. And if
- 11:36Speaker 1: you've ever been involved in auto body paint, you know
- 11:39Speaker 1: it's the time intensive process and there are a lot
- 11:41Speaker 1: of things that could go wrong. So the guy who
- 11:43Speaker 1: had just messed this up. He is livid, and he's
- 11:48Speaker 1: just screaming, you know, to the universe, the gods and
- 11:51Speaker 1: everyone in the universe about the injustice of it all.
- 11:55Speaker 1: And this is not the first time Drew seen this,
- 11:58Speaker 1: but this is the first time he speaks up. So
- 12:00Speaker 1: he comes in and he's like, what do you say, fella,
- 12:04Speaker 1: if I told you I could make a tape that
- 12:06Speaker 1: will solve all your problems? And uh, here's the thing.
- 12:12Speaker 1: And this goes back to this great A. C. S article.
- 12:15Speaker 1: One historian notes Drew was kind of talking out the
- 12:19Speaker 1: side of his neck here. He did not know how
- 12:22Speaker 1: to make this, He did not know how it could
- 12:30Speaker 1: be made. He just knew there had to be a
- 12:34Speaker 1: better way allah television infomercial. And this historian said, he
- 12:39Speaker 1: was just he was just optimistic because he was young
- 12:42Speaker 1: in life, had not you know, sand papered him down
- 12:45Speaker 1: as much as it does others. Ah, the optimism of
- 12:49Speaker 1: youth eternal and strong and sometimes misplaced, but not in
- 12:54Speaker 1: this case, because honestly, you know, what was most important
- 12:57Speaker 1: here was that he identified a problem them that needed
- 13:00Speaker 1: to be solved, um anytime. I mean, that's really kind
- 13:03Speaker 1: of the root of most kinds of innovation is you
- 13:06Speaker 1: you you create something that people didn't even know they needed,
- 13:09Speaker 1: you know, like like you've got people doing this process
- 13:12Speaker 1: that's like literally ruining their their paint jobs, and they're thinking,
- 13:16Speaker 1: this is, this is the only way, and this is
- 13:18Speaker 1: We've just got to figure it out and deal with it.
- 13:20Speaker 1: And then someone comes along and says, but what if
- 13:22Speaker 1: I could make a tape that isn't that sticky. What
- 13:26Speaker 1: if there were a tape that wouldn't ruin your paint
- 13:28Speaker 1: job and it wouldn't be you know, it's so funny.
- 13:31Speaker 1: I mean, masking tape is useless for for like actually
- 13:35Speaker 1: sticking things to walls for long. Uh, it's pretty useless
- 13:39Speaker 1: for a lot of things. But it's lack of stickiness,
- 13:42Speaker 1: or it's sort of mid level stickiness is what really
- 13:45Speaker 1: makes it work. So when Drew grew up in St. Paul, Minnesota,
- 13:48Speaker 1: one of the Twin Cities, he spent a lot of
- 13:51Speaker 1: time honing his band just skills and playing in local
- 13:54Speaker 1: like dance kind of bands that would basically essentially you know,
- 13:58Speaker 1: gig playing at parties and sock hops. In the life.
- 14:02Speaker 1: He actually got enough money to pay his way into
- 14:06Speaker 1: the university of Minnesota, but just at the top of
- 14:10Speaker 1: the show he found to be a little too difficult.
- 14:14Speaker 1: He'd rather be playing banjo um, so he dropped out
- 14:17Speaker 1: after only eighteen months. Instead decided to take a correspondence
- 14:21Speaker 1: course in machine design, which was enough, apparently to get
- 14:27Speaker 1: him noticed and hired by three M. And that is
- 14:31Speaker 1: what led him to this moment that we are describing,
- 14:33Speaker 1: this moment of I'm gonna make a promise that I
- 14:37Speaker 1: don't know if I could necessarily follow through with, but
- 14:39Speaker 1: I feel like between me and and my colleagues and
- 14:42Speaker 1: you know, the know how a three M and all
- 14:45Speaker 1: the stuff that we've already made, and all the chemicals
- 14:47Speaker 1: we have at our disposal, surely there's there's a solution
- 14:51Speaker 1: here somewhere. Yeah. He was saying, Look, if the first
- 14:54Speaker 1: M doesn't get it, we got three other ends we
- 14:56Speaker 1: can apply to the problem. He also had the support
- 15:00Speaker 1: of his bosses at the company in general. They were
- 15:03Speaker 1: just looking to diversify their products, so they said, okay,
- 15:08Speaker 1: this is a good idea. Like I've always said, you know,
- 15:11Speaker 1: probably ninety eight per cent of the of the trick
- 15:16Speaker 1: to making a good invention is asking the right question,
- 15:19Speaker 1: identifying the problems. So so he starts with waterproof sand paper.
- 15:25Speaker 1: Three m already makes it. He's got experience with it.
- 15:28Speaker 1: They use an adhesive to get the grit right on
- 15:32Speaker 1: their paper base. He starts experimenting. This takes him two years.
- 15:36Speaker 1: He goes through vegetable oil, different kinds of resin, chick
- 15:40Speaker 1: l the stuff from which chick lit gum derives glue, glycerin,
- 15:45Speaker 1: and so eventually about two years later, he makes this
- 15:49Speaker 1: formula that uses cabinet maker's glue and glycerin, and adding
- 15:55Speaker 1: the glycerin to the glue keeps the stuff sticky. And
- 15:59Speaker 1: he treats crepe paper that's going to be his base.
- 16:02Speaker 1: He creates this product called Scotch Brand masking tape. It
- 16:07Speaker 1: it hears pretty well, but when you pull it off,
- 16:11Speaker 1: this is the key. It doesn't muck up the stuff
- 16:14Speaker 1: it was adhering to. So this is the origin of
- 16:17Speaker 1: what is called Scotch Brand tape. Now, but this isn't
- 16:21Speaker 1: the famous one. It was the second one he made
- 16:24Speaker 1: that people really grabbed onto. It was he this is funny.
