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Is The Long Walk A Long Waste Of Time?!??! (Full Review & Much More) · For All Nerds Show

• 0:00
  Speaker 1: You know, even though I was climbing to be not
• 0:01
  Speaker 1: for nothing, to be is actually doing a thing.
• 0:04
  Speaker 2: Yeah, that's what I'm saying. I don't hate on t
• 0:06
  Speaker 2: BE anymore.
• 0:07
  Speaker 1: Well, yes I can, but you can always hate on TB.
• 0:22
  Speaker 2: And what's up y'all? Welcome back to another episode of
• 0:24
  Speaker 2: the four All Nerds Show. It's your boy, DJ Benja
• 0:27
  Speaker 2: mean ak akl.
• 0:30
  Speaker 3: L Bundy Halal Jordan, the mid day Walker, stop Pilgrim
• 0:35
  Speaker 3: Daylight Troll here in the spaceship.
• 0:38
  Speaker 2: Tonight midday Walker.
• 0:40
  Speaker 3: Okay, I read like that. I came up with that one.
• 0:44
  Speaker 3: The real life bars you gotta deal with. When I
• 0:46
  Speaker 3: was on one of my morning walks the other day, I.
• 0:48
  Speaker 2: Was like, come on, man, mid day Walker, Like, nah,
• 0:52
  Speaker 2: I like it. It's right there. Yes, and as always,
• 0:55
  Speaker 2: I'm joined by King D Grant.
• 0:57
  Speaker 1: That's just a tech also known as Gucci Man, Lauri
• 1:00
  Speaker 1: and Flex Luthor. Glorilla Rod facts the Destroyer DA Hockey
• 1:05
  Speaker 1: Chestarek Thompson and Tatiana Kan The Conqueror.
• 1:10
  Speaker 3: GLORIALA Rod would be a great T shirt if not
• 1:13
  Speaker 3: for racism.
• 1:15
  Speaker 1: Yeah, we can't. We won't be able to. I don't
• 1:18
  Speaker 1: think that one's gonna fly just.
• 1:20
  Speaker 3: Because of racism. Like, if we didn't live in a
• 1:22
  Speaker 3: racist world, we could do that, no problem. But because
• 1:25
  Speaker 3: we live in a racist world.
• 1:26
  Speaker 1: That we live in a Fantastic four universe, whatever earth
• 1:32
  Speaker 1: they're on, where there's no thing as racism or whatsoever, you.
• 1:36
  Speaker 2: Can just call a black person an ape and nobody
• 1:38
  Speaker 2: thinks twice about it. You know, it's just like are
• 1:40
  Speaker 2: you know, like that's just the animal you know, like yeah,
• 1:43
  Speaker 2: you know their animal form could be an ape?
• 1:45
  Speaker 3: Yeah, because I don't know, is there any cartoons where
• 1:48
  Speaker 3: it's like a black you know, like an ape talking
• 1:51
  Speaker 3: with a black voice, like Gloriala, I mean, Grila Grod.
• 1:57
  Speaker 3: He only talks pretty blackish. Let's be for real.
• 2:01
  Speaker 2: Look, you watch Jailer, watch j LU.
• 2:04
  Speaker 1: You're not going down this rabbit hole.
• 2:06
  Speaker 3: You made that whole video about Les Luthor being black
• 2:08
  Speaker 3: and the real truth is that Grod.
• 2:13
  Speaker 1: No, no, we're not doing this.
• 2:16
  Speaker 2: The real truth is a Grod is a black man.
• 2:20
  Speaker 2: Oh my god, expect them.
• 2:22
  Speaker 3: You know, it's just because of racism that we can't
• 2:24
  Speaker 3: admit this again, you know, there it is. If it
• 2:27
  Speaker 3: wasn't a racism, we could admit that. Go Wriller grod
• 2:30
  Speaker 3: Is Goriller. Yeah, it's so hard to say because I
• 2:34
  Speaker 3: want to say moving on. But speaking of DC, you
• 2:38
  Speaker 3: know this is for all nerd you know what it is.
• 2:40
  Speaker 3: You know, it's like it's we gotta talk about one thing.
• 2:42
  Speaker 3: It's the end the summer, you know what I mean.
• 2:44
  Speaker 3: Thank you to everybody. Hope everybody's having a good summer
• 2:47
  Speaker 3: in the summer, all that coming into the fall.
• 2:51
  Speaker 2: I'm not really feeling that. You know, it is what
• 2:53
  Speaker 2: it is, though, I guess.
• 2:54
  Speaker 1: Use pumpkin spicette. Niggas need to calm down. Okay, basically
• 2:59
  Speaker 1: lat the summer officially and the summer is not officially
• 3:01
  Speaker 1: over till September. What twenty first, twenty second, something like that.
• 3:05
  Speaker 1: Let it just let it rot, let it ride. Yes, please,
• 3:09
  Speaker 1: because y'all get to my nerves, the people who are
• 3:12
  Speaker 1: all I want to where you winter, your layers and
• 3:15
  Speaker 1: Halloween please go away.
• 3:17
  Speaker 2: Not yet.
• 3:18
  Speaker 1: Your time is coming, but not yet.
• 3:19
  Speaker 2: Yeah, And I love me some Halloween. I love all that.
• 3:22
  Speaker 3: I love the layers, you know, I love getting fly,
• 3:24
  Speaker 3: but you know I do want a little bit of summer.
• 3:27
  Speaker 3: It has been a beautiful summer and real quick again,
• 3:30
  Speaker 3: shout out to the Dallas Pen Foundation and everyone who
• 3:34
  Speaker 3: came through for the dallas Pin Family Day this weekend.
• 3:37
  Speaker 3: It was an amazing event. Shout out to dallas Pin Forever.
• 3:41
  Speaker 3: Make sure you follow that account on Instagram for more information.
• 3:45
  Speaker 3: And yeah, just man, it was really beautiful. It was
• 3:47
  Speaker 3: always beautiful and sad, you know, yeah, yeah it's Kelly.
• 3:54
  Speaker 2: Yeah.
• 3:54
  Speaker 3: Melancholy, I guess is the word, but it was. It
• 3:56
  Speaker 3: didn't feel melancholy that day. You know, there are moments
• 3:59
  Speaker 3: of melon holly, but overall felt very joyous that day.
• 4:03
  Speaker 3: Definitely celebration of life. Yeah, definitely a celebration of life.
• 4:07
  Speaker 3: But it just always reminds you that, you know, these
• 4:09
  Speaker 3: people are not with us in the physical, but we
• 4:11
  Speaker 3: keep their memory and their energy alive, and in different
• 4:14
  Speaker 3: ways they still are with us. So it was definitely
• 4:17
  Speaker 3: a very beautiful day. I actually got to DJ for
• 4:19
  Speaker 3: Smith and Wesson, and that was a moment for me,
• 4:23
  Speaker 3: as someone who pretty much grew up on their music.
• 4:27
  Speaker 3: It was really like, wow, look at me, you know,
• 4:29
  Speaker 3: look at it. I mean, over here, Smith and Wesson, your.
• 4:32
  Speaker 1: Your your younger self would be proud.
• 4:34
  Speaker 3: Of you, super proud, super blown away. They were actually
• 4:37
  Speaker 3: the first people I ever interviewed back when I was
• 4:40
  Speaker 3: in high school too.
• 4:41
  Speaker 1: Look at that full circle moment.
• 4:42
  Speaker 2: Full circle. I told him about it. He did not remember.
• 4:47
  Speaker 3: But like my sister and one of my good friends,
• 4:50
  Speaker 3: Javetta Is, they're still cool with Evil d the producer
• 4:54
  Speaker 3: of the Beat Miners and Black Moon and Smith and
• 4:57
  Speaker 3: West and everybody else, so you know, still goes on.
• 5:00
  Speaker 1: Well, rest in power to Dallas Pennell.
• 5:02
  Speaker 3: Always yes, yep, yeah, man, it's been it's been a
• 5:06
  Speaker 3: really good summer. I've been doing all kinds of stuff.
• 5:08
  Speaker 3: Shout out to Jim Shirts, Jim's Search. I went out
• 5:11
  Speaker 3: to his hip trivia hip hop trivia event this week.
• 5:15
  Speaker 3: I went out to the New Yorkers that she was
• 5:18
  Speaker 3: so rich to you.
• 5:22
  Speaker 2: What it was. It was the you know, the New
• 5:26
  Speaker 2: Yorker magazine.
• 5:26
  Speaker 3: They put on an event last night at Joe's Pub
• 5:30
  Speaker 3: in Manhattan, and it was basically four writers from The
• 5:34
  Speaker 3: New Yorker came up and told the story each of them.
• 5:38
  Speaker 3: And I went because friend of the show and friend
• 5:40
  Speaker 3: of ours, Juno Diaz, was there and doing a speech
• 5:44
  Speaker 3: and doing one of the stories, and so I went
• 5:46
  Speaker 3: to see him and you know, hung out with him.
• 5:48
  Speaker 3: But oh my god man, I'm not should have expected it.
• 5:51
  Speaker 3: Like I grew up reading the New Yorker magazine. It's
• 5:53
  Speaker 3: something one of my favorite magazine.
• 5:54
  Speaker 2: Oh yeah, you already know. Yeah, Upper West, Upper east Side.
• 6:00
  Speaker 1: Upper west Side. Kind of like that crowd when we
• 6:04
  Speaker 1: went to see.
• 6:06
  Speaker 3: Yes, Yeah your Boy, Yes, definitely gr Boy, see your
• 6:12
  Speaker 3: Boy for and or the exact same type of crowd. Yes,
• 6:16
  Speaker 3: a lot of money in that place last night, Yes,
• 6:20
  Speaker 3: Tony Gilroy, a lot of money in that.
• 6:22
  Speaker 2: Place last night. It was very good to see mister Diaz.
• 6:25
  Speaker 3: But beyond that, yeah, No, the rest of the writers
• 6:29
  Speaker 3: were really dope though too.
• 6:30
  Speaker 2: It was a really dope event.
• 6:31
  Speaker 1: But just the crowd, Yeah, well there's a better event.
• 6:35
  Speaker 1: I think it's going to be attended by not so
• 6:38
  Speaker 1: ritchy people. That's coming up. What the Film Live Show.
• 6:42
  Speaker 3: I keep wanting to say, what the Yeah, I would
• 6:44
  Speaker 3: keep wanting that, you know. Yeah, it's not like what
• 6:48
  Speaker 3: the It's not w t f.
• 6:49
  Speaker 1: F, it's w TF. It stands for what the film?
• 6:52
  Speaker 2: What the film? Yes.
• 6:54
  Speaker 1: For those who have been listening to our most recent shows,
• 6:56
  Speaker 1: or even if you haven't, Front of the Show, Brandon
• 6:59
  Speaker 1: Collins has he always comes on the show on a
• 7:01
  Speaker 1: regular basis, but he has a new show that he announced.
• 7:04
  Speaker 1: He does the drunk Black History shows. We've been on
• 7:06
  Speaker 1: those shows a few times as well. But his new
• 7:08
  Speaker 1: live show, What the Film is basically him and friends
• 7:12
  Speaker 1: just talking about like the beautiful disasters in cinema. I
• 7:16
  Speaker 1: know that this show is going to be about nineties
• 7:18
  Speaker 1: movies and your favorite two favorite hosts, Tatiana Ben I mean,
• 7:23
  Speaker 1: will be there this Thursday, September fourth, at seven point
• 7:27
  Speaker 1: thirty pm at Littlefield in Brooklyn. And we can't tell
• 7:32
  Speaker 1: you what we're gonna what we're gonna I should say
• 7:36
  Speaker 1: it should be a surprise, but we have a good
• 7:39
  Speaker 1: movie to review and talk about.
• 7:41
  Speaker 2: So you guys the movie.
• 7:42
  Speaker 1: Yeah, you guys will be in on the fund. So
• 7:45
  Speaker 1: if you can make it, please do. I know the
• 7:46
  Speaker 1: tickets are still on sale. They're not that expensive. I
• 7:49
  Speaker 1: think it's like fifteen bucks if that so, yeah, so
• 7:53
  Speaker 1: or twenty sorry I'm gonna oops, sorry guys, it's twenty now.
• 7:56
  Speaker 1: She missed out on the early birth, but I know
• 8:00
  Speaker 1: it goes up to like twenty five the day of
• 8:02
  Speaker 1: the show. So anyway, make sure that you are if
• 8:05
  Speaker 1: you are in town, please come see us. And if
• 8:07
  Speaker 1: you miss it, that's okay. I know you probably see
• 8:09
  Speaker 1: some videos or pictures from there, but it's better to
• 8:11
  Speaker 1: be their lives. So again, what the film show starring
• 8:14
  Speaker 1: Brandon Collins, featuring amazing guests including ourselves, Tatiana King and
• 8:19
  Speaker 1: DJ Beja mean of four honors.
• 8:21
  Speaker 2: We will be there, Yes.
• 8:22
  Speaker 3: We will be and I'm really excited for that. Actually,
• 8:27
  Speaker 3: I really wish we could let people know what movie
• 8:29
  Speaker 3: we're gonna talk about. I'm about to rewatch it again.
• 8:32
  Speaker 3: It's definitely one of my favorites and a classic. And
• 8:36
  Speaker 3: I'll just just one hit, right, it's a sci fi classic.
• 8:39
  Speaker 2: I'll say that.
• 8:40
  Speaker 1: They're gonna know immediately it's nineties.
• 8:43
  Speaker 2: There's so many there's so many great ones, so many
• 8:47
  Speaker 2: great ones. It could be Galaxy Quests, right, that's nineties,
• 8:49
  Speaker 2: wasn't it.
• 8:50
  Speaker 1: I don't remember, But anyway, you've seen Galaxy Quests, right, Yeah,
• 8:55
  Speaker 1: I don't know if that was. Anyway, it's gonna be
• 8:58
  Speaker 1: a great if not, I mean it's close.
• 9:01
  Speaker 2: It's pretty close. Some people would consider one. I wouldn't.
• 9:04
  Speaker 3: Some people would. You know, it had a lot of
• 9:08
  Speaker 3: greatness in it, you know what I mean. Rest in
• 9:11
  Speaker 3: peace to my Man's from Harry Potter. Uh and also
• 9:15
  Speaker 3: from Diehard.
• 9:15
  Speaker 1: Of course, yes, oh who plays Snap Yep.
• 9:19
  Speaker 3: He was also in Galaxy Question amazing snape. I was,
• 9:23
  Speaker 3: that was right on tip of my tongue. But yeah,
• 9:25
  Speaker 3: rest in peace, Alan Rickmond fucking God. Yeah, so you know, okay,
• 9:29
  Speaker 3: it's not Galaxy Quest.
• 9:34
  Speaker 2: Four. Yeah.
• 9:35
  Speaker 3: See there, And you know this was really surprising this news.
• 9:40
  Speaker 3: I really was surprised by this.
• 9:42
  Speaker 2: Today.
• 9:42
  Speaker 3: Uh, James Gunn announced that Superman Too, which isn't titled
• 9:48
  Speaker 3: Superman two, is just titled Man of Tomorrow, which is
• 9:51
  Speaker 3: one of Superman's many a ka's. He's known as the
• 9:55
  Speaker 3: Man of Tomorrow, the last Son of Krypton. It's the
• 9:59
  Speaker 3: Dark Night and uh, what's Superman's one like that, because
• 10:03
  Speaker 3: it's like Dark Knight and something sun I can't remember.
• 10:06
  Speaker 2: Right they I don't know, it's something like that.
• 10:08
  Speaker 3: Yeah, but he's not a few other ones, but Man
• 10:10
  Speaker 3: of Tomorrow has always been one of my favorite ones
• 10:12
  Speaker 3: for Superman. And so that's the title of Superman two.
• 10:15
  Speaker 3: And even more surprising part about it, it's just coming seven.
• 10:21
  Speaker 1: I mean they're filming that shit right now.
• 10:22
  Speaker 3: Like I mean not yeah, but they need to they
• 10:26
  Speaker 3: need to get on their job, and they haven't, so
• 10:28
  Speaker 3: we'll see. But yeah, coming, I know the strip's already
• 10:31
  Speaker 3: written because he was already working on that and so coming.
• 10:35
  Speaker 3: Gunn did not announce that he's directing it, but I
• 10:38
  Speaker 3: would assume he is, but I don't know. He also
• 10:41
  Speaker 3: said that Superman is not his, like really his bag,
• 10:45
  Speaker 3: and he would like somebody else to take over.
