Latest / Edgar Allan Poe Poems / Vigils-Aline Kilmer
Transcript
- 0:00Speaker 1: Things by Elin Marray Kilmore read filibrivoxt dot org by
- 0:05Speaker 1: Sonya Things. Sometimes when I am at tea with you,
- 0:11Speaker 1: I catch my breath at the thought that is old,
- 0:14Speaker 1: as the world is old, and more bitter than death.
- 0:18Speaker 1: It is that the spoon that you just laid down
- 0:21Speaker 1: and the cup that you hold, may be here, shining
- 0:24Speaker 1: and insolent, when you are still and cold. Your careless
- 0:29Speaker 1: note that I laid away may leap to my eyes
- 0:32Speaker 1: like flame, when the world has almost forgotten your voice
- 0:36Speaker 1: or the sound of your name. The golden Virgin Da
- 0:40Speaker 1: Vinci Drew may smile on over my head, and daffodils
- 0:45Speaker 1: not in the silver vase when you are dead. So
- 0:49Speaker 1: let moth and dust corrupt and thieves break through, and
- 0:53Speaker 1: I shall be glad because of the hatred I bear
- 0:56Speaker 1: to thinks instead of the love I had for life
- 1:01Speaker 1: seems only a shuddering breath, a smothered, desperate cry. And
- 1:05Speaker 1: things have a terrible permanence when people die. End of poem.
- 1:12Speaker 1: This recording is in the public domain.
- 1:20Speaker 2: If I had loved you More by Ailey Murray Kilmer
- 1:24Speaker 2: read for liberoqux dot org by soft Voice. If I
- 1:30Speaker 2: had loved you more. God would have had a pity.
- 1:33Speaker 2: He would never have left me here in this desolate place,
- 1:37Speaker 2: left me to go on my knees to the door
- 1:39Speaker 2: of heaven, crying in vain for a little sight of
- 1:42Speaker 2: your face. How could I know that the earth would
- 1:45Speaker 2: be dark without you? For you were always the lover
- 1:48Speaker 2: and I of a friend. Now, if there were any
- 1:52Speaker 2: hope that I might find you, I would go seeking
- 1:55Speaker 2: you to the world's end. God is a jealous God.
- 1:59Speaker 2: You have loved too wildly, you have loved too well.
- 2:02Speaker 2: One said, I bowed my head, that my heart and scornless,
- 2:07Speaker 2: crying that you, whom I had not loved enough, are dead.
- 2:11Speaker 2: Look on my heart and see it is hard and narrow,
- 2:15Speaker 2: that my loves are slight and last but a little space.
- 2:19Speaker 2: But why do I go on my knees to the
- 2:21Speaker 2: door of heaven, crying for only a little sight of
- 2:24Speaker 2: your face? And of poem? This recording is in the
- 2:29Speaker 2: public domain.
- 2:36Speaker 1: Atonement by Elin Murray Kilmer, read for LibriVox dot org
- 2:40Speaker 1: by Sonya Atonement. When a storm comes up at night
- 2:45Speaker 1: and the wind is crying, when the trees are moaning
- 2:48Speaker 1: like masts on laboring ships, I wake in fear and
- 2:52Speaker 1: put out my hand to find you, with your name
- 2:55Speaker 1: on my lips. No pain that the heart can hold
- 2:58Speaker 1: is like to this one to call forgetting into aching space,
- 3:03Speaker 1: to reach out confident hands and find beside you only
- 3:07Speaker 1: an empty place. This should atone for the hours when
- 3:11Speaker 1: I forget you. Take then my offering, clean and sharp
- 3:14Speaker 1: and sweet, an agony brighter than years of dull remembrance.
- 3:19Speaker 1: I lay it at your feet. End of poem. This
- 3:23Speaker 1: recording is in the public domain.
- 3:31Speaker 3: The Garden by a Lean Murray Kilmer read for LibriVox
- 3:36Speaker 3: dot Org by sky Albatross. And now it is all
- 3:41Speaker 3: to be done over again, And what will come of it?
- 3:46Speaker 3: Only God can know. What has become of the furrows
- 3:49Speaker 3: plowed by pain, and the plants set row on row.
