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From Little Things Big Things Grow With BABYSHAKES DILLON From FULL FLOWER MOON BAND · HEAVY Music Interviews

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  Devils got Fire and his hips. When it gets too sick and goes down
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  to the river man people on no way doop. I have to tell them
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  it's just Louise Birdy's brood. It's just Louise Birdy's brood. Well, Hello,
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  I'm Baby Shakes from Full Flower Moon Band, but you can call me
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  Kate. We are about to release our third album, Megaflower, and go
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  on an Australian tour, the biggest one we've done yet. Beautiful Kate,
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  thanks for joining us today, worries, So we'll start off on the album.
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  So, Full Flower Moon I said to release your new album, Megaflower,
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  on July the nineteen, So how are you feeling about it? Well,
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  I just came home from listening to the test pressings and I'm feeling really
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  good. I finished the record a few months ago and haven't had that break
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  to hear it with fresh ears until now. And yeah, I just had
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  a full listen through and I for the first time and say, I'm pretty
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  proud of it. Oh God, that's going to be here if you weren't,
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  because there's not much you can do about it now. Yeah, So
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  can you tell us a bit more about the album from a musical point of
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  view, and what are you going for with it? Well, our last
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  record, Diesel Forever, was sort of an album that gained us a larger
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  audience, and it was a heavy rock album. And with this record,
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  I just really wanted to be as expansive and generous as I could, like
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  in terms of it it being a studio album and being genre bending, I
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  felt like I had two choices. I could double down on hard rock riffs
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  and continue to I guess play into the last record, or I could be
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  I guess a little bit more adventurous and take a bigger risk, and I
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  chose to do the latter. It's actually a good point that your raise like
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  because Deeds Are Forever was so well received, like the Temptation, just to
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  rehash that formula because you know people liked it, it'll be massive, but
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  you'd also as an artist, you'd want to break away from that and sort
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  of test yourself a little bit more as the comfort zone, I guess.
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  I was definitely faced with a choice. And while I am a massive like
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  hard rock fan and I will one hundred continue to have hard rock influences,
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  I just wanted to be as brave as possible, and only for me as
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  an artist, but also for the audience, Like I just felt like I
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  had an opportunity to go somewhere, somewhere that I hadn't been before. And
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  I hope it's received with as much love as was put into it. But
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  by no means am I done with the hard rock genre. It'll come back
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  again, and it's still It's still there, And just Diesel Forever was such
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  a live album, like it was tracked live, it was tracked quickly,
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  and I love being in the studio. I love I love finding sounds that
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  aren't necessarily gonna be able to be played live. So I don't know,
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  just I made my job harder, but I hope it will pay off.
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  You've released so far, You've released the track Star west Side, Illegal Things,
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  and Devil. So are they a good sonic representation of what to expect?
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  They are in the sense that each of them kind of like push into
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  a new genre, and structurally each song moves in really weird structures, Like
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  a lot of this record have songs that are almost in like three or four
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  parts of ideas, and they move through the arrangements in like ways that I
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  find really interesting. And so each of those songs does that, and I
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  think the album as a whole also does that, like keeps moving and branching
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  off and coming back. And yeah, I think it is a good representation
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  because it's doing the three songs do so many different things like the whole album.
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  Yeah, So to elaborate on that a little bit more, like you're
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  quite saying that most songs on the album went throughout metamorphosis before being completed.
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  So can you go a bit deeper into that, Like what do you mean
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  by morphosis? So that relates to the songs moving through phases genre shifting.
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  The metamorphos for me was instead of saying, oh, here's the lick for
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  devil, you know, E to G for the whole song, I said,
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  oh, here's the lick for Devil e to G, but here's every
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  idea that's coming out of it. And I didn't cut or I workshopped the
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  songs to the point where not very much was left on the cutting room floor.
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  And I don't think that you could. I could that could be interpreted
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  as, oh, so you just threw everything at it, But the metamorphois
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  was workshopping it and workshopping and workshopping it until it felt like a fully grown
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  tree instead of anything that was out of place or pruned back. I just
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  tried to be as generous as possible with how how many ideas I had for
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  the record, and the artistry was making it fit instead of cutting cutting things
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  out. Yeah, now you're also produced and recorded the album yourself, So
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  what are some of the advantages and disadvantages of keeping it in house like that?
