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EP159 - Last Man Standing · Thirsty For More - Movie Review

0:03
I mean the goal, the goal. Hello everyone, and welcome to Planet
0:21
Bruce. I of course I'm your host Malenko, and I'm Alex. Nice
0:24
to media, and today we have nineteen ninety six is Last Man Standing Walter
0:31
Hills Last Man Standing based on Kurosawa's You Have Jimbo. We're trying to think
0:42
of a couple more interesting things I can say about this movie. It's it's
0:47
funny because like I was like, I wonder, I wonder what you're gonna
0:51
think about the movie because I like the movie. I just like there's massive
0:55
problems obviously, Yeah, because it seems to rely way, way too much
1:02
on bootle it based strangers. Yeah, it's very much on the archetypes of
1:07
of like it's not really based on your Jimbo. I mean, it's more
1:14
based on very clearly more based on for a few dollars or what's it called,
1:21
not for a few dollars more for a few dollars more a fistful of
1:26
dollars. Yeah, yeah, yeah, I mean, okay, so you
1:33
know it's it's Bruce, it's a Western. We've got a great cast based
1:38
stranger stranger, botle it base stranger. Do you do you do you want
1:44
to. I want to do this boner show style. I can't be like
1:48
and then this family goes he gets mad at this gang and yeah, essentially
1:53
it's it's a breakdown. The movie is mysterious. Stranger rolls into I didn't
2:00
know this was in town. Yeah, and then he pits to warring gangs
2:06
against each other with the help of several ladies that he beats, and and
2:12
a mysterious sheriff and a bottle based right, yeah, like a like the
2:16
saloon owner. Yeah, and everybody has murky morals in this nobody nobody's really
2:25
moral and the undertaker is really happy that Bruce is bringing him so much business.
2:31
Yeah, which who's paying for this? Who's not all? Especially not
2:38
Christopher. It's called Murder Tea. This movie's full of them. It's called
2:49
Last Stante the Last Man Standing Tea And it's based on a Yujimbo something or
2:53
other. But it's terrible. But yeah, I knew you would. I
2:59
had a feeling that you might not like it. But it's interesting to me
3:05
that that you've liked other movies that have done very similar things to this.
3:10
Okay, And I'm wondering, I'm wondering why you didn't like this? Was
3:16
it because you were bored? You know? What's what's the What's give me
3:21
an example of a movie like this that I liked so that I have something
3:23
to like measure it against. I mean, this movie has you think this
3:39
is good. There's a couple of Van Damm movies that I feel like occupy
3:47
this same same kind of space. Man. By the end of Van Damme,
3:52
we were scraping the barrel so hard that it was like I was,
3:54
you know, I don't know, like I don't watching I was trying to
3:58
do good job for the show, and I have feel like a movie to
4:00
talk about. No, You're like, no, No, what what we
4:04
do? At the heart of what we do is we dive deep into the
4:09
like catalogs of these actors, and diving deep into Van dam is gonna be
4:15
judged by different standards than diving into the deep catalog of Bruce Willie. You
4:21
know what I mean, that's true. I mean I think this was a
4:24
one note Willie. Oh yeah, his performance is very one note. But
4:28
at the same time, like what I'm saying is is he's occupying a space
4:31
where he's literally playing like the Man with No Name like he's playing like a
4:36
legendary type. Right, You're right that he doesn't. Really it's not really
4:42
that stand out of performance specifically because like he looked good at it. He
4:46
looked good at it. That like who is maintaining that like skin fade for
4:51
him the entire Time's got like the sharpest, cleanest skin fade on the side.
4:59
The real powerhouse performance is David Patrick Kelly's performance. He's amazing. He's
5:04
amazing, as as Ye died and Chris Chris Walking did a good job too.
