Latest / The Restaurant Guys / Reviving Gage & Tollner and Reinventing Tropical Cocktails | St. John Frizell & Garret Richard
Transcript
- 0:34Speaker 39: You can do the thing?
- 0:35Speaker 14: Uh-huh
- 0:36Speaker 39: Do the thing.
- 0:36Speaker 39: I'm gonna do the thing?
- 0:38Speaker 14: I gonna do the thing?
- 0:38Speaker 14: Do the thing.
- 0:39Speaker 3: Do the thing.
- 0:39Speaker 14: I'm gonna do the thing.
- 0:40Speaker 14: Yeah.
- 0:40Speaker 39: go ahead
- 0:40Speaker 14: You guys ready for the thing?
- 0:42Speaker 14: Ready.
- 0:42Speaker 14: Hello everybody, and welcome.
- 0:43Speaker 14: You are here with The Restaurant Guys.
- 0:46Speaker 14: I'm Mark Pascal, he's Francis Schott.
- 0:47Speaker 14: Together we own Stage Left and Catherine Lombardi Restaurants in New Brunswick, New Jersey.
- 0:51Speaker 14: We're here to bring you the finer things in life.
- 0:54Speaker 14: Hi.
- 0:55Speaker 4: Hi.
- 0:55Speaker 14: Hey.
- 0:56Speaker 39: You know, that is so-
- 0:57Speaker 14: I changed it a little bit.
- 0:58Speaker 14: Yeah.
- 0:58Speaker 14: It messed him up.
- 0:59Speaker 14: I changed him just a little bit
- 1:01Speaker 4: these live
- 1:01Speaker 15: Shows are some of our favorite things to do.
- 1:01Speaker 15: These, uh, recorded in front of live audience shows are, are some of our favorite things to do.
- 1:01Speaker 15: To those of you listening- But we only do them with people we like
- 1:02Speaker 4: of our favorite things to do.
- 1:03Speaker 4: For those of you listening- But
- 1:04Speaker 3: we only do them with people we
- 1:06Speaker 25: we like.
- 1:07Speaker 14: And garum
- 1:08Speaker 39: And Garrett.
- 1:10Speaker 4: So for those of you
- 1:10Speaker 25: those of you who are listening, uh, at home, everybody here has cool cocktails made by Garrett.
- 1:14Speaker 25: We're at the Sunken Harbor Club and, uh, Gage&Tollner here in Brooklyn.
- 1:18Speaker 25: Um, and we'll talk about our two guests in a moment.
- 1:20Speaker 25: Uh, if you are listening at
- 1:22Speaker 4: At home, we suggest
- 1:23Speaker 25: you
- 1:23Speaker 4: you make a drink
- 1:23Speaker 25: because Mark and I are way more interesting if you're drinking while listening
- 1:26Speaker 39: to us.
- 1:27Speaker 25: to us.
- 1:27Speaker 25: Uh, if you're driving, don't do that.
- 1:29Speaker 25: That'd be bad.
- 1:30Speaker 25: Uh, but
- 1:31Speaker 4: So we're gonna
- 1:32Speaker 15: So we're gonna introduce
- 1:32Speaker 25: you to our
- 1:33Speaker 14: if you're driving, just drink the one you already have
- 1:34Speaker 4: Yeah.
- 1:35Speaker 39: one you already have.
- 1:35Speaker 39: Yeah.
- 1:36Speaker 25: Uh, and we're gonna introduce you to our guests.
- 1:38Speaker 4: and we're
- 1:39Speaker 25: those of you who aren't
- 1:40Speaker 4: gonna introduce you to our guests.
- 1:40Speaker 25: probably
- 1:40Speaker 4: know these guys
- 1:42Speaker 25: Uh, we're guests in their home, but they're guests on our
- 1:44Speaker 4: So Garrett is the author of"Tropical Standard."
- 1:46Speaker 39: He's
- 1:46Speaker 4: the CCO, that's the chief cocktail officer of the Sunken Harbor Club, and he's VinePair's Next Wave Bartender of the Year 2024
- 1:54Speaker 25: 2024.
- 1:54Speaker 25: Um, we've known him since Existing
- 1:56Speaker 4: Shins, Lily Shirley, The Monkey Bar
- 1:57Speaker 25: Monkey Bar, great journey through some of the best cocktail places in
- 2:00Speaker 4: In America and
- 2:01Speaker 25: And his book is"Tropical Standard" that he wrote with Ben
- 2:03Speaker 15: Shafer, he's also an author.
- 2:03Speaker 15: Also an award-winning writer.
- 2:03Speaker 15: Sinjin,
- 2:04Speaker 25: who's also an author.
- 2:05Speaker 25: Also
- 2:05Speaker 4: an award-winning writer, Sinjin,
- 2:07Speaker 15: co-founder of Gaijin-
- 2:09Speaker 4: Uh, his writing you can read in Bon Appétit, Saveur, Punch,
- 2:12Speaker 15: by, um, and of course, G&T is recognized by VinePair as well,
- 2:15Speaker 25: We'll
- 2:16Speaker 15: which is
- 2:16Speaker 25: use that as the...
- 2:17Speaker 4: So many awards, but that'll be the anchor.
- 2:18Speaker 4: best food and beverage
- 2:20Speaker 25: award.
- 2:20Speaker 25: and this is easily one of the most innovative and unique
- 2:23Speaker 15: Resurrections and openings of
- 2:24Speaker 4: openings
- 2:24Speaker 25: any restaurant anywhere in America.
- 2:26Speaker 25: And, uh, we couldn't be happier to
- 2:28Speaker 14: So glad to have you guys on the show.
- 2:30Speaker 14: Yeah.
- 2:30Speaker 27: on the
- 2:30Speaker 25: show.
- 2:30Speaker 25: Great
- 2:30Speaker 26: to be
- 2:31Speaker 14: Welcome to the restaurant, guys.
- 2:32Speaker 14: All right, I'm gonna start today's show with a little confession.
- 2:36Speaker 39: But I'm gonna start today's show with a little confession.
- 2:36Speaker 39: Uh-oh.
- 2:37Speaker 14: Sinjin, this is a confession to you.
- 2:39Speaker 26: Okay.
- 2:40Speaker 14: So over the years, we've met a bunch of times, and I'm gonna say it was on our third or fourth, fourth meeting where I realized that Sinjin and St.
- 2:51Speaker 14: John Frizell were the same guy.
- 2:53Speaker 26: John Frizell all the time.
- 2:54Speaker 26: My question is, who did you have the higher opinion of?
- 2:54Speaker 26: So, uh, just a quick explanation of- Yeah
- 2:54Speaker 39: like, I read this guy St.
- 2:55Speaker 39: John Frizell all the
- 2:57Speaker 26: St.
- 2:58Speaker 5: My question is who did you have the higher opinion of?
- 3:04Speaker 14: So, uh, just a quick explanation of Sinjin and St.
- 3:07Speaker 14: John and- Okay, sure and why I'm s- and why I'm so stupid.
- 3:10Speaker 14: My
- 3:13Speaker 16: mom's in the audience.
- 3:13Speaker 26: but,
- 3:14Speaker 6: I'm gonna ask her.
- 3:14Speaker 6: But, um, i- it's like the name Sinclair is sometimes, uh, pronounced, uh, Sinclair even though sometimes it's spelled St.
- 3:20Speaker 6: Clair.
- 3:21Speaker 6: You're just supposed to say Sinclair.
- 3:23Speaker 6: If you're on the London Tube, you go by St.
- 3:25Speaker 6: Pancras Station.
- 3:28Speaker 6: It's, It's, just, it's an old English thing.
- 3:30Speaker 6: It's usually a middle name.
- 3:32Speaker 6: was a James Bond film where he used it as an alias.
- 3:35Speaker 6: This was, uh,
- 3:36Speaker 26: A,
- 3:36Speaker 6: A View to a Kill,
- 3:37Speaker 40: he used it as an alias.
- 3:37Speaker 40: This was A View to a Kill
- 3:38Speaker 6: and I saw him say...
- 3:40Speaker 6: They asked his name in the movie, and he said,
- 3:42Speaker 26: "Sinjin Smythe.
- 3:43Speaker 6: James Sinjin Smythe." And I
- 3:46Speaker 26: I
- 3:46Speaker 6: thought,"Oh my God, my life
- 3:48Speaker 26: has
- 3:49Speaker 14: Your life has changed forever
- 3:49Speaker 6: forever.
- 3:50Speaker 6: Now everyone will know how
- 3:52Speaker 26: to pronounce my name."
- 3:53Speaker 14: That's amazing.
- 3:54Speaker 14: I did not know you were born on the London Tube.
- 3:57Speaker 15: We
- 4:01Speaker 39: at the Pegu Club- Yeah
- 4:02Speaker 15: actually said our first meeting was you were bartending at the Pickwick Club.
- 4:02Speaker 15: Yeah.
- 4:02Speaker 39: Saunders, like the first year or so of the Pegu Club, and, uh, it was amazing.
- 4:06Speaker 39: I also, had read your work and didn't know that that was the guy I knew was a bartender.
- 4:10Speaker 39: I
- 4:10Speaker 25: I
- 4:10Speaker 39: I literally
- 4:10Speaker 25: found it like seven years later- Yeah and it was the same guy.
- 4:13Speaker 26: Yeah.
- 4:13Speaker 25: so
- 4:14Speaker 4: So anyway
- 4:14Speaker 25: Garrett and we met, and Garrett holds a d- d- serious place in our heart because before you were the famous bartender you are now, and before we were the famous podcasters we are now um,
- 4:24Speaker 15: Um, we were maybe a few years in.
- 4:28Speaker 15: It was 2009, I think we were a few years into doing the, the radio
- 4:30Speaker 25: uh, show and the pod-
- 4:31Speaker 39: podcast.
- 4:32Speaker 39: I don't know if you remember this, but we were at Tales of the Cocktail,
- 4:36Speaker 25: And, you know, we
- 4:37Speaker 39: weren't
- 4:37Speaker 25: weren't as Instagram
- 4:38Speaker 39: video
- 4:39Speaker 25: photograph friendly as we are today.
- 4:42Speaker 25: This guy says, um
- 4:43Speaker 39: "E- excuse me.
- 4:45Speaker 39: may sound crazy, but I think I recognize your
- 4:48Speaker 25: "Are you'The Restaurant
- 4:49Speaker 39: Guys?"
- 4:50Speaker 4: The restaurant guys?
- 4:51Speaker 39: It's
- 4:51Speaker 25: Guys?'" It was the
- 4:51Speaker 14: Boys, are you the
- 4:52Speaker 39: we were
- 4:52Speaker 25: we were ever recognized by anyone.
- 4:53Speaker 25: And so thank
- 4:54Speaker 14: restaurateur guys?
- 4:54Speaker 14: The first time we were ever recognized by anybody.
- 4:54Speaker 14: And the third time was last week
- 4:56Speaker 5: last week
- 4:58Speaker 28: So anyway,
- 5:00Speaker 39: we've
- 5:00Speaker 28: been friends ever since.
- 5:01Speaker 28: Well, it
- 5:01Speaker 5: Well, it was funny because I was working in radio at the time.
- 5:04Speaker 5: I was a college student working at WFUV, worked a year after graduating, and I started
- 5:11Speaker 18: Looking for radio shows
- 5:13Speaker 5: and podcasts that were talking about this, and there really weren't any other than
- 5:17Speaker 28: really weren't any other
- 5:18Speaker 5: you, and
- 5:19Speaker 18: And then I think maybe episode
- 5:21Speaker 5: one
- 5:21Speaker 18: of Damon Balti's show and Dave Arnold's show, but there really I knew I liked cocktails.
- 5:28Speaker 18: I got Jeff Berry's books
- 5:29Speaker 5: I didn't know where to go.
- 5:30Speaker 5: And
- 5:31Speaker 18: The Restaurant Guys really was, for me, a guide to
- 5:31Speaker 5: Restaurant Guys really was, for me, a guide to like, okay,
- 5:36Speaker 18: go to
- 5:36Speaker 5: Paegu, go to
- 5:37Speaker 28: go
- 5:37Speaker 5: Flatiron Lounge, like hit up these people that these guys interviewed and, you know, have their drinks.
- 5:42Speaker 5: So you're kind of responsible for all this.
- 5:44Speaker 5: I prefer to be
- 5:45Speaker 4: irresponsible,
- 5:46Speaker 14: Lounge, like hit up these people that these guys interviewed and, you know, have their drinks.
- 5:46Speaker 14: So you're kind of responsible for all these people.
- 5:46Speaker 14: I prefer to be irresponsible, just so you know.
- 5:48Speaker 5: be
- 5:48Speaker 4: a nuclear physicist, but instead-
- 5:51Speaker 5: Yeah.
- 5:51Speaker 25: gonna be a
- 5:52Speaker 5: Thanks, guys.
- 5:53Speaker 25: made drinks.
- 5:54Speaker 25: Sorry.
- 5:54Speaker 25: Thanks, guys.
- 5:54Speaker 25: So, uh, we wanna talk about a number of things, and we're gonna talk with each of you
- 5:57Speaker 39: of you
- 5:57Speaker 25: about different things and where this comes together,'cause this is a, the coolest fucking restaurant cocktail bar concept outside of Stage Left and Capon Lombardi in America.
- 6:05Speaker 25: Um, those are our restaurants
- 6:06Speaker 39: those of you who couldn't,
- 6:07Speaker 15: those are our restaurants we're opening.
- 6:07Speaker 15: Right.
- 6:07Speaker 39: get that from context.
- 6:08Speaker 39: Um, but w- w- why don't you tell
- 6:10Speaker 25: for those of you who couldn't, couldn't get that from context.
- 6:10Speaker 25: Um, but w- why don't you tell us, we've had two drinks so far.
- 6:12Speaker 25: Yeah.
- 6:12Speaker 25: Sorry
- 6:12Speaker 4: Yeah.
- 6:13Speaker 25: at home,
- 6:13Speaker 15: What did, what did we have so far?
- 6:14Speaker 15: So we started off
- 6:14Speaker 18: with
- 6:15Speaker 15: the
- 6:15Speaker 5: we started off with the
- 6:16Speaker 18: special Daiquiri Number One, which was on our opening menu.
- 6:19Speaker 18: it was a drink that was in Tropical Standard, and it was really important
- 6:24Speaker 5: when we were initially--
- 6:25Speaker 18: when
- 6:25Speaker 5: Sinjin and I were talking about
- 6:27Speaker 18: we
- 6:27Speaker 28: and I were talking about the
- 6:28Speaker 5: we really got dialed
- 6:29Speaker 18: initially, when
- 6:30Speaker 5: the idea of like, let's
- 6:31Speaker 18: Sanja
- 6:31Speaker 5: the sections
- 6:33Speaker 18: I were talking about the menu, we really got dialed into the idea of like, let's do the sections of by strength of alcohol, like a low strength, medium, high strength, The original Dawn menu was before sunset, sunset, later were the three sections.
- 6:40Speaker 18: For some reason, the zombie
- 6:46Speaker 5: Sunset.
- 6:46Speaker 41: sunset.
- 6:47Speaker 18: was sunset.
- 6:47Speaker 18: I
- 6:47Speaker 14: don't know
- 6:48Speaker 18: why.
- 6:49Speaker 18: Yeah.
- 6:49Speaker 18: Pause to sunset.
- 6:51Speaker 18: Yeah.
- 6:51Speaker 39: why
- 6:52Speaker 5: Like some of the logic you question, but, um, was important for us to do these sort of smaller 1930s crushed ice drinks where they were in very petite glassware because that format
- 7:05Speaker 18: obviously that format had
- 7:05Speaker 5: and the
- 7:06Speaker 18: died, and the only place I had seen it was,
- 7:08Speaker 5: places
- 7:08Speaker 18: like the Mai Tai that were still, like-
- 7:10Speaker 5: to the original Don the Beachcomber style.
- 7:13Speaker 18: So we had the special
- 7:13Speaker 5: Daiquiri Number One
- 7:14Speaker 18: Daiquiri Number One to start, and now we're having an El Presidente,
- 7:17Speaker 5: which is inspired by Pegu Club
- 7:19Speaker 18: is inspired by Pe- Pegu Club because the El Presidente really is
- 7:20Speaker 5: the
- 7:21Speaker 18: kind of rum answer to the Martini or the Manhattan.
- 7:25Speaker 18: And when I was working on this drink originally
- 7:28Speaker 5: at my
- 7:28Speaker 18: pop-up called
- 7:29Speaker 5: Exotica, which was at Raines Law
- 7:30Speaker 18: Exotica, which was at Raines Law Room, but then really dialing in the recipe for the book for"Tropical Standard," I realized I wanted this drink to be 50/50'cause the original El Presidente was two ounces of
- 7:41Speaker 28: vermouth
- 7:42Speaker 18: vermouth and one ounce of spirit, and nowadays it's the exact opposite.
- 7:44Speaker 18: It's
- 7:44Speaker 5: the exact opposite.
- 7:45Speaker 18: more rum forward.
- 7:46Speaker 18: And I just went back to that first Pegu Club experience I had,
- 7:50Speaker 5: having
- 7:51Speaker 18: a
- 7:51Speaker 5: fitty-fitty
- 7:52Speaker 18: Martini from Audrey, and I was like,"It'd be really cool to do this with the El Presidente." And I remember I brought that idea up to you, and you
- 7:58Speaker 5: absolutely have to n- have some sort of nod to the 50/50 on the menu." And doing it
- 8:03Speaker 18: were like,"We absolutely have to m- have some sort of nod to the 50/50 on the menu," and doing it with rum
- 8:03Speaker 5: was, I think, a really cool idea
- 8:05Speaker 39: thank you for the drinks, and they're wonderful.
