Latest / The Great Detectives Present Dragnet (Old Time Radio) / Dragnet: The Big Trunk (TV Soundtrack) (EP4724)
Transcript
- 0:15Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
- 0:21Speaker 1: This is your post Adam Brand. In a moment, we're
- 0:25Speaker 1: going to bring you this week's episode of Dragnet. But
- 0:28Speaker 1: first I want to encourage you, if you're enjoying the podcast,
- 0:31Speaker 1: to please follow us using your favorite podcast software. Also,
- 0:36Speaker 1: today's program is brought you part by the financial support
- 0:39Speaker 1: of our listeners. You can support the show on a
- 0:42Speaker 1: one time basis support dot Great Detectives dot net, and
- 0:45Speaker 1: you can also become one of our ongoing Patreon supporters
- 0:48Speaker 1: for as little ass two dollars per month. Go to
- 0:50Speaker 1: Patreon dot Great Detectives dot net. Well, this week we
- 0:55Speaker 1: are actually doing something a little bit different. For fifty months,
- 1:00Speaker 1: we haven't had any lost episodes on Dragnet, but unfortunately
- 1:06Speaker 1: that streak comes to a close as two episodes The
- 1:11Speaker 1: Big Love are missing. The Big Trunk is one of
- 1:16Speaker 1: those episodes where the TV adaptation circulates and we can
- 1:20Speaker 1: go ahead and listen to the soundtrack of that TV episode.
- 1:26Speaker 1: As usual, this has been Alexander as Frank Smith, but
- 1:31Speaker 1: as otherwise, the same story that would have been heard
- 1:34Speaker 1: on radio. So here based on the radio script that
- 1:38Speaker 1: aired on March twenty second, nineteen fifty one. Is the
- 1:44Speaker 1: soundtrack of the TV episode that aired January seventh, nineteen
- 1:51Speaker 1: fifty four. It's the Big Trunk.
- 2:00Speaker 2: Yeah, ladies and gentlemen, the story you were of out
- 2:06Speaker 2: to see is true.
- 2:07Speaker 3: The names have been changed to protect the innocent. This
- 2:26Speaker 3: is the city, Los Angeles, California. I work here, I'm
- 2:35Speaker 3: a cop. It was Wednesday, September second, was cloudy in
- 2:42Speaker 3: Los Angeles. We were working the day watch out a
- 2:44Speaker 3: homicide division. My partners Frank Smith, the boss's captain. Woman,
- 2:48Speaker 3: my name is Friday. A man had jumped from a
- 2:51Speaker 3: downtown ten story building. We checked what evidence we had,
- 2:54Speaker 3: but we were still unable to get an identification. Before
- 2:56Speaker 3: we could proceed with the investigation, we had to know
- 2:58Speaker 3: who he was and why. You know, what's doing? Well,
- 3:16Speaker 3: not much got you've seen Frank Ronnie was supposed meet
- 3:18Speaker 3: me here, as passed him in the whole communications said
- 3:20Speaker 3: to be run back playing make you think it busy?
- 3:23Speaker 3: All about the same, but I'll have to go around
- 3:25Speaker 3: the house though it's right. Don't mentioned something about that.
- 3:27Speaker 3: You're getting ready for a wedding right at your house,
- 3:29Speaker 3: aren't you. Yeah, My daughter aroundis he's getting a nice
- 3:31Speaker 3: fellow that's up. Yeah, ambitious boys smart is a part
- 3:35Speaker 3: time accountment, goes to law school at Nowtown in Loyola.
- 3:37Speaker 3: Real nice fellow. That's good when they get made from Saturday.
- 3:41Speaker 3: My wife finally got her way. It's going to be
- 3:42Speaker 3: a big church thing, so that it doesn't have enough.
- 3:45Speaker 3: Why you should have had all boys gots you're gonna
- 3:48Speaker 3: give you got away? I suppose. Yeah, so that's announced me.
- 3:50Speaker 3: You've got to be sure and send my suit of
- 3:51Speaker 3: the cleaner's. You've got a good press job on it.
- 3:54Speaker 3: It is funny, but it seems the wife's been afraid
- 3:57Speaker 3: for years. We never get Alice married off. Now it's
- 4:00Speaker 3: finally the works the wife's doing. I'm happy. Oh how's that?
- 4:02Speaker 3: She goes moping around the house, dabbing a rise with
- 4:04Speaker 3: a handkerchief, keeps muttering something about losing a little girl
- 4:07Speaker 3: or little girl's living. I don't know, how was your
- 4:09Speaker 3: daughter Alice? Pretty true? Well, I guess I better get
- 4:14Speaker 3: started on this. Hi, I think what's going? How'd you
- 4:18Speaker 3: do on that job? Is nothing? Don't make it on
- 4:20Speaker 3: the prince? Huh? A couple of long relax on his
- 4:22Speaker 3: clothes were checking him out? Ye, anything else doing? Well? Say,
- 4:26Speaker 3: they just posted the list inside the annual physical exams. Am,
- 4:29Speaker 3: I honor sure both of us were supposed to report
- 4:31Speaker 3: to Roll nineteen at the Academy Monday ten o'clock. Who's
- 4:33Speaker 3: doing the examinations? Doctor seven? Oh, what's the matter.
- 4:38Speaker 4: Well, he's the one that checked me over last year,
- 4:40Speaker 4: told me to take off some weight.
