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Music Exec. Lyor Cohen Interview and More · The Breakfast Club

• 0:01
  Speaker 1: This is your week of hal Breakfast Club to show
• 0:05
  Speaker 1: you love to hate from the East to the West
• 0:07
  Speaker 1: Coast d J m Vy angela ye Cholo Migne. The
• 0:11
  Speaker 1: rule is show on the planet. This is where I
• 0:13
  Speaker 1: respect this show because this is a voice of society.
• 0:15
  Speaker 1: Sames in the game. Guys are the coveted morning show.
• 0:19
  Speaker 1: But y'all earning impacting the culture in the morning and
• 0:22
  Speaker 1: as day want to hear that Breakfast the world's most
• 0:25
  Speaker 1: dangerous morning show. Good morning Usa yo yo yo yo
• 0:40
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:42
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:44
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:46
  Speaker 1: yo yo. Good morning, angela ye Chola Migne. The guide,
• 0:50
  Speaker 1: He's to the planet. Guess what day it is. Guess
• 0:53
  Speaker 1: what day it is? Hum ha, Yes it's Wednesday. Hump
• 0:59
  Speaker 1: damon little week. Yes, good morning man. I'm you know,
• 1:02
  Speaker 1: it's so funny. I'm finishing up my second book, which
• 1:05
  Speaker 1: is a shook one anxiety playing tricks on me to
• 1:07
  Speaker 1: be on October twenty third. It's not done yet, um
• 1:11
  Speaker 1: it it is. It was putting my final letters on it,
• 1:15
  Speaker 1: but now I'm adding stuff to it. Anxiety exactly, writing
• 1:19
  Speaker 1: a book about anxiety, about therapy, about trauma PTSD, and
• 1:23
  Speaker 1: I'm getting more anxious as it comes to closing the
• 1:26
  Speaker 1: book because books are final, you know what I'm saying. Like,
• 1:28
  Speaker 1: once it's out there, it's out there. Absolutely, it's no
• 1:31
  Speaker 1: taking back, it's no reduce. That's it. So yes, I'm
• 1:36
  Speaker 1: getting more anxiety as I'm finishing up writing a book
• 1:38
  Speaker 1: about anxiety. Okay, well again, shout out to a cash
• 1:42
  Speaker 1: app if you haven't heard, I lost some money yesterday
• 1:46
  Speaker 1: and away you didn't lose it. I accidentally gave somebody
• 1:50
  Speaker 1: money to the wrong person, and um, I was able
• 1:54
  Speaker 1: to get that money back from cash app. Now the
• 1:57
  Speaker 1: guy actually did spend fifteen hundred of it he should
• 2:00
  Speaker 1: today is the first of the muffin. I don't know
• 2:02
  Speaker 1: why he only spent fifteen hundred that he could get
• 2:04
  Speaker 1: out of him the moment you got rent, you got mortgage,
• 2:07
  Speaker 1: you got bills. It's the first run. But you know
• 2:09
  Speaker 1: you get that blessing, you got to take it out
• 2:10
  Speaker 1: the account immediately. Yeah. But the only bad thing about
• 2:12
  Speaker 1: is now I'm gonna get that money back. So now
• 2:14
  Speaker 1: anything that he bought with their fifteen hundred, it's on it.
• 2:16
  Speaker 1: He's on his own. Because'm getting that. I'm getting it
• 2:18
  Speaker 1: all back. That's messed up. I don't know how it's
• 2:20
  Speaker 1: gonna thank your coma. Be honest with him. I'm pretty good.
• 2:23
  Speaker 1: Pay for surgery for an infant? Wow, for real medical bills,
• 2:28
  Speaker 1: doctor bills for real. You don't know what that that
• 2:30
  Speaker 1: young person was going through. What about if some bottles
• 2:33
  Speaker 1: we just wanted to go to club, about some bottles,
• 2:35
  Speaker 1: not this time. It wasn't even nighttime, not this time
• 2:37
  Speaker 1: of Yeah, I mean, we don't know what he's first.
• 2:39
  Speaker 1: Nobody does stuff like that on the thirty Further, if
• 2:42
  Speaker 1: you get a blessing like that and you run to
• 2:44
  Speaker 1: the club on the thirty first, and the and then
• 2:46
  Speaker 1: you know the day of the first. No, but he
• 2:48
  Speaker 1: had a priorties all messed up. He had a blessing.
• 2:50
  Speaker 1: I got that back. Wow. Anyway, Leo Cohen will be
• 2:53
  Speaker 1: joining us. Oh God, don't feel like that. When you pray.
• 2:56
  Speaker 1: I pray every day twice to day. Actually good. In fact,
• 2:59
  Speaker 1: I'm praying right now. He did pray, but it's in
• 3:01
  Speaker 1: my span for them. I'll check it later. Well, Leo
• 3:03
  Speaker 1: Cohen will be joining us. If you don't know who
• 3:05
  Speaker 1: Leo Cohen Is. He's the creator of three hundred. That's
• 3:08
  Speaker 1: the label at started the career as of Fettie wob
• 3:11
  Speaker 1: Me Goals in Young Thum. He's also the head of marketing,
• 3:14
  Speaker 1: head what is it, the head of YouTube something of
• 3:19
  Speaker 1: level head of music. Sorry. He's one of the most
• 3:21
  Speaker 1: instrumental people at def Jam back in the day. Like
• 3:23
  Speaker 1: Leo Cohn is a very story history. Restaurant ran def
• 3:26
  Speaker 1: Jam for years, so three hundred would be like a
• 3:29
  Speaker 1: He's had decades in this music business. He started off
• 3:31
  Speaker 1: as like the road manager for run DMC. Yeah, three
• 3:34
  Speaker 1: hundreds like a blip on the radar. Yeah, we'll talk
• 3:35
  Speaker 1: to him about all that life when he joins us
• 3:37
  Speaker 1: this morning and we got some front page. What we're
• 3:39
  Speaker 1: talking about, you man, let's talk about a plane crash.
• 3:42
  Speaker 1: This was a tragedy, but there is a blessing in this.
• 3:45
  Speaker 1: I'll tell you what it is. We'll get into all
• 3:47
  Speaker 1: that when we come back. Keep a lock. This to
• 3:48
  Speaker 1: Breakfast Club. Good morning voting. Everybody is DJ Envy and
• 3:51
  Speaker 1: Angela yee Scharlamagne the guy we are the Breakfast Good morning.
• 3:55
  Speaker 1: What's happening? It's rainy and disgusting, on the East coast.
• 3:57
  Speaker 1: Now let's get in some front page news. Now, let's
• 4:00
  Speaker 1: talk about this plane crash. You talk, Muney. Yes, it
• 4:02
  Speaker 1: was a plane crash in Mexico. The plane wasn't wrapped
• 4:05
  Speaker 1: from Durango, Mexico to Mexico City, and they were one
• 4:08
  Speaker 1: hundred and three people on that plane. But fortunately no
• 4:12
  Speaker 1: one died from that plane. Really, how high a bullet
• 4:15
  Speaker 1: um they were about to land, so it did a
• 4:18
  Speaker 1: strong wind gus brought down the plane. What airline was there,
• 4:21
  Speaker 1: it was Aero Mexico. Yeah, so fortunately nobody died. The
• 4:26
  Speaker 1: plane lost both of attentions. Bold. Yes, the left wing
• 4:30
  Speaker 1: initially touched the ground. The plane lost both of attentions
• 4:33
  Speaker 1: and then it skidded off the runway until it stopped
• 4:35
  Speaker 1: about three hundred meters as well. Oh so nothing to
• 4:38
  Speaker 1: not have anxiety about, because it's not like it was
• 4:39
  Speaker 1: way up in the air and then the engine gave
• 4:41
  Speaker 1: out and then it crashed and everybody survive. That is
• 4:44
  Speaker 1: already on the ground. It wasn't on the ground because
• 4:46
  Speaker 1: the day he said the left wheel touched, but he
• 4:47
  Speaker 1: was already on the ground. The left wheel touched, that's enough. Yeah,
• 4:50
  Speaker 1: the left wing initially touched the left wing. Yeah, let's
• 4:53
  Speaker 1: talk about this health alert. Yes, for you guys that
• 4:55
  Speaker 1: are eating any type of salads or wrapped from Kroger,
• 4:58
  Speaker 1: Traded Joe's or Walgreens, don't do it right now. They've
• 5:01
  Speaker 1: been warning you not to purchase any of that because
• 5:04
  Speaker 1: of possible parasite contamination. Now, this parasite is called cyclos forests.
• 5:10
  Speaker 1: I forget, I'm not even gonna try to pronounce it,
• 5:12
  Speaker 1: just so, yeah, something nasty, and they're saying this illness,
• 5:15
  Speaker 1: it's a cyclospora parasite, and you can actually get explosive diarrhea,
• 5:20
  Speaker 1: not just regular favorite card. And they said you could
• 5:25
  Speaker 1: have symptoms for a few months and then you could
• 5:27
  Speaker 1: feel better, but it might get worse again, and you
• 5:29
  Speaker 1: can treat it with antibiotics. You can have headache, feverite,
• 5:32
  Speaker 1: body aches and food like symptoms, nause your gas, fatigue,
• 5:35
  Speaker 1: loss of appetite, stamin cramps, pain, all those things. So
• 5:38
  Speaker 1: if you have any of those symptoms and you've been
• 5:40
  Speaker 1: the Kroger, Trader Joe's or Walgreens to beware, I'm stuck
• 5:43
  Speaker 1: on explosive diarrhea because I need to know the difference
• 5:45
  Speaker 1: between regular diarrhea and explosive diarrecta. You know, some coming
• 5:48
  Speaker 1: some trickles out like you know, comes out like a force,
• 5:50
  Speaker 1: and then summer's just like that sounds explosive. I'm assuming
• 5:55
  Speaker 1: it's explosive. Diarrhea is the kind you can't hold, Like
• 5:57
  Speaker 1: if I was sitting here and I had to go,
• 5:58
  Speaker 1: like I would have to run out, be like a
• 6:00
  Speaker 1: real bad situation. I think explosive to imagine, like a
• 6:03
  Speaker 1: bomb drops out of your button. I love nothing like
• 6:06
  Speaker 1: empty one that's all over the tilet seat that I've
• 6:10
  Speaker 1: never done. I'm a grown ass man, crazy. I've been
• 6:13
  Speaker 1: party trained since at least the age of three. All right,
• 6:16
  Speaker 1: listen to this. In North Carolina, a man has to
• 6:18
  Speaker 1: pay eight point eight million dollars. You know why because
• 6:21
  Speaker 1: he cheated with someone else's wife. And you know, in
• 6:24
  Speaker 1: North Carolina you can actually sue for adultery, so you
• 6:28
  Speaker 1: can sue a person. Yes, it's called alienation of affection.
• 6:31
  Speaker 1: And in North Carolina, this one man actually has to
• 6:34
  Speaker 1: pay up. He was seeing another man's wife for sixteen months,
• 6:37
  Speaker 1: so he has to pay another man eight point eight
• 6:39
  Speaker 1: million dollars. Yes, I hope that was worth it. Jesus Christ. Yeah,
• 6:45
  Speaker 1: eight point eight million dollars because I slept with another
• 6:47
  Speaker 1: man's wife for sixteen months. Yes, does he have that money?
• 6:50
  Speaker 1: What did he do for a living? Where do you
• 6:51
  Speaker 1: get that number from? Why eight point eight millions? Well
• 6:54
  Speaker 1: they said two point two million was tangible damages and
• 6:58
  Speaker 1: the other money is punishment. So punishment. North Carolina, it
• 7:03
  Speaker 1: literally pays to be faithful, like for real. Yeah. Absolutely.
• 7:06
  Speaker 1: I don't know if it pays but cost you, but
• 7:09
  Speaker 1: it pays. It pays to be favor because you're cheating
• 7:11
  Speaker 1: with another man, that man you gotta pay her husband. Now,
• 7:14
  Speaker 1: that's better for you to be committed. Yeah, he said,
• 7:17
  Speaker 1: my marriage is murdered. It was destroyed. Part of it
• 7:19
  Speaker 1: was his wife also worked for his company, so he
• 7:22
  Speaker 1: also lost an employee. Wow, all right, well get it
• 7:26
  Speaker 1: off your chest. That's front page news eight hundred five,
• 7:28
  Speaker 1: eight five one or five one. If you need to vent,
• 7:30
  Speaker 1: hit us up right now. Maybe had a bad night,
• 7:32
  Speaker 1: you just need to vent a little bit. Or I'm
• 7:34
  Speaker 1: mad right now. I'm trying to figure out why the
• 7:36
  Speaker 1: woman don't have to pay some of that money. In
• 7:37
  Speaker 1: North Carolina, it shouldn't just be all on the man.
• 7:39
  Speaker 1: Like if that, if I sleep with another man's wife,
• 7:41
  Speaker 1: shouldn't that wife have to kick him some bread to
• 7:43
  Speaker 1: the husband? Husband? Maybe the man is soing the other man.
• 7:47
  Speaker 1: Still you gotta have to sue both things to the cheat,
• 7:50
  Speaker 1: he still loves his wife. You know what's crazy about?
• 7:52
  Speaker 1: It was all kinds of things like he would give
• 7:54
  Speaker 1: his wife a spot day and guess who else was
• 7:56
  Speaker 1: at that spot day? Side dude? Right, he got her
• 8:01
  Speaker 1: a chip for her birthday. Guess who got a hotel room?
