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Your Worst Fears Are Found In Don't Move With Lyndsy Fonseca And Russ · Arroe Collins Like It's Live

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  Speaker 1: When I'm listening to a podcast. There are many times
• 0:02
  Speaker 1: that I lose interest. It just falls apart. So I
• 0:04
  Speaker 1: have to find something quickly to listen to while I'm
• 0:06
  Speaker 1: driving to work or while I'm at work. The thing is,
• 0:09
  Speaker 1: I have to have a choice, and it has to
• 0:11
  Speaker 1: be made quickly. That's why we created ero dot net
• 0:14
  Speaker 1: a r r oe dot net. It's right there for you.
• 0:18
  Speaker 1: When you have those moments where you gough, I'm not
• 0:21
  Speaker 1: into this anymore, enjoy your exploration. Hello, how are you
• 0:26
  Speaker 1: two doing today?
• 0:28
  Speaker 2: Great? How are you doing?
• 0:29
  Speaker 1: We got to talk about this movie. I want to
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  Speaker 1: know if MYRR played the role that he normally does,
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  Speaker 1: and that you guys were really shocked in many of
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  Speaker 1: these scenes, because I swear to god, I saw you
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  Speaker 1: guys jump in reality.
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  Speaker 2: Am I wrong? No, not wrong at all, because it
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  Speaker 2: just felt that we were Yeah, yeah, there was a bilk.
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  Speaker 2: That's so awesome. Thank you.
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  Speaker 1: There are definitely scenes in this movie right sit there
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  Speaker 1: and go, oh my god, no. And then, of course
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  Speaker 1: I know the story of MYR and I know what
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  Speaker 1: it's like to be an impractical joke, and I'm going,
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  Speaker 1: of course he did this to them. Of course he
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  Speaker 1: did he's getting you know, that's just his personality.
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  Speaker 3: Yeah, he probably, Yeah, he has some sort of sick
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  Speaker 3: fetish of just watching us all squirm.
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  Speaker 1: Well, and I did research on the actual subject of
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  Speaker 1: the movie, and I'll tell you what that you realize
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  Speaker 1: that's the number one fear in the world spiders.
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  Speaker 2: Yeah, it's a real thing. Yeah.
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  Speaker 1: Yeah, Well you guys kind of prove another reason why
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  Speaker 1: I'm very fearful of him, and that is that darn
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  Speaker 1: spider's web, because I have been entangled in a lot
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  Speaker 1: of those webs inside a real, honest to God force.
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  Speaker 1: And I swear that spiders that live in a forest
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  Speaker 1: are stronger with their webs. It's it's just a thicker web.
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  Speaker 2: Yeah. Oh man, this is interesting, Camp. I was never
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  Speaker 2: going to definitely after this movie.
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  Speaker 1: I mean, and will you do one of the cardinal
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  Speaker 1: rules you're not supp to break? First of all, there
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  Speaker 1: are people that are hiking by themselves, and number two.
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  Speaker 2: You're not where you're supposed to be.
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  Speaker 1: I mean that that was a turning point for me
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  Speaker 1: in the movie, and I all of a sudden I
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  Speaker 1: had such amazing compassion for you, going, how are they
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  Speaker 1: going to get out of this? What can I do.
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  Speaker 1: I can't. They're not listening to me. What can we do?
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  Speaker 2: Great? Yeah, that's what we want.
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  Speaker 1: What was it like for you though, to be out
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  Speaker 1: there in that? I saw meadows, I saw open fields,
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  Speaker 1: I saw the force.
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  Speaker 2: I saw so.
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  Speaker 1: Much going on with your camping adventure, because a lot
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  Speaker 1: of people like to trap themselves to lakes and stuff
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  Speaker 1: like that, but you were in a completely different area.
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  Speaker 2: What was that like? It was a very buggy.