- 4:42Speaker 3: I haven't lost an ounce, but I thought you were
- 4:43Speaker 3: on a diet, I am Joe.
- 4:45Speaker 4: You even got one of those little calorie gizmos.
- 4:47Speaker 3: You know it tells you how many calories and everything. Yeah,
- 4:49Speaker 3: I hurt him, doesn't do any John still gam well.
- 4:51Speaker 3: It seems to me if you keep touch you should
- 4:53Speaker 3: lose some weight, you know me. In addition, Joe, I
- 4:56Speaker 3: WoT some lunch, hot shot, I got it y, there's
- 5:04Speaker 3: one to roll out. I'm rich. Fare one is a
- 5:05Speaker 3: fair hotel, Room twelve. Yeah. The slug murder eleven fifty
- 5:15Speaker 3: five AM relocated the Stage Hotel on West Howard Street,
- 5:18Speaker 3: half a dozen blocks from the City Hall, was in
- 5:20Speaker 3: the heart of the skid Row district, a white stuccle
- 5:22Speaker 3: building three stories. Who identified ourselves to the manager of
- 5:25Speaker 3: the hotel and missus Lorraine Washburn. She led the way
- 5:29Speaker 3: up a flight of stairs to the second floor. The
- 5:35Speaker 3: hallway was dingy. Down at the end on the left
- 5:37Speaker 3: was Room twelve. We went in. The room was crowded
- 5:41Speaker 3: with furniture bric a brac, odds and ends. The walls
- 5:43Speaker 3: were covered with pictures of old time board bill stars,
- 5:46Speaker 3: autographed programs, and theatrical posters. In the center of the
- 5:49Speaker 3: room was an open steamer trunk full of costumes and
- 5:51Speaker 3: bundles of news clippings. It looked like it had been ransacked,
- 6:03Speaker 3: tied to a chair with the body of a woman.
- 6:05Speaker 3: She looked to me about thirty years of age, red hair.
- 6:08Speaker 3: She'd been badly beaten about the face and head. Near
- 6:17Speaker 3: the body was an empty wine bottle, a pair of
- 6:20Speaker 3: broken glasses, and I liked the steel pipe about ten
- 6:25Speaker 3: inches long. There were bloodstains on her. Frank put on
- 6:30Speaker 3: a call of the office and then to the crime lamb.
- 6:37Speaker 3: The landlady identified the victim of Telma Porter. We asked
- 6:42Speaker 3: the lamaity what time she discovered the body.
- 6:44Speaker 5: About eleven twenty this morning. That's where it is now.
- 6:47Speaker 6: Sergeant Stuffy's can touched I haven't mentioned it to anyone
- 6:50Speaker 6: in the hotel.
- 6:52Speaker 4: Of course, how long have the victim been staying here
- 6:54Speaker 4: at the hotel, Miss.
- 6:55Speaker 6: Washington or at least two years, maybe a little more
- 6:58Speaker 6: than that.
- 6:59Speaker 5: Easy at the tail, It just doesn't make sense.
- 7:01Speaker 6: How do you mean, man, Thelma didn't have any moon?
- 7:04Speaker 5: He was just like most of the people I have
- 7:06Speaker 5: his stage volks.
- 7:08Speaker 3: They're all older people.
- 7:09Speaker 7: Most of them don't work too often, live from hand
- 7:11Speaker 7: them out most of the times.
- 7:13Speaker 3: I say, did former porter live in this room here alone? Yeah,
- 7:16Speaker 3: that's right, this is a thing.
- 7:17Speaker 5: Though farmer used to be married. Her husband died in
- 7:20Speaker 5: east about ten years ago. I think name was Carl.
- 7:24Speaker 7: Thelma and Kyle.
- 7:25Speaker 6: There used to be an old Roadville king, the two
- 7:27Speaker 6: of them laws and behind.
- 7:30Speaker 4: Did the porter woman have many friends here at the hotel?
- 7:32Speaker 8: Man?
- 7:32Speaker 5: Oh, yes, to everybody. All my people are friendly with
- 7:36Speaker 5: each other. Most of them are pinions. They just will
- 7:39Speaker 5: have to tell all of them about.
- 7:40Speaker 3: This, Yes, ma'am, I graid so I must wash them.
- 7:42Speaker 3: Remember the last time you saw him as porter? I
- 7:44Speaker 3: mean before this morning, of course.
- 7:45Speaker 6: Just after midnight last night. I was sitting down in
- 7:48Speaker 6: the lobby of eating, just about to go to bed.
- 7:50Speaker 6: Thelma came home with George Steele. Did the friend of
- 7:53Speaker 6: Falmas lives here in the hotel? Thelma said good night
- 7:56Speaker 6: and came upstairs here till the room. George and I
- 7:58Speaker 6: sat a bed and talked maybe ten fifteen minutes. Then
- 8:02Speaker 6: this money I was taking the fresh linen around to
- 8:04Speaker 6: the rooms, knocked on Thloma's door, but she didn't answer.
- 8:07Speaker 6: Finally opened up with the past key.
- 8:09Speaker 3: There it was, and this George Steele that missus Porter
- 8:12Speaker 3: came in with. Had she'd been out on a date
- 8:13Speaker 3: with him?
- 8:13Speaker 9: Wud you know?
