Latest / The Front / Nine Entertainment’s top women feel the heat
Transcript
- 0:05Speaker 1: From The Australian. Here's what's on the front. I'm Claire Harvey.
- 0:07Speaker 1: It's Tuesday, August nineteen, twenty twenty five. Federal Court Justice
- 0:14Speaker 1: Michael Lee has slugged Quantus a whooping ninety million dollars
- 0:18Speaker 1: for unlawfully sacking eighteen hundred ground crew during the COVID pandemic.
- 0:23Speaker 1: Fifty million of that will be paid to the Transport
- 0:26Speaker 1: Workers Union and forty million to be shared by the workers.
- 0:33Speaker 1: The big wigs of economics and politics gathering Canberra today
- 0:36Speaker 1: for Jim Chalmers and Anthony Albanesi's Economic reform roundtable. You
- 0:41Speaker 1: can follow the news live all day at the Australian
- 0:44Speaker 1: dot com dot A huge cultural change is underway as
- 0:51Speaker 1: nine Entertainment tries to fix its bloky image and now
- 0:56Speaker 1: its senior female figures feeling the heat. Today, Media Diary
- 1:01Speaker 1: editor Steve Jackson on the drama inside nine's culture revamp.
- 1:15Speaker 1: Steve Jackson writes the Media Diary column in The Australian,
- 1:18Speaker 1: and this week he's broken a story about a former
- 1:21Speaker 1: senior executive at Channel nine, Amanda Patterson, who received a
- 1:24Speaker 1: big discount at a clothing store. JACKO, what's this story about?
- 1:29Speaker 2: Amanda Patterson was in charge of Ninth News operations in
- 1:32Speaker 2: Queensland for the better part of a decade. She became
- 1:35Speaker 2: a big story last year when she was unceremoniously sacked
- 1:39Speaker 2: via a zoom call by the network's new head of
- 1:43Speaker 2: News and Current Affairs, Fiona Dear. That led to her
- 1:45Speaker 2: suing the company for an unlawful dismissal. She received a
- 1:49Speaker 2: big payout we understand confidential payout in February this year.
- 1:53Speaker 2: Fast forward a few months and she's out having a
- 1:56Speaker 2: lunch in inner city Brisbane with a couple of girlfriends
- 2:00Speaker 2: and they decide let's go do a little bit of
- 2:01Speaker 2: clothes shopping. Amanda apparently had a suit she wanted to return.
- 2:06Speaker 2: They've gone to quite a high end boutique, Colors and
- 2:09Speaker 2: Patty on James Street in Brisbane, and Amanda's picked up
- 2:12Speaker 2: four thousand dollars worth of clothes, a red velvet suit
- 2:16Speaker 2: and a couple of jackets. And all this is by
- 2:19Speaker 2: the by its find just you know, three women out
- 2:21Speaker 2: doing a little bit of shopping. But when she's gone
- 2:24Speaker 2: to pay for it, there's been something of an incident. Now,
- 2:28Speaker 2: there are a few different versions of what happened. Some
- 2:31Speaker 2: people say that Amanda requested a Channel nine discount worth
- 2:36Speaker 2: fifty percent, so a markdown of two thousand dollars.
- 2:42Speaker 1: And this is designed for people who are on air,
- 2:46Speaker 1: because it's an amazing way to promote your clothing, right.
- 2:49Speaker 2: The idea is that their dresses or the garments are
- 2:52Speaker 2: seat on air or on a TV star social media,
- 2:55Speaker 2: and it's effectively a very cheap ad for them. So
- 2:58Speaker 2: there's some suggestions she requests a Channel nine discount. Of course, Patterson,
- 3:04Speaker 2: she tells me that she was simply offered, that she'd
- 3:07Speaker 2: gone in, and that the sales assistant had said, hey,
- 3:10Speaker 2: weren't you at a fashion show a year ago sitting
- 3:13Speaker 2: on a nine table? I recognize you. Would you like
- 3:17Speaker 2: the Channel nine discount two thousand dollars off? Now this
- 3:22Speaker 2: interaction has gotten back to Channel nine and they're not happy.