- 3:54Speaker 3: What are the lines of beautiful bending trees, the gracious rings,
- 3:59Speaker 3: the depth of delicate shade, the sunny spaces loud with
- 4:03Speaker 3: the humming of bees, and the grassy paths in the
- 4:07Speaker 3: garden My life had made Lightning and earthquake now have
- 4:12Speaker 3: blasted and riven. Even the trees that I trusted could
- 4:16Speaker 3: not stand. Now it lies here to the bitter winds
- 4:20Speaker 3: of heaven, a barren and a desolate lamb and the palm.
- 4:25Speaker 3: This recording is in the public domain.
- 4:33Speaker 1: The Night Cometh by Aleen Murray Kilma read filiprivox dot
- 4:37Speaker 1: org by Sonya. The Night Cometh. My garden walks were
- 4:43Speaker 1: smooth and green, and edged with box streets. Left and right.
- 4:47Speaker 1: An old gray sun dial stood between two rounded beehives,
- 4:51Speaker 1: low and white. My hollyhocks grew tall and red. My
- 4:55Speaker 1: logs were thrust its lances high. The night cometh, the
- 4:59Speaker 1: sun dial said, and I hated its wisdom and hurried by.
- 5:04Speaker 1: I watch the sun dial as I wait and hope
- 5:07Speaker 1: to see its slow hand fly the stately poplace at
- 5:11Speaker 1: the gate. Our funeral torches flaring high. The scent of
- 5:15Speaker 1: wallflowers breaks my heart. The box is bitter in the sun.
- 5:19Speaker 1: The poppies burst their sheaths apart and tell of rest
- 5:23Speaker 1: when pain is done. The hawthorn shakes a ghostly head
- 5:28Speaker 1: and breathes of death. At fullest noon, the night cometh,
- 5:31Speaker 1: the sun dial said. The night can never come too soon,
- 5:35Speaker 1: O Sundial, hurry your creeping hand. Let the shadows fall
- 5:40Speaker 1: where the brown bees hume. I watch and wait where
- 5:43Speaker 1: the low hives stand. Let the night come, Let the
- 5:47Speaker 1: night Come. End of poem. This recording is in the
- 5:52Speaker 1: public domain.
- 5:58Speaker 4: The Touch of Tears by Eline Murray Kilmer dreadfully brevax
- 6:02Speaker 4: dot org by Anusha a year Michael vaks in autumn leaves,
- 6:09Speaker 4: rustling leaves and fading grasses, and his little music box
- 6:14Speaker 4: tinkles faintly as he passes. It's a gay and jaunty tune.
- 6:19Speaker 4: If the hands that play were clever. Michael plays it
- 6:23Speaker 4: like a dirge, moaning on and on forever, while his
- 6:28Speaker 4: happy eyes grow big, big and innocent and soulful, wistful,
- 6:34Speaker 4: halting little notes rise unutterably doleful telling of all childish griefs,
- 6:42Speaker 4: Baffled babies sobed, forsaken, birds fly off and bubbles burst,
- 6:48Speaker 4: Kittens sleep and will not waken. Michael. It's the touch
- 6:54Speaker 4: of tears. Though you sing for very gladness, others will
- 6:59Speaker 4: not see you much. They will mourn your fancied sadness.
- 7:05Speaker 4: Though you laugh at them and scorn show you a
- 7:08Speaker 4: happy heart for token, Michael, your protest and rain, they
- 7:13Speaker 4: will swear your heart is broken and of poem. This
- 7:18Speaker 4: recording is in the public domain.
- 7:26Speaker 5: Songs Against Children by Eleene Kilmer. Recorded for Liverybox dot
- 7:32Speaker 5: org by Jude Oh. The Barbary Bright, The barbary bright.
- 7:39Speaker 5: It stood on the mantelpiece because of the height. Its
- 7:43Speaker 5: stems were slender and thorny and tall, and it looked
- 7:47Speaker 5: most beautiful against the gray wall. But Michael climbed up
- 7:52Speaker 5: there in spite of the height, and he ate all
- 7:55Speaker 5: the berries off the barbary bright. Oh, the round, the
- 8:01Speaker 5: round holly wreath. It hung in the window with ivy beneath.
