Latest / Movie Meltdown / 202: The Yeti Spaghetti Show

Transcript

202: The Yeti Spaghetti Show · Movie Meltdown

• 0:18
  Speaker 1: A warm welcome to you all. Hope you'll soundly enjoy
• 0:22
  Speaker 1: our program.
• 0:23
  Speaker 2: I'm listening to Movie Meltdown because I'm John Saxon and
• 0:30
  Speaker 2: I like to.
• 0:32
  Speaker 3: Do that.
• 0:36
  Speaker 1: I'm listening to Movie Meltdown.
• 0:57
  Speaker 4: The following feature has been rated R by the Motion
• 1:00
  Speaker 4: Picture Association of America.
• 1:02
  Speaker 5: It is intended for mature audiences and parental discretion is advised.
• 1:07
  Speaker 6: Our nuclear reactor.
• 1:09
  Speaker 7: Pumping out one million kilowatts of power.
• 1:37
  Speaker 6: What's up, and welcome to Movie Meltdown!
• 1:40
  Speaker 4: I am Brian, and however way you have found yourself here, you.
• 1:45
  Speaker 1: Are at the Yeti Spaghetti Show. It's been quite a process.
• 2:13
  Speaker 8: I came up with this idea years ago, probably about
• 2:16
  Speaker 8: when the show started, and it's taken this long to
• 2:18
  Speaker 8: make it happen, so I'm amazed it came together. But,
• 2:22
  Speaker 8: you know, we have a nice sculpture, a dancing yeti,
• 2:25
  Speaker 8: and it's pretty impressive, actually. If you're not familiar with
• 2:29
  Speaker 8: the show, we are.
• 2:31
  Speaker 1: A movie geek podcast.
• 2:34
  Speaker 8: Many of the people seated here are on it, so
• 2:37
  Speaker 8: they know better than everybody else how terrible it is.
• 2:40
  Speaker 8: If you go looking for it on iTunes, you'll see
• 2:43
  Speaker 8: it's got a lot of explicit tags. We earn those
• 2:46
  Speaker 8: every week, so just fair warning. We usually are rated.
• 2:50
  Speaker 1: We'll try to control ourselves tonight, but there's no guarantees.
• 2:55
  Speaker 3: Hello everybody.
• 2:57
  Speaker 1: Sorry to be getting started late here.
• 3:05
  Speaker 9: I'm glad. I'm very glad to see 20 people. I'm sorry.
• 3:14
  Speaker 10: Up where the evening dawns on All.
• 3:19
  Speaker 3: The river rolls on by.
• 3:23
  Speaker 10: The neighbors say I tell sea trips Oh, the neighbors
• 3:28
  Speaker 10: say I tell lies Somewhere a plane.
• 3:32
  Speaker 3: Went down Oh, it can never be stopped.
• 3:40
  Speaker 11: All right, we're.
• 4:05
  Speaker 1: Coming to you live from the kitchen. We're here with
• 4:08
  Speaker 1: our chef Christian. How excited are you? Woo!
• 4:11
  Speaker 12: Super excited.
• 4:12
  Speaker 8: How much of a pain in the ass has this
• 4:14
  Speaker 8: process been for you?
• 4:16
  Speaker 12: It's more of a pain in the hand. Pain in
• 4:19
  Speaker 12: my wrist.
• 4:20
  Speaker 1: You better explain that. Knowing our listeners, you better explain that.
• 4:25
  Speaker 12: I'll leave that to personal interpretation. However you take that
• 4:28
  Speaker 12: to mean.
• 4:31
  Speaker 1: Alright. We're getting ready to get this show rolling here.
• 4:36
  Speaker 1: Oh look, food's ready.
• 4:47
  Speaker 13: Meatballs.
• 4:48
  Speaker 1: Are they done? I don't know. I'm waiting on the thermometer. Hey,
• 4:57
  Speaker 1: I think they're done. Meatballs.
• 4:59
  Speaker 3: Thank you guys.
• 5:05
  Speaker 8: Very much.
• 5:20
  Speaker 9: Back before I won the movie star I was straight
• 5:21
  Speaker 9: up out on the floor And I had a picture
• 5:21
  Speaker 9: of another lady's.
• 5:22
  Speaker 14: Wife I'm heading out to Hollywood, just to have a
• 5:46
  Speaker 14: little fun. Every town will make me crazy.
• 6:05
  Speaker 8: I did want to point out the Yeti cakes are
• 6:08
  Speaker 8: available now if you're ready for dessert. Our own Christian
• 6:11
  Speaker 8: has put them together, so it's pretty impressive, and they're delicious.
• 6:16
  Speaker 8: Each one is adorned with a Yeti face. They're quite impressive,
• 6:23
  Speaker 8: and adorable.
• 6:24
  Speaker 1: But yeah, buy a box, take them home. She does
• 6:27
  Speaker 1: have a take-home option, I believe.
• 6:36
  Speaker 9: When we got out of the finest.
• 6:47
  Speaker 10: Land, the great broads seemed left hand, the northern.
• 6:53
  Speaker 11: Scouts might be in the.
• 6:57
  Speaker 9: Face of many good men.
• 7:00
  Speaker 10: Wake a crowd pure and true, stand.
• 7:06
  Speaker 3: Like lords in the.
• 7:13
  Speaker 9: Bending pool. The war is over now. The war is over.
• 7:20
  Speaker 9: The war is over.
• 7:27
  Speaker 8: And otherwise, just thanks to the people who helped put
• 7:30
  Speaker 8: this together.
• 7:31
  Speaker 1: It's been a ridiculous process, actually.
• 7:34
  Speaker 8: So to run it down, thanks for James for sitting
• 7:36
  Speaker 8: it up here and putting the music out there for us.
• 7:39
  Speaker 1: So thanks to James. Once again, Christian, our chef, I
• 7:43
  Speaker 1: think we should applaud for her because she's.
• 7:45
  Speaker 8: About killed herself this last, I don't know, a year
• 7:49
  Speaker 8: or so ago when I started roping her into this nonsense.
• 7:53
  Speaker 8: It's a shame it took that long to bring it together,
• 7:55
  Speaker 8: but you know. Yeah, I was pretty sure she was
• 7:58
  Speaker 8: going to have a heart attack this past.
• 7:59
  Speaker 1: Week, so... Don't deny it now. Oh, what else? Um, Juliana,
• 8:05
  Speaker 1: who is now out front dancing around. So, go up
• 8:10
  Speaker 1: and say thank you.
• 8:10
  Speaker 8: Before she passes out before the night's over with, because
• 8:13
  Speaker 8: I'm assuming it's really hot in that outfit.
• 8:16
  Speaker 1: Um, what else? Steve for the awesome ice sculpture.
• 8:20
  Speaker 8: So, um, he does actually do that professionally, I would say, obviously,
• 8:23
  Speaker 8: if you look at it. So, um, It is LouisvilleIceSculpture.com,
• 8:27
  Speaker 8: so go to their website and order yourself up a Yeti.
• 8:30
  Speaker 8: Or he probably does other things, probably like boring weddings
• 8:34
  Speaker 8: and nonsense.
• 8:35
  Speaker 1: But no, screw all that. Just go with a Yeti.
• 8:38
  Speaker 8: Even if you're having a wedding, Yeti is the way
• 8:40
  Speaker 8: to go. Dave, Beau, for giving me equipment I didn't
• 8:44
  Speaker 8: have to do the rest of this process. And otherwise,
• 8:49
  Speaker 8: just anybody else who's.
• 8:50
  Speaker 1: Helped spread the word. It's... hard finding an audience with
• 8:53
  Speaker 1: a show like this.
• 8:54
  Speaker 8: So anybody who's done their part with just word of mouth,
• 8:57
  Speaker 8: you know, we appreciate it. So thanks to the guys
• 9:00
  Speaker 8: who are here every week on the show. We can't
• 9:02
  Speaker 8: do it without you either. So with that, I'd say
• 9:05
  Speaker 8: we get this official cinematic version of the show going.
• 9:08
  Speaker 1: So thank you for coming out.
• 9:32
  Speaker 9: No way No way No.
• 9:47
  Speaker 15: A small band of men on a perilous search for
• 9:50
  Speaker 15: the man-beast of Tibet, the abominable snowman of the Himalayas.
• 9:56
  Speaker 15: You've heard of him, haven't you? The world's most shocking monster.
• 10:01
  Speaker 15: No one's ever lived who's seen him. Be on your guard.
• 10:06
  Speaker 15: He's coming to this theater. The abominable snowman dares you.
• 10:11
  Speaker 15: We dare you. Dare you to see the abominable snowman
• 10:16
  Speaker 15: of the Himalayas.
• 10:20
  Speaker 9: What did it look like?
• 10:23
  Speaker 16: Tell me, what did you see, Kusang?
• 10:24
  Speaker 1: Tell me.
• 10:26
  Speaker 17: I see, I see what men must not see.
• 10:38
  Speaker 15: Warning. Only those with stout nerves and strong hearts should
• 10:42
  Speaker 15: risk seeing the abominable snowman of the Himalayas.
• 11:05
  Speaker 3: Oh, you're my father's son You never know when you'll shine.
• 11:13
  Speaker 10: I ain't born to know I am my father's.
• 11:23
  Speaker 18: Son In the mood for hot coffee?
• 11:27
  Speaker 5: When you are, nothing else will satisfy. Coffee has a flavor,
• 11:31
  Speaker 5: an aroma, a deep-down satisfying goodness all its own. And
• 11:35
  Speaker 5: our coffee has something extra, the care with which we
• 11:37
  Speaker 5: brew and serve it. You'll enjoy the show more while
• 11:40
  Speaker 5: you're enjoying steaming hot coffee.
• 11:42
  Speaker 1: Come and get yours now.
• 12:09
  Speaker 13: Dave, I do not get superheroes.
• 12:12
  Speaker 1: Oh my God, I don't get you. What don't you get?
• 12:15
  Speaker 1: Tower bot here.
• 12:17
  Speaker 19: Well, the meatbags were going to say that if you're
• 12:19
  Speaker 19: a geek and like podcasts, then you could try Tower
• 12:22
  Speaker 19: of Technobabble at www.toweroftechnobabble.com.
• 12:28
  Speaker 1: Then this started.
• 12:30
  Speaker 6: Well, it's up to you.
• 12:32
  Speaker 1: I'm gonna get my taser and put a stop to this.
• 12:35
  Speaker 1: Towerbot out. Okay, monkeys.
• 12:39
  Speaker 13: It's nap time.
• 12:46
  Speaker 3: And by the night.
• 12:49
  Speaker 11: I came here with the Lord.
• 13:06
  Speaker 9: It's so much lighter.
• 13:11
  Speaker 3: Now that you're.
• 13:17
  Speaker 1: Here Honey, you should know.
• 13:21
  Speaker 9: We'll never go on without you.
• 13:28
  Speaker 2: We'll never go on.
• 13:38
  Speaker 4: Without you. Durable and designed to sound great for both
• 13:47
  Speaker 4: music and those chatty podcasts, like the one you're listening
• 13:50
  Speaker 4: to now. Tweaked Audio earbuds come with a one-year warranty,
• 13:54
  Speaker 4: and now there's a special deal for Movie Meltdown listeners.
• 13:57
  Speaker 4: Just go to tweakedaudio.com, and when you check out, enter
• 14:00
  Speaker 4: the discount code MELTDOWN. Then you'll get 33% off and
• 14:04
  Speaker 4: free shipping. Tweaked Audio. Sounds better.
• 14:10
  Speaker 3: I'll try to do a song with that.
• 14:23
  Speaker 9: We were taught that she'd be here if.
• 14:29
  Speaker 3: I should let her stay.
• 14:36
  Speaker 11: Why can't we pretend that she won't come to play?
• 14:41
  Speaker 9: Just another girl looking for a world.
• 14:45
  Speaker 1: That's not out of place.
• 14:59
  Speaker 7: Ladies and gentlemen, I present to you the eighth wonder
• 15:03
  Speaker 7: of the world. Movie Meltdown's Yeti ice sculpture. A more
• 15:08
  Speaker 7: impressive feat humanity has never achieved. Get your own amazing
• 15:13
  Speaker 7: ice sculptures. Go to lovalicesculptors.com and tell them Movie Meltdown
• 15:18
  Speaker 7: sent ya.
• 15:19
  Speaker 1: And then, bask in the glory.
• 15:46
  Speaker 3: You want it, oh.
• 15:48
  Speaker 10: She got it All the demons gonna change her mind
• 15:53
  Speaker 10: Oh all the demons in your mind.
• 15:56
  Speaker 9: You want it, oh she got it All the.
• 16:00
  Speaker 10: Demons gonna change her mind She's got your home, you'll
• 16:05
  Speaker 10: get the world I.
• 16:06
  Speaker 8: Thank you guys.
• 16:11
  Speaker 3: Very much for coming out here today.
• 16:24
  Speaker 1: Hi, this is Dick Miller, and you're listening to Movie Meltdown.
• 16:31
  Speaker 3: You and your shortcuts.
• 16:33
  Speaker 8: I told you to turn west at East St.
• 16:36
  Speaker 1: Louis.
• 16:36
  Speaker 20: Yeah, I know.
• 16:38
  Speaker 9: Way I figure it.
• 16:54
  Speaker 3: We're somewhere in the Himalayas Mountains. That's pronounced Himalaya.
• 16:59
  Speaker 13: Himalayas?
• 17:00
  Speaker 16: Why, you four-legged Marco Polo, that's in Asia.
• 17:05
  Speaker 8: Himalayas.
• 17:06
  Speaker 3: No wonder it's so cold.
• 17:07
  Speaker 1: Look there.
• 17:08
  Speaker 3: I've got a wonderful idea.
• 17:10
  Speaker 15: Let's... Well, do me a favor, will you?
• 17:13
  Speaker 9: Just don't do me any more favors.
• 17:15
  Speaker 13: You just stay right here.
• 17:16
  Speaker 20: And study to be a snowshoe rep.
• 17:19
  Speaker 3: I'm going back to Perth Ambulance.
• 17:21
  Speaker 1: Ah!
• 17:23
  Speaker 18: Oh, what a cute little pink bunny rabbit. Just what
• 17:29
  Speaker 18: I always wanted, my own little bunny rabbit. I will
• 17:34
  Speaker 18: name him George, and I will hug him and pet him.
• 17:38
  Speaker 3: And squeeze him. I'm not a bunny rabbit.
• 17:41
  Speaker 13: And pat him and pet him and.
• 17:43
  Speaker 3: You're hurting me. And rub him and caress him and.
• 17:51
  Speaker 3: I will make him joy.
• 17:52
  Speaker 6: And I will hug him and squeeze him and pet
• 17:54
  Speaker 6: him and pat him and.
• 17:57
  Speaker 1: Hey.
• 18:00
  Speaker 13: Hey, what do you know?
• 18:02
  Speaker 6: He melted.
• 18:03
  Speaker 3: He really was a snowman. Abominable, that is.
• 18:15
  Speaker 9: It's time for Tales from the Cryptids.
• 18:16
  Speaker 1: Tales from the Cryptids.
• 18:50
  Speaker 8: All right, so we are back with this week's Sofa
• 18:52
  Speaker 8: Theater feature, and this time it doesn't really count because
• 18:55
  Speaker 8: we were out in the world. So we were technically,
• 18:58
  Speaker 8: you know, it's an Italian spaghetti feature. It's not one
• 19:02
  Speaker 8: of those westerns, I suppose, but it was Italian.
• 19:06
  Speaker 1: So to bring in.
• 19:07
  Speaker 8: We've lost most of the audience here, which I told
• 19:11
  Speaker 8: them to run for their lives. It's for their own safety, really.
• 19:14
  Speaker 8: But to bring in who is sitting here out of
• 19:18
  Speaker 8: our normal crew.
• 19:20
  Speaker 1: Go ahead. I'm Ben.
• 19:23
  Speaker 13: I'm Beau.
• 19:24
  Speaker 1: I'm Greg. I'm Alan.
• 19:27
  Speaker 8: And the previously mentioned Christian has joined us. And yeah,
• 19:31
  Speaker 8: so you not only had to put up with the movie,
• 19:34
  Speaker 8: but you had to make all the.