- 8:07Speaker 39: this is a
- 8:08Speaker 25: It's a cool audience
- 8:08Speaker 39: Uh, for those of you who ar- aren't here, or some of you are here may not know, uh, we have old restaurant friends who've run some of the best restaurants in Manhattan.
- 8:16Speaker 39: We have, uh,
- 8:17Speaker 25: The
- 8:17Speaker 15: The owners
- 8:17Speaker 25: of Yanques de Pisco, which just got a launch in the United States are here
- 8:21Speaker 39: this evening.
- 8:21Speaker 39: our friend Corey, who taught Audrey Saunders how to bartend, is sitting right over there, um, years ago.
- 8:26Speaker 39: Uh.
- 8:27Speaker 39: That's
- 8:27Speaker 5: He's, he, he's shaking his
- 8:28Speaker 14: He's, he,
- 8:29Speaker 5: no, but Hey, just
- 8:30Speaker 14: he's shaking his head no.
- 8:30Speaker 14: And just so you know, we are leaving that in the podcast.
- 8:33Speaker 4: know, we are leaving that in the podcast.
- 8:33Speaker 4: Yeah.
- 8:33Speaker 39: says.
- 8:33Speaker 25: That's what she says.
- 8:34Speaker 25: We are leaving that in the podcast.
- 8:34Speaker 39: Uh, uh, we have our, friend Katie from th- the Dead-- who works for
- 8:37Speaker 25: The Dead Rabbit, and why The Dead Rabbit came to mind is, um, Dead Rabbit, our, our friends Jack and Sean, who we knew back in Belfast before they came here, they came and they many years get ready to open The Dead Rabbit, and it was like tragedy, like day one, like hurricane
- 8:50Speaker 39: tropical storms, fires,
- 8:52Speaker 25: All kinds of crazy stuff.
- 8:53Speaker 25: And it was crazy how they came about.
- 8:56Speaker 25: But
- 8:56Speaker 39: nothing
- 8:57Speaker 25: tops the
- 8:57Speaker 15: Story of the place we're in, I wanna read you, uh, from our friend- Oh
- 8:58Speaker 25: of the place we're in.
- 8:58Speaker 25: I wanna read you, uh, from our friend Robert- Oh...Simonson, uh, what he wrote in The New York Times.
- 9:04Speaker 25: this appeared on March
- 9:05Speaker 39: 4th,
- 9:05Speaker 25: 4th, 2020.
- 9:08Speaker 25: The
- 9:08Speaker 4: The return of Gage Tollner, a
- 9:08Speaker 25: of
- 9:08Speaker 39: Gage
- 9:08Speaker 25: Gage Tollner, a
- 9:09Speaker 4: Victorian haunt with a new vibe.
- 9:10Speaker 4: The owners of Good Fork, Insa, and Fort Defiance are reviving
- 9:14Speaker 25: the 19th
- 9:14Speaker 15: Century New York dining institution.
- 9:14Speaker 15: From further in the article,"Degen Tolner, one of the most storied restaurants in the New York, in New York food history, is finally reopening." Yay
- 9:15Speaker 4: New York dining institution.
- 9:16Speaker 25: institution."
- 9:17Speaker 39: From
- 9:17Speaker 4: further in the article, Gage Tollner, of the most storied restaurants in New York food history, is finally
- 9:22Speaker 25: reopening-" Yay
- 9:24Speaker 4: Yay
- 9:24Speaker 25: March 15th."
- 9:25Speaker 4: 15th.
- 9:27Speaker 39: Um.
- 9:28Speaker 39: Wow.
- 9:30Speaker 14: ended.
- 9:30Speaker 14: Wow.
- 9:31Speaker 15: The 16th.
- 9:31Speaker 15: It ended up 16th.
- 9:32Speaker 14: So did you actually get to serve a drink before they closed
- 9:35Speaker 3: the whole world?
- 9:35Speaker 14: the whole world?
- 9:36Speaker 6: So we,
- 9:37Speaker 26: we
- 9:37Speaker 6: actually hosted before
- 9:40Speaker 26: March,
- 9:40Speaker 6: uh, 15th, a, a great series of super spreader events here.
- 9:45Speaker 6: Oh, yeah.
- 9:45Speaker 6: For,
- 9:45Speaker 26: for for, for
- 9:49Speaker 6: press and for investors.
- 9:51Speaker 6: Um, I, I, I remember I went to, like, the Duane Reade that's across the street here, and,
- 9:56Speaker 26: uh,
- 9:57Speaker 6: I realized that one of the bar sinks
- 9:58Speaker 26: didn't
- 9:59Speaker 6: a hand
- 10:00Speaker 16: So
- 10:00Speaker 6: And so I was like,"Oh, what if the DOH sh- shows up?" So I went over there and
- 10:04Speaker 26: I was like,"Where's
- 10:04Speaker 6: I
- 10:04Speaker 26: the hand soap?
- 10:05Speaker 6: was
- 10:05Speaker 26: going on here?"
- 10:06Speaker 6: like,"Where's all the hand soap?
- 10:06Speaker 6: What's going on here?" Oh, no.
- 10:06Speaker 6: Like, the
- 10:07Speaker 26: the
- 10:07Speaker 6: whole shelf was empty.
- 10:08Speaker 6: I really didn't know what was happening'cause I was opening a restaurant, and so it's like,
- 10:12Speaker 26: you know,
- 10:13Speaker 39: You
- 10:13Speaker 26: was
- 10:14Speaker 15: Yeah, exactly.
- 10:14Speaker 15: So, so, so what happens?
- 10:14Speaker 15: So the, they, the you were about to open and the governor says
- 10:14Speaker 6: Opening
- 10:17Speaker 39: you were about to open and the governor
- 10:20Speaker 4: a restaurant.
- 10:20Speaker 4: Yes, exactly.
- 10:20Speaker 4: Yeah.
- 10:20Speaker 4: So, so, so what happens?
- 10:20Speaker 4: It-- So the, they, the, you were about to open and the governor says
- 10:20Speaker 39: more restaurants for an in- indefinite period of time." How did you guys survive?
- 10:24Speaker 39: What was the impact to...
- 10:25Speaker 39: You know, give us a little
- 10:26Speaker 14: 'Cause now you're not available, you could lay people off and they collect unemployment.
- 10:30Speaker 14: You didn't get any of that
- 10:31Speaker 6: Luckily, we had applied for an SBA loan, um, about six months earlier'cause I realized that we were running out of money.
- 10:36Speaker 6: We, we're not gonna have enough to get through the first months.
- 10:40Speaker 6: So that loan came in right after, COVID happened, and also our landlords here gave us a really good deal.
- 10:46Speaker 6: They said,"If you can't use the building for
- 10:48Speaker 26: you wanna use it
- 10:49Speaker 6: what you wanna use it for, we're not going to charge you rent for it." Wow.
- 10:51Speaker 3: Wow.
- 10:51Speaker 3: That's
- 10:51Speaker 14: That's amazing
- 10:53Speaker 26: it
- 10:53Speaker 6: was, it was the best deal that I heard of-
- 10:55Speaker 26: Yeah
- 10:56Speaker 6: Yeah from a landlord in the city.
- 10:57Speaker 39: was the best
- 10:57Speaker 3: no,
- 10:57Speaker 6: we
- 10:57Speaker 3: got a
- 10:58Speaker 6: similar
- 10:58Speaker 4: deal, but we own our
- 10:59Speaker 39: building, so
- 10:59Speaker 4: we
- 10:59Speaker 26: own our building, so
- 11:00Speaker 39: ourselves the same
- 11:01Speaker 3: gave ourselves a deal.
- 11:01Speaker 14: Francis, we're not paying.
- 11:03Speaker 14: Okay, we're not paying
- 11:04Speaker 39: we're not paying.
- 11:05Speaker 39: Okay.
- 11:05Speaker 39: that
- 11:06Speaker 25: is
- 11:06Speaker 39: it.
- 11:06Speaker 25: a
- 11:06Speaker 4: For administrator
- 11:06Speaker 25: tr-- that you have come through with that.
- 11:08Speaker 25: Now, when did you finally get the doors open?
- 11:10Speaker 6: April, uh, 2021
- 11:12Speaker 4: Wow.
- 11:12Speaker 4: God bless you.
- 11:12Speaker 4: So a little round of
- 11:13Speaker 14: That's a long year.
- 11:14Speaker 39: A
- 11:14Speaker 3: Yeah.
- 11:15Speaker 14: a long year, man.
- 11:16Speaker 3: year,
- 11:16Speaker 14: But
- 11:17Speaker 3: But
- 11:17Speaker 14: when you initially funded Gage Tollner, some of your funds came from unusual sourcing.
- 11:23Speaker 14: I, I love that story.
- 11:24Speaker 14: The- Yeah
- 11:26Speaker 6: I mean, so we,
- 11:27Speaker 26: huh.
- 11:28Speaker 6: it--
- 11:28Speaker 16: All right.
- 11:28Speaker 16: So I do have to
- 11:28Speaker 14: go back to the beginning.
- 11:29Speaker 14: So I was-- we were-- I was trying to open this on the Harbor front
- 11:29Speaker 6: we...
- 11:29Speaker 6: All right.
- 11:29Speaker 6: So I may as
- 11:30Speaker 26: well
- 11:30Speaker 6: well go back to the beginning.
- 11:31Speaker 6: So I was, I was trying to open the Sunken Harbor Club-
- 11:34Speaker 26: when
- 11:34Speaker 6: we found the space for Gage and Tollner.
- 11:38Speaker 6: Um, I was in the neighborhood...
- 11:39Speaker 26: in
- 11:40Speaker 6: 2015, I got divorced, and
- 11:42Speaker 26: if you know anything about a divorce,
- 11:44Speaker 6: know anything about a divorce, s-sometimes you end up with less money
- 11:46Speaker 26: at the end of a divorce than you
- 11:47Speaker 6: at the end of
- 11:48Speaker 4: a divorce.
- 11:48Speaker 4: Hold on a
- 11:49Speaker 6: second.
- 11:49Speaker 6: Hold on a second.
- 11:50Speaker 6: No.
- 11:50Speaker 6: No, it's true.
- 11:51Speaker 6: It's true.
- 11:52Speaker 6: So I realized that, my revenue at, Fort Defiance, which was my neighborhood bar-
- 11:56Speaker 26: was
- 11:57Speaker 6: was not going to be sufficient to support myself, so I had this other concept called the Sunken Harbor Club, which started as a weekly
- 12:05Speaker 26: pop-up
- 12:05Speaker 6: or like a weekly event
- 12:07Speaker 26: that we would do
- 12:07Speaker 6: that we would do at the Fort.
- 12:08Speaker 26: I'm sorry, I just wanna interrupt you for one second.
- 12:08Speaker 26: Yeah.
- 12:09Speaker 14: I'm sorry, just wanna interrupt you for one second.
- 12:10Speaker 14: Yeah.
- 12:10Speaker 14: For those of you out there who are thinking about increasing your revenue by opening a restaurant, it, it, it's not the way.
- 12:19Speaker 6: He's right.
- 12:20Speaker 26: He's
- 12:20Speaker 14: If
- 12:21Speaker 18: I, if I may pop for a second.
- 12:26Speaker 5: about
- 12:26Speaker 18: the pop-up culture about 10 years ago, I think is very different than what it is now.
- 12:29Speaker 18: Mm-hmm.
- 12:30Speaker 5: like now it is much more product driven, and I think to give the listeners and everyone in the room just some context, back
- 12:39Speaker 18: Then there were pop-ups that were sort
- 12:41Speaker 28: like
- 12:42Speaker 18: crimes of passion, I guess, where, where it's like th- I don't have the money to do X, but I can get one day to do, like one day a week to do it.
- 12:48Speaker 5: X, but I can get one day to d-
- 12:51Speaker 18: for Brian Miller and
- 12:54Speaker 5: that
- 12:54Speaker 18: Tiki
- 12:54Speaker 5: that was the case for Brian Miller and Tiki Mondays.
- 12:57Speaker 18: Mondays.
- 12:57Speaker 18: Mm-hmm.
- 12:58Speaker 15: That was the case for Millie
- 12:58Speaker 25: way to lose money on a small scale before you- Yeah.
- 13:02Speaker 28: E-
- 13:02Speaker 5: E- exactly.
- 13:03Speaker 25: graduated and
- 13:03Speaker 5: yeah.
- 13:04Speaker 28: on a
- 13:05Speaker 6: Yeah.
- 13:05Speaker 26: Yeah.
- 13:05Speaker 6: So there was, there was a very, devoted, bartender at The Fort named Zach Overman, who's now out in, uh, Seattle.
- 13:12Speaker 6: He has a place called LorSan,
- 13:12Speaker 26: San,
- 13:13Speaker 6: is great, and I would recommend
- 13:15Speaker 26: to anyone that goes out there.
- 13:16Speaker 26: His, uh, drinks are
- 13:17Speaker 6: to anyone that goes out there.
- 13:17Speaker 6: His, uh, drinks are still fantastic.
- 13:18Speaker 6: He was a tiki nut.
- 13:20Speaker 6: I was not.
- 13:21Speaker 6: I was a- Skeptic Audrey Saunders.
- 13:23Speaker 6: was a skeptic.
- 13:24Speaker 40: Saunders.
- 13:24Speaker 40: I
- 13:24Speaker 26: we th-
- 13:24Speaker 6: we thought, back in those days, we thought tiki drinks were not serious enough.
- 13:29Speaker 6: We were into Manhattans and martinis-
- 13:30Speaker 26: martinis
- 13:30Speaker 6: and classic drinks.
- 13:31Speaker 40: drinks.
- 13:32Speaker 40: And,
- 13:32Speaker 6: uh, and he worked on me for about six months just bringing me tiki drink after tiki drink until they finally got
- 13:38Speaker 16: Good enough where
- 13:39Speaker 6: I was like,"Okay, let's do this."
- 13:41Speaker 16: I was like,"Okay, let's do this." So we did it one day a week.
- 13:42Speaker 16: We did it on, uh, Thursday nights.
- 13:44Speaker 16: Garrett was a guest.
- 13:45Speaker 18: I was.
- 13:45Speaker 18: I did it once.
- 13:46Speaker 16: Yeah.
- 13:46Speaker 18: Yeah.
- 13:47Speaker 16: And, it was great fun.
- 13:48Speaker 16: So in 2015,
- 13:49Speaker 40: 2015,
- 13:50Speaker 16: the only idea I had was to start a podcast
- 13:52Speaker 6: the Sag Harbor Club,
- 13:53Speaker 26: and
- 13:53Speaker 6: and I was like,"Well, this is it.
- 13:54Speaker 6: This is the concept.
- 13:55Speaker 6: I'm gonna take this around."
- 13:56Speaker 16: So I tried to find some, uh
- 13:58Speaker 6: partners and ended up with two of my favorite, people in the world, my, uh, partners-
- 14:03Speaker 14: funny, I did the opposite.
- 14:04Speaker 3: I I, I partnered with- Thanks, buddy one of
- 14:05Speaker 14: I partner with
- 14:06Speaker 3: Anyway, so cut to
- 14:06Speaker 14: one of my least favorite people in the world
- 14:09Speaker 26: Anyway, so
- 14:10Speaker 6: 2017.
- 14:12Speaker 6: I knew Downtown, uh, Brooklyn was where I wanted to open because there was nothing here.
- 14:17Speaker 6: I got divorced in the, uh, courthouse that's like like
- 14:20Speaker 26: a f- a
- 14:20Speaker 6: a few steps away, and after, after the divorce, I walked out and wanted a martini or something, and ended up getting a prickly pear margarita
- 14:30Speaker 26: at
- 14:30Speaker 6: at Rocco's Tacos, which was the only restaurant around.
- 14:33Speaker 16: A very authentic Mexican,
- 14:35Speaker 6: from South
- 14:36Speaker 16: chain from South
- 14:38Speaker 14: Beach What?
- 14:39Speaker 14: Rocco makes some bitching tacos, I'll tell you
- 14:42Speaker 5: does.
- 14:42Speaker 5: Yeah.
- 14:43Speaker 6: So anyway, so I'm in the neighborhood and we're looking at a site.
- 14:47Speaker 6: I dragged, uh, Ben along'cause he knows everything about, buildings and-
- 14:51Speaker 26: construction.
- 14:52Speaker 6: and there was rain coming through the roof of this space that I had
- 14:56Speaker 26: seen
- 14:56Speaker 6: seen earlier, and I was like,"Well, this isn't going to
- 14:58Speaker 26: work."
- 14:59Speaker 40: to
- 14:59Speaker 6: And
- 14:59Speaker 16: realtor was
- 15:00Speaker 6: like,
- 15:00Speaker 26: I've
- 15:00Speaker 16: I've got one
- 15:00Speaker 6: one more thing to show you, but it's not what you're looking for." she starts to walk us around the neighborhood, and she's heading straight for the door
- 15:08Speaker 26: of,
- 15:08Speaker 6: of Gage Tollner, this
- 15:10Speaker 26: historic
- 15:11Speaker 16: restaurant that
- 15:11Speaker 6: that my partner and I knew of
- 15:13Speaker 26: the,
- 15:13Speaker 6: the legends
- 15:14Speaker 40: of,
- 15:14Speaker 6: of but had never been to.
