Latest / 70 80 / SETTANTAxOTTANTA: 1968. Ugolino canta Ma che bella giornata, canzone antesignana del genere demenziale, forse primo rap italiano
Transcript
- 1:007080 .it presents 70x80. Do you remember? A KVOX
- 1:06production. Welcome to 70x80, the section of
- 1:127080 .it that deepens the topics discussed on
- 1:16the portal. I'm with the journalist Enzo Mauri,
- 1:19who introduces today's topic. Good morning, today
- 1:22I tell you about a success of the 60s. To listen
- 1:25to it today, after more than 50 years, but what
- 1:28a beautiful day of Ugolino, the real name Guido
- 1:30Lamberti, appears to us with dramatic news. The
- 1:32manifesto song of that gory of modern life, reclaimed
- 1:35by Ernesto Calindri, Cinar was a great success
- 1:40at the time of its publication. At the end of
- 1:59the 1960s, the singer -songwriter Calabrese was
- 2:02brought back from the little -exaltant record
- 2:05experience with the name of Le Scoperte di Guido,
- 2:07defined by the same, little more than a sample.
- 2:10As for the discography, well, the discography
- 2:12has always had a behavior with me, perhaps I
- 2:17have always had a behavior with them, let's say
- 2:21I knew very well what I wanted to do, I wanted
- 2:24to do it. If I didn't do it, it was because it
- 2:28was very different from my way of seeing and
- 2:31thinking. Determining for his career was the
- 2:34encounter with the producer and composer Ditto
- 2:36Mariano, who allowed him to get a contract with
- 2:39the Italian RCA. In the meantime, the artist
- 2:42changed his name to Ugolino, from the conubio
- 2:44with his friend Pino Cappelletti, who wrote the
- 2:46music, together with the text of the same Ugolino,
- 2:49and the arrangement of Ditto Mariano, born the
- 2:51song destined to give him the celebrity. But
- 2:53what a beautiful day! had started to do the verbal
- 2:58and at a certain point he tells me you have nothing
- 3:04to declare and I there for there I said thinking
- 3:08that the day started really well I said but what
- 3:11a beautiful day and he started to laugh mcl fiscal
- 3:15economic division La canzone è il racconto ironico
- 3:21di un uomo comune alle prese con gli inconvenienti
- 3:23quotidiani. La giornata dovrebbe però concludersi
- 3:26con il ritorno a casa del protagonista alietato
- 3:28da una presenza femminile. Ma sembra più un auspicio,
- 3:31come sottolinea l 'espressione del ritornello.
- 3:34Eh, magari. The particular style, in some ways,
- 3:54of an eclectic character like Ugolino, did not
- 3:57go unnoticed by the public of the broadcast,
- 3:59those of the Sunday, conducted by Paolo Villaggio,
- 4:02where the singer performed in 1968. It was the
- 4:06consecration of Ugolino, appreciated for his
- 4:08apparently unsung fare, antecedent of the demencial
- 4:12villain. A model developed a few years later
- 4:14by Enzo Iannacci, Cocchi and Renato, Rino Gaetano
- 4:17and Elio Lestorietese. I have it because the
- 4:23song was confused with something as if it were
- 4:28something very easy, as if it were a joke, as
- 4:33if it were... Here's something that struck me,
- 4:35rock is crazy, crazy, I don't know, enough to
- 4:39read the text, it doesn't seem very crazy. That
- 4:41it was a success is confirmed by the myriad of
- 4:44interpretations to which the song has given rise
- 4:46over the years. Someone had also seen a criticism
- 4:49of conformism at the base of the motifs of 68.
- 4:52Others have misled the hypothesis that the song
- 4:54may even be a precursor to Italian rap. It's
- 4:58strange, yes, because it doesn't rhyme. built
- 5:03in a way many say the absolute first rep Ugo
- 5:15Lino, along with his complex, also made an appearance
- 5:17in the film I Due Magnifici Frescuni, an all
- 5:20-curve show, directed in 1968 by Marino Girolami
- 5:24and performed by Franco and Ciccio, singing proprio
- 5:27Ma che bella giornata. Avete ascoltato 70x80.
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