Latest / The Breakfast Club / Flashback to Dr Umar and Soulja Boy

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Flashback to Dr Umar and Soulja Boy · The Breakfast Club

• 0:01
  Speaker 1: The waldmost stand rous Morning Show, the Breakfast Club Club.
• 0:08
  Speaker 1: Y'all together, y'all are like a mega for us. Y'all
• 0:10
  Speaker 1: just took over without your podcast. This Chris Brown, I've
• 0:14
  Speaker 1: officially joined the Breakfast Club. Say something, mother, I'm with it.
• 0:18
  Speaker 1: Stand Treus Morning Show, Breakfast Club. Wake up, wake up,
• 0:27
  Speaker 1: wake y'all. As your time to get it off your chest,
• 0:33
  Speaker 1: you man of blass. We want to hear from you
• 0:34
  Speaker 1: on the breakfast block. Hello, who's this? Good morning? Good morning,
• 0:40
  Speaker 1: good morning, Get it off your chests, mama. Okay, what
• 0:44
  Speaker 1: are you waiting in the cab waiting for Charlotte many
• 0:46
  Speaker 1: yo yo yo yoa good morning? And he pick it
• 0:50
  Speaker 1: and then just walking here like I've just been here
• 0:52
  Speaker 1: the whole time. Huh ain't so you're gonna give this
• 0:58
  Speaker 1: up and slimating the large on the supper floor you
• 1:01
  Speaker 1: gave me not? Oh okay, queen, how are you? I'm
• 1:08
  Speaker 1: good and I just want to take off missie lets
• 1:11
  Speaker 1: some time. I'm gonna tell him right now. You know,
• 1:13
  Speaker 1: when he probably get here, you're probably listening. He downstairs.
• 1:16
  Speaker 1: Ka ka ka yo yo yo yo yo yo yo
• 1:19
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 1:20
  Speaker 1: yo yo yo yo yo yo yo yo yo doesn't
• 1:25
  Speaker 1: ring the same have a good morning for her? Hello,
• 1:28
  Speaker 1: who's this? Hey? Good morning, how you're doing. Let's up?
• 1:32
  Speaker 1: Eddie getting off her chants? Man, all right the prison.
• 1:33
  Speaker 1: I'd like to say congratulations to Charlotte Maine on his
• 1:38
  Speaker 1: Loose show. I just wanted to ask him one question
• 1:41
  Speaker 1: briefly about that. Yes, sir, the same is on the point.
• 1:45
  Speaker 1: I appreciate the seam and I appreciate the opportunity to
• 1:48
  Speaker 1: bring us some good stuff. But as far as your
• 1:51
  Speaker 1: focused concern, what age group are you trying to get
• 1:54
  Speaker 1: Because I'm an old time and sometimes the approach missed me.
• 1:58
  Speaker 1: But the team, I just say, oh, I don't know, bro,
• 2:01
  Speaker 1: I'm forty three years old. I'll just be up there talking. Man.
• 2:03
  Speaker 1: You know what I mean. If it's for you, it's
• 2:05
  Speaker 1: for you. If it's not, it's not okay. And one
• 2:07
  Speaker 1: more brief comment. I wanted to make a pause. Racism
• 2:10
  Speaker 1: things concerned, and like I said, I'm not advocating any
• 2:13
  Speaker 1: particular religion or whatnot, but one thing that I was
• 2:17
  Speaker 1: proud of the nation. They say, we didn't just separate
• 2:20
  Speaker 1: and get our own land or whatever you want to
• 2:22
  Speaker 1: call it just totally separate and start from the bottom.
• 2:25
  Speaker 1: Oh yeah, I'm not opposed to that at all, sir.
• 2:29
  Speaker 1: Y'all y'all do y'all do a wonderful job my dative
• 2:32
  Speaker 1: with Brook. But I'm living in Charlotoll right now. I
• 2:34
  Speaker 1: look at y'all every morning and I appreciate you'll. You'll
• 2:37
  Speaker 1: people up to good work. Hello. Who's this? This is
• 2:40
  Speaker 1: jaylen Bartel. What's up? Broke it off your chest? To day?
• 2:44
  Speaker 1: My birthday, and I just wanted the shot I was
• 2:47
  Speaker 1: trying to see teen years old to day. Thank you
• 2:51
  Speaker 1: all so much at least now, Okay, what do um?
• 2:57
  Speaker 1: Me and my mom were re riding out of town
• 2:59
  Speaker 1: this week? I keep want to the fair and teller. Okay, congratulations,
• 3:05
  Speaker 1: can enjoy your day. Man, life is a blessing, all right.
• 3:12
  Speaker 1: Please appreciate y'all. Mate, y'all enjoy y'all day. Mate. Hello,
• 3:19
  Speaker 1: who's this? Hi? I'm Brittany calling from Tampa, Florida. Hey, Britney,
• 3:23
  Speaker 1: get it off your chest? Oh my gosh, I can't
• 3:25
  Speaker 1: believe I got through. I just want to shot you
• 3:26
  Speaker 1: guys out. I listen to you guys every day. Angela.
• 3:30
  Speaker 1: I just love everything about you, your soul. You're so beautiful.
• 3:33
  Speaker 1: Thank you Charlomagne, everything you're doing for mental health and
• 3:36
  Speaker 1: d Jay and V. I love how your sister sung
• 3:38
  Speaker 1: family man and I just love you guys so much.
• 3:42
  Speaker 1: Test Oh thank you, Oh yeah, Team cancer Charlomagne, Hey,
• 3:47
  Speaker 1: we want to get off of my test that you know,
• 3:49
  Speaker 1: I'm very two years old. The biological clock is ticking.
• 3:53
  Speaker 1: I'm like, one day, DApp. It's just hard to meet
• 3:56
  Speaker 1: like a good black ken. I'm just like, what what
• 4:00
  Speaker 1: else do you do? It's just like I work every day.
• 4:03
  Speaker 1: I can't really like be out going out mixing me going.
• 4:06
  Speaker 1: But it's like, I'm just kind of thinking about switching
• 4:10
  Speaker 1: over out by my race at this point because I
• 4:12
  Speaker 1: just feel like not valued by black men anymore. I
• 4:15
  Speaker 1: feel like overlooked. Have you ever dated outside your race?
• 4:18
  Speaker 1: I've tried it like once, but it just wasn't my thing. Look,
• 4:22
  Speaker 1: I just think you can't. You can't blame a whole
• 4:25
  Speaker 1: race of men for the ones that you've met, you know,
• 4:27
  Speaker 1: So I wouldn't give up on that, but I think
• 4:30
  Speaker 1: you'll end up at some point finding the right person.
• 4:33
  Speaker 1: Just don't rush it and don't make decisions just because
• 4:35
  Speaker 1: you feel like your biological clock is ticking, you gotta
• 4:38
  Speaker 1: be with somebody. Don't give into that pressure. But just
• 4:41
  Speaker 1: understand that things can change in an instant, you know.
• 4:44
  Speaker 1: And I am still a fan of while apps are
• 4:46
  Speaker 1: good going out and living my life and meeting people
• 4:49
  Speaker 1: like that. Right right, Thank you, Angela. I love you, guys,
• 4:55
  Speaker 1: thank you. Get it off your chests. Eight don't dup
• 4:58
  Speaker 1: five eight five one o five one if you need
• 5:00
  Speaker 1: to hit this up now. It was the breakfast Club
• 5:02
  Speaker 1: for the morning, the breakfast Club. Get pick up the
• 5:08
  Speaker 1: mother mother phone and die. This is your time to
• 5:11
  Speaker 1: get it off your chest. Whether your man or bless,
• 5:14
  Speaker 1: you want to hear from you on the breakfast Club,
• 5:16
  Speaker 1: so you better have the same energy. Hello, who's this?
• 5:21
  Speaker 1: And it's going on as cast cast with up and
• 5:23
  Speaker 1: get it off her chests. Um, I just want to
• 5:25
  Speaker 1: get off my chests. Man. It's a lot hard to
• 5:27
  Speaker 1: plant in the weather and it's it's just stressful. And
• 5:30
  Speaker 1: I thought it would be the messes that we were
• 5:31
  Speaker 1: making the more stressful than anything. But it's the family.
• 5:34
  Speaker 1: It's just I don't know about what they're doing. Everybody, well,
• 5:38
  Speaker 1: my MoMA just intruding and everything. We asked her to
• 5:41
  Speaker 1: just make reservations for the restaurant, and she added like
• 5:44
  Speaker 1: fifteen other people on one to throw different other things
• 5:47
  Speaker 1: in there and asking me to pay for it. I'm like, wait,
• 5:49
  Speaker 1: you suggesting these things? Why don't you play for? Why
• 5:52
  Speaker 1: do I pay for what I care for? Everything else? Yeah,
• 5:55
  Speaker 1: very difficult. I would just like I would let your
• 5:57
  Speaker 1: wife handle it, brother, and just just say yes and
• 5:59
  Speaker 1: just take care of That's that's what I did for
• 6:00
  Speaker 1: my wedding. I let my wife take care of everything. Brother.
• 6:02
  Speaker 1: What happened to the father's wife paying for everything? Remember
• 6:05
  Speaker 1: that used to be a thing that they used to
• 6:06
  Speaker 1: tell us growing up. That never happened. You should shut up.
• 6:09
  Speaker 1: You got four daughters and I got four. We ain't
• 6:11
  Speaker 1: doing that no more. My father in law did donate
• 6:13
  Speaker 1: a significant amount to me, and my wife's wasn't. Though.
• 6:16
  Speaker 1: That is that, that is a fact. The only person
• 6:18
  Speaker 1: that's helped out is her grandmother and her godmother, and
• 6:21
  Speaker 1: they helped her with her dress and as far as
• 6:23
  Speaker 1: some of the planning and everything, but everything else has
• 6:25
  Speaker 1: been on me and nobody else done nothing but me.
• 6:29
  Speaker 1: So this is just crazy, y'all. Mind if I shout
• 6:32
  Speaker 1: out my wife, you should, yes, suh Um. I just
• 6:36
  Speaker 1: want to give a shout out to India Hawkins. This
• 6:38
  Speaker 1: is uh from you, a future husband. Let you know
• 6:40
  Speaker 1: I love you, baby, and we're about to spend the
• 6:43
  Speaker 1: rest of our lives together. Fantastic gloves together, were growing.
• 6:46
  Speaker 1: We're gonna elevate and get better through everything. I love you.
• 6:49
  Speaker 1: Go dope dope All right, brother, I have a good one, man,
• 6:52
  Speaker 1: and good luck with everything. Hello? Who's this? Yeah? What's up? This? Anonymous?
• 6:56
  Speaker 1: Anymous up? Get it off each Yes, brother, ya can't
• 6:58
  Speaker 1: I know y'all can't see me. But I just I
• 7:01
  Speaker 1: had a new name for your car show. It was
• 7:03
  Speaker 1: gonna be uh car sellers. I got that because cars
• 7:07
  Speaker 1: that's what you do. That's what the show is. Shall
• 7:10
  Speaker 1: car sells with the person is trying to represent and
• 7:13
  Speaker 1: yards like everybody us day, we car sellers, car sellers.
• 7:18
  Speaker 1: You was anonymous to tell us that? Feller? Yeah, I
• 7:20
  Speaker 1: just want to get off my chance. Well, thank you, brother,
• 7:23
  Speaker 1: you have a good day. Man. Now you know he
• 7:25
  Speaker 1: didn't have to be anonymous to say that. He definitely didn't.
• 7:27
  Speaker 1: I don't even know why he did that. He must
• 7:28
  Speaker 1: not want no smoke with a card car card? What's that?
• 7:31
  Speaker 1: What's that place called? I don't know, we don't know
• 7:33
  Speaker 1: that place. Hello? Who's this? No big trumper to toll something?
• 7:39
  Speaker 1: How we see on the family Gosh, welcome back. You
• 7:42
  Speaker 1: gotta change your name from two quick things right first
• 7:45
  Speaker 1: to two? What did Charlemagne say an enva in the
• 7:47
  Speaker 1: football game when they went hike? Can I put my
• 7:51
  Speaker 1: hot throg between your buns? That's one? Angels. Listen, girlfriend,
• 7:58
  Speaker 1: I saw your Nick Cannons TV show. You look good
• 8:00
  Speaker 1: with your chubby cheeks, but you were afraid to sing
• 8:02
  Speaker 1: at the end. So I make it on next show
• 8:05
  Speaker 1: and I'll do this song for you. Angela. Can't you
• 8:08
  Speaker 1: see you're in my fantasy? You got the ladies but sash,
• 8:12
  Speaker 1: but plenty of your cash. Yeah, you're just right for me.
• 8:15
  Speaker 1: You like that, girlfriend? That's amazing. That was trash. He
• 8:20
  Speaker 1: was horrible. Get it off your chest. Eight hundred five
• 8:23
  Speaker 1: eight five one oh five one. If you need to vet,
• 8:25
  Speaker 1: hit us up now. It was the breakfast Club for morning,
• 8:27
  Speaker 1: the breakfast club. Wait that ass up in the morning.
• 8:34
  Speaker 1: Check out this breakfast club. We want morning. Everybody is
• 8:37
  Speaker 1: DJ Envy. Angela yee, Charlemagne the guy. We are the
• 8:40
  Speaker 1: Breakfast Club. We got a special guest here with us today.
• 8:44
  Speaker 1: Fraid o'bang he means it Elmon rock and Ready. I
• 8:46
  Speaker 1: don't even want your baby that skid names you meant
• 8:48
  Speaker 1: told him money. I made no sense to speak. I
• 8:51
  Speaker 1: don't know what you say. I'll go with it. How
• 8:55
  Speaker 1: you doing, King, I'm doing good, waiting on the moment.
• 9:02
  Speaker 1: Breaklets Club, Yeah, like the Breathless club though. Yeah yeah,
• 9:06
  Speaker 1: it can't say Breaklets Club without the congratulations because it
• 9:11
  Speaker 1: has been a grind for you. Though. You've been working
• 9:13
  Speaker 1: hard for years now, so it looks like all that
• 9:15
  Speaker 1: hard work does pay off. Yeah, let's start from the beginning. So,
• 9:18
  Speaker 1: so where are you from? How did you get into
• 9:20
  Speaker 1: into the rap industry? Batton Ridge, Louisiana. I started rapping.
• 9:24
  Speaker 1: I had a pot of name crazy trade. They uhould
• 9:26
  Speaker 1: have wrapping the closet oh twenty five out of mic
• 9:29
  Speaker 1: and stuff. So I used to go over there and
• 9:31
  Speaker 1: listen to him. One day they asked me to get
• 9:32
  Speaker 1: in there and I had I think I said some
• 9:35
  Speaker 1: type of plunchline there, like you got ke rapping? So
• 9:38
  Speaker 1: I just stud with it. What was your influence. It wasn't.
• 9:40
  Speaker 1: It wasn't Master Pee, Louis Burman and him. I always
• 9:44
  Speaker 1: looked up the Gates cousin, yeah union, but y'all never
• 9:51
  Speaker 1: really had a conversation like that. Yeah, one out there,
• 9:55
  Speaker 1: everybody found out with his cousins. I've seen him in
• 9:57
  Speaker 1: Atlanta at the airport, And how was that conversation? Like nothing?
• 10:02
  Speaker 1: I mean, he said he had some sticks, some things
• 10:05
  Speaker 1: to tell me that I know. We talked. I got
• 10:08
  Speaker 1: his number. He said we're gonna do some music, but
• 10:10
  Speaker 1: he ain't ever picked the phone up. So things is
• 10:16
  Speaker 1: it family things or more baton rouge? Uh? And the
• 10:20
  Speaker 1: people are out with TVG. You know, Um I got
• 10:23
  Speaker 1: with TVG like two fourteen fifteen, So it's a lot
• 10:27
  Speaker 1: of history, you know what I'm saying. TVG was starting
• 10:30
  Speaker 1: the nighteness, so I really don't know what they got
• 10:32
  Speaker 1: going on. Was Gates one of the first people who
• 10:35
  Speaker 1: embraced you? Yeah, yeah, definitely Gates the first orders to
• 10:39
  Speaker 1: ever post my music okay before I ever met him.
• 10:42
  Speaker 1: But as far as musically though, like he a whole
• 10:45
  Speaker 1: another monster, like he really made the whole Louisiana. Like
• 10:48
  Speaker 1: before before Gates came home from jail. You couldn't sing
• 10:52
  Speaker 1: on tho songs. You gotta make a fight song, a
• 10:55
  Speaker 1: killing song, or a dancing song. That's the only way
• 10:58
  Speaker 1: we gotta listen to you. But he came home with
• 11:00
  Speaker 1: a whole senior to females and all that, and everybody
• 11:03
  Speaker 1: embraced it. That's what influenced your melodic style. That and
• 11:06
  Speaker 1: I was in the band for like teen years. Word,
• 11:08
  Speaker 1: I had a scholarship. What could you play in the band.