- 15:15Speaker 6: And, and sure enough, she pulls out
- 15:16Speaker 26: the keys and we go inside,
- 15:18Speaker 6: we go inside, and everything changes,
- 15:20Speaker 26: you
- 15:20Speaker 39: So
- 15:20Speaker 25: what was here when you--
- 15:21Speaker 39: here
- 15:21Speaker 15: No.
- 15:21Speaker 15: So in, in 2004, it closed.
- 15:21Speaker 15: It was open-
- 15:21Speaker 39: you-- What, what
- 15:22Speaker 4: you
- 15:22Speaker 39: when you came into-- This wasn't, it wasn't an operating steakhouse, it wasn't a restaurant?
- 15:25Speaker 6: know?
- 15:26Speaker 6: So what was here when you-- What, what did you find when you came into this?
- 15:26Speaker 6: It wasn't, it wasn't an operating steakhouse, it wasn't a restaurant.
- 15:26Speaker 6: No.
- 15:26Speaker 6: So in, in
- 15:27Speaker 40: 2004
- 15:28Speaker 6: closed.
- 15:29Speaker 6: It was open for 125 years,
- 15:30Speaker 26: years
- 15:31Speaker 6: and it closed i-in 2004 and became a, uh, TGI Fridays.
- 15:36Speaker 6: Oh.
- 15:36Speaker 6: And then that- that closed after three years and it became an Arby's.
- 15:39Speaker 40: after
- 15:39Speaker 6: And it was an Arby's for a year,
- 15:41Speaker 40: an Arby's for a
- 15:41Speaker 6: and then it was a series
- 15:43Speaker 16: those are kind
- 15:43Speaker 6: down-market
- 15:44Speaker 16: retailers.
- 15:45Speaker 16: I remember sneaking in here when it was basically a flea market inside.
- 15:48Speaker 16: They were- Yeah, it was like
- 15:49Speaker 18: a mini
- 15:50Speaker 16: mall.
- 15:50Speaker 16: Yeah, it was like a mini mall.
- 15:52Speaker 16: Yeah.
- 15:52Speaker 16: They were selling, uh, clothing,
- 15:53Speaker 6: jewelry,
- 15:54Speaker 14: those places at the Jersey Shore on the boardwalk
- 15:57Speaker 5: the T-shirts are
- 15:57Speaker 14: Yeah,
- 15:58Speaker 5: funny,
- 15:58Speaker 14: T-shirts are 99 cents.
- 15:58Speaker 14: Yeah.
- 15:58Speaker 5: though, here.
- 15:59Speaker 5: Yeah.
- 16:00Speaker 6: So anyway, it was that.
- 16:01Speaker 6: And but I remember looking behind the false walls that they put up and noticing that the mirrors were
- 16:06Speaker 26: were still there, the woodwork was
- 16:07Speaker 6: still there, the woodwork was still there, and thinking like,"Oh, this place still exists." When we walked in...
- 16:09Speaker 6: Because it's landmarked, uh, by the way.
- 16:10Speaker 6: It's a- Oh, is that
- 16:10Speaker 40: 'Cause it's landmarked,
- 16:11Speaker 6: why they still existed?
- 16:12Speaker 6: Yes, it's an interior landmark.
- 16:13Speaker 26: uh, by the way.
- 16:14Speaker 26: It's a- Oh, is that why they
- 16:14Speaker 29: still existed?
- 16:15Speaker 26: Yes,
- 16:15Speaker 6: Yes.
- 16:16Speaker 4: Oh.
- 16:19Speaker 6: They couldn't take them down.
- 16:19Speaker 6: Amazing.
- 16:19Speaker 6: That works.
- 16:19Speaker 6: It was the third interior landmark in
- 16:21Speaker 26: city
- 16:21Speaker 40: after
- 16:22Speaker 6: New York, Public Library and Grant's Tomb.
- 16:24Speaker 26: Wow.
- 16:24Speaker 39: Wow.
- 16:26Speaker 39: Who's buried there again?
- 16:27Speaker 39: I'm
- 16:27Speaker 6: Yeah.
- 16:27Speaker 39: sorry.
- 16:28Speaker 6: Who's buried
- 16:28Speaker 5: there again?
- 16:28Speaker 5: I don't know.
- 16:29Speaker 5: I heard it a few times.
- 16:29Speaker 5: I wanna do a bar in Grant's Tomb.
- 16:30Speaker 5: It'd, it'd have to be a
- 16:31Speaker 28: That would be cool.
- 16:32Speaker 28: It would
- 16:32Speaker 26: have to be a
- 16:32Speaker 5: ci- It, it would have to be a cigar bar, though,'cause he's a
- 16:34Speaker 14: And there is smoke And the,
- 16:35Speaker 39: lot of,
- 16:36Speaker 14: and the cocktails there are deadly
- 16:37Speaker 28: cause
- 16:37Speaker 25: he's
- 16:41Speaker 39: so how do we get from there
- 16:42Speaker 15: I gotta get them there to-
- 16:42Speaker 4: how do we get from there to we get a bar open?
- 16:43Speaker 25: and how do you fund it?
- 16:44Speaker 25: And
- 16:45Speaker 39: we'll take some of
- 16:45Speaker 25: we'll take
- 16:46Speaker 26: some of those.
- 16:46Speaker 26: So the
- 16:46Speaker 6: So
- 16:46Speaker 41: the-
- 16:46Speaker 39: Those are the cocktail.
- 16:47Speaker 39: For
- 16:48Speaker 14: The show gets better at the end.
- 16:49Speaker 14: There's just, you
- 16:50Speaker 39: the
- 16:50Speaker 14: the
- 16:50Speaker 39: were
- 16:51Speaker 25: the
- 16:51Speaker 4: just so you know the cocktails were about to pass us by, and
- 16:53Speaker 25: If
- 16:53Speaker 39: you're not
- 16:53Speaker 25: you're not here and you don't know Gage Tollner,
- 16:55Speaker 4: if you're not here and you don't know Gage and Toller, if you come anywhere
- 16:56Speaker 25: within
- 16:57Speaker 4: striking distance
- 16:57Speaker 25: of, of the borough of Brooklyn, and
- 16:59Speaker 39: and
- 16:59Speaker 25: don't have a drink at Sunken Harbor Club-
- 17:02Speaker 39: and
- 17:02Speaker 25: steak in this unbelievably historic steakhouse,
- 17:06Speaker 39: you're crazy.
- 17:07Speaker 39: Um, and the food's good, and the cocktails are good.
- 17:09Speaker 15: But so how do we get from you spy this r- this diamond in the rough, how do we get it back to what it is now, which is amazing?
- 17:11Speaker 15: Yeah.
- 17:11Speaker 15: So-
- 17:12Speaker 4: this ro- this diamond in the rough
- 17:13Speaker 25: rough, how do we get it back to what it is now, which is amazing?
- 17:16Speaker 6: Yeah, so it
- 17:16Speaker 14: Which is a diamond
- 17:17Speaker 40: a
- 17:17Speaker 6: It's--
- 17:18Speaker 39: diamond.
- 17:18Speaker 26: Thank
- 17:18Speaker 6: you.
- 17:18Speaker 6: It's a diamond.
- 17:18Speaker 6: Thank you, guys.
- 17:19Speaker 6: It took a year and a half to raise the money to sign
- 17:21Speaker 26: lease.
- 17:22Speaker 6: the lease.
- 17:22Speaker 6: Mm-hmm.
- 17:22Speaker 6: And in the meantime, there were other people kind
- 17:24Speaker 26: sniffing
- 17:24Speaker 6: around.
- 17:25Speaker 40: around.
- 17:25Speaker 6: We knew instantly that we wanted to put the Sunken Harbor Club upstairs and resurrect Toa, the most famous restaurant in
- 17:32Speaker 26: Brooklyn history.
- 17:33Speaker 6: Uh, but we needed a lot more money than we would need to open a little, uh, cocktail bar.
- 17:38Speaker 7: Yep.
- 17:38Speaker 6: No one wants to give us money.
- 17:39Speaker 26: not,
- 17:39Speaker 6: We're not, we're but we're not that proven yet.
- 17:43Speaker 6: We're not,
- 17:43Speaker 40: yet.
- 17:43Speaker 6: Meyers.
- 17:44Speaker 40: know, Danny Meyers.
- 17:45Speaker 6: these town restaurateurs
- 17:47Speaker 40: from Red Hook,
- 17:47Speaker 6: from Red Hook, Brooklyn.
- 17:48Speaker 40: So,
- 17:49Speaker 6: we
- 17:49Speaker 26: c- crowdfund.
- 17:50Speaker 6: crowdfund.
- 17:50Speaker 26: So
- 17:51Speaker 6: we do regulation, crowdfunding, which is you're making a real investment.
- 17:55Speaker 6: You're gonna be paid back in real money and not just a tote bag or something.
- 17:59Speaker 26: And,
- 17:59Speaker 6: um, we have some
- 18:00Speaker 16: Crowdfunders in the
- 18:01Speaker 6: in the room.
- 18:02Speaker 14: room Raise your hand if you're a crowdfunder.
- 18:03Speaker 14: How cool is that?
- 18:04Speaker 14: All right.
- 18:04Speaker 6: All right.
- 18:04Speaker 26: All right.
- 18:05Speaker 14: Loving that.
- 18:06Speaker 6: Nice.
- 18:06Speaker 6: Thank you,
- 18:07Speaker 16: Nice.
- 18:07Speaker 16: Thank you, guys.
- 18:07Speaker 16: So we-
- 18:08Speaker 26: So
- 18:08Speaker 14: Why am I not surprised right there?
- 18:09Speaker 6: I not surprised right
- 18:10Speaker 26: started,
- 18:10Speaker 6: now?
- 18:10Speaker 26: started the crowdfunding
- 18:12Speaker 6: effort,
- 18:12Speaker 26: basically
- 18:13Speaker 6: to raise some money, but also to create some buzz, to get people talking
- 18:17Speaker 26: it.
- 18:17Speaker 6: about it.
- 18:17Speaker 6: Yeah.
- 18:17Speaker 6: and it worked, and then we were able to bring in the,
- 18:20Speaker 26: the
- 18:20Speaker 6: bigger equity investors.
- 18:21Speaker 6: But we had
- 18:22Speaker 26: 450 crowdfunding
- 18:23Speaker 6: investors.
- 18:24Speaker 6: That's
- 18:24Speaker 14: That's awesome.
- 18:25Speaker 26: $450,000
- 18:26Speaker 14: great
- 18:27Speaker 4: you know of any other restaurants, like for-profit restaurants that-
- 18:27Speaker 39: equity investors.
- 18:28Speaker 39: But we had 450, um, 450 crowdfunding investors.
- 18:29Speaker 39: Well- And we raised about$450,000 so do you know of any other restaurants, like for-profit restaurants that were raised like half a million dollars from crowdfunding?
- 18:33Speaker 5: I mean, Death Co.
- 18:33Speaker 5: eventually
- 18:34Speaker 14: Yeah, about right.
- 18:36Speaker 5: Yeah.
- 18:36Speaker 5: I-- But
- 18:36Speaker 14: I, uh- I'm, I'm crowdfunding for my next house, if anybody would-
- 18:39Speaker 3: If
- 18:40Speaker 14: anybody's interested in that,
- 18:41Speaker 3: I'm
- 18:41Speaker 14: I'm looking for a house on a beach
- 18:43Speaker 25: We
- 18:43Speaker 4: Came with some friends that we dine out with
- 18:45Speaker 14: About three years ago, I guess we came in and
- 18:46Speaker 25: I guess we came in.
- 18:47Speaker 4: And, uh, we're like
- 18:47Speaker 39: like,
- 18:48Speaker 25: "It's ama- it's everything we heard," but then we found out how you put it
- 18:50Speaker 39: together,
- 18:51Speaker 25: And our show,"The Restaurant Guys,"
- 18:54Speaker 4: it's always, uh, customer facing.
- 18:55Speaker 4: It's-- you don't have to be in the restaurant business like our show.
- 18:57Speaker 4: But I hope that it's interesting to people in the restaurant business and to people in small business and people around community.
- 19:02Speaker 25: community.
- 19:03Speaker 4: people talk about doing
- 19:04Speaker 15: all the time.
- 19:04Speaker 15: Mark and I do some consulting.
- 19:05Speaker 15: We don't company.
- 19:06Speaker 15: I always feel bad'cause we're the honest consultants, right?
- 19:11Speaker 15: Like, whatever check you wrote me for the first meeting, my
- 19:13Speaker 4: piece
- 19:13Speaker 15: piece of advice is,
- 19:14Speaker 39: "Don't
- 19:14Speaker 15: spend any more money even on me.
- 19:16Speaker 15: It's a terrible idea.
- 19:17Speaker 15: Don't
- 19:17Speaker 39: do this,"
- 19:18Speaker 25: do this," right?
- 19:18Speaker 25: Yeah.
- 19:18Speaker 25: And people
- 19:18Speaker 4: do it.
- 19:18Speaker 25: like,"Oh,
- 19:19Speaker 14: do it."
- 19:19Speaker 25: crowdfund I'm like,"No, you're not gonna crowdfund
- 19:22Speaker 14: Go home, make some paella.
- 19:23Speaker 27: Yeah,
- 19:23Speaker 25: yeah.
- 19:24Speaker 14: Go
- 19:25Speaker 4: but you actually pulled this off,
- 19:27Speaker 14: Not just pulled it off, it's wonderful place.
- 19:29Speaker 25: yeah.
- 19:29Speaker 25: Yeah.
- 19:30Speaker 26: Thanks.
- 19:30Speaker 26: Thank you.
- 19:30Speaker 25: And it's not, and it's-
- 19:31Speaker 4: Okay.
- 19:31Speaker 39: a
- 19:32Speaker 25: a
- 19:32Speaker 4: a responsible business and not a pipe dream.
- 19:33Speaker 4: So
- 19:33Speaker 25: So
- 19:33Speaker 4: any advice for anybody else who wants to do this and separate themselves from the
- 19:37Speaker 25: daydreamers
- 19:37Speaker 6: I mean, it's tough.
- 19:38Speaker 6: The crowdfunding thing is like, it did help us because it it generated a lot of buzz, and to have
- 19:44Speaker 26: 450
- 19:45Speaker 6: investors, most of whom live within a couple miles of the restaurant- Yeah really helped with the word of mouth-
- 19:51Speaker 16: Mm-hmm
- 21:20Speaker 6: out there.
- 21:20Speaker 6: But it is expensive money.
- 21:22Speaker 6: We paid it back at a rate of 1.5X, to the investment, and that
- 21:27Speaker 26: was
- 21:28Speaker 16: What is rough on it?
- 21:28Speaker 6: for the first couple years.
- 21:30Speaker 6: And,
- 21:31Speaker 4: and to get in the weeds a little bit, do the crowdfunding retain any equity in the
- 21:35Speaker 15: Do the crowdfunding investors retain any equity in the business
- 21:36Speaker 16: or do they get bought out?
- 21:37Speaker 16: No, that's
- 21:37Speaker 40: the
- 21:38Speaker 6: that makes it like super clean.
- 21:39Speaker 6: So they get paid back
- 21:41Speaker 26: like
- 21:42Speaker 6: like the investment, and then it's like, Thank you.
- 21:45Speaker 6: Our business here is, uh,
- 21:50Speaker 3: and-""Thank you.
- 21:50Speaker 3: Can I get you a drink?" Yeah.
- 21:50Speaker 3: And yeah,"Hope to see you again."
- 21:50Speaker 14: I, I just wanna stop what we're doing for a second right here,'cause those of us who are in the room are drinking a spectacular cocktail-
- 21:59Speaker 38: Yeah.
- 21:59Speaker 38: Yeah
- 21:59Speaker 14: is, uh, and I, not to disparage the first two cocktails, but easily my favorite drink of the night.
- 22:05Speaker 14: Oh.
- 22:05Speaker 14: Wow, this is delicious
- 22:06Speaker 5: Um, this just left our menu, and actually, I think this points
- 22:10Speaker 14: Bring it back
- 22:12Speaker 5: Bring it back.
- 22:12Speaker 5: Uh, for the summer.
- 22:14Speaker 5: May come back in the fall.
- 22:16Speaker 5: But this is kind of our goodbye to this.
- 22:18Speaker 5: This is called the Cross Current.
- 22:19Speaker 5: But I think this sort of, uh, is a emblematic of the philosophy of Second Harbor Club, which is
- 22:25Speaker 18: Just to sort of take a bird's-eye view of the tropical drink and look
- 22:28Speaker 5: at
- 22:29Speaker 18: at it from its entire history.
- 22:31Speaker 18: So from
- 22:32Speaker 5: the
- 22:32Speaker 18: the age of punch and sail all up until today.
- 22:35Speaker 18: And the focus here is actually the 1990s
- 22:37Speaker 41: the 19
- 22:39Speaker 18: and its
- 22:39Speaker 5: Dick
- 22:40Speaker 18: Bradsells until-
- 22:40Speaker 14: Oh, hold on.
- 22:41Speaker 14: Hold on.
- 22:42Speaker 14: 1990s cocktails sucked.
- 22:43Speaker 18: Yeah.
- 22:44Speaker 41: Mm.
- 22:44Speaker 14: Okay?
- 22:45Speaker 5: But Dick Bradsell, you know, in London was creating a lot of modern classics like the Bramble and the Espresso Martini, which to some people may be the devil.
- 22:54Speaker 5: But,
- 22:54Speaker 14: There's a place for the espresso martini, Okay?
- 22:57Speaker 3: Okay?