- 8:14Speaker 5: No, not exactly.
- 8:16Speaker 7: You see Thomas Bark quite a bit of time at
- 8:17Speaker 7: the bar down the street, Jack Hamley's place.
- 8:20Speaker 5: She was bare five six nights every week.
- 8:22Speaker 10: I see George.
- 8:23Speaker 7: Dropped in poor a bottle of beer, had one of Elma.
- 8:26Speaker 3: I guess.
- 8:26Speaker 7: Then the two of them came back to the hotel together.
- 8:29Speaker 3: Did she have any visitors last night? You know, no, sir,
- 8:31Speaker 3: I don't. Does she have any enemies that you might
- 8:33Speaker 3: know of? Maybe somebody she didn't get along way? No,
- 8:35Speaker 3: nobody I know her, And you can't think of a
- 8:37Speaker 3: reason why anybody'd want to kill her.
- 8:39Speaker 7: I don't know.
- 8:41Speaker 10: Maybe somebody thought she had money. She didn't, not even
- 8:45Speaker 10: enough to bury her.
- 8:46Speaker 5: I don't know what's going to happen.
- 8:49Speaker 3: Joe's Washington. The manager on the way over here over
- 9:04Speaker 3: he would you need me anymore?
- 9:06Speaker 5: Can I go now?
- 9:06Speaker 11: With?
- 9:07Speaker 3: Got a few more questions you'd like to ask you, ma'am,
- 9:08Speaker 3: if you don't mind.
- 9:09Speaker 5: Well, it's quite a shock, you know, terrible thing.
- 9:11Speaker 10: To have happened. That, such a terrible thing, all mixed up.
- 9:16Speaker 10: I'm going to have to explain what's happening. Tell me
- 9:19Speaker 10: she had three weeks behind in her rent. I carried
- 9:21Speaker 10: her on the books. Do you all know the hotel's
- 9:23Speaker 10: going to want the rent for me? Going to have
- 9:25Speaker 10: to come from someplace.
- 9:26Speaker 3: Well, how did missus porter live? Didn't she have anyone
- 9:28Speaker 3: come at all?
- 9:29Speaker 5: She worked occasionally odd jobs, and she'd have the unplumbed insurance.
- 9:33Speaker 7: Even after I'm out on her two or three weeks ago.
- 9:37Speaker 7: There's no reason in the world for its sergeant killing.
- 9:39Speaker 7: Tell she wasn't too young or very pretty.
- 9:43Speaker 5: She wasn't worth anything. She didn't even have a decent
- 9:46Speaker 5: coat to go outing. Yes, ma'am, that's trunk over there
- 9:51Speaker 5: full of papers. That's all she has. What sense does
- 9:56Speaker 5: that make?
- 9:57Speaker 3: I don't know, ma'am. I haven't started checking yet. He
- 10:00Speaker 3: a couple of scrap books.
- 10:02Speaker 5: Nobody'd kill her for that pile level?
- 10:04Speaker 3: Amuse cooking? Oh no, it's been done for less. I
- 10:14Speaker 3: continued to interview the landlady, missus Washburn. She told me
- 10:17Speaker 3: that the victim had quite a few male acquaintances that
- 10:19Speaker 3: she'd met at neighborhood bonds. She gave me the names
- 10:21Speaker 3: of all those she knew of. Twelve forty five pm,
- 10:24Speaker 3: Sergeant Jay Allen and the crew from the crime lab arrived.
- 10:31Speaker 3: The body and the murder room were photographed from all angles.
- 10:33Speaker 3: Dean Bergmann processed everything in the room for lat and fingerprints.
- 10:37Speaker 3: The place was gone over thoroughly for further physical evidence.
- 10:40Speaker 3: The only thing that didn't seem to belong in the
- 10:41Speaker 3: room was the apparent murder weapon, the ten inch length
- 10:44Speaker 3: of steel pipe bound beside the body. One o five pm,
- 10:49Speaker 3: after we put in a call to the coroner's office,
- 10:51Speaker 3: we started checking with the residence of the hotel. No
- 10:54Speaker 3: one gave us any direct leads to the killing, but
- 10:56Speaker 3: more than a half a dozen of them told us
- 10:57Speaker 3: that Missus Porter had been in the habit of making
- 10:59Speaker 3: vague remarks, but what she kept in that steamer trunk
- 11:01Speaker 3: in her room. She made a point of never opening
- 11:04Speaker 3: the trunk for anyone, and she hitted constantly, even in public,
- 11:07Speaker 3: that she kept something of value inside. Four forty five pm,
- 11:12Speaker 3: we started checking out the list of the murdered woman's friends,
- 11:14Speaker 3: which Missus Washburn and the tenants had given us. It
- 11:17Speaker 3: went slow. We got little or nothing from the first
- 11:19Speaker 3: dozen names on the list. Nine to fifty pm we
- 11:23Speaker 3: went back to the office. We all, we's had better days,
- 11:26Speaker 3: that's for sure.
- 11:27Speaker 4: A lousy start. Couldn't be going as slower. It must
- 11:29Speaker 4: have logged forty miles of the leg.
- 11:30Speaker 3: Works not in the show for it all I got,
- 11:34Speaker 3: all right, how'd you do? Not much? How about you?
