Latest / Classic Metal Show / Are Re-Recorded Classic Rock Albums A Total Scam? (2012 Archive)

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Are Re-Recorded Classic Rock Albums A Total Scam? (2012 Archive) · Classic Metal Show

• 0:00
  SPEAKER_01: All right,
• 0:03
  [music]
• 0:22
  SPEAKER_03: Chris.
• 0:23
  SPEAKER_03: Well, it's getting late here in the show and we got one last thing that is so,
• 0:27
  SPEAKER_03: this thing just screams metal.
• 0:29
  SPEAKER_03: I, I,
• 0:31
  SPEAKER_03: I don't know how you come up with these things,
• 0:33
  SPEAKER_03: but apparently there's a... Now, is this a re-record record?
• 0:39
  SPEAKER_00: It most certainly is.
• 0:40
  SPEAKER_00: It's the re-recorded classics
• 0:43
  SPEAKER_03: of the great band Loverboy.
• 0:45
  SPEAKER_03: And again, do you understand the reasoning behind this?
• 0:50
  SPEAKER_00: Do I?
• 0:50
  SPEAKER_00: Of course.
• 0:51
  SPEAKER_00: It's allegedly so that they can make money by selling the re-records to companies
• 0:56
  SPEAKER_00: that might want to use their music in commercials or whatnot, but let's face it.
• 1:01
  SPEAKER_00: Of all the commercials you've ever heard on TV, radio,
• 1:03
  SPEAKER_00: whatever,
• 1:04
  SPEAKER_00: have you ever heard about one time,
• 1:06
  SPEAKER_00: have you ever heard a re-recorded version of a song?
• 1:09
  SPEAKER_03: Nope.
• 1:11
  SPEAKER_03: Foreigner did it.
• 1:13
  SPEAKER_03: Obviously, Loverboy has done it.
• 1:15
  SPEAKER_03: Journey has done it.
• 1:17
  SPEAKER_03: Dokken has done it.
• 1:18
  SPEAKER_03: How many other bands have...
• 1:21
  SPEAKER_03: Oh, that's true.
• 1:22
  SPEAKER_03: All those guys have re-records.
• 1:24
  SPEAKER_03: They don't have access or the rights to their original recordings,
• 1:28
  SPEAKER_03: so they have to re-record them in order to regain the profits.
• 1:34
  SPEAKER_03: But I don't see anyone buying the re-records at all.
• 1:38
  SPEAKER_00: What's the worst one that you've heard?
• 1:40
  SPEAKER_03: I'm going to have to go with Love Hate.
• 1:43
  SPEAKER_00: Love Hate?
• 1:44
  SPEAKER_00: Really?
• 1:44
  SPEAKER_00: That one's pretty bad.
• 1:46
  SPEAKER_00: I've got to go with...
• 1:47
  SPEAKER_00: They cocked and reloaded the LA Guns one.
• 1:50
  SPEAKER_00: Have you heard that one?
• 1:51
  SPEAKER_03: Yeah, I have that.
• 1:53
  SPEAKER_03: Not so good.
• 1:54
  SPEAKER_03: Not so good.
• 1:55
  SPEAKER_00: That is some horrible shit, man, from a band that we both like.
• 1:58
  SPEAKER_00: So if we both like the band and hate the recording, you know how bad it must be.
• 2:05
  SPEAKER_03: Yeah, not good at all.
• 2:06
  SPEAKER_03: So before we get out of here tonight,
• 2:08
  SPEAKER_03: we're going to give you a little taste of some Loverboy because they scream metal.
• 2:14
  SPEAKER_03: Doesn't Mike Reno and the boys scream metal?
• 2:17
  SPEAKER_00: Hey, nothing was more metal than those red leather pants,
• 2:20
  SPEAKER_00: and now that those red leather pants are size 50 waisted, that's even more metal.
• 2:25
  SPEAKER_03: Absolutely.
• 2:27
  SPEAKER_03: All right, well, let me see here.
• 2:29
  SPEAKER_03: Let's check out the original version.
• 2:31
  SPEAKER_03: This was probably one of their bigger tunes from the early 80s.
• 2:37
  SPEAKER_03: Turn Me Loose.
• 2:38
  SPEAKER_03: All right.
• 2:39
  SPEAKER_03: And let me see.
• 2:40
  SPEAKER_03: We'll play the original a little bit,
• 2:42
  SPEAKER_03: and then we'll see what the re-record, you know, because...
• 2:46
  SPEAKER_03: Because the original just wasn't good enough.
• 2:49
  SPEAKER_03: So let's check this out.