• 10:47
  Speaker 1: So good, I mean, just a little less Guardians of
• 10:50
  Speaker 1: the Galaxy. No, yeah, nose but all truth, just take
• 10:54
  Speaker 1: a little bit of the Guardians out of it, So
• 10:57
  Speaker 1: I would. I wouldn't mind seeing someone else. He still
• 10:59
  Speaker 1: did a great job. Yes again, since enough time has
• 11:03
  Speaker 1: passed for me to sit there, because before the last
• 11:05
  Speaker 1: time you spoke about it, I was on. Since I
• 11:09
  Speaker 1: like Superman twenty twenty five, right, I love it. I
• 11:13
  Speaker 1: liked it. I still think it was too much Guardians.
• 11:15
  Speaker 1: It was too much wackedness, a little bit old on
• 11:18
  Speaker 1: a wackedness for me, but I understood. So at the
• 11:21
  Speaker 1: end of the day, he's an amazing director of James
• 11:24
  Speaker 1: gun And if he does end up doing again, I'm
• 11:26
  Speaker 1: sure he'll he'll temperate. My hope is he does. If
• 11:29
  Speaker 1: he doesn't, if it's not him and somebody else. I'm open,
• 11:32
  Speaker 1: like I just want to I'm okay, because there is
• 11:35
  Speaker 1: a plan now DC the dc universe, the DCU has
• 11:39
  Speaker 1: a plan. Now it has a captain. James Gunn is
• 11:42
  Speaker 1: the captain now, and now that they have direction and instruction,
• 11:49
  Speaker 1: I expect much better results than what we've been seeing.
• 11:52
  Speaker 1: And we've already seen really good results.
• 11:54
  Speaker 2: Yeah.
• 11:54
  Speaker 3: I actually dropped a video today on Instagram TikTok all
• 11:58
  Speaker 3: the rest of foreign nerds social media talking about that
• 12:02
  Speaker 3: because actually one of our rock questions from a few
• 12:06
  Speaker 3: months back when it dropped asked us what we thought
• 12:08
  Speaker 3: of Creature Commandos and I had not had a second
• 12:10
  Speaker 3: to watch it yet, And this weekend I was like,
• 12:13
  Speaker 3: let me finally catch the show. I've really been feeling
• 12:15
  Speaker 3: the you know, the new DCU, and I'm like, this
• 12:18
  Speaker 3: is a part of it, so let me at least
• 12:19
  Speaker 3: give it a watch. And I'm like, yo, I mean,
• 12:22
  Speaker 3: James Joon, we know he knows how to tell a story,
• 12:25
  Speaker 3: he knows how to pull on emotional heart streams when
• 12:27
  Speaker 3: he wants to. But I will really commend him for
• 12:31
  Speaker 3: the format of these twenty two minute stories and how
• 12:35
  Speaker 3: each one focuses on a different member of the Creature Commandos.
• 12:39
  Speaker 3: And again when I something I talked about in the video,
• 12:43
  Speaker 3: the tonal differences in the projects that DCU has presented
• 12:47
  Speaker 3: so far and what they're talking about coming down the pike,
• 12:50
  Speaker 3: Because so far we've had Superman, which is a straight
• 12:53
  Speaker 3: up pretty much family friendly, you know, adventure other than
• 12:56
  Speaker 3: you know, like harem and occasional murder, but beyond that,
• 13:01
  Speaker 3: you know, it's very family friendly, very kid not kid,
• 13:03
  Speaker 3: but you know, just family oriented.
• 13:06
  Speaker 1: Yeah.
• 13:07
  Speaker 2: Then you have Creature Commandos, which is an animated series
• 13:10
  Speaker 2: which you would think, you know, okay, animated, and no,
• 13:13
  Speaker 2: it is full on. There's a lot of sex. There
• 13:17
  Speaker 2: is Hella violence, it's hella emotional, and it's also about
• 13:23
  Speaker 2: a group of monsters, and it never shies away from
• 13:27
  Speaker 2: the fact that these are all monsters.
• 13:29
  Speaker 3: And it's not even that Guardians of the Galaxy monsters
• 13:32
  Speaker 3: where they'll be redeemed in the heroes. They might be
• 13:35
  Speaker 3: redeemed in the heroes, but there'll still be monsters at
• 13:38
  Speaker 3: the end of this as far as I can tell,
• 13:40
  Speaker 3: because they're pretty monstrous. And now I've only got two
• 13:42
  Speaker 3: episodes left, and then we have Peacemaker, which is, you know,
• 13:46
  Speaker 3: just all over the place.
• 13:47
  Speaker 2: I'm loving season two.
• 13:49
  Speaker 3: But Orgies straight up and down Orgies like that, you know,
• 13:54
  Speaker 3: like I said, from Golly to Orgies, it is a
• 13:56
  Speaker 3: wide difference in Superman and Peacemaker, and I just feel
• 14:00
  Speaker 3: like we still have not seen that difference from Marvel.
• 14:03
  Speaker 2: They'll attempt to.
• 14:04
  Speaker 3: Like do little jumps at it, like wear Wolf by
• 14:06
  Speaker 3: Night or the upcoming Marvel Zombies, which has a lot
• 14:10
  Speaker 3: of violence and a lot of cursing, But I don't
• 14:12
  Speaker 3: feel like they're going to get near as far as
• 14:15
  Speaker 3: like something like Creature Commandos does, where it's the violence
• 14:17
  Speaker 3: of sex. It's it is not done in a way where,
• 14:21
  Speaker 3: you know, it's just like where Marvel Zombies so far
• 14:24
  Speaker 3: as just the gore fit, you know, it's just like, oh,
• 14:26
  Speaker 3: let's see what these heroes look like when they kill
• 14:28
  Speaker 3: each other.
• 14:29
  Speaker 1: Yeah, that's not Creature Commandos.
• 14:31
  Speaker 2: Yeah.
• 14:31
  Speaker 1: I thought about that just to jump on, like, I
• 14:34
  Speaker 1: don't know if mc you can do that. At the
• 14:37
  Speaker 1: end of the day, the MCU is Disney. Now, well, okay,
• 14:42
  Speaker 1: Marvel is under Disney's wing. It's under Disney's direction at
• 14:47
  Speaker 1: the end of the day, and it's very much focused
• 14:51
  Speaker 1: to gathering as the middle of the road as many
• 14:53
  Speaker 1: people as possible, not to say that there cannot be
• 14:55
  Speaker 1: edgy things like as we have seen in things like
• 14:59
  Speaker 1: The Watcher, you know, the Watch excuse me, the animated
• 15:02
  Speaker 1: series on Disney Plus featuring like The Watcher, Like we've
• 15:05
  Speaker 1: seen some of the edgy things you mentioned the zombies,
• 15:07
  Speaker 1: but like tonally, to your point, is kind of all
• 15:10
  Speaker 1: the same, Like there isn't anything that's except for maybe
• 15:14
  Speaker 1: animation right where it's kind of outside the overall bubble
• 15:18
  Speaker 1: of the MCU of the films. But other than that,
• 15:21
  Speaker 1: like I don't at least as things as currently blueprinted,
• 15:25
  Speaker 1: I don't see them going completely let feel like they
• 15:28
  Speaker 1: can do with DC. Like one of the benefits of
• 15:31
  Speaker 1: DC just just being I didn't want to say having
• 15:36
  Speaker 1: you know, just just just being a dumpster fire. But
• 15:38
  Speaker 1: if DC being a dumpster fire is they kind of
• 15:41
  Speaker 1: come out of the fire like a phoenix and get
• 15:43
  Speaker 1: to be a new right. And Also the thing about DC,
• 15:45
  Speaker 1: at least for me, I've always seen DC is more dark,
• 15:48
  Speaker 1: Like even from the comics perspective, I always just saw
• 15:51
  Speaker 1: it as well. First one, a lot of the characters
• 15:54
  Speaker 1: they of many of them godlike they're not necessarily humans,
• 15:59
  Speaker 1: but also God's are fallible, right, so you got to
• 16:02
  Speaker 1: see a lot of that weird as you mentioned the
• 16:05
  Speaker 1: orgies or or or you know, people cussing it and
• 16:07
  Speaker 1: going and carrying on and violence. Right, not to say
• 16:10
  Speaker 1: that it didn't happen and for the MCU, but it's
• 16:13
  Speaker 1: it's just much more sanitized. Like again, I just feel
• 16:17
  Speaker 1: like it's only been the animation. Like back in the day,
• 16:19
  Speaker 1: the Iron Man animation, the man was a drunk and
• 16:23
  Speaker 1: they didn't shy away from that, right, and he was
• 16:25
  Speaker 1: he was a you know, he was a terrible person,
• 16:28
  Speaker 1: and like they really like even as a child, like,
• 16:31
  Speaker 1: they didn't shy away from that. Whereas that's completely kind
• 16:34
  Speaker 1: of that's kind of glossed over when they kind of
• 16:36
  Speaker 1: translate it to live action. So as far as can
• 16:40
  Speaker 1: they make tone ships, I don't know they're even allowed
• 16:43
  Speaker 1: to at this point, just because of they may be
• 16:45
  Speaker 1: in a box now and and DC doesn't have that box,
• 16:48
  Speaker 1: like DC could run wild as it's happening now. And
• 16:52
  Speaker 1: just to go back again to how good Gun is
• 16:54
  Speaker 1: in this short period of time, he completely reccon everything
• 16:58
  Speaker 1: that was in the DCEU with one scene m the
• 17:02
  Speaker 1: end of the Peacemaker when the return scene where at
• 17:04
  Speaker 1: the end when he's coming and you see the silhouettes
• 17:06
  Speaker 1: of what was the Justice League that's been completely changed
• 17:10
  Speaker 1: to the niggas. You know, the I forgot what they
• 17:13
  Speaker 1: call themselves, the Justice Gang complete and now I was
• 17:17
  Speaker 1: like and with that, like literally with the snap, it's like, Okay,
• 17:21
  Speaker 1: this is new. This is how the direction we're going to.
• 17:23
  Speaker 1: And to your point, there's no questions and there's no
• 17:27
  Speaker 1: there's no pushback from anybody because the tones match the character.
• 17:30
  Speaker 1: Peacemaker is supposed to be fucked up. He's a fucked
• 17:34
  Speaker 1: up dude, he does fucked up things. So there's gonna
• 17:36
  Speaker 1: be some very adult situations versus what they're trying to
• 17:40
  Speaker 1: do with Superman, where it's if you're going back to
• 17:42
  Speaker 1: his roots, if you're going back to the deepness of
• 17:45
  Speaker 1: his particular character about humanity, is going to be more
• 17:48
  Speaker 1: family friendly and a little bit more goofy, yes, got it.
• 17:51
  Speaker 1: There's gonna be in between. Whereas with MCU, I'm just like, well,
• 17:56
  Speaker 1: what characters do they have that they're going to actually
• 17:58
  Speaker 1: put on screen that they're going to be different with
• 18:01
  Speaker 1: besides maybe besides maybe the street level people like Dareduvil,
• 18:05
  Speaker 1: Dared Devils is probably the most, the most violent, the
• 18:09
  Speaker 1: most in terms of Daredevil.
• 18:10
  Speaker 2: Uh, you're I'm sure.
• 18:14
  Speaker 3: I was trying to remember has the MCA just has
• 18:16
  Speaker 3: spread up sucking and Dared Devil was fucking He did
• 18:20
  Speaker 3: a little.
• 18:20
  Speaker 1: I mean he he he was with Homegirl.
• 18:22
  Speaker 2: Yeah, she hope was fucking. She hoped was fucking right.
• 18:26
  Speaker 2: You know, the Devil was fucking on his own series, remember,
• 18:29
  Speaker 2: because he was with Night Nurse. He had a few,
• 18:31
  Speaker 2: he had my girl, you know, a few, but not
• 18:34
  Speaker 2: just that, like.
• 18:35
  Speaker 1: The dope situations you talk about, Like the closest we've
• 18:38
  Speaker 1: gotten was all the street level heroes. Yea, and Dared
• 18:42
  Speaker 1: Devil's kind of the one, the one, you know, he's
• 18:45
  Speaker 1: up there right now. He's the only one right now,
• 18:47
  Speaker 1: and it's like, what else did they got.
• 18:50
  Speaker 3: The season the kids? I'm sure he is no, I know,
• 18:54
  Speaker 3: I know in the first season. I'm saying, in the
• 18:56
  Speaker 3: new first season, I don't remember him smashing Yeah, oh
• 19:01
  Speaker 3: that fight he was know, You're right, yep, he was
• 19:03
  Speaker 3: still a getting okay, so they still all right, So
• 19:05
  Speaker 3: they still that's what I'm saying they still got the opportunity,
• 19:08
  Speaker 3: and that's.
• 19:08
  Speaker 1: The opportunity, but in what way?
• 19:11
  Speaker 3: But and I don't think whenever people say it's Disney,
• 19:13
  Speaker 3: I don't think that really holds weight because if you
• 19:16
  Speaker 3: look on Disney plus there is all you know, everything,
• 19:19
  Speaker 3: you know, it's not like Disney. You know, they have
• 19:23
  Speaker 3: different tears or whatever. You know, different studios that make different.
• 19:28
  Speaker 2: Films that will you know, be this now, Like I
• 19:33
  Speaker 2: can't tell you because they have a lot of like Search,
• 19:35
  Speaker 2: I'm not sure what of those studios are Disney. There's
• 19:38
  Speaker 2: a lot of little smaller studios that you hear about,
• 19:41
  Speaker 2: like you know where it's like what's his name? B
• 19:43
  Speaker 2: plus Brad Pitt, shit is under someone else? You know.
• 19:48
  Speaker 2: Disney has multiple I can't remember if it's Search, Like
• 19:51
  Speaker 2: it's one of them joints like that where you're like,
• 19:53
  Speaker 2: oh shit, that's Disney and it's al rated down the line,
• 19:57
  Speaker 2: you know what I mean. That's where they that's how
• 19:59
  Speaker 2: they do it so that people don't know it's Disney.
• 20:01
  Speaker 2: So to say that Disney won't do it, I don't think.
• 20:04
  Speaker 1: So.
• 20:04
  Speaker 3: Remember, Marvel was sanitizing Tony before Disney became part of it.
• 20:09
  Speaker 1: Well, I guess that's what my point is, Like, yeah, sure,
• 20:11
  Speaker 1: you're right, but now that's already in the history, and
• 20:14
  Speaker 1: that here comes Disney's like you gotta make money with this,
• 20:17
  Speaker 1: you gotta gotta grandmother kids again. Yeah, they've done it
• 20:20
  Speaker 1: in some respect, but I just feel like the door
• 20:22
  Speaker 1: is more open when it comes to DC.
• 20:23
  Speaker 2: No. I definitely, I definitely do that too, And especially
• 20:27
  Speaker 2: because someone like James Dunn who comes from a very
• 20:30
  Speaker 2: he comes from trauma films, which is a very shock
• 20:32
  Speaker 2: value type thing. So he's you know, he's grown with
• 20:36
  Speaker 2: that though.
• 20:36
  Speaker 3: And that's something where I really like about him as
• 20:38
  Speaker 3: a filmmaker, where he's grown and knows how to put
• 20:41
  Speaker 3: that shot. He but still knows how to get the
• 20:43
  Speaker 3: families in the seats. And then, like you said, you know,
• 20:47
  Speaker 3: to spand on that they're already doing it. They have Superman.
• 20:49
  Speaker 3: The next year they have Supergirl, which, while it's going
• 20:52
  Speaker 3: to be Superman asque Supergirls to be very different than
• 20:55
  Speaker 3: Superman and people are going to be very unexpectedly shock
• 21:00
  Speaker 3: probably when they go.
• 21:01
  Speaker 2: And see it.
• 21:01
  Speaker 3: And then on that Molly all that, and then they
• 21:05
  Speaker 3: have like Peacemaker, I mean Peacemaker they have a playface
• 21:08
  Speaker 3: coming out in that year, which is supposed to be
• 21:11
  Speaker 3: some body horror type shit. So they're already, you know,
• 21:15
  Speaker 3: trying to do a lot of different things. And yeah,
• 21:19
  Speaker 3: I said in my video, but I'm more excited for
• 21:21
  Speaker 3: them right now than I am from Marvel.
• 21:24
  Speaker 2: Yeah.
• 21:24
  Speaker 1: I mean, hey, twenty years, look at the look at
• 21:27
  Speaker 1: the change in twenty years. Look, you know gets here.
• 21:30
  Speaker 2: It was a good run Marvel. But I mean maybe,
• 21:33
  Speaker 2: but I'm not excited about the direct thirty X men.
• 21:36
  Speaker 1: So it's just like, are you still not excited? I mean,
• 21:38
  Speaker 1: are you so excited about doom ooh? Not that pause?
• 21:44
  Speaker 3: No, I don't think they've given it enough time. And
• 21:47
  Speaker 3: I'm not one hundred percent as belief in the Russos.
• 21:52
  Speaker 3: And only one of the writers from you know, the
• 21:55
  Speaker 3: writing team that made everything right is coming back for
• 21:58
  Speaker 3: this now.