- 8:06Speaker 5: It was plump and prosperous, spangled with red, and I
- 8:10Speaker 5: thought it would cheer me, although I were dead. But
- 8:14Speaker 5: Deborah climbed on a table beneath, and she ate all
- 8:18Speaker 5: the berries off the round holly wreath. Oh, the mistletoe bow,
- 8:23Speaker 5: the misslete bow. Could anyone touch it? I did not
- 8:27Speaker 5: see how. I hung it up high that it might
- 8:31Speaker 5: last long. I wreathed it with ribbons and hailed it
- 8:35Speaker 5: with song. But Christopher reached it, I do not know how,
- 8:40Speaker 5: and he ate all the berries of the mistletoe bow.
- 8:45Speaker 5: End of poem. This recording is in the public domain.
- 8:54Speaker 5: To Shut a Child in a Bedroom by Eileen Kilmer,
- 8:59Speaker 5: recorded for LibriVox dot org by Jude Oh. Dear, Oh,
- 9:04Speaker 5: desolate bright head, O drooping mouth and shaken chin. How
- 9:10Speaker 5: could I ever lock you in? They were too harsh
- 9:14Speaker 5: the words I said? Should I have only smiled instead?
- 9:19Speaker 5: At one more funny, childish sin? Already my regrets begin?
- 9:25Speaker 5: What would I do if you were dead? Yet? There
- 9:28Speaker 5: is wonder in that place? And I could show you?
- 9:31Speaker 5: Did I dare? How to throw back your tangled hair,
- 9:36Speaker 5: and in around mysterious place, looking upon your mirrored face,
- 9:42Speaker 5: find comfort in the beauty there? End of poem. This
- 9:48Speaker 5: recording is in the public domain.
- 9:55Speaker 4: Tribute by Elen Murray Kilmer Readfullybrivax dot org Anusha Ayer,
- 10:03Speaker 4: Deborah and Christopher brought me dandelions. Kenton brought me butter
- 10:08Speaker 4: cups with summer on their breadth. But Michael brought an
- 10:11Speaker 4: autumn leaf like lazy filigree, a one leaf, a ghost leaf,
- 10:17Speaker 4: beautiful as death, Death in all loveliness, fragile and exquisite.
- 10:24Speaker 4: Who but he would choose it from all the blossoming land?
- 10:29Speaker 4: Who but he would find it where it hit among
- 10:31Speaker 4: the flowers, Death in all its loveliness. He laid it
- 10:35Speaker 4: in my hand? End of poem. This recording is in
- 10:40Speaker 4: the public domain.
- 10:46Speaker 6: Violin's Song by Alan Murray Kilmer read for Librevox dot
- 10:51Speaker 6: Org by Gaby Violin Song. The thing that I am
- 10:58Speaker 6: c king, I know I shall not find. A wistful
- 11:03Speaker 6: voice is crying this sorrow in my mind. I know
- 11:08Speaker 6: I shall not find it, however far I go, But
- 11:13Speaker 6: I shall always seek it. My heart has told me so.
- 11:18Speaker 6: Though I must always wonder, I do not find it. Sweet.
- 11:23Speaker 6: There is no journey's ending to draw my restless feet.
- 11:29Speaker 6: There is no distant vision to help me on my way.
- 11:34Speaker 6: I know my quest is hopeless, but yet I may
- 11:38Speaker 6: not stay. The thing that I am seeking should not
- 11:43Speaker 6: be far to seek. I hear its haunting echo through
- 11:47Speaker 6: every word I speak. So I shall always seek it
- 11:52Speaker 6: down all the roads I go, But I shall never
- 11:56Speaker 6: find it. My heart has told me so. End of poem.
- 12:03Speaker 6: This recording is in the public domain.
- 12:11Speaker 3: The Stirrup Cup by A. Lean Murray Kilmer read for
- 12:16Speaker 3: LibriVox dot Org by Sky Albatross. Here where each road
- 12:22Speaker 3: worn one rests till the night is done. In the
- 12:27Speaker 3: gray dawning, I saw my horse stand, and as I
- 12:31Speaker 3: left the inn, with his smooth face of sin, smiling
- 12:37Speaker 3: mine host with a cup in his hand. Drink now,
- 12:40Speaker 3: my merry friend, Drink to your journey's end. Let not
- 12:45Speaker 3: the hour of our parting be sad. Follow what road
- 12:49Speaker 3: you will. One tot will cheer you. Still, this warm
- 12:53Speaker 3: and fragrant cup you shall have had, traveler, The ride
- 12:58Speaker 3: is sweet, God's speed, your flying feet thinking you hasten
- 13:03Speaker 3: to lover and friend. Gather the bridle up, drain, dry
- 13:08Speaker 3: the stirrup cup. Only a cup of tears waits at
- 13:11Speaker 3: the end and upon. This recording is in the public domain.