5:16
I don't think so, no, no, why not. I thought
5:19
it was like pretty one note and it was a pretty run of the mill
5:23
walking performance, albeit a pre Cowbell performance, so not jumped to shark walking
5:30
yet, but like it's approaching. This was around the time he was in
5:34
Nick of Time and he said, mister Watson, if you want your daughter
5:39
back, you gotta do exactly what we say. Uh Ned's Eisenbaum Eisenberg Pardon
5:46
May was really good. He was the lead like bad guy. Uh well,
5:53
there were many lead bad guys. There's the two factions NIX or there
5:58
was like STRATSI and Doyle. Yeah and Doyle. I guess like they're like
6:02
warring factions that have moved down. They're like two gangs that have moved down
6:08
from like bigger East Coast cities. Yeah, it's John Smith from Becky East.
6:13
Yeah. Where were we? I mean we were jumping around, But
6:17
like I mean, the reality is is that like Walter Hill so clearly wanted
6:21
to make like a Western he said it during the Prohibition era, which is
6:27
like seemingly cut off where it's like you could kind of pull this off.
6:32
There's like technology, like they have phones and cars, but they're still like
6:36
cowboys. I'm pretty sure they had phones in the era of didn't they or
6:41
did they just have the do like in this time? They had phones?
6:45
Yeah, but not in like Western times. I'm pretty sure they had phones,
6:47
didn't they No traditional like Western times? No, they did, like
6:51
they were the nineteenth What is the phone was invented in the eighteen hundreds in
6:57
the Western but it wasn't like prolific. Sure the Westerns always are in the
7:01
eighteen hundreds. No, they're in the nineteen hundreds, and Westerns are all
7:05
set in the eighteen hundreds. Dude, when was the like cowboys and ship
7:11
civil war? In civil wars? The eighteen hundreds, right, and then
7:15
most of them are like post that. I mean, you know it's not
7:19
it's supposed Civil War era. It's also like different than a traditional Western in
7:27
the sense that like Southwestern. Yeah, yeah, it's set in Texas.
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And also like I don't know, like it just feels like it's like I
7:42
was, I was bored. I was bored, and like the thing is
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like you mentioned, like, oh, I've liked other movies like this.
7:47
Like again, I don't know, did you give me an example, like
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a title. I can't. I can't even think of a title right now,
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but like you're saying, like the Van dam era movies, I mean
7:59
just in general, like like notions of these are like motifs Westerns would use.
8:03
These are like signs of signifiers. It functions in that way. So
8:07
I figured, yeah, it's a West, it's a Western. It does
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it does have all the Western tropes. One thing I did find I did
8:15
find interesting or like did think about as I was watching it. So it's
8:20
like got you know, it's got all the Western tropes, like you said,
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and it's like kind of functions in the reality of like you know,
8:28
there's like a popular that the town is like population fifty or whatever, and
8:31
there's like literally like one person for every twenty guy or one woman for every
8:35
twenty guys. So there's like three women basically or two women in the movie,
8:43
and Leslie Man is one of them. A non Jet Apatow production,
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and I thought that, you know, like, the thing that was most
8:52
interesting to me about the movie was the nihilism of the movie and the nihilism
8:58
of the characters like it kind of I think it showed that in a good
9:03
and compelling way. And it's an interesting contrast because Walter Hill seems like such
9:11
a nihilistic dude, and in comparison to The Man with No Name, those
9:16
movies are fairly, I feel like, fairly justice oriented, whereas this feels
9:24
like it kind of robs everything. And I feel like the dowardness of this
9:28
is kind of what robs the movie a little bit, because it's like,
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you can't do this. It's just like he's the Man with No Name.
9:37
John Smith in this who is the Man with No Name? But like it
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doesn't function well enough. Yujimbo also doesn't function well enough as as this,
9:50
because your Jimbo's also about honor and about samurai, which is like iconography.