• 3:15
  SPEAKER_00: I can just tell how much you hate even the original.
• 3:17
  SPEAKER_00: I'm not a fan.
• 3:19
  SPEAKER_03: Listen to
• 3:22
  that screaming guitar,
• 3:26
  SPEAKER_00: dude.
• 3:26
  SPEAKER_00: This fan was on top of the fucking world.
• 3:30
  SPEAKER_00: That's better.
• 3:51
  SPEAKER_03: I know what it was about Loverboy that I didn't like.
• 3:53
  SPEAKER_03: The long intros?
• 3:55
  SPEAKER_03: No, it was because Mike Reno always sounded like he was on the verge of crying or whining.
• 4:02
  SPEAKER_00: Right, he always did,
• 4:03
  SPEAKER_00: and plus it was that headband,
• 4:05
  SPEAKER_00: too, that looked so fucking Olivia Newton-John-ish in the 80s.
• 4:10
  SPEAKER_00: It's just a fag look.
• 4:12
  SPEAKER_03: Well, I wasn't so worried about the image of the band.
• 4:16
  SPEAKER_03: It's just that his vocals,
• 4:18
  SPEAKER_03: he always sounded like he was on the verge of tears or crying or whining like
• 4:22
  SPEAKER_03: a little bitch.
• 4:24
  SPEAKER_00: You ain't even right to.
• 4:25
  SPEAKER_02: I was born to run.
• 4:31
  SPEAKER_02: I was born to dream.
• 4:34
  SPEAKER_02: The craziest ball you ever seen.
• 4:37
  SPEAKER_02: I gathered you in my world.
• 4:48
  SPEAKER_02: Well,
• 4:55
  SPEAKER_03: it's obvious that this guy had a penchant for yodeling in the canyon.
• 5:00
  SPEAKER_03: I'm here to please, I'm on my knees.
• 5:04
  SPEAKER_00: Making love to whoever I please.
• 5:07
  SPEAKER_00: It's probably a man.
• 5:12
  SPEAKER_02: I'm going
• 5:16
  SPEAKER_02: to pack my bag and
• 5:49
  SPEAKER_00: We can stop there.
• 5:50
  SPEAKER_00: Now, do you have the other one available?
• 5:53
  SPEAKER_00: Because you get the idea.
• 6:19
  SPEAKER_03: This sounds worse than the neutered Dokken record.
• 6:22
  SPEAKER_00: Dude, this is horrendous.
• 6:24
  SPEAKER_00: Wait until we get through a couple of these songs, you will be laughing in glee.
• 6:29
  SPEAKER_00: Like the TV show?
• 6:31
  SPEAKER_00: Yeah, just like the TV show.
• 6:34
  SPEAKER_00: It was just a bunch of bad singing, just like the TV show.
• 6:41
  SPEAKER_02: Thank you.
• 7:28
  SPEAKER_03: I think he needs to take the ham out of his mouth before he starts singing.
• 7:33
  SPEAKER_00: Sounds awful.
• 7:41
  SPEAKER_00: Was he half asleep when he did this?
• 7:44
  SPEAKER_00: What company is going to go and buy this version of this song for their commercials?
• 7:53
  SPEAKER_03: Wake up, Mike.
• 7:54
  SPEAKER_03: Wake up.
• 7:55
  SPEAKER_03: It's time to perform.
• 7:56
  SPEAKER_02: Is this like a 45 being played on a 33 and a third?
• 8:00
  SPEAKER_02: I'm making an old turntable reference here.
• 8:13
  SPEAKER_00: I wish everybody could see your face listening to this.
• 8:17
  SPEAKER_00: Neely looks like I fucking re-recorded these and made them fucked up.
• 8:23
  SPEAKER_00: This is what it is.
• 8:25
  SPEAKER_03: Yeah, it's like it's recorded at 45 and it's being played at 33 and a third.
• 9:08
  SPEAKER_03: This sounds worse than Mark Torian trying to sing smooth up in ya.
• 9:13
  SPEAKER_00: Can you play that scream one more time, please?
• 9:38
  SPEAKER_03: And they want to market this to who?
• 9:41
  SPEAKER_03: Deaf people.
• 9:44
  SPEAKER_03: Apparently.
• 9:45
  SPEAKER_03: Wow.
• 9:46
  SPEAKER_03: All right.
• 9:46
  SPEAKER_03: Well, we got a feeling for Turn Me Loose.
• 9:50
  SPEAKER_03: Let me see here.
• 9:51
  SPEAKER_03: Working for the Weekend.