- 3:26Speaker 2: Obviously they've parted ways in acrimonious circumstances with Patterson, and
- 3:30Speaker 2: they've gotten in touch with her and said, hey, you
- 3:32Speaker 2: can't go around pretending you still work for us, or
- 3:35Speaker 2: claiming you still work for us. Patterson says she never
- 3:38Speaker 2: claims she did. What's undeniable is that she knowingly accepted
- 3:43Speaker 2: a discount that was reserved for Channel nine staff. So
- 3:47Speaker 2: it's whether she has been letting people think that she
- 3:50Speaker 2: still works at the network, or, according to some people,
- 3:53Speaker 2: even allowing or wanting people to think that she's still
- 3:56Speaker 2: some sort of media powerbroker for the network.
- 4:00Speaker 1: Did she repay the money in the end?
- 4:02Speaker 2: My understanding is no, she hasn't repaid the money, but
- 4:05Speaker 2: nor has anyone actually requested her to repay the money.
- 4:13Speaker 1: There's another senior nine entertainment figure who's been featuring in
- 4:16Speaker 1: your column. This is Amy McCarthy, the executive producer of
- 4:20Speaker 1: A current affair, famous for very elbows out journalism. Akka
- 4:24Speaker 1: is a show which takes no prisoners. It's very aggressive.
- 4:28Speaker 1: It delivers great results often for its viewers and for
- 4:30Speaker 1: the talent who it has in its stories.
- 4:33Speaker 2: Do you have any comment you'd like to make?
- 4:34Speaker 1: Do you think you should be allowed to continue working
- 4:36Speaker 1: in childcare? You've been living in this property while Margie's
- 4:39Speaker 1: been trying to sell it to pay for Philip's age care.
- 4:41Speaker 1: How about you sue? What name we're using today? Who
- 4:43Speaker 1: is it today? Sir?
- 4:44Speaker 2: I can't keep up with all of these names.
- 4:47Speaker 1: What's the story? About Amy McCarthy.
- 4:49Speaker 2: Well, it's quite interesting Amy McCarthy. She's been in the
- 4:53Speaker 2: current affair running the show for the past better part
- 4:56Speaker 2: of a year now, so she went along to the logis.
- 5:00Speaker 2: Now she's decided to do something that I think most
- 5:02Speaker 2: people now appreciate isn't a great idea, and that's going
- 5:05Speaker 2: to a work event and juggling it with social media,
- 5:09Speaker 2: never a great formula for success. She's at the logis
- 5:13Speaker 2: and she's posting about how you know she's going to
- 5:16Speaker 2: get drunk, and she's letting her hair down and updating
- 5:19Speaker 2: it to say lucky her phone died because all the
- 5:23Speaker 2: incriminating evidence from the supposedly big night hadn't been detailed. Unfortunately,
- 5:28Speaker 2: one part of it had been, and that was a
- 5:30Speaker 2: photo she'd taken of Jimmy Barnes performing on stage with
- 5:34Speaker 2: the message deserves a spot on the grid hashtag would
- 5:38Speaker 2: still do him. Obviously, this was something that was a joke,
- 5:41Speaker 2: you'd imagine, but it's been shared throughout the office and
- 5:45Speaker 2: the network. By the time I was made aware of it,
- 5:47Speaker 2: I think it had done the rounds of pretty much
- 5:49Speaker 2: every newsroom in the network in the country, and the
- 5:53Speaker 2: issue at stake was he's a female boss posting messages
- 5:57Speaker 2: about Jimmy Barnes. If a male boss had made similar
- 6:00Speaker 2: comments about someone like Marsha Heinz or Delta Goodroom, how
- 6:04Speaker 2: would that have been received. So the issue Nine had
- 6:08Speaker 2: to deal with as a result of this is they've
- 6:11Speaker 2: made a very strong stance on cultural reform at the network.
- 6:15Speaker 2: They want to modernize it, ensure that everyone works in
- 6:18Speaker 2: a respectful environment which has to be admired and one
- 6:22Speaker 2: rule for some one rule for another. That's not going
- 6:24Speaker 2: to wash with their staff. So something that has been
- 6:27Speaker 2: talked about a lot within Nine and a lot of
- 6:30Speaker 2: questions raised about the appropriateness of making these comments, whether
- 6:34Speaker 2: they're a joke or not.
