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Kevin Hart + Classic Interviews · The Breakfast Club

• 0:00
  Speaker 1: Fifty percent special. I love you fifty to sit out.
• 0:08
  Speaker 1: Didn't become in the most prominent form what your ass
• 0:10
  Speaker 1: uthing early in the morning, but they told me it
• 0:12
  Speaker 1: was y'all. I said, hell yeah, I'm getting smaller shree
• 0:17
  Speaker 1: people's choice people. I can't believe you guys in the basket,
• 0:24
  Speaker 1: we know that Breakfast club petition that was Bryson Tiller
• 0:35
  Speaker 1: would exchange morning. Everybody is DJ mvy Angela Yee Charlomagne
• 0:39
  Speaker 1: the guy. We are the breakfast club. We got a
• 0:41
  Speaker 1: special guest in the building. Who are I seen in
• 0:43
  Speaker 1: the hall? I said, you're coming for war? You got
• 0:45
  Speaker 1: that's that's not what you're saying. That's how you and
• 0:48
  Speaker 1: a fitting like he's bang what he says. He just
• 0:53
  Speaker 1: came off the train, he said, Ay, got on the
• 0:55
  Speaker 1: Champion hoodie and some timberland. He about to stick somebody
• 0:58
  Speaker 1: out and he got that. That's that's a that's a
• 1:02
  Speaker 1: that's a fair assessment. Yeah, I came out of a cab.
• 1:06
  Speaker 1: But uh so, what's been up with you? Man? On
• 1:09
  Speaker 1: the grind? Baby, just just just trying to stay relevant. Man,
• 1:12
  Speaker 1: I've been to Airy Spears, Like I told him before,
• 1:14
  Speaker 1: you walking out like Airy was on everything me growing back,
• 1:17
  Speaker 1: guys shows, he was all over New York and find
• 1:20
  Speaker 1: him in the club. You didn't want to sacrifice to go? No, no, no,
• 1:24
  Speaker 1: it ain't got nothing to do. But I'm just kidd
• 1:25
  Speaker 1: when you say what happened? Why you why you say
• 1:27
  Speaker 1: what happened? As much as we used to. He's saying
• 1:30
  Speaker 1: you fell off Airy trying to fell off aries. No,
• 1:36
  Speaker 1: you know, it's funny to me. I know that's not
• 1:37
  Speaker 1: what he's trying to say, but you know it's funny
• 1:39
  Speaker 1: to me. It ain't like cats. Don't say that. You know,
• 1:41
  Speaker 1: I read the Twitter. I hear what people say. But
• 1:43
  Speaker 1: you know, people lose perspective. You know, if falling off me,
• 1:46
  Speaker 1: he's going on Abu Dhabi and doing one show for
• 1:48
  Speaker 1: eighty grand you know, then you wish to fall off.
• 1:51
  Speaker 1: If falling off me, he's traveling all around the country,
• 1:54
  Speaker 1: you know, going to Europe, gonna you know, Australia, going
• 1:56
  Speaker 1: to Africa, doing shows with a fan base. Then yeah, yeah,
• 2:00
  Speaker 1: you wish it was me. You know what I'm saying.
• 2:02
  Speaker 1: You know, it's like I do my job. You know,
• 2:04
  Speaker 1: I eat for free, drink for free, I travel damn
• 2:06
  Speaker 1: it for free, you know, go anywhere I want, get love,
• 2:08
  Speaker 1: you know, yeah, yeah yeah. Being famous for a dude
• 2:12
  Speaker 1: is like being a beautiful woman. A beautiful woman. So
• 2:15
  Speaker 1: people's people's perspective is hilarious to me when they say
• 2:17
  Speaker 1: fall off, because it's like, look, if you could have
• 2:20
  Speaker 1: my life based on what you do, and it ain't
• 2:22
  Speaker 1: about trying to be braggadocious or nothing, but it's like, look,
• 2:25
  Speaker 1: I can make it one weekend, which you're making a year.
• 2:27
  Speaker 1: You know what I'm saying. So when people say, yo,
• 2:29
  Speaker 1: you're falling off, it's like if I fell often where
• 2:31
  Speaker 1: you at? Do you think times have changed as far
• 2:33
  Speaker 1: as being able to be the Paul Mooney type? I
• 2:37
  Speaker 1: guess being able to speak your mind because of social
• 2:39
  Speaker 1: media and uh, you know what, not really you would
• 2:42
  Speaker 1: think that it has, but not really. Uh you know.
• 2:44
  Speaker 1: And and I'm trying to I'm trying to learn a
• 2:46
  Speaker 1: little bit and hold back a little bit more because
• 2:48
  Speaker 1: I know some of the things I say can sometimes
• 2:50
  Speaker 1: be off putting or shocking, but you know, I'm trying
• 2:55
  Speaker 1: to figure it out. You know, people think that me
• 2:57
  Speaker 1: and Kevin Hart really had a beef. There is no beef.
• 2:59
  Speaker 1: How are you gonna beat for somebody that huge. You know,
• 3:01
  Speaker 1: I never had a beef, I had an opinion, you know,
• 3:04
  Speaker 1: I was just simply saying that. You know, it's almost
• 3:07
  Speaker 1: like every comedian. We always have the intention of when
• 3:10
  Speaker 1: we come out with a new joke, we want that
• 3:12
  Speaker 1: joke to be a home run out of the park
• 3:14
  Speaker 1: grand slam. That's your intention. But it don't always work
• 3:16
  Speaker 1: out like that. Sometimes it do, sometimes it don't. So
• 3:20
  Speaker 1: if your intention is to be up here and you
• 3:22
  Speaker 1: somewhere in here, you gotta part me. You gotta work
• 3:25
  Speaker 1: it and craft it till you get it to that point.
• 3:27
  Speaker 1: And sometimes all it takes is a word, a phrase,
• 3:30
  Speaker 1: of physical movement, a little something extra to take you
• 3:34
  Speaker 1: from here to hear. And if somebody gives you the
• 3:37
  Speaker 1: ingredient whatever that is to go from here to hear,
• 3:41
  Speaker 1: how do you claim genius? Because if your bitch starts
• 3:44
  Speaker 1: out like this knowing you wanted to be here, then
• 3:46
  Speaker 1: you get it here to go. Yo, that's genius. It
• 3:48
  Speaker 1: was brilliant, okay, but before it was brilliant, where did
• 3:51
  Speaker 1: you get that to take it to the time. So
• 3:52
  Speaker 1: basically I'm just saying, yeah, you got you know, when
• 3:56
  Speaker 1: you got somebody that can help give you that last
• 3:58
  Speaker 1: You make a gumbo and you go, something's missing. Doesn't
• 4:01
  Speaker 1: every comedian have a writer with every comedian doesn't. You
• 4:04
  Speaker 1: might have writers for TV show or movie, but no,
• 4:07
  Speaker 1: not every comic for stand up. Same thing as stand up.
• 4:12
  Speaker 1: It's stand up, so many of it. If you look
• 4:14
  Speaker 1: at a lot of comedy specials at the end of it,
• 4:16
  Speaker 1: when you look at the credits, it says written and
• 4:19
  Speaker 1: produced by and nine times out of tennis, one name
• 4:22
  Speaker 1: every nine and then year you might get somebody would
• 4:24
  Speaker 1: a written by two people, but usually it's one name,
• 4:27
  Speaker 1: one author. That's it. It's my thing with comedians, right
• 4:30
  Speaker 1: Like every comedian has to mention Kevin Hard in some way,
• 4:33
  Speaker 1: and it's never like a flattering thing. And I always
• 4:35
  Speaker 1: wonder why, Well, first, I've always started off immediately by
• 4:39
  Speaker 1: by going, yo, Kevin Hard is so legit as a talent,
• 4:44
  Speaker 1: you know what I mean. So I never said he
• 4:46
  Speaker 1: wasn't funny. The boy is the truth. I'm just saying,
• 4:49
  Speaker 1: as far as stand up goes, it's real hard to
• 4:53
  Speaker 1: come out with a banging hour that consistently. And I understand,
• 4:57
  Speaker 1: you know, he says I work hard and all that,
• 4:59
  Speaker 1: and I get that I respected. But again, if you
• 5:01
  Speaker 1: got somebody telling you, hey man, that joke, you just
• 5:04
  Speaker 1: did say this instead, and that that's the difference between
• 5:08
  Speaker 1: one and ten. Maybe Kev's just that good. You're getting
• 5:11
  Speaker 1: one sense as far as being able to deliver an
• 5:13
  Speaker 1: hour every year written by himself or him. Yeah, maybe
• 5:17
  Speaker 1: because you got to thin think about how much he's
• 5:19
  Speaker 1: on the road and how much he travels, all the
• 5:20
  Speaker 1: different places he goes. He's got a lot of material
• 5:22
  Speaker 1: to draw and a lot of that stif it's from
• 5:24
  Speaker 1: his own life too, like his family and his kids.
• 5:26
  Speaker 1: Like he said, he doesn't really get into politics, right
• 5:28
  Speaker 1: and things like that too much. He talks more about
• 5:31
  Speaker 1: his family. God bless him, God bless him. I just
• 5:34
  Speaker 1: it was my opinion. You said you would, you wouldn't
• 5:36
  Speaker 1: have have no problems And he's launched is a comic network.
• 5:39
  Speaker 1: Would you do something that he said specifically he would
• 5:41
  Speaker 1: he would have you are absolutely listen, man, if the
• 5:44
  Speaker 1: money right, I'm there, you know, And like I said,
• 5:46
  Speaker 1: there never was any beast. It's a shame now that
• 5:49
  Speaker 1: you can't say something about somebody an opinion and people
• 5:53
  Speaker 1: run with it. Like you know, it's blasphemy, you know what,
• 5:55
  Speaker 1: I think it is because your respected comic also and
• 5:59
  Speaker 1: it gets it holds more way. Anything holds more weight
• 6:01
  Speaker 1: when you say it than when somebody on Twitter says
• 6:03
  Speaker 1: something right. I think people just look for drama. Comedian
• 6:06
  Speaker 1: from Mad TV Airy spears in the building. It's the
• 6:08
  Speaker 1: breakfast clogal Morning, the Breakfast Club, got that Masterpeep Morning.
• 6:15
  Speaker 1: Everybody is DJ m vy Angela Yee, Charlomgne the God.
• 6:19
  Speaker 1: We are the breakfast Club. We have comedian from Mad
• 6:21
  Speaker 1: TV Airy Spears in the building, are Ye. There's this
• 6:24
  Speaker 1: perception of comics being happy and telling jokes on stage,
• 6:27
  Speaker 1: but in real life they're like, you know, you know
• 6:30
  Speaker 1: what makes me miserable and depresses this business because it's
• 6:33
  Speaker 1: not what it should be. You know, I got into
• 6:35
  Speaker 1: this thinking it was it was about your talent. You
• 6:37
  Speaker 1: did your thing and the next thing boom. This stuff
• 6:40
  Speaker 1: is so political, it's so political, it's so racist. Like this,
• 6:44
  Speaker 1: this this business is dirty. You was in a different world.
• 6:47
  Speaker 1: You didn't Mad TVA many specials, the comedy Jym, you
• 6:50
  Speaker 1: weren't there. I don't you know what it's that that
• 6:53
  Speaker 1: might be easy to say from the outside look it in.
• 6:55
  Speaker 1: But I'm telling you, it's it's so many pitfalls and
• 6:59
  Speaker 1: dirtiness to this. It's unreal. What happened? Did they did
• 7:02
  Speaker 1: you invite you to Illuminati meeting? Or did you somebody
• 7:05
  Speaker 1: you in the room. And I'm gonna get an example.
• 7:07
  Speaker 1: Like the girl that does the mother on Family Guy,
• 7:10
  Speaker 1: Alex Bornstead, she was on Mad TV. She did miss
• 7:14
  Speaker 1: swan one of the most racist h C words I've
• 7:18
  Speaker 1: ever been around. Like, yeah, me and Debor was in
• 7:20
  Speaker 1: the makeup room one day, and you know, me and
• 7:22
  Speaker 1: Debor like brother and sister. Well, our chemistry was there.
• 7:25
  Speaker 1: And one day we're just sitting around waiting to shoot.
• 7:28
  Speaker 1: So Alex just starts looking at her fingernails. So she
• 7:30
  Speaker 1: keeps rubbing her fingernails and and uh, Debora used to
• 7:33
  Speaker 1: date Pat Hillbay and the white boy on the show.
• 7:35
  Speaker 1: So she goes, U, oh my god, Pat, I got
• 7:38
  Speaker 1: all this black dirt under my fingernails, Like I was
• 7:40
  Speaker 1: raped by an N word and I got the evidence
• 7:42
  Speaker 1: to prove it. So me and Debora took offense to that.
• 7:45
  Speaker 1: So you know, we complained to you, right, So yeah,
• 7:49
  Speaker 1: so we complained to the producers about it, and turn
• 7:52
  Speaker 1: out the producers was like Arias and Deborah making trouble
• 7:56
  Speaker 1: and we got singled out for being troublemakers. We was
• 7:59
  Speaker 1: troublemakers for being insulted. And somebody said that, I mean,
• 8:02
  Speaker 1: how do you you know what I'm saying? Like how
• 8:04
  Speaker 1: you blame the victim? How you blame the rape? You
• 8:06
  Speaker 1: know what I mean? And and so it's like, and
• 8:08
  Speaker 1: that's the kind of thing, this kind of thing Hollywood is.