9:56
Honor. Well, I'm glad you mentioned because he does kind of start the
10:01
movie off with the there's so much voiceover and like Bruce like, I don't
10:07
know, I don't know that he's necessary. I love his voice, but
10:11
I don't know if it's a good voice for voiceover. And it's very uh
10:16
Harrison Ford voiceover in Blade Runner where it's like a board. The thing is
10:22
like you can't have him be have this kind of like a sort of kind
10:28
of mysterious smokey affect, but then have him read all of this dialogue for
10:33
the entire movie. It's not very mysterious. Basically just explains the entire movie
10:41
and then all of the cross fading, which I kind of like sometimes but
10:45
it was really disorienting other times. Yeah, I don't know. There were
10:48
a couple of really I don't know if you're gonna remember the shot I'm talking
10:52
about, but like there was the incredibly beautiful wide shot when they've like done
10:58
the trade off between the wife and Michael Imperioli Christopher they like trade them off,
11:07
and then like Bruce is kind of just standing in the like the all
11:11
the sand is blowing. That was a really cool shot. Yeah, totally.
11:13
It's just it's really the only Oh sorry I was. I started saying
11:20
something and then I stopped. But yeah, he kind of sets up the
11:22
thing about honor in the beginning where he's like, sometimes you know, you
11:28
always know what's right and wrong, but sometimes you start choosing the wrong stuff
11:31
more and and then you're like dead inside. It's kind of like basically it
11:35
basically what he said, and it's like he does have a little bit of
11:39
a Harry's code in this, like he's got a moral code, a moral
11:43
center. The code was he does he doesn't attack civilians, so if you're
11:50
in a gang, he can fuck with you, and he will fuck with
11:54
you, and he will sort of like skirt. He doesn't have a moral
11:58
code of anything else other than if you're a person who doesn't function in like
12:05
some kind of mafia. The problem with it, though, is that there's
12:11
nobody in the town. I mean that the talents are basically the field of
12:15
two mafia's two or two oh. Crossness isn't a town. It's proposed,
12:20
but then depression came along and anyway, this is your stop, get out.
12:26
It did feel like that, but like again, like the thing that
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I really like about the movie is all of the stuff that that is,
12:37
all of the stuff that is just oh yeah, like this is like a
12:41
Western, you know what I mean? And then like seeing Bruce Dern seeing
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all these people made me feel better than the Brucestern was really good in it,
12:50
Like I mean, he's really he's a really good actor. Like I
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don't know, I feel a little robbed because like it's like it's really great
13:00
cast, it's Walter Hill, It's shot really well, it looks really cool.
13:05
It's very authentic. Especially in the beginning, the storytelling was so confusing
13:11
and frenetic, like I didn't know who was who, and they kept showing
13:16
new characters and I don't know, I was just like I was very disoriented
13:22
and very off put by the contrast between like what I was sort of taking
13:30
in and like the quality of it, you know what I mean. It
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seems like the huge discrepancy between the two, like other than it was a
13:37
Western and it looked cool. What did you like about it? Like,
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did you enjoy watching it? Yeah? I enjoyed watching it. I have
13:45
like a big push poll with this movie because when I was in my teens
13:48
and watching a lot of Westerns. This pot obviously pops up on my radar,
13:54
and it's like it was so fucking boring, dude. I remember the
14:00
first time I saw it, I was like, it was unforgivable to me,
14:03
how boring it was. And you know when I saw it on the
14:05
list, you were on my list. When I saw it on the list,
14:09
I was like, I'm excited to watch this movie again. I was
14:11
excited to watch it again. And man, you know, I give these
14:16
movies a try always. I want to like the movie. I want to
14:18
have a good conversation with you first and foremost. The thing is like,
14:22
you know, if it's a really bad movie, we could have a conversation
14:26
in a kind of way. If it's a really good movie with lots of
14:31
themes and rich and acting and all that stuff, we can talk about it.
14:35
It's just like movies like this that have it's so unforgivable to me.
14:41
Maybe if I wasn't watching it for the show, I could get some kind
14:43
of enjoyment out of it. But like, just like it's so mid like
14:48
I just don't even care, Like there's nothing to talk about. There's stuff
14:52
to talk about. We're going to talk about it. But like it just
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feels like, you know, when when we do it Boner Show style,
14:58
it's like, dude, like, and then this happens. What would you
15:03
want to talk about it? What was any like? Is there anything you
15:07
would want to talk about? I liked Ken Jenkins who came in. It's
15:11
this guy. That guy who comes in. He was really good. There
15:16
was just these flares of coolness. And the reason I liked it actually a
15:22
lot more this time. I didn't actually talk about why I liked it this
15:26
time versus other times is because I could get through it and I was like,
15:31
oh, this is fun for me, you know what I mean as
15:35
just kind of like a movie goer. But it's like it's very passive.
