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Gunsmoke - "Kitty's Kidnap" (Old Time Radio, 1959) · Gunsmoke | Old Time Radio

• 0:00
  Speaker 1: June fourteenth, nineteen fifty nine, mark the CBS broadcast of Gunsmoke,
• 0:05
  Speaker 1: Episode three hundred seventy five, Kitty's Kidnap In Dodge City, Marshal,
• 0:11
  Speaker 1: Matt Dillon and Chester stop two men from lynching a traveler,
• 0:15
  Speaker 1: then learn he is Pete Brass, wanted for robbery and murder.
• 0:20
  Speaker 1: With Brass behind bars, members of his gang come to town
• 0:24
  Speaker 1: seeking his release, and Kitty Russell is drawn into their plan.
• 0:28
  Speaker 1: William Conrad stars as Dylan, with Georgia Ellis as Kitty,
• 0:33
  Speaker 1: Parley Bear as Chester, and Howard mcneer as Doc Adams.
• 0:38
  Speaker 1: Mary and Clark wrote this late run radio drama produced
• 0:41
  Speaker 1: and directed by Norman McDonnell. Settle in now for a
• 0:45
  Speaker 1: visit to Dodge City as radio gun Smoke takes the air.
• 0:49
  Speaker 1: Now back to the golden age of radio.
• 1:04
  Speaker 2: Around Dodge City and in the territory on West, there
• 1:07
  Speaker 2: is just one way to handle the killers and the spoilers.
• 1:10
  Speaker 2: And that's where the US Marshal and the Smell of.
• 1:13
  Speaker 3: Guns Smoke.
• 1:32
  Speaker 2: Guns, starring William Conrad, The story of the violence that
• 1:37
  Speaker 2: moved west.
• 1:37
  Speaker 3: With Young America and the story of a man who
• 1:41
  Speaker 3: moved with it.
• 1:42
  Speaker 4: I'm that man Matt Dillon, United States Marshall, the first
• 1:47
  Speaker 4: man they look for and the least they want to meet.
• 1:50
  Speaker 4: It's a chance a job, and it makes a man
• 1:53
  Speaker 4: watchful and a little lonely.
• 2:15
  Speaker 3: That's doing. Yeah, Chester, you don't spool. That stream is
• 2:19
  Speaker 3: gone and.
• 2:20
  Speaker 1: Dried itself right out of the prairie.
• 2:22
  Speaker 3: Do you.
• 2:23
  Speaker 4: It just seems like it. We'll be coming across at
• 2:25
  Speaker 4: any time.
• 2:25
  Speaker 1: Now, I sure do, hope. So I'm dried inside out.
• 2:29
  Speaker 3: I got some water left in my canteen. You don't know.
• 2:32
  Speaker 3: It ain't drinking water. I mean, Miss don it's my
• 2:34
  Speaker 3: feet that's burning down. You'll live. Well, Sure I live,
• 2:39
  Speaker 3: ain't no question about that.
• 2:41
  Speaker 1: But I sure would like to get these boots off
• 2:43
  Speaker 1: and get the soaking.
• 2:49
  Speaker 3: Guess we're come to it, all right.
• 2:50
  Speaker 1: I remember them trees, Yeah, look at them.
• 2:56
  Speaker 3: Miss June's other folks there, Yeah, yeah, they're sure arm.
• 3:04
  Speaker 1: In the world.
• 3:07
  Speaker 4: Ever gonna lunch that man?
• 3:09
  Speaker 3: Would you? Sure did scare them off? Fine over the
• 3:11
  Speaker 3: heads that way, look him right off if I want
• 3:14
  Speaker 3: of them, listen, come on, let's get on there. Got
• 3:30
  Speaker 3: his arms close, sesser, I.
• 3:32
  Speaker 4: Will, I will get that gag out of your mouth.
• 3:37
  Speaker 1: There cowers, lousy running coward.
• 3:41
  Speaker 3: You all right? For a couple of minutes they have
• 3:44
  Speaker 3: finished me? For sure? You don't look hurting none to me?
• 3:47
  Speaker 3: I hurt. I sort of thank you some for that.
• 3:52
  Speaker 3: You know who it was? I sure I know he
• 3:55
  Speaker 3: never gonna forget neither. What were their names? Why they?
• 4:01
  Speaker 3: You're alarm and us Marshall out of Dutch.
• 4:08
  Speaker 1: I ain't that's something getting my next saved by Alarman?
