Latest / Abide Meditation App / Magical Bedtime Story _ Day of the Dead in Michoacán _ Relaxing Story for Bedtime
Transcript
- 0:02Speaker 1: Welcome to get sleepy where we listen we relax and
- 0:09Speaker 1: we get sleepy as always my name's thomas and i'm
- 0:16Speaker 1: your host thanks so much for tuning in tonight we'll
- 0:23Speaker 1: take a fascinating journey to mexico's michoacan region and celebrate
- 0:29Speaker 1: the day of the dead festival Though this story is
- 0:35Speaker 1: still very much on point with our seasonal theme, there's
- 0:39Speaker 1: nothing frightening whatsoever about it, so you can just relax
- 0:44Speaker 1: and drift off whenever you like. Now then, let's prepare
- 0:54Speaker 1: to listen to our story by taking some time to
- 0:58Speaker 1: be mindful and to invite deep relaxation into the body
- 1:05Speaker 1: and mind. Start by putting today behind you. There's nothing
- 1:15Speaker 1: more that can be done, so imagine yourself just putting
- 1:21Speaker 1: everything down and letting go of any inner chatter. Take
- 1:32Speaker 1: a deep breath in through the nose and back out
- 1:40Speaker 1: through the mouth. Feel how the weight of your body
- 1:47Speaker 1: sinks into your bed while you're exhaling. Throughout this exercise
- 1:57Speaker 1: and during our story, thoughts may come and go And
- 2:03Speaker 1: that's okay. When they arise, just gently bring your attention
- 2:12Speaker 1: back to this moment. Now, visualize a single ray of
- 2:23Speaker 1: warm sunlight. Whatever this light touches, warmth and relaxation are induced,
- 2:36Speaker 1: dissolving any tension and bringing relief. So imagine this ray
- 2:47Speaker 1: of light shining just on your toes to begin with.
- 2:55Speaker 1: It feels warm and comforting. It creates space and ease
- 3:05Speaker 1: as it spreads through your feet and up your legs,
- 3:15Speaker 1: all the way to the waist and into the abdomen.
- 3:25Speaker 1: Bit by bit, these warm rays of sunlight melt away
- 3:33Speaker 1: any discomfort they continue spreading up your chest and back
- 3:45Speaker 1: moving into the shoulders down the arms and then reaching
- 3:57Speaker 1: your hands and fingers Now, it spreads over your neck
- 4:09Speaker 1: and your throat, massaging your vocal cords. Finally, the warming
- 4:21Speaker 1: light spreads across your head and your face, covering every
- 4:29Speaker 1: inch of your body. Your whole entire body now feels
- 4:40Speaker 1: relaxed and renewed. Continue to enjoy sinking deeper into relaxation. Meanwhile,
- 4:58Speaker 1: let's begin our story on a bright November day in Mexico.
- 5:06Speaker 1: at the edge of a large square. The bright sun
- 5:35Speaker 1: beats down on the green and grassy square. You raise
- 5:41Speaker 1: your hand to your forehead, shading your eyes. Around you,
- 5:49Speaker 1: people are preparing for the long night ahead. When the
- 5:54Speaker 1: sun sets, Noche de Muertos, or Night of the Dead, begins.
- 6:05Speaker 1: This night is part of the larger celebration of Dia
- 6:09Speaker 1: de los Muertos, also called Dia de Muertos, or Day
- 6:15Speaker 1: of the Dead, when some people believe the spirits of
- 6:19Speaker 1: those who have passed on return to eat, drink, and
- 6:25Speaker 1: visit the places they walked in life. It's a time
- 6:31Speaker 1: when families come together to remember their loved ones and
- 6:37Speaker 1: celebrate their lives. Here in the area around Lake Pátzcuaro,
- 6:47Speaker 1: the festivities begin weeks in advance. The lake is in Michoacán,
- 6:56Speaker 1: a state on the Pacific coast, west of Mexico City.