• 8:10
  Speaker 1: You gotta it's so political and so racial. You gotta
• 8:13
  Speaker 1: watch where you step, you gotta watch what you say,
• 8:15
  Speaker 1: because all of it it's crazy. At one point there
• 8:18
  Speaker 1: had to be at least one moment where you knew,
• 8:20
  Speaker 1: all right, they ain't rocking with me, Like whether it's
• 8:23
  Speaker 1: something in a meeting or something you're talking to. I
• 8:26
  Speaker 1: just to be honest, man, I felt like that for
• 8:28
  Speaker 1: the last couple of years. I truly believe to some extent,
• 8:31
  Speaker 1: whether it's true or not, or whether I have I
• 8:33
  Speaker 1: don't have any actual evidence of it, but I just
• 8:35
  Speaker 1: something I believe. I'm black ball, man. What I just
• 8:39
  Speaker 1: just because there's a stigma. You know, my manager's even
• 8:41
  Speaker 1: told me, he goes, well, you know, people would go, yeah,
• 8:44
  Speaker 1: he's talented, but it ain't worth the trouble. We heard
• 8:46
  Speaker 1: he's this, we heard he's that. That's true to people
• 8:48
  Speaker 1: always say you have a bad attitude. So I wonder
• 8:49
  Speaker 1: do you think is there anything that makes you say
• 8:52
  Speaker 1: it could be me? Uh? Yeah, I just just I
• 8:55
  Speaker 1: should smile more, you know, I should interact. I look
• 8:58
  Speaker 1: like the Mahosia Dean. If I don't smile, it looks
• 9:00
  Speaker 1: serious smiling that hood and I'm walking the other way. Well, listen, man,
• 9:04
  Speaker 1: I'm gonna be honestly. I was. I ain't gonna I
• 9:06
  Speaker 1: ain't gonna lie. I was slightly intimidated coming here because
• 9:09
  Speaker 1: I again perception from what I heard about Charlemagne and
• 9:13
  Speaker 1: the way people say he is. I didn't know if
• 9:15
  Speaker 1: I'm gonna come to the studio and he's gonna try
• 9:17
  Speaker 1: and test me, that's terrible. That's a terrible perception. I've
• 9:21
  Speaker 1: never been there ever heard that. No, I hear that
• 9:23
  Speaker 1: all the time, but I never do that. Before you
• 9:25
  Speaker 1: watch any city want to make you cry today? No,
• 9:27
  Speaker 1: I'm just kidding now, Kem Peel, because you talked about
• 9:30
  Speaker 1: Mad TV only being like the Farm League or whatever.
• 9:33
  Speaker 1: But Kem Pell went on the tremendous success. And it's
• 9:35
  Speaker 1: funny because you, to me, was the face of that
• 9:36
  Speaker 1: show more than CAMPI well, one Key and Peel got
• 9:38
  Speaker 1: on when the Titanic was sinking, when the show was
• 9:41
  Speaker 1: at the apex of its success and its popularity, they
• 9:44
  Speaker 1: weren't on once Will left, Mo left, Deborah and a
• 9:47
  Speaker 1: lot of the people that helped define the show during
• 9:49
  Speaker 1: that time period the Titanic was sinking, writing wasn't it strong?
• 9:53
  Speaker 1: The cast? Wasn't it strong? Uh? And I think more
• 9:55
  Speaker 1: than popularity came from their own sketch show, the Kian
• 9:59
  Speaker 1: Peal Show, than it did Mad TV. And again God
• 10:01
  Speaker 1: bless him. But and again that's another thing I caught
• 10:04
  Speaker 1: flat four. Uh, you said that were chosen by the
• 10:08
  Speaker 1: black community. Black people like to go, well, what's being black?
• 10:11
  Speaker 1: But I gotta talk with ghetto and slang and act ignorant.
• 10:13
  Speaker 1: It's essence. There's a vibe. Black people have a natural cool,
• 10:17
  Speaker 1: a natural swagger. When a dog come in the room,
• 10:20
  Speaker 1: smell another dog. You know what I'm saying. It's like
• 10:22
  Speaker 1: brothers that are black on the outside, but you could
• 10:25
  Speaker 1: you could tell, you could you smell something? Ain't right?
• 10:27
  Speaker 1: They ain't got that something's missing in the gumboat. I
• 10:30
  Speaker 1: don't know if you articulated well enough for people to understand,
• 10:33
  Speaker 1: but I get exactly what you're saying when you say that.
• 10:35
  Speaker 1: What I'm saying like, like you said, exactly what you
• 10:37
  Speaker 1: mean when you say like this. They seem like people
• 10:39
  Speaker 1: that went to college with that al. You know what
• 10:42
  Speaker 1: I'm saying. It's just a different type of Listen, will
• 10:44
  Speaker 1: Will Smith is educated and as articulate and as bright
• 10:49
  Speaker 1: as any congressman or president or scholar. But he's but
• 10:52
  Speaker 1: he's a brother DMX. But but DMX is gutta gully
• 10:59
  Speaker 1: raiser in the mouth Foally talked to you, and he's
• 11:01
  Speaker 1: a brother. Now they two different kind of I'm saying,
• 11:04
  Speaker 1: one's the Huckstables, one is good Times. But they both
• 11:07
  Speaker 1: legitimately black Kim people don't have no they don't black core.
• 11:11
  Speaker 1: They don't like you know, like even got a black core.
• 11:15
  Speaker 1: Dave Chappelle had a black core right right, Listen. I'm
• 11:18
  Speaker 1: not saying just because you black dude with a white woman,
• 11:21
  Speaker 1: uh you not black, but most black dudes with white
• 11:25
  Speaker 1: women don't tend to be in touch with who they
• 11:28
  Speaker 1: are and the ones that are usually have white women
• 11:31
  Speaker 1: that want to be Nick. Nate Parker would disagree with you, right,
• 11:34
  Speaker 1: He made a movie about that. Turner and he has
• 11:36
  Speaker 1: a white wife. Were making a movie and being who
• 11:39
  Speaker 1: you really are two different things. We just talked about
• 11:41
  Speaker 1: that I could make a movie being a semi homosexual.
• 11:43
  Speaker 1: That don't mean I'm homosexual. So just because you make
• 11:45
  Speaker 1: a movie on racism, don't mean you send my homosexual.
• 11:51
  Speaker 1: We're gonna leave it there. What is this? What is this? Yeah? Yeah,
• 12:02
  Speaker 1: you know what I mean? Man. The Breakfast Club, thank you.
• 12:07
  Speaker 1: The Breakfast Club that was Beyonce with Sorry Morning, Everybody's DJ, Envy,
• 12:15
  Speaker 1: Angela Yee, Charlemagne, the guy we all the Breakfast Club.
• 12:18
  Speaker 1: One of our favorite people up here today, Young was
• 12:22
  Speaker 1: good Man, you're making up a lot of time because
• 12:24
  Speaker 1: you was locked up. How are you gonna just started
• 12:26
  Speaker 1: off like I just got out mixtape and everything. Listen.
• 12:42
  Speaker 1: I had got in trouble at a college, but it
• 12:47
  Speaker 1: wasn't my fault this time. I was totally. Everybody in
• 12:49
  Speaker 1: jail laughed at me when I said that I didn't
• 12:52
  Speaker 1: do it. They bought stop laughing. But I didn't do it.
• 12:54
  Speaker 1: Like we pulled up on the set. The cops. They
• 12:57
  Speaker 1: let us in, you know. They walked me to the
• 12:59
  Speaker 1: stage of the room or whatever, and I changed and
• 13:02
  Speaker 1: went on the stage and performed. Then I'm performing. You
• 13:05
  Speaker 1: know you've seen the Jews movie. Yeah, yeah, dude, come
• 13:08
  Speaker 1: in with me. Yeah, breakdown. So I come off the stage.
• 13:14
  Speaker 1: We walked outside. They got the cars around it. My
• 13:17
  Speaker 1: man spoiled. He walked up to him and like, yo, bro,
• 13:19
  Speaker 1: it's a trip in the car. It's like a tool
• 13:21
  Speaker 1: in the car. I'm all right, we know who that is,
• 13:24
  Speaker 1: you know what I mean. So they asked me. They
• 13:26
  Speaker 1: were like so they it was like this show gun
• 13:28
  Speaker 1: an't I really don't know about the gun. All these
• 13:30
  Speaker 1: years we've been performing. Don't tell guns of shows. That's
• 13:32
  Speaker 1: not what I do. So he was like, it's a
• 13:34
  Speaker 1: gun in the car. I was like, it's somebody's in
• 13:37
  Speaker 1: the car. I'm not the pointer. You feel me and man,
• 13:39
  Speaker 1: we just didn't want to. Yeah, we don't do that.
• 13:42
  Speaker 1: Don't make me point at you see. I hate people
• 13:45
  Speaker 1: like that in your crew. That's your man, that's your guns.
• 13:49
  Speaker 1: This was a fun. So the cop was cool. He
• 13:52
  Speaker 1: was like, yo, y'all just get it together because you know, money'
• 13:55
  Speaker 1: all taking them and then it gave us a moment.
• 13:57
  Speaker 1: Took like ten fifteen minutes. He was like that, put
• 14:00
  Speaker 1: the cups on draw. I was like, real, he put
• 14:03
  Speaker 1: me in the back of the cup. Man, I'm looking
• 14:05
  Speaker 1: at the back of the car like, man, my mom
• 14:06
  Speaker 1: gonna get y'all. Well wait, I tell my mom, but
• 14:10
  Speaker 1: this bro, you can't eat my house no more and
• 14:13
  Speaker 1: no more. Call of green views body, you can't eat
• 14:15
  Speaker 1: no more. But we go to jail, bro, were sitting
• 14:18
  Speaker 1: they found weed, you know what I mean, stuff like
• 14:20
  Speaker 1: you know, hip hop stuff. Who told you? Yeah what
• 14:31
  Speaker 1: y'all to main Ji said, but that's like it wasn't
• 14:35
  Speaker 1: even that much stuff, and you know the weed was
• 14:37
  Speaker 1: less than hounds. I took initiative to say, you know,
• 14:41
  Speaker 1: since we all in here, let's just go ahead and
• 14:44
  Speaker 1: split the charges up because I'm front to probably you know, hey, man, look,
• 14:47
  Speaker 1: yeah you take you take that talk to a lawyer
• 14:49
  Speaker 1: before you start. But no, no, because no, because we
• 14:53
  Speaker 1: don't want to talk to no lawyer because we could
• 14:54
  Speaker 1: just make bun and we'll deal with that later. But
• 14:57
  Speaker 1: for now, all of us has the same chart. You
• 15:00
  Speaker 1: feel me, So the lawyer're gonna say what you're gonna
• 15:03
  Speaker 1: take you feel me, you gotta have this worked out.
• 15:05
  Speaker 1: We fifty steps behind man and man down there is
• 15:08
  Speaker 1: he didn't win into a phase. He's like, yo, I
• 15:10
  Speaker 1: got a career, Like who that guy? My boy Spoony
• 15:16
  Speaker 1: Like I'm like, come on, yeah, my body, you know,
• 15:22
  Speaker 1: but that was my appartment, you know. I guess it
• 15:24
  Speaker 1: wasn't for me because he turned the story around and
• 15:28
  Speaker 1: was like, they're just saying the gun his mind because
• 15:30
  Speaker 1: of who drow is. It's his gun. He does. He
• 15:33
  Speaker 1: has a record. Man, I'm not like, bro, no, we
• 15:38
  Speaker 1: cuffed like from the waist down. I was trying to
• 15:40
  Speaker 1: slide talk ahead button you know what I mean. And
• 15:43
  Speaker 1: then when you know what I mean, I like, bro,
• 15:44
  Speaker 1: you know what I'm gonna get you. Bro. If everybody
• 15:46
  Speaker 1: and we end up doing like thirty five days like
• 15:49
  Speaker 1: so it's been afraid. Yeah, we're just sitting and we're
• 15:52
  Speaker 1: in Bullock County. It's slow. The court rules about this
• 15:55
  Speaker 1: big the side of this room. So people then there
• 15:58
  Speaker 1: got thirty forty years getting thirty and forty like because
• 16:01
  Speaker 1: it was like a town that had like surrounding states,
• 16:03
  Speaker 1: so everybody was a flight risk they don't give buns
• 16:06
  Speaker 1: and set bills and stuff like that too often two
• 16:08
  Speaker 1: or three times a year. Yeah, so really we really got.
• 16:12
  Speaker 1: You know, we had to pay like a lot of
• 16:13
  Speaker 1: money for lawyers. And the Megos had went down there before,
• 16:17
  Speaker 1: and I guess they whatever they did, but it was like,
• 16:20
  Speaker 1: you know the meg They was like, yeah, you better
• 16:23
  Speaker 1: ask the meges we did to him, I was like,
• 16:25
  Speaker 1: I honestly don't know what you're talking about. It. It
• 16:27
  Speaker 1: was messed up. So we sat down there thirty five days.
• 16:30
  Speaker 1: The last day we sat down there, dude was sitting
• 16:32
  Speaker 1: in there, we was going to court. He's I looked.
• 16:34
  Speaker 1: I was like, bro, you're not gonna take the charge.
• 16:37
  Speaker 1: He was like, Brian gun Bro. I couldn't believe it.
• 16:43
  Speaker 1: We rolled down here together that was and he was like, yeah, man,
• 16:48
  Speaker 1: I think so they moved about the room. I feel
• 16:51
  Speaker 1: for my life from Droe. I'm like, bro, I hired
• 16:54
  Speaker 1: you to come on the road to open up like
• 16:56
  Speaker 1: how you feel for your life? Like that was crazy.