• 4:12
  Speaker 3: Any objections?
• 4:13
  Speaker 4: It just it ain't something I can be too particular about.
• 4:17
  Speaker 3: Who are you? And there were those men?
• 4:19
  Speaker 1: Hey, I'll tell you, Marshall, this is something I'm particular about.
• 4:24
  Speaker 3: What do you mean?
• 4:25
  Speaker 1: It ain't my habit to tell nothing to Alarman? Don't
• 4:29
  Speaker 1: approve of it. You might say, yeah, look you here.
• 4:34
  Speaker 3: Hanging out of his saddle bag.
• 4:36
  Speaker 1: Huh, let's see just an empty sack.
• 4:40
  Speaker 3: Marshall, money sacked, says which tar bank? Come there? Wre
• 4:48
  Speaker 3: What do you know about that?
• 4:50
  Speaker 4: I know, mother than I did a minute ago. Three
• 4:52
  Speaker 4: men robbed that bank.
• 4:53
  Speaker 3: Mister. You got three guesses, that, ain't you? Marshall?
• 4:58
  Speaker 4: I don't need more than one about you. Come on, tester,
• 5:01
  Speaker 4: let's take him in. Cool, you'll take your other horses. Chester,
• 5:19
  Speaker 4: All right, climb down. You in here, you're gonna lock
• 5:36
  Speaker 4: me up.
• 5:36
  Speaker 3: Come on, you made a big mistake, Marshall. I wouldn't
• 5:40
  Speaker 3: worry about it if you. I ain't gonna do no worry.
• 5:45
  Speaker 3: I get in there.
• 5:47
  Speaker 1: Oh, I'll go in easy, Marshall, nys, I'll be coming
• 5:53
  Speaker 1: out easy too.
• 5:54
  Speaker 3: Don't count on it.
• 5:55
  Speaker 1: The fact Marshall, my boys ain't gonna leave me sitting
• 5:58
  Speaker 1: there very long.
• 6:00
  Speaker 3: They'll have me out of here right soon. You're the
• 6:02
  Speaker 3: head man of your outfit. Ain't many folks live and
• 6:06
  Speaker 3: who'd argue by that? Your name is brass, Pete Brass.
• 6:12
  Speaker 3: You heard about me?
• 6:13
  Speaker 4: Yeah, I've heard about you besides that Wichita bank, I've
• 6:15
  Speaker 4: heard your one of the three states.
• 6:17
  Speaker 3: Well, Marshall, rise some states.
• 6:19
  Speaker 1: I just ain't had time to get around to you,
• 6:22
  Speaker 1: or you.
• 6:22
  Speaker 4: Just might not make it either. I'll have to bring
• 6:25
  Speaker 4: you some suffer.
• 6:27
  Speaker 1: And Marshall, what is it you don't want me to
• 6:31
  Speaker 1: get away? You'd have done better to let them hide
• 6:33
  Speaker 1: binders lynch me how you figure you'd be better off
• 6:38
  Speaker 1: not me? You You're gonna feel mighty foolish after my
• 6:42
  Speaker 1: boys getting me out.
• 6:43
  Speaker 4: I didn't notice your boys getting you out of that
• 6:45
  Speaker 4: rope this morning.
• 6:46
  Speaker 1: All boys didn't have time to hear of it. You see,
• 6:49
  Speaker 1: a lynching is a sudden thing. You borrow a horse
• 6:52
  Speaker 1: and a couple of hot heads want to string you up.
• 6:54
  Speaker 1: Ain't time for word to get around. My boys didn't know. Now,
• 6:59
  Speaker 1: there's plenty of time. No, that's what.
• 7:01
  Speaker 3: I mean, Marshall.
• 7:02
  Speaker 1: My boys are real good at figured they'll study out
• 7:05
  Speaker 1: a real nice plan. I ain't gonna be here long
• 7:10
  Speaker 1: when my boys come. It's gonna be real hard on you.
• 7:16
  Speaker 4: I'll tell you something, mister, it might be kind of
• 7:18
  Speaker 4: hard on your boys too.
• 7:35
  Speaker 1: I'll say this, Jess, be sure it didn't pick out
• 7:38
  Speaker 1: much of a town to get itself locked up in.
• 7:41
  Speaker 1: It ain't so bad, Meal, I see two three saloons
• 7:45
  Speaker 1: right down the street.