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  Well, it's easy to say that I recorded it myself, but I
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  in truth this was probably the most collaborative record I've done. I just ended
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  up still having the final say in the editing of it. In my process,
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  it's not just songwriting and recording, A lot of the final product is
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  inside the edit. So I had Ali an engineer, track most of the
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  record with me out at his studio Swanporn Studios in Scenic Rim, which again
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  it was my It was challenging because I usually do do it entirely my I
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  usually am a little more hands on, so it went me a lot of
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  people that I've never worked with before. So ali Adee Parker did some percussion
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  and since Tony Butchen came in and sorry, I always pronounced Tony's last name
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  wrong. I think it's Booken, Sorry, Tony, Tody B. Yeah,
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  Tony B. They came in added themselves in their positions as engineers,
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  producers, mixing, and then I kind of like took it back myself again
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  and touched everything. I feel like I can't release something until I've touched every
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  bit. And also in terms of the band, Caleb Christian Marley Luke,
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  this was our most intense brainhive to make something come together. I invited them
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  in a lot more to the emotional arc that I went through in making this
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  record and leaned on them as much as I as much as I could just
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  to get to the finish line together. So yeah, I love producing and
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  I love engineering and editing and recording, and it's important for me to still
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  touch it. But I did challenge myself in a really positive way by inviting
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  in as many people as I as I could. There was also some guest
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  guitarists involved Connor McDonald. There's a track on there I recorded with JB.
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  Patterson a few years ago that I put on as well. So yeah,
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  that's probably something that I haven't really put in the press release because it's it's
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  a lot of Yeah, it was a lot right down, but it's easy
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  to say. Yeah. I've noticed there's no track on the album called Megaflowers,
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  so suggest to me that the title holds a bit more significant. Yeah,
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  it's I'm often a bit tongue in cheek with things, and I sort
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  of knew that by saying megaflower people would think I'd probably gone heavier, and
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  it's my way of saying, Hey, imagine if bigger wasn't heavier but still
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  big. So I'm I'm stretching. I'm stretching as far as I wanted to
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  realize, and that's my mega as opposed to oh did you this? Wow?
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  Look, how have you got a disco happening? Yeah? Comes and
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  goes yeah, and I I've had a lot of new pressures on me for
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  this release too, because I think I was saying earlier my first time was
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  a big audience, my first time with industry on board, and I felt
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  like the title megaflower is kind of how I felt about it, like mega
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  flower, like go big or go home. And You've got an album tour
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  coming up to promote Mega Flowers, starting in Melbourne on August at twenty third.
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  Then goes through Castlemaine, Adelaide, Brisbane, Newcastle, Sydney and finished
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  in Wollongo on September fifteenth. So what can we expect from those shows?
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  What do you get lined up for us? Well, I'm very grateful to
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  the audiences that have attended our shows for the last two years since Diesel Forever
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  came out. My main goal is to be as generous as I can with
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  the live show by rearranging some of the older songs, really focusing on like
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  a live show. I'm not going to be trying to recreate the record exactly.
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  That would be impossible, So all my efforts now that the record is
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  finished is to kind of switch gears mentally and say, Okay, now I'm
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  a live band. How can I do live arrangements as artfully as possible and
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  keep it fresh and exciting for the shows that we can have extra players.
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  I'm going to be bringing on, you know, some friends, and I've
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  got some surprises in store for our hometown Princess Theater show in Brisbane, because
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  I want to be as mind blowing as possible on all fronts. Very good.
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  We're definitely not a band that sounds exactly like the recordings. So I
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  think that's important. You want to come to a gig and get a gig.
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  We don't use track or anything like that. It's it's important to me.
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  There's like an authenticity in the room that might only happen that night,
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  you know. Oh yes, okay, Well, thanks very much for your
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  time today, k It's been a pleasure again today. A Full Flower Moon
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  will release the third album, Megaplow on July the nineteenth. Sure kicks off
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  on August to twenty third, so check out all the socials and keep up
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  to date. Thank you so much, Chris, and can I just say
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  thank you for having me. The band was super excited to hear that we
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  had an interview together, So thank you so much for your time. Devils
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  fire in his hips. When it gets too thick, he goes down to
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  the river. Man people go on and know way dips. Yeah. I
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  have to tell him. It's just the way his body's proground. It's just
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  the way his body's prokeground. Devilon knows got a big rom lip with the
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  big sad pitch and the big split tip. Devilon knows got a pig long
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  nos and the devil. I don't know he could have nothing. Yeah,
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  he could have nothing. Tilman knows, got a big split lip with the
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  big strong grip in the big back to devilone knows God all of this,
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  and the devil I don't know. He could have nothing, Yeah he could
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  have nothing. Devilne knows God all of this. If it gets too thick,
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  and take him down to the river. Man O, the Devil's one,
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  do that bit delved all of this. I'm sticking flying man. The
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  aln knows, got a big gun, the big rocks, clip in the
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  bigs bag pet that hongn knows God, all these tracks, it's just spark.
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  That's just just spark. God, he's got big rooms. It's got
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  a big drunk. It don't mean about all the calls and talks and marks
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  and conversations alone. Most last we can get. Most to last, we
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  can get something cold less, a shut back. You take it to