Latest / Four Finger Discount (Simpsons Podcast) / Treehouse Of Horror XIX (S20E04)

Transcript

Treehouse Of Horror XIX (S20E04) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: Judge me and I'll cut your friend.
• 0:02
  Speaker 2: What do I care? That's a yellow pumpkin.
• 0:05
  Speaker 1: You're a racist.
• 0:07
  Speaker 2: All pumpkins are racist.
• 0:08
  Speaker 1: The difference is I admitted four finger Discount dude.
• 0:28
  Speaker 3: Ooh is Trespar nineteen here on the four fingered Discount network.
• 0:32
  Speaker 2: I'm down and I'm going that was a pretty half
• 0:34
  Speaker 2: hearted boom.
• 0:35
  Speaker 3: All right, this is the one I do with the
• 0:39
  Speaker 3: kids that scares them. Right, and Holly always goes, do this,
• 0:41
  Speaker 3: do this, do the creepy laugh, and then when I
• 0:43
  Speaker 3: do it, you stop it?
• 0:44
  Speaker 1: Right?
• 0:44
  Speaker 2: You ready? That's pretty fucking creepy. I heard that in
• 0:49
  Speaker 2: like a spook house or a ghost train. I'd be
• 0:54
  Speaker 2: suitably weird out. I chase up and stop it at
• 0:58
  Speaker 2: the up. I'm dye. It sounds both goofy and spooky. Yeah,
• 1:04
  Speaker 2: which is a you know, two great tastes that don't
• 1:05
  Speaker 2: taste great. I think I can trust this guy, but
• 1:08
  Speaker 2: he's kind of scary. Oh yeah, no, you certainly perv
• 1:10
  Speaker 2: It sound like trus Foreign nineteen. I really enjoyed this.
• 1:14
  Speaker 2: I know about you. I thought this was a nice blend.
• 1:16
  Speaker 3: Again of I could have done without the start, the
• 1:18
  Speaker 3: political stuff at the start, pretend that never existed.
• 1:20
  Speaker 2: Right that. That's because you know what that was.
• 1:23
  Speaker 3: That was a little what would you call that little
• 1:26
  Speaker 3: one of the things at the start, they're bumpersump bumpers,
• 1:29
  Speaker 3: like between you. Yes, So that got leaked I say,
• 1:33
  Speaker 3: leaked with those a few weeks beforehand because I think
• 1:36
  Speaker 3: the Simpsons are trying to see him somewhat.
• 1:38
  Speaker 2: Cool and hip. Yes, on the cutting edge.
• 1:40
  Speaker 3: Yeah, so that got leaked before this episode came out,
• 1:42
  Speaker 3: and I think that sort of threw it on there
• 1:43
  Speaker 3: because they're like, oh, yeah, this is from Triosa hors.
• 1:45
  Speaker 2: We had to put it on there.
• 1:46
  Speaker 3: Now, it's incredibly data makes no sense, almost to the
• 1:48
  Speaker 3: point where I feel like you just take it away.
• 1:50
  Speaker 2: Now. It's a time when voting wasn't a horror show.
• 1:54
  Speaker 4: That's true.
• 1:54
  Speaker 3: Yeah, I just I just watched this going political stuff
• 1:58
  Speaker 3: in teen era. The Simpsons just never lands anymore because
• 2:02
  Speaker 3: it's they make it so specific.
• 2:04
  Speaker 2: Yes, they're not talking about the broader political machine. They're
• 2:07
  Speaker 2: talking about specific candidates in twenty twenty four. You know,
• 2:11
  Speaker 2: no one really no, I mean, and you lived through it. Yeah,
• 2:14
  Speaker 2: we think about Obama because we never know how good
• 2:17
  Speaker 2: we had it. We'll be back we'll be back in
• 2:20
  Speaker 2: Michelle form. Yeah, this Treehouse of Horror not necessarily my
• 2:27
  Speaker 2: favorite tree House of Horror Peanuts fans. That surprises me.
• 2:32
  Speaker 2: I must admit that was We're gonna go ahead to
• 2:35
  Speaker 2: favorite moments already.
• 2:37
  Speaker 3: Just as as a parody. I thought they did a
• 2:41
  Speaker 3: lot of respect, wasn't it.
• 2:42
  Speaker 2: And I'm glad that they rounded out with that, because
• 2:45
  Speaker 2: you know, if you finish up with something solid that
• 2:47
  Speaker 2: sounds a bit sketchy, that will make up for any
• 2:51
  Speaker 2: problems you may have had at the start or in
• 2:53
  Speaker 2: the beginning. It's like, oh, at least they stuck the landing.
• 2:56
  Speaker 2: And you know, anytime you do Peanuts and you do
• 2:58
  Speaker 2: Peanuts faithfully and lovingly, yeah, that's all right by me.
• 3:01
  Speaker 2: And I just think it's this.
• 3:02
  Speaker 3: I think it's great that we review this specific Treeouse
• 3:06
  Speaker 3: of Horror on the week of Thanksgiving.
• 3:08
  Speaker 2: Essentially it worked out well, is still sticking the landing
• 3:13
  Speaker 2: of it. It just lines up for us like this
• 3:14
  Speaker 2: doesn't it? It does? We don't planners, watch is going not
• 3:19
  Speaker 2: everything lines up, but this does. Yeah.
• 3:21
  Speaker 3: So I just thought I was nice that they were
• 3:23
  Speaker 3: able to blend Thanksgiving and Halloween together to one thing
• 3:27
  Speaker 3: and make it makes sense, and it's actually a lot
• 3:30
  Speaker 3: of love went into it because they had to go
• 3:32
  Speaker 3: through a lot of loopholes in order to make it happen,
• 3:34
  Speaker 3: to the point where they couldn't even call it It's
• 3:36
  Speaker 3: a great the Great Pumpkin because the legal issues that
• 3:39
  Speaker 3: changed the name. But they finally got that iconic music,
• 3:42
  Speaker 3: even getting well the.
• 3:43
  Speaker 2: N's I want to say, Ben's Garaldi, isn't it, yeah, GARDI, Yeah,
• 3:48
  Speaker 2: I think if you get that, that's pretty much shorthand
• 3:51
  Speaker 2: for like we got the ok from Peanuts. Yeah, if
• 3:54
  Speaker 2: you get that music you're doing, and you get some
• 3:57
  Speaker 2: very Peanuts are like characters. I'm not there are the
• 4:00
  Speaker 2: Peanuts characters, but I know that they've got some Simpsons
• 4:03
  Speaker 2: characters doing. They've designed Charlie. Yeah, when you've got the
• 4:09
  Speaker 2: dance at the end, when you're going, it's just like it.
• 4:11
  Speaker 3: It's a spot on parody, even to the Twins, three
• 4:13
  Speaker 3: and four coos. Yeah, and there's there's one can't know
• 4:17
  Speaker 3: who who is little?
• 4:18
  Speaker 2: Yeah? Yeah, that looks like the same kid from Peanuts.
• 4:21
  Speaker 2: So yeah, yeah.
• 4:22
  Speaker 3: I just appreciate just from a visual perspective, I liked this.
• 4:25
  Speaker 3: Sometimes though they do these ones and It's almost like
• 4:27
  Speaker 3: they do it just because they want to make the
• 4:29
  Speaker 3: Simpsons look like these characters without any story there. But
• 4:31
  Speaker 3: I thought this a good twist of we actually know
• 4:34
  Speaker 3: you actually do see the Great.
• 4:35
  Speaker 2: Pumpkin and he kills people. Oh yeah. So I enjoyed
• 4:39
  Speaker 2: that one very much. Having said that, I mean, I've
• 4:41
  Speaker 2: got to say for the other two, but then for
• 4:43
  Speaker 2: the notes for the first one is like, oh, that's
• 4:45
  Speaker 2: it rot parody, yeah, and then then the second one
• 4:49
  Speaker 2: like yeah, pretty weird premise. So I really I think
• 4:53
  Speaker 2: the second one was my favorite of the three. Really,
• 4:56
  Speaker 2: I just think I felt.
• 4:58
  Speaker 3: Very much old school Tres to me, where it was gory,
• 5:02
  Speaker 3: but at least I had a point to it in
• 5:04
  Speaker 3: a sense that it wasn't just killing people for the
• 5:06
  Speaker 3: sake of killing people, and it wasn't really a parody
• 5:08
  Speaker 3: of it.
• 5:08
  Speaker 2: It almost felt like an original idea. That's what I
• 5:11
  Speaker 2: liked about it.
• 5:12
  Speaker 3: I had the mad Men intro and it was that's
• 5:14
  Speaker 3: the time for the advertising, but it wasn't a mad
• 5:16
  Speaker 3: Men parody in any way. I just liked the original
• 5:19
  Speaker 3: idea of Homer gets paid to kill celebrities, and I mean,
• 5:23
  Speaker 3: me being a marketing guy, I just love the idea
• 5:25
  Speaker 3: of these guys would pay someone to kill somebody to
• 5:27
  Speaker 3: use their image, because like, what's wrong with those guys?
• 5:31
  Speaker 2: They're alive? My marketing brain, I really enjoyed that story. Okay, well,
• 5:37
  Speaker 2: you've been very persuasive because you are a marketing guy,
• 5:39
  Speaker 2: so you're selling me on this concept. I've benitially it
• 5:43
  Speaker 2: was a pretty weak premise, and there the aspects of
• 5:45
  Speaker 2: it that I did like.
• 5:46
  Speaker 3: I the Transformers one. I was never a Peanuts kid,
• 5:49
  Speaker 3: so I mean, I appreciate the Peanuts one at the end,
• 5:54
  Speaker 3: and I know all about it now, but I think
• 5:57
  Speaker 3: I enjoyed I'm saying that nothing. I enjoyed the third
• 6:00
  Speaker 3: one more than I enjoyed the first one. The first
• 6:02
  Speaker 3: one I like because it's taken the mickey out of
• 6:05
  Speaker 3: the Transformers live action films, not the original animated one,
• 6:09
  Speaker 3: where it's just why are you coming to Earth and
• 6:11
  Speaker 3: fucking our planet up?
• 6:14
  Speaker 2: Leave fight somewhere else please. You're talking about Michael Baby
• 6:18
  Speaker 2: Uncle Baby films. Yeah, I must admit that makes a
• 6:20
  Speaker 2: whole bunch of sense. I'm really I haven't revisited the
• 6:23
  Speaker 2: Transformers movies. I mean, I kind of admire them for
• 6:27
  Speaker 2: what they are. But at the same time, I do
• 6:29
  Speaker 2: not enjoy them.
• 6:30
  Speaker 3: I admire the fact that they made him and the
• 6:32
  Speaker 3: studios a lot of money, Like, you've got a good concept,
• 6:35
  Speaker 3: milk that cow, you know what I mean. But I
• 6:37
  Speaker 3: just got to the second or third one. I went,
• 6:38
  Speaker 3: but I'm not enjoying these anymore. It's just cgi robots
• 6:42
  Speaker 3: just crashing into each other.
• 6:43
  Speaker 2: Oh yeah, it's just a lot of sound and fury signifying.
• 6:46
  Speaker 5: Now.
• 6:47
  Speaker 2: Yeah, but now that you mention it, and now that
• 6:49
  Speaker 2: this episode mentioned like why are you on Earth? Is
• 6:52
  Speaker 2: there any specific dog because the all Spark ended up here?
• 6:54
  Speaker 2: Or didn't he find the all Spark there? You can
• 6:57
  Speaker 2: fuck off?
• 6:57
  Speaker 3: Yeah, I think that's about to cyber trump. That's what
• 6:59
  Speaker 3: they're taking a me you here, like go away now. Yeah,
• 7:02
  Speaker 3: it's just pointing out the flaws of those live action films.
• 7:05
  Speaker 3: But I just liked the and I can imagine the
• 7:08
  Speaker 3: animators enjoyed the transforming. I thought that was a cool
• 7:10
  Speaker 3: concept seeing all the little.
• 7:12
  Speaker 2: It looks smooth, and it seemed like they had fun with.
• 7:15
  Speaker 3: And there were some genuinely funny moments in there as well.
• 7:18
  Speaker 3: I thought throughout each segment had genuine funny moments, which
• 7:21
  Speaker 3: is what we want to watch the Simpsons when you
• 7:23
  Speaker 3: get it as much anymore. So when you get it,
• 7:25
  Speaker 3: you got to cling onto it.
• 7:26
  Speaker 2: Okay, well, you can tell me about those when they
• 7:29
  Speaker 2: come up, and I will say yay r nay. All right,
• 7:33
  Speaker 2: my favorite favorite moments. I've got a bit of green
• 7:36
  Speaker 2: here in the notebook. What are your colors? So green
• 7:39
  Speaker 2: is favorite? I've got pinker slash red for trivia questions,
• 7:43
  Speaker 2: always these colors.
• 7:44
  Speaker 3: Oh yeah, okay, I'm going to make a T shirt
• 7:46
  Speaker 3: pink red is going to say the trivia to say
• 7:49
  Speaker 3: yes and favorite.
• 7:52
  Speaker 2: And orange for any final words for our amazing listeners. Okay,
• 7:58
  Speaker 2: why do you highlight that? Why do you just run
• 7:59
  Speaker 2: it at the bottom? Why do you highlight the final ways?
• 8:01
  Speaker 2: Why don't you right at the bottom? I like highlighting enough.
• 8:05
  Speaker 2: I'm not going to I was just wondering. It seems
• 8:07
  Speaker 2: like you're ridiculum of system. But a bit of green
• 8:12
  Speaker 2: in the notebook. There are a few favorite moments, or
• 8:14
  Speaker 2: at least talking points. Everyone who listens to the show
• 8:18
  Speaker 2: knows that I am a big fan of Sawney, So
• 8:21
  Speaker 2: I'm a big fan of Slunky because I like a
• 8:24
  Speaker 2: good knockoff. So yes, the square slinky that is completely impracticable,
• 8:28
  Speaker 2: the slunky. I enjoyed it. Also, I think this. I
• 8:32
  Speaker 2: think this Transformer's segment of tree House of Horror indicated
• 8:38
  Speaker 2: something I always found sort of mildly horrific about the
• 8:40
  Speaker 2: Transformist movies. Imagine being an Optimist Prime when he decides
• 8:43
  Speaker 2: to change Optimus. Primes are pretty cool, dude, seems pretty
• 8:46
  Speaker 2: chill looking at your best interests. I don't think he's
• 8:49
  Speaker 2: going to you know, it's not like you're going to
• 8:52
  Speaker 2: be in a terrible car crash or something and you
• 8:54
  Speaker 2: just end up an absolute bone heap. I think, right,
• 8:57
  Speaker 2: I'm going to change now. But you know you're going
• 8:59
  Speaker 2: to be safe. You know, you're buckled in measure people
• 9:02
  Speaker 2: in an insensitive Transformer who's just like, I give a ship,
• 9:06
  Speaker 2: it's not going to change, and you know I've got
• 9:07
  Speaker 2: a person in there bad like you're gonna get purade.