• 11:13
  Speaker 1: My first instrument was a clarinet. I was the clarinet.
• 11:16
  Speaker 1: I had a story about this to the other that
• 11:17
  Speaker 1: I said I used to I used to play the clarinet.
• 11:19
  Speaker 1: But I did that so I could when I used
• 11:21
  Speaker 1: to take the bus back home, I could take it
• 11:22
  Speaker 1: apart and through it in my book back nobody had
• 11:24
  Speaker 1: that nasty ass case. Then I had a French horn.
• 11:28
  Speaker 1: I played concert and marching and I was sectional leader.
• 11:31
  Speaker 1: Oh so that second line real for you didn't use it.
• 11:34
  Speaker 1: I went to I actually went to Southern want to
• 11:36
  Speaker 1: see my band director because he was like a father
• 11:38
  Speaker 1: figure to me. And I met a couple of people
• 11:40
  Speaker 1: that I taught in the band. Right now, did you
• 11:42
  Speaker 1: get a scholarship? Are you I turned it down. Why
• 11:45
  Speaker 1: I wanted to be my mom was going through the voice.
• 11:47
  Speaker 1: I wanted to be close to home. Wow. And I
• 11:49
  Speaker 1: wanted to make some money, ain't I mean I went
• 11:51
  Speaker 1: to college, but I droped doctors. I wanted to make
• 11:52
  Speaker 1: some money. I know you used to drive your mother crazy.
• 11:55
  Speaker 1: I'm a mama's boy. My mama loved me. What about
• 11:59
  Speaker 1: all like it? Because you did have a lot of
• 12:00
  Speaker 1: issues that she had to really go through with you. Jail? Yeah, Look,
• 12:06
  Speaker 1: I called my mom like the third time I went
• 12:08
  Speaker 1: to the second time, I want the jail before they
• 12:10
  Speaker 1: locked me. Now, when I came with my attempt and
• 12:13
  Speaker 1: I'm like, Ma, I'm back in jail. I should get
• 12:16
  Speaker 1: a barn to more or something. She like, Okay, what's
• 12:18
  Speaker 1: what's your what's you in? Might attempt to murder? She said,
• 12:21
  Speaker 1: Still this time, baby? Can I say yes? So this time? Baby,
• 12:26
  Speaker 1: I'm gonna call you later. One. That's not what you
• 12:29
  Speaker 1: wanted to hear. I would you want to ban you out?
• 12:36
  Speaker 1: Did she did she bond you out? Nahuh? Tvg me out.
• 12:40
  Speaker 1: I was born to myself out, but it was not.
• 12:43
  Speaker 1: I didn't want to get to that so early, but
• 12:44
  Speaker 1: didn't didn't you have two of them? Two murder chart
• 12:47
  Speaker 1: something like that? Yeah, what was the status of those kids? Noah,
• 12:50
  Speaker 1: I did my time. Well, I'm doing my time. I'm
• 12:53
  Speaker 1: actually still a inmate. Look, so how do you go
• 12:56
  Speaker 1: from being in at the band to the murder? I
• 12:59
  Speaker 1: mean I was doing all that while I was in
• 13:01
  Speaker 1: the band. No, you weren't doing anything. You're accused of
• 13:04
  Speaker 1: doing something? Yeah, aug, yes, yeah, I mean I've ben't
• 13:07
  Speaker 1: mean my whole life, you know what I'm saying. Oh,
• 13:09
  Speaker 1: I always try to be an open book, Like I'm
• 13:11
  Speaker 1: not a person that tried to be super gangster all that.
• 13:14
  Speaker 1: I just if I had to come down to it,
• 13:16
  Speaker 1: I got handled my business. I do what I gotta do.
• 13:19
  Speaker 1: But other than that, I just want to live make money.
• 13:21
  Speaker 1: So what happened? Since you served your depth to society?
• 13:23
  Speaker 1: So it's over now, probationists when this is your citizens
• 13:30
  Speaker 1: being at home. But me, I'm actually still in May
• 13:33
  Speaker 1: and I'm being allowed to be home right now. But
• 13:35
  Speaker 1: if I up, I walked back in, they'll allow you
• 13:38
  Speaker 1: to move around to it. I get work permits. How
• 13:40
  Speaker 1: has it been for you during this pandemic work wise?
• 13:42
  Speaker 1: I'm pretty fine. Yeah, I'm I got like seven shows
• 13:45
  Speaker 1: booth up right now. I've been booked up in September.
• 13:48
  Speaker 1: What about before that though, like when things first started,
• 13:50
  Speaker 1: we were in lockdown? What were you doing up? You
• 13:53
  Speaker 1: were nervous at all about getting it ovid No, I
• 13:57
  Speaker 1: don't mistle covid on Lisle me mentality. You gotta respect
• 14:04
  Speaker 1: it them, you gotta disc all. We got more with
• 14:06
  Speaker 1: fraid o'bang when we come back. It's the Breakfast Club.
• 14:09
  Speaker 1: Good morning. If you missed the Breakfast Club, you don't
• 14:12
  Speaker 1: coop from my world. It's dangerous. Check out this rewind morning.
• 14:16
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We
• 14:20
  Speaker 1: all the Breakfast Club. We're kicking it with new artistes,
• 14:23
  Speaker 1: are as signed to def Jim fraid o'bang, Charlomagne. Do
• 14:26
  Speaker 1: you live in Baton Rouge now? Yeah? Technically can you can? You?
• 14:29
  Speaker 1: Can you be who you are with all the success
• 14:32
  Speaker 1: and still live there? Because I moved to saying like
• 14:35
  Speaker 1: you know, I don't. I don't want no different than
• 14:37
  Speaker 1: when I was a regular person. Though you said you
• 14:39
  Speaker 1: don't move any different, but shouldn't you? No? I was
• 14:42
  Speaker 1: I moved middlitant when I was regular. You know what
• 14:45
  Speaker 1: I'm saying, how you moving baton rouge? If you want
• 14:47
  Speaker 1: to stay alive, how do please treat you there? I
• 14:49
  Speaker 1: stay out the way, own disrespect, they'll disrespect me. Own
• 14:53
  Speaker 1: no problems. So I didn't want them to tell people
• 14:56
  Speaker 1: who got to just pull a point and be like
• 14:58
  Speaker 1: the police and saying none of that. Let's say to
• 15:02
  Speaker 1: the people, can wait win? You said you know you
• 15:06
  Speaker 1: move military? What does that mean? Because you got the
• 15:08
  Speaker 1: song no security with Kevin Gates And I'm sitting there
• 15:11
  Speaker 1: thinking like maybe he should have security. I don't know.
• 15:13
  Speaker 1: Our brothers be acting like they shouldn't have security. Nah,
• 15:17
  Speaker 1: I'm being honestly, I didn't have security in like events
• 15:20
  Speaker 1: to it like the label of book. I'm like to
• 15:23
  Speaker 1: I have to like, you know, I got too much
• 15:25
  Speaker 1: going on. But that's other than that, Like I would
• 15:28
  Speaker 1: never bring the kid to my home town because like
• 15:32
  Speaker 1: they're not gonna know how to move on this street
• 15:34
  Speaker 1: or how long we got to pull up to the store,
• 15:36
  Speaker 1: or how you need to pull off for they don't
• 15:39
  Speaker 1: know you feeling. But you gotta be extra careful. You
• 15:41
  Speaker 1: got security makes you know, allows you to do what
• 15:44
  Speaker 1: you're supposed to do, whether it's perform or with your fans,
• 15:47
  Speaker 1: and they make sure that they that nobody's come behind
• 15:49
  Speaker 1: you with a hammer. But I'm naturally coming up in
• 15:52
  Speaker 1: Bend Wide. I'm I'm brought up careful. Did you ever
• 15:55
  Speaker 1: see when Boosey said that, you know, most rappers get
• 15:59
  Speaker 1: gotten there and they in their hometown. Yeah, would you
• 16:02
  Speaker 1: think that, Yeah, that's that's statistically I can't. I can
• 16:06
  Speaker 1: never say that sat yeah yeah, yeah, yeah, yeah yeah.
• 16:17
  Speaker 1: But I mean it can happen anywhere. So I just
• 16:20
  Speaker 1: move with respect. I get respect what you know what,
• 16:22
  Speaker 1: I'm a lot of people messed up like that too.
• 16:24
  Speaker 1: They feel like they can go anybody to town and
• 16:26
  Speaker 1: just do what. They won't move how they won't like
• 16:29
  Speaker 1: and disrespecting the land. You know what I'm saying. I
• 16:31
  Speaker 1: respect everywhere I go, so I don't feel like I
• 16:33
  Speaker 1: should have a problem in anybody. I ask all the
• 16:36
  Speaker 1: rappers this because I really want to know, and I
• 16:38
  Speaker 1: really wonder what's more dangerous the streets are rapping nine
• 16:42
  Speaker 1: days rapping streets. At one point, everybody wanted to be
• 16:45
  Speaker 1: a dancer. Then round nine is in two thousand and
• 16:49
  Speaker 1: everybody wanted to be the big drug dealer who came
• 16:51
  Speaker 1: to the game with money, and now everybody want to
• 16:54
  Speaker 1: be the gangster who came in the game. What's the
• 16:56
  Speaker 1: name of the album? When I just put out still
• 16:59
  Speaker 1: most one I'm about to drop Murder made me? Why
• 17:03
  Speaker 1: wouldn't somebody like you? You seem like such a pleasant person.
• 17:06
  Speaker 1: I don't know, bron, I really don't know that be
• 17:11
  Speaker 1: really girls, But then I like, you ain't getting I
• 17:14
  Speaker 1: don't even have sex. You did do something before I
• 17:17
  Speaker 1: went CARDI and Offset broke up. You definitely was like
• 17:20
  Speaker 1: you wouldn't cardise early and then you screenshout at the
• 17:23
  Speaker 1: DM who don't look carter? But what about you know
• 17:27
  Speaker 1: he's still trying to get back with his girl. That
• 17:28
  Speaker 1: might make somebody. Now that'd made me that like, yeah,
• 17:31
  Speaker 1: ain't up front. Yeah, be careful, don't let them put you,
• 17:34
  Speaker 1: don't let them put you in a trick black right now?
• 17:37
  Speaker 1: I love I love Migos music. I grew up on
• 17:39
  Speaker 1: their music, but I don't want to speak on him now.
• 17:44
  Speaker 1: In the name of ge what what? What did? What
• 17:46
  Speaker 1: did you mean to you? That was my ace. He
• 17:48
  Speaker 1: was the exact opposite of me, because at one point
• 17:51
  Speaker 1: I couldn't have a conversation with I was like completely
• 17:54
  Speaker 1: anti and he was a type deck. He could walk
• 17:56
  Speaker 1: in the room and make everybody feel like they were welcome.
• 17:58
  Speaker 1: That's what that he's on your pended. Yeah, okay, okay,
• 18:01
  Speaker 1: I want to actually want to get his face tattered again.
• 18:03
  Speaker 1: I got his face tat to get some more. Y'all
• 18:06
  Speaker 1: grew up together. Yeah, you feel like watching over you. Yeah,
• 18:09
  Speaker 1: that's why I tat. They are like people that was
• 18:11
  Speaker 1: close to me that died. I like to take the
• 18:13
  Speaker 1: tat term. Want body like I'm here and I gonna
• 18:16
  Speaker 1: talk to him. I just want to know how do
• 18:18
  Speaker 1: we break those cycles? Because it's been going on for
• 18:20
  Speaker 1: so long. Man, I'm trying. Why I call myself the
• 18:24
  Speaker 1: Big eight because I feel like I'm the biggest eph
• 18:26
  Speaker 1: from out of my section, TVG Staff, the top boy gorilla. Okay,
• 18:30
  Speaker 1: so I feel like I'm the biggest eight. I want
• 18:31
  Speaker 1: you to be the biggest king that man. White people
• 18:34
  Speaker 1: used to call us monkey and then in the street
• 18:36
  Speaker 1: it's like you gotta act a monkey, be a gorilla
• 18:38
  Speaker 1: like nah Man, be the biggest king avers just rially
• 18:41
  Speaker 1: so majestic and until he has to be Yah I'm saying,
• 18:45
  Speaker 1: tu has to be aggressive other than that, he just
• 18:48
  Speaker 1: lost around majestic, slow, graceful, you know, and take care
• 18:53
  Speaker 1: of a whole pack like that. I like that, like
• 18:57
  Speaker 1: I can. I can like that. I really freestyled it
• 18:59
  Speaker 1: like fraid o'bang. The Breakfast Club corn scol time to
• 19:09
  Speaker 1: wake up. It's the Breakfast Club. Angela Year here and
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  Speaker 1: insurance agency, Nashville, Tennessee. Some restrictions apply. The breakfast Club
• 19:36
  Speaker 1: humble with slam to the breakfast class only everybody is
• 19:47
  Speaker 1: DJ mvy angela Ye, Charlomagne, the guy we are. The
• 19:51
  Speaker 1: breakfast club is term to slam to the breakfast Club.
• 19:54
  Speaker 1: You can call us up right now and say whatever
• 19:55
  Speaker 1: you want about any one of us. Right Hello, who's this?
• 19:59
  Speaker 1: Hey man? This right? Peace man for Swan's Burt Georgiana.
• 20:02
  Speaker 1: I want to sting you and Charlotte Maine talk to
• 20:05
  Speaker 1: me game? What do you games man? You right now?
• 20:11
  Speaker 1: Fund right now in the jargian port and listen, dounda
• 20:13
  Speaker 1: shut off the truck about Hill organ reports Unda Georgia. Okay,
• 20:17
  Speaker 1: oh that was want to run on sentence? Okay, I
• 20:19
  Speaker 1: thought you about it tells the truckers be doing gay
• 20:21
  Speaker 1: games too. It just no, no, no, you want to play,
• 20:26
  Speaker 1: y'all gotta y'all gotta chip. No, no, y'all show you
• 20:31
  Speaker 1: don't want to play, Thank you, sir. I'm sure all right.
• 20:34
  Speaker 1: How's your man? I'm very sure. Okay, it smell my fingers,
• 20:41
  Speaker 1: suck mine? Whoa, y'all hold it down? Hello? Who's this?
• 20:49
  Speaker 1: What's up? Slander about this club? This slander goes out
• 20:51
  Speaker 1: to dj V. Why do you always mack after every sentence? Yeah,
• 20:58
  Speaker 1: old juicy mouth, every thing is. You're always like trying
• 21:01
  Speaker 1: like a five year old girl talking. I never noticed that.
• 21:08
  Speaker 1: You don't know what I did last night? What evy?
• 21:13
  Speaker 1: What was that? Did you just hit it to a
• 21:19
  Speaker 1: whole necessary crazy little nase envy? Do you think ain't
• 21:28
  Speaker 1: what I heard? Just now? That's what you wanted to hear? Hello?
• 21:30
  Speaker 1: Who's this? Okay? Okay, so I got something for all
• 21:33
  Speaker 1: of y'all. Really well, I feel like Charlomagne up alright, So,
• 21:38
  Speaker 1: Charlotte Mayne, I could feel bad for the college college
• 21:41
  Speaker 1: educated people in the room because they're probably getting dumber
• 21:44
  Speaker 1: and dumber by the day. Charlotte Mayne, you need to
• 21:46
  Speaker 1: go to college. You'd be saying some real supers up.
• 21:48
  Speaker 1: And I can only assutly because you were so the
• 21:51
  Speaker 1: no child left behind, one of those things that got
• 21:55
  Speaker 1: paste your whole life child left. You can go to
• 21:59
  Speaker 1: cow And I'm just like, you just need to go
• 22:02
  Speaker 1: ahead and do it. And I'm not talking about one
• 22:04
  Speaker 1: of those honorary degree. You need to go sit in
• 22:07
  Speaker 1: the past room with college wools, those papers and a
• 22:09
  Speaker 1: mechanical pencil and get some education. Well how the New
• 22:14
  Speaker 1: York Times bestselling authors two times over, and I have
• 22:16
  Speaker 1: an honorary degree from Southolina State University. I think you
• 22:19
  Speaker 1: don't need honorary degree. You need a real degree. What
• 22:23
  Speaker 1: I'm doing better than you? Heet he up there, man man,
• 22:39
  Speaker 1: because he don't all right, but you'd be doing the
• 22:41
  Speaker 1: rumors in front page news. Charlie Man. You'll tryme in.