- 22:57Speaker 3: There's
- 22:58Speaker 14: a place in my life
- 22:59Speaker 38: life
- 23:00Speaker 14: the espresso martini, and it's- I think for some people and it's
- 23:02Speaker 5: some people, not,
- 23:03Speaker 14: that point in the night where you're starting to go down, but the party's starting to go up.
- 23:07Speaker 18: Yeah.
- 23:07Speaker 14: Okay,
- 23:09Speaker 18: but the, the sad part-
- 23:09Speaker 5: is he created a brilliant rum cocktail that never really crossed over.
- 23:14Speaker 5: The Bramble had its moment.
- 23:16Speaker 28: that
- 23:16Speaker 5: Espresso Martini is still having its moment, but
- 23:18Speaker 28: is
- 23:19Speaker 5: Treacle
- 23:19Speaker 18: was his
- 23:19Speaker 5: his drink in the 1990s that was a rum old fashioned with a float of apple juice on the top,
- 23:25Speaker 28: juice on the
- 23:26Speaker 5: we reconstructed this with Blanche Calvados
- 23:30Speaker 18: Constructed this
- 23:31Speaker 5: apple juice because more booze is
- 23:32Speaker 18: with Blanche
- 23:34Speaker 14: Calvados instead of apple juice because more booze is always better.
- 23:34Speaker 14: And- Be- and Calvados is always better.
- 23:36Speaker 14: There's nothing wrong with some Calvados in, uh, in your life
- 23:38Speaker 5: In my life have been times where I feel like certain genres, we, we hit them and then we move on.
- 23:45Speaker 5: And when we opened Sunken Harbor, we had a different old fashioned on the menu that was
- 23:50Speaker 18: provided to us through David Wanderich,
- 23:50Speaker 5: to us through David Wondrich,
- 23:52Speaker 18: which was a, a really interesting story
- 23:53Speaker 5: a, a really interesting story of a admiral, his name is Admiral McMorris, who
- 23:57Speaker 18: served in the Pacific Fleet,
- 23:59Speaker 5: and
- 24:00Speaker 18: he had a very specific scotch old fashioned that
- 24:02Speaker 5: he liked with honey
- 24:03Speaker 18: and Angostura, and then his second officer would always
- 24:06Speaker 5: add
- 24:07Speaker 18: the naval rum
- 24:08Speaker 5: it.
- 24:09Speaker 18: And that was our first old fashioned.
- 24:10Speaker 18: That was on the menu for forever.
- 24:12Speaker 18: And then just looking at the history of Dick
- 24:14Speaker 5: Dick Bradsell
- 24:15Speaker 18: and realizing that our
- 24:16Speaker 5: program
- 24:18Speaker 18: looks at the entire scope of the tropical drink, we should really pay tribute to the treacle.
- 24:22Speaker 5: Treacle.
- 24:23Speaker 18: Like I've worked at a couple other places.
- 24:24Speaker 18: I worked at ZZ's
- 24:26Speaker 5: Clam
- 24:26Speaker 18: where Brian Miller had a version of the treacle.
- 24:29Speaker 18: We served the, the actual like two spec
- 24:32Speaker 5: Treacle at Slowly
- 24:33Speaker 18: at Slowly Shirley.
- 24:33Speaker 18: But this one, I wanted to do a reconstruction.
- 24:36Speaker 18: We made the bitters for this.
- 24:37Speaker 18: Um, this is
- 24:38Speaker 5: based
- 24:38Speaker 18: called Abbott's,
- 24:39Speaker 5: formula called Abbott's,
- 24:41Speaker 18: which was the original bitters that was in every cocktail bar before Angostura.
- 24:42Speaker 5: that was in every cocktail bar before Angostura.
- 24:45Speaker 18: And Abbott's
- 24:45Speaker 5: Abbott's
- 24:45Speaker 18: is really rum friendly.
- 24:47Speaker 18: It's
- 24:47Speaker 5: It's made
- 24:47Speaker 18: with
- 24:47Speaker 5: chamomile, clove, anise
- 24:49Speaker 18: chamomile, clove, anise seed, and it just kind of has a sharpness- Right that Angostura doesn't have.
- 24:52Speaker 18: Quick recipe.
- 24:52Speaker 18: Yeah.
- 24:52Speaker 18: You have 30 seconds.
- 24:53Speaker 18: This is me
- 24:54Speaker 5: and this actually goes into an interesting topic, which is-
- 24:56Speaker 18: and YouTube channel.
- 25:06Speaker 28: online
- 25:06Speaker 5: his Patreon and his YouTube channel.
- 25:08Speaker 28: channel.
- 25:08Speaker 18: the foundation of what Sunken Harbor Club is in terms of like mixology was based on my time with Megan Dorman
- 25:10Speaker 5: Sunken Harbor Club is in terms of, like, mixology
- 25:13Speaker 18: and, Dave Arnold and Don Lee at Existing Conditions.
- 25:25Speaker 18: That was the foundation.
- 25:26Speaker 18: But then at a certain point, I was
- 25:30Speaker 5: non-alcoholic drinks have become way more of a priority for every cocktail
- 25:36Speaker 18: I need to start teaching myself new stuff." And I started looking at Darcy's work mostly for non-alc stuff, because non-al- non-alcoholic drinks have become way more of a priority for every concept- We're gonna get, we're gonna get, we're gonna get to that later.
- 25:42Speaker 18: But the thing that I found out is that soda fountain technique informed all of what Don the Beachcomber did for his first bar.
- 25:44Speaker 18: All right.
- 25:44Speaker 18: We're gonna...
- 25:44Speaker 18: I wanna- Yeah.
- 25:44Speaker 18: 'Cause
- 25:44Speaker 15: another
- 25:45Speaker 25: no, no.
- 25:45Speaker 25: But honestly, all of that is
- 25:46Speaker 15: came-
- 25:46Speaker 25: but I, I wanna not get away from the l- the line we're going on.
- 25:49Speaker 5: Yeah
- 25:50Speaker 25: brought us to the next topic, which I think is really fascinating.
- 25:54Speaker 25: two parts, and we can go in any way we want to, but let's do one and the other.
- 25:57Speaker 39: One
- 25:58Speaker 25: is okay, so Mark and I, we have, by the way,
- 26:00Speaker 39: Stage
- 26:01Speaker 25: Restaurant,
- 26:02Speaker 39: ac-
- 26:02Speaker 25: according to the same Robert Simonson, is the
- 26:04Speaker 4: Oldest
- 26:05Speaker 25: modern craft cocktail bar in America.
- 26:07Speaker 26: Yeah.
- 26:07Speaker 39: So yeah.
- 26:09Speaker 25: 92 we started.
- 26:11Speaker 25: are
- 26:11Speaker 39: also
- 26:12Speaker 25: That's awesome the first...
- 26:13Speaker 25: craft cocktails used to-
- 26:14Speaker 39: used to happen at cocktail bars, and you
- 26:16Speaker 25: You wouldn't go to a f-
- 26:16Speaker 15: Wouldn't go to a fancy restaurant, wouldn't have a cocktail bar, and a regular restaurant wouldn't have a cocktail bar.
- 26:20Speaker 15: A regular restaurant-
- 26:20Speaker 14: A regular restaurant wouldn't have cocktails
- 26:22Speaker 15: Right,
- 26:22Speaker 4: No.
- 26:23Speaker 4: We were Stage Left s-
- 26:24Speaker 39: Restaurant
- 26:24Speaker 4: first,
- 26:24Speaker 25: and then we started with cocktails.
- 26:26Speaker 4: and then we started the cocktails.
- 26:27Speaker 4: I remember that was a-
- 26:28Speaker 25: thing, right?
- 26:28Speaker 39: It
- 26:28Speaker 25: It we were the
- 26:29Speaker 4: First cocktail bar in a restaurant.
- 26:29Speaker 4: We started with a restaurant
- 26:29Speaker 39: cocktail
- 26:30Speaker 25: bar in a restaurant, You have the steakhouse and the Sunken Harbor Club, and when I think of steakhouses, we used to
- 26:36Speaker 39: be in a group
- 26:37Speaker 25: the Red Meat Club with some of the other guys who are in
- 26:39Speaker 39: this
- 26:39Speaker 14: There are some folks here from the Red Meat Club
- 26:41Speaker 15: Um,
- 26:44Speaker 25: We'll go on Mondays to different steakhouses.
- 26:45Speaker 25: But
- 26:46Speaker 4: There were allow-
- 26:46Speaker 15: and the steakhouse cocktail, you know, we should resurrect it.
- 26:46Speaker 15: We'll go on Monday to Stephanie's.
- 26:47Speaker 15: There were
- 26:47Speaker 25: cocktails that were considered the steak cocktails.
- 26:49Speaker 25: So when you think steakhouse, you think martini,
- 26:52Speaker 4: Manhattan,
- 26:53Speaker 39: Bloody
- 26:53Speaker 4: Mary
- 26:54Speaker 25: straight whiskey, a highball.
- 26:58Speaker 25: You guys
- 26:58Speaker 4: You guys open
- 26:59Speaker 25: a very forward-looking cocktail menu to begin with, and a tiki, element.
- 27:05Speaker 25: I think it works beautifully.
- 27:07Speaker 25: how, do, those two
- 27:07Speaker 4: Things work together.
- 27:08Speaker 4: And
- 27:09Speaker 39: was
- 27:09Speaker 15: there a tension between, okay, it's Gage and Toller on a Bloody Mary, a Bloody Bull and a martini
- 27:15Speaker 39: versus,
- 27:16Speaker 15: Garrett is upstairs in the craziest looking
- 27:18Speaker 14: sports coat- Yeah, exac- exactly.
- 27:19Speaker 14: And I-- and there are guys coming from Wall Street
- 27:21Speaker 27: Street
- 27:22Speaker 14: suits walking in and sitting downstairs and ordering big steaks, and there are people coming in their Hawaiian shirts and going upstairs
- 27:29Speaker 39: I'm
- 27:29Speaker 25: I'm gonna tell you something
- 27:30Speaker 14: for tiki cocktails
- 27:31Speaker 25: and
- 27:31Speaker 39: just
- 27:31Speaker 25: I'm just gonna turn this one back to you guys to have a
- 27:33Speaker 4: going upstairs- Well, and also I'm gonna tell you something that we didn't happen early, and then we're just how does the whole
- 27:39Speaker 39: beverage
- 27:39Speaker 4: program work in
- 27:41Speaker 15: how do, how does, how does the whole beverage program work in Gage Tollner?
- 27:41Speaker 15: 'Cause you
- 27:45Speaker 4: the steakhouse thing, which seems...
- 27:46Speaker 25: Is there
- 27:47Speaker 4: Is there a tension
- 27:47Speaker 39: between the two?
- 27:48Speaker 39: How's that all work?
- 27:49Speaker 40: Yeah.
- 27:49Speaker 26: the two?
- 27:50Speaker 26: How's that all work?
- 27:50Speaker 26: Yeah.
- 27:50Speaker 26: So when we were
- 27:51Speaker 6: between the two?
- 27:52Speaker 6: How's that all work?
- 27:52Speaker 6: Yeah.
- 27:52Speaker 6: So when we were opening Gage Tollner, I went to the Brooklyn Historical
- 27:55Speaker 16: have this great asset that's cocktails, but you also have the steakhouse thing, which seems...
- 27:55Speaker 16: Is there a tension between the two?
- 27:55Speaker 16: How does that all work?
- 27:55Speaker 16: Yeah.
- 27:55Speaker 16: So when we were opening Gage Tollner, I went to the Brooklyn Historical Society
- 27:56Speaker 6: over in Brooklyn Heights and found 13 boxes of ephemera that
- 28:01Speaker 26: that
- 28:01Speaker 6: the Dewey family, who operated the restaurant for 70 years, had left, to the, uh, society.
- 28:07Speaker 6: In these boxes were menus going back to the 1930s.
- 28:10Speaker 6: Wow.
- 28:11Speaker 14: Wow
- 28:11Speaker 6: So,
- 28:12Speaker 26: So,
- 28:12Speaker 6: So, what I was able to do was build a spreadsheet.
- 28:16Speaker 6: I pulled all the cocktails off of the menu, put them on a spreadsheet, what years they appeared, what prices they were, and
- 28:22Speaker 16: And then
- 28:22Speaker 6: I had this, uh, database of probably 55 cocktails throughout history, throughout post-Prohibition history that I could, uh, draw from.
- 28:33Speaker 6: And
- 28:33Speaker 16: the post-Prohibition history that I could, uh, draw from.
- 28:33Speaker 16: And so ev-
- 28:33Speaker 40: that I could,
- 28:34Speaker 6: cocktail on the menu
- 28:35Speaker 40: every
- 28:35Speaker 6: downstairs
- 28:36Speaker 40: the
- 28:36Speaker 26: is
- 28:37Speaker 6: from one of these old menus.
- 28:38Speaker 14: Wow
- 28:39Speaker 39: what are those cocktails?
- 28:39Speaker 39: That's amazing, first of
- 28:40Speaker 15: all those cocktails, that's amazing.
- 28:41Speaker 39: for that.
- 28:41Speaker 39: That's awesome.
- 28:42Speaker 39: So what are, what are
- 28:43Speaker 25: what are these, what are those cocktails?
- 28:43Speaker 25: That's amazing, first of all.
- 28:43Speaker 25: Round of applause for that.
- 28:43Speaker 25: Yeah.
- 28:43Speaker 25: That's awesome.
- 28:43Speaker 25: So what are, what are the
- 28:43Speaker 39: what kind of cocktails were there?
- 28:45Speaker 26: I
- 28:45Speaker 14: People, but just so you know, people who are drinking can't clap.
- 28:47Speaker 14: Okay.
- 28:51Speaker 6: it's a steakhouse, but really to be like,
- 28:55Speaker 26: to
- 28:55Speaker 6: be more specific, it's an oyster and chophouse.
- 28:57Speaker 6: Okay.
- 28:57Speaker 6: So it's
- 28:58Speaker 40: of...
- 28:58Speaker 26: mean, it
- 28:58Speaker 6: was known as a seafood house for a long time.
- 29:00Speaker 6: Really?
- 29:01Speaker 6: In the, from the
- 29:02Speaker 26: '50s
- 29:02Speaker 6: to the
- 29:03Speaker 26: '70s,
- 29:04Speaker 6: I wanna say.
- 29:04Speaker 6: It was- I
- 29:05Speaker 4: didn't know
- 29:05Speaker 6: that primarily known as a seafood house.
- 29:06Speaker 26: house.
- 29:07Speaker 6: so you've got your martinis on there.
- 29:09Speaker 6: You've got your Manhattans.
- 29:10Speaker 6: You've got your whiskey sours.
- 29:12Speaker 6: Then you have, like, these drinks I really love that have vanished but were popular at one point, like a pink lady, like a- Oh.
- 29:20Speaker 40: hand for
- 29:20Speaker 26: hand for the pink lady.
- 29:21Speaker 26: Here we go.
- 29:21Speaker 26: Nicole, Nicole, you are the pink lady.
- 29:23Speaker 39: the pink lady.
- 29:24Speaker 39: You, y- Nicole, Nicole Desmond, you are the pink lady of, of cocktails.
- 29:27Speaker 39: I
- 29:28Speaker 38: am today.
- 29:28Speaker 38: Yeah, yeah.
- 29:28Speaker 38: I'm sorry
- 29:28Speaker 14: I remember making a Pink Lady in, 1986.
- 29:31Speaker 3: there-
- 29:31Speaker 39: That wasn't a pink lady.
- 29:32Speaker 39: That was-
- 29:33Speaker 14: That wasn't a Pink Lady.
- 29:34Speaker 14: Uh, there- There was no lady in that Pink Lady.
- 29:35Speaker 14: There
- 29:36Speaker 39: It was
- 29:36Speaker 5: Well,
- 29:37Speaker 14: was pink.
- 29:37Speaker 5: her, her name was Rose, right?
- 29:39Speaker 5: Roses.
- 29:40Speaker 14: Rose's Serenity.
- 29:40Speaker 5: was, that was Roses- Yeah
- 29:42Speaker 39: which is
- 29:43Speaker 14: yeah
- 29:43Speaker 39: corn syrup and
- 29:44Speaker 25: that was Rose's grenadine-
- 29:45Speaker 26: Yeah.
- 29:45Speaker 26: which is high fructose- Right corn yeah, you've got that.
- 29:46Speaker 6: You've got
- 29:47Speaker 40: you've got that.
- 29:47Speaker 40: You've got the
- 29:47Speaker 6: the perfect martini, which is, uh,
- 29:49Speaker 26: you know,
- 29:49Speaker 6: it's a martini with a little sweet vermouth in it.
- 29:51Speaker 6: Oh.
- 29:51Speaker 6: It's very good.
- 29:52Speaker 6: You got the turf- cocktail.
- 29:53Speaker 6: I mean, these are, these are, old drinks with a history that just have
- 29:57Speaker 26: fallen
- 29:57Speaker 6: of favor.
- 29:58Speaker 4: Okay,
- 29:58Speaker 39: so
- 29:58Speaker 4: right, so I think it's great that you recreated that, but you have two different missions here in cocktail world, right?
- 30:03Speaker 39: So
- 30:03Speaker 4: you have these historical cocktails and steakhouse cocktails,
- 30:06Speaker 39: cocktails,
- 30:06Speaker 4: and you and Gary
- 30:07Speaker 25: Garrett together have the Sunken Harbor Club, which is-
- 30:09Speaker 39: is
- 30:10Speaker 15: A different
- 30:11Speaker 39: set
- 30:11Speaker 15: of history.
