Latest / Verbal Diorama / Austin Powers: International Man of Mystery

Transcript

Austin Powers: International Man of Mystery · Verbal Diorama

2:02
Hi,
2:02
everyone.
2:03
Allow
2:03
myself
2:04
to
2:04
introduce
2:05
myself.
2:06
I'm
2:07
Em.
2:07
And
2:08
welcome
2:08
to
2:08
Danger
2:09
Diorama,
2:09
Episode
2:10
320,
2:12
Austin
2:12
Powers:
2:13
International
2:13
Man
2:13
of
2:14
Mystery.
2:15
Oh,
2:15
wait,
2:16
it's
2:16
Verbal
2:17
Diorama.
2:18
Danger's
2:19
my
2:19
middle
2:20
name.
2:20
This
2:21
is
2:21
the
2:21
podcast
2:21
that's
2:22
all
2:22
about
2:22
the
2:22
history
2:22
and
2:22
legacy
2:23
of
2:23
movies,
2:23
you
2:23
know,
2:24
and
2:24
movies
2:24
you
2:24
don't.
2:25
The
2:25
groovy
2:26
baby.
2:27
Yeah,
2:27
baby,
2:28
yeah.
2:28
And
2:29
all
2:29
of
2:29
the
2:29
other
2:29
things
2:30
that
2:30
millennials
2:30
said
2:30
in
2:31
1997
2:31
when
2:32
this
2:32
movie
2:32
came
2:33
out.
2:33
Welcome
2:34
to
2:34
Verbal
2:34
Diorama.
2:35
Whether
2:35
you're
2:35
a
2:35
branbrand-newdnewlistenertothispodcast,whetheryou're
2:37
areturninglistener,
2:39
thank
2:39
you
2:39
for
2:39
being
2:39
here.
2:40
Thank
2:40
you
2:40
for
2:40
choosing
2:40
to
2:41
listen
2:41
to
2:41
this
2:41
podcast.
2:42
I
2:42
am
2:42
so
2:43
happy
2:43
to
2:43
have
2:43
you
2:43
here
2:43
for
2:44
the
2:44
history
2:44
and
2:45
legacy
2:45
of
2:46
Austin
2:46
Powers,
2:47
International
2:47
man
2:48
of
2:48
mystery.
2:49
And
2:49
a
2:49
huge
2:50
thank
2:50
you
2:50
for
2:51
continuing
2:51
to
2:51
listen
2:52
and
2:52
support
2:52
this
2:52
podcast.
2:53
If
2:53
you
2:53
are
2:53
a
2:54
regular
2:54
returning
2:54
listener,
2:56
thank
2:56
you
2:56
so
2:56
much.
2:57
It
2:57
means
2:57
so
2:58
much
2:58
to
2:58
have
2:58
you
2:58
back.
2:58
It
2:59
means
2:59
so
2:59
much
2:59
for
2:59
your
3:00
support
3:00
and
3:01
we
3:01
have
3:01
left
3:02
October.
3:03
October
3:04
is
3:05
spooky
3:05
season
3:06
for
3:06
scary
3:06
movies.
3:08
And
3:08
I'm
3:08
not
3:08
just
3:08
saying
3:09
this,
3:09
but
3:09
there
3:10
were
3:10
some
3:10
truly
3:11
brilliant
3:11
movies
3:12
on
3:12
this
3:12
podcast.
3:13
In
3:13
the
3:13
month
3:13
of
3:13
October,
3:14
we
3:14
started
3:15
the
3:15
month
3:15
with
3:15
Candyman.
3:16
The
3:17
original
3:17
1992
3:18
movie
3:19
went
3:19
into
3:19
Wes
3:20
Craven's
3:20
new
3:20
Nightmare
3:21
and
3:22
then
3:22
into
3:22
Hocus
3:23
Pocus.
3:23
Then
3:24
into
3:25
the
3:25
Evil
3:25
Dead,
3:26
the
3:26
1981
3:27
original,
3:28
and
3:28
most
3:28
recently,
3:29
Evil
3:29
Dead
3:29
2.
3:30
Which
3:30
I
3:31
was
3:31
not
3:31
going
3:31
to
3:31
do.
3:32
But
3:32
then
3:32
I
3:33
did
3:33
the
3:33
Evil
3:33
Dead.
3:33
And
3:34
I
3:34
just
3:34
simply
3:34
had
3:35
to
3:35
do
3:35
Evil
3:35
Dead
3:35
2.
3:36
So
3:36
we've
3:36
basically
3:37
gone
3:38
from
3:38
groovy
3:39
to
3:40
groovy,
3:40
baby.
3:42
That
3:42
was
3:42
unintentional.
3:44
But
3:44
truly,
3:44
is
3:45
there
3:45
anything
3:45
scarier
3:46
than
3:46
the
3:46
world
3:47
being
3:47
blackmailed
3:48
for
3:50
$1
3:50
million?
3:52
Here's
3:53
the
3:53
trailer
3:53
for
3:53
Austin
3:54
Powers,
3:54
International
3:55
man
3:55
of
3:55
mystery.
6:08
Swinging
6:09
London,
6:09
1967.
6:11
Having
6:11
thwarted
6:12
an
6:12
ambitious
6:12
assassination
6:13
plan
6:14
by
6:14
his
6:14
arch
6:14
nemesis,
6:15
Dr.
6:15
Evil,
6:16
the
6:16
British
6:17
super
6:17
agent
6:18
and
6:18
son
6:18
loving
6:18
hedonist
6:19
Austin
6:19
Powers
6:20
has
6:20
himself
6:21
cryogenically
6:22
frozen.
6:23
Just
6:23
in
6:23
case
6:24
the
6:24
world
6:24
ever
6:24
requires
6:25
his
6:25
services
6:26
again.
6:27
Three
6:27
long
6:28
decades
6:28
later,
6:29
Dr.
6:29
Evil
6:30
threatens
6:30
the
6:30
world
6:31
once
6:31
again.
6:32
And
6:32
now
6:32
the
6:33
time
6:33
is
6:33
right
6:33
to
6:34
thaw
6:34
out
6:34
Austin
6:35
Powers.
6:36
Feeling
6:36
like
6:36
a
6:36
fish
6:37
out
6:37
of
6:37
water,
6:37
the
6:38
bespectacled
6:38
hero
6:39
tries
6:39
to
6:39
find
6:39
his
6:40
feet
6:40
in
6:40
a
6:40
strange
6:41
new
6:41
world.
6:41
And
6:42
joins
6:42
forces
6:42
with
6:43
brilliant
6:43
young
6:43
agent
6:44
Vanessa
6:44
Kensington.
6:45
However,
6:46
a
6:46
lot
6:47
has
6:47
changed
6:47
since
6:48
the
6:48
1960s.
6:50
Let's
6:50
run
6:50
through
6:50
the
6:51
cast.
6:51
We
6:51
have
6:52
Mike
6:52
Myers
6:53
as
6:53
Austin
6:53
Powers
6:54
and
6:54
Dr.
6:54
Evil.
6:55
Elizabeth
6:56
Hurley
6:56
as
6:57
Vanessa
6:57
Kensington.
6:58
Michael
6:59
Yorke
6:59
as
7:00
Basil
7:00
Exposition.
7:01
Mimi
7:02
Rogers
7:02
as
7:03
Mrs.
7:03
Kensington.
7:04
Robert
7:05
Wagner
7:05
as
7:05
number
7:06
two.
7:07
Seth
7:07
Green
7:07
as
7:08
Scott
7:08
Evil.
7:09
Fabiana
7:10
Udenio
7:10
as
7:11
Alotta
7:11
Fagina.
7:12
And
7:13
Mindy
7:13
Stirling
7:14
as
7:14
Frau
7:14
Farbissina.
7:16
There
7:16
are
7:16
loads
7:17
of
7:17
cameos
7:17
in
7:17
this
7:18
movie.
7:18
We
7:19
have
7:19
Will
7:19
Ferrell
7:20
as
7:20
Mustafa,
7:21
Burt
7:21
Bacharach
7:22
as
7:22
himself,
7:23
Tom
7:23
Arnold
7:24
as
7:24
the
7:24
Texan
7:25
in
7:25
the
7:25
bathroom,
7:26
Carrie
7:26
Fisher
7:27
as
7:27
the
7:27
therapist.
7:28
And
7:29
interestingly,
7:29
the
7:30
UK
7:30
release
7:30
also
7:31
features
7:31
additional
7:32
scenes
7:32
that
7:32
the
7:32
US
7:33
didn't
7:33
get,
7:34
including
7:35
one
7:35
featuring
7:35
Christian
7:36
Slater
7:36
as
7:36
the
7:37
hypnotized
7:37
guard,
7:38
Rob
7:38
Lowe
7:39
as
7:39
John
7:39
Smith's
7:40
friend
7:40
and
7:41
Kenny
7:41
Preston
7:42
as
7:42
the
7:42
Hooters
7:43
waitress.
7:44
Mr.
7:44
Bigglesworth
7:45
is
7:45
played
7:45
by
7:46
Sphynx
7:46
cat
7:47
actor
7:47
Ted
7:48
Nude
7:48
Gent,
7:49
which
7:50
I
7:50
love
7:50
because
7:51
this
7:51
is
7:51
a
7:51
movie
7:51
that
7:52
loves
7:52
its
7:52
puns.
7:52
And
7:53
so
7:53
why
7:53
would
7:53
you
7:53
not
7:53
get
7:54
Ted
7:54
Nude
7:54
Gent
7:54
gent
7:55
to
7:55
play
7:55
Mr.
7:56
Bigglesworth?
7:57
Austin
7:58
Powers
7:58
International
7:59
man
7:59
of
7:59
Mystery
8:00
was
8:00
written
8:00
by
8:01
Mike
8:01
Myers
8:01
and
8:02
directed
8:02
by
8:03
Jay
8:03
Roach.
8:05
The
8:05
life
8:05
of
8:06
Sir
8:06
Austin
8:07
Danger
8:08
Powers
8:08
KBE
8:09
was
8:09
wild
8:09
and
8:10
fascinating
8:11
in
8:11
1967.
8:12
He
8:12
was
8:13
the
8:13
ultimate
8:13
gentleman
8:14
spy.
8:15
Womanizing
8:16
hard
8:16
partying
8:17
and
8:17
enjoying
8:17
nothing
8:18
more
8:18
than
8:19
mind
8:19
bending
8:19
drugs
8:20
and
8:20
promiscuous
8:21
sex
8:21
with
8:21
many
8:21
partners.
8:22
He
8:23
was
8:23
also
8:23
in
8:23
his
8:23
own
8:23
band
8:24
as
8:24
well
8:24
as
8:25
a
8:25
fashion
8:25
photographer
8:26
and
8:26
photographed
8:27
many
8:27
of
8:27
the
8:27
supermodels
8:28
of
8:28
the
8:28
day.
8:29
Women
8:29
wanted
8:30
him
8:30
and
8:30
men
8:31
wanted
8:31
to
8:31
be
8:32
him.
8:32
He
8:33
was
8:33
known
8:33
for
8:33
his
8:33
Union
8:34
Jack
8:34
Shaguar,
8:35
not
8:35
Shagwar
8:36
Shaguar.
8:37
Here's
8:37
jumbo
8:38
jets,
8:38
his
8:38
crushed
8:39
velvet
8:39
suit,
8:40
his
8:40
Italian
8:41
leather
8:41
boots
8:42
and
8:42
that
8:42
book
8:43
about
8:43
Swedish
8:43
made
8:44
penis
8:44
enlarger
8:44
pumps.
8:45
It
8:45
was
8:45
a
8:45
bestseller.
8:46
But
8:46
the
8:47
thing
8:47
he
8:47
is
8:47
most
8:48
known
8:48
for
8:48
is
8:48
his
8:49
constant
8:49
fight
8:49
to
8:50
rid
8:50
the
8:50
world
8:50
of
8:51
Dr.
8:51
Evil.
8:52
The
8:53
Ministry
8:53
of
8:53
Defense
8:54
used
8:54
state
8:54
of
8:54
the
8:55
art
8:55
cryogenics
8:55
technology
8:56
to
8:56
freeze
8:57
Austin
8:57
Powers
8:58
in
8:58
1967
8:59
and
9:00
revive
9:00
him
9:00
in
9:01
1997
9:02
to
9:02
continue
9:02
the
9:03
fight
9:03
against
9:03
the
9:04
tyranny
9:04
of
9:04
Dr.
9:05
Evil
9:05
who
9:06
intends
9:06
to
9:06
steal
9:07
a
9:07
nuclear
9:07
warhead
9:08
and
9:08
ransom
9:09
the
9:09
earth
9:09
for
9:10
$1
9:11
million.
9:13
What
9:13
do
9:13
you
9:13
mean
9:13
that's
9:14
not
9:14
enough?
9:15
Oh
9:16
okay,
9:17
four,
9:17
$100
9:19
billion.
9:21
And
9:21
who
9:22
was
9:22
the
9:22
real
9:22
Austin
9:23
Powers?