- 13:22Speaker 1: Unlearning by Aileen Murray Kilma read Filibrivoux dot Org by
- 13:26Speaker 1: Sonya Unlearning. When I was young, my heart was old.
- 13:32Speaker 1: My heart was rich and very wise. Now all its
- 13:36Speaker 1: wisdom has been told, and all its wealth is fairy gold,
- 13:40Speaker 1: and all its joy futilities. My heart would say, when
- 13:45Speaker 1: I was young, it would be well to grieve no more.
- 13:49Speaker 1: The griefs you sing had all been sung before you
- 13:52Speaker 1: learned your mother tongue, and all your tears been shed before.
- 13:57Speaker 1: When I was young, my heart would say, what childish
- 14:00Speaker 1: things are these you seek? The piper's price is large
- 14:04Speaker 1: to pay, and there will come a reckoning day. In
- 14:07Speaker 1: this wise way, my heart would speak, But now it
- 14:11Speaker 1: cries continually. It says, none ever felt, as you cast
- 14:16Speaker 1: prudence to the winds, and see how happy I can
- 14:19Speaker 1: make you be. And some of what it says is true.
- 14:24Speaker 1: End of poem. This recording is in the public domain.
- 14:33Speaker 4: Perversity by Aline Murray Kilmel dreadfully Revax dot org by
- 14:38Speaker 4: Anusha a year. All my life, I have loved where
- 14:43Speaker 4: I was not loved, and always those whom I did
- 14:47Speaker 4: not love loved me. Only the God who made my
- 14:51Speaker 4: wild heart knows why this should be. Oh, I am strange,
- 14:55Speaker 4: inscrutable and proud. You cannot prove me. Though you try
- 15:00Speaker 4: and try. I'll keep your love alive and wondering until
- 15:04Speaker 4: you die. And a poem. This recording is in the
- 15:08Speaker 4: public domain.
- 15:15Speaker 1: Shards by Eline Murray Kilma read for LibriVox dot org
- 15:19Speaker 1: by Sonya Shards. I can never remake the thing I
- 15:25Speaker 1: have destroyed. I brushed the golden dust from the moth's
- 15:28Speaker 1: bright wing. I called down wind to shatter the cherry blossoms.
- 15:33Speaker 1: I did a terrible thing. I feared that the cup
- 15:37Speaker 1: might fall, so I flung it from me. I feared
- 15:40Speaker 1: that the bird might fly, so I set it free.
- 15:44Speaker 1: I feared that the dam might break. So I'll loose
- 15:47Speaker 1: the river, may its waters cover me and of poem.
- 15:53Speaker 1: This recording is in the public domain.
- 16:00Speaker 6: Charmian's Song by Ellan Moray Kilmer read forlibrivox dot Org
- 16:05Speaker 6: by Gaby Charmian's song. I am glad I have but
- 16:12Speaker 6: a little heart. For my heart is very small. It
- 16:17Speaker 6: makes it free to come and go, and no one
- 16:20Speaker 6: cares at all. I give my heart for a tender word,
- 16:25Speaker 6: for a gentle look or touch, and the one who
- 16:30Speaker 6: has it never knows, and it does not hurt me much.
- 16:35Speaker 6: If my heart were great and I gave it away,
- 16:39Speaker 6: then all the world would see. But my heart is
- 16:43Speaker 6: only a little thing, and it does not trouble me.
- 16:48Speaker 6: I may give my little heart unseen. It is so
- 16:51Speaker 6: small and light, and only very wakeful things can hear it.
- 16:56Speaker 3: Cry at night.
- 17:00Speaker 6: And the poem. This recording is in the public domain.