• 19:35
  Speaker 1: Damn food to go along with this event. Yeah, it
• 19:38
  Speaker 1: was a lot of food. It's way too much food
• 19:40
  Speaker 1: is what it is.
• 19:40
  Speaker 13: It was delicious.
• 19:41
  Speaker 1: It was good. Very good food.
• 19:42
  Speaker 13: And Brian, I appreciated the straight bagels. They were good breadsticks.
• 19:46
  Speaker 1: I'm telling you it's a different process.
• 19:49
  Speaker 13: Is it not?
• 19:50
  Speaker 1: Done differently?
• 19:51
  Speaker 12: Those are not bagels.
• 19:51
  Speaker 13: See?
• 19:52
  Speaker 1: Thank you.
• 19:52
  Speaker 8: Those are not bagels.
• 19:56
  Speaker 13: People who know bagels.
• 19:58
  Speaker 1: I mean, maybe down the street.
• 20:00
  Speaker 12: That was what we consider bagels, but not here.
• 20:02
  Speaker 8: When you go to the grocery and you buy a
• 20:04
  Speaker 8: bag full of what they call bagels.
• 20:07
  Speaker 6: Talking to bagel geeks here.
• 20:10
  Speaker 1: We know the difference. Yeah, it's... that was a very
• 20:13
  Speaker 1: different thing they.
• 20:14
  Speaker 13: Walk into other bagel places and take a bite and
• 20:17
  Speaker 13: just throw down what they just.
• 20:18
  Speaker 8: Bought you don't make it that far you just make
• 20:21
  Speaker 8: it in and go and turn around.
• 20:24
  Speaker 1: You guys liars anyway I had.
• 20:28
  Speaker 13: To smother this with so much cream cheese to make an.
• 20:30
  Speaker 8: Edible I walked in here so yeah you for some
• 20:36
  Speaker 8: reason decided to join us so thank you for sitting
• 20:39
  Speaker 8: in and enjoying the fun that was Yeti.
• 20:42
  Speaker 1: Yeah, sure.
• 20:44
  Speaker 8: So, for the details, this week's Italian food feature is, again,
• 20:52
  Speaker 8: one of the Tales.
• 20:53
  Speaker 1: From the Cryptids session, which is oh so popular these days.
• 20:56
  Speaker 1: We're hitting that a lot more often.
• 20:59
  Speaker 8: So, in the subsection, the Yeti Files, this time we're
• 21:02
  Speaker 8: watching Yeti, a.k.a.
• 21:04
  Speaker 1: Giant of the 20th Century... Take your pick.
• 21:08
  Speaker 13: The latter seems more applicable.
• 21:10
  Speaker 1: If you look it up on IMDb, that's what it is.
• 21:12
  Speaker 1: It's Giant of the 20th Century. But the title on
• 21:15
  Speaker 1: the screen says Yeti. So, yeah, they just jam the
• 21:18
  Speaker 1: two together, I suppose. Or Yeti.
• 21:21
  Speaker 6: Not Yeti.
• 21:21
  Speaker 1: No, it's not pronounced. It's all jacked up.
• 21:25
  Speaker 21: How were they pronouncing that?
• 21:26
  Speaker 13: I couldn't really.
• 21:27
  Speaker 1: It sounded weird. She was very specific on, like, her pronunciation.
• 21:30
  Speaker 1: It was like, Yeti. I was like, what? Yeti. But, like,
• 21:33
  Speaker 1: everything else was dubbed in normal. We're getting ahead of ourselves. So,
• 21:39
  Speaker 1: the year is 1977. The director, pardon me while I
• 21:42
  Speaker 1: totally jack up some Italian.
• 21:44
  Speaker 6: Just do it like Mario and it'll sound great.
• 21:46
  Speaker 1: Hey, it's-a me, a Mario. Gianfranco Parolini. Thank you. The plot,
• 21:54
  Speaker 1: according to IMDb.
• 21:55
  Speaker 11: Oh, wait.
• 21:55
  Speaker 1: IMDb doesn't even have a plot for this. That's how
• 21:59
  Speaker 1: special this movie is. It is speechless. It doesn't know
• 22:02
  Speaker 1: what to make of the movie.
• 22:04
  Speaker 8: So they find a giant Yeti and he gets some
• 22:09
  Speaker 8: kids and an adventure ensues.
• 22:11
  Speaker 1: There you go. So, yeah.
• 22:14
  Speaker 8: Where would you like to begin with Yeti, giant of
• 22:17
  Speaker 8: the 20th century?
• 22:19
  Speaker 21: It was kind of a Sergio Leone shot. You mentioned that.
• 22:21
  Speaker 21: It got the zoom in on the eyes, and that's
• 22:23
  Speaker 21: immediately what I thought of.
• 22:24
  Speaker 1: Yeah, yeah. I don't know if it's the same camp, really.
• 22:28
  Speaker 21: No, but, you know.
• 22:30
  Speaker 13: It was nice. It was nice to see.
• 22:32
  Speaker 6: The director had a fascination with helicopter blades.
• 22:36
  Speaker 8: Yeah.
• 22:36
  Speaker 20: I looked at him and I was like, man, he
• 22:39
  Speaker 20: could make a serious drinking game out of.
• 22:40
  Speaker 13: Every time you see just the helicopter blades.
• 22:43
  Speaker 1: He put John Carpenter to shame.
• 22:46
  Speaker 20: As far as just being obsessed with way too long
• 22:49
  Speaker 20: shots of helicopters taking off and setting down.
• 22:52
  Speaker 1: It was crazy. And even contraptions for carrying people. What
• 22:59
  Speaker 1: was with that?
• 23:02
  Speaker 13: Greg and I were kind of pointing out, if you
• 23:05
  Speaker 13: look at the scale of the Yeti containment booth, Dr.
• 23:10
  Speaker 13: Whovian sort of container... As it's in flight, it makes
• 23:14
  Speaker 13: the Yeti only about 10 to 12 feet tall, but
• 23:18
  Speaker 13: yet somehow when it lands and it drops it off,
• 23:21
  Speaker 13: it is now... 50 to 100 feet tall, if not more.
• 23:25
  Speaker 1: I mean, how big is the Yeti would you estimate?
• 23:27
  Speaker 8: Sometimes, except later when they walk past him, they're up to, like,
• 23:30
  Speaker 8: his knees.
• 23:31
  Speaker 13: Right.
• 23:32
  Speaker 1: So he's not that big. They're having scale issues on
• 23:34
  Speaker 1: this little guy.
• 23:35
  Speaker 13: It kind of reminds me of Night of the Lepus
• 23:36
  Speaker 13: in that sense.
• 23:38
  Speaker 1: Our beloved Night of the Lepus.
• 23:40
  Speaker 13: Sometimes the rabbits are as big as just, like, you know,
• 23:43
  Speaker 13: a large dog. And other times... It's a dump truck.
• 23:46
  Speaker 1: Yeah, sometimes it's climbing over a dam. Yeah, you.
• 23:50
  Speaker 8: It's very inconsistent in that movie and this movie.
• 23:54
  Speaker 13: Yeti had like the most expressive face.
• 23:56
  Speaker 4: Ever, though.
• 23:57
  Speaker 1: That guy.
• 23:58
  Speaker 13: I was going to say what John Stamos did before
• 24:02
  Speaker 13: Full House.
• 24:03
  Speaker 1: I don't know. What? Let's establish this first.
• 24:05
  Speaker 20: This wasn't like a stop motion or a person.
• 24:08
  Speaker 1: This was just a dude.
• 24:11
  Speaker 13: With a lot of facial hair.
• 24:14
  Speaker 1: This was the Yeti.
• 24:15
  Speaker 6: The caveman from the Geico commercial.
• 24:17
  Speaker 1: Yeah, it was that.
• 24:19
  Speaker 13: I think he had the same chest piece that Ricardo
• 24:21
  Speaker 13: Montalban wore in Star Trek 2.
• 24:24
  Speaker 4: What?
• 24:25
  Speaker 1: He wasn't that ripped? What are you talking about? Oh, man.
• 24:30
  Speaker 13: Oh, yeah, we have to throw out the spoiler alert.
• 24:32
  Speaker 1: God forbid we ruin this for you. Spoiler alert on Yeti.
• 24:37
  Speaker 1: This is spoiling it for no one. No, we're not.
• 24:40
  Speaker 1: This can only make you want to watch it more. Yeah.
• 24:44
  Speaker 1: I don't think we're doing this movie a favor. I
• 24:47
  Speaker 1: don't know.
• 24:47
  Speaker 13: I really liked it.
• 24:48
  Speaker 15: I was having a fantastic time.
• 24:50
  Speaker 1: Oh, I did too.
• 24:51
  Speaker 6: I had a fantastic time with it.
• 24:53
  Speaker 1: It's right up our alley. I'll put it that way. But, yeah,
• 24:57
  Speaker 1: I don't know. I think what I'm most.
• 25:00
  Speaker 8: amazed by is just like the stuff that they did have.
• 25:04
  Speaker 1: I'm like, they had a helicopter.
• 25:06
  Speaker 8: I mean, he was pretty proud of that helicopter too.
• 25:10
  Speaker 13: Well, and the whole thing was, if he was that
• 25:12
  Speaker 13: obsessed with the helicopter and they had it that, you know, available,
• 25:16
  Speaker 13: why is it that when the Yeti first got away,
• 25:19
  Speaker 13: they went after the Yeti on foot?
• 25:21
  Speaker 1: Because that's how you switch for a Yeti. They even
• 25:24
  Speaker 1: called for a boat when they have a helicopter.
• 25:26
  Speaker 13: Exactly.
• 25:29
  Speaker 1: But, like, even at the beginning when they're, like, when
• 25:30
  Speaker 1: they're thawing them out, they've got flamethrowers. I mean. Yeah.
• 25:35
  Speaker 1: We don't have enough time. We have to do this
• 25:37
  Speaker 1: as we're making the trip midair. We have to thaw
• 25:39
  Speaker 1: them in the air. Like, we can't. We have flamethrowers.
• 25:43
  Speaker 8: That was my other favorite reviving, like. what if your
• 25:47
  Speaker 8: hospital decided we're going to revive you, but we have
• 25:50
  Speaker 8: to take you way up in the air?
• 25:52
  Speaker 20: It's tough to think that, oh, this giant monster might
• 25:55
  Speaker 20: go apeshit when.
• 25:56
  Speaker 1: We wake him up in the sky like this. Exactly.
• 25:59
  Speaker 13: It's a perfectly legitimate thing to do. It's like, after
• 26:01
  Speaker 13: he's been dormant for one million years, let's wake him
• 26:04
  Speaker 13: up inside of a glass box, you know, 2,000 feet
• 26:06
  Speaker 13: above the ground.
• 26:07
  Speaker 1: After we burn him with flamethrowers. We'll have the gas
• 26:10
  Speaker 1: freighter to go just in case. Just in case. Oh, wait,
• 26:13
  Speaker 1: we left the windows down.
• 26:14
  Speaker 20: Pour warm water all over him.
• 26:17
  Speaker 1: And then shock him.
• 26:18
  Speaker 13: And then we touch down back on the ground and
• 26:21
  Speaker 13: open up the entire container and all the gas pours out.
• 26:24
  Speaker 20: I hope that you like him and I hope that
• 26:28
  Speaker 20: you like us too.
• 26:29
  Speaker 1: Now, here you go.
• 26:32
  Speaker 20: Like both scenes in the movie where they landed the
• 26:35
  Speaker 20: Yeti in a giant public crowd. There was never like
• 26:39
  Speaker 20: a boundary or like a fenced off like perimeter.
• 26:41
  Speaker 1: They just landed. People were literally standing next to that
• 26:44
  Speaker 1: giant telephone booth.
• 26:45
  Speaker 13: They walked next to it. Then 10 seconds later, he
• 26:47
  Speaker 13: breaks out. It's like they did not remember this the
• 26:51
  Speaker 13: first time.
• 26:51
  Speaker 20: He went on a rampage.
• 26:54
  Speaker 1: Surprisingly, few people died, though.
• 26:57
  Speaker 14: Yeah, right.
• 26:58
  Speaker 21: Well, he was a nice, peaceful... I know, but still,
• 27:01
  Speaker 21: when he's all pissed off... It's almost like the time
• 27:02
  Speaker 21: for someone to die.
• 27:03
  Speaker 1: Yeah.
• 27:04
  Speaker 8: Well, I guess at this point, we should bring up
• 27:06
  Speaker 8: the fact that anybody who's seen the movie made a
• 27:10
  Speaker 8: third of the way in.
• 27:11
  Speaker 1: I'm sure there's a large demographic.
• 27:14
  Speaker 13: Everybody who's seen this movie.
• 27:15
  Speaker 1: I'm just talking, once you get.
• 27:17
  Speaker 8: Because that's the guy who was here earlier, who came
• 27:20
  Speaker 8: to the show.
• 27:20
  Speaker 1: He was like, Yeah, it was about ten minutes in,
• 27:23
  Speaker 1: and I was like, they're just ripping off King Kong.
• 27:26
  Speaker 13: Oh, yeah.
• 27:26
  Speaker 8: This is the year after the Dino version of King
• 27:30
  Speaker 8: Kong came out, and it's really, really obvious.
• 27:34
  Speaker 13: Yeah.
• 27:35
  Speaker 8: There's so much of it stolen from that, and then, like,
• 27:38
  Speaker 8: not the good stuff. Because at least, and that's what
• 27:41
  Speaker 8: made me think of it, because I'm like, At least
• 27:43
  Speaker 8: in King Kong, they chain him up. Now, granted, we
• 27:45
  Speaker 8: all know those chains aren't going to hold him, but
• 27:47
  Speaker 8: there's some sort of them pretending like, oh, he's under control.
• 27:51
  Speaker 8: He's not going to rampage the city. we're here like
• 27:54
  Speaker 8: they bring him that second time they open the door.
• 27:56
  Speaker 6: He's just they let him jump out yeah and that
• 28:02
  Speaker 6: was the.
• 28:02
  Speaker 13: Thing that sort of confounded me i thought okay when
• 28:04
  Speaker 13: i saw at the beginning he breaks out and he
• 28:06
  Speaker 13: starts attacking the crowd i was like okay this is
• 28:08
  Speaker 13: going to the king kong thing but we're going to
• 28:10
  Speaker 13: get that out of the way in the first 20
• 28:12
  Speaker 13: minutes and then we'll move on to something original it's
• 28:14
  Speaker 13: like no we're just going to do it again an
• 28:15
  Speaker 13: hour from now.
• 28:16
  Speaker 20: Yeah it's like when we hit the reset button only
• 28:19
  Speaker 20: instead of like the mountains it was just in what
• 28:21
  Speaker 20: was like montreal.
• 28:22
  Speaker 22: Or someplace toronto italy italy yeah italy what am i
• 28:28
  Speaker 22: yeah of course it wasn't it was all in italy
• 28:30
  Speaker 22: they have a lot of canadian flags though and they
• 28:32
  Speaker 22: had kids in toronto.
• 28:34
  Speaker 6: Blue jays hats there you go shot that scene one
• 28:37
  Speaker 6: day that's.
• 28:38
  Speaker 1: Real they have blue jay hats and they're holding the
• 28:41
  Speaker 1: sign that says like yay yeti or whatever that was
• 28:43
  Speaker 1: yeah i i don't.
• 28:46
  Speaker 13: God, I mean, this movie's editing was so damn surreal.
• 28:50
  Speaker 13: It just kept... It's sloppy?
• 28:52
  Speaker 20: I've seen times where people were cut off mid-sentence to
• 28:55
  Speaker 20: just show.
• 28:56
  Speaker 1: It like they're talking and then there's just a car
• 28:59
  Speaker 1: flying towards the screen. I was like, what? I was talking.
• 29:02
  Speaker 1: What was he trying to say?
• 29:03
  Speaker 13: The movie reminds me of most dreams I've had where
• 29:07
  Speaker 13: it's like.
• 29:07
  Speaker 1: I remember these fragments.
• 29:12
  Speaker 13: And there's like connections between the fragments, but they're loose.
