Latest / Pink Shade: Reality TV with Mary Payne / 969 - Love After Lockup (s6e9) "Can't Buy Me Love" with Keisha

Transcript

969 - Love After Lockup (s6e9) "Can't Buy Me Love" with Keisha · Pink Shade: Reality TV with Mary Payne

• 0:13
  Speaker 1: Hey, everybody, welcome to Pink Shade. It's Monday. It's bugshot Monday.
• 0:17
  Speaker 1: I'm coming to you from the beach, and I'm from this.
• 0:21
  Speaker 1: Look at the oh, there's the closet door, except listen.
• 0:24
  Speaker 1: I don't know if do you remember this is Keisha
• 0:26
  Speaker 1: by the way, guys, do you remember, hey, hey, do
• 0:29
  Speaker 1: you remember that ninety day season where we had Clayton
• 0:33
  Speaker 1: and I think her name was like a Gnalli. I
• 0:35
  Speaker 1: can't remember. She was from washing grew But he was
• 0:39
  Speaker 1: the one that had the guinea pigs and he would
• 0:41
  Speaker 1: be like, oh, the guinea pigs. When they do this,
• 0:44
  Speaker 1: that means they want a mate. And if they do this,
• 0:46
  Speaker 1: that means they're having fun. He was like obsessed with
• 0:49
  Speaker 1: his guinea pigs, and he had like his whole apartment
• 0:51
  Speaker 1: taken up by guinea pig cages and stuff. Oh geez,
• 0:54
  Speaker 1: and his mom lived with him, and fully one had
• 0:58
  Speaker 1: put her in the coke closet in.
• 1:00
  Speaker 2: The dint Oh no, I saw that. I remember her
• 1:03
  Speaker 2: living in a closet. I was like, who does that
• 1:06
  Speaker 2: to their mother?
• 1:08
  Speaker 1: Well, the funniest part about it was at the reunion,
• 1:11
  Speaker 1: Ashley and Manuel were there, so that was ninety Day
• 1:14
  Speaker 1: OJ ninety Day OG season ten, so because Ashley and
• 1:19
  Speaker 1: Manuel were on that season and we think he's so
• 1:22
  Speaker 1: funny and he at the reunion, they were like, Clayton,
• 1:26
  Speaker 1: let's talk about you know why your mother was in
• 1:28
  Speaker 1: the closet. He's like, first of all, she chose to
• 1:31
  Speaker 1: put her bed there. We didn't like close the door.
• 1:34
  Speaker 1: That's what she chose to do. And the mom had
• 1:37
  Speaker 1: like a lot of teeth missing and had been like
• 1:39
  Speaker 1: a hoarder and a drug addict, and so like, you know,
• 1:41
  Speaker 1: I guess he's like, look, it's better than being homeless.
• 1:43
  Speaker 1: And none of the other sisters who had like big
• 1:45
  Speaker 1: homes wouldn't take her in and whatever. But he's explained
• 1:49
  Speaker 1: it's sad the whole situation. And Manuel, you know, he
• 1:55
  Speaker 1: doesn't speak very good English or English at all. It
• 1:57
  Speaker 1: was like Clayton, why mommy and clause it. So we
• 2:03
  Speaker 1: say that all the time, why mommy in closet? But guys,
• 2:05
  Speaker 1: guess what, look at me, I am I'm in a closet.
• 2:07
  Speaker 2: Don't in a closet.
• 2:08
  Speaker 1: I'm in a closet. This is where my office is
• 2:11
  Speaker 1: set up for this week. So that's what's happening here.
• 2:14
  Speaker 1: Get used to it.
• 2:16
  Speaker 2: I say, your poor child doesn't have electricity at home.
• 2:19
  Speaker 1: Oh my god, you guys, so this we're recording this
• 2:22
  Speaker 1: on Saturday. This is coming out Monday. Please, baby Jesus,
• 2:25
  Speaker 1: in the words of Melissa Gorgo, please, Baby Jesus, let
• 2:30
  Speaker 1: the power be on by Monday when this comes out.
• 2:32
  Speaker 1: Because it's still out, Keisha, I don't know. We don't
• 2:36
  Speaker 1: know when it's gonna come on because so AA is
• 2:39
  Speaker 1: at home with the dogs. We're at the beach. Because
• 2:43
  Speaker 1: two huge trees fell across the GW Parkway. Boy, the
• 2:47
  Speaker 1: GW Parkway is the main thoroughfare you could take. The
• 2:52
  Speaker 1: GW Parkway, the theory is all the way from Mount
• 2:55
  Speaker 1: Vernon where George wa washed, all the way to the Capitol. Okay,
• 2:58
  Speaker 1: so it like goes all the way from the Alexandria,
• 3:00
  Speaker 1: which is Mount Vernon, George Washington's home, all the way
• 3:03
  Speaker 1: into DC. So it's a huge thoroughfare for us because we,
• 3:08
  Speaker 1: you know, we get on the parkway quickly, quickly, get
• 3:11
  Speaker 1: to Old Town.
• 3:11
  Speaker 2: Whatever.
• 3:12
  Speaker 1: Well, a tree fell across the parkway and one of
• 3:15
  Speaker 1: the main areas killed somebody. Oh like somebody was driving
• 3:19
  Speaker 1: their car and a tree fell and killed them while
• 3:22
  Speaker 1: they were driving their car.
• 3:23
  Speaker 2: Oh that's horrible, Mary Payne.
• 3:25
  Speaker 1: And a second tree fell and killed somebody just like
• 3:29
  Speaker 1: several blocks away, closer to Mount Vernon. So those those
• 3:35
  Speaker 1: trees don't necessarily affect our area, you know what I mean.
• 3:39
  Speaker 1: Like normally, if yeah, a breaker or something goes out,
• 3:41
  Speaker 1: it's just our area. But this is a forty three
• 3:44
  Speaker 1: thousand people are out of power. So and because our
• 3:48
  Speaker 1: little breaker area on that system, I mean, I'm literally
• 3:52
  Speaker 1: talking like the biggest dummy. But from what I can gather,
• 3:55
  Speaker 1: our little area, our little square on the map serves,
• 3:58
  Speaker 1: you know, a couple of hundred pe people. So Dave's like, yeah,
• 4:01
  Speaker 1: we're like low priority. You know. They got to get
• 4:04
  Speaker 1: the area that's got the hospital. They got to get
• 4:05
  Speaker 1: the area with the old folks home, you know. So
• 4:09
  Speaker 1: fortunately we live by two hospitals. See, so you'll get
• 4:12
  Speaker 1: up faster. But yeah, so Anna is like a couple
• 4:16
  Speaker 1: of her friends do live closer to the hospital. So
• 4:18
  Speaker 1: she's like, I guess I could take the dogs and
• 4:19
  Speaker 1: go over there, but it's hot. She's not too hot.
• 4:24
  Speaker 1: Now we have and thank you, Amy Archer told me
• 4:27
  Speaker 1: a long time ago about this. It's like about the
• 4:29
  Speaker 1: size of this laptop. It's a square. It's like tiny
• 4:32
  Speaker 1: little generator or probably.
• 4:33
  Speaker 2: Weighs two thouss.
• 4:34
  Speaker 1: But you just keep it fully charged and you can
• 4:36
  Speaker 1: plug in literally like a fan in your phone, and
• 4:39
  Speaker 1: it'll lasts for days. Now if you plug in like
• 4:42
  Speaker 1: your fridge. No, it doesn't last so long, you know.
• 4:46
  Speaker 1: But I just bought a second one actually, but thank goodness,
• 4:51
  Speaker 1: we had it, and Dave thought it was so stupid.
• 4:54
  Speaker 1: This like one hundred dollars. It wasn't like it was expensive,
• 4:57
  Speaker 1: but we bought it a while back because I was like,
• 4:58
  Speaker 1: I'm just so nervous with these power outages come. You know,
• 5:01
  Speaker 1: if we all have to get in the basement, at
• 5:02
  Speaker 1: least we need to have like a run a box fan,
• 5:05
  Speaker 1: you know, to get some air circulating.
• 5:07
  Speaker 2: So that's all the food is going to be gone.
• 5:10
  Speaker 2: For the refrigerator and the freezer.
• 5:12
  Speaker 1: It's been out since yesterday morning. So yeah, so out, David,
• 5:17
  Speaker 1: John are going home tomorrow and then I'll be headed
• 5:19
  Speaker 1: to New York and then I'm coming back here because
• 5:21
  Speaker 1: I've rented this place for a couple of weeks. But anyway,
• 5:25
  Speaker 1: it's it's scary, and I just keep I am like
• 5:31
  Speaker 1: worried to find out who those two people that got
• 5:33
  Speaker 1: hit by those trees driving their car. God, this is
• 5:38
  Speaker 1: a bummer. It's really upsetting. So Mary, you know, best
• 5:42
  Speaker 1: friend Mary, who lives right around the corner, she's been
• 5:45
  Speaker 1: out of town because her daughter's graduating. God got her
• 5:47
  Speaker 1: master's degree at UVA, Like whoooo yay Grace. And she
• 5:51
  Speaker 1: is there. So she's like, I can't even have ann
• 5:53
  Speaker 1: I come over with the dogs and we can like
• 5:55
  Speaker 1: bitch together, you know. And he's like, we won't be
• 5:58
  Speaker 1: home till tonight. She's like, but I did have Anna
• 6:01
  Speaker 1: walk over to my house to see if any trees
• 6:03
  Speaker 1: at falls.
• 6:03
  Speaker 2: Yeah. Bet that is scary. I mean just you're driving
• 6:08
  Speaker 2: in a tree, I know.
• 6:11
  Speaker 1: And Anna said, you know, it's just just in addition
• 6:13
  Speaker 1: to like being in the dark, it's just non stop sirens.
• 6:17
  Speaker 1: So she's like, the dogs are freaking out. She tries it,
• 6:21
  Speaker 1: tries it ginger because even though she's on prozac, girl,
• 6:25
  Speaker 1: you can't.
• 6:26
  Speaker 2: She need a little something extra extra.
• 6:30
  Speaker 1: And then Anna had you ginger four four butcher knives,
• 6:35
  Speaker 1: four of the largest knives she could find, and put
• 6:38
  Speaker 1: them in the basement with her. Yeah, I said, Anna,
• 6:42
  Speaker 1: and then Dave. I got so mad at David John
• 6:44
  Speaker 1: last night because they were like making fun of her,
• 6:46
  Speaker 1: like we after we did like FaceTime with her and
• 6:48
  Speaker 1: we hung up. Oh that's so ridiculous. She's so dramatic.
• 6:51
  Speaker 1: And I said, you guys, shut up about herself.
• 6:53
  Speaker 2: At nighttime, man, there's no electricity like that's I would
• 6:57
  Speaker 2: be freaking out.
• 6:59
  Speaker 1: She feels cold well at home alone because we have
• 7:02
  Speaker 1: an alarm system. Well, and yeah, I said so No,
• 7:09
  Speaker 1: I said, you guys don't understand, Dave goes, has anybody
• 7:12
  Speaker 1: ever broken into our house? I go, that's that's your barometer.
• 7:15
  Speaker 1: Has anybody will be had a.
• 7:16
  Speaker 2: Perfect excuse for people to do stupid things like that.
• 7:19
  Speaker 2: It's like, oh, there's no electricity, let's do this, let's
• 7:22
  Speaker 2: do that. Yeah, that is like a major thing.
• 7:26
  Speaker 1: And I said, you shut up. I was so mad
• 7:29
  Speaker 1: at them, and they were like, whoa, you're in sensitive?
• 7:31
  Speaker 1: I go, no, I go, don't make fun of her
• 7:33
  Speaker 1: for being scared. I would be scared. Scared.
• 7:35
  Speaker 2: Yeah, yeah, me too, especially at night, like people do
• 7:39
  Speaker 2: stupid stuff like they think, oh, no one's at home,
• 7:41
  Speaker 2: so one's home alone. Let's go break into Yes, that
• 7:44
  Speaker 2: is one. Like people thrive in situations like have you.
• 7:48
  Speaker 1: Ever heard of like looting and stuff? That's what happens
• 7:50
  Speaker 1: when yeah out. So anyway, I was just like, shut
• 7:53
  Speaker 1: up men. Anyway, I got really family fight at the beach.
• 7:57
  Speaker 1: That was fine. So then I sat down and had
• 8:01
  Speaker 1: my high Nunes and wrote my notes on this, and
• 8:03
  Speaker 1: I was very happy. Nobody would watch a documentary with
• 8:07
  Speaker 1: me last night, so I did my notes on this instead.
• 8:11
  Speaker 1: But I have to tell you something, Keisha. So you
• 8:13
  Speaker 1: know what. They always say that the episode before the
• 8:16
  Speaker 1: finale is the penultimate episode is the best episode. It's
• 8:19
  Speaker 1: not always the case, but in this case, I think
• 8:21
  Speaker 1: we got it.
• 8:22
  Speaker 2: It was pretty good it. I was like, oh, hurry up,
• 8:25
  Speaker 2: commercial burk, hurry up, hurry up. I want to see
• 8:27
  Speaker 2: what's gonna happen next. So yeah, it was like that
• 8:29
  Speaker 2: this season has flown by.
• 8:31
  Speaker 1: There were a couple of things where I was like, Oh,
• 8:34
  Speaker 1: what's Keisha gonna say? And when we get to it,
• 8:38
  Speaker 1: you'll know what it is.
• 8:40
  Speaker 2: Oh boy, you never know what I'm gonna say. You
• 8:43
  Speaker 2: never know, you never know.
• 8:47
  Speaker 1: I went to stand up really quickly and reach to
• 8:50
  Speaker 1: get a little pillow to go behind my back. So
• 8:51
  Speaker 1: I'm sorry, Okay, here we go. If you're watching on video,
• 8:55
  Speaker 1: I got to see my grate T shirt.
• 8:57
  Speaker 2: Yeah, if you're watching on video, I'm like trying to
• 8:59
  Speaker 2: work out a bang hair that's stuck in the eyelashes.
• 9:02
  Speaker 1: Now, can you not just grab the whole bang and
• 9:03
  Speaker 1: pull it up or that'll mess up your look.
• 9:06
  Speaker 2: Then I'll mess up my hair. Then then I'll be
• 9:08
  Speaker 2: walking to the bathroom in the Comba bangs back out.
• 9:10
  Speaker 2: It's just I'm a cluster fuck this morning.
• 9:12
  Speaker 1: Yeah. I know, guys, he saw the things she's going
• 9:15
  Speaker 1: through it. Yeah, yeah, all right, let's get this done
• 9:18
  Speaker 1: quickly so you can go back to.
• 9:20
  Speaker 2: I think everyone's quite happy that I'm in a room
• 9:22
  Speaker 2: by myself right now, let's say everyone's a little scared.
• 9:26
  Speaker 2: I literally saw Marvel hiding behind James, and then I
• 9:30
  Speaker 2: saw him in front of James, like to protect James.
• 9:33
  Speaker 2: And as soon as he saw me tell me, he
• 9:35
  Speaker 2: just ran to give me a hug. And I'm like,
• 9:37
  Speaker 2: you better pick a side, you better pick the right side.
• 9:40
  Speaker 2: And James is like, what can I do today that's
• 9:42
  Speaker 2: not going to have you pissed off of me? He goes.
• 9:43
  Speaker 2: It's every single thing I've done. He's to you off.
• 9:46
  Speaker 1: Today if anybody has and we talk about this a
• 9:49
  Speaker 1: lot in the Facebook group. So if anybody has any
• 9:52
  Speaker 1: pro tips for perimenopause, for people like Keisha and I
• 9:55
  Speaker 1: that have breast cancer and breast cancer in our family
• 9:58
  Speaker 1: cannot take hormones, reach out with hot tips. Don't DM
• 10:04
  Speaker 1: me at Pink Shade pod d M Keisha the liber lines.
• 10:07
  Speaker 1: Did you did you picture DMS? I did?
• 10:09
  Speaker 2: I did. Now I'm getting all these messages that are
• 10:12
  Speaker 2: coming in. Yeah, I had to go fix the settings
• 10:14
  Speaker 2: and all that. So I think we turned that off
• 10:16
  Speaker 2: because we kept getting porn stuff, right, I have porn
• 10:20
  Speaker 2: messages and stuff. Yeah, that always goes.
• 10:22
  Speaker 1: Over to my hidden and then like once a week
• 10:23
  Speaker 1: I go over and I'll say you have no hidden
• 10:25
  Speaker 1: messages and then you click it and then like fifty
• 10:28
  Speaker 1: come up and every single emoji is like the water
• 10:32
  Speaker 1: or the egg plant.
• 10:33
  Speaker 2: It was like Juela sent us messages because you know
• 10:37
  Speaker 2: she likes the eggplant and the water and all that
• 10:39
  Speaker 2: kid stuff.