- 11:36Speaker 3: In the creedy? We checked out ten names of her
- 11:37Speaker 3: list the pot woman's friends. The only thing that could
- 11:40Speaker 3: tell us we already knew that business about the steamer
- 11:42Speaker 3: trunk was a porter hitting around. He had something valdyblo,
- 11:44Speaker 3: where's that leaves? We got a fair motive to go on.
- 11:47Speaker 3: The crime lab called just before they come in. Did
- 11:49Speaker 3: they got anything? No leg in prints? I went over
- 11:51Speaker 3: that steamer trunk though found a hundred schairs of some
- 11:53Speaker 3: kind of mining stock selling. The liner of the trunk
- 11:55Speaker 3: wasn't anything. Not the paper it's printed on never was
- 11:58Speaker 3: worth anything. According to the bogo checked it. I got
- 12:01Speaker 3: the blow ups. Yeah, thanks a wine bottle. It's a
- 12:09Speaker 3: wine drinker. It looks like he stepped in their glasses
- 12:14Speaker 3: and brow the Sure brutal in the Sure brown the
- 12:26Speaker 3: trunks in me. It sets up the motor pretty well.
- 12:29Speaker 3: The porter woman spent plenty of time at bars. She
- 12:31Speaker 3: had a lot of men friends. We know she did
- 12:33Speaker 3: a lot of talking about the nest that she was
- 12:34Speaker 3: supposed to have locked up in that trunk.
- 12:36Speaker 4: So one of her boyfriends believed everyone have to have
- 12:38Speaker 4: a look through the trunk.
- 12:38Speaker 3: Didn't know she was in the room. Had to kill her.
- 12:40Speaker 3: It's a good possibility. All we got the word from
- 12:42Speaker 3: the corner's office. By the way, you know what they
- 12:44Speaker 3: had to say because of death is multiple skull factors.
- 12:47Speaker 3: They're sure their links of pipers and moto weapon was
- 12:49Speaker 3: a porter dot. About four am, they figure killer Sure
- 12:52Speaker 3: gave her a vicious beating. Looks like more legworks, which
- 12:55Speaker 3: it was an easier way. Every bar she drank and
- 12:57Speaker 3: everybody she talked to. We'll have to check them off.
- 12:59Speaker 3: You know, that's just one thing that's got me stuff show. Yeah,
- 13:01Speaker 3: it's that Thelma Porter. Don't you think she had an
- 13:04Speaker 3: idea that money stuck with with us? But I guess
- 13:06Speaker 3: she did. Why she hung on with it? Why didn't
- 13:09Speaker 3: she even keep a stuck along? I don't know, Gotch well,
- 13:11Speaker 3: I thing she had left with the squab books, a
- 13:13Speaker 3: couple of theater posters she knew they'd never pay off.
- 13:26Speaker 3: Ten fifteen PM. Along with Gotcham McCready, we went back
- 13:29Speaker 3: to the West Howard Street neighborhood and started checking down
- 13:31Speaker 3: the list of people known to the dead woman. One
- 13:34Speaker 3: of them was a Miss Bab Sheldon, a singer in
- 13:36Speaker 3: a small cabaret on the corner of West Howard and Pachico.
- 13:39Speaker 3: We went back to a small dressing room where we
- 13:41Speaker 3: questioned the Sheldon girl. She said she'd known the victim
- 13:44Speaker 3: for about five years.
- 13:45Speaker 12: I kept telling Tommy to get out of that hotel live.
- 13:48Speaker 5: Any of those husbands wasn't any good for us.
- 13:50Speaker 3: Do you know of any study boyfriends she might have
- 13:52Speaker 3: had recently?
- 13:52Speaker 12: Micheldon No Telma. She couldn't get interested in any man
- 13:56Speaker 12: after call Dodd, her husband. That's what she told me. Anyway,
- 14:00Speaker 12: it needs to be a great blood vultein. You know,
- 14:02Speaker 12: she and her husband Rose and benond that's the way
- 14:06Speaker 12: to a build. Do you ever hear of them find
- 14:08Speaker 12: an acrobatic routine?
- 14:09Speaker 3: No, did Miss Poor ever mentioned anything knew about a
- 14:11Speaker 3: steamer trunk that she kept in the room, anything about
- 14:13Speaker 3: what she kept on that trunk.
- 14:14Speaker 12: No, not to me, she didn't. It was a kind
- 14:17Speaker 12: of a standing gag with people in New Filma.
- 14:19Speaker 3: She's kind of funny about it in what way?
- 14:22Speaker 12: No, Delman was a great talker.
- 14:24Speaker 3: You know this Princess Donald Dalma.
- 14:28Speaker 12: Told everybody about her business.
- 14:29Speaker 3: Talk to Blue Street. Uh huh.
- 14:31Speaker 12: She talk about her life, her prisonal affairs, especially when
- 14:34Speaker 12: she had a few drinks. But I don't think I
- 14:37Speaker 12: ever heard her mention to anybody what she had in
- 14:39Speaker 12: that trunk. She'd hand around about it. Call her a
- 14:41Speaker 12: gold mine. She never wants to let anyone see what
- 14:44Speaker 12: was in that trunk.
- 14:45Speaker 3: Not one only knew one of our cards, Miss Sheldon.
- 14:48Speaker 3: Do you happen to hear anything else that might help
- 14:50Speaker 3: us with appreciate it if you give us a.