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  Speaker 3: Oh god, yeah, we were just spraying ourselves with insect
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  Speaker 3: spray and oh my gosh, our coast. Joseph, he he
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  Speaker 3: was the biggest was he had he had the biggest
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  Speaker 3: muscles and was the biggest was. But we were all
• 3:02
  Speaker 3: very much in the elements. I mean, are really shooting
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  Speaker 3: in the forest.
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  Speaker 1: But see, I love that because I mean we've been
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  Speaker 1: in rving since twenty ten and so and I and
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  Speaker 1: I told my wife in the very beginning, when you
• 3:13
  Speaker 1: go camping, you have to allow yourself to eat with
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  Speaker 1: the bugs, and you've got to be able to get dirty.
• 3:18
  Speaker 1: You can't be taking a shower every three minutes. I
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  Speaker 1: mean that that in itself is a lifestyle. Is it
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  Speaker 1: something that you guys would go into, No, absolutely.
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  Speaker 2: No, literally clean literally them never no. Never.
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  Speaker 4: I'm sure there's things to uh get from it, but
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  Speaker 4: I'm not interested in those things.
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  Speaker 2: And not interested in having to do that to get them.
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  Speaker 1: But see, then again that goes right back to the
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  Speaker 1: beginning about that that fear factor that's inside this movie,
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  Speaker 1: is that because you guys were out there, that you
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  Speaker 1: really did feel what a lot of people kind of
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  Speaker 1: you know, campers will shove aside because it's just normal
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  Speaker 1: to us, But you felt it.
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  Speaker 2: That's a great point.
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  Speaker 4: I never I never thought about how much I don't
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  Speaker 4: like anything with camping, and then we're filming on location
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  Speaker 4: in the woods at night, in a lake at night,
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  Speaker 4: and we're really there, and so it probably was just
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  Speaker 4: inherently easier to kind of get into the spirit of
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  Speaker 4: feeling like, what was that well you know what I mean, Yeah,
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  Speaker 4: because we were really out there at two am in
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  Speaker 4: the woods in Kansas City.
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  Speaker 2: Yeah, those night shoots and yeah.
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  Speaker 1: Now, how did you prepare for those scenes out there?
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  Speaker 1: Because I won't go into a forest at night. Michael
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  Speaker 1: gets to hear me talk when I'm out there camping
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  Speaker 1: all the time, but I will never go into a
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  Speaker 1: forest at night because I believe there are monsters out there,
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  Speaker 1: and you guys have kind of proven that. You've proven it.
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  Speaker 2: Well, I'll tell you. I'll tell you.
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  Speaker 3: What was more was much more scarier than the woods
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  Speaker 3: was that cave because what wasn't in the movie were
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  Speaker 3: the real bats that were like, oh in the cave.
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  Speaker 3: And I couldn't believe how calm our crew was working
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  Speaker 3: around those freaking bats that I kept looking. I would
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  Speaker 3: like walk underneath them and be like, just don't move,
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  Speaker 3: like it was really truly the horror movie within the
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  Speaker 3: horror movie.
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  Speaker 2: Yeah, we're in some free old bats.
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  Speaker 1: And speaking of that, we've got to give kudos to
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  Speaker 1: murr in writing this. And the reason why is because
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  Speaker 1: he paces it out. It's not gonna be one of
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  Speaker 1: those rush rush, rush rush movies and then you walk
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  Speaker 1: out going, well, what did I just experience. No, we
• 5:26
  Speaker 1: develop a relationship with every character. I understand the conflict
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  Speaker 1: between you know, Richard and everybody else that's going on.
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  Speaker 1: I understand that. But the thing is, though, is it's
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  Speaker 1: got to work. And I mean even with you, Lindsey,
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  Speaker 1: in the way that your character is that you come
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  Speaker 1: from this world of crisis and chaos and we and
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  Speaker 1: we're sitting there cheering you on in this huge way,
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  Speaker 1: going it's gonna find your piece, find your piece. You've
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  Speaker 1: got it, You've got it. That's great writing and great
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  Speaker 1: acting collaborating.
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  Speaker 2: I thank you so much. Yeah.
