Latest / 70 80 / SETTANTAxOTTANTA: 1973. Al cinema c’è 2022 i sopravvissuti, con un mondo al collasso

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SETTANTAxOTTANTA: 1973. Al cinema c’è 2022 i sopravvissuti, con un mondo al collasso · 70 80

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  may apply. Welcome to 70 per 80, the 7080 .it
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  section dedicated to the deepening of the topics
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  discussed in the articles of the portal. We are
• 1:00
  with the director Massimo Lualdi, who introduces
• 1:03
  the current topic. What are we talking about
• 1:05
  today? About film. The screenwriters of 2022
• 1:08
  survived, the film of 1973 by Richard Fleischer,
• 1:13
  had correctly understood that certain behaviors
• 1:15
  could have put humanity in crisis in the next
• 1:18
  50 years, even if they had brought them to excess,
• 1:21
  ending New York City in the year 2022 nothing
• 1:32
  runs anymore nothing works but the people are
• 1:35
  the same, and the people will do anything to
• 1:38
  get what they need. This is the police! need
• 2:05
  most is Soylent Green. The supply of Soylent
• 2:09
  Green has been exhausted. Return to your home.
• 2:14
  What is the secret of Soylent Green? The less
• 2:18
  affluent live in cars or on the street, while
• 2:21
  the rich live in luxury, declining the few resources,
• 2:25
  living as if there was no tomorrow, which in
• 2:28
  fact there is not. The major problem, however,
• 2:30
  is food. If the vegetables are rare and expensive,
• 2:32
  the meat is almost non -existent and sold at
• 2:35
  inaccessible prices. The only resource is colorful
• 2:37
  nutritious galettes called Soylent, from which
• 2:41
  the original title Soylent Green, a food declaredly
• 2:46
  formed by Plankton, at least. Detective Sergeant
• 2:50
  Thorne. He has a two -year backlog of unsolved
• 2:53
  murders. Now he's on a case that must be solved.
• 2:56
  Saul Roth, Thorne's private library. A living
• 3:00
  book in a world without books. but from the corpses
• 3:21
  of the suicides. The film is based on Harry Harrison's
• 3:35
  dystopian novel Largo Largo from 1966, set in
• 3:38
  1999. Unlike the 101st and last film he had among
• 3:43
  the protagonists, in addition to Charles Aston,
• 3:45
  the name and art of John Charles Carter Evanston,
• 3:48
  Edward G. Robinson, pseudonym of Emanuel Gonderberg,
• 3:52
  the latter would die of cancer 12 days after
• 3:55
  the end of the shooting, without anyone in the
• 3:57
  cast knowing the disease. Talleretic here from
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