• 10:40
  Speaker 1: I just did mark all, delete all. I scrolled through
• 10:43
  Speaker 1: really quick, just because you know those hidden messages. Sure
• 10:46
  Speaker 1: is how Stacy of Christine and Stacey reached out to me,
• 10:50
  Speaker 1: and it was in that hidden because she has like
• 10:52
  Speaker 1: a fake account with like no picture and no followers. Okay,
• 10:55
  Speaker 1: and that's why so I do scroll through just to
• 10:57
  Speaker 1: make sure there's nobody in there, but then I usually
• 10:59
  Speaker 1: hit delete. All So anyway that has something to do
• 11:01
  Speaker 1: with you think, let us talk about these people. Okay,
• 11:03
  Speaker 1: let's do it. Okay, all right, this was a great
• 11:07
  Speaker 1: episode in my humble opinion. Let me turn my phone.
• 11:10
  Speaker 1: It's it's buzzing. Sorry love After lock Up Season six,
• 11:15
  Speaker 1: episode nine, Can't Buy Me Love. Let's start with Alexis
• 11:22
  Speaker 1: and Julius four weeks out of prison for all Uh,
• 11:28
  Speaker 1: what did we say? He looks like a ferbie.
• 11:31
  Speaker 2: Ferbie teddy rupe skin? Is that how you said? Is
• 11:35
  Speaker 2: some kind of electronic doll showbiz pizza chuck e cheese
• 11:39
  Speaker 2: old school.
• 11:41
  Speaker 1: Or like an owl like who got too? Yeah?
• 11:45
  Speaker 2: So if he doesn't have big eyes.
• 11:48
  Speaker 1: Because they're very high, all y, very high, it's the
• 11:52
  Speaker 1: it's the underbride. I think it's like, what this is?
• 11:54
  Speaker 2: That doesn't help it.
• 11:57
  Speaker 1: I still think he's got potential to be super good
• 11:59
  Speaker 1: lucky if he wouldn't have tatted up his face because
• 12:02
  Speaker 1: he's tall and thin. He could have been a model.
• 12:04
  Speaker 1: He fucked it up by messing with his face to
• 12:07
  Speaker 1: have this talk.
• 12:08
  Speaker 2: Yeah, be a model. Don't talk because when that mouth,
• 12:11
  Speaker 2: that mumble mouth, I cannot just want to slap him,
• 12:15
  Speaker 2: like get the word out, like stop.
• 12:16
  Speaker 1: The people of Cincinnati, Ohio are big fans of face tattoos.
• 12:20
  Speaker 1: Big big fans.
• 12:22
  Speaker 2: Don't get it.
• 12:23
  Speaker 1: So Alexis and her friend Maya, are you looking for Julius?
• 12:26
  Speaker 1: They're driving in the car now they pull up to
• 12:28
  Speaker 1: this parking lot of Vengeance, the clothing store, and there
• 12:32
  Speaker 1: are a bunch of girls around and they're in the
• 12:34
  Speaker 1: parking lot and he says, were just about to go
• 12:37
  Speaker 1: in good clothes. What's your problem? And he says, She goes,
• 12:41
  Speaker 1: who are these girls? He goes, these grocers? Shoot you?
• 12:45
  Speaker 1: And she goes, why aren't you answering on your phone?
• 12:47
  Speaker 1: And he goes, we're good? Are we good? And she goes,
• 12:50
  Speaker 1: you're reading real nonchalant and very Now we see his friend.
• 12:54
  Speaker 1: First of all, he doesn't know what nonchalant means. But
• 12:57
  Speaker 1: second of all, we see his friend Drew Hm. Who
• 13:01
  Speaker 1: was this troll that came out from under a bridge.
• 13:03
  Speaker 2: It is like, in order to be friends with him,
• 13:06
  Speaker 2: you have to be a light skinned black guy with dreads,
• 13:10
  Speaker 2: bad teeth. You potentially have troll to be part of
• 13:14
  Speaker 2: his crew because they all look like cousins.
• 13:17
  Speaker 1: Check check chack, check all those things.
• 13:19
  Speaker 2: Yes, all the cousins. I'm like, every time I see one,
• 13:23
  Speaker 2: I'm like, that's his cousin, and I'm like, no, it's
• 13:24
  Speaker 2: a friend, brother in law, this is this and that.
• 13:26
  Speaker 2: I'm like, where the fuck did this guy come from?
• 13:28
  Speaker 2: We thought it was out live with Tyler.
• 13:31
  Speaker 1: Drew looks like he's this little brother he's He's like,
• 13:36
  Speaker 1: is this a thirteen year old? Or maybe just because
• 13:39
  Speaker 1: Julie is Julius is so tall.
• 13:41
  Speaker 2: Yeah, I think it was both. Both can be true.
• 13:44
  Speaker 1: God, So his buddy and brother in law air quote
• 13:48
  Speaker 1: Tyler calls another loser and she goes, okay, wait, now
• 13:52
  Speaker 1: you're on the phone with Tyler's because you're actually like,
• 13:53
  Speaker 1: you don't give a fuck. I just taught you thought
• 13:55
  Speaker 1: you with two girls in my car and he goes,
• 14:00
  Speaker 1: you can cash me. We just going to get to
• 14:01
  Speaker 1: close with a store. And this girl goes, I'm gonna
• 14:06
  Speaker 1: try to say with the straight face. This girl goes, hey, babe,
• 14:11
  Speaker 1: don't worry about it. We just video girls. And the
• 14:14
  Speaker 1: other girl looks right at the camera and six her
• 14:16
  Speaker 1: face between Maya and Alexis goes, yeah, we just video girls.
• 14:22
  Speaker 2: First of all, bitches, y'all need to stay safe, stay behind,
• 14:26
  Speaker 2: stay silent. And I tell you what I have seen
• 14:30
  Speaker 2: many a video girls, video hos, video vixen's. Perhaps for
• 14:35
  Speaker 2: this particular video they were shooting, they needed crackheads walking
• 14:38
  Speaker 2: down the street, because that is what these two girls
• 14:40
  Speaker 2: look like. Like, what in the actual fuck was going
• 14:44
  Speaker 2: on here?
• 14:44
  Speaker 1: Like, would I tell you they get a talking head?
• 14:50
  Speaker 1: Adrian and Amani, Now I was so concerned. So Amani
• 14:54
  Speaker 1: had this huge tattoo on her chest that was like
• 14:57
  Speaker 1: a bond eye tree, but underneath you could see was
• 15:01
  Speaker 1: a big square she was trying to cover up. And
• 15:04
  Speaker 1: on her arm right here she had a heart tattoo,
• 15:08
  Speaker 1: but around it was the remnant of another tattoo.
• 15:12
  Speaker 2: So she probably had like Julia's here, Julius there, and
• 15:17
  Speaker 2: it covered them up because Julius didn't get her name
• 15:19
  Speaker 2: tattooed on him.
• 15:21
  Speaker 1: It was just bad, these girls. And it literally says
• 15:25
  Speaker 1: underneath Adrian and Amani models.
• 15:29
  Speaker 2: Stop this, No, they're not they they I don't know
• 15:33
  Speaker 2: if you've ever seen the movie Baps, but they look
• 15:36
  Speaker 2: like extras from the movie Baps. This was bad. Their
• 15:39
  Speaker 2: hair was bad, their clothes were bad. Like he looked
• 15:42
  Speaker 2: like he picked them off from off the street. Maybe
• 15:44
  Speaker 2: they were at the studio to deliver drugs. I don't know,
• 15:46
  Speaker 2: but they were not there to do any kind of modeling.
• 15:50
  Speaker 1: I died when it literally gave them a cairn of
• 15:55
  Speaker 1: models and they go, yeah, we didn't even know Julia's
• 15:58
  Speaker 1: like had their girlfriend. We're just doing videos. We're just models.
• 16:01
  Speaker 1: We went to the studio, you know, for the video.
• 16:03
  Speaker 1: We're just models. We're models. I was like, just because
• 16:06
  Speaker 1: you say it doesn't mean it's true.
• 16:08
  Speaker 2: No, And they just kept saying it and saying them like,
• 16:11
  Speaker 2: every time you say it, you look stupider to me,
• 16:13
  Speaker 2: because but you know what, nowadays, anyone can be a
• 16:17
  Speaker 2: fucking model, So you know what, kudos to them and
• 16:19
  Speaker 2: their modeling career, because.
• 16:23
  Speaker 1: I know when those two girls were sticking their little
• 16:26
  Speaker 1: faces between Alexis and Maago and looking at the camera,
• 16:29
  Speaker 1: looking back and forth, We're just models, We're just models.
• 16:32
  Speaker 1: It was like, is that the line we were supposed
• 16:33
  Speaker 1: to say. They literally picked them off the street corner.
• 16:37
  Speaker 2: It was bad. It looks like he picked them up
• 16:39
  Speaker 2: in front of vengeance because they were trying to catch
• 16:42
  Speaker 2: a ride or something like that. Like, this is horrible.
• 16:46
  Speaker 2: If they are if they are models for a video,
• 16:48
  Speaker 2: the budget must have been zero dollars, actually negative zero dollars,
• 16:52
  Speaker 2: like this is all we could get for free. This
• 16:54
  Speaker 2: is horrible.
• 16:55
  Speaker 1: It was crazy. So he keeps saying, we good, we good,
• 16:58
  Speaker 1: and she says, why do you think we're good? I've
• 17:00
  Speaker 1: been calling you all day. Julia says, at the end
• 17:04
  Speaker 1: of the day, I'm a rapper and there are times
• 17:07
  Speaker 1: I'm gonna be with girls, and she needs to understand that.
• 17:11
  Speaker 2: Okay, Julius, that may be there's some there's some level
• 17:18
  Speaker 2: of truth to that, but that can also get your ass.
• 17:22
  Speaker 1: Kid.
• 17:23
  Speaker 2: Let's just go back to the met Gala. Can't remember
• 17:26
  Speaker 2: what year it was, jay Z was sheety on Beyonce
• 17:30
  Speaker 2: and Solange. Beyonce and jay Z were in that elevator.
• 17:32
  Speaker 2: Solange went upside jay Z's head because he had been
• 17:35
  Speaker 2: fucking around on her sister. Just keep that in mind
• 17:38
  Speaker 2: where you're thinking about women are always going to be
• 17:40
  Speaker 2: around me because I'm a rapper and you ain't making
• 17:43
  Speaker 2: no money. You and I about to get a record deal.
• 17:45
  Speaker 2: I saw someone rink eating video that he posts and
• 17:47
  Speaker 2: I'm like, oh, bless oh you did.
• 17:49
  Speaker 1: Oh please send it to me. I'd love to see it.
• 17:51
  Speaker 2: It was on TikTok. I was saying, oh, God, as
• 17:53
  Speaker 2: you would say, God.
• 17:54
  Speaker 1: Bless God, bless So So at the end of the day,
• 17:58
  Speaker 1: I'm a rapper. There are times I'm gonna be with girl.
• 18:00
  Speaker 1: She needs to understand that. And he drives off in
• 18:02
  Speaker 1: her car and there's like a piece hanging off the front.
• 18:05
  Speaker 2: Tear the whole car up. How are you gonna be?
• 18:08
  Speaker 2: And my shit, that's already fucked up, and you're fucking
• 18:11
  Speaker 2: get up even more driving away from me in a
• 18:14
  Speaker 2: parking lot with your friend.
• 18:16
  Speaker 1: It's like, you gotta pull that piece off the bottom.
• 18:18
  Speaker 1: You're gonna mess up the whole car. So so she
• 18:22
  Speaker 1: is saying to production, Alexis like, it's a rap. It's
• 18:24
  Speaker 1: a rap, Like forget it, you know.
• 18:26
  Speaker 2: Yeah, So she went there to tell him that she's pregnant.
• 18:30
  Speaker 1: I know. She again like you and wasa said she
• 18:33
  Speaker 1: didn't put on a Specca color character. Not a speck
• 18:36
  Speaker 1: of powder. She just went up. She just flung that
• 18:40
  Speaker 1: bonnet off the top of her head and went right on.
• 18:43
  Speaker 2: And the most dreadful part about that whole scene was
• 18:45
  Speaker 2: that awful denim skirt she had on. I know that
• 18:48
  Speaker 2: is unforgivable. We had a lot of bad fashion this episode.
• 18:51
  Speaker 1: We did. And I think, really, I think Alexis is
• 18:54
  Speaker 1: really very pretty. I do.
• 18:57
  Speaker 2: Okay, well, we'll have a difference of a.
• 18:59
  Speaker 1: I know you don't agree with me. I know that's okay.
• 19:02
  Speaker 1: So the talking head, she says, him pulling off is
• 19:04
  Speaker 1: the ultimate disrespect in my own car, no less, he's
• 19:08
  Speaker 1: just childish and I was gonna tell him we're having
• 19:11
  Speaker 1: a baby, but he acts like a baby.
• 19:13
  Speaker 2: The way I would have jumped on the hood of
• 19:15
  Speaker 2: my car as he was trying to drop off, Like
• 19:17
  Speaker 2: you're not taking my shit. If you're taking my shit,
• 19:19
  Speaker 2: you're taking me with you because I need to know
• 19:21
  Speaker 2: where you're going. So he's just gonna be riding dirty.
• 19:24
  Speaker 1: I'm just getting a vision of James and like y'all's
• 19:27
  Speaker 1: range Rover with you.
• 19:28
  Speaker 2: Like James, though I don't play, I will at a
• 19:32
  Speaker 2: fucking hill billy fool in a subject with no apologies,
• 19:39
  Speaker 2: zero apologies, But I will say there was a picture
• 19:42
  Speaker 2: posted of them at their gender reveal, okay, and when
• 19:46
  Speaker 2: I tell you, he's standing next to her with like
• 19:50
  Speaker 2: it looked like she forced him to put his hand
• 19:53
  Speaker 2: on her stomach. And he looks the exact same way
• 19:56
  Speaker 2: he looked when he met Ashley for the first time, like,
• 19:59
  Speaker 2: oh oh shit, okay, and I think she's already had
• 20:04
  Speaker 2: the baby.
• 20:04
  Speaker 1: Uh huh.
• 20:05
  Speaker 2: I think it's a girl. She said that she will
• 20:08
  Speaker 2: be showing the baby pretty soon, so I guess she's
• 20:10
  Speaker 2: waiting after the season is.
• 20:11
  Speaker 1: Over all right, So he comes back in the car.
• 20:16
  Speaker 1: He goes into the store and he tells the two
• 20:18
  Speaker 1: girls like I see at the studio bye bye, and
• 20:20
  Speaker 1: they're like where is the studio?
• 20:22
  Speaker 2: Because they're like, how do we get back so we
• 20:24
  Speaker 2: don't have a ride or you gotta pay for my uber?
• 20:27
  Speaker 2: Like what is going on? Like it was really good?
• 20:32
  Speaker 1: So Maya's like, he didn't even answer you. He just
• 20:35
  Speaker 1: like dropped the car off and left. He's not even
• 20:36
  Speaker 1: talking to you. So the talking head Julia says, it's
• 20:40
  Speaker 1: not that I'm care of our feelings. I just may
• 20:44
  Speaker 1: showing a different way. And she knows that for being
• 20:46
  Speaker 1: around me so much. And I might be nonchalant whatever
• 20:49
  Speaker 1: that means, but this is how I deal with my shit.
• 20:52
  Speaker 2: He's feeling it with it like an eighteen year old boyhood.
• 20:56
  Speaker 1: Because that's what he is.
• 20:57
  Speaker 2: That's what he is. Yeah, she has got to She's
• 21:00
  Speaker 2: only had four he's only been through four weeks of training,
• 21:03
  Speaker 2: Like it takes takes six weeks to really kind of
• 21:07
  Speaker 2: get someone like to trophy with the training. Can you
• 21:09
  Speaker 2: sign up for another session of training? Like we're in
• 21:12
  Speaker 2: the beginner's level, he's got a long way to go.
• 21:14
  Speaker 1: You're so right, You're so right. You're right. So I'm
• 21:18
  Speaker 1: talking to Maya goes, look, if he would have picked
• 21:21
  Speaker 1: up the phone from the beginning, none of this would
• 21:23
  Speaker 1: have happened. Uh, And he treated it like a joke.
• 21:25
  Speaker 1: And I just don't want this for my friend, you know.
• 21:28
  Speaker 1: So Maya says, I want the best for you. And
• 21:30
  Speaker 1: Maya is like, I'm your friend, I want the best
• 21:35
  Speaker 1: for you, and you don't need to go through this.
• 21:38
  Speaker 1: And alexis, cause what am I gonna do? I'm gonna
• 21:40
  Speaker 1: break up with him now? And she goes yes, and
• 21:43
  Speaker 1: Alexis goes, he still has to hear it from me
• 21:45
  Speaker 1: when he gets home, like, I'm still going to reim
• 21:46
  Speaker 1: ount when and Mike goes, right, that's fine, you can
• 21:50
  Speaker 1: rehimount when he gets home. But this is your relationship.
• 21:54
  Speaker 1: You could do what you want. I'm your friend. I'm
• 21:55
  Speaker 1: here for you no matter what. But you cannot bring
• 21:58
  Speaker 1: a baby into this. This is too much. Now we
• 22:01
  Speaker 1: know what Maya is suggesting, but we also know Alexi's
• 22:05
  Speaker 1: history with being pregnant, and so we also see the
• 22:08
  Speaker 1: internet and know that she's going to have the baby.
• 22:10
  Speaker 1: So yeah, and the talking head Alexis says, you know,
• 22:15
  Speaker 1: his mindset is it's his way or no way, and
• 22:18
  Speaker 1: it's frustrating. It's like he doesn't care how he made
• 22:21
  Speaker 1: me feel and he doesn't want to admit he's wrong.