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  Speaker 3: I do think that all the characters are really well
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  Speaker 3: thought through, and you know, it's kind of this like
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  Speaker 3: strange group of people that come together for this camping
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  Speaker 3: trip and then you know, go through something so unique
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  Speaker 3: and bonds them together, you know.
• 6:14
  Speaker 1: Yeah, and that Bond was the preacher man, Come on,
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  Speaker 1: tell me what was it like for him to develop
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  Speaker 1: that character, because I'm here in the South. I know
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  Speaker 1: how preacher people are here in the South, and they
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  Speaker 1: go a little overboard.
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  Speaker 2: Tom did a great job.
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  Speaker 4: Yeah, some you mentioned that made me think of just
• 6:29
  Speaker 4: the intelligence that that comedy requires. And I think it's
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  Speaker 4: why a lot of people underrate comedians' ability to go
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  Speaker 4: into something like horror something quote unquote more serious. But
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  Speaker 4: there's a lot of intellect that's required to nail comedic timing.
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  Speaker 4: And the way Mr McClain explained it to me is
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  Speaker 4: comedic timing is kind of similar to the timing and
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  Speaker 4: pacing of horror movies.
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  Speaker 2: And so I think The.
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  Speaker 4: Writing that Merr did is really a testament to the
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  Speaker 4: skills that are required to be a great comedian. You know,
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  Speaker 4: the timing, the comedic timing really translated.
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  Speaker 1: So then then what was it like for you, Lindsay
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  Speaker 1: in the way of those spider webs, because we could
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  Speaker 1: see them on our screen. Could could you as the
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  Speaker 1: actress or did they have to really get inside your
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  Speaker 1: mind like most directors do, they say, Okay, this is
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  Speaker 1: what I need you to envision. I need you to
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  Speaker 1: feel this, be this person, live it, and bring it
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  Speaker 1: out as if you're really in a moment.
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  Speaker 3: We had some practical spider webs on the on the day,
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  Speaker 3: and then some were added and post later. So it
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  Speaker 3: was a little combination of imagining and adding adding to it,
• 7:38
  Speaker 3: nessing it to make.
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  Speaker 2: It look really extra special. So we had a little
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  Speaker 2: bit of practical stuff to work with, which was really
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  Speaker 2: actually really nice.
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  Speaker 1: Yeah, please don't move. We'll be right back with Lindsay
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  Speaker 1: and Russ coming up next. The name of the movie
• 7:55
  Speaker 1: don't move. You can move because we're back with Lindsay
• 8:00
  Speaker 1: and Russ. Now, Russ, I am a fellow long haired guy.
• 8:04
  Speaker 1: I wear my hair down. When I saw your hair down.
• 8:06
  Speaker 1: I went, Yes, that's the way it's supposed to be.
• 8:08
  Speaker 1: Wear that stuff down. So, I mean you really did
• 8:11
  Speaker 1: continue on with the tradition of wear down. But I
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  Speaker 1: understand what you did later on in the movie because
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  Speaker 1: in a heartbeat, the moment I start sweating and getting
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  Speaker 1: all anxiety driven, it's gotta go up, gotta go up.
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  Speaker 2: Battle time. Yeah. Yeah, he's really about Russ's hair. Honest.
• 8:27
  Speaker 2: Putting your hair up is sport mode. Yeah, that's his
• 8:30
  Speaker 2: hero mode. That's when he means business exactly. Now.
• 8:35
  Speaker 1: Being on that set, though, what was it like for
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  Speaker 1: you guys to develop those characters with everybody else around you,
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  Speaker 1: because we all know our lines, but you've got to
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  Speaker 1: work it like a band does. You got to include
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  Speaker 1: the bass guitarist as well.
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  Speaker 2: True. I think for me, we're seeing a picture of
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  Speaker 2: you with long hair right now. Love it.
• 9:00
  Speaker 4: I think for me, the biggest thing I learned was empathy.
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  Speaker 4: Trying to really empathize with your character, empathize with the story,
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  Speaker 4: empathized with other characters.