9:23
Where
9:24
did
9:24
all
9:24
the
9:24
chest
9:24
hair
9:25
come
9:25
from?
9:25
And
9:26
does
9:26
he
9:26
make
9:26
you
9:27
horny?
9:27
Baby?
9:28
Be
9:28
honest.
9:30
It's
9:30
no
9:30
secret
9:31
that
9:31
James
9:31
Bond
9:32
heavily
9:32
inspired
9:33
Austin
9:33
Powers.
9:34
But
9:34
the
9:34
main
9:34
inspiration
9:35
was
9:35
somewhat
9:36
a
9:36
hell
9:36
of
9:36
a
9:36
lot
9:37
less
9:37
famous.
9:38
The
9:38
story
9:39
starts
9:39
with
9:39
of
9:40
course,
9:40
Mike
9:40
Myers.
9:41
He's
9:41
featured
9:42
on
9:42
this
9:42
podcast
9:42
before
9:43
a
9:43
few
9:44
times
9:44
actually.
9:44
For
9:45
Shrek,
9:45
which
9:45
is
9:46
episode
9:46
79,
9:47
Shrek
9:48
2,
9:48
episode
9:49
286,
9:50
but
9:50
also
9:50
Wayne's
9:51
World
9:51
which
9:52
is
9:52
episode
9:52
199.
9:55
In
9:55
1991,
9:56
the
9:56
year
9:56
before
9:57
Wayne's
9:57
World,
9:58
when
9:58
Myers
9:58
was
9:58
a
9:59
regular
9:59
on
9:59
SNL,
10:00
his
10:00
father
10:00
died.
10:01
He
10:02
named
10:02
his
10:02
production
10:03
company
10:03
Eric's
10:03
Boy
10:04
in
10:04
honor
10:04
of
10:04
Eric
10:05
Myers.
10:06
But
10:06
Eric,
10:07
who
10:07
was
10:07
A
10:07
World
10:07
War
10:07
II
10:08
veteran
10:08
who
10:09
hailed
10:09
from
10:09
Liverpool,
10:10
also
10:10
imparted
10:11
the
10:11
typical
10:12
British
10:12
wit
10:12
and
10:13
wisdom
10:13
onto
10:14
his
10:14
Canadian
10:14
born
10:15
son.
10:16
He
10:16
introduced
10:16
him
10:17
to
10:17
James
10:17
Bond,
10:18
Peter
10:18
Sellers,
10:19
the
10:19
Beatles,
10:20
the
10:20
Goodies,
10:21
Peter
10:21
Cook
10:21
and
10:22
Dudley
10:22
Moore.
10:23
Peter
10:23
Sellers
10:24
also
10:24
starred
10:25
in
10:25
the
10:25
1967
10:26
unofficial
10:27
James
10:27
Bond
10:28
parody
10:28
Casino
10:29
Royale,
10:30
which
10:30
is
10:30
completely
10:30
separate
10:31
to
10:31
the
10:31
official
10:31
EON
10:32
series.
10:33
That
10:33
movie
10:34
also
10:34
features
10:35
Burt
10:35
Bacharach.
10:36
It
10:36
was
10:36
hearing
10:37
the
10:37
look
10:37
of
10:37
love
10:38
from
10:38
Casino
10:38
Royale
10:39
that
10:39
set
10:40
Myers
10:40
into
10:40
reminiscing
10:41
about
10:41
the
10:42
60s
10:42
and
10:43
about
10:43
all
10:43
of
10:43
the
10:43
60s
10:44
and
10:44
70s
10:44
pop
10:45
culture
10:45
that
10:46
his
10:46
late
10:46
father
10:46
had
10:47
loved.
10:48
Myers
10:48
loved
10:49
James
10:49
Bond.
10:49
He
10:50
studied
10:50
the
10:50
movies
10:51
and
10:51
all
10:51
the
10:51
tropes
10:52
and
10:52
wanted
10:53
to
10:53
create
10:53
a
10:54
loving
10:54
homage.
10:55
But
10:55
James
10:55
Bond
10:56
parodies
10:56
were
10:57
and
10:57
are
10:57
nothing
10:58
new.
10:58
Not
10:59
just
10:59
Casino
11:00
Royale,
11:00
but
11:00
also
11:00
in
11:01
the
11:01
60s,
11:02
mostly
11:02
in
11:02
and
11:03
around
11:03
1967,
11:04
actually.
11:05
There
11:05
was
11:05
Matt
11:06
Helm,
11:06
Our
11:06
Man
11:07
Flint
11:07
and
11:07
its
11:08
sequel
11:08
in
11:08
like
11:09
Flint,
11:09
carry
11:10
on
11:10
spying,
11:11
OK,
11:11
Connery,
11:12
come
11:12
spy
11:13
with
11:13
me
11:13
and
11:14
into
11:14
the
11:14
90s
11:14
and
11:15
2000s
11:15
with
11:16
Spy
11:16
Hard,
11:16
Johnny
11:17
English
11:17
and
11:18
its
11:18
sequels,
11:19
as
11:19
well
11:19
as
11:19
American
11:20
TV
11:20
series
11:20
Get
11:21
Smart
11:21
and
11:22
its
11:22
film
11:22
adaptation.
11:23
Even
11:24
British
11:24
kids
11:25
TV
11:25
show
11:25
Danger
11:26
Mouse
11:26
spoofs
11:27
Bond.
11:28
The
11:29
actual
11:29
character
11:29
of
11:30
Austin
11:30
Powers
11:31
was
11:31
created
11:32
as
11:32
the
11:32
lead
11:32
singer
11:33
of
11:33
the
11:33
fictional
11:33
band
11:34
Mean
11:34
Tea,
11:35
consisting
11:35
of
11:36
Mike
11:36
Myers,
11:37
Susannah
11:37
Hoffs,
11:38
Matthew
11:38
Sweet,
11:39
Stuart
11:39
Johnson
11:40
and
11:40
Christopher
11:40
Ward.
11:41
Susanna
11:42
Hoffs
11:42
from
11:42
the
11:43
Bangles,
11:43
no
11:43
less.
11:44
The
11:44
name
11:45
Ming
11:45
T
11:45
came
11:46
from
11:46
the
11:46
Ursula
11:47
Andres
11:47
film
11:47
the
11:48
10th
11:48
Victim,
11:48
which
11:49
features
11:49
a
11:49
fictional
11:50
company
11:50
called
11:51
Ming
11:51
Ti.
11:52
That
11:52
movie
11:53
also
11:53
features
11:54
something
11:54
akin
11:55
to
11:55
Fembots.
11:56
The
11:56
band
11:57
all
11:57
adopted
11:57
1960s
11:58
personae
11:59
and
11:59
performed
12:00
under
12:00
pseudonyms,
12:01
including
12:01
Hoffs
12:02
as
12:02
Gillian
12:03
Shagwell.
12:04
That
12:04
surname
12:05
rings
12:05
a
12:05
bell
12:05
with
12:06
Myers
12:06
as
12:07
lead
12:07
singer
12:07
Austin
12:08
Powers,
12:08
who
12:09
has
12:09
a
12:09
British
12:09
accent.
12:11
Myers
12:11
would
12:11
perform
12:11
the
12:12
accent.
12:12
His
12:12
then
12:13
wife
12:13
Robin
12:13
Ruzan,
12:14
including
12:14
catchphrases,
12:15
and
12:16
she
12:16
encouraged
12:16
him
12:17
to
12:17
write
12:18
a
12:18
script
12:18
based
12:19
on
12:19
the
12:19
Powers
12:20
character,
12:21
partly
12:22
as
12:22
a
12:22
tribute
12:22
to
12:22
his
12:23
father
12:23
and
12:23
partly
12:24
because
12:24
he
12:24
enjoyed
12:25
playing
12:25
the
12:25
character.
12:26
Myers
12:26
wrote
12:27
the
12:27
bare
12:27
bones
12:27
of
12:27
a
12:28
script
12:28
in
12:28
1995
12:30
after
12:30
the
12:30
successes
12:31
of
12:31
Wayne's
12:31
World
12:32
and
12:32
Wayne's
12:32
World
12:32
2,
12:33
and
12:33
showed
12:33
it
12:34
to
12:34
Susanna
12:34
Hoff's
12:35
husband,
12:35
director
12:36
Jay
12:36
Roach,
12:37
who
12:37
had
12:37
made
12:37
his
12:38
directorial
12:38
debut
12:39
in
12:39
1990
12:40
with
12:40
Zoo
12:40
Radio.
12:41
Roach
12:42
gave
12:42
him
12:42
10
12:42
pages
12:43
of
12:43
notes
12:43
to
12:43
tighten
12:44
the
12:44
concept
12:45
and
12:45
make
12:45
it
12:45
more
12:46
of
12:46
a
12:46
loving,
12:46
if
12:47
sometimes
12:47
little
12:48
ribbing
12:49
pastiche
12:49
of
12:49
the
12:50
old
12:50
Bond
12:50
movies.
12:52
Myers
12:52
wanted
12:53
to
12:53
get
12:53
the
12:53
comedy
12:54
made
12:54
however
12:54
he
12:55
could,
12:55
and
12:55
the
12:56
script
12:56
landed
12:56
in
12:56
the
12:57
lap
12:57
of
12:57
Michael
12:57
DeLuca,
12:58
then
12:59
president
12:59
of
12:59
production
13:00
at
13:00
New
13:00
Line
13:00
Cinema,
13:01
who
13:01
invited
13:02
Myers
13:02
for
13:03
a
13:03
meeting
13:04
where
13:04
he
13:04
did
13:05
the
13:05
character
13:05
without
13:06
costumes
13:06
or
13:07
props.
13:07
DeLuca
13:08
loved
13:08
the
13:08
originality
13:09
of
13:09
the
13:09
script
13:10
that
13:10
it
13:10
was
13:10
something
13:11
completely
13:11
different
13:11
to
13:12
any
13:12
studio
13:13
based
13:13
comedy.
13:14
And
13:14
since
13:14
Myers
13:15
was
13:15
a
13:15
Saturday
13:15
Night
13:16
Live
13:16
veteran
13:17
and
13:17
Wayne's
13:17
World
13:18
had
13:18
been
13:18
so
13:18
huge,
13:19
DeLuca
13:20
was
13:20
completely
13:20
on
13:20
board.
13:21
New
13:22
Line
13:22
would
13:22
option
13:22
the
13:22
Austin
13:23
Powers
13:23
movie
13:24
so
13:24
long
13:24
as
13:25
they
13:25
could
13:25
secure
13:26
a
13:26
good
13:26
director.
13:27
J.
13:28
Roach
13:29
was
13:29
not
13:29
their
13:29
first
13:30
choice.
13:31
Mike
13:31
Myers
13:32
lobbied
13:32
for
13:32
Roach
13:32
to
13:33
get
13:33
the
13:33
gig,
13:34
even
13:34
to
13:34
founder
13:35
and
13:35
former
13:35
CEO
13:36
of
13:36
New
13:36
Line,
13:36
Robert
13:37
Shaye,
13:37
who
13:38
asked
13:38
the
13:38
simple
13:38
question,
13:39
who
13:40
is
13:40
this
13:40
guy?
13:41
They
13:41
weren't
13:42
just
13:42
going
13:42
to
13:42
give
13:42
the
13:43
director
13:43
gig
13:43
to
13:44
Mike
13:44
Myers
13:44
friend.
13:45
Roach
13:45
put
13:46
together
13:46
a
13:46
directing
13:47
reel
13:47
including
13:48
scenes
13:48
from
13:49
A
13:49
Hard
13:49
Day's
13:49
Night,
13:50
Our
13:50
Man
13:51
Flint,
13:51
Danger,
13:52
Diabolic
13:52
and
13:53
the
13:53
Knack,
13:53
which
13:54
apparently
13:54
wasn't
13:55
very
13:55
good
13:55
according
13:55
to
13:56
Robert
13:56
Shaye.
13:57
But
13:57
then
13:57
he
13:57
spoke
13:57
to
13:58
New
13:58
Line
13:58
honestly
13:59
and
13:59
passionately
14:00
about
14:00
Austin
14:00
Powers
14:01
and
14:02
gave
14:02
them
14:02
his
14:02
vision
14:03
for
14:03
the
14:03
movie
14:04
and
14:04
that
14:04
cinched
14:04
it
14:05
for
14:05
him.
14:05
He
14:06
presented
14:06
storyboards
14:07
for
14:07
the
14:07
Fembots
14:08
based
14:08
on
14:08
the
14:08
castle
14:09
anthrax
14:09
scene
14:10
in
14:10
Monty
14:10
Python
14:11
and
14:11
the
14:11
Holy
14:11
Grail
14:12
where
14:12
Sir
14:12
Galahad
14:13
is
14:13
nearly
14:13
thwarted
14:14
by
14:14
a
14:14
group
14:14
of
14:15
seductive
14:15
looking
14:16
women.
14:17
Chariot
14:17
DeLuca
14:18
agreed
14:18
to
14:18
greenlight
14:19
the
14:19
movie
14:19
for
14:19
$16.5
14:21
million
14:22
and
14:22
not
14:22
a
14:22
penny
14:23
more.