- 14:51Speaker 12: Call such a terribleness. I don't know why it had
- 14:54Speaker 12: to happen. Now roud knows what I look like at
- 14:57Speaker 12: the funeral. Man, I haven't got a decent ball dress
- 14:59Speaker 12: to my right.
- 15:07Speaker 3: One am we checked back into the office to a
- 15:09Speaker 3: pre arranged meeting. Sat up with gotcha, McCready all right, gotcha?
- 15:14Speaker 3: I think pretty squall. How about you might have something
- 15:18Speaker 3: you can't tell? Where's MCCREDI down on the car pool.
- 15:21Speaker 3: There's a bar down on main Street, the left hand
- 15:23Speaker 3: side for total woman used to go there quite a bit,
- 15:26Speaker 3: according to the bartender. Most of the regular customers noah,
- 15:29Speaker 3: uh huh. The bartender told us he overheard a conversation
- 15:32Speaker 3: in one of the booths four or five nights ago.
- 15:34Speaker 3: Three whinos got their names. What about them? Bartender says
- 15:37Speaker 3: they were talking about film of Porter. He says he
- 15:40Speaker 3: heard one of the men say, she keeps the trunk
- 15:41Speaker 3: in her room. We can break it open. Thursday, September third,
- 15:58Speaker 3: eight am. We round it up and in the custody
- 16:00Speaker 3: the three men who'd been overheard while apparently planning a
- 16:03Speaker 3: burglary of the murder victims hotel room, together with Sergeant
- 16:06Speaker 3: Jack Dotts and Sergeant Jack McCready. Frank and I had
- 16:09Speaker 3: little trouble locating the three men and bringing them in
- 16:11Speaker 3: for questioning. They were fairly well known along skid Row,
- 16:14Speaker 3: and they immediately took the attitude that they had nothing
- 16:16Speaker 3: to hide. We went along with them. We questioned them
- 16:21Speaker 3: individually and together. Meantime, their rooms were being searched no leaves.
- 16:25Speaker 3: Two of the men were brothers John Parkson and Arnold Parkson.
- 16:28Speaker 3: The third man was Harold Young. All three listed their
- 16:31Speaker 3: occupations as part time laborers, unemployed. All three had records vagrancy,
- 16:36Speaker 3: disorderly conduct, petty theft. We questioned Harold Young first, then
- 16:44Speaker 3: Arnold Parkson. They both had alibis. Their stories made sense,
- 16:47Speaker 3: no conflicting statements. We interrogated the other Parks and brother John,
- 16:53Speaker 3: same results.
- 16:53Speaker 2: Well, they could have been yeah, trunk. The Pelmos was
- 16:56Speaker 2: kind of a jag about Tom. You know, you act
- 16:59Speaker 2: about his lot every god it kidded about it. We
- 17:01Speaker 2: even used to read Felma, tell we're going to break
- 17:03Speaker 2: in it some night. Find Old Lush had put away
- 17:05Speaker 2: just a gag.
- 17:06Speaker 3: I'm gonna tell you something. We told this to the
- 17:08Speaker 3: other two. We got an idea, what's more than a gag.
- 17:10Speaker 3: In the case of you three, we got evidence to
- 17:12Speaker 3: back that up. If you want to have anything more
- 17:13Speaker 3: to your story, now's the time to do it. Fella.
- 17:15Speaker 2: I don't think I'm getting a pitch rack sag. I
- 17:17Speaker 2: told you everything. I don't know what kind of evidence
- 17:19Speaker 2: you got, but I'm clean. I know that much. Maybe
- 17:22Speaker 2: I booze it up some, but I don't run with heavy.
- 17:24Speaker 2: Murder's way out of my life.
- 17:25Speaker 3: That's your story. Huh what else can I tell you?
- 17:33Speaker 9: Yeah?
- 17:34Speaker 11: Anyway say the other two is nothing. I got it
- 17:37Speaker 11: all down pack, got a good idea. What do you think, Oh,
- 17:41Speaker 11: it's not a way around for a while, we might
- 17:42Speaker 11: get something. Just thinking if we could get a bug
- 17:45Speaker 11: in one of the offices something. It's a long way around.
- 17:48Speaker 11: Nothing much else we can do because it check it's small.
- 17:55Speaker 3: We checked with Captain Morman's office and we got permission
- 17:58Speaker 3: to have the office bug. We put in a call
- 18:00Speaker 3: at the crime I haven't asked them to install listening
- 18:02Speaker 3: equipment in the Captain's office as soon as possible. They
- 18:05Speaker 3: told us that they'd have the sound crew go to
- 18:06Speaker 3: work on it immediately. Under the pretext of further questioning,
- 18:11Speaker 3: the sergeant Jack, Dodge and Frank took the suspects down
- 18:14Speaker 3: the hall to the interrogation room, where they would be
- 18:16Speaker 3: held until the Salmon could finish rigging up the equipment. Yeah,
- 19:01Speaker 3: the listening equipment was installed in such a way that
- 19:04Speaker 3: we would be able to hear the conversation in any
- 19:05Speaker 3: part of the Captain's office. Recording equipment and two sets
- 19:09Speaker 3: of airphones were set up in the locker section off
- 19:11Speaker 3: the squad room so that we could monitor the conversation
- 19:13Speaker 3: between the two suspects. First, we had the two parks
- 19:18Speaker 3: and brothers John and Arnold placed a loan in the
- 19:20Speaker 3: Captain's office. We listened to them talk between themselves for
- 19:23Speaker 3: half an hour. They didn't say so directly, but we
- 19:25Speaker 3: caught inferences, but each brother doubted the other's innocence of
- 19:27Speaker 3: the film reporter killing. At one thirty that afternoon, we
- 19:32Speaker 3: took Arnold Parkson from the Captain's office and had Herald
- 19:35Speaker 3: Young take his place.