• 8:03
  Speaker 1: Right down? But wow, I hope you get explosive to dude,
• 8:06
  Speaker 1: we'll get it off his chest. Eight hundred five eight
• 8:09
  Speaker 1: five one oh five one. You need to vent or
• 8:10
  Speaker 1: if you feel blessed, hit us up. Now it's the
• 8:12
  Speaker 1: Breakfast Club. Good morning to everybody. D Angela, ye, Charlemagne
• 8:17
  Speaker 1: the guy we are the breakfast Good morning. What's happening?
• 8:20
  Speaker 1: It's rainy and disgusting on the East coast. Now let's
• 8:22
  Speaker 1: get into front page news. Now, let's talk about this
• 8:25
  Speaker 1: plane crash. You talk May. Yes, it was a plane
• 8:27
  Speaker 1: crash in Mexico. The plane wasn't wrapped from Durango, Mexico
• 8:31
  Speaker 1: to Mexico City and they were one hundred and three
• 8:34
  Speaker 1: people on that plane. But fortunately no one died from
• 8:38
  Speaker 1: that plane. Really, how high up was it? Um they
• 8:41
  Speaker 1: were about to land, so it had a strong wind
• 8:43
  Speaker 1: gus brought down the plane. What airline was there? It
• 8:46
  Speaker 1: was Aero Mexico. Yes, so fortunately nobody died. The plane
• 8:51
  Speaker 1: lost both of attentions bowls. Yes, the left wing initially
• 8:55
  Speaker 1: touched the ground. The plane lost both of attentions, and
• 8:57
  Speaker 1: then it skidded off the runway. Let'stopped about three hundred
• 9:01
  Speaker 1: meters as well. Oh so nothing to not have anxiety about,
• 9:03
  Speaker 1: because it's not like it was way up in the
• 9:05
  Speaker 1: end and the the engine gave out and then it crashed
• 9:07
  Speaker 1: and everybody survuya is already on the ground. It wasn't
• 9:10
  Speaker 1: on the ground because the day said the left wheel touched,
• 9:12
  Speaker 1: but it was already on the ground. Had left wheel touched,
• 9:14
  Speaker 1: that's enough. Yeah, the left wing initially touched the left wing. Yeah,
• 9:17
  Speaker 1: let's talk about this health alert. Yes, for you guys
• 9:20
  Speaker 1: that are eating any type of salads or wrapped from Kroger, Traded,
• 9:22
  Speaker 1: Joe's or Walgreens, don't do it right now. They've been
• 9:25
  Speaker 1: warning you not to purchase any of that because of
• 9:28
  Speaker 1: possible parasite contamination. Now this parasite is called cyclos forest
• 9:34
  Speaker 1: what I forget, I'm not even gonna try to pronounce it. Yeah,
• 9:37
  Speaker 1: something nasty, And they're saying this illness it's a cyclospora parasite.
• 9:42
  Speaker 1: And you can actually get explosive diarrhea, not just regular
• 9:46
  Speaker 1: favorite card. And they said you could have symptoms for
• 9:50
  Speaker 1: a few months and then you could feel better, but
• 9:53
  Speaker 1: it might get worse again, and you can treat it
• 9:54
  Speaker 1: with antibiotics. You can have headache, fever, body aches, and
• 9:57
  Speaker 1: food like symptoms, nausea, gas, fatigue, loss of appetite, stomach cramps,
• 10:02
  Speaker 1: paying all those things. So if you have any of
• 10:04
  Speaker 1: those symptoms and you've been the Kroger, Trader Joe's, or Walgreens, beware,
• 10:07
  Speaker 1: I'm stuck on explosive diarrhea because I need to know
• 10:09
  Speaker 1: the difference between regular diarrhea and explosive diarreca. You know,
• 10:12
  Speaker 1: some coming some trickles out, like you know, comes out
• 10:14
  Speaker 1: like a false and the summer's just like a m
• 10:18
  Speaker 1: that sounds explosive. I'm assuming explosive diarrhea. The con you
• 10:21
  Speaker 1: can't hold, Like if I was sitting here and I
• 10:22
  Speaker 1: had to go like I would have to run out.
• 10:24
  Speaker 1: I'd be like a real bad situation. I think explosive
• 10:26
  Speaker 1: to imagine, like a bomb drops out of your button.
• 10:29
  Speaker 1: I love nothing like empty, the one that's all over,
• 10:33
  Speaker 1: the tallest seat that no, I've never done, or a
• 10:36
  Speaker 1: grown ass man crazy. I've been party trains since at
• 10:38
  Speaker 1: least the age of three. All right, listen to this.
• 10:41
  Speaker 1: In North Carolina a man has to pay eight point
• 10:44
  Speaker 1: eight million dollars. You know why because he cheated with
• 10:47
  Speaker 1: someone else's wife. And you know, in North Carolina you
• 10:50
  Speaker 1: can actually sue for adultery, so you can sue a person. Yes,
• 10:54
  Speaker 1: it's called alienation of affection. And in North Carolina, this
• 10:57
  Speaker 1: one man actually has to pay up. He was seeing
• 11:00
  Speaker 1: another man's wife for sixteen months, so he has to
• 11:02
  Speaker 1: pay another man eight point eight million dollars. Yes, I
• 11:06
  Speaker 1: hope that was worth it, Jesus Christ. Yeah, eight point
• 11:10
  Speaker 1: eight million dollars because I slept with another man's wife
• 11:12
  Speaker 1: for sixteen months. Yes, does he have that money? What
• 11:15
  Speaker 1: did you do for a living? Where do you get
• 11:16
  Speaker 1: that number from? Why? Eight point eight million? Well they
• 11:19
  Speaker 1: said two point two million was tangible damages. N you
• 11:30
  Speaker 1: want to hear from you on but he watched you
• 11:34
  Speaker 1: some money better, he said, my marriage it was his
• 11:44
  Speaker 1: wife also worked with We already get off eight hundred
• 11:52
  Speaker 1: five eight one five one. If you hit us up
• 11:55
  Speaker 1: right now, maybe had a bad name. If you're gonna
• 12:00
  Speaker 1: him have money online, I put another man's wife. Hello,
• 12:06
  Speaker 1: she was the wife have to kick okay, my aunt.
• 12:16
  Speaker 1: You know, it's all kinds of things I can't give
• 12:20
  Speaker 1: to us. Was at that twenty thousand dollars, which couldn't
• 12:22
  Speaker 1: even happen anyway side. I think she just wanted him
• 12:24
  Speaker 1: to get He got him, remember, wanted you to marry
• 12:29
  Speaker 1: another family member. Citizen up now was the breakfast. I'm
• 12:38
  Speaker 1: not even a citizen bout yeah, but can I talk
• 12:42
  Speaker 1: about something real quick out I'm done mad about some
• 12:44
  Speaker 1: of us. Well, charm first and foremus, thank you for
• 12:47
  Speaker 1: shouting me out Friday and my country. Hey you at
• 12:51
  Speaker 1: your trio airy trio y backdoor. Anyway, she got it right,
• 12:55
  Speaker 1: So I appreciate you for saying that got you, but
• 12:58
  Speaker 1: love you for that and every you was out of
• 13:00
  Speaker 1: line this past weekend. I don't know if I'll see
• 13:04
  Speaker 1: his video on Instagram your live podcast. Look, I'm sorry
• 13:07
  Speaker 1: you can't cuss lit as hell, by the way, but
• 13:09
  Speaker 1: I guess you were djaying this past weekend and you
• 13:12
  Speaker 1: were playing that song, that making My Way Downtown song,
• 13:15
  Speaker 1: and you have my girls pork into that song. Hey,
• 13:18
  Speaker 1: out of line. I had the black girls come on stage,
• 13:20
  Speaker 1: I played some reggae IDs. Come on stage and I
• 13:23
  Speaker 1: play some uh, and then the white girls. I play
• 13:28
  Speaker 1: Vanessa Cargion and can we talk about one last thing
• 13:32
  Speaker 1: before I get off the song? So funny, so um.
• 13:37
  Speaker 1: I don't know if you've seen anything that's been circulating
• 13:39
  Speaker 1: the internet lately. The this all goes back to what
• 13:41
  Speaker 1: you guys say about how the kids these generations always
• 13:44
  Speaker 1: record instead of calling the police. Yes, there's uh, what
• 13:48
  Speaker 1: do you call? There's this little ball hit a Quita
• 13:50
  Speaker 1: on online on Facebook go on live, and she was
• 13:54
  Speaker 1: over there just recording herself on live while her best
• 13:57
  Speaker 1: friend upstairs quote unquote, her best friend was getting yeah
• 14:00
  Speaker 1: that was It sounded so crazy, and her friend was
• 14:03
  Speaker 1: screaming in the background, get off of me and get
• 14:06
  Speaker 1: off of me. I didn't see that. And then the
• 14:07
  Speaker 1: police came. She was laughing, Oh, the police can't all
• 14:11
  Speaker 1: over the internet. I was it was disgusting, wasn't it?
• 14:14
  Speaker 1: It was awful. We got to start doing a better
• 14:16
  Speaker 1: job too. Though. We can't just be looking at them
• 14:18
  Speaker 1: and saying they're not calling nobody. Shouldn't we be finding
• 14:20
  Speaker 1: out what cities the people in the calling that one up?
• 14:23
  Speaker 1: The police showed up and I didn't see it till after.
• 14:25
  Speaker 1: I wasn't watching it live. I just saw the websites
• 14:27
  Speaker 1: posting it. After Jesus Christ and get and get your
• 14:30
  Speaker 1: girl Monique too. She needs to get a donkey the day,
• 14:33
  Speaker 1: either twice this year or something. She's tripping, but she
• 14:37
  Speaker 1: needs to get a black room ray Tree. I love
• 14:40
  Speaker 1: what's the police called? Aera Tria Nipsey hustles from Aera
• 14:45
  Speaker 1: Trea Tiffany Hatters from You're a Trier? Hello? Who's this?
• 14:48
  Speaker 1: Jall Collinson Charlotte by way of Saint Louis, Queen City
• 14:51
  Speaker 1: seven o four was happening? Get you if your chest
• 14:54
  Speaker 1: Jaya Ay, good morning, y'all. I just want to express
• 14:57
  Speaker 1: my love and appreciate from my wife. We just moved
• 15:00
  Speaker 1: to to Charlotte from Saint Louis, Missouri, two months ago.
• 15:04
  Speaker 1: We've been working like crazy. We did it on our own.
• 15:06
  Speaker 1: We have no family here, and we've just been trying
• 15:09
  Speaker 1: to grind it out. I just wanted the words to
• 15:11
  Speaker 1: know how much I want her to know how much
• 15:12
  Speaker 1: I really appreciate her. And we actually did this. We
• 15:15
  Speaker 1: set a goal and we achieved it. Now we're just
• 15:17
  Speaker 1: working hard to achieve our dream. That's real. Man. Charlotte
• 15:20
  Speaker 1: is a beautiful I love Charlotte. I can retire in Charlotte.
• 15:23
  Speaker 1: Oh definitely. It's definitely safe for them back home. I
• 15:26
  Speaker 1: tell you that much. We thank you for checking in, bro.
• 15:28
  Speaker 1: I appreciate it all. God bless alrighty, get it off
• 15:30
  Speaker 1: your chests. Eight hundred five A five one on five one.
• 15:33
  Speaker 1: We got roomors on the way. Yes, we are going
• 15:34
  Speaker 1: to talk about the world's highest page DJ find out
• 15:37
  Speaker 1: who's number one on that list. Also, the So So
• 15:40
  Speaker 1: Deaf twenty fifth anniversary tour. We had some details and
• 15:43
  Speaker 1: we'll tell you who plans to not join because they
• 15:46
  Speaker 1: don't want to mess up the whole tour. All right,
• 15:48
  Speaker 1: we'll get into all that when we come back. Keep
• 15:50
  Speaker 1: it locked. This to Breakfast Club. Good Morning, the Breakfast
• 15:52
  Speaker 1: Club Morning. Everybody is sej Envy Angela Ye, Charlottage, the guy.
• 15:59
  Speaker 1: We all the Breakfast Club. Goodni, what's happening? What's going on?
• 16:03
  Speaker 1: Let's continue rumors to talk So So Deaf tea. This
• 16:10
  Speaker 1: is the rule of report with Angela Yee on the
• 16:13
  Speaker 1: Breakfast Club. So Jermaine Duprie is doing a multi city
• 16:17
  Speaker 1: anniversary concert tour for So So Death twenty five years.
• 16:21
  Speaker 1: That tour is going to kick off October fourteenth, n
• 16:24
  Speaker 1: DC and end in a LA on November second. And
• 16:27
  Speaker 1: he just is talking about a black owned company that
• 16:29
  Speaker 1: put out multiple artists and enough artists to do our
• 16:32
  Speaker 1: own tour. We are blessed. Basically, the tour will feature himself,
• 16:36
  Speaker 1: Escape the Brat, Jagged Edge, Bow Wow, Anthony Hamilton, Bone Crusher,
• 16:41
  Speaker 1: Young Bloods and Franchise Boys and Jay Kuan. Now that's
• 16:45
  Speaker 1: not a bad little lineup right there. Shot Moss, though,
• 16:47
  Speaker 1: took to Instagram to say that he is not going
• 16:50
  Speaker 1: on the tour. He said, taking a break. So So
• 16:52
  Speaker 1: Deaf tour is going to be wonderful without me. I'm
• 16:55
  Speaker 1: anna f up so I don't want to be the
• 16:56
  Speaker 1: reason something goes wrong. So I'm gonna stay at home,
• 16:58
  Speaker 1: get my mind right by wah, Don't got nothing else
• 17:01
  Speaker 1: to do. Shad Moss may be busy, but I didn't
• 17:04
  Speaker 1: say he was busy. He said he doesn't want to
• 17:06
  Speaker 1: f up to twel going there to H'm show him
• 17:07
  Speaker 1: and JD are probably beef right now. The something he'll
• 17:10
  Speaker 1: going at to, you know what, I know. No, he
• 17:11
  Speaker 1: was going through a lot on social media. Remember he
• 17:13
  Speaker 1: was giving his money away, saying it was evil, and
• 17:16
  Speaker 1: then he went and said, y'all make a life so
• 17:18
  Speaker 1: hard on an end where get off my d That's
• 17:20
  Speaker 1: what I'm saying. By Wah is a little depressed right now.