• 22:23
  Speaker 1: And I feel like I deserve more, Like I know
• 22:25
  Speaker 1: I deserve more, and I deserve someone who sees me
• 22:28
  Speaker 1: for who I am. It doesn't take advantage of me
• 22:30
  Speaker 1: for who I am. But Maya and Alexis are very,
• 22:35
  Speaker 1: very smart, and they might be too smart for this show,
• 22:39
  Speaker 1: except you add in the inmate and then you're like,
• 22:41
  Speaker 1: never mind, forget what.
• 22:42
  Speaker 2: I just said, yeah, because every time we think Alexis
• 22:45
  Speaker 2: is so smart, we're reminded of who she's with and
• 22:48
  Speaker 2: who she decided to have a baby with. And this
• 22:52
  Speaker 2: is the person that she thinks she can build. Didn't
• 22:55
  Speaker 2: she like build an ampire? Maybe that was Keana who
• 23:01
  Speaker 2: said an empire? Like they always kill me with the
• 23:03
  Speaker 2: building emperor, the okay empress. You know she she's gonna
• 23:06
  Speaker 2: have this great life with this guy who can't even
• 23:08
  Speaker 2: fucking be a delivery boy.
• 23:10
  Speaker 1: No, it's beneath him, yep, totally beneath him.
• 23:13
  Speaker 2: He's a rapper.
• 23:13
  Speaker 1: He's a rapper. Gotta babes. All right, let's move on
• 23:21
  Speaker 1: to Keana and Demodrack. Four weeks out of prison. Keana's
• 23:27
  Speaker 1: rental Airbnb is killing me because we know she has
• 23:30
  Speaker 1: these two kids, and we know she doesn't live in
• 23:31
  Speaker 1: this house. There's not one personal thing. And later when
• 23:34
  Speaker 1: we see her pulling clothes out of the closet, no way,
• 23:37
  Speaker 1: that's her bedroom. That just has his clothes in the closet,
• 23:40
  Speaker 1: not a woman's shoe. Nothing do better this one. Yeah,
• 23:45
  Speaker 1: So he's playing Xbox and she's leaving. She's like, have
• 23:49
  Speaker 1: a good day at work, and he says Okay. He
• 23:51
  Speaker 1: tells us he got a part time job doing something
• 23:53
  Speaker 1: with concrete and he is headed to see his kids
• 23:57
  Speaker 1: at Juela's house. But he told her he is at
• 24:00
  Speaker 1: work just to avoid the draws.
• 24:03
  Speaker 2: Like, come on, this is baut on both their parts.
• 24:09
  Speaker 1: Why is it bad on her part because she believes it?
• 24:11
  Speaker 2: Because she no, because she has got to accept the
• 24:14
  Speaker 2: fact that he's going to have to be around Juela
• 24:17
  Speaker 2: right in order to see his kids, right, because I'm
• 24:21
  Speaker 2: sure there's no custody agreement where hey, you come pick
• 24:24
  Speaker 2: the kids up or anything like that. So they gotta
• 24:29
  Speaker 2: figure something out, like I cannot lie every time he
• 24:32
  Speaker 2: wants to go see his kids.
• 24:33
  Speaker 1: Correct, But he also shouldn't have been banging her on
• 24:36
  Speaker 1: the side, so one hundred percent agree. Keana goes to
• 24:39
  Speaker 1: the beauty shop and we need more of our hero Kendrick.
• 24:42
  Speaker 1: We did not get enough Kendrick just a little bit.
• 24:45
  Speaker 1: We just need a little bit more Kendrick. So he's
• 24:48
  Speaker 1: so funny. So Keana is kind of like, oh, yeah,
• 24:51
  Speaker 1: we got engaged whatever, and Kendrick's like, girl.
• 24:54
  Speaker 2: Are you even happy?
• 24:56
  Speaker 1: You just casually mentioning it? Let me see that ring
• 24:59
  Speaker 1: that came on top of cupcake, and he is just
• 25:02
  Speaker 1: it's so funny. So she shows him the ring and
• 25:04
  Speaker 1: he goes, girl, it's cute.
• 25:06
  Speaker 2: It's cute, like no one wants to hear their engagement
• 25:09
  Speaker 2: ring is cute.
• 25:10
  Speaker 1: It's a big ring.
• 25:11
  Speaker 2: Yes it was.
• 25:13
  Speaker 1: Yeah, it's a really nice run.
• 25:15
  Speaker 2: I think he was just trying to downgrade the whole situation, like, oh,
• 25:18
  Speaker 2: this is so cute. How y'all got engaged and here's
• 25:21
  Speaker 2: the ring, and Okay, this is cute.
• 25:23
  Speaker 1: I mean, never forget when Kendrick said he's gonna get
• 25:27
  Speaker 1: out of prison. He's got those six kids, He's gonna
• 25:30
  Speaker 1: have six more and go back into prison. Now he's
• 25:32
  Speaker 1: got twelve kids and you're still gonna wait on him.
• 25:34
  Speaker 2: It's true. I I yeah, he knows his friend.
• 25:38
  Speaker 1: God, he's funny. So her hair looks.
• 25:41
  Speaker 2: Great this entire episode. I don't want anyone talking about
• 25:45
  Speaker 2: her hair because it was slade every single scene.
• 25:48
  Speaker 1: I agree, her hair looked great.
• 25:51
  Speaker 2: Now.
• 25:51
  Speaker 1: I did see when she was at the beauty parlor,
• 25:54
  Speaker 1: I don't know what to call it, be parlor shop
• 25:57
  Speaker 1: hair one hundred and twelve. The beauty parlor, they had
• 26:01
  Speaker 1: those like spindles that you would have for like knitting,
• 26:04
  Speaker 1: and they were putting hair on it.
• 26:06
  Speaker 2: That's when you're getting ready to braid someone's hair. Okay,
• 26:09
  Speaker 2: youse are like, you already have it sectioned out. So
• 26:11
  Speaker 2: you go, you pull a little section and that's the braid.
• 26:14
  Speaker 2: Then you pull another section that's another braid. So it's
• 26:17
  Speaker 2: not like you're having a constantly pull from the backs
• 26:20
  Speaker 2: of the braiding. Here it's already sectioned out for you.
• 26:22
  Speaker 1: I was fascinated. I've never seen it. I've never been
• 26:26
  Speaker 1: any place that does it. You know, I'm very interested
• 26:30
  Speaker 1: in it. Yeah, And one time I heard on Smith's
• 26:33
  Speaker 1: Sisters Live, which I love on XM. There's a whole
• 26:37
  Speaker 1: there was a Broadway play they were talking to play about,
• 26:39
  Speaker 1: and the whole show takes place in a salon where
• 26:45
  Speaker 1: the ladies are doing hair, doing extensions and braiding and stuff.
• 26:48
  Speaker 1: It's like a braider place. And they were like, they
• 26:51
  Speaker 1: were talking about, I love my braider. Now my braider
• 26:52
  Speaker 1: does this? What kind of braids do you like best?
• 26:54
  Speaker 1: And they were saying they both loved box braids. So
• 26:56
  Speaker 1: in my mind I was like, so now I figured
• 26:59
  Speaker 1: out that I think and please, actually you know what,
• 27:01
  Speaker 1: I'm not going to say what I think you tell
• 27:02
  Speaker 1: me what about?
• 27:03
  Speaker 2: I want you to educate all of us right now
• 27:08
  Speaker 2: and tell us exactly what box braids are. I want
• 27:11
  Speaker 2: to hear everybody, be quiet, be quiet, turn it up,
• 27:15
  Speaker 2: turn up the volume, because I want to hear this.
• 27:19
  Speaker 1: Well. I was like, okay, our box braids when on
• 27:22
  Speaker 1: your hair you have square boxes and the braid comes
• 27:25
  Speaker 1: out of that or is it the shape of the braid.
• 27:29
  Speaker 2: I think it's both because I've had box braids and
• 27:32
  Speaker 2: it's the little bitty box part, and then it's the
• 27:35
  Speaker 2: way they also put the hair on there.
• 27:38
  Speaker 1: Okay, because to me, sometimes when you see it looks
• 27:41
  Speaker 1: like this on the scalp as the ex section, it
• 27:44
  Speaker 1: off your scalp in a box, and then they pull
• 27:46
  Speaker 1: that hair out and then add the extension onto whatever
• 27:49
  Speaker 1: the hair is to braid it. But then sometimes you see,
• 27:52
  Speaker 1: if you're t I have, the shape of the braid
• 27:54
  Speaker 1: is like super fat and almost square, so it's like
• 27:58
  Speaker 1: maybe that's a box braid.
• 28:00
  Speaker 2: So I call those dookie braids, like whenever Jinshaw had
• 28:03
  Speaker 2: those braids, because I'm yes, one hundred and twelve years old,
• 28:06
  Speaker 2: so I'm like, those are dookie braids, but those are
• 28:09
  Speaker 2: braids as well, and then you have like the Borer
• 28:11
  Speaker 2: braids where it's the braid and then you have the
• 28:12
  Speaker 2: curly hair kind of coming out of it.
• 28:14
  Speaker 1: Yeah, like the girl from The Traders, Danny all the
• 28:19
  Speaker 1: I don't know that.
• 28:20
  Speaker 2: Dad was atrocious like that.
• 28:22
  Speaker 1: I don't know what that like braids and hair hanging
• 28:25
  Speaker 1: out and it made no sense to me, but it.
• 28:27
  Speaker 2: Was horrible, Like borer braids are beautiful and they have
• 28:30
  Speaker 2: hair hanging out, but it's curly and nice wavy hair.
• 28:33
  Speaker 2: That was bullshit that someone threw on her head and said,
• 28:36
  Speaker 2: there you go, have fun. Good luck on Traders.
• 28:40
  Speaker 1: Why did we get into this? Oh? Because I was
• 28:41
  Speaker 1: fascinated by the by the braiding because I know you
• 28:43
  Speaker 1: have to sit there forever. It takes forever. I imagine
• 28:45
  Speaker 1: it pulls under scalp.
• 28:48
  Speaker 2: I was just saying the other dess like I really
• 28:50
  Speaker 2: wanted braids for the summer, but I just don't want
• 28:52
  Speaker 2: to sit in the chair for six eight hours. I
• 28:54
  Speaker 2: just cannot in a state of mind that I am
• 28:56
  Speaker 2: right there. I'm sad my braider I couldn't do it.
• 28:59
  Speaker 2: Yeah no, And she's got a baby now, and I'm like,
• 29:02
  Speaker 2: I don't have time to be getting my hair braided.
• 29:04
  Speaker 2: I got a breastfeed your baby so you can so
• 29:07
  Speaker 2: you don't have to stop and feed them. I'm like,
• 29:08
  Speaker 2: I can't do it right now, it's too much, too much.
• 29:11
  Speaker 1: Yeah, okay, so that was funny, all right, So Demandrack
• 29:15
  Speaker 1: goes to see Juela Keisha. Hold us, this.
• 29:19
  Speaker 2: Looks like a fucking walking vagina in that body suit.
• 29:24
  Speaker 1: This deserves this, deserves hold on. When we walked in
• 29:30
  Speaker 1: and saw her, I was like, what we have yet
• 29:37
  Speaker 1: another fucking flesh colored body sit on the show.
• 29:41
  Speaker 2: She looks like her own vagina. That is what she
• 29:43
  Speaker 2: looked like in that fucking body suit.
• 29:46
  Speaker 1: It was why why why If that would have been
• 29:53
  Speaker 1: like pink or red or black, it would looked great.
• 29:57
  Speaker 2: No, it wasn't looked great. It would have looked better
• 30:01
  Speaker 2: the color because I didn't fit. Well, she's super slim.
• 30:05
  Speaker 2: That is not the body type for the bodysuit.
• 30:09
  Speaker 1: It was, in my opinion, it was something so.
• 30:12
  Speaker 2: Wait, I don't have anything that's flesh colored to my flesh.
• 30:16
  Speaker 1: Me either, unless it's like an undergarment.
• 30:18
  Speaker 2: Not even those I get.
• 30:23
  Speaker 1: I mean, so it's Cony Kyrie the two year old
• 30:28
  Speaker 1: runs up and hugs him. He has not seen this
• 30:31
  Speaker 1: kid since he was just born.
• 30:34
  Speaker 2: M hm.
• 30:35
  Speaker 1: It was really it was very tough.
• 30:37
  Speaker 2: He's like, I'm coming with you.
• 30:39
  Speaker 1: I'm coming with you. I'm coming with you. He's like, mom,
• 30:42
  Speaker 1: look at her. And Demodrick Junior DJ runts up and
• 30:47
  Speaker 1: tries to get a hug into That was really cute.
• 30:49
  Speaker 1: And the old one whose name I can't remember who
• 30:51
  Speaker 1: he says this his son, but he also says it's
• 30:53
  Speaker 1: a step son. He's probably like, I'm just trying to
• 30:56
  Speaker 1: play Xbox. Why y'all sitting in my chair? So he
• 31:00
  Speaker 1: tries to get in, you know, he tries to hang
• 31:03
  Speaker 1: what's up? So Kyrie was a brand new baby when
• 31:05
  Speaker 1: he went to president. We used some baby photos and
• 31:07
  Speaker 1: oh my god, those scrumptious babies just want to squeeze
• 31:10
  Speaker 1: on their legs, are so cute. And he's going, are
• 31:15
  Speaker 1: y'all happy? Dad's home? No, you're not.
• 31:18
  Speaker 2: Okay, you're not home.
• 31:20
  Speaker 1: You don't live there, you know.
• 31:21
  Speaker 2: But it was it was the fact that she was
• 31:23
  Speaker 2: hooking this full mial, she was trying to get pregnant.
• 31:26
  Speaker 1: Well, let me tell you something else about that. It
• 31:29
  Speaker 1: looks like they were eating out of like plastic temperware.
• 31:33
  Speaker 1: So I was like, are these like, you know, uh
• 31:39
  Speaker 1: TV Trade dinners? What do you call them? You know,
• 31:41
  Speaker 1: like yeah, TV Trade dinners?
• 31:43
  Speaker 2: What do they call them? Like like Mala has them,
• 31:46
  Speaker 2: Like yeah, I go plastic play that got the big
• 31:50
  Speaker 2: part for the main field in a little party. That's
• 31:52
  Speaker 2: the vegetables and stuff like that.
• 31:53
  Speaker 1: And you heat it up like that and then here's
• 31:55
  Speaker 1: your whole meal. Yeah. So anyway, he like sits on
• 31:58
  Speaker 1: the couchs they're eating or whatever, and we kind of
• 32:00
  Speaker 1: I brushed over the fact that he's literally there all
• 32:02
  Speaker 1: day because later when he leaves, it's like pitch black night.
• 32:05
  Speaker 1: So he says, you know, I feel like I'm living
• 32:08
  Speaker 1: two lives. Well you are, yep. So he tells Juela
• 32:12
  Speaker 1: he's engaged to Keana. Now, Juela is so to me,
• 32:18
  Speaker 1: seems so xanaxed out.
• 32:19
  Speaker 2: She's still like it's something. It's I mean, it's just
• 32:22
  Speaker 2: no facial expression, there's no emotion, voice tone, just it's
• 32:27
  Speaker 2: just that's it.
• 32:30
  Speaker 1: She's very different on the social media. She's out there
• 32:32
  Speaker 1: with her emojis and all that. So he tells her
• 32:36
  Speaker 1: easier to express herself that way. Yes, I think so
• 32:39
  Speaker 1: through emojis. He tells Juela he's engaged, and she goes,
• 32:43
  Speaker 1: huh and he goes yeah, and she goes, I always
• 32:46
  Speaker 1: thought you would come home, and he girl, and he goes,
• 32:51
  Speaker 1: I thought that at one point too, I did. And
• 32:53
  Speaker 1: she goes, so you can't just like come around here anymore.
• 32:56
  Speaker 1: So she's like, you can't come over here and bang
• 32:58
  Speaker 1: me right or hunch as she said on that interview yours. Yeah,
• 33:02
  Speaker 1: I'm like huh, and she says. She goes, so it'd
• 33:06
  Speaker 1: be okay if I just moved on, and he goes, yeah,
• 33:09
  Speaker 1: of course, I want you to be happy, and he goes,
• 33:12
  Speaker 1: you know we were. Why are you mad? Like we're
• 33:14
  Speaker 1: not together? And she goes, well, you've been playing with
• 33:17
  Speaker 1: my feelings and he goes, you think I've been playing
• 33:19
  Speaker 1: feelings and she says yes, and she goes, anyway, I
• 33:22
  Speaker 1: know you'll be back, so it's cool. I'll just be
• 33:24
  Speaker 1: here taking care of the kids.
• 33:26
  Speaker 2: So my thing is you shouldn't even be allowing him
• 33:29
  Speaker 2: to entertain you because he's living with a whole other woman.
• 33:33
  Speaker 1: Juela, do Razor standards? Do better? Come up with? Get along?
• 33:38
  Speaker 1: Come up with a custody schedule. Completely, cut this, cut
• 33:41
  Speaker 1: this man out of your life as anything other than
• 33:44
  Speaker 1: a co parent and move on.