- 19:40Speaker 8: Venus again, I think I'll tell them of when they
- 19:42Speaker 8: come in here.
- 19:43Speaker 9: He was waiting like this.
- 19:45Speaker 8: Yeah, keep us waiting much longer than I will.
- 19:52Speaker 3: Will you stop using that call, nor lawyer, but get
- 19:57Speaker 3: out of here and to hurry with the lawyer.
- 20:00Speaker 8: We don't need one.
- 20:02Speaker 3: Let's talk you sure about it?
- 20:03Speaker 8: Here? I want it. I'm mixed up.
- 20:07Speaker 9: At the killing.
- 20:09Speaker 8: What do you mean? I'm I sure of it.
- 20:10Speaker 9: I told him, just be sure. That's who I don't
- 20:13Speaker 9: want any part of it.
- 20:15Speaker 8: Yeah, well you be sure to you and your brother.
- 20:18Speaker 9: You always look at me with something.
- 20:20Speaker 8: I don't go to say me and my brother, we've
- 20:22Speaker 8: never been in any heavy stuff killings, no part of it. Listen,
- 20:25Speaker 8: I'm gonna tell you something. We should be talking about
- 20:27Speaker 8: killings in here. Why not?
- 20:28Speaker 9: Sometimes the cops wire in these rooms. Oh, you're your mind.
- 20:31Speaker 8: You've been reading too much fiction.
- 20:32Speaker 9: Yes, they do. They can hear everything you say, and.
- 20:34Speaker 8: Enough time to wire anything. I've been here all day.
- 20:37Speaker 9: I'm gonna looking around.
- 20:38Speaker 13: I'm taking no chance that I don't want to get
- 20:39Speaker 13: involved in anything. Yeah, sometimes I had the mic and files.
- 20:47Speaker 8: Or any place you can't see it. Very crazy. I'm
- 20:56Speaker 8: not taking any chance.
- 20:57Speaker 9: Then I check everywhere, and sometimes.
- 20:59Speaker 13: They put on the chairs.
- 21:01Speaker 8: What do they do broadcast? Where's the wire?
- 21:04Speaker 9: You had to mic on the edge.
- 21:06Speaker 3: Of the desk, cover in that too, Get in there?
- 21:14Speaker 3: What are you doing there? I could hear you cleaning
- 21:17Speaker 3: the other office, going through the files. I thought I
- 21:19Speaker 3: told you to stay putting in that chair. Why aren't
- 21:21Speaker 3: you there?
- 21:21Speaker 9: Sit down?
- 21:25Speaker 3: If I wanted you to probably office, i'd have told
- 21:27Speaker 3: you I both have get stay put in those chairs.
- 21:29Speaker 3: You understand.
- 21:54Speaker 8: Yeah, you got any more peons?
- 22:04Speaker 9: Now? You ate most of them?
- 22:06Speaker 8: What do you want them? You get them hungry?
- 22:11Speaker 9: You know. I think I'll hit the road and get
- 22:12Speaker 9: out of here. La is no good this time of year.
- 22:15Speaker 9: The valley's bet up around Presno.
- 22:16Speaker 13: You know, if you're alone, if you go Pristmas nothing,
- 22:19Speaker 13: I'm staying here. Nobody asks you to come. I don't
- 22:22Speaker 13: think I like this partner deal anyway.
- 22:24Speaker 9: I like to travel alone. Just mean nobody else somebody.
- 22:26Speaker 8: I think you got a rod deal. We made out
- 22:28Speaker 8: of it, But here's sure we made out.
- 22:29Speaker 9: I just want to go to the valley, that's all.
- 22:31Speaker 8: I don't like it. Maybe you think I do. They
- 22:34Speaker 8: talked me over more than did you. Yeah, well, I
- 22:36Speaker 8: don't care. I don't like it. I'm getting out of here.
- 22:44Speaker 8: What's the pitch here?
- 22:46Speaker 9: You got nothing to cover up for a you mean
- 22:49Speaker 9: cover up, of course not. I want to count this town.
- 22:51Speaker 9: I saw something wrong in it.
- 22:53Speaker 8: You started talking about it in the truck the other night.
- 22:55Speaker 9: Water Dames, dun you're crazy.
- 22:57Speaker 13: Your brother Arnie did ocause you are remember that you
- 23:00Speaker 13: sure about that killing, Harry, You weren't in it.
- 23:03Speaker 8: Don't go talking to anything like that.
- 23:05Speaker 9: I never started any talk about getting.
- 23:07Speaker 8: In the trunk. What are you getting mad about?
- 23:08Speaker 12: Her?
- 23:08Speaker 8: I didn't say anything by trying to get smart, that's all, asking.
- 23:13Speaker 9: Me about the killing.
- 23:14Speaker 8: I was in bed.
