Latest / Arroe Collins Like It's Live / The Album Says It All Happy Hour From Singer Songwriter Mike Sands
Transcript
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- 0:28Speaker 1: How are you doing, Mike Sands?
- 0:30Speaker 2: I'm great? How are you?
- 0:31Speaker 1: Absolutely fantastic? My god, I cannot wait to talk to
- 0:34Speaker 1: you about this because I put in my notes only
- 0:37Speaker 1: because I'm one of those old timers in radio that
- 0:39Speaker 1: the last time I was moved by music like this
- 0:42Speaker 1: was with simply read Sugar Ray or even Seal, and
- 0:46Speaker 1: I got your collection of music and went, oh my god,
- 0:50Speaker 1: we are headed back into that era again.
- 0:53Speaker 2: Wow. Thank you very much. I appreciate that. Well.
- 0:57Speaker 1: It's the way that you're sharing the lyrics. To me,
- 1:00Speaker 1: you're not just singing them, You're physically sharing an experience,
- 1:04Speaker 1: and I think that's what drew me in as a listener.
- 1:07Speaker 1: It's like, oh my god, I don't feel alone in
- 1:09Speaker 1: life anymore. When he's singing these songs like this because
- 1:11Speaker 1: you're bringing us into the story.
- 1:15Speaker 2: Yes, thank you. I appreciate that every song on this
- 1:21Speaker 2: album is really from experience and there's something, you know through,
- 1:30Speaker 2: some kind of truth within each song.
- 1:35Speaker 1: Well, you do something with your lyrics here that really
- 1:38Speaker 1: being a jock on the air. When listeners call in
- 1:40Speaker 1: or they want to talk to you about a song's lyrics,
- 1:42Speaker 1: they really do react. But I mean you talk about
- 1:45Speaker 1: how every day you're never alone, and yet you were
- 1:48Speaker 1: questioning her in the song, and I went, that is
- 1:52Speaker 1: authentic because that's the kind of stuff that's really going
- 1:55Speaker 1: on out here in the real world.
- 2:00Speaker 2: That's yeah, it's definitely, uh, you know, a song for
- 2:06Speaker 2: the real world. These are all definitely you know, from
- 2:11Speaker 2: real life experiences. I write you know from experiences and
- 2:20Speaker 2: really just lay it all out there.
- 2:22Speaker 1: Do you envision where your listener is? Because when I'm
- 2:25Speaker 1: when I'm tapping into forgetting about Me, what happened is
- 2:28Speaker 1: is that I felt like that I should be in
- 2:30Speaker 1: Montana underneath that big sky country and listening to that song.
- 2:34Speaker 1: You give me that opportunity to find my escape, and
- 2:38Speaker 1: when I get there, your lyrics are going to be
- 2:40Speaker 1: waiting for me.
- 2:43Speaker 2: Wow, No, that's an interesting question. I really don't think
- 2:48Speaker 2: about that when I'm writing. For some reason, the song
- 2:55Speaker 2: just has a feel to it. It's kind of if
- 3:02Speaker 2: the song's a little more angrier, like an abandoned to
- 3:09Speaker 2: more of a questioning, you know, or a different feeling,
- 3:15Speaker 2: the song kind of goes along with, you know, the
- 3:19Speaker 2: feeling of when I'm writing it.
- 3:21Speaker 1: Yeah, Now does this qualify you to be featured on
- 3:25Speaker 1: Serious XM's yacht rock or even when I go to
- 3:27Speaker 1: Alexa and I want my yacht rock because I mean,
- 3:30Speaker 1: when you've even got a song called Questions and when
- 3:32Speaker 1: you sit back and experience that, I mean, it's everything
- 3:35Speaker 1: that yacht rock is, and it's like, why am I
- 3:38Speaker 1: not hearing your music on there? Or am I? And
- 3:41Speaker 1: I just don't know it's you yet.
- 3:44Speaker 2: That's funny. I again never thought about that. I've never
- 3:51Speaker 2: thought about being on yacht rock. But that's an interesting point.
- 4:00Speaker 2: When we were actually recording it, my producer thought it's
- 4:06Speaker 2: sounded like an old Rolling Stones, That's what he compared
- 4:13Speaker 2: it to. So yeah, we definitely did not have yacht
- 4:18Speaker 2: rock in mind. I have, you know, no problem with
- 4:20Speaker 2: yacht rock, but was not where I was intending to
- 4:24Speaker 2: go with that.
- 4:25Speaker 1: Yeah, how do you handle the emotions of every song?
- 4:28Speaker 1: Because I almost feel like that your heart is bleeding.
- 4:30Speaker 1: I can feel your emotions, and so I always have
- 4:33Speaker 1: to think about what was it like to be on
- 4:35Speaker 1: that microphone and still make it so believable to those
- 4:38Speaker 1: of us that are tapping into it.