• 17:22
  Speaker 1: So he wanted to get on Instagram tell everybody he's
• 17:24
  Speaker 1: not going to the show. So everybody says, no, baw waw,
• 17:26
  Speaker 1: we want to see you. We're not coming if you
• 17:28
  Speaker 1: don't show up, because he wanted to feel that love.
• 17:30
  Speaker 1: I do feel like he's really going through something. Some
• 17:32
  Speaker 1: shad mass from love Man at shad Mass right now
• 17:35
  Speaker 1: on Instagram. Tell him you love him, put some puppy pause.
• 17:37
  Speaker 1: Don't think got the pauper in on. They do. But
• 17:39
  Speaker 1: I'm showing him in JD a beef and I'm sure
• 17:41
  Speaker 1: they worked that out and they'd be right on the
• 17:42
  Speaker 1: road with each other all right. Well, hopefully Baba was
• 17:45
  Speaker 1: feeling okay. All right, French Montana, there was a home invasion.
• 17:49
  Speaker 1: At least two armed robbers went into his house and
• 17:53
  Speaker 1: this happened early on Tuesday. Cops were on the scene
• 17:56
  Speaker 1: as well. They said it was French Montana at the
• 17:58
  Speaker 1: house and an unknown number of people were there at
• 18:01
  Speaker 1: the time as well. He lives in a gay community.
• 18:03
  Speaker 1: He actually bought the house from Selena Gomez. That sucks. Yeah,
• 18:06
  Speaker 1: that's a really scary thing to happen. Like, is it
• 18:08
  Speaker 1: hard to stay in the house after that happens. Yeah,
• 18:12
  Speaker 1: you've been violated. And I'm trying to figure out why
• 18:15
  Speaker 1: ain't no pistols in the house? Now? One person got
• 18:17
  Speaker 1: a gun. Well, we don't know exactly what happened in
• 18:19
  Speaker 1: that house or afterward if anybody was injured. Nobody got
• 18:23
  Speaker 1: to had to go to the hospital, so we know
• 18:25
  Speaker 1: that much. And by the way, home invasions is one
• 18:27
  Speaker 1: of the main reasons that I believe in your right
• 18:29
  Speaker 1: to be absolutely I don't care what nobody say that
• 18:31
  Speaker 1: that's what a gun is for in those moments. And
• 18:33
  Speaker 1: French need a couple of dogs, man, all right? Now,
• 18:35
  Speaker 1: the world's highest paid DJ, who is that? Chalegue? Who
• 18:39
  Speaker 1: made four. He's not even on this media. One guy
• 18:43
  Speaker 1: who plays music too fast and you can't understand unless
• 18:45
  Speaker 1: you hire well. I actually like him because he has
• 18:47
  Speaker 1: some great songs too. Calvin Harris, Yes, of course, forty
• 18:51
  Speaker 1: eight million dollars. You can't probably scratch a lick. Congrats
• 18:54
  Speaker 1: to him. You don't know what he d say that
• 18:58
  Speaker 1: you get busy? Oh yeah, just better than you. I
• 19:03
  Speaker 1: don't say nobody better than me. He's dope, though he's dope.
• 19:07
  Speaker 1: He gets busy, all right. So he made forty eight
• 19:09
  Speaker 1: million dollars According to the four of the other people
• 19:12
  Speaker 1: that made it onto this list of chain smokers were
• 19:14
  Speaker 1: number two, right behind them Tiesto, Steve Aoki, marshmallow Z, Diplo,
• 19:19
  Speaker 1: David Gett, A Cascade Um, DJ Snake made the listen,
• 19:23
  Speaker 1: so did afro Jack. I'm happy for all of those
• 19:25
  Speaker 1: people that have found a way to make money. But
• 19:28
  Speaker 1: I feel I'm just like, yeah, why I know black
• 19:31
  Speaker 1: people on that list, especially when it comes to DJ,
• 19:32
  Speaker 1: and I always like DJ's doing wrong and a lot
• 19:36
  Speaker 1: of those DJs are playing our music. They're playing That's
• 19:39
  Speaker 1: what I'm trying to figure out what a black DJ's
• 19:41
  Speaker 1: doing wrong? That they can't stop. What a black DJ's
• 19:43
  Speaker 1: doing is amount of support that other genres get. You know,
• 19:47
  Speaker 1: EDM can come out there and get ten thousand people
• 19:49
  Speaker 1: out there and there's no problems. We get six hundred
• 19:51
  Speaker 1: people out there as a shooting and something like that.
• 19:53
  Speaker 1: You know, they don't they don't give us the venues.
• 19:54
  Speaker 1: They don't give us the spaces. But yeah, especially think
• 19:56
  Speaker 1: about Vegas. Right when you go to Vegas, there's no
• 19:59
  Speaker 1: real venues right there. I think there's one. All that
• 20:03
  Speaker 1: money on this show a lot of us, but actually
• 20:05
  Speaker 1: a lot of that money ships. A lot of money
• 20:07
  Speaker 1: for Calvin Harris comes from. He gets six figures every
• 20:09
  Speaker 1: time he plays in Vegas, and he plays there all
• 20:10
  Speaker 1: the time. We get one hundred thousand and show hundred
• 20:12
  Speaker 1: fifty thousand the show, you know what I mean. So
• 20:14
  Speaker 1: they get that money, they rack it up. They n
• 20:15
  Speaker 1: a week Croatia. He's in Japan, you know, and also
• 20:19
  Speaker 1: doing singles. You know that's important too. He has some
• 20:22
  Speaker 1: big singles. All right, well let me answer lay and
• 20:24
  Speaker 1: that is your rumor report. All right, thank you, miss ye.
• 20:27
  Speaker 1: Now when we come back, Leo Cohene will be joining us. Okay,
• 20:31
  Speaker 1: we'll kick it with leh people that profit off hip hop. Absolutely,
• 20:34
  Speaker 1: we'll talk to him when we come back. If you
• 20:36
  Speaker 1: don't know, it's to create the owner of three hundred,
• 20:38
  Speaker 1: which is the label that all the careers of me goes,
• 20:40
  Speaker 1: Young Thug and Fatty Wab. He also is what does
• 20:43
  Speaker 1: he do for YouTube? He's like, I think he's a
• 20:46
  Speaker 1: global head of music, global head of music of YouTube
• 20:49
  Speaker 1: and he was running death Gym for years. He was
• 20:51
  Speaker 1: managing run DMC. We'll talk to him about all that,
• 20:54
  Speaker 1: so don't move. It's to Breakfast Club. Good morning. Everybody
• 20:56
  Speaker 1: is DJ Envy, Angela Yee, Charlamagne the guy. We are
• 21:00
  Speaker 1: the Breakfast Club. We got a special guest in the building. Yes.
• 21:03
  Speaker 1: As soon as he sat down, he said, I hope
• 21:04
  Speaker 1: you all are more prepared for me than y'all were
• 21:06
  Speaker 1: for Takashi six nine. And I think we know a
• 21:07
  Speaker 1: little bit about this guy. He'd been around. Hello, Hello, Hello,
• 21:12
  Speaker 1: welcome sir, good morning. I'm so happy to be here.
• 21:15
  Speaker 1: I feel honored and privileged to be here with you guys.
• 21:18
  Speaker 1: It's happy to happy to have you your YouTube global
• 21:21
  Speaker 1: head of music. Now, I didn't sleep last night, did
• 21:23
  Speaker 1: you know that? Why? Anxiety a lot of anxiety. I
• 21:28
  Speaker 1: I don't ever remember doing a radio interview. This is
• 21:32
  Speaker 1: really strange. I'm usually sitting at the you know, watching
• 21:36
  Speaker 1: my artists talk, but this is a different thing. So
• 21:41
  Speaker 1: last night I was trying to figure out what in
• 21:43
  Speaker 1: the world do they want to talk about with me? Everything?
• 21:49
  Speaker 1: I was confused. I was really confused. So I was
• 21:51
  Speaker 1: waking up in the middle of the night, just like um,
• 21:56
  Speaker 1: trying to figure out what was the best interviews that
• 21:59
  Speaker 1: I saw? Who gave the best interviews? And my mind
• 22:03
  Speaker 1: went blank. None of ours came to mind. None. No,
• 22:06
  Speaker 1: Chuck D always comes to mind. Okay, Chuck D always
• 22:11
  Speaker 1: comes to mind. Go ahead, what do you want to ask?
• 22:12
  Speaker 1: Let's off from the beginning, how did Leo Cohen get
• 22:15
  Speaker 1: into hip hop? Well, unbeknownst to many of you, including yourselves,
• 22:22
  Speaker 1: the first all rap station was not in New York City.
• 22:28
  Speaker 1: It was fifteen eighty K day in Los Angeles, really okay,
• 22:34
  Speaker 1: and there was a DJ click called Uncle Jam's Army,
• 22:38
  Speaker 1: and Uncle Jam's Army used to take out the sports
• 22:42
  Speaker 1: arena downtown and they had no talent. They just had
• 22:46
  Speaker 1: break beats and it was just at the end of
• 22:48
  Speaker 1: disco and kind of lakeside barcads. You don't even know
• 22:56
  Speaker 1: who they are. It's okay, it's okay, it's okay. The
• 22:59
  Speaker 1: Gap band okay. So that that was that scene right there.
• 23:06
  Speaker 1: And I was just driving around Los Angeles and I
• 23:10
  Speaker 1: would see these gigantic posters Uncle Jam's Army Pacific Arena
• 23:16
  Speaker 1: and the date. So I just said, I have no
• 23:19
  Speaker 1: idea what this is. I'm gonna go find it. And
• 23:22
  Speaker 1: I went and I walked in and there was an
• 23:27
  Speaker 1: arena full of people enjoying the breakbeat, and it was
• 23:31
  Speaker 1: fascinating to me. You know, how did you know you
• 23:33
  Speaker 1: wanted to be an executive and not an artist? Though
• 23:35
  Speaker 1: I had no interest in I'm being an executive or
• 23:40
  Speaker 1: an artist. Understand when I came, and I came in
• 23:43
  Speaker 1: nineteen eighty three and my first job was to take
• 23:47
  Speaker 1: run DMC to Europe, and literally my first job, I
• 23:51
  Speaker 1: didn't even get to stay one night in New York
• 23:54
  Speaker 1: because they couldn't find their road manager. He was on
• 23:58
  Speaker 1: a bench and I was the only with the passport.
• 24:01
  Speaker 1: So that's how I started being a road manager. So
• 24:03
  Speaker 1: I was just making it up. I had no experience,
• 24:07
  Speaker 1: I had no understanding, I had no money I had nothing.
• 24:10
  Speaker 1: Oh did you know Russell Simmons or how did you
• 24:13
  Speaker 1: just become run to MCS. So I was a financial analyst.
• 24:17
  Speaker 1: I was making fourteen thousand dollars a year. I worked
• 24:20
  Speaker 1: for the National Bank of Israel. My mom found me
• 24:23
  Speaker 1: the gig and my friends were throwing parties and they're
• 24:27
  Speaker 1: having the best times. I had the best girls, the
• 24:30
  Speaker 1: best drugs, everything, and I was just like, you know,
• 24:34
  Speaker 1: my mom got me the job. I just have a
• 24:36
  Speaker 1: degree in international finance and marketing. I better stick this
• 24:40
  Speaker 1: thing out. But I was doing really nothing. It was horrible.
• 24:45
  Speaker 1: I'm dying and my friends were encouraging me to throw
• 24:48
  Speaker 1: a party, and I said, I don't want to just
• 24:50
  Speaker 1: throw any type of party. I want to throw something interesting,
• 24:54
  Speaker 1: and they said, well, tell me what interesting is. And
• 24:56
  Speaker 1: there was a bunch of unsigned Hollywood hands at the time.
• 25:01
  Speaker 1: So I threw a show with the Red Hot Chili Peppers, Fishbones,
• 25:05
  Speaker 1: Social Distortion, the Circle Jerks starring Run DMC. I borrowed
• 25:11
  Speaker 1: seven hundred dollars from my mom and I made thirty
• 25:14
  Speaker 1: six g's that night, and I alway taught us a
• 25:17
  Speaker 1: seven hundred dollars back then, well, I was short seven
• 25:20
  Speaker 1: hundred dollars. It was nothing. They were all unsigned, and
• 25:23
  Speaker 1: I put it together. It was a very unique moment
• 25:27
  Speaker 1: in a lot of people's lives, including myself. And you know,
• 25:32
  Speaker 1: only problem I had that night was Joey came off
• 25:36
  Speaker 1: the stage before he performed. I said, I'm not sure
• 25:39
  Speaker 1: what you're doing, but there's a whole audience out there
• 25:42
  Speaker 1: waiting for you. And he says, man, they're not waiting
• 25:44
  Speaker 1: for me. You didn't see what just happened. I said,
• 25:47
  Speaker 1: what happened? And he said, you know, those little white
• 25:50
  Speaker 1: kids came on stage and they wanted to attack me.