15:39
It's such a passive movie in general. Whereas because they do everything for you,
15:43
they tell you what's happening, They tell you what's happening. He doesn't.
15:48
He doesn't really have any motivations other than like the ones that are told
15:52
or he likes likes swimming. At some point it's revealed he's he's a skirt's
15:58
going to bring him down? Oh yeah, yeah, Bruce ter And they
16:00
don't really follow through on not really the only thing that quote unquote brings him
16:04
down is the idea of like him trying to save the lady Felina. So
16:12
a skirt did bring him down. Yeah, where Doyle he likes great.
16:17
She was a cool part of this movie. She was a cool part of
16:19
this movie. Doyle's like weird. It was a much more interesting set up
16:26
for him to be like obsessed with this Mexican native lady. Yeah, she's
16:33
like yeah, he like he like saved her from something. Quote no,
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no, no, no, she he lost she lost her husband lost her
16:45
in a gamble. Oh yeah, yeah, and then he went home ashamed
16:49
and he like took her and then like she's a kid, but like she
16:53
can't see the kid because her husband's disgraced and lives with the kid in Mexico
16:57
and she's living in the ship town in Texas. I mean like yeah,
17:02
okay, you know, no, I'm just saying that, like that a
17:04
relationship and that dynamic his like weird obsession. He's so good, like we
17:10
like, I don't think he's been in a couple of movies that we've watched,
17:12
and he's just so not used in anything, Like he could he could
17:18
carry a movie. I use great in twin peaks in the return, dude,
17:21
oh dude, I've lost in the Woods. Yeah, it just it
17:27
sucked that so much of it was oriented around Bruce Willis, who was just
17:33
a nothing character. Whereas like he looks really good in it. He looks
17:37
really good in it, but like he he doesn't have Yeah, then the
17:41
naked shot in the tub, but in the problem is with with Clint Eastwood.
17:49
He in the in a few dollars more or in all of them actually
17:55
in for a few more dollars? What is the first one called a fistful
17:59
of dollars? He embodies this kind of notion that he's not only being sneaky,
18:06
but he's doing it out of honor, he's doing it to save the
18:10
town. He's doing it to save the people in the town. We get
18:12
to know the people in the town, you know. And it's a still
18:17
a low budget, still kind of in the same realm of this movie,
18:19
where it's like it's a few like different sets and that's it. But this
18:26
feel felt like dinky and and a little bit sad, which I kind of
18:33
liked about the movie because it felt like a kind of grungy, weird,
18:38
neo noir western totally. And that's what I liked about it, like where
18:44
it like conflicted and contrasted a lot with these like grandiose themes, but in
18:53
a kind of like eighties because it didn't feel nineties even it kind of felt
18:57
like eighties like miserable. It felt like a miserable movie, and it felt
19:04
like it was making more taking more out of what's his name was, Sam
19:11
peckinpop than it was in like the seventies or in the sixties and seventies of
19:17
like Sergi alone. So it was it felt a little bit more like,
19:21
yeah, I'm gonna fuck it. Yeah right. It felt a little bit
19:25
like feminist and shit able for era type, like making a movie in a
19:30
scrappy kind of way, but it's like clearly had like a budget, you
19:33
had these actors, like you didn't do anything with it. I felt like
19:37
if none of the actors were in it and I didn't have any of the
19:40
like high expectations of those people, I'd be like, oh, yeah,
19:44
this is a pretty grivy awesome movie, you know what I mean. But
19:47
it had this sheen of pretending like it was like more interesting than it was,
19:56
whereas instead of leaning into the more grindhousey elements where it's like, yeah,
20:00
just make it like creepier and weirder and grosser. It felt like mid
20:04
is correct. You're right, It's like something that I enjoyed watching, but
20:08
I would never give it more than five point five stars or six stars.