- 7:02Speaker 1: and it is home to some of the most well-known
- 7:05Speaker 1: Day of the Dead events. The first stop on your
- 7:12Speaker 1: journey was the secluded mountain town of Kapula. It's a
- 7:19Speaker 1: village known for its fine pottery and artwork. Two weeks
- 7:26Speaker 1: before the holiday, Capula begins its popular Feria Artesanal de
- 7:33Speaker 1: la Catrina. This festival celebrates the rich history of the
- 7:40Speaker 1: figure known as La Catrina. Even outside of Mexico, La
- 7:48Speaker 1: Catrina has come to be one of the most famous
- 7:52Speaker 1: symbols of the Day of the Dead. She is often
- 7:57Speaker 1: depicted as a skeleton wearing an old-fashioned dress and wide-brimmed hat.
- 8:07Speaker 1: In Capula, women of the area dress up as La
- 8:12Speaker 1: Catrina and walk through the city streets. They are resplendent.
- 8:20Speaker 1: in their shiny satin gowns of rich purple and midnight black,
- 8:27Speaker 1: trimmed in delicate folds of lace. Their eyes are hooded
- 8:34Speaker 1: beneath the brims of the hats. Some keep their faces
- 8:39Speaker 1: obscured behind the black veils, but you can always see
- 8:46Speaker 1: their signature makeup white collarbones, hollow eyes, and skeletal teeth.
- 8:58Speaker 1: During the festival, one of these women is crowned Queen
- 9:02Speaker 1: of the Dead. But to you, they all stand out
- 9:08Speaker 1: as heralds of the night. La Catrina traces her roots
- 9:17Speaker 1: to the illustrator named José Guadalupe Posada. He was born
- 9:25Speaker 1: in Mexico in 1852 and was known for using his
- 9:30Speaker 1: art to make social commentary. He made engravings and lithographs,
- 9:39Speaker 1: which critiqued the major social and political issues of his time.
- 9:47Speaker 1: His works of satire were often published in newspapers and pamphlets.
- 9:56Speaker 1: Perhaps his most famous creation was La Calavera. Gabancera. It
- 10:03Speaker 1: critiqued the leader at the time for his intense fascination
- 10:08Speaker 1: with European high society. That leader was later overthrown during
- 10:15Speaker 1: the Mexican Revolution. The original drawing shows the chest, shoulders,
- 10:25Speaker 1: and head of a skeleton. She grins with large white teeth.
- 10:34Speaker 1: On top of her head is an oversized lady's hat.
- 10:41Speaker 1: It is covered in flowers and enormous drooping feathers. The
- 10:48Speaker 1: hat hangs above her like a parasol, comically large. This
- 10:58Speaker 1: drawing came to be known as La Calavera Catrina, or
- 11:04Speaker 1: The Elegant Skull. Over the years, it found its way
- 11:10Speaker 1: into many facets of Mexican culture. La Catrina even appears
- 11:17Speaker 1: in one of the most famous murals ever made by
- 11:21Speaker 1: the artist Diego Rivera. In it, she stands between him
- 11:29Speaker 1: and his wife, fellow artist Frida Kahlo. Now, she is
- 11:39Speaker 1: most commonly seen during the Day of the Dead celebrations.
- 11:46Speaker 1: While people may dress as many different types of skeletons,
- 11:51Speaker 1: La Catrina is the one you are most likely to see.
- 11:59Speaker 1: In Capula, you spotted her everywhere as you explored the
- 12:04Speaker 1: stalls of the artisan market. In every shop window, there
- 12:11Speaker 1: were little galakas, or figurines of skeletons, grinning at you
- 12:16Speaker 1: through the glass. In one display, several of them were
- 12:23Speaker 1: posed together as the members of a mariachi group. They
- 12:31Speaker 1: had white shirts, red ties, and ornately embroidered black jackets
- 12:37Speaker 1: and trousers. They each held a tiny instrument and you
- 12:44Speaker 1: could almost hear the music they seemed to play. Capula
- 12:52Speaker 1: was a beautiful place to begin, to understand the aesthetic
- 12:58Speaker 1: of this special occasion. Walking through one of the alleys,
- 13:04Speaker 1: you watched Papel Picado flutter in the air above you.