• 22:43
  Speaker 1: You'll ask something that he's literally just stated, because I
• 22:47
  Speaker 1: want to know a better understanding. They teach you that
• 22:49
  Speaker 1: in school, right, don't say it again, and you'll be like,
• 22:52
  Speaker 1: but why exactly college real law for a minute, and
• 22:56
  Speaker 1: then you'll repeat what she just said, which is literally
• 22:59
  Speaker 1: the why that is no, that is that is not true.
• 23:02
  Speaker 1: I want to know why. I want to know why.
• 23:04
  Speaker 1: I want to know why. What's wrong with asking why? Like,
• 23:07
  Speaker 1: I want to know what's the root of your trauma?
• 23:09
  Speaker 1: Right now? Why are you so mad? This is mama,
• 23:13
  Speaker 1: you have a good day. See that's the problem. What
• 23:15
  Speaker 1: you caught. I'm doing better than you. We are, don't
• 23:22
  Speaker 1: We don't know that. We don't know that. I don't know.
• 23:26
  Speaker 1: But anyway, Indie up the other day about back Karyane West,
• 23:31
  Speaker 1: it was really hyping up dr and Drake came out
• 23:33
  Speaker 1: with a really good album, and you're gonna sit there
• 23:36
  Speaker 1: talking about the only thing you was too long. But
• 23:39
  Speaker 1: some of the people y'all be hyping up on this
• 23:41
  Speaker 1: show are so trash. Why why do you think? Why? Why?
• 23:48
  Speaker 1: Why do I think they're trying? Okay, for example, y'all
• 23:50
  Speaker 1: hype up party being so much Cartie. I'm so sick
• 23:53
  Speaker 1: as her talking about her su I don't know if
• 23:56
  Speaker 1: I could say that on the radio, her talk about it. Okay,
• 23:59
  Speaker 1: I feel like I'm being inside that thing on every
• 24:03
  Speaker 1: single song. But every time she dropping anything, y'all be like, Oh,
• 24:06
  Speaker 1: it's so amazing, it's so good, it's so wonderful. You
• 24:09
  Speaker 1: ain't heard that come out with real lyrics to talk
• 24:12
  Speaker 1: about different stuff. And who who who? You see? Why?
• 24:16
  Speaker 1: Follow up questions are good? Who are the artists that
• 24:18
  Speaker 1: you're dropping real lyrics? Tell me who drop? Man? Get off?
• 24:23
  Speaker 1: I'll be on this radio talking about rhapsody. You ain't
• 24:25
  Speaker 1: scream a rapsody song yet, I might boring. That's see
• 24:30
  Speaker 1: what I'm saying. See what I'm saying you but you,
• 24:33
  Speaker 1: but you to college educated one, but you can't appreciate
• 24:36
  Speaker 1: a rahapsody. I might ransdy, but rapsdy boring though, Okay,
• 24:40
  Speaker 1: we can hear ratty on the radio or nothing like that.
• 24:43
  Speaker 1: But Drake is actually exciting. Let's combine. Let's let's combine.
• 24:49
  Speaker 1: Everything that she's talking about was too long because he
• 24:53
  Speaker 1: got a d D. But DJF you went to Palene
• 24:56
  Speaker 1: used to be able to sit down. You ain't the
• 24:58
  Speaker 1: guy sit there. Your boyfriend think your poem poem barn
• 25:02
  Speaker 1: and he he wished that it was exciting his Drake.
• 25:05
  Speaker 1: You got parties all right, goodbye. Mom didn't get to me.
• 25:12
  Speaker 1: I didn't like that one heard him. Were supposed to
• 25:19
  Speaker 1: be quiet a little bit. I'm not gonna lie like that.
• 25:22
  Speaker 1: I don't like that. Don't do like, Hello, who's this
• 25:26
  Speaker 1: from the Kui Kentucky? You say you do? What with
• 25:30
  Speaker 1: k why? He'll do? Not with what you say? Kate? Oh? Okay, okay,
• 25:36
  Speaker 1: why yo? Yeah? Louiver Kentucky. Who you want to slay
• 25:39
  Speaker 1: the luber kicking? Oh, Louisville. I was like, what why?
• 25:44
  Speaker 1: But I won't slay the school manie for having the
• 25:46
  Speaker 1: biggest lip in the world. You're a man. You called
• 25:49
  Speaker 1: up here talking about all this, k why and then
• 25:51
  Speaker 1: you go right to his mouth a man? Grow up man?
• 26:05
  Speaker 1: Oh so he called it for a reason. You're flirting,
• 26:07
  Speaker 1: flirting something like I'm trying to be like you, Charlemagne.
• 26:12
  Speaker 1: But that's when I stopped. That's when the game stopped.
• 26:13
  Speaker 1: That's when I let you know, just the game. I'm
• 26:16
  Speaker 1: not really gay. I can play one on the ratio.
• 26:19
  Speaker 1: Bro's the game, bro just a game. I'm gonna go broddy.
• 26:23
  Speaker 1: I just wanted to sit me up. You just want
• 26:26
  Speaker 1: to what I am a happily married man. Okay, you
• 26:32
  Speaker 1: want to bro, you want to hold on? You want
• 26:34
  Speaker 1: to number I am a happily married man. Hold on,
• 26:36
  Speaker 1: ye ain't you can? You can hold on, but I
• 26:38
  Speaker 1: ain't coming but I ain't coming home. But you can
• 26:41
  Speaker 1: hold on, but just no, I ain't coming home. A right,
• 26:45
  Speaker 1: it's not happening, sir. All right? I love you though, bro.
• 26:49
  Speaker 1: Y'all have a blessed that man. Never tell me you
• 26:51
  Speaker 1: let me back? Are you holding up? All right? Well,
• 26:53
  Speaker 1: don't move? Happy holidays. It's the Breakfast Club. Good morning,
• 26:57
  Speaker 1: the Breakfast Club. Wanting everybody is DJ Envy, Angela Yee,
• 27:05
  Speaker 1: Charlot Migne, the guy. We all to Breakfast Club. We
• 27:07
  Speaker 1: got a special guest in the building, the Principan Africanism
• 27:10
  Speaker 1: absolutely piece and Black Power five okay, number five, number five.
• 27:18
  Speaker 1: You know, doctor Umar, you've become one of the internet's
• 27:20
  Speaker 1: favorite people. To me, man, I love it. Personally, I
• 27:24
  Speaker 1: love it. What do you think of it? I don't know.
• 27:26
  Speaker 1: On one hand, I appreciate the circulation of the message.
• 27:31
  Speaker 1: On the other hand, I think sometimes they go too
• 27:34
  Speaker 1: far to where they're trivializing a very serious message. Talk
• 27:39
  Speaker 1: to me, you know, so, I don't want people to
• 27:41
  Speaker 1: lose the centrality in the importance of my main message,
• 27:47
  Speaker 1: which is the liberation of our people. Absolutely, and coming
• 27:49
  Speaker 1: from a school psychologist perspective, the need for us to
• 27:52
  Speaker 1: make sure we're saving our boys from that school to
• 27:54
  Speaker 1: prison pipeline. And I think sometimes that can get lost
• 27:58
  Speaker 1: in all of the humor. So I'm not against it,
• 28:00
  Speaker 1: but I wish it was a little bit more balanced
• 28:02
  Speaker 1: to it. But at the same time, I can't complain
• 28:05
  Speaker 1: because it has helped bring a lot more people to
• 28:09
  Speaker 1: the message, and it has helped me save a lot
• 28:10
  Speaker 1: more parents. Absolutely. Now, last time you were up here,
• 28:13
  Speaker 1: we were talking about your school and school MG Academy,
• 28:17
  Speaker 1: the Frederick Douglas Marcus Garvey Academy. It's a bittersweet report, brothers,
• 28:21
  Speaker 1: because let me make it real simple, so y'all can
• 28:24
  Speaker 1: understand this. We have two schools. Right they look across
• 28:27
  Speaker 1: the street at one another. The Marcus Garvey building is
• 28:30
  Speaker 1: the elementary school in the Frederick Douglas building is much larger.
• 28:34
  Speaker 1: It's the high school. Now, if you were focusing on
• 28:36
  Speaker 1: the Garvey building right now, right, if you were to
• 28:39
  Speaker 1: say how soon can that building be ready, it can
• 28:42
  Speaker 1: be ready in three weeks. We only have three weeks
• 28:46
  Speaker 1: worth of repairs, three weeks worth of HVACT, three weeks
• 28:49
  Speaker 1: worth of electric, three weeks worth of plumbing. So if
• 28:53
  Speaker 1: hypothetically speaking, if a black tradesman, a black h vactor said,
• 28:58
  Speaker 1: I'm gonna come volunteer. I'm gonna fix the system. You
• 29:00
  Speaker 1: have to pay for all of the materials, but I'm
• 29:03
  Speaker 1: gonna donate my time. If an electrician, if a plumber said,
• 29:06
  Speaker 1: we're going to donate our time to fix the system,
• 29:10
  Speaker 1: but you have to pay for all the material the
• 29:12
  Speaker 1: school would be up and running in three weeks. That's
• 29:15
  Speaker 1: all we have the problem is charlottamagne an envy is
• 29:18
  Speaker 1: I haven't come across black folks who are willing to
• 29:21
  Speaker 1: donate their time. That's one. So we have to raise
• 29:24
  Speaker 1: enough money to pay market rate for those repairs. So
• 29:28
  Speaker 1: the HVACT the bills that I'm getting are ranging from
• 29:31
  Speaker 1: two fifty on up. The plumbing the bills I'm getting
• 29:34
  Speaker 1: are ranging from like a buck fifty on up. You see,
• 29:36
  Speaker 1: So we have to raise about three hundred thousand dollars
• 29:39
  Speaker 1: just to handle that. Where if we had some black
• 29:41
  Speaker 1: folks who is willing to donate their time, the school
• 29:43
  Speaker 1: would be up and running in three weeks. I wonder
• 29:46
  Speaker 1: if people if they change their perspective of how they
• 29:49
  Speaker 1: look at this, right, like you bought the building, but
• 29:51
  Speaker 1: I would look at it like a start We own it,
• 29:53
  Speaker 1: no mortgage. Yeah, I would look at it like it's
• 29:55
  Speaker 1: a startup. And this is the schools are. They're modern,
• 29:59
  Speaker 1: they're not old. The only thing we have to do
• 30:02
  Speaker 1: is the plumbing, the electric in the HVAC. We don't
• 30:03
  Speaker 1: have to do no new construction. It's only repair. And
• 30:07
  Speaker 1: that's why it's so frustrating for me because it's only
• 30:10
  Speaker 1: three weeks worth. It repairs, not a month, not a year.
• 30:13
  Speaker 1: Three weeks worth. It repairs in the school, beat up
• 30:16
  Speaker 1: and running. If our Mexican, the school be done. If
• 30:20
  Speaker 1: I were Chinese, the school be done. If I was
• 30:22
  Speaker 1: East Indian, if I was a rap, if I was European,
• 30:25
  Speaker 1: g if I was Italian, the school be done. It's
• 30:28
  Speaker 1: only because it's us that we don't take something like
• 30:31
  Speaker 1: this as serious. So it's like raising money. It's like
• 30:34
  Speaker 1: raising money in another round for a startup company. Raising
• 30:37
  Speaker 1: the money in another round for like the startup. Give him,
• 30:38
  Speaker 1: tell me what he's in donations donations donations, well, the
• 30:41
  Speaker 1: donation should go to a cash dot me slash f
• 30:45
  Speaker 1: DMG school. So if you're on the cash app is
• 30:47
  Speaker 1: dollar sign f DMG school. If your PayPal it's PayPal
• 30:52
  Speaker 1: dot me slash FDMG academy. Okay, so cash app is
• 30:55
  Speaker 1: FDMG school, paypals f DMG Academy. They can also mail
• 31:00
  Speaker 1: check of money order and that information is on my
• 31:02
  Speaker 1: website at doctor Umar Johnson dot com. Why do you
• 31:05
  Speaker 1: think that you know you said if you were a
• 31:07
  Speaker 1: Mexican or if you were Asian, why do you think
• 31:11
  Speaker 1: that that black people don't want to support or is
• 31:14
  Speaker 1: not supporting or do you feel that you know you're
• 31:17
  Speaker 1: not getting support that you should be getting. Now here's
• 31:19
  Speaker 1: the point, and that's a great question, Envy. It's not
• 31:22
  Speaker 1: that black people don't support other black people. We are
• 31:25
  Speaker 1: not used to being responsible for building our own institutions.
• 31:30
  Speaker 1: Are you following me? If I was opening up a nightclub,
• 31:34
  Speaker 1: some sort of a summers basketball league, I would have
• 31:37
  Speaker 1: the support. But we are not accustomed to being responsible
• 31:42
  Speaker 1: for building our own institution. So, for example, if you
• 31:45
  Speaker 1: look around America, can you show me a single independent
• 31:50
  Speaker 1: black community in fifty states, fifty states. You can't show
• 31:55
  Speaker 1: me one black community where we own the hospital, the bank,
• 32:00
  Speaker 1: the school, and the supermarket. So those are the four
• 32:03
  Speaker 1: essential institutions of an independent community. You don't have those
• 32:07
  Speaker 1: four in any black town anywhere in the United States.
• 32:11
  Speaker 1: And we are a two trillion dollar people. How do
• 32:14
  Speaker 1: you explain that? And I would say slavery one of
• 32:17
  Speaker 1: the psychological residuals of slavery. It took from us that
• 32:22
  Speaker 1: natural desire to want to control your environment and your destiny.
• 32:27
  Speaker 1: If you notice, when ethnic nationals come to America, the
• 32:31
  Speaker 1: first thing they do is look for where are we
• 32:33
  Speaker 1: going to build our first community. That's the first thing.
• 32:35
  Speaker 1: Because it is natural to want to control your environment.
• 32:38
  Speaker 1: It is natural to guarantee your children their future. Black
• 32:42
  Speaker 1: people don't do that. But when we wake up, the
• 32:44
  Speaker 1: first thing we think about is what can I buy
• 32:47
  Speaker 1: to make myself look more important than other Black people?
• 32:50
  Speaker 1: You see, so our whole orientation towards life is different
• 32:53
  Speaker 1: from other groups as a result of slavery. Well, what's
• 32:56
  Speaker 1: your biggest issue with the public school? My biggest issue
• 32:59
  Speaker 1: with the public schools. Under the remote learning platform of COVID,
• 33:04
  Speaker 1: I got a couple issues issues number one, These schools,
• 33:07
  Speaker 1: while our children are learning at home, are still trying
• 33:10
  Speaker 1: to get them tested for special education. Why if he's
• 33:14
  Speaker 1: at home learning through a computer, of course he's not
• 33:18
  Speaker 1: going to be as motivated. Of course he's not going
• 33:21
  Speaker 1: to do as well because he has to learn through
• 33:23
  Speaker 1: a computer. Children don't learn from computers, they learn from people.
• 33:27
  Speaker 1: If the teacher was boring in the classroom, she's going
• 33:30
  Speaker 1: to be extra boring through the laptop. So there's a
• 33:33
  Speaker 1: process laws there that public schools are not taking into account, Charlomagne.
• 33:38
  Speaker 1: And as a result of that, they're sending parents letters
• 33:41
  Speaker 1: requesting permission to evaluate your child. Are you kidding telling
• 33:46
  Speaker 1: parents you don't sign that, because even if you signed it, Charlotmagne,
• 33:50
  Speaker 1: they get evaluated. School psychologist, which is what I am,
• 33:53
  Speaker 1: comes back and says he has a reading disability. Okay,
• 33:56
  Speaker 1: how are you going to deliver his specialist services if
• 34:00
  Speaker 1: he's at home, if he can't learn through the computer
• 34:03
  Speaker 1: with the regular teacher, What is your special led program
• 34:07
  Speaker 1: going to offer this boy or girl that's gonna rectify that. Nothing? Nothing.