• 9:52
  SPEAKER_03: That's another biggie.
• 9:54
  SPEAKER_03: So let's check out the original Working for the Weekend,
• 9:58
  SPEAKER_03: and we'll see how they cover it in the modern day.
• 10:05
  We like this.
• 10:20
  SPEAKER_02: Everyone's watching to see what you will do.
• 10:27
  SPEAKER_02: Everyone's looking at you.
• 10:31
  SPEAKER_02: Everyone's wondering will you come out tonight?
• 10:39
  SPEAKER_02: Everyone's trying to get it right.
• 10:43
  SPEAKER_02: Get it right.
• 10:44
  SPEAKER_02: Everybody's working for the weekend.
• 10:52
  SPEAKER_03: There's Mike Reno crying and whining again.
• 10:55
  SPEAKER_03: I think they should have called the band crying and whining.
• 10:59
  SPEAKER_00: Would have fit perfect.
• 11:01
  SPEAKER_03: All right.
• 11:02
  SPEAKER_03: Well, here's the new re-recorded.
• 11:04
  SPEAKER_03: Everybody's working for the weekend.
• 11:07
  SPEAKER_03: Because aren't we all?
• 11:36
  SPEAKER_03: You know, that sounds like Weird Al Yankovic doing that.
• 11:40
  SPEAKER_00: It is so bad.
• 11:41
  SPEAKER_00: Reno sounds just terrible.
• 11:43
  SPEAKER_00: Why would they even... Dude,
• 11:45
  SPEAKER_00: at what point do they listen back and say, you know what, we can't put that out.
• 11:49
  SPEAKER_00: That is fucking just going to ruin us.
• 11:53
  SPEAKER_03: That reminds me of the vocals of Weird Al Yankovic doing that cover
• 11:58
  SPEAKER_03: of Michael Jackson's Beat It.
• 12:01
  SPEAKER_00: Eat It or whatever it was.
• 12:02
  SPEAKER_00: Yeah.
• 12:20
  SPEAKER_03: Mike, I got news for you.
• 12:22
  SPEAKER_03: You're really trying to get it right.
• 12:24
  SPEAKER_03: Get it right.
• 12:26
  SPEAKER_00: He sure ain't working many weekends now, is he?
• 12:30
  SPEAKER_00: Holy smokes.
• 12:31
  SPEAKER_01: Hey, metalheads.
• 12:32
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• 12:33
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• 12:36
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• 12:39
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• 12:42
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• 12:47
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• 13:18
  SPEAKER_03: All right.
• 13:18
  SPEAKER_03: I've had enough of that.
• 13:21
  SPEAKER_03: Well, here's something that most of us can relate to.
• 13:24
  SPEAKER_03: This is Hot Girls in Love.
• 13:55
  SPEAKER_02: She's on a rainbow cruise, all the way to my room.
• 14:04
  SPEAKER_02: She's turning on the gate.
• 14:23
  SPEAKER_02: She's got the magic touch.
• 14:24
  SPEAKER_02: She's turning on the geek.
• 14:28
  SPEAKER_02: And it's a little too much.
• 14:30
  SPEAKER_02: She's turning on the geek.
• 14:33
  SPEAKER_02: And it's a hundred above, yeah.
• 14:38
  SPEAKER_02: Hot girls in love.
• 14:42
  SPEAKER_02: I'm in love.
• 14:44
  SPEAKER_03: That definitely could have used your hot cunts in love.
• 14:48
  SPEAKER_03: Hot girls in love.
• 14:49
  SPEAKER_03: Cunt.
• 14:51
  SPEAKER_00: Baby, I hate you.
• 14:55
  SPEAKER_03: Alright, you couldn't destroy a classic like that.
• 15:00
  SPEAKER_03: There's just no way you could possibly destroy a classic like that.
• 15:08
  SPEAKER_03: I understand that Loverboy actually does give it a shot.
• 15:12
  SPEAKER_03: So let's do it.
• 15:14
  SPEAKER_03: Let's do the Hot Girls in Love from Loverboy, the new remix.
• 15:19
  SPEAKER_03: It's called Rock and Roll Revival.
• 15:24
  SPEAKER_03: That's what they're calling this?
• 15:26
  SPEAKER_03: Unfortunately.
• 15:27
  SPEAKER_03: Sorry, Red and Jerry.
• 15:57
  SPEAKER_02: She's so young at heart, she likes the pleasure of its company.
• 16:01
  SPEAKER_02: She can see inside the room, with a silver spoon.
• 16:08
  SPEAKER_02: She likes her tapes until, and that's the same as her anatomy.