• 25:54
  Speaker 1: And I realized this was stage diving. They were all
• 25:58
  Speaker 1: coming on stage, dancing with them and then throwing themselves
• 26:02
  Speaker 1: jumping off, and I said, that's what they're you know
• 26:05
  Speaker 1: they're doing there. It's they're having a great time. They're
• 26:08
  Speaker 1: having a great time. It's a sign of affection. And
• 26:11
  Speaker 1: he looked at me and he said, I don't know
• 26:13
  Speaker 1: why I trust you, but I'll go out there. And
• 26:15
  Speaker 1: the rest of the night he was flinging little white
• 26:17
  Speaker 1: kids off the stage. Came off stage and said, I
• 26:21
  Speaker 1: like you, man, And that's how it happened. They invited
• 26:25
  Speaker 1: me they told Russell about me. By the way, my
• 26:27
  Speaker 1: friend who was running Columbia University's TV station, let us
• 26:33
  Speaker 1: rehearse the Beastie Boys, L Run DMC. We're broke back then,
• 26:37
  Speaker 1: we had no money for rehearsal halls. And he said,
• 26:40
  Speaker 1: take the Columbia University TV station. Little did I know
• 26:45
  Speaker 1: he was filming it. I have seventeen hours, get nineteen
• 26:50
  Speaker 1: eighty three rehearsals Beastie Boys, L Cool, J Run DMC.
• 26:55
  Speaker 1: Now now now I know a lot of people don't know.
• 27:00
  Speaker 1: When they see that footage, they're gonna know who said
• 27:03
  Speaker 1: whose house? Run's house? Okay, yeah, wow, how did that
• 27:09
  Speaker 1: come about? And we're rehearsing and I said, you know,
• 27:13
  Speaker 1: he came up cheapest Lee and said this is and
• 27:17
  Speaker 1: I had to I had to check Joey and say
• 27:20
  Speaker 1: this is your house, and and and and we rehearsed it.
• 27:24
  Speaker 1: It's all there. One day it'll come out. How do
• 27:27
  Speaker 1: you find that's right? Thank you YouTube on YouTube? All right,
• 27:32
  Speaker 1: Now we're talking to Leo Cohen, founder of three hundred
• 27:35
  Speaker 1: who signed me goals, Fattie Wabt, Grizzly and Moore Charlemaigne.
• 27:39
  Speaker 1: I always wonder about that like, how did y'all find
• 27:42
  Speaker 1: that crop of artists so early? Of course we don't
• 27:44
  Speaker 1: run DMC, but the Beastie boys LLL who J because
• 27:48
  Speaker 1: you kind of set yourself up for and winning with
• 27:50
  Speaker 1: those it was it was genius. It was all Rick Rubin.
• 27:54
  Speaker 1: It is a mastermind genius. You know. One of the
• 27:57
  Speaker 1: problems out here is that people are winning in many
• 28:03
  Speaker 1: ways too easily. And part of the artist development, there's
• 28:08
  Speaker 1: people development, like people development, man, you have to hit
• 28:12
  Speaker 1: your head and get back up and recognize what just happened.
• 28:18
  Speaker 1: So these kids, I think they have it kind of
• 28:22
  Speaker 1: slippery and kind of easy. And I think that there's
• 28:27
  Speaker 1: called things that we lost in the last decade is
• 28:31
  Speaker 1: artist development. But we also lost mentorship. You know what
• 28:35
  Speaker 1: I think happens to what I noticed as far as
• 28:37
  Speaker 1: what you said about developing artists and mentoring people. Somebody
• 28:41
  Speaker 1: goes viral, right, they can do one long they go viral,
• 28:44
  Speaker 1: and then the labels are offering millions of dollars for
• 28:47
  Speaker 1: somebody that has one one record. Hip hop is not just,
• 28:52
  Speaker 1: you know, something to piss your parents off, because your
• 28:55
  Speaker 1: parents are listening to it too. It's a problem. And
• 28:58
  Speaker 1: then you get this, this, this like day trading of rappers.
• 29:04
  Speaker 1: It's the worst thing that could happen for our culture.
• 29:08
  Speaker 1: All those labels that are day trading should be embarrassed
• 29:13
  Speaker 1: and ashamed of themselves because they are going to be
• 29:16
  Speaker 1: the reason why things come to an end. I believe
• 29:20
  Speaker 1: that it's like that'sn't even signed deals though, Like I
• 29:23
  Speaker 1: wouldn't invest in artists like that. And they showed me
• 29:25
  Speaker 1: that they're gonna be around, but because they get nervous
• 29:28
  Speaker 1: that somebody else and that they'll miss out. So listen.
• 29:33
  Speaker 1: I never signed an act because I was afraid of
• 29:36
  Speaker 1: losing them. I only signed an act because I wanted
• 29:40
  Speaker 1: them on my label. When one act says to me
• 29:44
  Speaker 1: or another label's interested in me, I said, go ahead
• 29:47
  Speaker 1: with yourself. I'm not interested in you anymore. I have
• 29:51
  Speaker 1: it with drink with you. Didn't I heard you all,
• 29:53
  Speaker 1: but had drink in the bag. And then Drake m
• 29:55
  Speaker 1: The truth is, Drake shook my hand and this would
• 30:00
  Speaker 1: have been a death cham a three hundred def Jam's son.
• 30:05
  Speaker 1: And then I heard that you see already shook your hand.
• 30:08
  Speaker 1: It was a dune dealing and you found out he
• 30:09
  Speaker 1: wasn't signing that an Award. So everybody had on the
• 30:11
  Speaker 1: cash Money shirts or something like that. Yeah, it doesn't matter.
• 30:15
  Speaker 1: He didn't stop the party and at least tell you why.
• 30:17
  Speaker 1: You know, I really don't spend time backwards. Okay, It's
• 30:23
  Speaker 1: like I keep moving. We got more Leo Cohen when
• 30:26
  Speaker 1: we come back, don't move. It's the Breakfast Club. Good morning,
• 30:28
  Speaker 1: the Breakfast Club Morning. Everybody is DJ n v Angela Yee,
• 30:35
  Speaker 1: Charlomagne the guy. We are the Breakfast Club. We have
• 30:38
  Speaker 1: Leo Cohen, the head of global music at YouTube in
• 30:41
  Speaker 1: the building. Charlomagne. Let's talk about a former act of Oars.
• 30:46
  Speaker 1: Kanye was amazing when he put the picture out with
• 30:49
  Speaker 1: the Maga hat on. I didn't put that picture. So
• 30:51
  Speaker 1: he put it up. Yeah, I had no idea. I
• 30:53
  Speaker 1: had no idea. What didn't see the hat? Come on?
• 30:58
  Speaker 1: It didn't cheat the house. I was so mesmerized. You know,
• 31:01
  Speaker 1: Kanye is a beautiful host. We walked into his gorgeous
• 31:07
  Speaker 1: um place where he does the clothing and the sneaker.
• 31:13
  Speaker 1: It was, you know, I was bringing my colleagues from
• 31:16
  Speaker 1: the from San Francisco, so and nobody noticed the black
• 31:20
  Speaker 1: guy in the Magah hat. I was. I was Yo, bro,
• 31:23
  Speaker 1: you couldn't have cut me off of what um. So
• 31:27
  Speaker 1: I'm here having an incredible time being with him, and
• 31:31
  Speaker 1: he was obviously interested. You know when Kanye's interested in
• 31:36
  Speaker 1: having you, you know, you feel like you're in that
• 31:40
  Speaker 1: moment and then he goes, you want to hear some music,
• 31:43
  Speaker 1: so we went in listen to music. So no, I
• 31:46
  Speaker 1: didn't look at his hat at all. I didn't see
• 31:49
  Speaker 1: his hat. I was fully immersed in the experience. So no,
• 31:54
  Speaker 1: the answers no long way of saying no, after what's
• 31:56
  Speaker 1: the point? After the picture came out and you saw
• 31:58
  Speaker 1: the hat? Did you did you have any thoughts? This
• 32:01
  Speaker 1: is the crazy stuff. I had to run to the airport,
• 32:05
  Speaker 1: so I had to go, and I ran to the airport.
• 32:08
  Speaker 1: As I'm running like like an AVIS commercial through the airport,
• 32:12
  Speaker 1: everybody's saying, yo, what's up with the hat? What's up
• 32:15
  Speaker 1: with the And I didn't know what they're talking about
• 32:18
  Speaker 1: because I'm trying to make the flight. I finally get
• 32:20
  Speaker 1: to the gate and I came with a few minutes
• 32:23
  Speaker 1: to spare. My phone's blowing up. Everybody's blowing my ship up,
• 32:27
  Speaker 1: like bro, what's going on? And that's when I realized
• 32:32
  Speaker 1: what happened. It was so fascinating. I literally were talking
• 32:37
  Speaker 1: more than forty people. So imagine I'm in Calabasas, Snap,
• 32:42
  Speaker 1: get in the car. Thirty five minutes, I'm running through
• 32:45
  Speaker 1: the airport over forty people shouting at me through the airport. Yeah.
• 32:50
  Speaker 1: Let me ask you this. If an artist is talented, right,
• 32:53
  Speaker 1: but you don't agree with their personal views, does that
• 32:56
  Speaker 1: matter or is it all about talent? No, it's all
• 32:59
  Speaker 1: about talent. I respect their personal views, but I can
• 33:04
  Speaker 1: never be silent. I've never been silent, and that's why
• 33:10
  Speaker 1: I've touched more rap music than everybody combined. Never had
• 33:15
  Speaker 1: a security guard, okay, because one. I tell bad news
• 33:19
  Speaker 1: faster than good news. And I tell people when they
• 33:23
  Speaker 1: ask me exactly how I feel like. You can't be
• 33:27
  Speaker 1: a rapper and have a cup in front of me,
• 33:30
  Speaker 1: I tell you that's liquid heroine. You're junkie. You're junkie.
• 33:35
  Speaker 1: Any rapper come right now, they come a think. I
• 33:37
  Speaker 1: have to tell them because to me, I don't want
• 33:40
  Speaker 1: to be I feel my silence would be complicit. With
• 33:43
  Speaker 1: all the auders that you work with. It doesn't matter
• 33:46
  Speaker 1: if I work with them or not. If they got
• 33:49
  Speaker 1: a cup. I'm going to tell them they're junkie and
• 33:52
  Speaker 1: they're hooked on liquid heroine. If you just tuned in,
• 33:55
  Speaker 1: we have Leo Cohen in the building, the global head
• 33:58
  Speaker 1: of music at YouTube, also founder of three hundred, the
• 34:01
  Speaker 1: label that sign me Goals, Fattie Wop and more. Ye.
• 34:05
  Speaker 1: But it concern you enough to not work with someone
• 34:07
  Speaker 1: if they were, say they were in the middle of
• 34:09
  Speaker 1: negotiating with you, Okay, I don't know that I can
• 34:13
  Speaker 1: do this deal. What if you felt like they had
• 34:15
  Speaker 1: a drug problem. No, no, no, no, it's part of
• 34:20
  Speaker 1: the math in my brain. Nothing good happens with junkies. Now.
• 34:27
  Speaker 1: There are many people who have been able to hit
• 34:30
  Speaker 1: the wall and walk away. A lot of them don't.
• 34:34
  Speaker 1: One of the biggest artists you ever had was at
• 34:36
  Speaker 1: a real bad drug problem DMX. I'm so sad um Dmax.
• 34:41
  Speaker 1: There's two people inside of him. Earl is one of
• 34:45
  Speaker 1: the nicest people. I put him up in the um
• 34:48
  Speaker 1: lake George. Earl loved being silent with the fishing pole.
• 34:55
  Speaker 1: He just would stay on that dock hours and hours
• 35:00
  Speaker 1: and hours and hours. It's I think the opiated problem,
• 35:05
  Speaker 1: the syrup problem is the biggest problem that I've ever
• 35:10
  Speaker 1: seen and I've ever faced um and been a part
• 35:13
  Speaker 1: of And I can't be I can't with it. You know,
• 35:16
  Speaker 1: the crack thing was devastating, but at least the rappers
• 35:22
  Speaker 1: were bringing a spotlight to you becoming a fiend, and
• 35:27
  Speaker 1: I thought that that was that spotlight helped change the
• 35:31
  Speaker 1: course of the crack epidemic. I don't know what's this
• 35:36
  Speaker 1: opioid thing, man is the crackhead wasn't cool. Now it's
• 35:42
  Speaker 1: they seemed like they're making it cool to be drinking
• 35:45
  Speaker 1: lean and syrup and it's the most dangerous. It's the
• 35:47
  Speaker 1: most dangerous thing that's facing our society. Are you so
• 35:51
  Speaker 1: why sign artist that would promote that? Um? Because I
• 35:57
  Speaker 1: already answered that question. You weren't paying attention. UM. She
• 36:01
  Speaker 1: asked me talent or issues, and I said talent. But
• 36:06
  Speaker 1: I have to I can't give up on people. What
• 36:10
  Speaker 1: I'm saying that's ever critical at all, and it's opportunistic. Yeah,
• 36:14
  Speaker 1: I got I got people to feed. Um, I gotta,
• 36:19
  Speaker 1: I gotta, I got a business to run. You're gonna
• 36:21
  Speaker 1: make Dame Dash take this clip and call you a
• 36:23
  Speaker 1: culture volture? Whose name Dash? You brought him up? I
• 36:28
  Speaker 1: don't even know him. I don't even know him. So
• 36:31
  Speaker 1: you bring him his name up, I don't even know him.
• 36:34
  Speaker 1: So ye made a lot of money together, made a
• 36:36
  Speaker 1: lot of them. I don't do that to him. I
• 36:39
  Speaker 1: don't know him. I really don't. I don't know what
• 36:43
  Speaker 1: to tell you. Problems is problems. I try to fix problems.