- 13:10Speaker 1: These little squares of delicately cut tissue paper are meant
- 13:16Speaker 1: to catch the wind, allowing souls to travel through them
- 13:21Speaker 1: on their journey. They are vibrant and colorful, and they
- 13:28Speaker 1: tell a story, like so many aspects of this holiday.
- 13:36Speaker 1: After Kapula, you traveled down the mountain to the town
- 13:41Speaker 1: of Pátzcuaro, which is situated on the edge of the lake.
- 13:48Speaker 1: This is the hub of activity during the holiday week,
- 13:54Speaker 1: but there are things to do in all of the
- 13:57Speaker 1: villages along the waterfront here. When you arrived in Pátzcuaro,
- 14:06Speaker 1: the first thing you did was make a stop at
- 14:10Speaker 1: Plaza Grande. There in the main square was another artisan market.
- 14:21Speaker 1: Stores were lined up in tightly packed rows, selling pottery
- 14:27Speaker 1: and other local handicrafts. At one table A woman showed
- 14:37Speaker 1: you ceramic skulls painted rich brown and red, with white
- 14:42Speaker 1: around the eyes and mouth. She also had pieces of
- 14:49Speaker 1: the famous Okumicho pottery. They come from a town of
- 14:55Speaker 1: the same name in Michoacan, and show vibrant scenes of
- 15:01Speaker 1: mind-bending fantasy. With their mermaids and gods, strange animals, and diablitos,
- 15:12Speaker 1: or little devils, they reminded you of something out of
- 15:17Speaker 1: a dream. Nearby, a man had rows of white sugar
- 15:26Speaker 1: skulls with jeweled eyes that danced in the light. No
- 15:33Speaker 1: names of loved ones were written yet upon their foreheads.
- 15:39Speaker 1: That would come later, at home, to dedicate these offerings
- 15:45Speaker 1: to ones who have passed. The market was brimming with
- 15:53Speaker 1: activity and anticipation as people hurried to prepare for the
- 15:59Speaker 1: holiday ahead. Children laughed, running between the stalls, and adults
- 16:08Speaker 1: smiled and greeted one another as they passed. Although this
- 16:16Speaker 1: holiday is one of the dead, it carries with it
- 16:20Speaker 1: a sense of joy and humor. Life is something to
- 16:26Speaker 1: be celebrated, and the richness of family ties is felt
- 16:31Speaker 1: deeply at this time of year. You find it easy
- 16:39Speaker 1: to get caught up in the feelings of remembrance and
- 16:43Speaker 1: love that seem to infuse the very air around you
- 16:48Speaker 1: in this place. After a day at the market, you
- 16:56Speaker 1: went back to your room in one of the historic
- 17:00Speaker 1: buildings in town. You laid down on the bed and
- 17:07Speaker 1: closed your eyes. It felt good to rest after the
- 17:14Speaker 1: excitement of the day. While the moon was high in
- 17:20Speaker 1: the sky, visions of fairytale creatures and grinning calaveras danced
- 17:28Speaker 1: in your mind. A few days later, it was time
- 17:37Speaker 1: to visit the area near the basilica for the wondrous
- 17:43Speaker 1: world that is the flower market. There, your senses were
- 17:51Speaker 1: overtaken by the dazzling color and sweet aroma of cempasuchiles,
- 17:58Speaker 1: or Mexican marigolds. This large yellow and orange bloom is
- 18:06Speaker 1: often called flor de muerto, or flower of the dead.
- 18:14Speaker 1: It is said the aroma entices the souls to the
- 18:18Speaker 1: altars on which they are placed. You smelled the stunning
- 18:27Speaker 1: piles of flowers before you saw them. From several streets away,
- 18:35Speaker 1: the alluring scent called you to the market. You followed
- 18:41Speaker 1: your nose around corners and through alleys until you reached
- 18:47Speaker 1: the beautiful display. There, vendors sold the flowers by the armful.