• 16:58
  Speaker 1: So we did that. Time got out. He sent me
• 17:00
  Speaker 1: back like, I'm just like seven shows. I'm trying to
• 17:03
  Speaker 1: currently make those up. I got three daughters, you know what.
• 17:06
  Speaker 1: I mean, I'm not and a son. I just had
• 17:08
  Speaker 1: a son, the one year old. I ain't trying to
• 17:10
  Speaker 1: sit that ain't either. Brother Prenant, congratulations, you got work.
• 17:19
  Speaker 1: So you think that's my baby? About it? You said,
• 17:23
  Speaker 1: no comment, no comment? I did. Why not just say
• 17:27
  Speaker 1: that what if it's my baby? It is the only
• 17:31
  Speaker 1: man that can prove that you're a real woman then,
• 17:33
  Speaker 1: because I thought that was like, man, that's a real woman. Bro.
• 17:35
  Speaker 1: I with not being coozed with like that the right term.
• 17:41
  Speaker 1: I would not be associated with a man that looks
• 17:44
  Speaker 1: like a woman. It's a problem right there. But you
• 17:46
  Speaker 1: just gotta look at it. So there is a chance
• 17:49
  Speaker 1: that you just don't know you baby, Dad, are you
• 17:56
  Speaker 1: got the very dad? All right? We got more with
• 17:59
  Speaker 1: Young Drove when we come back. Keep it locked it
• 18:00
  Speaker 1: the breakfast club com one, the breakfast club that was
• 18:13
  Speaker 1: for free. DJ Kalett Drake warning everybody is DJ m
• 18:17
  Speaker 1: vy angela ye Charlemagne the god. We are the breakfast club.
• 18:21
  Speaker 1: Now Young drow is in the building. Did you think
• 18:24
  Speaker 1: TA was out of line for coming that Wayne Black
• 18:26
  Speaker 1: lives what Richard? Then a mother? I saw this, I
• 18:36
  Speaker 1: clinched in embarrassment. I was like, no, I don't like that.
• 18:39
  Speaker 1: I wish no, that was not cool. I mean, I
• 18:42
  Speaker 1: get it what he was saying, Like, you know, he's successful,
• 18:46
  Speaker 1: you know, and you know a lot of people do
• 18:48
  Speaker 1: stuff to you know, get the police involved in. You know,
• 18:51
  Speaker 1: you shouldn't stand behind nobody in their room, but you're
• 18:55
  Speaker 1: part of the stuff that's happening. Like your skin tone,
• 18:58
  Speaker 1: it shows it, and we're not getting a good end
• 19:01
  Speaker 1: of the stick. You know. I think all lives matter
• 19:03
  Speaker 1: for that cause, because everybody was saying TI I was
• 19:05
  Speaker 1: wrong for publicly calling them out because they friends. He
• 19:08
  Speaker 1: could have called them on the phone. No, no, no,
• 19:11
  Speaker 1: you can't say that because he that was a public
• 19:15
  Speaker 1: thing he did. I agree, you answer him back publicly,
• 19:18
  Speaker 1: damn right, you know what I mean? Somebody whoop your
• 19:19
  Speaker 1: ass outside? Whoop their ass back outside? I whop your
• 19:23
  Speaker 1: ass in the house, whoop you. I gotta whip you
• 19:25
  Speaker 1: on world world stuff. If your friends say something stupid
• 19:31
  Speaker 1: or something that don't but you might call them and
• 19:34
  Speaker 1: check them on the line and say I'm gonna check you.
• 19:35
  Speaker 1: But I think you should reach out and if that's
• 19:37
  Speaker 1: your friend, that's that's like reality. Stand up. How many
• 19:45
  Speaker 1: times you said something crazy, and I'm sure ta call you.
• 19:47
  Speaker 1: Was like, Bro, but dro ain't say nothing publicly that
• 19:49
  Speaker 1: affects everybody. He may say something that affect him, Yeah,
• 19:52
  Speaker 1: but not n my life matter. Yeah, but I saw that.
• 20:04
  Speaker 1: I get it, but I don't get it. It's a
• 20:06
  Speaker 1: lot of stuff going on right now. I got children,
• 20:09
  Speaker 1: and I wouldn't want my son to be a Trayvon Martin.
• 20:13
  Speaker 1: You know, I wouldn't want him to do that. It
• 20:14
  Speaker 1: was an Arizona juicon, you know what I mean. Coming man,
• 20:17
  Speaker 1: You just gotta understand that it's a lot of stuff
• 20:19
  Speaker 1: going on. People. When I seen the guy get pulled
• 20:21
  Speaker 1: over and m Charlotte or whatever that was sick. He
• 20:25
  Speaker 1: would just walking back to the truck. Bro. The thing
• 20:27
  Speaker 1: you know, he was laying on the ground. That matters, Bro,
• 20:30
  Speaker 1: you feel I mean, if you're in a bubble, well
• 20:32
  Speaker 1: you can't see that. I want to be in your bubble.
• 20:35
  Speaker 1: I want to go live on Wayne Street because it's
• 20:38
  Speaker 1: a lot of stuff happening on my street. Was it
• 20:40
  Speaker 1: one embarrassing moment or something that you looked at you
• 20:42
  Speaker 1: saw yourself like you said, Yeah, I had like thirty
• 20:44
  Speaker 1: days to sit down. Thirty five days and then like
• 20:47
  Speaker 1: for me not to be done did nothing at that time.
• 20:50
  Speaker 1: It was something else going on, so I just had
• 20:53
  Speaker 1: to I want to go to heaven at the end
• 20:55
  Speaker 1: of the day. I would what did I look like
• 21:01
  Speaker 1: that time I come in? I know why you ain't
• 21:14
  Speaker 1: I clearly my tea. This is a new draw. I
• 21:20
  Speaker 1: need listen. It's a real facility in a landout. I'm
• 21:22
  Speaker 1: telling you. Whatever they did for Drow and Gucci, just
• 21:25
  Speaker 1: do everybody need to attend trying? Are you gonna turch
• 21:27
  Speaker 1: every Sunday draw? Not every sound? But I want to
• 21:31
  Speaker 1: go back to what I used to, But I'm kind
• 21:33
  Speaker 1: of shaming to go because, uh, I cried too much.
• 21:35
  Speaker 1: I can't do it. When when they start singing, like
• 21:39
  Speaker 1: you can hear what your glasses on to come through,
• 21:40
  Speaker 1: tickling my jaw and you just be like the choir
• 21:45
  Speaker 1: of the sermon, the quiet yeah, yeah, yeah yeah, if
• 21:47
  Speaker 1: the song always what song is it? Uh? You just
• 21:51
  Speaker 1: just want me to open. I don't want to notice
• 21:54
  Speaker 1: the center of my joy, my center of my center
• 21:58
  Speaker 1: my joy. It was the first song I ever song
• 22:00
  Speaker 1: in church for my grandma. Oh yeah, it can't taste
• 22:03
  Speaker 1: me there getting people something drove to Judge might be
• 22:05
  Speaker 1: watching Jesus. Help Charlomagne because he's trying to make me say,
• 22:12
  Speaker 1: you have it the new improved Young Joe, leave us
• 22:16
  Speaker 1: with a PROD. Yeah it's going ahead. Come on, oh boy,
• 22:20
  Speaker 1: dear God, thank you for this breakfast that we had
• 22:22
  Speaker 1: at the club, not the nightclub, it was actually a
• 22:24
  Speaker 1: radio station. Thank you for Charlemagne for that cracking jokes
• 22:28
  Speaker 1: in the verse way. All trill y'all did good today,
• 22:31
  Speaker 1: All trill you, Thank you. Guard Amen, Amen, all right,
• 22:36
  Speaker 1: young Droe, good morning. That was needed me Rihanna morning.
• 22:45
  Speaker 1: Everybody is DJ m vy Angela yee. Charlomagne the guy.
• 22:48
  Speaker 1: We are to breakfast club. We got a special guest
• 22:50
  Speaker 1: in the building. Ladies, hold on to your panties. Oh man,
• 22:54
  Speaker 1: back twells him. What's up up? I'm trying, man, what's
• 22:57
  Speaker 1: going on now? I'm glad you're here because I saw
• 23:00
  Speaker 1: Oh you do Snapchata imposted. You can't you can't say
• 23:05
  Speaker 1: you can't be thinking about it the whole line. I
• 23:06
  Speaker 1: just messed up my my snap. That was a really
• 23:09
  Speaker 1: good snap. Yeah we out here. Maxwell. Yeah, I'm trying.
• 23:13
  Speaker 1: I'm doing I know your MS popping. Actually yes, they do. Yes, yes,
• 23:19
  Speaker 1: they they definitely popped. Yeah, you know, snapchat me that.
• 23:23
  Speaker 1: You know, It's an interesting world though, because I'm obviously
• 23:27
  Speaker 1: I'm forty two, so it's like I can't imagine what
• 23:30
  Speaker 1: it would be like to be a fourteen year old
• 23:31
  Speaker 1: with all of the social media the way it's going down.
• 23:34
  Speaker 1: Why haven't you connected with the people in so long? Man?
• 23:36
  Speaker 1: Seven years? Seven years? Right? Did you even realize that?
• 23:40
  Speaker 1: I you know, I don't. I gotta tell you, I
• 23:42
  Speaker 1: get anxiety about just trying to meet the challenge of
• 23:45
  Speaker 1: what what I did before. And at the same time,
• 23:48
  Speaker 1: I don't want to play myself and try to look
• 23:51
  Speaker 1: like I'm trying to be in the moment. All the
• 23:53
  Speaker 1: kids doing a record with future, well no, and don't
• 23:56
  Speaker 1: get into I know and love all of those records
• 23:59
  Speaker 1: like I'm that's you know, I listened to all of everything.
• 24:02
  Speaker 1: I mean, I listened to some really dark, bunchy trap
• 24:06
  Speaker 1: like all of that. But right now, uh, definitely, you
• 24:10
  Speaker 1: know Yogatti, definitely, um, Travis Scott, I mean, you know
• 24:14
  Speaker 1: I listened to I mean, I've been in the club,
• 24:16
  Speaker 1: so I know what these songs are and I can
• 24:18
  Speaker 1: I can sing with them. But I always have to
• 24:21
  Speaker 1: be really concerned about the brand and like what I've done,
• 24:24
  Speaker 1: you know, starting in ninety six, and and the fact
• 24:27
  Speaker 1: that like my music is when you go home to
• 24:29
  Speaker 1: after you've been where you've been, and hopefully it's with
• 24:32
  Speaker 1: your family. Hopefully it's what you do on Sunday mornings
• 24:35
  Speaker 1: when you're cooking, you get married to it, you having
• 24:38
  Speaker 1: kids to it, those types of things. So I've got
• 24:40
  Speaker 1: to think about those issues as I see the ever
• 24:44
  Speaker 1: changing situation out there in the music world. Now, you
• 24:46
  Speaker 1: talked about the pressure. Now, is it a lot of
• 24:47
  Speaker 1: pressure because you've always been I say, left, like you
• 24:50
  Speaker 1: never went with Trendon. I mean from you your first
• 24:53
  Speaker 1: album to your videos. Is there pressure staying different and
• 24:57
  Speaker 1: staying in that lane and staying and being as big
• 24:59
  Speaker 1: as those others songs and other albums. Yeah, for sure,
• 25:02
  Speaker 1: no doubt. I'm not gonna I'm not gonna I'm not
• 25:04
  Speaker 1: gonna lie to you about that. But that's part of
• 25:05
  Speaker 1: the fun, you know. The part of the challenge of
• 25:08
  Speaker 1: putting something together is saying to yourself, well, how can
• 25:11
  Speaker 1: I maintain relevancy but still be this is always the
• 25:15
  Speaker 1: greatest thing that I want is timelessness because so many
• 25:18
  Speaker 1: people come and go. There are certain rules to the
• 25:20
  Speaker 1: game about how do you how you do that? And
• 25:23
  Speaker 1: I think that if you stay true to the basics,
• 25:25
  Speaker 1: you know of what we're trying to exemplify, which is
• 25:29
  Speaker 1: I don't get I'm not too detailed oriented about shoes
• 25:33
  Speaker 1: and cars, and I mean I'm just kind of a
• 25:36
  Speaker 1: you know, we I just talk. I try to talk
• 25:39
  Speaker 1: about the bigger things in terms of just like you know, heartbreak, pain, betrayal,
• 25:45
  Speaker 1: want to get somebody back for hurting you, um, not
• 25:48
  Speaker 1: feeling like you're good enough. Those basic things or what
• 25:50
  Speaker 1: we always feel no matter what the watches that weekend,
• 25:54
  Speaker 1: no matter what the sneaker is, no matter what the
• 25:56
  Speaker 1: new car is where whatever it is, those are the
• 25:59
  Speaker 1: things that we always connected by. Why did you handle
• 26:02
  Speaker 1: the fame when it came to these women, man, because
• 26:05
  Speaker 1: you're fresh shout making all this great R and B music.
• 26:08
  Speaker 1: I'm sure girls was throwing it at you a hundred
• 26:10
  Speaker 1: mile powers. Not only that the type because he didn't
• 26:12
  Speaker 1: had if you think about it, he had to quote
• 26:13
  Speaker 1: unquote earthy women Earth? What is earth? Does that mean? Big? No?