- 16:30Speaker 1: He would later say. This was serendipity, which he defines
- 16:35Speaker 1: as the gift of finding something valuable and something not
- 16:38Speaker 1: even sought. Yeah, it's just that, you know, not not
- 16:42Speaker 1: even knowing that he needed something and then figuring it
- 16:44Speaker 1: out serendipity. I think I figure out the fourth M
- 16:47Speaker 1: and three. Uh you know there's a fourth the magic
- 16:52Speaker 1: it's it's MOXI. Maybe it also could be magic. Um.
- 16:55Speaker 1: I completely agree. But I just want to point out,
- 16:57Speaker 1: like two years working with vegetable oils. I mean, it
- 17:01Speaker 1: wasn't like he just went right back to the shop
- 17:03Speaker 1: and just like whipped this thing out. I mean, this
- 17:05Speaker 1: is definitely you know, because it mattered, like you had
- 17:07Speaker 1: to get these things balanced out right where it would
- 17:09Speaker 1: stick just enough, but not specifically with paint. Probably had
- 17:13Speaker 1: to do with you know, what kind of materials won't
- 17:15Speaker 1: like bind with the paint and therefore ripped the paint off,
- 17:19Speaker 1: et cetera. So very very interesting and a lot of
- 17:23Speaker 1: stick tuitiveness. Always say but yeah, yeah, okay, thanks Max,
- 17:28Speaker 1: I appreciate that. But yeah, serendipity indeed, um, And he
- 17:33Speaker 1: decided that there was in fact another use for that
- 17:37Speaker 1: two years of toiling, uh you know, over various oils
- 17:42Speaker 1: and and and resins. He started looking for that thing
- 17:45Speaker 1: in nineteen nine, full four years after Scotch brand masking
- 17:50Speaker 1: tape hit the market. Yeah, yeah, this is where we
- 17:56Speaker 1: introduce flex Linum company. I love old school company names.
- 18:02Speaker 1: It's fabulous. Yeah, it's like it's like Globo cap that
- 18:05Speaker 1: sounds made up. It's fabulous. I guess know what Colliquico is. Yeah, yeah, yeah, yeah.
- 18:11Speaker 1: So they they had a video game councils in the
- 18:15Speaker 1: there were a Connecticut Leather and Latex company. I'm trying
- 18:19Speaker 1: to remember off the top of my my head, but they
- 18:21Speaker 1: owned video game councils in the seventies and eighties and
- 18:25Speaker 1: competing with Atari. And then they were like, oh yeah,
- 18:28Speaker 1: we don't like to send a street Let's go buy
- 18:30Speaker 1: these uh like toys and these dolls in Georgia. And
- 18:34Speaker 1: so then they own Cabbage Patch Kids Connecticut Leather Company,
- 18:39Speaker 1: and they've got a creepy, creepy, uh creepy Cabbage Patch
- 18:43Speaker 1: headquarters here in Georgia. Worth of visit worth the secret
- 18:47Speaker 1: ingredient their Max's money. Oh yeah, you can. You can
- 18:51Speaker 1: go in whatever direction you want if you start early
- 18:54Speaker 1: enough and have enough money. Check out some of the
- 18:57Speaker 1: earlier car stuff episodes on the ore gen of automaker
- 19:01Speaker 1: companies and coach builders. A lot of them were in
- 19:03Speaker 1: other businesses well before autos, just like how Nintendo was
- 19:07Speaker 1: a playing card company. True story. So this place, flax
- 19:13Speaker 1: Lenum Company, they make insulation out of St. Paul and
- 19:18Speaker 1: they said, look, we are we got a deal to
- 19:21Speaker 1: insulate hundreds of refrigerator cars for the railroads. But we
- 19:27Speaker 1: have a complication. These insulated areas. They need to be
- 19:32Speaker 1: wrapped and sealed with something moisture proof. And they said, okay,
- 19:37Speaker 1: maybe Scotch brand masking tape will work, but it didn't. Meanwhile,
- 19:42Speaker 1: in just that four year span we're talking about, our
- 19:45Speaker 1: boy Drew has become the technical director of three MS
- 19:49Speaker 1: Product Fabrication Laboratory. Cool. He earned his stripes. So they
- 19:54Speaker 1: work around the clock, well not around the clock, but
- 19:57Speaker 1: they definitely put in more than forty hours a week
- 19:59Speaker 1: on this and they can't come up with anything bub gets.
- 20:03Speaker 1: They couldn't make something water tight. But then they realized
- 20:07Speaker 1: they're not operating in a vacuum. No one is. Another
- 20:11Speaker 1: company you may have heard of, the famously evil DuPont Company,
- 20:15Speaker 1: had developed cellophane, and cellophane is dope because it's moisture proof,
- 20:20Speaker 1: and they thought of it as just like a packaging material.
- 20:24Speaker 1: But another guy at three M thought about this and
- 20:29Speaker 1: showed a sample of cellophane to Drew, and Drew had
- 20:32Speaker 1: that Eureka moment you know what I mean, Uh, all
- 20:35Speaker 1: trumpets and angel farts and the sky opens up and
- 20:38Speaker 1: he goes, there it is. He started testing cellophane and
- 20:43Speaker 1: he said, look, this will work for our pressure sensitive
- 20:47Speaker 1: removable tape. He finds a lead finally, after after butting
- 20:51Speaker 1: his head against so many not sticky enough solutions, and
- 20:56Speaker 1: they say, look we have figured out the answer for you,
- 20:58Speaker 1: flax Let them. But flax lit Them was no longer interested,
- 21:04Speaker 1: so that deal wouldn't work out. They has spent so
- 21:06Speaker 1: much time trying to figure out this solution and now
- 21:10Speaker 1: they had it all too late. But it was only
- 21:14Speaker 1: too late for flax Let Them. There were all kinds
- 21:16Speaker 1: of other people who said this will be perfect for us,
- 21:20Speaker 1: a lot of food industry folks. Well sure, I mean.