- 30:12Speaker 15: I don't think, you tell me, we saw
- 30:14Speaker 39: the
- 30:14Speaker 15: kind of cocktails that
- 30:15Speaker 4: that
- 30:15Speaker 15: you're serving here,
- 30:16Speaker 39: some
- 30:17Speaker 15: of the best in the country,
- 30:18Speaker 4: but we didn't see them historically at steakhouses
- 30:20Speaker 39: in the past.
- 30:21Speaker 15: but we didn't see them historically at steakhouses in the past.
- 30:22Speaker 26: It's
- 30:22Speaker 15: And what's the tension
- 30:22Speaker 16: there?
- 30:22Speaker 16: I would say
- 30:23Speaker 26: the
- 30:23Speaker 6: idea
- 30:24Speaker 16: the Southern Art Club,
- 30:24Speaker 6: Club,
- 30:25Speaker 16: once Garrett got-
- 30:26Speaker 6: involved, I consider, uh, Garrett to be
- 30:28Speaker 26: to be, an extremely talented, a
- 30:31Speaker 6: singularly
- 30:31Speaker 26: uh,
- 30:32Speaker 6: a talented person I agree.
- 30:33Speaker 6: the-- thank you.
- 30:33Speaker 6: The idea was, the concept upstairs was a
- 30:36Speaker 26: the concept upstairs was a
- 30:38Speaker 6: little muddled
- 30:39Speaker 26: to
- 30:39Speaker 6: begin, but it quickly became
- 30:41Speaker 26: bring in
- 30:42Speaker 6: the best talent that exists and let him do whatever he wants.
- 30:45Speaker 16: Bring in the
- 30:45Speaker 26: l- let him
- 30:46Speaker 16: best talent that exists and let them-
- 30:46Speaker 15: And we'll figure out how to-
- 30:47Speaker 14: And we'll keep an armed guard at the bottom of the stairs and make sure they can't get up there, yeah.
- 30:51Speaker 14: I gotta tell you though
- 30:51Speaker 25: tell you,
- 30:51Speaker 39: Noah, so I gotta
- 30:52Speaker 25: Noah, so I gotta tell you.
- 30:52Speaker 25: So if you, if you try to come here, and you should do everything you
- 30:54Speaker 39: should do everything you
- 30:54Speaker 25: can to become a member
- 30:56Speaker 39: and,
- 30:56Speaker 25: come to the Sunken Harbor Club.
- 30:57Speaker 25: But we came once with some friends, Mark and I, and we,
- 31:00Speaker 14: It was a spur of the moment thing
- 31:01Speaker 25: of the moment thing.
- 31:02Speaker 25: And we should call ahead.
- 31:03Speaker 25: And we went with some friends.
- 31:03Speaker 25: you guys really tried hard to get us in.
- 31:04Speaker 4: Yeah
- 31:05Speaker 25: a seat for four, and Mark was number five.
- 31:08Speaker 14: so I sent-
- 31:09Speaker 25: game of rock, paper, scissors.
- 31:13Speaker 14: Re-playing the rock, paper, scissors game.
- 31:14Speaker 14: How come I always get the rock?
- 31:15Speaker 5: here's the interesting thing, is if you go look at the menus of sort of these older, time were called like Polynesian palaces, large
- 31:24Speaker 18: Tiki restaurants, they considered themselves steakhouses.
- 31:27Speaker 28: Oh,
- 31:28Speaker 18: Trader Vic's- Oh, okay considered themselves a steakhouse.
- 31:30Speaker 18: Okay.
- 31:31Speaker 18: The Mai Kai considered itself a steakhouse.
- 31:33Speaker 5: So
- 31:33Speaker 18: So like, when I signed on for this project, I didn't think it was weird having those two things next to each other, because many times they were all under the same roof in the,
- 31:44Speaker 5: '50s and'60s as
- 31:45Speaker 18: as what was known as continental dining at the time.
- 31:48Speaker 5: definitely
- 31:49Speaker 18: there was
- 31:50Speaker 5: a businessman
- 31:51Speaker 18: in
- 31:51Speaker 5: Chicago
- 31:52Speaker 18: that went to, you know, get a huge Chicago steak and then went to Trader Vic's and had a navy grog in the same
- 32:00Speaker 15: night.
- 32:00Speaker 15: Yeah.
- 32:01Speaker 18: And I saw that- In the same place?
- 32:03Speaker 5: Yeah,
- 32:04Speaker 18: No.
- 32:04Speaker 18: the Mai
- 32:04Speaker 5: Kai it's-
- 32:05Speaker 3: Same
- 32:05Speaker 14: guy, different place.
- 32:06Speaker 18: Yeah, same guy, different place
- 32:06Speaker 5: guy, different place, and I thought it-- we're just packaging this sort of like mid-century experience in one environment.
- 32:13Speaker 4: Well, okay.
- 32:14Speaker 4: So that makes sense
- 32:14Speaker 25: sense to me.
- 32:16Speaker 15: That makes perfect sense
- 32:16Speaker 25: do wanna bring it back to something that we put a pin in earlier on.
- 32:18Speaker 25: I,
- 32:19Speaker 18: that we could have pinned in earlier.
- 32:19Speaker 18: Uh, let me just humor
- 32:20Speaker 25: everyone.
- 32:20Speaker 25: I wanna come back to it.
- 32:21Speaker 25: Yeah.
- 32:22Speaker 25: You mentioned non-alcoholic
- 32:23Speaker 14: First time he's ever gone back to the pin in the history of the show.
- 32:27Speaker 14: I crafted,
- 32:27Speaker 4: time
- 32:27Speaker 14: pin though.
- 32:27Speaker 4: ever gone back to the pen in the history of the show.
- 32:28Speaker 4: Two more drinks and I wouldn't have remembered that
- 32:28Speaker 5: I craft-
- 32:29Speaker 39: but-
- 32:29Speaker 25: cra-
- 32:29Speaker 28: I, I,
- 32:30Speaker 5: I, crafted a really good pen, though.
- 32:31Speaker 5: So,
- 32:31Speaker 25: a good pin.
- 32:32Speaker 25: It was a good pin.
- 32:33Speaker 25: So, uh, you talked about
- 32:34Speaker 39: about
- 32:34Speaker 25: soda fountain
- 32:35Speaker 39: uh,
- 32:35Speaker 25: techniques.
- 32:36Speaker 4: you talked about soda fountain techniques.
- 32:36Speaker 4: Yeah
- 32:36Speaker 25: Uh, and you talked about non-alcoholic cocktails, and I wanna throw something out there because, I
- 32:41Speaker 4: I spend personally
- 32:42Speaker 25: during COVID, I don't know what mark was, two years that I was obsessed with creating a non-alcoholic cocktail section of our-
- 32:49Speaker 14: yeah.
- 32:50Speaker 38: yeah.
- 32:50Speaker 14: mean, it's, uh, you, you dedicated a lot of time and effort to that
- 32:53Speaker 39: And Mark was ready to beat the crap out
- 32:55Speaker 4: We stop.
- 32:56Speaker 4: And we- Well, I
- 32:57Speaker 14: I was like,"We have five.
- 32:58Speaker 39: We have five.
- 32:58Speaker 39: Yeah, yeah.
- 32:58Speaker 39: Can it be
- 32:59Speaker 14: Okay, do we need 10?"
- 33:00Speaker 4: 10?
- 33:00Speaker 4: We literally,
- 33:01Speaker 14: Yeah,
- 33:01Speaker 4: literally- Yeah, five is pretty
- 33:02Speaker 14: five is pretty good.
- 33:02Speaker 14: I know.
- 33:03Speaker 4: You gotta be honest.
- 33:03Speaker 14: I know
- 33:04Speaker 39: nine or 10, and I'm gonna
- 33:05Speaker 25: Say, so we've been doing cocktails,
- 33:07Speaker 39: like
- 33:07Speaker 25: we're the oldest craft cocktail bar in America.
- 33:09Speaker 25: I've
- 33:09Speaker 4: I've never worked
- 33:09Speaker 25: worked
- 33:10Speaker 4: harder
- 33:10Speaker 25: to get fewer drinks that I think are really great and that,
- 33:14Speaker 3: It's
- 33:14Speaker 14: harder.
- 33:14Speaker 14: Uh, to be honest with you,
- 33:15Speaker 38: harder.
- 33:15Speaker 38: Uh, to be honest with you, I-
- 33:16Speaker 14: making non-alcoholic drinks is harder than making alcoholic drinks that are really good
- 33:20Speaker 5: I agree.
- 33:21Speaker 4: Yeah.
- 33:21Speaker 4: And I want to make them-
- 33:22Speaker 25: I have to make them t- till I think they're good, and then I have to show them to Mark, and he has to think they're good.
- 33:25Speaker 25: So that's like the double whammy.
- 33:27Speaker 4: But I'm gonna say it
- 33:28Speaker 39: say
- 33:28Speaker 4: was really hard and really worth it, and
- 33:30Speaker 25: and I
- 33:30Speaker 4: I think it's really important
- 33:31Speaker 25: really important, though it's not, this is for the restaurant operators out there, it's not a big source of
- 33:36Speaker 4: revenue
- 33:37Speaker 25: for us.
- 33:38Speaker 25: I, think it, takes away a lot of vetoes, it takes
- 33:41Speaker 4: It takes away a lot of
- 33:41Speaker 25: no's, and in a party of six, who's gonna say-
- 33:44Speaker 15: Yeah
- 33:44Speaker 25: another one?""Nah, I'm gonna go home." Oh, I'll have a non-alcoholic drink.""Oh, I'll have one.""Okay, then we'll all stay." You know, or the one person who doesn't drink,
- 33:51Speaker 4: They have an
- 33:51Speaker 15: They have an adult beverage
- 33:52Speaker 39: beverage
- 33:52Speaker 3: in
- 33:52Speaker 14: lot of people come with groups of eight, right?
- 33:55Speaker 14: Well, not to Sunken Harbor Club.
- 33:56Speaker 27: a lot of people come out with
- 33:57Speaker 14: but a lot of people come out with a, with a group of eight, and seven of the people drink and, and one of the person doesn't drink.
- 34:02Speaker 14: So having something to offer that person makes you their favorite place.
- 34:07Speaker 3: and-
- 34:07Speaker 14: And they're gonna drag your other seven people to your place.
- 34:10Speaker 14: want-
- 34:10Speaker 38: Garrett's.
- 34:11Speaker 14: Garrett's, they're gonna drag your other three people to your place.
- 34:14Speaker 39: three
- 34:15Speaker 3: so I-
- 34:15Speaker 39: So, a
- 34:16Speaker 25: A non-alcoholic drink has to have an adult feel to it.
- 34:18Speaker 25: It has to have a stop.
- 34:19Speaker 25: It has to have something that is not gulpable.
- 34:21Speaker 25: It's
- 34:21Speaker 14: The stop
- 34:22Speaker 25: is super important in
- 34:22Speaker 14: is super important in the drink
- 34:23Speaker 4: whether it's a, or a bitterness or a spice
- 34:26Speaker 39: or
- 34:27Speaker 4: a,
- 34:27Speaker 25: a
- 34:27Speaker 4: something.
- 34:28Speaker 25: So
- 34:28Speaker 4: you have spent a lot of time
- 34:29Speaker 25: spent a lot of time creating non-alcoholic drinks that really make a lot of sense, that aren't just a pretty glass with juice in it, right?
- 34:34Speaker 5: Yeah, and we, we opened with a few.
- 34:36Speaker 5: but at Existing Conditions it was,
- 34:39Speaker 18: conditions,
- 34:39Speaker 5: very important part.
- 34:40Speaker 18: it was like a very important part.
- 34:40Speaker 18: I feel like Existing Conditions was like super ahead of
- 34:42Speaker 5: curve on
- 34:43Speaker 18: the curve on this, and that's mostly because of,
- 34:45Speaker 28: of,
- 34:45Speaker 18: uh, Bobby Murphy, who was one of the head bartenders at Existing who came from Next
- 34:51Speaker 5: in Chicago.
- 34:52Speaker 18: in Chicago.
- 34:52Speaker 18: Uh, and they were, you know, like pretty advanced,
- 34:52Speaker 5: and they were, pretty advanced, uh, in
- 34:55Speaker 18: terms of
- 34:55Speaker 5: of
- 34:56Speaker 18: seeing where things were
- 34:56Speaker 5: going.
- 34:57Speaker 18: But
- 34:58Speaker 5: when
- 34:58Speaker 18: we opened, we had a few non-al
- 35:00Speaker 5: drinks, but I
- 35:02Speaker 18: I think the struggle was figuring out, okay, what is the direction of this?
- 35:07Speaker 18: And generally speaking, like, when we have a struggle on our menu, we try to go back to source.
- 35:13Speaker 18: We try to go back to, like,
- 35:14Speaker 5: primary...
- 35:15Speaker 18: like what is the original non-alc cocktail?
- 35:19Speaker 18: And for us, it was the everything from the soda fountain movement because it was the reaction to, you know, the whole Harry Johnson super
- 35:27Speaker 5: boozy
- 35:28Speaker 18: boozy movement, and they had to make something
- 35:30Speaker 5: equally
- 35:31Speaker 18: to people that were interested in prohibition
- 35:34Speaker 5: and interested
- 35:34Speaker 18: in being sober.
- 35:35Speaker 18: And looking at all those drinks, you realize that they could be, like, as complex and as interesting as a cocktail, once we figured That, out,
- 35:44Speaker 5: it
- 35:44Speaker 18: was a matter of representing sort of the icons of the soda fountain movement.
- 35:50Speaker 5: So
- 35:51Speaker 18: on our menu right now, we have The Elixir, which is based on Moxie
- 35:55Speaker 5: soda, which was the
- 35:56Speaker 18: soda, which was the first original-
- 35:58Speaker 5: branded
- 35:58Speaker 18: soda in a bottle, Teddy Roosevelt was a fan of.
- 36:01Speaker 28: basically a gentian
- 36:01Speaker 18: it's basically a gentian root beer, which if you talk to any cocktail person,
- 36:06Speaker 5: they're
- 36:06Speaker 18: they're like,"I like Suze.
- 36:08Speaker 18: I like root beer." And then-
- 36:10Speaker 14: But gentian has that stop.
- 36:11Speaker 14: That's exactly what Francis was talking about, right?
- 36:13Speaker 18: It
- 36:13Speaker 5: that bitterness.
- 36:14Speaker 18: has that bitterness.
- 36:14Speaker 18: Yep.
- 36:14Speaker 5: through it, and we make all the flavorings for it.
- 36:16Speaker 5: We make the extracts for it.
- 36:18Speaker 5: We make the essences for it.
- 36:20Speaker 5: And once you understand that sort of you can make
- 36:24Speaker 28: these
- 36:25Speaker 5: flavorings that can exist in,
- 36:27Speaker 28: like
- 36:27Speaker 5: a small window, then you
- 36:29Speaker 18: can make really good non-alcoholic drinks.
- 36:31Speaker 18: Basically, you have 0.5% alcohol
- 36:34Speaker 5: by
- 36:34Speaker 18: volume that you can work under to be technically non-alcoholic
- 36:38Speaker 39: I also think there's a, there's a parallel I think that when you take coffee, which is an adult beverage, which is a bitter beverage, and you
- 36:45Speaker 15: Put, you know, seven pumps of caramel, two pumps of chocolate, three big dips of cream, and some whipped cream on top.
- 36:45Speaker 15: You juvenileize
- 36:45Speaker 25: know, seven pumps of caramel, two pumps of chocolate, three p-pits of cream and some whipped cream on top.
- 36:51Speaker 25: You an adult beverage.
- 36:54Speaker 39: Whereas
- 36:55Speaker 25: with
- 36:55Speaker 15: Soda, like Italian sodas and bitter sodas and Suze, non-alcoholic Suze, like Suze Zero is fantastic.
- 36:55Speaker 15: Um, you can a- you can adultify
- 36:55Speaker 25: like Italian sodas and bitter sodas and Suze, non-alcoholic Suze, like Suze Zero is fantastic.
- 37:01Speaker 25: Zero a- you can adultify a drink without it being necessarily alcoholic.
- 37:04Speaker 27: something first?
- 37:05Speaker 14: I just wanna jump in a little bit and realize that, that Garrett's coming at this from a, from a different perspective than most people who are in restaurants come at the non-alcoholic movement.
- 37:15Speaker 14: and I think that the rest of the, restaurateurs have to change their, their point of view a little bit, because what they're thinking about is, What do I give the 15-year-old who wants, uh,
- 37:28Speaker 3: who-
- 37:28Speaker 14: who wants to pretend they're drinking?" Instead of,"What do I give the adult who wants something that's savory and delicious and is cocktail-like but doesn't have alcohol?" The restaurateur and the bar t- bar owner have to change their perspective a little bit most of these cocktails are not for the 15-year-old, they're for the adult
- 37:50Speaker 25: bit of advice to restaurateurs and bartenders out there,
- 37:52Speaker 39: here's the
- 37:52Speaker 25: here's the advice: when you have a non-alcoholic cocktail program, invite a bunch of kids in, and as long as they hate it, you're
- 37:57Speaker 5: Yeah,
- 37:58Speaker 25: right.
- 37:58Speaker 25: Yeah.
- 37:58Speaker 25: Yeah, you're doing
- 37:59Speaker 5: you're golden.
- 38:00Speaker 25: I,
- 38:00Speaker 5: Yeah
- 38:01Speaker 25: to say, and it's funny, I always look at school teachers
- 38:03Speaker 39: I think,"I
- 38:04Speaker 25: and I think I could never do that.