• 34:12
  Speaker 1: So the schools are using this as an opportunity to
• 34:14
  Speaker 1: get paid because every time you put a child in
• 34:17
  Speaker 1: special led, the school gets more money. So this is
• 34:19
  Speaker 1: just a quick hustle. And I'm telling black parents, hell no,
• 34:23
  Speaker 1: if you want to improve their academics, bring them back
• 34:27
  Speaker 1: into the classroom. Because guess what. As much as a
• 34:29
  Speaker 1: lot of children did not like going to school, a
• 34:32
  Speaker 1: lot of them are ready to go back now. They've
• 34:34
  Speaker 1: been home too long. And even though some school districts
• 34:37
  Speaker 1: have converted to hybrid where they go to class two
• 34:39
  Speaker 1: or three days a week, two or three days at home,
• 34:41
  Speaker 1: a lot of them have not. So I'm hearing from
• 34:43
  Speaker 1: children on the street, doctor Umar, I'm ready to go
• 34:46
  Speaker 1: back to school. But there's a discrepancy between white suburban
• 34:50
  Speaker 1: public schools and black inner city public schools. They're showing
• 34:54
  Speaker 1: that amongst the white suburban public and charter schools, sixty
• 34:58
  Speaker 1: percent of them and greater are back in school. But
• 35:02
  Speaker 1: when you look at the black inner city hood schools
• 35:05
  Speaker 1: and lower are back in school. You know why because
• 35:08
  Speaker 1: the white teachers aren't as motivated to go back into
• 35:11
  Speaker 1: the school and teach the black kids. But they don't
• 35:13
  Speaker 1: have a problem going back into the school to teach
• 35:15
  Speaker 1: the white kids. It's racism, all right. We got more
• 35:17
  Speaker 1: with doctor Umar Johnson. When we come back, don't move.
• 35:19
  Speaker 1: It's to Breakfast Club. Good morning morning. Everybody is DJ
• 35:23
  Speaker 1: Envy Angela Yee, Schlomagne, the guy we are the Breakfast
• 35:26
  Speaker 1: Club were still kicking it with doctor Umar Johnson, Shelomagne.
• 35:30
  Speaker 1: Let's which years a little bit, man, because people feel
• 35:32
  Speaker 1: like we can we can breathe again after the Derek
• 35:35
  Speaker 1: Shavin verdict. And you know, George Floyd's brother said justice
• 35:38
  Speaker 1: for Floyd means freedom for us all. What are you
• 35:41
  Speaker 1: think of that? But Floyd didn't get justice because Floyd
• 35:45
  Speaker 1: isn't coming back from the graves right. And I want
• 35:48
  Speaker 1: to be very clear, I don't know what Black America
• 35:52
  Speaker 1: is celebrating. The Chauvin conviction was not a cause for celebration,
• 35:56
  Speaker 1: and I want everybody to pump the brakes and understand something.
• 36:00
  Speaker 1: No laws have been changed, no laws have been added
• 36:04
  Speaker 1: to hold the police accountable for the unjustified murder of
• 36:08
  Speaker 1: armed black people. So we are right where we were
• 36:11
  Speaker 1: before Chauvin was convicted. And the only reason why he
• 36:15
  Speaker 1: was convicted, to be honest with you, it had nothing
• 36:17
  Speaker 1: to do with black justice. Derek Chauvin was convicted for
• 36:21
  Speaker 1: the same reason O. J. Simpson was acquitted. Now, I
• 36:24
  Speaker 1: don't know if O. J. Simpson was guilty or innocent,
• 36:26
  Speaker 1: but that's irrelevant. The reason OJ got off in ninety
• 36:29
  Speaker 1: five is because the Rodney King riots in nineteen ninety
• 36:33
  Speaker 1: two cast Los Angeles County untold millions of dollars in damage.
• 36:37
  Speaker 1: Do you really think they're gonna let the city burn
• 36:40
  Speaker 1: down a second time when we haven't done making the
• 36:42
  Speaker 1: repairs from the first riot. It's the same thing in Minnesota.
• 36:46
  Speaker 1: Now listen, I'm not I'm not. I don't disagree with that,
• 36:48
  Speaker 1: but that's the same thing Fox News is saying. Fox
• 36:50
  Speaker 1: News is they're saying that it's because that people were
• 36:53
  Speaker 1: protesting and some people were rioting and looting, that the
• 36:56
  Speaker 1: jury was afraid to convict Derek Charvin. I don't, Well,
• 37:02
  Speaker 1: most jurors were white. You only had four blacks, You
• 37:05
  Speaker 1: had two mixed rates. The others was Europeans. I don't
• 37:08
  Speaker 1: think the jurors were afraid per se. But I believe
• 37:12
  Speaker 1: that they were very reasonable and they said to themselves,
• 37:16
  Speaker 1: this city just burned a year ago, countless millions of
• 37:20
  Speaker 1: dollars and damages that had to be paid out. If
• 37:23
  Speaker 1: we do not convict him. It's gonna burn again. And
• 37:26
  Speaker 1: not only is Minnesota gonna burn, half the cities in
• 37:29
  Speaker 1: America are prepared for protests. And let me be clear,
• 37:33
  Speaker 1: they were not concerned about the black protesters. The black
• 37:37
  Speaker 1: protesters did not break the law. They were concerned of
• 37:40
  Speaker 1: the white anarchist groups and the white militia groups who
• 37:43
  Speaker 1: were going to operate under the cover of the black
• 37:46
  Speaker 1: protester to destroy infrastructure and damage property. So they were
• 37:51
  Speaker 1: not afraid of black people protesting. They were afraid of
• 37:54
  Speaker 1: the white anarchist groups. That's why he got convicted, because
• 37:58
  Speaker 1: they didn't want to flip that price. It was not
• 38:00
  Speaker 1: about black justice. It was white capitalism that convicted Chauvin.
• 38:04
  Speaker 1: I don't I don't disagree with that at all, But
• 38:06
  Speaker 1: only the only thing I pushed back on with that
• 38:08
  Speaker 1: is the fact that I don't want people to think
• 38:10
  Speaker 1: that what Derek Chauvin did wasn't wrong, because you saw
• 38:13
  Speaker 1: it exactly was absolutely wrong. And here's what makes the
• 38:17
  Speaker 1: case so pathetic. The whole world saw what happened indisputable,
• 38:22
  Speaker 1: and yet everybody still was on pins and needles to
• 38:25
  Speaker 1: see if he would be held a Canada. And then
• 38:27
  Speaker 1: you heard the judge tell him and his attorney that
• 38:30
  Speaker 1: because of the comments that Queen Mother Representative Maxie Waters
• 38:33
  Speaker 1: may you may have grounds to appeal the case. But
• 38:36
  Speaker 1: first of all, he could appeal the case anyway. But
• 38:39
  Speaker 1: why did the judge have to remind him that you
• 38:42
  Speaker 1: have the opportunity here to appeal the case. And because
• 38:45
  Speaker 1: he doesn't have a record. Under Minnesota law, Derek Chauvin
• 38:49
  Speaker 1: could do as little as twelve and a half years
• 38:53
  Speaker 1: and be home to enjoy the rest of his life.
• 38:56
  Speaker 1: But here's a point I want you, gentlemen to recognize.
• 38:59
  Speaker 1: I want to go to President Biden. President Biden, your
• 39:02
  Speaker 1: first day of office, you signed an executive order to
• 39:06
  Speaker 1: protect the life in safety of transgenders. I have no
• 39:10
  Speaker 1: problem with that. But you did it on your first day.
• 39:14
  Speaker 1: But he sat up here with you, Charlemagne and told
• 39:18
  Speaker 1: black people that if you don't vote for me, you
• 39:19
  Speaker 1: ain't black. So if you went out of your way
• 39:22
  Speaker 1: begging black people to vote for you, why haven't we
• 39:25
  Speaker 1: got an executive order or any other activity coming out
• 39:29
  Speaker 1: of the oval office from President Biden to protect black
• 39:32
  Speaker 1: people from police. Look what he's doing with the anti
• 39:35
  Speaker 1: Asian hate. President Joe Biden signed an executive order that
• 39:40
  Speaker 1: is exclusive two Asian Americans and Pacific Islanders. I don't
• 39:45
  Speaker 1: have a problem with that, but if you can protect
• 39:48
  Speaker 1: the Asian American and Pacific Islander from violence, why can't
• 39:52
  Speaker 1: you do the same thing for black people. They've been
• 39:54
  Speaker 1: dealing with violence for one year as a result of COVID.
• 39:58
  Speaker 1: That's what it's called the COVID Ninth Team Hate Crimes Bill,
• 40:01
  Speaker 1: to protect Asians as a result of discriminatory treatment that
• 40:05
  Speaker 1: they've been dealing with for how long one year? Black
• 40:09
  Speaker 1: people have been catching hell for four hundred years and
• 40:14
  Speaker 1: we have yet to get an executive order from Joe
• 40:17
  Speaker 1: Biden to protect us from the police. And also Charlotta
• 40:20
  Speaker 1: Magne an envy to further highlight the racism of American government.
• 40:24
  Speaker 1: The Transgender Executive Order is not for people of color.
• 40:30
  Speaker 1: It is not for minorities. It is not for disadvantaged communities.
• 40:34
  Speaker 1: Guests who was for transgender The anti Asian Pacific Islander
• 40:39
  Speaker 1: Hate Executive Order against Hate is not for people of color.
• 40:44
  Speaker 1: It's not for minorities, it's not for disadvantage Americans. It
• 40:47
  Speaker 1: is exclusively and only for Asian Americans in Pacific Islanders.
• 40:53
  Speaker 1: Why am I bringing that up? Because when Barack Obama
• 40:55
  Speaker 1: was in office, all these negroes running around screaming for Obama.
• 40:59
  Speaker 1: I still don't know why was said that Barack Obama
• 41:02
  Speaker 1: can't do nothing specifically for black people. Because this is America.
• 41:07
  Speaker 1: So if you have to make laws for all Americans,
• 41:09
  Speaker 1: Charlotta Magnian Envy, how do you explain the fact that
• 41:12
  Speaker 1: the Asian Americans got a law just for them yesterday
• 41:16
  Speaker 1: the United States Senate and Historic precedents past the anti
• 41:21
  Speaker 1: Asian hate crimes built at a vote of ninety six
• 41:24
  Speaker 1: to one. And why are they catering to the Asians?
• 41:27
  Speaker 1: You know why? Because the amount of white people in
• 41:30
  Speaker 1: this country is shrinking. And whenever the amount of white
• 41:33
  Speaker 1: people in America shrinks, America looks to find other white
• 41:37
  Speaker 1: groups or other minority groups that they can build an
• 41:40
  Speaker 1: alliance with to protect their power and their interests. Who
• 41:44
  Speaker 1: better than the Asians. They're just as conservative politically as
• 41:47
  Speaker 1: many middle class white Americans. They are just as economically
• 41:51
  Speaker 1: comfortable as many middle class white Americans. They don't like
• 41:54
  Speaker 1: black people just as much as many middle class white Americans.
• 41:58
  Speaker 1: Not to mention that this can go a long way
• 41:59
  Speaker 1: towards building relationships with Asian countries on the continent of
• 42:03
  Speaker 1: Asia that America can't afford to build an alliance with Russia.
• 42:06
  Speaker 1: Let us be clear about something. The continent of Asia
• 42:09
  Speaker 1: is a big problem for the US government. You got
• 42:11
  Speaker 1: three power nations on that continent. You got Russia that
• 42:14
  Speaker 1: America can't stand, you got China that America can't control.
• 42:18
  Speaker 1: And you got India, which is one of the fastest
• 42:20
  Speaker 1: growing populations and it is quickly becoming the it giant
• 42:25
  Speaker 1: of the world. Kamala Harris is not the Vice president
• 42:28
  Speaker 1: by accident. Kamala Harris is the Vice President on purpose
• 42:32
  Speaker 1: because America needed to send the nation of India an
• 42:35
  Speaker 1: olive branch to improve their relations because America can't afford
• 42:39
  Speaker 1: for India to get tight with China or Russia. This
• 42:42
  Speaker 1: is politics, and they're going to use the Asians, okay,
• 42:46
  Speaker 1: as probationary whites. They're going to upgrade them to probationary
• 42:50
  Speaker 1: white status to make sure that they stay on the
• 42:53
  Speaker 1: side of the white man and not go on the
• 42:55
  Speaker 1: side of the black man. Don't forget about the George
• 42:57
  Speaker 1: Floyd Policing Act. Oh, that still hasn't passed yet exactly exactly,
• 43:01
  Speaker 1: but you're passing bills for everybody else but nothing for
• 43:04
  Speaker 1: black people. And part of this is our fault because
• 43:07
  Speaker 1: we didn't make no demands on Joe Biden before he
• 43:09
  Speaker 1: got elected. Yeah, I do disagree that a lot of
• 43:12
  Speaker 1: people made demands of Biden, but then you had other
• 43:14
  Speaker 1: people saying no, not people Charlotte Magne. As a community,
• 43:17
  Speaker 1: that's hard. Black black people are monolithic. We can never
• 43:21
  Speaker 1: get understands. Aren't monolithic, but they can still organize. They
• 43:25
  Speaker 1: put a platform out. Very true, But to my point,
• 43:27
  Speaker 1: you had people that were putting platforms out, but then
• 43:29
  Speaker 1: you but you got other people saying, no, we gotta
• 43:31
  Speaker 1: get Trump out. Don't rock the boat right now, wait
• 43:34
  Speaker 1: until Biden get you in and then make demands. Right.
• 43:37
  Speaker 1: But the problem we made as a community is we
• 43:40
  Speaker 1: made Donald Trump the escapegoat for racism, just like we
• 43:44
  Speaker 1: made Barack Obama the angel you understand for government. We
• 43:49
  Speaker 1: made Donald Trump the devil. You don't do either one
• 43:52
  Speaker 1: of those. The US government is a system, it's not
• 43:55
  Speaker 1: a person. So when you make Donald Trump the scapegoat
• 43:58
  Speaker 1: for all of American racism, you let the government off
• 44:01
  Speaker 1: the hook. You don't reduce a system as powerful as
• 44:05
  Speaker 1: this to an individual or a personality the problem, which
• 44:09
  Speaker 1: is what I think you're saying. So we don't disagree
• 44:11
  Speaker 1: on this point. We are disorganized, and it is the
• 44:14
  Speaker 1: disorganization that makes it difficult for us to put forward
• 44:17
  Speaker 1: a unified platform. So what happens is people are self
• 44:21
  Speaker 1: anointing themselves as the representatives of black people. That's why
• 44:25
  Speaker 1: I do not vote for black people who are registered
• 44:28
  Speaker 1: as Democrats or Republicans. I only vote for independent candidates
• 44:32
  Speaker 1: because if you are not an independent candidate, you don't
• 44:35
  Speaker 1: have an independent program, you are not an independent thinker,
• 44:38
  Speaker 1: and you ain't gole to bring us no independent freedom.
• 44:40
  Speaker 1: Then Democrats are a waste of time. If the Congressional
• 44:42
  Speaker 1: Black Caucus can't make Joe Biden do anything for black people,
• 44:46
  Speaker 1: then they need to dissolve themselves. We don't even need
• 44:48
  Speaker 1: them anymore. They're useless, all right. We got them all
• 44:50
  Speaker 1: with doctor Umar Johnson. When we come back, don't move.
• 44:53
  Speaker 1: It's the breakfast Club, Good morning morning. Everybody is DJ Envy,
• 44:58
  Speaker 1: Angela Yee Schlamine the guy. We are the breakfast Club,
• 45:01
  Speaker 1: but still kicking it with doctor Umar Johnson, Shell ask
• 45:04
  Speaker 1: your question, doctor m Are you totally against interracial relationships?
• 45:08
  Speaker 1: I am totally against it, and I want to make
• 45:10
  Speaker 1: sure you understand why it's not because cut it out,
• 45:17
  Speaker 1: cut it out. Don't do that incause I wouldn't have
• 45:22
  Speaker 1: a name for it. Snow bunny crisis. Okay, I am
• 45:25
  Speaker 1: against the snow bunny crisis. And I want your white
• 45:29
  Speaker 1: listeners to understand because people be trying to say stuff
• 45:32
  Speaker 1: like he's the black hitler. I'm not the black hitler
• 45:36
  Speaker 1: I am. I am in no way interested in hurting
• 45:39
  Speaker 1: or harming the life of any human White Asian Chinese.
• 45:42
  Speaker 1: I believe in respecting everybody. The reason I'm against interracial
• 45:46
  Speaker 1: marriage in Vaing Charlottamagne is because marriage is an economic contract.
• 45:51
  Speaker 1: It's an economic contract. Most women do not marry down
• 45:55
  Speaker 1: in status. They marry up. And if you don't believe me,
• 45:59
  Speaker 1: show me a rich white woman married to a broad
• 46:02
  Speaker 1: gass black man. Have you ever seen a rich white
• 46:05
  Speaker 1: woman marry a broad gass black man. No, you have not,
• 46:09
  Speaker 1: and you never will because marriage ain't about love, it's
• 46:12
  Speaker 1: not color blind, and it is totally economic. So if
• 46:17
  Speaker 1: most women will marry a man of greater economic means,
• 46:21
  Speaker 1: and women generally live longer than men. When a black
• 46:25
  Speaker 1: man dies, his entire estate goes to a non African
• 46:29
  Speaker 1: woman and she is free to do whatever she wants
• 46:33
  Speaker 1: with your black money because you're no longer around to
• 46:36
  Speaker 1: control how it gets spent. It's not about hate, it's
• 46:40
  Speaker 1: about loving black people. We're about to close out because
• 46:42
  Speaker 1: you gotta go, but I do want to ask you.