14:24
The
14:24
hottest
14:24
comedian
14:25
of
14:25
the
14:25
90s
14:26
had
14:26
just
14:26
had
14:27
an
14:27
incredible
14:27
1994.
14:29
Would
14:29
he
14:29
be
14:30
willing
14:30
to
14:30
join
14:30
this
14:31
shagadelic
14:31
cast?
14:33
Mike
14:33
Myers
14:34
did
14:34
seek
14:34
out
14:34
Jim
14:35
Carrey
14:35
originally
14:36
for
14:36
the
14:36
role
14:36
of
14:37
Dr.
14:37
Evil.
14:38
Carrey
14:38
was
14:38
interested
14:39
but
14:39
had
14:40
scheduling
14:40
conflicts
14:40
with
14:41
Liar
14:41
Liar.
14:42
So
14:42
Myers,
14:43
with
14:43
clear
14:43
inspiration
14:44
from
14:44
Ernst
14:45
Stavro
14:45
Blofeld,
14:46
stepped
14:47
into
14:47
a
14:47
dual
14:47
role
14:48
of
14:48
Austin
14:49
and
14:49
his
14:49
nemesis
14:50
Dr.
14:50
Evil.
14:51
He
14:51
didn't
14:51
spend
14:51
six
14:52
years
14:52
in
14:52
Evil
14:52
Medical
14:52
School
14:53
to
14:53
be
14:53
called
14:53
Mr.
14:54
And
14:54
it
14:55
turned
14:55
out
14:55
to
14:55
be
14:55
a
14:56
genius
14:56
decision.
14:57
The
14:57
idea
14:57
that
14:57
these
14:58
two
14:58
men
14:58
are
14:58
two
14:59
sides
14:59
of
14:59
the
14:59
same
15:00
coin.
15:00
His
15:01
Dr.
15:01
Evil
15:02
was
15:02
mostly
15:02
based
15:02
on
15:03
Donald
15:03
Pleasant
15:04
and
15:04
partly
15:05
based
15:05
on
15:05
SNL
15:06
executive
15:06
producer
15:07
Lorne
15:07
Michaels.
15:08
Although
15:09
Myers
15:09
has
15:09
always
15:09
denied
15:10
the
15:10
inspiration
15:11
was
15:11
anything
15:11
other
15:11
than
15:12
tiny.
15:12
But
15:13
it
15:13
would
15:13
lead
15:13
to
15:14
a
15:14
falling
15:14
out
15:14
between
15:14
Mike
15:15
Myers
15:15
and
15:16
the
15:16
Garth
15:16
to
15:16
his
15:16
way
15:17
Dana
15:17
Carvey,
15:18
who
15:18
insisted
15:19
Dr.
15:19
Evil
15:20
was
15:20
based
15:20
on
15:20
his
15:21
impression
15:21
of
15:22
Michael's.
15:23
Dr.
15:23
Evil
15:24
started
15:24
as
15:24
Dr.
15:25
Wicked,
15:26
a
15:26
human
15:26
comedy
15:27
show
15:27
sketch
15:27
between
15:28
Myers
15:28
and
15:28
his
15:29
comedy
15:29
partner
15:29
Neil
15:30
Malarkey.
15:30
A
15:31
one
15:31
man
15:31
show
15:32
of
15:32
a
15:32
generic
15:32
Bond
15:33
villain
15:33
who
15:34
just
15:34
wants
15:34
sharks
15:35
with
15:35
laser
15:35
beams.
15:36
And
15:36
the
15:36
stories
15:37
behind
15:37
the
15:37
evil
15:38
henchmen.
15:38
Because
15:39
there
15:39
must
15:39
be
15:39
a
15:39
place
15:39
where
15:40
all
15:40
the
15:40
henchmen
15:40
hang
15:41
out
15:41
on
15:41
lunch
15:41
breaks.
15:42
All
15:43
the
15:43
questions
15:43
James
15:44
Bond
15:44
movies
15:44
never
15:45
address
15:45
or
15:45
answer.
15:47
And
15:47
the
15:47
fact
15:47
that
15:47
Bond
15:48
villains
15:48
always
15:49
monologue
15:49
their
15:49
intentions
15:50
to
15:50
the
15:50
hero
15:51
and
15:51
he
15:52
always
15:52
outwits
15:52
them
15:53
in
15:53
the
15:53
end.
15:53
The
15:54
Dr.
15:54
Evil
15:55
Pinky
15:55
joke
15:55
was
15:55
originally
15:56
that
15:56
he
15:56
was
15:56
unfrozen,
15:58
but
15:58
his
15:58
hand
15:58
was
15:58
10
15:59
minutes
15:59
late,
15:59
and
16:00
so
16:00
he
16:00
was
16:00
constantly
16:01
warming
16:01
up
16:01
his
16:02
hand.
16:03
The
16:03
fembots
16:04
were
16:04
taken
16:04
partly
16:05
from
16:05
the
16:05
$6
16:05
million
16:06
man,
16:06
the
16:06
title
16:07
sequence
16:07
of
16:07
the
16:08
Knack,
16:08
and
16:08
one
16:08
of
16:09
the
16:09
Matt
16:09
Helm
16:09
movies
16:10
which
16:10
starred
16:10
Dean
16:11
Martin.
16:11
But
16:12
the
16:12
scene
16:12
where
16:12
Austin
16:13
overpowers
16:13
the
16:13
fembots
16:14
purely
16:14
by
16:15
his
16:15
overt
16:15
sexuality
16:16
was
16:17
done
16:17
because
16:17
that
16:18
sort
16:18
of
16:18
flamboyant
16:19
sexual
16:19
confidence
16:20
can
16:20
be
16:21
hilariously
16:21
funny
16:22
and
16:22
corny.
16:22
And
16:23
Austin
16:23
Powers
16:24
isn't
16:24
that
16:24
serious
16:25
about
16:25
his
16:26
sexiness.
16:27
Austin's
16:27
mojo
16:28
would
16:28
become
16:28
more
16:29
important
16:29
in
16:29
the
16:29
sequel.
16:30
But
16:31
this
16:31
is
16:31
a
16:31
man
16:31
who
16:31
can
16:32
have
16:32
bad
16:32
teeth,
16:33
inappropriate
16:33
humor
16:34
and
16:34
a
16:35
chest
16:35
rug
16:35
and
16:36
be
16:36
irresistible
16:37
to
16:37
women
16:37
because,
16:38
hey,
16:39
women
16:39
like
16:39
men
16:39
who
16:40
make
16:40
them
16:40
laugh.
16:40
It's
16:41
a
16:41
fact.
16:42
The
16:42
chest
16:43
hair
16:43
was
16:43
also
16:43
inspired
16:44
by
16:44
Bond,
16:45
specifically
16:46
one
16:46
Bond,
16:47
Sean
16:47
Connery,
16:48
who
16:48
had
16:49
an
16:49
impressive
16:49
manly
16:50
chest.
16:51
Connery
16:51
stepped
16:52
down
16:52
from
16:52
the
16:52
role
16:52
of
16:53
James
16:53
Bond
16:54
in
16:54
you
16:54
Only
16:54
Live
16:55
Twice,
16:55
which
16:55
came
16:56
out
16:56
the
16:56
same
16:56
year.
16:57
Austin
16:58
Powers
16:58
was
16:58
originally
16:59
set
16:59
in
16:59
1967.
17:01
Casting
17:02
the
17:02
rest
17:02
of
17:03
the
17:03
movie.
17:03
Myers
17:04
wanted
17:04
two
17:04
names,
17:05
specifically
17:06
two
17:06
actors
17:06
he'd
17:07
grown
17:07
up
17:07
watching
17:08
in
17:08
films
17:08
from
17:08
the
17:09
60s.
17:10
Robert
17:10
Wagner
17:10
and
17:11
Michael
17:11
York.
17:12
They
17:12
were
17:12
household
17:13
names
17:13
thanks
17:13
to
17:13
their
17:14
earlier
17:14
roles.
17:15
For
17:15
Wagner,
17:15
that
17:16
included
17:16
A
17:16
Kiss
17:17
Before
17:17
Dying,
17:18
the
17:18
Pink
17:18
Panther
17:18
and
17:19
the
17:19
Towering
17:19
Inferno.
17:20
And
17:20
for
17:21
York
17:21
Cabaret,
17:22
the
17:22
Three
17:23
Musketeers,
17:23
Murder
17:24
on
17:24
the
17:24
Orient
17:24
Express
17:25
and
17:25
Logan's
17:26
Run.
17:27
Wagner
17:27
for
17:27
the
17:28
role
17:28
of
17:28
number
17:28
two,
17:29
Dr.
17:29
Evil's
17:30
number
17:30
two,
17:30
and
17:31
York
17:31
for
17:31
Basil
17:32
Exposition,
17:33
who,
17:33
being
17:34
completely
17:34
honest,
17:35
taught
17:35
me
17:36
what
17:36
the
17:36
word
17:36
exposition
17:37
meant.
17:38
And
17:38
I'm
17:38
not
17:38
joking,
17:39
because
17:39
I
17:40
knew
17:40
the
17:40
word
17:40
exposition,
17:41
but
17:41
I
17:42
didn't
17:42
actually
17:42
really
17:42
know
17:43
what
17:43
it
17:43
meant
17:44
until
17:44
I
17:44
saw
17:44
Bazaar
17:45
Exposition.
17:46
And
17:46
now
17:46
whenever
17:47
I
17:47
think
17:47
of
17:47
Exposition,
17:48
I
17:48
always
17:49
think
17:49
of
17:49
Basil
17:49
Exposition.
17:51
Elizabeth
17:51
Hurley
17:52
was
17:52
mostly
17:52
known
17:53
as
17:53
a
17:53
model,
17:54
as
17:54
Hugh
17:54
Grant's
17:55
girlfriend,
17:55
and
17:56
for
17:56
that
17:56
Versace
17:57
safety
17:57
pin
17:57
dress
17:58
she
17:58
wore
17:58
to
17:58
the
17:59
premiere
17:59
for
17:59
Weddings
18:00
and
18:00
a
18:00
Funeral.
18:01
She'd
18:01
had
18:02
a
18:02
small
18:02
part
18:02
in
18:02
passenger
18:03
57
18:04
in
18:04
1992,
18:05
and
18:05
Mike
18:06
Myers
18:06
had
18:06
her
18:07
in
18:07
mind
18:07
for
18:07
the
18:07
role
18:08
of
18:08
Vanessa
18:08
Kensington.
18:10
Hurley's
18:10
agent
18:11
called
18:11
her
18:11
and
18:11
her
18:12
boyfriend,
18:12
Hugh
18:12
Grant,
18:13
was
18:13
thrilled,
18:14
encouraged
18:14
her
18:14
to
18:15
take
18:15
the
18:15
role,
18:15
saying
18:16
Myers
18:16
was
18:16
one
18:17
of
18:17
the
18:17
funniest
18:17
comedians
18:18
on
18:18
the
18:18
planet.
18:19
Hurley
18:20
would
18:20
say
18:20
in
18:20
recent
18:20
interviews
18:21
how
18:21
wonderful
18:22
her
18:22
time
18:22
on
18:22
set
18:23
was,
18:23
how
18:23
lovely
18:24
Mike
18:24
Myers
18:25
was,
18:25
and
18:25
how
18:26
much
18:26
he
18:26
made
18:26
her
18:26
laugh
18:27
on
18:27
set.
18:28
Some
18:28
of
18:28
her
18:28
corpsing
18:29
ended
18:30
up
18:30
in
18:30
the
18:30
finished
18:30
film.
18:31
The
18:31
first
18:32
day
18:32
on
18:32
set
18:32
for
18:32
Hurley
18:33
was
18:33
then
18:34
filming
18:34
the
18:34
spinning
18:35
bed
18:35
on
18:35
the
18:36
plane
18:36
scene.
18:37
And
18:37
Seth
18:38
Green,
18:38
lovely
18:39
Seth
18:39
Green.
18:39
He
18:40
would
18:40
go
18:40
on
18:40
to
18:40
star
18:41
as
18:41
Oz
18:41
in
18:41
Buffy
18:42
the
18:42
Vampire
18:42
Slayer
18:43
in
18:43
the
18:43
same
18:43
year
18:43
as
18:44
Austin
18:44
Powers.
18:45
He
18:45
got
18:45
the
18:45
script
18:46
for
18:46
Carrot
18:46
Topps
18:47
Chairman
18:47
of
18:47
the
18:47
Board
18:48
and
18:48
Austin
18:48
Powers
18:49
in
18:49
the
18:49
same
18:49
week.
18:50
He
18:50
was
18:50
performing
18:51
in
18:51
a
18:51
Mamet
18:52
play
18:52
at
18:52
the
18:52
time,
18:53
so
18:53
he
18:53
was
18:53
all
18:53
about
18:54
actor
18:54
prep
18:55
and
18:55
decided
18:55
to
18:55
play
18:56
Scott
18:56
Evil.
18:57
Completely
18:57
straight
18:58
and
18:58
sincere.