• 16:13
  SPEAKER_02: She's on the rainbow clouds, all the way to my room.
• 16:17
  SPEAKER_02: She's driving
• 16:22
  SPEAKER_02: on the key.
• 16:39
  SPEAKER_03: See, that's what happens when you eat a box of bear claws every day for the last 20 years.
• 16:43
  SPEAKER_01: A box?
• 16:50
  SPEAKER_00: This is horrendous.
• 16:54
  I've been
• 16:58
  SPEAKER_02: Haunt girls
• 17:00
  SPEAKER_03: in love.
• 17:00
  SPEAKER_03: Haunt girls in love.
• 17:25
  SPEAKER_03: Wow.
• 17:27
  SPEAKER_03: Wow.
• 17:27
  SPEAKER_03: Who would have ever guessed?
• 17:29
  SPEAKER_03: That's crazy.
• 17:31
  SPEAKER_03: All right.
• 17:31
  SPEAKER_03: Well, let's do like one or two more before we call it an evening.
• 17:34
  SPEAKER_03: Let's see here.
• 17:35
  SPEAKER_03: What do we got here?
• 17:36
  SPEAKER_03: We got only the lucky ones.
• 17:41
  SPEAKER_03: All right.
• 17:41
  SPEAKER_03: Let me see.
• 17:42
  SPEAKER_03: Let me see if that one.
• 17:43
  SPEAKER_03: Yeah, we got both that.
• 17:44
  SPEAKER_03: So let's listen to the original lucky ones.
• 18:16
  SPEAKER_02: It's a dream come
• 18:24
  SPEAKER_02: true, Which one will it be?
• 18:30
  SPEAKER_02: It's a dream come true,
• 18:39
  SPEAKER_02: Well this way we see, Only the lucky one, I always like that little effect.
• 18:47
  SPEAKER_02: Only the lucky one.
• 19:12
  SPEAKER_03: Get to steal the show.
• 19:16
  SPEAKER_03: That's nice.
• 19:17
  SPEAKER_03: All right.
• 19:17
  SPEAKER_03: Well, let's play something from the new one from Loverboy right here
• 19:22
  SPEAKER_03: on your classic metal show, Rock and Roll Revival.
• 19:25
  SPEAKER_03: And this is the re-remake of Lucky Ones.
• 19:56
  SPEAKER_03: Is that guitarist playing on the same strings he played back in 1982?
• 20:01
  SPEAKER_03: They're so stretched out.
• 20:02
  SPEAKER_03: They just have...
• 20:05
  SPEAKER_00: They're stretched out.
• 20:06
  SPEAKER_00: They're rusty.
• 20:07
  SPEAKER_00: They barely make sound.
• 20:08
  SPEAKER_00: The pickups have fucking rust all over them.
• 20:11
  SPEAKER_00: But he's still playing them.
• 20:17
  SPEAKER_02: It's so easy to
• 20:22
  SPEAKER_02: leave without control You're the winner.
• 20:27
  SPEAKER_02: You can take the prize.
• 20:28
  SPEAKER_02: It's a big control.
• 20:29
  Which time will it be?
• 20:29
  It's a big control.
• 20:30
  SPEAKER_02: Will this wait and see?
• 20:31
  Oh, we're the lucky ones.
• 20:32
  Going to steal the show.
• 20:33
  SPEAKER_02: We're the lucky ones.
• 21:07
  SPEAKER_00: Wow.
• 21:10
  SPEAKER_00: That guitar player cannot even have ever heard this song before.
• 21:13
  SPEAKER_00: That is the worst playing I've ever heard on a professional record.
• 21:18
  SPEAKER_03: All
• 21:23
  SPEAKER_00: right, let's go.
• 21:24
  SPEAKER_00: We got to do When It's Over.
• 21:25
  SPEAKER_00: That's on both, isn't it?
• 21:27
  SPEAKER_03: Yep.
• 21:27
  SPEAKER_03: Here's the original.
• 21:29
  SPEAKER_03: And being that we're coming down to the end of the show, it's When It's Over.
• 22:02
  SPEAKER_02: When you look into his eyes, comes to you as no surprise.
• 22:08
  SPEAKER_02: It's always the same.
• 22:12
  SPEAKER_02: Every time he's out with you, he tries to...
• 22:15
  SPEAKER_03: This guy is always pissing and moaning.
• 22:18
  SPEAKER_03: When you look into his eyes.
• 22:22
  SPEAKER_03: I think that is the ultimate thing that turned me off from ever liking Loverboy back
• 22:28
  SPEAKER_03: in the day when they were popular.