• 29:16
  Speaker 13: It's like there is some sort of running theme. It's
• 29:18
  Speaker 13: like I don't know how I got from this point
• 29:20
  Speaker 13: to this point. It's like I was inside of this
• 29:22
  Speaker 13: building at nighttime in my dream, and the next thing
• 29:25
  Speaker 13: I know I'm on the road and it's daytime, but
• 29:27
  Speaker 13: it's still the same dream.
• 29:29
  Speaker 1: And you're in the mountains. And I'm in the mountains.
• 29:31
  Speaker 1: And all of a sudden the girl's walking down the street. Yeah, exactly.
• 29:35
  Speaker 13: Like a zombie. And the dog has managed to travel
• 29:39
  Speaker 13: 20 miles. to the outskirts of the city at the
• 29:41
  Speaker 13: same speed as the police to get there to show
• 29:44
  Speaker 13: you that it did not die.
• 29:46
  Speaker 1: It's still bloody, though. That was attention to detail there.
• 29:50
  Speaker 1: That was wonderful.
• 29:52
  Speaker 13: Just back and forth.
• 29:53
  Speaker 1: It went on for so long. That's one thing that.
• 29:56
  Speaker 20: The Dino version didn't have was just about 50 non-sequitur
• 30:01
  Speaker 20: shots to a dog.
• 30:02
  Speaker 1: I like that we would do that.
• 30:06
  Speaker 20: At some point, I don't even know if he was
• 30:07
  Speaker 20: written into the story, but maybe in the editing room.
• 30:09
  Speaker 1: He was like, you know, I filmed a lot of
• 30:11
  Speaker 1: this dog. I need to work him into the story.
• 30:14
  Speaker 20: So they went back and made shots where the dog
• 30:16
  Speaker 20: gets stabbed and he comes back and there's this whole
• 30:18
  Speaker 20: B story with the dog and shows up at the
• 30:21
  Speaker 20: very last shot.
• 30:23
  Speaker 1: Or maybe he was.
• 30:23
  Speaker 13: Trying to make some sort of art film out of it.
• 30:25
  Speaker 13: It's not the Yeti's story. It's not anyone's story. It's
• 30:28
  Speaker 13: the dog's story.
• 30:28
  Speaker 1: It's all about the dog.
• 30:30
  Speaker 8: Well, I mean, I do like that it would go
• 30:32
  Speaker 8: through the reaction shot of the crowds and then just
• 30:34
  Speaker 8: the reaction shot of the dog.
• 30:35
  Speaker 1: Just the dog.
• 30:37
  Speaker 6: Just the dog. Do you think they had a backup plan? Like, okay,
• 30:40
  Speaker 6: if this whole Yeti thing falls through, we've got a good.
• 30:43
  Speaker 13: Lassie.
• 30:43
  Speaker 3: A good Lassie Yeti.
• 30:47
  Speaker 15: Right?
• 30:47
  Speaker 13: We have no women putting on their glasses and looking shocked.
• 30:50
  Speaker 13: And you have other people running in panic and just
• 30:52
  Speaker 13: catching the dog.
• 30:52
  Speaker 1: It's like, I'm happy. I'm happy.
• 30:54
  Speaker 20: You can just see the movie as like either a
• 30:56
  Speaker 20: Yeti monster movie or a really long Lassie episode that's
• 30:59
  Speaker 20: really weird and it just, they have, the dog has,
• 31:02
  Speaker 20: Lassie has to save his owners from this giant monster.
• 31:06
  Speaker 20: That was, I mean, that one moment when the dog
• 31:09
  Speaker 20: runs back to get the doctor or scientist And, like, when.
• 31:13
  Speaker 1: He's just barking at him, and they're like, what is it, girl?
• 31:16
  Speaker 20: And there's, like, five seconds where the scientist is, like, trying,
• 31:19
  Speaker 20: and he's like, what, okay, what?
• 31:20
  Speaker 1: No, I don't understand what you're saying.
• 31:22
  Speaker 12: It was like he was speaking in a different dialect,
• 31:25
  Speaker 12: and then all of a sudden he's like, oh!
• 31:26
  Speaker 1: Yeah, yeah. And it's like, what is it, girl? Yeti
• 31:30
  Speaker 1: fell down the well. Lead us there. Yeah.
• 31:33
  Speaker 13: Suddenly he just, he keeps looking at the dog, and
• 31:35
  Speaker 13: all of a sudden his vision pans about two feet
• 31:37
  Speaker 13: over to the right, and he just says, like, oh, wait,
• 31:40
  Speaker 13: there's a foot there a giant foot.
• 31:43
  Speaker 12: The yeti ran through the lake to throw us off
• 31:46
  Speaker 12: the trail oh we would have never known if the
• 31:49
  Speaker 12: dog hadn't led us to.
• 31:50
  Speaker 6: The giant he's a hundred feet tall we can't find him.
• 31:54
  Speaker 8: We can't spot him over that mountain over there but
• 31:57
  Speaker 8: he he ditched us.
• 31:58
  Speaker 13: I was just like later on when they lose him in.
• 32:01
  Speaker 20: The city it's like Because he's not quite tall enough
• 32:07
  Speaker 20: to be too.
• 32:09
  Speaker 1: He can hide behind a building and everyone will be like, wait,
• 32:12
  Speaker 1: where'd he go?
• 32:13
  Speaker 20: This shit goes back to normal in the city and
• 32:14
  Speaker 20: I guess he went away. And he comes back in
• 32:17
  Speaker 20: that shot where people are just walking and he just
• 32:20
  Speaker 20: pops out from.
• 32:20
  Speaker 3: Behind the building like, hello?
• 32:23
  Speaker 1: There's no noise. No one hears him coming. Like, he
• 32:25
  Speaker 1: just sneaks up behind him. He sneaks up behind him.
• 32:28
  Speaker 1: How many people does he surprise? Like, all the different kinds?
• 32:32
  Speaker 1: Here he is. I mean, even the kids, when they're
• 32:35
  Speaker 1: just like, shh, he's going to get, and he's just there.
• 32:38
  Speaker 1: I'm like, they're in a valley. I'm like, you didn't
• 32:40
  Speaker 1: see him?
• 32:41
  Speaker 12: Well, and not only that, I mean, you'd think they
• 32:43
  Speaker 12: would hear him, because did anybody else notice how it
• 32:45
  Speaker 12: sounded like every time the Yeti walked, he was like,
• 32:48
  Speaker 12: in a Western wearing cowboy boots. Like I was sitting
• 32:53
  Speaker 12: there going, wait, isn't he in the mountains? Like, why
• 32:55
  Speaker 12: does this sound like, you know, there should be like
• 32:57
  Speaker 12: a player piano.
• 32:59
  Speaker 20: Maybe the actor just had boots on. He just didn't
• 33:01
  Speaker 20: feel like taking them off or something.
• 33:03
  Speaker 1: Or maybe there wasn't, there.
• 33:04
  Speaker 20: Wasn't, they couldn't afford any costume below like his shins.
• 33:07
  Speaker 20: I keep it all like the face you know the
• 33:09
  Speaker 20: expressions well.
• 33:10
  Speaker 8: I mean the giant version they had only went up
• 33:13
  Speaker 8: to the shin so they had to balance it out
• 33:15
  Speaker 8: somehow like we're just not going to shoot him from
• 33:17
  Speaker 8: the shins down.
• 33:18
  Speaker 6: That's right I had this little wish going on the
• 33:22
  Speaker 6: entire film thinking that if I could somehow you know
• 33:26
  Speaker 6: recreate it in real world if I could make that
• 33:30
  Speaker 6: take the reins if I could make that Charlton Heston
• 33:33
  Speaker 6: in that Yeti suit it would make it so much
• 33:36
  Speaker 6: better For some reason, I kept envisioning him being Charlton Heston.
• 33:41
  Speaker 1: I think it might have been some of the switch.
• 33:44
  Speaker 6: He had that way that he could switch from like
• 33:48
  Speaker 6: a joy or innocent joy that he's looking on something
• 33:52
  Speaker 6: and all of a sudden just be upset.
• 33:54
  Speaker 1: I see that he is now indeed a damn dirty ape.
• 33:58
  Speaker 1: It's like, ah.
• 34:00
  Speaker 13: Now, see, if you're gonna go, like, really expressive, I
• 34:03
  Speaker 13: would go Kirk Douglas over Charlton Heston.
• 34:07
  Speaker 8: Yeah.
• 34:08
  Speaker 1: That would be good. Go as classy as you can
• 34:11
  Speaker 1: with it, man. Yeah, that guy. His face. God knows
• 34:15
  Speaker 1: this movie needs it. His face.
• 34:17
  Speaker 8: Like, you cannot describe the looking at his face.
• 34:23
  Speaker 1: Like, it's so amazing.
• 34:25
  Speaker 8: And horrifying and traumatizing all at the same time, really.
• 34:30
  Speaker 1: It's That guy's face. I don't know what.
• 34:33
  Speaker 8: And I believe I read that just before this, he
• 34:37
  Speaker 8: was just in.
• 34:38
  Speaker 1: That like super major budget, like mainstream Jesus of Nazareth miniseries. And, like,
• 34:44
  Speaker 1: he came to Yeti.
• 34:46
  Speaker 9: We were.
• 34:48
  Speaker 13: Talking about it. It's like, he looks like Jesus.
• 34:52
  Speaker 1: He's a really big Jesus. That's so great to know that.
• 34:54
  Speaker 1: I'm not sure he was Jesus.
• 34:56
  Speaker 13: Do not destroy that illusion.
• 34:58
  Speaker 1: I'm not even going to say it. We aren't going
• 35:00
  Speaker 1: to watch the series.
• 35:01
  Speaker 13: We're not even going to look it up on IMDB.
• 35:03
  Speaker 1: Yeah, he's totally Jesus.
• 35:05
  Speaker 6: Yeah, many times you said, yeah, look, it's Harry Jesus.
• 35:11
  Speaker 13: Jesus was a Yeti. Oh, it makes so much sense now.
• 35:14
  Speaker 8: It explains the symbolic Christ figure pose.
• 35:17
  Speaker 6: And he even had the gunshot stigmata in his hand.
• 35:22
  Speaker 1: Yeah, exactly. And remember the scene in Jesus and Nazareth
• 35:25
  Speaker 1: when he licked it?
• 35:26
  Speaker 11: Remember?
• 35:26
  Speaker 1: And he healed the.
• 35:27
  Speaker 11: Dog, too.
• 35:28
  Speaker 1: That's why the dog came back. Exactly. The dog's like Lazarus.
• 35:32
  Speaker 1: The whole thing is an allegory. It's like him being
• 35:34
  Speaker 1: at one with nature. I think I see that. And
• 35:38
  Speaker 1: he fed them fish. Oh my gosh.
• 35:42
  Speaker 10: What?
• 35:43
  Speaker 1: It's so perfect. You kids go forth and be a
• 35:45
  Speaker 1: fisher of yetis.
• 35:46
  Speaker 13: Which I guess that makes the Honeycutt character kind of
• 35:49
  Speaker 13: like the Pontius Pilate. He sort of fits it. Was
• 35:54
  Speaker 13: it Howard Honeycutt? Was that his name?
• 35:57
  Speaker 1: I think so, yes.
• 36:00
  Speaker 13: I was like, Are they going for Howard Hughes? Are
• 36:02
  Speaker 13: they seriously having this crazy rich eccentric who has all
• 36:06
  Speaker 13: this money and does all these bizarre things in his HH?
• 36:10
  Speaker 1: It's pretty fitting, I suppose.
• 36:13
  Speaker 20: And the boyfriend could be Judas. Although he doesn't betray
• 36:18
  Speaker 20: the Yeti. He sort of betrays the Yeti.
• 36:20
  Speaker 1: He betrays his girlfriend, which is basically betraying the Yeti.
• 36:22
  Speaker 1: He's a dick to everybody. How about that?
• 36:24
  Speaker 10: He's a dick.
• 36:25
  Speaker 5: Yeah.
• 36:26
  Speaker 13: See, you were able to follow the plot more than
• 36:28
  Speaker 13: I could. I was like, okay, I know that Baron
• 36:30
  Speaker 13: Harkonnen here, he's the benevolent rich guy who doesn't really
• 36:35
  Speaker 13: know what's going on, but I don't really know what's
• 36:37
  Speaker 13: going on either. Somebody's betraying him, and something's happening.
• 36:41
  Speaker 6: Yeah, I didn't understand the whole vote, and he's the
• 36:45
  Speaker 6: new president of a new corporation.
• 36:47
  Speaker 1: Why was that necessary?
• 36:48
  Speaker 13: Yeah, yeah. Yeah.
• 36:51
  Speaker 1: The intricacies of this plot.
• 36:53
  Speaker 13: That was the point where I did lean over to
• 36:55
  Speaker 13: Greg and I was like, I feel like something's happened.
• 36:58
  Speaker 13: I don't know what, but something is happening in this movie.
• 37:01
  Speaker 1: Well, that's about when it kicked in. You can go
• 37:03
  Speaker 1: ahead and tell them what we put in the spaghetti now.
• 37:07
  Speaker 8: It took a little while into the movie before it
• 37:08
  Speaker 8: kicked in, but yeah, you started seeing.
• 37:11
  Speaker 1: Anyway, never mind.
• 37:12
  Speaker 13: We're slipping drugs into our straight bagels.
• 37:14
  Speaker 1: Straight bagels.
• 37:24
  Speaker 3: Oh, my God.
• 38:10
  Speaker 20: I have to say, this movie had one of the
• 38:13
  Speaker 20: most amazing monster death-like kills.
• 38:18
  Speaker 1: In any movie I've ever seen. And you know what
• 38:22
  Speaker 1: I'm talking about?
• 38:23
  Speaker 20: What happened was this guy, when he's stepping on this guy,
• 38:27
  Speaker 20: you're like, oh, he's going to squash him.
• 38:28
  Speaker 1: It's like, no, he raises his foot up. And the
• 38:31
  Speaker 1: guy's like, oh, no, he's not going to kill me.
• 38:33
  Speaker 1: He's like, maybe he's turned nice again.
• 38:36
  Speaker 12: Doesn't he even thank him?
• 38:38
  Speaker 1: He's like, thank you.
• 38:38
  Speaker 13: I think he does.
• 38:39
  Speaker 1: He kind of thanks him. He's like, thank you.
• 38:40
  Speaker 20: And the foot is raised at his waist. And suddenly
• 38:45
  Speaker 20: when you think, you know, nothing's going to happen, like
• 38:46
  Speaker 20: the foot just like jabs forward. And he strangles the
• 38:49
  Speaker 20: guy using his big toe and his middle toe.
• 38:54
  Speaker 1: It's so great.
• 38:55
  Speaker 8: Usually I just do this move to pick up my
• 38:57
  Speaker 8: car keys, but this time it was such a brilliant
• 39:00
  Speaker 8: fake out.
• 39:00
  Speaker 1: Like the timing of it was just like, oh shit, no,
• 39:03
  Speaker 1: you thought I was going to.
• 39:04
  Speaker 6: I think the reason why they did that is like, okay,
• 39:07
  Speaker 6: we've got the foot. It really can't move. We can't
• 39:09
  Speaker 6: squash because we can't do that mess on the floor.
• 39:12
  Speaker 6: It's not going to... We can't pull that off. But
• 39:15
  Speaker 6: he could pretend like his neck's broken.
• 39:16
  Speaker 20: He really had to arrange his neck so it slid into.
• 39:21
  Speaker 1: Not go left or right.
• 39:24
  Speaker 8: Imagine assuming you didn't watch this, which that's your own fault, really.
• 39:27
  Speaker 8: But a giant paper machine... foot coming down the gutter.
• 39:32
  Speaker 8: Because it's not quite the King Kong foot that looked
• 39:36
  Speaker 8: relatively good.
• 39:37
  Speaker 1: These were a little.
• 39:39
  Speaker 11: Granted, they.
• 39:39
  Speaker 1: Had a much smaller budget, I'm assuming, but yeah.
• 39:43
  Speaker 13: See, I kind of wonder how much people saw of
• 39:47
  Speaker 13: the monster.
• 39:49
  Speaker 13: The premiere.