• 46:44
  Speaker 1: You said that you know marriage is not about love.
• 46:46
  Speaker 1: So when it comes to same seculations, it's not about love.
• 46:48
  Speaker 1: When it comes to interracial it's not about love. If
• 46:50
  Speaker 1: you think it's about love. Have you ever went into
• 46:52
  Speaker 1: a divorce court and so people argue about getting a
• 46:55
  Speaker 1: love back. I haven't seen somebody sat on half my
• 46:57
  Speaker 1: love back. Have you ever seen dying? You never been
• 47:00
  Speaker 1: a divorce court and see somebody say I gave them
• 47:03
  Speaker 1: twenty years of love. I want to have my love back.
• 47:06
  Speaker 1: I ain't never see nobody go to the voce court
• 47:09
  Speaker 1: to get their love back. They go to the vorce
• 47:11
  Speaker 1: court to get money, property, assets, four h one case
• 47:15
  Speaker 1: and everything else. So when we when we see you
• 47:17
  Speaker 1: on love got to do with it. When we see
• 47:19
  Speaker 1: you on social media asking for a queen I'm not
• 47:21
  Speaker 1: asking for a queen. I'm letting the queens know that
• 47:24
  Speaker 1: I have not chosen my queen. And if you think
• 47:27
  Speaker 1: that you have what it takes to stand by the
• 47:29
  Speaker 1: principan Africanism, I would like to know who you are
• 47:31
  Speaker 1: because I'm so busy. I can't meet every woman. I'm
• 47:34
  Speaker 1: too busy. But you choose it for business, You're not
• 47:36
  Speaker 1: trying to choose it for business. Her head better be nappy,
• 47:39
  Speaker 1: her whole body better be natural. That's right. Her head
• 47:42
  Speaker 1: better be nappy. Happy to be nappy. No, we've no
• 47:46
  Speaker 1: perm no straightening, no blind hair. Listen, I open up
• 47:49
  Speaker 1: a revolutionary academy to Frederick Douglas Marcus called the academy.
• 47:53
  Speaker 1: We're trying to change the consciousness of African children. How
• 47:55
  Speaker 1: to hell? I'm gonna be the lead of a Pan
• 47:58
  Speaker 1: African institution and my wife got a blind weave and
• 48:01
  Speaker 1: a damn head. What does that say about me? Show
• 48:04
  Speaker 1: me who you love and I'll tell you who you are.
• 48:07
  Speaker 1: Give me a Twitter and instagrams to doctor and Instagram
• 48:10
  Speaker 1: at doctor Umar Johnson, Facebook at doctor Umar E. Far
• 48:14
  Speaker 1: tun Day email d r U M A. R. Johnson
• 48:17
  Speaker 1: as doctor Umar Johnson at yahoo dot com and phone
• 48:20
  Speaker 1: number eight four four four Doctor Umar. That's eight four
• 48:23
  Speaker 1: four four d R U M A R Doctor Mark
• 48:27
  Speaker 1: Johnson at him, don't at me, don't add envy, don't
• 48:29
  Speaker 1: add breakfast club. You got all the twitters and Instagrams
• 48:32
  Speaker 1: to talk to him if you got issues with anything.
• 48:34
  Speaker 1: He said, Black African power. That's right, Doctor Umar Johnson.
• 48:37
  Speaker 1: Is the Breakfast Club. The morning. It's topic time. Phone
• 48:45
  Speaker 1: called eight hundred five eight five one oh five one
• 48:47
  Speaker 1: to join it to the discussion with the Breakfast club.
• 48:50
  Speaker 1: Talk about it morning. Everybody is DJ Envy angela yee sholomna. Guy.
• 48:56
  Speaker 1: We are the Breakfast Club. Now. Doctor Umar Johnson stopped through.
• 49:00
  Speaker 1: He was here and he was talking about a lot.
• 49:02
  Speaker 1: He sparks conversation. That's what doctor Umara does you know?
• 49:05
  Speaker 1: Doctor Umar to me is like anybody else. Some things
• 49:07
  Speaker 1: I agree with, some things I don't agree with, some
• 49:10
  Speaker 1: things I don't know anything about, right, you know what
• 49:12
  Speaker 1: I mean? And the things I don't know anything about.
• 49:14
  Speaker 1: I go, I go, I go and research to see,
• 49:16
  Speaker 1: if you know, to see if he's in the right
• 49:18
  Speaker 1: ballpark with these things, you know. But right, so, so
• 49:21
  Speaker 1: let's open up the phone lines and get people's opinions
• 49:24
  Speaker 1: eight hundred five eight five one to five one. One
• 49:27
  Speaker 1: thing I do know about doctor Gumardo, what's that he
• 49:30
  Speaker 1: absolutely cares about the liberation of black people period. Hello.
• 49:34
  Speaker 1: Who's this Hello? My name is Max Max. Yeah, so
• 49:39
  Speaker 1: I'm a rocking guy. We're laving in New York for
• 49:42
  Speaker 1: ten years and all this time I've been dating on
• 49:45
  Speaker 1: the Black Cause Spanish women, and currently I'm married on
• 49:50
  Speaker 1: the game. He's princess with together like six years. Congratulations,
• 49:56
  Speaker 1: she's four years off. And I just want to say
• 49:59
  Speaker 1: that this doctor saying you cannot date out of your
• 50:02
  Speaker 1: rage and sounds so like, gracious, you gotta stop thinking
• 50:05
  Speaker 1: like this. I do not agree, Okay, I didn't hear that. Perfect.
• 50:11
  Speaker 1: I have no problem with people dating outside their race,
• 50:13
  Speaker 1: and my dad is Chinese, my mom is Black, and
• 50:17
  Speaker 1: I'm happy they got together and created me. Doctor Umar
• 50:20
  Speaker 1: doesn't like it though, Well, no, doctorum said he has
• 50:22
  Speaker 1: no problem with the products of inter racial relationships. You
• 50:27
  Speaker 1: can be not okay with it and then have no
• 50:29
  Speaker 1: problem with the product, but you gotta I don't. I
• 50:31
  Speaker 1: don't agree with dad either. I don't agree with it,
• 50:33
  Speaker 1: but I think what he said is interesting. Bless you Eddie. Hello,
• 50:37
  Speaker 1: who's this? Bless you Eddie? Eddi's dating a white woman? Hello?
• 50:47
  Speaker 1: Who's this? Hey? Markus doing well? How are you doing? Problems? Honestly,
• 50:54
  Speaker 1: I'm trying to get more of you guys, and honestly
• 50:56
  Speaker 1: I respects. Good morning. I'm gonna talk about I appreciate
• 51:01
  Speaker 1: like you guys always um come up with some great
• 51:04
  Speaker 1: job and oh, got you, got you, got you all right.
• 51:08
  Speaker 1: The reason why I'm calling you I gotta really kissed
• 51:10
  Speaker 1: me up because I'm a veteran. I served my country
• 51:13
  Speaker 1: like anybody too. My cousins are black and white from Attachusetts.
• 51:18
  Speaker 1: And two I'm married to a Barbadian woman. I'll trust me.
• 51:21
  Speaker 1: I'm the lucky one on that one. And I've had
• 51:24
  Speaker 1: three kids. Whether I got or was too. But it's
• 51:27
  Speaker 1: just what he said was wrong. Like I don't white
• 51:29
  Speaker 1: people all white people. I understand that. But the only
• 51:32
  Speaker 1: way that we can survive in this world with this racism,
• 51:36
  Speaker 1: there's all puddy gonna have your love and the heart.
• 51:39
  Speaker 1: So the white people that are acting stupid, woman had Barry,
• 51:42
  Speaker 1: I'm rid of them. Wow, Why okay, you're not even
• 51:47
  Speaker 1: gonna try more and more honestly, just wait, wait for
• 51:52
  Speaker 1: that generation to die off. Yeah, we said that. We
• 51:55
  Speaker 1: said that fifteen and twenty years ago though we thought
• 51:57
  Speaker 1: that generation was gonna die off, but then we saw
• 52:00
  Speaker 1: the racism get passed down to the younger generations. All right, well,
• 52:03
  Speaker 1: doctor Umour Johnson called up eight hundred five eighty five
• 52:06
  Speaker 1: one or five one, and what we have to stop
• 52:08
  Speaker 1: doing as a culture is when you hear something that
• 52:10
  Speaker 1: you don't like, you say, all of a sudden that
• 52:12
  Speaker 1: person is canceled. That ish is whacked. I mean, just listen, listen, listen. Community,
• 52:16
  Speaker 1: you got to have a dialogue and you got to
• 52:17
  Speaker 1: be able to have a conversation. And the cancel culture
• 52:20
  Speaker 1: thing when it when it comes to certain things I
• 52:21
  Speaker 1: absolutely positively agree and somebody says something that you don't
• 52:25
  Speaker 1: like and you automatically want to cancel, that is is whacked.
• 52:28
  Speaker 1: It's just just an opinion at the end of the day.
• 52:30
  Speaker 1: Like I said, some things I with with anybody. This
• 52:32
  Speaker 1: is for everybody. Some things I agree with, some things
• 52:34
  Speaker 1: I disagree with, some things I simply don't know, and
• 52:36
  Speaker 1: things I don't know. I listen to what a person's
• 52:38
  Speaker 1: got to say, and then I gonna do my all
• 52:39
  Speaker 1: restarts on it. Yeah, correct, But like I said, okay,
• 52:42
  Speaker 1: the mute people. Yeah, it's got to protect your piece.
• 52:45
  Speaker 1: You got to protect your mute people. And I just
• 52:48
  Speaker 1: checked them. But I don't cancel it all like cancel
• 52:49
  Speaker 1: culture stuff. I hate it. It does not give people
• 52:52
  Speaker 1: a right to have an opinion. And if they have
• 52:53
  Speaker 1: an opinion that you don't like, you're automatically want to cancel.
• 52:56
  Speaker 1: And then that's not how we should be in our community.
• 52:58
  Speaker 1: We should be able to have both sides and be
• 53:00
  Speaker 1: able to have a conversation and break down and still
• 53:02
  Speaker 1: be able to say, you know what, I didn't like
• 53:04
  Speaker 1: his opinion from but it's all good. Were on the
• 53:06
  Speaker 1: different things. But the way that people are with this
• 53:08
  Speaker 1: cancer culture is really bad. It is really bad. But anyway,
• 53:11
  Speaker 1: keep it locked. We have more coming up next. It's
• 53:13
  Speaker 1: to Breakfast Club. Wait, wait up, you're checking out the
• 53:19
  Speaker 1: Breakfast Club? Hey? What up? Y'all's DJ Envy here. It's
• 53:23
  Speaker 1: all fun in games. So someone screenshot your message say
• 53:26
  Speaker 1: goodbye to morning after Gilt with that chat. This new
• 53:30
  Speaker 1: encrypted social platform can help you stay truly private. No screenshots, recordings,
• 53:34
  Speaker 1: or leak messages. Get that chat for iPhone and Android
• 53:38
  Speaker 1: at the app Store, or find it at dat chat
• 53:41
  Speaker 1: dot com. Forward slash envy, get at a dance, you
• 53:47
  Speaker 1: get at you you are drunk. I'm gonna fatten all
• 53:58
  Speaker 1: that around your eye. This man to Dolden Blowers many
• 54:01
  Speaker 1: with Charlemagne. Who was going to be on the Donkey
• 54:06
  Speaker 1: of the day. They chose you, bitch, Who's donkey of
• 54:10
  Speaker 1: the day today. I'll tell you shoos, I'll swallowing my
• 54:13
  Speaker 1: fish oil pill ad hole. Mmm mmm all right, okay,
• 54:22
  Speaker 1: donkey today goes to a Michigan man named Nathaniel Saxton. Now,
• 54:25
  Speaker 1: someplace somewhere today there is someone getting ready for court.
• 54:29
  Speaker 1: That court may be virtual. I'm sure it's some places
• 54:32
  Speaker 1: who have resumed in person court hearings. But if you
• 54:36
  Speaker 1: have ever, you know I had to be in a
• 54:38
  Speaker 1: courtroom like I have. One of the first things a
• 54:40
  Speaker 1: lawyer is going to tell you to do is look presentable. Hell,
• 54:43
  Speaker 1: people who love you, who have been through the court
• 54:45
  Speaker 1: system before, would tell you wear a suit, get a haircut.
• 54:50
  Speaker 1: I remember I was in court one time for appointing
• 54:52
  Speaker 1: in presenting the firearm, and my attorney told the judge
• 54:56
  Speaker 1: look at his shoes, look at the shoes he's wearing,
• 54:58
  Speaker 1: because they were nice. They were actually some rust colored
• 55:01
  Speaker 1: leather timberland, So I don't know what was special about them,
• 55:03
  Speaker 1: but I ended up getting probation. So it must have
• 55:05
  Speaker 1: worked through to Stephen Davis from Moss con to South
• 55:07
  Speaker 1: Carolina dropping a clues, Bob to Stephen Davis. Okay, and
• 55:10
  Speaker 1: sons an attorney now too. They always tell you to
• 55:12
  Speaker 1: dress conservative in court. Something you know you would wear
• 55:16
  Speaker 1: the church, work or a nice social social function. Anybody
• 55:20
  Speaker 1: who tells you otherwise it's trying to get your tricked
• 55:21
  Speaker 1: off the street. Google look presentable in court and see
• 55:25
  Speaker 1: what comes up. Y'all. Don't believe humans anymore. You're not
• 55:27
  Speaker 1: gonna believe your uncle Charlotte, so believe your laptops or
• 55:29
  Speaker 1: your phones. Just google look presentable in court and it'll
• 55:32
  Speaker 1: say be well groomed. In presentable, you want to style
• 55:35
  Speaker 1: your hair or at least keep it tamed and in play.
• 55:37
  Speaker 1: Shave or if you have facial head, make sure your
• 55:40
  Speaker 1: beard or mustache is neatly pruned. What does that mean?
• 55:43
  Speaker 1: What has pruned me? Like? Oh, okay, okay. It also
• 55:47
  Speaker 1: says brush your teeth, trim your fingernails, wear deodorant. Treat
• 55:50
  Speaker 1: this like a job interview at first date. The moral
• 55:52
  Speaker 1: of the story is be presentable in court. Okay. I
• 55:56
  Speaker 1: don't know how any of this works via zoom, but
• 55:59
  Speaker 1: you know we've all seen in zoom interviews over the
• 56:01
  Speaker 1: past year to know that people still show up looking spiffy,
• 56:04
  Speaker 1: at least from the waist up. Okay. We may have
• 56:06
  Speaker 1: basketball shorts on the bottom, women might wear sweat at
• 56:09
  Speaker 1: the bottom, but at least from the waist up, you
• 56:11
  Speaker 1: know we're presentable. Okay. Now, in this virtual world, a
• 56:16
  Speaker 1: lot of us when we get on these zooms, we
• 56:18
  Speaker 1: have nicknames. Is our names, Like you know, when I'm
• 56:21
  Speaker 1: on a zoom, my name is Radio Face. So when
• 56:24
  Speaker 1: I'm on zoom, it's Radio Face. When I'm doing something
• 56:26
  Speaker 1: like I was doing yesterday because we had a virtual
• 56:29
  Speaker 1: book event for Queen Timika Mallory because her new book
• 56:31
  Speaker 1: State of Emergency, How to Win in the Country We
• 56:33
  Speaker 1: Build Us Out. We had that for the scram Bookstore.
• 56:35
  Speaker 1: My name was presented as Lenard see the God mckelvy,
• 56:38
  Speaker 1: or I might have just been Charlemagne the God. Either way,
• 56:40
  Speaker 1: that's presentable. But if I was in court, best believe
• 56:43
  Speaker 1: my name would just be Lenard mckelfe. Right, that's just
• 56:46
  Speaker 1: a presentable way to do things. Well, Nathaniel Saxton didn't
• 56:50
  Speaker 1: get that memo. See on yesterday, Nathaniel was in court
• 56:55
  Speaker 1: and Judge Jeffrey Middleton presided over the zoom coverage that
• 56:58
  Speaker 1: included eight people with matters before the court. I'm just
• 57:03
  Speaker 1: gonna sit back and let this whole exchange play out,
• 57:06
  Speaker 1: because this is what you call comedy gold, matter of fact,
• 57:08
  Speaker 1: for the sense of the humor that I have, the
• 57:10
  Speaker 1: type of things that I like to laugh at. This
• 57:13
  Speaker 1: is comedy platinum, matter of fact, this is diamond. Listen
• 57:17
  Speaker 1: to how Nathaniel Saxton presented himself in court. Listen, good morning, sir.