• 26:21
  Speaker 1: But I'm good with big, big one. That shave when
• 26:25
  Speaker 1: they want to wear ancs. Right, it's so many the
• 26:30
  Speaker 1: monique type chicks exactly. I feel you, well, look, I
• 26:33
  Speaker 1: just think everything is beautiful. And the weirdest thing for
• 26:36
  Speaker 1: me is like when I look out into the audience,
• 26:39
  Speaker 1: because they'd be bad ones out there, but they're the
• 26:41
  Speaker 1: one that is the shyest, the one that maybe feels like,
• 26:45
  Speaker 1: you know, I need to like, you know, lose a
• 26:46
  Speaker 1: few here, lose a few there. That's just the one
• 26:49
  Speaker 1: I focus right on because I feel like I was predator.
• 26:53
  Speaker 1: You pick on that, Thrice Maxwell. I just want to
• 26:57
  Speaker 1: make I just want to make them feel good, right,
• 26:59
  Speaker 1: you know, at the end of the day, that's my
• 27:01
  Speaker 1: job on stage. I just want to make you feel good.
• 27:03
  Speaker 1: And everyone's gorgeous, everyone's sexy. But you know, for me,
• 27:08
  Speaker 1: I'm kind of a brain person. So it's like I
• 27:09
  Speaker 1: think that the situations that sort of like will come
• 27:12
  Speaker 1: to me on a personal level because I will be
• 27:15
  Speaker 1: more mental. I'm forty two. So it's like beauty. I
• 27:18
  Speaker 1: understand beauty. Beauty is amazing, but when you wake up
• 27:20
  Speaker 1: with someone after ten years, you don't even remember that
• 27:23
  Speaker 1: beauty part of it. You just know that you have
• 27:25
  Speaker 1: a friend. You just know that, you know, you got
• 27:28
  Speaker 1: somebody that's holding you down, hopefully like with my like
• 27:30
  Speaker 1: my my friend and manager John, you have someone who's
• 27:33
  Speaker 1: raising your kids that that's you know, the day and
• 27:36
  Speaker 1: the day out of that. Uh like all that stuff fades,
• 27:39
  Speaker 1: you know. Um so no, not yet. Maybe maybe I do.
• 27:45
  Speaker 1: I don't know, but you wint on the lest some
• 27:48
  Speaker 1: of that legendary sperm go. Man, Well you know what
• 27:50
  Speaker 1: I have this new Actually, you know it's interesting that
• 27:52
  Speaker 1: you should bring this up, sir. I have a marketing plan.
• 27:56
  Speaker 1: Instead of the albums, it'll be sperm. So I'm just
• 28:00
  Speaker 1: gonna market You're pregnant by Maxwell buying my new album. No, no,
• 28:05
  Speaker 1: just work. I'm just saying it's a new plan. I
• 28:09
  Speaker 1: might put a single with it, Okay, DJ d Angela, Ye,
• 28:16
  Speaker 1: Charloman the guy. We are the breakfast club. We have
• 28:19
  Speaker 1: Maxwell in the building, Like I don't go. I've been
• 28:21
  Speaker 1: to one of your shows and I really I'm in
• 28:22
  Speaker 1: the two of your shows and my wife was like
• 28:24
  Speaker 1: looking your shows, my wife now, but when she was
• 28:27
  Speaker 1: my girl and stuff, and I realized I ain't going
• 28:30
  Speaker 1: to the Maxwell show because you showed they for men
• 28:32
  Speaker 1: at all. It's just a bunch of screaming women. He
• 28:34
  Speaker 1: ain't thinking about us. My wife goes with her French bother,
• 28:40
  Speaker 1: go dad and get excited and bring you out looking
• 28:42
  Speaker 1: about what are you talking about? But with my wife
• 28:44
  Speaker 1: one time, and I felt a little funny because everybody's screaming.
• 28:46
  Speaker 1: I'm sitting in the corner like a sucker. So I'm like,
• 28:48
  Speaker 1: you know what, you bring your girlfriend next time? When
• 28:50
  Speaker 1: when he did fortunate, I went to sleep because because
• 28:52
  Speaker 1: I was like, it's like, it's like being It's like
• 28:54
  Speaker 1: sitting by your girl. Watched you watching scandal, Champion you none,
• 28:58
  Speaker 1: It's basically like when you guys watching the basketball game,
• 29:01
  Speaker 1: right football? Yeah, so this is like their revenge on you.
• 29:04
  Speaker 1: Basically that the fact I am the revenge of all
• 29:06
  Speaker 1: those times. But no mad Pelvic thrust thrust one more time?
• 29:14
  Speaker 1: Hey man, that ticket is expensive. I mean, I gotta
• 29:18
  Speaker 1: put working, but I'm just look, at the end of
• 29:20
  Speaker 1: the day, you get to take them home. Yeah, and
• 29:22
  Speaker 1: you get to get situations that you probably never imagine
• 29:25
  Speaker 1: what happened. I'm just saying, I can't believe it's twenty
• 29:28
  Speaker 1: years later, guys. That's all I gotta say, I'm just
• 29:31
  Speaker 1: and I'm so happy that I'm kicking it with you
• 29:33
  Speaker 1: because I hear you guys in the morning. You guys
• 29:35
  Speaker 1: are funny, real people. Uh, you know, you're in situation
• 29:40
  Speaker 1: sometimes because you gotta speak about things and whatever. But
• 29:43
  Speaker 1: you know, I just appreciate all the support throughout the years,
• 29:46
  Speaker 1: and I got you on those dance records on this. Okay,
• 29:49
  Speaker 1: how do you feel about the term neo soul because
• 29:50
  Speaker 1: people always give you credit for being the start of that.
• 29:53
  Speaker 1: I can't say that because DeAngelo was released in ninety five.
• 29:58
  Speaker 1: I have to admit um with great respect to him,
• 30:01
  Speaker 1: that he when he was set off, it really made
• 30:05
  Speaker 1: everybody at the label really understand because I was already
• 30:08
  Speaker 1: done with my album. I was just sitting on the sidelines.
• 30:10
  Speaker 1: I was on the bench. So you know, I give
• 30:12
  Speaker 1: credit to d for being the person to sort of
• 30:15
  Speaker 1: really get my record off the show. And then I
• 30:17
  Speaker 1: give a lot of credit to the radio stations that
• 30:20
  Speaker 1: just they played it without understanding what this was about,
• 30:24
  Speaker 1: because you know, I looked crazy. You know, I was
• 30:26
  Speaker 1: a big old hair and everything, and you know, having
• 30:29
  Speaker 1: all the weird West Indian type of thing, which that's
• 30:33
  Speaker 1: not a typical really for an arm vous person. Usually
• 30:36
  Speaker 1: they're from the South. Usually they're like like with D'Angelo,
• 30:39
  Speaker 1: his story is so perfect, Like he's from Richmond, Virginia.
• 30:43
  Speaker 1: He played in the church, you know, Like my dad's
• 30:45
  Speaker 1: from Puerto Rico, my mom's from Haiti. Like I'm like
• 30:47
  Speaker 1: first generation from Brooklyn. Yeah, I didn't feel black enough really,
• 30:52
  Speaker 1: So for me, it was like, man, I hope, I
• 30:54
  Speaker 1: hope my people like this music as much as I
• 30:57
  Speaker 1: love them. And you know, twenty years later, it's just
• 31:00
  Speaker 1: nice to know that that I was. I always wondered
• 31:03
  Speaker 1: why you didn't do many features, but there was there's
• 31:06
  Speaker 1: pretty much no Maxwell features. Yeah, yeah, you know, well,
• 31:09
  Speaker 1: I mean, look, I'm I'm not saying I'm better than anybody,
• 31:12
  Speaker 1: because there's a lot of people out there that I like,
• 31:14
  Speaker 1: but um, a lot of my choices are kind of
• 31:17
  Speaker 1: like family type choices. Like Nasi was signed released ninety five,
• 31:21
  Speaker 1: I was there in ninety six. Y'all kind of grew
• 31:24
  Speaker 1: up together. Yeah, you know, I was shocked that he'd
• 31:26
  Speaker 1: even liked my music because you know, he's an OZ,
• 31:28
  Speaker 1: he's hip hop. My stuff is all smooth, and we
• 31:32
  Speaker 1: developed a friendship and you know, we basically worked on
• 31:36
  Speaker 1: something once on one of his record Street Kings, and
• 31:40
  Speaker 1: then you know, we just did the Barkley thing together,
• 31:42
  Speaker 1: and you know, we have more plans to do more
• 31:44
  Speaker 1: business stuff together because we just we just get on.
• 31:46
  Speaker 1: And then Alicia Keys, who I knew at fifteen at
• 31:50
  Speaker 1: Columbia when she was signed there. She was kind of
• 31:53
  Speaker 1: like my special guest on her first album, so I
• 31:56
  Speaker 1: know her. I know Swiz. I thought you were going
• 31:58
  Speaker 1: to do a joint with jay Z and Jay at
• 32:00
  Speaker 1: one time. But during the Money and a Thing video,
• 32:02
  Speaker 1: when he's sitting there, they're playing it in the background.
• 32:04
  Speaker 1: I'm like, oh, this is this is here it goes,
• 32:05
  Speaker 1: Oh my god, that's my that's my next move. I mean,
• 32:08
  Speaker 1: you know, if if Jay is listening, because we're friends
• 32:11
  Speaker 1: and I see him all the time, and I know
• 32:12
  Speaker 1: his wife and um I've heard of his wife. Yeah,
• 32:15
  Speaker 1: his wife, yeah, yeah, yeah, yeah, his wife is cool.
• 32:19
  Speaker 1: I'm from Brooklyn, He's from Brooklyn. You know, it'd be amazing.
• 32:22
  Speaker 1: I think he makes I think he is the Frank
• 32:24
  Speaker 1: Sinatra of hip hop because all of his beats, he
• 32:27
  Speaker 1: never plays himself. I mean literally, And the craziest thing
• 32:31
  Speaker 1: is when reasonable doubt came out. He always just chooses
• 32:35
  Speaker 1: like the classic things and you can listen to all
• 32:37
  Speaker 1: those records forever, and that's rare. Man Like, people don't
• 32:42
  Speaker 1: understand it's so much harder to make hip hop classic
• 32:46
  Speaker 1: because there's so many ways that you could really play
• 32:50
  Speaker 1: yourself with with like all the new trends and the
• 32:53
  Speaker 1: new things that people do bol coder and whatever and
• 32:56
  Speaker 1: blah blah blah. You can dress like our Kelly. Kelly,
• 32:59
  Speaker 1: dress like he well you see, uh like I got.
• 33:03
  Speaker 1: I can't say nothing bad about him. I mean fortunate
• 33:05
  Speaker 1: we you know, I never seen anybody's records, and fortunate
• 33:09
  Speaker 1: when I when I heard it wasn't actually the first song,
• 33:12
  Speaker 1: but when I heard, I was like, because you just
• 33:14
  Speaker 1: gotta pay respect to him, because that guy can just
• 33:17
  Speaker 1: I mean, he could just pat a song, you know what,
• 33:20
  Speaker 1: like yes, he could have say yes Maxwell, Yes, nobody
• 33:25
  Speaker 1: even had to set you up for that one. Man great.
• 33:28
  Speaker 1: I was gonna say all you could say, oh god,
• 33:31
  Speaker 1: oh god, please, mister Kelly, please don't don't yes Maxwell, Yes,
• 33:37
  Speaker 1: I didn't mean to do that. I was gonna say
• 33:39
  Speaker 1: something else, but I didn't want to say that because
• 33:42
  Speaker 1: the current made you say what you needed to say. Man,
• 33:45
  Speaker 1: I appreciate you. Man. Yes, that was Drake with Controller Morning.
• 33:51
  Speaker 1: Everybody's DJ M vy Angela Yee, Charlemagne the guy we
• 33:54
  Speaker 1: are the Breakfast Club. We had a special guest and
• 33:57
  Speaker 1: this is the only guest in Breakfleast Club. He three
• 34:00
  Speaker 1: that has ever smoked up him and you kere not
• 34:03
  Speaker 1: gonna tell Snoop Dog no, like, did we get in
• 34:06
  Speaker 1: trouble for that? No, no, nooop Hey, we just had
• 34:12
  Speaker 1: a healthy debate with drama. It's Snooped the most famous
• 34:15
  Speaker 1: rapper in the world. I said, yes, globally. He said, no,
• 34:18
  Speaker 1: matter where you go in this world, no matter who
• 34:20
  Speaker 1: it is, race age, everybody knows Dog. I said, it
• 34:24
  Speaker 1: was between you a whole. He said, you are the
• 34:26
  Speaker 1: biggest brand. I don't know. It's kind of it's like
• 34:29
  Speaker 1: an out of body experience for me. It's hard for
• 34:31
  Speaker 1: me to say because I live with me every day,
• 34:33
  Speaker 1: so I don't know who the you know, the biggest
• 34:35
  Speaker 1: rapper is globally, but I do know that when I
• 34:37
  Speaker 1: do go certain places, like it's hard to try to
• 34:40
  Speaker 1: like camouflage the scott whatever, even baby girl up the
• 34:43
  Speaker 1: front desks. I just gave her another picture. What's her name?
• 34:50
  Speaker 1: A little something? When's the last time you've been somewhere
• 34:55
  Speaker 1: and haven't been recognized? Has that happened? See it doesn't
• 35:00
  Speaker 1: on some real talk. I'm being honest with you. I
• 35:02
  Speaker 1: don't even remember the last time it's been like that.
• 35:04
  Speaker 1: I hadn't been the grocery stores, churches underwater. I didn't
• 35:10
  Speaker 1: even look. This is a crazy this is a crazy part.