• 39:50
  Speaker 11: Yeah.
• 39:50
  Speaker 1: Because... Because he was a ghost? I'm trying to remember, yeah.
• 39:54
  Speaker 13: I'm trying to remember the name of the main actor
• 39:56
  Speaker 13: in The Giant Claw, if you've ever seen that film
• 39:59
  Speaker 13: before or not. But I want to say it was
• 40:02
  Speaker 13: Forrest Tucker, but it might not have been. But anyway,
• 40:05
  Speaker 13: I just read this story to where apparently the first
• 40:07
  Speaker 13: time that all the main cast saw The Giant Claw itself,
• 40:11
  Speaker 13: I mean, it was supposed to be basically this giant
• 40:13
  Speaker 13: radioactive bird that came out of this interdimensional portal and
• 40:18
  Speaker 13: is just like picking up trains, eating people left to right,
• 40:21
  Speaker 13: and when you see it, it's like a Muppet on acid.
• 40:25
  Speaker 13: It's the most absurd, laughable thing, and apparently when it
• 40:29
  Speaker 13: first appeared on the screen, the audience at this premiere
• 40:32
  Speaker 13: started laughing, and the main cast walked.
• 40:34
  Speaker 1: Out of the premiere.
• 40:35
  Speaker 13: They never saw the end of it.
• 40:37
  Speaker 1: Oh, man.
• 40:38
  Speaker 13: And I just wondered if something similar was the case
• 40:40
  Speaker 13: where they saw it, and they're like, that's what we
• 40:43
  Speaker 13: were reacting to?
• 40:45
  Speaker 17: That?
• 40:46
  Speaker 8: Well, again, the special effects on this, the The laying
• 40:51
  Speaker 8: of his image into the scene is, again, not quite perfect.
• 40:56
  Speaker 13: No, since he's transparent half the time.
• 40:58
  Speaker 1: He's the ghost of Yeti.
• 40:59
  Speaker 6: A truck drives through his foot.
• 41:01
  Speaker 1: Well, people walk through his foot quite often, actually, in
• 41:05
  Speaker 1: those distant shots. But it wasn't just.
• 41:08
  Speaker 8: You also get that weird glow around him, which, again,
• 41:10
  Speaker 8: maybe just because he's Jesus.
• 41:11
  Speaker 1: I don't know.
• 41:12
  Speaker 8: But that weird glow that they can't quite get rid
• 41:15
  Speaker 8: of when they're putting in the special effect.
• 41:17
  Speaker 17: But.
• 41:18
  Speaker 1: The other, like, it's not just him.
• 41:20
  Speaker 8: Like, what killed me was, like, the layering of shots of, like, just, like,
• 41:24
  Speaker 8: the kids and the city and, like.
• 41:26
  Speaker 1: It looked like they were hovering. Yeah. It looks like
• 41:31
  Speaker 1: you're in front of a green screen, but they didn't
• 41:32
  Speaker 1: have that in 1977. So what the... Why couldn't you
• 41:36
  Speaker 1: just go and shoot these shots with people in it? Like,
• 41:39
  Speaker 1: why they had to.
• 41:40
  Speaker 8: piece together three separate shots of different things and have
• 41:44
  Speaker 8: them all look like they're.
• 41:45
  Speaker 1: Looking at the wrong thing and reacting wrong. It's so
• 41:49
  Speaker 1: weird the way they lay out.
• 41:50
  Speaker 8: In the middle, there's a whole run of them when
• 41:52
  Speaker 8: they have that big triumphant return to the city shot.
• 41:55
  Speaker 21: There was one of those that really weirded me out
• 41:57
  Speaker 21: because I had that too, but then in the last one,
• 41:59
  Speaker 21: one of the people from the background ran out into
• 42:01
  Speaker 21: the foreground.
• 42:05
  Speaker 1: That just got really weird. I don't know.
• 42:08
  Speaker 12: Did you all notice, like, before he was fully thawed, like,
• 42:12
  Speaker 12: the image of his face kind of looked like the
• 42:14
  Speaker 12: Shroud of Turin.
• 42:14
  Speaker 20: I was just sitting there going, that, is it just me?
• 42:21
  Speaker 1: And, like, they kept going back to that shot, and I.
• 42:24
  Speaker 12: Was just like, that looks kind of like Jesus.
• 42:27
  Speaker 1: In a way. It's all coming back around.
• 42:30
  Speaker 13: Yeah, it really is.
• 42:31
  Speaker 6: And they even did, the strings came in when you
• 42:33
  Speaker 6: could first see the Shroud of Turin Jesus face.
• 42:36
  Speaker 13: Yeah.
• 42:36
  Speaker 6: Yeah, I was like, what are they going for here?
• 42:39
  Speaker 8: Before he started melting, that's not how you described him, Ben.
• 42:43
  Speaker 1: What was... When he was standing there at the beginning.
• 42:47
  Speaker 20: What?
• 42:47
  Speaker 1: A melted G.I.
• 42:48
  Speaker 8: Joe.
• 42:48
  Speaker 20: Oh, yeah.
• 42:48
  Speaker 1: No, it was a G.I. It looked just like a
• 42:50
  Speaker 1: melted G.I. Joe. When they were... He was, like, still
• 42:54
  Speaker 1: on the ice, and they kept cutting to him like
• 42:56
  Speaker 1: he was hanging from the crane. It's like, once we
• 42:58
  Speaker 1: unfreeze him... And just, like, I was just shot. It
• 43:01
  Speaker 1: was melted plastic something. It was just... It was totally... Like,
• 43:08
  Speaker 1: it wasn't... It clearly wasn't ice. It was, like, all white.
• 43:11
  Speaker 1: You know, it didn't... Really frozen ice.
• 43:14
  Speaker 13: You need to Jeff Goldblum in there at that moment.
• 43:17
  Speaker 13: Just because you can doesn't mean that you should.
• 43:22
  Speaker 1: Must go faster.
• 43:23
  Speaker 4: Must go.
• 43:24
  Speaker 1: That was later in the movie.
• 43:26
  Speaker 20: I mean, I did get kind of a Jurassic Park
• 43:28
  Speaker 20: vibe from, like, when they're using the flamethrowers at the beginning,
• 43:31
  Speaker 20: and it's like, ooh.
• 43:32
  Speaker 8: I mean.
• 43:33
  Speaker 13: Watching it early on, I was like, I feel like
• 43:36
  Speaker 13: this movie, it has a lot of heart. They're trying
• 43:37
  Speaker 13: to do the best they can with what they got.
• 43:39
  Speaker 13: But then about halfway through, I just feel like somebody
• 43:42
  Speaker 13: just threw their hands up and said, fuck it, we
• 43:43
  Speaker 13: just got to finish this thing.
• 43:45
  Speaker 1: We've got a bunch of footage of cars driving. Your
• 43:49
  Speaker 1: daytime is supposed to be night?
• 43:51
  Speaker 6: Who cares?
• 43:53
  Speaker 13: What are we going to do with all the stock
• 43:54
  Speaker 13: footage of Toronto? Who cares?
• 43:57
  Speaker 20: Literally, the opening shot is someone with their fucking Super
• 44:01
  Speaker 20: 8 camera or whatever.
• 44:02
  Speaker 1: At the top of some built.
• 44:04
  Speaker 20: Like skyscraper in Toronto, like looking through the windows, you
• 44:07
  Speaker 20: can see the handlebars of like outside the windows and
• 44:10
  Speaker 20: you're just moving from window to.
• 44:11
  Speaker 1: It's so like badly done. It's like a tourist like video.
• 44:16
  Speaker 13: Greg was always watching. I was like, it reminded me
• 44:18
  Speaker 13: of the scene in Ed Wood where he goes to
• 44:20
  Speaker 13: the film depot. He's like, Oh, I could make a
• 44:21
  Speaker 13: whole film out of stock footage.
• 44:24
  Speaker 8: And he's just stops and thinks I could make a whole.
• 44:28
  Speaker 20: Yeah.
• 44:32
  Speaker 13: Oh, wow.
• 44:32
  Speaker 21: That scene where he's climbing down the building and smashing
• 44:35
  Speaker 21: all the windows down.
• 44:35
  Speaker 20: That was kind of a brilliant set piece. It was, like,
• 44:38
  Speaker 20: horribly put together, but the idea of it, like, it's
• 44:42
  Speaker 20: an awesome set piece. Like, oh, wow, like, she's hanging
• 44:45
  Speaker 20: on the elevator. He's trying to reach her, and all
• 44:46
  Speaker 20: the people get off, and he can't grab her because
• 44:49
  Speaker 20: the elevator falls down, and she's hanging on for dear life.
• 44:51
  Speaker 1: So he, like.
• 44:52
  Speaker 20: climbs down the building, like, smashing every window with his
• 44:55
  Speaker 20: foot as he's climbing down.
• 44:56
  Speaker 6: Intentionally.
• 44:58
  Speaker 1: Intentionally. Because it's fun. I mean, come on. We'd all
• 45:01
  Speaker 1: do that if we were giant.
• 45:02
  Speaker 6: And all those shots of the, you know, apartment complex.
• 45:06
  Speaker 13: That the all-time million-dollar corporation is at the top of.
• 45:10
  Speaker 1: Yeah, people just live there, too. It's, like, in one room.
• 45:14
  Speaker 8: Actually, I like that shot, like watching it from inside
• 45:18
  Speaker 8: their house as we know the foot's coming.
• 45:20
  Speaker 13: I mean, what a very drab apartment complex to where,
• 45:28
  Speaker 13: I mean, really the setup of. Every apartment was exactly
• 45:31
  Speaker 13: the same, the same curtain. It's like a really one
• 45:33
  Speaker 13: big room.
• 45:34
  Speaker 1: It's like a one-room apartment. Actually, no, maybe it's just
• 45:37
  Speaker 1: a hotel.
• 45:38
  Speaker 13: That would make more sense.
• 45:39
  Speaker 6: But they're having dinner in a hotel room.
• 45:42
  Speaker 1: He ordered in. Yeah, but he had a dinner table.
• 45:45
  Speaker 1: He ordered that, too. It's a really fancy hotel. That's
• 45:48
  Speaker 1: how they do it in Canada. That's our fallback. For
• 45:50
  Speaker 1: the Yeti to climb down.
• 45:51
  Speaker 13: 32 stories to catch her at the bottom instead of
• 45:59
  Speaker 13: climbing down just a couple and then reaching.
• 46:01
  Speaker 12: Over i didn't quite see how that that worked if we.
• 46:07
  Speaker 8: Want to go into that part of the story like
• 46:10
  Speaker 8: why did he yank the elevator shaft i mean like
• 46:13
  Speaker 8: first of all why did he even pay attention to
• 46:15
  Speaker 8: that elevator specifically the one she was in ironically enough
• 46:19
  Speaker 8: but like i don't know It's not like, again, we're
• 46:23
  Speaker 8: knocking off King Kong. It's not like in King Kong
• 46:25
  Speaker 8: when there's a giant train going by and he sees
• 46:27
  Speaker 8: it and reacts to it and it kind of pisses
• 46:30
  Speaker 8: him off that it's going by.
• 46:31
  Speaker 1: But, like, he wouldn't see an elevator inside of a building.
• 46:35
  Speaker 1: He doesn't know how an elevator works.
• 46:36
  Speaker 14: No.
• 46:37
  Speaker 1: And he's, like, reaching down in. It's not like it
• 46:39
  Speaker 1: was up there. It's not even like it was a
• 46:40
  Speaker 1: glass elevator. It's like he's trying to get the chips
• 46:43
  Speaker 1: in a Pringles can. Yeah, he's shoving it in his arm.
• 46:46
  Speaker 1: How do I get these people out?
• 46:48
  Speaker 6: It's frustrating.
• 46:48
  Speaker 1: Yeah. He's beating them up. That's what it is. Dude,
• 46:53
  Speaker 1: you just got to poop it up and pour it around.
• 46:55
  Speaker 13: There's no whole people in here anymore. It's just crumbly.
• 46:57
  Speaker 1: Broken bits of people. Sometimes you just got to let
• 47:00
  Speaker 1: the last pringle go. There's like three.
• 47:02
  Speaker 13: Whole people in this elevator and just a bunch of
• 47:04
  Speaker 13: broken bits of people.
• 47:05
  Speaker 1: Happens every time I get in an elevator. Sometimes you
• 47:09
  Speaker 1: got to let the last pringle go, man. Oh, Lord. Yeah,
• 47:14
  Speaker 1: and that.
• 47:16
  Speaker 6: She fell 32 stories and landed.
• 47:20
  Speaker 1: On his head. We know it's 32. Because we see.
• 47:24
  Speaker 1: I thought that was a touch of realism there. She
• 47:26
  Speaker 1: grabbed your neck. Obviously, it was a rough fall. Also,
• 47:32
  Speaker 1: an old lady, I'm pretty sure, got sent to the hospital.
• 47:36
  Speaker 1: After that scene was filmed.
• 47:38
  Speaker 20: After that crowd just pulverized her climbing out of the elevator.
• 47:48
  Speaker 1: That was the.
• 47:53
  Speaker 8: Best part was watching that because there were several people
• 47:55
  Speaker 8: that just totally screwed over.
• 47:58
  Speaker 1: Again, it's just realism, really. Because, yeah, there's the guy
• 48:01
  Speaker 1: that shoved the old lady out of the way.
• 48:03
  Speaker 8: And then by the last guy that was in there
• 48:05
  Speaker 8: that shoved our heroine out of the way, just, like,
• 48:07
  Speaker 8: about kicked her in the face. And I'm like, this
• 48:10
  Speaker 8: is how it would really work if a giant creature
• 48:13
  Speaker 8: was attacking the elevator.
• 48:14
  Speaker 20: In any, like, regular movie with, like, an actual budget, like,
• 48:19
  Speaker 20: the set for the elevator, that would be a set.
• 48:22
  Speaker 20: It wouldn't be putting a bunch of people on a
• 48:24
  Speaker 20: real elevator and making them climb out.
• 48:27
  Speaker 1: Like, that's totally safe. We'll let them do that. Tell
• 48:33
  Speaker 1: everyone goodbye. Alan's leaving. I'm leaving. Good night. Good night
• 48:36
  Speaker 1: to everybody. Good night. Bye. Hope you don't get your
• 48:40
  Speaker 1: neck broke by a giant creature on the way home.
• 48:42
  Speaker 1: Their toe. He only kills people he hates, which is
• 48:45
  Speaker 1: not very many of them. That's true. He likes most people.
• 48:47
  Speaker 13: Kiss the Yeti ice sculpture on your way.
• 48:50
  Speaker 1: Don't forget your Yeti Bakteen in case you need it.
• 48:53
  Speaker 13: Yeah, that was a really big fan.
• 48:56
  Speaker 1: What was it?
• 48:58
  Speaker 12: It couldn't have been Bakteen because that's a berms.
• 49:02
  Speaker 1: That would have pissed me off. He was making out
• 49:05
  Speaker 1: with the ice cold. That's hot. That was amazing. He
• 49:10
  Speaker 1: just melted. He's like, oh my god. That was so hot.
• 49:17
  Speaker 8: Yeah, Bo earlier decided to make out with the ice cold.
• 49:20
  Speaker 8: and now I guess it's become a thing.
• 49:22
  Speaker 1: I don't know.
• 49:23
  Speaker 13: We all have to when we leave.
• 49:24
  Speaker 6: Well, kissing that would be like kissing Alan now.
• 49:27
  Speaker 1: Because he was all up on it.
• 49:29
  Speaker 6: He left his part, right? He got a piece while
• 49:31
  Speaker 6: he was at it.
• 49:32
  Speaker 1: I feel like that's some kind of Icelandic ritual.
• 49:35
  Speaker 20: Before they leave, like their meet hall or whatever, they
• 49:37
  Speaker 20: have to make out with The Yeti ice sculpture, or else,
• 49:42
  Speaker 20: you know, he'll come and kill you.
• 49:44
  Speaker 13: Yeah, can we throw a question out to the viewers?
• 49:46
  Speaker 13: Are we allowed to do that?
• 49:47
  Speaker 1: Go for it.
