Latest / Indie Film Weekly / 5 Indie Movies This Week: Ask E. Jean, I Love Boosters, She's Gotta Have It, & More
Transcript
- 0:00SPEAKER_00: Welcome back to Indie Film Weekly for the week of May 22nd, 2026.
- 0:05SPEAKER_00: I'm your host, Glenn Reynolds.
- 0:07SPEAKER_00: This week in theaters, we've got a documentary portrait of a writer who refuses to be reduced to a headline.
- 0:14SPEAKER_00: We've got a surreal Bay Area heist comedy where fashion, theft, and revenge all share the same runway.
- 0:22SPEAKER_00: And we've got a sound-driven crime thriller about a piano tuner whose ear for detail turns into something a lot more dangerous.
- 0:30SPEAKER_00: If you can see one of these in a theater this weekend, please do.
- 0:34SPEAKER_00: Indie movies don't get a long runway, and a room with actual people in it is still the best marketing they'll ever have.
- 0:42SPEAKER_00: On demand, I've got a smart, funny revenge mission led by a 93-year-old who is done being polite.
- 0:49SPEAKER_00: And for our classic, we're celebrating a 40th anniversary Brooklyn love story where commitment is optional and opinions are not.
- 0:58SPEAKER_00: Want the written version of these picks each week?
- 1:01SPEAKER_00: I also publish the indie film weekly newsletter.
- 1:04SPEAKER_00: It's the same five films and a quick read.
- 1:08SPEAKER_00: Sign up at newsletter.com.
- 1:14SPEAKER_00: Let's dive in.
- 1:16SPEAKER_00: Our first indie film in theaters this week is Ask Egene.
- 1:20SPEAKER_00: Directed by Ivy Mirapole.
- 1:23SPEAKER_00: This documentary profiles Eegene Carroll as more than a headline.
- 1:27SPEAKER_00: It starts with the life she built in media long before any courtroom, including her decades as a journalist, author, and advice columnist.
- 1:35SPEAKER_00: The film treats her voice as the engine, playful, stylish, and stubbornly clear-eyed.
- 1:41SPEAKER_00: Then it moves into the years when she decides to go public about being assaulted, and what happens when she refuses to be shamed into silence.
- 1:50SPEAKER_00: You see the practical grind of a legal fight, the strategy sessions, the pressure, the waiting, and the toll of having your name turned into a battlefield.
- 2:00SPEAKER_00: Carol is on camera and she does not perform victimhood.
- 2:04SPEAKER_00: She's analytical, sometimes absurdly funny, and often furious in a controlled way that lands harder than yelling.
- 2:12SPEAKER_00: The film also spends time on how she was raised to brush things off, and how that social training collides with the need to tell the truth out loud.
- 2:20SPEAKER_00: It's a portrait of a person who knows exactly who she is, even when the world tries to rewrite her as a story somebody else can control.
- 2:28SPEAKER_00: Our second indie film in theaters this week is I Love Boosters.
- 2:33SPEAKER_00: Directed by Boots Riley, it's a crime comedy set in a surreal version of the Bay Area, where a crew of shoplifters treats boosting like both survival and performance art.
- 2:46SPEAKER_00: Corvette is the ringleader, a fashion designer with big taste and no patience for a system that keeps telling her to wait her turn.
- 2:54SPEAKER_00: When a powerful fashion figure takes their designs and turns them into profit, the crew decides to hit back in the only language the industry seems to respect: stealing the clothes and reselling them cheaper as a kind of street level redistribution.
- 3:09SPEAKER_00: Kiki Palmer plays Corvette with a fearless talk fast intensity that makes even the most ridiculous plan sound like strategy.
- 3:17SPEAKER_00: The movie leans into heist mechanics, scouting, improvising, escaping, but it's also really about style as power and who gets to own an idea.
- 3:28SPEAKER_00: Riley keeps slipping between funny and pointed with characters who can argue politics while running for their lives.
- 3:36SPEAKER_00: It's the kind of movie that makes the audience laugh, then immediately wonder what they're laughing at.
- 3:42SPEAKER_00: Our last indie film in theaters this week is Tuner, directed by Daniel Rower.
- 3:48SPEAKER_00: This crime thriller starts with a gifted young musician named Nikki White, whose life has gone sideways and whose hearing is almost too sharp for normal living.