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  Speaker 2: And it's easier said than done.
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  Speaker 4: But you know, because I think you can kind of
• 9:15
  Speaker 4: go down the rabbit hole of just focusing on what
• 9:17
  Speaker 4: your character should be doing. But I think working off
• 9:20
  Speaker 4: of everyone else, you know, requires that level of empathy
• 9:24
  Speaker 4: to really make it mesh and feel cohesive and feel
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  Speaker 4: like it's a real story that's happening with numerous people
• 9:32
  Speaker 4: involved in not just your character story.
• 9:34
  Speaker 1: Well, Lindsey, I just got the vision of the very
• 9:37
  Speaker 1: fact what he just said. When you come out and
• 9:40
  Speaker 1: you're screaming so loud and he's in the background, I mean,
• 9:44
  Speaker 1: I mean you can read his mind that. I mean,
• 9:47
  Speaker 1: it's like you were bringing your character into that screaming mode,
• 9:50
  Speaker 1: which I don't know how you protected your voice because
• 9:52
  Speaker 1: I was freaking out, thinking, oh my god, she can't
• 9:55
  Speaker 1: She's not gonna be able to talk for a week.
• 10:00
  Speaker 2: No, I I was fine. I love what we do.
• 10:06
  Speaker 2: I love screaming. I love it. I love that moment.
• 10:09
  Speaker 3: You know, it's such a moment of like ultimate frustration.
• 10:12
  Speaker 3: That moment for Megan is just like there's nothing else
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  Speaker 3: to do other than scream in that moment.
• 10:18
  Speaker 2: You know.
• 10:19
  Speaker 1: Well, Russ, you're the musician here. Let me ask you
• 10:22
  Speaker 1: a question. Did you see it as a way of
• 10:24
  Speaker 1: exercising vocal cords in the way that we we sing?
• 10:27
  Speaker 1: I mean, it's like she hit some notes there that
• 10:30
  Speaker 1: really get in and become effective inside of us, and you,
• 10:33
  Speaker 1: knowing what your voice does, did you hear them as
• 10:36
  Speaker 1: musical notes?
• 10:38
  Speaker 2: No, I would say The only I would say.
• 10:42
  Speaker 4: What translated for me from like music career to film
• 10:46
  Speaker 4: and TV was probably just being comfortable with cameras because
• 10:51
  Speaker 4: I've just I've filmed so many music videos, I've done
• 10:54
  Speaker 4: so many filmed interviews, or just.
• 10:58
  Speaker 2: I have a videoography or video before that moves around
• 11:00
  Speaker 2: with me like my whole life.
• 11:01
  Speaker 4: So just being comfortable with cameras is probably the only
• 11:04
  Speaker 4: thing I would say really like translated.
• 11:06
  Speaker 1: Now you can say yes or no or no comment,
• 11:08
  Speaker 1: let's move forward. Was the waterfall real because I was
• 11:11
  Speaker 1: in awe, Yes, Oh you're kidding, that's amazing, because I
• 11:20
  Speaker 1: mean no comment, no, no, well I'm still I'm still
• 11:24
  Speaker 1: it's amazing. Well, the thing is, though, it's it's it's
• 11:27
  Speaker 1: at such a pivotal point and it's almost like it's
• 11:30
  Speaker 1: like everybody on that that cast and the crew had
• 11:32
  Speaker 1: to have said, we've got to have a moment where
• 11:34
  Speaker 1: people can suck in some air, take a small breather,
• 11:37
  Speaker 1: because this movie is about ready to shift gears in
• 11:40
  Speaker 1: a way that they're not going to be able to
• 11:41
  Speaker 1: explain until they have to, you know, go into experiencing
• 11:44
  Speaker 1: it themselves.
• 11:47
  Speaker 2: Yeah, that's really what great well put. Yeah, it is.