• 49:48
  Speaker 13: All right, so Ben and I were trying to remember earlier.
• 49:51
  Speaker 13: We were making the comment, when the ice sculpture of
• 49:54
  Speaker 13: the Yeti melts, then the Yeti spaghetti party will be over.
• 50:00
  Speaker 13: And he was trying to say, well, what particular, like,
• 50:02
  Speaker 13: ceremony is that? And I was saying, I was pretty
• 50:03
  Speaker 13: sure that's in a film tour. It's mentioned within the
• 50:06
  Speaker 13: film that they have, like, some sort of ice sculpture
• 50:08
  Speaker 13: at this party within a movie, and when it melts,
• 50:12
  Speaker 13: then the party is over. So, see if any savvy
• 50:15
  Speaker 13: viewers can post and say what it is.
• 50:18
  Speaker 1: Do you have the answer, or you need the answer? Mm-hmm.
• 50:22
  Speaker 13: I don't have these.
• 50:23
  Speaker 23: You said you had an idea, and I don't think
• 50:26
  Speaker 23: it's from.
• 50:27
  Speaker 13: You don't think it's from Melancholia?
• 50:29
  Speaker 1: I don't think it is either.
• 50:31
  Speaker 13: It's from some sort of film, though.
• 50:34
  Speaker 6: I just watched that, and I don't remember.
• 50:36
  Speaker 1: That's what I'm saying.
• 50:36
  Speaker 13: I feel like it's something recent.
• 50:38
  Speaker 1: It feels like something that Roman Polanski did. No, maybe
• 50:41
  Speaker 1: I don't. Oh, is it?
• 50:45
  Speaker 16: No.
• 50:45
  Speaker 13: Well, no.
• 50:46
  Speaker 1: Is it the Red Riding Trilogy? No, it's not. Okay,
• 50:51
  Speaker 1: forget it.
• 50:52
  Speaker 13: Sorry.
• 50:53
  Speaker 1: That's not where it's from. Because no one here has
• 50:55
  Speaker 1: clearly seen that.
• 50:57
  Speaker 17: No.
• 50:58
  Speaker 13: Okay.
• 50:59
  Speaker 5: No.
• 50:59
  Speaker 1: I'll probably think of it like once I live.
• 51:02
  Speaker 13: Maybe it's from Gremlins 2, the new batch. I mean,
• 51:04
  Speaker 13: that's usually my default to go to.
• 51:05
  Speaker 20: I feel like every time we record, there's some awesome
• 51:08
  Speaker 20: instance where we just always go back to Gremlins 2.
• 51:11
  Speaker 1: Like, that's the one. It all goes down to us.
• 51:14
  Speaker 13: It's my fault. Which, actually, this was like Gremlins 2,
• 51:18
  Speaker 13: the new batch, to where you have chaos breaking out
• 51:20
  Speaker 13: in a large skyscraper in a downtown metropolitan area.
• 51:25
  Speaker 6: But you don't get the Yeti to do a cute
• 51:27
  Speaker 6: dance like you do in Gremlins 2.
• 51:30
  Speaker 13: Which is a shame. I guess maybe if he danced,
• 51:33
  Speaker 13: he would have been revealing too much since they went
• 51:35
  Speaker 13: to great lengths to hide the Yeti genitalia with, like,
• 51:39
  Speaker 13: extra long fur.
• 51:40
  Speaker 1: That's why the ladies were putting on their glasses.
• 51:42
  Speaker 13: Yeah, they were.
• 51:43
  Speaker 14: Yeah.
• 51:43
  Speaker 1: They were checking it out. Don't want to miss this.
• 51:46
  Speaker 20: That one woman made, you know, made sure that she
• 51:49
  Speaker 20: ran underneath, like, in between his legs.
• 51:51
  Speaker 13: I was just like, ooh, Mabel, look at that.
• 51:55
  Speaker 1: That's what I was like when the kid did it earlier.
• 51:58
  Speaker 1: I was like, don't you know not to run under
• 52:01
  Speaker 1: a Yeti? That seems like a pretty basic rule. Don't
• 52:05
  Speaker 1: walk underneath your Yeti.
• 52:06
  Speaker 13: I want to see a King Kong movie to where
• 52:09
  Speaker 13: he's just pooping.
• 52:12
  Speaker 1: He's got it. He sees all over Manhattan.
• 52:15
  Speaker 13: Exactly.
• 52:15
  Speaker 1: He just throws his poop at them. Behaving like an actual.
• 52:18
  Speaker 8: You know.
• 52:20
  Speaker 1: You have special criteria for your films, don't you? Literally,
• 52:24
  Speaker 1: I do. You know, a highbrow. Right here. Well, again,
• 52:29
  Speaker 1: when we get to the, like, going back to the city.
• 52:33
  Speaker 8: The second time, the Yeti fever that takes over.
• 52:40
  Speaker 13: It cuts to them saying, we'll get him to follow
• 52:42
  Speaker 13: us back to the container. All of a sudden, it's like,
• 52:44
  Speaker 13: Yeti gas!
• 52:45
  Speaker 1: We've got to get some Yeti gas! That's sold out!
• 52:48
  Speaker 1: That was so disturbing.
• 52:49
  Speaker 12: It was like, put some Yeti in your tank.
• 52:50
  Speaker 1: And I was like, no, thank you.
• 52:51
  Speaker 24: That sounds like code.
• 52:53
  Speaker 1: I know.
• 52:54
  Speaker 13: They didn't even have the Yeti in Toronto at the time.
• 52:57
  Speaker 13: It's just like. They just happened to choose a Yeti
• 53:01
  Speaker 13: as their character.
• 53:02
  Speaker 1: It was Yeti for her.
• 53:05
  Speaker 13: Right.
• 53:06
  Speaker 1: I mean, otherwise, that girl wouldn't have been wearing that shirt.
• 53:09
  Speaker 1: She wouldn't have been making out with a random guy.
• 53:11
  Speaker 1: The shirt was awesome, by the way. Yeah, why aren't
• 53:13
  Speaker 1: they selling those now? And we should have had them here.
• 53:15
  Speaker 13: That's what Gary said. As soon as I was looking
• 53:17
  Speaker 13: at it, I was like, man, we could have almost
• 53:20
  Speaker 13: got away with that. Like, had the Yeti hands and
• 53:21
  Speaker 13: then the spaghetti.
• 53:23
  Speaker 17: But why?
• 53:24
  Speaker 1: What does Yeti hands over women.
• 53:26
  Speaker 6: Blue Yeti hands over women's breasts have anything to do
• 53:29
  Speaker 6: with the.
• 53:29
  Speaker 1: I didn't get it. He comes from colds, blues... No,
• 53:33
  Speaker 1: it doesn't work. It just doesn't work. I'm partial to
• 53:38
  Speaker 1: our t-shirts, so I'm sticking with the Yeti.
• 53:40
  Speaker 13: I'm saying we're like the Yeti fever kids. came from
• 53:42
  Speaker 13: though it makes no sense within the context of the
• 53:45
  Speaker 13: film and.
• 53:45
  Speaker 1: Howard hughes was marketing i mean that other guy.
• 53:48
  Speaker 13: Yeah i know baron harkonnen he was marketing him he
• 53:51
  Speaker 13: knew at the beginning he's like i get yeti and
• 53:53
  Speaker 13: it's going to be everything and then sure enough he
• 53:56
  Speaker 13: was right as soon as they captured the yeti everyone
• 53:58
  Speaker 13: wanted to buy his products because he called them yeti
• 54:01
  Speaker 13: products because he had a yeti i mean that's really
• 54:03
  Speaker 13: yeah that's i mean that is the plot of it
• 54:05
  Speaker 13: this is ridiculous movie is this The Italian Albert Finney
• 54:10
  Speaker 13: is like, capture me a Yeti and I will be
• 54:13
  Speaker 13: able to sell anything to the people because it's Yeti.
• 54:18
  Speaker 6: If Disney had a Yeti, they'd certainly market it.
• 54:21
  Speaker 13: They did well with the mouse.
• 54:23
  Speaker 12: I'm just really confused. I'm so confused about the choice
• 54:25
  Speaker 12: of Canada. The scientist goes on on this little spiel
• 54:30
  Speaker 12: on what a Yeti is and how he comes from
• 54:31
  Speaker 12: the Himalayas. the canadian himalayas apparently.
• 54:36
  Speaker 6: Oh they said it somehow drifted and ended up in
• 54:39
  Speaker 6: newfoundland or something.
• 54:41
  Speaker 20: Like geography the canada thing does not make sense but
• 54:45
  Speaker 20: tonally it makes.
• 54:46
  Speaker 1: Perfect sense like it just just felt like just like
• 54:50
  Speaker 1: of course this movie you know we're all not taking
• 54:52
  Speaker 1: this but.
• 54:52
  Speaker 13: Actually there are a lot of films that are made
• 54:54
  Speaker 13: in canada now maybe this This is the one that
• 54:56
  Speaker 13: broke the ice, no pun intended.
• 54:58
  Speaker 1: Because there's just a lot of.
• 55:00
  Speaker 13: It set the benchmark by which all other Canadian productions
• 55:03
  Speaker 13: would be measured.
• 55:05
  Speaker 8: If we're going to question all of that, then the
• 55:10
  Speaker 8: major thing, along with all the.
• 55:12
  Speaker 1: Other nonsense up there, I was just.
• 55:14
  Speaker 8: When they got to Yeti Fever and the whole city
• 55:16
  Speaker 8: was going crazy, welcoming Yeti to his new home, they're
• 55:20
  Speaker 8: having the Yeti Parade... Can we talk about the heritage
• 55:24
  Speaker 8: dance going on?
• 55:25
  Speaker 1: It was carnival, wasn't it? It was carnival, yeah. Oh,
• 55:29
  Speaker 1: slob footage of carnival.
• 55:31
  Speaker 12: I was legitimately confused for a second. I was like,
• 55:33
  Speaker 12: because I think I looked down at my phone or
• 55:35
  Speaker 12: I went and got some coffee or something, and I'm like,
• 55:38
  Speaker 12: how the hell did they end.
• 55:39
  Speaker 1: Up in Brazil?
• 55:40
  Speaker 13: Seriously.
• 55:41
  Speaker 12: And then I was like, wait, or is that Toronto?
• 55:44
  Speaker 1: Toronto has their own.
• 55:46
  Speaker 6: I was like, what heritage are we?
• 55:50
  Speaker 1: Celebrating with this parade?
• 55:52
  Speaker 8: I don't think it's Canada.
• 55:54
  Speaker 13: I don't think it's Himalayas. Precisely my problem, because I
• 55:57
  Speaker 13: went outside to take a couple shots of the Yeti
• 55:59
  Speaker 13: ice sculpture with the movie running, and then I came
• 56:03
  Speaker 13: back in. I was outside for 30 seconds, and I thought, wait,
• 56:06
  Speaker 13: the professor's dead. And suddenly everyone's running. What is going on?
• 56:11
  Speaker 1: Yeah, like you can't blink.
• 56:14
  Speaker 13: I mean, in the last half hour of the film,
• 56:17
  Speaker 13: I feel like somebody said, okay, we've got to have
• 56:18
  Speaker 13: this under half an hour. because you know somebody had
• 56:23
  Speaker 13: made like a ken burns epic yeti film seven hours
• 56:27
  Speaker 13: of yeti and they're like god we're gonna have to
• 56:29
  Speaker 13: cut out so much.
• 56:31
  Speaker 6: Who gives a shit how to get the girl gets
• 56:33
  Speaker 6: in the mountain she's walking her feet are torn go.
• 56:36
  Speaker 25: Fourth wall fourth wall just do it like the ratio
• 56:41
  Speaker 25: of shots of people running from the yeti like in
• 56:44
  Speaker 25: panic and the actual yeti like Towards the end, we
• 56:47
  Speaker 25: just tipped in favor of just the running and shot,
• 56:49
  Speaker 25: like the people running.
• 56:51
  Speaker 11: Yeah.
• 56:51
  Speaker 1: Like there was hardly as many shots of the Yeti.
• 56:54
  Speaker 13: Well, half the shots were them running up to the
• 56:57
  Speaker 13: Yeti in surprise, and then the other half were running
• 57:01
  Speaker 13: away as if somebody sees this giant thing and they
• 57:04
  Speaker 13: run a couple hundred feet to it like, holy shit,
• 57:06
  Speaker 13: I've got to get closer to see it. Look at that. fuck,
• 57:08
  Speaker 13: it's going to kill me.
• 57:10
  Speaker 1: It's so bizarre.
• 57:11
  Speaker 13: I mean, the bus unloads and all those people get
• 57:14
  Speaker 13: out of the bus and they run up to the
• 57:16
  Speaker 13: building and as soon as it starts climbing down, they
• 57:17
  Speaker 13: run back the other direction. It's just bizarre.
• 57:20
  Speaker 20: That shot was, what clearly happened with that was the
• 57:23
  Speaker 20: director told everyone on that bus to like, to every
• 57:26
  Speaker 20: single person, when you get out of the bus, make
• 57:27
  Speaker 20: sure you stop and have a, Really scary reaction shot.
• 57:30
  Speaker 1: Don't keep running. Every person has to stop and go, ah,
• 57:33
  Speaker 1: and then just keep going. Well, things that piss him off.
• 57:35
  Speaker 1: They didn't just race out like normal people would. I
• 57:37
  Speaker 1: like that they just continually, like, eh, it's okay. You
• 57:40
  Speaker 1: just flash on those cameras. It's fine. Like, the first time, okay,
• 57:43
  Speaker 1: we're stupid. We didn't know any better. But when they
• 57:45
  Speaker 1: bring him back.
• 57:45
  Speaker 8: To the city, I'm like, you know all the stuff
• 57:48
  Speaker 8: that pissed him.
• 57:49
  Speaker 1: Off last time. And then it's like, oh, wait, it
• 57:50
  Speaker 1: pissed him off. You should stop now. Stop it. Stop it.
• 57:52
  Speaker 20: No safety perimeters. Like, even after the second time, after
• 57:55
  Speaker 20: it just blew up in their face. They're in the
• 57:57
  Speaker 20: city now, you know, which is a logical place to
• 58:00
  Speaker 20: go after the Yeti almost kills everyone in the mountains.
• 58:03
  Speaker 1: And they still just don't have a fence. They don't
• 58:06
  Speaker 1: tell people to not take pictures.
• 58:08
  Speaker 13: And why are they taking so many flash pictures on
• 58:10
  Speaker 13: a sunny day? It's a bright, sunny day, and it's like,
• 58:15
  Speaker 13: we've got to take a lot of flash pictures of
• 58:17
  Speaker 13: this thing. Our viewers like our pictures overexposed.
• 58:23
  Speaker 1: I don't know why, I mean, I.
• 58:24
  Speaker 6: Know why they couldn't do it, because they couldn't film
• 58:27
  Speaker 6: in Toronto.
• 58:28
  Speaker 16: But why wouldn't they have, you've got a ready-made crowd
• 58:33
  Speaker 16: full of people at the stadium there, and I was like, oh,
• 58:37
  Speaker 16: they're going to land in the stadium.
• 58:38
  Speaker 6: And then my logic overtook, like, they can't land in
• 58:42
  Speaker 6: the stadium because they can't go to that stadium.
• 58:44
  Speaker 1: They can't get that many people for this movie.
• 58:45
  Speaker 6: But still, I thought, why even show it You know,
• 58:50
  Speaker 6: that there's a stadium there because obviously that's the safest place.
• 58:53
  Speaker 6: You can put them in there. Everybody, you know, it's
• 58:56
  Speaker 6: a big open space. Not on top of a building
• 58:59
  Speaker 6: where people are trapped.
• 59:00
  Speaker 13: Yeah, because, I mean, when they turned on the TV
• 59:02
  Speaker 13: in the stadium, I thought, okay, that's what it is.
• 59:04
  Speaker 13: They're getting ready to land there. And that's like the
• 59:06
  Speaker 13: broadcasting touch. Now it's like, no, everybody's just in the
• 59:08
  Speaker 13: stadium to watch. the footage of the Yeti go on
• 59:13
  Speaker 13: top of another building?
• 59:14
  Speaker 1: No, it's because he was there to watch the game, but.