- 21:23Speaker 1: The idea was to be able to use this tape
- 21:26Speaker 1: for tape like uses in um conditions that maybe were
- 21:30Speaker 1: higher moisture, like like what do we say, refrigerated cars
- 21:33Speaker 1: and all of that stuff. So while flax Let Them
- 21:35Speaker 1: may have presented the problem that needed solving. There were
- 21:39Speaker 1: other you know clients for this thing. I mean, they
- 21:42Speaker 1: were not the only one, So it wasn't like they
- 21:44Speaker 1: were making this specifically as a single client for a
- 21:48Speaker 1: single company. I mean they just kind of gave them
- 21:50Speaker 1: the the impetus to reach out and and and figure
- 21:53Speaker 1: this thing out. So by this point, cellophane was hot.
- 21:57Speaker 1: It was big, it was it hit the scene. It
- 21:59Speaker 1: was being you know, adopted big time in the industries
- 22:03Speaker 1: specifically like meat packing, you know things, and same things
- 22:06Speaker 1: we use it for today, grocers, you know, for like uh,
- 22:09Speaker 1: imagine bags you know, cell fate type bags for produce
- 22:13Speaker 1: and all of that. Baker's candlestick makers perhaps I'm not
- 22:17Speaker 1: sure about that one specifically, but it was an important
- 22:20Speaker 1: innovation because it was a moisture proof way of sealing
- 22:24Speaker 1: things in, you know, and keeping things fresh. So Drew
- 22:28Speaker 1: now being the you know, basically the head developing guy
- 22:31Speaker 1: at three m Um, He's got like a you know,
- 22:34Speaker 1: a team under him, and they press on. It took
- 22:38Speaker 1: them just about another year to make their first marketable product. Uh.
- 22:44Speaker 1: And it was called within the industry and again this
- 22:47Speaker 1: uh a cs dot org article refers to it as
- 22:50Speaker 1: quote the longest and most discouraging months in three M history.
- 22:55Speaker 1: They just couldn't crack the thing. It couldn't crack it
- 22:58Speaker 1: sell thing. We're getting near heat and it would curl up.
- 23:02Speaker 1: Or you would try to do some machine coding and
- 23:06Speaker 1: the stuff would split everywhere. It broke, it tore. You
- 23:09Speaker 1: couldn't even get a full roll of the stuff coded. Uh.
- 23:13Speaker 1: If you did manage to get it coded by some miracle,
- 23:17Speaker 1: then the adhesive would be uneven, would be gunky in
- 23:20Speaker 1: some places and barely there and others. Also, it looked bad.
- 23:26Speaker 1: It was a dark amber adhesive. It spoiled one of
- 23:30Speaker 1: the selling points, which was this stuff was transparent. We're
- 23:34Speaker 1: gonna find out how important color is in another episode
- 23:37Speaker 1: on Ketchup, by the way, so stay tuned for sure,
- 23:40Speaker 1: we don't we just just a little tease on that.
- 23:43Speaker 1: I mean, we know that one of the reasons like
- 23:45Speaker 1: McDonald's uses yellow and red as their primary branding colors,
- 23:50Speaker 1: as those are colors that psychologically tend to make people hungry.
- 23:53Speaker 1: There's a lot of science and psychology behind color. And again,
- 23:58Speaker 1: like this is so interesting because who cares if it
- 24:01Speaker 1: looks crappy as long as it does the job well,
- 24:03Speaker 1: I'll tell you cares is the consumer cares. The aesthetics matter,
- 24:07Speaker 1: and then you want some that comes out looking neat
- 24:09Speaker 1: and tidy, and and that's why so much energy and
- 24:13Speaker 1: research and development money is spent on figuring out how
- 24:16Speaker 1: to package things. Literally, stuff that you instantly throw away
- 24:20Speaker 1: is what separates the thing that you buy from the
- 24:23Speaker 1: thing you don't buy. You know, That's why a label matters.
- 24:25Speaker 1: Why beer art, for example, is so very important, because
- 24:30Speaker 1: you know, not everyone's a connoisseur of of of find
- 24:34Speaker 1: boozes and spirits. So I mean that the choice often
- 24:37Speaker 1: be between one or the other, which one has the
- 24:39Speaker 1: flashiest logo. I gotta tell you, I'm gonna be honest,
- 24:43Speaker 1: Noel Max, all our fellow ridiculous historians. I'm confessing to
- 24:48Speaker 1: millions of people now. I buy wine based on the
- 24:51Speaker 1: stories I make up in my head about the background
- 24:54Speaker 1: of the label. Like I roughly know a little bit
- 24:58Speaker 1: about wine, but not very much at all. There's a
- 25:00Speaker 1: cool bottle, I'm on board with you. I only buy
- 25:03Speaker 1: wine from Francis Ford Coppola's private vineyard because that's what
- 25:07Speaker 1: that's what you get when you buy Coppola wine. Well, Francis,
- 25:10Speaker 1: I will be a great customer if you can come
- 25:13Speaker 1: up with really enigmatic, fertile for story looking branding, Like
- 25:18Speaker 1: I picked up a wine called Chaos Theory just because
- 25:20Speaker 1: I thought this would be a great movie, and in
- 25:23Speaker 1: in my head the cashier was not impressed with my pitch.