• 33:45
  Speaker 2: Yeah, that's it, okay, But she doesn't want to do that.
• 33:48
  Speaker 1: So the talk of it, she goes, do I think
• 33:49
  Speaker 1: they'll get married? Hell? No, I know him. No, there'll
• 33:53
  Speaker 1: be other women. I was like, so, why do you
• 33:55
  Speaker 1: want him so bad? If there's going to be other women.
• 33:57
  Speaker 1: He's engaged to her, why do.
• 33:59
  Speaker 2: You Yep, she's just used to it, I guess. So
• 34:01
  Speaker 2: she's okay with it long as he I guess lazy
• 34:04
  Speaker 2: said down on next to her every single night, and
• 34:07
  Speaker 2: she don't care.
• 34:07
  Speaker 1: What he does. Raise your standards, Juela, You're better than this.
• 34:12
  Speaker 1: So he says, he says, he's like, okay, I guess
• 34:15
  Speaker 1: I'll go, and he says goodbye to her, and he's like,
• 34:18
  Speaker 1: tell the kids daddy loves him. I'll see him soon.
• 34:20
  Speaker 1: So I was like, so we had this whole scene
• 34:22
  Speaker 1: where they ate dinner. They probably played, he put the
• 34:24
  Speaker 1: kids to bed. We didn't see any of it. We
• 34:27
  Speaker 1: just see this kitchen scene and then he leaves in
• 34:29
  Speaker 1: this pitch black dark. So Keana does like a diary
• 34:34
  Speaker 1: cam boy does she look good.
• 34:36
  Speaker 2: Yeah, she looks really good this episode.
• 34:39
  Speaker 1: Yeah, she's great. And she says, well, I found some
• 34:42
  Speaker 1: messages on Demotrick's phone to Juela, and here is what
• 34:46
  Speaker 1: it says. Now, I'm going to say this in the
• 34:48
  Speaker 1: way that it is meant to be said, not with
• 34:50
  Speaker 1: all the end where it should be. And and I yeah,
• 34:55
  Speaker 1: I'm not even sure why I'm texting you because I
• 34:57
  Speaker 1: shouldn't be. Right now, I'm so horny. I shouldn't be.
• 35:01
  Speaker 1: I really dislike you. This is the most annoying thing
• 35:04
  Speaker 1: I go through thinking of you, and shit, wanting you.
• 35:08
  Speaker 1: I want to get over this so bad. It's cringing.
• 35:11
  Speaker 1: Wanting you this bad and not even just sex, and
• 35:14
  Speaker 1: all it does is break me down. Ugh. Really, So
• 35:19
  Speaker 1: he's saying to her like I want you. I really
• 35:24
  Speaker 1: don't like you, but I really want you, and I
• 35:25
  Speaker 1: know we should be together and I shouldn't be. He's
• 35:28
  Speaker 1: really conflicted here, he's really complicting and horny. Well that's
• 35:33
  Speaker 1: the first thing word, that's the first thing he said. Yeah,
• 35:37
  Speaker 1: So now we see Demondrac has been kicked out. He's
• 35:39
  Speaker 1: evert his dad's yes, and he says, you know, Kiana
• 35:44
  Speaker 1: thinks I'm cheating, but I'm not. Now his dad is
• 35:47
  Speaker 1: playing Xbox and was like, what's going on?
• 35:49
  Speaker 2: Why are you here? He's like, I'm preaching, but I'm
• 35:52
  Speaker 2: playing too, because now that the fuck up, I'm Madden.
• 35:57
  Speaker 1: In the talking head. He goes, yeah, Keana found messages
• 36:01
  Speaker 1: of me kicking it with Juela and just like hanging
• 36:04
  Speaker 1: out in the car with her. And the producer goes
• 36:07
  Speaker 1: and and he goes and what and he goes, we're
• 36:12
  Speaker 1: just chilling. Nothing went on. You know, I gotta figure
• 36:15
  Speaker 1: out what I got to do to get Keana back.
• 36:17
  Speaker 2: Man, y'all are two growing to be hanging out in
• 36:19
  Speaker 2: the car together?
• 36:20
  Speaker 1: Hanging out in a car?
• 36:22
  Speaker 2: Yeah?
• 36:22
  Speaker 1: Okay. So now Kana goes to meet with Demodrick's cousin, Kean,
• 36:27
  Speaker 1: her friend, and who.
• 36:28
  Speaker 2: Has like a Teresa Judai's hairline. That's all I could see.
• 36:32
  Speaker 1: Oh was it really low? She had braved It was
• 36:35
  Speaker 1: pretty Yeah, She says, yeah. I went through his phone
• 36:40
  Speaker 1: and I will continue to go through his phone. She goes, you,
• 36:42
  Speaker 1: senior year, I've been dealing with this bitch, and Kean goes, yeah,
• 36:46
  Speaker 1: maybe it's time for you to to take a break. Okay,
• 36:48
  Speaker 1: let's not blame Juela. Let's blame your man. We don't
• 36:53
  Speaker 1: need to blame Juela. He has free will. He's the
• 36:57
  Speaker 1: one in the relationship, not her.
• 37:00
  Speaker 2: It's always easier to blame the other woman that.
• 37:02
  Speaker 1: Makes me mad. So mm hmm, and I'm talking head.
• 37:06
  Speaker 1: She goes, oh, yeah, I saw these other messages. Let
• 37:08
  Speaker 1: me read him. It says like, oh, you're going to
• 37:09
  Speaker 1: be mad. It started my period, like we can't have sex.
• 37:12
  Speaker 1: And she's like, oh, this bitch. So I'm talking to head.
• 37:16
  Speaker 1: Kean says, Keana has a habit of picking men that
• 37:20
  Speaker 1: are emotionally unavailable and don't value her. And she's talking
• 37:23
  Speaker 1: about her own cousin, by the way, yeah, and she goes, yeah,
• 37:26
  Speaker 1: I've heard him say a lot how much he cares
• 37:29
  Speaker 1: about Keana, but he does nothing to show it, including
• 37:32
  Speaker 1: letting go of his whole back toloor life.
• 37:35
  Speaker 2: He's not ready.
• 37:36
  Speaker 1: So Kean goes, y'all, Keayan goes, y'all, just need to
• 37:38
  Speaker 1: go to therapy if you're going to work through this,
• 37:40
  Speaker 1: and Kian goes Kanu goes, I have no problem with him.
• 37:44
  Speaker 1: Just keep your dicking your pants.
• 37:46
  Speaker 2: That's pretty simple. And then we keep forgetting there's still
• 37:50
  Speaker 2: two other baby mamas out there, and she has two
• 37:54
  Speaker 2: kids and she's got a baby daddy. That's too many
• 37:57
  Speaker 2: goddamn kids for me.
• 37:59
  Speaker 1: So he calls her and goes, hey, I want to
• 38:02
  Speaker 1: come over and talk to you, like when we be home,
• 38:04
  Speaker 1: and she goes, okay, I'll let you know, and I'm
• 38:05
  Speaker 1: back to the airbnb. So in the talking head, she goes,
• 38:10
  Speaker 1: I'm ready to love and build a life and an
• 38:12
  Speaker 1: empire and a legacy and not deal with this little
• 38:16
  Speaker 1: boy bullshit. And I know I'm the delusional one, you know,
• 38:21
  Speaker 1: but I'm tired of him stabbing me and watching me plead, Well,
• 38:25
  Speaker 1: guess what, girl, girl to do it?
• 38:28
  Speaker 2: Yeah, you're standing right there saying just stab me, keep
• 38:30
  Speaker 2: stabbing me, Yeah, because I mean, you know what he's doing.
• 38:34
  Speaker 1: So at the Airbnb, he comes in and she is
• 38:37
  Speaker 1: like smiling as they do when they're doing a fake scene,
• 38:41
  Speaker 1: and she's throwing his clothes at him. And that's when
• 38:43
  Speaker 1: we got a glimpse of that closet that only had
• 38:44
  Speaker 1: like six shirts in it. We're like, nobody lives anything.
• 38:47
  Speaker 2: Else, nothing else was in there. Yeah, and I was
• 38:50
  Speaker 2: I was having a panic attack because I'm like, oh
• 38:52
  Speaker 2: my god, she's getting she's throwing his stuff out, but
• 38:55
  Speaker 2: they're still on the hangers. She's going to be short
• 38:57
  Speaker 2: on hangers, like I hate it. And I saw like
• 39:00
  Speaker 2: that by anxiety was going to take keep your hangers,
• 39:02
  Speaker 2: keep your hate, and she kept the hangers, like, oh
• 39:04
  Speaker 2: thank god.
• 39:07
  Speaker 1: Not if they're good, the one who because they're good.
• 39:11
  Speaker 2: They were the good hangers, like girls like because we
• 39:13
  Speaker 2: struggled sometimes with hangers around. You're like, don't give away yours.
• 39:18
  Speaker 1: You know, and then you and then you like do
• 39:19
  Speaker 1: a closet purge and you're like, well I got too
• 39:21
  Speaker 1: many hangers. Yeah, yeah, alrighty, let's go to uh Joey
• 39:28
  Speaker 1: and Michael. This is sad, but I can breathe again
• 39:34
  Speaker 1: because it happened. I'm glad it's over. Yeah, yeah, I'm
• 39:36
  Speaker 1: glad it's over. Two days out of prison. Yeah, I
• 39:40
  Speaker 1: cannot believe believe in two days, two days they filmed them.
• 39:47
  Speaker 1: They filmed them for three days total.
• 39:50
  Speaker 2: That is crazy.
• 39:51
  Speaker 1: Yeah, two days, and I bet they got the same
• 39:54
  Speaker 1: money as other people that filmed like the whole season,
• 39:56
  Speaker 1: like weeks.
• 39:57
  Speaker 2: You know, they're just showing them like you know, and yeah.
• 40:01
  Speaker 1: Joey's like, well, I got paid a lot for two
• 40:02
  Speaker 1: days worth of work. So two days out of prison.
• 40:06
  Speaker 1: They're at the barbecue. Now we this is sort of
• 40:08
  Speaker 1: like a jump backwards, I think because it's before. Because
• 40:11
  Speaker 1: Dad does a prayer, Dear Heavenly Father, we are thankful
• 40:14
  Speaker 1: that Michael got out of the lock up motel.
• 40:16
  Speaker 2: He did not have to say that. I was like, ooh,
• 40:20
  Speaker 2: you are messy boots right now. You did not have
• 40:23
  Speaker 2: everybody close.
• 40:25
  Speaker 1: Everybody knows we love a meal, and that the dad's
• 40:28
  Speaker 1: name a meal. We love the guy and joe he
• 40:30
  Speaker 1: says he was able to suit up and show up
• 40:33
  Speaker 1: and bless it, bless us as we trudged the road
• 40:37
  Speaker 1: of happy destiny. What'd you talk about?
• 40:39
  Speaker 2: Dad?
• 40:40
  Speaker 1: All right, so we've already seen them eat, so this
• 40:43
  Speaker 1: is out of order. Anyway. They're like leaving now because
• 40:45
  Speaker 1: we know that Joey went outside and called his I
• 40:47
  Speaker 1: mean sorry, Michael went outside and called his buddy Spencer.
• 40:50
  Speaker 1: So they hug the parents, they leave, and the Dad's like,
• 40:53
  Speaker 1: you bet ya, you could do it. Just go to
• 40:55
  Speaker 1: a meeting, you got it, man, don't go back to
• 40:58
  Speaker 1: it that motel.
• 41:00
  Speaker 2: Yeah, you don't know who you're talking to like, this
• 41:03
  Speaker 2: is you've.
• 41:04
  Speaker 1: Had some real evil coming to your home. Yes, you
• 41:07
  Speaker 1: did sage that ship.
• 41:09
  Speaker 2: Age, get some holy water everything. Yes.
• 41:14
  Speaker 1: So in the car, Joey goes, well, I think that
• 41:17
  Speaker 1: went great.
• 41:19
  Speaker 2: Well you're the only person who thought.
• 41:20
  Speaker 1: That, didn't you love it? Wasn't it amazing? And Michael goes, dude,
• 41:25
  Speaker 1: it was a lot like a lot of pressure, and
• 41:28
  Speaker 1: the talking head Joey goes, I just want to show
• 41:31
  Speaker 1: him that people care about him, and there's hope, but
• 41:34
  Speaker 1: it seems like the more I try to show him,
• 41:36
  Speaker 1: the more resistant he's coming.
• 41:38
  Speaker 2: That's true.
• 41:39
  Speaker 1: And by the way, Joey, you've also been a person
• 41:41
  Speaker 1: that didn't want to get sober, so yeah, you know. Yeah,
• 41:46
  Speaker 1: So in the car, Michael, I always get Joey and
• 41:50
  Speaker 1: Michael confused because it just seems like in the car,
• 41:54
  Speaker 1: Joey says, you know, my family, they're not spiteful people.
• 41:58
  Speaker 1: They will love you no matter what. A Michael goes, no,
• 42:00
  Speaker 1: not no matter what. And he goes, yeah, they'll love
• 42:03
  Speaker 1: you no matter what. And he goes like, what if
• 42:05
  Speaker 1: I'm the cause of your downfall? Like what if I'm
• 42:07
  Speaker 1: a bad influence on you? And he goes, why would
• 42:10
  Speaker 1: you say that? He goes, I mean it's not on
• 42:12
  Speaker 1: my mind, like not every day, but it could happen. Yeah,
• 42:16
  Speaker 1: And Joey goes, yeah, but you're busy doing stuff?
• 42:22
  Speaker 2: What stuff?
• 42:24
  Speaker 1: Doing what? Going back and put it in that warehouse? Yeah,
• 42:27
  Speaker 1: signing out, signing out. And he goes, yeah, I'm busy
• 42:33
  Speaker 1: doing stuff. But and then they discuss like do you
• 42:37
  Speaker 1: relapse when you're bored if you're not keeping yourself busy
• 42:40
  Speaker 1: and and Joey says, sometimes I relapsed because I was lonely.
• 42:46
  Speaker 1: It was due to loneliness. But then like I'm at
• 42:48
  Speaker 1: you and now we don't have to be lonely anymore,
• 42:51
  Speaker 1: like we can really like go through this together.
• 42:53
  Speaker 2: So sweet, and you can.
• 42:56
  Speaker 1: Tell Michael's like, ah, fuck me, I gotta mean Spencer
• 43:00
  Speaker 1: in one hour.
• 43:01
  Speaker 2: I don't have time for this shit. Come on, come on,
• 43:04
  Speaker 2: come on, come on, where's that hotel? Turn at?
• 43:07
  Speaker 1: So the talking head Michael and I think Michael is
• 43:10
  Speaker 1: very sincere and very honest, but it also upsets me
• 43:15
  Speaker 1: because of his mother, because let's not forget your mother
• 43:19
  Speaker 1: comes into play and what she's been through and how
• 43:21
  Speaker 1: he said he wished that his mom had like, you know,
• 43:24
  Speaker 1: broken her ankle or whatever. He should be there for her.
• 43:26
  Speaker 2: I mean, yep, that she goes out the window two
• 43:29
  Speaker 2: days Kisha, you show Michael a dick and a fight,
• 43:33
  Speaker 2: all other things just go out the window. He no
• 43:36
  Speaker 2: longer gives a fuck.
• 43:37
  Speaker 1: I just it's just so sad because when you see
• 43:41
  Speaker 1: him and he's talking heads by himself, when he's not
• 43:44
  Speaker 1: under the stress of Joey, he seems so sincere m
• 43:49
  Speaker 1: but he does not. He is not there. He does
• 43:52
  Speaker 1: not want to get better. Going to jail for six
• 43:54
  Speaker 1: years is not his rock.
• 43:56
  Speaker 2: He doesn't care. No, he has a true addiction problem,
• 43:59
  Speaker 2: not to drugs. He's addicted to sex. I think he's
• 44:03
  Speaker 2: addicted to partying. And just he just that's just who
• 44:06
  Speaker 2: he is. He he needs help, but he does not.
• 44:09
  Speaker 2: He's like, I don't want help. He doesn't want it.
• 44:11
  Speaker 1: I mean, he even said he loves to be in
• 44:13
  Speaker 1: prison so he can like go back to his room
• 44:14
  Speaker 1: at night but his headphones on and watches little TV.
• 44:17
  Speaker 1: And I'm like, yeah, he sounds pretty good.
• 44:19
  Speaker 2: That sounds yep.
• 44:22
  Speaker 1: No responsibilities, just yeah, just all the dick in the
• 44:26
  Speaker 1: world in prison, all the dick in the world and drugs. Yeah.