• 59:18
  Speaker 8: Even the game couldn't draw him away from Yeti fever.
• 59:22
  Speaker 1: He had to bring the TV just to watch the
• 59:24
  Speaker 1: Yeti arrive.
• 59:25
  Speaker 8: And the game was going on, but it wasn't near
• 59:28
  Speaker 8: as important as the Yeti arriving.
• 59:29
  Speaker 13: Even though there was nobody on the field.
• 59:31
  Speaker 8: Even though there was nobody on the field.
• 59:34
  Speaker 1: Yeah, I kind of wondered that too. I was like,
• 59:35
  Speaker 1: why is everybody all riled up? There's nothing going on
• 59:38
  Speaker 1: down there.
• 59:39
  Speaker 13: Maybe they'd originally planned to film there and even started
• 59:41
  Speaker 13: to shoot that. And then somebody was like, nope. We
• 59:44
  Speaker 13: can't do that.
• 59:46
  Speaker 6: Also, speaking of You know, not being there. When they
• 59:50
  Speaker 6: were running into the store during Yeti fever, and there's
• 59:58
  Speaker 6: about 15 clearly Italian boys running.
• 1:00:02
  Speaker 1: What the hell are you saying? Canadian! But they've got
• 1:00:05
  Speaker 1: Canadian flags. Yeah, flags. Just to show that they're Canadian.
• 1:00:09
  Speaker 1: Flags equals Canada, duh!
• 1:00:12
  Speaker 13: So.
• 1:00:14
  Speaker 6: But they're... They even have, I don't know if it's
• 1:00:17
  Speaker 6: dubbed or what, but it even sounds like they're still Italian.
• 1:00:22
  Speaker 1: And where were they running? Right.
• 1:00:25
  Speaker 6: They got to the door and stopped.
• 1:00:26
  Speaker 1: They were really excited about something. They wanted to see
• 1:00:29
  Speaker 1: the girl with blue hands.
• 1:00:30
  Speaker 13: I guess.
• 1:00:31
  Speaker 1: I mean, that was the next shot, but it didn't
• 1:00:33
  Speaker 1: really seem like, you know, it made any, oh, wait, no,
• 1:00:36
  Speaker 1: most of this didn't make any sense. Never mind. I
• 1:00:38
  Speaker 1: love it.
• 1:00:39
  Speaker 13: His whole empire is T-shirts and gas. Yeah.
• 1:00:44
  Speaker 8: I'll give you, gas makes a lot of money, but t-shirts,
• 1:00:47
  Speaker 8: you know, I haven't been cleaning up on these, so.
• 1:00:49
  Speaker 1: What was the sign, though?
• 1:00:50
  Speaker 12: It said something about Yeti strength or something? But it was, like, sideways,
• 1:00:54
  Speaker 12: so I couldn't ever read it.
• 1:00:55
  Speaker 13: No, it said, Yeti strength in your tank is something
• 1:00:58
  Speaker 13: like that.
• 1:00:58
  Speaker 12: No, there was another one, though, because it said something about, like, Yet,
• 1:01:02
  Speaker 12: I don't know. It didn't have to do with the gas.
• 1:01:04
  Speaker 8: Yeah, there was the one later that was the man
• 1:01:06
  Speaker 8: and woman were standing next to one.
• 1:01:08
  Speaker 12: Yeah, and I couldn't read what it said.
• 1:01:11
  Speaker 13: I think it was batteries. I think. I think it
• 1:01:13
  Speaker 13: was yeti strength in your batteries.
• 1:01:15
  Speaker 1: It was some other brainwashing. I think it was just
• 1:01:18
  Speaker 1: sort of like they live at that point.
• 1:01:19
  Speaker 8: He just takes over the advertising and brainwashes everyone into
• 1:01:23
  Speaker 8: loving yetis.
• 1:01:24
  Speaker 1: I don't know.
• 1:01:24
  Speaker 13: You put on the sunglasses and just yeti on everything.
• 1:01:27
  Speaker 6: You don't see the yeti until you've got the sunglasses on.
• 1:01:32
  Speaker 1: And then you see that other layer of the film
• 1:01:34
  Speaker 1: that wasn't there. That's why he surprises everybody.
• 1:01:37
  Speaker 13: The women put on the glasses. That's what they're seeing.
• 1:01:42
  Speaker 1: Oh, God.
• 1:01:44
  Speaker 20: I love how the movie wanted to impress you with
• 1:01:49
  Speaker 20: a walkie-talkie.
• 1:01:51
  Speaker 1: Yeah.
• 1:01:53
  Speaker 20: The guy's just like, hang on, I'll call it in.
• 1:01:55
  Speaker 1: And the camera just zooms in as he's pulling the
• 1:01:58
  Speaker 1: antenna out.
• 1:01:58
  Speaker 3: It's 48 feet of antennae.
• 1:02:02
  Speaker 1: It's 77. That was his cell phone, man.
• 1:02:03
  Speaker 6: And they all have radio phones in their car.
• 1:02:06
  Speaker 8: Yeah, that was pretty impressive. I mean, they could talk
• 1:02:08
  Speaker 8: to each other in their car. In 1977, that was impressive.
• 1:02:13
  Speaker 12: This could have been me, like, not paying attention, but
• 1:02:15
  Speaker 12: do you remember, like, I think it was, like, the
• 1:02:17
  Speaker 12: first shot of the police?
• 1:02:18
  Speaker 13: They, like, pull up, and then they were like, Chief,
• 1:02:21
  Speaker 13: you have a phone call.
• 1:02:22
  Speaker 12: And he's like, they're like, the Yeti's been spotted.
• 1:02:24
  Speaker 13: And I'm like.
• 1:02:25
  Speaker 1: Where were they going for? Like, did I miss something there? No,
• 1:02:30
  Speaker 1: you did not miss anything.
• 1:02:31
  Speaker 12: They, like, stop and get out of their cars. And
• 1:02:34
  Speaker 12: I was like, oh, okay, they found the Yeti. And
• 1:02:36
  Speaker 12: then it was like, you got a call. He spotted
• 1:02:39
  Speaker 12: over here.
• 1:02:40
  Speaker 1: Oh, well, we were just like running around.
• 1:02:42
  Speaker 8: Did you know if we turn our lights on, we
• 1:02:44
  Speaker 8: can go through stoplights and everything?
• 1:02:47
  Speaker 1: This is awesome, dude. Oh, yeah, chasing the Yeti. That's
• 1:02:50
  Speaker 1: what we were doing. Well, there's a lot of cop-related
• 1:02:53
  Speaker 1: confusion in this. First of all, the cops driving around
• 1:02:57
  Speaker 1: in cabs. Maybe they don't make them like that anymore
• 1:03:02
  Speaker 1: in Italy, Canada. I don't know, but. Yeah, it looked
• 1:03:05
  Speaker 1: like a cab, first off. It just had lights on top.
• 1:03:08
  Speaker 8: And then later, when the cops come in and find
• 1:03:11
  Speaker 8: the dead body and say, somebody needs to.
• 1:03:13
  Speaker 1: Call the cops.
• 1:03:14
  Speaker 2: I didn't know what that was like.
• 1:03:17
  Speaker 8: It was like, we were sitting there and going, you
• 1:03:22
  Speaker 8: are cops.
• 1:03:22
  Speaker 20: That was supposed to be a joke, or they forgot
• 1:03:26
  Speaker 20: they were wearing cop uniforms.
• 1:03:29
  Speaker 8: Because they weren't, because this was someone dubbing it. That's
• 1:03:31
  Speaker 8: probably not even what they said in Italian, but Later,
• 1:03:34
  Speaker 8: they were just not even looking at the screen as
• 1:03:36
  Speaker 8: they're reading the script.
• 1:03:37
  Speaker 1: Somebody call the cops.
• 1:03:38
  Speaker 13: Yeah, it was probably in the original screenplay, it was
• 1:03:41
  Speaker 13: somebody else who showed up and found the bodies, but
• 1:03:44
  Speaker 13: then when they ended up filming it with the cops,
• 1:03:46
  Speaker 13: there was the mix-up, and they didn't realize that. It's
• 1:03:48
  Speaker 13: just so silly.
• 1:03:50
  Speaker 1: That was one of my favorites. Somebody needs to call
• 1:03:53
  Speaker 1: the cops. Well, that badge makes it kind of... Never mind. No,
• 1:03:58
  Speaker 1: that's cool.
• 1:03:58
  Speaker 13: Yeah, the one thing that I think this movie would
• 1:04:01
  Speaker 13: have been so much slower had it not been for this,
• 1:04:04
  Speaker 13: is just the expressions of the Yeti in and of itself.
• 1:04:06
  Speaker 1: That guy.
• 1:04:07
  Speaker 13: There's no way to describe how decidedly absurd they are.
• 1:04:11
  Speaker 13: The whole time I was watching this, I was like, okay,
• 1:04:13
  Speaker 13: is this guy taking this really, really serious, or is
• 1:04:15
  Speaker 13: he taking it really, really... Not seriously.
• 1:04:18
  Speaker 1: Yeah, you're right. I can't decide, really.
• 1:04:20
  Speaker 8: Like, thinking about all the crazy, like, sometimes he is
• 1:04:23
  Speaker 8: so committed to it.
• 1:04:25
  Speaker 13: Yeah.
• 1:04:25
  Speaker 1: And then other times, it seems like, I'm like, is
• 1:04:28
  Speaker 1: he being tongue-in-cheek? Is this funny?
• 1:04:30
  Speaker 10: Is this.
• 1:04:31
  Speaker 1: Yeah. Is he winking at the camera? Almost, because it's
• 1:04:34
  Speaker 1: about that bad, some of his expressions. Yeah, sometimes he's
• 1:04:36
  Speaker 1: winking with both eyes.
• 1:04:37
  Speaker 10: Yeah, I know.
• 1:04:39
  Speaker 13: You're watching, it's like, man, he makes Tim Allen's acting
• 1:04:41
  Speaker 13: seem subtle by nature.
• 1:04:45
  Speaker 1: To Yeti and beyond! All right, so we're skipping over
• 1:04:49
  Speaker 1: probably the most amazing moment in this movie.
• 1:04:51
  Speaker 13: There are many.
• 1:04:54
  Speaker 1: I sat there just like, I can't believe I just
• 1:04:57
  Speaker 1: saw that. Do we want to get to the nipple?
• 1:05:08
  Speaker 13: We hypothesized it was the gunshot.
• 1:05:11
  Speaker 1: That's what I thought, too. The gunshot got hard, okay?
• 1:05:14
  Speaker 20: I was going to say, no, they had a prop
• 1:05:16
  Speaker 20: of a nipple, and it clearly was made to, like, stiffen.
• 1:05:20
  Speaker 13: Okay, so that's what I originally thought was, I was like,
• 1:05:23
  Speaker 13: did she just touch his nipple and it got a wreck?
• 1:05:25
  Speaker 13: She rubbed it, but... And he like grins at her.
• 1:05:28
  Speaker 1: He gave her the look. I'm pretty sure. Rolled her
• 1:05:32
  Speaker 1: eyes like, oh, yetis.
• 1:05:34
  Speaker 17: Men.
• 1:05:34
  Speaker 13: They're all the same.
• 1:05:36
  Speaker 1: Yeah, she literally says like, men. They're all the same.
• 1:05:37
  Speaker 13: But the thing that threw me off though was like,
• 1:05:39
  Speaker 13: she just kind of like reached over. And again, it
• 1:05:41
  Speaker 13: goes back to that weird. Proportions thing.
• 1:05:44
  Speaker 1: Oh, yeah.
• 1:05:44
  Speaker 13: It's like if she just turned around based on the
• 1:05:47
  Speaker 13: hand that she was hitting, she would just be reaching
• 1:05:49
  Speaker 13: at best where the wrist is coming in contact with him.
• 1:05:53
  Speaker 13: But somehow she just reached over and touched his nipple,
• 1:05:55
  Speaker 13: which by that sizing would have been like, you know. 20,
• 1:05:58
  Speaker 13: 30 feet away?
• 1:06:00
  Speaker 1: Maybe he was holding her like up to his nipple.
• 1:06:02
  Speaker 20: He's trying to guide her to, you know what to do.
• 1:06:07
  Speaker 1: Just put her hand close to it. Let's see what
• 1:06:09
  Speaker 1: she does. Yeah, he's making his move. Come on, baby,
• 1:06:12
  Speaker 1: just touch it.
• 1:06:13
  Speaker 13: Just touch it once. It's like, you just keep reaching
• 1:06:16
  Speaker 13: in the popcorn.
• 1:06:17
  Speaker 1: I'm just going to move the popcorn bucket out of
• 1:06:19
  Speaker 1: the way now. There we go.
• 1:06:21
  Speaker 6: Sorry, you just touched my nipple.
• 1:06:23
  Speaker 1: The only thing that threw me off on.
• 1:06:25
  Speaker 13: The gunshot hypothesis was the fact that it was the
• 1:06:29
  Speaker 13: wrong hand. It was the gunshot. But again, like the
• 1:06:32
  Speaker 13: nipple thing, they were like.
• 1:06:33
  Speaker 8: You know, And the look he gave her was not,
• 1:06:36
  Speaker 8: you just touched my gunshot wound.
• 1:06:39
  Speaker 1: I like the.
• 1:06:41
  Speaker 13: Way you touched my gunshot.
• 1:06:45
  Speaker 6: I think we were just trying not to. I was trying, okay,
• 1:06:49
  Speaker 6: that was the gunshot wound.
• 1:06:53
  Speaker 1: Closing your eyes and repeating it to yourself. It was
• 1:06:56
  Speaker 1: the gunshot wound. That nipple will come out in therapy
• 1:06:59
  Speaker 1: in 12 years.
• 1:07:00
  Speaker 13: He wouldn't have had nipples any other time, though.
• 1:07:04
  Speaker 6: Right.
• 1:07:04
  Speaker 13: He didn't need them anymore.
• 1:07:08
  Speaker 1: That was the moment. I was just like, this movie
• 1:07:10
  Speaker 1: is amazing.
• 1:07:12
  Speaker 13: Thinking about the weird sexual attraction thing. And I suppose
• 1:07:18
  Speaker 13: it goes hand in hand with King Kong. King Kong,
• 1:07:20
  Speaker 13: I don't know why, I always just took it more
• 1:07:21
  Speaker 13: to where it's just an ape-like fascination. But with this
• 1:07:24
  Speaker 13: being more anthropomorphizing, closer to human, it's like, no, I
• 1:07:28
  Speaker 13: see it as less sort of an A fascination with
• 1:07:31
  Speaker 13: some sort of toy-like thing and more like just the
• 1:07:33
  Speaker 13: sexual attraction to it recognizes it's a female of a
• 1:07:36
  Speaker 13: similar species.
• 1:07:37
  Speaker 8: But.
• 1:07:58
  Speaker 13: It's so much smaller than you.
• 1:08:00
  Speaker 1: It doesn't work, really.
• 1:08:03
  Speaker 13: I mean, that would be like, what if Barbie dolls...
• 1:08:06
  Speaker 13: were alive and you had somebody that was sexually.
• 1:08:10
  Speaker 6: Oh this is hot hold on wait i'm sure there
• 1:08:13
  Speaker 6: are people well.
• 1:08:15
  Speaker 13: I'm sure you know you think okay if that were
• 1:08:17
  Speaker 13: the case then there would be people but we would
• 1:08:19
  Speaker 13: be like let's just perverse well maybe what they did
• 1:08:22
  Speaker 13: was they just thought out the perverted yeti and all
• 1:08:25
  Speaker 13: the other ones would be normal and clearly people alone
• 1:08:28
  Speaker 13: like maybe the only yeti that was frozen was like
• 1:08:32
  Speaker 13: they're really.
• 1:08:32
  Speaker 1: Fucked up he's got issues man come on I mean,
• 1:08:36
  Speaker 1: he might be.
• 1:08:37
  Speaker 13: You know, touched, so to speak. I mean, look at
• 1:08:40
  Speaker 13: all the expressions he makes.
• 1:08:44
  Speaker 1: He does seem like he doesn't know what's going on. Like,
• 1:08:47
  Speaker 1: even more so than, I guess.