- 4:42Speaker 2: Yeah, that is It's an interesting experience when I go
- 4:47Speaker 2: in to sing the final lyrics to put down for
- 4:53Speaker 2: the song. You know, the songs definitely take a lot
- 4:57Speaker 2: out of me. So you know, there was some sessions
- 5:02Speaker 2: where maybe we only got two songs done that day
- 5:08Speaker 2: because I was emotionally spent, and even one of the
- 5:13Speaker 2: songs forgetting about Me. After we did it, I didn't
- 5:18Speaker 2: feel like it had enough emotion, so I asked if
- 5:23Speaker 2: we could do that one again, and did that one
- 5:25Speaker 2: over another day. Yeah, it's just Yeah, I do pour
- 5:32Speaker 2: everything into the lyrics and these songs, so it does
- 5:39Speaker 2: take toll and people can see it when I'm performing them,
- 5:44Speaker 2: you know, live as well.
- 5:47Speaker 1: Yeah, and that's and that's the thing about it. Not
- 5:49Speaker 1: only do we get to see it and feel it,
- 5:50Speaker 1: but the thing about it is we get to carry
- 5:52Speaker 1: it with us as well, and that's what I love today,
- 5:55Speaker 1: is that music will go with you everywhere, and when
- 5:58Speaker 1: you open yourself up like that, I mean in the
- 6:00Speaker 1: studio to do exactly what you're talking about. And that's
- 6:03Speaker 1: where I wish more listeners could really understand the process
- 6:06Speaker 1: of creating music, because when you're in that room, I
- 6:09Speaker 1: don't know about you, but I forget that microphone is
- 6:12Speaker 1: even there. I'm singing from my soul and and and
- 6:15Speaker 1: then all of a sudden when the song comes to
- 6:16Speaker 1: an end. If I didn't have that engineer over there
- 6:19Speaker 1: in the other room with their two eyes looking back
- 6:20Speaker 1: of me, or whoever else is in that room, I
- 6:23Speaker 1: don't know what I would do. What do you go through?
- 6:26Speaker 2: Yeah, it's certainly an emotional experience, but you know, you
- 6:32Speaker 2: also have to be aware of the timing and the
- 6:38Speaker 2: technical you know, hitting the right notes, and it's definitely
- 6:42Speaker 2: a lot going into it, and the engineer and the
- 6:48Speaker 2: producer definitely, you know, come into play there and help
- 6:54Speaker 2: me with that. You know, there could be a time
- 6:58Speaker 2: where I hit it the notes correctly but didn't really
- 7:04Speaker 2: feel enough emotion or vice versa. So you know, we
- 7:10Speaker 2: try it again till we get it. You know perfectly
- 7:15Speaker 2: how we want, both technically and emotionally.
- 7:19Speaker 1: Please don't move. We're coming right back with singer songwriter
- 7:22Speaker 1: Mike Sands. We are back with singer songwriter Mike Sands. Googling,
- 7:28Speaker 1: put him on Spotify, listen to him on iHeartRadio Apple.
- 7:31Speaker 1: He's everywhere. It is a music experience. Mike Sands, What
- 7:37Speaker 1: went into the song the Foolish Shard? I mean, you're
- 7:39Speaker 1: playing a lot harder on this song, and to me,
- 7:41Speaker 1: it gives me that summer sunshine kind of a boost
- 7:44Speaker 1: of energy. It's almost like the perfect summer song for
- 7:47Speaker 1: this year.
- 7:49Speaker 2: Yeah, that's really from an experience again, and it's kind
- 7:56Speaker 2: of a song about everybody, but you know, everybody's got
- 8:02Speaker 2: a foolish heart. In my mind, you do things that
- 8:05Speaker 2: you probably say, you know you shouldn't be doing this,
- 8:09Speaker 2: but your heart leads you in a direction that you
- 8:13Speaker 2: gotta follow it and you get mad about it. You're
- 8:17Speaker 2: upset that you you did it. But if that opportunity
- 8:22Speaker 2: came up again, you probably do the same.
- 8:26Speaker 1: That's us.
- 8:28Speaker 2: Yes, So it's kind of a song just admitting that
- 8:34Speaker 2: I got a foolish heart. But it's there and there's
- 8:38Speaker 2: nothing I can do about it.
- 8:40Speaker 1: One of the things that you're you're bringing to the
- 8:43Speaker 1: source of music is that I know that the younger
- 8:45Speaker 1: generation calls everything there is, but what they're not putting
- 8:48Speaker 1: focus on are the regions and I and I'm gonna
- 8:51Speaker 1: use you as that guy where I'm gonna go not
- 8:53Speaker 1: only is this guy from a region here in the country,
- 8:56Speaker 1: but he's fusing the regions together, and that the listeners
- 9:00Speaker 1: need to understand where you're coming from and the source
- 9:03Speaker 1: of that energy for each one of those songs.