• 44:29
  Speaker 1: So in the Talking Head, Michael says meeting Joey's family,
• 44:36
  Speaker 1: three out of the four people at the table didn't
• 44:39
  Speaker 1: think it would work out, and and and I think
• 44:42
  Speaker 1: they're right. You know, it was it was too much,
• 44:45
  Speaker 1: too fast, And I know it makes me look like
• 44:47
  Speaker 1: a dirt bag, but I can't help the way I
• 44:49
  Speaker 1: feel mm hmm. So they get out of the car
• 44:53
  Speaker 1: and Michael goes, just should we walk around? And we
• 44:56
  Speaker 1: walk around, but they never walk around, but he keeps going,
• 44:58
  Speaker 1: should we should we go? Because the production told him,
• 45:01
  Speaker 1: like they should walk and talk, you know, But he says, so,
• 45:06
  Speaker 1: I don't know. I don't I don't think listen. I look,
• 45:10
  Speaker 1: you want me to be honest with you, and after
• 45:12
  Speaker 1: meeting your family, I just don't want to drag you
• 45:14
  Speaker 1: through something anymore. And I think we should go our
• 45:17
  Speaker 1: separate ways. And Joey goes, what are you serious? And
• 45:21
  Speaker 1: he says, yeah, I'm serious, like I can't bear to
• 45:24
  Speaker 1: hurt you or your family, Like, yeah, I just don't
• 45:27
  Speaker 1: want to do this anymore. And I'm so sorry. Like
• 45:29
  Speaker 1: be mad at me, be mad at me, like I
• 45:31
  Speaker 1: don't care, you should be mad at me, and Joey goes, no,
• 45:34
  Speaker 1: I'm not going to be mad at you, and he goes,
• 45:36
  Speaker 1: I'm so sorry. I don't want to lie to you.
• 45:38
  Speaker 1: And I don't feel like we were connecting like we
• 45:40
  Speaker 1: were before. And I know I'm going to fuck up
• 45:42
  Speaker 1: again after seeing your parents. That's the icing. You're too
• 45:46
  Speaker 1: good for me. I can't see myself changing. I love you,
• 45:51
  Speaker 1: I just don't want to be with you anymore, like
• 45:52
  Speaker 1: I'm not seeing anyone else or anything. And Joey goes,
• 45:55
  Speaker 1: and Joey goes, you're not even trying and impose. I
• 45:59
  Speaker 1: just know that I'm waste your time. And Joey goes,
• 46:02
  Speaker 1: So you don't want to be a better person, you
• 46:03
  Speaker 1: don't want to try something different with your fucking life.
• 46:06
  Speaker 1: Michael goes no, I just don't think.
• 46:08
  Speaker 2: I can know. I mean, good job Michael for being honest,
• 46:12
  Speaker 2: you know what I mean, because to me, the first
• 46:14
  Speaker 2: time ever, he's just he's been yeah, yeah, And good
• 46:18
  Speaker 2: for him for doing that. It's his life to do
• 46:20
  Speaker 2: whatever he wants to with it, you know what I mean.
• 46:23
  Speaker 2: Joey cannot want it for him, no one can want
• 46:26
  Speaker 2: it for him. He is this is what he wants.
• 46:29
  Speaker 2: See I don't know if it's just too hard to
• 46:32
  Speaker 2: be different, you know, have a different lifestyle. I don't
• 46:37
  Speaker 2: get it. But I mean, it's two days out and
• 46:40
  Speaker 2: he's like, I'm done, Like I've stayed clean two days.
• 46:43
  Speaker 2: It is way too hard. I cannot do it. I
• 46:45
  Speaker 2: don't want to do it. I don't care what I lose.
• 46:47
  Speaker 2: But I think, kudos to him for doing this. Kudos
• 46:52
  Speaker 2: to him for doing this without going out on a
• 46:55
  Speaker 2: drug binge up with guys and not calling, not calling
• 46:59
  Speaker 2: joe we enjoy. He's wondering where he is, what is
• 47:02
  Speaker 2: he doing, and not right from him. I don't know
• 47:03
  Speaker 2: if he's dead or alive.
• 47:05
  Speaker 1: You're right, you're right. I think this is the first
• 47:07
  Speaker 1: time in his life he's ever been honest with somebody
• 47:09
  Speaker 1: and said like, I'm going to relapse, so I don't
• 47:12
  Speaker 1: need to pull you into it. Yeah. So I was
• 47:15
  Speaker 1: talking to Joey's like, motherfucker, you just met my family
• 47:19
  Speaker 1: and now you're gonna do this. I've been defending you
• 47:22
  Speaker 1: for a year. You have just been out forty eight hours.
• 47:26
  Speaker 1: What is this? I'm in shock.
• 47:29
  Speaker 2: So I don't know how Joey's in shock.
• 47:32
  Speaker 1: I think he thought he had at least a week,
• 47:34
  Speaker 1: because I'm good hooking up just some good dick for
• 47:38
  Speaker 1: a week.
• 47:38
  Speaker 2: I think you're right. Yeah, he didn't even get that.
• 47:41
  Speaker 1: No, so Joey goes, I can't even look at you, like,
• 47:45
  Speaker 1: just go and do what you're gonna do. Just leave
• 47:46
  Speaker 1: me alone. And Michael's like, Joey be mad at me
• 47:49
  Speaker 1: because he wants that.
• 47:51
  Speaker 2: He does, he wants the yelling and the screaming, and
• 47:54
  Speaker 2: so he can say, you know what, I don't want
• 47:55
  Speaker 2: to deal with this anymore, Like this is what I'm
• 47:57
  Speaker 2: talking about. I'm leaving. You're acting crazy by and it
• 47:59
  Speaker 2: makes him feel a little bit better.
• 48:01
  Speaker 1: But the talk had, Michael said. Michael says, when we
• 48:04
  Speaker 1: didn't have sex the first day, I knew it was doomed.
• 48:08
  Speaker 2: Yeah.
• 48:09
  Speaker 1: I just didn't want him. I wasn't in the mood.
• 48:12
  Speaker 1: I'm a guy that likes to fuck around, and I've
• 48:15
  Speaker 1: been waiting for him for a year, So why drag
• 48:17
  Speaker 1: this out? Like I can't help but hurt him, But
• 48:19
  Speaker 1: this has to happen. It's rough. It's so rough.
• 48:23
  Speaker 2: Oh but I think we all were like, oh, sigh
• 48:25
  Speaker 2: of relief, like finally like we dressed something, all holding
• 48:28
  Speaker 2: our breath because we knew this was We knew something
• 48:32
  Speaker 2: was going to happen. Yeah, that was going to break
• 48:34
  Speaker 2: them apart, like we were just waiting for it.
• 48:37
  Speaker 1: And the producer says to Joey, wait, this is it.
• 48:40
  Speaker 1: She'd wait, you think you should go talk to him,
• 48:41
  Speaker 1: and he goes, no, I don't want to look at
• 48:43
  Speaker 1: what I want to talk to him. I think. The
• 48:45
  Speaker 1: producer's like two days, Yeah, I need a little.
• 48:49
  Speaker 2: Bit more of your story. Can you, I don't know,
• 48:51
  Speaker 2: go over there. It's something we need something. We're contracted
• 48:55
  Speaker 2: to be here for two weeks.
• 48:57
  Speaker 1: Man, this is.
• 48:58
  Speaker 2: Probably this is one of the most normal breakups we've
• 49:02
  Speaker 2: ever seen on this show. Like there's no trying to
• 49:05
  Speaker 2: run someone over with the car. There's no high speech chase,
• 49:08
  Speaker 2: there's no throwing stuff, no furniture is broken, noting this
• 49:12
  Speaker 2: is like what normal people do.
• 49:14
  Speaker 1: So the talking head Joey goes, I don't want to
• 49:16
  Speaker 1: hear his lame mask excuse. He's not even trying. He
• 49:19
  Speaker 1: wants to use so bad and get away from me
• 49:23
  Speaker 1: because he wants to feel less guilt. I wasn't expecting
• 49:27
  Speaker 1: him to get out and preach the good book. I
• 49:29
  Speaker 1: just wanted him to try. Yeah, so Michael is like
• 49:34
  Speaker 1: chasing after him. You know, Joey be mad at me.
• 49:38
  Speaker 1: Joey here you mad at me. Joey be mad at me.
• 49:40
  Speaker 1: I know I still have thirty minutes left till I
• 49:42
  Speaker 1: have to meet Spencer. We're supposed to film this scene.
• 49:46
  Speaker 1: And Joey goes, just go you're so chicken shit. You
• 49:50
  Speaker 1: won't even give it a chance to do better. You
• 49:53
  Speaker 1: don't even want a better life for yourself. Michael goes,
• 49:57
  Speaker 1: I know, okay, I know sad, and Michael says to production,
• 50:03
  Speaker 1: I don't know. Maybe I drug him along, but I
• 50:05
  Speaker 1: thought I wanted this. I won't change my mind. It's
• 50:09
  Speaker 1: only going to get worse. So he's telling you I'm
• 50:12
  Speaker 1: about to.
• 50:15
  Speaker 2: Up. Yes, don't follow me.
• 50:18
  Speaker 1: Don't follow me, bro.
• 50:19
  Speaker 2: So, And to think about it is when he does
• 50:21
  Speaker 2: get arrested, he's going to reach out to Joey. Joey's
• 50:26
  Speaker 2: going to take him back because this is him being
• 50:29
  Speaker 2: in prison. At least Joey knows where he is, what
• 50:32
  Speaker 2: he's doing. I think Joey is comfortable with Michael being
• 50:36
  Speaker 2: in prison and having that prison relationship.
• 50:39
  Speaker 1: Well, he needs to find somebody in the real world.
• 50:42
  Speaker 1: He's a cat, she does, and he's got a great
• 50:44
  Speaker 1: family and he needs to meet somebody through a Facebook
• 50:50
  Speaker 1: group for people in recovery. Okay, something all right, Savannah
• 50:54
  Speaker 1: and Bradley no E. All right, So we see her
• 50:58
  Speaker 1: walking with Melissa. Go ahead, go ahead, Kisha. I'm I'm
• 51:03
  Speaker 1: ready for you. First thing I thought was, oh, here
• 51:08
  Speaker 1: we go, all right?
• 51:09
  Speaker 2: Have you ever seen like a fly? And when I do,
• 51:13
  Speaker 2: like a microscope of a fly's eyes, and it looks
• 51:16
  Speaker 2: like this big cover thing on the eyes. Those were
• 51:19
  Speaker 2: her sunglasses. What the fuck are you trying to pro?
• 51:25
  Speaker 2: Are you trying to protect the brows and the thin
• 51:28
  Speaker 2: skin of your forehead? You know, sun protection? Where do
• 51:32
  Speaker 2: you even get those from? Do you go to Amazon
• 51:35
  Speaker 2: and say, looking up the stupidest fucking pair of sunglasses
• 51:38
  Speaker 2: ever created in life? Please prime these suit me today?
• 51:43
  Speaker 2: What was that?
• 51:45
  Speaker 1: I don't know what the sunglasses were, I don't know
• 51:47
  Speaker 1: what the thin skin was on the head. I don't
• 51:50
  Speaker 1: know what any of it was.
• 51:51
  Speaker 2: It was just all just fucking She is there first,
• 51:55
  Speaker 2: She's like, I'm gonna entertain the people. That's why I'm here.
• 51:58
  Speaker 2: I'm Alissa, and I'm going to entertain. Let me pull
• 52:01
  Speaker 2: out these fucking glasses and wear them.
• 52:03
  Speaker 1: She's stop this, she is entertaining. So they're going for
• 52:07
  Speaker 1: a walk and Savannah's like, it's been a week, like
• 52:09
  Speaker 1: I haven't talked to him in a week. And they're
• 52:11
  Speaker 1: with her dog. Her dog's name is Juice. And Alisa says,
• 52:14
  Speaker 1: what exactly does take in space mean? Like if my
• 52:17
  Speaker 1: husband told me he wanted space, I'd be like, find
• 52:19
  Speaker 1: to a fucking apartment, get your own space. She's like,
• 52:21
  Speaker 1: and Savannah goes, I don't know, like it means something
• 52:23
  Speaker 1: different for everybody, but like he wants space, So I'm
• 52:25
  Speaker 1: giving him space. And Lissa goes, you don't see him
• 52:28
  Speaker 1: for three years and now it's been a week. You
• 52:30
  Speaker 1: have a clock, girl, you're almost thirty. She goes, well,
• 52:37
  Speaker 1: I'm twenty seven, okay.
• 52:38
  Speaker 2: But what was the clock? Like the biological lot, like
• 52:41
  Speaker 2: the wedding clock, like you never know what, Melissa, I
• 52:44
  Speaker 2: don't know.
• 52:44
  Speaker 1: I think she meant biological clock, like you should definitely
• 52:47
  Speaker 1: go ahead and have a couple of kids with him.
• 52:49
  Speaker 2: And so I got a little time on her. She's
• 52:51
  Speaker 2: got time.
• 52:51
  Speaker 1: So she goes, you should do a pop up. You
• 52:53
  Speaker 1: should do a pop up on him, and she goes,
• 52:55
  Speaker 1: I'm not doing that. Let's say you're crazy, and Let's
• 52:58
  Speaker 1: goes yeah, people love me for that, people somebody married
• 53:02
  Speaker 1: me for that. You should do a pop up. Listen
• 53:04
  Speaker 1: to what I'm saying. And Savannah goes Handling things in
• 53:07
  Speaker 1: a crazy way didn't work for me in the past,
• 53:10
  Speaker 1: and Alyssa goes, but you could do it lightly, like
• 53:12
  Speaker 1: lightly crazy that fuel crazy like lightly like like like,
• 53:15
  Speaker 1: don't push it. You can't be the mentality of the
• 53:17
  Speaker 1: last word. Like girls, sometimes we fight and you do
• 53:20
  Speaker 1: the last word, then you fucking block me. Savannah goes, yeah,
• 53:22
  Speaker 1: because I don't want to hear what you have to say. Yeah,
• 53:26
  Speaker 1: and she goes, maybe it's not in you to not
• 53:29
  Speaker 1: do that last word thing, but you need to work
• 53:30
  Speaker 1: on that. And Savannah goes, who is telling you all
• 53:33
  Speaker 1: of this? Your therapist And Lissa goes, yeah, my therapist.
• 53:37
  Speaker 1: So Alyssa says, so we're gonna do a pop up
• 53:40
  Speaker 1: and you walk up and you start with I love
• 53:42
  Speaker 1: you with a smile. That's how we're going to do it,
• 53:46
  Speaker 1: and so savannahs all think about it. So they leave
• 53:49
  Speaker 1: the talking head. The producer says to Alyssa, why do
• 53:53
  Speaker 1: you want to be the person who puts them back together.
• 53:55
  Speaker 1: And she goes, oh, I don't, I don't they they
• 54:00
  Speaker 1: don't have a good history, you know what I'm saying, Like,
• 54:02
  Speaker 1: you don't want to reinvent that, Like nobody needs to
• 54:05
  Speaker 1: end up back in jail. Cut the shit. It didn't
• 54:07
  Speaker 1: cute anymore. Y'all are doing worse for each other than better.
• 54:10
  Speaker 1: Bad times outweigh the good. You need to accept it
• 54:12
  Speaker 1: and walk away. We ain't playing this no more. And
• 54:15
  Speaker 1: that's why our family is not on board. We can't
• 54:17
  Speaker 1: be fucking around no more. We out of jail. This
• 54:19
  Speaker 1: was a dark spot in our lives. Let's leave it
• 54:21
  Speaker 1: in the past and create a better future. I was like, okay,
• 54:24
  Speaker 1: girl tells her. He tells her to do a pop up,
• 54:28
  Speaker 1: knowing it's gonna make him mad and he'll break up.
• 54:33
  Speaker 1: I listen. I was like, Elysa looks crazy and acts crazy,
• 54:37
  Speaker 1: but she is TV gold. She really is, especially with
• 54:42
  Speaker 1: those fucking glasses and those So now he's with his
• 54:46
  Speaker 1: buddy Jonathan, He's working on a roofing side or whatever,
• 54:49
  Speaker 1: and he's like, Bro, she goes through my email. Damn
• 54:52
  Speaker 1: by checks Bro like all the time. Bro, And Jonathan's like,
• 54:55
  Speaker 1: you know, we call that a stage five clinger and
• 54:59
  Speaker 1: he laughs and laughs. He's apparently never heard this, and.
• 55:03
  Speaker 2: He goes, yeah, I guess you wouldn't.
• 55:04
  Speaker 1: Yeah, yeah, And you know what we do with those?
• 55:07
  Speaker 1: We break up with those. And he goes, I don't
• 55:11
  Speaker 1: see you. You're not enthusiastic anymore. Man, You're not yourself anymore.
• 55:15
  Speaker 1: Why are you then with her? And Bradley goes, you know,
• 55:19
  Speaker 1: I love her, But this bitch be arguing all the time.
• 55:23
  Speaker 2: You've been doing stuff all the time.
• 55:25
  Speaker 1: The vernacular on these guys, This bitch be arguing all
• 55:28
  Speaker 1: the time, Like.
• 55:30
  Speaker 2: And then how about the fact that they're sitting there
• 55:32
  Speaker 2: trying to measure out something but they're sharing one pencil.
• 55:36
  Speaker 2: You mean to tell me there's only one pencil on
• 55:38
  Speaker 2: this entire job site. Y'all could have been done three
• 55:43
  Speaker 2: hours ago had you both had a pencil.
• 55:46
  Speaker 1: That is so funny key, you know, because I feel
• 55:48
  Speaker 1: like the whole thing was fake because who's putting up
• 55:50
  Speaker 1: siding at night?
• 55:52
  Speaker 2: Yeah?