• 11:51
  Speaker 4: It's it was so hard to it's hard to like
• 11:55
  Speaker 4: watch it back or even doing it knowing what it's
• 11:59
  Speaker 4: gonna happen, because you've read the script seventy eight times,
• 12:01
  Speaker 4: so it's hard to That was that was tough for
• 12:04
  Speaker 4: me was to act like I didn't know what was
• 12:07
  Speaker 4: about to happen really yeah, yeah, or just like from
• 12:10
  Speaker 4: a from a context. Yeah, yeah, at that point, you
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  Speaker 4: know what I mean?
• 12:14
  Speaker 1: Yeah, Well, I mean all of you guys play so
• 12:17
  Speaker 1: well together in the way of creating that shock and
• 12:19
  Speaker 1: awe because we don't expect it when when you're involved
• 12:23
  Speaker 1: in the storyline itself and you're developing everything to find
• 12:26
  Speaker 1: out how how how Lindsay's character is going to grow?
• 12:29
  Speaker 1: What's happening with you, Russ with your character, because you
• 12:31
  Speaker 1: know how you even got on that bus. Very creative,
• 12:34
  Speaker 1: We learned about it, very creative.
• 12:38
  Speaker 2: Thank you. Yeah. Yeah, there's lots of good little twists
• 12:41
  Speaker 2: there are. Ricky is a Finesser for sure.
• 12:45
  Speaker 1: What did you feel from that character? The two of you,
• 12:48
  Speaker 1: because both of you you're exercising inner strength. And I
• 12:51
  Speaker 1: spot that kind of stuff right away because it seems
• 12:53
  Speaker 1: like like a typical church bus. We all go on
• 12:55
  Speaker 1: there with our own situations, but it has to work.
• 12:59
  Speaker 1: There has to be some harmony here.
• 13:04
  Speaker 3: I think that's kind of what makes the movie so genius.
• 13:07
  Speaker 3: There's all these different people with their own baggage and
• 13:09
  Speaker 3: trauma coming together onto this one place, being stuck together.
• 13:13
  Speaker 3: I mean between Rob Wriggles's character and Tom Kavanaugh's character,
• 13:17
  Speaker 3: like in russ In, what he's hiding from us and
• 13:22
  Speaker 3: not showing us, you know, it's there's like a lot
• 13:26
  Speaker 3: that unfolds. It's it's kind of great that way.
• 13:30
  Speaker 1: Yeah, I've been with Rob Wriggles. That man is so funny.
• 13:35
  Speaker 1: You could say bird on the wall and he's gonna
• 13:38
  Speaker 1: come up with one hundred different ways to turn that
• 13:40
  Speaker 1: into a funny moment. How did you guys even keep
• 13:43
  Speaker 1: a straight face with him on any of those scenes?
• 13:46
  Speaker 2: Oh we didn't. Yeah, we left a lot.
• 13:51
  Speaker 4: There was several times we had to keep doing the
• 13:54
  Speaker 4: takeover because I was just dying last year.
• 13:58
  Speaker 3: But honestly, Wriggle in the movie, I mean he's funny
• 14:01
  Speaker 3: no matter what, but he is he's still we are
• 14:05
  Speaker 3: all in the same movie. And I think he I
• 14:08
  Speaker 3: really respected that about him, is that like he really
• 14:11
  Speaker 3: wanted to play at.
• 14:11
  Speaker 2: Ernest and he ye.
• 14:13
  Speaker 3: We all wanted to like be you know, which is
• 14:16
  Speaker 3: obviously why it's so funny. And this movie has lots
• 14:20
  Speaker 3: of funny moments. It has a lot of levity in it,
• 14:23
  Speaker 3: even though there's also a lot of like heartbreak and
• 14:25
  Speaker 3: trauma and scariness. But you know, he's just one example
• 14:29
  Speaker 3: of like the levity that he brings to the movie and.
• 14:34
  Speaker 1: Doesn't doesn't the entire cast, as well as the writing
• 14:36
  Speaker 1: for Mr and the producing and things doesn't. That it
• 14:38
  Speaker 1: kind of shows you do not try to write this movie.