18:59
Scott
18:59
is
19:00
the
19:00
only
19:00
one
19:00
who's
19:01
in
19:01
a
19:01
drama,
19:02
not
19:02
a
19:02
comedy.
19:03
The
19:03
iconic
19:04
shushing
19:04
scene
19:04
between
19:05
Dr.
19:05
Evil
19:05
and
19:06
Scott
19:06
was
19:06
completely
19:07
unscripted
19:08
and
19:09
it's
19:09
just
19:09
a
19:09
testament
19:10
to
19:10
the
19:10
chemistry
19:11
between
19:11
Myers
19:12
and
19:12
Green.
19:13
The
19:13
original
19:14
shooting
19:14
script
19:15
for
19:15
the
19:15
film
19:15
reveals
19:16
several
19:17
more
19:17
James
19:17
Bond
19:18
parallels
19:18
which
19:18
were
19:19
never
19:19
filmed,
19:20
including
19:20
a
19:21
post
19:21
credits
19:21
scene
19:22
where
19:22
with
19:22
a
19:22
cameo
19:23
from
19:23
a
19:23
familiar
19:24
face,
19:25
we
19:25
see
19:25
Austin
19:26
from
19:26
behind
19:27
talking
19:27
to
19:27
a
19:27
girl
19:27
in
19:28
a
19:28
bathing
19:28
suit.
19:29
He
19:29
turns
19:30
around
19:30
to
19:30
reveal
19:31
that
19:31
it's
19:31
Austin
19:32
Powers
19:32
played
19:33
by
19:33
Roger
19:34
Moore
19:34
with
19:35
the
19:35
same
19:35
glasses
19:36
and
19:36
teeth.
19:37
And
19:37
the
19:37
final
19:37
line
19:38
is
19:38
Roger
19:39
Moore
19:39
saying,
19:39
oh,
19:40
behave.
19:41
We
19:42
would
19:42
get
19:42
big
19:43
name
19:43
cameos
19:43
in
19:43
these
19:44
movies,
19:44
specifically
19:45
in
19:45
Gold
19:45
Member,
19:46
as
19:46
well
19:47
as
19:47
Michael
19:47
Caine
19:48
as
19:48
Nigel
19:49
Powers,
19:49
Austin's
19:50
father,
19:50
but
19:51
we
19:51
would
19:51
never
19:51
get
19:51
a
19:52
cameo
19:52
from
19:52
Roger
19:53
Moore
19:53
or
19:53
Sean
19:54
Connery
19:55
or
19:55
any
19:55
Bond
19:56
actor.
19:56
Presumably
19:58
to
19:58
keep
19:58
the
19:58
two
19:59
super
19:59
spies
19:59
separate.
20:01
Because
20:01
you
20:01
never
20:01
want
20:01
to
20:02
cross
20:02
the
20:02
stream
20:03
when
20:03
you're
20:03
dealing
20:04
with
20:04
super
20:04
spies.
20:05
And
20:06
obviously
20:06
James
20:06
Bond
20:07
is
20:07
known
20:07
for
20:07
many
20:08
things.
20:09
The
20:09
martini
20:10
shaken,
20:10
not
20:10
stirred.
20:11
The
20:11
classic
20:12
Bond
20:12
James
20:13
Bond,
20:14
the
20:14
beautiful
20:14
women
20:15
by
20:15
his
20:15
side,
20:16
their
20:16
cars,
20:17
the
20:17
suit,
20:18
and
20:18
also
20:18
the
20:19
variety
20:19
of
20:20
opening
20:20
title
20:21
sequences
20:21
and
20:22
songs.
20:23
Austin
20:23
Powers
20:24
had
20:24
to
20:24
have
20:25
a
20:25
memorable
20:25
opening
20:26
sequence.
20:27
J
20:27
Roach
20:28
didn't
20:28
want
20:28
Austin
20:29
Powers
20:29
to
20:29
only
20:30
be
20:30
seen
20:30
as
20:30
a
20:31
Bonds
20:31
booth,
20:32
but
20:32
also
20:32
inspired
20:33
by
20:33
other
20:33
things
20:34
like
20:34
Beatles
20:35
culture,
20:35
Carnaby
20:36
street
20:37
and
20:37
Austin's
20:38
introduction
20:38
was
20:38
specifically
20:39
borrowed
20:40
from
20:40
the
20:40
Beatles
20:41
movie
20:41
A
20:42
Hard
20:42
Day's
20:42
Night
20:43
with
20:43
a
20:43
Bob
20:43
Fosse
20:44
inspired
20:45
dance
20:45
number
20:46
choreographed
20:46
by
20:47
Marguerite
20:47
Pomerhn
20:48
Derricks.
20:49
She
20:49
did
20:49
the
20:49
choreography
20:50
for
20:50
the
20:50
whole
20:51
movie
20:51
including
20:52
the
20:52
fembot
20:53
scene
20:53
and
20:53
the
20:53
opening
20:54
number.
20:54
She
20:55
has
20:55
been
20:55
featured
20:56
several
20:56
times
20:56
on
20:56
this
20:57
podcast
20:57
for
20:57
her
20:57
choreography
20:58
in
20:58
Showgirls
20:59
and
20:59
Spider
21:00
Man
21:00
3.
21:01
And
21:01
she
21:01
also
21:01
worked
21:02
with
21:02
Demi
21:02
Moore
21:03
on
21:03
Striptease.
21:04
Her
21:05
choreography
21:05
for
21:05
Austin
21:06
to
21:06
Destroy
21:06
the
21:06
Fembots
21:07
was
21:08
actually
21:08
the
21:08
same
21:08
moves
21:09
that
21:09
Derricks
21:10
had
21:10
used
21:10
for
21:10
Demi
21:11
Moore
21:11
in
21:11
Striptease
21:12
and
21:12
Elizabeth
21:13
Berkeley
21:13
in
21:14
Showgirls.
21:15
It's
21:15
a
21:15
good
21:15
time
21:16
actually
21:16
to
21:16
mention
21:16
Demi
21:17
Moore
21:17
because
21:17
her
21:18
production
21:18
company
21:19
Moving
21:19
Pictures
21:20
produced
21:20
Austin
21:21
Powers
21:21
along
21:22
with
21:22
sisters
21:23
Suzanne
21:23
and
21:23
Jennifer
21:24
Todd
21:24
and
21:25
they
21:25
originally
21:25
wanted
21:26
Marguerite
21:26
Pomerhn
21:27
Derricks
21:28
to
21:28
be
21:28
a
21:28
Go
21:28
Go
21:28
dancer
21:29
in
21:29
the
21:29
movie.
21:30
Derricks
21:31
didn't
21:31
want
21:31
to
21:31
be
21:32
in
21:32
the
21:32
movie,
21:32
she
21:32
wanted
21:33
to
21:33
choreograph
21:33
it.
21:34
And
21:34
originally
21:35
the
21:35
opening
21:35
sequence
21:36
wasn't
21:36
a
21:36
dance
21:37
number
21:37
until
21:38
she
21:38
suggested
21:39
a
21:39
fussy
21:40
or
21:40
Jerome
21:41
Robbin's
21:41
west
21:41
side
21:42
Story
21:42
style
21:43
inspired
21:43
sequence.
21:44
Mike
21:45
Myers
21:45
studied
21:46
tap
21:46
dance
21:46
as
21:46
a
21:47
child
21:47
and
21:47
their
21:48
idea
21:48
was
21:48
to
21:48
make
21:49
it
21:49
fun,
21:49
kind
21:50
the
21:50
haphazard
21:51
in
21:51
style
21:51
and
21:52
feel,
21:52
indie,
21:53
with
21:53
as
21:53
low
21:53
a
21:54
budget
21:54
as
21:54
possible.
21:55
But
21:55
it
21:56
needed
21:56
a
21:56
rhythm
21:56
you
21:57
could
21:57
dance
21:57
to
21:58
and
21:58
you
21:58
needed
21:58
a
21:59
song
21:59
that
21:59
made
21:59
people
22:00
want
22:00
to
22:00
dance,
22:01
that
22:01
felt
22:02
60s
22:02
in
22:02
tone,
22:03
that
22:03
just
22:03
screamed
22:04
Austin
22:04
Powers
22:05
as
22:05
much
22:06
as
22:06
young
22:06
girls
22:07
in
22:07
the
22:07
street
22:07
would.
22:08
Austin
22:09
Powers
22:09
was
22:09
based
22:10
on
22:10
mostly
22:10
obscure
22:11
60s
22:12
movies,
22:12
but
22:13
it
22:13
needed
22:13
a
22:13
well
22:14
known,
22:14
catchy
22:15
song
22:15
that
22:15
would
22:15
become
22:16
synonymous
22:17
with
22:17
Austin
22:17
Powers.
22:19
Enter
22:19
the
22:20
legendary
22:20
Quincy
22:21
Jones
22:21
and
22:21
his
22:22
1962
22:23
song
22:23
Soul
22:24
Bossa
22:24
Nova.
22:25
Chris
22:25
Douridas,
22:26
the
22:26
music
22:27
consultant
22:27
on
22:27
the
22:28
movie,
22:28
was
22:28
a
22:29
DJ
22:29
for
22:29
KCRW
22:30
Santa
22:31
Monica,
22:31
and
22:32
he
22:32
suggested
22:33
Soul
22:33
Bossa
22:34
Nova.
22:35
Jones
22:35
had
22:35
worked
22:36
with
22:36
Myers
22:36
on
22:37
SNL
22:37
when
22:37
he
22:38
hosted
22:38
in
22:38
1990,
22:39
and
22:39
he
22:40
happily
22:40
gave
22:41
permission
22:41
to
22:41
use
22:42
Soul
22:42
Bossa
22:43
Nova
22:43
as
22:44
a
22:44
unique
22:44
sounding
22:45
song
22:45
you
22:45
could
22:45
dance
22:46
to,
22:46
which
22:46
then
22:46
set
22:47
the
22:47
whole
22:47
title
22:48
sequence.
22:49
That
22:49
title
22:49
sequence
22:50
had
22:50
a
22:50
skeleton
22:51
crew
22:51
made
22:52
up
22:52
of
22:52
members
22:52
of
22:52
a
22:53
teen
22:53
dance
22:53
company
22:54
aged
22:55
between
22:55
12
22:55
and
22:56
17
22:56
years
22:56
old
22:57
dancing
22:58
on
22:58
the
22:58
Paramount
22:58
backlot
22:59
after
22:59
one
23:00
day
23:00
of
23:00
rehearsal.
23:01
And
23:01
they
23:02
got
23:02
it
23:02
in
23:02
the
23:02
bag
23:02
after
23:03
one
23:03
day
23:03
of
23:03
filming.
23:05
Soul
23:05
Bossa
23:06
Nova
23:06
then
23:06
experienced
23:07
a
23:07
resurgence
23:08
and
23:08
now
23:08
is
23:09
simply
23:10
known
23:10
as
23:10
the
23:10
Austin
23:11
Powers
23:11
theme.
23:12
And
23:13
this
23:13
was
23:13
a
23:13
movie
23:13
where
23:14
everything
23:14
had
23:15
to
23:15
be
23:15
tight.
23:15
I'll
23:16
behave,
23:17
but
23:17
also
23:17
tight
23:18
as
23:18
in
23:18
scheduling
23:19
due
23:19
to
23:19
the
23:20
low
23:20
budget.
23:20
But
23:20
that
23:21
didn't
23:21
mean
23:21
a
23:21
lack
23:21
of
23:22
production
23:22
design.
23:23
Myers
23:23
wanted
23:24
Austin's
23:24
world
23:25
to
23:25
be
23:25
psychedelic,
23:26
swinging,
23:27
fun
23:27
and
23:27
colourful.
23:28
He
23:29
wanted
23:29
Coca
23:29
Cola
23:30
reds
23:30
AT&T
23:31
blues
23:32
and
23:32
Kodak
23:32
yellows,
23:33
with
23:33
Dr.
23:34
Evil's
23:34
world
23:35
gray
23:35
and
23:36
black
23:36
and
23:36
sharp
23:37
in
23:37
comparison.
23:39
The
23:39
costume
23:39
designer
23:40
here
23:40
is
23:40
Dina
23:40
Apple,
23:41
and
23:41
she
23:41
would
23:41
be
23:42
responsible
23:42
for
23:42
one
23:43
of
23:43
the
23:43
most
23:43
recognizable
23:44
iconic
23:45
characters
23:45
of
23:46
90s
23:46
cinema.
23:47
She'd
23:47
also
23:48
worked
23:48
with
23:48
the
23:48
Todd
23:48
sisters
23:49
and
23:49
Demi
23:49
Moore
23:50
on
23:50
Now
23:50
and
23:50
Then,
23:51
and
23:51
she
23:51
met
23:51
with
23:52
Maya's
23:52
A
23:52
Roach
23:53
to
23:53
talk
23:53
about
23:53
the
23:53
costumes.
23:55
In
23:55
the
23:55
script,
23:55
Myers
23:56
had
23:56
described
23:57
Austen
23:57
in
23:57
a
23:57
velvet
23:58
suit
23:58
and
23:59
frilly
23:59
Cravat
24:00
and
24:00
Dr.