• 57:21
  Speaker 1: What's your name? Nathaniel Saxon, Sir, your name is not
• 57:24
  Speaker 1: but for three thousand yo. Luring into my court with
• 57:30
  Speaker 1: that screen name. What kind of an idiot loves into
• 57:35
  Speaker 1: court like that? What's your name again, Nathaniel Saxton, sir?
• 57:39
  Speaker 1: But I don't believe that I typed anything like that,
• 57:42
  Speaker 1: And well that's what it says you should. I'll put
• 57:48
  Speaker 1: you in the waiting room. You can sit and limbo
• 57:51
  Speaker 1: for a while and think about what you call yourself online.
• 57:56
  Speaker 1: I think Judge put him in the waiting room because
• 57:58
  Speaker 1: he wants to talk to him. After the Courts of Judge,
• 58:00
  Speaker 1: Jeffrey Middleton asked a very valid question, what kind of
• 58:04
  Speaker 1: idiot logs into court with a name like that? I'll
• 58:07
  Speaker 1: tell you what kind of idiot, the kind of idiot
• 58:09
  Speaker 1: who thinks he's out smart and to judge, see, why
• 58:11
  Speaker 1: would you ever send someone named butt f for three thousand?
• 58:14
  Speaker 1: The jail sounds to me like jail would be a
• 58:17
  Speaker 1: fun house for butt f for three thousand. Okay, I
• 58:20
  Speaker 1: hate that he uses three thousand. Andre Benjamin didn't spit
• 58:23
  Speaker 1: one of the greatest rap verses ever on y'all scared
• 58:25
  Speaker 1: off the EQUIMENTI album for y'all to take his name
• 58:27
  Speaker 1: and put a butt f in front of it. But
• 58:29
  Speaker 1: you think he but Nathaniels Saxton thinks he's slipped. This
• 58:33
  Speaker 1: is the equivalent of the guy in Training. They remember
• 58:35
  Speaker 1: the movie Training, They when the three wisemen are talking
• 58:37
  Speaker 1: to Alonzo and they're talking to him about how one
• 58:39
  Speaker 1: of the guys got off because the dude put peanut
• 58:41
  Speaker 1: butter in the back of his pants and stuck his
• 58:43
  Speaker 1: hands in his pants and pulled his hand out covered
• 58:45
  Speaker 1: in peanut butter and licked his finger clean. And then
• 58:47
  Speaker 1: the judge just sent him to a psych ward for
• 58:49
  Speaker 1: like six months or something. That's what Nathaniel Saxton was
• 58:52
  Speaker 1: hoping happened in this situation. The judge would never send
• 58:55
  Speaker 1: someone who loves the f butts the jail wood he now,
• 59:03
  Speaker 1: and now, in Nathaniel's defense, he didn't say what kind
• 59:07
  Speaker 1: of butt? How many different flavor of butts are there? Envy?
• 59:12
  Speaker 1: I mean, I know there's male, there's female, what cheddar
• 59:15
  Speaker 1: and sour cream, sour cream and onion, chili, cheese cheeks.
• 59:22
  Speaker 1: What's your favorite flavor? Envy? I don't have a favorite flavor.
• 59:26
  Speaker 1: You're a liar, Envy. Okay, you're using name used to
• 59:29
  Speaker 1: be butt effort for the nine nines and two thousands?
• 59:31
  Speaker 1: All right, true. I don't have anything else to say
• 59:34
  Speaker 1: about this other than play it again. Your name is
• 59:36
  Speaker 1: not but for three thousand Yoho? What is a Yoho?
• 59:42
  Speaker 1: What is a Yoho? What is a is that somebody's
• 59:44
  Speaker 1: using name? I think that they were like seeing eye
• 59:47
  Speaker 1: to eye. The judge was like, oh, you're a butt effort.
• 59:49
  Speaker 1: I'm a Yoho I'm a what is a yohole? Some
• 59:55
  Speaker 1: donkey to days just sell themselves. Please give Na Daniel
• 59:58
  Speaker 1: Saxton the biggest here. No, no, you're not gonna play, kay, okay, yes,
• 1:00:10
  Speaker 1: let's do it. I guess we'll play a game of
• 1:00:13
  Speaker 1: yes what all right? Hey, Nathaniel Saxton of Michigan showed
• 1:00:21
  Speaker 1: up in virtual Court with the name the screen name
• 1:00:25
  Speaker 1: but F for three thousand. Angela, yee, guess what racings? Um?
• 1:00:32
  Speaker 1: The only reason I'm gonna say African American is because
• 1:00:34
  Speaker 1: of you guys. What does that? Excuse me? What? You
• 1:00:40
  Speaker 1: guys are black and I could see that being your
• 1:00:43
  Speaker 1: name too. Why whoa racist? Okay, I don't know if
• 1:00:49
  Speaker 1: it is that Nathaniel Saxton from Michigan in virtual Court
• 1:00:55
  Speaker 1: with the screen name but FF for three thousand. DJ
• 1:00:58
  Speaker 1: dramos guess what? Right? Yes, this is this is white privilege.
• 1:01:03
  Speaker 1: That's finest man. Yeah, I can see why you say that. Yeah,
• 1:01:10
  Speaker 1: only somebody that has the level of privilege and entitlement
• 1:01:14
  Speaker 1: would show up with that game. Uh DJ n V Yes, sir,
• 1:01:17
  Speaker 1: Nathaniel Saxton from Michigan stole your screen name but updated
• 1:01:21
  Speaker 1: it by a thousand years. Extreme name is but after
• 1:01:25
  Speaker 1: three thousand. Guess what? Right? Yes, I'm going white? Is
• 1:01:33
  Speaker 1: that what flavor? But you want NV? Is that your
• 1:01:37
  Speaker 1: final answer? I'm going to white. Only white people play
• 1:01:40
  Speaker 1: the East type of games with judges like this. Well,
• 1:01:43
  Speaker 1: DJ Drammas and DJ NV, you are absolutely cord. I
• 1:01:50
  Speaker 1: knew it, your saxton. You're absolutely right. Only a white
• 1:01:53
  Speaker 1: man will play with the judge in this way? Only
• 1:01:56
  Speaker 1: a white man? Are you out of your damn mind?
• 1:01:57
  Speaker 1: I need to know what y'age was facing. That's the
• 1:01:59
  Speaker 1: other reason I know he wau. They didn't tell you
• 1:02:00
  Speaker 1: what Charlie was facing in the goddamn um the New
• 1:02:03
  Speaker 1: York Posts or whatever. I get that from Daily News,
• 1:02:06
  Speaker 1: one of them. I'm just gonna tell you, I'm offended
• 1:02:09
  Speaker 1: what you said. Case. You guys do this all the time.
• 1:02:11
  Speaker 1: So I thought he was black. I just when he said,
• 1:02:14
  Speaker 1: But after I was like, Charlomagne envy black. But we
• 1:02:17
  Speaker 1: don't know what flavor but it was. We don't know
• 1:02:19
  Speaker 1: if it was male, female, chili, cheese cheeks. We don't know.
• 1:02:21
  Speaker 1: I guess I just affiliated it with y'all. Wow. Thanks,
• 1:02:24
  Speaker 1: all right, Well, I'm glad you think of a think
• 1:02:27
  Speaker 1: of us in that way. All right, what you called
• 1:02:32
  Speaker 1: we called bonding. Allright, we got more. Don't move. It's
• 1:02:36
  Speaker 1: the best of the Breakfast Club, the breakfast club, the
• 1:02:41
  Speaker 1: breakfast Club. Your morning's will never be the same morning.
• 1:02:47
  Speaker 1: Everybody is DJ Envy, Angela Yee, Cholomagne, the guy. We
• 1:02:51
  Speaker 1: are the Breakfast Club. We got the first artist to
• 1:02:55
  Speaker 1: ever get an apology from ya, the first dice and
• 1:02:57
  Speaker 1: the breakfast club Draker, not the first artist of smoke breakfast.
• 1:03:05
  Speaker 1: What's good, my brother? How are you feeling this morning?
• 1:03:07
  Speaker 1: I feel great? Man. How y'all feeling? I like that man, Claire,
• 1:03:09
  Speaker 1: that's very fresh man. It's cold like here in New York,
• 1:03:12
  Speaker 1: cool man, sixty five degree. Look at you? You look cold?
• 1:03:15
  Speaker 1: You got a minia. Somebody ain't cold. You have some
• 1:03:20
  Speaker 1: smoke for Charlemagne. A couple of months ago Charlemagne said
• 1:03:23
  Speaker 1: something while you didn't like, and you have some smoke
• 1:03:24
  Speaker 1: for the man my old. No, it was just Charlotte
• 1:03:29
  Speaker 1: might say that. I went from Atlanta, me, Charlottagne A
• 1:03:31
  Speaker 1: god breakfast club. Did you talk about? I'm not from
• 1:03:35
  Speaker 1: from you sold you was from component Compton. I am
• 1:03:39
  Speaker 1: from Bompting, you from coming y'all from bombed in. Yeah,
• 1:03:42
  Speaker 1: I thought you're from Mississippi somewhere. Na, No, I'm from bumped.
• 1:03:45
  Speaker 1: I'm from California. Bot it, Man, you say that big
• 1:03:50
  Speaker 1: Soldier the same difference, man't not the same difference? Different? Nah,
• 1:03:55
  Speaker 1: but there's a lovely man saying Charlemagne. No, it's our love,
• 1:03:58
  Speaker 1: like you know what I'm saying. He cleared it up
• 1:04:00
  Speaker 1: like the same day, a big soldier ship. Now you
• 1:04:04
  Speaker 1: were quoting Soldier boy the other day and kept playing
• 1:04:06
  Speaker 1: the drop from something he said was oh player, that
• 1:04:09
  Speaker 1: was hilarious. Hold on, we got it everything to come
• 1:04:12
  Speaker 1: out my mother and mouth is hard pass back Like
• 1:04:20
  Speaker 1: five times. I was like, because Drake go so entertaining. Man, Now,
• 1:04:24
  Speaker 1: I just mean musically like I was talking about like
• 1:04:27
  Speaker 1: everything that I wrapped. We know what you not the
• 1:04:35
  Speaker 1: internet explaining that one. So you and Kanye got up
• 1:04:39
  Speaker 1: that he just texted, did y'all cold? He apologized? Was
• 1:04:41
  Speaker 1: that a true text? Kanye posted on his instagram? Tha faa,
• 1:04:46
  Speaker 1: So you didn't feel like you old Kanye and apology?
• 1:04:49
  Speaker 1: What I mean? You did talk about Kim and say
• 1:04:51
  Speaker 1: he was what I said about his wife. You said
• 1:04:53
  Speaker 1: something like I was the first one they still marry.
• 1:04:55
  Speaker 1: I thought I got divorced. They're not divorce yet. He
• 1:04:57
  Speaker 1: said that's his wife on drink Champs Draco. Okay, my fault.
• 1:05:01
  Speaker 1: I'll be reading the headlines and all I've seen was divorced,
• 1:05:05
  Speaker 1: So I thought they were through the process right now.
• 1:05:07
  Speaker 1: He didn't sell the papers yet they say if you're
• 1:05:09
  Speaker 1: in the process of getting a divorce, that mean y'all
• 1:05:11
  Speaker 1: split for the moment right now that Kanye reached out
• 1:05:15
  Speaker 1: to you. You know, Kanye, that's his thing. He'll pop,
• 1:05:17
  Speaker 1: didn't apologize. That's his thing, y'all. Kanye reached out. You
• 1:05:20
  Speaker 1: know what I'm saying. It was as crazy like that
• 1:05:22
  Speaker 1: whole process of working, you know, doing the song, and
• 1:05:27
  Speaker 1: you know what I'm saying, Like I just had to
• 1:05:29
  Speaker 1: like sit back for a minute to be like, man, like,
• 1:05:32
  Speaker 1: you know what I'm saying. But I like Kanye. You though,
• 1:05:34
  Speaker 1: Like after we spoke, I just felt like, oh, okay,
• 1:05:36
  Speaker 1: he don't mean no harm. But it probably confused you
• 1:05:38
  Speaker 1: because he told you that your verse was hard in
• 1:05:40
  Speaker 1: private and then in public telling people trash. So that
• 1:05:44
  Speaker 1: was the only reason I responded the way that I did. Now,
• 1:05:46
  Speaker 1: you was upset at first that your verse didn't make
• 1:05:48
  Speaker 1: the album at first, and you you were spound a
• 1:05:50
  Speaker 1: little crazy, and then he said it was trash, and
• 1:05:52
  Speaker 1: then you spounded a crazy. Get so people had told
• 1:05:54
  Speaker 1: you the verse was back in private, which you have
• 1:05:56
  Speaker 1: sent a different verse, or what offended on one another
• 1:06:00
  Speaker 1: would be offended. Like that's what we do music for
• 1:06:02
  Speaker 1: to be critiqued and to make it the best outcome.
• 1:06:06
  Speaker 1: But you gotta learn how to communicate to it at
• 1:06:08
  Speaker 1: the same time. And you definitely can't be telling somebody
• 1:06:11
  Speaker 1: this is a great piece of work and then your
• 1:06:13
  Speaker 1: head like really like you know what I'm saying. But
• 1:06:16
  Speaker 1: people were telling me like, well I was reading it
• 1:06:18
  Speaker 1: was like, oh, he didn't want to hurt your feelings, Like, Brom,
• 1:06:21
  Speaker 1: hurt my feelings. Bro, you feel what I'm saying, because
• 1:06:23
  Speaker 1: you can't hurt my feelings because I know my hard
• 1:06:27
  Speaker 1: Who ahead express yourself? Who gives you to decide if
• 1:06:32
  Speaker 1: the song hard or not to put the song out
• 1:06:34
  Speaker 1: on the album and let the people decide that. Now,
• 1:06:37
  Speaker 1: if you were to put the album out and put
• 1:06:39
  Speaker 1: the song and then and then people would have been saying,
• 1:06:40
  Speaker 1: man sold the trash soldier song up. So then that's
• 1:06:43
  Speaker 1: another thing. Let the people decide. Who could you just
• 1:06:45
  Speaker 1: because it's your album, you got to decide everything. Sometimes
• 1:06:48
  Speaker 1: I don't like So that's how it works. If it's
• 1:06:50
  Speaker 1: your album, you decide what coaches out? What's that? Hey?
• 1:06:52
  Speaker 1: You go iry? What that? Selfish? Is a mother hold?
• 1:06:56
  Speaker 1: You said? Sometimes you put out stuff that you don't like.
• 1:06:59
  Speaker 1: Now like, okay, look all right, sometimes get comfortable, big Soldier,
• 1:07:06
  Speaker 1: Get comfortable, big drake up about Soldier Boy game. You
• 1:07:09
  Speaker 1: know what I'm saying, handheld constable. When I came the
• 1:07:10
  Speaker 1: first time, y'all tried to play me now wrong show
• 1:07:14
  Speaker 1: now every day struggle, tried to play you, not us.
• 1:07:18
  Speaker 1: No you saying it was do I need to rewind
• 1:07:20
  Speaker 1: the clips and do the what you might? I don't
• 1:07:23
  Speaker 1: remember what I mean. I ain't gonna do you like that.
• 1:07:25
  Speaker 1: But it was just a little I didn't take kind
• 1:07:27
  Speaker 1: of do what they said China knock off. They say
• 1:07:30
  Speaker 1: it was counterfeit a little like that. But whatever, man,
• 1:07:32
  Speaker 1: But y'all did support. You'll remember running the clip back.
• 1:07:36
  Speaker 1: I got my new video game. You know what I'm saying.
• 1:07:38
  Speaker 1: They say that's suiting you for that video game. I can't.
• 1:07:42
  Speaker 1: My lawyer said, I can't speak on that. I'm sorry.