• 35:14
  Speaker 1: I hadn't been and done some you know, homeless work.
• 35:15
  Speaker 1: When you go down their feet, the homeless, and the
• 35:17
  Speaker 1: homeless be like snoo, dog, what's happening? Dog? Like? Man,
• 35:20
  Speaker 1: how do you know? Me? You ain't gonna TV, You
• 35:22
  Speaker 1: ain't gonna what. I don't know. I can't figure it out.
• 35:25
  Speaker 1: And you just have adjusted to this social media era
• 35:28
  Speaker 1: so well, like it's a famous meme, but it got
• 35:31
  Speaker 1: you with your head scoff on. I look like somebody, untie.
• 35:35
  Speaker 1: I don't care though, one thing about believe you posted
• 35:37
  Speaker 1: you don't When people make fun of me, when they
• 35:40
  Speaker 1: claim me, when they put me in a girl body
• 35:41
  Speaker 1: with my head on it or with a rabbit, I
• 35:44
  Speaker 1: see it. I throw it up, and I like who
• 35:46
  Speaker 1: did this to me? And I go right in a joke.
• 35:47
  Speaker 1: So I don't understand when people get offended when I
• 35:50
  Speaker 1: do that to them. When I do it to myself,
• 35:52
  Speaker 1: it's like, it's all funny. Games meant it should be about.
• 35:56
  Speaker 1: You know, when I got into the social media game,
• 35:57
  Speaker 1: I don't really understand it because I was like, I
• 35:59
  Speaker 1: don't want people in my business like that. But then
• 36:01
  Speaker 1: I was like, damn, I'm the type of person that
• 36:03
  Speaker 1: always go up to the fans and always do this anyway,
• 36:06
  Speaker 1: So I might as well just open up and you know,
• 36:08
  Speaker 1: let him be a part of my world every day. Now,
• 36:10
  Speaker 1: we've seen a video of you and Game walking to
• 36:11
  Speaker 1: the precinct in La. What was that all about? Explaining
• 36:14
  Speaker 1: that Why did you guys have to it felt like
• 36:16
  Speaker 1: you had to do it. Well. The morning before it happened,
• 36:19
  Speaker 1: Game it hit me and he was like on a hundred,
• 36:21
  Speaker 1: and he was hot and I was hot. We was
• 36:24
  Speaker 1: just mad at all of the violence that was happening
• 36:26
  Speaker 1: to these innocent people by the police, So you know,
• 36:29
  Speaker 1: I was ready to do whatever. So I was basically
• 36:30
  Speaker 1: following his league because I felt like it's a young
• 36:33
  Speaker 1: man's game, and he's younger than me, and he's gonna
• 36:35
  Speaker 1: take the league and I'm gonna follow this soldier. When
• 36:37
  Speaker 1: he hit me back, I told him, I said, look,
• 36:40
  Speaker 1: I don't want you to overreact. I want you to
• 36:41
  Speaker 1: think about everything that you're gonna do and put a
• 36:43
  Speaker 1: real plan together and hit me when you get your
• 36:46
  Speaker 1: plan together, and I'm with you. So then he went
• 36:48
  Speaker 1: and made a call to ferra Con for three hours
• 36:50
  Speaker 1: and did all the things he had to do to
• 36:51
  Speaker 1: prepare himself. Then he hit me back at about three
• 36:54
  Speaker 1: in the morning, was like, meet me here at five
• 36:57
  Speaker 1: in the morning. He didn't say nothing else. So I'm like,
• 37:00
  Speaker 1: I don't know what's going on. So I got dressed
• 37:02
  Speaker 1: to go to war, and you look like he was
• 37:03
  Speaker 1: ready to think about this. When you get the back car,
• 37:12
  Speaker 1: shot man, you just show up. He just someone's gonna
• 37:15
  Speaker 1: be putting my shoes all the time. Anna, hold on,
• 37:17
  Speaker 1: I'll be there. I was there, so when I get there,
• 37:19
  Speaker 1: I'm fully loaded and ready to go, and I'm looking around.
• 37:21
  Speaker 1: They passing on shirts and everybody on peace. And he
• 37:24
  Speaker 1: got us all in the circle and he said he
• 37:26
  Speaker 1: said something that was so deep. It's like, you know,
• 37:28
  Speaker 1: I didn't even know what I was gonna do. When
• 37:30
  Speaker 1: I came here, but now and I'm looking at the
• 37:31
  Speaker 1: spirit of everything. This is what I want to do,
• 37:33
  Speaker 1: and I want y'all to follow me on this. I
• 37:35
  Speaker 1: want us to walk down to the precinct, to the
• 37:38
  Speaker 1: precinct and reintroduce ourselves to the police department and let
• 37:41
  Speaker 1: them reach reintroduce themselves to us so we can get
• 37:44
  Speaker 1: some sort of dialogue on. And we listened to him,
• 37:46
  Speaker 1: and he was like, man, that is that's kind of
• 37:48
  Speaker 1: dope because we never talked to the police unless it's
• 37:50
  Speaker 1: too late. Let's get that understanding right now. So while
• 37:52
  Speaker 1: we're walking down there, police escort us there. Then when
• 37:55
  Speaker 1: we get there, come to find out the new recruiseter
• 37:59
  Speaker 1: graduating right now about to go hit the streets, and
• 38:02
  Speaker 1: the matter of twenty four hours and we standing outside
• 38:05
  Speaker 1: and the Chief of police is there and the mayorage there.
• 38:07
  Speaker 1: So they hear that we outside marching peacefully with the
• 38:11
  Speaker 1: Nation of Islam orders. So they send the word that
• 38:13
  Speaker 1: the chief would love to meet with me game and
• 38:16
  Speaker 1: two other of our people with the mayor behind closed doors.
• 38:19
  Speaker 1: So we went up there and talk. When them chopped
• 38:21
  Speaker 1: it up, got some understanding. Wasn't arguing, wasn't talking bad,
• 38:24
  Speaker 1: wasn't you know down planning, We was trying to get
• 38:27
  Speaker 1: some understanding and some dialogue. They had a couple of
• 38:30
  Speaker 1: meetings since then, and it's looking like it's gonna be
• 38:32
  Speaker 1: a great situation in LA with the police in the
• 38:34
  Speaker 1: communities because we're sitting tired of talking after the fact
• 38:38
  Speaker 1: when we could talk before the fact. But it's been
• 38:39
  Speaker 1: going on forever, especially in that later first time that
• 38:41
  Speaker 1: we policles with the Rodney King take. But it's never
• 38:45
  Speaker 1: been communication. And one thing about LA, we have sheriffs
• 38:48
  Speaker 1: and we have police department. The Sheriff's department have minor
• 38:53
  Speaker 1: incidents because they are sent to the county jail for
• 38:57
  Speaker 1: eighteen months as a part of their training before they
• 38:59
  Speaker 1: hit the streets. The lap D don't get no communication
• 39:03
  Speaker 1: with the streets until they hit the streets, so there's
• 39:06
  Speaker 1: a miscommunication off the jump. If you're scared, you never
• 39:08
  Speaker 1: dealt with nobody from the hood. You don't know what
• 39:10
  Speaker 1: he looked like. Now you already got a different perception
• 39:12
  Speaker 1: on you. But if you've been in the county gym,
• 39:14
  Speaker 1: you've been around him, you know they land go, they
• 39:16
  Speaker 1: know you. It's a different perspective when the sheriffs pull up.
• 39:19
  Speaker 1: All the sheriffs weren't the dope and guns. If you
• 39:21
  Speaker 1: ain't got on dope and no guns, they're letting you go.
• 39:23
  Speaker 1: They're not gonna shoot you when they don't shoot you
• 39:24
  Speaker 1: that much, but they're not gonna shoot you. On gp R,
• 39:27
  Speaker 1: the LAPD, they got a different agenda, so were trying
• 39:30
  Speaker 1: to get that understanding on let's get some different protocols
• 39:33
  Speaker 1: so they could be around these people in the community
• 39:36
  Speaker 1: before they start policing this community. Keep a lock of snoops.
• 39:39
  Speaker 1: He's the breakfast slogan Morning, the breakfast club that was
• 39:46
  Speaker 1: Tory Lands with Love Morning. Everybody's DJ M v Angela Yee,
• 39:50
  Speaker 1: Charlomagne the god we are the breakfast club Snoop dogs
• 39:53
  Speaker 1: in the building now, Charlomagne, did you learn how to
• 39:55
  Speaker 1: de escalade stuff? Like? Probably during Like do you wish
• 39:57
  Speaker 1: you had that same mentality during the whole East Coast
• 40:00
  Speaker 1: West Coast fiasco? I think I did. At the Source
• 40:03
  Speaker 1: Award that was a perfect example of the escalation because
• 40:07
  Speaker 1: Suge Knight had it escalated to I've seen people reaching
• 40:10
  Speaker 1: for pistols and I've seen pistols in there was no
• 40:13
  Speaker 1: police security. It was all hood security. It was New
• 40:15
  Speaker 1: York versus Death Row Records at that point, and my
• 40:18
  Speaker 1: conversation on that stage brought New York to a point
• 40:22
  Speaker 1: to what they said, you know what, we're gonna let
• 40:24
  Speaker 1: y'all get out of here. To us, that looked hostile
• 40:26
  Speaker 1: when it was very hostile because it was me saying
• 40:29
  Speaker 1: that I know where I'm at. But at the same time,
• 40:32
  Speaker 1: y'all know this is gangster rap that we do. We
• 40:35
  Speaker 1: don't just talk it, we live it. So if you're
• 40:38
  Speaker 1: really really in the mix, this is what takes place
• 40:41
  Speaker 1: in the mix. And at that time, Puffy wasn't with
• 40:43
  Speaker 1: it like that. He was making his music. He wasn't
• 40:46
  Speaker 1: what you know, I ain't what the rock rock. I'm
• 40:48
  Speaker 1: what the music should was with the raw rock, and
• 40:51
  Speaker 1: it's like, you know, it was a fine line because
• 40:53
  Speaker 1: Puffy and then was my friends, but I'm riding with
• 40:56
  Speaker 1: Death Row and at the same time I'm in New York.
• 40:58
  Speaker 1: Was like, if I don't say the right words, we
• 41:00
  Speaker 1: all gonna get killed. Damn. So I come back and
• 41:03
  Speaker 1: kick the buildings over because something happened. Because something happening
• 41:08
  Speaker 1: that I ain't gonna speak on that, we took that
• 41:11
  Speaker 1: on the chin and said, we'd just getting back on
• 41:13
  Speaker 1: this side. You know what I'm saying. Like, when you
• 41:15
  Speaker 1: involved into the art of war, certain losses you take,
• 41:19
  Speaker 1: certain you know, sacrifices you make. It come with the territory.
• 41:23
  Speaker 1: And we knew where it came from. We knew who
• 41:24
  Speaker 1: sent the shot, and we never had a problem with him.
• 41:27
  Speaker 1: We allowed that to happen because we knew in the
• 41:29
  Speaker 1: art of war that's what happens when you you're getting busy.
• 41:32
  Speaker 1: You gotta get, you gotta take what you get, you
• 41:34
  Speaker 1: know what I'm saying. So it's like we lived through it,
• 41:36
  Speaker 1: We survived it. We forgave, and we forgot, and we
• 41:39
  Speaker 1: moved forward. The parties that was involved we met behind
• 41:42
  Speaker 1: closed doors and we got an understand it yet because
• 41:44
  Speaker 1: I know you sent that at me. That was a
• 41:46
  Speaker 1: good shot. You missed though, I forgive you. We're gonna
• 41:49
  Speaker 1: move forward. I ain't gonna send nothing at you when
• 41:50
  Speaker 1: you're on my side. We're gravy, We're gravy. We're good.
• 41:53
  Speaker 1: Can you tell the story about nags Man. That was
• 41:55
  Speaker 1: the first time you met Nolage? You said, Yeah, the
• 41:57
  Speaker 1: first time I met Nasty Nas I was in a
• 42:00
  Speaker 1: gardena on a hundred and I think it was thirty
• 42:03
  Speaker 1: six thirty fifth one of those streets, and that's a
• 42:05
  Speaker 1: crip neighborhood. Yeah, shotguns. And I was out there hanging
• 42:08
  Speaker 1: tough with my own boys, and a white van pulls
• 42:12
  Speaker 1: up and they got like about fifteen sixteen people in it.
• 42:15
  Speaker 1: All of a sudden, door open, some dude jump out
• 42:19
  Speaker 1: and sweatpants is lifted up to his knee with some
• 42:21
  Speaker 1: boots on. He got on already running right towards me.
• 42:28
  Speaker 1: My homies is like they all drawn, they from the
• 42:30
  Speaker 1: drawn down on him. I'm like, hold on, cut, that's
• 42:32
  Speaker 1: the rapper from New York. That's nasty. Nas comes so
• 42:35
  Speaker 1: he come over to him and he shaked my hand.
• 42:38
  Speaker 1: I'm like, uh, it's a pleasure to meet you, but
• 42:40
  Speaker 1: let me let you know. And you ever in LA,
• 42:43
  Speaker 1: don't ever jump out with no red or no blue
• 42:46
  Speaker 1: on because you don't know what neighborhoods you were in.
• 42:48
  Speaker 1: Love one. Take my number down, So I'll high let
• 42:50
  Speaker 1: you next time you come to this crazy because I
• 42:52
  Speaker 1: tell you the time Nas pull out a gun on me,
• 42:53
  Speaker 1: I ran up on Nas like that. I ran up
• 42:56
  Speaker 1: on Nas. I had had a mixtapes in the bag.