- 25:28Speaker 1: And the speaking of packaging too, that's great. You're also
- 25:32Speaker 1: a very imaginative person, and uh, I can see I
- 25:34Speaker 1: guess this is being good fodder for for short story
- 25:37Speaker 1: writing for you. But uh, speaking of packaging, Coppola's wine
- 25:41Speaker 1: brand actually has a juice box looking I believe rose
- 25:47Speaker 1: that's called Sophia, I think, named after his his daughter,
- 25:50Speaker 1: the also incredible, so great childhood director Sofia Coppola not
- 25:55Speaker 1: so good in The Godfather Part three, but we'll give
- 25:58Speaker 1: her a pass on that because we went on to
- 25:59Speaker 1: have a very worried and uh an excellent directing career
- 26:02Speaker 1: that goes strong to this day. But yeah, it's it's
- 26:04Speaker 1: like a juice box of rose one and it sells
- 26:06Speaker 1: like hot cakes, those those Brooklyn you know, wine moms
- 26:10Speaker 1: love the stuff because you can carry it around to
- 26:12Speaker 1: the park, you can hide it in your in your
- 26:14Speaker 1: baby bag, even, Um, you don't have to look like
- 26:16Speaker 1: a lush you just look you're drinking like a little
- 26:18Speaker 1: juice box. But packaging matters. Color matters. This dark amber adhesive,
- 26:24Speaker 1: you know, looking all splotchy and gross. Matter. They had
- 26:26Speaker 1: to figure out another. They had to get back to
- 26:29Speaker 1: the to the drawing board, back to experimenting with the
- 26:32Speaker 1: oils and the resins and the and those cements and
- 26:35Speaker 1: all of that stuff, trying to write new machine. They
- 26:39Speaker 1: were basically trying to figure out how to keep that
- 26:43Speaker 1: that selling point of cellophane, the cellophaning point. Now take
- 26:49Speaker 1: that out, Max, Do you don't, It's just too late
- 26:51Speaker 1: that the damage has been done. Um, keep it, you know, solid,
- 26:54Speaker 1: Keep it transparent. They wanted their additions to be literally transparent,
- 26:59Speaker 1: and no one even could tell the difference. They found though,
- 27:02Speaker 1: that that through the experimentation using a primer helped the
- 27:07Speaker 1: sticky stuff hold evenly along the backing of the cello tape. Also,
- 27:13Speaker 1: before we move on, I do have the pop Ben's
- 27:15Speaker 1: bubble real quick. So in two thousand seven, there is
- 27:19Speaker 1: a movie rate PG Releases called Chaos Theory. Watch it.
- 27:24Speaker 1: It's starring Ryan Reynolds, Emily Mortimer, and Sarah Chalk. So,
- 27:29Speaker 1: I'm sorry, Ben, but you're just doing this to put
- 27:31Speaker 1: Max with the facts in there. That s enough, right now,
- 27:47Speaker 1: Sarah Chalk from from Scrubs, Fame and Rick and Morty. Yeah,
- 27:51Speaker 1: always lights, Sarah. Also, I'm I'm guessing that this is
- 27:55Speaker 1: probably a low rent like Ian Malcolm kind of vibe.
- 28:00Speaker 1: You know. Wasn't that his whole deal chaos theory? I yeah, right,
- 28:05Speaker 1: I like them. I like the idea that I had,
- 28:09Speaker 1: But of course I'm not gonna ding anybody. It's just
- 28:12Speaker 1: a great name. You know. It's sold a bottle of
- 28:14Speaker 1: wine to me as um as an absolute philistine when
- 28:18Speaker 1: it comes to wine. We should also look into the
- 28:20Speaker 1: origins of the word philistine, like our in our leud
- 28:23Speaker 1: Eyed episode. But first, the tape, right, we're on tape
- 28:27Speaker 1: talking about tape. Not really. This is a digital recording,
- 28:31Speaker 1: but one day we'll do analog. So it's September eight.
- 28:35Speaker 1: They've just gotten through one of the most depressing times
- 28:38Speaker 1: in three M history as far as the nineties go,
- 28:42Speaker 1: and they sent their first role of look we did
- 28:46Speaker 1: it sell aphane tape to a client. The client loved
- 28:50Speaker 1: it over the moon. But this still might not make
- 28:57Speaker 1: for Scotch tape history Bigus du pont who helped give
- 29:03Speaker 1: them this original innovation. Du Ponts have been working on
- 29:06Speaker 1: their own stuff too. They made a heat ceiling process
- 29:09Speaker 1: for cellophane, and this heat ceiling process greatly reduced just
- 29:16Speaker 1: the demand for tape as a package seler. This is also,
- 29:21Speaker 1: of course, to the earlier point about things not occurring
- 29:24Speaker 1: in a vacuum. This is the first full year of
- 29:28Speaker 1: what will be later called the Great Depression, not the
- 29:31Speaker 1: best time to introduce a brand new, shiny thing, but
- 29:36Speaker 1: it's still weather the depression, And this is where we
- 29:39Speaker 1: get a little bit to the xenophobia. So how did
- 29:50Speaker 1: the term scotch get associated with this masking tape and
- 29:54Speaker 1: the cellulose tape. Well, when they were back back in
- 29:59Speaker 1: the car painter shops, when Drew and the team we're
- 30:03Speaker 1: testing this masking tape, one painter complained about the lack
- 30:08Speaker 1: of adhesive, and according to one urban legend, this painter said,
- 30:13Speaker 1: why are you so scotch with the adhesive? Meaning why
- 30:17Speaker 1: are you such a cheap skate with the adhesive? And
- 30:20Speaker 1: the other story, which is a little more directly aimed
- 30:24Speaker 1: at people, says that the painter instead told Drew, you
- 30:29Speaker 1: take this back to your Scotch bosses and tell them
- 30:31Speaker 1: to put more adhesive on it. This painter, I guess,
- 30:34Speaker 1: hated Scottish people. Is that is that what we are
- 30:38Speaker 1: to take this is like based on an insult about
- 30:41Speaker 1: the product in addition to an insult towards the people
- 30:44Speaker 1: of Scotland. Yeah, it, which seems so. And the term
- 30:48Speaker 1: I think, you know, it was just part of kind
- 30:51Speaker 1: of the parlance of the time, to to quote the
- 30:54Speaker 1: big Lebowski, Uh, Scotch was a racial slang that was
- 30:58Speaker 1: thrown around refer any people being stingy or or cheap.