- 38:04Speaker 25: I literally-
- 38:05Speaker 14: I, you know, it's funny, I look at school teachers and think,"Francis could never do that."
- 38:08Speaker 15: A
- 38:12Speaker 14: lot of business or unique business people in the door.
- 38:12Speaker 25: Um, so here's the, here's a
- 38:14Speaker 39: c- thing that I
- 38:15Speaker 25: thing that
- 38:15Speaker 39: crazy,
- 38:16Speaker 25: and I think is pretty wonderful,
- 38:18Speaker 39: and
- 38:18Speaker 25: it, it mirrors the country
- 38:20Speaker 39: that's ripping itself apart that we live in right now.
- 38:22Speaker 39: We have the two hottest categories in
- 38:25Speaker 25: ripping itself apart that we live in right now.
- 38:29Speaker 39: and
- 38:29Speaker 25: the two hottest categories in cocktails are the non-alcoholic sphere and the martini.
- 38:31Speaker 5: Mm-hmm.
- 38:31Speaker 4: Yeah
- 38:32Speaker 25: that to me?
- 38:32Speaker 25: are you seeing that
- 38:33Speaker 39: that here at Cajun
- 38:34Speaker 25: here at Gage Tollner as well?
- 38:34Speaker 26: I mean, w- we've seen
- 38:36Speaker 6: seen that from
- 38:36Speaker 26: day one.
- 38:37Speaker 26: When people go downstairs, there's
- 38:39Speaker 6: Just something about the
- 38:40Speaker 16: you seeing that here at Gage
- 38:42Speaker 14: Tollner in South Harbor?
- 38:42Speaker 14: I mean, we've seen that from, uh, day one.
- 38:42Speaker 14: When people go downstairs, there's just something
- 38:43Speaker 16: about the atmosphere just screams martini.
- 38:43Speaker 16: Mm-hmm.
- 38:43Speaker 6: Yeah.
- 38:43Speaker 6: It's like you just need to have one
- 38:44Speaker 26: in your
- 38:44Speaker 6: in
- 38:44Speaker 26: quickly as possible, and that it's by far-
- 38:47Speaker 39: for
- 38:47Speaker 14: But I,
- 38:48Speaker 26: that's
- 38:48Speaker 27: Tuesday for
- 38:48Speaker 25: me.
- 38:48Speaker 27: Yeah.
- 38:48Speaker 27: I
- 38:49Speaker 14: I was thinking that's half an hour from now for me
- 38:51Speaker 16: Later
- 38:52Speaker 26: Like,
- 38:53Speaker 6: it's not a trend for us.
- 38:54Speaker 6: It's always
- 38:55Speaker 4: been
- 38:59Speaker 39: are, egghead-y, smart, you're both
- 39:01Speaker 4: part of the business plan.
- 39:01Speaker 4: Yeah, but, but, but for now- Thank, thank you, Brendan I just think'cause you guys
- 39:01Speaker 39: you've, you're well-read, How is it
- 39:03Speaker 4: How is it that the martini was not the of
- 39:06Speaker 39: drinks, uh, before COVID?
- 39:08Speaker 39: And everybody's writing about martinis.
- 39:10Speaker 39: Ev- freezer
- 39:11Speaker 14: There's a martini expo now, right?
- 39:13Speaker 25: martinis, every freezer martinis- There's a martini expo now nitrogen martinis.
- 39:16Speaker 25: Yeah.
- 39:16Speaker 25: Robert's Martini
- 39:17Speaker 4: martinis.
- 39:17Speaker 4: Yeah.
- 39:17Speaker 4: Robert's Martini Expo, and also non-alcoholic drinks
- 39:17Speaker 25: and also non-alcoholic drinks weren't heard years ago.
- 39:19Speaker 25: And now
- 39:20Speaker 39: are
- 39:20Speaker 25: I...
- 39:20Speaker 25: Would
- 39:21Speaker 4: Biggest
- 39:21Speaker 25: are two of of, of beverages for adults in America right now?
- 39:24Speaker 25: Or am I wrong?
- 39:25Speaker 26: Yeah, I
- 39:26Speaker 6: I mean, I think the, I think the non-alc thing is, is important to talk about, but I, I feel like
- 39:30Speaker 40: it,
- 39:30Speaker 6: it can--
- 39:31Speaker 26: it's
- 39:31Speaker 6: probably the, like the market share of the non-alc drink has probably
- 39:34Speaker 26: grown,
- 39:35Speaker 6: you know,
- 39:35Speaker 26: 3X, but it's
- 39:36Speaker 40: but it's
- 39:37Speaker 14: Yeah, from.2 to.6,
- 39:38Speaker 26: pretty...
- 39:38Speaker 6: but it's like,
- 39:38Speaker 14: right?
- 39:39Speaker 6: it's still- Yeah, from.2 to.6 still pretty-- exactly.
- 39:40Speaker 6: It's still pretty small.
- 39:41Speaker 6: Yeah.
- 39:41Speaker 6: But I like, I love the way that Garrett thinks about it.
- 39:42Speaker 6: I
- 39:43Speaker 40: we
- 39:43Speaker 6: really do take the time to try to craft something that's really good.
- 39:48Speaker 6: Uh,
- 39:48Speaker 40: we have not had a lot to work with, like the,
- 39:50Speaker 26: the
- 39:50Speaker 6: the quote-unquote, uh, spirits that they sell that are
- 39:53Speaker 26: like,
- 39:53Speaker 6: uh, non-alcoholic, I don't understand them for the most part.
- 39:57Speaker 6: I don't get it, I I really like, uh, the Pathfinder.
- 40:00Speaker 14: Pathfinders.
- 40:01Speaker 3: Yeah.
- 40:01Speaker 14: it's funny, I was just about to yell at you and say,"No, Pathfinder's delicious." That is the only one that anything else you're making
- 40:08Speaker 5: But the Pathfinder is fantastic.
- 40:10Speaker 26: it kinda
- 40:10Speaker 6: but it opens the door.
- 40:11Speaker 6: So I think that, I think there's there, and I can't
- 40:14Speaker 26: wait to
- 40:15Speaker 6: see what comes next.
- 40:16Speaker 6: But we're still waiting for those- Mm-hmm...those
- 40:18Speaker 26: great
- 40:18Speaker 6: great non-alcohols.
- 40:19Speaker 26: spirits to exist
- 40:20Speaker 39: wanna, I wanna weigh in on that just'cause w- and I want, Garrett, I wanna hear what you have to say about this.
- 40:24Speaker 39: What I found is that, the problem with non-alcoholic spirits is to make a good one, they generally wind up being more expensive to produce than the alcoholic spirits, right?
- 40:31Speaker 14: Well,'cause you go all the way to alcoholic spirit and then you do something to it to make it
- 40:34Speaker 27: not
- 40:34Speaker 3: it not, not alcohol.
- 40:34Speaker 3: Right.
- 40:35Speaker 4: So,
- 40:35Speaker 14: not alcoholic
- 40:35Speaker 4: you make a-- So we have a gin and-- I think Ransom makes a great, uh
- 40:39Speaker 25: gin replacer, right?
- 40:40Speaker 25: And, so there's a Ransom non-alcoholic gin.
- 40:42Speaker 25: Now, you can't
- 40:43Speaker 4: You can't make a martini
- 40:44Speaker 39: out
- 40:44Speaker 25: that.
- 40:44Speaker 25: It'll never give you the texture, the bite, the alcohol.
- 40:47Speaker 25: But if you make a bee's knees with it, a non-alcoholic bee's knees with honey and the like, it will give you the aromatic.
- 40:52Speaker 39: It's
- 40:53Speaker 25: a
- 40:53Speaker 4: It's a hydrosoluble
- 40:53Speaker 25: with juniper and other aromatics, so it will give you that...
- 40:56Speaker 4: It'll feel like there's gin in it.
- 40:58Speaker 4: There's gin in the nose and, uh, and then we-- I, I use that and I like it.
- 41:01Speaker 4: And I think that non-alcoholic beers are amazing.
- 41:03Speaker 4: I think non-alcoholic, the spirits like
- 41:05Speaker 25: Pathfinder, like the vermouths and
- 41:08Speaker 15: that were moves and things they've
- 41:08Speaker 25: get
- 41:08Speaker 4: get
- 41:09Speaker 25: character from herbs and the like are doing great.
- 41:11Speaker 25: Guinness Zero is 90% of a Guinness.
- 41:14Speaker 25: Yep.
- 41:14Speaker 25: I'm sorry, it is.
- 41:15Speaker 39: And
- 41:15Speaker 25: if you're, and if you're in Ireland, bar that has Guinness- Has Guinness on draft on draft
- 41:19Speaker 4: Sarah?
- 41:19Speaker 25: Guinness Zero on draft.
- 41:21Speaker 25: Mm-hmm.
- 41:21Speaker 39: Um, and what I find that what people are doing is they're
- 41:24Speaker 25: Zebra striping
- 41:25Speaker 39: Yep.
- 41:25Speaker 25: And I find
- 41:26Speaker 15: Do
- 41:26Speaker 14: you, everybody know what zebra striping is?
- 41:28Speaker 14: Where you alcoholic,
- 41:30Speaker 3: alcoholic, non
- 41:30Speaker 14: non-alcoholic
- 41:31Speaker 39: But what I
- 41:32Speaker 25: think is crazy is that, the martini has...
- 41:35Speaker 25: you know, we're, we do a lot of shows on
- 41:37Speaker 39: the martini.
- 41:37Speaker 14: In Chicago in October, by the way, Martini Expo.
- 41:40Speaker 14: In September, just like I said the first time.
- 41:42Speaker 25: Jennifer's there to keep us on track.
- 41:44Speaker 25: Uh, but you guys, I mean, you guys are known for your martini.
- 41:46Speaker 25: You were
- 41:46Speaker 4: said the first time.
- 41:46Speaker 4: Sandra's there to keep us on track.
- 41:47Speaker 4: Uh, but you guys, I mean, you guys are known for your martini.
- 41:47Speaker 4: You were semifinalists in the-
- 41:48Speaker 5: Yeah recent 2024 Sunken Harbor Club, I feel like once we decided,"Okay, we need a
- 41:55Speaker 18: genie on the menu because there are people running this program, there are people that come into Sunken Harbor Club that don't understand that it's specified- You
- 42:02Speaker 14: mean they're
- 42:02Speaker 5: you know, they're waiting to go downstairs.
- 42:04Speaker 5: And, like, at the
- 42:05Speaker 18: Beginning, I feel like the program
- 42:06Speaker 28: Program
- 42:08Speaker 5: a little more towards that, where we had a lot of crossover
- 42:10Speaker 18: over drinks, like the old fashioned that we were talking about-
- 42:13Speaker 5: that Dave
- 42:13Speaker 18: Wanders helped us at a certain point, we realized people are
- 42:17Speaker 5: are
- 42:18Speaker 18: going to ask for a martini no matter what, and we need to figure out what is the thing that we put our stamp on and say,"This is our martini." Because we had the El Presidente
- 42:27Speaker 41: El Presidente
- 42:28Speaker 18: earlier, that's a,
- 42:28Speaker 5: a,
- 42:29Speaker 18: maybe a bridge too far for people that want gin and vermouth.
- 42:32Speaker 18: and Tom Wolfson, who is now, helping me run the program, really wanted to go
- 42:39Speaker 5: "Hey,
- 42:40Speaker 18: what if we do a dirty martini that has,
- 42:43Speaker 28: like
- 42:43Speaker 18: some brine in it?" And then, uh, Shannon Lynch, who used to work here, also was like,"I wanna do a sesame martini." And I told them, I was like,"You need to R&D together because you're basically talking about the same thing." And their collaboration ended up being this martini that's now called The Immortal Martini, and the name comes from
- 43:03Speaker 5: a
- 43:03Speaker 18: legend that sesame oil would basically make you immortal when people first discovered that they could press
- 43:10Speaker 5: oil out
- 43:10Speaker 18: of sesame.
- 43:11Speaker 18: And I thought it would be a really fun name yeah, it ended up being this sort of unique, weird thing where we did a freezer martini that had all these sort of layers from the kitchen, like gochujang and sesame oil.
- 43:24Speaker 18: But it was very different than what
- 43:25Speaker 5: was going on
- 43:26Speaker 18: was going on downstairs.
- 43:27Speaker 18: I'm proud of both of them for making it so far with such a weird martini last year.
- 43:31Speaker 15: We're I gotta say
- 43:34Speaker 39: you know, the first time we met, you were like,"You're
- 43:37Speaker 25: You're the celebrities.
- 43:37Speaker 25: We're like,
- 43:38Speaker 15: You're the first guy that ever recognized us.
- 43:38Speaker 15: Yeah, but it's crazy that it's so many years ago.
- 43:38Speaker 15: My first time I met you was behind the bar at the Pagan Club in Wisconsin.
- 43:38Speaker 15: We've all come so far
- 43:38Speaker 39: guy that ever recognized us." Uh, but it's crazy
- 43:40Speaker 25: guy that ever recognized us." Uh, but it's crazy that so many years have gone by.
- 43:41Speaker 25: First time I met you was behind the bar of the Pagan Club in Spokane.
- 43:44Speaker 25: We've all come so far.
- 43:46Speaker 39: none of us have gotten rich, sadly, but we've come very- we've come very, very
- 43:51Speaker 14: We went into the restaurant and bar business.
- 43:52Speaker 14: It is not, that is not the answer
- 43:54Speaker 39: I know.
- 43:54Speaker 39: I'm still hoping.
- 43:55Speaker 39: I play the lottery every week.
- 43:56Speaker 39: but one of the things I wanna, touch on is, there's history to this.
- 44:01Speaker 25: I think the reason we care is we are part of a story, and this is part of our culture, and I think that's really important.
- 44:07Speaker 15: Important.
- 44:07Speaker 15: Um
- 44:08Speaker 25: We have to
- 44:08Speaker 39: acknowledge a few people i- in talking about this.
- 44:10Speaker 39: We have to acknowledge, for the tiki and
- 44:12Speaker 25: tropical cocktails, we have to acknowledge Don Beach and Victor Bergeron
- 44:16Speaker 5: And Jeff Barry And, and Jeff Barry
- 44:17Speaker 4: without-
- 44:17Speaker 25: and Jeff Berry- Yeah without whom all those recipes would've died.
- 44:21Speaker 25: Um, uh, but we also wanna acknowledge Charles Baker, and we talk a lot about Charles Baker, who wrote"The Gentleman's Companion." And I
- 44:28Speaker 27: think if- Hey, hey, Francis
- 44:29Speaker 14: we're acknowledging, can, can, we acknowledge Diplomatico and Brown-Forman since they sponsored today?
- 44:34Speaker 3: we're
- 44:34Speaker 4: all
- 44:34Speaker 14: Since
- 44:35Speaker 5: we're all doing that
- 44:35Speaker 39: the booze.
- 44:36Speaker 39: So to Diplomatico Rum
- 44:38Speaker 14: we're all here today'cause of them.
- 44:40Speaker 14: Thank you.
- 44:41Speaker 39: today
- 44:43Speaker 5: but you were talking about Charles H.
- 44:45Speaker 5: Baker.
- 44:46Speaker 5: Mm-hmm.
- 44:47Speaker 5: And Sinjin has written a lot about Charles H.
- 44:50Speaker 5: Baker and helped bring back things like the Remember the Maine and all that.
- 44:53Speaker 5: But Sinjin, did some
- 44:56Speaker 41: Research
- 44:57Speaker 5: about Charles H.
- 44:58Speaker 5: Baker that is brand new.
- 44:59Speaker 5: Nobody knows about
- 45:00Speaker 25: I wanna lead into this with just a moment.
- 45:04Speaker 25: so this is Charles H.
- 45:05Speaker 25: Baker,
- 45:05Speaker 15: He's one of the most important people in the survival of the cocktail.
- 45:06Speaker 15: He's not as well known, and for a while he was just forgotten.
- 45:06Speaker 15: For a while he-
- 45:06Speaker 25: of the most important people in the survival of the cocktail.
- 45:08Speaker 25: He's not as well known, and for a while he was just forgotten.
- 45:12Speaker 25: For a while, he was the most important guy writing about food and drink.
- 45:15Speaker 25: Um, anyway, so he wrote an amazing book, um, which I picked
- 45:19Speaker 4: Stop at the
- 45:19Speaker 25: the Far Hills Rummage Sale in 1987-
- 45:22Speaker 39: "The Gentleman's
- 45:23Speaker 25: Oh.
- 45:23Speaker 25: "The Gentleman's Companion." Wow.
- 45:24Speaker 25: And
- 45:25Speaker 4: This was, uh, this was the
- 45:25Speaker 39: second
- 45:26Speaker 4: edition
- 45:26Speaker 15: How about the'46 version
- 45:30Speaker 4: '87, this was-- it was 10 cents for paperbacks and 25 cents for hardcovers.
- 45:35Speaker 4: What?
- 45:35Speaker 4: You sprung?
- 45:35Speaker 4: And they tried to charge me 50
- 45:36Speaker 25: 50
- 45:36Speaker 4: cents'cause it has two books in it.
- 45:38Speaker 4: I was like,"Come on, that's one
- 45:39Speaker 15: of
- 45:39Speaker 4: can have it for a, for a quarter." Anyway, so
- 45:42Speaker 39: th-
- 45:43Speaker 4: th- these are,
- 45:43Speaker 14: it?
- 45:43Speaker 3: literally
- 45:44Speaker 14: Far Hills Rummage Sale in'87, this was-- it was 10 cents for paperbacks and 25 cents for hardcovers.