- 23:15Speaker 9: Don't try to getting smart with me, all.
- 23:18Speaker 8: Right, Just as sure, what are you getting mad for?
- 23:21Speaker 9: I was sleeping in the bed, and you know.
- 23:22Speaker 8: It, Johnny smart, I am not so sure.
- 23:28Speaker 9: It wasn't You could have been sure.
- 23:30Speaker 8: It could have been all of us as we get
- 23:31Speaker 8: it all right, all right, all right, I just want
- 23:33Speaker 8: to keep it straight, that's all. You gotta smoke. I
- 23:41Speaker 8: haven't had anything this morning. Lastly, cops, I got to
- 23:44Speaker 8: read them all.
- 23:45Speaker 9: Sure.
- 23:46Speaker 14: I think they asked something else keeping us cooped up
- 23:49Speaker 14: in here. I'm dave, it's knocked up. Why didn't have
- 23:53Speaker 14: to check on us?
- 24:01Speaker 12: No?
- 24:03Speaker 8: Tell her what we needs a lawyer?
- 24:05Speaker 13: All this trouble over the day the truck. All she
- 24:10Speaker 13: could talk about what she had in the truck. Nothing
- 24:12Speaker 13: in it anyway, old papers?
- 24:15Speaker 9: Oh pay, but you know what was in it?
- 24:16Speaker 8: You're crazy. I didn't say he said old papers. You
- 24:18Speaker 8: said it wasn't anything in the truck. You opened a room,
- 24:21Speaker 8: you saw it. You're crazy.
- 24:22Speaker 9: He shut up.
- 24:30Speaker 1: That's enough.
- 24:31Speaker 3: Come on, you know, see I'm about the trunky killer.
- 24:34Speaker 8: He's lying line.
- 24:35Speaker 3: He's the See how he's lying. That's left you about
- 24:38Speaker 3: the truck. So he was sitting there, he said, old papers,
- 24:41Speaker 3: old papers in the trunck. Youens to kill her.
- 24:43Speaker 2: He's lying, trying to cover up.
- 24:44Speaker 3: That's what he's trying. There's the line. It's addictive. Phone
- 24:46Speaker 3: in the road. We heard you, No you didn't. It's recorded.
- 24:49Speaker 3: We'll play it back for you. Yeah, that's right.
- 24:54Speaker 2: I didn't mean it. I didn't mean any of it.
- 24:58Speaker 2: She wasn't supposed to be in her room. It wouldn't
- 25:00Speaker 2: have happened if she wasn't there, All right, why'd you
- 25:02Speaker 2: do it? I don't know. I just wanted to see
- 25:06Speaker 2: what was in that trunk. She was going to scream,
- 25:11Speaker 2: so I hit her with a pipe. She was suffering,
- 25:17Speaker 2: so I killed her. I didn't want her to suffer.
- 25:21Speaker 2: Just one thing on top of another. When I went there,
- 25:24Speaker 2: I didn't even think about killing it. I just wanted
- 25:28Speaker 2: to see what was on the truck. I just wanted
- 25:31Speaker 2: to look. I had to find out. I guess you'd know, papers,
- 25:38Speaker 2: all pieces of newspapers.
- 25:39Speaker 15: That's On December seventh, trial was held in Department ninety two,
- 25:59Speaker 15: Superior Court of the State of California in and for
- 26:02Speaker 15: the County of Los Angeles. In a moment the results
- 26:04Speaker 15: of that trial, the suspect was tried and convicted of
- 26:13Speaker 15: murder in the first degree. Further investigation proved that Harold
- 26:27Speaker 15: Young and Arnold Parkson were not implicated in the crime,
- 26:30Speaker 15: and they were released from custody.
- 27:49Speaker 1: Welcome Back. Like most of the TV episodes that were
- 27:52Speaker 1: adapted from radio episodes, this one rot does really adapt
- 27:57Speaker 1: well back the other way. There were a few too
- 28:00Speaker 1: long for audio pauses, but otherwise fine. The only thing
- 28:05Speaker 1: missing was the sense of the killer, which according to
- 28:08Speaker 1: the screen on the TV program, the killer was senced
- 28:13Speaker 1: to death in the lethal gas chamber. You can also
- 28:17Speaker 1: tell this was adapted from radio. The main comedy relief
- 28:21Speaker 1: bet came from the other police officer who came in
- 28:24Speaker 1: before Frank, and honestly the punchline about the daughter being
- 28:28Speaker 1: thirty two and the mother's attitude was a good twist.