• 21:59
  Speaker 2: Is he the good one? Let's hope. So, But I
• 22:01
  Speaker 2: also think, you know, it's a great team, and you know,
• 22:03
  Speaker 2: don't that's the team? You know?
• 22:05
  Speaker 1: So is he the god son?
• 22:08
  Speaker 2: Yeah?
• 22:09
  Speaker 3: You know, like you know, hopefully he ain't the one
• 22:11
  Speaker 3: that got dropped off the cliff, you know, the bridge.
• 22:16
  Speaker 2: The funny thing is I did not see that movie.
• 22:18
  Speaker 2: I was an adult, so I ride when that nigga
• 22:21
  Speaker 2: dropped because I was like, yo, this is so hilarious.
• 22:25
  Speaker 3: They dropped McCauley like he des he did he I mean,
• 22:31
  Speaker 3: he was a monster, but it was still the fact
• 22:33
  Speaker 3: that they dropped his ass, Like, I'm like, yo, if
• 22:35
  Speaker 3: I've seen this as a kid, I would have lost
• 22:37
  Speaker 3: it coming out of Home Alone and then watching that,
• 22:41
  Speaker 3: I would have lost it.
• 22:42
  Speaker 2: I would have not been able to handle it.
• 22:44
  Speaker 1: Also, as a kid, you don't realize it's the same person.
• 22:47
  Speaker 2: No, I knew. I knew because remember I'm like I
• 22:52
  Speaker 2: was different.
• 22:53
  Speaker 3: I was just enough of a kid where like I
• 22:56
  Speaker 3: was probably like mccaulay's age or a little younger.
• 22:59
  Speaker 2: But I knew him. He was an Uncle Buck, so
• 23:01
  Speaker 2: I was already.
• 23:02
  Speaker 3: Remember I'm a kid who loves movies, So you know,
• 23:04
  Speaker 3: I'm like, I know, you know, I'm like all that
• 23:05
  Speaker 3: little fuck from Uncle Buck because he was funny as
• 23:07
  Speaker 3: hell and Uncle Buck and then he got Home Alone
• 23:10
  Speaker 3: and blew.
• 23:10
  Speaker 1: I never I don't know what uncle Buck is.
• 23:12
  Speaker 3: Oh man, he's funny as hell and uncle Buck he's
• 23:14
  Speaker 3: uh yeah, he's my macauley.
• 23:16
  Speaker 1: History starts with Home Alone, Holdloe.
• 23:18
  Speaker 3: Yeah, yeah, he was an uncle Buck and I'm not
• 23:20
  Speaker 3: sure what else before that, but I knew him an
• 23:22
  Speaker 3: uncle buck because he curses, and you know, I was
• 23:24
  Speaker 3: a little kid, and so this little kid cursing, it
• 23:26
  Speaker 3: was like, you know, it's great. You know, mccauday's so
• 23:28
  Speaker 3: cute and him cursing was hilarious.
• 23:31
  Speaker 1: Yeah. But just the one other thing about that announcement
• 23:34
  Speaker 1: from James Gunn he it was accompanied by a teaser image. Yes,
• 23:38
  Speaker 1: the cartoon or cartoon or.
• 23:39
  Speaker 2: Anim Jimy cartoon. It's Trauma Book.
• 23:43
  Speaker 1: The comic book image, I should say, of Lex and
• 23:46
  Speaker 1: his warsuit with with soups right next to him. And
• 23:50
  Speaker 1: obviously that means that it's gonna be more of Lex.
• 23:53
  Speaker 1: And you know how I feel about Lex. I didn't
• 23:58
  Speaker 1: hate I didn't hate Man in the Superman twenty twenty
• 24:03
  Speaker 1: five film as I love them. I thought he was
• 24:06
  Speaker 1: cool again. I thought they they just did a little
• 24:08
  Speaker 1: bit too much like angry, you know, evil Jeff Bezos,
• 24:12
  Speaker 1: evil blurred Jeff Bezos versus just you know Lex. And
• 24:16
  Speaker 1: I would just like to see more of like the
• 24:19
  Speaker 1: intrinsic nature to why Lex does not fuck with soups
• 24:23
  Speaker 1: like because it still was giving. Just I'm just jealous
• 24:25
  Speaker 1: and not to say that's not the that's that can't
• 24:27
  Speaker 1: do that is part of it. That's part of it.
• 24:29
  Speaker 1: And that's my point. It's only part. It's not the
• 24:32
  Speaker 1: full extent of this man's hate. So yeah, I just
• 24:35
  Speaker 1: want to see more.
• 24:37
  Speaker 3: It's not the full extent, but it is like the
• 24:39
  Speaker 3: biggest part of it, because that's the thing.
• 24:41
  Speaker 2: It's like he.
• 24:42
  Speaker 3: He desguises his jealousy with a lot of bullshit about
• 24:45
  Speaker 3: why he hates him, because one of his big things
• 24:47
  Speaker 3: that he says is Superman is keeping back the human
• 24:51
  Speaker 3: race by being there, and that's bullshit.
• 24:53
  Speaker 2: And then the other one he tries to say is
• 24:55
  Speaker 2: why is that bullshit?
• 24:56
  Speaker 1: He feels like because people are becoming reliant on him,
• 24:59
  Speaker 1: Why is that bullshit?
• 25:01
  Speaker 2: Nigga? Because this nigga is only one nigga. He can't
• 25:03
  Speaker 2: be everywhere.
• 25:04
  Speaker 1: One nigga that's been stopping wars and stepping in and
• 25:07
  Speaker 1: making decisions on his own.
• 25:08
  Speaker 2: Okay, all right, but for the good of earth, right.
• 25:14
  Speaker 1: That's what we believe.
• 25:15
  Speaker 3: But believe that, yeah, and that's the problem, and that's
• 25:18
  Speaker 3: the other and that's the other thing that lets spits
• 25:20
  Speaker 3: to some nonsense.
• 25:21
  Speaker 1: Is flex feels we let us where the humans let
• 25:24
  Speaker 1: us handle our own ship.
• 25:25
  Speaker 3: And the other thing he says is if it was
• 25:27
  Speaker 3: up to me, I could say the world if you
• 25:29
  Speaker 3: weren't here, But.
• 25:30
  Speaker 1: She did and uh was it red Son, Which here's
• 25:37
  Speaker 1: a story where Lex basically makes a utopia only only through.
• 25:42
  Speaker 2: The help of Superman. That's Red Sun.
• 25:45
  Speaker 3: It's still only through that, but.
• 25:48
  Speaker 1: It was Lax.
• 25:54
  Speaker 3: That's the problem is his ass is jealous of this
• 25:57
  Speaker 3: nigga and it said it to being like, yo, we
• 25:59
  Speaker 3: can work together and do great things. This niggas a
• 26:02
  Speaker 3: hater and that is Lex's biggest problem is being a hater.
• 26:07
  Speaker 2: Like I always love the old.
• 26:09
  Speaker 3: School Superman where it's I'm not sure if it's disposure
• 26:13
  Speaker 3: to kryptonite, but it's something that makes Lestro bald as
• 26:16
  Speaker 3: a teenager. And that's why a small villain that beause
• 26:23
  Speaker 3: that goes back to the old school comics when they
• 26:25
  Speaker 3: were when they grew up together and in high school,
• 26:27
  Speaker 3: something happens and it makes leed'stro bald, and that's why
• 26:31
  Speaker 3: he hates him because he has like bright red hair
• 26:32
  Speaker 3: and I just always found out out.
• 26:34
  Speaker 1: But I just cannot let everything boil down to this
• 26:37
  Speaker 1: nigga's a jealous nigga. He never came off like that
• 26:43
  Speaker 1: to me because about Superman anime series.
• 26:45
  Speaker 2: But it's slickness. But it's that's what I'm saying. It's
• 26:48
  Speaker 2: it's a nigga who he's good.
• 26:49
  Speaker 3: At being charismatic and telling you a story, you know,
• 26:53
  Speaker 3: and he's telling you the story. Oh look at this
• 26:55
  Speaker 3: alien if not for him, but it's like, nigga, you
• 26:58
  Speaker 3: still here. And that's what Man says to him over
• 27:01
  Speaker 3: and over again. I'm here and you're here. What are
• 27:03
  Speaker 3: you doing but hating on me? How I'm over here
• 27:06
  Speaker 3: helping and you're just hating.
• 27:09
  Speaker 1: Tell it cannot just be that because then no, and
• 27:13
  Speaker 1: this is the reason why, because it's gonna get boring.
• 27:15
  Speaker 1: It's gonna be boring fast that it's just every movie,
• 27:18
  Speaker 1: every Superman movie, there's just this nigga that's hating.
• 27:20
  Speaker 2: We see. That's the thing about that image, Like, No,
• 27:24
  Speaker 2: that's that's the thing.
• 27:25
  Speaker 1: New film that we're gonna in twenty twenty seven is
• 27:27
  Speaker 1: gonna be Oh, I'm a hater twenty nine, Oh I'm
• 27:30
  Speaker 1: a hater likes gun knows that won't work and that's
• 27:34
  Speaker 1: the thing about that, and that's all I'm saying.
• 27:36
  Speaker 2: But look at that about.
• 27:37
  Speaker 3: Hate, no I'm saying, and look at the image that
• 27:40
  Speaker 3: it's not just Lex and his warsuit. It's Superman leaning
• 27:43
  Speaker 3: against lets looking at him like whatever, nigga, which.
• 27:47
  Speaker 1: Which happens also in the animated again the anime series
• 27:50
  Speaker 1: where it was like the rivalry basically it was on
• 27:53
  Speaker 1: some Gary o'catch ship where it's like I don't really
• 27:56
  Speaker 1: like you like that, nigga, but no our tolerance when
• 28:00
  Speaker 1: I need to.
• 28:01
  Speaker 2: And it also happens in your favorite red Son when
• 28:04
  Speaker 2: Brainiat dumb dumbs comes through. Yes, and that's what people are.
• 28:08
  Speaker 3: You know, there's a lot of speculation that Brainiac is
• 28:11
  Speaker 3: the villain of Man of Tomorrow because when you speak
• 28:14
  Speaker 3: about the tomorrow, you're speaking about the future, and that's
• 28:16
  Speaker 3: brainiac territory.
• 28:18
  Speaker 1: So shout out to front of the show seven, Shout
• 28:21
  Speaker 1: out seven, who said, that's a young kid who gave
• 28:24
  Speaker 1: his take. You know, he has some really good takes
• 28:27
  Speaker 1: on Superman and everything else. But he mentioned that he
• 28:30
  Speaker 1: felt that Brainiac should be the villain.
• 28:33
  Speaker 3: It definitely, I mean BRAINI that's the villain of Red Son.
• 28:37
  Speaker 3: Brainiac is part of the villain of All Star Superman.
• 28:40
  Speaker 3: So yeah, Braini, that's one of my favorite Superman villains
• 28:44
  Speaker 3: and one of the illis and one of.
• 28:45
  Speaker 2: The like, yeah, mister terrifying too.
• 28:48
  Speaker 3: That's what I really like about BRAINI at Brainiac is
• 28:50
  Speaker 3: terrifying when they do him as the you know, completely
• 28:53
  Speaker 3: computer intelligence where he just has no feeling and no
• 28:58
  Speaker 3: thought process that's anything like our Yeah, and then with
• 29:01
  Speaker 3: all the AI talk going on today, I think Brainy
• 29:04
  Speaker 3: that's like a perfect feeling right now, it makes sense.
• 29:06
  Speaker 1: I mean besides, like Brainiac had Superman villains have been
• 29:09
  Speaker 1: my favorite have been him in Dark Side. Oh yeah,
• 29:12
  Speaker 1: those are those are my two waves?
• 29:14
  Speaker 2: Who else? I love? Mister Mitchell Blick I cannot lie
• 29:17
  Speaker 2: miol I love him. He's just so ill.
• 29:20
  Speaker 3: I mean, you know that's supposed to be him in
• 29:22
  Speaker 3: the background of Superman twenty twenty five, where when he's
• 29:27
  Speaker 3: talking to Lowest and the Justice Dangers in the background
• 29:29
  Speaker 3: battling this energy thing. Oh yeah, yeah, yeah, that's what
• 29:33
  Speaker 3: it might be, mitchplit because he says it's an interdimensional
• 29:36
  Speaker 3: imp and that's what mister Bay is.
• 29:41
  Speaker 2: Yeah, he isn't.
• 29:42
  Speaker 3: And you're not, and he doesn't look like the little
• 29:44
  Speaker 3: old man. That's not what it really looks like. But
• 29:47
  Speaker 3: it really looks like something like that.
• 29:49
  Speaker 1: Yeah, yeah, okay, I'll take it if that's true.
• 29:53
  Speaker 3: So yeah, I was gonna make a joke on Threads
• 29:56
  Speaker 3: the other day that JD. Vance said his name backwards.
• 29:58
  Speaker 3: He probably vanishes.
• 30:01
  Speaker 1: I wish she would, she would do something.
• 30:04
  Speaker 3: So that's all I promise you. If they just did
• 30:09
  Speaker 3: him to say his name backward to vanish to the
• 30:11
  Speaker 3: fifth dimension. Oh my god, you just look in an dimensional.
• 30:20
  Speaker 3: We got some reviews you want to start off with.
• 30:23
  Speaker 1: Well, let me get this out the way before I
• 30:24
  Speaker 1: started crying. So I saw The Long Walk a few
• 30:29
  Speaker 1: weeks ago. Actually I saw it rather early, and I
• 30:33
  Speaker 1: wish i'd never seen it. And and let me be clear, yeah,
• 30:39
  Speaker 1: not because it's a bad movie. It's actually incredible. Yep,
• 30:43
  Speaker 1: it's extremely well done. It is an adaptation of the
• 30:47
  Speaker 1: Stephen King novel of the same name. I never read
• 30:50
  Speaker 1: the book, but after the film I did like read
• 30:52
  Speaker 1: through like excerpts of the book and try to like
• 30:54
  Speaker 1: try to match up with a lot of the scenes
• 30:56
  Speaker 1: that I saw.
• 30:57
  Speaker 3: Yeah, it's actually written. Stephen King did write it, but
• 31:00
  Speaker 3: he wrote it under his pen name Richard Bachman at
• 31:03
  Speaker 3: a point when he was trying to see if he
• 31:04
  Speaker 3: could sell books without being Stephen King King, and it
• 31:08
  Speaker 3: still sold pretty well. From what I understand, I read it.
• 31:12
  Speaker 1: Because it's incredible.
• 31:14
  Speaker 3: Yeah, I read it when I was a kid, like
• 31:16
  Speaker 3: not a kid kid, but very young. And it's so
• 31:19
  Speaker 3: when we got the offer to see the film, I told,
• 31:22
  Speaker 3: ain't no way, because I already know like the Long
• 31:25
  Speaker 3: Walk and the Running Man book and they're doing the
• 31:27
  Speaker 3: Running Man film later on this year are two of
• 31:30
  Speaker 3: those Stephen King stories that ruined me, and so I
• 31:33
  Speaker 3: had no desire to see this movie.
• 31:36
  Speaker 1: But yeah, and as mentioned, I really wish I didn't
• 31:39
  Speaker 1: see it, only because, like I wish I had known
• 31:43
  Speaker 1: ahead of time and prep myself by knowing what the
• 31:46
  Speaker 1: book was about. The problem was, like I was intrigued
• 31:49
  Speaker 1: by the premise of the film of the Travelers.
• 31:54
  Speaker 2: That's not happening to me as a kid.
• 31:57
  Speaker 1: I was like this, shiit wow, And I'm thinking it's
• 32:00
  Speaker 1: just like level six wild, right, No, this is level
• 32:04
  Speaker 1: two hundred and thirty five of the level of wild
• 32:07
  Speaker 1: that it could ever be. And the book is already
• 32:13
  Speaker 1: brutal and messed up, and the film just to it's different.
• 32:20
  Speaker 1: As everyone knows, when you're reading a book, especially books
• 32:22
  Speaker 1: that dictate things that are graphed happening, you are making
• 32:27
  Speaker 1: pictures in your mind. You are, especially if you're very illustrative,
• 32:32
  Speaker 1: when it comes to your imagination. As you read, you're
• 32:34
  Speaker 1: gonna see what you're gonna see. But it's probably still
• 32:36
  Speaker 1: not gonna be as fucked up. But what someone else
• 32:39
  Speaker 1: thinks the imagery of that scene should be right, especially
• 32:42
  Speaker 1: someone that's already twisted, Which is why I think the
• 32:44
  Speaker 1: director Francis I think he's a little twisted because the
• 32:47
  Speaker 1: way he interpreted certain scenes in that book was just
• 32:52
  Speaker 1: beyond beyond the pale when it comes to the level
• 32:57
  Speaker 1: of violence that I expected, Like I'm I thought I knew,
• 33:00
  Speaker 1: but I didn't know. And the trailers think the trailers
• 33:03
  Speaker 1: for those who were you know, are like, oh, it's
• 33:05
  Speaker 1: not that big of a deal. The trailers do not
• 33:07
  Speaker 1: give how big of a deal it really is. And
• 33:11
  Speaker 1: it's probably more so why why my reaction has been
• 33:15
  Speaker 1: so outsized. It is because these are they're not children,
• 33:18
  Speaker 1: but they're young men. These aren't like grown old ass
• 33:22
  Speaker 1: men that had their whole life, and you know, at
• 33:24
  Speaker 1: the at the end of their.