• 1:07:44
  Speaker 1: Ivy Complex as an email set up called Soldier watchtip
• 1:07:47
  Speaker 1: at gmail dot com for anyone who's ordered Soldier Boy
• 1:07:50
  Speaker 1: product video but haven't received it. The Soldier Boy video
• 1:07:53
  Speaker 1: game right here. It's a kind of censor console. I
• 1:07:56
  Speaker 1: support this. Follow at Soldier Boy game on Instagram. Go
• 1:08:01
  Speaker 1: to t rd R pocket dot com or du one,
• 1:08:04
  Speaker 1: or go to Amazon dot com and type in Soldier
• 1:08:06
  Speaker 1: Way game. Making millions off of that Soldier You're making
• 1:08:10
  Speaker 1: hundreds of millions making your albums. So when you make
• 1:08:12
  Speaker 1: an album, you said, all this shouldn't be selfless. Yeah. Man,
• 1:08:15
  Speaker 1: it's like you gotta be open to work like different sounds. Bro.
• 1:08:18
  Speaker 1: All right, so check this out right, Kanye, you dropped
• 1:08:22
  Speaker 1: the most trash then you ain't never dropped the trash
• 1:08:24
  Speaker 1: song in your life, So that Mother Jesus album won trash.
• 1:08:29
  Speaker 1: I didn't like Jesus. I didn't like you. A lot
• 1:08:31
  Speaker 1: of people tell me that you just grew on them,
• 1:08:33
  Speaker 1: but I didn't like yo. Am I to come to
• 1:08:36
  Speaker 1: you and say, Kanye Jesus was trash. If that's your opinion,
• 1:08:40
  Speaker 1: say that, I know, but I'm not fit to say that. Yeah, yeah, yeah, yeah, Yeah.
• 1:08:44
  Speaker 1: Have you ever put out something that you didn't really like? Everything?
• 1:08:48
  Speaker 1: I put out this fire? You know what I'm saying.
• 1:08:50
  Speaker 1: What I'm trying to say is though, Kanye West, when
• 1:08:53
  Speaker 1: you're making your album, be more open, bro. The two
• 1:08:57
  Speaker 1: thing is trash. Probably hardest to one hundred people. Well
• 1:09:00
  Speaker 1: do you think I'm number one? Boy? I'm number one
• 1:09:02
  Speaker 1: on TikTok? You called me for a reason. The dope
• 1:09:06
  Speaker 1: questions that you don't know about what's going on, swaying
• 1:09:09
  Speaker 1: in the streets like me, You in church, you in
• 1:09:12
  Speaker 1: divorce court is like that. You not. You know what
• 1:09:15
  Speaker 1: I'm saying. You know where I'm at. I'm in the streets,
• 1:09:17
  Speaker 1: in the club. I know what's hot. Easy needs you.
• 1:09:20
  Speaker 1: You needed me when you called me for re called
• 1:09:23
  Speaker 1: you again and said, Yo, Soldier, I want you on
• 1:09:25
  Speaker 1: this next album. Would you do it all? Yeah? Now
• 1:09:28
  Speaker 1: after you know what I'm saying, After we talk, now
• 1:09:31
  Speaker 1: I do it all. We got old Soldier Boy. When
• 1:09:33
  Speaker 1: we come back, Donte moves to Breakfast Club, Good morning morning,
• 1:09:37
  Speaker 1: Everybody's tj Envy, Angela Yee, Charlemagne, the guy we are
• 1:09:42
  Speaker 1: the Breakfast Club was still kicking it with Soldier Boy.
• 1:09:44
  Speaker 1: Now What about Young Dolph? I see, I see you
• 1:09:46
  Speaker 1: got a problem with what young dog saughters? What happened
• 1:09:48
  Speaker 1: with Kiglock? What about Glou? What about Young Dog? He
• 1:09:50
  Speaker 1: talking about he had the first He the first rapper
• 1:09:53
  Speaker 1: with a three D bill board. Man, stop it, bro
• 1:09:55
  Speaker 1: he's independent. He makes a hundred that Young Dolf make
• 1:09:58
  Speaker 1: a one hundred thousand dollars a show. He's independent, Then
• 1:10:00
  Speaker 1: your doll sign the Empire Ghazi because that's not independent.
• 1:10:04
  Speaker 1: I'm independent, Ricky Marty, one hundred percent. All the money
• 1:10:07
  Speaker 1: go to me, a one hundred percent. She makes a
• 1:10:09
  Speaker 1: clap that's been uploaded just from me so ODMG records
• 1:10:12
  Speaker 1: and went viral number one on TikTok. I get one
• 1:10:14
  Speaker 1: hundred percent of all the money. Ain't no middle man,
• 1:10:16
  Speaker 1: ain't no ten percent, ain't no five percent, Ain't no
• 1:10:19
  Speaker 1: one percent. Everything come to me. I'm the real independent
• 1:10:22
  Speaker 1: was independent? No, can't that just be a distribution deal
• 1:10:25
  Speaker 1: where you are independent of their justice. That's a lot
• 1:10:29
  Speaker 1: of that's how you That's that's not asking you know
• 1:10:31
  Speaker 1: what as a league. No, that ain't high work. Independent
• 1:10:34
  Speaker 1: is when you not signed to nobody at all, or
• 1:10:37
  Speaker 1: independent label or a magic label. No label and you're
• 1:10:40
  Speaker 1: putting all the music out yourself. You're not getting no money,
• 1:10:43
  Speaker 1: no advance, no marketing of dollars. Everything is just out
• 1:10:46
  Speaker 1: of your pocket. So yeah, they got mad because he
• 1:10:51
  Speaker 1: said I'm getting a hundred cars show and I'm independent.
• 1:10:53
  Speaker 1: Wh I know other rappers doing it like me, bitch,
• 1:10:55
  Speaker 1: I'm doing it just like you. How did this beef start? Now?
• 1:10:58
  Speaker 1: It ain't no beef? He said, keep DMG was something
• 1:11:01
  Speaker 1: no key. Glock made a post on his Instagram and said,
• 1:11:04
  Speaker 1: I was the first rapper with a three dB award.
• 1:11:07
  Speaker 1: I said, I did that folk months ago on my birthday.
• 1:11:09
  Speaker 1: Everybody seen the flying Lamborghini yellow line gun I posted.
• 1:11:12
  Speaker 1: It went viral. Everybody saw that. You ain't do anything
• 1:11:14
  Speaker 1: new that way. Ain't When I started that, that was friendly,
• 1:11:16
  Speaker 1: you know what I'm saying. Cool It started when he said, um,
• 1:11:20
  Speaker 1: independent and I'm getting a hundred cast show and I said, no,
• 1:11:22
  Speaker 1: you not. You signed the empire. That got mad jumped
• 1:11:24
  Speaker 1: in my DMS. Oh this smoke is this and that?
• 1:11:26
  Speaker 1: So what's up? So that's kind of like you telling
• 1:11:30
  Speaker 1: somebody their music is trash. Ain't nothing like that. I
• 1:11:33
  Speaker 1: tell you why, because it's a whole matter if they're
• 1:11:35
  Speaker 1: independent or not. Why do you, kidd soldier, I don't
• 1:11:38
  Speaker 1: give that's the point. But don't be captain like you
• 1:11:40
  Speaker 1: independent and you not because that offensives like me who
• 1:11:44
  Speaker 1: really independent. When I know you getting hundreds of thousands
• 1:11:46
  Speaker 1: of dollars marketing dollars to put that and billboard up,
• 1:11:49
  Speaker 1: I thought you got a big deal. I have to
• 1:11:51
  Speaker 1: make it clap. Then you resound as a single deal.
• 1:11:54
  Speaker 1: That's different as a single partnership. I gat them ten
• 1:11:57
  Speaker 1: percent of a record one song Ricky Money. I didn't
• 1:12:00
  Speaker 1: do that. I kept one hundred percent. I signed and
• 1:12:02
  Speaker 1: with back nobody. I did a partnership with virgin I
• 1:12:05
  Speaker 1: took a big bag for six months. I'm out of
• 1:12:08
  Speaker 1: that deal now, one independent. It was a single deal.
• 1:12:11
  Speaker 1: We can't let you and Dolf and kid Glock, three
• 1:12:13
  Speaker 1: young black men beef over who was independent. I ain't
• 1:12:17
  Speaker 1: that what I'm saying. It sounds so dumb, something like
• 1:12:19
  Speaker 1: bro you man started and sold you. They could tag
• 1:12:23
  Speaker 1: me and say the first rapper to have a three
• 1:12:24
  Speaker 1: D ball, but that he tagged me. But then you
• 1:12:28
  Speaker 1: went to smoke. I saw that it was respond with
• 1:12:30
  Speaker 1: a troll. You so you controlled me and say you
• 1:12:33
  Speaker 1: was the first rapper, which my wave. You're doing something first,
• 1:12:35
  Speaker 1: But I can't troll you and say you ain't independent.
• 1:12:37
  Speaker 1: You really signed? I thought you told him pull up
• 1:12:39
  Speaker 1: the smoke. Then they jumped in my dams and said,
• 1:12:45
  Speaker 1: wait till we see you. This This is that I
• 1:12:46
  Speaker 1: ain't gonna really say with that, but they started it.
• 1:12:48
  Speaker 1: So what at you to get shot at a hundred times?
• 1:12:52
  Speaker 1: At you got shot in Honeywood, up running all out
• 1:12:55
  Speaker 1: the LA at the hotel, go handled, because we shot
• 1:12:59
  Speaker 1: shot at you first before you come and me talking
• 1:13:01
  Speaker 1: about something you're gonna see me. You ain't gonna do
• 1:13:03
  Speaker 1: to me, you know on me? You tripping? Who are you?
• 1:13:08
  Speaker 1: I don't pick drake Google about no dog geek key goog.
• 1:13:11
  Speaker 1: We are none of that the money game and we
• 1:13:14
  Speaker 1: will not tolerate no disrespect from no in nobody. But
• 1:13:17
  Speaker 1: we don't want no beef though, no smoke. Y'all getting
• 1:13:22
  Speaker 1: too much money and not getting a lot of money.
• 1:13:24
  Speaker 1: But to watch your mountain, just bro keep it industry,
• 1:13:27
  Speaker 1: keep it funny, keep it entertainment. He could do. Tiger
• 1:13:31
  Speaker 1: say he had a bigger coming. Y'all started there, y'all,
• 1:13:34
  Speaker 1: said Tiger, y'all that started Tiger. That man talking about
• 1:13:48
  Speaker 1: Tiger had he went number one and he did what
• 1:13:52
  Speaker 1: about Tiger? Nowsh man, right now, what about Ti? Y'all
• 1:13:59
  Speaker 1: have some issues because you said and said it's not
• 1:14:03
  Speaker 1: true I love a Target. Basically what happened. I said,
• 1:14:07
  Speaker 1: they're own you know what I'm saying. It's like they
• 1:14:09
  Speaker 1: called me and gave me a deal, you know what
• 1:14:11
  Speaker 1: I'm saying. And it was like for like an ownership
• 1:14:14
  Speaker 1: in the company, a million dollars, a million shares, a
• 1:14:17
  Speaker 1: million stocks, I hope much of it on and I
• 1:14:19
  Speaker 1: got happy and I say I owned a Target, which
• 1:14:22
  Speaker 1: really I just got a lot of ownership in a company,
• 1:14:24
  Speaker 1: which you could call me on owner you feel me,
• 1:14:26
  Speaker 1: but I'm not the CEO. But I basically did a
• 1:14:28
  Speaker 1: deal with them. I signed a contract with them, and
• 1:14:31
  Speaker 1: I got a lot of money from them. They gave
• 1:14:32
  Speaker 1: you equity in the company. Y'all got ownership in the company.
• 1:14:34
  Speaker 1: They was very happy with what I did with Soldier
• 1:14:37
  Speaker 1: Bay game, which I y'all know, the rap game in
• 1:14:39
  Speaker 1: the tech game is two different places, so people can't
• 1:14:42
  Speaker 1: really keep up on what's going on. But what y'all,
• 1:14:44
  Speaker 1: what's going on? Right now. I've been offered over one
• 1:14:47
  Speaker 1: hundred and fifty million to buy this company. Are you
• 1:14:49
  Speaker 1: gonna do for a company? Soldier Bay Game? Somebody trying
• 1:14:53
  Speaker 1: to buy it from you? Do you want the hold companies?
• 1:14:55
  Speaker 1: I met with Microsoft? I met with said what are
• 1:14:58
  Speaker 1: you gonna hold on to it? Or you want to say?
• 1:15:00
  Speaker 1: All right? So so this is what happened. Right first,
• 1:15:02
  Speaker 1: I was like, hell, no, I turn it on. I
• 1:15:04
  Speaker 1: turn it on, all right? This guy y'all dead. Ye,
• 1:15:09
  Speaker 1: it's now for six hour flight. Don't call me last minute.
• 1:15:11
  Speaker 1: I'm on tour right now, Millennium Tour. I've been playing
• 1:15:14
  Speaker 1: it the whole flight. The proto type or doesn't work?
• 1:15:16
  Speaker 1: It does work. I know you're gonna dispect you. How
• 1:15:21
  Speaker 1: miss YouTube comments? Y'all get that DGM does it work?
• 1:15:24
  Speaker 1: That's DJ now? Thank you? Follow assway game too out
• 1:15:27
  Speaker 1: of your pocket? But yeah, man, we're the charge. You know.
• 1:15:29
  Speaker 1: It's the number one. I left the charger. Y'all have
• 1:15:31
  Speaker 1: me rushing, y'all book Yo, I don't even supposed to
• 1:15:33
  Speaker 1: be here right now. That's true, it is. I'm on
• 1:15:35
  Speaker 1: tour right now, on the Millennium tour. Y'all got me
• 1:15:38
  Speaker 1: coming up? Here. How is the millenium to it going? Man, y'all,
• 1:15:40
  Speaker 1: y'all know, let's staying on this game? Yeah, back to this.
• 1:15:44
  Speaker 1: This is the number one highest newest game selling product
• 1:15:48
  Speaker 1: of twenty twenty one. So are you gonna sell it?
• 1:15:50
  Speaker 1: First I said no, I'm not gonna sell it. I
• 1:15:52
  Speaker 1: won't ownership. I don't want y'all to take because I'm
• 1:15:54
  Speaker 1: gonna keeping you somebody's biggest about this, And I was like,
• 1:15:57
  Speaker 1: I don't want y'all to take it. Put y'all on it,
• 1:15:59
  Speaker 1: and then I can't like y'all it's y'all like it's
• 1:16:01
  Speaker 1: Soldier Point game. I make this. But then that was like,
• 1:16:05
  Speaker 1: you gotta sell it. You know what I'm saying. It's
• 1:16:06
  Speaker 1: not just me. I got partners overseas. I guess it's
• 1:16:08
  Speaker 1: a board. There's ten people in suits. They're like, yo,
• 1:16:11
  Speaker 1: they're offering over one hundred million. You can't say nothing.
• 1:16:13
  Speaker 1: You own yea, you own a company, but you were
• 1:16:16
  Speaker 1: partner something like all right, But they're like, don't don't,
• 1:16:18
  Speaker 1: don't frown, Like you know what I'm saying. You're gonna
• 1:16:20
  Speaker 1: get one hundred million and you're gonna still have ownership
• 1:16:23
  Speaker 1: in the company. So I'm selling it, but I still
• 1:16:25
  Speaker 1: own it. Oh yes, I'm selling it. One hundred plus
• 1:16:28
  Speaker 1: million d one hundred and fifty millions just gonna go
• 1:16:30
  Speaker 1: to me buy Christmas. So what do you say to
• 1:16:32
  Speaker 1: the people who are gonna say cat on that one
• 1:16:34
  Speaker 1: hundred and fifty million dollars day? You can't get where
• 1:16:38
  Speaker 1: it's done. It solidified what you want to do. Take
• 1:16:41
  Speaker 1: a picture of a honeymion not. I don't know how
• 1:16:43
  Speaker 1: I'm gonna prove it, but it's gonna be done. I'm
• 1:16:45
  Speaker 1: gonna tell you something. I can't wait to see you
• 1:16:47
  Speaker 1: with one hundred and fifty million. I cannot wait see
• 1:16:50
  Speaker 1: big Draco with goodness. Let's picture that, right. I hope
• 1:16:59
  Speaker 1: you turned it. Bust down Roddie for Charlotte, bust down
• 1:17:03
  Speaker 1: Paddock for Angela, Ye, bust down all Themara Andy, let
• 1:17:07
  Speaker 1: me have one hundred and fifty minutes bust mine down.
• 1:17:10
  Speaker 1: Just get me to watch planks. So that what's called
• 1:17:12
  Speaker 1: over millennium to ive seen bad? I said he performed
• 1:17:14
  Speaker 1: with the best I've seen, pretty Ricky said he before
• 1:17:15
  Speaker 1: that I am the best performer on the Millennium tour.