• 42:58
  Speaker 1: I ran upo him just like that, you know, as
• 43:00
  Speaker 1: I got something for you and I was going in
• 43:01
  Speaker 1: my bag to pull it out. Not a good idea
• 43:05
  Speaker 1: for me, I said, it's a CD body guy. I said,
• 43:09
  Speaker 1: what you got? What you got for me? You used
• 43:13
  Speaker 1: to role like that At one point used had a briefcase. Yeah,
• 43:16
  Speaker 1: all that old stuff man at Charlot Magne. I'm peace now.
• 43:18
  Speaker 1: What I understood about about moving with the piece. When
• 43:22
  Speaker 1: I had the gun and have gun problems will travel?
• 43:24
  Speaker 1: You know what I'm saying. They say, have gun what travel?
• 43:26
  Speaker 1: Have gun problems will travel? When I removed the gun
• 43:29
  Speaker 1: from my game, I had less issues because I was
• 43:31
  Speaker 1: able to finesse and able to be more strategic with
• 43:34
  Speaker 1: my conversation. When I had the gun with me, I was,
• 43:36
  Speaker 1: you know, reckless because I had that thing, and I
• 43:38
  Speaker 1: thought that thing was you know, just like everybody else
• 43:41
  Speaker 1: was one of them things. They conversations more reckless when
• 43:43
  Speaker 1: you ain't got one, you're more understanding. And that's where
• 43:46
  Speaker 1: I wanted to be. I wanted to be about peace
• 43:48
  Speaker 1: as opposed to pushing violeus And you said you first
• 43:50
  Speaker 1: smoke we with your son right, my oldest son. Yeah, yeah,
• 43:53
  Speaker 1: we we did that question there on the Brekfy Club.
• 43:55
  Speaker 1: I think would you smoke we with the child to
• 43:57
  Speaker 1: keep it from doing it in the stream, because, like
• 43:59
  Speaker 1: I say, you know, what I'm gonna give him is
• 44:01
  Speaker 1: the righteous way. I don't know what y'all gonna put
• 44:02
  Speaker 1: in there. You may lace it, you know, it may be.
• 44:05
  Speaker 1: I don't know, because it happened to me before. I've
• 44:07
  Speaker 1: been laced with some things, so I don't trust the game.
• 44:09
  Speaker 1: So I would rather get him, you know, school for
• 44:12
  Speaker 1: me personally on the understanding on what is and whatnot
• 44:15
  Speaker 1: and what to do and what not to do. I
• 44:17
  Speaker 1: think they did that to you on purpose because they
• 44:19
  Speaker 1: knew you snoop and everybody want to out smoke. Let
• 44:21
  Speaker 1: me lace this blunt real quick, just to say I
• 44:24
  Speaker 1: don't even take blunts from people no more. You know,
• 44:26
  Speaker 1: it used to be asked to be in the crowd.
• 44:28
  Speaker 1: I used to be reckless. Man, I be in the
• 44:29
  Speaker 1: crowd and the ammy I'd be like open. Then I
• 44:31
  Speaker 1: start looking at these people like I I'm cool. I'm
• 44:37
  Speaker 1: gonna tell you how you influenced me. Recently, we were
• 44:39
  Speaker 1: having a cookout and I was gonna make some turkey franks.
• 44:42
  Speaker 1: Oh and then my family was like, you gotta see
• 44:46
  Speaker 1: Snoop finding out what is in these hot dogs? And
• 44:49
  Speaker 1: you're not gonna eat that again. You know we threw
• 44:51
  Speaker 1: the pack of franks out. Give me so it ain't.
• 44:55
  Speaker 1: That's the same. It's the same machine, man, it's na
• 45:00
  Speaker 1: I see man? Did you see that? You have to
• 45:02
  Speaker 1: see that. It'll make you never eat it again. I'm
• 45:04
  Speaker 1: telling you, horrible man, it's and I don't. I can't
• 45:07
  Speaker 1: get out. I used to come to New York. My hotel.
• 45:09
  Speaker 1: He got a hot dog. Man that's rat on the corner.
• 45:13
  Speaker 1: Me and cub being cool for twenty years. I don't
• 45:15
  Speaker 1: even look at him no more. I just brought quite
• 45:17
  Speaker 1: past him like he like, Snoop, my hot dogs are
• 45:20
  Speaker 1: waiting for you. No, I'm good because I've seen what
• 45:23
  Speaker 1: y'all doing. I'm cool on you. MX was a few
• 45:26
  Speaker 1: weeks ago. He ate four of them? Did he drank
• 45:34
  Speaker 1: a whole balla Henny and he was hungry that he
• 45:36
  Speaker 1: had four hot dogs to up all over the ship.
• 45:38
  Speaker 1: That's my dog, right. He the only person that ever
• 45:40
  Speaker 1: got me to drink Hennessy at an award show and
• 45:43
  Speaker 1: I mean at an award show that's on TV. Like
• 45:45
  Speaker 1: we was at the Grammys or something, and he was
• 45:47
  Speaker 1: sitting like two seats down. He had a Hennessey motle.
• 45:50
  Speaker 1: He was just big doll. You walt him. I couldn't
• 45:53
  Speaker 1: even say no. I was like, yeah, get here, cause
• 45:55
  Speaker 1: I'm like, we're sitting up in there getting drunk in
• 45:57
  Speaker 1: the Grammys in front of all these white folks with
• 46:00
  Speaker 1: real hennessy no cups straight out to the bottom. Shout
• 46:03
  Speaker 1: out to DMX for keeping it hood Snoop, you ain't
• 46:05
  Speaker 1: never cared about your image in front of white face
• 46:09
  Speaker 1: crazy Snoop appreciate joining us, man. Thank y'all for having me. Man.
• 46:13
  Speaker 1: It's one of my favorite shows to do, just because
• 46:15
  Speaker 1: y'all always keeping one honey, y'all keep it real, y'all
• 46:18
  Speaker 1: solid with me. I've done interviews with y'all individually and together,
• 46:21
  Speaker 1: and I love with y'all. Stand for continue success. I'm
• 46:24
  Speaker 1: glad to see y'all on a real TV network too.
• 46:27
  Speaker 1: The Breakfast Club is Snoop Dog Hello, Shot Maine, say
• 46:34
  Speaker 1: the game. Don't get out the shape man you are
• 46:38
  Speaker 1: you donkey today, just not discriminate. I might not have
• 46:45
  Speaker 1: the song of Today, but I got the donkey that,
• 46:47
  Speaker 1: So if you ever feel I need to be a
• 46:48
  Speaker 1: donkey man, hit it with the breakfast club bitches who
• 46:53
  Speaker 1: just don't give to day Today dunkey of to day
• 47:01
  Speaker 1: goes to a math teacher in Mobile, Alabama, slew to
• 47:03
  Speaker 1: everybody listening to us on one hundred point through the
• 47:05
  Speaker 1: beating mobile. Now, when I first reported this, the teacher
• 47:08
  Speaker 1: hadn't been identified by the school, but Mobile held me
• 47:11
  Speaker 1: down like I knew they would, and they hit me
• 47:13
  Speaker 1: up on social media at Sea to God on Instagram,
• 47:16
  Speaker 1: at Sea to God on Twitter, CTCH A G O D.
• 47:19
  Speaker 1: And this teacher has been identified as Joe Anne Bolster. Okay.
• 47:23
  Speaker 1: Parents say she's set to retire this year. Now, she
• 47:26
  Speaker 1: is a veteran educator and she's in her last year
• 47:28
  Speaker 1: before retirement, and she clearly doesn't give a damn anymore.
• 47:31
  Speaker 1: She's like President Barack Obama and his last year in
• 47:33
  Speaker 1: the White House, don't give it damn, just freeing and
• 47:36
  Speaker 1: shortening the sentences of drug offenders, inviting rappers over. He
• 47:39
  Speaker 1: don't care what y'all talking about. I'm out this bitch
• 47:42
  Speaker 1: and this teacher in Mobile, Alabama must be feeling the
• 47:45
  Speaker 1: same way because she gave her kids what is being
• 47:47
  Speaker 1: called a gang math test. Here, what's that? Let me
• 47:51
  Speaker 1: repeat and I'll tell you. She gave her kids what
• 47:53
  Speaker 1: it's being called a gang math test. Yes, this teacher
• 47:56
  Speaker 1: was teaching the kids a little crip calculus, some basic
• 48:00
  Speaker 1: blood math he has. According to the ny Daily News,
• 48:02
  Speaker 1: the math teacher was put on administrative leave after she
• 48:05
  Speaker 1: handed out a racially charged math test to her eighth
• 48:07
  Speaker 1: grade students that made gang references about drive by shootings, prostitution,
• 48:11
  Speaker 1: and drugs. I can't make this kind of stuff up, people,
• 48:14
  Speaker 1: I'm not that good, all right. Parents at Burns Middle
• 48:17
  Speaker 1: School were outraged to find out their kids have been
• 48:19
  Speaker 1: given a ten question quiz where you had to put
• 48:21
  Speaker 1: your gang crew name at the top on the example.
• 48:24
  Speaker 1: I saw somebody put the plug for that, and it
• 48:26
  Speaker 1: had questions like ramone has an AK forty seven with
• 48:31
  Speaker 1: a thirty round clip. He usually misses six out of
• 48:33
  Speaker 1: every ten shots, and he uses thirteen rounds per drive
• 48:36
  Speaker 1: by shooting? How many drive by shootings can Ramone attempt
• 48:39
  Speaker 1: before he has to steal enough ammunition and reload. Another
• 48:43
  Speaker 1: question is leroy has two rounds of cocaine. If he
• 48:46
  Speaker 1: sells an eighth ball to Antonio for three hundred and
• 48:49
  Speaker 1: twenty dollars and two grams to one for eighty five program,
• 48:52
  Speaker 1: what is the street value of the rest of his whole?
• 48:56
  Speaker 1: I really don't hold up, okay, because this might be
• 49:01
  Speaker 1: my favorite one. Lashanda is a lookout for the gang.
• 49:04
  Speaker 1: Lacuna also has a bowl constricted that eats five rats
• 49:08
  Speaker 1: per week at a cost of five dollars per rat
• 49:11
  Speaker 1: If Lashonda makes seven hundred dollars a week out of lookout,
• 49:14
  Speaker 1: how many weeks can she feed the bowla on one
• 49:16
  Speaker 1: week's income. Well, first of all, the hell got bowl
• 49:19
  Speaker 1: constricted in the hood just lying around? Don't think I'm
• 49:22
  Speaker 1: making this up. Let's go to the New York Daily
• 49:24
  Speaker 1: News for the report. Please. A Mobile, Alabama math teacher
• 49:27
  Speaker 1: was put on administrative leave after she handed out a
• 49:30
  Speaker 1: racially charged math test to her eighth grade students that
• 49:33
  Speaker 1: made gang references like drive by shootings, prostitutions, and drugs.
• 49:38
  Speaker 1: Parents at the Burns Middle School were outraged to find
• 49:41
  Speaker 1: their kids that have been given the ten question quiz
• 49:44
  Speaker 1: asking them to answer questions about turning tricks, stolen BMW's,
• 49:48
  Speaker 1: and knocking up women. Do I even have to tell
• 49:51
  Speaker 1: y'all why this week she could feed the ball because
• 49:53
  Speaker 1: for four weeks? Shut up? Do I even have to
• 49:56
  Speaker 1: tell y'all why this is wrong? Okay? Let me read
• 49:59
  Speaker 1: one more. See if Angeley can get this one. Tyrone
• 50:03
  Speaker 1: knocked up four girls in the gang. Four girls. There
• 50:07
  Speaker 1: are twenty girls in his gang. Okay, what is the
• 50:10
  Speaker 1: exact percentage of the girls Tyrone? Okay? I got another one.
• 50:15
  Speaker 1: Duwayne pimps three holes Okay, And then they asked the
• 50:19
  Speaker 1: students to figure out how many tricks each of the
• 50:22
  Speaker 1: hookers must turn in the day to support Dwayne's crack habit.
• 50:25
  Speaker 1: I'm not that's the I don't understand how you know.
• 50:28
  Speaker 1: Listen man, listen, teachers, you don't have to try to
• 50:31
  Speaker 1: be cool. This isn't what's popping in these streets. We
• 50:33
  Speaker 1: shouldn't legitimize the gang in drug coach I via math test,
• 50:36
  Speaker 1: making it seem like these are some honorable professions that
• 50:39
  Speaker 1: are worthy of being turned into math e questions. How
• 50:41
  Speaker 1: about deal with the reality of this situation and ask
• 50:43
  Speaker 1: the kids questions like if Tyrone gets caught with forty
• 50:46
  Speaker 1: kilos and cocaine three illegal guns and one dead body
• 50:50
  Speaker 1: in the trunk? How many years will he get under
• 50:52
  Speaker 1: the jail? How about if Shamika polls out a gun
• 50:55
  Speaker 1: and shoots there school yard at a rival gang member
• 50:58
  Speaker 1: named Shikuana, but accidentally to twelve year old boy in
• 51:01
  Speaker 1: the head and kills him. How long would that twelve
• 51:03
  Speaker 1: year old boy be dead? And how much time in
• 51:05
  Speaker 1: prison we should me could get the answer for all
• 51:07
  Speaker 1: those questions should be for our whole Okay, listen, man,
• 51:10
  Speaker 1: I don't know what kind of world we're living anymore.