• 7:46
  Speaker 3: There, saloons. Ain't what we're looking for. Hell as a
• 7:52
  Speaker 3: Marshall's office. That sure don't look like much.
• 7:56
  Speaker 1: They probably got brass locked up in the back of it.
• 7:59
  Speaker 3: Hey, Hey, there's the bank. You know we ain't going
• 8:03
  Speaker 3: anywhere near that bank. Looks like it'd be real easy.
• 8:08
  Speaker 1: Listen, Jess, you got to keep your mind on what
• 8:10
  Speaker 1: we're here for. To get brass out of jail, that's
• 8:14
  Speaker 1: all sure.
• 8:14
  Speaker 3: I mean shooting, how we gonna do it, that's what
• 8:20
  Speaker 3: we got to figure.
• 8:22
  Speaker 2: You know.
• 8:22
  Speaker 1: We could bust in there tonight shooting.
• 8:25
  Speaker 3: We'd have a horse ready.
• 8:27
  Speaker 1: Uh, we might just get shot doing it like that. Well,
• 8:32
  Speaker 1: if we ain't gonna shoot him out, how we're gonna
• 8:34
  Speaker 1: get it. We've got to learn about this town. Got
• 8:38
  Speaker 1: to work it out real.
• 8:39
  Speaker 3: Carefully, and shooting's easier. Now you listen to mate, Jess.
• 8:43
  Speaker 3: We got to have a plan, all right, all right,
• 8:48
  Speaker 3: where we're gonna get one.
• 8:49
  Speaker 1: Oh, we're gonna start in right here. Well, you said
• 8:54
  Speaker 1: we wasn't looking for saloons, not for drinking, Jess, for listening.
• 8:59
  Speaker 3: Come on, you're telling me not to have a drink.
• 9:05
  Speaker 3: You stick to bear. Do we get this thing settled
• 9:08
  Speaker 3: and you drink it slow? You here, mayeh, look out,
• 9:10
  Speaker 3: milk and doors.
• 9:14
  Speaker 4: As soon as you're able to get on your horse.
• 9:15
  Speaker 3: You're right right out of town. You got that straight,
• 9:19
  Speaker 3: all right? Thanks here you are, Come on back, matty.
• 9:26
  Speaker 5: He's not gonna cause any more trouble, all right.
• 9:29
  Speaker 3: Kiddy, I guess I will without that.
• 9:35
  Speaker 1: You see that milk, You see that big fellow. Throw
• 9:38
  Speaker 1: that man out of there like he was a sack
• 9:40
  Speaker 1: of mean. Yeah, he's a fella. We've got a smart Marshall.
• 9:47
  Speaker 1: Come on, let's go in.
• 10:01
  Speaker 3: Well, let me jen, I'll have a shot. Are two bears?
• 10:05
  Speaker 1: I'm right, hey, barkie, Yeah, we just seen that bet
• 10:21
  Speaker 1: Marshall throw a fella out of here.
• 10:23
  Speaker 3: Marshall's getting more full on.
• 10:26
  Speaker 1: He in the habit of musting up your customers like
• 10:28
  Speaker 1: that you think of.
• 10:30
  Speaker 3: The acting smart Where miss Kitty is kitty? Uh?
• 10:35
  Speaker 1: That saloton gals sitting over everyone. I'd be careful. I
• 10:39
  Speaker 1: always talked about her, mister. With Marshall's partial tourism, you
• 10:45
  Speaker 1: don't like nobody that caught her trouble. You're sure about that, yeah, mister,
• 10:51
  Speaker 1: I'm sure you'd better be sure about her too. So
• 10:56
  Speaker 1: that's interesting, friends, mighty interesting.
• 11:17
  Speaker 3: Barging on me times kiddy?
• 11:19
  Speaker 6: Well, thank you, yes, but you really don't have to
• 11:22
  Speaker 6: say nice things about me just because I'm going to
• 11:24
  Speaker 6: wait from you.
• 11:26
  Speaker 3: It ain't that at all. What would be just pretty
• 11:28
  Speaker 3: if you were staying. Ain't that too me? Yea?
• 11:33
  Speaker 6: Now see here, boys, I can stand a little chivalry,
• 11:36
  Speaker 6: but this is too much, especially from you.
• 11:39
  Speaker 3: Three outlaws.
• 11:40
  Speaker 1: Okay, now, Kitty, it seems to me we're acting in
• 11:43
  Speaker 1: a fine, upright manner. We're giving you a farewell ginner.