• 55:53
  Speaker 1: Okay, I agree, this was the owner's house. He was like,
• 55:55
  Speaker 1: just pretend you're putting some up on my house. Okay,
• 55:57
  Speaker 1: So I mean, because nobody's gonna allow them to film
• 56:00
  Speaker 1: at their home. So and then talking, Dady goes, you know,
• 56:04
  Speaker 1: I love Savannah. I do, but she's just got to
• 56:07
  Speaker 1: stop micromanaging me and give me some alone time. Also,
• 56:11
  Speaker 1: she needs to get her shit straight and be more
• 56:13
  Speaker 1: of an adult. And then if that that can be good.
• 56:15
  Speaker 1: Our biggest problem is trust. Sir, you just got out
• 56:20
  Speaker 1: of prison for having a gun in your car while
• 56:22
  Speaker 1: selling weed. You've got an Adida's tattoo behind your ear
• 56:25
  Speaker 1: and a face piercing sir.
• 56:28
  Speaker 2: He wants to talk about all the Savannah's issues.
• 56:30
  Speaker 1: Uh huh, and you live with your dad, so shut up.
• 56:33
  Speaker 1: A you have a man bone and not even a
• 56:36
  Speaker 1: good one, not even a good one. So his phone
• 56:40
  Speaker 1: is ringing while he's on the ladder. He's like, oh
• 56:44
  Speaker 1: my god, I'm on a letter. She's calling me, and
• 56:46
  Speaker 1: then his phone like.
• 56:47
  Speaker 2: She fucking knows my bett, he's on a ladder, let
• 56:50
  Speaker 2: me call.
• 56:51
  Speaker 1: And then also he's like production told me I had
• 56:53
  Speaker 1: to call you to tell you I was coming. And
• 56:55
  Speaker 1: also that he's in a talking day. He's like, look
• 56:56
  Speaker 1: at my phone building up. So she drives up while
• 56:59
  Speaker 1: he's working with the dog and Josh, his boss who
• 57:03
  Speaker 1: showed up out of nowhere, is like, hey, man, don't
• 57:05
  Speaker 1: bring that drama to the work site. And so she
• 57:09
  Speaker 1: walks up and she's like, j just wanted to see you,
• 57:11
  Speaker 1: Juice missus his dad and he goes bro who shows
• 57:15
  Speaker 1: up at somebody's work, And she goes James me.
• 57:21
  Speaker 2: I was like me, you don't answer the phone. I've
• 57:25
  Speaker 2: called you five times. Oh you want to see my
• 57:28
  Speaker 2: whole beautiful face here?
• 57:32
  Speaker 1: And she goes, but aren't you about to be off?
• 57:34
  Speaker 1: Like isn't it dark night time?
• 57:37
  Speaker 2: Yeah?
• 57:38
  Speaker 1: And he goes, Savannah, I don't know what to do here, like,
• 57:41
  Speaker 1: you know, you keep going through my phone every day
• 57:43
  Speaker 1: and now you're showing up at my job site. And
• 57:44
  Speaker 1: she's like, ALYSSA told me to. So Savannah calls her
• 57:49
  Speaker 1: mom shea and she's crying and mom goes, she's crashing out. Yeah,
• 57:53
  Speaker 1: and mom goes, Savannah, he loves you and he cares
• 57:56
  Speaker 1: about you, but you have to stop being controlling and like, also,
• 57:58
  Speaker 1: who told you to go to his job?
• 58:01
  Speaker 2: So Melissa and her glasses.
• 58:03
  Speaker 1: In the talking head Bradley goes, oh my god, like
• 58:06
  Speaker 1: I said two sentences and she started crying, like what's
• 58:09
  Speaker 1: that about? Like it's fighting an uphill battle. It's like
• 58:11
  Speaker 1: an insecurity thing, like a trusting My mind is on money,
• 58:15
  Speaker 1: instability and growth, not cheating.
• 58:18
  Speaker 2: Okay.
• 58:19
  Speaker 1: So he goes back out to the car and he
• 58:22
  Speaker 1: sits down. He goes, I'm trying to figure out what's
• 58:24
  Speaker 1: going on with you, Like, why are you pouding? Bro?
• 58:27
  Speaker 1: Why are you crying? Bro? You're making me want to
• 58:29
  Speaker 1: hate you?
• 58:31
  Speaker 2: Like, well, she hasn't seen or talk to you in
• 58:32
  Speaker 2: a week. Yeah, so she's not at all. Yeah, yeah,
• 58:36
  Speaker 2: she's emotional about it.
• 58:39
  Speaker 1: And he goes, oh, you keep doing this like you're pouting.
• 58:41
  Speaker 1: It's like your little child, Like, it's not me, bitch,
• 58:43
  Speaker 1: it's you.
• 58:47
  Speaker 2: Okay, don't get beat up on your job work site. Okay.
• 58:52
  Speaker 1: If you say it's not me, bitch, it's she, I
• 58:55
  Speaker 1: would have been like, well, you bitch can get right
• 58:57
  Speaker 1: out of this fucking car.
• 58:59
  Speaker 2: Yeah, but let me help you. Let me drag you
• 59:02
  Speaker 2: by that men bun out the fucking car.
• 59:05
  Speaker 1: Let me hit reverse real quick and then slam on
• 59:07
  Speaker 1: the brakes and see if you fall out the door.
• 59:09
  Speaker 1: So she says to him, we're not going to figure
• 59:12
  Speaker 1: it out when the cameras are on us now This
• 59:17
  Speaker 1: made me think a couple of things because she was like,
• 59:19
  Speaker 1: there's something there's something else, and Bradley says, okay. So
• 59:23
  Speaker 1: he gets out and he tells production, I'm going to
• 59:25
  Speaker 1: take my mic off. I'm going to go to her
• 59:27
  Speaker 1: house and talk to her.
• 59:28
  Speaker 2: What did you think? Feel like she relapsed and she
• 59:33
  Speaker 2: doesn't want to say that on camera.
• 59:36
  Speaker 1: I feel like it was something like that, but I think, yeah,
• 59:39
  Speaker 1: I think that's what happened to because she says, I
• 59:41
  Speaker 1: don't want to say it on camera. So in the
• 59:44
  Speaker 1: talking head she says, it takes a village for someone
• 59:47
  Speaker 1: to be successful at a prison, and it seems he
• 59:49
  Speaker 1: doesn't want me to be a part of his village.
• 59:51
  Speaker 1: And I don't really know what I want, but there
• 59:54
  Speaker 1: are things that we both need to work on within ourselves.
• 59:57
  Speaker 1: So I think that's another clue. And in order for
• 1:00:01
  Speaker 1: our relationship to work, and I don't think we have
• 1:00:03
  Speaker 1: the tools to fix this by ourselves, you don't, And
• 1:00:08
  Speaker 1: I think that's another clue that maybe she relapsed, and
• 1:00:10
  Speaker 1: she says, and this will be the end of the
• 1:00:12
  Speaker 1: most difficult chapter of my life. So I think all
• 1:00:15
  Speaker 1: of that leads to she relapsed and was trying to
• 1:00:19
  Speaker 1: kill them, and he's like, so yeah, Black Screen of Death.
• 1:00:23
  Speaker 1: Savannah chose not to participate in any further filming, which hope,
• 1:00:27
  Speaker 1: I hope that means she, you know, because her mom
• 1:00:30
  Speaker 1: is an advocate and stuff, Hopefully this means she like
• 1:00:32
  Speaker 1: went not to help.
• 1:00:33
  Speaker 2: Yes.
• 1:00:35
  Speaker 1: Two weeks later, we see Bradley tells us that that
• 1:00:38
  Speaker 1: night he went over to her house to talk to her,
• 1:00:41
  Speaker 1: and he felt they got it resolved and things were fine.
• 1:00:44
  Speaker 1: But then a couple of weeks later they had another
• 1:00:47
  Speaker 1: fight and then they finally just broke up and she's
• 1:00:50
  Speaker 1: tried to reach out but it's actually done, and he
• 1:00:52
  Speaker 1: says she needs to get her mentality right. I'm just
• 1:00:55
  Speaker 1: not the guy for her.
• 1:00:56
  Speaker 2: Yeah, I think she if I had to guess relapse
• 1:01:00
  Speaker 2: and he can't deal with that right now. He's got
• 1:01:03
  Speaker 2: his own shit. He that's that's a lot that she
• 1:01:06
  Speaker 2: needs to go and handle that herself. It would have
• 1:01:09
  Speaker 2: been nice if he could have been there to support
• 1:01:11
  Speaker 2: her the way that she has supported him, you know,
• 1:01:14
  Speaker 2: throughout the time he was in prison and even had
• 1:01:16
  Speaker 2: everything ready for him whenever he got out. So, yeah,
• 1:01:19
  Speaker 2: that's unfortunate.
• 1:01:20
  Speaker 1: Yeah, it is, And I felt bad for her, and
• 1:01:23
  Speaker 1: I want, yeah, the best for her, and she needs
• 1:01:28
  Speaker 1: to not be with another addict or somebody that's in prisoner,
• 1:01:31
  Speaker 1: you know whatever. And he's an asshole, and he's an asshole. Okay,
• 1:01:35
  Speaker 1: we get this scene with brooking her mom at some
• 1:01:39
  Speaker 1: kind of thrift store. Oh my gosh, I totally forgot
• 1:01:42
  Speaker 1: about them. Yeah, and it's like, I guess this is
• 1:01:45
  Speaker 1: what it means about her being a merchandise merchandiser. Yeah,
• 1:01:47
  Speaker 1: she works at the thrift store. But anyway, they're going
• 1:01:50
  Speaker 1: through stuff and she's like, one day, I won't see that.
• 1:01:53
  Speaker 2: I don't think it was a thrift store. It looks
• 1:01:55
  Speaker 2: kind of I don't know if y'all have like Sam
• 1:01:57
  Speaker 2: Moon no where you are. So it's like a big
• 1:02:00
  Speaker 2: store where you could tell like different vendors like send
• 1:02:03
  Speaker 2: in like yes, here's sets of ear rings, here's bracelets,
• 1:02:06
  Speaker 2: here's your costume druid, here's your starves, and they all
• 1:02:09
  Speaker 2: put it in just one big place.
• 1:02:12
  Speaker 1: I think it's more like of a like ann you.
• 1:02:14
  Speaker 2: Could buy a whole seal if you want to as well,
• 1:02:16
  Speaker 2: if you got a wholesale license.
• 1:02:18
  Speaker 1: No see, I'm thinking of more of like an antique
• 1:02:21
  Speaker 1: mart Or a flea market where people have their own stalls. Maybe,
• 1:02:26
  Speaker 1: but this doesn't seem like stalls. It seems like unless
• 1:02:29
  Speaker 1: that unless that was their section.
• 1:02:31
  Speaker 2: Yeah, that's that's what I'm saying. That's kind of like
• 1:02:33
  Speaker 2: what Sam Moon is. You you just put all your
• 1:02:35
  Speaker 2: ship there, and because that's what it's I'm like, Okay,
• 1:02:39
  Speaker 2: that's what it means. You just really work in a store.
• 1:02:41
  Speaker 2: You pick out which'all are going to sell and not
• 1:02:43
  Speaker 2: sell and all that. So I just less she has
• 1:02:45
  Speaker 2: a fucking job and whip back to do it.
• 1:02:47
  Speaker 1: Yeah, but anyway, they're looking at buttons or something. That's
• 1:02:49
  Speaker 1: when she's like, this is it's got the effele tower.
• 1:02:53
  Speaker 1: So anyway, I was I found that hilarious. Anyway, the
• 1:02:58
  Speaker 1: mom is so over her, so she goes, yeah, I
• 1:03:02
  Speaker 1: miss JK because he's an hour away now. But you
• 1:03:04
  Speaker 1: know what's he doing today? I don't know. It's supposed
• 1:03:06
  Speaker 1: to be applying for jobs. So we see his gross
• 1:03:09
  Speaker 1: ass on his couch and he is calls Alex and
• 1:03:14
  Speaker 1: she's all like, come see me. I'm home alone. The
• 1:03:17
  Speaker 1: kids aren't here, and he goes, you know, he tells us,
• 1:03:21
  Speaker 1: you know, he can leave his mom's house from eight
• 1:03:22
  Speaker 1: to five only, and she said, you can come over here.
• 1:03:24
  Speaker 1: It's day forever. And she's like, and he goes, well,
• 1:03:27
  Speaker 1: I got to get up and change clothes, brush my
• 1:03:29
  Speaker 1: teeth and all that. And she goes, you could even
• 1:03:31
  Speaker 1: come with your dragon breath. I was like, girl, I
• 1:03:34
  Speaker 1: didn't stop seeing that mouth hole girl, And it's.
• 1:03:40
  Speaker 2: On dragon breath level all the time. If I have
• 1:03:42
  Speaker 2: to guess whether he rushes or not. But thankfully he's
• 1:03:45
  Speaker 2: got that all fix. Good for him.
• 1:03:46
  Speaker 1: I know, we're glad he's got his teeth fixs so,
• 1:03:49
  Speaker 1: and then talking to Eddy goes, I don't want to
• 1:03:52
  Speaker 1: ruin the good thing I've got with Brooke. But you know,
• 1:03:55
  Speaker 1: the good thing about Alex was she always let me
• 1:03:58
  Speaker 1: do my own thing, and Brook is so controlling, and
• 1:04:01
  Speaker 1: that makes me miss Alex. Do you know why Alex
• 1:04:03
  Speaker 1: lets you do your own thing? Number One, you were
• 1:04:05
  Speaker 1: in prison, yep, you don't know what she's like in
• 1:04:08
  Speaker 1: a relationship in the real world. Yep. And number two,
• 1:04:12
  Speaker 1: she didn't care what you were doing because she was
• 1:04:14
  Speaker 1: fucking other guys. Yep.
• 1:04:17
  Speaker 2: Funny how that works like that.
• 1:04:18
  Speaker 1: So then he says he hasn't seen her in six years.
• 1:04:21
  Speaker 1: But then later he says she came to visit him
• 1:04:23
  Speaker 1: every weekend, so I think in the real.
• 1:04:27
  Speaker 2: World, house side world six years, but yeah, she visited
• 1:04:30
  Speaker 2: him pretty regularly because I was like, she hadn't seen
• 1:04:33
  Speaker 2: you in six years?
• 1:04:34
  Speaker 1: Does she know that you were now homeless and toothless,
• 1:04:37
  Speaker 1: because yeah, not too homeless, but yeah.
• 1:04:42
  Speaker 2: Yes.
• 1:04:44
  Speaker 1: He is. So at the store, Brook is telling her mom.
• 1:04:48
  Speaker 1: She was, you know, I got a tracker on JK.
• 1:04:49
  Speaker 1: I'm gonna look and see where he is.
• 1:04:51
  Speaker 2: And the smart one who did it without telling him.
• 1:04:55
  Speaker 2: All the other ones were dumb dumbs, like can I
• 1:04:57
  Speaker 2: track you? Fuck yes? Tracking them? Tell me figure this
• 1:05:01
  Speaker 2: shit out. These mothers are like they can't even read.
• 1:05:03
  Speaker 1: You're wrong, Alexis put because we think Alexis is the
• 1:05:07
  Speaker 1: smartest one. She put an air tag on her own car.
• 1:05:12
  Speaker 2: Yeah, after she asked him could I could we share locations?
• 1:05:15
  Speaker 1: Well that's right, and he said no, you're right, you're
• 1:05:17
  Speaker 1: right right, yeah, And so she goes, yeah, I did it.
• 1:05:20
  Speaker 1: He doesn't know and I have to work on phone
• 1:05:22
  Speaker 1: and mom goes, you look like a crazy socker. She
• 1:05:25
  Speaker 1: goes n't care, and Alex says, Alex lives in you
• 1:05:31
  Speaker 1: know who lives in Mark Alex, I will go see him.
• 1:05:34
  Speaker 1: And so Brooke calls and leaves JK quite an aggressive voicemail,
• 1:05:39
  Speaker 1: and of course he's not answering, and he's so used
• 1:05:40
  Speaker 1: to these aggressive voicemails. He's like, oh, swipe left me.
• 1:05:44
  Speaker 1: So he goes to see Alex. Her home is a
• 1:05:48
  Speaker 1: full shithole.
• 1:05:50
  Speaker 2: I'm glad you said it so I didn't have to
• 1:05:52
  Speaker 2: see it.
• 1:05:53
  Speaker 1: Fannie upgraded by moving from Alex's house a Brook's house,
• 1:05:59
  Speaker 1: full upgrade.
• 1:06:00
  Speaker 2: Yep, I agree.
• 1:06:02
  Speaker 1: But he's like, I like it here. This place looked
• 1:06:04
  Speaker 1: like a full crackhouse, Kisha.
• 1:06:05
  Speaker 2: It looked like it smelled like cats.
• 1:06:08
  Speaker 1: Oh like cats, Well, don't like cat?
• 1:06:10
  Speaker 2: The cat well cat piss.
• 1:06:12
  Speaker 1: Okay, don't have a smarter man cat?
• 1:06:13
  Speaker 2: People, No, because I have cat. I have a cat,
• 1:06:16
  Speaker 2: and do's not smell like cat. It looks like thirteen
• 1:06:19
  Speaker 2: cats live there, and there's lots of cat piss all
• 1:06:21
  Speaker 2: over the place. That's what I.