• 9:12
  Speaker 2: When it was happening, was watually going, oh this is horrific.
• 9:14
  Speaker 2: Oh yeah, oh yeah. The first time you said it
• 9:16
  Speaker 2: in the first Transformers and like poor Shire, you probably
• 9:19
  Speaker 2: signed up for three movies. Uh so, yeah, that's horrific.
• 9:25
  Speaker 2: I thought it was kind of funny that in the
• 9:26
  Speaker 2: end they realized much like why are you guys fighting?
• 9:29
  Speaker 2: Blah blah blah blah. I was like, oh, yeah, now
• 9:31
  Speaker 2: that I'm fighting, which is the enslaver, which is the
• 9:33
  Speaker 2: point of the segment. Indeed, yes, well I thought it
• 9:36
  Speaker 2: was still funny. As I mentioned earlier, you get the
• 9:39
  Speaker 2: do Do Do Do Do Do Do? I love the
• 9:42
  Speaker 2: Peanuts music. Oh yeah, who does not feel good when
• 9:45
  Speaker 2: you when they hear the Peanuts?
• 9:46
  Speaker 5: Man?
• 9:46
  Speaker 2: I love that they got Psycho Killer as well. Again, yeah,
• 9:50
  Speaker 2: they've really got a deep, deep pocket to fit the
• 9:54
  Speaker 2: segment as we did. And also Millhouse's prayer to the
• 9:59
  Speaker 2: Grand yeah, pretty good, not bad. It's a real prayer.
• 10:04
  Speaker 2: It's a real prayer. Yeah in this sense, Cree, it
• 10:07
  Speaker 2: sounds like a real prayer, but it's just been adjusted
• 10:09
  Speaker 2: to it's just tweet as it. Yeah. Yeah, so here
• 10:13
  Speaker 2: the pumpkin, Millhouse's prayer to the Grand Pumpkin is similar,
• 10:16
  Speaker 2: similar to the ninsense Creed. Yes, yeah, so I enjoyed
• 10:21
  Speaker 2: that bread.
• 10:22
  Speaker 3: Nice sense, Creed. I'm not religious, I know how to
• 10:23
  Speaker 3: pronounce it. Nice sense creed is that it I wouldn't know.
• 10:26
  Speaker 3: I apologize saw you people out there who I may
• 10:28
  Speaker 3: have offended.
• 10:29
  Speaker 2: Please don't with my idiocracy. Oh it's not idiocracy, just ignorance.
• 10:39
  Speaker 2: Please don't strike us down. Please don't please force your
• 10:42
  Speaker 2: gold on us. Any favorite moments from you? Oh? I enjoyed.
• 10:47
  Speaker 3: The fact that the robots in the first one were
• 10:49
  Speaker 3: kind of so when HA was like something, we're going
• 10:52
  Speaker 3: in the kitchen.
• 10:53
  Speaker 2: No no, no, no no no no no no.
• 10:55
  Speaker 3: I liked you mentioned something before and you ruled one
• 10:58
  Speaker 3: my favorite momentes. What were your favorite moments?
• 10:59
  Speaker 2: Again? I ruined.
• 11:00
  Speaker 3: I didn'truin it, but ruin. What were your favorites? I
• 11:04
  Speaker 3: was going to explain it. I've got nothing written here?
• 11:07
  Speaker 2: Was it so longer? He was a team? Yes, it
• 11:09
  Speaker 2: was Planet of the Taste. Damn, Now you up one
• 11:12
  Speaker 2: of my tricker question. I got ahead three.
• 11:15
  Speaker 3: So that's the kind of human that I love, Like
• 11:17
  Speaker 3: seeing a ridiculous mickey like but in an advertising format,
• 11:21
  Speaker 3: the Planet of the Taste, I'm like, that's good. Anything
• 11:26
  Speaker 3: else that I enjoyed, I'm sure we'll just get into it.
• 11:28
  Speaker 3: Whilst where also doing our review.
• 11:30
  Speaker 2: Someone pointed this out the other day, and I mean,
• 11:32
  Speaker 2: I grew up with the original Planet of the Apes
• 11:34
  Speaker 2: and its sequels and all that kind of stuff. So
• 11:35
  Speaker 2: it's one of those things you never really take for
• 11:37
  Speaker 2: you never really considered too much if you've sort of
• 11:39
  Speaker 2: seen it when you were there at a formative age,
• 11:42
  Speaker 2: and it's like, oh, my feelings about it are not
• 11:45
  Speaker 2: necessarily said in stone, but you know, I've got a
• 11:47
  Speaker 2: default setting for how I feel about it. Then someone
• 11:49
  Speaker 2: said the other note, like, it seems pretty weird that
• 11:52
  Speaker 2: Charlton hesn't didn't twig that that was our planet when
• 11:56
  Speaker 2: you know he's landed on a planet there where it
• 11:58
  Speaker 2: looks a lot like a and breathe the air and
• 12:01
  Speaker 2: all the apes will speak in English. Were you food
• 12:04
  Speaker 2: at the end? It's not such a fool. It's kind
• 12:07
  Speaker 2: of like, did you see it though?
• 12:08
  Speaker 3: Oh yeah, but I was about six, but didn't everyone
• 12:12
  Speaker 3: When I first watched it, wasn't that one of the
• 12:14
  Speaker 3: first oh shit moments?
• 12:16
  Speaker 2: I think? So yeah. But at the same time, it's like, oh, yeah,
• 12:19
  Speaker 2: that's right, a lot like our planet.
• 12:21
  Speaker 1: Is.
• 12:21
  Speaker 3: The question, though, is if we went to another planet,
• 12:24
  Speaker 3: it might speak English. Maybe I might speak a language
• 12:27
  Speaker 3: that is spoken on Earth, not necessarily English.
• 12:30
  Speaker 2: But true. The Lovely Luis and I were watching last night,
• 12:34
  Speaker 2: we were just we're both exhausted. We don't want to
• 12:36
  Speaker 2: think what can we watch on Netflix? Investigation Alien was
• 12:40
  Speaker 2: what we watched where you watched some horrific it was
• 12:49
  Speaker 2: we weren't so goes down every time you listen the
• 12:52
  Speaker 2: new show, you were so that we weren't able to
• 12:54
  Speaker 2: watch it with some degree of critical thinking. Would you
• 12:57
  Speaker 2: tell the latter malt is the kind of ship that
• 12:59
  Speaker 2: you watch on television. I'm sure he watches some shit
• 13:01
  Speaker 2: as well.
• 13:02
  Speaker 3: I'd like to know what shit let the letter Malton
• 13:04
  Speaker 3: watches and like when he and his lovely wife when
• 13:06
  Speaker 3: they're sitting down on the couch, we can't be bothered.
• 13:08
  Speaker 3: What are we gonna watch? Imagine if the letter Malton
• 13:10
  Speaker 3: just watches nine Fiance, I mean that he may do,
• 13:13
  Speaker 3: he may do.
• 13:15
  Speaker 2: You know, I'm not a completely dumb ass persons, you're
• 13:18
  Speaker 2: dumb mass But what I'm saying is that you know,
• 13:21
  Speaker 2: even the smartest and most sophisticated among us will occasionally
• 13:25
  Speaker 2: watch Investigation Alien, where.
• 13:27
  Speaker 3: Some of those shows I enjoyed in the first time
• 13:29
  Speaker 3: I watched, they're all just the same thing.
• 13:31
  Speaker 2: I was viewing it from the degree of Okay, well,
• 13:33
  Speaker 2: you've got this veteran journalist like I've been on the
• 13:37
  Speaker 2: UFO beat for forty years. Amazing, I've stayed employed doing
• 13:42
  Speaker 2: that for that long. But the more evidence they were
• 13:44
  Speaker 2: putting forward, it's like, I'm really interested in the subculture
• 13:47
  Speaker 2: of these people who are, you know, from various so
• 13:51
  Speaker 2: called branches of authority. And it was like, yeah, I
• 13:54
  Speaker 2: used to be an Air Force pilot and wow, no
• 13:56
  Speaker 2: planes don't do that, you know, Yeah, I used to
• 13:59
  Speaker 2: work with this a someone's keeping secrets.
• 14:00
  Speaker 3: It's like, it's great, I saw I witnessed a great
• 14:06
  Speaker 3: boss moment when it came to someone trying to take
• 14:08
  Speaker 3: the mickey or bring down someone who belieds in the
• 14:11
  Speaker 3: possibility of alien life and your flahs blah blah blah
• 14:13
  Speaker 3: games that we're having one night, and we've got a
• 14:15
  Speaker 3: couple who are pretty religious, right, and they're doing it
• 14:19
  Speaker 3: and they're talking about UFOs and the religious. The husband
• 14:21
  Speaker 3: from the religious couple said, there's never been proof of faith.
• 14:26
  Speaker 3: It's all fake. You actually believe that stuff. And he goes,
• 14:28
  Speaker 3: you know, church, he goes, and he goes prove there's
• 14:30
  Speaker 3: a god.
• 14:32
  Speaker 2: Next game, please jujitsued me with faith. Everyone sat there
• 14:37
  Speaker 2: going is that the time.
• 14:44
  Speaker 3: He has some more rice crackers, please, Alan's ally biscuits.
• 14:50
  Speaker 3: It was it was just one of the most to
• 14:51
  Speaker 3: be like, man's.
• 14:52
  Speaker 2: Got a point. Oh yeah, oh yeah, that's always checkmate
• 14:55
  Speaker 2: when it comes to religion and stuff. Yeah, you don't
• 14:58
  Speaker 2: want to be questioning someone's faith if faith is the
• 15:00
  Speaker 2: want a stone of your sort of belief system, buddy, Yeah,
• 15:02
  Speaker 2: I believe. We want to believe. I don't care.
• 15:03
  Speaker 3: We don't bring someone else down because they believe in it, correct. Yeah,
• 15:06
  Speaker 3: I enjoy like I said, I enjoy watching it. Like
• 15:08
  Speaker 3: you said, it's fascinating scenes people who are so absorbed
• 15:10
  Speaker 3: in that world and they just they believe, and that's
• 15:12
  Speaker 3: that's up to them. That's the choice, right bus watch's
• 15:15
  Speaker 3: going it's just the same story told by a different person.
• 15:19
  Speaker 3: It's just all the same shits. Like you know, I
• 15:20
  Speaker 3: was abducted and the photos are always blurring. It's like
• 15:24
  Speaker 3: if they were real. We living twenty twenty four guys.
• 15:26
  Speaker 3: Everyone's got full four K devices in their pockets.
• 15:29
  Speaker 2: If there was literally.
• 15:30
  Speaker 3: A spaceship in the sky, it wouldn't be blurry footage.
• 15:34
  Speaker 3: We would have footage of it.
• 15:35
  Speaker 2: Well, this has sort of this had some I won't
• 15:37
  Speaker 2: say four K footage, but it certainly had mobile phone
• 15:40
  Speaker 2: footage of you know, there is lights in the sky
• 15:43
  Speaker 2: and whatnot. All the song is dan though, was I
• 15:46
  Speaker 2: want to believe? Yeah, that's fine.
• 15:48
  Speaker 3: Yeah, at the beginning, it's like the following documentary May
• 15:51
  Speaker 3: and when I contain AI used footage.
• 15:55
  Speaker 2: Next question, you there eating the beast? What are the
• 15:59
  Speaker 2: names of the two I guess quote unquote transformers that
• 16:04
  Speaker 2: are duking it out in the city city square.
• 16:07
  Speaker 3: They name each other by name they do. I was
• 16:10
  Speaker 3: gonna write down I'm glad you did because I didn't
• 16:13
  Speaker 3: Optimus and Megatronic. But who were they?
• 16:15
  Speaker 2: They were Carnage Destructicus and Bestamus Muccho.
• 16:19
  Speaker 3: Yes, actually one of my favorite moments I did, like
• 16:21
  Speaker 3: sex Toy? Where haven't I been?
• 16:24
  Speaker 2: Doube's about sex Toy? It was very, very obvious, but
• 16:26
  Speaker 2: I was like, I'm I appreciate that you went there.
• 16:30
  Speaker 2: There are times when I'm thinking the ship is the
• 16:34
  Speaker 2: Simpsons a show for kids? Is the Simpsons a show
• 16:37
  Speaker 2: for adults? Is the Simpsons a show for both? And
• 16:41
  Speaker 2: how far can you sort of push the needle in
• 16:43
  Speaker 2: either direction? Yeah, you're going to strike that fine balance
• 16:46
  Speaker 2: and sex. So I felt a bit like, well, let's
• 16:49
  Speaker 2: pushing it the critique.
• 16:50
  Speaker 3: I would have a secure to come up with a
• 16:51
  Speaker 3: creative name for rather than just just sex toy. Yeah,
• 16:55
  Speaker 3: if it was something else, we like, the adults knew
• 16:57
  Speaker 3: what it was, and the kids at home were like, hey,
• 17:00
  Speaker 3: he spoke in a funny voice.
• 17:01
  Speaker 2: That's funny.
• 17:01
  Speaker 3: Where if you it's one of those perfect jokes were
• 17:04
  Speaker 3: in the classic era of Simpsons, it would have been
• 17:06
  Speaker 3: a name where the joke would have went over youhead
• 17:08
  Speaker 3: the name of him, and were going, oh, that's what
• 17:11
  Speaker 3: he meant. The name sex toy needed to be something
• 17:15
  Speaker 3: that implied sex toy that wasn't sex toy.
• 17:17
  Speaker 2: Yes, it would have been funny, funny play on dildo.
• 17:20
  Speaker 3: That's exactly what I was thinking as well. Yeah, and
• 17:23
  Speaker 3: as you go, you would have gone, whoa wait a.
• 17:25
  Speaker 2: Minute, Yes, as opposed to just sex toy.
• 17:27
  Speaker 3: And as an adult, you wouldn't care if your kids
• 17:28
  Speaker 3: saw that because they wouldn't have got it anyway.
• 17:30
  Speaker 2: That's true.
• 17:31
  Speaker 3: Yeah, just sex toy. I thought I liked that you
• 17:34
  Speaker 3: went there. I thought, just make a little bit more created,
• 17:37
  Speaker 3: just a little bit, just more as a tree.
• 17:39
  Speaker 2: What he fixed that joke. 't see any more jokes.
• 17:41
  Speaker 2: We fixed this episode. We're the fixed boys, were here
• 17:44
  Speaker 2: to fix your episode.