• 14:41
  Speaker 1: It's already been written. Experienced the movie and put away
• 14:45
  Speaker 1: that inner voice says, I think I've got this thing
• 14:47
  Speaker 1: figured out because you do not. And and one of
• 14:50
  Speaker 1: the shocking scenes is, of course, is with you know,
• 14:53
  Speaker 1: with with Rob in the way that it's like, that's
• 14:55
  Speaker 1: not the way I thought it was gonna go. And
• 14:57
  Speaker 1: then all of a sudden, your mind, it says, just
• 14:59
  Speaker 1: be quiet and experience the ride.
• 15:03
  Speaker 2: Oh good, that's what we want out of a horror movie.
• 15:06
  Speaker 2: That's the point.
• 15:07
  Speaker 1: Yeah, yeah, because I mean, because you know how we
• 15:09
  Speaker 1: are when we're that We're talking to the dang screen.
• 15:11
  Speaker 1: We're sitting there talking to it, and we're trying to
• 15:13
  Speaker 1: figure out. We're bumping people next to us, saying Okay,
• 15:15
  Speaker 1: I know what's gonna happen next, and then all of
• 15:17
  Speaker 1: a sudden, you guys, you developed this this little relationship
• 15:20
  Speaker 1: on that screen, and all of a sudden it didn't
• 15:22
  Speaker 1: go that way. And now it's like, oh, now I
• 15:24
  Speaker 1: really have to pay attention to the easter Riggs.
• 15:29
  Speaker 3: I'm sort of excited to see it in theaters with
• 15:32
  Speaker 3: for our premieres and see it. I'm excited about the
• 15:35
  Speaker 3: like collective screens and the collective laughs and the collective yeah.
• 15:39
  Speaker 2: See what they read? Yeah yeah, yeah, yeah, yeah.
• 15:42
  Speaker 1: Because I mean, because there's no way that it's filmed
• 15:44
  Speaker 1: in chronological order, or was it, because I mean, it
• 15:47
  Speaker 1: really does flow quite well.
• 15:51
  Speaker 2: Thank you awesome. Yes, it was not filmed in chronological order.
• 15:56
  Speaker 1: Yeah, And that's part of the mystery of movie making.
• 15:58
  Speaker 1: It's like, how do they even find focus in a
• 16:01
  Speaker 1: situation like this? And when you guys show up on set,
• 16:03
  Speaker 1: how do you speaking of that weather had to be
• 16:05
  Speaker 1: a big thing because you guys were in the real wilderness.
• 16:10
  Speaker 3: Yeah, we we were dealing with all of the real
• 16:13
  Speaker 3: elements for sure.
• 16:15
  Speaker 4: Last we got kind of lucky with the weather because
• 16:16
  Speaker 4: I don't remember was there any days where it was like, oh,
• 16:19
  Speaker 4: we can't film this because it rained, or I think
• 16:21
  Speaker 4: we got lucky.
• 16:22
  Speaker 2: We got really lucky in the weather. Yeah.
• 16:25
  Speaker 1: Did they have the prep you in any way, because
• 16:27
  Speaker 1: you guys were doing some serious hiking. I know what
• 16:29
  Speaker 1: that can do to those legs and things and how
• 16:31
  Speaker 1: it you know, you can lift up this to this. Oh,
• 16:33
  Speaker 1: when you're even in the water and that the big
• 16:35
  Speaker 1: thing is you know, you've got to free the gentleman.
• 16:38
  Speaker 1: It's like it's like got that thing looked like heavier
• 16:40
  Speaker 1: than hell, is what it did to try to do
• 16:42
  Speaker 1: all that stuff inside the water.
• 16:45
  Speaker 4: The water for me was probably the most physically demanding
• 16:49
  Speaker 4: because it was you know, it was what October September one.
• 16:55
  Speaker 4: It was nighttime in Kansas City.
• 16:57
  Speaker 2: It was freezing. It was freezing cold water, and we
• 17:00
  Speaker 2: were really in the water.