• 1:06:22
  Speaker 1: Meant, everybody. He's pretty litter. Use code pink shade. Okay.
• 1:06:26
  Speaker 1: So so he sits to chat with her and he's like, yeah,
• 1:06:30
  Speaker 1: I'm on an ankle manch or is my ankle Rolex.
• 1:06:33
  Speaker 1: She's like, oh my god, you're so funny. I was
• 1:06:35
  Speaker 1: like these people, So he's funny. So he says it's
• 1:06:41
  Speaker 1: important to him to let her know how much she
• 1:06:44
  Speaker 1: hurt him, and he goes, but you know, I really
• 1:06:47
  Speaker 1: respect you as a person because you know, you came
• 1:06:49
  Speaker 1: to visit me every weekend and you helped with my
• 1:06:51
  Speaker 1: mom so much and I appreciated that. So she tries
• 1:06:55
  Speaker 1: to reply, but she kind of tears up, and she goes, well,
• 1:06:57
  Speaker 1: you asked me after it happened to send you a
• 1:06:59
  Speaker 1: genuine letter, and I did, but then it wasn't enough.
• 1:07:03
  Speaker 1: So he reads the letter off his phone in a
• 1:07:05
  Speaker 1: talking head. He kind of tears up reading the letter
• 1:07:07
  Speaker 1: about her, apologizing, this is the girl that needs to
• 1:07:10
  Speaker 1: be with I agree.
• 1:07:13
  Speaker 2: I agree one hundred yep.
• 1:07:15
  Speaker 1: So he says, listen, it wasn't cool you went and
• 1:07:18
  Speaker 1: saw your ex husband in the middle of the night.
• 1:07:20
  Speaker 1: I was like, whoa wow, he says, I'm in the
• 1:07:24
  Speaker 1: middle of the night. And he says, you could have
• 1:07:27
  Speaker 1: been the one to pick me up. You could have
• 1:07:29
  Speaker 1: been the one with my mom, you could have been
• 1:07:31
  Speaker 1: at the party and low key that was supposed to
• 1:07:33
  Speaker 1: be you. M I think it was. And by the way,
• 1:07:36
  Speaker 1: if I'm brooking, I'm seeing this, I'm like, you can
• 1:07:38
  Speaker 1: fuck write off.
• 1:07:40
  Speaker 2: You know, Brook is a good time girl. She's only
• 1:07:42
  Speaker 2: good for if you want to fuck in a nursing
• 1:07:44
  Speaker 2: room nursing home bed with a pissed hand on his side.
• 1:07:48
  Speaker 2: That she's a good time girl. Alix is more of
• 1:07:52
  Speaker 2: a settled down kind of girl, you know what I mean.
• 1:07:54
  Speaker 1: So yeah, she's also apparently got a couple of kids. So,
• 1:07:59
  Speaker 1: but she sposed to give Hm that baby right away.
• 1:08:02
  Speaker 1: They all want to give him a baby, and it
• 1:08:04
  Speaker 1: makes no sense.
• 1:08:05
  Speaker 2: You have to you have your baby with no teeth,
• 1:08:07
  Speaker 2: your baby dady with no teeth. Maybe they can share
• 1:08:10
  Speaker 2: a fucking teething ring. I don't know.
• 1:08:16
  Speaker 1: So his phone is blowing up and he's like, Brooks
• 1:08:19
  Speaker 1: calling me. She don't know where I'm at, who I'm doing,
• 1:08:22
  Speaker 1: or what I'm with, who I'm with, And I'm like, bro,
• 1:08:25
  Speaker 1: turn your phone off, bro, put it on airplight mud bro.
• 1:08:29
  Speaker 1: So Brook has figured out where he is. She storms
• 1:08:32
  Speaker 1: off at work and Mom's like, you're at work, and
• 1:08:35
  Speaker 1: she goes, I got to go to Alex's house and
• 1:08:38
  Speaker 1: throw hands. So she leaves.
• 1:08:39
  Speaker 2: Okay, she can't wait to see like what happens here,
• 1:08:46
  Speaker 2: because I think she really will fight.
• 1:08:48
  Speaker 1: About her too.
• 1:08:50
  Speaker 2: All right, Will and Courtney, all I forgot about them too.
• 1:08:55
  Speaker 2: So we saw everyone extuft for Brian and Brooklyn.
• 1:08:57
  Speaker 1: Yeah, and now she's gone on other bodysuit Keisha, this Nissa.
• 1:09:03
  Speaker 2: In this needs to body suits in general needs to stop.
• 1:09:07
  Speaker 1: I don't think it looks like we saw Juela. It
• 1:09:11
  Speaker 1: doesn't look good on anybody, anybody type, anybody type.
• 1:09:15
  Speaker 2: No, it just does unless you've got someone who is
• 1:09:17
  Speaker 2: making it specific like for your body, like it is
• 1:09:20
  Speaker 2: tailored for your body, like j Loo or making a
• 1:09:23
  Speaker 2: Stallion or Kim Kardashian like they are made for their bodies.
• 1:09:27
  Speaker 1: They didn't get out of the store and pick it up.
• 1:09:32
  Speaker 1: So Will and Courtney, so they go out to this
• 1:09:34
  Speaker 1: airplane field because she mentioned that at some point she
• 1:09:38
  Speaker 1: really wanted to be a helicopter pilot. So well, he
• 1:09:40
  Speaker 1: wants to show her ways that she can achieve her
• 1:09:43
  Speaker 1: goals and become a productive member of society. And that
• 1:09:47
  Speaker 1: was very nice. And he's got the guy's got a
• 1:09:50
  Speaker 1: simulator for her to try out. She gets in, she
• 1:09:52
  Speaker 1: has a great time with the instructor. It's pretty cool.
• 1:09:54
  Speaker 1: She has a great time. Yeah, And in the talking
• 1:09:57
  Speaker 1: head she goes, I think it's so nice that he
• 1:09:59
  Speaker 1: play in such a thoughtful day. But in the back
• 1:10:02
  Speaker 1: of my mind, I just keep thaying, he doesn't even
• 1:10:04
  Speaker 1: trust me. He doesn't trust me. He accused me, you know,
• 1:10:06
  Speaker 1: being on drugs. And she says, I've always wanted somebody
• 1:10:10
  Speaker 1: who believed in me and thinks I can succeed. So
• 1:10:12
  Speaker 1: this is really great now, Keisha. You and I got
• 1:10:16
  Speaker 1: a DM from a listener who said, you know, when
• 1:10:19
  Speaker 1: you go home to these halfway houses, they will sometimes
• 1:10:23
  Speaker 1: give you a sleeping aid. And I know that when
• 1:10:25
  Speaker 1: my husband was in rehabit. If you guys are here
• 1:10:28
  Speaker 1: almost eleven years ago now, they would give them trisidone.
• 1:10:31
  Speaker 1: At night. They would line up for their meds and
• 1:10:35
  Speaker 1: take trisidone to go to sleep, and if they wanted it,
• 1:10:39
  Speaker 1: they weren't forced to, but everybody wanted it because everybody
• 1:10:42
  Speaker 1: wanted to put themselves out of their misery. Being a
• 1:10:43
  Speaker 1: therapy all day.
• 1:10:45
  Speaker 2: It's me every night treasidone. I'm like, it's eleven o'clock
• 1:10:48
  Speaker 2: time for a tresdon. I'm like a half a trasy
• 1:10:51
  Speaker 2: night night. So anyway, somebody wrote us and said it
• 1:10:57
  Speaker 2: could have been because it'd been thirty minutes. So when
• 1:10:59
  Speaker 2: she got in, they probably.
• 1:11:02
  Speaker 1: Breathalyzed her, p tested her, and then gave her her
• 1:11:05
  Speaker 1: trasidone and she went to her room and took it.
• 1:11:07
  Speaker 1: So it had been about thirty minutes and she was
• 1:11:09
  Speaker 1: a little feeling the effects of it. By the way,
• 1:11:12
  Speaker 1: I just covered with Amy this weekend on the five
• 1:11:15
  Speaker 1: dollars level of Prime Deadly American Marriage. Okay, it's a
• 1:11:19
  Speaker 1: Netflix documentary. It's really good, and there's trasidone in it.
• 1:11:23
  Speaker 1: It's like the guy had taken trazodone, but it wasn't
• 1:11:27
  Speaker 1: his medication. It was his wife's medication. So did she
• 1:11:30
  Speaker 1: give it to him so he would be a little
• 1:11:32
  Speaker 1: out of it? And I was telling Amy, I go,
• 1:11:34
  Speaker 1: you wouldn't be out of it enough to be like
• 1:11:37
  Speaker 1: dead asleep and somebody could like kill you, Like if
• 1:11:39
  Speaker 1: somebody came at you, you could.
• 1:11:41
  Speaker 2: You'd wake up and you wouldn't have much fight.
• 1:11:45
  Speaker 1: It was the point. It was the point fifty or whatever.
• 1:11:47
  Speaker 1: It's the same thing I take. And this is a
• 1:11:49
  Speaker 1: big dude, So no, I can't imagine it would render you.
• 1:11:54
  Speaker 2: Conscious or whatever, like, so one can still wake me up.
• 1:11:57
  Speaker 2: I take way more than what you take.
• 1:11:59
  Speaker 1: Yeah, this is the point. Yeah, yeah, yeah, So anyway,
• 1:12:04
  Speaker 1: we have to think about that. That perhaps that when
• 1:12:06
  Speaker 1: he called her and she sounded a little loopy. She
• 1:12:08
  Speaker 1: was like laying in the bed, like you know.
• 1:12:10
  Speaker 2: Oh yeah, that makes perfect sense.
• 1:12:12
  Speaker 1: It does make sense. So are those two on social media?
• 1:12:16
  Speaker 1: She out there seems like she'd be on social media,
• 1:12:17
  Speaker 1: like defending herself. You know, I'll have to look her
• 1:12:21
  Speaker 1: up court me to ease. So she tells him because
• 1:12:27
  Speaker 1: you know, I'm still thinking about what you said in
• 1:12:28
  Speaker 1: the car and I just have to tell you, like
• 1:12:29
  Speaker 1: it really pissed me off. And he's like okay. So
• 1:12:33
  Speaker 1: in the car they're at that bad angle again, yeah,
• 1:12:36
  Speaker 1: bad angle, and he goes, so you don't want to talk.
• 1:12:40
  Speaker 1: She goes no. She says no and gets her phone
• 1:12:45
  Speaker 1: and goes, no, it does the selfie. So so then
• 1:12:50
  Speaker 1: she said. They pull up to wherever they are and
• 1:12:52
  Speaker 1: she sits in the car and she goes, I'm waiting
• 1:12:54
  Speaker 1: for you to open my door. It's like, whoa, wow, girl,
• 1:12:58
  Speaker 1: you can't even get out of the car.
• 1:13:00
  Speaker 2: You can you have the capability to open the door
• 1:13:03
  Speaker 2: for yourself. We do it all the time.
• 1:13:06
  Speaker 1: It's it's one nice thing for somebody to open the
• 1:13:08
  Speaker 1: door when you're getting in.
• 1:13:09
  Speaker 2: But for you to wait, I'm gonna hurry, especially if
• 1:13:13
  Speaker 2: I'm hungry. I'm like, I ain't got time for this shit.
• 1:13:14
  Speaker 2: We're getting out.
• 1:13:15
  Speaker 1: It's the same time I'm just gonna said, I'm I
• 1:13:17
  Speaker 1: need my chuffeur opened the door.
• 1:13:18
  Speaker 2: M hm.
• 1:13:20
  Speaker 1: So the talking head she goes, you know, without trust,
• 1:13:22
  Speaker 1: we have nothing, and I just want to go home, like,
• 1:13:25
  Speaker 1: I'm so annoyed with him. These trust issues are so
• 1:13:27
  Speaker 1: triggering for me. Then she tells a story about an
• 1:13:32
  Speaker 1: ex boyfriend pulling her out of the car by her hair,
• 1:13:36
  Speaker 1: throwing her on the ground, wrapping his hands around her
• 1:13:39
  Speaker 1: neck until she gave in, and once she gave in
• 1:13:42
  Speaker 1: to the choking, he stopped.
• 1:13:46
  Speaker 2: I mean, I got some fucked up bois friends.
• 1:13:48
  Speaker 1: I think it's the same one, the same one that
• 1:13:50
  Speaker 1: left her dead on the side for dead on the
• 1:13:51
  Speaker 1: side of the road. Yeah, okay, And being in this
• 1:13:54
  Speaker 1: situation where she thought she would never have to worry
• 1:13:57
  Speaker 1: about him not trusting her is very triggering. Well, yes,
• 1:14:02
  Speaker 1: I completely agree.
• 1:14:03
  Speaker 2: With it.
• 1:14:03
  Speaker 1: These are two very separate issues he'd been sharing. Sounded
• 1:14:06
  Speaker 1: woozy on the phone is very different than leaving you
• 1:14:08
  Speaker 1: for dead on the side of the road. More than one.
• 1:14:10
  Speaker 2: I completely, one hundred percent agree, Like, I don't know
• 1:14:15
  Speaker 2: where this is coming from with him just asking you this.
• 1:14:18
  Speaker 1: Question, but also if you've been through that severe, you
• 1:14:24
  Speaker 1: think him not trusting me is going to lead to that,
• 1:14:28
  Speaker 1: do you know what I mean? So I think that's
• 1:14:30
  Speaker 1: I think it for her it's super she says. I'm
• 1:14:33
  Speaker 1: it's super triggering trigger And she says, and I don't
• 1:14:35
  Speaker 1: know how to deal with it, so she needs some
• 1:14:37
  Speaker 1: sort of therapy to work through it. So they go
• 1:14:41
  Speaker 1: to a sandwich shop and he's like, what do you want?
• 1:14:42
  Speaker 1: She's nothing, not hungry, and he goes, you've been bitching
• 1:14:46
  Speaker 1: all day about how hungry you are, so let's get
• 1:14:48
  Speaker 1: something and she goes no. He goes, okay, we'll just
• 1:14:52
  Speaker 1: take whatever you've got. Two turkey clubs, okay, right, And
• 1:14:55
  Speaker 1: so they sit down and she goes, I can't believe
• 1:14:57
  Speaker 1: you brought me to a sandwich shop, Like, are you broke?
• 1:14:59
  Speaker 1: He goes what? She goes, what's next? A souvenir shop,
• 1:15:02
  Speaker 1: and he goes, I just shelled out ten grand for
• 1:15:04
  Speaker 1: you to get out. I'm not broke. And yeah, we'll
• 1:15:06
  Speaker 1: go to a souvenir shop. I'll put you up on
• 1:15:08
  Speaker 1: the shelf. You can be my pretty little souvenir. He goes,
• 1:15:11
  Speaker 1: you're you're hungry, let's eat. So she's so's hungry.
• 1:15:14
  Speaker 2: At this point she.
• 1:15:16
  Speaker 1: Goes, oh, you want a souvenir. She slams her ring down,
• 1:15:19
  Speaker 1: and I was like, I kind of forgot about that.
• 1:15:21
  Speaker 2: So this is a this is a lot to me.
• 1:15:26
  Speaker 2: I mean, you can take me to McDonald's and I
• 1:15:29
  Speaker 2: can get that fish sandwich. And I am perfectly. I
• 1:15:31
  Speaker 2: am putting in your hands like I am happy as
• 1:15:34
  Speaker 2: a clam. And she's bitching because he took her to
• 1:15:36
  Speaker 2: a sandwich shop. Well, then say where you want to go.
• 1:15:40
  Speaker 2: I'm sure he would have taken you wherever you wanted
• 1:15:42
  Speaker 2: to go.
• 1:15:43
  Speaker 1: Ding a flight simulator is not cheap, not cheap at all.
• 1:15:47
  Speaker 2: And he's been paying for her whole wardrobe, the hotel.
• 1:15:50
  Speaker 2: I'm sure he probably paid for her mom's hotel, the wedding,
• 1:15:54
  Speaker 2: all these things that she's bitching about. Take me to
• 1:15:57
  Speaker 2: fucking Jason's Deli yeah, I rate my own sandwich.
• 1:16:01
  Speaker 1: I love that shit.
• 1:16:02
  Speaker 2: So she was just being I'm like, she's been a
• 1:16:04
  Speaker 2: fucking I don't know what is going on here.
• 1:16:07
  Speaker 1: Also kind of think like this was probably lunch, and
• 1:16:09
  Speaker 1: he probably has an activity planned after this, and then
• 1:16:11
  Speaker 1: probably you're going to do her thee. Yeah. So she
• 1:16:15
  Speaker 1: walks out and she goes, I'm taking the bus. I'm
• 1:16:17
  Speaker 1: taking the bus, and you know, oh fuck that if
• 1:16:19
  Speaker 1: I'm just assuming here, you want to put up on
• 1:16:20
  Speaker 1: the shelf, take your ring, show it up your ass.
• 1:16:22
  Speaker 1: She is so triggered by this guy, and I angry.
• 1:16:27
  Speaker 2: I feel as though she is tugger. I also feel
• 1:16:34
  Speaker 2: like some of this is I got something else going on.