- 17:10Speaker 4: Light Lover by Aleen Murray Kilmer, Dreadful y vastat Org
- 17:14Speaker 4: by Anusha Ayir. Why don't you go back to the sea,
- 17:19Speaker 4: my dear, I am not one who would hold you
- 17:23Speaker 4: to see is the woman you really love? So let
- 17:26Speaker 4: hers be the arms that fold you Your bright blue
- 17:30Speaker 4: eyes are a sailor's eyes. Your hungry heart is a
- 17:33Speaker 4: sailor's too. And I know each port that you passed
- 17:37Speaker 4: through will give one lass, both bonnie and wise, who
- 17:42Speaker 4: has learned light love from a sailor's eyes. If you
- 17:46Speaker 4: ever go back to the sea, my dear, I shall
- 17:49Speaker 4: miss you, Yes, can you doubt it? But women have
- 17:53Speaker 4: lived through worse than that, So why should we worry
- 17:56Speaker 4: about it? Take your restless heart to the restless sea,
- 18:01Speaker 4: your light, light love to a light or lass who
- 18:05Speaker 4: will smile when you come, and smile when you pass here.
- 18:09Speaker 4: You can only trouble me. Oh, I think you had
- 18:12Speaker 4: better go back to see end of poem. This recording
- 18:17Speaker 4: is in the public domain. Words to an Irish Air
- 18:26Speaker 4: by Alin Murray Kilmer read for lebrevastat Org by Anusha Ayir.
- 18:32Speaker 4: If I had a lover now, who would he be? Yourself?
- 18:37Speaker 4: With your laughter, your gay gallantry? Yet I'd know when
- 18:41Speaker 4: you kissed me your heart was not mine but kneeling
- 18:45Speaker 4: in tears at a lost lady's shrine. Or if I
- 18:49Speaker 4: should seek him who loves me too? Well, do you
- 18:52Speaker 4: think with my head on his breast he could tell?
- 18:55Speaker 4: Would he know?
- 18:56Speaker 5: That.
- 18:56Speaker 4: However I strove to be true, my vagabond heart was
- 19:00Speaker 4: still following you. This dicing with hearts is a perilous game,
- 19:05Speaker 4: be it to one or another. The end is the same,
- 19:09Speaker 4: that is sure to be sorrow, however they fall. So
- 19:13Speaker 4: I think I shall not have a lover at all.
- 19:16Speaker 4: And a poem this recording is in the public domain.
- 19:25Speaker 3: For All Ladies of Shallatt by Aileen Murray Kilmer read
- 19:31Speaker 3: for LibriVox dot org by sky Albatross. The web flew
- 19:36Speaker 3: out and floated wide. Poor lady I was with her.
- 19:40Speaker 3: Then she gathered up her piteous pride, but she could
- 19:45Speaker 3: never weave again. The mirror cracked from side to side.
- 19:50Speaker 3: I saw its silver shadows go. The curse has come
- 19:54Speaker 3: on me, she cried. Poor lady. I had told her so.
- 19:59Speaker 3: She was so proud. She would not hide. She only
- 20:03Speaker 3: laughed and tried to sing. But singing in her song
- 20:07Speaker 3: she died. She did not profit anything. And the poem
- 20:12Speaker 3: this recording is in the public domain. The Heart knoweth
- 20:20Speaker 3: its own bitterness by a Lean Murray Kilmer read for
- 20:25Speaker 3: LibriVox dot org by sky Albatross. The heart know it.
- 20:31Speaker 3: If this be true, indeed, then the ting that I
- 20:34Speaker 3: bear in my bossom is not a heart, for it
- 20:38Speaker 3: knows no more than a hollow whispering read that answers
- 20:43Speaker 3: to every wind. I am sick of the ting. I
- 20:46Speaker 3: think we had better part. My heart will come to
- 20:50Speaker 3: any piper's calling, a fool and motley that dances for
- 20:55Speaker 3: any king. But my body knows, and its tears unbidden falling.
- 21:01Speaker 3: Say that my heart has sinned. You would have my heart,
- 21:05Speaker 3: you may. I am sick of the thing. End of poem.