20:12
You know, well, yeah, and do you do you have because you're
20:17
more of a Western guy than I am. I was just thinking about how
20:21
like my main Western references well based, right, I mean, and I
20:27
like, I like Westerns. Don't getting wrong, It's just not like a
20:30
genre, you know, like and I again, I love semiotics and signs
20:38
and signifiers, and I love, like, you know, the idea of
20:41
like the the black hat and the white hat and the good guys and the
20:45
bad guys and and all that stuff. It's like it's interesting like forms that
20:51
modernism can use to like tell a compelling story. It just felt like move
21:00
he's made at this time, like this feel like they are aspiring to say.
21:07
It felt kind of like a try, like a Quentin Tarantino kind of
21:11
try, but not a succeed. Yeah, it was a it's a failure
21:17
on all fronts in trying because it, like I said, it feels like
21:22
it didn't move away enough from the surgeon alone stuff into sam Peckinpaw stuff,
21:29
and it's like, but those don't even mix because again, sam Peckinpau is
21:33
like American. He did westerns that were like hyper violent in a like not
21:41
not even stylized, yes, but not in a in a way that was
21:45
like gorgeous and beautiful. It was like, no, look at how ugly
21:48
this is and look at how raw this is, you know, whereas Sergei
21:52
alone it was like, let me frame this, let me make every frame
21:56
look like a painting, you know, Whereas it wasn't very beautifully shot.
22:02
No, there was that one scene that really stood out to me, and
22:04
that was probably it. Yeah, it's like aggressively shot, and it needed
22:10
to have more of that kind of stuff, less boring part of it's very
22:21
no, no, no, no, I mean we're about to enter into
22:23
the Jackal and Mercury Rising territory. Dude, I can't wait. I mean
22:30
I can't wait because Richard Gear, Bruce Willis and autistic child Bruce Willis.
22:36
Why not only like it's it's it's the kid, it's it's boys have a
22:40
penis, girls have a vagina. Oh crazy. Yeah, awesome. Who
22:45
what's his name again? I love that actor? Is it Miko Hughes,
22:51
that's it? Who follows us on Instagram? Yeah, dude, that's hilarious.
22:56
I mean he oh yeah, he played the little Boy and I mean
23:00
we get we get Miko season dude. Yeah, dude, that's true.
23:03
We've done a bunch of his movie. It's just crazy. It's amazing,
23:07
It is amazing. I should have him on the show, Dude, we
23:10
should have him on the show. Why not? I mean, I mean
23:11
if he's listening to the show, I don't think he's listening. He just
23:15
he liked the super cut Brandon did of when when he guessed it on the
23:21
Freddy Freddy seven episode. Yeah, I don't you know, Like, do
23:30
you have anything else to say? No? I was hoping it would be
23:36
a little bit more like either you hated it or you loved it, and
23:42
then it would have been better. But I can't. There's nothing I could
23:45
do with this, Like this is just like I'm in my torpedoing. I
23:48
don't want to torpedo, like I I'm genuinely I'm curious to hear if you
23:53
have anything more to say about this, because like you you are, like
23:56
I said, you're more the Western guy. Sorry, I keep like bringing
24:00
things up and things keep falling flat because we should finish thoughts. Sometimes we
24:04
don't finish our thoughts. But like, yeah, I just don't. I
24:08
don't really feel like there's much to say. Yeah, it's just a hard
24:12
movie to to do. What would you rate it? And Bruce's it's one
24:26
note? Willie, Yeah it's pretty. It's pretty one note, but I
24:30
give it four. We get some good body. I like even when he's
24:36
only doing one kind of voice. I really like his voice, so like
24:40
given points for that man. I really like the gushy face guy that he
24:45
shot right at the beginning of the movie. Oh dude, what I look?