• 17:01
  Speaker 4: So it was pretty miserable, which is like I think
• 17:05
  Speaker 4: it came across on screen like this sucks.
• 17:07
  Speaker 2: Wait, you know what I just had.
• 17:09
  Speaker 3: I just had a vision of Hunter and I taking
• 17:11
  Speaker 3: turns covering like with our coats that we could pee like.
• 17:16
  Speaker 2: We didn't even have.
• 17:20
  Speaker 3: Like i'd be like, sorry, I just got to go
• 17:21
  Speaker 3: into the woods and just.
• 17:23
  Speaker 2: Really myself just taking turns, huddling around heaters.
• 17:27
  Speaker 3: Yes, the heaters that were like are precious, like.
• 17:31
  Speaker 4: The only way we could running like doing a take
• 17:34
  Speaker 4: being freezing cold, dripping away and then running into one
• 17:38
  Speaker 4: of the buses where they're like transporting you doing from
• 17:41
  Speaker 4: the trailers because they have the heat cranking.
• 17:43
  Speaker 2: And it was just that was Yeah.
• 17:47
  Speaker 4: I guess it was easy to get into the feeling
• 17:50
  Speaker 4: of this sucks because it really did suck.
• 17:54
  Speaker 2: Wow.
• 17:54
  Speaker 1: And you don't even pick up on that vibe at
• 17:56
  Speaker 1: all because it just feels like that, you know it
• 17:58
  Speaker 1: saying I want to call you guys up. I'm going
• 18:00
  Speaker 1: to head out in the RV here in a little bit.
• 18:01
  Speaker 1: You want to go along with me, Well, we'll put
• 18:03
  Speaker 1: the tent outside for you since you've got this experience
• 18:06
  Speaker 1: with tents.
• 18:06
  Speaker 3: Now, Russ and I are not going unless it's for
• 18:14
  Speaker 3: don't move too. We are not You will not see us.
• 18:20
  Speaker 1: I was gonna say, I'm not going to spoil the ending, but.
• 18:22
  Speaker 2: Oh oh oh, what the two of you do?
• 18:25
  Speaker 1: I do expect that I'm going to tell you that
• 18:27
  Speaker 1: right now.
• 18:28
  Speaker 3: Yeah, sense, Well, let's see if we can get everyone's
• 18:32
  Speaker 3: butts in the seats and exactly and keep them with joy.
• 18:37
  Speaker 1: It is a theater experience and and one of the things,
• 18:39
  Speaker 1: and I know that we're quickly running out of time,
• 18:41
  Speaker 1: it's it's the space that even the director puts in
• 18:44
  Speaker 1: there in the way of encompassing your entire self inside
• 18:48
  Speaker 1: that force around everything that takes place. They left enough
• 18:51
  Speaker 1: room for we the viewers to feel like that we
• 18:54
  Speaker 1: were part of the story. And that means a lot
• 18:57
  Speaker 1: to us on this side.
• 18:59
  Speaker 2: Oh well, I love that you have such a great perspective. Yeah,
• 19:03
  Speaker 2: that's so many cool.
• 19:04
  Speaker 1: Yeah, well, if you made a bad movie, it be
• 19:07
  Speaker 1: it would have been a different conversation.
• 19:10
  Speaker 2: So much.
• 19:12
  Speaker 1: You gotta come You gotta come back to this show
• 19:14
  Speaker 1: anytime in the future, and anytime that Merr says I've
• 19:18
  Speaker 1: got a project, but I can't talk about it, trust him,
• 19:21
  Speaker 1: because well he and I talked about this almost three
• 19:23
  Speaker 1: four years ago. So when he says I can't talk
• 19:26
  Speaker 1: about it. Trust him all right.
• 19:30
  Speaker 2: Real, very real.
• 19:31
  Speaker 1: Will you guys be brilliant today?
• 19:33
  Speaker 2: Okay, thank you so much. Great talking. Thank you.