• 17:45
  Speaker 3: What booth did Homer go into first? Did you try
• 17:47
  Speaker 3: to get into it's too wide for it?
• 17:49
  Speaker 2: Was it booth number three? Great? Yes? Yes, I have
• 17:52
  Speaker 2: one more question for him. Neil Armstrong is pushing country
• 17:57
  Speaker 2: style of ragou on the billboard. Where will it send you? Mars?
• 18:00
  Speaker 2: We'll send you to write all those down all that's
• 18:02
  Speaker 2: all the slogans.
• 18:02
  Speaker 3: I was this big marketing man. I I liked all
• 18:04
  Speaker 3: the slogans, all right? Which dvd' did home aget for Christmas?
• 18:10
  Speaker 2: TV? Show? And season? You got sign film season save correct?
• 18:13
  Speaker 3: That's all I got, boy, And I liked that because
• 18:16
  Speaker 3: it feels very nostalgia. Now, when you get a season
• 18:19
  Speaker 3: eight of sign felds out, I'm going to get it
• 18:20
  Speaker 3: for Christmas, it's like getting us paying fifty bucks for
• 18:22
  Speaker 3: a particular season of a DVD.
• 18:24
  Speaker 2: It meant something. It was special.
• 18:26
  Speaker 3: You'd get it home, you'd open it up, you'd watch
• 18:27
  Speaker 3: the special features. It was just it was a thing.
• 18:30
  Speaker 3: It was indeed a thing.
• 18:31
  Speaker 2: Yeah. I don't get that anymore, do we? But they did.
• 18:34
  Speaker 3: They even make special features for TV shows anymore. What's
• 18:37
  Speaker 3: the point.
• 18:38
  Speaker 2: That's a really good point. It's been a maybe not locally.
• 18:44
  Speaker 2: You might have to sort of go international for.
• 18:45
  Speaker 3: That, because there's some shows on Disney Plus, like Andre
• 18:48
  Speaker 3: and I have four K releases. Special features are few
• 18:50
  Speaker 3: and far between. They're not nothing special.
• 18:53
  Speaker 1: Ooh.
• 18:54
  Speaker 3: It was like we like special feeds, fifteen minute retrospective
• 18:57
  Speaker 3: documentary kind of thing.
• 18:58
  Speaker 2: But it's just like that's not an Oh, he was
• 18:59
  Speaker 2: so great to work with, those bullshit things. It's like,
• 19:01
  Speaker 2: that's not a red no. I think you have to
• 19:03
  Speaker 2: wait a few years or even a decade or so
• 19:06
  Speaker 2: down the line before you know, start getting retrospective documentaries
• 19:09
  Speaker 2: about certain things.
• 19:10
  Speaker 3: All the rings your favorite documentary, correct, I like them
• 19:12
  Speaker 3: very much. I really like Empire of Dreams. I think
• 19:14
  Speaker 3: I've mentioned that before.
• 19:15
  Speaker 2: That is a good one.
• 19:15
  Speaker 3: Yeah, very good one. When a documentary has its own name,
• 19:19
  Speaker 3: Oh yeah, when it's a feature onto its Yes, it's
• 19:22
  Speaker 3: very good.
• 19:22
  Speaker 2: I've got it on my plex as its own standalone film.
• 19:27
  Speaker 2: I'll ask you one more. You got more questions for me?
• 19:29
  Speaker 2: I have no more.
• 19:30
  Speaker 3: I'll skin through my notes and try and find one
• 19:32
  Speaker 3: more for you.
• 19:33
  Speaker 2: Then, because I like to have three. It's just plays
• 19:35
  Speaker 2: on my OCD. I can find one more of it
• 19:37
  Speaker 2: if it will ease your OCD. If I two have
• 19:39
  Speaker 2: three questions, that would be much to make it feel better. Yeah,
• 19:43
  Speaker 2: homers ring the newspaper in the first segment of Tree
• 19:47
  Speaker 2: has a horror. What's occurring on the front page. I
• 19:51
  Speaker 2: don't know when was you watten the newspaper. It's when
• 19:54
  Speaker 2: it's like in the kitchen. Yes, okay, now what was it?
• 19:57
  Speaker 2: Christmas occurs?
• 19:58
  Speaker 3: Christmas that's a good name. Christmas the ca that's just
• 20:01
  Speaker 3: a classic. That is classic, simps as Christmas ocurs. My
• 20:04
  Speaker 3: final question for you is what do they end up having?
• 20:07
  Speaker 3: Prince sal Uh?
• 20:09
  Speaker 2: It's sea So I've forgotten exactly what drat resistant grat
• 20:12
  Speaker 2: resistance seeds bad that they killed Prince. We lost Prince
• 20:15
  Speaker 2: not long after this, eight years after When you get
• 20:18
  Speaker 2: to my age, time just goes died yesterday?
• 20:22
  Speaker 3: I was Bowie's twenty sixteen or the Prince die the
• 20:24
  Speaker 3: same year? What did Prince pass away?
• 20:26
  Speaker 2: And have a look that sounds better because I think
• 20:28
  Speaker 2: I think twenty sixteen. Yeah, I think we were talking
• 20:30
  Speaker 2: about twenty sixteen is like shit, yeah, wasn't it Rickman
• 20:33
  Speaker 2: as well Bowie, Prince, Rickman, maybe some others. We passed
• 20:37
  Speaker 2: away in January. We lost Prince in April. What a
• 20:41
  Speaker 2: two piece feet of shitness. That was.
• 20:44
  Speaker 3: January and April within three months was Prince and Bowie's
• 20:47
  Speaker 3: like what the fuck?
• 20:48
  Speaker 2: And then then the end of that year, you know
• 20:51
  Speaker 2: who got voted into the White House. Oh? Rickman died
• 20:54
  Speaker 2: four days after Bowie. Oh my gosh, same week, eh,
• 20:57
  Speaker 2: twenty sixteen. It's when the tide turned man. Not a
• 21:05
  Speaker 2: good term, isn't when you met love of Luiso? No,
• 21:07
  Speaker 2: that was twenty nineteen o ninety. I thought you did
• 21:09
  Speaker 2: it for seven years? Those five years? Is it? Do
• 21:11
  Speaker 2: your mates?
• 21:12
  Speaker 3: I thought, I thought you said seven last time. Anyway,
• 21:15
  Speaker 3: Nikola and I doing no. Twenty sixty was a good
• 21:17
  Speaker 3: year for us because Ford closed, right, which meant we
• 21:21
  Speaker 3: finally got to go on our honeymoon and we went
• 21:24
  Speaker 3: in the Holiday of the Laftime and we got to
• 21:25
  Speaker 3: spend great time with the lovely folks at Simpson's HQ.
• 21:28
  Speaker 3: And then we went to Dubai, which actually surprised me.
• 21:32
  Speaker 3: Dubai was the place where Nicholas, We've got to go there,
• 21:33
  Speaker 3: And I was like, do we have to got there,
• 21:35
  Speaker 3: and I was like, this is the cleanest, loveliest fucking
• 21:39
  Speaker 3: place I've ever been. Like, they do a good job
• 21:41
  Speaker 3: at cleaning this place up, but this place.
• 21:46
  Speaker 2: Yeah. Let me let me just read out some other
• 21:48
  Speaker 2: people who died in twenty sixteen, just because this is fun.
• 21:52
  Speaker 2: Alan Rickman, David like Gene Wilder, Glenn Fry, the Eagles,
• 21:57
  Speaker 2: will he won't go by the way. Oh yeah, happily,
• 21:59
  Speaker 2: the author of A Bird to Kill a Mockingbird, Abe
• 22:01
  Speaker 2: the Goda from The Godfather. Can you get me up
• 22:04
  Speaker 2: the book for old time sake?
• 22:05
  Speaker 4: Can do it?
• 22:06
  Speaker 2: Sally Gary Shanley, Muhammad Ali died in twenty sixteen. Leonard Cohen, Prince,
• 22:12
  Speaker 2: George Martin of the Beatles Fame, Carrie Fisher taking Way
• 22:16
  Speaker 2: Too Young, Anton Yelchin. Oh, and also Maurice White of
• 22:19
  Speaker 2: Earth Wind and Fire. Ah, what a good year. I
• 22:22
  Speaker 2: suppose I guarantee you if you go any year. Oh yeah,
• 22:28
  Speaker 2: that's the okay, everyone homes like, yes, people die every year. Guy.
• 22:34
  Speaker 3: That was a lot of people and a lot of
• 22:35
  Speaker 3: high There was a lot of people who people loved
• 22:38
  Speaker 3: in a very short amount of time. When we lost
• 22:40
  Speaker 3: Bowie Prince and Rickman altogether so closely. I was like, Oh,
• 22:43
  Speaker 3: Harry Potter's no can reunion, Bowie's gone, Prince is gone too.
• 22:48
  Speaker 3: Princess felt like the guy that was just gonna live
• 22:50
  Speaker 3: like a hundred. Yeah, it's like the Keith Richards. Obviously
• 22:53
  Speaker 3: it was never died. Okay, how's Keith Richard still going?
• 22:55
  Speaker 3: It's incredible, right, It's because he used really good heroin. Yeah,
• 22:58
  Speaker 3: apparently that's what. And didn't he snorty his dad or something?
• 23:02
  Speaker 3: I think that's an urban legend. Print the legend, print
• 23:04
  Speaker 3: the legend. Yeah, exactly right. If you're a fan of
• 23:06
  Speaker 3: everything we do here at four Finger Discount, but you're
• 23:09
  Speaker 3: tired of hearing these pesky ads, then you'll absolutely love
• 23:12
  Speaker 3: being a member of the fourth Finger Discount family on Patreon,
• 23:14
  Speaker 3: where you not only get access to over one hundred
• 23:17
  Speaker 3: hours of bonus podcasts, but you also get access to
• 23:20
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• 23:22
  Speaker 3: well as access to our exclusive Facebook and Discord communities.
• 23:26
  Speaker 2: And so much more.
• 23:27
  Speaker 3: So go ahead join the family today and support your
• 23:29
  Speaker 3: pals Guy and Dando for as little as one dollar
• 23:30
  Speaker 3: per month at patreon dot.
• 23:32
  Speaker 2: Com slash fourth Finger Discount Stone cutter time for you
• 23:45
  Speaker 2: to read it the names. Go for it. I'm gonna
• 23:47
  Speaker 2: need to turn you want to read them out? Actually
• 23:50
  Speaker 2: you should do it. You should. That's a bit of
• 23:52
  Speaker 2: fun here right on four figure discount and turn the
• 23:54
  Speaker 2: laptop around, all right, turning laptop around, read them out,
• 23:58
  Speaker 2: mister Davis, and you'll need that to scroll down at Okay, Well,
• 24:01
  Speaker 2: first of all, a big shout out to our one
• 24:03
  Speaker 2: hundred dollars patron Katie g Yeah, his hands together as
• 24:06
  Speaker 2: excited our fifty dollars patron Andrews. You have to provide
• 24:10
  Speaker 2: a little commentary here, Andrew. That's right, Yeah, there's nice
• 24:14
  Speaker 2: like Freaky Friday.
• 24:16
  Speaker 3: Uh you know, beauty of Because sir Andrew isn't actually
• 24:20
  Speaker 3: on a Patreon, he just don'tates fifty dollars to PayPal
• 24:23
  Speaker 3: so that we don't have to pay the extra Patreon
• 24:25
  Speaker 3: fees each month as well. What an absolute champion? What
• 24:28
  Speaker 3: a lord has have any else of you considered doing?
• 24:31
  Speaker 3: And what I do is I send him the unlimited
• 24:35
  Speaker 3: Patreon feed so he gets access to the podcast, but
• 24:38
  Speaker 3: he's not paying us through Patreon because Patreon take a
• 24:40
  Speaker 3: percentage as well as like I'll pay you straight to
• 24:42
  Speaker 3: PayPal that way friends and friends and family, so it
• 24:44
  Speaker 3: costs him we get no fees.
• 24:46
  Speaker 2: Wow. Yeah, that's the way to do it. People and
• 24:50
  Speaker 2: a skirt in the system. It's pretty sniff, that's say.
• 24:54
  Speaker 2: It's pretty sweet line. We're not saying it all the time.
• 24:58
  Speaker 2: I mean, he knows, he knows what he is. What
• 25:02
  Speaker 2: is it. Let's talk about our production buddies, Zach Prutt
• 25:07
  Speaker 2: and Andrew Swanny mcswan. It's just Andrew Swan. I don't
• 25:11
  Speaker 2: know we're giving him the mix. He's not Bodie mc
• 25:13
  Speaker 2: bow face. He prefers the mix swany. I think does
• 25:15
  Speaker 2: he Okay, you're mcswaney to us, Swanny, but you know,
• 25:17
  Speaker 2: keep up the good work, Lord of disc good Now.
• 25:20
  Speaker 2: I've got a big list of names here. It's not
• 25:22
  Speaker 2: in the usual order. The Dando does it. I don't
• 25:24
  Speaker 2: think it seems like there's some new ones in here,
• 25:26
  Speaker 2: or the two at the top of the ones we
• 25:27
  Speaker 2: always forgot.
• 25:27
  Speaker 3: But we need to start with our man Mark Mike Salter,
• 25:30
  Speaker 3: because he's in posting memes each week. Because every time
• 25:32
  Speaker 3: you guys forget to read my name out, I'm going
• 25:34
  Speaker 3: to post the meme asking him why am I getting
• 25:35
  Speaker 3: the memes.
• 25:36
  Speaker 2: I get my name it out. Mike Salter, supporter of
• 25:38
  Speaker 2: ours on Patren read the name out, It's done. It's
• 25:40
  Speaker 2: done now, Mike Salter, you say it, Mike Salter. Mike Salter,
• 25:43
  Speaker 2: Mike Salter, like Shelter, Mike Salter. Now get any more
• 25:46
  Speaker 2: mean people just like saying Salter? Are we going to? Hey, Mike,
• 25:52
  Speaker 2: make with the memes. You know we like him. We've
• 25:55
  Speaker 2: said your name a lot, but still keep with the memes.
• 25:57
  Speaker 2: Here's some other names, top not stone killers. I was
• 26:02
  Speaker 2: about to say, stop top tier. Maybe they our top tier.
• 26:04
  Speaker 1: No.
• 26:04
  Speaker 2: I think the top tier guys are the ones who
• 26:06
  Speaker 2: just read out anyway. Paul Warner, Isabella Murphy, Jonathan Rossi,
• 26:10
  Speaker 2: Rag Beasley, Stephen Roberts, Sean Deebe, Pete Anderson, Timothy Belson.
• 26:14
  Speaker 2: I'm getting into the Dando rhythm because now we're in
• 26:15
  Speaker 2: the familiar one. Ryan done. Did I just say Ryan done?