24:48
Who's that actor? He's so good? Oh would he would? He
24:52
shoots him and he like flies? Yeah, flying made maybe like the movie
24:59
so much, because again, that's all stuff that's that feels out of a
25:04
different kind of Western that he was referencing. That's his name is Patrick Kilpatrick
25:12
of uh and you know what. He was also a death warrant on Mini
25:22
season. Yeah totally. It's just like, Yeah, the reason I have
25:27
a difficult time talking about it as even a Western is because of the fact
25:32
that it's like you're referencing a movie that was based on another movie that you're
25:41
like giving credit to, even though it's based on a novel. So so
25:48
your Jimbo is based on a novel, which is the basis for A Fist
25:53
Full of Dollars, which is also the basis for this, So it's already
25:57
so far removed from that original source material. But then he's referencing with the
26:03
kinds of like slow motion and the shots that are like you know, gushy
26:10
blood and like flying out is like a whole other kind of Western. So
26:15
it's like really weird to try and like link back to any sort of source
26:19
material to like talk about it in any cohesive way, because he just likes,
26:25
like the dude likes violence and he's he's also like Walter Hill in general,
26:30
is is kind of like a you know, Milius kind of guy.
26:36
Right, He's like, oh yeah, like guns and like violence, so
26:38
like you know, and that's what he made and that's fine. Yeah,
26:42
it's just not really like an interesting thing to talk about too much. Yeah,
26:48
Well, like do you feel like if I had been in a different
26:52
mood or like liked or hated it more. You could talk more about this
26:56
if you'd been in a different mood. Probably not, because it would have
26:59
been the basis is the fact that you would have liked or hated it,
27:03
Like it's just the middle ground is just it's too awkward. Yeah, because
27:10
I'm not that excited about it, Like Hope's stuff that I'm I liked about
27:15
it, but it's like boring, you know, I don't want to torpedo
27:18
it. Do you have any other things that stinks stick out in your mind?
27:22
Not really, you don't want to mention anything else in the movie besides
27:26
my like love of David Patrick Kelly, like and the gushy faced guy at
27:32
the beginning, Patrick Kilpatrick. Of course, it is the most Irish cast
27:37
yet. Dude, it's just not good at Bruce Tern isn't in enough.
27:44
And like William Sanderson who played What's What's Bruce Turns too, Bruce's together?
27:51
Dude, What's Bruce Turns? I don't know? Is he a good guy?
27:56
Is he a bad guy? I guess like he plays an excellent middle
28:02
middle guy. Yeah, where it's like, well, I don't care,
28:04
I'm just here, you know, kind of Yeah, it doesn't have an
28:07
allegiance just goes where the wind is blowing sort of thing. Yeah, He's
28:11
like, well, it seems like Bruce has got this ship figured out.
28:15
I'm gonna be on his side. Yeah, kind of which kind of was
28:19
cool. Bruce wins him over. Yeah, totally mote it bad stranger Yeah,
28:30
uh yeah, very mid very boring man low low for Bruce, Yeah,
28:38
pretty low. I would say, like, you know, why do
28:41
you think he wanted to do it? I mean, why wouldn't you.
28:45
Yeah, it's a great script or it's a great sorry cast. I don't
28:51
know, like you'd be like, maybe it's gonna be good in posts.
28:53
I don't know, like it's interesting. You know, he's got some like
28:57
he feels certain kind of way. It's like, I don't know, like
29:00
was it interesting, was it compelling for him to play? He does?
29:07
It seems like he okay, it seems like he's acting in a different movie.
29:15
Yeah, it does feel like he's acting in a different movie. He
29:18
feels like he's acting in in noir rather than Western exactly. And like,
29:25
as a result, I couldn't really get like I couldn't really connect to the
29:29
main character honestly, Like, well, yeah, because he's not doing it.
29:33
If it was more like they just show instead of tell, and they
29:36
just show him doing what he doesn't talk much, that would be so much
29:38
better. It would have been better he talked so much. Yeah he did,
29:44
he did. Yeah, I don't know. I really didn't like it.
29:49
I really I really didn't care for it. I should say and listen
29:53
to this. Walter Hilater said he and Bruce Willis were not close when we
29:59
did the film, but I liked working with him. It was impersonal classic.