24:00
Evil
24:01
in
24:01
a
24:01
Blofeld
24:02
suit.
24:03
That
24:03
was
24:03
the
24:03
launching
24:04
point
24:04
that
24:04
she
24:05
had
24:05
to
24:05
work
24:05
with.
24:06
The
24:06
whole
24:06
script
24:07
was
24:07
described
24:07
in
24:08
vivid
24:08
colour.
24:09
She
24:09
scoured
24:10
60s
24:10
fashion
24:11
magazines
24:11
and
24:11
books,
24:12
watched
24:12
films
24:13
of
24:13
the
24:13
era,
24:13
and
24:14
it
24:14
was
24:14
decided
24:14
that
24:15
as
24:15
the
24:15
ultimate
24:16
gentleman
24:16
spy
24:17
and
24:17
international
24:18
man
24:18
of
24:18
mystery,
24:19
that
24:19
Austen
24:20
should
24:20
have
24:20
an
24:20
extensive
24:21
wardrobe,
24:22
each
24:22
vintage
24:23
in
24:23
style
24:23
but
24:24
unique
24:24
in
24:24
color,
24:25
keeping
24:26
the
24:26
same
24:26
silhouette,
24:27
but
24:27
changing
24:27
the
24:27
fabrics
24:28
to
24:28
create
24:29
an
24:29
instantly
24:30
recognisable
24:30
character
24:31
while
24:32
keeping
24:32
the
24:32
cost
24:33
down.
24:33
All
24:34
of
24:34
Austin
24:34
and
24:35
Dr.
24:35
Evil
24:35
Suits
24:36
were
24:36
made
24:36
at
24:36
Universal
24:37
Studios
24:38
by
24:38
Taylor
24:38
Tommy
24:39
Velasco.
24:40
The
24:40
shape
24:40
of
24:40
Austin's
24:41
suits
24:41
came
24:42
from
24:42
Apple's
24:43
research
24:43
with
24:44
Beatle
24:44
George
24:44
Harrison,
24:45
the
24:45
strongest
24:46
influence
24:46
for
24:46
Austin.
24:47
He
24:48
had
24:48
a
24:48
formality
24:49
of
24:49
dress
24:49
with
24:49
great
24:50
style
24:50
and
24:50
flair,
24:51
but
24:51
he
24:51
had
24:51
a
24:52
sense
24:52
of
24:52
humor.
24:53
All
24:53
of
24:53
Austin's
24:54
shirts
24:54
were
24:54
made
24:55
by
24:55
the
24:55
Anto
24:56
custom
24:56
shirt
24:56
maker
24:57
in
24:57
Beverly
24:57
Hills.
24:58
And
24:58
for
24:58
this
24:59
movie
24:59
they
24:59
had
25:00
vintage
25:00
black
25:00
Chelsea
25:01
boots.
25:02
For
25:02
everyone
25:03
else
25:03
in
25:03
the
25:03
movie,
25:04
it
25:04
was
25:04
important
25:04
to
25:05
keep
25:05
to
25:05
a
25:05
strict
25:06
color
25:06
code.
25:07
Graphic
25:07
and
25:07
clear
25:08
colors
25:08
and
25:09
high
25:09
contrast
25:09
patterns
25:10
only.
25:11
Apple
25:11
was
25:12
also
25:12
inspired
25:12
by
25:13
Paco
25:13
Rabanne's
25:14
conceptual
25:14
art
25:15
with
25:15
plastics
25:16
replacing
25:16
fabric
25:17
and
25:17
misses
25:18
And
25:18
Vanessa
25:18
Kensington's
25:19
black
25:19
leather
25:20
catsuits,
25:21
a
25:21
clear
25:21
homage
25:22
to
25:22
Emma
25:22
Peele
25:22
from
25:23
the
25:23
Avengers,
25:24
which
25:24
was
25:24
created
25:25
by
25:25
Universal
25:26
Studios
25:26
dressmaker
25:27
John
25:27
Hales.
25:28
The
25:29
rest
25:29
of
25:29
Vanessa's
25:30
costumes
25:30
were
25:30
designed
25:31
in
25:31
collaboration
25:31
with
25:32
Freddy
25:32
Lieber,
25:33
a
25:33
stylist
25:33
Elizabeth
25:34
Hurley
25:34
worked
25:35
with
25:35
regularly
25:36
at
25:36
the
25:36
time.
25:37
For
25:37
Dr.
25:37
Evil,
25:38
his
25:38
costumes
25:39
were
25:39
lifted
25:39
straight
25:40
from
25:40
the
25:40
Blofeld
25:41
catalogue.
25:42
But
25:42
they
25:42
still
25:42
needed
25:43
to
25:43
feel
25:43
period
25:44
accurate
25:44
for
25:44
the
25:45
60s.
25:45
They
25:46
had
25:46
a
25:46
narrow
25:47
collar
25:47
and
25:47
a
25:47
hidden
25:48
placket
25:48
front
25:49
to
25:49
eliminate
25:49
the
25:49
need
25:49
for
25:50
visible
25:50
buttons.
25:51
The
25:52
color
25:52
needed
25:52
to
25:52
be
25:53
gray
25:53
to
25:53
fit
25:53
into
25:54
the
25:54
strict
25:54
color
25:55
palette.
25:55
The
25:56
silhouette
25:56
had
25:56
to
25:57
differ
25:57
between
25:57
Austin
25:58
and
25:58
Dr.
25:58
Evil,
25:59
even
25:59
though
25:59
they
26:00
were
26:00
being
26:00
played
26:00
by
26:00
the
26:01
same
26:01
person.
26:02
So
26:02
Apple
26:03
gave
26:03
Dr.
26:03
Evil's
26:04
clothing
26:04
a
26:05
barrel
26:05
chest,
26:05
which
26:06
was
26:06
done
26:06
with
26:06
a
26:06
padded
26:07
undersuit.
26:08
The
26:08
costumes
26:08
for
26:08
the
26:09
extras
26:09
were
26:09
made
26:09
by
26:10
Joe
26:10
Torgren,
26:11
including
26:11
for
26:11
the
26:12
henchmen
26:12
uniforms
26:13
and
26:13
Dr.
26:13
Evil's
26:14
black
26:14
and
26:14
white
26:14
army.
26:15
The
26:15
designs
26:16
and
26:16
outfits
26:16
for
26:16
the
26:16
Fembots
26:17
were
26:17
straight
26:17
out
26:18
of
26:18
Paco
26:18
Rabanne,
26:19
Barbarella
26:20
and
26:20
Danger
26:20
Diabolik.
26:21
The
26:22
boob
26:22
guns
26:22
were
26:22
hidden
26:23
specifically
26:23
by
26:24
the
26:24
grommets
26:24
in
26:24
the
26:25
outfits.
26:25
And
26:26
the
26:26
actors
26:26
would
26:26
wear
26:27
bras
26:27
that
26:27
could
26:27
produce
26:28
tiny
26:28
sparks
26:29
and
26:29
smoke.
26:30
The
26:30
actual
26:30
gun
26:31
barrels
26:31
were
26:32
on
26:32
dully
26:32
boobs.
26:34
The
26:34
idea
26:34
that
26:34
Dr.
26:34
Evil
26:35
wouldn't
26:35
be
26:35
able
26:36
to
26:36
stand
26:36
Austin
26:37
and
26:37
Vanessa
26:37
in
26:37
civilian
26:38
clothes
26:38
and
26:39
make
26:39
sure
26:39
they
26:39
changed
26:40
outfits
26:40
to
26:41
be
26:41
captured
26:42
came
26:42
straight
26:42
from
26:43
Dr.
26:43
No,
26:43
where
26:44
they
26:44
suddenly
26:44
change
26:45
clothes
26:45
when
26:45
they're
26:46
captured.
26:47
Dr.
26:47
Evil
26:48
would
26:48
have
26:48
them
26:48
changed
26:49
into
26:49
something
26:49
more
26:50
evil
26:50
appropriate
26:51
before
26:51
being
26:52
escorted
26:52
into
26:53
his
26:53
lair,
26:53
which
26:54
is
26:54
where
26:54
the
26:54
silver
26:54
leather
26:55
combo
26:55
comes
26:56
from.
26:56
Vanessa's
26:57
iconic
26:58
silver
26:58
dress
26:58
had
26:59
60s
26:59
influence,
27:00
but
27:00
was
27:00
also
27:01
based
27:01
on
27:01
a
27:02
contemporary
27:02
silhouette.
27:03
John
27:03
Hales
27:04
created
27:05
the
27:05
silver
27:05
dress
27:06
and
27:06
Clint
27:06
Bryant
27:07
created
27:08
the
27:08
boots.
27:09
They
27:09
shot
27:10
25
27:10
takes
27:11
of
27:11
the
27:11
nudity
27:12
blocking
27:12
scene.
27:13
After
27:13
Austin
27:13
and
27:14
Vanessa
27:14
are
27:14
married,
27:15
they
27:15
just
27:16
kept
27:16
shooting
27:16
until
27:17
everything
27:17
lined
27:17
up
27:18
perfectly.
27:19
It
27:19
took
27:19
a
27:19
lot
27:19
of
27:19
rehearsal,
27:20
with
27:20
Myers
27:21
having
27:21
to
27:21
follow
27:21
a
27:22
pattern
27:22
on
27:22
the
27:22
rug
27:23
and
27:23
Hurley
27:23
going
27:24
off
27:24
a
27:24
reverse
27:25
polarity
27:25
screen
27:26
camera.
27:27
It
27:27
was
27:27
shot
27:27
in
27:27
the
27:27
Scientology
27:28
center
27:29
in
27:29
LA
27:29
with
27:30
both
27:30
actors
27:30
completely
27:31
nude
27:31
with
27:32
their
27:32
bits
27:32
covered
27:32
in
27:33
red
27:33
sticky
27:33
tape.
27:34
And
27:34
despite
27:35
Myers
27:35
appearing
27:36
naked
27:36
in
27:36
various
27:37
points
27:37
in
27:37
the
27:37
movie
27:38
with
27:38
things
27:38
covering
27:39
his
27:39
modesty
27:39
for
27:40
comedic
27:40
effect,
27:41
when
27:41
it
27:41
came
27:41
to
27:42
the
27:42
MPAA
27:43
rating,
27:43
Austin
27:44
Powers
27:45
was
27:45
originally
27:45
rated
27:46
R.
27:46
The
27:47
nudity
27:47
blocking
27:48
was
27:48
fine,
27:48
as
27:49
were
27:49
the
27:49
movie's
27:50
cheeky
27:50
phallic
27:51
references,
27:51
such
27:52
as
27:52
Elizabeth
27:52
Hurley
27:53
biting
27:53
the
27:53
sausage
27:54
and
27:54
holding
27:54
up
27:54
melons.
27:55
They
27:56
were
27:56
the
27:56
butt
27:56
of
27:57
the
27:57
problem.
27:57
It
27:58
was
27:58
Mike
27:58
Myers
27:59
butt
27:59
that
28:00
was
28:00
the
28:00
problem.
28:01
Specifically
28:01
in
28:02
the
28:02
unfreezing
28:03
process
28:03
scene
28:03
when
28:04
Austin
28:04
is
28:04
brought
28:05
back
28:05
into
28:05
action
28:05
by
28:06
the
28:06
government.
28:06
The
28:07
sequence
28:07
of
28:07
him
28:08
thawing
28:08
out
28:08
of
28:09
his
28:09
cryogenic
28:09
sleep
28:10
originally
28:11
featured
28:11
brief
28:12
shots
28:12
of
28:12
Mike
28:13
Myers
28:14
full
28:14
frontal
28:15
backtal
28:16
butt,
28:17
which
28:17
ultimately
28:18
needed
28:18
to
28:19
be
28:19
cut
28:19
to
28:19
earn
28:20
the
28:20
film
28:20
its
28:20
PG30
28:21
rating.
28:23
And
28:23
out
28:23
of
28:23
this
28:23
whole
28:24
movie,
28:24
which
28:25
is
28:25
full
28:25
of
28:25
actually
28:26
really
28:26
funny
28:27
jokes,
28:27
Mike
28:28
Myers
28:28
favorite
28:29
joke
28:29
in
28:29
the
28:29
whole
28:30
movie
28:30
is
28:31
the
28:31
slow
28:31
motion
28:32
steamroller
28:32
chase.
28:33
He
28:33
would
28:34
say
28:34
in
28:34
an
28:34
interview
28:35
with
28:35
Vulture.
28:36
It
28:36
can
28:36
only
28:37
exist
28:37
with
28:37
the
28:37
key
28:38
shot,
28:38
which
28:38
is
28:39
the
28:39
wide
28:39
shot
28:40
that
28:40
shows
28:40
you
28:40
the
28:41
spatial
28:41
relationship
28:42
between
28:42
the
28:42
guy
28:43
and
28:43
the
28:43
slow
28:43
moving
28:43
thing.
28:44
And
28:44
yet
28:45
he's
28:45
acting
28:45
as
28:45
if
28:46
it's
28:46
fast.