• 1:08:48
  Speaker 13: If he just woke up from a million years ago.
• 1:08:50
  Speaker 13: I don't mean special as in he's got, like, immense IQ.
• 1:08:52
  Speaker 13: I mean, special yeti as in since he would eat glue.
• 1:08:56
  Speaker 13: That would make sense.
• 1:08:58
  Speaker 12: He does lick his... gunshot wound i mean you know
• 1:09:02
  Speaker 12: yeah and.
• 1:09:03
  Speaker 13: He just sort of bumbles around the city doesn't know
• 1:09:05
  Speaker 13: how to hide.
• 1:09:06
  Speaker 8: Or anything yeah okay since we're talking about special what's
• 1:09:11
  Speaker 8: up with herbie Can we address Herbie for a minute?
• 1:09:16
  Speaker 13: Yeah, I like that he just shows up about halfway
• 1:09:18
  Speaker 13: into the film. It's not until you're in Toronto do
• 1:09:21
  Speaker 13: we add him to the plot. It feels, at that
• 1:09:24
  Speaker 13: point as I was watching, I was like, okay, it's
• 1:09:27
  Speaker 13: like the Gamera, well, Godzilla did that some with their films,
• 1:09:30
  Speaker 13: but Gamera films, they always had the little Japanese kid
• 1:09:34
  Speaker 13: who could help, he could speak to Gamera and calm
• 1:09:38
  Speaker 13: him down. I was like, that's pretty much the same gist.
• 1:09:42
  Speaker 13: You've got this little kid who's somehow like, reaches the
• 1:09:44
  Speaker 13: heart of the yeti.
• 1:09:45
  Speaker 1: But did we ever get to like why he's like he.
• 1:09:49
  Speaker 8: Is what like why doesn't he speak did they address
• 1:09:52
  Speaker 8: that he's italian i guess.
• 1:09:56
  Speaker 1: English i guess they never went into that yeah the
• 1:09:59
  Speaker 1: dog's way more interactive.
• 1:10:04
  Speaker 13: Does he?
• 1:10:05
  Speaker 1: I was going to say, I think he does talk.
• 1:10:07
  Speaker 1: I couldn't tell him what he said.
• 1:10:08
  Speaker 8: There's so many times when the sisters, he's yelling at
• 1:10:10
  Speaker 8: him and he just shakes his head and does all
• 1:10:13
  Speaker 8: these crazy overacting movements.
• 1:10:15
  Speaker 20: Yeah, when you first see him, he's just listening to
• 1:10:18
  Speaker 20: a radio speaker smiling. Yeah.
• 1:10:20
  Speaker 1: And he doesn't say anything. I don't know. He's a
• 1:10:23
  Speaker 1: weird character.
• 1:10:24
  Speaker 6: Yeah, Forrest Gump's got it more together.
• 1:10:27
  Speaker 1: Than he does. He's a little below that line.
• 1:10:29
  Speaker 4: Right.
• 1:10:30
  Speaker 13: Speaking of listening, that was something early on in the plot.
• 1:10:33
  Speaker 13: You've got The second in command listening to Baron Harkonnen
• 1:10:38
  Speaker 13: talking about how he wants to capture the Yeti. And
• 1:10:41
  Speaker 13: he's like at the door listening. And then he just
• 1:10:44
  Speaker 13: walks away and you're like, oh, that's crafty. He's eavesdropping.
• 1:10:46
  Speaker 13: And he goes over to the desk. And he turns
• 1:10:48
  Speaker 13: on the radio and keeps listening. At which point it's like,
• 1:10:51
  Speaker 13: why did he feel the need to go and sneak
• 1:10:53
  Speaker 13: up and crack the door and take his ear out
• 1:10:56
  Speaker 13: and listen when he can just walk over there and
• 1:10:58
  Speaker 13: turn it on, which he does anyway. It's like, I
• 1:11:01
  Speaker 13: don't understand.
• 1:11:02
  Speaker 1: Again, in the Italian version, the radio just came on.
• 1:11:06
  Speaker 8: It was some miscommunication working in the audio.
• 1:11:12
  Speaker 1: The scream, the Yeti scream. It's pretty epic, isn't it?
• 1:11:17
  Speaker 20: It was like high-pitched, like a woman.
• 1:11:21
  Speaker 13: Scream.
• 1:11:23
  Speaker 8: It's supposed to be, and I know this because the
• 1:11:26
  Speaker 8: person dancing around in the Yeti costume out here, one
• 1:11:30
  Speaker 8: of the other people did research for her and told
• 1:11:33
  Speaker 8: her what the Yeti roar is supposed to sound like.
• 1:11:37
  Speaker 8: It's a lion's roar mixed with an elephant trumpet.
• 1:11:41
  Speaker 1: So it was pretty accurate.
• 1:11:44
  Speaker 13: It didn't blend.
• 1:11:45
  Speaker 12: It was like two separate sounds.
• 1:11:47
  Speaker 1: Yeah, like he had two, like, what do you call it?
• 1:11:50
  Speaker 20: I don't know the word. I'm just going to say throats.
• 1:11:54
  Speaker 20: Larynx or whatever it's called. He had two of those.
• 1:11:58
  Speaker 13: He might.
• 1:11:58
  Speaker 1: We don't know what the anatomy of a Yeti is.
• 1:12:00
  Speaker 6: Well, you know, Tibetan monks can do two or three
• 1:12:03
  Speaker 6: tones when they're chanting. So maybe, you know, it's Yeti,
• 1:12:07
  Speaker 6: they're all Himalayan.
• 1:12:08
  Speaker 1: Or Canadian. Italian or whatever.
• 1:12:13
  Speaker 13: You're talking about the physiology. That was something else I
• 1:12:15
  Speaker 13: thought was funny. The professor, when they're getting ready to
• 1:12:19
  Speaker 13: thaw him out, he makes a comment. He's like, ladies
• 1:12:23
  Speaker 13: and gentlemen, you're looking at your ancestors.
• 1:12:25
  Speaker 1: It's like, how.
• 1:12:27
  Speaker 13: If it's only a million years ago, evolutionarily speaking, how
• 1:12:30
  Speaker 13: did our ancestors go from being these, like, 50 to
• 1:12:34
  Speaker 13: 100 foot tall behemoths to us?
• 1:12:37
  Speaker 8: Right.
• 1:12:38
  Speaker 1: You're forgetting he's Jesus. Yeah, I mean. And he rode dinosaurs.
• 1:12:45
  Speaker 1: He rode dinosaurs.
• 1:12:46
  Speaker 6: I saw that in a museum here once.
• 1:12:48
  Speaker 1: Yeah, it's a museum. It's got to be real. He
• 1:12:49
  Speaker 1: rode dinosaurs.
• 1:12:50
  Speaker 15: It's a museum.
• 1:12:53
  Speaker 13: But I will say, I mean, if I can say
• 1:12:55
  Speaker 13: anything positive, this is not facetious. I genuinely like this.
• 1:12:59
  Speaker 1: Me too. I mean, way more than I expected to. Well,
• 1:13:01
  Speaker 1: you cut me off.
• 1:13:02
  Speaker 13: I didn't mean the whole film as a whole.
• 1:13:03
  Speaker 1: But continue on.
• 1:13:05
  Speaker 13: I like the main theme to the film, the music.
• 1:13:09
  Speaker 1: Yeah, which I believe is ripped off.
• 1:13:12
  Speaker 13: Yeah, it kind of, I was trying to remember the.
• 1:13:15
  Speaker 1: It rips off, I think, two different themes.
• 1:13:17
  Speaker 13: There's a classical piece that it's kind of ripping off,
• 1:13:19
  Speaker 13: but it has more of like a 70s swing to it.
• 1:13:21
  Speaker 13: But it's like, all right.
• 1:13:23
  Speaker 8: The 70s music is pretty awesome, actually. But yeah, the
• 1:13:28
  Speaker 8: other one, it just kind of steals from something else.
• 1:13:31
  Speaker 1: That theme was kind of disco-like.
• 1:13:32
  Speaker 13: Yeah, it was. Maybe they danced to it a lot
• 1:13:35
  Speaker 13: in Italy. 70s, 70s thing.
• 1:13:38
  Speaker 6: You think there was a disco yeti dance?
• 1:13:41
  Speaker 1: If there's disco duck, I mean, there's got to be
• 1:13:44
  Speaker 1: disco yeti.
• 1:13:46
  Speaker 13: There had to have been some underground club at the
• 1:13:49
  Speaker 13: end of the 70s, early 80s, just thought it was
• 1:13:52
  Speaker 13: very tongue-in-cheek and fun to do it with that theme.
• 1:13:54
  Speaker 13: I bet you there was some.
• 1:13:56
  Speaker 6: And they had a lot of coke, too.
• 1:13:58
  Speaker 1: Do the Yeti. So, yeah. Again, just that last... If
• 1:14:04
  Speaker 1: we're going to get into the problems with it, not
• 1:14:08
  Speaker 1: that there were.
• 1:14:08
  Speaker 6: There are no problems.
• 1:14:09
  Speaker 1: There were very many, but.
• 1:14:10
  Speaker 8: Flawless. Flawless piece of cinematic work No, that last third
• 1:14:19
  Speaker 8: is so long. It was funny watching everybody in the
• 1:14:23
  Speaker 8: room here, because usually we don't get to see a
• 1:14:24
  Speaker 8: whole room full of people. So this was funny, because
• 1:14:26
  Speaker 8: there's a guy with his knees just jumping up and down.
• 1:14:29
  Speaker 1: It's just like, for God's sakes, get this over with.
• 1:14:32
  Speaker 1: And that's the funny.
• 1:14:33
  Speaker 13: Thing, too, is the ending, it feels, it's so long,
• 1:14:37
  Speaker 13: but it feels rushed. yeah it's the weirdest it's both it's.
• 1:14:41
  Speaker 8: Like yeah it's like sloppily edited together and doesn't make
• 1:14:44
  Speaker 8: sense but at the same time it needed to end
• 1:14:46
  Speaker 8: 20 minutes yeah everything.
• 1:14:47
  Speaker 23: In the warehouse is yeah eight times longer than it
• 1:14:50
  Speaker 23: needs to be and the whole wandering around like the
• 1:14:53
  Speaker 23: city and them like following him the warehouse is probably
• 1:14:57
  Speaker 23: the longest stretch that needed to not be there but
• 1:15:00
  Speaker 23: Even the city.
• 1:15:01
  Speaker 8: And then it becomes like this fugitive on the run
• 1:15:03
  Speaker 8: movie for a minute. Only he's giant and he should
• 1:15:07
  Speaker 8: be spotted from the air in.
• 1:15:09
  Speaker 1: That helicopter they had earlier.
• 1:15:10
  Speaker 13: I feel like that last third was when they realized
• 1:15:13
  Speaker 13: that they'd set up that whole subplot with the fellow
• 1:15:16
  Speaker 13: within the first five minutes. And they're like, well shit,
• 1:15:19
  Speaker 13: we started that other movie in this too. I guess
• 1:15:23
  Speaker 13: we should do something with that. Let's have it to
• 1:15:25
  Speaker 13: where he He kills the dog and the professor. Did
• 1:15:28
  Speaker 13: he kill the professor? I was outside at the time,
• 1:15:29
  Speaker 13: but that's what I kind of picked up.
• 1:15:31
  Speaker 1: Yeah.
• 1:15:32
  Speaker 13: I'll assume so.
• 1:15:33
  Speaker 14: Sure.
• 1:15:33
  Speaker 6: The thugs killed the professor.
• 1:15:35
  Speaker 13: Okay, well, basically, they killed the professor, they killed the dog, presumably.
• 1:15:39
  Speaker 1: Right.
• 1:15:40
  Speaker 13: Even though it comes back from the dead.
• 1:15:41
  Speaker 1: The miracle of movies. And.
• 1:15:44
  Speaker 13: they are going to kidnap the Yeti so they can
• 1:15:47
  Speaker 13: use the Yeti for their marketing purposes?
• 1:15:52
  Speaker 1: Like you do.
• 1:15:55
  Speaker 6: I thought so because they were talking in the car
• 1:15:57
  Speaker 6: and the kid was listening in and he's like, oh shoot,
• 1:16:02
  Speaker 6: the kid heard us. And I'm like, at least somebody
• 1:16:04
  Speaker 6: did because I don't know what your plan is.
• 1:16:06
  Speaker 13: Because that's the whole thing. If the whole purpose of
• 1:16:10
  Speaker 13: getting the Yeti, again, was to be like this business
• 1:16:13
  Speaker 13: spree marketing scheme what is the point of kidnapping the
• 1:16:19
  Speaker 13: yeti when he's already put the yeti label on everything
• 1:16:23
  Speaker 13: that he owns.
• 1:16:23
  Speaker 8: Yeah well that's what i'm thinking i'm like why and
• 1:16:26
  Speaker 8: that that's the real question at this why do you
• 1:16:29
  Speaker 8: need a giant yeti to make that your marketing campaign
• 1:16:32
  Speaker 8: you can draw a yeti and put it on a
• 1:16:34
  Speaker 8: t-shirt oh wait i did And you.
• 1:16:36
  Speaker 1: Can sell whatever the hell you want. I don't have
• 1:16:39
  Speaker 1: a real Yeti, you know?
• 1:16:40
  Speaker 8: Why do they feel like nobody in advertising had ever
• 1:16:43
  Speaker 8: done it right up until, but if we have the
• 1:16:46
  Speaker 8: actual creature.
• 1:16:47
  Speaker 1: I.
• 1:16:47
  Speaker 13: Mean, I feel like just at one point, you know,
• 1:16:51
  Speaker 13: somebody probably even came to this guy and said, why
• 1:16:53
  Speaker 13: do we need this Yeti? I don't know, but we
• 1:16:56
  Speaker 13: don't have it.
• 1:16:56
  Speaker 1: That's why we gotta get it. Gotta get the Yeti.
• 1:16:59
  Speaker 13: We'll figure it out when we get it. There's only one.
• 1:17:02
  Speaker 6: I wonder if they were gonna start selling... hand vegetables.
• 1:17:06
  Speaker 6: Is that what they were going to, you know, jolly
• 1:17:09
  Speaker 6: green giants, pretty close.
• 1:17:11
  Speaker 1: To jolly green Yeti.
• 1:17:14
  Speaker 13: Yeah.
• 1:17:16
  Speaker 1: Oh, I don't know.
• 1:17:16
  Speaker 13: My bottle of snow keys. Oh God.
• 1:17:19
  Speaker 1: Oh goodness. Get out.
• 1:17:23
  Speaker 13: So I'm going to make out with the ice sculpture now.
• 1:17:28
  Speaker 1: Do we have anything else we want to write? Cause
• 1:17:29
  Speaker 1: I've got my, my final take on it. Okay. Is
• 1:17:33
  Speaker 1: there anything else we need to get to beforehand?
• 1:17:36
  Speaker 20: I think especially the final shot proved this for me,
• 1:17:39
  Speaker 20: that the entire film was indeed just footage for a
• 1:17:44
  Speaker 20: Japanese karaoke.
• 1:17:45
  Speaker 3: You know what.
• 1:17:47
  Speaker 1: I'm talking about. All right, you might have summed it
• 1:17:49
  Speaker 1: up better, actually.
• 1:17:51
  Speaker 20: Because the final shot is, again, stock footage of these
• 1:17:55
  Speaker 20: glaciers falling and exploding into the ocean. And the Yeti
• 1:18:00
  Speaker 20: just walks in front of it. Like he's walking in
• 1:18:02
  Speaker 20: front of a screen. Like he's not in the environment.
• 1:18:04
  Speaker 13: Right.
• 1:18:05
  Speaker 1: But he looks at you. He looks at you. It's
• 1:18:07
  Speaker 1: like he's looking into your soul, man. And that's when
• 1:18:10
  Speaker 1: the Yeti song should have started. The man that words
• 1:18:12
  Speaker 1: at the bottom. He's singing along.
• 1:18:16
  Speaker 13: Oh, God.