- 18:59Speaker 1: Mothers and fathers, and children too, carried as many stems
- 19:05Speaker 1: as they could fit in outstretched hands and bent elbows.
- 19:14Speaker 1: From one side of the street, it almost looked as
- 19:17Speaker 1: though a volcano had let off a mighty eruption. But
- 19:23Speaker 1: instead of lava, these breathtaking flowers had fallen upon the town,
- 19:31Speaker 1: dusting it in gold. In and around the orange marigolds
- 19:41Speaker 1: were bunches of the maroon and raspberry-colored Mota de Obispo flowers,
- 19:48Speaker 1: or coxcomb. They are named for their uniquely ruffled shape,
- 19:56Speaker 1: which is reminiscent of the comb on the head of
- 19:59Speaker 1: a rooster. After a day wandering through the flower market,
- 20:09Speaker 1: and up and down the streets of Pátzcuaro. It was
- 20:14Speaker 1: time to head back to your room once again for
- 20:18Speaker 1: a good night's sleep. You woke up this morning feeling refreshed.
- 20:31Speaker 1: It was welcome, as you knew you'd have a long
- 20:34Speaker 1: day and night ahead of you. And now you're standing
- 20:41Speaker 1: here beside a green square, enjoying the feeling of the
- 20:47Speaker 1: sunshine on your face. You decide to take one final
- 20:54Speaker 1: walk around town before you head down to the docks
- 20:59Speaker 1: where this evening's festivities will begin. You leave the greenery
- 21:07Speaker 1: of the square and head out onto one of the
- 21:11Speaker 1: small streets that border it on either side. As you walk,
- 21:18Speaker 1: you notice the sun has shifted from directly overhead to
- 21:24Speaker 1: a lower position in the sky. Sunset is on its way.
- 21:35Speaker 1: Continuing on, you fall into a rhythm with your feet.
- 21:42Speaker 1: They carry you up one street and down the next.
- 21:48Speaker 1: Time passes quickly as you note the movement of your
- 21:52Speaker 1: legs and the feeling of your shoes connecting with the
- 21:58Speaker 1: pavement beneath them. After several minutes, you pause for a
- 22:07Speaker 1: moment on a quiet street corner. There are not many
- 22:13Speaker 1: people out and about in this part of town. It
- 22:19Speaker 1: seems unusual to you now, after so many days spent
- 22:24Speaker 1: in busy market squares with countless others. Looking up, You
- 22:34Speaker 1: see you are standing across from an open courtyard. There,
- 22:42Speaker 1: beside a small fountain, is an elaborate ofrenda. Homemade altars
- 22:51Speaker 1: hold offerings for loved ones who have passed away. This
- 22:58Speaker 1: one is made of a small table covered in a
- 23:02Speaker 1: colorful cloth. Bright blue, red, orange and green stand out
- 23:12Speaker 1: against a white background. Cheerful tassels hang down the sides
- 23:19Speaker 1: of the table, like a rainbow reaching for the ground.
- 23:27Speaker 1: On the table, you see a picture of the person
- 23:31Speaker 1: the altar is for. It's small and encased in a
- 23:37Speaker 1: shiny gold frame. Around it are bright clusters of marigolds.
- 23:47Speaker 1: They also decorate a large tiered frame that stands up
- 23:53Speaker 1: vertically behind the main table, adding an extra touch of
- 23:59Speaker 1: decoration and splendor. Next to the photograph is a small
- 24:09Speaker 1: white sugar skull. Across the forehead, someone has written the
- 24:15Speaker 1: person's name. The skull is decorated with purple and blue
- 24:22Speaker 1: icing and has ruby red jewels for eyes. It faces outward,
- 24:32Speaker 1: welcoming passers-by to gaze back at it in admiration. Several
- 24:42Speaker 1: small tea lights are tucked away among the flowers. They
- 24:49Speaker 1: flicker in the light breeze and illuminate the many colors
- 24:54Speaker 1: of the ofrenda. Finally, next to the candles, There are
- 25:03Speaker 1: a few loaves of pan de muerto, or bread of
- 25:08Speaker 1: the dead, and a selection of the person's favorite drinks.