28:47
That's
28:47
inflexibility
28:48
on
28:48
his
28:48
part.
28:49
We
28:49
recognize
28:50
him
28:50
to
28:50
be
28:50
a
28:50
machine.
28:51
He's
28:51
meta.
28:52
He's
28:52
gonna
28:53
die.
28:53
And
28:53
we
28:53
laugh,
28:54
unquote.
28:56
And
28:56
while
28:57
Austin
28:57
would
28:57
eventually
28:58
be
28:58
united
28:58
in
28:59
Goldmember,
29:00
Mike
29:00
Myers
29:01
got
29:01
his
29:01
own
29:01
royal
29:02
seal
29:02
of
29:02
approval
29:03
in
29:03
2019
29:04
when
29:04
he
29:04
visited
29:05
Buckingham
29:05
palace
29:06
after
29:06
going
29:07
through
29:07
security
29:07
clearance,
29:08
he
29:08
saw
29:09
the
29:09
changing
29:09
of
29:09
the
29:09
guard
29:10
and
29:10
the
29:10
band
29:10
came
29:11
out
29:11
and
29:12
played
29:12
the
29:12
Austin
29:13
Powers
29:13
theme
29:13
just
29:14
for
29:14
Mike
29:14
Myers.
29:16
I'm
29:16
not
29:16
sure
29:16
if
29:16
the
29:17
late
29:17
queen
29:17
was
29:18
a
29:18
fan
29:18
of
29:18
the
29:18
character,
29:19
but
29:19
I'm
29:19
sure
29:19
that
29:19
she
29:20
was
29:20
because
29:20
obviously
29:21
Austin
29:21
Powers
29:22
did
29:22
a
29:22
lot
29:22
for
29:22
our
29:22
country.
29:23
Apparently
29:24
the
29:24
band
29:24
knew
29:25
that
29:25
Mike
29:25
Myers
29:25
was
29:26
going
29:26
to
29:26
be
29:26
there
29:27
and
29:27
they
29:27
played
29:28
the
29:28
song.
29:28
The
29:29
guards
29:29
are
29:29
famously
29:30
not
29:30
supposed
29:30
to
29:30
talk,
29:31
but
29:31
one
29:31
of
29:32
them
29:32
said
29:32
to
29:32
Myers,
29:33
I
29:33
bet
29:33
you've
29:34
heard
29:34
that
29:34
song
29:35
before,
29:35
Mr.
29:35
Myers.
29:36
And
29:36
Mike
29:37
Myers
29:37
would
29:37
say
29:37
it
29:38
was
29:38
one
29:38
of
29:38
the
29:38
most
29:38
incredible
29:39
experiences
29:40
of
29:40
his
29:40
life.
29:41
Speaking
29:42
of
29:42
incredible
29:43
experiences,
29:43
let's
29:44
segue
29:44
into
29:45
the
29:45
obligatory
29:45
Keanu
29:46
reference
29:46
of
29:47
this
29:47
episode.
29:48
And
29:48
if
29:48
you
29:48
are
29:48
new
29:49
here
29:49
and
29:49
you're
29:49
not
29:49
sure
29:50
what
29:50
this
29:50
is,
29:50
this
29:51
is
29:51
where
29:51
I
29:51
will
29:51
try
29:51
and
29:52
link
29:52
every
29:52
movie
29:53
that
29:53
I
29:53
feature
29:53
with
29:54
Keanu
29:54
Reeves.
29:55
Because
29:55
he's
29:56
not
29:56
a
29:56
spy,
29:57
but
29:57
he
29:57
is
29:58
the
29:58
ultimate
29:58
gentleman.
29:59
And
29:59
I
29:59
thought
30:00
this
30:00
would
30:00
be
30:00
really
30:00
tricky
30:01
until
30:02
I
30:03
realized
30:03
that
30:03
Austin
30:04
Powers
30:05
influenced
30:05
John
30:06
Wick
30:07
in
30:07
a
30:07
way.
30:07
And
30:08
I
30:08
found
30:08
this
30:08
really
30:08
interesting
30:09
article
30:10
in
30:10
that
30:10
we
30:11
never
30:11
see
30:11
the
30:12
high
30:12
table
30:12
in
30:13
the
30:13
John
30:13
Wick
30:13
series.
30:14
And
30:15
apparently
30:15
this
30:15
is
30:16
because
30:16
of
30:16
Austin
30:17
Powers
30:17
and
30:18
because
30:18
Austin
30:18
Powers
30:19
mocked
30:19
the
30:20
international
30:20
organization
30:21
so
30:22
well.
30:23
Dr.
30:23
Evil
30:24
is
30:24
so
30:24
evil
30:25
that
30:25
all
30:25
other
30:26
evil
30:26
organizations
30:27
are
30:27
the
30:28
Diet
30:28
Coke
30:28
of
30:28
evil.
30:29
And
30:29
so
30:30
in
30:30
some
30:30
ways,
30:30
Austin
30:31
Powers
30:31
influenced
30:32
Keanu
30:33
Reeves.
30:34
And
30:34
that
30:34
is
30:34
the
30:35
best
30:35
way
30:35
I
30:35
can
30:35
link
30:36
Keanu
30:36
Reeves
30:36
to
30:37
Austin
30:37
Powers.
30:45
I
30:45
have
30:45
briefly
30:46
mentioned
30:46
the
30:46
music
30:47
and
30:47
the
30:47
Burt
30:48
Bacharach
30:49
and
30:49
the
30:49
soul
30:49
Bossa
30:50
Nova.
30:51
But
30:51
what
30:52
is
30:52
Austin
30:52
Powers
30:53
without
30:53
the
30:53
groovy
30:54
music?
30:54
Baby,
30:55
it
30:56
is
30:56
a
30:56
soundtrack
30:56
full
30:57
of
30:57
really
30:57
great
30:57
music.
30:58
I'm
30:58
a
30:58
huge
30:59
fan
30:59
of
30:59
Soul
30:59
Bossa
31:00
Nova
31:00
and
31:00
there
31:01
is
31:01
a
31:01
photograph
31:02
of
31:02
me
31:02
dressed
31:03
up
31:03
for
31:03
a
31:04
work
31:04
fancy
31:04
dress
31:05
competition,
31:06
which
31:06
I
31:06
won
31:07
by
31:07
the
31:07
way,
31:08
as
31:08
Austin
31:09
Powers,
31:10
where
31:10
I
31:11
had
31:11
a
31:11
copy
31:12
of
31:12
Soul
31:12
Bossa
31:12
Nova
31:13
on
31:13
my
31:13
phone
31:14
and
31:14
I
31:15
basically
31:15
went
31:15
around
31:16
the
31:16
office
31:16
to
31:17
Soul
31:17
Bossa
31:17
Nova
31:18
saying
31:18
Austin
31:19
Powers
31:19
phrases
31:20
to
31:20
work
31:20
colleagues.
31:21
And
31:21
this
31:22
was
31:22
a
31:22
long
31:22
time
31:22
ago.
31:23
This
31:23
was
31:23
like
31:24
10ish
31:25
years
31:25
ago.
31:26
But
31:26
I
31:27
won
31:27
the
31:27
fancy
31:28
dress
31:28
competition
31:28
at
31:29
work
31:29
dressed
31:30
as
31:30
Austin
31:30
Powers.
31:31
So
31:31
I'm
31:32
a
31:32
big
31:32
fan
31:32
of
31:32
soul
31:33
Bossa
31:33
Nova
31:33
and
31:34
who
31:34
isn't
31:34
a
31:34
big
31:35
fan
31:35
of
31:35
Burt
31:35
Bacharach?
31:36
But
31:36
this
31:36
is
31:37
genuinely
31:38
an
31:38
album
31:38
full
31:38
of
31:39
great
31:39
stuff.
31:40
Mike
31:40
Myers
31:41
specifically
31:42
chose
31:42
the
31:42
Divinyls
31:43
because
31:44
they
31:44
had
31:45
a
31:45
song
31:45
called
31:45
I
31:46
Touch
31:46
Myself
31:47
and
31:47
he
31:47
specifically
31:48
wanted
31:48
that
31:49
in
31:49
this
31:49
movie.
31:51
This
31:51
soundtrack
31:51
was
31:52
certified
31:52
gold
31:52
for
31:53
selling
31:53
500,000
31:54
copies
31:55
in
31:55
the
31:55
US
31:56
and
31:56
silver
31:57
in
31:57
the
31:57
UK
31:57
for
31:58
sending
31:58
60,000
31:59
copies.
31:59
And
32:00
the
32:00
soundtrack
32:00
contains
32:01
everything
32:01
featured
32:02
in
32:02
the
32:02
movie
32:02
except
32:03
for
32:03
Secret
32:04
Agent
32:04
man
32:05
and
32:05
these
32:05
Boots
32:06
Are
32:06
Made
32:06
for
32:06
Walkin.
32:08
After
32:08
the
32:08
first
32:08
test
32:09
screening
32:09
of
32:09
Austin
32:10
Powers
32:10
International
32:11
man
32:11
of
32:11
mystery
32:12
to
32:12
a
32:12
100
32:13
person
32:13
audience,
32:14
they
32:15
were
32:15
asked
32:15
to
32:15
raise
32:16
their
32:16
hands
32:16
if
32:17
they
32:17
were
32:17
familiar
32:18
with
32:18
James
32:18
Bond.
32:19
Only
32:20
two
32:20
people
32:20
in
32:21
this
32:21
audience
32:21
raised
32:22
their
32:22
hands,
32:23
and
32:23
this
32:23
concerned
32:24
New
32:24
Line
32:24
Cinema.
32:25
And
32:25
the
32:25
audience
32:26
response
32:26
prompted
32:27
them
32:27
to
32:28
tell
32:28
creator
32:29
and
32:29
star
32:29
Mike
32:29
Myers
32:30
that
32:30
the
32:31
film
32:31
would
32:31
need
32:31
massive
32:32
rewrites
32:33
and
32:33
reshoots
32:34
in
32:34
order
32:34
to
32:34
be
32:34
salvaged.
32:36
But
32:36
Mike
32:36
Myers
32:37
was
32:37
so
32:37
confident
32:38
in
32:38
his
32:38
character
32:39
and
32:39
in
32:39
his
32:39
vision
32:40
that
32:40
he
32:41
refused
32:41
to
32:41
change
32:42
the
32:42
movie.
32:43
And
32:43
that
32:44
was
32:44
probably
32:44
a
32:44
good
32:44
thing
32:45
because
32:45
Austin
32:46
Powers
32:46
International
32:46
man
32:47
of
32:47
Mystery
32:47
was
32:48
released
32:48
on
32:48
2
32:49
May
32:50
1997,
32:51
where
32:51
it
32:51
opened
32:51
at
32:52
second
32:52
at
32:52
the
32:52
US
32:52
box
32:53
office
32:53
behind
32:54
Breakdown.
32:55
It
32:55
dropped
32:55
a
32:55
fourth
32:56
in
32:56
its
32:56
second
32:56
week,
32:57
but
32:57
it
32:57
didn't
32:57
leave
32:57
the
32:58
top
32:58
10
32:58
for
32:59
nine
32:59
weeks.
33:00
The
33:00
UK
33:01
release
33:02
was
33:02
different
33:02
to
33:03
the
33:03
US
33:03
release.
33:03
We
33:04
got
33:04
extra
33:05
scenes
33:05
including
33:06
the
33:06
dead
33:06
henchman
33:07
scenes
33:08
and
33:08
the
33:08
cameo
33:08
from
33:09
Christian
33:09
Slater.
33:10
But
33:10
we
33:10
also
33:11
had
33:11
a
33:11
scene
33:11
cut
33:12
which
33:12
referenced
33:13
the
33:13
adultery
33:14
of
33:14
the
33:14
then
33:15
Prince
33:15
Charles.
33:16
The
33:16
movie
33:16
was
33:17
released
33:17
here
33:17
in
33:17
the
33:17
UK
33:18
shortly
33:18
after
33:19
Princess
33:19
Diana's
33:20
death
33:20
in
33:20
August
33:21
1997,
33:22
so
33:22
the
33:23
royal
33:23
family
33:23
joke
33:24
was
33:24
removed.
33:25
It
33:25
was
33:25
reinstated
33:26
for
33:26
the
33:26
VHS
33:27
release
33:27
and
33:27
is
33:28
in
33:28
the
33:28
version
33:28
on
33:29
Amazon
33:29
prime.
33:30
On
33:31
its
33:31
$16.5
33:32
million
33:32
budget,
33:33
it
33:33
would
33:33
earn
33:34
$53.9
33:35
million
33:35
domestically
33:36
in
33:36
the
33:36
US
33:37
and
33:37
$13.8
33:38
million
33:39
internationally
33:40
for
33:40
a
33:41
worldwide
33:41
gross
33:41
of
33:42
$67.7
33:43
million.
33:44
It
33:45
didn't
33:45
do
33:45
as
33:45
well
33:45
as
33:46
expected
33:46
here
33:47
in
33:47
the
33:47
UK,
33:48
but
33:48
then
33:48
it
33:49
was
33:49
released
33:49
in
33:49
September
33:50
1997
33:51
just
33:52
after
33:52
Princess
33:53
Diana's
33:53
death.