• 33:26
  Speaker 3: Time, these are young men, be eighteen, right, that's one
• 33:29
  Speaker 3: of the rules that are long walk.
• 33:31
  Speaker 2: I don't remember, I don't know, I don't know.
• 33:33
  Speaker 1: That's still the was still the case. But the fact
• 33:35
  Speaker 1: is they're young because.
• 33:36
  Speaker 2: One of them lies to get in, because one of
• 33:38
  Speaker 2: them lies to get in.
• 33:39
  Speaker 1: Yeah, but again they changed some stuff in the film,
• 33:43
  Speaker 1: so it might be a little different in the film
• 33:44
  Speaker 1: than in the book. But the point is these as
• 33:46
  Speaker 1: young men with their lives fully ahead of them. And
• 33:50
  Speaker 1: as mentioned, there are some who are maybe younger than
• 33:52
  Speaker 1: they appear. And you see some things. You see some things.
• 33:56
  Speaker 1: You see some horrifying, terrifying things, and it's not scary
• 34:01
  Speaker 1: in the in the sense of you know, jump scares
• 34:04
  Speaker 1: or anything like that, even though there are a couple
• 34:07
  Speaker 1: which is just just just again ruined me. As you say,
• 34:11
  Speaker 1: it's more psychological horror, psychological trauma. And as I mentioned
• 34:16
  Speaker 1: in my social review, my quick social review, you have
• 34:19
  Speaker 1: to be very careful with this film.
• 34:21
  Speaker 2: If you.
• 34:23
  Speaker 1: If you are have some stuff going on in your
• 34:25
  Speaker 1: life right now that you want to keep your peace,
• 34:28
  Speaker 1: I would not say to go watch this again, it's
• 34:32
  Speaker 1: an incredible good film. It's well directed, the ensemble cast,
• 34:39
  Speaker 1: and hopefully we'll get to actually interview some of them.
• 34:40
  Speaker 1: But the ensemble cast, they do an incredible job with
• 34:43
  Speaker 1: each other because it's a lot of dialogue as well.
• 34:47
  Speaker 1: It's dialogue heavy, and it has to be because it's
• 34:49
  Speaker 1: literally a movie about people walking for hundreds of miles
• 34:52
  Speaker 1: and you're just with them walking. There's besides the stuff
• 34:55
  Speaker 1: that happens, and then there's no other main point of action.
• 34:59
  Speaker 1: So it requires good synergy between the actors. It requires
• 35:03
  Speaker 1: them to befriend each other, requires you to believe that befriending,
• 35:08
  Speaker 1: and it works. I will say that there are some
• 35:12
  Speaker 1: characters where you don't really get and I don't I
• 35:16
  Speaker 1: don't know if that's just you didn't have the time
• 35:17
  Speaker 1: to or what, or just maybe the way that they
• 35:21
  Speaker 1: were interpreted. You don't get to see. They're more like
• 35:23
  Speaker 1: sketches of fully characters versus you know, you get the
• 35:28
  Speaker 1: real history behind them, like why, what their motives are
• 35:32
  Speaker 1: if that makes any sense, Like you know, you'll have
• 35:34
  Speaker 1: the person who is the evil one quote quote, you
• 35:37
  Speaker 1: have the person who is the kid quote like they
• 35:40
  Speaker 1: some of them are more like archetypes as opposed to
• 35:43
  Speaker 1: fully fleshed characters. And again, I don't know if that's
• 35:46
  Speaker 1: just didn't have the time for that or is.
• 35:48
  Speaker 2: Just a differend.
• 35:49
  Speaker 1: It's a lot of characters, it's a lot, but the
• 35:52
  Speaker 1: only really focus on like maybe five or six people.
• 35:54
  Speaker 2: That's the thing. I mean, five or six is a
• 35:56
  Speaker 2: lot for a film to carry.
• 35:57
  Speaker 1: So well, you know what, we've seen it done foreign
• 36:00
  Speaker 1: TV shows with with less time.
• 36:02
  Speaker 3: So no c TV shows are more time. Remember that
• 36:05
  Speaker 3: TV shows are going to be episodic. You're gonna have no.
• 36:07
  Speaker 1: No, no, I'm talking about in one episode. What I'm
• 36:09
  Speaker 1: saying is it's Britson about how some of the characterizations
• 36:16
  Speaker 1: are okay.
• 36:18
  Speaker 3: Also, you know, again, a TV show is a different
• 36:20
  Speaker 3: audience of film. You know, it's a big screen. You're
• 36:22
  Speaker 3: gonna have to get to the point, you know, and
• 36:24
  Speaker 3: then like you know, get to the shootings him.
• 36:30
  Speaker 2: Bullets do hurt.
• 36:31
  Speaker 1: It's horrific some of the the ways that these kids
• 36:36
  Speaker 1: go out.
• 36:37
  Speaker 2: Yeah, for those that don't, the quick premise of the
• 36:40
  Speaker 2: thing is that there's it's an alter the Future type.
• 36:43
  Speaker 3: Thing where it's a game show. People can enter, there's
• 36:47
  Speaker 3: a prize and the game or contest is you must walk.
• 36:53
  Speaker 3: And if you did blow four miles that's.
• 36:55
  Speaker 2: The book four miles pour.
• 36:57
  Speaker 1: It's three miles powers prior in the film, you get
• 37:02
  Speaker 1: a warning and then your third warning you were shot
• 37:05
  Speaker 1: by people who are driving alongside as the boys walk.
• 37:09
  Speaker 2: Yeah, and that's it.
• 37:10
  Speaker 1: Yeah, and and and all this is this is direct
• 37:13
  Speaker 1: from the trailers, so we're not telling you anything.
• 37:14
  Speaker 2: That's noticed before you go in and see.
• 37:18
  Speaker 1: This film and you see that it's like it's militarized, right,
• 37:21
  Speaker 1: Like the people who are driving alongside them are military people.
• 37:23
  Speaker 1: So and these are just regular kids. And again just
• 37:26
  Speaker 1: imagine just you're just walking. Yeah, you're just walking for
• 37:31
  Speaker 1: hundreds and hundreds of miles until it's the last man standing.
• 37:35
  Speaker 2: Yep.
• 37:35
  Speaker 1: So again I thought, you know, from the premise alone,
• 37:38
  Speaker 1: I was like, oh, that's tough, but oh like, how
• 37:41
  Speaker 1: bad could it be?
• 37:44
  Speaker 2: And I told you, I was like, well, it's one
• 37:46
  Speaker 2: of those all farm books I've ever read.
• 37:48
  Speaker 1: It's man again, well done film, I will never see
• 37:53
  Speaker 1: it again.
• 37:54
  Speaker 2: Yeah.
• 37:54
  Speaker 3: I've told people about this, like, I'm a huge Stephen
• 37:58
  Speaker 3: Keanon fan. But when you talk about books that ruined
• 38:02
  Speaker 3: me as a child, several of his are on there,
• 38:05
  Speaker 3: and The Long Walk, the Running Man, and the Mists
• 38:09
  Speaker 3: are all up in there. Like I'll never forget sitting
• 38:12
  Speaker 3: in classes elementary school when I'm reading The Mists and
• 38:14
  Speaker 3: at one point they're driving and I lift my head
• 38:17
  Speaker 3: up from the book and I felt the car like
• 38:20
  Speaker 3: going away from me, you know what I mean, Like
• 38:22
  Speaker 3: I felt like I was driving with them. That's how
• 38:26
  Speaker 3: in this fucking book I was. That's you know, like
• 38:29
  Speaker 3: I felt the motion of the car. I'm sitting in
• 38:31
  Speaker 3: my desk at school, but I felt the motion of
• 38:35
  Speaker 3: the cars. I mean, you talk about like so that's
• 38:37
  Speaker 3: fine when you know it's like, yeah, this director might
• 38:39
  Speaker 3: have it, but I knew childhood that The Long Walk
• 38:42
  Speaker 3: was something.
• 38:43
  Speaker 2: I never needed to read or see again.
• 38:45
  Speaker 1: So yeah, and again this is very it's extremely graphic. Yeah,
• 38:50
  Speaker 1: the things that you watch these kids endure is like
• 38:58
  Speaker 1: you would never think that they would force should watch it.
• 39:00
  Speaker 1: Like a lot of times, especially in films, they'll cut
• 39:03
  Speaker 1: away like or they'll get they'll tease something, or they
• 39:06
  Speaker 1: do silhouettes or shadows or whatever. No, they show you, Yep,
• 39:11
  Speaker 1: you see the stuff happening. You just see it all.
• 39:15
  Speaker 1: And I just that will it's burning my brain forever.
• 39:21
  Speaker 2: Yeah, no, I'm so good. I gotta say.
• 39:23
  Speaker 3: They're doing an adaptation of The Running Man later this year,
• 39:27
  Speaker 3: and even from the trailer, it seems that they're going
• 39:31
  Speaker 3: closer to the book than the original Running Man film,
• 39:35
  Speaker 3: with a start on the Schwarzenegger, which was completely different
• 39:39
  Speaker 3: from the book. And so just the idea of them
• 39:41
  Speaker 3: getting close to the book started like, you know, those
• 39:45
  Speaker 3: hairs on the back of my nets started standing up
• 39:47
  Speaker 3: because it's just like, oh God, that book is one
• 39:50
  Speaker 3: of those books that I just regret reading. Most Stephen
• 39:54
  Speaker 3: King books that I read as a child, I regret reading,
• 39:57
  Speaker 3: like seriously, just like you regret seeing be.
• 40:00
  Speaker 1: Really Stephen King as a child.
• 40:01
  Speaker 2: This is probably true. This is probably true.
• 40:05
  Speaker 1: Another thing, this film obviously is not for children, and
• 40:09
  Speaker 1: it's barely for adults because certain adults will not be
• 40:12
  Speaker 1: able to have the mental capacity to really processes as mentioned.
• 40:16
  Speaker 1: Just be very careful. If you know yourself, or I
• 40:19
  Speaker 1: should say know yourself, get to learn yourself, and if
• 40:22
  Speaker 1: you cannot process that type of brutality and graphic nature
• 40:27
  Speaker 1: of what kind of mirrors was going on today, then
• 40:32
  Speaker 1: you might want to be cared. You might want to
• 40:35
  Speaker 1: take a pass or at least some be be prepared
• 40:38
  Speaker 1: to take breaks if you can, because I assume this
• 40:42
  Speaker 1: is not going to be in theaters for that long,
• 40:44
  Speaker 1: considering they keep pulling stuff so fast nowadays. So if
• 40:47
  Speaker 1: you end up watching this at home, like on streaming
• 40:50
  Speaker 1: when it eventually comes to streaming, take some breaks if
• 40:52
  Speaker 1: you need to.
• 40:53
  Speaker 3: Yeah, I would definitely recommend it because, like I said,
• 40:57
  Speaker 3: I've read it, and I just knew and you know,
• 40:59
  Speaker 3: and I knew that they were sticking way too close
• 41:01
  Speaker 3: to the book, and then Todd down has told me
• 41:03
  Speaker 3: the whole thing, and so I'm like, oh.
• 41:04
  Speaker 1: Yeah, when I read it against the book and then
• 41:07
  Speaker 1: I look at the I just remember when I saw it,
• 41:09
  Speaker 1: I was like, they actually did.
• 41:11
  Speaker 2: That, and they do the whole go ahead? Do they
• 41:14
  Speaker 2: do the whole diarrhea incident?
• 41:16
  Speaker 1: And for fans of the book, I'm not going to
• 41:19
  Speaker 1: answer that as for fans because I don't want to
• 41:23
  Speaker 1: give nothing away, But for.
• 41:24
  Speaker 2: Fans that means the fans of the book.
• 41:27
  Speaker 1: If you're worried about them wording it down, no, they
• 41:30
  Speaker 1: turned it up. They turned it up like a lot
• 41:34
  Speaker 1: of That was one of the other things that I
• 41:35
  Speaker 1: saw floating around people were just because I looked around
• 41:38
  Speaker 1: the see what the internet was talking about when they
• 41:40
  Speaker 1: thought about law. And they was like, oh, I hope
• 41:41
  Speaker 1: that they didn't, you know, sanitize this or no it's
• 41:45
  Speaker 1: dirty as fuck.
• 41:46
  Speaker 2: Yeah, I believe.
• 41:47
  Speaker 1: Sitized about it.
• 41:49
  Speaker 2: It's hard not to be.
• 41:50
  Speaker 3: It's just such a good like you say, it sounds
• 41:52
  Speaker 3: like that saying I'm like ten eleven, maybe twelve. You know,
• 41:56
  Speaker 3: somebody's like, oh, you know, check out this, and I'm like, oh,
• 41:58
  Speaker 3: the Long Walk and they read it and they're like.
• 42:00
  Speaker 2: Yo, this is this happens. I'm like, oh, word, and
• 42:02
  Speaker 2: I'm like, that's an ill premise.
• 42:03
  Speaker 1: Now, that's an innocence killer. They should not have told.
• 42:06
  Speaker 2: You, yeah, And it was they should not that, yeah,
• 42:10
  Speaker 2: because and I just thought and I was like, oh,
• 42:12
  Speaker 2: this is interesting.
• 42:12
  Speaker 3: And then you you know, and that's how SIMI can
• 42:14
  Speaker 3: get you. And it's like, you know, he's such a
• 42:16
  Speaker 3: great writer and such a great storyteller.
• 42:17
  Speaker 2: It.
• 42:19
  Speaker 3: Oh man, he has this one about time, not time travel,
• 42:21
  Speaker 3: about teleportation, and it's a very short story.
• 42:26
  Speaker 2: It might be twenty some pages.
• 42:28
  Speaker 1: And was that one when the person's got like ripped apart,
• 42:31
  Speaker 1: no body parts or something like that.
• 42:33
  Speaker 3: No, it interests somebody tearing their eyes out though, so
• 42:36
  Speaker 3: it's pretty bad.
• 42:37
  Speaker 1: But that's the body part.
• 42:40
  Speaker 3: It was basically the story about how man kind of
• 42:42
  Speaker 3: vince teleportation, and when they teleport, there's like one point
• 42:47
  Speaker 3: something seconds that they can't account for because you have
• 42:50
  Speaker 3: to go through a portal, you know, that's how they
• 42:52
  Speaker 3: do it, and anyone who sees what's in that portal
• 42:56
  Speaker 3: goes insane. And so to counter at that, they made
• 43:01
  Speaker 3: people take sleeping gas. You know, it's like a plane
• 43:03
  Speaker 3: like you know, everybody gets on the plane, everybody gets
• 43:06
  Speaker 3: taken them sleeping gas, and then they push the plane through.
• 43:09
  Speaker 2: The portal and you tell the port you know, no problem.
• 43:12
  Speaker 3: And the whole story is about this man telling his
• 43:15
  Speaker 3: son about you know, the whole history of it. You know,
• 43:19
  Speaker 3: how they figured out the portals, how they kept sending
• 43:22
  Speaker 3: people through, and they were going insane. It's an animals,
• 43:24
  Speaker 3: nothing worth. And then they figured out if you were
• 43:26
  Speaker 3: to sleep, you know, you were fine. Boom boom boom,
• 43:28
  Speaker 3: and now we have worldwide teleportation. And so then they
• 43:32
  Speaker 3: go through the portal, and the fucking kid, because he
• 43:36
  Speaker 3: heard this story, wants to see what was out there,
• 43:38
  Speaker 3: and he helds his breath during the sleeping gas, and
• 43:44
  Speaker 3: so he goes insane and comes out and they're like,
• 43:46
  Speaker 3: the kid looks like a.
• 43:47
  Speaker 2: Ninety year old man.
• 43:48
  Speaker 3: His hair is all white, all kind of shit. And
• 43:51
  Speaker 3: then he's like, I saw that. I saw that.
• 43:53
  Speaker 2: And he tears his.
• 43:54
  Speaker 3: Eyes out and they drag his dad away, screaming, and
• 43:58
  Speaker 3: that's the end of the short story.
• 44:00
  Speaker 1: Stephen King, Ladies and gentlemen, fucking Stephen King, Ladies and gentlemen.