- 3:57SPEAKER_00: He becomes an apprentice to an old school piano tuner, Harry Horowitz, learning the craft of precision listening and meticulous touch.
- 4:07SPEAKER_00: Then Nikki discovers a second, stranger skill.
- 4:11SPEAKER_00: The same sensitivity that lets him hear a piano's imperfections also helps him understand locks, tumblers, and the tiny sounds a safe makes when it's about to open.
- 4:23SPEAKER_00: That talent pulls him into a criminal orbit that feels thrilling at first and then quickly turns dangerous.
- 4:30SPEAKER_00: Leo Woodall plays Nicki as a guy who wants a clean purpose, who keeps choosing the fast lane when the stakes rise.
- 4:37SPEAKER_00: Dustin Hoffman brings warmth and grit as Harry, a mentor figure whose own problems push Nikki towards risk.
- 4:45SPEAKER_00: Rohr uses sound design as storytelling, so you feel how Nikki experiences the world, every click, scrape, and near miss.
- 4:53SPEAKER_00: It's a smart, propulsive ride built around an odd, unbelievable superpower.
- 4:59SPEAKER_00: So in theaters this week, that's Ask Eugene, I Love Boosters, and Tuner.
- 5:06SPEAKER_00: Our spotlight indie film on demand this week is Thelma, directed by Josh Margolin.
- 5:12SPEAKER_00: It stars June Squibb as Thelma Post, a 93-year-old in Los Angeles who gets fooled by a phony scammer pretending to be her grandson.
- 5:21SPEAKER_00: She sends 10 grand, realizes what happened, and quickly learns the system is not built to help her get it back.
- 5:29SPEAKER_00: So she decides to do it herself.
- 5:31SPEAKER_00: The movie plays like an elderly mission impossible, but the stunts are age-appropriate, and the comedy comes from determination, not mockery.
- 5:41SPEAKER_00: Thomas sneaks out from her worried family, tracks down the leads the old-fashioned way, and recruits an old friend.
- 5:48SPEAKER_00: Their main vehicle is a mobility scooter, which turns every curb and sidewalk into an action beat.
- 5:55SPEAKER_00: It's inspired by a real story from the director's own grandmother, and it never treats her as fragile.
- 6:01SPEAKER_00: She's furious, focused, and weirdly inspiring.
- 6:06SPEAKER_00: The real win is that the film makes dignity feel like the prize, not the punchline.
- 6:12SPEAKER_00: You can watch Thelma on Hulu or rent it on Amazon Prime.
- 6:16SPEAKER_00: Our indie film classic this week is She's Gotta Have It, celebrating its 40th anniversary.
- 6:23SPEAKER_00: Directed by Spike Lee, it's set in Brooklyn and built around Nola Darling, a young artist who refuses to be treated like somebody's lesson.
- 6:31SPEAKER_00: She's dating three men at the same time, Jamie, Greer, and Mars.
- 6:38SPEAKER_00: And each one thinks the solution is to win, control, or fix her.
- 6:43SPEAKER_00: Nola is not interested.
- 6:45SPEAKER_00: The film is structured like a conversation with the audience, with characters talking straight to camera, confessing, posturing, and telling on themselves.
- 6:53SPEAKER_00: Tracy Camilla Johns is terrific as Nola.
- 6:56SPEAKER_00: She's magnetic, funny, and absolutely unwilling to apologize for having options.
- 7:02SPEAKER_00: Spike Lee plays Mars Blackman, the loudest of the boyfriends, and he's basically a walking argument that refuses to leave the room.
- 7:10SPEAKER_00: The movie is playful, but it's also sharp about the different rules men and women get handed, especially around desire and independence.
- 7:18SPEAKER_00: If you've never seen it, it's a great reminder of how much you can do with style, voice, and a point of view.
- 7:25SPEAKER_00: You can watch it on Netflix or stream it free with ads on Tubi.
- 7:30SPEAKER_00: And that wraps it for the May 22nd, 2026 edition of Indie Film Weekly.
- 7:34SPEAKER_00: If you want to support the show, keep it simple.
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- 7:50SPEAKER_00: Until next week, keep it adventurous, keep it human, and keep it indie.