• 1:16:38
  Speaker 2: I got to get away from him.
• 1:16:40
  Speaker 1: I don't I feel like it's all for the show
• 1:16:41
  Speaker 1: because she is sort of smiling at some point. I
• 1:16:43
  Speaker 1: think it's all for the show.
• 1:16:44
  Speaker 2: So you can they speak okay? Yeah.
• 1:16:45
  Speaker 1: I think he was like, maybe what could we get
• 1:16:48
  Speaker 1: in a fight about?
• 1:16:49
  Speaker 2: You know, yeah, let's gonna fight about a sandwich. Yeah.
• 1:16:53
  Speaker 1: So he goes up. He goes, you're being ungrateful, and
• 1:16:55
  Speaker 1: she goes, no, I'm not, and he goes, I spent
• 1:16:58
  Speaker 1: ten bands on a ring bands on clothes, two bands
• 1:17:02
  Speaker 1: on an efficient and you got a few bands in
• 1:17:04
  Speaker 1: your pocket. And she goes, it doesn't matter what I have,
• 1:17:08
  Speaker 1: and he goes, yeah it does. Yesterday, Yeah it does.
• 1:17:11
  Speaker 1: You had sugar daddy's giving you money all the time,
• 1:17:14
  Speaker 1: and I know for a fact you didn't get rid
• 1:17:16
  Speaker 1: of them when you got out. And she smiles and
• 1:17:18
  Speaker 1: he smiles at each other, and he goes, I saw
• 1:17:21
  Speaker 1: it on your phone. And she goes, oh, now you're
• 1:17:23
  Speaker 1: going in my phone and he goes, no, you're sitting
• 1:17:26
  Speaker 1: right next to me, answering them, and it shows the
• 1:17:29
  Speaker 1: twenty minutes earlier. Sealthie it right, And she goes, well,
• 1:17:35
  Speaker 1: maybe if you provided more for me, I wouldn't have
• 1:17:37
  Speaker 1: to have sugar daddies. He goes, okay, really, He goes, no,
• 1:17:40
  Speaker 1: that's not what a partnership is. That's just me taking
• 1:17:43
  Speaker 1: care of a child. And she goes, did you taking
• 1:17:46
  Speaker 1: care of your wife? Get got married yesterday? So the
• 1:17:49
  Speaker 1: talking daddy tells us. He goes, look, I was fine
• 1:17:51
  Speaker 1: with her having sugar daddies in prison, like I encouraged it.
• 1:17:54
  Speaker 1: I don't care. I couldn't totally provide for her, so
• 1:17:56
  Speaker 1: it's I don't care if they do that. And you know,
• 1:17:59
  Speaker 1: I know she's got at least five to ten K. Well,
• 1:18:02
  Speaker 1: five to ten K is a big really shit, five
• 1:18:04
  Speaker 1: thousand is way different than ten thousand.
• 1:18:06
  Speaker 2: Yeah, I much rather have ten thousand.
• 1:18:08
  Speaker 1: I'd rather have the ten myself.
• 1:18:10
  Speaker 2: Yeah.
• 1:18:11
  Speaker 1: And he goes, she's got five to ten K and savings.
• 1:18:14
  Speaker 1: And she told me when she got out she cut
• 1:18:16
  Speaker 1: ties with all of them. But that's another reason I
• 1:18:19
  Speaker 1: don't really trust her. And so he goes take the
• 1:18:22
  Speaker 1: fucking bus and he walks off and she's like, hmmm,
• 1:18:25
  Speaker 1: so she was being kind of bratty. This girl didn't
• 1:18:29
  Speaker 1: know how to take the bus. She used to be
• 1:18:30
  Speaker 1: a car thief.
• 1:18:31
  Speaker 2: I wouldn't know what the fuck to do is. If
• 1:18:33
  Speaker 2: James told me I had to catch a bus, I
• 1:18:35
  Speaker 2: literally would start crying on a sidewalk.
• 1:18:38
  Speaker 1: Was like, do you have to buy the ticket in advance?
• 1:18:40
  Speaker 1: Do you have known? Do you scan it? Can you
• 1:18:42
  Speaker 1: walk in and give him a dollar?
• 1:18:45
  Speaker 2: And my mom drives the city bus and I still
• 1:18:49
  Speaker 2: have no fucking clue how you ride a bus?
• 1:18:51
  Speaker 1: How do you ride a bus? I don't know.
• 1:18:53
  Speaker 2: I have no idea.
• 1:18:55
  Speaker 1: So next week on Love After lock Up it's the finale.
• 1:19:01
  Speaker 1: Brooklyn yells at Brian about trust. In another onesie, Michael
• 1:19:07
  Speaker 1: meets up with someone. I guess it's Spencer. Joey cries
• 1:19:10
  Speaker 1: in a tanked up talking to his mom, and his
• 1:19:12
  Speaker 1: mom says, you don't have to use over this. So
• 1:19:14
  Speaker 1: I don't know if if Joey says like he's triggered
• 1:19:15
  Speaker 1: to use or whatever, but yeah, his mom says, you
• 1:19:18
  Speaker 1: don't have to use over this. Alexis shows Julius the
• 1:19:22
  Speaker 1: pregnancy tests. He's like, damn, he.
• 1:19:25
  Speaker 2: Doesn't know how to read that word. She had to
• 1:19:27
  Speaker 2: tell him what that word said. He doesn't know the
• 1:19:30
  Speaker 2: word pregnant. No, he definitely doesn't know.
• 1:19:34
  Speaker 1: Nonchalant Keana says about de Madrack, I don't know who
• 1:19:40
  Speaker 1: he's with, And then we see him outside of Juela's
• 1:19:45
  Speaker 1: house on the phone saying, I'll be there in a minute,
• 1:19:47
  Speaker 1: So maybe there's another girl.
• 1:19:49
  Speaker 2: I wouldn't be surprised.
• 1:19:50
  Speaker 1: We're not surprised. Listen again, you guys got to go
• 1:19:52
  Speaker 1: on the keys you're playing. You got to live and
• 1:19:53
  Speaker 1: give him a year to wild it out and then
• 1:19:56
  Speaker 1: come back.
• 1:19:56
  Speaker 2: Wait a minute, I have to tell you something. So
• 1:19:58
  Speaker 2: I met a really good friend from our relationship. He
• 1:20:02
  Speaker 2: listened to Pink Shade. He liked me. He start listen
• 1:20:04
  Speaker 2: to the show, and we just have been like really
• 1:20:07
  Speaker 2: good friends for like the past two years. Right. So
• 1:20:09
  Speaker 2: he sends me a text.
• 1:20:10
  Speaker 1: Message that did my Bravo con remember David?
• 1:20:13
  Speaker 2: Yes, that's right.
• 1:20:14
  Speaker 1: Yeah, it was like one of the three people that
• 1:20:16
  Speaker 1: recognized me. I was so excited.
• 1:20:18
  Speaker 2: He's so sweet and him, he was like, look, I'm
• 1:20:20
  Speaker 2: spreading the Keisha plan. So he sends me this text
• 1:20:23
  Speaker 2: message exchange between him and a friend, and I can't
• 1:20:27
  Speaker 2: remember who they're talking about. He goes, that's why they
• 1:20:29
  Speaker 2: need to do the Keisha plan. He like explains it,
• 1:20:31
  Speaker 2: and then her response was was Keisha in prison?
• 1:20:36
  Speaker 1: No, she will try to tell you that and trick you,
• 1:20:38
  Speaker 1: but no she was not.
• 1:20:40
  Speaker 2: I died, don't. That is so fucking funny, Like too.
• 1:20:44
  Speaker 1: That is so funny yesterday the family. But let me, okay,
• 1:20:48
  Speaker 1: let me finish this, then I'll tell you about remind me.
• 1:20:51
  Speaker 1: So JK says to alex Or Brooke, I don't know
• 1:20:54
  Speaker 1: he's outside talking to your production. I gave you every
• 1:20:56
  Speaker 1: piece of me and you shattered me, bro And then
• 1:20:59
  Speaker 1: we see book walking out of our restaurant, going I'm
• 1:21:02
  Speaker 1: over it, which hopefully this means JK is getting back
• 1:21:05
  Speaker 1: with Alex.
• 1:21:06
  Speaker 2: Or anybody else except for her.
• 1:21:09
  Speaker 1: Yeah, I don't care what Will says good things about diamonds.
• 1:21:13
  Speaker 1: Resale value stays high. And then we see Courtney crying
• 1:21:17
  Speaker 1: and I think they're fine. We see some cop sirens,
• 1:21:20
  Speaker 1: but that's a fake out. That's it for next week.
• 1:21:23
  Speaker 1: Next week's the finale, guys. But okay, So yesterday I'm
• 1:21:27
  Speaker 1: in the kitchens making coffee or something and I said
• 1:21:29
  Speaker 1: something about I said, you're we're talking about people that
• 1:21:32
  Speaker 1: were going to New York, okay, And I said, yeah,
• 1:21:35
  Speaker 1: Keisha is going, and Dave starts going, what's that song? Keisha?
• 1:21:40
  Speaker 1: Do you Love Me? Are you riding feeling?
• 1:21:43
  Speaker 2: Do you love?
• 1:21:43
  Speaker 1: And I go, I go, it's not Keisha. And then
• 1:21:47
  Speaker 1: John comes in the room and goes, bro, that's Drake,
• 1:21:50
  Speaker 1: and I go, well, we don't like Drake because we
• 1:21:51
  Speaker 1: like Kendrick Lamar and I go, but I go, no,
• 1:21:54
  Speaker 1: but it's not Keisha, and Dave goes, but it is.
• 1:21:56
  Speaker 1: I go, but it's not. I would know because I
• 1:21:59
  Speaker 1: like that song thank You. I was like, I'm gonna
• 1:22:01
  Speaker 1: because literally nobody picked up their phone to look it up.
• 1:22:05
  Speaker 1: We just kept on with the next conversation, and it
• 1:22:07
  Speaker 1: just occurred to me just that minute. I was like,
• 1:22:10
  Speaker 1: Kiki's Kiki, do you love me?
• 1:22:12
  Speaker 2: Which is my nickname?
• 1:22:13
  Speaker 1: Which is your nicknames? Yeah?
• 1:22:15
  Speaker 2: Yeah, because when this girl came out, it's like, Drake,
• 1:22:17
  Speaker 2: I heard.
• 1:22:17
  Speaker 1: You looking for me? You and Chantel?
• 1:22:21
  Speaker 2: Yeah, right right, right right right?
• 1:22:23
  Speaker 1: You sure you're gonna get to meet Chantel?
• 1:22:26
  Speaker 2: You guys, I was telling Mary Payne how I'm a
• 1:22:28
  Speaker 2: nervous wreck about this whole event so stupid when you
• 1:22:31
  Speaker 2: sent me that email. I'm like, this real adult shit,
• 1:22:34
  Speaker 2: like on our text message thread. I feel like I'm
• 1:22:37
  Speaker 2: talking to all adult people and I don't know what
• 1:22:39
  Speaker 2: to say, like to respond to you guys. I'm like,
• 1:22:41
  Speaker 2: I'm gonna be like this small little child who's sitting
• 1:22:44
  Speaker 2: at the adult table with all these adults. I don't
• 1:22:47
  Speaker 2: know how I'm supposed to act. I'm a nervous wreck
• 1:22:49
  Speaker 2: to meet everybody. James like, is it gonna be weird
• 1:22:52
  Speaker 2: when you see Mary Pannel? Like no, because we see
• 1:22:55
  Speaker 2: each other all the time. You literally just saw that
• 1:22:59
  Speaker 2: whole boob in mid action. As I stood up, We
• 1:23:02
  Speaker 2: have seen each other, like with our hair messed up,
• 1:23:05
  Speaker 2: no makeup, on red eyes, not all kinds of ship.
• 1:23:10
  Speaker 2: I'm like, now, I don't think it's gonna be weird
• 1:23:12
  Speaker 2: at all. And She's just like, oh hey, bitch.
• 1:23:16
  Speaker 1: See, yeah, you promised you were going to sing ebony
• 1:23:20
  Speaker 1: and ivory, so I'm expected.
• 1:23:21
  Speaker 2: Probably have to sing ebony and ivory yeah, and have
• 1:23:25
  Speaker 2: to most definitely make a TikTok about that. Cannot warna
• 1:23:30
  Speaker 2: warn me?
• 1:23:30
  Speaker 1: Please warn me on TikTok for sake, Oh I will,
• 1:23:33
  Speaker 1: I will listen. I do wish that our social media
• 1:23:39
  Speaker 1: girl Kristen was coming because she always takes like really
• 1:23:41
  Speaker 1: great pictures and comes up with funny tiktoks and stuff.
• 1:23:43
  Speaker 2: It was like, okay, but but.
• 1:23:46
  Speaker 1: You know, Jake and Matt and are like, girl, we
• 1:23:47
  Speaker 1: can't fly her out from La. We broke.
• 1:23:50
  Speaker 2: She lives in La Never thought that she lives somewhere else.
• 1:23:56
  Speaker 1: She does. Yeah, and Caitlin, who runs the come that Kristen. Now,
• 1:24:01
  Speaker 1: Kristen's on her own, but she also works sometimes for Kaitlin's.
• 1:24:04
  Speaker 1: Caitlin's been on the attorney leave. Kaitlin lives in Canada.
• 1:24:09
  Speaker 2: Ain't that weird? How We're all over the place and
• 1:24:12
  Speaker 2: like literally I forget that we're all in different places.
• 1:24:16
  Speaker 1: Yes, like because you want me and said when are
• 1:24:17
  Speaker 1: you leaving?
• 1:24:18
  Speaker 2: Uh?
• 1:24:19
  Speaker 1: New York? And I was like Wednesday morning early because
• 1:24:21
  Speaker 1: I got to get back. I got to get back
• 1:24:23
  Speaker 1: to the beach and then I got to record it.
• 1:24:24
  Speaker 1: Speaking of we got to talk about the Valley. We'll
• 1:24:26
  Speaker 1: do that off off Mike. All right, guys, this week
• 1:24:29
  Speaker 1: we have Keisha on Mondays for Love Better Lockup. You
• 1:24:32
  Speaker 1: just heard that, and then we have Tuesday we have Kimberly.
• 1:24:37
  Speaker 1: What's going to happen with the Valley this week is
• 1:24:40
  Speaker 1: questionable because we're going to figure out if Keisha's can't
• 1:24:44
  Speaker 1: do it, then Kimberly is going to do it with me.
• 1:24:47
  Speaker 1: Then we also have this week we have Pop and
• 1:24:49
  Speaker 1: Bravo with Melissa. So Melissa has a podcast but also
• 1:24:53
  Speaker 1: a very funny instagram called your Bish b I s
• 1:24:58
  Speaker 1: h Your bish Therapist. Okay, so she started working initially
• 1:25:03
  Speaker 1: with Amy Phillips over on drama Darling and the whole
• 1:25:06
  Speaker 1: Your bish Therapist comes from your Bitch Wife from Real
• 1:25:11
  Speaker 1: House Busts in New Jersey. When Joe Juda is like, oh,
• 1:25:14
  Speaker 1: it's my bitch wife. I got to answer the phone.
• 1:25:16
  Speaker 1: It's my bitch wife. So Amy all the time will
• 1:25:19
  Speaker 1: be like, it's me your bitch podcaster. And then Melissa
• 1:25:23
  Speaker 1: started coming on, it's me your bitch therapist, and so
• 1:25:26
  Speaker 1: she so she has a really funny Instagram. It is
• 1:25:28
  Speaker 1: like your bish, your bish therapist, and she breaks down
• 1:25:31
  Speaker 1: everything that's going on on our shows. Okay, she's got
• 1:25:35
  Speaker 1: a lot of opinions about the valley if you can imagine.
• 1:25:38
  Speaker 2: Oh, I bet she does.
• 1:25:40
  Speaker 1: So she's on this week on Thursday's Pop and Bravo show,
• 1:25:43
  Speaker 1: Amy and I will be covering what happened at the
• 1:25:47
  Speaker 1: ninety day party. That's what we're covering. Okay, this week's
• 1:25:51
  Speaker 1: So that's what's happening on the show this week. Guy,
• 1:25:53
  Speaker 1: You've got Keisha, you got Kimberly, you got Amy, You've
• 1:25:55
  Speaker 1: got Melissa of your bisch therapist. It's going to be
• 1:25:58
  Speaker 1: a great week. Hope everybody is doing wonderful. I'm in
• 1:26:01
  Speaker 1: and out of the beach in New York, so I'm
• 1:26:03
  Speaker 1: gonna live in the dream you guys. Keisha has a podcast,
• 1:26:07
  Speaker 1: The Libra Keisha. You should follow it on Instagram. You
• 1:26:10
  Speaker 1: should give her a five star review. Also, you should
• 1:26:13
  Speaker 1: listen add it to your list so it goes to
• 1:26:16
  Speaker 1: her download numbers. That'd be great, that'd be great, do
• 1:26:19
  Speaker 1: all those things. Okay, Keisha, I'm gonna see you when
• 1:26:22
  Speaker 1: this comes out on Monday. We will have met each other.
• 1:26:24
  Speaker 2: Boo boo.
• 1:26:26
  Speaker 1: Okay, bye bye