33:54
It
33:54
grew
33:54
a
33:55
steady
33:55
following
33:55
on
33:56
VHS
33:56
and
33:57
ended
33:57
up
33:57
selling
33:58
well
33:58
on
33:58
home
33:58
video
33:59
and
34:00
critically.
34:00
This
34:00
is
34:01
the
34:01
most
34:01
critically
34:01
well
34:02
received
34:02
entry
34:03
in
34:03
the
34:03
series
34:04
with
34:04
73%
34:05
on
34:05
rotten
34:05
tomatoes,
34:06
with
34:06
a
34:07
critics
34:07
consensus
34:08
of
34:08
a
34:09
light
34:09
and
34:09
goofy
34:09
comedy
34:10
which
34:10
provides
34:11
laughs
34:11
largely
34:12
due
34:12
to
34:12
performances
34:13
and
34:13
screenwriting
34:14
by
34:14
Myers,
34:15
There
34:16
are
34:16
obviously
34:16
a
34:16
couple
34:17
of
34:17
sequels
34:17
Austin
34:18
Powers
34:18
the
34:19
Spy
34:19
who
34:19
shagged
34:19
me
34:20
in
34:20
1999
34:21
and
34:21
Austin
34:22
Powers
34:22
in
34:22
Gold
34:23
member
34:23
in
34:23
2002.
34:25
They've
34:25
been
34:26
talking
34:26
about
34:26
Austin
34:27
Powers
34:27
for
34:27
for
34:28
two
34:28
decades.
34:29
I
34:29
hasten
34:30
to
34:30
add
34:30
I'm
34:30
a
34:31
big
34:31
fan
34:31
of
34:31
the
34:31
Spy
34:32
who
34:32
Shagged
34:32
Me,
34:32
so
34:33
chances
34:33
of
34:34
that
34:34
coming
34:34
to
34:34
the
34:34
podcast
34:35
soon
34:35
are
34:35
quite
34:36
full.
34:36
I
34:36
would
34:37
say
34:44
Austin
34:44
Powers
34:45
is
34:45
the
34:45
rare
34:45
spoof
34:46
that
34:46
actually
34:46
creates
34:47
his
34:47
own
34:47
world
34:48
rather
34:48
than
34:48
rely
34:49
on
34:49
the
34:49
pre-existing
34:50
stuff.
34:50
You
34:50
should
34:51
know
34:51
if
34:52
you've
34:52
seen
34:52
a
34:52
Bond
34:53
movie
34:53
you'll
34:53
get
34:54
the
34:54
jokes,
34:54
but
34:55
if
34:55
not,
34:55
it
34:55
never
34:56
feels
34:56
like
34:56
you're
34:57
missing
34:57
out
34:57
by
34:57
not
34:58
knowing
34:58
because
34:59
it's
34:59
funny
34:59
on
34:59
its
35:00
own
35:00
rather
35:00
than
35:01
funny
35:01
by
35:02
comparison.
35:03
This
35:03
is
35:03
a
35:03
franchise
35:04
that
35:04
has
35:04
produced
35:05
two
35:05
sequels
35:06
and
35:06
obviously
35:07
Austin
35:07
Powers
35:08
has
35:08
entered
35:09
the
35:09
cultural
35:09
lexicon
35:10
despite
35:11
the
35:11
obscure
35:12
influences,
35:13
it
35:13
seems
35:13
the
35:13
character
35:14
was
35:14
destined
35:14
to
35:15
become
35:15
a
35:15
hit
35:16
because
35:16
of
35:17
the
35:17
shagadelic
35:18
catchphrases
35:19
and
35:19
the
35:19
unbridled
35:20
endearing
35:21
goofiness.
35:22
Everyone
35:22
knows
35:23
who
35:23
Austin
35:23
Powers
35:24
is.
35:25
It
35:25
is
35:25
easier
35:26
to
35:26
dress
35:26
as
35:26
Austen
35:27
than
35:28
it
35:28
is
35:28
James
35:28
Bond
35:29
because
35:29
Austen
35:30
is
35:30
more
35:30
recognizable.
35:32
And
35:32
trust
35:32
me,
35:33
add
35:33
soul
35:33
Bossa
35:34
Nova
35:34
to
35:34
the
35:34
mix
35:35
and
35:35
you've
35:35
got
35:35
a
35:36
winning
35:36
costume.
35:37
Because
35:37
I
35:37
know
35:37
this
35:39
Making
35:39
any
35:40
sort
35:40
of
35:40
spoof
35:41
is
35:41
hard.
35:41
Ask
35:42
any
35:42
of
35:42
the
35:42
people
35:43
who
35:43
made
35:43
the
35:44
variety
35:44
of
35:44
spoofs
35:45
in
35:45
the
35:45
2000s.
35:46
James
35:47
Bond
35:47
liberated
35:48
Austin
35:48
Powers
35:49
rather
35:49
than
35:50
confined
35:50
it.
35:51
By
35:51
shifting
35:52
societal
35:52
attitudes
35:53
from
35:53
the
35:53
60s
35:54
to
35:54
the
35:54
90s,
35:55
Austin
35:55
Powers
35:56
is
35:56
able
35:56
to
35:56
subtly
35:57
question
35:58
how
35:58
the
35:58
attitudes
35:59
of
35:59
the
35:59
60s
36:00
had
36:00
changed,
36:01
whether
36:01
it
36:01
was
36:01
making
36:02
a
36:02
statement
36:02
about
36:03
the
36:03
intrinsic
36:04
corniness
36:04
of
36:04
sexual
36:05
attitudes
36:06
or
36:06
simply
36:06
pointing
36:07
out
36:07
the
36:07
more
36:07
manufactured
36:08
elements
36:09
of
36:09
popular
36:09
spy
36:10
films.
36:10
As
36:11
a
36:11
result,
36:11
Austin
36:12
Powers
36:13
appeals
36:13
to
36:14
a
36:14
large
36:14
audience,
36:15
even
36:15
if
36:15
they're
36:16
unaware
36:16
of
36:17
James
36:17
Bond
36:17
or
36:18
Peter
36:18
Sellers
36:19
or
36:19
Dudley
36:19
Moore.
36:21
The
36:21
movie
36:21
being
36:21
set
36:22
in
36:22
1967
36:23
was
36:23
more
36:24
than
36:24
just
36:24
being
36:25
30
36:25
years
36:25
prior
36:26
to
36:26
1997.
36:28
1967
36:29
set
36:29
the
36:30
stage
36:30
for
36:30
1968,
36:31
which
36:32
some
36:32
dubbed
36:32
the
36:33
Year
36:33
of
36:33
Revolt.
36:34
Protests
36:35
against
36:35
the
36:35
Vietnam
36:36
War
36:36
were
36:36
already
36:36
taking
36:37
place
36:37
all
36:38
over
36:38
the
36:38
world
36:38
by
36:39
1967.
36:40
Homosexuality
36:41
was
36:42
partially
36:42
decriminalized
36:43
in
36:43
the
36:43
UK
36:44
for
36:44
over
36:44
21s
36:45
in
36:45
1967.
36:46
It
36:47
was
36:47
also
36:47
the
36:47
year
36:47
that
36:48
Sean
36:48
Connery,
36:48
the
36:49
original
36:49
James
36:49
Bond,
36:50
resigned
36:51
from
36:51
his
36:51
role
36:52
as
36:52
a
36:52
character
36:52
who
36:53
had
36:53
established
36:54
the
36:54
pop
36:54
culture
36:55
phenomenon
36:55
that
36:56
was
36:56
James
36:56
Bond.
36:58
Austin
36:59
Powers
36:59
is
36:59
metatextual
37:00
in
37:00
that
37:00
incorporates
37:01
the
37:01
subtext
37:02
of
37:02
the
37:02
Bond
37:03
series
37:03
by
37:04
having
37:04
the
37:04
same
37:04
actor
37:05
play
37:05
both
37:06
hero
37:06
and
37:06
villain.
37:07
In
37:07
the
37:07
scene
37:08
where
37:08
Mike
37:08
Myers
37:09
As
37:09
Dr.
37:09
Evil
37:10
tells
37:10
Mike
37:11
Myers
37:11
as
37:11
Austin
37:12
Powers,
37:12
we're
37:13
not
37:13
so
37:13
different,
37:13
you
37:14
and
37:14
I.
37:14
The
37:15
movie
37:15
directly
37:16
addresses
37:16
the
37:16
tendency
37:17
for
37:17
villains
37:18
to
37:18
represent
37:19
James
37:19
Bond's
37:19
dark
37:20
side
37:20
from
37:20
Dr.
37:21
No
37:21
onwards,
37:22
and
37:22
the
37:22
series
37:22
would
37:23
later
37:23
establish
37:24
Austin
37:24
and
37:24
Dr.
37:25
Evil,
37:25
aka
37:26
Ducky
37:27
Powers,
37:27
as
37:27
long
37:28
lost
37:28
brothers,
37:29
something
37:29
James
37:30
Bond
37:30
also
37:31
leaned
37:31
into
37:32
for
37:32
Spectre
37:33
with
37:33
Bond
37:33
and
37:34
Blofeld
37:35
discovered
37:35
to
37:35
also
37:36
be
37:36
brothers.
37:38
Famously,
37:38
Austin
37:39
Powers
37:39
not
37:39
only
37:40
influenced
37:40
Bond,
37:41
he
37:41
also
37:41
evolved
37:42
Bond.
37:43
In
37:43
a
37:43
2014
37:44
interview,
37:44
Daniel
37:45
Craig
37:46
said
37:46
of
37:46
the
37:46
change
37:46
to
37:47
make
37:47
Bond
37:47
more
37:47
serious
37:48
from
37:48
2006,
37:50
quote,
37:50
we
37:50
had
37:50
to
37:51
destroy
37:51
the
37:51
nick
37:52
because
37:52
Mike
37:52
Myers
37:53
f'd
37:53
us,
37:54
unquote,
37:55
making
37:55
it
37:56
impossible
37:56
to
37:56
do
37:57
the
37:57
gags
37:57
of
37:57
earlier
37:58
Bond
37:58
films.
37:59
The
37:59
Austin
38:00
Powers
38:00
satirized,
38:02
I
38:02
have
38:02
loved
38:02
Austin
38:03
Powers
38:03
for
38:03
a
38:04
long
38:04
time.
38:04
I
38:04
grew
38:05
up
38:05
with
38:05
these
38:05
movies
38:06
and
38:06
honestly
38:07
I
38:07
worried
38:08
a
38:08
little
38:08
how
38:08
well
38:09
it
38:09
would
38:09
all
38:09
hold
38:09
up.
38:10
And
38:10
truthfully
38:11
I
38:11
feel
38:11
like
38:11
it
38:12
does.
38:12
Austen
38:13
is
38:13
the
38:13
epitome
38:14
of
38:14
what
38:14
we
38:14
think
38:15
masculinity
38:16
should
38:16
be.
38:17
Power
38:17
guns,
38:18
beautiful
38:19
women.
38:19
But
38:20
he's
38:20
also
38:20
remarkably
38:21
humble
38:21
and
38:22
awkward
38:22
and
38:22
sweet.
38:23
He's
38:24
into
38:24
free
38:24
love
38:24
and
38:25
promiscuity,
38:26
but
38:26
he
38:26
also
38:26
has
38:27
a
38:27
Swedish
38:27
made
38:27
penis
38:28
enlarger
38:28
pump.
38:29
He
38:29
has
38:29
no
38:29
inner
38:30
monologue
38:30
and
38:31
mentions
38:31
how
38:31
beautiful
38:31
Vanessa
38:32
is
38:32
and
38:33
how
38:33
she
38:33
probably
38:33
shags
38:34
like
38:34
a
38:34
minx,
38:35
but
38:35
also
38:35
refuses
38:36
to
38:36
have
38:36
sex
38:36
with
38:37
her
38:37
when
38:37
she's
38:37
drunk.
38:38
He
38:39
infiltrates
38:39
a
38:40
lot
38:40
of
38:40
vagina
38:40
in
38:41
more
38:41
ways
38:41
than
38:41
one,
38:42
but
38:42
to
38:42
him
38:43
it's
38:43
just
38:43
a
38:43
job,
38:44
part
38:44
of
38:44
being
38:44
an
38:45
international
38:45
spy.
38:46
But
38:46
there's
38:46
a
38:46
difference
38:47
between
38:47
sex
38:48
and
38:48
love,
38:48
and
38:49
Austin
38:49
powers
38:50
recognizes
38:50
it.
38:51
Dr.
38:51
Evil
38:52
thinks
38:52
that
38:52
Frau
38:53
Farbissina's
38:53
fembots
38:54
will
38:54
take
38:54
Austin
38:55
down,
38:55
but
38:56
his
38:56
sexuality
38:57
actually
38:57
seduces
38:58
them
38:58
so
38:58
much
38:58
their
38:59
heads
38:59
explode.