• 1:18:17
  Speaker 1: A duet. I can see that, actually. Well, I mean,
• 1:18:21
  Speaker 1: you got to give them credit. They were, again, the
• 1:18:24
  Speaker 1: earnestness of this. Like, they thought they were making the
• 1:18:28
  Speaker 1: best movie ever.
• 1:18:29
  Speaker 14: Like.
• 1:18:30
  Speaker 8: And he really was trying. Like, they do those zoom-ins sometimes,
• 1:18:33
  Speaker 8: and they do.
• 1:18:34
  Speaker 1: This, that epic shot of, like, him, like, the upshot
• 1:18:38
  Speaker 1: of the Yeti. Yeah, where he's, like, looking around and saying, like.
• 1:18:40
  Speaker 8: Where am I? He gets, like, super creative with these
• 1:18:44
  Speaker 8: shots that he really thinks he's doing something with them.
• 1:18:47
  Speaker 1: So, I mean, he's trying. I think he's trying.
• 1:18:50
  Speaker 13: For the better part, yes. But seriously, on that last
• 1:18:52
  Speaker 13: little portion, I feel like at that point, the cast realized, like,
• 1:18:56
  Speaker 13: he showed, you know, they were doing all this stuff,
• 1:18:58
  Speaker 13: and finally at one point they said, all right, you know,
• 1:18:59
  Speaker 13: I'm Tony or whatever his name was.
• 1:19:02
  Speaker 5: All right.
• 1:19:02
  Speaker 13: We want to see some dailies of what this thing
• 1:19:04
  Speaker 13: looks like. It's like, well, you'll see it at the
• 1:19:06
  Speaker 13: premiere of this page. Wait, no, we want to see
• 1:19:08
  Speaker 13: some now. okay and they watch.
• 1:19:11
  Speaker 1: And they're like oh well i won't.
• 1:19:15
  Speaker 13: Get in you know at that point it's like well
• 1:19:17
  Speaker 13: we committed to this because even like in the last
• 1:19:20
  Speaker 13: portion of it everybody seems to not have this spunk
• 1:19:24
  Speaker 13: that they did at the beginning at that point it's
• 1:19:25
  Speaker 13: like they're out of steam like yeah all right i'm
• 1:19:28
  Speaker 13: just doing this to get this done the way it
• 1:19:30
  Speaker 13: kind of felt then it was kind of it just
• 1:19:32
  Speaker 13: i mean you watch the girl and you watch a
• 1:19:34
  Speaker 13: lot of the other main characters it's like they start
• 1:19:35
  Speaker 13: to lose yeah But the only person who doesn't is
• 1:19:38
  Speaker 13: the Italian Albert Finney guy.
• 1:19:41
  Speaker 1: Playing Howard Hughes. Oh, he never tones it down.
• 1:19:44
  Speaker 13: No, he doesn't ever tone it down.
• 1:19:45
  Speaker 1: I love that. But I won't give the director.
• 1:19:49
  Speaker 6: Italian Albert Finney.
• 1:19:49
  Speaker 13: Playing Howard Hughes. I'm sorry.
• 1:19:54
  Speaker 1: There's no other way to.
• 1:19:55
  Speaker 8: I won't give the director credit across the board, because
• 1:19:57
  Speaker 8: I think even in the beginning, there's times when it's that, like,
• 1:20:00
  Speaker 8: look at him really trying to get this amazing shot,
• 1:20:02
  Speaker 8: and then, like, the next shot is just crap. Like,
• 1:20:06
  Speaker 8: it's like he really, like, there were maybe days he
• 1:20:08
  Speaker 8: was just really inspired, and then other days he just,
• 1:20:11
  Speaker 8: it's like stuff's.
• 1:20:12
  Speaker 1: Not even in frame right. Like, it's so, like, back
• 1:20:15
  Speaker 1: and forth. Like, there's no consistent, yeah, there's no consistency
• 1:20:18
  Speaker 1: to it.
• 1:20:19
  Speaker 8: And it's even more worsened by the editing process that's just, Again,
• 1:20:25
  Speaker 8: I don't know who.
• 1:20:25
  Speaker 1: Came in and was just like, I don't know, slap
• 1:20:27
  Speaker 1: this in there now. I don't care if they're done talking,
• 1:20:29
  Speaker 1: just slap this in there. It's so abrupt in the
• 1:20:33
  Speaker 1: way it shifts.
• 1:20:34
  Speaker 13: It's like when I'm decorating a Christmas tree. First, you're
• 1:20:37
  Speaker 13: kind of caught up in the awe and mystery of
• 1:20:39
  Speaker 13: it all. You unpack everything. There's sentiment and history behind it.
• 1:20:45
  Speaker 13: Halfway through, it's just you keep getting sick and tired
• 1:20:48
  Speaker 13: of untangling lights and trying to find the hooks to
• 1:20:51
  Speaker 13: the ornaments and then untangling those. Finally, you're just like,
• 1:20:55
  Speaker 13: God damn it.
• 1:20:55
  Speaker 4: Fuck it.
• 1:20:56
  Speaker 13: I'm just going to finish it. I'm sick of it.
• 1:20:57
  Speaker 13: I'm going to throw it.
• 1:20:59
  Speaker 1: It's good enough.
• 1:21:00
  Speaker 13: It's good enough. I might come back to it later
• 1:21:03
  Speaker 13: and fix it, but for now it's good enough. And
• 1:21:05
  Speaker 13: then nobody comes to your house throughout the holidays and
• 1:21:07
  Speaker 13: you're like, eh, it wasn't enough.
• 1:21:08
  Speaker 1: I'm not going to fix it.
• 1:21:09
  Speaker 8: Screw this.
• 1:21:09
  Speaker 13: That's pretty much the way I felt. I was like,
• 1:21:11
  Speaker 13: all right, screw it. It's done. It's good enough. Next project.
• 1:21:15
  Speaker 13: Moving on.
• 1:21:17
  Speaker 8: Well, the tone I got from it, and it wasn't
• 1:21:20
  Speaker 8: that far into it, and definitely as it went on,
• 1:21:22
  Speaker 8: I was like, what this feels like is like those
• 1:21:26
  Speaker 8: 70s live-action Disney movies where you go on an adventure,
• 1:21:30
  Speaker 8: especially because it's kids and you got the kids. I
• 1:21:32
  Speaker 8: was like, this is Escape to Yeti Mountain. This is
• 1:21:37
  Speaker 8: exactly what it felt like to me. I was like,
• 1:21:39
  Speaker 8: It's one of those type of movies.
• 1:21:41
  Speaker 13: It's like Condor Man.
• 1:21:42
  Speaker 1: Yeah, it's that level because it's not super violent. Again,
• 1:21:46
  Speaker 1: I was trying to describe this to people. I was like,
• 1:21:48
  Speaker 1: it's pretty low-key for what we're using. I mean, there's
• 1:21:51
  Speaker 1: not a whole lot of gore. As we said, there's
• 1:21:54
  Speaker 1: not a lot of killing.
• 1:21:56
  Speaker 13: It's more watchable than Bigfoot was.
• 1:21:58
  Speaker 1: It's pretty PG-13 at worst. Yeah, it's pretty... Yeah, add
• 1:22:02
  Speaker 1: the nipple, it's 13.
• 1:22:02
  Speaker 12: There's no nipples in Disney movies.
• 1:22:07
  Speaker 1: Bed knobs and... Well, in the background, there's all kinds
• 1:22:10
  Speaker 1: of stuff in the background. But yeah, I don't know.
• 1:22:14
  Speaker 13: Bed knob and broomstick sounds like a euphemism. It already is.
• 1:22:19
  Speaker 1: I think I rented that movie. That's a different one.
• 1:22:22
  Speaker 1: But no, the.
• 1:22:26
  Speaker 8: Go down to the sea, to the cartoon sea, to
• 1:22:29
  Speaker 8: see an angel.
• 1:22:32
  Speaker 1: What's it do with that?
• 1:22:33
  Speaker 13: I'm sorry.
• 1:22:35
  Speaker 1: But no, yeah, it's the two kids.
• 1:22:37
  Speaker 8: Maybe it's just replacing Jessica Lange with two kids move
• 1:22:40
  Speaker 8: that they did.
• 1:22:41
  Speaker 1: Just gave it such an escape to Yeti Mountain feel.
• 1:22:44
  Speaker 8: I don't know.
• 1:22:44
  Speaker 1: That's just me. But it does seem very... I was like,
• 1:22:48
  Speaker 1: did this run on Italian TV?
• 1:22:52
  Speaker 8: It's almost clean enough that you could show it to
• 1:22:54
  Speaker 8: normal people, but it doesn't make sense enough that their
• 1:22:58
  Speaker 8: brains wouldn't explode in the process. Well, we're obviously not
• 1:23:03
  Speaker 8: normal people. I think every episode we prove that.
• 1:23:08
  Speaker 1: But yeah, I don't know. It's such a weird tone
• 1:23:11
  Speaker 1: to it.
• 1:23:12
  Speaker 13: I don't think there are going to be many viewers
• 1:23:14
  Speaker 13: who are going to listen to this and then watch
• 1:23:16
  Speaker 13: it and be able to make it about half an
• 1:23:17
  Speaker 13: hour in. I think it worked because we were all,
• 1:23:20
  Speaker 13: if you're watching it by yourself, I think if you're
• 1:23:22
  Speaker 13: watching it by yourself, it's almost unwatchable. If you watch
• 1:23:24
  Speaker 13: it with a group, yeah, you can do it. It's
• 1:23:26
  Speaker 13: pretty fun. Because you can laugh at the stuff and
• 1:23:29
  Speaker 13: make jokes at people, but watching it by yourself, I
• 1:23:31
  Speaker 13: think it would become interminable.
• 1:23:33
  Speaker 1: Right.
• 1:23:33
  Speaker 13: I really do.
• 1:23:33
  Speaker 6: Either drinking or Mystery Science Theater might be the only
• 1:23:36
  Speaker 6: other options.
• 1:23:37
  Speaker 13: I mean, seriously, get some beers and take a drink
• 1:23:40
  Speaker 13: of beer every time you see a shot of a helicopter. Right.
• 1:23:43
  Speaker 1: And you'll wake up the next morning. Or every time
• 1:23:47
  Speaker 1: she oddly pronounces, Yet she here were.
• 1:23:50
  Speaker 13: Every time there's an insert shot of the collie.
• 1:23:54
  Speaker 1: Oh, man. These people are going to have alcohol poisoning.
• 1:23:56
  Speaker 1: You better slow down, guys.
• 1:23:58
  Speaker 13: Come on now.
• 1:23:59
  Speaker 1: Yeah, I don't know. It's a strange, strange film. And yet,
• 1:24:03
  Speaker 1: it was perfect for the Yeti Spaghetti Show.
• 1:24:06
  Speaker 13: And Yeti it was perfectly.
• 1:24:09
  Speaker 1: Get out.
• 1:24:10
  Speaker 13: It's the third time you've asked me.
• 1:24:12
  Speaker 1: To leave this. Go lick the Yeti.
• 1:24:14
  Speaker 13: That's it.
• 1:24:17
  Speaker 9: Oh, man.
• 1:24:18
  Speaker 6: I think I might have to touch where its nipple
• 1:24:21
  Speaker 6: would be.
• 1:24:24
  Speaker 1: Just making sure we didn't forget anything. We've rounded out
• 1:24:27
  Speaker 1: Yeti here.
• 1:24:28
  Speaker 13: We're trying to forget.
• 1:24:29
  Speaker 1: We're trying to forget.
• 1:24:31
  Speaker 13: That's it.
• 1:24:32
  Speaker 1: We all need to leave now.
• 1:24:34
  Speaker 8: All right, is there anything else we need to pass along?
• 1:24:36
  Speaker 8: Can we box up some of the Yeti cakes and
• 1:24:39
  Speaker 8: have people, like, can we ship them out?
• 1:24:40
  Speaker 1: You guys want some really old meatballs? We'll send you those, too.
• 1:24:44
  Speaker 1: Those were some good meatballs. They're really good.
• 1:24:47
  Speaker 13: Again, I was saying, seriously, that needs to be something
• 1:24:49
  Speaker 13: you all carry here. Just put them in bagel form
• 1:24:52
  Speaker 13: and cook them. Again, I mean, who's going to object
• 1:24:56
  Speaker 13: to a bagel made out of sausage?
• 1:24:58
  Speaker 9: Nobody.
• 1:25:00
  Speaker 1: They'll be happy. They'll come in and they'll be like.
• 1:25:03
  Speaker 13: I'm on a diet, give me a bagel. And you
• 1:25:05
  Speaker 13: give them sausage bagels, they're going to be elated.
• 1:25:08
  Speaker 1: I mean, they really will.
• 1:25:09
  Speaker 13: You could have a whole marketing scheme just right there.
• 1:25:12
  Speaker 13: I mean, feel free to take that idea.
• 1:25:14
  Speaker 8: Technically, we already had one of our crew that made
• 1:25:17
  Speaker 8: us put bacon in one.
• 1:25:19
  Speaker 13: No, that's not the same. That's bacon in a bagel.
• 1:25:22
  Speaker 13: I'm talking about a bagel that is sausage. That is meatball.
• 1:25:27
  Speaker 1: Oh, God.
• 1:25:27
  Speaker 13: Yeah, it's meatball bagel. Gluten-free.
• 1:25:30
  Speaker 1: Yeah.
• 1:25:34
  Speaker 15: I'm gone.
• 1:25:37
  Speaker 8: Yeah, in a couple of weeks, if you want us
• 1:25:38
  Speaker 8: to chip you out a very special meatball.
• 1:25:41
  Speaker 1: A smagle, maybe?
• 1:25:43
  Speaker 16: Like a sausage.
• 1:25:45
  Speaker 13: Smagle?
• 1:25:46
  Speaker 12: Smagle?
• 1:25:47
  Speaker 1: That sounds wild. It's hard to say. I remember him
• 1:25:50
  Speaker 1: crawling around that mountain, but I don't know. I think
• 1:25:55
  Speaker 1: we should get the hell out of here.
• 1:25:56
  Speaker 11: Yeah.
• 1:25:58
  Speaker 1: We've been here way too long today.
• 1:26:00
  Speaker 5: Yep.
• 1:26:00
  Speaker 20: Ugh.
• 1:26:01
  Speaker 1: It's been quite an experience, the Yeti Spaghetti Show.
• 1:26:04
  Speaker 13: An exhausting one.
• 1:26:06
  Speaker 1: That it has.
• 1:26:07
  Speaker 13: Yeah.
• 1:26:09
  Speaker 1: I think we should round it out. Thanks for joining
• 1:26:12
  Speaker 1: us on this epic journey. Otherwise, that about does it.
• 1:26:15
  Speaker 1: We will return next week. Same geek time, same geek feed.
• 1:26:18
  Speaker 1: Thanks for listening.
• 1:26:20
  Speaker 13: Love of God.
• 1:26:20
  Speaker 1: Let's go lick the Yeti.
• 1:26:48
  Speaker 24: He is so big, good man or small, but he
• 1:26:51
  Speaker 24: won't harm you. He is so hard, the man of.
• 1:27:17
  Speaker 2: Stone, but he won't kill you.
• 1:28:18
  Speaker 1: The wind is big The wind is tough But it's
• 1:28:22
  Speaker 1: so good.
• 1:28:30
  Speaker 16: Thank you.
• 1:29:14
  Speaker 2: In Iceland, we lick the Yeti. That's what we do
• 1:29:18
  Speaker 2: in Iceland.
• 1:29:20
  Speaker 9: This is my Bjork.
• 1:29:21
  Speaker 2: Is that really bad? I thought it was a saying
• 1:29:26
  Speaker 2: at LifeSkater.
• 1:29:28
  Speaker 8: No.
• 1:29:28
  Speaker 13: Yeti in the dark.
• 1:29:44
  Speaker 8: Goodbye.
• 1:29:45
  Speaker 4: This episode is a production of Movie Meltdown, produced and
• 1:29:48
  Speaker 4: edited by The Oddity Studios, with opening music performed by
• 1:29:51
  Speaker 4: The Empires. For more on how to sponsor or support
• 1:29:54
  Speaker 4: the show, email producer at moviemeltdown.com.
• 1:29:57
  Speaker 1: Talk hard!