• 22:31
  SPEAKER_00: See, but that's the difference between me and you.
• 22:33
  SPEAKER_00: All I wanted was chicks and ass, and they all loved this crying bitch.
• 22:39
  SPEAKER_00: All chicks loved Loverboy in 1982.
• 22:42
  SPEAKER_00: You know that's true.
• 22:43
  SPEAKER_03: Yeah, it is true, but I just didn't dig it at all.
• 22:47
  SPEAKER_02: Tell you what to do.
• 22:49
  SPEAKER_02: You don't need it that way.
• 22:53
  SPEAKER_02: Sometimes you think you're playing the fool.
• 22:55
  SPEAKER_02: He's running around bringing all the rules.
• 22:59
  SPEAKER_02: So how that don't seem right, Has got to be a funny way, You know what I'm trying to say.
• 23:12
  SPEAKER_02: Cause deep, deep down inside, Your little life's a total life.
• 23:22
  SPEAKER_02: What did he ever do for you?
• 23:24
  SPEAKER_02: What's he trying to put you through?
• 23:29
  SPEAKER_02: I hope you're with me when it's over.
• 23:57
  SPEAKER_03: Alright, there's the crying bitch with the original When It's Over.
• 24:03
  SPEAKER_03: Alright, now we gotta get into the real meat of this.
• 24:07
  SPEAKER_03: This re-recorded juggernaut which is known as the Canadian band Loverboy.
• 24:12
  SPEAKER_03: This is When It's Over.
• 24:22
  SPEAKER_03: Even the keyboards sound like they're rusted or something.
• 24:27
  SPEAKER_03: You know what that reminds me of?
• 24:28
  SPEAKER_03: That reminds me of like a jack-in-the-box.
• 24:31
  SPEAKER_03: You know how you're cranking the handle.
• 24:37
  SPEAKER_00: That's what you get when you go from a Moog to a Casio.
• 24:52
  SPEAKER_02: Slow this down
• 25:02
  SPEAKER_02: anymore.
• 25:21
  SPEAKER_03: You know what this actually sounds like?
• 25:23
  SPEAKER_03: This sounds like a record that was left out in the sun.
• 25:27
  SPEAKER_00: It's all warping and then it gets going over a big hump while it's playing.
• 25:31
  SPEAKER_00: When you look into his eyes, he comes to you as no
• 25:35
  SPEAKER_01: surprise.
• 25:38
  SPEAKER_02: You don't need it that way Sometimes you think you're playing
• 25:46
  SPEAKER_02: a fool He's running around breaking all the rules Why would you have
• 25:54
  SPEAKER_02: to slow this
• 25:56
  SPEAKER_00: song down?
• 25:57
  SPEAKER_00: Of all the songs in their catalog, why would you have to slow this one down?
• 26:00
  SPEAKER_00: It's already slow!
• 26:03
  SPEAKER_03: I like the bass, though.
• 26:06
  SPEAKER_03: Wait,
• 26:08
  SPEAKER_03: you
• 26:12
  SPEAKER_02: know what I'm trying to say.
• 26:20
  SPEAKER_02: Cause deep, deep down inside, you're living a life of your lies.
• 26:32
  SPEAKER_03: What's it trying to put you through?
• 26:33
  SPEAKER_03: I don't understand.
• 26:59
  SPEAKER_02: Showed him all the tenderness.
• 27:02
  SPEAKER_02: Touched him with his regrets.
• 27:05
  SPEAKER_02: Now he's leaving you.
• 27:07
  SPEAKER_02: What's the point in working it out?
• 27:12
  SPEAKER_02: Tell me what it's all about.
• 27:17
  SPEAKER_02: And that's what I'm saying.
• 27:19
  SPEAKER_02: I hope you're with me.
• 27:22
  SPEAKER_02: I hope you're with me when it's over.
• 27:29
  SPEAKER_03: Well, I'm sorry, Mike.
• 27:30
  SPEAKER_03: I'm not with you here.
• 27:32
  SPEAKER_03: Sorry.
• 27:33
  SPEAKER_03: It just isn't going to work for me.
• 27:36
  SPEAKER_00: I'm not with them anymore, but it's definitely over.
• 27:38
  SPEAKER_00: Jesus.
• 27:40
  SPEAKER_03: Nice.
• 27:41
  SPEAKER_03: Hang it up, Mike.
• 27:43
  SPEAKER_03: Hang up the red leathers and call it a day.
• 27:45
  SPEAKER_03: It's over.
• 27:59
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