• 44:04
  Speaker 3: And I'm sitting reading like, well, this is interesting because
• 44:07
  Speaker 3: it's like, you know, they're breaking down how the scientists
• 44:08
  Speaker 3: figure out the teleportation.
• 44:10
  Speaker 2: I'm like, oh, that's so cool. Yeah, well that's interesting.
• 44:13
  Speaker 1: And that's what and that's how it gets you. Oh,
• 44:14
  Speaker 1: this is and that's what happened.
• 44:15
  Speaker 2: This is an interesting premise. That's how he does you.
• 44:18
  Speaker 1: That's how Stephen King do you people crazy. Oh, this
• 44:23
  Speaker 1: is a good idea, right, this sounds what you're Let's
• 44:25
  Speaker 1: let's keep going.
• 44:27
  Speaker 2: Horror, horrorr tay her and horror.
• 44:31
  Speaker 3: All right, Well, I have a her view myself of
• 44:34
  Speaker 3: something that is not so terror and horror oriented.
• 44:39
  Speaker 2: Robo force.
• 44:40
  Speaker 1: What's that?
• 44:42
  Speaker 2: Robo force is a reboot, reimagining. I'm not sure what
• 44:49
  Speaker 2: you wanna actually call it, since they never I don't
• 44:53
  Speaker 2: as far as I know, Robo Force never had a
• 44:54
  Speaker 2: cartoon back to day anyway. Back in the day, you know,
• 44:58
  Speaker 2: in the early eighties, there was Transformers, and then there
• 45:01
  Speaker 2: was a lot of biers. There's a lot of people.
• 45:05
  Speaker 2: There's a lot of people Transformers. There's a lot of
• 45:07
  Speaker 2: people trying to live off the fame of Transformers.
• 45:09
  Speaker 1: It's all say yes, okay, wow.
• 45:15
  Speaker 3: And there was you know, go Bots, who are known
• 45:18
  Speaker 3: as the pure on Transformers biers. Like you know when
• 45:23
  Speaker 3: when mom said you had Transformers at home.
• 45:25
  Speaker 2: She meant you had go Bots, Like it was not
• 45:28
  Speaker 2: a good look, that's a.
• 45:29
  Speaker 1: Dollar store bots.
• 45:30
  Speaker 2: It was.
• 45:33
  Speaker 1: Transformers.
• 45:34
  Speaker 2: You want to remember that. I remember when I got
• 45:36
  Speaker 2: a go Bot. I was so hurt. It was so
• 45:38
  Speaker 2: bad and their cartoon was weak.
• 45:41
  Speaker 3: It was everything about it was terrible, Like Transformers isn't
• 45:45
  Speaker 3: the best of high entertainment.
• 45:46
  Speaker 2: But go Bots was asked, and then.
• 45:49
  Speaker 1: There was still on brand versus off brand.
• 45:51
  Speaker 3: Yeah, and then there was robo Force, which they don't
• 45:55
  Speaker 3: even really transform so they weren't even that. But you know,
• 45:57
  Speaker 3: robots of everybody was trying to get a piece of
• 45:59
  Speaker 3: the buy and whatever a company had. Robero Force had
• 46:02
  Speaker 3: these toys. They were like little clunky robots with rubbery
• 46:07
  Speaker 3: arms or whatever. They couldn't do much. I had a
• 46:09
  Speaker 3: couple of them as a kid, but they were asked.
• 46:11
  Speaker 2: I can't lie.
• 46:11
  Speaker 3: There was nothing about robo Force that made you want
• 46:13
  Speaker 3: to buy more than one of them most so that
• 46:16
  Speaker 3: never really went anywhere. But in twenty twenty five, Robo
• 46:19
  Speaker 3: Force has a new series. It's out on two B.
• 46:22
  Speaker 3: We got sent preview copies of it, so I peeped it.
• 46:26
  Speaker 3: It's all out now, dropped in April. Actually, I can't
• 46:30
  Speaker 3: say I was blown away by rober Force or anything
• 46:32
  Speaker 3: or that I was like, wow, this is, you know,
• 46:35
  Speaker 3: more than I expected.
• 46:37
  Speaker 2: It was about what I expected.
• 46:39
  Speaker 3: You know, for robo Force, Like it was a very
• 46:44
  Speaker 3: kid oriented cartoon. I'll say that the one the couple
• 46:49
  Speaker 3: things that I really did enjoy about it is that
• 46:52
  Speaker 3: it has a lead character, sorayah Avaram, who was a.
• 46:57
  Speaker 2: You know, young East Indian woman.
• 47:02
  Speaker 3: You know, child like you know ten to eleven, I guess,
• 47:05
  Speaker 3: and she basically leads the robo Force. She puts them
• 47:08
  Speaker 3: back together that's in the future where the robots are
• 47:11
  Speaker 3: plenty and the Robo Force are of course the line
• 47:14
  Speaker 3: that you know has been abandoned and nobody messes with anymore,
• 47:18
  Speaker 3: basically a callback to you know, the old Robo Force
• 47:21
  Speaker 3: of the nineteen eighties, Like those are the old eighties
• 47:23
  Speaker 3: toys that nobody plays with anymore. She puts them back
• 47:26
  Speaker 3: together and they go on wacky adventures, you know, as
• 47:28
  Speaker 3: you would say. It's a series, so you know it's
• 47:30
  Speaker 3: troub be whacky adventures. The one thing that I did enjoy,
• 47:34
  Speaker 3: beyond you know, having a personal color or young woman
• 47:37
  Speaker 3: personal color doing stem stuff, which is very dope, is
• 47:41
  Speaker 3: that the series does take some twists and turns. It's
• 47:44
  Speaker 3: like some friends who become foes and foes who become
• 47:47
  Speaker 3: friends and all that type of thing, and they're trying
• 47:51
  Speaker 3: to tie it into a larger universe. There's a couple
• 47:53
  Speaker 3: of other They have a bootled teenage Muni Ninja Turtles
• 47:57
  Speaker 3: that they tieing in into from the eighties.
• 48:00
  Speaker 2: Something about these mice. I can't remember what it is.
• 48:02
  Speaker 3: I never paid attention to that, but it's another you know,
• 48:05
  Speaker 3: boot leg So they got to come up bootleg properties
• 48:07
  Speaker 3: that they're building their own boutleg universe.
• 48:10
  Speaker 1: And I see that this is exactly produced by the
• 48:13
  Speaker 1: Rock Dwayne Johnson, Danny Garcia and then Brian Volkee Weiss.
• 48:19
  Speaker 1: Brian Brian is the producer. He's produced a lot of
• 48:22
  Speaker 1: ship actually uh cleaning some shit with Kevin Hart and
• 48:27
  Speaker 1: all that. You know, even though I was clowning to
• 48:29
  Speaker 1: be not for nothing, to Be is actually doing a thing.
• 48:33
  Speaker 2: That's what I'm saying.
• 48:35
  Speaker 1: Anymore, Well, yes I can, but you can always hate
• 48:38
  Speaker 1: on to Be. But what I'm saying is that they
• 48:40
  Speaker 1: do have some good stuff in the mix. Like I
• 48:43
  Speaker 1: want to start watching Damascus.
• 48:45
  Speaker 2: Yes, that's my people show.
• 48:47
  Speaker 1: The black sci fi show. I call it black sci
• 48:51
  Speaker 1: fi show. But it's about uh, you know, a black
• 48:53
  Speaker 1: man like he experiments with emerging therapy that sends him
• 48:56
  Speaker 1: into alternate timelines of his own life. Has an incredible
• 49:01
  Speaker 1: cast too, So I'm just like, oh shit, I kind
• 49:03
  Speaker 1: of I kind of want to say it like it
• 49:05
  Speaker 1: stars Janet Hubert, black On, viv Shakiraj and I pe
• 49:09
  Speaker 1: Martin Lawrence and then the main character, I don't want
• 49:14
  Speaker 1: to mispronounce his name, but ok RITI Ope, that's how
• 49:19
  Speaker 1: I fed sai Ocrette. Yeah, this this is a great
• 49:23
  Speaker 1: cast actually, and I just heard that, like, like I said,
• 49:26
  Speaker 1: it's on to me, so people, I mean, I give
• 49:28
  Speaker 1: the chance, like I don't. I've never really been on
• 49:30
  Speaker 1: to be like that besides seeing the clips. But people
• 49:33
  Speaker 1: say that this is really good.
• 49:34
  Speaker 2: No, and shout out to my brother.
• 49:36
  Speaker 3: Kirk writes that's one of my black men writer from Hollywood.
• 49:40
  Speaker 2: He executive produced that show.
• 49:42
  Speaker 3: And why why it's so good is because it was
• 49:45
  Speaker 3: actually on another network.
• 49:47
  Speaker 2: I want to say it was an AMC show.
• 49:49
  Speaker 3: And they produced it, did everything with it because I
• 49:52
  Speaker 3: remember when he was first getting it together and he
• 49:55
  Speaker 3: was telling me about some people they were trying to
• 49:57
  Speaker 3: get cast on it, thank God or not. And I
• 50:02
  Speaker 3: don't know why AMC abandoned it, but they had I
• 50:05
  Speaker 3: think they produced and created the whole show, and it
• 50:08
  Speaker 3: was like, now when I can put this on?
• 50:10
  Speaker 2: So it got picked up by.
• 50:11
  Speaker 3: To be so and as he said, he had some
• 50:14
  Speaker 3: really good people behind him who kept fighting for it
• 50:16
  Speaker 3: to make sure they have found a new home.
• 50:18
  Speaker 2: So yeah, y'all go check out the Master. Yeah.
• 50:21
  Speaker 1: So if Toby ends up being a place where it
• 50:23
  Speaker 1: saves like especially like independently, you know, written or produced
• 50:27
  Speaker 1: things like I'm all for it because that tends to
• 50:29
  Speaker 1: be the good stuff you really you know, won't be
• 50:33
  Speaker 1: able to see on other places. So again I won't
• 50:36
  Speaker 1: but put too much on to be if they keep
• 50:37
  Speaker 1: going in this direction.
• 50:38
  Speaker 3: No, And like I say, if for kids and for
• 50:41
  Speaker 3: people you know of my generation and a little bit
• 50:45
  Speaker 3: younger who have kids, now this is something you know
• 50:48
  Speaker 3: that might be worth checking out, I would definitely check
• 50:50
  Speaker 3: out well Beth for it. Yeah, because, like I said,
• 50:53
  Speaker 3: it features a POC woman as the lead, which a
• 50:57
  Speaker 3: you know girl as the lead, which is really dope,
• 50:59
  Speaker 3: you know what I mean, I really I had to
• 51:00
  Speaker 3: see that, and the fact that she's involved in STEM,
• 51:02
  Speaker 3: she's the smartest character on the show. All that type
• 51:04
  Speaker 3: of thing is dope, and you know, to give you
• 51:06
  Speaker 3: that nostalgia vibes, it's very simple animation, et cetera. It
• 51:11
  Speaker 3: feels like in eighties early nineties, you know, animated cartoon
• 51:16
  Speaker 3: show that has been rebooted for now, you know. So
• 51:19
  Speaker 3: if you've got nothing else and you're looking for a
• 51:22
  Speaker 3: kids show something to occupy at the time, definitely check.
• 51:25
  Speaker 2: Out Roll before Us.
• 51:26
  Speaker 1: Okay, one other thing that I would recommend. I love documentaries.
• 51:30
  Speaker 1: I'm a big documentary buff. I love and I love
• 51:33
  Speaker 1: all types of documentaries, like from the one on one
• 51:35
  Speaker 1: interview type styles into the ones that are like the large,
• 51:38
  Speaker 1: you know, sweeping ones like I've watched. I don't know
• 51:40
  Speaker 1: if you watched, and it was hard to watch us
• 51:42
  Speaker 1: remembering that because I was in school when it was happening.
• 51:44
  Speaker 1: But the Katrina documentary, yeah, I.
• 51:46
  Speaker 2: Know, I haven't because you know that's I knew people
• 51:49
  Speaker 2: who died it. Yeah, yeah, it was very Yeah, it was.
• 51:54
  Speaker 3: I was like my girl at the time, her grandmother
• 51:58
  Speaker 3: was not her grandmother, but her her best friends grandmother was.
• 52:02
  Speaker 2: Her house was underwater, and then I forward, yeah, they
• 52:05
  Speaker 2: were in there.
• 52:06
  Speaker 1: Yeah. And and like my class was like that first
• 52:09
  Speaker 1: class that we did alternative spring break where we actually
• 52:11
  Speaker 1: went to New Orleans to help with the clean up efforts.
• 52:14
  Speaker 1: It was like six months or so after. So so
• 52:18
  Speaker 1: I did watch the Hulu and this is interesting. This
• 52:20
  Speaker 1: keeps happening with Hulu and Netflix. And yes it's the
• 52:22
  Speaker 1: twenty the twentieth anniversary, but like Netflix has the Katrina
• 52:29
  Speaker 1: what's it called Hurricane Katrina racis excuse me? Hulu has
• 52:33
  Speaker 1: Hurricane Katrina Race Against Time. That's the one I watched,
• 52:36
  Speaker 1: which just really again just shows the level of competency
• 52:40
  Speaker 1: and racism and everything else that had really signified all
• 52:49
  Speaker 1: of the what went wrong with her Hurricane Katrina, amongst
• 52:52
  Speaker 1: other things. And then there what I haven't watched yet
• 52:55
  Speaker 1: is the Netflix version of theirs is called Katrina Come
• 52:58
  Speaker 1: Hell and High Water, And a lot of people who
• 53:01
  Speaker 1: are in the Hula one actually show up in the
• 53:03
  Speaker 1: Netflix one as the people that get interviewed and things
• 53:06
  Speaker 1: like that, including like the key players, like the like
• 53:09
  Speaker 1: the police chief at the time, and some other people. Again,
• 53:14
  Speaker 1: this is one of those things where this is trigger warning, right,
• 53:16
  Speaker 1: like if you're able to like, like for me, I
• 53:18
  Speaker 1: have big triggers when it comes to nine to eleven stuff,
• 53:20
  Speaker 1: being from New York, being around when that happened. It's
• 53:23
  Speaker 1: a lot, right, I can't really watch that stuff. If
• 53:26
  Speaker 1: this is a trigger for you when it comes to Katrina,
• 53:28
  Speaker 1: you know, that's warning for you. But otherwise, like you know, justice,
• 53:32
  Speaker 1: it needs to be taught, especially to the new gen
• 53:34
  Speaker 1: that hasn't you know, they just know it by name
• 53:37
  Speaker 1: or they know it by the memes. The whole you know,
• 53:39
  Speaker 1: George Bets don't care about black people, but it was
• 53:40
  Speaker 1: obviously way more than that, and I would definitely recommend
• 53:44
  Speaker 1: it the Netflix series, excuse me, the Hulu series, and
• 53:47
  Speaker 1: I' probably gonna I'm gonna start watching the Netflix series.
• 53:49
  Speaker 1: We'll see how that goes and the differences between there.
• 53:51
  Speaker 1: And then the other thing that I wanted to recommend
• 53:54
  Speaker 1: that I actually just watched recently is the anti social
• 53:57
  Speaker 1: Network that actually came out in twenty twenty four or
• 54:00
  Speaker 1: another documentary, and it basically to boil all the down
• 54:03
  Speaker 1: shows the link edge, the linkage between four Chan and
• 54:09
  Speaker 1: the mag of movement as you see oh wow, yeah,
• 54:12
  Speaker 1: and when you like the way it connected the dots
• 54:15
  Speaker 1: and the way that the people who were involved in
• 54:18
  Speaker 1: the creation and group of four chan, like those are
• 54:21
  Speaker 1: the people who do the primary first person interviews in it.
• 54:26
  Speaker 1: And when they start making the links to all of
• 54:29
  Speaker 1: the ways that all the different like major social things
• 54:33
  Speaker 1: that's happened in this country in the last fifteen twenty years,
• 54:37
  Speaker 1: right like Occupy Wall Street. When it comes to like
• 54:40
  Speaker 1: those man against the Machine type things, Occupy Wall Street, Anonymous,
• 54:46
  Speaker 1: the Tea Party, all this other stuff, like when you
• 54:49
  Speaker 1: see the linkage between that and how again how dangerous
• 54:53
  Speaker 1: things have become with so many things happen internet spilling
• 54:56
  Speaker 1: over to the real world and how people get and
• 55:00
  Speaker 1: essentially is also precursor to show how people get red
• 55:02
  Speaker 1: pilled again those like the people who they typically go to,
• 55:06
  Speaker 1: young men who are lonely or feel slighted, and this,
• 55:09
  Speaker 1: this and that, and now you have this community of
• 55:11
  Speaker 1: quote like minded people who get you into conspiracy theories
• 55:15
  Speaker 1: and get you into misogyny and all this other stuff,
• 55:17
  Speaker 1: right and this this documentary actually goes into all of that,
• 55:22
  Speaker 1: and like it really draws the lines very cleanly, and
• 55:26
  Speaker 1: you're like, oh shit, that's where these people are coming from.