• 36:48
  Speaker 1: I try to sign great talent and then help them
• 36:53
  Speaker 1: a culture voice. I'm gonna say, now, how do you
• 36:55
  Speaker 1: respond to it? Because people have called you a culture
• 36:57
  Speaker 1: vote before. I'm thirty seven years doing this, So there's good,
• 37:02
  Speaker 1: you know, oh boy, so um, when you're thirty seven
• 37:10
  Speaker 1: years and continuously inventing yourself and winning, people don't. There's
• 37:18
  Speaker 1: a small subset of people that don't like those people
• 37:22
  Speaker 1: that their fortunes may not have they may not have
• 37:25
  Speaker 1: reinvented themselves, that are upset. But like I said, I
• 37:31
  Speaker 1: don't really pay attention to them. You know, the first
• 37:34
  Speaker 1: time that I ever heard that Dame Dash had an
• 37:39
  Speaker 1: issue with me was my daughter called me up and
• 37:43
  Speaker 1: asked me, who's Dame Dash. I don't pay attention. People
• 37:48
  Speaker 1: feel like you you broke up Rockefeller. That's that's what
• 37:51
  Speaker 1: they say. You got in Jay's here and told him
• 37:53
  Speaker 1: get away from Dame. I think you got to talk
• 37:56
  Speaker 1: to to Jay and Dame and Bigs Ta ta. You know,
• 38:05
  Speaker 1: I don't know what to say to that. I always
• 38:08
  Speaker 1: have an expression. You say, we're friends. I said, man,
• 38:13
  Speaker 1: you gave him a interview and you said, man, I
• 38:17
  Speaker 1: thought we're friends. We're not friends. We're not friends any longer.
• 38:21
  Speaker 1: You know what I say, We are never friends in
• 38:23
  Speaker 1: the first place. If that can't we can't survive that.
• 38:26
  Speaker 1: So if their partnership couldn't survive, then how if if
• 38:32
  Speaker 1: if it was me or anybody else, no outside influence
• 38:36
  Speaker 1: should be able to all right, we got more with
• 38:40
  Speaker 1: Leo Cohen when we come back, don't move. It's the
• 38:42
  Speaker 1: Breakfast Club. Good morning, pointing everybody. Angela Ye, Charlomagne, the guy.
• 38:47
  Speaker 1: We are the Breakfast Club. We have Leo Cohen, founder
• 38:50
  Speaker 1: of three hundred, who signed me, Goals, Fattie Wabt, Grizzly
• 38:54
  Speaker 1: and more. Charlomagne, what's your overall mission for YouTube? In
• 38:58
  Speaker 1: the in the industry? Over all mission for YouTube is
• 39:02
  Speaker 1: that more artists could feed their families, and more songwriters
• 39:05
  Speaker 1: could um feed their families when those artists are at
• 39:09
  Speaker 1: the kitchen table and saying to their parents that I'm
• 39:13
  Speaker 1: gonna skip college and I'm just going to be an artist. Um,
• 39:16
  Speaker 1: they could make an informed decision, unlike the last twenty
• 39:20
  Speaker 1: years that it sucked. It was hard, um telling your
• 39:24
  Speaker 1: parents that I'm going to be an artist? Have you
• 39:26
  Speaker 1: spot the risk the kid recently? No, he's pretty upset
• 39:29
  Speaker 1: with you guys. Have you heard of no? No? Hell?
• 39:32
  Speaker 1: He just posted a comment that said, uh, three hundred,
• 39:36
  Speaker 1: and he feels like you guys have not really helped
• 39:38
  Speaker 1: his career out too much. Three hundred NT y'all suck.
• 39:43
  Speaker 1: Let me out the damn contract. I want to be
• 39:45
  Speaker 1: with y'all no more. I told y'all I get y'all,
• 39:48
  Speaker 1: didn't the money back. I don't want to be with
• 39:49
  Speaker 1: y'all label no more, y'all suck. Is that a question?
• 39:56
  Speaker 1: Or I don't know? How do you feel? How do
• 39:59
  Speaker 1: I feel about that? I'm feeling I don't. I don't
• 40:01
  Speaker 1: feel good about um hearing that. But it sounds like
• 40:05
  Speaker 1: he's a clown. Maybe it's a late night something. I
• 40:08
  Speaker 1: don't know what his problem is. He should call me
• 40:11
  Speaker 1: as my number. Look, do you ever read if he
• 40:13
  Speaker 1: calls me? Do you ever redo contracts like, of course,
• 40:16
  Speaker 1: I redo contracts like, okay, you know I spend my
• 40:19
  Speaker 1: whole life I'm redoing contracts. I don't. I don't do
• 40:23
  Speaker 1: how about this? Keep gonna have a hard time because
• 40:26
  Speaker 1: we don't. We don't play that Meagles at one time,
• 40:31
  Speaker 1: Meagles at one time, Megos at one time. We're a
• 40:34
  Speaker 1: little setting. And they said they felt like three hundred
• 40:36
  Speaker 1: held them back a little bit. Yeah, if you all
• 40:38
  Speaker 1: wouldn't look to put out music for eighteen much, they said,
• 40:40
  Speaker 1: So listen, I've just been doing it for thirty seven years.
• 40:43
  Speaker 1: I don't think I have all the answers. I don't
• 40:46
  Speaker 1: even think that I have all the right answers. But
• 40:50
  Speaker 1: I do believe that focus and attention in creating an
• 40:56
  Speaker 1: artwork a moment in time, I want to um. I'm
• 41:02
  Speaker 1: in the champagne business, not the water business. I'd like
• 41:06
  Speaker 1: to make something special. If it's everywhere, all day, every day,
• 41:12
  Speaker 1: I don't know why that's special. Listen, if they put
• 41:15
  Speaker 1: a bunch of music out, I I make more money, right,
• 41:19
  Speaker 1: more music, more money, since that's how it works. But
• 41:23
  Speaker 1: I wanted them to make what I thought they could make.
• 41:28
  Speaker 1: You don't want them to be day traders basically, and
• 41:31
  Speaker 1: and and by the way, I'm not trying to open
• 41:34
  Speaker 1: up a controversy, but how do you feel about Culture
• 41:37
  Speaker 1: one and two? What's the word out there? Better? What
• 41:41
  Speaker 1: one was? Okay, got quieted. They do know how to
• 41:50
  Speaker 1: make it clo as well. It hits on. Coach one
• 41:56
  Speaker 1: was a better projects. That's a fact. So you're taking
• 41:59
  Speaker 1: the credit for that. I'm not taking the credit, man,
• 42:01
  Speaker 1: Why why am I taking the credit? I asked a
• 42:04
  Speaker 1: simple question. Was Culture one better than Culture Too? It
• 42:09
  Speaker 1: was a simple question. I thought we did a really,
• 42:12
  Speaker 1: really good job. They did a magnificent job. And my
• 42:16
  Speaker 1: hats are off to p and Coach. You know, these
• 42:19
  Speaker 1: are hard working creative executives that are in the cut now.
• 42:25
  Speaker 1: I believe we're about to enter the golden age of
• 42:30
  Speaker 1: the music business. Fortunes are going to be made Leo Cohen,
• 42:34
  Speaker 1: Ladies and gentlemen, Yes, we appreciate you for joining us.
• 42:37
  Speaker 1: I'm so thrilled to be here. I'm thrilled to be here.
• 42:40
  Speaker 1: I bet you you get an audience of two, um
• 42:43
  Speaker 1: and and yeah, thank you. I'm pretty sure I'm listening.
• 42:53
  Speaker 1: The one thing that I can say is back in
• 42:57
  Speaker 1: the day. In the eighties, we to celebrate each other,
• 43:01
  Speaker 1: little independence, leaping bag profile, all these little companies. Tommy
• 43:06
  Speaker 1: Boye records all of them. We used to get our
• 43:10
  Speaker 1: gigs and then meet late night, and we used to
• 43:14
  Speaker 1: celebrate each other. Winning doesn't mean that someone else has
• 43:19
  Speaker 1: to lose, and that's the problem here. The problem is
• 43:23
  Speaker 1: that we got to celebrate more. I ask you guys
• 43:26
  Speaker 1: in your own way. I know that controversy brings viewership
• 43:32
  Speaker 1: and listenership, but I want you to also understand that
• 43:37
  Speaker 1: you have the mixing board to also celebrate great things
• 43:41
  Speaker 1: that happen. I like consistent greatness over a controversy. I
• 43:45
  Speaker 1: don't think there's no value in shock. Okay, thank you guys.
• 43:48
  Speaker 1: Thank you for what you've done to keep the engine flowing.
• 43:54
  Speaker 1: It's hard doing what you do every day. You know,
• 43:58
  Speaker 1: lots of people think that you come in here, um
• 44:01
  Speaker 1: gift of gab, you drive out with your chauffeur limousines
• 44:05
  Speaker 1: and everything's hunky dory. I know how much work this
• 44:08
  Speaker 1: is and how difficult it is, and I applaud you
• 44:12
  Speaker 1: for building this business. I just wish you guys were
• 44:15
  Speaker 1: on YouTube. Um you are. You are on YouTube? One million.
• 44:24
  Speaker 1: How about YouTube uplift the Breakfast Club channel. Yeah, maybe
• 44:28
  Speaker 1: we can do something formally one day on YouTube. Yeah. Well,
• 44:30
  Speaker 1: I look to the YouTube studios and I've hosted a
• 44:33
  Speaker 1: lot of things there as well. I'm I'm I'm really
• 44:36
  Speaker 1: honored to have been here this morning. Thank you, Leo Cohen.
• 44:40
  Speaker 1: It's the Breakfast Club. Good morning morning. Everybody is DJ Envy,
• 44:44
  Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.
• 44:47
  Speaker 1: Good morning, Hey, good morning. Let's get to these rumors.
• 44:50
  Speaker 1: It's talking to keep in ours. Oh go angel it's
• 44:59
  Speaker 1: the rule the Breakfast Club. But everybody's getting ready for
• 45:03
  Speaker 1: Nicki Minaj's new album, Queen. It is supposed to come
• 45:05
  Speaker 1: out August tenth. That's soon, that's next week, but it
• 45:09
  Speaker 1: looks like it may be pushed back again. Now the
• 45:11
  Speaker 1: problem is this, There's a track with an uncleared Tracy
• 45:14
  Speaker 1: Chapman sample and a feature from quote one of the
• 45:17
  Speaker 1: greatest rappers of all time. Now, she tweeted out, Tracy Chapman,
• 45:20
  Speaker 1: can you please hit me? She also did a poll
• 45:23
  Speaker 1: asking since I may have asked it wrong, vote you
• 45:26
  Speaker 1: guys can only imagine how much this means to me.
• 45:28
  Speaker 1: It's such a perfect body of work, Love you long time.
• 45:31
  Speaker 1: So what she wants to do is figure out do
• 45:33
  Speaker 1: I need to push my album back a week to
• 45:36
  Speaker 1: try to get this sample cleared? What do you think?
• 45:38
  Speaker 1: I mean as an artist, I'm sure this is like
• 45:40
  Speaker 1: she said, this is her body of work and she
• 45:41
  Speaker 1: really wants that track on it. So I mean, what's
• 45:43
  Speaker 1: what's a week? I wonder how great that song is though,
• 45:46
  Speaker 1: But if that's what she wants, I mean, do people
• 45:48
  Speaker 1: still push the album back in twenty eighteen. Yeah, time
• 45:51
  Speaker 1: doesn't matter, like just drop the music. But she wants
• 45:54
  Speaker 1: to make sure that she gets this sample that's not
• 45:56
  Speaker 1: clear clear you put the single out later. It's the
• 45:58
  Speaker 1: screaming service, right, So she probably wants for her full
• 46:02
  Speaker 1: body of work out. People do it all the time.
• 46:05
  Speaker 1: Shout to Fat Joe. He just released a record with
• 46:06
  Speaker 1: Tina Turner sample and didn't get that clid right away.
• 46:09
  Speaker 1: He just put it out and he cleared it after.
• 46:11
  Speaker 1: I mean, people do it all the time. The only
• 46:12
  Speaker 1: problem with doing that is that they didn't ask. No
• 46:14
  Speaker 1: way more money if you don't clear it first, absolutely,
• 46:16
  Speaker 1: because by that time it's done, So no matter what
• 46:19
  Speaker 1: you gotta pay, you end up paying way more. All right, now,
• 46:22
  Speaker 1: let's discuss R Kelly, Angelo Clary, who's the father of
• 46:25
  Speaker 1: Asriel Clary, who is one of the women that is
• 46:29
  Speaker 1: one of our Kelly's quote girlfriends. You know, ur Kelly
• 46:32
  Speaker 1: just did that song. I admit it, and that really
• 46:34
  Speaker 1: struck a card with Angelo Carrey, who feels like he
• 46:36
  Speaker 1: did not address some of the allegations against him at all.
• 46:40
  Speaker 1: Now Here is what Angelo Carrey has to say about R. Kelly.
• 46:44
  Speaker 1: This dude make a song at like he's supple thoughts
• 46:47
  Speaker 1: since he got kids. You don't have no kids. You
• 46:49
  Speaker 1: had you had ejaculation and a woman. That's what you did.
• 46:52
  Speaker 1: Tell the world why you can't see your kids, Tell
• 46:55
  Speaker 1: the world why you have no relationship with three kids?
• 46:59
  Speaker 1: And this woman left with nothing from what you said,
• 47:01
  Speaker 1: she was a bomb. She was there, She was there.
• 47:03
  Speaker 1: So why didn't you win in court? Why you're twenty seven?