• 26:19
  Speaker 1: There?
• 26:19
  Speaker 2: You said it now though? Ryan done that? Kevin Dental
• 26:22
  Speaker 2: Plan Flood, Shannon Hofer, Bella Winderbank, Jack McFadden, Heath applebe
• 26:25
  Speaker 2: Adrick McLeod Lewis Cavana, Mark Treleven. It's funny. I'm saying
• 26:29
  Speaker 2: he's all in my head, cause I've said it so
• 26:30
  Speaker 2: many times. Rhice, Roberts, Ginger and Pickle, Preston Murray, Talia
• 26:36
  Speaker 2: andez Leah See, I'm not used for this said not
• 26:42
  Speaker 2: tre eleven. By the way, is it treleven or true? Evan?
• 26:44
  Speaker 3: It's true even I said tre eleven. I think it's true, Evan,
• 26:47
  Speaker 3: I don't know said. We've said both.
• 26:49
  Speaker 2: There we go, you get both versions back. I'm gonna
• 26:53
  Speaker 2: get it right, Taliah, Taliah and Talia Enriquez, Jake mccarto,
• 26:57
  Speaker 2: Decklan Phoenix, Brian Masado, Jake Mesado, you say McCay mabe,
• 27:01
  Speaker 2: I've said it on this whole time. Hey, Jake, get
• 27:03
  Speaker 2: in touch. Let's I've been in touch with it, so
• 27:05
  Speaker 2: I'm just assumed I said it right. He's probably gonna
• 27:08
  Speaker 2: get in touch up this. Don't let guy read in
• 27:10
  Speaker 2: the names anymore. He's fucking them all up. Declan Phoenix,
• 27:13
  Speaker 2: Brian McCoy, Josh Elliot, Logan, b James Sheppard, Joe Ridden Sick,
• 27:17
  Speaker 2: Dave Pretzels McNally, Gavin Lang, Damon Millier, Damon Miller, pardon me,
• 27:22
  Speaker 2: and Charlie Joe.
• 27:24
  Speaker 3: Now, of course, if you have joined us on Patreon
• 27:26
  Speaker 3: this month, you'll get your name it out on the
• 27:28
  Speaker 3: final episode of the month. You get to you give
• 27:30
  Speaker 3: your five dollars plus supporter of our on Patreon. If
• 27:32
  Speaker 3: you are a twenty dollars plus supporter of ours on
• 27:34
  Speaker 3: Patreon as a Stonecutter, you will get your name it
• 27:36
  Speaker 3: out on every episode.
• 27:38
  Speaker 2: That was fun reading those out. I felt like I
• 27:39
  Speaker 2: took Dad's car out for a spin. You robin your
• 27:42
  Speaker 2: hairs together a lot. Well, yeah, it's cold. Let's get
• 27:45
  Speaker 2: into our review of Trios of Horror nineteen al let's
• 27:48
  Speaker 2: get to the meat of it all. Yeah.
• 27:49
  Speaker 1: So.
• 27:50
  Speaker 3: The original edit of this episode was November two, two
• 27:53
  Speaker 3: thousand and eight, production co kab F one six. The
• 27:56
  Speaker 3: featured music was Stuck a Killer by Talking Heads and
• 27:58
  Speaker 3: the Peace.
• 28:00
  Speaker 2: That's is it called the Peanuts? That it's called the Lucy?
• 28:03
  Speaker 2: And what's it is it? Lino? I wasn't a Peanuts kid?
• 28:06
  Speaker 2: What's who was our millhouse in this episode? He was Linus, Linus,
• 28:10
  Speaker 2: Linus and Lucy song. I think it's called Yes, I
• 28:11
  Speaker 2: think it's called anyway. It's great, great music. Yes.
• 28:15
  Speaker 3: Written by Matt Warburton and directed by Bob Anderson. No
• 28:19
  Speaker 3: chopboard gag or couch gag, which is a shame. I
• 28:22
  Speaker 3: hope they don't do too many more of these. I
• 28:23
  Speaker 3: think that was just still every four years.
• 28:25
  Speaker 2: But the Simpson's gonna have.
• 28:26
  Speaker 3: Political based episodes if it's a taking the mickey of
• 28:30
  Speaker 3: politics in general.
• 28:31
  Speaker 2: Yeah, not timely shit like this. Look, but it's once
• 28:34
  Speaker 2: every four years. I can live with it.
• 28:36
  Speaker 3: No, I don't, because The Simpsons is forever, and I
• 28:39
  Speaker 3: just think you're watching this now this makes absolutely no sense.
• 28:42
  Speaker 2: Well, you've got wonderful technology in the power of your hand.
• 28:44
  Speaker 2: We can go. Man, it's give you a head ten seconds,
• 28:45
  Speaker 2: it's give me her twenty seconds.
• 28:47
  Speaker 3: Okay, thirty So the first episode is our first seven
• 28:51
  Speaker 3: is untitled Robot parody, but we get different version of
• 28:53
  Speaker 3: Transmorphis or I.
• 28:54
  Speaker 2: Know you do. Don't want to talk about the political stuff.
• 28:56
  Speaker 2: I did think it was a nice, funny sort of
• 28:58
  Speaker 2: side gag that Kernie was voting.
• 29:01
  Speaker 3: Yes, okay, yeah, they are. Basically the plot of the
• 29:04
  Speaker 3: political start is it's election day two thousand and eight.
• 29:07
  Speaker 3: They're claiming that McCain's going to rig the elections.
• 29:09
  Speaker 2: Turns out he did or no.
• 29:11
  Speaker 3: In this Episodeyeah, yeah, as I say, I don't think
• 29:12
  Speaker 3: you didn't real life, I don't. I remember President McCain.
• 29:17
  Speaker 2: No, we had thanks a bum.
• 29:19
  Speaker 3: Yes, so then we get the untitled robot parody. But
• 29:22
  Speaker 3: it is Christmas shopping for Lisa. Christmas shopping. I've done
• 29:25
  Speaker 3: all my Christmas shopping weeks ago. I got out shopping
• 29:27
  Speaker 3: at Christmas Times too many people, Elliott had a birthday
• 29:30
  Speaker 3: party at Times and at four thirty on a Sunday
• 29:33
  Speaker 3: laser quest at time zone and and with I'm was like, God,
• 29:39
  Speaker 3: look everyone just looks stressed and unhappy and look at
• 29:43
  Speaker 3: their phones, and it's just I'm like this, I feel
• 29:46
  Speaker 3: I used to enjoy going out at Christmas time. No,
• 29:49
  Speaker 3: you don't now I don't.
• 29:50
  Speaker 2: Is it Lord twenty twenty? Has has it changed? Or
• 29:53
  Speaker 2: is it just I'm getting older? You have changed? And
• 29:56
  Speaker 2: also the world has changed. Yeah, I don't know. I
• 29:59
  Speaker 2: was just like Ice.
• 30:00
  Speaker 3: I like going shopping with mum, but Mum probably dreaded it.
• 30:03
  Speaker 3: It was like pick up the Christmas present. Mum was
• 30:05
  Speaker 3: always there picking up the Christmas presents of Christmas Eve,
• 30:07
  Speaker 3: kind of mum that You're.
• 30:09
  Speaker 2: No, no, Mom, We're not like that. Okay. I have
• 30:12
  Speaker 2: found myself going to YouTube and finding footage of like
• 30:17
  Speaker 2: Males from the nineteen nineties as well, and then I'm
• 30:20
  Speaker 2: so old. Yeah, it's got a nice sort of synthwave soundtrack,
• 30:24
  Speaker 2: which is, you know, sort of taking the music that
• 30:26
  Speaker 2: you're here in malls and just sort of, you know,
• 30:28
  Speaker 2: fuzzing it up a little bit, putting a synthwave spot.
• 30:29
  Speaker 3: Like when there's no music over, it's just the sound
• 30:31
  Speaker 3: of the mall, and that just sounds pleasant. No one's
• 30:35
  Speaker 3: on their phones, people are talking to each other, they're
• 30:39
  Speaker 3: probably you know, kids are hanging out.
• 30:41
  Speaker 2: It's a good time, good time to be alive. People
• 30:44
  Speaker 2: are shopping. People speaking of people be shopping. Yeah, actually,
• 30:50
  Speaker 2: do you forget me? Forgot me? What so you forgot me?
• 30:53
  Speaker 3: Not the last minute gift store. I like the joke
• 30:55
  Speaker 3: taking Mickey out of themselves, like I've got time to
• 30:57
  Speaker 3: read all this. It's a sidekay, but you haven't got
• 30:59
  Speaker 3: the time to read it all. But he goes to
• 31:01
  Speaker 3: the ninety nine cent box, go through a bunch of
• 31:02
  Speaker 3: stuff that listing and he an Optimus Prime esque truck
• 31:07
  Speaker 3: drives up and he transforms into the truck goes now
• 31:10
  Speaker 3: at least doesn't want a truck and can transform into
• 31:12
  Speaker 3: a malibous states invertible.
• 31:13
  Speaker 2: Yeah, I'll buy that. It's Christmas morning.
• 31:16
  Speaker 3: They give Grandpa three minutes of oxygen through more extra minutes,
• 31:18
  Speaker 3: he goes outside to play with it, and then passes out.
• 31:20
  Speaker 2: Through the window. Let's it for Grandpa for the episode,
• 31:22
  Speaker 2: I believe. Let me ask you something. Do you give
• 31:25
  Speaker 2: Tree House of Horror episodes a little more? Do you
• 31:29
  Speaker 2: cut them a little more slack when it comes to
• 31:32
  Speaker 2: blackly funny gags? That's what these ones were designed for.
• 31:35
  Speaker 2: A Yeah, yeah, so you'll cut them a little more slack. Yeah.
• 31:37
  Speaker 2: So if you had Grandpa's like, oh, I've got my auction.
• 31:41
  Speaker 2: Oh I've used my auction. I passed out in the snow.
• 31:44
  Speaker 2: If you saw them in a regular episode that was
• 31:46
  Speaker 2: not Tree House of Horror.
• 31:47
  Speaker 5: You go.
• 31:48
  Speaker 2: Might you be inclined to go, oh, it's a little
• 31:50
  Speaker 2: mean to Grandpa? Or I think at this point probably
• 31:53
  Speaker 2: not where you think your nerve ends are just deadened.
• 31:56
  Speaker 2: I think they'd probably even do that joke in the
• 31:59
  Speaker 2: golden era. I'm just curious. I'm just answers. That's not
• 32:02
  Speaker 2: just asking questions, because know what.
• 32:04
  Speaker 3: It is, it's not them being cruel to Grandpa. They
• 32:06
  Speaker 3: gave him three minutes of auction. Can I go away
• 32:08
  Speaker 3: side and play with it? Sure, go for it, and
• 32:10
  Speaker 3: they're too busy, apty, more present. I don't see him.
• 32:12
  Speaker 2: Pass out if hover turning went oh well pull the
• 32:15
  Speaker 2: blind down? That he did turn ago and then but
• 32:19
  Speaker 2: did he? I thought maybe I actually remember him going,
• 32:21
  Speaker 2: but I thought he was just or maybe he was
• 32:23
  Speaker 2: looking at one of his other presents. I don't maybe, Yeah,
• 32:25
  Speaker 2: you're right, that could have been it possibly. Yeah, well
• 32:28
  Speaker 2: that that is anyway not needed. Like Joe Rogan, I'm
• 32:30
  Speaker 2: just asking questions.
• 32:33
  Speaker 5: Hey, Lee's I think I see one with your name
• 32:35
  Speaker 5: on it. I don't know how you could tap last
• 32:37
  Speaker 5: year's gift A box of your burps?
• 32:40
  Speaker 2: Yeah, here's your stocking stuffer. Wow?
• 32:46
  Speaker 5: I now with Stacy convertible. Oh by an actual present.
• 33:02
  Speaker 2: That's right, Maggie, it's a car.
• 33:06
  Speaker 3: I thought they could have done more with this, and
• 33:07
  Speaker 3: they don't. So Maggie sees the robots shoot the angel
• 33:11
  Speaker 3: and it puts the dummy in her mouth, the pacify
• 33:12
  Speaker 3: in her mouth when she's when she start trying to
• 33:14
  Speaker 3: point to it, I thought, maybe the story is going
• 33:16
  Speaker 3: to be no one sees these robots except for Maggie.
• 33:18
  Speaker 2: Yeah, and she's trying to get everyone's attention and it's
• 33:20
  Speaker 2: just a baby. Yeah. Could you drag them out for
• 33:22
  Speaker 2: seven minutes? I don't think I would make it central,
• 33:25
  Speaker 2: but I would make a little sort of feature. Yeah, yeah,
• 33:29
  Speaker 2: that Maggie's trying to get the message these robots are evil.
• 33:34
  Speaker 2: But are they evil? It's just they're just using Earth
• 33:36
  Speaker 2: as a battle as their as their ring. Yeah, wrestling ring,
• 33:43
  Speaker 2: that's right.
• 33:44
  Speaker 3: Speaking of Maggie, I highly recommend if you haven't already,
• 33:48
  Speaker 3: I'm assuming you have fan check out the shorts on
• 33:51
  Speaker 3: Springfield on Disney plus the Maggie based short. So the
• 33:54
  Speaker 3: longest staycare is one. I think that's what he won
• 33:56
  Speaker 3: the Academy Award for Best short Field for. My two
• 33:59
  Speaker 3: kids love them. They've watched them repeatedly.
• 34:02
  Speaker 2: Have they promoted those shorts with the tagline eat my shorts?
• 34:06
  Speaker 2: No they haven't. Okay, interesting, you know Bart's tagline was
• 34:10
  Speaker 2: eat my shorts for didn't you ever say eat my shorts?
• 34:14
  Speaker 2: Go with the bit? I know you, but you're so convincing.
• 34:18
  Speaker 2: You're such a good actor, almost Pacino level acting there, Pachina,
• 34:23
  Speaker 2: What was that for a tease for we might be
• 34:25
  Speaker 2: doing we might be talking about the might be we
• 34:27
  Speaker 2: are we are, We're working at the finer details of it.
• 34:32
  Speaker 2: But the next episode of the movie Guide with Malton
• 34:34
  Speaker 2: and Davis that we record uh is going to be
• 34:38
  Speaker 2: an al Pacino special because he's got his memoir out
• 34:42
  Speaker 2: and Leonard and Daniel and I would like to talk
• 34:44
  Speaker 2: about al Pacino.
• 34:46
  Speaker 3: Each going to pick their favorite performance by Alan do
• 34:49
  Speaker 3: a brief sort of summary of his career and his
• 34:50
  Speaker 3: highlights or whatnot as well. But you're going to go
• 34:52
  Speaker 3: into detail about your specifically favorite performance.