• 51:12
  Speaker 1: It's bad enough that, you know, the criminal lifestyle has
• 51:14
  Speaker 1: been commercialized via music, TV movies, and I'm fine with
• 51:18
  Speaker 1: that to a certain extent. But now it's invading the classroom.
• 51:20
  Speaker 1: Why What is the reason these images are being planted
• 51:23
  Speaker 1: in our kids' heads making it seem like this criminal
• 51:25
  Speaker 1: behavior is normal. What if none of these kids have
• 51:27
  Speaker 1: ever been exposed to any of this kind of stuff,
• 51:29
  Speaker 1: but now they are in school. What's next? They're gonna
• 51:32
  Speaker 1: teach you how much sprite should be in every point
• 51:34
  Speaker 1: of leaning. Chemistry class, huh. They're gonna teach you how
• 51:36
  Speaker 1: to run from cops in gym class, home economics class.
• 51:39
  Speaker 1: You're gonna learn how to cook up a nice kill
• 51:41
  Speaker 1: old coquette. How like, stop it, don't go chasing crip calculus.
• 51:46
  Speaker 1: Stick to the same old arithmetic in English. You used
• 51:48
  Speaker 1: to please give Joanne Bosa of burn Middle School the
• 51:51
  Speaker 1: biggest he hall. Please can you send me those questions?
• 51:56
  Speaker 1: I want to answer them. Why? I just want to
• 51:59
  Speaker 1: see nice so you know, no math like I used
• 52:01
  Speaker 1: to want. Everybody's dj MD Angela yee, Charlomine and guy,
• 52:08
  Speaker 1: we are the breakfast club. We got a special guest
• 52:10
  Speaker 1: in the building. Hey, look, look, listen listening, y'all better
• 52:17
  Speaker 1: put something? Oh my, like somebody break down, like somebody
• 52:22
  Speaker 1: took his luncheon. He got emotional. Man, Sometimes people get
• 52:26
  Speaker 1: really really angry and they want to hurt something so
• 52:28
  Speaker 1: bad that they get emotional like that. Hey being single, Hey,
• 52:32
  Speaker 1: he listen. Anytime you see a girl man take a
• 52:34
  Speaker 1: straw and start chewing it like it's some problem. Listen, Yes,
• 52:40
  Speaker 1: you did, you did, Yeah you did. You made that
• 52:42
  Speaker 1: little girl cry. So I can lead because I think
• 52:47
  Speaker 1: you were bitch. I think you should leave. And he
• 52:50
  Speaker 1: sat back down. What is going on? That'sind of like
• 52:54
  Speaker 1: when I get in the fight with my boyfriend, and
• 52:56
  Speaker 1: I'd be like I'm leaving him out and he's like
• 52:57
  Speaker 1: all right, and then you're like, I'm not really work
• 53:01
  Speaker 1: out the way I wanted to do whatever was Saturday.
• 53:08
  Speaker 1: Wait wait wait wait wait, hold on, man, I got
• 53:11
  Speaker 1: White Famous and it's a good move. So I was like,
• 53:14
  Speaker 1: all right, let's do that. That's exactly what happened. I
• 53:17
  Speaker 1: got White Famous, auditioned for it, I got the pilot.
• 53:21
  Speaker 1: White Famous is the show talking about is doing. That's
• 53:30
  Speaker 1: the show that Yeah, so Tim's story is tim Story
• 53:33
  Speaker 1: to the right alone. He's start wrecting it. Jamie Fox
• 53:35
  Speaker 1: is producing. Tom Capanos wrote it, and man, it was
• 53:39
  Speaker 1: I just we shot the pilot. It was though, like
• 53:41
  Speaker 1: it's it's nothing. Nothing on television is gonna be and
• 53:44
  Speaker 1: it got greenlet right. Yeah, I mean it's a I
• 53:46
  Speaker 1: think we all think it's about it. We all got
• 53:48
  Speaker 1: the feeling. So we'll find out, like like you got fired,
• 53:52
  Speaker 1: then you picked up job. Yeah, it was. It was
• 53:55
  Speaker 1: just it was like a transitional thing, man, like you know, hey,
• 53:58
  Speaker 1: I mean any place where you feel like and I
• 54:00
  Speaker 1: think that's no for all of its opportunities that it
• 54:03
  Speaker 1: did provide, but anytime you feel like you're you're you
• 54:08
  Speaker 1: feel kind of slighted. It's like, all right, well, you know,
• 54:10
  Speaker 1: go do your things, so you know, why wouldn't you
• 54:14
  Speaker 1: both though they don't want to work on my schedule,
• 54:16
  Speaker 1: So I was like, all right, cool, Well you know,
• 54:18
  Speaker 1: you know I saw I seen the check for White Famous.
• 54:20
  Speaker 1: I say, I'm out this bit ud. This is you
• 54:22
  Speaker 1: know what I'm saying. So I guess Michael Chay who
• 54:27
  Speaker 1: everybody think me? Yeah, I guess I I have Pete
• 54:34
  Speaker 1: Due Obama. Yeah, man, yeah, that's my dude. I've seen
• 54:37
  Speaker 1: a special shout out to Pete SMD that was dope.
• 54:39
  Speaker 1: But yeah, I don't know who's gonna do it. Man,
• 54:41
  Speaker 1: I know they got Keenan. He gonna do it. I mean, shoot,
• 54:43
  Speaker 1: ain't ain't it get bigger? You know? Yeah, he said
• 54:46
  Speaker 1: he was shocked when they got it was you and
• 54:47
  Speaker 1: I was there to do his name Taran kill him. Yeah,
• 54:49
  Speaker 1: he said he was shock because y'all did all impersonations.
• 54:51
  Speaker 1: So he was like, oh damn, I might be next
• 54:54
  Speaker 1: because I don't do ninety percent of what they can do.
• 54:56
  Speaker 1: It's so crazy that like I'll do something off the
• 54:59
  Speaker 1: show and it will go super viral like everything I've
• 55:02
  Speaker 1: been doing has been going like super viral. So I
• 55:04
  Speaker 1: guess I don't know if they if they saw it
• 55:06
  Speaker 1: like hey, you know you're good now you can kind
• 55:08
  Speaker 1: of stand alone. I don't know. I don't know what
• 55:09
  Speaker 1: it was, but you know, they just hey, they didn't
• 55:12
  Speaker 1: work on my schedule. So it wasn't a pink slip.
• 55:14
  Speaker 1: It wasn't that, hey, mister Farrell, your services no longer needed.
• 55:17
  Speaker 1: It was more of a well, you have this other
• 55:19
  Speaker 1: thing going on, we can't accommodate that, so yeah, you
• 55:22
  Speaker 1: have to pick and choose, and you chose. Yeah, White Famous.
• 55:25
  Speaker 1: Does Lorn call you directly when stuff like that happens? Though, No,
• 55:32
  Speaker 1: he sent me a teasing me an email like I
• 55:34
  Speaker 1: emailed him. He sent me an email back, and uh.
• 55:37
  Speaker 1: I saw him at the party and he gave me
• 55:38
  Speaker 1: a hug. He was like, you got so he was like, yeah,
• 55:40
  Speaker 1: you have so much going on and you're you're you're
• 55:43
  Speaker 1: you're good and I love you and everything. I was like,
• 55:45
  Speaker 1: all right, thank you. So it's it's no, that's my
• 55:47
  Speaker 1: fam man, it's no bad blood. And he always said, yo,
• 55:49
  Speaker 1: you know you're part of the family no matter what.
• 55:51
  Speaker 1: And I was like, yeah, thank you, I appreciate that.
• 55:53
  Speaker 1: That's what if the pilot don't get picked up, I'm
• 55:55
  Speaker 1: sure I will, but it will, but I got come on, man,
• 55:59
  Speaker 1: I will, But what if? I mean? I mean, shoot,
• 56:04
  Speaker 1: I'm on the road, I got I got three movies
• 56:06
  Speaker 1: I'm fitting to do and I'm working. Bro. That's it.
• 56:10
  Speaker 1: I mean. So all right. Yeah, another thing I was
• 56:12
  Speaker 1: asking you about. I was telling you what you was
• 56:14
  Speaker 1: in comedian I was talking to and he was kind
• 56:17
  Speaker 1: of mad about some things you said about him on
• 56:19
  Speaker 1: the Breakfast Club because they were true. Donna Rowlins, what
• 56:23
  Speaker 1: you said about Donnello, Well, Donna Rowlins, you know. He mean,
• 56:27
  Speaker 1: it's tough out here people. You know what I'm saying.
• 56:29
  Speaker 1: The Chappelle Show was Chappelle Show was like twelve years ago.
• 56:32
  Speaker 1: So it's not like it's not like he's like an
• 56:37
  Speaker 1: Hollywood pop. It's not like he's doing like Bad Boys three.
• 56:42
  Speaker 1: He got mad, Yo, he tweeted me. He was like, yo, son,
• 56:45
  Speaker 1: you you take a shot. So I was like, Nah,
• 56:47
  Speaker 1: these are jokes, but it's it's real. Yeah. Then he
• 56:50
  Speaker 1: said he ran into you and it was beef beef.
• 56:52
  Speaker 1: He said, you back down, Nah, you let Donnell rolling
• 56:55
  Speaker 1: back you down. He didn't backround. I was like, yo,
• 56:58
  Speaker 1: like I happened. I did not have something really crazy
• 57:04
  Speaker 1: to beef. I missed that one. It wasn't even a beef.
• 57:07
  Speaker 1: It was just I was just saying that I made
• 57:09
  Speaker 1: a joke and he tweeted me and that was all
• 57:11
  Speaker 1: it was. And when I seen him, I just wanted
• 57:13
  Speaker 1: to make sure because he tweeted me, I was like,
• 57:14
  Speaker 1: you must have felt some type of weight. So I
• 57:17
  Speaker 1: was like, let me smooth, let me smoove it out
• 57:18
  Speaker 1: a dude. I was just joking. Oh yeah, Yeah. It's
• 57:21
  Speaker 1: funny because sometimes people could tweet you and you could
• 57:23
  Speaker 1: take it the wrong way, because what if when he
• 57:24
  Speaker 1: tweeted you, he was really joking, you know, and yeah,
• 57:27
  Speaker 1: you'll tell you take a shot and you read it
• 57:28
  Speaker 1: that way. That happens all the time you try to
• 57:30
  Speaker 1: play with somebody. I hate man, he's very sensitive. Yes,
• 57:33
  Speaker 1: Twitter is. I hate Twitter, though, like I hate you.
• 57:36
  Speaker 1: Take a break from it after like after the announced
• 57:39
  Speaker 1: you got fired, you did, ye, I wasn't. I was
• 57:41
  Speaker 1: just I was just chilling because I was getting so
• 57:43
  Speaker 1: many I got so many tweets like hey, I hope
• 57:46
  Speaker 1: you all right and all this, and I'm like, you
• 57:48
  Speaker 1: wasn't I'm on Twitter. They'd be like, I'm glad you
• 57:51
  Speaker 1: got fired. Nah they yeah, eighty percent of the people
• 57:55
  Speaker 1: eighty percent of the people that was hitting me up.
• 57:57
  Speaker 1: Was like, yo, man, I'm sorry to hear about this.
• 57:59
  Speaker 1: And then on percent you know most of the black people,
• 58:01
  Speaker 1: you gonta blad gonna bad. He won't never funny in
• 58:06
  Speaker 1: the first pit like you said you won't never funny?
• 58:07
  Speaker 1: Twitters me, man, that's why I lost weight. I see
• 58:11
  Speaker 1: you taking a lot of SELFI picus. I never follow you, bro,
• 58:13
  Speaker 1: you won't follow me because I'll take a self It
• 58:15
  Speaker 1: was too many. Hey, there's too many, man. I listen.
• 58:18
  Speaker 1: I'm trying to inspire in the world made insecure, I'm
• 58:20
  Speaker 1: trying to inspire the world. Listen. Then that was said, yo,
• 58:23
  Speaker 1: so I'm feeling uncomfortable. All these ad picks said my
• 58:26
  Speaker 1: wife was steroids. He was like, look, I said the steroids. Hey,
• 58:31
  Speaker 1: the hips are gone. So that everybody was clowning you.
• 58:35
  Speaker 1: I lost weight because listen, I never recovered from when
• 58:38
  Speaker 1: I did a VMA twenty fourteen. They lit my ass
• 58:41
  Speaker 1: up talking about my hips. Bro looked like Barney. I
• 58:45
  Speaker 1: said why, I said, I gotta. I had to. I
• 58:48
  Speaker 1: had to do it, man, like seriously, they did a
• 58:50
  Speaker 1: side by side with me and Nickimnah, say who are better?
• 58:53
  Speaker 1: You don't remember that? And then I was winning like
• 58:56
  Speaker 1: I had to. I had to do something, bro, how
• 58:59
  Speaker 1: you lean up? I started running like I do, like
• 59:02
  Speaker 1: my cardio game is crazy, like I run like nine.
• 59:06
  Speaker 1: I was running like nine miles a day like yeah,
• 59:09
  Speaker 1: for like two months, and then I just kept being
• 59:12
  Speaker 1: consistent with it and I would now I'm running like
• 59:14
  Speaker 1: five whatever. But when I was in Tokyo like lasting
• 59:17
  Speaker 1: last week week for last, like I ran sixteen miles
• 59:20
  Speaker 1: in a day like I don't play around with cardio.
• 59:23
  Speaker 1: And then I got a trainer too, so you know,
• 59:24
  Speaker 1: I'm trying to get the Marvel superhero roles. You know
• 59:27
  Speaker 1: where the money is. How much is the training now?