• 1:17:20
  Speaker 1: I got my own tour that I'm doing off of
• 1:17:22
  Speaker 1: this tour, they say, y'all Soldier. The producers of the tour,
• 1:17:25
  Speaker 1: they say, y'all, Soldier, your live show is so amazing.
• 1:17:28
  Speaker 1: We didn't know you had this many songs. We want
• 1:17:30
  Speaker 1: you to do your own tour Soldier Boy and Friends,
• 1:17:33
  Speaker 1: Big Draco and Friends and bring out some more rappers
• 1:17:35
  Speaker 1: you had lining next year. You know what I'm saying.
• 1:17:37
  Speaker 1: So that should speak for itself. When you did your
• 1:17:39
  Speaker 1: verses battle with your man Gold annoyed by what little
• 1:17:42
  Speaker 1: peewee that's what he's talking about, that little pee wee man.
• 1:17:47
  Speaker 1: I told him not to do that verses. Man, you
• 1:17:49
  Speaker 1: know what I'm saying, But tell him not to. I
• 1:17:51
  Speaker 1: was like, Bro, you want to do this? You tripping bro.
• 1:17:53
  Speaker 1: I'm gonna bring a little Romeo out y'all as beefens
• 1:17:56
  Speaker 1: as we was a little kids. I'm gonna turn up
• 1:17:58
  Speaker 1: like I'm like, okay, So you want to do this easy?
• 1:18:03
  Speaker 1: Do you feel like you want that easy? Like I
• 1:18:05
  Speaker 1: know I want yeah? Yeah, said he won't. When he
• 1:18:08
  Speaker 1: say that that he said he paid Billboard to write
• 1:18:12
  Speaker 1: an article, did say that he had something with the songs.
• 1:18:15
  Speaker 1: But this what happened, right, He played more songs than me.
• 1:18:18
  Speaker 1: Y'all didn't notice that. Yeah, when I got to, like
• 1:18:21
  Speaker 1: my seventh song, a song we're supposed to stop. We
• 1:18:24
  Speaker 1: was agreed to stop, like you feel me, he just
• 1:18:26
  Speaker 1: kept going and kept going over the time, he did
• 1:18:28
  Speaker 1: like three extra songs. So how I am supposed to
• 1:18:31
  Speaker 1: fight back when you did three songs and I didn't
• 1:18:34
  Speaker 1: get so he cheated? And I still want how you
• 1:18:36
  Speaker 1: know he paid bill Board because and who We're trying
• 1:18:39
  Speaker 1: to promote ball out for free on bill Board? You
• 1:18:43
  Speaker 1: cut that check for that man? He wrote. They wrote
• 1:18:45
  Speaker 1: that article for you, man, I haven't got mold Soldier Boy.
• 1:18:48
  Speaker 1: When we come back, Dope moves to breakfast Club. Good
• 1:18:50
  Speaker 1: morning the breakfast Club? How do you cj Envy and
• 1:18:55
  Speaker 1: Jela Yee Charlemagne, the guy we are the Breakfast Club
• 1:18:57
  Speaker 1: was still kicking it with Soldier Boy. You supposed to
• 1:18:59
  Speaker 1: sign NBA young boy? Was that true? Yeah? What happened?
• 1:19:02
  Speaker 1: I could have had a chance to sign NBA young
• 1:19:04
  Speaker 1: But now he DMed me on Instagram and he was like,
• 1:19:07
  Speaker 1: I'm sixteen and I rapping on from Bam Rouge Lumidian
• 1:19:12
  Speaker 1: or something. I stemmed them back. I did see it
• 1:19:14
  Speaker 1: and I was like, what's up, and then he was
• 1:19:16
  Speaker 1: like like I'm trying to sign, like who whoop, and
• 1:19:18
  Speaker 1: then like I must. I don't know what I was doing.
• 1:19:20
  Speaker 1: I don't want to capt I was probably like on
• 1:19:23
  Speaker 1: tour in the studio, so I don't can't remember. But
• 1:19:26
  Speaker 1: the next time I looked at my DM and like
• 1:19:28
  Speaker 1: message him. It probably was like a month later or
• 1:19:30
  Speaker 1: like three weeks later, it was signed. That's fast, Like
• 1:19:33
  Speaker 1: I already think none of it. But then he started
• 1:19:35
  Speaker 1: blowing up and I was like, damn, I missed the
• 1:19:37
  Speaker 1: bag all this, y'all should have signed it. Can we
• 1:19:39
  Speaker 1: see the sneakers on camera? You like them? Yeah, let's
• 1:19:42
  Speaker 1: tell this gonna be gonna come over. Then my shoes
• 1:19:47
  Speaker 1: out there gonna be a funny story, would story? Hear?
• 1:19:54
  Speaker 1: Bro I don't know, but I went to the Star
• 1:19:56
  Speaker 1: Ruglar side, but I gave me some sods, like with
• 1:19:59
  Speaker 1: the footout ro, what you mean yoga sis the yoga
• 1:20:02
  Speaker 1: side and they have too much. Let me see toes
• 1:20:08
  Speaker 1: on your sides, Broke, it got toes on that. It's
• 1:20:10
  Speaker 1: like feet out, Let's see me you see come on
• 1:20:14
  Speaker 1: looking at you want to I want to take I
• 1:20:19
  Speaker 1: want to see I got my woman like I want
• 1:20:26
  Speaker 1: to put them on the put them on the table.
• 1:20:31
  Speaker 1: The whole thing is money game, custle shoes. These are Nikes.
• 1:20:34
  Speaker 1: Don't do me like little nives eggs. These ain't no
• 1:20:36
  Speaker 1: fresh Nikes. The custom you can tell. But I just
• 1:20:41
  Speaker 1: did a shoot deal. The Draco sneakers is on the way.
• 1:20:43
  Speaker 1: You know what I'm saying. I got a cologne coming.
• 1:20:45
  Speaker 1: Didn't you did to deal with myself? This ain't no
• 1:20:48
  Speaker 1: what you talking. This ain't give me this straight out
• 1:21:00
  Speaker 1: the mood because I am. I told your box coming too,
• 1:21:04
  Speaker 1: told you I do everything else. Now you gotta you
• 1:21:08
  Speaker 1: gotta make some socks like that the drink sides with
• 1:21:11
  Speaker 1: the feat out drop top socks. You call them drop
• 1:21:15
  Speaker 1: top socks. But deal looks funny right now. And I
• 1:21:22
  Speaker 1: never seen him in my life. I that was regular actleside.
• 1:21:25
  Speaker 1: I put them on when come out with these. I
• 1:21:30
  Speaker 1: never even see your tracks about normal socks in my
• 1:21:36
  Speaker 1: bag and everything closed at six in the morning. What
• 1:21:40
  Speaker 1: other business bench you said? Cologne? So I just did
• 1:21:42
  Speaker 1: a TV show deal with the p Diddy and revote TV. Okay,
• 1:21:46
  Speaker 1: you did a deal. There we go. I my TV
• 1:21:49
  Speaker 1: show coming out shout out the revote. You know what
• 1:21:51
  Speaker 1: I'm saying. I feel like I should have been had
• 1:21:53
  Speaker 1: a TV show, But shout out the P didd for
• 1:21:56
  Speaker 1: believing it the show about revote. Oh, it's about being
• 1:21:58
  Speaker 1: drink Oh it is about what? But no, um, it's
• 1:22:03
  Speaker 1: just like you know, the life of Draco being Draco,
• 1:22:06
  Speaker 1: me on tour. You got the Millennium Tour, you got
• 1:22:08
  Speaker 1: me designing the tours, you got the behind the scenes
• 1:22:10
  Speaker 1: to the video game consoles, you got the multiple meet
• 1:22:13
  Speaker 1: and the multiple artists studio sessions. It's just my life.
• 1:22:16
  Speaker 1: It's a reality show about my life. You know what
• 1:22:18
  Speaker 1: I'm saying. Shot out the P Diddy and oh I'm
• 1:22:21
  Speaker 1: an actor, now shut out the childish game be No,
• 1:22:24
  Speaker 1: I am on Atlanta on Affects. I landed a role
• 1:22:27
  Speaker 1: on the Happening Now shows. That's gonna be dupe. I
• 1:22:34
  Speaker 1: study scripts. Why are you getting so much information? Can't
• 1:22:39
  Speaker 1: we just wait so I can't see you playing nobody else?
• 1:22:41
  Speaker 1: But you mean, yes, I can't be. I can't whoever
• 1:22:44
  Speaker 1: you wanting to be, let's do something that's officer police,
• 1:22:50
  Speaker 1: put your mother your hands up. I believe goddamn Crown,
• 1:22:54
  Speaker 1: you're going what is that paraphernalia you're selling them? Running?
• 1:22:57
  Speaker 1: Put your put you on. I let you go right now.
• 1:23:01
  Speaker 1: You got you facing ten years, I let you go
• 1:23:03
  Speaker 1: right now. Just tell me who got the dope? Who
• 1:23:05
  Speaker 1: got the dope? Right? How many episodes you on? How
• 1:23:12
  Speaker 1: many episodes on on? Y'all asked a lot of questions
• 1:23:14
  Speaker 1: at the breakfast club? Do you remember? I can't say it.
• 1:23:16
  Speaker 1: I can't really just say how that? But just stay too,
• 1:23:18
  Speaker 1: I'm acting now. You should have been on I got
• 1:23:21
  Speaker 1: a movie coming out with machine Gun Kelly what so?
• 1:23:23
  Speaker 1: You should have been on TV A long time of
• 1:23:25
  Speaker 1: Soldier Boy TV show. Did you watch? Did you watch
• 1:23:28
  Speaker 1: squad Game? I watch the first Squead game after I
• 1:23:34
  Speaker 1: tweeted squad Games. It's live on Netflix. It went far
• 1:23:38
  Speaker 1: with the next deck? Right? Did you see Square Games?
• 1:23:43
  Speaker 1: That was crazy? Right? Would you would have did it? No?
• 1:23:47
  Speaker 1: What if you were in their shoes? You got all?
• 1:23:49
  Speaker 1: This debt is big piggy bake with billions of dollars cash?
• 1:23:53
  Speaker 1: You still want do it? I mean every day you're
• 1:23:55
  Speaker 1: taking life for death chances it is depending depends on circumstances. Basically,
• 1:23:59
  Speaker 1: maybe you maybe maybe the circle maybe if you gotta
• 1:24:02
  Speaker 1: pay for somebody who's sick. And come on me and Charlot, Man,
• 1:24:07
  Speaker 1: we was gonna make it to the end. We're gonna win. No,
• 1:24:10
  Speaker 1: you can't keep still, Yeah, do it right now, Do
• 1:24:16
  Speaker 1: it right now, baby dog out with two big ass
• 1:24:18
  Speaker 1: guns for the part. Let me see somebody getting shot.
• 1:24:21
  Speaker 1: I'm a freeze like. I don't believe you can keep
• 1:24:25
  Speaker 1: still for ten seconds, man, big drag, do it right now.
• 1:24:28
  Speaker 1: Come on, man, I don't want to sit still. He said,
• 1:24:40
  Speaker 1: you got movie machine gun, Kelly, movie machine on Kelly.
• 1:24:43
  Speaker 1: You know what I'm saying, got a roll on there too.
• 1:24:44
  Speaker 1: So them, THEO them, the two projects that I'm working
• 1:24:46
  Speaker 1: on right now. Man, keep palmer. We're working on a
• 1:24:49
  Speaker 1: TV show. But it's gonna be acting. It's gonna be
• 1:24:52
  Speaker 1: about how I came up on the internet, how I
• 1:24:55
  Speaker 1: discovered these artists, how I did artists, how I got
• 1:24:58
  Speaker 1: made myself, but the had the scenes though, how I
• 1:25:01
  Speaker 1: grew up my family once I got into the industry,
• 1:25:05
  Speaker 1: the different things that I dealt with, the adversity that trials,
• 1:25:08
  Speaker 1: the triumph, going to jail. You know what I'm saying.
• 1:25:10
  Speaker 1: We've been working on this for a minute, so I
• 1:25:11
  Speaker 1: think that's what's really people gonna because people keep saying,
• 1:25:14
  Speaker 1: what's up with the movie? Why you ain't put the
• 1:25:16
  Speaker 1: movie out? And when Kiki was like, She's like, Yo,
• 1:25:19
  Speaker 1: let's just do the TV show in series. You could
• 1:25:21
  Speaker 1: do the season one, season two, seas three, So if
• 1:25:23
  Speaker 1: anything happened in your life, it's like yesterday, Kanye, we
• 1:25:26
  Speaker 1: could just adding in the show in seasons and keep
• 1:25:29
  Speaker 1: upgrading as we go with time. So I'm like, okay, cool,
• 1:25:32
  Speaker 1: scripted show, subscripted show. Is everything clear with all your
• 1:25:36
  Speaker 1: legal issues now? Oh? Yeah, yeah, I'm good. I'm good.
• 1:25:38
  Speaker 1: They told me to keep it a secret for a
• 1:25:40
  Speaker 1: little bit about it's been a song, but I'm off probation.
• 1:25:45
  Speaker 1: We don't care. I was smoking me a whole time
• 1:25:47
  Speaker 1: I was on probation. Don't say that from loss as
• 1:25:50
  Speaker 1: its California. Then I had to get pissed. You didn't.
• 1:25:56
  Speaker 1: That wasn't in my court. That wasn't in my case.
• 1:25:58
  Speaker 1: But I did not know that. Yeah, I got off early.
• 1:26:00
  Speaker 1: I supposed to. I supposed to did five years. That
• 1:26:02
  Speaker 1: let me have like a year and some change early
• 1:26:05
  Speaker 1: because I'm just Draco or anything else. Draco, you got
• 1:26:08
  Speaker 1: anything else, man, because I want you to go get
• 1:26:10
  Speaker 1: some rest because you know Draco's gonna be on the
• 1:26:12
  Speaker 1: gods on this truth for my lady. So proud of you,
• 1:26:18
  Speaker 1: appreciate that any proud of any there's not even no
• 1:26:20
  Speaker 1: disrespectful but any does that come from nothing, that comes
• 1:26:23
  Speaker 1: from side. And you see him on a it look nice.
• 1:26:26
  Speaker 1: I see one like on a billboard or or commercials.
• 1:26:29
  Speaker 1: I'm like, look at this man up there looking on
• 1:26:33
  Speaker 1: to Damn. I'm like, mine show. We're gonna celebrate Draco
• 1:26:38
  Speaker 1: to night. That's what we're gonna do. We gonna celebrate
• 1:26:40
  Speaker 1: some of Draco's finest moments. Man nice. Yeah, So tonight
• 1:26:43
  Speaker 1: at ten pm on Comedy Central. Why you got that
• 1:26:45
  Speaker 1: dice up here? Draco just gambling with life, baby seven eleven.
• 1:26:49
  Speaker 1: I'm the best gambler in New York right now? What's that?
• 1:26:51
  Speaker 1: What's that say? You can't see you gotta be fascinated.
• 1:26:55
  Speaker 1: But no, I wanted to leave everybody on this note.
• 1:26:58
  Speaker 1: I want to leave everybody on this note. The album
• 1:27:00
  Speaker 1: is on the way. What's the name of it? I
• 1:27:02
  Speaker 1: was the first rapper independent, independent, and let somebody after
• 1:27:10
  Speaker 1: they see a deal, they want to give me like
• 1:27:11
  Speaker 1: seven million after they see the interview. Now, but I
• 1:27:14
  Speaker 1: still want to sign, Like even that we came with
• 1:27:15
  Speaker 1: seven million, right now, I still want I still want
• 1:27:18
  Speaker 1: to sign fifteen. I just got one hundred fifty million, Like,
• 1:27:21
  Speaker 1: come on, bro, one hundred and fifty million coming for
• 1:27:23
  Speaker 1: the game by Christmas, my brother, a lot of plane James,
• 1:27:26
  Speaker 1: No but five million playing Ricky Morty somethings. I were
• 1:27:32
  Speaker 1: gonna do Soldier Bary Ray j on my way. That's nice.
• 1:27:35
  Speaker 1: Oh yeah, let's play that way. Big Draco. Draco is
• 1:27:39
  Speaker 1: the breakfast club Good Morty school to wake up. It's
• 1:27:44
  Speaker 1: the breakfast club angela year. Here and my friends at
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• 1:28:00
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• 1:28:04
  Speaker 1: Some restrictions apply. The positive notice simple man, I really
• 1:28:08
  Speaker 1: want you to remember this. The real flex in life.
• 1:28:11
  Speaker 1: The real flex is letting some people talk about the
• 1:28:15
  Speaker 1: old you while you heal and evolve into the new
• 1:28:18
  Speaker 1: ye