- 45:44Speaker 14: You sprung?
- 45:44Speaker 14: And they tried to charge me 50 cents'cause it has two books in it.
- 45:44Speaker 14: I was like:"Come on, that's one book." She's like:"Okay, you can have it." You can have it for a quarter.
- 45:44Speaker 14: Anyway, so th-these are, these are- He literally bought that book for a quarter, and I'm not-- he's not kidding
- 45:45Speaker 25: These
- 45:46Speaker 4: are...
- 45:46Speaker 4: And I r-
- 45:47Speaker 25: r-
- 45:47Speaker 4: and here's the thing about,
- 45:48Speaker 39: what the,
- 45:48Speaker 25: the difference between
- 45:49Speaker 4: the difference between you and me, and Dale DeGroff and me, is I read this book and I tri- I was like,
- 45:53Speaker 39: "Uh,
- 45:54Speaker 4: This seems,
- 45:54Speaker 39: important,
- 45:55Speaker 25: but
- 45:55Speaker 4: but I can't...
- 45:56Speaker 4: I try to make these drinks and they fucking suck," right?
- 45:58Speaker 4: Cause I didn't know how to read the book, and I didn't know how to put it in context.
- 46:02Speaker 4: And Charles H.
- 46:03Speaker 4: Baker is one of
- 46:05Speaker 25: of the most
- 46:06Speaker 4: important and authentic guys around, and kind
- 46:08Speaker 25: a
- 46:09Speaker 4: artist.
- 46:09Speaker 4: And
- 46:09Speaker 39: And
- 46:10Speaker 4: so what I have provided you was the
- 46:12Speaker 14: So you're actually channeling him
- 46:14Speaker 4: him.
- 46:14Speaker 4: I am.
- 46:14Speaker 39: yeah.
- 46:14Speaker 39: See what I did there?
- 46:15Speaker 39: So what I've provided
- 46:16Speaker 25: So what I provided you here is I provided the Remember the Maine
- 46:18Speaker 4: recipe, which you will find.
- 46:20Speaker 4: It's still a contemporary cocktail.
- 46:21Speaker 4: It's a great cocktail.
- 46:22Speaker 39: And
- 46:23Speaker 4: two of the books that appear, one is from
- 46:25Speaker 25: an article
- 46:25Speaker 4: an article that you wrote,
- 46:25Speaker 25: wrote,
- 46:26Speaker 4: which is with fucking Hemingway and a big fish, okay?
- 46:30Speaker 4: So totally legit.
- 46:31Speaker 25: The second is
- 46:32Speaker 4: The second is the inside cover from his
- 46:33Speaker 25: cookery
- 46:34Speaker 4: cookery book, which is
- 46:35Speaker 15: inside cover from his
- 46:35Speaker 25: horseshit-
- 46:36Speaker 4: from and being like-- And here's the thing.
- 46:37Speaker 4: I have a fr- we have a
- 46:38Speaker 39: fr- We
- 46:38Speaker 25: we have a
- 46:38Speaker 4: friend like this.
- 46:39Speaker 4: I have a friend who's like, so Francis, I'm-- And he'd be telling me these crazy stories.
- 46:43Speaker 4: He wrote freelance for"The New York Times,"
- 46:44Speaker 39: "I'm
- 46:45Speaker 4: write an article in'The New York Times' about your wine class if you let me take, just sit in on."
- 46:49Speaker 25: I'm like, Yeah, okay, Peter, you can sit in on my wine class fine, no problem at all." Fucking above and below the fold in the food section
- 46:56Speaker 15: section of the Times is
- 46:57Speaker 4: article on
- 46:57Speaker 25: on
- 46:57Speaker 15: the article on our wine class." I'm like...
- 46:58Speaker 15: And he's like,"I'm gonna be a war correspondent
- 46:59Speaker 25: And he's
- 46:59Speaker 4: He's like,"I'm gonna be a war correspondent in, uh, in the Middle East." I'm like,
- 47:02Speaker 25: like,
- 47:03Speaker 4: "Oh, sure." And then
- 47:04Speaker 25: And I'm like,
- 47:04Speaker 4: "Yeah, whatever." I'm watching the news
- 47:06Speaker 25: there's fucking Peter reporting from Beirut." Burn a
- 47:08Speaker 39: blowing up behind him.
- 47:09Speaker 25: of what comes out of that guy's mouth is bullshit, but you
- 47:12Speaker 4: but they don't know which 10% is which.
- 47:15Speaker 4: And his life is really
- 47:16Speaker 15: I agree,
- 47:20Speaker 6: is.
- 47:21Speaker 26: So Charles Baker,
- 47:23Speaker 16: it's fucking interesting.
- 47:23Speaker 16: Is that the case with this guy?
- 47:23Speaker 16: Yeah, it is.
- 47:23Speaker 26: the, the
- 47:24Speaker 6: photo that you referred to, it's him, like, laying in a hammock being fanned by a woman in a grass skirt and being served a cocktail by a little girl
- 47:32Speaker 26: in a grass skirt.
- 47:33Speaker 26: And
- 47:33Speaker 6: the older woman with the fan is his wife, And the young girl with the tray is his daughter.
- 47:40Speaker 39: Ah.
- 47:41Speaker 6: And the,
- 47:41Speaker 26: the,
- 47:42Speaker 6: the photo was taken in'39, when he was about 44 years old.
- 47:45Speaker 6: And I got in touch with his, uh, daughter, and she helped me research
- 47:50Speaker 40: his-
- 47:50Speaker 6: his- Oh, that's awesome his life.
- 47:51Speaker 6: And I really got to know her and got to know him through her, and she gave me the shaker that's in that, uh, photo.
- 47:57Speaker 14: Oh, how cool is that?
- 47:59Speaker 25: Which
- 48:00Speaker 26: I have
- 48:00Speaker 6: was cool.
- 48:00Speaker 6: Wow.
- 48:00Speaker 6: Was that- Amazing.
- 48:01Speaker 14: drink was shaken in that shaker, in
- 48:03Speaker 4: Yeah in that very
- 48:04Speaker 14: very shaker
- 48:05Speaker 26: drink
- 48:06Speaker 25: was shaken in that- that You're the m- most
- 48:07Speaker 4: Expert guide
- 48:08Speaker 25: I've ever met on Charles H.
- 48:09Speaker 25: Baker, who was everywhere.
- 48:11Speaker 25: I mean, he's literally
- 48:13Speaker 39: dining
- 48:13Speaker 4: with Errol
- 48:14Speaker 25: Flynn
- 48:14Speaker 4: Flynn and,
- 48:14Speaker 25: you know- writing
- 48:15Speaker 4: writing every
- 48:16Speaker 25: he's
- 48:17Speaker 39: the
- 48:17Speaker 25: the authority on...
- 48:18Speaker 25: Wait, I have a quote.
- 48:19Speaker 39: um, this is from Esquire,
- 48:21Speaker 4: No.
- 48:21Speaker 4: Okay.
- 48:21Speaker 4: But yeah, yeah, yeah.
- 48:21Speaker 4: Yeah.
- 48:21Speaker 4: He says, um, this is from Esquire Baker fished with Hemingway off the Bimini coast, downed flaming apple brandy in the back room of a New Jersey inn with Bill Faulkner,
- 48:31Speaker 39: joined
- 48:32Speaker 4: Errol Flynn and Robert
- 48:33Speaker 39: Frost
- 48:33Speaker 25: for a beachfront dinner south of Miami- Yeah featuring
- 48:36Speaker 4: Featuring four-inch steaks and potatoes
- 48:38Speaker 25: boiled in pine resin- Yep better than any
- 48:40Speaker 39: potato
- 48:41Speaker 4: ever baked in a mortal oven.
- 48:42Speaker 4: If you-- This is live.
- 48:43Speaker 4: If you ever-- This is in Esquire.
- 48:44Speaker 4: If you
- 48:45Speaker 25: line.
- 48:45Speaker 25: If you ever-- This is in
- 48:47Speaker 4: ever wondered whose oyster the world is, meet
- 48:50Speaker 15: Carl Inc.
- 48:50Speaker 15: I mean, that's it.
- 48:50Speaker 15: That's what I want on my headstone.
- 48:50Speaker 15: Pisco sour was his true love
- 48:51Speaker 4: H.
- 48:51Speaker 4: Baker.
- 48:53Speaker 25: I
- 48:53Speaker 39: mean, I, uh, that's it.
- 48:56Speaker 25: that's it.
- 48:56Speaker 25: That's what I want on my headstone.
- 48:57Speaker 25: So how
- 48:57Speaker 39: of that is bullshit?
- 48:58Speaker 39: How
- 48:58Speaker 25: much
- 48:59Speaker 39: is true?
- 48:59Speaker 39: What's the story?
- 49:00Speaker 39: What, what happened with that-
- 49:01Speaker 40: I
- 49:01Speaker 26: of that- Yeah is bullshit, how much is
- 49:02Speaker 6: True?
- 49:02Speaker 6: What's the story?
- 49:02Speaker 26: happened?
- 49:02Speaker 6: happened?
- 49:02Speaker 6: I
- 49:02Speaker 26: it's
- 49:02Speaker 6: it's all pretty true as it turns out.
- 49:03Speaker 6: He,
- 49:04Speaker 26: he
- 49:04Speaker 6: was from a f- family of like northern industrialists,
- 49:07Speaker 26: industrialists,
- 49:08Speaker 6: who moved down to Florida.
- 49:09Speaker 6: He was born in a very small town called
- 49:11Speaker 26: Zellwood, Florida,
- 49:12Speaker 6: Zellwood, Florida, and considered himself a, Floridian.
- 49:15Speaker 6: He, came into some money in
- 49:17Speaker 26: 1926,
- 49:18Speaker 6: took a cruise around the world,
- 49:19Speaker 16: Got hooked on the, the around the world cruise experience, ended up working for the cruise line.
- 49:20Speaker 16: And in 1931
- 49:20Speaker 6: hooked on the, the
- 49:21Speaker 26: around
- 49:22Speaker 6: the world cruise experience, ended up working for the cruise line.
- 49:26Speaker 6: And in 1931,
- 49:27Speaker 26: 32,
- 49:28Speaker 6: '32, he met, Pauline, uh,
- 49:29Speaker 26: Paulson,
- 49:30Speaker 6: who was the heiress of the Hercules Silver Mine up in Spokane, Washington, one of the biggest
- 49:36Speaker 14: heiress of the Hercules Silver Mine up in Spokane, Washington's biggest load- Jennifer, I am so mad at you right now.
- 49:38Speaker 14: I am so mad
- 49:38Speaker 3: am single.
- 49:39Speaker 3: I
- 49:39Speaker 6: just
- 49:39Speaker 4: want
- 49:39Speaker 3: to let you know.
- 49:41Speaker 3: He was-
- 49:41Speaker 39: the audience, I am single.
- 49:43Speaker 6: He was, uh, 36.
- 49:44Speaker 6: She was
- 49:45Speaker 26: 19 at the time, traveling with her mother.
- 49:48Speaker 6: But they fell in love, they got married in a weird, uh, ceremony in Hong Kong, um, and then got married for real when they got back to the US and
- 49:57Speaker 26: were t-
- 49:57Speaker 6: were together.
- 49:58Speaker 6: I mean, it sounds like a,
- 49:59Speaker 40: a, crazy
- 50:00Speaker 6: story until now.
- 50:01Speaker 6: I
- 50:01Speaker 26: they
- 50:01Speaker 6: were together for the rest of their lives, and they lived till, till very old age.
- 50:04Speaker 6: Probably.
- 50:05Speaker 39: John Bl-
- 50:05Speaker 26: And-
- 50:06Speaker 39: right?
- 50:06Speaker 29: they
- 50:07Speaker 26: were 87, right?
- 50:07Speaker 26: 80,
- 50:07Speaker 14: Yeah, in the'80s
- 50:08Speaker 6: the'80s.
- 50:08Speaker 6: And they, and, and they loved each other, and they had kids, and, um,
- 50:12Speaker 26: they
- 50:12Speaker 6: lived, uh, very happy lives.
- 50:14Speaker 6: I got you know, I got really fascinated with, uh, Charles H.
- 50:17Speaker 6: Baker in 2000, which, or yeah, 2000
- 50:20Speaker 40: kind of a long time ago.
- 50:22Speaker 26: time ago.
- 50:22Speaker 26: Yeah.
- 50:23Speaker 6: And, up writing an article for"The Oxford American" that was the only long form, uh, biographical article ever about him.
- 50:29Speaker 6: I was working at, Bon Appétit at the time, and the New York Library was right down the street, so I'd go there on my lunch break
- 50:34Speaker 26: and research.
- 50:35Speaker 6: I was always, uh, fascinated with him, and like you said,
- 50:38Speaker 26: it's the contextualizing.
- 50:40Speaker 6: it's the contextualizing.
- 50:40Speaker 16: The recipes often don't work.
- 50:41Speaker 16: That's not what it's about.
- 50:42Speaker 16: It's about the story around
- 50:43Speaker 6: the
- 50:44Speaker 16: the
- 50:44Speaker 6: and
- 50:45Speaker 16: recipe and about the setting and who- Travelogue you're sort of drinking with.
- 50:49Speaker 16: Right.
- 50:49Speaker 16: It's more about travel and setting than-
- 50:49Speaker 6: than anything else.
- 50:50Speaker 6: And, and, and I've always approached sort of restaurants and bars that way, which is the what's in your
- 50:56Speaker 16: Your glasses
- 50:57Speaker 6: is really important, but what's happening outside of your glass is
- 51:00Speaker 26: is
- 51:00Speaker 6: equally important
- 51:01Speaker 26: the
- 51:01Speaker 6: to the experience.
- 51:02Speaker 26: what
- 51:03Speaker 6: uh, Garrett is referring to is I recently met this guy named,
- 51:05Speaker 16: Jeremy Lopez, who
- 51:10Speaker 6: and,
- 51:11Speaker 16: um, is the new Baker historian on the scene.
- 51:13Speaker 6: historian on the scene.
- 51:15Speaker 4: Wow.
- 51:16Speaker 26: He's
- 51:16Speaker 6: the chair of the English, department there.
- 51:18Speaker 26: He's
- 51:19Speaker 6: a great guy.
- 51:19Speaker 6: He doesn't know anything about cocktails,
- 51:21Speaker 26: So,
- 51:21Speaker 6: Oh for,
- 51:22Speaker 26: for
- 51:22Speaker 6: me to interact with him and to introduce him to other cocktail, uh,
- 51:26Speaker 16: Wow.
- 51:26Speaker 16: He's the chair of the English, uh, uh, department there.
- 51:26Speaker 16: He's a great guy.
- 51:26Speaker 16: He doesn't know anything about cocktails.
- 51:26Speaker 26: he's
- 51:27Speaker 6: terribly
- 51:27Speaker 16: terribly interesting.
- 51:28Speaker 16: So
- 51:28Speaker 6: the other night, he
- 51:29Speaker 16: the other night, he came by the club, drove in from, uh, Jersey, uh, w- took a drink because he had a few drinks here at the club.
- 51:35Speaker 16: And, uh,
- 51:36Speaker 26: We were talking
- 51:37Speaker 6: We were talking about stuff, and he was like,"Oh, did you ever hear of this bar in
- 51:40Speaker 16: we were talking about stuff, and he was like,"Oh, did you ever hear of this bar in Cambridge, Massachus-"
- 51:40Speaker 6: that was like a Charles H.
- 51:41Speaker 6: Baker themed bar?"
- 51:42Speaker 16: And I was like,"No, I was-"
- 51:43Speaker 6: No." I
- 51:44Speaker 16: There's a what?
- 51:45Speaker 6: what time are we talking about?" He's
- 51:46Speaker 26: like,
- 51:46Speaker 6: "Oh, this is
- 51:46Speaker 26: like in the
- 51:47Speaker 6: like in the'60s." And I was like,"No, I'm pretty sure I would've heard of it if that's
- 51:50Speaker 26: the
- 51:51Speaker 6: the case." And so
- 51:52Speaker 40: And
- 51:52Speaker 26: the
- 51:53Speaker 6: next day, he sent me a PDF of a bunch of articles from, the Boston Globe,
- 51:57Speaker 26: three
- 51:58Speaker 6: articles about a bar in the Brattle Theatre in Cambridge, in Harvard Square, they had a restaurant downstairs called Club, Casablanca, which was, based on,
- 52:10Speaker 40: Rick's American
- 52:11Speaker 6: Cafe
- 52:11Speaker 16: the Raddall Theatre called- Does this sound familiar?
- 52:11Speaker 6: the movie, that everyone loved, and they decided to open this other bar above the
- 52:15Speaker 26: projectionist
- 52:16Speaker 6: booth in the Brattle Theatre-
- 52:19Speaker 5: this sound familiar at all?
- 52:22Speaker 26: called
- 52:22Speaker 6: The Grand Turk.
- 52:23Speaker 6: It was named after a boat that-
- 52:25Speaker 26: sailed from, uh, Cambridge, Mass to somewhere.
- 52:27Speaker 14: it sink?
- 52:29Speaker 6: No,
- 52:29Speaker 26: but the...
- 52:30Speaker 6: the...
- 52:30Speaker 6: So the bar had three rooms.
- 52:31Speaker 6: It had the Rangoon room, it had the East India room, and it had another room that was built to look like a, captain's
- 52:39Speaker 26: quarters.
- 52:40Speaker 6: And I'm like, tell me more." They piped in the sound of waves breaking- Wow.