30:07
He was like, I know what you mean. You want me to
30:10
be a Bogart, a Mitcham kind of guy. And I said, yeah,
30:14
exactly, let it happen. And it's like it didn't really enter into
30:19
any of those kinds of territories like Bogart and Mitcham. Just I can now
30:26
that you mention it. I see what he was going for, but I
30:29
don't think he achieved. No, he didn't achieve it. It is it
30:33
is funny because Mitcham, Yeah, Mitcham. I was actually thinking of Robert
30:40
Mitcham recently. Dude, with that movie. He's just like he's like,
30:45
you like, playing grab bass with his wife and it's just like some normal
30:51
lady that they got age appropriate. Yeah, very good, very good seventies
30:56
man, but not boring nineteen ninety six is dude, Man, what I
31:00
wouldn't give her a boring seventies even a boring eighties, man, A boring
31:06
eighties is pretty good. Boring nineties is just unforgivable most of the time.
31:11
Yeah, yeah, you're right, you're right. It was the drawn boring
31:14
movies the season. Yeah, the nineties. The nineties were about like non
31:21
boring movies totally. Yeah. I mean pulp fiction could be categorized somewhat as
31:26
like kind of a boring movie, but it's so not that movie's exciting,
31:30
dude. Yeah. Nuance Cinema wanted to make this is how did you guess?
31:33
This is? Just IMDb? Nuance Cinema wanted to remake of Your Jimbo
31:37
as a sci fi film in the vein of Mad Max and Escape from New
31:42
York, but Walter Hill insisted on setting it into Depression era Texas, seeing
31:47
the rustic landscape as more fitting of his experience directing westerns. And it's like,
31:52
yeah, but you also story would have been cooler, yeah, and
31:56
also you also fucked the radios over. You also that you also directed Warriors
32:02
though, which is that it is a scientify Western So why did you just
32:07
do that again? Isn't Robert Patrick Doyle in Or isn't Doyle the guy who
32:15
paid Robert Patrick Doyle, David Mark, David David Patrick Kelly. Yeah he
32:27
was. He's the guy who goes warrier. Yeah. Yeah, Yeah,
32:30
he's so good, man, he is so good. Maybe he could do
32:34
a comeback where he's like the main character of he's the lead of a movie.
32:38
He's the lead in a David Larter Larry David type show. I mean,
32:44
he's in Succession, dude. Something that that that we could talk about
32:46
right now if we want to give the audience something. Man, the last
32:51
the last episode was so good. Next week's talk about it. I mean,
33:00
like, if you want to talk about something like we can't with the
33:04
last episode of Succession with me. I mean, if you want to well,
33:08
like, I mean we've already talked about though, that's true. Yeah,
33:15
your hair's yet looking like super Neon though, Is that what you want?
33:19
Oh? I was like, Oh, I thought you. I thought
33:22
you. I was like, wait, is that it's new? Yeah?
33:24
Yeah, no, I know, I know it's new. I'm just saying
33:27
that, like I did it. Wait, is that what you wanted,
33:29
because like I thought it was going to be bleached. No, I wanted
33:32
to do it neon, Okay, I want to change. I wanted to
33:35
change it to the yellow. Oh good. Yeah, nice for the show,
33:37
and you know, yeah, see you next week here, yeah,
33:45
follow us a thurstay for more presents on Instagram and and at more thirsty on
33:52
Twitter on Twitter, sorry on Patreon, it's thirsty for Oh, you fucked
34:00
it up, Walter, You fucked it up. Walter definitely fucked it up.
34:04
Yeah, Walter fucked us. Walter fucked us in the ass. I
34:09
mean, depending on the day, it would have been a good thing.
34:14
I know, I know, but but just today I did not feel like
34:19
bottoming for Walter Hill. And uh that's what we did. And it's fine.
34:24
You know, we could have made it like a futuristic movie with Bruce
34:28
Willis, a futuristic cowboy movie. Do yeah, yeah, it would have
34:30
been better. See next week.