• 47:06
  Speaker 1: Lords that you said in the song didn't get you
• 47:08
  Speaker 1: your kids? M Then he goes on to talk more
• 47:12
  Speaker 1: about R. Kelly and how his daughter ended up living
• 47:14
  Speaker 1: with him. What we asked to you was to do
• 47:18
  Speaker 1: nothing but look over song and helped her career get
• 47:21
  Speaker 1: to the next level. Now, to y'all fans, you can
• 47:23
  Speaker 1: you can molest a goddamn shall you know what? How
• 47:26
  Speaker 1: easy your situation is? The fix? Let them kids go now?
• 47:31
  Speaker 1: According to Angelo Clary, he says that R. Kelly took
• 47:34
  Speaker 1: advantage of his daughter at the age of seventeen, and
• 47:36
  Speaker 1: under Florida law, that's under age. How come nobody whooped
• 47:39
  Speaker 1: of Kelly's ass? Though? Why how to get to him?
• 47:43
  Speaker 1: Girls houstage for real? I mean some of the girls
• 47:47
  Speaker 1: have done videos saying that they want to stay, and
• 47:50
  Speaker 1: it's a really crazy situation. Seems like they're being brainwashed
• 47:54
  Speaker 1: and according to the parents held against therewell. But then
• 47:57
  Speaker 1: the girls are acting like they want to be there.
• 47:59
  Speaker 1: And then some of the women who have escaped did
• 48:01
  Speaker 1: talk about the mental tricks that were being played on
• 48:04
  Speaker 1: them while they were in that relationship. Well, shouldn't the
• 48:06
  Speaker 1: parents be partly to blame too, because if you know
• 48:08
  Speaker 1: all Kelly's reputation, why would you ever send your child
• 48:10
  Speaker 1: over there to get a song done or even a
• 48:13
  Speaker 1: song written, or to be in the studio that now.
• 48:15
  Speaker 1: I don't know how old his daughter is now, I
• 48:19
  Speaker 1: just know that he says that she was seventeen at
• 48:21
  Speaker 1: the time, so maybe I don't. I have no idea. Listen,
• 48:25
  Speaker 1: I know y'all wouldn't do it. So all right, now,
• 48:28
  Speaker 1: let's talk about some good news Lebron James's new school.
• 48:31
  Speaker 1: Let's talk about the I Primary School and some of
• 48:32
  Speaker 1: the things that they are doing that's very different from
• 48:35
  Speaker 1: a lot of other public schools because it is still
• 48:37
  Speaker 1: a public school, and that school is for at risk
• 48:39
  Speaker 1: students who are falling well behind the rest of the
• 48:41
  Speaker 1: kindergartens twelfth grade population, and some of the things that
• 48:44
  Speaker 1: they are doing focusing on accelerated learning, providing job placement
• 48:48
  Speaker 1: assistance for parents because a lot of times kids bring
• 48:52
  Speaker 1: baggage into the classroom because of what's going on at home.
• 48:55
  Speaker 1: Right they have an onsite food bank support students with
• 48:58
  Speaker 1: stress from economic gives every student a bike to escape
• 49:02
  Speaker 1: dangerous parts of town, and explore how important is it
• 49:05
  Speaker 1: for kids to get out of their neighborhood that they
• 49:07
  Speaker 1: a lot of times we grow up and have never
• 49:09
  Speaker 1: left the area that we are from. Our guarantees free
• 49:13
  Speaker 1: college tuition to the University of Akron to all graduates
• 49:16
  Speaker 1: starting in twenty twenty one, So all of those things,
• 49:19
  Speaker 1: free tuition for uniforms, free bicycle and helmet, free transportation
• 49:23
  Speaker 1: in two miles, free breakfast, lunch and snacks, food pantry
• 49:26
  Speaker 1: for families, GEDs, and job placement services for parents. There
• 49:30
  Speaker 1: you go, all those things. You gotta be a real
• 49:32
  Speaker 1: creative hater to find a way to talk crazy about
• 49:35
  Speaker 1: that one. I mean, you can say it don't got
• 49:36
  Speaker 1: a barbershop in it, but I mean they're working on that.
• 49:39
  Speaker 1: It might have one in it, by the way, but
• 49:40
  Speaker 1: you know, we don't know. I was thinking as far
• 49:42
  Speaker 1: as how can we help, because I mean, this is
• 49:44
  Speaker 1: something that's going to go on forever, and I'm sure
• 49:46
  Speaker 1: that Lebron's gonna put that forever, so we need to
• 49:48
  Speaker 1: help them. I don't think Lebron James needs our help.
• 49:52
  Speaker 1: I would love to help him, but you know what,
• 49:53
  Speaker 1: Saluta Lebron James, salute jailing Rose saluted Diddy. Diddy has
• 49:57
  Speaker 1: a charter school jail and Rose has his leader Ship academy,
• 50:00
  Speaker 1: and Lebron James now has his nacron. So it's people
• 50:04
  Speaker 1: that have been doing this, man, But drop on the
• 50:05
  Speaker 1: clues bombs for Lebron James. We need to make sure
• 50:07
  Speaker 1: we can help though, And stand mind that you know,
• 50:09
  Speaker 1: the program school. But he does have his nonprofit and
• 50:11
  Speaker 1: so you can help by donating to his nonprofit as well.
• 50:15
  Speaker 1: I definitely shut up and build a school for get
• 50:16
  Speaker 1: shut up and driven and shut up and build the school.
• 50:18
  Speaker 1: But you know, I have a rule. My rule is
• 50:20
  Speaker 1: that when I'm at dinner with somebody who got more
• 50:22
  Speaker 1: money than me, why would I ever insult him and say, yo,
• 50:24
  Speaker 1: I got the build. So I kind of feel like
• 50:26
  Speaker 1: this with this school, but you gotta get it. But
• 50:27
  Speaker 1: you can take care of the tip so you can
• 50:29
  Speaker 1: give a little bit. Listen, Lebron build schools. I do
• 50:31
  Speaker 1: backpack giveaways. Everybody just need to act their wage. Okay,
• 50:34
  Speaker 1: I got my backpack giveaway next August eleventh from the
• 50:38
  Speaker 1: Monks Corner, South Carolina, Lebron's building school. You know, you
• 50:42
  Speaker 1: know what else is a great thing to do though,
• 50:44
  Speaker 1: to actually show up, like to go there for the
• 50:46
  Speaker 1: kids to see you. A lot of kids would be
• 50:48
  Speaker 1: interested in what it is that we do for a living.
• 50:50
  Speaker 1: Teach a class, you know, just show them and maybe
• 50:53
  Speaker 1: something different that they can get some first hand experience with.
• 50:56
  Speaker 1: Invite them up here. Do I gotta teach the class?
• 50:57
  Speaker 1: If I built the class. Yes, absolutely, I'll show up
• 51:01
  Speaker 1: for I'll show for the ribbon cutting. Yes, all right,
• 51:04
  Speaker 1: well I mean Angela yee and that is your rumor report.
• 51:07
  Speaker 1: All right, thank you, miss eye shot. Yes, sir, are
• 51:10
  Speaker 1: you giving that donkey too? Oh? Man, we need Jeffrey
• 51:13
  Speaker 1: white Man. His actual name is Jeffrey whit Is he white?
• 51:16
  Speaker 1: Here's white. His name is Jeffrey Whitman, but we're gonna
• 51:18
  Speaker 1: call him Jeffrey white Man. He needs to come to
• 51:19
  Speaker 1: the front of the congregation. We'd like to have a
• 51:21
  Speaker 1: word with him. All right, we'll get into that when
• 51:23
  Speaker 1: we come back. Keep a lot just to breakfast club,
• 51:24
  Speaker 1: Good morning time for Donkey of the Day. Being Dunky
• 51:33
  Speaker 1: of the day a little bit of a mix so
• 51:36
  Speaker 1: like a day now. I've been called a lot of
• 51:44
  Speaker 1: my twenty three years, but Donkey of the Day is
• 51:46
  Speaker 1: a new wife. Yes, it's Donkey to day for Wednesday,
• 51:49
  Speaker 1: August first goes to Jeffrey Whitman. But what we're gonna
• 51:52
  Speaker 1: do is added Ian Whitman and call him Jason white Man.
• 51:55
  Speaker 1: Because when we speak of the legendary non fictional character
• 51:58
  Speaker 1: that everyone fears called the white Man, Jeffrey Whitman is
• 52:00
  Speaker 1: the epitome of that. Oh he is the type of
• 52:02
  Speaker 1: white man that we all try to avoid, the kind
• 52:04
  Speaker 1: of white man that gives all white men a bad name.
• 52:07
  Speaker 1: The racist bigger than kind were to make America great again.
• 52:09
  Speaker 1: Bump a stick on his pickup Trump. The kind of
• 52:11
  Speaker 1: white man you have to avoid at all costs, because
• 52:14
  Speaker 1: if your pass cross, a not so random act of
• 52:16
  Speaker 1: racism could possibly happen. Now, if you forgot who Jeffrey is,
• 52:20
  Speaker 1: he is the contractor in Ohio who followed a black
• 52:22
  Speaker 1: man home and called him the N word repeatedly. You remember,
• 52:25
  Speaker 1: Jeffrey was driving and sadly a brother named Charles loved
• 52:28
  Speaker 1: cross pass with this prejudice prick, and Jeffrey accused Charles
• 52:31
  Speaker 1: of cutting him off. So then he followed Charles home
• 52:34
  Speaker 1: and let that a off fifteen go and buy a
• 52:36
  Speaker 1: off fifteen, I mean a racist fifteen second rank. Let's
• 52:39
  Speaker 1: refresh everyone's memory, shall we? There a reason why you
• 52:42
  Speaker 1: just followed me to my house? You wonder how much
• 52:46
  Speaker 1: of a nigger I am? Yeah? You first, whiting a
• 52:50
  Speaker 1: must and so I'm a nigg because because you don't,
• 52:54
  Speaker 1: because you don't follow signs, I'm rude because you don't
• 52:58
  Speaker 1: know how to race signs. Well, Jeffrey Whitman owned your
• 53:02
  Speaker 1: eyes heating and cooling, and he was driving the company
• 53:04
  Speaker 1: van when he let that fifteen second racist rank go. Well,
• 53:07
  Speaker 1: now Jeffrey is backtracking. He told the Columbus Dispatch. It
• 53:11
  Speaker 1: was an awful mistake, and obviously I don't know how
• 53:13
  Speaker 1: to explain it, and it's ruining my life, and it's
• 53:15
  Speaker 1: rung my family's life. Why is he backtracking now? Because
• 53:19
  Speaker 1: business is suffering? Okay, he says, I'm out of business.
• 53:23
  Speaker 1: I'm completely out. I'm done. I'll never work in Columbus again.
• 53:26
  Speaker 1: This is completely and thoroughly ruined my life. White Man
• 53:29
  Speaker 1: told the newspaper he simply chose the wrong word while
• 53:32
  Speaker 1: addressing love it and insisted he's not a bigot. Now, listen,
• 53:35
  Speaker 1: several times chosen wrong words. Listen, I speak for a living. Okay,
• 53:39
  Speaker 1: I've said one word too many. Several times I've said
• 53:41
  Speaker 1: things that I apologize for. Because when you get paid
• 53:44
  Speaker 1: to talk as much as I talk, and you're given
• 53:46
  Speaker 1: your POV and speaking what's on your mind like I do,
• 53:49
  Speaker 1: you're bound to say something a little extra. But there
• 53:51
  Speaker 1: is no way that calling a black man an N
• 53:53
  Speaker 1: word can be written off as an awful mistake. Okay,
• 53:56
  Speaker 1: he's not a comedian, he's not a radio personality. As
• 54:00
  Speaker 1: far as we know, he wasn't drunk, he wasn't high.
• 54:02
  Speaker 1: He followed him home for two miles, so he had
• 54:05
  Speaker 1: time to think about calling this man the N word.
• 54:07
  Speaker 1: In fact, he said, verbatim, I wanted to let you
• 54:10
  Speaker 1: know personally that you are N word. Can we hear
• 54:13
  Speaker 1: it again? Let's hear it again. Is there a reason
• 54:16
  Speaker 1: why you just followed me to my house? Who wondering
• 54:19
  Speaker 1: how much of a nigger I am? You? First? Really? Almost?
• 54:25
  Speaker 1: And so I'm a nigga because because you don't because
• 54:28
  Speaker 1: you don't follow signs, I'm rude because you don't know
• 54:32
  Speaker 1: how to read signs. See this is how you know
• 54:35
  Speaker 1: he's not apologetic for using the N word, because in
• 54:38
  Speaker 1: all of that crying and calling the newspaper and venting
• 54:40
  Speaker 1: and saying he made a mistake, he never once apologized
• 54:44
  Speaker 1: that Charles love It for following him home because and
• 54:47
  Speaker 1: calling him the N word. See, apologizing does not always
• 54:50
  Speaker 1: mean you are wrong. It just means that you value
• 54:52
  Speaker 1: your relationships more than your egos. In this case, chasing
• 54:54
  Speaker 1: white Man is wrong, but he also doesn't value his
• 54:56
  Speaker 1: relationships with black people, because if he did, he would
• 54:59
  Speaker 1: apologize to that black man Charles love It, but his
• 55:02
  Speaker 1: ego won't let him. Please give Jeffrey Whitman aka Geoffrey
• 55:05
  Speaker 1: white Man the biggest he hall. And that's why I
• 55:11
  Speaker 1: liked the fact that Love It film that instead of,
• 55:15
  Speaker 1: like you guys said, slapping him, because that actually has
• 55:17
  Speaker 1: caused him much more pain and suffering. I do. I
• 55:20
  Speaker 1: think that was a great idea. All right, all right,
• 55:23
  Speaker 1: thank you for that, donkey or to day. Now when
• 55:24
  Speaker 1: we come back ask Ye, we actually have an update
• 55:28
  Speaker 1: eight hundred five eight five one oh five one. We'll
• 55:30
  Speaker 1: talk about it when we come back. Yeah, a lot
• 55:32
  Speaker 1: of people ask me about updates on an ass. So
• 55:34
  Speaker 1: this week we do have one that was very critical
• 55:36
  Speaker 1: for us. All Right, it's the Breakfast Club. Good morning morning.