- 9:06Speaker 2: Oh yes, yeah, We also, you know, tried to keep
- 9:11Speaker 2: that in mind. Funny when I met Lincoln and he
- 9:19Speaker 2: asked me, if you could describe your music at all,
- 9:25Speaker 2: how would you describe it. My response was, I want
- 9:31Speaker 2: to sound like if Jason Isbell became the leading singer
- 9:38Speaker 2: songwriter for Stone Temple Pilot, I want to be I
- 9:44Speaker 2: call it alternative Americana rock, where I'm kind of fusing uh,
- 9:52Speaker 2: Nashville and New York, which are my two you know,
- 9:56Speaker 2: places that I've lived and and upbringing together. I kind
- 10:03Speaker 2: of throwing to mix the great alternative type rock with
- 10:10Speaker 2: the Americana type of music with a little edge to it.
- 10:16Speaker 2: And that's really kind of the sound that I'm looking for.
- 10:20Speaker 1: Are you using that for the song strip the Paint?
- 10:22Speaker 1: Because I got the vibe of zz Top or very
- 10:25Speaker 1: early group Chicago on that song. I love Strip the Paint.
- 10:29Speaker 2: Okay, yeah that No, I was actually trying to get
- 10:33Speaker 2: a little something a little stronger there. I was thinking
- 10:40Speaker 2: more of something like Sound Garden. Yes, yes, when I
- 10:47Speaker 2: was was doing that one. Yeah, that's definitely one of
- 10:51Speaker 2: the I guess, heavier, more rocky songs on the album.
- 10:56Speaker 2: And it was just, uh know, really vulnerable that you
- 11:04Speaker 2: know you're stripping the paint, that you're stripping layers of yourself.
- 11:10Speaker 2: So I was definitely trying to be as emotional as
- 11:14Speaker 2: possible on that one.
- 11:16Speaker 1: I would love to meet with other jocks across the
- 11:18Speaker 1: country in the way of what they're going to do
- 11:20Speaker 1: with the song vision because this song is so smooth
- 11:23Speaker 1: and I feel like that they're going to be using
- 11:25Speaker 1: that as one that you bridge things together. You really
- 11:29Speaker 1: do things with this where we can play with the sound.
- 11:32Speaker 1: And I love it when an artist does that where
- 11:34Speaker 1: you put so much different you know, expression in it,
- 11:37Speaker 1: where it's like, oh my god, that's the one I
- 11:39Speaker 1: got to go to next. And then I'll build from there.
- 11:41Speaker 1: But I want to talk to other jocks about vision.
- 11:45Speaker 2: Hmmm. Interesting because honestly, although of course I love all
- 11:50Speaker 2: the songs and like performing all the songs, for some reason,
- 11:56Speaker 2: that's the one I enjoy singing really the most when
- 12:01Speaker 2: we do Yeah, when we're doing the shows, that's the
- 12:04Speaker 2: song I enjoy singing the most and has gotten a
- 12:09Speaker 2: great reaction from the crowd because, you know, I introduce
- 12:14Speaker 2: it a little story behind how I came up with
- 12:19Speaker 2: the song that once you go through certain things through
- 12:23Speaker 2: your life, you gain vision and you gain new perspective
- 12:30Speaker 2: and ideas. So sometimes you need to go through things
- 12:35Speaker 2: to learn something and see things that you didn't see before.
- 12:39Speaker 2: That's that's what the song's about. And I've really enjoyed
- 12:45Speaker 2: playing that song the most so far in the shows.
- 12:48Speaker 1: Wow, where can people go to find out more about you, Mike?
- 12:51Speaker 1: Because I mean, You've got a hell of a music history,
- 12:53Speaker 1: and I don't want people just to fall into your lap.
- 12:55Speaker 1: I want them to experience everything about you as well
- 12:58Speaker 1: as your music.
- 13:01Speaker 2: Well, definitely, you know, go to the site Mike Sands
- 13:06Speaker 2: music dot com. Uh, you know, everything is up there
- 13:11Speaker 2: on the site. It connects to my band camp page
- 13:16Speaker 2: where all all my music is up on the band
- 13:19Speaker 2: camp page. You know, it's it's up everywhere you can,
- 13:26Speaker 2: you know, stream or listen to music. So yeah, I
- 13:30Speaker 2: definitely you know, recommend people, you know, poke around, you
- 13:39Speaker 2: know some of the other stuff. Although you know, this
- 13:42Speaker 2: album has really been a dream come true for me.
- 13:48Speaker 2: You know, it's been an amazing experience, but you know
- 13:54Speaker 2: the other other ones weren't you know, half bad either.
- 13:58Speaker 1: So well, you're gonna have to come back to this
- 14:02Speaker 1: show anytime in the future. And if you ever make
- 14:04Speaker 1: it to the Carolinas, we got to sit down and
- 14:06Speaker 1: have a face to FaceTime. Dude.
- 14:08Speaker 2: Oh, I would love that. I love the Carolinas. So
- 14:14Speaker 2: I'm actually might be trying to hit up South Carolina soon,
- 14:21Speaker 2: but that's to be determined when.
- 14:23Speaker 1: Well, keep me posting, all right, guy, Yes, definitely you'd
- 14:27Speaker 1: be brilliant today.
- 14:29Speaker 2: Okay, Oh, thank you very much.
- 14:32Speaker 1: Thank you