• 34:54
  Speaker 2: At one word, duncancino. Don't we now return you to
• 34:59
  Speaker 2: tree Housebards? How the film was that it was Jack,
• 35:01
  Speaker 2: Jack and Jill. Yeah, oh.
• 35:04
  Speaker 3: My, but it kills Meliby Stacy whilst Lisa is sleeping,
• 35:10
  Speaker 3: and he says possibots, So they call possibots possi bots,
• 35:12
  Speaker 3: transform snooze three ways, so they get like a kind
• 35:15
  Speaker 3: of a dog gag there with the three way there
• 35:17
  Speaker 3: go all the way with sex to story Yeah, which,
• 35:19
  Speaker 3: as we've already dicussed, could it be funnier? Homer then
• 35:22
  Speaker 3: notices the robots in the kitchen something different. No, no, no, no,
• 35:24
  Speaker 3: The toaster transforms into no toast has never lied to
• 35:27
  Speaker 3: it before. Then Homer leaves and the car transformed into Optimists.
• 35:31
  Speaker 3: But I thought, wasn't that the toy that he bought
• 35:34
  Speaker 3: for Lisa?
• 35:36
  Speaker 2: Yeah? Has has the Simpsons car been a pozzibot all
• 35:38
  Speaker 2: along along?
• 35:40
  Speaker 3: Don't ask questions anyway. It transforms turns into what we
• 35:44
  Speaker 3: know is Optimus Prime, and he fights the megatron s
• 35:47
  Speaker 3: version of them, the Robots, which is Flanners Car.
• 35:49
  Speaker 2: You're kind of stacking the deck against Team Megatron when
• 35:53
  Speaker 2: you call his team the Decepticons, right, stacking the deck
• 35:57
  Speaker 2: in what way? Well, it's oh, you're just so, you're
• 35:59
  Speaker 2: just evil? Is calling yourself the Decepticon? I can't trust you?
• 36:04
  Speaker 2: It's like this, they're so good at what they they're
• 36:07
  Speaker 2: so evil they don't give a shit with your trust
• 36:08
  Speaker 2: them or not? Okay, would Acepticon call himself a Decepticon?
• 36:14
  Speaker 2: Come on, guys, really, who are we fooling it? Finally,
• 36:20
  Speaker 2: your boxing David lives up to its name.
• 36:25
  Speaker 5: Well, if I had to guess, I'd say the two
• 36:27
  Speaker 5: alien robot racers who've been battling for centuries, it's chosen
• 36:30
  Speaker 5: our planet as the site for their ultimate confrontation.
• 36:33
  Speaker 2: It is a good planet to settle things.
• 36:35
  Speaker 3: And the robots is battling all over town. I've got
• 36:38
  Speaker 3: the fight in the quickie mark and making the Nacho
• 36:39
  Speaker 3: machine cry. The Margins confronts him and says, what are
• 36:42
  Speaker 3: you doing? What are you fighting about? Like, we actually
• 36:44
  Speaker 3: don't know. Maybe that's playing what you were talking about earlier.
• 36:47
  Speaker 3: It's like, wait a minute, the first film, we got
• 36:48
  Speaker 3: what we came for. Now, why are we fighting. I'm
• 36:52
  Speaker 3: pretty sure there's a reason.
• 36:54
  Speaker 2: I'm pretty sure that at the very end of Transformers one,
• 36:57
  Speaker 2: they've got I've betrayed the old bark or whatever, and
• 37:01
  Speaker 2: you've got is it Peter Cullen as the guy, he's
• 37:03
  Speaker 2: the voice of Optimist. To this day, he's the voice
• 37:06
  Speaker 2: of or. Oh wow, he's got range.
• 37:09
  Speaker 3: When Jim auditioned, he spoke to you were there. It
• 37:12
  Speaker 3: was Jim auditioned for Winnie the Pooh and he actually
• 37:15
  Speaker 3: thought he was going to get e Or and they
• 37:17
  Speaker 3: called that this and the agent said you didn't get
• 37:19
  Speaker 3: and he was like, all right, whatever, it doesn't matter, but.
• 37:21
  Speaker 2: You are winning in Tiger. Well that's much better. But
• 37:26
  Speaker 2: I believe that optimistic voice by Peter Callen gives a
• 37:29
  Speaker 2: bit I put the call out to all transformers.
• 37:33
  Speaker 3: I am optimists, pretty dope. I remember leaving that first
• 37:37
  Speaker 3: film going well, Ship's changed.
• 37:41
  Speaker 2: We talked a little earlier about sticking the landing. You
• 37:44
  Speaker 2: close out with what was it? Lincoln Park? Do Do Do?
• 37:47
  Speaker 1: Do? Do?
• 37:49
  Speaker 2: Not a good movie Transformers, But that first was all
• 37:53
  Speaker 2: right for what I have to be. It was pretty
• 37:55
  Speaker 2: good for what it was. Live action toy commercial with boom,
• 37:59
  Speaker 2: crash off, maybe cry. I think in that a c
• 38:01
  Speaker 2: g I robot Bumba was about to die. He's being
• 38:03
  Speaker 2: held hostage. I was like Ship, but it closed closing
• 38:07
  Speaker 2: out with what I've done. That's pretty rad. Yeah, I'm
• 38:10
  Speaker 2: getting fine. I'm thinking about it right now.
• 38:12
  Speaker 3: Looks like when Matrix finished with Troupe. Yeah, what's the
• 38:15
  Speaker 3: fish machine? Yeah, it's not killing the name of it's
• 38:20
  Speaker 3: wake up, wake up, of course, it's wake up.
• 38:22
  Speaker 2: He wakes up. Yeah. When the end of a good
• 38:24
  Speaker 2: song is what does iron Man end with? He said?
• 38:27
  Speaker 3: Or it just I'm Ironman? Yeah, because we don't get
• 38:31
  Speaker 3: the iron Man's song until the second one, or was
• 38:33
  Speaker 3: it in the first one.
• 38:37
  Speaker 2: It's on the it's on the trailer. Yeah, but in
• 38:40
  Speaker 2: the movie, I don't think it is. I think that's
• 38:42
  Speaker 2: a little too I think it was a little too
• 38:44
  Speaker 2: on the nose. That's black Sebath. What's they use a
• 38:45
  Speaker 2: lot of a C d C in the in the
• 38:48
  Speaker 2: Iron Man movie? Do they not Black Sabbath? I think
• 38:50
  Speaker 2: Black Sabbath do Oh? Yeah, yeah, but I think Iron
• 38:54
  Speaker 2: Man Iron iro Man one at least has got back
• 38:56
  Speaker 2: in black it really Yeah, what point at the very
• 39:00
  Speaker 2: are when Tony starks in the convoy and it gets
• 39:05
  Speaker 2: blown out? Of course it is.
• 39:06
  Speaker 3: Yeah, speaking of we just showed Elliott and Holly School
• 39:13
  Speaker 3: of Rock for the first time. Oh yeah, they fucking
• 39:15
  Speaker 3: loved it. Jack Flake is so good at that movie.
• 39:17
  Speaker 2: See, there's that's the other I mean when I was
• 39:19
  Speaker 2: saying before, I don't know if I was saying it
• 39:21
  Speaker 2: while we were recording, but we're talking about you know,
• 39:24
  Speaker 2: new movies are out starring I don't know, Beloved gen
• 39:30
  Speaker 2: X and Millennial Figures. New movie on Disney Plus called
• 39:33
  Speaker 2: Nutcrackers with Ben Stiller. Isn't new be on? I guess
• 39:36
  Speaker 2: it's on Foxtel at the moment, Called Dear Santa. Oh no,
• 39:38
  Speaker 2: it's Santa or dear Satan. That's right. Yeah. The gist
• 39:42
  Speaker 2: is that the kid sends the land letter, but he's
• 39:45
  Speaker 2: dislexs it, so he said it to Satan. But Jack Black,
• 39:47
  Speaker 2: isn't it. It's like, why is this not like a
• 39:50
  Speaker 2: bigger deal? Like this is stop Black? It's stay Black?
• 39:54
  Speaker 2: You know you love him from the School of Rock
• 39:56
  Speaker 2: and those Jamalji movies. Just be we are mad at
• 40:00
  Speaker 2: each other, doesn't mean you have to destroy our town.
• 40:03
  Speaker 2: That does not compute, really good, compute a little.
• 40:07
  Speaker 4: What's this whole intergoactictive about? Anyway?
• 40:10
  Speaker 2: You know I don't remember, neither do I. Hmm.
• 40:15
  Speaker 1: Maybe the non transformer thing is right.
• 40:18
  Speaker 2: Thank you human grandmother for pointing out that it is
• 40:21
  Speaker 2: futile to fight if we do not know why.
• 40:23
  Speaker 1: And now that we are not fighting each other, we
• 40:26
  Speaker 1: can team up through it.
• 40:27
  Speaker 2: Slveral flood it.
• 40:30
  Speaker 4: That's great because working together you could Okay.
• 40:38
  Speaker 2: Who's the idiot who taught them what foosball was? Heyt
• 40:41
  Speaker 2: They might enjoy it.
• 40:42
  Speaker 3: Now we get how to get ahead in devertizing. We
• 40:45
  Speaker 3: get a parody of the mad Men introes, which I
• 40:48
  Speaker 3: appreciate now because I have seen all mad men and
• 40:51
  Speaker 3: this was just something that Aligine had the idea of
• 40:53
  Speaker 3: doing this parody. It's almost like, we'll do this intro,
• 40:56
  Speaker 3: let's just base the story around it.
• 40:57
  Speaker 2: But I thought that.
• 40:58
  Speaker 3: I think that's why we got the original idea. I
• 41:00
  Speaker 3: just like the original idea here in this story, just
• 41:02
  Speaker 3: Homer has got to get for killing famous people so advertisers.
• 41:06
  Speaker 2: Does he really? Maybe he sort of does by accident.
• 41:10
  Speaker 2: That's the thing that kills Krusty. Yeah, I know that's
• 41:12
  Speaker 2: the jog.
• 41:13
  Speaker 3: Yes, yeah, so crazy Ethel's DAYCA. They're dropping off Maggie
• 41:17
  Speaker 3: here where your child learns to trust strangers, and they
• 41:21
  Speaker 3: say they'll be back in three hours, and I can say.
• 41:24
  Speaker 2: Should be.
• 41:24
  Speaker 3: It's always hard the first few days when youre droppingr
• 41:26
  Speaker 3: kids off a DAYCA and they don't want to leave,
• 41:27
  Speaker 3: and it's.
• 41:28
  Speaker 2: Like, imagine it would be tough as a peop whenever
• 41:30
  Speaker 2: you do it.
• 41:30
  Speaker 3: You're always on your phone constantly seeing the updates and
• 41:34
  Speaker 3: have enough dated like an hour, what's going is she alive?
• 41:36
  Speaker 3: What's happening here? That's kind of like when you drop
• 41:39
  Speaker 3: Lloyd's kids off a school and they said, don't leave, guys,
• 41:41
  Speaker 3: that's true, we want to stay with you. You ever
• 41:45
  Speaker 3: drop the kids off for school.
• 41:46
  Speaker 2: I picked them up from school. Yeah, I might have
• 41:48
  Speaker 2: dropped them up once or twice. So make you park
• 41:50
  Speaker 2: around the corner. Oh yeah, it's like you no, now
• 41:53
  Speaker 2: real dead. I'm not even a fake dad turned into Denzil.
• 42:03
  Speaker 2: We cut off this ship out right? Wait, okay, let
• 42:08
  Speaker 2: me do it in regular boice. I thought it was
• 42:09
  Speaker 2: pretty fun. Yeah that voice is fine. Okay, we just
• 42:15
  Speaker 2: watched the Pelican brief last night. Good movie. Some guy
• 42:18
  Speaker 2: got roasted on Twitter because he was doing like every
• 42:21
  Speaker 2: other actor. He was doing like a TikTok of every
• 42:23
  Speaker 2: other actor in Gladiator Too. That's right. I will fight
• 42:25
  Speaker 2: for room because I've got an inexplicable inlex accent. Denzel
• 42:31
  Speaker 2: Washington Gladida two. That's right, my man. Those are all
• 42:35
  Speaker 2: pretty racist. Second old bad Denzel impersonation I had that
• 42:39
  Speaker 2: glad Air Too is pretty out there. I've heard it's
• 42:42
  Speaker 2: kind of not good. Yeah, we wanted to be good.
• 42:45
  Speaker 2: It's just yeah, anyway, I said, with all due respect
• 42:49
  Speaker 2: to the great, really, Scott, make a Valien and Blade.
• 42:51
  Speaker 2: Dude's pushing ninety. Yeah, I wouldn't have him. You should
• 42:55
  Speaker 2: not be in charge of a car let alone, a
• 42:57
  Speaker 2: two hundred million dollar production. Really's not He's got no skills,
• 43:05
  Speaker 2: no more. I want to burn. I guess someone's not
• 43:12
  Speaker 2: appearing on the movie game. Actually I think really can
• 43:16
  Speaker 2: he seems like a salty old dude. Yeah, anyway, this
• 43:20
  Speaker 2: may not make it anyway.
• 43:22
  Speaker 3: But anyway, so Margeres dropped them off three hours so
• 43:25
  Speaker 3: much as concerned, and Homer points out that don't worry.
• 43:27
  Speaker 3: That's there's just a face you can trust, the face.
• 43:29
  Speaker 3: You know, it's Crusty, the Crusty mural. She's going through
• 43:32
  Speaker 3: and she's having a great time.
• 43:33
  Speaker 2: And then the real.
• 43:33
  Speaker 3: Crusty is there fully justified asking him to Sam blast
• 43:37
  Speaker 3: his face off the wall because there's unlicensed use of
• 43:39
  Speaker 3: his image. I get that they make money. You go
• 43:42
  Speaker 3: some daycares and you're like, you did not pay for
• 43:44
  Speaker 3: this Disney mural on this wall. There's such a little
• 43:48
  Speaker 3: fish there to get away with them, thinking you could
• 43:50
  Speaker 3: just come here one day and go take it down.
• 43:55
  Speaker 2: Unauthorized. Yes, but Sam blasts.
• 43:57
  Speaker 3: Crusty's face off, and crusts on the phone. He gets
• 44:00
  Speaker 3: us and the troops what have they done for him?
• 44:02
  Speaker 3: But if I hear some say, what have they done?
• 44:03
  Speaker 2: For me? What have you done for me?
• 44:05
  Speaker 3: But Homer confronts him, saying, you maye my little girl cry,
• 44:08
  Speaker 3: and he accidentally sends him into a wood chipper. Just
• 44:10
  Speaker 3: various wackiness ensues and he ends up in the wood chip.