- 21:10Speaker 3: This recording is in the public domain. To Sappho about
- 21:19Speaker 3: her Apple by Aileen Murray Kilmer, read for LibriVox dot
- 21:24Speaker 3: org by Sky Albatross. The highest apple swinging in the
- 21:30Speaker 3: tree top fell in my two hands, eagerly uplifted. For
- 21:35Speaker 3: though I knew its height was half its fairness, still
- 21:39Speaker 3: I would have it. Now. I am wise, with centuries
- 21:43Speaker 3: of wisdom. I lift my voice to give your ashes comfort. Sappho,
- 21:48Speaker 3: the tempting fruit that hung above you was hard and bitter.
- 21:53Speaker 3: End of poem. This recording is in the public domain.
- 22:02Speaker 5: To an Intruder by Eleene Kilmer, recorded for LibriVox dot
- 22:07Speaker 5: org by Jude Because I show a guarded face to
- 22:13Speaker 5: all the world but one or two, and in my
- 22:16Speaker 5: heart's most secret place. Consider Lily, why should you whose
- 22:21Speaker 5: roses grow in common ground? Profram the cloister I have
- 22:26Speaker 5: found end of poem. This recording is in the public domain.
- 22:37Speaker 5: Tork de Force by Eline Kilmer, recorded for LibriVox dot
- 22:43Speaker 5: Org by Jude smilingly. Out of my pain, I have
- 22:48Speaker 5: woven a little song. You may take it away with you.
- 22:52Speaker 5: I shall not sing it again, But when you have
- 22:56Speaker 5: learned it through, it will keep you brave and strong.
- 23:00Speaker 5: I wove it out of my pain. There is not
- 23:03Speaker 5: a word a bit true. End of pohin. This recording
- 23:09Speaker 5: is in the public domain.
- 23:16Speaker 3: Vigils by A Lean Murray Kilmer read for LibriVox dot
- 23:21Speaker 3: Org by sky Albatross. Once I knelt in my shining
- 23:26Speaker 3: mail here by tine altar all the night. My heart
- 23:31Speaker 3: beat proudly, my prayer rose loudly, but I looked to
- 23:35Speaker 3: my armor to win the fight God. My lance was
- 23:39Speaker 3: a broken reed, my mace a toy for a child's delight.
- 23:43Speaker 3: My helm is battered, my shield is shatter'd. I am
- 23:47Speaker 3: still with wounds, and I lost the fight. Lo I
- 23:51Speaker 3: kneel through the night again. Hear my prayer. If my
- 23:55Speaker 3: prayer be right, take for dye token my proud heart,
- 23:59Speaker 3: broken God, guide my arm. I go back to the fight.
- 24:05Speaker 3: End of poem. This recording is in the public domain.
- 24:13Speaker 3: Victory by Aileen Murray Kilmer read for LibriVox dot Org
- 24:19Speaker 3: by sky Albatross. I sheet my sword and mercy. Go
- 24:25Speaker 3: turn back for me your hopeless eyes, for in them
- 24:29Speaker 3: all my anger dies. I cannot face a beaten foe.
- 24:33Speaker 3: My cause was just, the fight was sweet. Go for me,
- 24:38Speaker 3: O mine enemy before in shame of victory you find
- 24:43Speaker 3: me kneeling at your feet. End of poem. This recording
- 24:47Speaker 3: is in the public domain.
- 24:54Speaker 1: Bound by Aleen Murray Kilmen read for LibriVox dot org
- 24:58Speaker 1: per Sonya Bound. If I had loved you soon, ah
- 25:04Speaker 1: soon I had lost you. Had I been kind, you
- 25:07Speaker 1: had kissed me and gone your faithless way. The kiss
- 25:11Speaker 1: that I would not give is the kiss that your
- 25:13Speaker 1: lips are holding. Now you are mine forever because of
- 25:17Speaker 1: all I have cost you. You think that you are
- 25:21Speaker 1: free and have given over your sighing. You think that
- 25:24Speaker 1: from my coldness your love has flown away. But mine
- 25:28Speaker 1: are the hands you shall dream that your own are holding,
- 25:31Speaker 1: And mine is the face you shall look for when
- 25:34Speaker 1: you are dying, and of poem. This recording is in
- 25:38Speaker 1: the public domain.
- 25:45Speaker 6: Knowledge by Allan Moray Kilmer read forulabrivox dot org by
- 25:51Speaker 6: Gabi Knowledge. Some learn it in their youth, some after
- 25:58Speaker 6: bitter years. There is no escape from the truth. Though
- 26:03Speaker 6: we drown in our tears. Many die when they see
- 26:09Speaker 6: that the terrible thing is true. But it has been
- 26:13Speaker 6: easy for me. I always knew. And of poem. This
- 26:21Speaker 6: recording is in the public domain.