- 52:46Speaker 6: That's
- 52:46Speaker 14: That's amazing
- 52:47Speaker 6: we do at the Sunken Harbor Club.
- 52:49Speaker 6: Oh,
- 52:49Speaker 5: yeah.
- 52:49Speaker 5: This is crazy coincidence.
- 52:50Speaker 5: They
- 52:51Speaker 6: were serving- Yeah all Charles H.
- 52:52Speaker 6: Baker Jr.
- 52:54Speaker 26: drinks
- 52:54Speaker 6: at
- 52:54Speaker 26: this place,
- 52:55Speaker 6: this place, and even ran the recipes in the newspaper, which if you, compare them to the recipes in the book, which I did, they're they're note for note, they're the exact same drinks.
- 53:04Speaker 6: So they, th- there was a Charles Baker themed bar in Cambridge, Mass in
- 53:08Speaker 26: 1966,
- 53:10Speaker 16: Opened by
- 53:10Speaker 6: by the guys that owned the Brattle Theatre, who were also the guys who started Janus
- 53:15Speaker 26: Films,
- 53:16Speaker 6: the film, uh, distribution company that introduced Americans to
- 53:20Speaker 26: Fellini,
- 53:21Speaker 6: Fellini, Bergman, Godard- Wow you name it.
- 53:23Speaker 14: So what, so- The originals So what
- 53:25Speaker 3: rich,
- 53:25Speaker 14: is it now?
- 53:25Speaker 14: Not from the barn.
- 53:25Speaker 14: So what is it now?
- 53:27Speaker 6: from the bar.
- 53:28Speaker 40: I
- 53:28Speaker 3: is it now?
- 53:29Speaker 3: And let's buy.
- 53:30Speaker 6: I know.
- 53:31Speaker 40: Well-
- 53:31Speaker 26: there's a
- 53:32Speaker 6: there's a bar down
- 53:32Speaker 26: the
- 53:33Speaker 6: the street called Husong Road that, that we need to, we need to talk,
- 53:37Speaker 26: we
- 53:37Speaker 6: need to figure this out, and figure out how this spiritual predecessor of the Sunken Harbor Club ended up there, and do something with Husong Road to, to bring them back- Pay tribute, yeah if only for a moment.
- 53:47Speaker 6: Yeah.
- 53:49Speaker 4: One
- 53:49Speaker 25: the-
- 53:52Speaker 39: Road to, to bring it
- 53:52Speaker 14: restaurant
- 53:52Speaker 40: Yeah if only for a moment.
- 53:53Speaker 5: Yeah.
- 53:53Speaker 5: If
- 53:53Speaker 14: guys than you
- 53:54Speaker 5: exists,
- 53:54Speaker 14: could.
- 53:54Speaker 14: buy it.
- 53:54Speaker 14: Yeah.
- 53:54Speaker 14: Just a thought.
- 53:55Speaker 4: The
- 53:55Speaker 6: Rattletail is still there.
- 53:56Speaker 6: The Rattletail is still there
- 53:56Speaker 26: there
- 53:57Speaker 4: Well, I wanna read
- 53:58Speaker 39: to you from the book of, uh, Charles H.
- 54:00Speaker 39: Baker, just a, a couple things.
- 54:02Speaker 39: His writing was amazing.
- 54:03Speaker 39: He was a great writer.
- 54:05Speaker 39: And honestly, one of the things about you guys is you're both writers, you're both well-read, and, y-
- 54:09Speaker 4: these books were, and there were several books that
- 54:11Speaker 15: that these books were, and there were several books that came after
- 54:11Speaker 4: that
- 54:12Speaker 25: and, uh, many, many articles that came after that, they were
- 54:15Speaker 4: they were
- 54:15Speaker 25: we talked about contextualizing.
- 54:16Speaker 25: Mm-hmm.
- 54:16Speaker 25: Yeah.
- 54:16Speaker 25: And what, what have
- 54:17Speaker 15: Recipe books become for a long time, but a list of ingredients and techniques and a, an encyclopedia
- 54:17Speaker 25: books
- 54:18Speaker 4: become for a long time
- 54:19Speaker 25: but a list of ingredients and techniques and a, an encyclopedia of i-ingredients, techni-techniques.
- 54:25Speaker 4: What have they become again?
- 54:26Speaker 4: And what have cocktail books become again?
- 54:28Speaker 15: What have they become again?
- 54:28Speaker 15: And what have cocktail books become again?
- 54:28Speaker 15: But a story giving you the context and interspersed in the story of someone's life...
- 54:29Speaker 4: giving you the context and interspersed in the story of someone's life or some town or some village,
- 54:34Speaker 25: you have the context of the dish.
- 54:36Speaker 25: And I wanna--
- 54:36Speaker 39: We're
- 54:36Speaker 25: gonna bring this, quickly to
- 54:37Speaker 4: quickly to a
- 54:38Speaker 15: quickly to
- 54:38Speaker 4: close, but I wanna
- 54:38Speaker 15: a close, but I wanna
- 54:38Speaker 25: end with,'cause this was personal to me.
- 54:40Speaker 15: So
- 54:40Speaker 4: this is his book of cookery, which doesn't really get a lot of...
- 54:44Speaker 4: So there's a, the twin, you have a book of exotic cookery and you have the book of,
- 54:47Speaker 15: is his book of cookery, which doesn't really get a lot of...
- 54:47Speaker 15: So it was a, it's a twin.
- 54:47Speaker 15: You have a book of exotic cookery, and you have the book of, um-
- 54:48Speaker 25: Cocktails." And the thing about the
- 54:49Speaker 15: Exotic cocktails was this was the period of, you know, the expatriate writers who were writing about the exotic France and Italy
- 54:49Speaker 4: cocktails was this was in
- 54:50Speaker 25: this was
- 54:50Speaker 4: the period of, you
- 54:52Speaker 25: the
- 54:52Speaker 4: expatriate writers who were writing about the exotic France
- 54:55Speaker 25: and Italy and, and, uh, not so much Germany.
- 54:59Speaker 25: Um, but, but, uh, uh- Spain the
- 55:01Speaker 4: Richard Worsfold, Spain.
- 55:02Speaker 25: He wrote a lot about the,
- 55:03Speaker 4: or just an unfamiliarity.
- 55:04Speaker 25: and- Mm-hmm
- 55:05Speaker 4: He wrote a lot about the, the, the, Far East and, and, and the Caribbean and sailing destinations.
- 55:06Speaker 4: Uh, but the book of cookery
- 55:07Speaker 25: "Book of Cookery"
- 55:08Speaker 4: never took off
- 55:09Speaker 25: and I'm trying to...
- 55:11Speaker 25: Mark and I
- 55:12Speaker 4: I just came up with
- 55:12Speaker 25: the idea earlier
- 55:13Speaker 4: the idea earlier that
- 55:13Speaker 25: we're gonna try and do something in our restaurant.
- 55:14Speaker 25: We may do
- 55:15Speaker 39: a
- 55:16Speaker 4: Dinner with
- 55:16Speaker 25: some cocktails from his cocktail book
- 55:18Speaker 15: Mark and
- 55:18Speaker 4: some cocktails from his cocktail book
- 55:19Speaker 15: I just came up with the idea earlier that we're gonna try and do something in our restaurant.
- 55:20Speaker 15: We may do a
- 55:20Speaker 14: dinner with some cocktails from his cocktail book and some, some, uh- Some cookery
- 55:20Speaker 25: cookery books some cookery from
- 55:21Speaker 4: cookery some cookery Some cookery?
- 55:22Speaker 25: So keep your eyes peeled for that.
- 55:23Speaker 25: But for personal reasons, I have to read you about his, um...
- 55:27Speaker 14: I'm sorry, whenever Francis says for personal reasons, I get a little scared.
- 55:32Speaker 14: Okay?
- 55:32Speaker 14: I don't know about the rest of you, but I've known him a really long time, and I get a little scared.
- 55:36Speaker 25: he gives you the context of all the recipes.
- 55:37Speaker 25: This is, Mr.
- 55:39Speaker 25: Daven's
- 55:39Speaker 4: Irish
- 55:40Speaker 15: Davin's Irish Colt Cannon.
- 55:40Speaker 15: The rest of it's all wrong.
- 55:42Speaker 15: I can't,
- 55:42Speaker 25: give you many original Irish recipes.
- 55:45Speaker 4: There is no great variety of cooking in the island.
- 55:48Speaker 39: "Mostly
- 55:49Speaker 17: give you many original Irish recipes.
- 55:49Speaker 17: There is no great variety of cookie in the
- 55:49Speaker 15: island.
- 55:49Speaker 15: Mostly baking-
- 55:50Speaker 4: and potatoes ad infinitum.
- 55:52Speaker 4: They just never think of varying it.
- 55:54Speaker 4: Occasionally a bit of lamb, veal, or beef, but only when there's been an accident on the farm.
- 56:03Speaker 28: That's
- 56:03Speaker 5: That's a rough assessment.
- 56:04Speaker 5: Jesus.
- 56:05Speaker 14: I
- 56:07Speaker 39: I
- 56:07Speaker 25: I vaguely hate this
- 56:08Speaker 39: guy,
- 56:08Speaker 25: he's probably
- 56:09Speaker 14: really,
- 56:09Speaker 4: Yeah
- 56:10Speaker 14: I randomly hate this guy.
- 56:10Speaker 39: "City cuisine
- 56:11Speaker 25: is, of course, like any other, more or less international and nothing in particular.
- 56:14Speaker 25: The only dish I know that's truly Irish is one seldom duplicated elsewhere, colcannon, an old
- 56:20Speaker 4: Gaelic name.
- 56:20Speaker 4: Just imagine it, will you?
- 56:22Speaker 4: One immense mound of mashed potatoes
- 56:24Speaker 39: seasoned
- 56:25Speaker 4: with pepper,
- 56:25Speaker 15: Salt and so mashed and whipped with butter and cream until it is a fine, light consistency.
- 56:26Speaker 15: Leaning around the sides of this mound are strips
- 56:26Speaker 4: and so mashed and whipped with butter and cream- Mm...until it is a fine, light consistency.
- 56:30Speaker 4: Leaning around the sides of this mound are strips of fried Irish bacon cut into edible
- 56:35Speaker 15: size.
- 56:35Speaker 4: Sunken in the top of this foot-high mound, hollowed out like a crater
- 56:39Speaker 15: Sunken in the
- 56:40Speaker 4: is
- 56:41Speaker 25: a
- 56:41Speaker 15: top of this foot-high mound, hollowed out like a crater in Vesuvius, is a half
- 56:41Speaker 4: chunk of butter, which is put in while the spuds are
- 56:44Speaker 15: Buds are steaming.
- 56:45Speaker 15: Cocan
- 56:46Speaker 4: is devoured by the whole family from the same
- 56:48Speaker 15: is devoured
- 56:51Speaker 39: Yeah.
- 56:51Speaker 4: Does
- 56:51Speaker 39: grabs his piece of
- 56:53Speaker 4: anyone else find this racist?
- 56:54Speaker 4: Each grabs his piece of bacon, and while munching, this scoops a gob of potato, dips it into the melted butter, and allows this amalgam to glide down the esophagus.
- 57:02Speaker 4: Much merriment-- Sounds like he's describing monkeys to me, actually.
- 57:07Speaker 4: Much
- 57:07Speaker 39: merriment
- 57:07Speaker 4: caused by the scrambling for the bits of bacon, a free-for-all usually ensues near the end of the meal.
- 57:12Speaker 4: Sounds like an Irish fight, right?
- 57:14Speaker 4: Um, when the last of the dwindling remains are scooped with spoons and forks flying like hurley sticks.
- 57:21Speaker 4: And it is then that the true
- 57:22Speaker 25: colcannon
- 57:22Speaker 4: artist begins to show their true mantle.
- 57:25Speaker 4: It consists of slithering a portion of
- 57:27Speaker 15: This
- 57:28Speaker 4: from your competitor's spoon
- 57:30Speaker 15: gob of potato, dips it into the melted
- 57:36Speaker 14: butter, and allows this malgam to glide down the esophagus.
- 57:39Speaker 14: Much merriment.
- 57:39Speaker 14: Sounds like he's describing monkeys to me, actually.
- 57:39Speaker 14: Much merriment caused by the scrambling for the bits of bacon.
- 57:39Speaker 14: A free-for-all usually ensues near the end of the meal.
- 57:39Speaker 14: Sounds like an Irish fight, right?
- 57:39Speaker 14: Um, when the last of the dwindling remains are scooped with spoons and forks flying like hurley sticks.
- 57:40Speaker 14: And it is then that the true ulpanan artist begins to show their true mantle.
- 57:40Speaker 14: It consists of slithering a portion of the stuff from your competitor's spoon before it reaches the mouth.
- 57:40Speaker 14: Facial expressions of the losers add much to the atmosphere of chaos and excitement.
- 57:40Speaker 14: I don't think he thought a lot about the Irish there, Francis.
- 57:40Speaker 14: Sorry, buddy.
- 57:41Speaker 39: I don't, I, I don't, I
- 57:43Speaker 14: I
- 57:43Speaker 25: don't, think he thought a lot of the Irish, man.
- 57:44Speaker 25: I'm sorry.
- 57:44Speaker 25: I don't, I don't, I don't, I don't think he loved
- 57:44Speaker 39: the
- 57:44Speaker 25: the Irish.
- 57:44Speaker 25: And, and he
- 57:45Speaker 4: and he left out half the ingredients of cocanot.
- 57:48Speaker 39: However,
- 57:49Speaker 4: the, the dish is great, and if we do this thing, we're
- 57:51Speaker 25: gonna make a colcannon, and we're
- 57:52Speaker 4: gonna make a cocanot and we're gonna make it the right way.
- 57:53Speaker 39: And
- 57:54Speaker 25: are great.
- 57:55Speaker 25: This
- 57:55Speaker 14: Just so you guys know, we could have done this for another two hours.
- 57:58Speaker 14: Do
- 58:02Speaker 4: our deal.
- 58:02Speaker 4: We'll send you that and then...
- 58:02Speaker 4: Never mind
- 58:03Speaker 25: your drinks now.
- 58:03Speaker 25: That's the whole difference, right?
- 58:05Speaker 25: Fine.
- 58:05Speaker 25: That's our deal.
- 58:06Speaker 39: with Senjen
- 58:07Speaker 25: Send in
- 58:07Speaker 39: and, uh...
- 58:07Speaker 25: and...
- 58:07Speaker 25: I-- Never mind.
- 58:07Speaker 25: Someone say never mind.
- 58:08Speaker 39: somebody say never mind?
- 58:09Speaker 39: That's fucking fantastic.
- 58:11Speaker 25: That's
- 58:11Speaker 39: love you
- 58:12Speaker 14: it.
- 58:12Speaker 14: Well, you have to start paying for your drinks.
- 58:12Speaker 14: That's our deal.
- 58:12Speaker 14: Never mind.
- 58:12Speaker 14: What do you need to know?
- 58:12Speaker 4: Listen, this is great.
- 58:13Speaker 4: We, uh
- 58:14Speaker 25: I hope that you will listen to"The Restaurant Guys." Please, follow us, subscribe if you can.
- 58:18Speaker 25: Um, we're
- 58:19Speaker 14: Th- you broke into an Irish brogue somehow.
- 58:20Speaker 14: What happened?
- 58:21Speaker 3: the cold panic.
- 58:22Speaker 3: It
- 58:22Speaker 14: What ha-
- 58:22Speaker 3: cold panic.
- 58:23Speaker 14: what, it was the cold cannon.
- 58:24Speaker 39: It
- 58:24Speaker 3: wasn't-
- 58:25Speaker 14: wanna, I wanna interrupt you for one second.
- 58:27Speaker 14: Morgan's standing in the back there.
- 58:28Speaker 14: She made these cocktails today-
- 58:30Speaker 27: Morgan.
- 58:30Speaker 14: Garrett.
- 58:31Speaker 14: Thank you
- 58:34Speaker 25: thing about this is what we talked about today, this is what cocktails are about.
- 58:37Speaker 25: This is what restaurants are about.
- 58:38Speaker 25: In an age of AI, when it's gonna come for us all, and everything is digital and everything
- 58:43Speaker 4: It's
- 58:43Speaker 14: It's not gonna make your cocktails.
- 58:44Speaker 25: sir, this
- 58:45Speaker 4: This is where-- This
- 58:45Speaker 14: It's not gonna listen to your sad stories
- 58:47Speaker 25: and I wanna end on this one note.
- 58:50Speaker 25: We're super happy that you come patronize your restaurants.
- 58:53Speaker 25: We're super happy that you come patronize our restaurants.
- 58:56Speaker 25: We're super happy that you listen to"The Restaurant Guys" podcast and are all gonna become paid subscribers in a moment or two.
- 59:01Speaker 25: We appreciate that.
- 59:03Speaker 25: but the most important thing here, look around.
- 59:08Speaker 25: are the most important thing here.
- 59:09Speaker 39: We are
- 59:10Speaker 25: here together in a room in person.
- 59:11Speaker 25: It's not AI, it's not virtual, and this is why we do what we do.
- 59:15Speaker 25: And so let's continue the story.
- 59:17Speaker 25: Let's
- 59:17Speaker 15: have some more drinks
- 59:18Speaker 39: and
- 59:18Speaker 5: Continue the story.
- 59:18Speaker 5: Let's have some more drinks.
- 59:18Speaker 5: Yeah.
- 59:18Speaker 39: time.
- 59:19Speaker 39: Thank you very much.
- 59:20Speaker 26: let's have a great night.
- 59:20Speaker 26: Hey.