• 44:13
  Speaker 3: But the Goldberg contraction incredibly, incredibly brutal. Yeah.
• 44:18
  Speaker 2: I did like Home trying to get pushed the heart
• 44:20
  Speaker 2: though it's been gruesome. Maybe my tree has a horrus standards,
• 44:23
  Speaker 2: but yeah, I get where you're coming from.
• 44:24
  Speaker 3: Yeah, sometimes you got to go pretty gruesome. But I
• 44:26
  Speaker 3: wouldn't the kids watched this one though, if that's for sure.
• 44:28
  Speaker 3: I was wondering about that when I was working out.
• 44:29
  Speaker 3: I did like the joke about intellectual rights being infringed.
• 44:32
  Speaker 2: You know what that's like? Hahah because Krusty is based
• 44:34
  Speaker 2: off Home's design. Ah, yeah, that's right, little in joke there.
• 44:37
  Speaker 3: But he Crusty has passed away and the blue head
• 44:39
  Speaker 3: lawyer arrives with I want to say, advertisers, right, is that.
• 44:42
  Speaker 2: Who they are? I guess so, yeah, they're meant to
• 44:43
  Speaker 2: be quote unquote mad men. Yeah, they might not meant
• 44:47
  Speaker 2: to be Don Draper and Rogers Stonele. I would have
• 44:49
  Speaker 2: liked it that it would have been good. That got
• 44:50
  Speaker 2: the Madman cast for this, That's true, it would have
• 44:52
  Speaker 2: been cool. Yeah. I just think they have mad Men
• 44:54
  Speaker 2: ended so well. Yeah, I won't say we don't want to.
• 44:57
  Speaker 2: I don't want to be few don't spoil him. But
• 44:59
  Speaker 2: it does have an we go. It's nice, makes a
• 45:02
  Speaker 2: whole bunch of sense. Yeah, it's in keeping with the
• 45:05
  Speaker 2: what's the show's about? Over and it makes the show
• 45:07
  Speaker 2: feel like this was in the real world. It's a
• 45:09
  Speaker 2: happy ending.
• 45:09
  Speaker 3: Yeah, but it's also a to a guy who probably
• 45:12
  Speaker 3: didn't deserve it. I'm gonna throw it out there.
• 45:14
  Speaker 2: He was just a He's a complicated man, old Don Draper.
• 45:17
  Speaker 3: Yeah, complicated but also not very nice. I mean he
• 45:20
  Speaker 3: but yeah, as I like to say, who among us? Yeah,
• 45:24
  Speaker 3: he did things that you and I probably never do though,
• 45:26
  Speaker 3: oh probably not. It was a different time and it
• 45:29
  Speaker 3: was a different and he was a fictional character. That's
• 45:31
  Speaker 3: that's what the show are lot heavily on. It's a
• 45:32
  Speaker 3: different time. Yeah, but it was a different time.
• 45:36
  Speaker 1: Oh my god, you finally did it. You mixed buzz
• 45:41
  Speaker 1: cooler with the smooth, rich teaste development. Unfortunately, there are
• 45:45
  Speaker 1: certain stars who won't do what we want which their problem.
• 45:50
  Speaker 2: There's still alive. And then we thought, who's good at
• 45:53
  Speaker 2: killing celebrities?
• 45:55
  Speaker 1: Me?
• 45:56
  Speaker 2: That's right, Homer. Would you be willing to acquire some
• 45:59
  Speaker 2: more accounts for us? Well, you know it is awfully
• 46:06
  Speaker 2: hot today. No, I'm too cold.
• 46:14
  Speaker 3: The first one he has to kill is George Clooney
• 46:17
  Speaker 3: in the quicksand very deep cement or whatever it was. Yes,
• 46:20
  Speaker 3: then he kills Prince just very brutally with the guitar,
• 46:23
  Speaker 3: just like smashes him of the head and stabs him.
• 46:25
  Speaker 2: And yeah, I didn't like that.
• 46:27
  Speaker 3: And Neil Armstrong, what's the way of getting back at
• 46:29
  Speaker 3: Prince for sucking up that episode?
• 46:31
  Speaker 2: I guess.
• 46:34
  Speaker 3: They wrote a script and he was like, I'm going
• 46:36
  Speaker 3: to have my man rewrite the whole script. You know
• 46:39
  Speaker 3: what you're not gonna do.
• 46:41
  Speaker 2: Rerune a caron Brian script.
• 46:43
  Speaker 5: Yeah.
• 46:44
  Speaker 3: So Neil Armstrong here, this is funny, all the elaborate stuff,
• 46:47
  Speaker 3: and it ends up with just the golf club getting
• 46:49
  Speaker 3: hit with the golf club. Then he sees their ads
• 46:52
  Speaker 3: in Times Square. This is Times Square, doesn't it it does? Yeah,
• 46:55
  Speaker 3: homoson Times Squad. Look at all the various ads, so
• 46:56
  Speaker 3: novelty vomit with more chunks. It is brought to you
• 46:59
  Speaker 3: by George Clooney've got Princess Choice, drought resistant grass seeds,
• 47:02
  Speaker 3: and country style country style Love country Style the way
• 47:06
  Speaker 3: Mommy used to make it Country country Style. Ragu sends
• 47:11
  Speaker 3: you to Mars. Everyone's now in heaven and they're all
• 47:13
  Speaker 3: angry at him, and they show the ad about John Wayne.
• 47:17
  Speaker 3: They're using John Wayne's license and whatnot. Then what what
• 47:20
  Speaker 3: of Lincoln's gay jokes here?
• 47:22
  Speaker 2: Yeah? See we mentioned this on a previous episode. How
• 47:24
  Speaker 2: there has been the kissing pennies. Yeah, kissing pennies and
• 47:28
  Speaker 2: recent allegations or discoveries or whatever that Abe didn't mind
• 47:32
  Speaker 2: the company and men on occasion or his wife had
• 47:34
  Speaker 2: an understanding. Yes, well according to this episode, Yes, but
• 47:38
  Speaker 2: George Lucas, George Lucas, No, George Washington, I should say,
• 47:41
  Speaker 2: and Lincoln not equally important in the development of American culture.
• 47:44
  Speaker 3: Exactly right, Yeah, and especially when it comes to South Park. Yeah,
• 47:51
  Speaker 3: that's one of the best episodes of South Back of
• 47:52
  Speaker 3: all time.
• 47:53
  Speaker 2: I loved it. Anyway, So George Washington here on Lincoln
• 47:55
  Speaker 2: there in an ad were being married together. Prob. Jimmy
• 47:57
  Speaker 2: Stewart here just cops it you can call much. Yeah,
• 48:00
  Speaker 2: he tries to stop rush. Okay, wouldn't see Now you're
• 48:04
  Speaker 2: you're doing what we always do. We're trying to do
• 48:09
  Speaker 2: Jimmy Stewart. Yeah, but we end up doing that. What
• 48:11
  Speaker 2: did you rum? And I love speaking of that was
• 48:15
  Speaker 2: actually one of my favorite moments. We'll get to that
• 48:16
  Speaker 2: one gag. Yeah, Lennon says, all we are saying is
• 48:19
  Speaker 2: let's eat some brains, host ronning a big kick ass
• 48:21
  Speaker 2: party now with a chocolate fountain. The money you got
• 48:23
  Speaker 2: for that was by killing Kate Winslet. Okay, Wednesday, She's
• 48:26
  Speaker 2: one of my favorites. Don't ever kill that. Never never
• 48:29
  Speaker 2: died Kate Wensdow. She was on my first crushes. Besides,
• 48:31
  Speaker 2: I was like, oh my Winsley, come on the movie guy,
• 48:34
  Speaker 2: Kate Winsley, Yes, do please do for just unlimited praise.
• 48:37
  Speaker 3: Of you so golden my throes at Ninja stars and
• 48:40
  Speaker 3: Margin's head on explaining golds God was the the Prime
• 48:44
  Speaker 3: Minister of Israel from sixty nine two seventy four. Good knowledge, guy.
• 48:49
  Speaker 2: There's one thing I know. It's Israel. Yeah, well, if
• 48:56
  Speaker 2: Hanker's area is going to do a dreadful Prince Boys.
• 48:58
  Speaker 2: In this episode, I'm going to do a very stereotypical
• 49:01
  Speaker 2: Jewish voice. But that was its time. It was a
• 49:04
  Speaker 2: different time. Thirty seconds ago. I made the episode. When
• 49:10
  Speaker 2: I did my offensive, you ripped me off.
• 49:15
  Speaker 4: She no, I didn't. Gee, you're gonna pay for what
• 49:18
  Speaker 4: you've done.
• 49:21
  Speaker 2: I always thought i'd die of heppatitis. Gee, that's awesome.
• 49:26
  Speaker 2: That's pretty good. That was very funny.
• 49:28
  Speaker 3: And Rip Taylor's and retailers was a funny man. Oh yeah,
• 49:31
  Speaker 3: somebody to check my apartment. She mentioned how Rip Taylor
• 49:35
  Speaker 3: was on the Adams Family animated series with him. Every
• 49:39
  Speaker 3: time you want to share Rip Taylor, it's just that's
• 49:41
  Speaker 3: who he is.
• 49:42
  Speaker 2: He's just that guy he commits to the next He's
• 49:45
  Speaker 2: that he would shop in the Jackass movies, Yes, thrown
• 49:49
  Speaker 2: confetti around, and it's one thing. It's one thing I
• 49:52
  Speaker 2: appreciate the Jackass crew that they're very inclusive.
• 49:55
  Speaker 3: They're very Yeah they always hope been, haven't I yeah either,
• 49:59
  Speaker 3: except that included a chick.
• 50:01
  Speaker 2: They haven't Jackass forever. In the New one, yes, but
• 50:03
  Speaker 2: at the beginning they went inclusive with chicks because it
• 50:05
  Speaker 2: just bros. Sometimes you gotta hang it with the bros
• 50:08
  Speaker 2: and the stupid ship. Chicks can be there. I'm sure
• 50:10
  Speaker 2: they can, but they probably be going, don't be doing
• 50:11
  Speaker 2: that stupid ship.
• 50:12
  Speaker 3: Don't pull on each other's faces, please, it's too smart.
• 50:16
  Speaker 3: I'm beneath this is beneath me. Indeed, I gave up
• 50:20
  Speaker 3: on Jackass three. When the guy was shitting through the
• 50:23
  Speaker 3: old cane, I was like, I'm.
• 50:24
  Speaker 2: Done, my man, Chris Conscious. I think that was Chris.
• 50:28
  Speaker 2: It was no. It was the guy that wore that
• 50:32
  Speaker 2: did the ship in the in the toilet in Jackass one.
• 50:35
  Speaker 2: He's the one that like no one England Dave England, Yes,
• 50:38
  Speaker 2: that guy.
• 50:39
  Speaker 3: Yeah, he was like I knew, oh he's on Jackass,
• 50:42
  Speaker 3: but I never knew his name is like the there's
• 50:43
  Speaker 3: a couple of them. You're like, you're in the crew,
• 50:45
  Speaker 3: but you're not one of the crew.
• 50:46
  Speaker 2: You know, everybody knows Knoxville BAM properly conscious and Steve.
• 50:53
  Speaker 3: Steve owned and Knoxville the two top dogs when it
• 50:57
  Speaker 3: comes to Jackass. Yeah, widespread, Steve O and oh yeah,
• 51:02
  Speaker 3: most famous. I guess, yeah, I mean you've got your
• 51:03
  Speaker 3: top tier guys. Sunday's just the guy got his gear off.
• 51:06
  Speaker 3: He's just the naked guy.
• 51:07
  Speaker 2: Yeah, pretty much. I don't think. Yeah, we do many stunts.
• 51:10
  Speaker 2: You just you would take his clothes off in public, Yeah,
• 51:12
  Speaker 2: got his dick bitting my scorpion. Yeah.
• 51:16
  Speaker 3: But when it came to like the intense stuff, it
• 51:18
  Speaker 3: was usually Knoxville and Steve or Steve O was the ones.
• 51:21
  Speaker 3: Like Steve Oh was the guy. I always felt sorry
• 51:22
  Speaker 3: for him, Like, this guy seems like a smart dude.
• 51:24
  Speaker 3: It's just with the bad crowd.
• 51:26
  Speaker 2: No, No, I've watched some DOCCO when they were talking
• 51:29
  Speaker 2: about how Steve O became part of the ground and
• 51:31
  Speaker 2: he was very much like a hanger on. Okay, oh,
• 51:33
  Speaker 2: I just want I just want to be part of
• 51:35
  Speaker 2: the jack crew. And he was just doing more and
• 51:36
  Speaker 2: more intense ship to sort of like get them to notice. Yeah,
• 51:39
  Speaker 2: like yeah, fine, came.
• 51:40
  Speaker 1: Along people, please, we're here to kill this jerk.
• 51:43
  Speaker 2: Before you kill me. You gotta know what is the
• 51:46
  Speaker 2: One true religion.
• 51:48
  Speaker 1: It's a mix of Voodoo and Methodist.
• 51:52
  Speaker 3: And Homer has beat them to heaven locks. The maccually
• 51:55
  Speaker 3: left the Count of the Mat and Lincoln invites him
• 51:57
  Speaker 3: to a poker tournament. He refers to mister Pennyface and
• 51:59
  Speaker 3: by it looks like Lincoln is going to try and
• 52:01
  Speaker 3: get him someone from Homer. Well look at the backside
• 52:03
  Speaker 3: grabbing ad ass. Yes, indeed, if you're a fan of
• 52:06
  Speaker 3: everything we do here at four Finger Discount, but you're
• 52:09
  Speaker 3: tired of hearing these pesky ads, then you'll absolutely love
• 52:12
  Speaker 3: being a member of the fourth Finger Discount family on Patreon,
• 52:15
  Speaker 3: where you not only get access to over one hundred
• 52:17
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• 52:20
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• 52:23
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• 52:28
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• 52:30
  Speaker 3: as one dollar per month at patreon dot com slash
• 52:33
  Speaker 3: four Finger Discount. Final segments at the Peanuts, It's the
• 52:36
  Speaker 3: Grand Pumpkin Millhouse, Got the Great Pumpkin, Charlie Millhouse and Lisa. Basically,
• 52:42
  Speaker 3: it's just the first bit here is just it's all
• 52:44
  Speaker 3: just the animation. You can sort of just admire it,
• 52:46
  Speaker 3: the music. It felt it was nostalgic, wasn't it?
• 52:49
  Speaker 2: Oh very much so? Yeah, because you would have grown
• 52:50
  Speaker 2: up with Charlie Brown Christmas and whatnot. And I don't
• 52:54
  Speaker 2: know how often those got shown on Australian TV really okay,
• 52:57
  Speaker 2: but I certainly. I mean I read the books. I
• 53:00
  Speaker 2: had so many Peanuts books. Do Peanuts have a TV series?