- 31:02Speaker 1: And it was so such a known term that Drew
- 31:06Speaker 1: felt this would be good branding and you know, ultimately
- 31:10Speaker 1: applied this term to to the brand of the tape,
- 31:13Speaker 1: initially the masking tape, and then it carried on and
- 31:18Speaker 1: as we mentioned at the top of the show, or
- 31:20Speaker 1: as you probably know if you've bought tape anytime recently,
- 31:24Speaker 1: this is still a thing and a little part of
- 31:27Speaker 1: the tape that you like rip off that sort of
- 31:29Speaker 1: keeps it from you know, losing its edge, you know,
- 31:32Speaker 1: to like to unfurl the tape from the spool. It's
- 31:35Speaker 1: got a little Scottish tartan thing on it, you know,
- 31:38Speaker 1: like the like the nesty hat, you know what I mean,
- 31:41Speaker 1: like that that pattern that that checkered black and red patterns.
- 31:45Speaker 1: So they're kind of still leaning into it. Maybe that's
- 31:47Speaker 1: their attempt to just maybe no, no, no, no, let's
- 31:49Speaker 1: just erasure, you know, and be like no, we just
- 31:52Speaker 1: we just think the Scottish people are great. We want
- 31:55Speaker 1: to we want to honor them and their culture with
- 31:58Speaker 1: this tiny tartan on our rolls of tape. But yeah,
- 32:01Speaker 1: it seems more like a marketing ploy to to step
- 32:04Speaker 1: away from this legacy. But I can't say that for sure.
- 32:08Speaker 1: But to your point, been based on our conversation about
- 32:11Speaker 1: these kind of pejoratives, you know, and like the moth
- 32:14Speaker 1: that's name has been changed, is this are we in
- 32:17Speaker 1: sports team territory where things get so kind of like
- 32:22Speaker 1: backlashy that that the team might have to change its
- 32:25Speaker 1: name the three m sticky ahasive thing, like like like
- 32:29Speaker 1: how the Washington team did their name for two seasons
- 32:32Speaker 1: before settling for Commanders, which was somehow worse. It does
- 32:36Speaker 1: I always thought that they also had a mascot originally
- 32:40Speaker 1: Scottie mctape true story cartoon and boy wearing a kilt. Uh,
- 32:45Speaker 1: he was true. Yeah, it's true. Scot tape ye first
- 32:48Speaker 1: appeared in nineteen forty four, right before the tart and
- 32:51Speaker 1: design and he was the mascot for two decades. I
- 32:55Speaker 1: think so. Uh. They like, if you weren't around then,
- 32:59Speaker 1: you probably believe wouldn't have seen that unless you had,
- 33:03Speaker 1: you know, unless you have very thrifty, elderly family members
- 33:06Speaker 1: who managed to keep ahold of their original Scotch tape
- 33:09Speaker 1: without using it all. It's weird. Though. You won't find
- 33:14Speaker 1: a lot of this history on three MS official website.
- 33:17Speaker 1: If you go there, you'll see that they talk about
- 33:20Speaker 1: Richard Drew and they talk about how important that tape
- 33:24Speaker 1: became during the Great Depression. This is true. It made
- 33:28Speaker 1: they were able to make simple repairs to household items.
- 33:31Speaker 1: You know, you were mending things because you couldn't buy them. Uh.
- 33:35Speaker 1: And if you look at the website, they do describe
- 33:39Speaker 1: him as a banjo player. Again, there must have been
- 33:42Speaker 1: a weird moment in their boardroom. But three M itself
- 33:46Speaker 1: is not a Scottish company, like we said. It started
- 33:49Speaker 1: in northern Minnesota and Drew himself. We don't think he's
- 33:53Speaker 1: of Scottish ancestry, or at least not enough that he
- 33:57Speaker 1: noted it. It wasn't like he was reclaiming anything. And
- 34:00Speaker 1: so if you read the somewhat sanitized version from three M,
- 34:06Speaker 1: you'll see that they they mainly they mainly emphasized the
- 34:12Speaker 1: part where uh Drew and co. Sent this tape to
- 34:17Speaker 1: this company that made bakery products and their response was
- 34:21Speaker 1: put it on the market. You can now see that
- 34:25Speaker 1: three M has used this Scotch branding for magnetic tape
- 34:30Speaker 1: products for audio visual stuff up until the nineteen nineties
- 34:34Speaker 1: and after the nine nineties. Around that time their tapes
- 34:38Speaker 1: just got branded with the three M logo. And now
- 34:42Speaker 1: as of three M does not sell magnetic tapes. I
- 34:46Speaker 1: think they sold off that part of the business, but
- 34:49Speaker 1: they still have other things. They have Scotch Guard, remember
- 34:51Speaker 1: Scotch Guard, Scotch Bright, and Scotch Light. I don't remember
- 34:56Speaker 1: what Scotch light is. Yeah, it's funny again. As a
- 34:59Speaker 1: as a audio nerd um if you're into like real
- 35:02Speaker 1: too real recording or like actually recording on tape. There
- 35:05Speaker 1: are still quite a few companies that make magnetic tape,
- 35:08Speaker 1: but three M is not one of them. But certainly
- 35:11Speaker 1: we're early on and like you know, there are folks
- 35:14Speaker 1: uh in production and an audio production swear by certain
- 35:17Speaker 1: manufacturers and things like that, which is interesting. Um, but yeah,
- 35:21Speaker 1: it's uh, it's very it's a very interesting thing to
- 35:25Speaker 1: get in on the ground floor of because what we're
- 35:27Speaker 1: talking about essentially is like a company that was around
- 35:31Speaker 1: long enough to like see a need in in just
- 35:36Speaker 1: you know, humanity, kind of emerge and fill that need
- 35:39Speaker 1: and be sort of the first to market, have that
- 35:42Speaker 1: brand recognition that really just carries on and you can't
- 35:44Speaker 1: really buy that kind of that kind of brand awareness.