• 55:38
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We
• 55:42
  Speaker 1: all the Breakfast Club. Now, last week during ask Ye,
• 55:47
  Speaker 1: we had a lady call that was in pretty bad shape.
• 55:50
  Speaker 1: Ymous destroyed. Yeah, she stayed anonymous and she was upset
• 55:54
  Speaker 1: and she wanted to take her own life. I've been
• 55:57
  Speaker 1: talking to it for the last couple of days, and
• 55:59
  Speaker 1: ye actually with her in touch with our resident doctor. Yes,
• 56:02
  Speaker 1: that is doctor Kendell Jasper, he says, clinical psychologist, and
• 56:05
  Speaker 1: he's been on the show before, and it was something
• 56:09
  Speaker 1: that we felt like was very necessary. A lot of
• 56:11
  Speaker 1: people have their own issues with depression and with suicidal thoughts,
• 56:15
  Speaker 1: so we wanted to do this to help everyone. Right,
• 56:17
  Speaker 1: So if you missed a cale last week, let's let's
• 56:18
  Speaker 1: get her back on so you can understand what she's
• 56:21
  Speaker 1: going through. My question is, um, and I had any
• 56:25
  Speaker 1: of you who dealt with the depression to suicidal bolt anxiety,
• 56:31
  Speaker 1: and how did you get past it? Um? Um? Fresh
• 56:34
  Speaker 1: out of it? And be said, mentally and physical relationship.
• 56:39
  Speaker 1: I'm not happy, UM. I thresting in my life and
• 56:42
  Speaker 1: my son and that's the issue there. I don't have
• 56:45
  Speaker 1: the support of my family. UM. When I finally talked
• 56:48
  Speaker 1: to my dad about it, who is minister Um, he said,
• 56:51
  Speaker 1: it was my vault. That's terrible. Yeah, poor choices, and
• 56:57
  Speaker 1: and and I should praise about it. And it's my fault.
• 57:03
  Speaker 1: I should stop thinking about it. It's one not your fault.
• 57:06
  Speaker 1: Number one. One of the main things we're dealing with
• 57:09
  Speaker 1: depression is being able to express yourself and just even
• 57:11
  Speaker 1: sometimes just tell somebody how you fail. Do you have
• 57:14
  Speaker 1: anybody else that you can talk to? Us to really
• 57:18
  Speaker 1: close to my dad, but I don't know what happened.
• 57:21
  Speaker 1: I wasn't expecting him too. Where you're from, Louisia, Louisia.
• 57:26
  Speaker 1: I'm sex so I don't really have a lot of family.
• 57:30
  Speaker 1: And when I reached out to the family my dad
• 57:33
  Speaker 1: would happen to kind of and its happened yesterday. It
• 57:36
  Speaker 1: just kind of blew me away because if I could
• 57:39
  Speaker 1: just stop, then of course I would, you know, so
• 57:43
  Speaker 1: nobody wants to build, you know, and that problem is
• 57:46
  Speaker 1: the problem is a lot of times people really haven't
• 57:48
  Speaker 1: gone through that, so they don't know how to talk
• 57:50
  Speaker 1: to you, and they think it's light, but it's not
• 57:52
  Speaker 1: like because I've been in that same predicament and I
• 57:53
  Speaker 1: was there, I was probably at my my worst part
• 57:56
  Speaker 1: of my life, and I felt the same way, and
• 57:57
  Speaker 1: I didn't want to be here, and I felt like
• 57:58
  Speaker 1: the world would be better in my family will be
• 58:00
  Speaker 1: better without me in it. But you have to realize
• 58:03
  Speaker 1: that that's not true. When you have to realize, like
• 58:05
  Speaker 1: you said, you have a young child and you have
• 58:06
  Speaker 1: to live for that young child. And I know it's
• 58:08
  Speaker 1: very difficult because you feel like you have nobody to
• 58:10
  Speaker 1: talk to. And that's the hardest thing because you feel
• 58:11
  Speaker 1: kind of embarrassed. But you can't feel that way. And
• 58:14
  Speaker 1: if you don't have anybody to talk to, I'm gonna
• 58:17
  Speaker 1: put you on the whole. I don't know. I know
• 58:18
  Speaker 1: this is as key, but I've been like, I really
• 58:21
  Speaker 1: know what it feels like like to the point where
• 58:23
  Speaker 1: I almost and I will give you my number and
• 58:25
  Speaker 1: you can call me and you can talk to me
• 58:27
  Speaker 1: anytime you need to. I don't care four o'clock in
• 58:29
  Speaker 1: the morning, five because being at that point and feel
• 58:33
  Speaker 1: like you have nobody to talk to, then guy, my
• 58:36
  Speaker 1: wife was there and I was able to be able
• 58:37
  Speaker 1: to talk to her. I just want to let you
• 58:39
  Speaker 1: know that it is a sickness and it is a
• 58:41
  Speaker 1: problem when sometimes people think that this is something you
• 58:43
  Speaker 1: should be able to handle yourself. It's a disease. So
• 58:47
  Speaker 1: don't think that there's anything wrong with you. This is
• 58:49
  Speaker 1: something that you really do need to seek professional outside help.
• 58:52
  Speaker 1: It's not something where you can just pick yourself up
• 58:54
  Speaker 1: out of it. There's a lot of you know, research
• 58:57
  Speaker 1: that's been done, and it could have a lot to
• 58:59
  Speaker 1: do with many different things. Like you said, you're just
• 59:00
  Speaker 1: coming out of a relationship. You don't have anybody close
• 59:03
  Speaker 1: to you to talk to. There's so many things that's
• 59:06
  Speaker 1: going on here. I do, however, have a friend who
• 59:09
  Speaker 1: is a therapist who would I'm sure I'd love to
• 59:12
  Speaker 1: speak with you and give you some professional advice because
• 59:15
  Speaker 1: I would hate to have anything happen to you and
• 59:18
  Speaker 1: feel like, you know, we couldn't be of some assistance.
• 59:21
  Speaker 1: So if you hold on the line, I'm going to
• 59:23
  Speaker 1: get you his information so that you guys can talk
• 59:25
  Speaker 1: to each other and he can guide you in the
• 59:28
  Speaker 1: right direction. Okay, thank you, but I don't I don't
• 59:31
  Speaker 1: want you to ever, ever, ever blame yourself for anything.
• 59:34
  Speaker 1: This is completely not your fault. Life beats us up sometimes.
• 59:38
  Speaker 1: Thank you up. All right, when we come back, we're
• 59:43
  Speaker 1: actually gonna talk to the doctor. He's been talking to her.
• 59:46
  Speaker 1: I've been talking to her as well. We'll get him
• 59:49
  Speaker 1: on when we come back. It's the Breakfast Club. Good
• 59:50
  Speaker 1: morning morning everybody. D Angela Yee, Charlomagne gud. We are
• 59:55
  Speaker 1: the Breakfast Club. Now I tell you about a young
• 59:58
  Speaker 1: lady who called last week that wanted to commit suicide,
• 1:00:01
  Speaker 1: and we got in touch with the doctor to make
• 1:00:03
  Speaker 1: sure the doctor can actually help her out. I've been
• 1:00:05
  Speaker 1: talking to her as well, and she's doing a whole
• 1:00:07
  Speaker 1: lot better, Doctor Kendell Jash. But good morning, sir, you
• 1:00:10
  Speaker 1: what's up morning? Now? You know, we had that anonymous
• 1:00:13
  Speaker 1: caller who I referred to you, and she called in
• 1:00:17
  Speaker 1: and she had some issues that she was going through
• 1:00:19
  Speaker 1: last week. And I know you've been speaking to her,
• 1:00:22
  Speaker 1: but there's a lot of people who have these issues
• 1:00:23
  Speaker 1: where they're dealing with depression, with suicidal thoughts, and it's
• 1:00:26
  Speaker 1: so urgent. I just really wanted to hear what your
• 1:00:28
  Speaker 1: thoughts were and what's been going on with the young lady.
• 1:00:31
  Speaker 1: She's doing okay. We talked every day since Friday. I
• 1:00:33
  Speaker 1: believe it was Friday. We've talked every day since Friday.
• 1:00:36
  Speaker 1: I want to give Mbia a shout out because she's
• 1:00:38
  Speaker 1: made made it very clear to me that they've talked
• 1:00:41
  Speaker 1: on a consistent basis as well, and that has been
• 1:00:45
  Speaker 1: tremendous for her to feel supported and just feel like
• 1:00:48
  Speaker 1: she's had people to just be able to talk to
• 1:00:51
  Speaker 1: and just express herself too, so you know, kind of
• 1:00:55
  Speaker 1: checking in with her. We're supposed to talk again today.
• 1:00:58
  Speaker 1: She's following a plan I put on a plan, or
• 1:01:00
  Speaker 1: you know, not really a safety plan, because it wasn't
• 1:01:04
  Speaker 1: that apparent that she was, you know, that she had
• 1:01:07
  Speaker 1: a specific plan on harm herself. But we did talk
• 1:01:10
  Speaker 1: about some changes that she immediately needed to make. For example,
• 1:01:14
  Speaker 1: on Friday, I told her during lunch on Friday that
• 1:01:18
  Speaker 1: I wanted her to engage in some type of a
• 1:01:21
  Speaker 1: pleasurable activity, something that's gonna make her feel good, something's
• 1:01:23
  Speaker 1: gonna make a smile, And she certainly did that, talking
• 1:01:27
  Speaker 1: a little bit about a thought process and just welcoming
• 1:01:30
  Speaker 1: some of the emotion as opposed to trying to fight
• 1:01:32
  Speaker 1: it because that's something that's very difficult to do and
• 1:01:35
  Speaker 1: only lends herself to a little more frustration. And she's
• 1:01:39
  Speaker 1: been able to do those things. On Saturday, she didn't
• 1:01:41
  Speaker 1: need to talk to me extensively. That she was driving
• 1:01:44
  Speaker 1: and she pulled over on the side of the road
• 1:01:47
  Speaker 1: and we kind of worked through that, and that's to
• 1:01:48
  Speaker 1: be expected, you know, But that was more about her
• 1:01:51
  Speaker 1: being angry at herself about some of the decisions that
• 1:01:54
  Speaker 1: she's made, and I told her that that was a
• 1:01:57
  Speaker 1: natural progression, you know, sort of stags that change. You know,
• 1:02:01
  Speaker 1: if we're not angry about some of the decisions that
• 1:02:03
  Speaker 1: we're making, then we're not human to a certain degree.
• 1:02:05
  Speaker 1: So you know, I kind of normalize some of that
• 1:02:08
  Speaker 1: if I could, for and it seems to be working
• 1:02:10
  Speaker 1: pretty well for Okay. Now, one of the minutes she
• 1:02:13
  Speaker 1: had was she was saying that her dad was acting
• 1:02:16
  Speaker 1: like it was her fault and he wasn't taking it
• 1:02:18
  Speaker 1: seriously that she was having these thoughts and she had
• 1:02:19
  Speaker 1: no one to talk to, and a lot of people
• 1:02:21
  Speaker 1: feel really alone. Now, you're a clinical psychologist, and I
• 1:02:24
  Speaker 1: know you've had a lot of dealings with people that
• 1:02:28
  Speaker 1: have had these feelings. What advice would you give to
• 1:02:30
  Speaker 1: somebody who's feeling that way and has no one to
• 1:02:32
  Speaker 1: talk to, if they don't have anybody else to make
• 1:02:35
  Speaker 1: an attempt to seek some form of professional health. You know,
• 1:02:38
  Speaker 1: I was a stranger to her. You all were strangers
• 1:02:40
  Speaker 1: to her, but she felt comfortable enough to call you
• 1:02:44
  Speaker 1: all and myself as strangers or you referred me to
• 1:02:46
  Speaker 1: her because she needs somebody to listen to her. It's
• 1:02:49
  Speaker 1: important to have somebody to be able to listen to
• 1:02:51
  Speaker 1: what you're saying and also at the same time be
• 1:02:54
  Speaker 1: able to challenge if they could, some of what you're saying,
• 1:02:57
  Speaker 1: for you to understand you're not alone. It's okay. You know,
• 1:03:00
  Speaker 1: I'll never tell someone you shouldn't think like that. You know,
• 1:03:03
  Speaker 1: the premise of just don't think about it. You know
• 1:03:06
  Speaker 1: it's kind of foolish, and I know they may sound controversial,
• 1:03:08
  Speaker 1: but how do you not think about something? So welcome
• 1:03:11
  Speaker 1: those thoughts. Yeah, you can welcome them, welcome them as
• 1:03:14
  Speaker 1: a process, but also understand, on the end of it,
• 1:03:17
  Speaker 1: even if I welcome those thoughts, I don't have to
• 1:03:20
  Speaker 1: engage in any action, So that gives me some power.
• 1:03:24
  Speaker 1: So I can have thoughts of wanting to harm myself,
• 1:03:27
  Speaker 1: but I don't have to engage in an action to
• 1:03:30
  Speaker 1: do so. And what that does is that empowers you
• 1:03:32
  Speaker 1: to say, Okay, I had those thoughts and I didn't
• 1:03:35
  Speaker 1: engage in that. So when those thoughts come back, I
• 1:03:38
  Speaker 1: already know that I can just sit here and do nothing.