• 55:29
  Speaker 1: And all those now this damn near all of those
• 55:31
  Speaker 1: fortune people are now grown as mag of people. That's
• 55:35
  Speaker 1: what I got from it, besides other things, But that
• 55:37
  Speaker 1: was kind of the main point I got. But it's
• 55:39
  Speaker 1: again very interesting just how that works. Another thing that
• 55:44
  Speaker 1: I got out of it was just like, damn white people. Wow,
• 55:49
  Speaker 1: you guys, really, I'll do yourselves every every decade, every decade,
• 55:54
  Speaker 1: every decade. People that I saw, not to say there
• 55:58
  Speaker 1: aren't because we've seen some were black folks as part
• 56:01
  Speaker 1: of the we know some, mac we know some, but
• 56:04
  Speaker 1: it's just the vast majority.
• 56:08
  Speaker 3: So okay, so yeah, look them crackers, like you know
• 56:12
  Speaker 3: what I mean, you got a call?
• 56:13
  Speaker 2: How you see it?
• 56:15
  Speaker 1: You're not wrong? Then, I mean so yeah, so the
• 56:18
  Speaker 1: Anti Social Network, the two Kastrina documentaries, but I mean
• 56:21
  Speaker 1: mentioned not Robotech but robo Force.
• 56:24
  Speaker 2: Yes, shot robo Force, not Robotech because right now, the.
• 56:28
  Speaker 1: Long Walk again, I recommend it, but be careful, but
• 56:32
  Speaker 1: these are all kind of recommended items.
• 56:34
  Speaker 3: Yeah, and also Creature Commandos because and I'm loving it.
• 56:40
  Speaker 3: I got two more episodes. I'm really tight that it
• 56:42
  Speaker 3: was only seven episodes in the seven I don't.
• 56:45
  Speaker 1: I don't know if I watch it because it's not
• 56:46
  Speaker 1: that's not really my I'm not really into that.
• 56:48
  Speaker 2: But I'm telling you I felt the same way.
• 56:51
  Speaker 3: That's why I didn't, because it was funny, like I
• 56:52
  Speaker 3: watched the first episode, because you know, when you go
• 56:54
  Speaker 3: back to watch something that's like, oh, I'm already on
• 56:56
  Speaker 3: the second, and I don't remember the first at all.
• 56:58
  Speaker 3: But I was like, fuck it, I'm already on the second.
• 57:00
  Speaker 3: I'm going to the second. I'm not going back.
• 57:02
  Speaker 1: You know, you didn't remember the first.
• 57:03
  Speaker 2: And what was you doing ignoring it? You know what
• 57:07
  Speaker 2: I mean? Probably working on beats. That's that's what it
• 57:09
  Speaker 2: usually happened.
• 57:10
  Speaker 3: I'll started watching something and I'll start working on music,
• 57:12
  Speaker 3: and it's just like it'll become background noise. So yeah,
• 57:16
  Speaker 3: I did not remember the first episode, but by the
• 57:18
  Speaker 3: end of the second I was like, damn, I kind
• 57:19
  Speaker 3: of need to go back and watch the first. I
• 57:21
  Speaker 3: really enjoyed it, like it's it's James gun that's the thing.
• 57:25
  Speaker 3: It's and he knows how to tell a story. He
• 57:28
  Speaker 3: knows how to pull heartstrings. There's one episode with the
• 57:30
  Speaker 3: Weasel from Suicide Squad. If you saw the one with
• 57:33
  Speaker 3: Ris Elba, well, wesel is a character who did not talk.
• 57:37
  Speaker 2: He he yeah, so you know the man.
• 57:40
  Speaker 3: Yeah, that episode that centers on the Weasel is one
• 57:43
  Speaker 3: of the most heart pulling, like fucked up At the end,
• 57:47
  Speaker 3: I'm sitting there like, damn, that fucked up what they
• 57:50
  Speaker 3: did to that day, you know what I mean?
• 57:51
  Speaker 2: It is like that, like he knows how to do it.
• 57:54
  Speaker 2: This is pure James Gunn.
• 57:55
  Speaker 3: This is like, you know, Guardians of the Galaxy punching
• 57:59
  Speaker 3: you in the chest type James Dunn. So if you
• 58:02
  Speaker 3: like that shit. I would definitely Poppins. Yeah, yeah, yes,
• 58:06
  Speaker 3: this is that. This is fucking Mary Poppins, every damn episode.
• 58:11
  Speaker 2: Yeah.
• 58:12
  Speaker 3: The Bride of Frankenstein episode was like that. The Weeza
• 58:15
  Speaker 3: episode is like that, Gi Robots whatever, I'm I think
• 58:19
  Speaker 3: I'm on the dude who's like a flaming skull. I
• 58:22
  Speaker 3: don't know his name, but yeah, the bride episode and
• 58:26
  Speaker 3: the running story of the Bride and the real Frank
• 58:29
  Speaker 3: is time. I can't wait to see how that ends,
• 58:31
  Speaker 3: because that shit is wild. And they got, like I said,
• 58:34
  Speaker 3: two more episodes. But we do have, you know, some
• 58:38
  Speaker 3: other things, some wak coming in asked questions.
• 58:46
  Speaker 1: Yes, please make sure you guys every week we want
• 58:49
  Speaker 1: your questions, keep them coming. It could be about anything.
• 58:52
  Speaker 1: Could be about the things we've just talked about. It
• 58:53
  Speaker 1: could be about the clips you see from our socials.
• 58:56
  Speaker 1: It could be a question from your own life that
• 58:58
  Speaker 1: you want us to answer. Like, whatever it is, definitely
• 59:01
  Speaker 1: hit us up. We're gonna put be putting Pulse up
• 59:03
  Speaker 1: every week where you can ask your questions or you
• 59:05
  Speaker 1: can email us if you want a little bit more privacy.
• 59:07
  Speaker 1: I mean, even though we're about to read it out
• 59:08
  Speaker 1: loud on our podcast, but you can also email us
• 59:12
  Speaker 1: contact thatforur oal nerds dot com.
• 59:14
  Speaker 2: Yeah, if you just want us to answer question and
• 59:16
  Speaker 2: you don't want it on the show, hit us up,
• 59:18
  Speaker 2: you know what I mean?
• 59:19
  Speaker 1: Yeah, and tell us that, like, hey, I don't want
• 59:22
  Speaker 1: you to talk about this, let us know. But otherwise, yeah,
• 59:26
  Speaker 1: just put it on the socials. Like again, you'll have
• 59:28
  Speaker 1: spaces we put on TikTok ig, proply Twitter.
• 59:31
  Speaker 2: You'll definitely be seeing these a lot more.
• 59:33
  Speaker 3: We're gonna make sure we start flooding you know, these
• 59:35
  Speaker 3: socials first of what we got, So the.
• 59:38
  Speaker 1: First comes on our very own Engineer Extraordinaire Luna. Luna
• 59:43
  Speaker 1: Rights Ben spoke before about the DCU having tonal differences
• 59:47
  Speaker 1: when it comes to Superman Peacemaker. I agree and think
• 59:51
  Speaker 1: that's going to be a strong point for the films
• 59:53
  Speaker 1: and shows moving forward. My question is what kind of
• 59:56
  Speaker 1: tone would you like to see for the upcoming Green
• 59:57
  Speaker 1: Lantern series on HBO.
• 1:00:00
  Speaker 3: Dad is a great question, Luna, And it's funny because
• 1:00:04
  Speaker 3: somebody made this point on a comment session a few
• 1:00:07
  Speaker 3: weeks ago and I was like, ooh, and it really
• 1:00:09
  Speaker 3: made me hype for the show because it's not called
• 1:00:12
  Speaker 3: Green Lanterns. The show is called Lanterns and that when
• 1:00:17
  Speaker 3: somebody made that point, I'm like, oh, and then they
• 1:00:20
  Speaker 3: had there's a video of Nathan Fillion, right because he
• 1:00:23
  Speaker 3: plays yeah, he's playing Hal.
• 1:00:26
  Speaker 1: Jordan, and he's still Guy Gardner.
• 1:00:31
  Speaker 2: Guy Gardner who's playing How Jordan in them?
• 1:00:33
  Speaker 1: How Jordan is Kyle Chandler.
• 1:00:35
  Speaker 2: Kyle Chandler, Yeah, the other he's a great actor and
• 1:00:38
  Speaker 2: my fave.
• 1:00:43
  Speaker 1: He's John Stewart.
• 1:00:44
  Speaker 3: Yeah, yeah, he's Jon Stewart. And so again it's Lanterns, right,
• 1:00:48
  Speaker 3: and you have Kyle Chandler, who's an older actor and
• 1:00:52
  Speaker 3: airpier new hotness. So it's probably you know, how Jordans
• 1:00:57
  Speaker 3: Now How Jordan does a lot of different things in
• 1:00:58
  Speaker 3: the commons. So we'll see how it goes. But back
• 1:01:01
  Speaker 3: to the name Lanterns and Kyle Channer, there's a video
• 1:01:04
  Speaker 3: of him talking or it might have been Nathan Filling.
• 1:01:06
  Speaker 3: I think it wasn't Nathan who's in Nathan is also
• 1:01:09
  Speaker 3: in it, yep. And there's a video of Nathan talking
• 1:01:14
  Speaker 3: about all the different colors of the lanterns and naming
• 1:01:17
  Speaker 3: them and being like, Okay, orange is about greed, Blue
• 1:01:21
  Speaker 3: is about hope.
• 1:01:22
  Speaker 2: This is about that and knowing all about it. So
• 1:01:24
  Speaker 2: just the fact that, I mean, you know he's a geek,
• 1:01:27
  Speaker 2: but we also know Gun is geek. We know everyone
• 1:01:30
  Speaker 2: involved in the geek they're gonna pull on the lore.
• 1:01:32
  Speaker 2: So I think we're gonna see a lot of different
• 1:01:35
  Speaker 2: shades of Lanterns instead of just green. But as far
• 1:01:38
  Speaker 2: as tone, i've heard stories of like or you know
• 1:01:42
  Speaker 2: a lot of people talk about True Detective. That's one
• 1:01:44
  Speaker 2: of the references that they've been given for this, which
• 1:01:48
  Speaker 2: I don't know.
• 1:01:49
  Speaker 3: True Detective might be a little too dark for what
• 1:01:52
  Speaker 3: I want to see from Lanterns.
• 1:01:55
  Speaker 1: I mean, I want to see like you think about Superman, right,
• 1:02:01
  Speaker 1: like minus the scenes with soups, where again it was
• 1:02:05
  Speaker 1: more lighthearted and goofy when it was just centered on
• 1:02:07
  Speaker 1: the Justice Gang or whatever they called like that tone
• 1:02:11
  Speaker 1: where it was just like it was adult but there
• 1:02:14
  Speaker 1: were some funny shit happening, but not like goofy funny.
• 1:02:19
  Speaker 1: It was just like smart humor and sharp, like kind
• 1:02:23
  Speaker 1: of that sharp comedy that's smart. There's action and maybe
• 1:02:30
  Speaker 1: a little bit of drama. I would like that probably
• 1:02:32
  Speaker 1: to be the tone of this. And again because it's
• 1:02:35
  Speaker 1: about the lantern core. So there's a lot of different
• 1:02:38
  Speaker 1: people in different personalities. And also like I can't see
• 1:02:42
  Speaker 1: Nate's how how how like being warded down from what
• 1:02:47
  Speaker 1: you saw in Superman, So I like and what he
• 1:02:51
  Speaker 1: was in Superman is the nigga just like was cracking
• 1:02:54
  Speaker 1: on everybody. So I just I can't see them like
• 1:02:57
  Speaker 1: stopping that from happening again.
• 1:02:59
  Speaker 2: So I don't know, I better see.
• 1:03:01
  Speaker 3: I think it should be a thing, and I think
• 1:03:03
  Speaker 3: this is yeah, and I think this is what gunned
• 1:03:07
  Speaker 3: the balancing that I think that's gonna be. Like how
• 1:03:10
  Speaker 3: when you saw in She Hulk, when we saw Daredevil
• 1:03:13
  Speaker 3: show up in Sea Hulk where she hop was a
• 1:03:15
  Speaker 3: completely different series than what you know, the dar level series.
• 1:03:19
  Speaker 2: Yeah, and he reacted and acted in that way. It worked,
• 1:03:23
  Speaker 2: you know, he worked in that way, And.
• 1:03:25
  Speaker 3: I think that's how it should be, Like Guard Garner
• 1:03:27
  Speaker 3: should be, I think, not toned down, but I think
• 1:03:30
  Speaker 3: when he encounters it because if they do do and
• 1:03:33
  Speaker 3: I think they are because you remember, it should be
• 1:03:35
  Speaker 3: an hour long series on HBO Max. So I don't
• 1:03:37
  Speaker 3: think they're gonna go for like the comedy even like
• 1:03:40
  Speaker 3: the version of I think they're gonna really it's gould
• 1:03:43
  Speaker 3: be totally different than what we saw from even the
• 1:03:45
  Speaker 3: Justice Ding. I think it's could be because it's gonna
• 1:03:48
  Speaker 3: be on Earth from a lot of it. I don't
• 1:03:50
  Speaker 3: think they're gonna get into space maybe like parts of it.
• 1:03:52
  Speaker 3: But the first shot that they released is of how
• 1:03:56
  Speaker 3: and John walking down the road and the thing.
• 1:04:00
  Speaker 1: I just don't want it to be two almost street level,
• 1:04:03
  Speaker 1: because I'm like, yeah, because you have the rings. That's
• 1:04:07
  Speaker 1: my point. You ye still got these fucking rings, and
• 1:04:10
  Speaker 1: you know, I don't want it to be fucking hot
• 1:04:12
  Speaker 1: wheels car track like you know, Ryan Reynolds. But I
• 1:04:14
  Speaker 1: also don't want it to be like a prosue dual
• 1:04:17
  Speaker 1: drama with lanterns, like I don't know if that would
• 1:04:20
  Speaker 1: work either.
• 1:04:21
  Speaker 3: Well, we'll see, but I do say one of my
• 1:04:23
  Speaker 3: favorite Green Lantern series from back on the Day was
• 1:04:25
  Speaker 3: when he was he wasn't in the court at the time,
• 1:04:28
  Speaker 3: and how it's just like riding across America on a bike.
• 1:04:32
  Speaker 1: Now he like the lead up to him joining the chorus,
• 1:04:34
  Speaker 1: he already no, he.
• 1:04:35
  Speaker 3: Got kicked out of the court at this point. I
• 1:04:37
  Speaker 3: think the corp would dissolve one or the others. So
• 1:04:39
  Speaker 3: he was just like on Earth and he had the ring,
• 1:04:41
  Speaker 3: but he was just driving around.
• 1:04:43
  Speaker 2: He didn't really wear the suit. He didn't want people
• 1:04:44
  Speaker 2: to know these green Lander but he ended up doing
• 1:04:46
  Speaker 2: stuff with But it was a really dope series. I
• 1:04:48
  Speaker 2: really love that series.
• 1:04:49
  Speaker 3: I think that was the first Green Lantern series that
• 1:04:52
  Speaker 3: I read, so it, you know, has that installedial thing too,
• 1:04:54
  Speaker 3: But it was just really nice. And he did use
• 1:04:57
  Speaker 3: the ring a lot, you know, So I think that's
• 1:04:59
  Speaker 3: gonna be the out anywhere. You won't always see them
• 1:05:01
  Speaker 3: in the suits, but you'll see them using the ringing
• 1:05:04
  Speaker 3: when they need to.
• 1:05:05
  Speaker 1: As long as I see the rings being used, I'm
• 1:05:07
  Speaker 1: with it.
• 1:05:07
  Speaker 2: Oh yeah, you're gonna have to.
• 1:05:10
  Speaker 1: It's gonna be great. I feel like it's gonna be great.
• 1:05:13
  Speaker 2: Yeah, I really do have a faith.
• 1:05:15
  Speaker 3: Yeah, after like I said, after really examining what they
• 1:05:18
  Speaker 3: did with Superman, with Peacemaker and with.
• 1:05:22
  Speaker 2: Creature Commandos, I have it's just like, nah, man, I
• 1:05:26
  Speaker 2: really I'm so it hurts because I want to be
• 1:05:29
  Speaker 2: dis excited for like the X Men coming to the NCU,
• 1:05:32
  Speaker 2: because this is the type of ship that the X
• 1:05:34
  Speaker 2: Men should bring it.
• 1:05:36
  Speaker 1: Though I'm not I'm not seven.