- 35:48Speaker 1: I have a theory, by the way, about the banjo playing.
- 35:50Speaker 1: Why they keep mentioning it every time? I think it's
- 35:53Speaker 1: just like this guy was a little kookie. He was
- 35:56Speaker 1: outside of the box, you know, he played the banjo
- 35:58Speaker 1: for crying out loud. I mean, this guy was a
- 36:01Speaker 1: real maverick. Um. That's my that's my theory. Humanizes him
- 36:08Speaker 1: a little too, uh so more so than that awesome
- 36:13Speaker 1: joke I made that we had to cut because we're
- 36:14Speaker 1: family show. But the there's there's something else here. Um,
- 36:19Speaker 1: we should talk about what made it so popular, Like
- 36:22Speaker 1: why why it became so common during the Depression, you know,
- 36:28Speaker 1: when a lot of people couldn't afford to buy cars,
- 36:31Speaker 1: much less get them custom painted into a two tone design.
- 36:35Speaker 1: Scotch tape was used to mend pages of books, sheet music,
- 36:39Speaker 1: even rips and clothing or window curtains. Bankers, because this
- 36:44Speaker 1: will give you a sense of how rough things were
- 36:46Speaker 1: during the Great Depression. Even bankers were using tape if
- 36:50Speaker 1: paper currency was torn up. You know, this was a
- 36:53Speaker 1: time where like, if someone needed fifty cents, they might
- 36:56Speaker 1: just rip a dollar in half and say, like good enough.
- 36:59Speaker 1: Bankers would tape this stuff back together. Secretaries patched their
- 37:03Speaker 1: fingernails with it. Farmers. I did not know this when
- 37:07Speaker 1: farmers could even use it to seal up cracked eggs,
- 37:11Speaker 1: which doesn't Yeah, that seems weird to me. I wonder
- 37:14Speaker 1: if the if they just sold the eggs afterwards. I
- 37:18Speaker 1: don't know, but Goodyear used the tape on its dirigibles,
- 37:22Speaker 1: which I think speaks for the quality of the product. Well.
- 37:26Speaker 1: I wonder, maybe are they sealing cracked eggs to keep
- 37:29Speaker 1: them structurally sound because they're hatching chicks out of them?
- 37:35Speaker 1: I don't know. I mean they would have to be
- 37:37Speaker 1: incubated and all that, and maybe the heat would would
- 37:39Speaker 1: melt the heat he's ever be a problem, but I certainly.
- 37:42Speaker 1: But you know, it was a time of austerity, so
- 37:44Speaker 1: when wee folks were more likely to be willing to
- 37:46Speaker 1: buy an egg with a piece of scotch tape on it. Um,
- 37:51Speaker 1: you know, we think of scotch tape or the This
- 37:54Speaker 1: type of celli fade tape is mainly being used with
- 37:57Speaker 1: paper products, you know, um to tape things up on
- 38:02Speaker 1: bullets and boards perhaps, but also the stuff is can
- 38:06Speaker 1: be a little insidious, you know, the residue at least
- 38:09Speaker 1: behind or having to kind of pick off the bits
- 38:12Speaker 1: of tape that sort of got ripped and sometimes can
- 38:16Speaker 1: never come off. Yeah, yeah, exactly. I mean there are
- 38:20Speaker 1: there are things that you shouldn't apply this adhesive to, right,
- 38:23Speaker 1: and I think everybody has probably experienced that, even you
- 38:27Speaker 1: know what, back to the original conversation, even wrapping presents,
- 38:31Speaker 1: if you're like me and you're not the world's uh
- 38:35Speaker 1: you're not an Olympic level present rapper, then you know,
- 38:38Speaker 1: if you try to redo the tape, you can pull
- 38:41Speaker 1: off some of the decorative surface of of wrapping paper,
- 38:45Speaker 1: which is why also i've like wrap stuff in pillowcases
- 38:49Speaker 1: aluminum foil newspaper, like be a little creative with it. Well,
- 38:55Speaker 1: And there are different strengths of the stuff, right, Like
- 38:58Speaker 1: we would maybe call pack tape um, which would be
- 39:02Speaker 1: a stronger cell a cellulose plastic e type, you know,
- 39:06Speaker 1: material that you can't really just rip with your hands.