• 53:04
  Speaker 2: I never watched it, that's the question. I don't know
• 53:06
  Speaker 2: if it did. I think it had surpris if it didn't. Yeah,
• 53:08
  Speaker 2: but I think Charles Schultz was fairly intive. Yeah, of
• 53:12
  Speaker 2: his property and good for him, Oh yeah, absolutely, yeah,
• 53:15
  Speaker 2: I think he had he was pretty sure about what
• 53:19
  Speaker 2: he wanted to convey with his comic strips.
• 53:21
  Speaker 3: As it came to Snoopy merchandise everything, why not. Yeah, yeah,
• 53:26
  Speaker 3: that's what I say as well. I remember they did
• 53:29
  Speaker 3: one of the more iconic McDonald's happy Meal toys was
• 53:31
  Speaker 3: Snoopy around the World whatever. Every country had its own
• 53:34
  Speaker 3: version of like Snoopy, and I was like thirty to
• 53:36
  Speaker 3: collect it's just Snoopy with Australian our back hats, Snoopy
• 53:39
  Speaker 3: doing this with Japanese flags and Snoopy doing this. It's like, hey, yeah,
• 53:44
  Speaker 3: I feel that wells.
• 53:47
  Speaker 2: Everyone's got a bottom line to flesh out. Yeah. So
• 53:50
  Speaker 2: Milhouse and Lisa are walking in and they are Lisa
• 53:54
  Speaker 2: and Linus. Lisa are Lucy and Linus, except it's confusing
• 53:57
  Speaker 2: here because Lucy is Line's sister in peenis Wise. Yeah. Yeah,
• 54:04
  Speaker 2: but yeah in this l Brown, Yeah, there's no relation. Yeah,
• 54:09
  Speaker 2: in the in the Peanut Skin, Yeah yeah, just their
• 54:13
  Speaker 2: take on it. So I think Millhouse is the right
• 54:15
  Speaker 2: choice for the kind of Simpson's character to believe in
• 54:18
  Speaker 2: this and to fall for the years a belief. Well
• 54:21
  Speaker 2: that's because he's he's naive, yeah, or he's a little
• 54:25
  Speaker 2: wants to believe. Yes, yeah, I mean, which is not
• 54:29
  Speaker 2: I think the easy choice, or maybe more of his
• 54:32
  Speaker 2: choice would than to have someone like Rob Wigham too
• 54:36
  Speaker 2: wouldn't work.
• 54:37
  Speaker 3: I'm glad because they've kind of ruined the Ralph character
• 54:39
  Speaker 3: by this point. Yeah, but we get a little sat
• 54:42
  Speaker 3: a little helper redesign here of Snoopy seeing on the
• 54:44
  Speaker 3: doghouse at the backyard home and tries to get inside.
• 54:47
  Speaker 3: We have the good grief, which is Charlie Brown's catchphrase.
• 54:49
  Speaker 5: You bet I like your witch costume, Lisa, I'm not
• 54:54
  Speaker 5: a witch. I'm a wicked Why is it when a
• 54:57
  Speaker 5: woman is confident and powerful they call her a witch?
• 55:00
  Speaker 2: Like you say, Mom, nothing, I'm practicing my trombone. So
• 55:06
  Speaker 2: this is meant to be a take off the parents
• 55:09
  Speaker 2: of Charlie Burn's teacher, essentially whenever they were in the
• 55:12
  Speaker 2: classroom in pain, naturally, because that's how adult sander kids. Yeah,
• 55:18
  Speaker 2: except though it's not March shame, it's March practicing the trombone.
• 55:22
  Speaker 2: A gap there.
• 55:23
  Speaker 3: Millhouse says he's not going to the Halloween party. He's
• 55:26
  Speaker 3: going to be going to the pumpkin patch to wait
• 55:28
  Speaker 3: for the grand pumpkin. He explains that the grand pumpkin
• 55:30
  Speaker 3: he brings Kenny to the kids who truly believe in him,
• 55:34
  Speaker 3: and they just kids are like, yeah, whatever, mate, They
• 55:36
  Speaker 3: don't listen to him. He starts praying, they all leave.
• 55:39
  Speaker 3: Kids will arrive though, to the patch where Millhouse is waiting,
• 55:42
  Speaker 3: and they mocking, basically, don't they your God is wrong?
• 55:45
  Speaker 3: Oh yeah, oh, they go all out.
• 55:47
  Speaker 2: I was surprised.
• 55:48
  Speaker 3: They said that we're going for the Granny Smith apples.
• 55:50
  Speaker 3: I'm like, Granny Smith's good, but it's no pink lady,
• 55:53
  Speaker 3: no golden delicious.
• 55:55
  Speaker 2: Are you serious? It's been a while since I had
• 55:57
  Speaker 2: an apple that's out of an apple part. Do you
• 56:00
  Speaker 2: eat fruit? I have occasionally, but more sort of berries
• 56:05
  Speaker 2: every day. Good for you. I've gone off oranges. I
• 56:09
  Speaker 2: like oranges, want to play footy. I was never really
• 56:11
  Speaker 2: big on oranges. I like orange juice. Yeah, I like
• 56:14
  Speaker 2: eating Yeah, I don't like eating oranges. Never have apple
• 56:17
  Speaker 2: and fat free yogurt's my breakfast every day with some oatmeal.
• 56:20
  Speaker 2: Well that's great. I'm very happy for you, you know.
• 56:23
  Speaker 2: Want my breakfast is oreo cookie and a couple of
• 56:26
  Speaker 2: black coffee and oreos not that good. I don't mind.
• 56:29
  Speaker 3: Elliot likes the normal ones, but you got flavored ones
• 56:32
  Speaker 3: now and stuff, and Ali's like, by the normal ones.
• 56:34
  Speaker 2: Please these flavor I don't quite like the flavored ones.
• 56:36
  Speaker 2: They do one that's like a New York cheesecake one
• 56:39
  Speaker 2: that's actually pretty good. Elliott. I bought Elliot the Coke
• 56:44
  Speaker 2: zero ones. Yeah, here's the thing. They're shit. They're not great.
• 56:47
  Speaker 2: I'm a slut for variance, as you know. So it's
• 56:50
  Speaker 2: like limited oh coke coke flavored oreos. I like that.
• 56:56
  Speaker 2: With shapes, yeah, and there's meat pie shapes at the moment,
• 56:59
  Speaker 2: they're fucking delicious. Did I have those ones? Or did I?
• 57:03
  Speaker 2: Maybe I did meat pie and sauced shape they're so good.
• 57:07
  Speaker 2: I didn't loathe the coke brand Oreos, but they're no
• 57:11
  Speaker 2: New York cheesecake. If Elliot won't eat it, you know
• 57:13
  Speaker 2: it mustn't be good any Oreo. But guy will eat it.
• 57:16
  Speaker 2: And so there you go. I've got something in there
• 57:18
  Speaker 2: if you want them. No, I'm off them. I thought
• 57:22
  Speaker 2: you said you had it for breakfast. No, no, no,
• 57:24
  Speaker 2: I don't have an for breakfast. I have three. I
• 57:27
  Speaker 2: have a cigarette.
• 57:29
  Speaker 3: So basically, yeah, so they're going to get the Granny
• 57:31
  Speaker 3: Smiths before the apple bobbing and Lisa then she decides
• 57:36
  Speaker 3: to stay with Milhouse, which I thought was nice. Yes,
• 57:38
  Speaker 3: and she wakes her up though rehearsing it's here, it's here,
• 57:41
  Speaker 3: and she's like, I'm over this. She sees the like
• 57:42
  Speaker 3: every time she cuts to the school, it's the music
• 57:44
  Speaker 3: and he said playing. So she goes to the party
• 57:47
  Speaker 3: at the school. She leaves him alone. Millhouse starts crying,
• 57:50
  Speaker 3: cries onto the leaves of the of the Pumpkin and
• 57:52
  Speaker 3: it turns into the Grand Pumpkin, and he at first
• 57:55
  Speaker 3: is going.
• 57:55
  Speaker 2: To be nice to Millhouse. Yeah, your child, I believe
• 57:58
  Speaker 2: brought me to life. Happy Halloween. The Grand pumpkin.
• 58:06
  Speaker 1: You are real. That's right, Millhouse, your childlike belief has
• 58:12
  Speaker 1: brought me to life.
• 58:14
  Speaker 2: I know you'd come.
• 58:16
  Speaker 4: I even baked you a loaf of homemade pumpkin bread.
• 58:19
  Speaker 1: How delightful bread made especially for pumpkins.
• 58:26
  Speaker 4: Mm hmm, Actually it's made from pumpkins.
• 58:29
  Speaker 2: Who reveal.
• 58:40
  Speaker 3: Says Homer carving the pumpkins home. It's just they got
• 58:42
  Speaker 3: a bit too far of the line. He's like, and
• 58:43
  Speaker 3: I'm gonna make all your friends watch it on my head.
• 58:45
  Speaker 3: It is just being silly, So he ates Homer. Then
• 58:48
  Speaker 3: Millhouse stops the party to warn everybody. My god, you
• 58:51
  Speaker 3: gotta be careful. This Grandpapa's gonna end everybody. And the
• 58:55
  Speaker 3: pumpkins seeds all the various atrocities. So they've got the
• 58:57
  Speaker 3: pumpkin seeds. You roast the unborn. Nelson threatens him with
• 59:01
  Speaker 3: a yellow pumpkin. It turns out they're all racist, I
• 59:05
  Speaker 3: admit it. Then Nelson's I'd rather die than hate. Listener
• 59:09
  Speaker 3: gets an idea. Wait a minute, so you brought this
• 59:11
  Speaker 3: into life of your childlike belief. I never heard of
• 59:13
  Speaker 3: Tom Turkey. He starts believing in to Turkey.
• 59:16
  Speaker 2: No, but who is he? And what's his origin story?
• 59:18
  Speaker 3: Yes, and he burst in, stops the pumpkin from eating skinners, brains,
• 59:22
  Speaker 3: kills him, just puts the thing in these mouth and
• 59:26
  Speaker 3: blows that doesn't both because called yeah kills him. Homer
• 59:30
  Speaker 3: can't live on the outside well though, like a guy
• 59:31
  Speaker 3: who's been in prison. And the child like innocence of
• 59:34
  Speaker 3: Milhouse saved us all. And then the turkey realizes, oh wait,
• 59:37
  Speaker 3: you guys eat turkey as well, revenge, and we just
• 59:40
  Speaker 3: get the very silhouettes of them being eaten by turkeys,
• 59:42
  Speaker 3: and Marge does the outro, which was a nice little
• 59:44
  Speaker 3: call back to the original treeos of halloween'shen Marge used
• 59:46
  Speaker 3: to do the intro saying, maybe we'll turn the kids
• 59:48
  Speaker 3: away from this one.
• 59:49
  Speaker 2: It's gonna be scary.
• 59:50
  Speaker 4: Looks like those kids found the true spirit of Halloween
• 59:54
  Speaker 4: or Thanksgiving or whatever. And for those of you who
• 59:58
  Speaker 4: feel like we've trampled on a blo love the children's classic,
• 1:00:01
  Speaker 4: I encourage you to write to the following address. Happy
• 1:00:06
  Speaker 4: holidays everyone.
• 1:00:08
  Speaker 2: And that's it. I thought was a nice ending to
• 1:00:10
  Speaker 2: this tree as of horror. It was a nice ending
• 1:00:12
  Speaker 2: and a nice way to round out is with the
• 1:00:13
  Speaker 2: Peanuts one you're a very persuasive fellow, Dano. You've convinced
• 1:00:18
  Speaker 2: me that this tree House of Horror xix not xcx
• 1:00:21
  Speaker 2: um shalli. Yeah, that was a shout out for the kids.
• 1:00:26
  Speaker 2: Was actually better than I initially who it was so
• 1:00:28
  Speaker 2: well done. You what do we learn bomb? So what
• 1:00:31
  Speaker 2: you learn from the episode, mister Davis, It's not so
• 1:00:33
  Speaker 2: much a learning as a reinforcement that Abe Lincoln just
• 1:00:38
  Speaker 2: seemed to swing every which way, and hey, good on him.
• 1:00:41
  Speaker 2: Who among us? Who among us? Is not? I learned
• 1:00:44
  Speaker 2: me never. You should not be cooking pumpkin seeds. They're
• 1:00:47
  Speaker 2: the unborn. It's true. It's like it's like the chicken
• 1:00:50
  Speaker 2: in the egg. Yeah, don't do it. No, I can't.
• 1:00:52
  Speaker 2: I enjoy a nice pumpkin seed.
• 1:00:56
  Speaker 3: Okay, I don't like that. I like pumpkin in rosotto,
• 1:00:59
  Speaker 3: but as long as that's like, not too chunky. Nicola
• 1:01:01
  Speaker 3: likes she just loves pumpkin. I'm not the biggest fan
• 1:01:04
  Speaker 3: of pumpkin. I'm a roast with some gravy, not so
• 1:01:07
  Speaker 3: bad with a bit of beef or whatever, a bit
• 1:01:09
  Speaker 3: of chicken, but just by itself. And I enjoyed in
• 1:01:12
  Speaker 3: a risotto as I do enjoy it, but I just
• 1:01:14
  Speaker 3: don't like sometimes Nicola cuts it in chunks. It's a
• 1:01:17
  Speaker 3: bit too big, and I like the texture of is
• 1:01:18
  Speaker 3: really soft and MUSHes in your mouth, and it's a
• 1:01:20
  Speaker 3: bit over bearing.
• 1:01:21
  Speaker 2: The taste of it. I get where you're coming from
• 1:01:23
  Speaker 2: is the same for me. I don't mind cap skim
• 1:01:25
  Speaker 2: like a tie, Yeah, like a bad tie. What you
• 1:01:28
  Speaker 2: call it good power? I think it's called big good power,
• 1:01:30
  Speaker 2: but like in a stir fr or whatever. But I
• 1:01:32
  Speaker 2: think capsicum has a real strong taste and there's too
• 1:01:35
  Speaker 2: much of it can really overbear everything else that is
• 1:01:38
  Speaker 2: going in your mouth. As a term, I use a
• 1:01:40
  Speaker 2: lot of flavor balance just right do indeed, But what
• 1:01:44
  Speaker 2: we're going to talk about, you're talking about pumpkin seeds. Yeah.
• 1:01:48
  Speaker 2: I will sometimes have them in lieu of nuts there really.
• 1:01:52
  Speaker 2: Oh yeah, it's a brand at a local woolies, although
• 1:01:55
  Speaker 2: maybe there's not much there because well, he's kind of
• 1:01:58
  Speaker 2: on strike at the moment.