• 1:05:39
  Speaker 2: But yeah, but that's what I'm saying.
• 1:05:40
  Speaker 3: It's like X Men right now, they should be like, Okay,
• 1:05:42
  Speaker 3: we have, you know, an X Men movie coming out,
• 1:05:45
  Speaker 3: and then we've got a fucking Rogue TV series, you know,
• 1:05:50
  Speaker 3: or a kro Cola TV series, and then we've got
• 1:05:53
  Speaker 3: a new Mutant's TV series, and that's how it should
• 1:05:55
  Speaker 3: be doing. And not doing that, there's like, we got
• 1:05:58
  Speaker 3: one movie that's directed by the dude who did some
• 1:05:59
  Speaker 3: book shit. I'm sorry, you know, it's directed by this
• 1:06:02
  Speaker 3: white guy who's done a bunch of average stuff and
• 1:06:05
  Speaker 3: I can't trust that. So I can't trust that. It's
• 1:06:07
  Speaker 3: just yeah, while like over here it's like James Johon's like, oh,
• 1:06:11
  Speaker 3: I got this director and you know, he brought me
• 1:06:13
  Speaker 3: a version because he said that he wasn't even thinking
• 1:06:15
  Speaker 3: about doing a play Face movie until the director was like, oh,
• 1:06:18
  Speaker 3: I have this idea in this scrip.
• 1:06:20
  Speaker 2: Check this out. And he was like, Yo, this is
• 1:06:21
  Speaker 2: so ill, we gotta do it.
• 1:06:23
  Speaker 1: I wouldn't think clay Face would be the first person
• 1:06:25
  Speaker 1: you go to, but.
• 1:06:26
  Speaker 3: Yeah, and there so, and he's like, but it was
• 1:06:27
  Speaker 3: an ill body horror type thing where it's like, you know,
• 1:06:30
  Speaker 3: it's gloring what it means to be playfaced, right, And
• 1:06:33
  Speaker 3: I'm like, that's dope, you know, and I want to
• 1:06:34
  Speaker 3: see that. And then it's and it has nothing to
• 1:06:37
  Speaker 3: do with Superman, but that's fire. I don't need it,
• 1:06:39
  Speaker 3: you know. And that's that's one problem a Marvel because
• 1:06:42
  Speaker 3: of the whole Infinity saga day, like now everything must
• 1:06:45
  Speaker 3: link into a big you know, and that we were
• 1:06:47
  Speaker 3: talking about doomsday and it's like that's why I'm not
• 1:06:48
  Speaker 3: excited for Doomsday, Like I don't know that there's.
• 1:06:52
  Speaker 2: Going to be some big, dark sided you know, villain
• 1:06:55
  Speaker 2: in DC, and I don't care.
• 1:06:57
  Speaker 3: I just want to see dope movies and that's what's
• 1:06:58
  Speaker 3: happening right now and dope shows, you know.
• 1:07:01
  Speaker 2: And it's like I think Marvel needs.
• 1:07:03
  Speaker 3: To get back to that, and I think that would
• 1:07:04
  Speaker 3: be there road with X Men, because it's like X
• 1:07:06
  Speaker 3: Men doesn't need a big movie, it just needs you know,
• 1:07:09
  Speaker 3: you can do a gamer Throne series with X Men.
• 1:07:11
  Speaker 2: But god damn it, it's.
• 1:07:15
  Speaker 1: Like it's right there, Sue. I sound like this is
• 1:07:19
  Speaker 1: literally the inverse of what it was again fifteen years ago,
• 1:07:23
  Speaker 1: where I'm just like, oh my god, the DC is
• 1:07:27
  Speaker 1: pissing me off. Why are they doing this? It's literally yes,
• 1:07:29
  Speaker 1: it's it's spin flips.
• 1:07:31
  Speaker 2: It's so it's so interesting it is. And now it's
• 1:07:34
  Speaker 2: like I see because I was like.
• 1:07:37
  Speaker 3: I'm a peripheral DC fan, but I also dude, like
• 1:07:39
  Speaker 3: Marvel used had a book Marvel Universe where they had
• 1:07:42
  Speaker 3: like catalog the characters, and DC had DC's Who's Who,
• 1:07:46
  Speaker 3: and I would read both of those, and especially I
• 1:07:48
  Speaker 3: would read Who's Who because I didn't know most of
• 1:07:50
  Speaker 3: those characters. So I have like this encyclopedia knowledge of
• 1:07:54
  Speaker 3: just you know, facts about DC characters and random DC characters.
• 1:07:58
  Speaker 3: You know, I might have never read a book with them,
• 1:08:00
  Speaker 3: but I know all these and because of it, I'm
• 1:08:04
  Speaker 3: really excited because it's like, I know how wild and
• 1:08:07
  Speaker 3: weird and interesting all these DC characters are. And because
• 1:08:10
  Speaker 3: it's not the X minut stuff, it's stuff we haven't
• 1:08:13
  Speaker 3: really seen that much at the New Gods, who I know,
• 1:08:16
  Speaker 3: Ava Duvene was trying to do something with a few
• 1:08:19
  Speaker 3: years ago, but the New Gods are really dope characters,
• 1:08:21
  Speaker 3: you know, it's so many. I mean, Metamorpho was one
• 1:08:24
  Speaker 3: of those characters where I was like, yeah, that's you
• 1:08:27
  Speaker 3: know that's a really ill character. And now he's been
• 1:08:29
  Speaker 3: on screening the Supergirl like that Supergirl grapha novel I'll
• 1:08:33
  Speaker 3: tell everyone Supergirl, Woman of Tomorrow. I think it is
• 1:08:36
  Speaker 3: by Tom King. It is what the new book is
• 1:08:39
  Speaker 3: based on. Go check it out, y'all, like, go pick
• 1:08:42
  Speaker 3: it up. They put it back in print. It is
• 1:08:45
  Speaker 3: incredible and it will get you so hyph for this movie.
• 1:08:49
  Speaker 2: Yeah, the god Tom King, So you know God, yep.
• 1:08:55
  Speaker 1: The next The last question comes from Ja or J.
• 1:09:01
  Speaker 1: Sorry if I missed A or just Jay.
• 1:09:06
  Speaker 2: It might be either one.
• 1:09:08
  Speaker 1: They right, I watched the last episode, so I know
• 1:09:11
  Speaker 1: genre is not really real. But what is y'all's favorite
• 1:09:14
  Speaker 1: era and genre of music? Minus nineties?
• 1:09:16
  Speaker 3: Dancel always a classic nineties and early two thousands to
• 1:09:21
  Speaker 3: mid two thousands. There was a lot of crack cocaine
• 1:09:25
  Speaker 3: in those producer studios in Jamaica. Because those rhythms are eternal,
• 1:09:31
  Speaker 3: boy like, those are some of the greatest beats ever
• 1:09:34
  Speaker 3: committed to Wax.
• 1:09:37
  Speaker 1: I don't know if I have a favorite genre because
• 1:09:39
  Speaker 1: I really sick across the spectrum of sound. Right. I
• 1:09:44
  Speaker 1: love I love rap, hip hop, I love R and B,
• 1:09:48
  Speaker 1: I love E, D M, I love, you know, could
• 1:09:52
  Speaker 1: be drum and bass, like I you know, the subs,
• 1:09:54
  Speaker 1: the sub the sub categories of the genres right instruments,
• 1:10:00
  Speaker 1: like I like and appreciate all of these different things.
• 1:10:06
  Speaker 1: I can't also can't say favorite error per se, but
• 1:10:09
  Speaker 1: I could say era that stirs the most nostalgia, and
• 1:10:13
  Speaker 1: that would be like the two thousands of the crunk era,
• 1:10:15
  Speaker 1: because that was when I was coming up in school
• 1:10:18
  Speaker 1: and that was like that was the formidable time of
• 1:10:22
  Speaker 1: you know, like like we I always say, we always
• 1:10:24
  Speaker 1: make a joke about like people in my age, like
• 1:10:26
  Speaker 1: we were the original y ns, Like we was the
• 1:10:29
  Speaker 1: ones going to the clubs, tearing it up, you know,
• 1:10:32
  Speaker 1: you know, listen to Bone Crusher and all this other
• 1:10:34
  Speaker 1: stuff like that was my time. So and just in
• 1:10:38
  Speaker 1: terms of that idea, I would just say that error
• 1:10:41
  Speaker 1: because it was just like people was dancing in the clubs. Okay,
• 1:10:45
  Speaker 1: we was wearing business casules, sweating that shit out right,
• 1:10:48
  Speaker 1: We was, We was living. And not to say that
• 1:10:52
  Speaker 1: that's not happening now because like there is a resurgence
• 1:10:55
  Speaker 1: of that energy about like actually having fun with other people,
• 1:10:59
  Speaker 1: dancing with other people, just being alive versus staring at
• 1:11:02
  Speaker 1: each other. That's reseurging. But again just just as far
• 1:11:05
  Speaker 1: as the thing that probably just stokes the most great
• 1:11:09
  Speaker 1: memories was probably that that crunk era. But you know,
• 1:11:13
  Speaker 1: I I I really appreciate like the entire their entire thing,
• 1:11:17
  Speaker 1: especially stuff now, like I really like the New Kids now.
• 1:11:20
  Speaker 2: So yeah, I'm the.
• 1:11:22
  Speaker 3: Same way I went and as a DJ, because I've
• 1:11:24
  Speaker 3: been DJing through all these eras, Like it's you know,
• 1:11:29
  Speaker 3: like I love that era you were talking about because
• 1:11:30
  Speaker 3: that's like, you know, when you talk about nostalgia that
• 1:11:33
  Speaker 3: brings people back to love and dream nightclub and it's like,
• 1:11:36
  Speaker 3: those are some of my formative years as a DJ,
• 1:11:39
  Speaker 3: and just some of the greatest times of my life
• 1:11:41
  Speaker 3: for that matter.
• 1:11:42
  Speaker 1: So I mean like scenes like people don't know what
• 1:11:46
  Speaker 1: that like. Like a lot of the gen z they like,
• 1:11:47
  Speaker 1: what was it like in the club in two thousand
• 1:11:49
  Speaker 1: and I wasn't yet in the clubs, but I was
• 1:11:54
  Speaker 1: in the clubs by the time I got the Howard,
• 1:11:56
  Speaker 1: I was in the clubs. The crunk era was like
• 1:11:59
  Speaker 1: cooling off a little bit, but it was still it
• 1:12:01
  Speaker 1: was still fairly strong, and to see one song shift
• 1:12:06
  Speaker 1: the entire crowded ass club where it could be Elbow's
• 1:12:11
  Speaker 1: getting throwed. You understand, like like to see the power
• 1:12:14
  Speaker 1: of the song in motion and bodies on the floor
• 1:12:18
  Speaker 1: and whether that was you know, you know you talk
• 1:12:20
  Speaker 1: about back that ass up or you're talking about again.
• 1:12:22
  Speaker 1: I mentioned like fucking three six, Mafia eight Ball and
• 1:12:26
  Speaker 1: MJG type shit like going crazy and that was a
• 1:12:30
  Speaker 1: great era.
• 1:12:31
  Speaker 3: But I think about like people like when like I
• 1:12:35
  Speaker 3: actually got people you know, mad at me today because
• 1:12:37
  Speaker 3: I posted a video of me playing can We Talk
• 1:12:40
  Speaker 3: and was like, yo, you know, shut up about stop
• 1:12:42
  Speaker 3: playing Tevin Campbell's Can't We Talk?
• 1:12:43
  Speaker 2: Yes every time?
• 1:12:45
  Speaker 1: That's the hood classic. That's that's that's an African American classic.
• 1:12:48
  Speaker 1: Why would you stop playing?
• 1:12:49
  Speaker 3: To that point, I was saying, it would be so
• 1:12:52
  Speaker 3: hard for you, Like when you asked about what it
• 1:12:54
  Speaker 3: was like in the club, people don't understand how it
• 1:12:56
  Speaker 3: was when let's say the Benjamin's was out, or when
• 1:13:00
  Speaker 3: in the club was out, or when put your hands
• 1:13:04
  Speaker 3: from my eyes and she was out. Like I literally
• 1:13:07
  Speaker 3: was in the club at one point and saw DJ
• 1:13:10
  Speaker 3: S and S play Benjamin's about twenty times in a
• 1:13:13
  Speaker 3: row and it never lost a moment, you know, like
• 1:13:19
  Speaker 3: and then and when he stopped playing it, I swear
• 1:13:23
  Speaker 3: to God, true story.
• 1:13:24
  Speaker 2: I turned my boy. I was like, Yo, this ain't
• 1:13:27
  Speaker 2: gonna be good, and fight broke out to see a
• 1:13:35
  Speaker 2: song we played twenty times in a row and they
• 1:13:38
  Speaker 2: still have.
• 1:13:38
  Speaker 1: The same effect. To see people go fearal over certain
• 1:13:41
  Speaker 1: songs was incredible to watch it just again. That's why
• 1:13:45
  Speaker 1: I like that era. And I guess, I guess maybe
• 1:13:47
  Speaker 1: that ends up it is going to end up being
• 1:13:48
  Speaker 1: my favorite. But like that, that time was was insane.
• 1:13:51
  Speaker 2: I mean, anytime before people had phones was really you know,
• 1:13:55
  Speaker 2: because it was just it was just a different thing.
• 1:13:57
  Speaker 2: In love.
• 1:13:58
  Speaker 1: The phone is the way we are because I had
• 1:13:59
  Speaker 1: a phone, but.
• 1:14:00
  Speaker 2: You know the way they are now. Like I mean,
• 1:14:02
  Speaker 2: I remember when like.
• 1:14:05
  Speaker 3: This is inauguration, I shot the video it's famous footage
• 1:14:10
  Speaker 3: of Gez and jay Z performing My President is Black,
• 1:14:14
  Speaker 3: And I shot that footage. If you ever google it
• 1:14:17
  Speaker 3: and see it, that was me shooting that footage and
• 1:14:18
  Speaker 3: so camera shot from behind them up above.
• 1:14:22
  Speaker 2: And it was just the.
• 1:14:23
  Speaker 3: Fact that back then, even if you had a phone,
• 1:14:25
  Speaker 3: they didn't have a fucking camera on it like that.
• 1:14:27
  Speaker 3: And I actually had a real camera. So and I
• 1:14:30
  Speaker 3: was one of the few people in the club that
• 1:14:31
  Speaker 3: night who had a real camera. And nowadays every motherfuck
• 1:14:35
  Speaker 3: in the world would have the camera.
• 1:14:36
  Speaker 1: So you did have a camera. It was that two
• 1:14:39
  Speaker 1: megapixel ship that.
• 1:14:41
  Speaker 2: They couldn't do nothing with it.
• 1:14:42
  Speaker 3: And I had a real handheld h VHSC I think
• 1:14:46
  Speaker 3: doing with you know, cartridges and tapes and so that
• 1:14:50
  Speaker 3: ship shot that footage and that you know, that's why
• 1:14:52
  Speaker 3: I have it.
• 1:14:53
  Speaker 2: But that that's what I'm saying, that type of error.
• 1:14:55
  Speaker 3: It was like all the way up to like I
• 1:14:57
  Speaker 3: remember that Homecoming when we Fly High came out.
• 1:15:00
  Speaker 1: Oh my god, yeah, oh dipset, I'm being from New York.
• 1:15:08
  Speaker 1: That's my like again when I talk about going Pharaoh,
• 1:15:11
  Speaker 1: when you hear certain songs.
• 1:15:13
  Speaker 2: To this day, like I was at Howard when Cam
• 1:15:16
  Speaker 2: got shot, you know what I mean Like that, Yeah, yeah,
• 1:15:20
  Speaker 2: like that, Like yeah, I'm I'm like, I just saw
• 1:15:24
  Speaker 2: Tyler this summer. You know, I thought he was fucking incredible.
• 1:15:27
  Speaker 1: Tyler, I go crazy.
• 1:15:29
  Speaker 3: Yeah, I think he's one of my favorite artists ever.
• 1:15:31
  Speaker 3: And so it's like genre said it, like like you said,
• 1:15:34
  Speaker 3: I'm a you know, I'm a music So it's like
• 1:15:36
  Speaker 3: I can never choose a genre, Like what was that
• 1:15:39
  Speaker 3: last year? I think last year I got addicted to
• 1:15:41
  Speaker 3: John Coltrane and I never and not even protrayed The
• 1:15:44
  Speaker 3: Loneous Monk even more. And I never really paid that
• 1:15:47
  Speaker 3: much attention the Loneous like that, and I was reading
• 1:15:51
  Speaker 3: books on the man. That's how much I was listening
• 1:15:53
  Speaker 3: to his ship because it was just, you know, I
• 1:15:55
  Speaker 3: was just like, oh my god, you know, my eyes
• 1:15:57
  Speaker 3: was open. And then at the same time, I got
• 1:15:59
  Speaker 3: really into resilient funk, like modern brazilion funk, really straight
• 1:16:04
  Speaker 3: up hard beats and remixes and a lot.