- 6:36Speaker 1: The context of this is Nine Entertainment has two point
- 6:39Speaker 1: six billion dollars in revenue parandum. It's an absolutely massive
- 6:42Speaker 1: organization which owns the Nine network, television station, the stand
- 6:45Speaker 1: streaming platform and print mastheads including the Sydney Morning Herald
- 6:49Speaker 1: and the Age. It's a huge employer in Australian media,
- 6:53Speaker 1: but profit is down thirty percent to one hundred and
- 6:56Speaker 1: eighty nine million dollars at the last annual report and
- 6:59Speaker 1: it's had to go through a huge cultural change since
- 7:02Speaker 1: the highlight our audience would remember of former chairman Peter
- 7:06Speaker 1: Castello knocking to the ground the Australians reporter Liam Mendez
- 7:09Speaker 1: when he tried to ask Peter Costello about cultural issues
- 7:12Speaker 1: at the network. You've just assaulted me, You've just pushed me.
- 7:22Speaker 1: It's all on camera, mister Cassello. They commissioned to report
- 7:28Speaker 1: about what was going on internally at the company, which
- 7:30Speaker 1: said that female staff felt that they weren't listened to,
- 7:33Speaker 1: that there was a culture of bullying. Now they've got
- 7:36Speaker 1: senior female executives who are allegedly behaving in the ways
- 7:40Speaker 1: that maybe male executives behaved in the past. It's a
- 7:43Speaker 1: tricky spot for nine, isn't.
- 7:44Speaker 2: It It is? I think once you go down that
- 7:47Speaker 2: rabbit hole of going we're taking this politically correct line
- 7:51Speaker 2: zero tolerance on comments of this nature. Be they jokes,
- 7:56Speaker 2: be they serious with the current chief executive. If Matt
- 8:00Speaker 2: Stanton basically has said zero tolerance, we're just not going
- 8:03Speaker 2: to have any of this. And if there's zero tolerance,
- 8:06Speaker 2: everyone knows the rules and there'll be no problems. But
- 8:09Speaker 2: once you go down that path, there's very little wiggle
- 8:12Speaker 2: rooms So what it means is, I suppose the jocular
- 8:15Speaker 2: era journalists are quite famous for having gallows humor in
- 8:18Speaker 2: their newsroom. Those days are gone. It's a very corporate atmosphere,
- 8:23Speaker 2: so I have to say credit to them. If you're
- 8:27Speaker 2: going to apply the rule to some people, it's going
- 8:28Speaker 2: to apply.
- 8:29Speaker 1: To everyone coming up. How do you fix a culture
- 8:33Speaker 1: like Nines? It's a huge ship to turn around the
- 8:43Speaker 1: culture of an organization like that, isn't it? Because Nine
- 8:46Speaker 1: was famous under the ownership of the Packer family for
- 8:50Speaker 1: being not only extremely successful and a place where you
- 8:54Speaker 1: might say that standards in the workplace were a little
- 8:57Speaker 1: more loose than in other places. That was drinking on
- 8:59Speaker 1: the premise. There were huge parties, There were lavish gifts
- 9:03Speaker 1: from the employers to all the staff, immense marketing campaigns
- 9:07Speaker 1: where we take over Bronte Beach and spend three days
- 9:10Speaker 1: shooting an ad campaign. How do the new managers of Nine,
- 9:21Speaker 1: who have got to run at like a twenty first
- 9:23Speaker 1: century company, tone down that culture of excess?
- 9:28Speaker 2: The largest there has been a topic of legend for decades.
- 9:32Speaker 2: I mean, we're talking about a TV network that famously
- 9:34Speaker 2: had a wet bar up on the executive level that
- 9:37Speaker 2: all staff were invited to on a Friday night. Now,
- 9:40Speaker 2: the theory behind that was put on drinks for all
- 9:43Speaker 2: your journals and execs on a Friday night, and they
- 9:46Speaker 2: effectively do hours of free over time because they come
- 9:48Speaker 2: up and they're talking about, oh, what story I should
- 9:51Speaker 2: do and the idea was the bonding session. But really
- 9:54Speaker 2: there for the price of a few drinks each spending
- 9:57Speaker 2: hours extra. I think those days of go on for
- 10:00Speaker 2: every enterprise you know, be there, a banker and accountancy firm,
- 10:03Speaker 2: and it is a massive cultural shift. It's part of
- 10:07Speaker 2: the process of audiences expecting a higher level of professionalism.
- 10:11Speaker 2: But even the industry is itself being more professional and
- 10:15Speaker 2: we're seeing this within nine going all right, well, this
- 10:18Speaker 2: is what our shareholders expect, it's what our audiences expect.