- 28:31Speaker 1: It was probably more funny than that weight loss banter
- 28:35Speaker 1: between Joe and Frank. The idea of the down on
- 28:39Speaker 1: their luck performer who ended up living in a rooming
- 28:42Speaker 1: house is a common trope in the Golden Age of radio,
- 28:45Speaker 1: and it even features in the nineteen sixty TV series
- 28:49Speaker 1: in the Bank Examiner Swindle. It's handled with a great
- 28:54Speaker 1: degree of sympathy. The entertainment industry in this era was
- 28:58Speaker 1: really a rough and changing landscape as you had this
- 29:05Speaker 1: movement from various forms and media's vaudeville and burlesque to
- 29:12Speaker 1: radio and films and later television. Not everyone was able
- 29:18Speaker 1: to make that sort of transition, and even those who could,
- 29:24Speaker 1: many aged out of the profession based on the type
- 29:28Speaker 1: of roles and performances they did, or the type of
- 29:32Speaker 1: stuff that they did just became unprofitable, and certainly this
- 29:36Speaker 1: happened with many vaudeville performers. The bugging of the Captain's
- 29:41Speaker 1: officing was very tense when that guy got suspicious that
- 29:45Speaker 1: the office was bud and it was very quick thinking
- 29:49Speaker 1: by Friday to come in there and stop them. It
- 29:52Speaker 1: was also a risk because if they didn't fall for Zacht,
- 29:56Speaker 1: they'd feel like the police were listening for sure, and
- 30:00Speaker 1: then they wouldn't get anything. And I do like unlike
- 30:03Speaker 1: the more fictional detective programs, the slip about the trunk
- 30:09Speaker 1: came with a fellow suspect and associate in the room
- 30:12Speaker 1: rather than the police, where people are going to be
- 30:15Speaker 1: a lot more cautious if they're talking to a detective.
- 30:19Speaker 1: Listener comments and feedback now and we turn to our
- 30:22Speaker 1: listener survey and will over into our neighboring state of
- 30:27Speaker 1: organ Rits. Great job, Adam. I've been listening to Dragonet
- 30:31Speaker 1: radio shows every night for at least ten years. It's
- 30:35Speaker 1: done so well. Indeed it is, and I hope you
- 30:39Speaker 1: enjoyed today's episode as well.
- 30:41Speaker 8: Well.
- 30:41Speaker 1: Now it's time to thank our Patreon supporter of the day,
- 30:45Speaker 1: and I want to thank Mitch. Mitch has been one
- 30:47Speaker 1: of our Patreon supporters since October twenty twenty four, currently
- 30:51Speaker 1: supporting the podcast at the shawmus level of four dollars
- 30:54Speaker 1: more per month. Thanks so much for your support, Mitch,
- 30:57Speaker 1: and that will do it for today. If you're in
- 31:00Speaker 1: joining the podcast, please follow us using your favorite podcast software,
- 31:05Speaker 1: and if you're enjoying the show on YouTube, be sure
- 31:08Speaker 1: to lock the video, subscribe to the channel, and mark
- 31:11Speaker 1: the notification bell, all those great things that help YouTube
- 31:15Speaker 1: channels to grow. We will be back next Saturday with
- 31:19Speaker 1: another episode of Dragnet, but join us back here on
- 31:23Speaker 1: Monday for the adventures of the Falcon Wear.
- 31:27Speaker 16: The wu You don't remember now, it's been a long time.
- 31:32Speaker 16: My name is Wearing, Mike Wearing. Oh sure you're that
- 31:36Speaker 16: private dick they call a falcon. It comes back to
- 31:39Speaker 16: you now. Yeah, but I don't remember inviting you when
- 31:42Speaker 16: you just forgot your menas Yeah, what in the world
- 31:45Speaker 16: of a possession to move into a dump like this?
- 31:48Speaker 9: I like the view?
- 31:49Speaker 3: Yeah?
- 31:49Speaker 16: Better on the clear day you can see eight million flies.
- 31:53Speaker 16: Lucky it did much better for himself. I hear tell
- 31:55Speaker 16: he's got a villa in Italy that's out of this world.
- 31:58Speaker 16: How come you're two separated when you deported any your business? No,
- 32:02Speaker 16: but it's Uncle Sam's. I'm working for him these days.
- 32:06Speaker 16: What are you babbling upon a cigarette? I asked you
- 32:09Speaker 16: something worry Well, it's come to Uncle's attention that narcotics
- 32:14Speaker 16: are being smuggled into the States by way of Egypt.
- 32:17Speaker 16: We've got to hunch the traffic is being directed by
- 32:19Speaker 16: Lucky from Italy. What's that got to do with me? Well,
- 32:21Speaker 16: isn't it strange?
- 32:22Speaker 3: I find you in Cairo and.
- 32:24Speaker 16: I'm studying to be a maswan?
- 32:26Speaker 3: Oh?
- 32:28Speaker 16: What's Carol Morgan's reason? Oh, Lucky's old girlfriend?
- 32:33Speaker 3: Is she here? You mean you didn't know? No, it's funny.
- 32:38Speaker 16: I tell the boy to our hotel yesterday looked exactly
- 32:40Speaker 16: like you and our luckwise guy, I can't blame you
- 32:43Speaker 16: for being suspicious, Vince, with you and Carol and Cairo
- 32:46Speaker 16: looks like the gathering of the clan. I teed, I
- 32:48Speaker 16: haven't seen her. Isn't that her diamond ring?
- 32:51Speaker 2: Huh?
- 32:52Speaker 16: You shouldn't leave it lying around, Vince. It's much too valuable.
- 32:55Speaker 16: How comes she gave it to you?
- 32:57Speaker 3: She's crazy for me.
- 33:00Speaker 1: I hope you'll be with us then in the meantime.
- 33:02Speaker 1: Send your comments to Box thirteen at Greatdetectives dot net,
- 33:07Speaker 1: follow us on Twitter at Radio Detectives, and check us
- 33:10Speaker 1: out on Instagram, Instagram, dot com slash Great Detectives from Boise, Idaho.
- 33:17Speaker 1: This is your host, Adam Graham signing off.