• 1:16:07
  Speaker 1: Of that when we were in Brazil this summer.
• 1:16:09
  Speaker 3: Yeah, yep, so I got into that. And so it's
• 1:16:11
  Speaker 3: like I'm always listening to different ship. I heard about
• 1:16:15
  Speaker 3: some new stuff that's coming out of like South Africa.
• 1:16:18
  Speaker 3: I gotta find out, Like that's after I'm a piano,
• 1:16:20
  Speaker 3: I gotta find out about that, or it's not even
• 1:16:21
  Speaker 3: South Africa after no, it's like a piano is still
• 1:16:25
  Speaker 3: South Africa, like another region of Africa is doing their
• 1:16:28
  Speaker 3: own heavy.
• 1:16:33
  Speaker 1: Heavy heavy, and and again just to give you guys
• 1:16:38
  Speaker 1: like context and what I mean, Like I said, I
• 1:16:39
  Speaker 1: like everything, like you know, went to a Copboy card
• 1:16:42
  Speaker 1: a concert, went to the Tyler concert, going to the
• 1:16:46
  Speaker 1: k tr Nada Justice concert, going to see Erica by dude, Like,
• 1:16:51
  Speaker 1: I'm all over the map when it comes to music,
• 1:16:53
  Speaker 1: I am. I'm a purveyor and lover of music and
• 1:16:57
  Speaker 1: good music, good music that hits you and as rhythm
• 1:17:01
  Speaker 1: and life like that's the shit that I like. The genre.
• 1:17:04
  Speaker 3: I like music, Yeah, No, I mean, like I said
• 1:17:08
  Speaker 3: on the show, that's it's one of my I'm I'm
• 1:17:11
  Speaker 3: an anti idea genre. That's why I feel like genre
• 1:17:14
  Speaker 3: is mainly rude and racism and separatism, and it's two
• 1:17:17
  Speaker 3: of the things that I cannot stand.
• 1:17:18
  Speaker 2: And so that's why I.
• 1:17:20
  Speaker 3: Like because all music is Black music, especially all American
• 1:17:24
  Speaker 3: music is pretty much all major popular American music is
• 1:17:27
  Speaker 3: black music, and black people pretty much have made blues
• 1:17:31
  Speaker 3: music with different changes in technology, et cetera, and genre
• 1:17:35
  Speaker 3: as most like artists say, like Miles David says, I
• 1:17:38
  Speaker 3: don't make jazz I mad pop music because it's very
• 1:17:41
  Speaker 3: popular music. What he would say, you know, Michael Jackson
• 1:17:44
  Speaker 3: said the same thing, and he's like, don't separate me
• 1:17:46
  Speaker 3: by putting me into these categories that you reserve for
• 1:17:49
  Speaker 3: urban artists, but that's all jazz is always like these
• 1:17:52
  Speaker 3: niggas are making jazz, urban nip hop, you know, and
• 1:17:56
  Speaker 3: so it's like, no, nigga, we are making music, and
• 1:17:59
  Speaker 3: we're making the most popular music and we're making the
• 1:18:01
  Speaker 3: backbone of American music. So I'm never a person, you know,
• 1:18:05
  Speaker 3: I'm always into exploring.
• 1:18:08
  Speaker 2: The buddy guy.
• 1:18:08
  Speaker 3: For everybody who saw Centers that nigga dropped a new album,
• 1:18:12
  Speaker 3: It's firefam. That ship is fucking slamm and I'm jamming
• 1:18:16
  Speaker 3: that shit a free weeks ago when it dropped. That
• 1:18:18
  Speaker 3: shit is fire and Juicy Jay's fucking jazz album is it?
• 1:18:23
  Speaker 2: Oh yeah, what nigga taking my kids to school?
• 1:18:27
  Speaker 3: That ship is a jam. That's what drests on there,
• 1:18:30
  Speaker 3: taking my kids to school.
• 1:18:32
  Speaker 2: It is a full blown funky ass jazz album like
• 1:18:36
  Speaker 2: it is.
• 1:18:36
  Speaker 1: Yeah, because I'm interested in watching like all of like
• 1:18:38
  Speaker 1: these well, in my in my view, older school, old
• 1:18:41
  Speaker 1: school coming with a new quote genre.
• 1:18:45
  Speaker 2: That shit was mind blowing.
• 1:18:46
  Speaker 1: I tried Andre's three thousand Flu album and I wasn't
• 1:18:49
  Speaker 1: really I trieded, y'all, and like, I'm very open minded,
• 1:18:55
  Speaker 1: and they didn't do it for me. So that's why
• 1:18:58
  Speaker 1: I was like, I was a little nervous about Juicy Jaw.
• 1:19:01
  Speaker 3: No, that shit is jamming. Taking my kids to school
• 1:19:04
  Speaker 3: as a jam. There's a couple on there that are
• 1:19:06
  Speaker 3: like and they're just straight instrumental. He raps on a
• 1:19:09
  Speaker 3: couple of black thought raps on some on one, but
• 1:19:12
  Speaker 3: a lot of it is instrumental.
• 1:19:13
  Speaker 2: Like I said, taking my kids schools, that's my jam,
• 1:19:17
  Speaker 2: you know what I mean? That is a jam where
• 1:19:18
  Speaker 2: I'm like, okay, but you know, it's like that saying.
• 1:19:21
  Speaker 2: I've always people underestimate how talented a lot of these
• 1:19:26
  Speaker 2: people are, you know, like Juicy j. Like I always
• 1:19:29
  Speaker 2: talk about shot G.
• 1:19:30
  Speaker 3: You know, it's just one of the most genius hip
• 1:19:33
  Speaker 3: hop producers and also played mad instruments.
• 1:19:36
  Speaker 2: You know.
• 1:19:37
  Speaker 3: Flavor Flav, who people think of as this clown, is
• 1:19:40
  Speaker 3: a classically trained pianist, can pick up pretty much any.
• 1:19:44
  Speaker 1: Instrument you can name.
• 1:19:46
  Speaker 3: Yeah, yeah, he can pick up any instrument you can
• 1:19:49
  Speaker 3: name and play it pretty well.
• 1:19:51
  Speaker 2: You know.
• 1:19:51
  Speaker 3: It's so many people like that. DJ Quick is an
• 1:19:54
  Speaker 3: absolute genius, you know, instrumentalist all this stuff. DJ Quick
• 1:19:58
  Speaker 3: has been having instrumental jam on every one of his
• 1:20:01
  Speaker 3: albums going back to the very first one, and they're
• 1:20:03
  Speaker 3: always like bangers. So it's like people don't realize how talented,
• 1:20:07
  Speaker 3: and that's the thing because they get put in these boxes.
• 1:20:10
  Speaker 3: Starface for years wanted to do a rock and rap
• 1:20:13
  Speaker 3: and funk album because he plays Gutari plays based on
• 1:20:16
  Speaker 3: all that type of shit. But he was always like
• 1:20:19
  Speaker 3: people wouldn't accept it, you know, they won't let me
• 1:20:22
  Speaker 3: do anything but rap albums, and that was always a
• 1:20:25
  Speaker 3: big problem. So, like you said, it's really great that
• 1:20:27
  Speaker 3: now people like Juicy J. I heard Boosey got a
• 1:20:29
  Speaker 3: country album or a blues album and they say it's
• 1:20:33
  Speaker 3: pretty good.
• 1:20:33
  Speaker 2: I know, I was same thing.
• 1:20:35
  Speaker 3: But my man's like Juicy J's last four projects have
• 1:20:38
  Speaker 3: all been fired and they're all different, like because he
• 1:20:40
  Speaker 3: did the jazz and then earlier this year he dropped
• 1:20:42
  Speaker 3: like a plastic Juicy J album, but then like last
• 1:20:46
  Speaker 3: year or two years ago, he dropped like a real
• 1:20:49
  Speaker 3: hip hop Juicy J album, you know, like very different
• 1:20:51
  Speaker 3: than his normal stuff. So he's been doing all kinds
• 1:20:54
  Speaker 3: of stuff. So it's really dope to see.
• 1:20:56
  Speaker 1: Yeah, I like ww artists do that, and like he's
• 1:20:59
  Speaker 1: more of a new artist. But big ext the plug.
• 1:21:01
  Speaker 1: Like his new album is her country Altuts. I heard,
• 1:21:05
  Speaker 1: but it's all country. Yeah, he has crazy features on it.
• 1:21:10
  Speaker 1: So great album. I know, like we're like all off
• 1:21:14
  Speaker 1: topic now, but like also Tiana Taylor's album, Gee's Sauce,
• 1:21:19
  Speaker 1: it is so good. Geauce is so like I'm so
• 1:21:23
  Speaker 1: happy that she was able to come back to music.
• 1:21:26
  Speaker 1: You know, she's famously you know, retired from it a
• 1:21:28
  Speaker 1: few years ago because of the industry and all the
• 1:21:30
  Speaker 1: other stuff.
• 1:21:31
  Speaker 2: But man, all right, I'm gonna definitely keep that then. No,
• 1:21:35
  Speaker 2: like man Earl sweatshirts, new one was not hitting me
• 1:21:39
  Speaker 2: like that. I tried.
• 1:21:41
  Speaker 3: I tried, really, I mean that niggas be rapping, you know,
• 1:21:44
  Speaker 3: just like Blad but blaad and the beats were just
• 1:21:46
  Speaker 3: like not there. Yeah, I heard Chance is good, but
• 1:21:50
  Speaker 3: the Chance yet I don't like the singles. But I
• 1:21:52
  Speaker 3: heard the album is good, but the school and the
• 1:21:56
  Speaker 3: other one was cool. But if you were like notice
• 1:21:58
  Speaker 3: and I'm a you know, coloring book acid wrap, those
• 1:22:01
  Speaker 3: are my jams, So I want to give it a chance. Yeah,
• 1:22:04
  Speaker 3: because I've heard, but I didn't like them singles.
• 1:22:08
  Speaker 2: Whatever.
• 1:22:09
  Speaker 1: One more thing you wanted to mention about your new show.
• 1:22:13
  Speaker 3: With Oh yeah, Yeah, we're dropping a new episode next week.
• 1:22:16
  Speaker 3: Thank you to everybody who keeped the first episode. We're
• 1:22:19
  Speaker 3: basically doing me and BJ Kicks, who is the founder, owner, creator,
• 1:22:24
  Speaker 3: content creator or over at Comics Are Dope. If you're
• 1:22:28
  Speaker 3: not following them on YouTube, head over to their page
• 1:22:30
  Speaker 3: and make sure you hit that subspribe. BJ does a
• 1:22:32
  Speaker 3: lot of great work reviewing comics all the time, and
• 1:22:36
  Speaker 3: so BJ and I teamed up. It's Ben and BJ
• 1:22:39
  Speaker 3: and we're doing We still have not figured out a
• 1:22:41
  Speaker 3: name or other Comics are Dope?
• 1:22:43
  Speaker 2: What is it? Comics I copped are Dope? Something?
• 1:22:45
  Speaker 3: I don't know, because basically a collaboration where comics I
• 1:22:48
  Speaker 3: copped and Comics Are Dope, where every month we're coming
• 1:22:51
  Speaker 3: together and talk about all of our favorite comics from
• 1:22:54
  Speaker 3: that month, and we.
• 1:22:55
  Speaker 1: Dropped dope comics I copped, Yeah.
• 1:22:57
  Speaker 3: Something, I think that's what you said, Yeah, dope comic
• 1:23:00
  Speaker 3: I copped. So yeah, So we'll figure out a name.
• 1:23:05
  Speaker 3: But every month for dropping an episode, we dropped one
• 1:23:07
  Speaker 3: what is it? And we dropped our favorites of July
• 1:23:11
  Speaker 3: And we're a little behind this month, but early September
• 1:23:13
  Speaker 3: we'll be dropping our favorites of August. A lot of
• 1:23:16
  Speaker 3: good stuff came out in August.
• 1:23:17
  Speaker 2: I was really hype.
• 1:23:18
  Speaker 3: I can't wait to record this because I really want
• 1:23:20
  Speaker 3: to talk about it. No secret surprises on what's coming,
• 1:23:25
  Speaker 3: but yeah, definitely got some more things coming on that cool.
• 1:23:29
  Speaker 3: And I want to do a quick announcement because I'm
• 1:23:32
  Speaker 3: going to drop a video on this. But it is
• 1:23:34
  Speaker 3: September third today, and well one happy birthday to my
• 1:23:37
  Speaker 3: niece new Aria.
• 1:23:38
  Speaker 2: Love you very much, you know I love you New New.
• 1:23:41
  Speaker 3: And then also a week or so ago, it has
• 1:23:45
  Speaker 3: been one year since the release of Jimmy Hendrix Purple Haze.
• 1:23:49
  Speaker 1: Yeah nominated, nominated edition.
• 1:23:59
  Speaker 2: Real quick, there we go, yep.
• 1:24:05
  Speaker 3: So yeah, yeah, thank you to everybody.
• 1:24:08
  Speaker 2: It's been really amazing.
• 1:24:09
  Speaker 3: I'm about to drop a video on the socials talking
• 1:24:11
  Speaker 3: about it. It's been an amazing journey. I know it's
• 1:24:14
  Speaker 3: still going on, but just really thank you to everyone
• 1:24:18
  Speaker 3: who has supported this book in any way shape form.
• 1:24:21
  Speaker 3: I got to give a copy to Juno Das last night,
• 1:24:24
  Speaker 3: so that was a big moment for me.
• 1:24:27
  Speaker 2: Yeah.
• 1:24:27
  Speaker 3: Look at Tatana with double double fisting that hope beautiful.
• 1:24:34
  Speaker 2: Yes, oh man, it's still very surreal. Honestly, to this
• 1:24:38
  Speaker 2: day it is so surreal.
• 1:24:39
  Speaker 1: I want to say that's I'm really glad you said that, because, guys,
• 1:24:41
  Speaker 1: this is your opportunity. We always keep saying we want
• 1:24:44
  Speaker 1: to be on other people's shows. We want to guess
• 1:24:45
  Speaker 1: on your shows. This is an opportunity to interview Ben
• 1:24:48
  Speaker 1: and find out how does he feel about it being
• 1:24:51
  Speaker 1: one year at least today is one year to today,
• 1:24:54
  Speaker 1: but it's been one year, and how you feel what
• 1:24:56
  Speaker 1: has changed. I'm not going to give you all the
• 1:24:58
  Speaker 1: interview questions. You can figure that out, but I think
• 1:25:00
  Speaker 1: it should be a great prime opportunity. Again, hit us
• 1:25:03
  Speaker 1: up contactfoll nerds dot com, or you can send us
• 1:25:06
  Speaker 1: a DM. We want to be on your shows, whether
• 1:25:09
  Speaker 1: together individually, whatever projects either of us have going on,
• 1:25:12
  Speaker 1: if you want to talk to both of us at
• 1:25:13
  Speaker 1: the same time, whatever, We are willing to be guests
• 1:25:16
  Speaker 1: on the show as well, So please hit us up.
• 1:25:19
  Speaker 2: Yep. And on that note, the other night, I actually
• 1:25:22
  Speaker 2: put together a rough draft of an outline for the
• 1:25:26
  Speaker 2: first issue of what would be a sequel to Hendrix.
• 1:25:29
  Speaker 1: So yeah, you and Mellow back at it again.
• 1:25:34
  Speaker 2: Well, I actually wrote this.
• 1:25:35
  Speaker 3: I put together this outline on my own because this
• 1:25:38
  Speaker 3: it might not end up being an official sequel to Hendrix.
• 1:25:41
  Speaker 2: We'll see.
• 1:25:41
  Speaker 3: You know, Titan publisher wants to get it together. But
• 1:25:43
  Speaker 3: if not, you know, it'll be a you know it'll
• 1:25:46
  Speaker 3: be it'll be some good quest. Yeah, it'll be a
• 1:25:48
  Speaker 3: side quest hit starter. Yeah, and it'll feature some characters
• 1:25:52
  Speaker 3: from Hindricks.
• 1:25:53
  Speaker 2: You know. That's all I can say so far. But yeah,
• 1:25:55
  Speaker 2: it's spin off, a spin off.
• 1:25:56
  Speaker 3: Yes, look at you building a universe, a quasi legal spinoff.
• 1:26:09
  Speaker 1: Hey, what's up? Internet's in a fan fam. This is
• 1:26:12
  Speaker 1: Tasiana King for four All Nerds, and I want to
• 1:26:14
  Speaker 1: thank you so much for listening and watching The Four
• 1:26:16
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• 1:26:19
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• 1:27:22
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• 1:27:25
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• 1:27:29
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