- 25:15Speaker 1: These will nourish the soul when it returns. Standing here,
- 25:25Speaker 1: you can see how these offerings honor this person's unique
- 25:30Speaker 1: life and journey. you can feel the love and care
- 25:37Speaker 1: that went into building it and setting out the perfect
- 25:41Speaker 1: items to welcome them now. With a final glance at
- 25:49Speaker 1: this special altar, you continue on down the road. After
- 26:00Speaker 1: a while, you come to a crossroads You choose the
- 26:06Speaker 1: path on the right and make your way towards the waterfront.
- 26:14Speaker 1: The closer you get, the more people you encounter walking
- 26:19Speaker 1: past you on the street. Some are carrying armfuls of
- 26:25Speaker 1: flowers to bring home for an altar. Others seem to
- 26:32Speaker 1: have just left home and are slowly heading to the
- 26:36Speaker 1: docks like you. A little further down the road, you
- 26:44Speaker 1: smell something delicious. It catches your attention and you stop
- 26:52Speaker 1: for a moment to figure out where it's coming from. There,
- 26:59Speaker 1: in a shop window, you see what's giving such a
- 27:05Speaker 1: tempting aroma. There are rows and rows of pan de
- 27:12Speaker 1: muerto on display. They are small loaves which look like
- 27:19Speaker 1: a cross between a circle and a square. That's because
- 27:25Speaker 1: of the bone-shaped accents that have been baked into the
- 27:29Speaker 1: top of the bread. They are coated in a thick
- 27:34Speaker 1: layer of sugar. The smell is so familiar to you.
- 27:42Speaker 1: It is warm and sweet and lets you know the
- 27:47Speaker 1: bread is fresh out of the oven. You take a
- 27:53Speaker 1: minute to enjoy its scent and the fond memories it brings.
- 28:01Speaker 1: By now the sun is beginning to set. As much
- 28:08Speaker 1: as you would like to stay and enjoy the aroma
- 28:12Speaker 1: of the fresh bread, it's time to head down to
- 28:17Speaker 1: the pier. When you arrive, you find the waterfront is
- 28:26Speaker 1: bustling with people. You make your way carefully through the
- 28:32Speaker 1: crowd until you reach the edge of Lake Pátzcuaro. There,
- 28:41Speaker 1: you shift your gaze away from shore and out over
- 28:46Speaker 1: the water. This is where you are heading tonight. You
- 28:57Speaker 1: watch as the sun makes its final descent below the horizon.
- 29:05Speaker 1: It's time to be on your way. Looking down, you
- 29:14Speaker 1: see the first set of boats are about to head
- 29:17Speaker 1: out to the island of Hanitsio. They are long and
- 29:24Speaker 1: thin and floating in the water a short distance offshore.
- 29:33Speaker 1: Many belong to this region's indigenous Purépecha fishermen. What makes
- 29:41Speaker 1: these boats special is the large butterfly-shaped fishing net that
- 29:47Speaker 1: extends far past the rim on either side. It gives
- 29:54Speaker 1: the appearance of wide, delicate wings, which is how the
- 29:59Speaker 1: group has earned the nickname Butterfly Fishermen. In each of
- 30:08Speaker 1: the boats stands a sturdy candle, which flickers gently in
- 30:14Speaker 1: the light breeze. Together, the boats begin their journey to
- 30:22Speaker 1: the island. From here, they look like a hundred tiny
- 30:29Speaker 1: lightning bugs with wings like dragonflies skimming the surface of
- 30:35Speaker 1: the water. They seem to enchant the lake with their presence,
- 30:44Speaker 1: shimmering through the gloom with the magic of their movement
- 30:49Speaker 1: and luminescence. Without hesitation, these small boats lead the candlelight
- 31:01Speaker 1: procession across the lake. You board a boat with several
- 31:07Speaker 1: of the people around you, and before long, you feel
- 31:13Speaker 1: the smooth sensation of gliding across the water. You find
- 31:21Speaker 1: yourself in the middle of this dance of fireflies and
- 31:26Speaker 1: watch as the tiny lights flicker long reflections on the
- 31:32Speaker 1: darkened lake. After several minutes, you see the island of
- 31:41Speaker 1: Hanitsio rising out of the water in front of you.