- 10:22Speaker 2: There is a responsibility on us to have impeccable behavior
- 10:26Speaker 2: standards because we expect them from the people we report on.
- 10:30Speaker 2: As you say, with the current affair, something dodgy happens
- 10:33Speaker 2: in a workplace there at the front with cameras, How
- 10:35Speaker 2: doare you do this? How do you think you were
- 10:37Speaker 2: going to get away with this? Pushing cameras in people's faces,
- 10:40Speaker 2: So if they're going to give it out, they've got
- 10:43Speaker 2: to take it back if they do the wrong thing,
- 10:45Speaker 2: and in all cases better just not to do the
- 10:47Speaker 2: wrong thing. But as we've seen it, it is a
- 10:50Speaker 2: gradual process. You can't just be the fun police and
- 10:53Speaker 2: come in overnight and expect everyone to be straight e
- 10:56Speaker 2: one eighty serious all the time. It's about finding that
- 11:00Speaker 2: between what is appropriate bander in the workplace, more importantly,
- 11:05Speaker 2: what's appropriate to put on social media, because that's the
- 11:07Speaker 2: real defining thing here. You can have a joke with
- 11:10Speaker 2: someone at the table next to you, obviously, but making
- 11:13Speaker 2: these sort of comments publicly when you're known as a
- 11:15Speaker 2: news boss and you are a representative of that organization,
- 11:19Speaker 2: that's a very different question. And we saw that again
- 11:21Speaker 2: this week with an email that was sent into a
- 11:24Speaker 2: Current Affair asking could the host of a Current Affair,
- 11:27Speaker 2: Alison Langdon, refer to police officers as such rather than
- 11:31Speaker 2: calling them cops. The response they received was an email
- 11:34Speaker 2: back from the Generica carent Affair account telling them not
- 11:37Speaker 2: to be a n ark. So, you know, just in
- 11:39Speaker 2: this day and age again zero tolerance, there's not much
- 11:43Speaker 2: wiggle room anymore.
- 11:46Speaker 1: But is there a risk that as media organizations kind
- 11:49Speaker 1: of corporatize that they lose the magic. You know, do
- 11:52Speaker 1: you end up crushing the magic of stars like say
- 11:55Speaker 1: Karl Steffanovic, who said this year's logis he wish they
- 11:58Speaker 1: were a little bit more fun. He's beloved by the
- 12:00Speaker 1: audience because he's cheeky and quirky and different and a
- 12:03Speaker 1: little bit edgy. Is there a risk there of making
- 12:06Speaker 1: it too bland?
- 12:07Speaker 2: Oh definitely. And Carl's a great example because at the
- 12:11Speaker 2: end of the day, we're humans and the news is here,
- 12:13Speaker 2: as we all know, it's to inform, but importantly it's
- 12:16Speaker 2: here to entertain as well, So you can't take out
- 12:19Speaker 2: that cheeky edge. I mean, that's why Carl's successful. It's
- 12:21Speaker 2: why it's on three million dollars a year. Let's face
- 12:24Speaker 2: it is because he's having fun and people see that
- 12:27Speaker 2: and they have fun listening to him. So you don't
- 12:29Speaker 2: want to make it boring, you don't want to make
- 12:31Speaker 2: it bland. And these shows are still big money spinners.
- 12:34Speaker 2: Current a Fair is the highest rating national news and
- 12:38Speaker 2: public affairs program every night of the week. Still, Karl
- 12:41Speaker 2: does a great job on the Today Show, and he's
- 12:44Speaker 2: responsible the reason he gets paid so much as he
- 12:46Speaker 2: brings and advertisers because people like him. It's a real
- 12:49Speaker 2: balancing act that nine have to perform here to see
- 12:52Speaker 2: how much is fun, how serious do we have to
- 12:55Speaker 2: be and what do we expect from our staff? And
- 12:58Speaker 2: there will be slip ups plus people also human. You know,
- 13:01Speaker 2: if we lived in a world where no one had
- 13:04Speaker 2: a few drinks and accidentally sent a message or posted
- 13:08Speaker 2: something they later regretted, I mean, would all be doing well.
- 13:11Speaker 2: But unfortunately that's not the world we live in.
- 13:14Speaker 1: Steve Jackson's media diary is unmissible. You can read it
- 13:17Speaker 1: right now at the Australian dot com dot au