- 39:09Speaker 1: You really you need like a really a sharp blade,
- 39:12Speaker 1: which on those packing tape kind of dispensers, those can
- 39:16Speaker 1: be a little bit, uh, a little bit dangerous if
- 39:19Speaker 1: if wielded without the proper respect. I also do want
- 39:23Speaker 1: to point out to that the Tartan branding that we
- 39:26Speaker 1: were talking about, it's not just a little the little
- 39:28Speaker 1: nubbin that you rip off. It's like on the outside
- 39:30Speaker 1: of the of the tape to the the you know,
- 39:32Speaker 1: the little tape dispenser. It's green and black. Actually maybe
- 39:35Speaker 1: there's uh maybe there's a different color way for it
- 39:39Speaker 1: on the little thing that you rip off. I've seen
- 39:42Speaker 1: some a blue and black version of that design. I
- 39:46Speaker 1: mean also, this is not related to a specific Scottish
- 39:50Speaker 1: clan either, in case anybody is wondering, But but there
- 39:53Speaker 1: is which to well just just a dull on that
- 39:56Speaker 1: you mean, Really, a tartan is almost like a an
- 40:00Speaker 1: identify her. It's like a certain pattern on a certain
- 40:03Speaker 1: color scheme that would identify like a family lineage, like
- 40:06Speaker 1: in Scotland. Yeah, the earliest known tartan can be dated
- 40:11Speaker 1: to the third or fourth century a d. So it's
- 40:14Speaker 1: been around for a while. Wasn't their original idea of
- 40:16Speaker 1: this pattern, but there's something neat and I'd like to
- 40:20Speaker 1: walk through this. I don't want to defend the pejorative stuff,
- 40:23Speaker 1: but I do want to point out that from the
- 40:27Speaker 1: corporate perspective, you can see why they would want to
- 40:30Speaker 1: lean into this idea of thrifty nous, regardless of how
- 40:35Speaker 1: problematic everybody in the United States, well virtually everybody, nine
- 40:40Speaker 1: point eight percent of everybody in the United States had
- 40:44Speaker 1: to be incredibly thrifty, more so than they have been
- 40:48Speaker 1: at other points in history. So it made sense. It
- 40:52Speaker 1: seemed like you were identifying with the common person, at
- 40:54Speaker 1: least in the boardroom. But those guys hated banjo, don't
- 40:57Speaker 1: trust them as And here's the inspiring thing. Three M
- 41:02Speaker 1: during the Great Depression was one of the few companies
- 41:06Speaker 1: in the world not just in the US, but in
- 41:09Speaker 1: the entire world that did not layoff employees during this
- 41:12Speaker 1: time period because they prospered with Scotch tape and they
- 41:18Speaker 1: took it, they ran with it. You know, they made
- 41:21Speaker 1: more and more specialized kind of tapes for industrial use
- 41:25Speaker 1: and for just regular regular folks in their houses. And
- 41:30Speaker 1: I believe it was World War two when almost all
- 41:35Speaker 1: of their tape production went straight to the war effort,
- 41:38Speaker 1: just like automakers started making working for Yeah, or any
- 41:43Speaker 1: of any number of other giant manufacturing um corporations. I
- 41:48Speaker 1: think it's so interesting, and it was. It was a
- 41:50Speaker 1: lot more common people realized, like diverting their production facilities,
- 41:55Speaker 1: going from making tape to making you know, hand gar names.
- 41:58Speaker 1: Obviously not that exactly. You have to, you know, have
- 42:01Speaker 1: the infrastructure in place to make a type of product
- 42:04Speaker 1: that was close enough to what you were making before.
- 42:06Speaker 1: So I would imagine maybe they focused more on that
- 42:11Speaker 1: magnetic tape for communications, perhaps um or you know, other
- 42:15Speaker 1: types of industrial solvents or things that would be useful
- 42:19Speaker 1: in the war effort. But like with these auto manufacturing facilities,
- 42:22Speaker 1: they were literally able to make like not maybe not tanks,
- 42:26Speaker 1: but like military vehicles exactly. Yeah, and they would go
- 42:33Speaker 1: on to make over a hundred different types of tape
- 42:35Speaker 1: to solve specific production problems during the war, even stuff
- 42:40Speaker 1: down to like how do you label parts correctly and efficiently.
- 42:44Speaker 1: This is also the time that material shortages forced them
- 42:49Speaker 1: to switch to synthetic ac relate adhesives. They were running
- 42:54Speaker 1: out a rubber essentially. I mean during World War Two,
- 42:57Speaker 1: global supply chains collapsed and this accrelate adhesive wasn't as strong,
- 43:04Speaker 1: but it had a need advantage. It aged better over time,
- 43:08Speaker 1: it stayed clear while the rubber based adhesives would turn
- 43:11Speaker 1: yellow and brittle. And if you've ever seen old tape,
- 43:15Speaker 1: you know what we're what we're talking about. It it it
- 43:17Speaker 1: gets kind of cloudy, right, and even cracks kind of right,
- 43:20Speaker 1: It'll start to like kind of break apart. Yeah, it's
- 43:23Speaker 1: super brittle. And this leads to the creation of Scotch
- 43:28Speaker 1: Magic Tape. It's the first tape you could ride on
- 43:31Speaker 1: with a pen, pencil or marker. Yeah, which is cool.
- 43:34Speaker 1: I guess um, you know you can use it to
- 43:37Speaker 1: make fun little stickers. I'm not sure what is the
- 43:41Speaker 1: I mean for labeling. I guess it would be helpful, sure, Yeah, totally,
- 43:44Speaker 1: and now Scotch tape is still being made by three M.
- 43:51Speaker 1: Three M is a multibillion dollar global company, but it
- 43:56Speaker 1: never forgot how it managed to grow to much ginormous proportions.
- 44:01Speaker 1: It's due in large part to what they call Scotch
- 44:04Speaker 1: or magic tape. And right now more than of homes
- 44:09Speaker 1: in the US have some form of transparent tape. It's
- 44:15Speaker 1: been all over pop cultures, even on Saturday Night Live,
- 44:18Speaker 1: and in history is so much closer than we we
- 44:21Speaker 1: might assume. You know, Drew himself died in nineteen eighty
- 44:25Speaker 1: at the age of eighty one, and essentially the entirety
- 44:30Speaker 1: of his career was spent tinkering on improving these concepts
- 44:36Speaker 1: and specializing these things. Yep and lo, these many years later,
- 44:40Speaker 1: the idea has just absolutely become a mainstay of American society.