• 59:29
  Speaker 1: Because you just got fired, you got to think about that.
• 59:33
  Speaker 1: I've been fired four times, trust me, and third days
• 59:35
  Speaker 1: you gotta cut out how much training trains complimentary? Okay? Yeah,
• 59:41
  Speaker 1: he's like, hey man, just get me a tag. I'm like,
• 59:43
  Speaker 1: all right, we got more with Jay Farrell. That was
• 59:51
  Speaker 1: Jay Cole Morning. Everybody's DJ n V Angela, Ye shagna God.
• 59:55
  Speaker 1: We all the Breakfast Club now formerly of s n L.
• 59:58
  Speaker 1: We have Jay Farrell in the building. Ye. So Jay,
• 1:00:01
  Speaker 1: we've been talking about your weight loss. I know a
• 1:00:03
  Speaker 1: lot of women you said you've been getting, but there
• 1:00:05
  Speaker 1: are a lot of guys trying to holler at you.
• 1:00:07
  Speaker 1: And he gets a lot of guys trying to holder well,
• 1:00:09
  Speaker 1: my hips were bigger. They definitely was trying to holder
• 1:00:11
  Speaker 1: that as another reason I had to cut that. Do
• 1:00:14
  Speaker 1: you know Felice Johnson he got out. He got out
• 1:00:17
  Speaker 1: of jail. Yes, he did. Is out If I think
• 1:00:23
  Speaker 1: they I think they put him in a half I'm
• 1:00:24
  Speaker 1: sitting yo, he got out, So I think it was
• 1:00:26
  Speaker 1: like a couple It was a couple of years ago.
• 1:00:28
  Speaker 1: He got out. I was like, no, no, no, no,
• 1:00:31
  Speaker 1: but I'm just I'm just preparing. They said that halfway
• 1:00:34
  Speaker 1: there was like at one point there was a halfway
• 1:00:35
  Speaker 1: house that wouldn't take him or something like that. And
• 1:00:38
  Speaker 1: now I think I think he got out. So I
• 1:00:40
  Speaker 1: didn't want him to like come at S ANDL like
• 1:00:42
  Speaker 1: waiting around the corner. It's waiting like with Jice Johnson
• 1:00:46
  Speaker 1: is now on the loose end up raping Michael because
• 1:00:50
  Speaker 1: you got getting no more Shay hit me up, your son,
• 1:00:53
  Speaker 1: I got my cakes to us like they ain't thought.
• 1:00:55
  Speaker 1: I was used. Can you watch the show? Do you
• 1:00:57
  Speaker 1: watch it? Hey? I didn't watch it a lot. I
• 1:01:00
  Speaker 1: watched it at a certain point before I got on
• 1:01:03
  Speaker 1: the show, but like I wasn't like the current, Like
• 1:01:05
  Speaker 1: I didn't know the Christen wig and all of that.
• 1:01:06
  Speaker 1: But it's the same thing. Like I watched clips and
• 1:01:09
  Speaker 1: stuff like oh that was funny or that whatever, So
• 1:01:11
  Speaker 1: it's not it's nothing like, huh, I'm getting flashbacks from
• 1:01:14
  Speaker 1: my job and my sketches cut if I watched the
• 1:01:17
  Speaker 1: show or nothing now long. Michael said that he told
• 1:01:19
  Speaker 1: us say the day that y'all served the show, well
• 1:01:22
  Speaker 1: you and kill him, and you and y'all are two
• 1:01:24
  Speaker 1: people that you really care about. But changes the lifeblood
• 1:01:27
  Speaker 1: of the show. It always has been. You got to
• 1:01:29
  Speaker 1: keep bringing new people in. But then, the only discrepancy
• 1:01:33
  Speaker 1: I have with that statement is, uh, the fact that
• 1:01:36
  Speaker 1: there have been people on the show for like almost
• 1:01:39
  Speaker 1: twenty twenty years. That's what I said. I'm like changing
• 1:01:41
  Speaker 1: the light of the show. Okay, I said, I put
• 1:01:44
  Speaker 1: two hands. I was like all right, Cool, that's that's
• 1:01:47
  Speaker 1: an explanation you want to get. I was like, that's cool.
• 1:01:49
  Speaker 1: I think everybody's like mad political about that, but it's
• 1:01:52
  Speaker 1: people that's been there mad long. Do you believe him
• 1:01:55
  Speaker 1: when he says that he cares about you? You doctor,
• 1:02:00
  Speaker 1: don't do you? Okay? Okay, okay, um, I don't know.
• 1:02:10
  Speaker 1: I'm telling you. I don't know who that is, but
• 1:02:12
  Speaker 1: she does fix my life. Okay, Okay, I'm gonna look
• 1:02:15
  Speaker 1: it up next time, next time I come in. Um,
• 1:02:18
  Speaker 1: I think he really cares. I think Lauren does care
• 1:02:21
  Speaker 1: about us. You know, I don't think he would make
• 1:02:24
  Speaker 1: decisions if he didn't believe in people's talent. So you know,
• 1:02:29
  Speaker 1: I believe it. Yeah. This situation we talked about earlier,
• 1:02:32
  Speaker 1: it's about Mariah Carey. She was engaged, it would be
• 1:02:36
  Speaker 1: longer engaged. What did I ever beat Maria? No? Man?
• 1:02:40
  Speaker 1: I was like, wait, I was agreeing to and then
• 1:02:44
  Speaker 1: he's slipping you've been doing? That'd be slipping, bro. You
• 1:02:48
  Speaker 1: know hey, I wanted bro, I did want to and
• 1:02:50
  Speaker 1: I do want to though she's single. Yeah. The only
• 1:02:55
  Speaker 1: thing is this all right? So now they're not getting
• 1:02:57
  Speaker 1: married anymore? You know, he's a billionaire. She wants him
• 1:02:59
  Speaker 1: to give her fifty million dollars plus by her mansion
• 1:03:03
  Speaker 1: in La. Plus she gets to keep the ring, which
• 1:03:06
  Speaker 1: is worth about ten million dollars. Is there ever a
• 1:03:09
  Speaker 1: case you think where a man should give some palimony
• 1:03:12
  Speaker 1: up if you didn't get married, but pay you. I
• 1:03:15
  Speaker 1: don't think no ass is worth giving that much money.
• 1:03:17
  Speaker 1: You don't even have sex with her? What she said?
• 1:03:20
  Speaker 1: She says she's so traditional that she used to sleep
• 1:03:22
  Speaker 1: in another bedroom. Wait, wait, she see that she see
• 1:03:26
  Speaker 1: ard is as even on the yat She said they
• 1:03:28
  Speaker 1: slept in different rooms. She don't know, she don't she
• 1:03:30
  Speaker 1: don't get fifty then you ain't giving me no booty, you,
• 1:03:32
  Speaker 1: Maria Carrie, You gave me no ass and we ain't married,
• 1:03:35
  Speaker 1: we ain't got no kids, fifty million house in la
• 1:03:38
  Speaker 1: and the ring? Do sex feel better without hips? Wait?
• 1:03:42
  Speaker 1: What does it feel better without hips? Does flirting? That's why, Charlemagne?
• 1:03:47
  Speaker 1: What you mean? Because you asking me? You asking me
• 1:03:50
  Speaker 1: these pause questions. You used to have hips? You said
• 1:03:52
  Speaker 1: you don't have hips? Looking down right? Think needs them
• 1:03:57
  Speaker 1: to grab on sitting like a cat. And what is
• 1:04:07
  Speaker 1: the posed? Though? The pose is killing me? Like? What
• 1:04:10
  Speaker 1: you do want it again? Sex feel better without hims?
• 1:04:15
  Speaker 1: You know what I mean? Pause, pause, Charlemagne super pause,
• 1:04:19
  Speaker 1: but doesn't feel better? What's wrong with you asking the
• 1:04:22
  Speaker 1: question that you've lost weight? I don't know how well
• 1:04:26
  Speaker 1: can I be honest with you? Stamming the wise? I listen.
• 1:04:29
  Speaker 1: I've never been a minute dude, never ever, never, never.
• 1:04:34
  Speaker 1: Somebody's gonna tweet us definitely sure, Hey, I swear I did.
• 1:04:38
  Speaker 1: If anybody please stand up, if you please stand up.
• 1:04:42
  Speaker 1: But the stamming up from exercise and everything, like I'm
• 1:04:46
  Speaker 1: on super saying blue right now, like you can't mess
• 1:04:48
  Speaker 1: with me. You know, you know, y'all don't y'all don't
• 1:04:49
  Speaker 1: get that reference because you don't watch that. You get
• 1:04:51
  Speaker 1: that right. We got more with Jay Farrell when we
• 1:04:54
  Speaker 1: come back. Keep a lock, don't move. It's the Breakfast Club.
• 1:04:56
  Speaker 1: Good morning, the Breakfast Club. No, no, that was Beyonce
• 1:05:03
  Speaker 1: with sorry morning. Everybody is TJ mvy Angela Yee, Charlomagne
• 1:05:07
  Speaker 1: the guy. We are the Breakfast Club now formerly of
• 1:05:10
  Speaker 1: s n L. We have Jay Farrell in the building. Now.
• 1:05:12
  Speaker 1: You do a lot of impersonations. You get flat from
• 1:05:15
  Speaker 1: doing it. They say, well, you're not funny because all
• 1:05:17
  Speaker 1: you are is impression, well from what a lot of
• 1:05:19
  Speaker 1: people have seen online or whatever. Like they'll say, oh
• 1:05:23
  Speaker 1: he do impressions, Well that's all he do. But the
• 1:05:25
  Speaker 1: people that actually come to my shows and they see it,
• 1:05:27
  Speaker 1: they're like, wow, you do everything, And I'm like, yeah,
• 1:05:30
  Speaker 1: when I was younger, it was a lot more impression stuff.
• 1:05:33
  Speaker 1: But you know, now I'm just talking about me, like
• 1:05:35
  Speaker 1: everything I've been through, and it's it's fun now. Yeah,
• 1:05:38
  Speaker 1: I saw you talking about politics. You said with screwed
• 1:05:40
  Speaker 1: either way, it doesn't matter if you want to hold
• 1:05:42
  Speaker 1: just tipic. That's the truth. That's the thing, Like, you
• 1:05:46
  Speaker 1: know what's screwed? They just said, let's you don't want
• 1:05:52
  Speaker 1: to say to Charomagne you want to say this because
• 1:05:54
  Speaker 1: you ain't saying no party this you you didn't sat
• 1:05:56
  Speaker 1: like this. The cat poles don't do. Come on, it
• 1:06:00
  Speaker 1: makes me very uncomfortable. All right, Yeah, what you got
• 1:06:07
  Speaker 1: in your phone? Your bullet points? Man? Listen? Just who
• 1:06:10
  Speaker 1: else you got in there? No? Man, we were just
• 1:06:12
  Speaker 1: just a wait low. We talked. I think we really
• 1:06:14
  Speaker 1: talked about everything. I liked that. I like when guests
• 1:06:16
  Speaker 1: come prepared with what they know. They wanted to talk.
• 1:06:19
  Speaker 1: Do you think this's Molly? No? Do it? No, come on, girl,
• 1:06:22
  Speaker 1: don't don't do that. Don't do that. I got molly.
• 1:06:25
  Speaker 1: I didn't do it. I got drugged. I actually did
• 1:06:27
  Speaker 1: get drugs. Really just it was this white I was
• 1:06:31
  Speaker 1: at a white party, all white, and this girl said
• 1:06:34
  Speaker 1: we're gonna do some drugs. And I'm thinking we right,
• 1:06:38
  Speaker 1: And then the friend was like, no, we're not doing
• 1:06:40
  Speaker 1: hardcore drugs. I was like, wait a minute, what do
• 1:06:42
  Speaker 1: you mean with the universe? Is this hard coach up?
• 1:06:44
  Speaker 1: And then she was like, no, we're doing Molly. I
• 1:06:46
  Speaker 1: was like, nick, no, and then she dropped it in
• 1:06:48
  Speaker 1: my drink. I didn't know, and I drank the champagne
• 1:06:51
  Speaker 1: and then I was I was gone, did you at
• 1:06:53
  Speaker 1: least smash the chicks? It didn't work. It didn't yet
• 1:06:58
  Speaker 1: didn't work now off the whole time, I blame it
• 1:07:02
  Speaker 1: on you blamed it on maybe you needed a dog
• 1:07:06
  Speaker 1: to come to your ba. I'm gonna wait. I'm anna white,
• 1:07:13
  Speaker 1: I'm gonna waite. I'm gonna league because I think you
• 1:07:17
  Speaker 1: leave because you don't get hard all right, what does
• 1:07:20
  Speaker 1: that have to do with you? All right? Still, you
• 1:07:22
  Speaker 1: know what there's been so I'm telling you, there's so
• 1:07:24
  Speaker 1: many suspect moments in it. Charlte Mane, kick you out? Happen?
• 1:07:30
  Speaker 1: Were not mean? You don't mean for it to happen,
• 1:07:32
  Speaker 1: I think, But it's so natural, It comes so natural
• 1:07:34
  Speaker 1: to y'all. What the hell like? All right? All right,
• 1:07:37
  Speaker 1: doesn't want to hear anymore because you don't get hard.
• 1:07:39
  Speaker 1: Why are you looking at him like that? He's still
• 1:07:41
  Speaker 1: doing it, this pose that poses killing y'all. Okay, all right,
• 1:07:48
  Speaker 1: Jay Farrell, you have it. It's the Breakfast Club. Good morning.
• 1:07:51
  Speaker 1: It