39:00
Austin
39:01
Powers
39:01
basically
39:02
suggests
39:02
that
39:02
women
39:02
prefer
39:03
goofy
39:04
vulnerability,
39:05
and
39:05
it's
39:05
so
39:06
wildly
39:06
true.
39:08
Dr.
39:08
Evil
39:09
is
39:09
formulating
39:09
diabolical
39:10
schemes
39:11
only
39:11
to
39:11
be
39:11
thwarted
39:12
by
39:12
Number
39:12
Two
39:13
pointing
39:13
out
39:14
that
39:14
modern
39:14
corporate
39:15
enterprise
39:16
has
39:16
been
39:16
doing
39:16
these
39:17
things
39:17
for
39:17
years
39:17
and
39:18
continues
39:19
to
39:19
do
39:19
so.
39:20
And
39:20
Scott
39:20
Evil
39:21
is
39:21
genuinely
39:22
one
39:22
of
39:22
the
39:22
great
39:22
comedy
39:23
creations.
39:24
He's
39:24
a
39:24
disappointment
39:25
to
39:25
his
39:25
father,
39:26
and
39:26
yet
39:26
he's
39:27
considerably
39:27
smarter
39:28
than
39:28
him
39:29
in
39:29
every
39:29
way.
39:30
Comedies
39:31
from
39:31
the
39:31
90s
39:32
rarely
39:32
hold
39:33
up.
39:33
They're
39:33
usually
39:34
full
39:34
of
39:35
casual
39:35
racism,
39:36
sexism,
39:37
transphobia,
39:38
homophobia,
39:39
and
39:39
sexual
39:40
assault
39:40
masquerading
39:41
as
39:42
normal.
39:42
There
39:43
are
39:43
jokes
39:43
towards
39:44
mentally
39:44
disabled
39:45
people,
39:45
physically
39:46
disabled
39:47
people.
39:48
Austin
39:48
Powers
39:49
refrains
39:49
from
39:49
making
39:50
mean
39:50
spirited
39:51
jokes
39:51
and
39:52
subverts
39:52
many
39:53
of
39:53
the
39:53
tropes
39:53
of
39:54
spy
39:54
movies
39:54
and
39:55
comedy
39:55
movies.
39:56
Austin
39:57
Powers
39:58
makes
39:58
fun
39:58
of
39:58
Austin
39:59
Powers
40:00
and
40:00
in
40:00
doing
40:01
so
40:01
it
40:01
makes
40:02
him
40:02
lovable,
40:03
endearing,
40:04
and
40:04
actually
40:05
quite
40:05
sexy.
40:06
It
40:06
feels
40:07
ahead
40:07
of
40:07
its
40:07
time
40:08
in
40:08
so
40:08
many
40:08
ways,
40:09
and
40:09
yet
40:10
he
40:10
is
40:11
a
40:11
man
40:11
out
40:11
of
40:12
time,
40:12
but
40:13
completely
40:13
perfect
40:14
in
40:14
this
40:15
time.
40:16
By
40:16
that
40:16
time
40:16
I
40:17
mean
40:17
1997.
40:18
I'm
40:19
not
40:19
sure
40:19
Austin
40:20
as
40:21
an
40:21
entity
40:21
would
40:22
work
40:22
in
40:22
the
40:22
2020s,
40:24
but
40:24
I'm
40:24
down
40:24
for
40:25
Mike
40:25
Myers
40:25
to
40:26
prove
40:26
me
40:26
wrong.
40:27
One
40:28
podcast
40:29
episode
40:29
titled
40:30
Austin
40:30
Powers
40:31
International
40:31
man
40:32
of
40:32
Mystery.
40:32
This
40:33
sort
40:33
of
40:33
thing
40:33
is
40:34
My
40:34
Bag
40:34
Baby
40:35
by
40:35
M
40:36
from
40:36
Verbal
40:36
Diorama
40:38
I'm
40:38
not
40:38
going
40:38
to
40:39
deny
40:39
it.
40:39
I
40:40
guess
40:40
this
40:40
is
40:40
my
40:40
bag
40:41
baby.
40:42
In
40:43
the
40:43
meantime,
40:43
I
40:44
have
40:44
one
40:44
simple
40:45
request
40:46
and
40:46
that
40:46
is
40:47
to
40:47
have
40:47
sharks
40:47
with
40:48
freaking
40:48
laser
40:49
beams
40:49
attached
40:49
to
40:50
their
40:50
heads.
40:51
Does
40:51
anyone
40:52
know
40:52
a
40:52
stockist
40:54
thank
40:54
you
40:55
for
40:55
listening.
40:55
As
40:55
always,
40:55
I'd
40:56
love
40:56
to
40:56
hear
40:56
your
40:56
thoughts
40:57
on
40:57
Austin
40:57
Powers
40:58
International
40:58
Man
40:59
Mystery
41:00
and
41:00
thank
41:00
you
41:00
for
41:00
your
41:01
continued
41:01
support
41:02
of
41:02
this
41:02
podcast.
41:03
If
41:03
you
41:04
want
41:04
to
41:04
get
41:04
involved
41:04
and
41:05
you
41:05
want
41:05
to
41:05
help
41:05
this
41:05
podcast
41:06
grow
41:06
and
41:06
reach
41:06
more
41:07
people,
41:07
you
41:08
could
41:08
leave
41:08
a
41:08
rating
41:09
or
41:09
review
41:09
wherever
41:09
you
41:10
found
41:10
this
41:10
podcast.
41:11
You
41:11
can
41:11
find
41:12
me
41:12
and
41:12
follow
41:13
me
41:13
on
41:13
social
41:13
media
41:14
where
41:14
you
41:15
can
41:15
like
41:15
post,
41:15
share
41:16
posts,
41:16
comment
41:16
on
41:17
posts,
41:17
etc.
41:18
I
41:18
am
41:19
@verbaldiorama.
41:20
Or
41:21
you
41:21
can
41:21
just
41:21
tell
41:21
your
41:21
friends
41:22
and
41:22
family
41:22
about
41:22
this
41:23
podcast
41:23
or
41:24
about
41:24
this
41:24
episode.
41:25
And
41:25
if
41:26
you
41:26
like
41:26
this
41:26
episode
41:27
on
41:27
Austin
41:28
Powers
41:28
International
41:28
man
41:29
of
41:29
Mystery,
41:30
you
41:30
might
41:30
also
41:30
like
41:31
the
41:31
episode
41:31
that
41:31
I
41:31
did
41:32
on
41:32
Wayne's
41:32
World,
41:32
which
41:33
was
41:33
episode
41:33
199.
41:35
I
41:35
love
41:35
Wayne's
41:36
World
41:36
as
41:36
well.
41:36
Again,
41:37
another
41:37
movie
41:37
that
41:38
I
41:38
grew
41:38
up
41:38
watching
41:39
and
41:39
I
41:39
think
41:39
it's
41:40
hilariously
41:40
funny.
41:41
I
41:41
guess
41:41
I'm
41:41
just
41:42
a
41:42
huge
41:42
fan
41:42
of
41:42
90s
41:43
Mike
41:43
Myers.
41:44
Give
41:44
me
41:44
feedback
41:45
on
41:45
my
41:45
recommendation.
41:46
Let
41:46
me
41:46
know
41:47
what
41:47
you
41:47
think.
41:48
The
41:48
next
41:49
episode.
41:50
Again,
41:50
something
41:51
wildly
41:51
different.
41:52
In
41:53
New
41:53
York
41:53
City,
41:54
a
41:54
virus
41:55
created
41:55
to
41:55
cure
41:56
cancer
41:56
wipes
41:57
out
41:57
90%
41:58
of
41:58
mankind.
41:59
The
41:59
only
42:00
human
42:00
left
42:00
is
42:01
US
42:01
army
42:01
virologist
42:02
Robert
42:03
Neville.
42:03
He
42:04
is
42:04
Immune
42:04
to
42:04
the
42:04
virus,
42:05
the
42:05
rest
42:06
are
42:06
nocturnal
42:07
creatures.
42:08
Neville's
42:08
only
42:09
companion
42:09
is
42:09
his
42:10
German
42:10
shepherd,
42:10
Sam,
42:11
and
42:11
the
42:11
mannequins
42:12
he
42:12
talks
42:13
to
42:13
to
42:13
alleviate
42:14
loneliness.
42:15
I
42:15
Am
42:16
Legend
42:17
but
42:17
enough
42:17
about
42:18
me.
42:18
The
42:19
next
42:19
episode
42:19
is
42:20
on
42:20
the
42:20
2007
42:21
adaptation
42:22
of
42:23
Richard
42:23
Matheson's
42:24
novel
42:24
I
42:25
Am
42:25
Legend,
42:26
starring
42:26
Will
42:26
Smith.
42:27
I
42:27
am
42:27
very
42:28
excited
42:28
to
42:28
be
42:28
talking
42:29
about
42:29
this
42:29
movie
42:30
and
42:30
this
42:31
is
42:31
a
42:31
movie
42:31
that
42:31
has
42:32
so
42:32
much
42:32
to
42:32
talk
42:33
about,
42:33
especially
42:34
that
42:34
ending
42:35
and
42:35
what
42:36
that
42:36
ending
42:36
was
42:36
supposed
42:37
to
42:37
be.
42:38
Please
42:38
join
42:39
me
42:39
next
42:39
episode
42:40
for
42:40
the
42:40
history
42:40
and
42:41
legacy
42:41
of
42:42
I
42:42
Am
42:42
Legend.
42:43
If
42:43
you
42:44
enjoy
42:44
what
42:44
I
42:44
do
42:44
for
42:45
this
42:45
podcast
42:45
and
42:46
you
42:46
want
42:46
to
42:46
support
42:47
an
42:47
indie
42:47
podcaster
42:48
who
42:48
does
42:49
all
42:49
of
42:49
this
42:49
on
42:50
her
42:50
own,
42:50
if
42:51
you
42:51
have
42:51
some
42:51
spare
42:52
change
42:52
you
42:52
can
42:53
financially
42:53
contribute
42:54
to
42:54
the
42:54
upkeep
42:54
of
42:55
this
42:55
podcast.
42:56
You're
42:56
under
42:56
no
42:57
obligation.
42:57
This
42:58
podcast
42:58
is
42:58
free
42:59
and
42:59
it
42:59
always
42:59
will
43:00
be
43:00
free.
43:00
However,
43:01
if
43:02
you
43:02
get
43:02
value
43:02
out
43:02
of
43:03
what
43:03
I
43:03
do
43:04
and
43:04
you
43:04
can
43:04
afford
43:04
to
43:05
help,
43:05
there
43:05
are
43:05
a
43:05
couple
43:05
of
43:06
ways
43:06
that
43:06
you
43:06
can.
43:07
You
43:07
can
43:07
make
43:07
a
43:08
one
43:08
off
43:08
donation@verbaldiorama.com
43:10
tips
43:11
or
43:11
you
43:12
can
43:12
subscribe
43:12
to
43:12
the
43:13
patreon
43:14
at
43:15
verbaldiorama.com/patreon
43:17
all
43:17
money
43:17
made
43:18
goes
43:18
back
43:18
into
43:19
this
43:19
podcast
43:19
by
43:20
paying
43:20
for
43:20
things
43:21
like
43:21
software
43:21
subscriptions
43:22
and
43:23
website
43:23
hosting
43:24
or
43:24
new
43:25
equipment.
43:26
Huge
43:26
thank
43:27
you
43:27
to
43:27
the
43:27
amazing
43:28
patrons
43:28
of
43:29
Verbal
43:29
Diorama.
43:30
Oh
43:31
behave.
43:32
Simon,
43:32
Laurel,
43:33
Derek,
43:33
Kat,
43:34
Andy,
43:35
Mike,
43:35
Luke,
43:36
Michael,
43:36
Scott,
43:37
Brendan,
43:37
Ian,
43:38
Lisa,
43:39
Sam,
43:39
Jack,
43:40
Dave,
43:40
Stuart,
43:41
Nicholas.
43:42
So
43:42
Kev,
43:43
Heather,
43:43
Danny,
43:44
Stu,
43:44
Brett,
43:45
Philip
43:45
N.
43:46
Xenos,
43:46
Sean,
43:47
Rhino,
43:48
Philip
43:48
K,
43:48
Adam,
43:49
Elaine,
43:50
Kyle,
43:50
Aaron
43:51
and
43:51
Connor.
43:52
Yeah
43:52
baby,
43:53
yeah.
43:54
If
43:55
you
43:55
want
43:55
to
43:55
get
43:55
in
43:55
touch,
43:56
you
43:56
can
43:56
email
43:57
verbal
43:57
dioramaa@gmail.com
43:59
you
43:59
can
43:59
also
43:59
go
44:00
to
44:00
the
44:00
website
44:01
verbaldiorama.com
44:02
and
44:02
fill
44:03
out
44:03
the
44:03
contact
44:03
form.
44:04
Oh
44:04
wait.
44:05
I
44:06
guess
44:06
I
44:06
was
44:06
an
44:06
Embot
44:07
all
44:08
along.
44:09
And
44:09
finally,
44:59
Bye.
45:14
Story.