• 1:03:41
  Speaker 1: I can do something else. You know. She went to
• 1:03:44
  Speaker 1: the park. That was her pleasurable activity. She went to
• 1:03:47
  Speaker 1: the park and people watched we talked about her people
• 1:03:51
  Speaker 1: watch it and we processed that and you know, it
• 1:03:54
  Speaker 1: was it was funny because she said to me, these
• 1:03:56
  Speaker 1: people look like they have it all together as I
• 1:03:58
  Speaker 1: watched them at the park and they cappy, And I said, well,
• 1:04:01
  Speaker 1: do you really believe that? And she was like absolutely not.
• 1:04:04
  Speaker 1: I said, okay, so what makes them any different from you?
• 1:04:07
  Speaker 1: They're going on with their lives, They're moving on, they
• 1:04:10
  Speaker 1: look happy. They may be putting on the facade, but
• 1:04:13
  Speaker 1: the point is is that they're doing something. And she
• 1:04:16
  Speaker 1: was like, you know, you got a good point there,
• 1:04:18
  Speaker 1: all right, Now, doctor Jasper, where can people find you
• 1:04:20
  Speaker 1: if they want to get some help? Also, you've been
• 1:04:22
  Speaker 1: up here on the Breakfast Club before and we've spoken
• 1:04:25
  Speaker 1: with you before, but how can people reach out to
• 1:04:27
  Speaker 1: you if they want to get some help, or on
• 1:04:29
  Speaker 1: social media or just even email whatever it is that
• 1:04:32
  Speaker 1: you can give us. It's just at docing to do
• 1:04:35
  Speaker 1: at dc in dadud on Facebook, Twitter, and Instagram. I
• 1:04:41
  Speaker 1: can be reached or people can email me doting to
• 1:04:45
  Speaker 1: do one dc in da dude one at gmail dot com.
• 1:04:49
  Speaker 1: All Right, but thank you so much. I appreciate you
• 1:04:51
  Speaker 1: and thanks for helping us out to you know, sometimes
• 1:04:53
  Speaker 1: when people call ask YE, a lot of issues we
• 1:04:56
  Speaker 1: can handle, but then certain things I think are just
• 1:04:59
  Speaker 1: too above what it is that we can offer here.
• 1:05:02
  Speaker 1: So that's why sometimes you do need expert help, like
• 1:05:04
  Speaker 1: I was saying, and I'm really glad that you stepped
• 1:05:06
  Speaker 1: in to help us out, no doubt. And I just
• 1:05:09
  Speaker 1: want to tell y'all thank you for the love, thank
• 1:05:11
  Speaker 1: you for the shout and I don't mind y'all sending
• 1:05:13
  Speaker 1: people my way. I got into this profession because I
• 1:05:15
  Speaker 1: love people and I love helping people, So don't be
• 1:05:18
  Speaker 1: shy about saying it folks my way, all right, I know,
• 1:05:21
  Speaker 1: and I appreciate you always respond the right away, so
• 1:05:23
  Speaker 1: that's so important to me. So shout out to you
• 1:05:25
  Speaker 1: and to your brother Kean and Usta who always links
• 1:05:28
  Speaker 1: us up and make sure everything happens the way it's
• 1:05:29
  Speaker 1: supposed to. I just regret that I can't let everybody
• 1:05:32
  Speaker 1: doesn't get through for ASKI that has major issues, So
• 1:05:35
  Speaker 1: that's why I wanted to make sure you were here
• 1:05:37
  Speaker 1: on this platform so people know how they could reach
• 1:05:39
  Speaker 1: you directly, just in case they can't get through on
• 1:05:41
  Speaker 1: the lines, no doubt, all right, thank you doctor Jasper. Absolutely,
• 1:05:45
  Speaker 1: y'all enjoy the rest of you morning. That was ask
• 1:05:48
  Speaker 1: ye eight hundred five eighty five one on five one.
• 1:05:51
  Speaker 1: Now that's a really important one for us today too, though.
• 1:05:53
  Speaker 1: So I'm I feel very blessed and grateful to be
• 1:05:57
  Speaker 1: able to be here when we get situations like that.
• 1:06:00
  Speaker 1: Absolutely all right, when we come back, we got the rumors,
• 1:06:02
  Speaker 1: don't move. It's the breakfast Clubal morning morning. Everybody is
• 1:06:04
  Speaker 1: DJ Mzy, Angela yee, Charlomagne the guy. We all the
• 1:06:08
  Speaker 1: breakfast club. Let's get to the rooms. Let's talk. Farracon,
• 1:06:12
  Speaker 1: this is the rum of report with Angela. Yet, the
• 1:06:21
  Speaker 1: Honorable Minister Lewis Farracon had put up a tweet about
• 1:06:25
  Speaker 1: his movie being released on Netflix. It was called My
• 1:06:28
  Speaker 1: Life's Journey through Music. Well, it turns out, according to Netflix,
• 1:06:31
  Speaker 1: that movie will not be viewed on there. They're not
• 1:06:34
  Speaker 1: releasing that. They said it was due to an internal miscommunication.
• 1:06:38
  Speaker 1: They said, uh, it appeared to be scheduled for release
• 1:06:41
  Speaker 1: on Netflix, but it is not. We apologize for any
• 1:06:44
  Speaker 1: confusion this has caused. Yeah, the internal miscommunication was what
• 1:06:47
  Speaker 1: Lewis farrackon I thought, he said, Lewis Ferguson. I didn't
• 1:06:49
  Speaker 1: know there was far When I saw that news, I
• 1:06:52
  Speaker 1: was like, that don't sound right, Like I don't see
• 1:06:54
  Speaker 1: Netflix running anything from the Honorable Minister Lewis Farcon. I
• 1:06:58
  Speaker 1: would have been pleasantly surprised. I'm like, wow, times are changing,
• 1:07:01
  Speaker 1: you know what I mean? People are letting people with
• 1:07:03
  Speaker 1: all types of different views and things get their platform.
• 1:07:06
  Speaker 1: But stopped that immetingly. Yeah. The movie was produced in
• 1:07:09
  Speaker 1: twenty thirteen by Farrakhan's son, Joshua Farakahn. But I guess
• 1:07:14
  Speaker 1: I don't know how it's not gonna be on Netflix,
• 1:07:16
  Speaker 1: So I'm sure we could see it somewhere else, maybe
• 1:07:18
  Speaker 1: to be on title or somewhere all right now, Tiffany
• 1:07:20
  Speaker 1: Hattis she has spoken out and she's on the cover
• 1:07:23
  Speaker 1: of Glamour. She did reveal that she was raped when
• 1:07:26
  Speaker 1: she was seventeen years old by a police cadet. She
• 1:07:28
  Speaker 1: said she reported the incident at the time, but doesn't
• 1:07:31
  Speaker 1: know if that was enough. She said that whole experience
• 1:07:33
  Speaker 1: put me in such a messed up place for a
• 1:07:34
  Speaker 1: long time, and I ended up going to counseling. She said,
• 1:07:37
  Speaker 1: me just yelling out people's names with no thought behind
• 1:07:39
  Speaker 1: it is pointless. I need a plan. I could be
• 1:07:41
  Speaker 1: a voice, but what's a voice going to do? Just
• 1:07:43
  Speaker 1: keep talking? Or is there action behind it? So she
• 1:07:45
  Speaker 1: said the reason that she's so, I guess it looks
• 1:07:49
  Speaker 1: like she's aggressive, but it's really a defensive French. She
• 1:07:51
  Speaker 1: does that to protect herself from unwanted advances from men.
• 1:07:55
  Speaker 1: She said, I noticed that men are afraid of women
• 1:07:56
  Speaker 1: that are aggressive. So to protect myself, I became semi aggressive.
• 1:08:00
  Speaker 1: You hear about Tiffany always hitting on somebody, but that's
• 1:08:02
  Speaker 1: to keep them from hitting on me. Yeah. She told
• 1:08:04
  Speaker 1: that story in her book, The Last Black Unicorn. First Whim.
• 1:08:06
  Speaker 1: I heard her tell that story was on the Champs podcast.
• 1:08:08
  Speaker 1: Right now, she's on the cover Glamour Salutative. She is
• 1:08:12
  Speaker 1: quite aggressive now. Also in Glamour, she's saying that she
• 1:08:15
  Speaker 1: never said that Sana Lathan bait Beyonce. She did, I
• 1:08:18
  Speaker 1: didn't confirm ish. The reporter was like Sanat Lathan, I'm
• 1:08:21
  Speaker 1: like three drinks in, so of course I was about
• 1:08:23
  Speaker 1: to laugh. They thought I put her name out there,
• 1:08:24
  Speaker 1: but I didn't. I never said nothing, and Beyonce didn't
• 1:08:27
  Speaker 1: say nothing. Let the person who beat Beyonce Bury themselves.
• 1:08:29
  Speaker 1: I ain't trying to destroy this girl. I didn't say
• 1:08:31
  Speaker 1: ish about the girl. She definitely never said Sana Lathan
• 1:08:33
  Speaker 1: bet beyond. Where did that come from? The reporter that laughed?
• 1:08:36
  Speaker 1: And then we kind of just oh, yeah, they asked
• 1:08:38
  Speaker 1: her and she laughed yeah, And I think so now
• 1:08:40
  Speaker 1: Nathan also was there, so people were trying to figure
• 1:08:42
  Speaker 1: out who was the actress because she was there that
• 1:08:44
  Speaker 1: night and people were trying to put it together. I
• 1:08:46
  Speaker 1: wonder why nobody who want to confess that they beat
• 1:08:48
  Speaker 1: Beyonce because they don't want to be hive coming for them. Yeah,
• 1:08:51
  Speaker 1: you might bite you, you're right? Okay, all right, now
• 1:08:55
  Speaker 1: let's discuss love and hip hop. Now, my BRF is
• 1:08:58
  Speaker 1: about to be on the next season allegedly of Loving
• 1:09:01
  Speaker 1: hip Hop. That is Mayno and BRF means the best
• 1:09:04
  Speaker 1: rapper friend you know. Mayno is my boy. He's from Brooklyn,
• 1:09:07
  Speaker 1: so it looks like he's gonna be filming on there
• 1:09:09
  Speaker 1: with his girlfriend along with his close friend j Well
• 1:09:12
  Speaker 1: Santana and Kim Bella. Heard Joe Button on there too. Ah,
• 1:09:15
  Speaker 1: you heard a lot of Are you supposed to be
• 1:09:16
  Speaker 1: spelling all these things? Maybe? Now take that back you've
• 1:09:19
  Speaker 1: never heard that. I think I would start. I've seen
• 1:09:20
  Speaker 1: that before, that's been on blog before. I would definitely
• 1:09:23
  Speaker 1: start watching hip hop if Mayno and Joe Burden are
• 1:09:26
  Speaker 1: on Love It's called Loving hip Hop. What I said,
• 1:09:28
  Speaker 1: I would definitely watch hip hop. Oh okay, you know
• 1:09:31
  Speaker 1: what I mean, loveing hippy. I would definitely watch Loving
• 1:09:33
  Speaker 1: hip Hop if Joe Borden and Maino was on there. Listen,
• 1:09:35
  Speaker 1: I think that sounds like a great cast, so, you know,
• 1:09:38
  Speaker 1: sounds like it could be pretty interesting. And then you
• 1:09:41
  Speaker 1: think Pap Poos and Remy Ma they're back on their
• 1:09:44
  Speaker 1: own show man, especially now that they're having a baby,
• 1:09:46
  Speaker 1: dropping a clue bombs for papping Remy. I don't know
• 1:09:48
  Speaker 1: why they don't get a Mackie their own show. Maybe
• 1:09:50
  Speaker 1: they are black love all right. Lauren Hell she has
• 1:09:53
  Speaker 1: her first fashion campaign. She's gonna be teaming up with
• 1:09:56
  Speaker 1: wool Rich the outdoor company, and she's gonna to be
• 1:10:00
  Speaker 1: creating a capsule collection as well. So she's been sewing
• 1:10:03
  Speaker 1: and designing her own clothing in the past five years,
• 1:10:06
  Speaker 1: so she's gonna actually work with them. Should be pretty interesting.
• 1:10:09
  Speaker 1: And she's been on tour. I know she's rescheduling some dates.
• 1:10:12
  Speaker 1: I was looking forward to go into the one in Jersey,
• 1:10:14
  Speaker 1: but I guess that one's being rescheduled as well, so
• 1:10:17
  Speaker 1: I went in Detroit though. All right, well I'm Angela Yee.
• 1:10:21
  Speaker 1: Oh and one last thing, shout out to Angie Martinez.
• 1:10:24
  Speaker 1: NAZ did a secret show up here at the iHeart
• 1:10:26
  Speaker 1: Theater and Angie Martinez had a chance to ask him
• 1:10:29
  Speaker 1: a few questions. And if you are waiting for some
• 1:10:31
  Speaker 1: new NAS music, here's what he had to say. I
• 1:10:34
  Speaker 1: just wanted to do. Yeah, it's another album that already
• 1:10:38
  Speaker 1: had been working on one before finding I already had
• 1:10:42
  Speaker 1: I had had some real now, but she's something good,
• 1:10:48
  Speaker 1: So I've got to do something that, you know, that
• 1:10:49
  Speaker 1: ms in another direction a little bit. So I'm like
• 1:10:53
  Speaker 1: finishing up the family. All right. Well I'm Angela Yee
• 1:10:56
  Speaker 1: And that is your rumor report. All right, shout out
• 1:10:59
  Speaker 1: to revote. We'll see you guys as tomorrow. Everybody else
• 1:11:01
  Speaker 1: to People's Choice mixes up next, get your request in.
• 1:11:03
  Speaker 1: It's the Breakfast Club. Good morning,