- 44:46Speaker 1: Like you said, the company's worth GA jillions. The stuff itself.
- 44:50Speaker 1: The tape has actually been to the Moon, who was
- 44:53Speaker 1: used to create an insulation layer for a lunar lander.
- 44:57Speaker 1: It's just kind of become immortal in pop culture and art,
- 45:02Speaker 1: just the branding of it. It's like the kind of
- 45:04Speaker 1: thing Andy Warhol would have, like, you know, painted like
- 45:07Speaker 1: like Campbell soup cans. I mean, it really is about
- 45:09Speaker 1: as American as apple pie. That being said, though, we
- 45:14Speaker 1: do have some parallel kind of production happening over in
- 45:18Speaker 1: the u K with Cello tape. Yeah, yes, E L
- 45:24Speaker 1: L O T A p E. Because again, I mean
- 45:28Speaker 1: sometimes I don't know, it's it's hard to say. Sello
- 45:30Speaker 1: tape came out in Um the nineteen thirties. The company
- 45:38Speaker 1: was founded in nineteen the nineteen thirties. So it was
- 45:42Speaker 1: created nineteen thirty seven by uh, Colin kin a Month
- 45:46Speaker 1: and George Gray in a suburb of West London called
- 45:50Speaker 1: actin Um, and it was, you know, not particularly creative branding,
- 45:55Speaker 1: but they took cell of Fame, which again had been
- 45:57Speaker 1: hitting you know, hitting uh like Gangbusters, and they replaced
- 46:00Speaker 1: the sea with an S. So over in the UK,
- 46:04Speaker 1: they don't use Scotch tape. They use sellotape. And while
- 46:07Speaker 1: I think Scotch tape was first to market being maybe
- 46:10Speaker 1: correct me if I'm wrong there, Sello tape was close
- 46:13Speaker 1: enough that it has its own kind of legacy and
- 46:16Speaker 1: reputation across the pond. Yeah, yeah, you're correct, because it
- 46:21Speaker 1: also has become that genericized trademark, people will just call
- 46:26Speaker 1: anything sellotape and also be much closer to Scotland, you
- 46:30Speaker 1: can see how uh, they would probably be looking for
- 46:33Speaker 1: something that didn't immediately insult people if people are insulted there.
- 46:38Speaker 1: I also want to shout out, you know what, Drew
- 46:42Speaker 1: made it into the National Inventors Hall of Fame posthumously
- 46:46Speaker 1: as many do, in two thousand and seven, and he
- 46:50Speaker 1: never ever forgot the sandpaper that he feels changed his life.
- 46:56Speaker 1: So maybe we end on this quote from him. Would
- 47:00Speaker 1: there ever have been any masking or cellophane tape if
- 47:03Speaker 1: it hadn't been for earlier three M research on adhesive
- 47:07Speaker 1: binders for abrasive paper, Probably not so good for you. Drew.
- 47:12Speaker 1: Credit where it's due, but you know, don't be too
- 47:14Speaker 1: hard on yourself. Man. You taped together the world. He
- 47:18Speaker 1: didn't say that, that's just and he taught the world
- 47:21Speaker 1: to sing and play the banjo and play the banjo.
- 47:26Speaker 1: So thank you so much, so thank you so much,
- 47:32Speaker 1: Max for advertising Deliverance, which is a great novel uh
- 47:36Speaker 1: and a harrowing film h And thank you for being
- 47:38Speaker 1: our super producer. Thanks also to our research associate Jeff Bartlett.
- 47:42Speaker 1: Speaking of harrowing films, um as want a point out,
- 47:45Speaker 1: and also Burt Reynolds. UM. I rewatched the movie Boogie
- 47:50Speaker 1: Nights over this past week. It was the twenty five anniversary,
- 47:54Speaker 1: and I just want to say, I'm sure this isn't
- 47:56Speaker 1: This isn't a hot fake. That is an American classic,
- 47:59Speaker 1: Like every thing about that movie hits and it is
- 48:02Speaker 1: just it is. Everything is in its right place. There
- 48:05Speaker 1: is nothing about it that is out of place. Every choice,
- 48:08Speaker 1: every cinematographic you know, style move, it's just absolutely perfect.
- 48:13Speaker 1: So kudos to you. Paul thought was entered. He made
- 48:15Speaker 1: that movie. He was twenty six years old, the jerk. Uh.
- 48:20Speaker 1: And then Burt Reynolds apparently hated it. Yeah, yeah, but
- 48:24Speaker 1: they managed to uh, they managed to keep it together
- 48:28Speaker 1: long enough as though they had their relationship mended with
- 48:31Speaker 1: tape to make to make an amazing film. I want
- 48:35Speaker 1: to thank also UH our nemesis Jonathan Strickland, Eve's Jeff Coat,
- 48:41Speaker 1: let's see oh, Alex Williams who composed this slap and
- 48:44Speaker 1: bop Let's see who else who else? Well, we would
- 48:47Speaker 1: also like to thank christoprostiotis here in Spirits, UH super
- 48:52Speaker 1: producer Max Williams. Of course you already said that, but
- 48:54Speaker 1: I'm saying it again. Ben. Thanks to you, the Dirk
- 48:57Speaker 1: Diggler to my chest, Rockwell oh Boy or whatever uh
- 49:02Speaker 1: it might be, And thanks to you, we'll see you
- 49:05Speaker 1: next time. Books. For more podcasts for My Heart Radio,
- 49:15Speaker 1: visit the I Heart Radio app, Apple podcast, or wherever
- 49:17Speaker 1: you listen to your favorite shows.