- 31:47Speaker 1: It is a striking sight. A small mound dotted with
- 31:53Speaker 1: homes and crowned with an immense statue made of stone.
- 32:01Speaker 1: This is the memorial to Jose Maria Morelos, one of
- 32:07Speaker 1: the people celebrated as a hero of Mexico's independence. It
- 32:15Speaker 1: stands 40 meters tall and depicts Morelos with his fist
- 32:21Speaker 1: raised in the air, a symbol of strength and perseverance.
- 32:32Speaker 1: The boat docks at the pier of Henizia. Slowly, people
- 32:39Speaker 1: pour out onto the sidewalks and roads. They take their
- 32:46Speaker 1: time walking together, arm in arm, making sure their families
- 32:52Speaker 1: are close. Together, they meander through the city streets until
- 33:02Speaker 1: they come to the island's church and cemetery. This is
- 33:09Speaker 1: where families will gather and hold a vigil through the night.
- 33:16Speaker 1: Like most things during this festival, it represents a blend
- 33:21Speaker 1: of cultures, practices, and times. For days, families have been
- 33:32Speaker 1: preparing the gravesites for their arrival, and that of the
- 33:37Speaker 1: souls whose journey will bring them here. Every grave is
- 33:44Speaker 1: piled high with marigolds. There are so many, the space
- 33:52Speaker 1: blends together as one. It looks as though someone has
- 33:58Speaker 1: laid an enormous blanket of amber and gold across the hill.
- 34:05Speaker 1: The aroma of these flowers is sweet and inviting. Surrounding
- 34:15Speaker 1: the marigolds are hundreds of candles. Although it is night
- 34:23Speaker 1: and the sky above is dark, the cemetery is awash
- 34:28Speaker 1: in the warm glow of candlelight. Standing back at a distance,
- 34:37Speaker 1: it looks like a garden of light. with flowers and
- 34:41Speaker 1: flames playing off one another in a fantastical and awe-inspiring way.
- 34:54Speaker 1: The candlelight flickers in the dancing breeze, casting shadows on
- 35:00Speaker 1: the ground that move and turn with every whisper. The
- 35:08Speaker 1: flowers catch the light mirroring the flames with their rich
- 35:14Speaker 1: yellow petals that set the cemetery ablaze in radiant color.
- 35:24Speaker 1: The air itself brims with a special kind of anticipation,
- 35:30Speaker 1: and also a sense of deep peacefulness. While it is
- 35:40Speaker 1: a beautiful thing to see, it is time to leave
- 35:44Speaker 1: these families to their memories. Night is upon you, and
- 35:52Speaker 1: your boat is waiting. You walk back down to the
- 35:59Speaker 1: pier and board the same vessel that brought you here. Slowly,
- 36:08Speaker 1: it makes its way back out onto the lake. You
- 36:15Speaker 1: feel the cool breeze flow around you as the boat
- 36:20Speaker 1: picks up speed. It makes you think of something you've
- 36:28Speaker 1: heard before. That tonight, on Noche de Muertos, the souls
- 36:38Speaker 1: return with the wind. Looking back at Hanitsia, bathed in candlelight,
- 36:52Speaker 1: you can feel the beauty of this time and place.
- 37:01Speaker 1: It's for all those who have passed on, and also
- 37:07Speaker 1: For the living. To remember. And to celebrate. The wonders
- 37:14Speaker 1: of life. Thank you. Thank you. Thank you. Thank you.
- 39:05Speaker 1: Thank you. Thank you. Thank you. Thank you. Thank you.
- 41:25Speaker 1: Thank you. Thank you. Thank you for watching. Thank you.