- 26:29Speaker 1: Damon by Eline Murray Kilma read for LibriVox dot org.
- 26:34Speaker 1: Py Sonya Damon. I saw her after many years. The
- 26:40Speaker 1: blue black hair that had swept to her knees was
- 26:43Speaker 1: dull and gray. No one would turn to look at her,
- 26:45Speaker 1: thin face, worn with tears. I felt my own wet
- 26:49Speaker 1: eyelid spurn, for she had been queen of my memories.
- 26:53Speaker 1: She had had a face as bright as the sun.
- 26:56Speaker 1: Now she is broken and crushed, I said. The demon
- 26:59Speaker 1: of mischief that lurked before in her hazel eyes is
- 27:03Speaker 1: beaten and done. I hope we never meet any more,
- 27:06Speaker 1: for the thing I loved best in her is dead.
- 27:09Speaker 1: But then she turned and smiled at me, and looking
- 27:12Speaker 1: out of that mask of pain. The laughing in behind
- 27:16Speaker 1: her eyes was just as s gay as it used
- 27:18Speaker 1: to be. That kind of a devil never dies. I
- 27:22Speaker 1: put her back on her throne again. End of poem.
- 27:26Speaker 1: This recording is in a public domain.
- 27:34Speaker 2: One shall be taken under the other left by Aileen
- 27:38Speaker 2: Murray Kilmer read for lebervox dot org by soft pois.
- 27:45Speaker 7: There is no Rachel anymore, and so it does not
- 27:49Speaker 7: really matter. Leo alone is left, and she goes her
- 27:53Speaker 7: own way, inscrutably soft eyed. She goes content to scatter.
- 28:00Speaker 7: I'm sand along a baron shaw where there was sand
- 28:03Speaker 7: enough before, or from a well that has no water,
- 28:07Speaker 7: raising a futile pitcher up lifts to her lips an
- 28:11Speaker 7: empty cup. Now she is Laban's only daughter. There is
- 28:16Speaker 7: no Rachel anymore, and of con this recording is in
- 28:22Speaker 7: the public domain.
- 28:27Speaker 6: The Harp by Alan Murray Kilmer readflibrivox dot org by Gabby.
- 28:34Speaker 3: The harp.
- 28:37Speaker 6: I have a harp of many strings, but two are
- 28:40Speaker 6: enough for me. One is for love and one for death.
- 28:45Speaker 6: And what would the third one be? Before I learn
- 28:50Speaker 6: another note, I may forget and go. So while my
- 28:54Speaker 6: hand is light and sure, I play on the strings
- 28:58Speaker 6: I know. End of poem. This recording is in the
- 29:03Speaker 6: public domain.
- 29:10Speaker 2: The Gift by Aileen Murray Kilmer, read for Libervox dot
- 29:14Speaker 2: Org by soft voice. He has taken away the things
- 29:19Speaker 2: that I loved best, love and youth, and the harp
- 29:23Speaker 2: that knew my hand. Laughter alone is left of all
- 29:26Speaker 2: the rest. Does he mean that I may fill my
- 29:30Speaker 2: days with laughter? Or will it to slip through my
- 29:34Speaker 2: fingers like spilt sand? Why should I beat my wings
- 29:39Speaker 2: like a bird in a net when I can be
- 29:42Speaker 2: still and laugh at my own desire. The wise may
- 29:45Speaker 2: shake their heads at me, But yet I should be
- 29:48Speaker 2: sad without my little laughter. The crackling of thorns is
- 29:52Speaker 2: not so bad a fire. Will he take away even
- 29:56Speaker 2: of the thorns from under the pot and send me
- 29:59Speaker 2: cold and toropolis to bed. He has been good to me,
- 30:03Speaker 2: I know he will not. He gave me to keep
- 30:07Speaker 2: a little foolish laughter. I shall not lose it, even
- 30:11Speaker 2: when I'm dead. And of Cohen. This recording is in
- 30:15Speaker 2: the public domain. And of Vigils by Aileen Murray Kilmore.