• 1:02:00
  Speaker 3: Now I've realized what because I'm like, the guy kept
• 1:02:02
  Speaker 3: saying to me at the shop as a shortage, and
• 1:02:04
  Speaker 3: I was like, why is that of a sudden the shortage?
• 1:02:06
  Speaker 3: I was like, Oh, no, one's delivering shit, that's right,
• 1:02:08
  Speaker 3: And I'm like, what I'm coming?
• 1:02:09
  Speaker 2: I got a nicola? Why has coals got everything? Then?
• 1:02:11
  Speaker 2: Because their workers don't get on strike, they're gett paid, right,
• 1:02:14
  Speaker 2: you got to walls. And it's like being in Soviet Russia.
• 1:02:16
  Speaker 2: Oh it's really bad, isn't it. It's kind of sad.
• 1:02:18
  Speaker 2: It's a little dystopian. The stores are empty. But besides that,
• 1:02:22
  Speaker 2: but Woolies has this particular brand of pumpkin seeds. They
• 1:02:25
  Speaker 2: do a very nice one that's kind of savory and salted,
• 1:02:28
  Speaker 2: and they do one that's got cocoa powder dusting on it.
• 1:02:32
  Speaker 2: It's a bit of a sweet treat if everyone's trying
• 1:02:34
  Speaker 2: to be healthy.
• 1:02:35
  Speaker 3: I never used to eat seeds and anything that I ate,
• 1:02:37
  Speaker 3: because I used to be scared an apple tree would
• 1:02:40
  Speaker 3: grow inside of me. So when I did an apple,
• 1:02:41
  Speaker 3: I'd go the seeds at the throw them awake, might
• 1:02:43
  Speaker 3: grow inside me and then I die.
• 1:02:46
  Speaker 2: Fucking strange. Why no, that's not actually now that makes sense.
• 1:02:49
  Speaker 2: Six years I was like, you're six, Yeah, okay, I
• 1:02:52
  Speaker 2: mean now, Jesus does imag don't give me sheet?
• 1:02:56
  Speaker 3: When I was a kid, I was just like I
• 1:02:58
  Speaker 3: think my dad probably my dad used to do all
• 1:03:00
  Speaker 3: the time. You can't do this because you're horrific things
• 1:03:03
  Speaker 3: And I'm like, that wouldn't.
• 1:03:04
  Speaker 2: Lie to me? What Dad from forward your name will be?
• 1:03:11
  Speaker 3: It is a time for the Guy Davis New Name Championship.
• 1:03:15
  Speaker 3: The current leaderboard stands at this In the first position,
• 1:03:19
  Speaker 3: his name is Garrett on six points. In second position
• 1:03:22
  Speaker 3: we have Brian Hughes on three and in a third
• 1:03:25
  Speaker 3: position we have a three way tie on two points
• 1:03:27
  Speaker 3: for Shannon Dawdell, Chris Clark and Steve Roberts.
• 1:03:30
  Speaker 2: Take it away, I will indeed take it away. One
• 1:03:32
  Speaker 2: point goes to you.
• 1:03:34
  Speaker 3: Should You should make everyone at home realize that everyone,
• 1:03:37
  Speaker 3: if you do a Treos of Horror nomination for new names,
• 1:03:39
  Speaker 3: you have to give a title for h three ones.
• 1:03:42
  Speaker 2: You have to do triple the work for the same
• 1:03:44
  Speaker 2: amount of reward. Yes, exactly, Welcome to podcasting. Should we
• 1:03:48
  Speaker 2: should we get the one point extra for now? We
• 1:03:51
  Speaker 2: can't change. We can't do it now, too complicated.
• 1:03:54
  Speaker 1: No.
• 1:03:56
  Speaker 2: One point goes to dough bots In Doe scar Psycho,
• 1:04:01
  Speaker 2: ad Killer and Mashing Pumpkins.
• 1:04:04
  Speaker 3: That would be Nathan briggs first time on the leaderboard
• 1:04:07
  Speaker 3: this season. One point, well done, Nathan.
• 1:04:09
  Speaker 2: Briggs z briggsz Well on Brigsy. Two points goes to
• 1:04:13
  Speaker 2: Car Troubles all Kill, a new Shiller and Gordzilla smiling
• 1:04:19
  Speaker 2: because he's back. It's Phil Hawkins. He's returned.
• 1:04:22
  Speaker 3: He's now on two points, currently four points behind the leader,
• 1:04:27
  Speaker 3: who is Jared on six. So let's see you gets
• 1:04:29
  Speaker 3: the three points.
• 1:04:30
  Speaker 2: That Jay is within grass Yeah, three points goes to
• 1:04:33
  Speaker 2: carlateral Damage, ad Sassin and wack o' lantern. Is that
• 1:04:39
  Speaker 2: first one again, carlateral damage? You said its clever car
• 1:04:43
  Speaker 2: lateral damage. Goodness, Oh his name is clever Cever.
• 1:04:49
  Speaker 3: Carl has made a bit of a comeback here three points.
• 1:04:52
  Speaker 3: He was on one point on four, which means he's
• 1:04:54
  Speaker 3: now in second position on four points, two points behind
• 1:04:57
  Speaker 3: nimi's Jar Jared no points this week, no points last
• 1:05:01
  Speaker 3: week either.
• 1:05:02
  Speaker 2: Now West and we.
• 1:05:05
  Speaker 3: Promised Jared guy is not deliberately doing this. I'm throwing
• 1:05:08
  Speaker 3: all the new names to him and he's just choosing.
• 1:05:09
  Speaker 2: I'm walking in blind. This is your game, your game,
• 1:05:13
  Speaker 2: all right.
• 1:05:14
  Speaker 3: So the currently, as I said, Jared is still in
• 1:05:16
  Speaker 3: the first position on six points, Kyle Muldoon on four
• 1:05:19
  Speaker 3: and second and Brian Hughes on three in a third position.
• 1:05:22
  Speaker 2: What a Lord? Who's the Lord this week? Mister Davis,
• 1:05:24
  Speaker 2: Oh yeah, what a lord? Triple Lords this week? Lords
• 1:05:29
  Speaker 2: to the power of three. Lord's cubed.
• 1:05:32
  Speaker 3: One might say, um, would that be lord cubed? Because
• 1:05:36
  Speaker 3: of it was Lord's CB that would be nine?
• 1:05:38
  Speaker 2: Right, that's correct? Yeah, anyway, didn't you you?
• 1:05:43
  Speaker 4: Uh?
• 1:05:45
  Speaker 2: Are you aware of three gentlemen known as A J,
• 1:05:50
  Speaker 2: Big Justice and the Rizzler? I am you know? Why?
• 1:05:53
  Speaker 2: Why is this?
• 1:05:53
  Speaker 3: Because they were on a w wrestling last week on
• 1:05:55
  Speaker 3: the paper View and turns out that dad was a
• 1:05:58
  Speaker 3: former pro wrestler. Oh my goodness on the ind and
• 1:06:00
  Speaker 3: he's fucking awesome. But they are everything I love about
• 1:06:05
  Speaker 3: pro wrestling. Can cut the pro is the thing cutting
• 1:06:09
  Speaker 3: a promo?
• 1:06:10
  Speaker 2: Right?
• 1:06:10
  Speaker 3: He named the venue they're fighting at, the date, his finisher.
• 1:06:14
  Speaker 3: What is he going to do to the guy? I'm like,
• 1:06:15
  Speaker 3: this guy is just ticking all the boxes.
• 1:06:18
  Speaker 2: This man's a pro. He is a pro. He's just like,
• 1:06:20
  Speaker 2: put a microphone in front of me. I'm going to
• 1:06:21
  Speaker 2: nail it. Yep, and he and his I guess his
• 1:06:25
  Speaker 2: offspring yeah, just I don't know. Representing the modern culture
• 1:06:30
  Speaker 2: that we're in came up with catchphrases. They're monetizing their brand.
• 1:06:35
  Speaker 2: They're building their brand and monetizing it. They are appearing
• 1:06:39
  Speaker 2: as the boom or whatever they've got, the boom versus
• 1:06:41
  Speaker 2: doom thing. Yeah, they were able to take a little
• 1:06:46
  Speaker 2: social media presence or whatever online presence and just swell
• 1:06:51
  Speaker 2: the shit out of it. Yeah, they are inspirational. Dando
• 1:06:54
  Speaker 2: On myself, even if you find them, I don't know, vulgar,
• 1:06:58
  Speaker 2: empty calorie nonsense.
• 1:07:01
  Speaker 3: I was mentioned to Guy Off there before that I
• 1:07:02
  Speaker 3: watched Idiocracy again last night with Nicolas. It feels very
• 1:07:05
  Speaker 3: much like an Idiocracy kind of celebrity.
• 1:07:07
  Speaker 2: Yeah, but you watched me.
• 1:07:08
  Speaker 3: Just can't have but appreciate even Rizzler. It looks like
• 1:07:11
  Speaker 3: how old he's like ten or whatever. He hits all
• 1:07:13
  Speaker 3: his spots.
• 1:07:15
  Speaker 2: They're pro, they they're polished, they're going they're not going
• 1:07:19
  Speaker 2: through the they're not phoning it in as we like
• 1:07:20
  Speaker 2: to think.
• 1:07:21
  Speaker 3: He was on Jimmy Fallon recently or on one of
• 1:07:23
  Speaker 3: the talk shows. Think it was Jimmy Fallon and they
• 1:07:25
  Speaker 3: were trying all different foods right and like doing like
• 1:07:27
  Speaker 3: taste tests, and at one point the Wrizzler kid is
• 1:07:29
  Speaker 3: just like this back and took a bite and he
• 1:07:31
  Speaker 3: gets and found like ignored him or whatever, like okay,
• 1:07:34
  Speaker 3: i'll eat it.
• 1:07:35
  Speaker 2: It eats it. Also, these are just great names. The Rizzler,
• 1:07:40
  Speaker 2: the Rizzler, Big Justice. Yeah, and I ate well a
• 1:07:43
  Speaker 2: J I mean it's kind of a.
• 1:07:45
  Speaker 3: A J boom something though it could be something like
• 1:07:47
  Speaker 3: that anyway, but like genitally like good wrestlers, right, Big
• 1:07:51
  Speaker 3: Justice comes intoes like a spear on the on the
• 1:07:53
  Speaker 3: heel when he wasn't ready for it. The Wrizzler is
• 1:07:55
  Speaker 3: the ring the ring bell guy, and he's just like
• 1:07:57
  Speaker 3: ringing the bout and everything, the cameras on him. He's
• 1:07:59
  Speaker 3: just like he knew one came up. I'm gotta play
• 1:08:02
  Speaker 3: my bit. I'm gonna do my stick like he just
• 1:08:04
  Speaker 3: they knew exactly what they're do.
• 1:08:06
  Speaker 2: I was so impressed, exemplars of the modern media age.
• 1:08:10
  Speaker 2: So Triple Lords, Triple Crown for the Lords, shout out
• 1:08:14
  Speaker 2: to age, Big Justice in the re.
• 1:08:16
  Speaker 3: Big Justice, I love it, Like it's so stupid, but
• 1:08:22
  Speaker 3: you clearly see why. You know what also I appreciate
• 1:08:25
  Speaker 3: to is they're a family that clearly love each other. Yeah,
• 1:08:28
  Speaker 3: having the time of their lives. Oh god, Yeah, go
• 1:08:30
  Speaker 3: for it.
• 1:08:31
  Speaker 2: Yeah.
• 1:08:31
  Speaker 3: And this is the thing I always say, they're not
• 1:08:33
  Speaker 3: hurting anybody, They're not putting anybody down.
• 1:08:36
  Speaker 2: No, they're just bringing joy. They may may eventually go
• 1:08:40
  Speaker 2: on to social media with some dodgy, questionable political beliefs.
• 1:08:43
  Speaker 3: Yeah, up until right now, it's like yes, TWI girl, Yeah,
• 1:08:46
  Speaker 3: I'm kind of over it. Yeah she's But the other
• 1:08:50
  Speaker 3: thing is she just felt like these guys felt they
• 1:08:52
  Speaker 3: were going to got one thing, but they're tweaking episode
• 1:08:54
  Speaker 3: slightly for like like boom versus doo, Like they seem
• 1:08:57
  Speaker 3: to be far more charismatic than the hot is like
• 1:09:00
  Speaker 3: a charming because I've got my accent and you know
• 1:09:02
  Speaker 3: I spoke about giving a gay blow job.
• 1:09:04
  Speaker 2: Is like that's all you got though? Yeah, pretty much. Yeah.
• 1:09:06
  Speaker 2: I also push still out a podcasts. I was like,
• 1:09:08
  Speaker 2: people are still listening to this thing. Oh oh, give
• 1:09:10
  Speaker 2: it two more episodes and be out. But I hopefully
• 1:09:12
  Speaker 2: look hopefully she got that paper. Oh yeah, good for her.
• 1:09:15
  Speaker 2: She was quid bit of what a lot as well.
• 1:09:17
  Speaker 2: She seems lovely what a lady. Yes and yeah, but
• 1:09:21
  Speaker 2: this trio of people are definitely the lords of the week.
• 1:09:25
  Speaker 3: I approve they not approves all right, So that is
• 1:09:28
  Speaker 3: our review of Treous of Horror nineteen. The next episode
• 1:09:31
  Speaker 3: of Four Figure Discount from season twenty, we shall be
• 1:09:34
  Speaker 3: reviewing Dangerous Curves. I'm sure what that one's about, but
• 1:09:38
  Speaker 3: we shall soon find out. Indeed, don't forget guys, you
• 1:09:40
  Speaker 3: can't support us on Patreon. It would be much appreciated
• 1:09:43
  Speaker 3: if you can't afford to do so. No, it's Christal
• 1:09:44
  Speaker 3: time and money is tight. But for a little as
• 1:09:46
  Speaker 3: a dollar we can't support the show and keep lights
• 1:09:47
  Speaker 3: and here at four fig a discan get early in
• 1:09:49
  Speaker 3: the are free access and all the good stuff. You
• 1:09:51
  Speaker 3: also can continue to please rate and review us on
• 1:09:54
  Speaker 3: Apple Podcasts, Spotify wherever you do listen to the show,
• 1:09:56
  Speaker 3: give us five stars and upper podcast. If you can
• 1:09:59
  Speaker 3: give us a a few kind words as well, that
• 1:10:01
  Speaker 3: would be much appreciated. Can't get in touch with us
• 1:10:04
  Speaker 3: as well a mailbag at four figure Discount dot com,
• 1:10:06
  Speaker 3: dot au, sadayver saend you findal words for those incredible
• 1:10:08
  Speaker 3: listeners out there.
• 1:10:12
  Speaker 5: S