• 11:46
  Speaker 1: We're being as nice as we know how.
• 11:49
  Speaker 3: Yeah, that's just it.
• 11:50
  Speaker 6: When you all start acting so nice, I begin to worry.
• 11:54
  Speaker 3: You know, doesn't sound like she appreciates us. No matter,
• 11:57
  Speaker 3: it doesn't it doesn't it die?
• 11:59
  Speaker 1: Oh well, if my company isn't wanted, maybe I better
• 12:03
  Speaker 1: not ride along with.
• 12:04
  Speaker 3: Her in the stage tomorrow.
• 12:05
  Speaker 6: Why you wonll sake, nothing could keep you from coming
• 12:09
  Speaker 6: along with me.
• 12:10
  Speaker 1: You're gonna be gone a long dark no chested, just
• 12:13
  Speaker 1: a couple of days. I've had some things to tend
• 12:15
  Speaker 1: you up there and line it for some time. Figured
• 12:18
  Speaker 1: the might as well make the trip with Kitty for company.
• 12:21
  Speaker 4: But now you know we better stop teasing her. Doc
• 12:23
  Speaker 4: she's gotten not looking rye.
• 12:25
  Speaker 1: Well, I ain't been a dean, miss Kitty, not a particle, and.
• 12:28
  Speaker 3: I know you haven't.
• 12:29
  Speaker 6: Chester So here you finished up the pie. Well, then
• 12:33
  Speaker 6: I think we have those two men at that table
• 12:40
  Speaker 6: out of there behind you, you know.
• 12:44
  Speaker 1: Uh no, I don't why Well, maybe it's nothing, but
• 12:50
  Speaker 1: they've been sitting there staring at us all through dinner.
• 12:53
  Speaker 3: It's as though they were listening to everything.
• 12:54
  Speaker 4: Miss said, maybe I better go find out what's on
• 12:59
  Speaker 4: their minds.
• 13:00
  Speaker 3: Excuse me a little.
• 13:01
  Speaker 4: Yeah, you men seem kind of interested in what we've
• 13:12
  Speaker 4: been talking.
• 13:12
  Speaker 3: About over there. The little lady told you. Yeah, that's right,
• 13:18
  Speaker 3: she told me. You know, she's mighty thirty. Shut up, Jess.
• 13:23
  Speaker 3: We ain't breaking all law on Marshall.
• 13:25
  Speaker 4: No, but if you've got any business with me, it's
• 13:27
  Speaker 4: better to come straight out with it.
• 13:30
  Speaker 3: That's just what we'll do, Marshall. When the time comes,
• 13:35
  Speaker 3: we'll come straight out with it.
• 13:49
  Speaker 6: I don't know about you, doctor, I'm kind of sorry.
• 13:52
  Speaker 6: I thought about making a strift right like this doesn't
• 13:56
  Speaker 6: make you want to do much traveling.
• 13:57
  Speaker 4: Get in well here, you're right about.
• 13:59
  Speaker 6: It feels like a driver is trying to show it
• 14:02
  Speaker 6: how fast you can go.
• 14:05
  Speaker 1: I don't think it makes much Stupidnce kiddy jo joel
• 14:08
  Speaker 1: them look like this.
• 14:10
  Speaker 2: I'm going slow.
• 14:11
  Speaker 3: Just make some class long.
• 14:13
  Speaker 6: I guess you're right. And maybe you heard this.
• 14:17
  Speaker 3: Doc, how's that before it's throwing down? Oh? Let me
• 14:21
  Speaker 3: see I look out here. Yeah, you're right, it's a
• 14:26
  Speaker 3: quiet kitty. What's the matter we're not slowing down. What's high?
• 14:30
  Speaker 3: It's a hold on? Hold up much working. I won't
• 14:33
  Speaker 3: be driver. Just keep your hands up high. Yes you covered? Okay,
• 14:42
  Speaker 3: I'm on out. I have nothing of that, not you
• 14:45
  Speaker 3: her me now see here. Don't make me do no arguing.
• 14:51
  Speaker 3: Come on out, miss kitty.
• 14:52
  Speaker 1: But you come out, lady, or I'll fix this old
• 14:55
  Speaker 1: geezer so of his doctor and won't never be able
• 14:57
  Speaker 1: to help.
• 14:58
  Speaker 3: Him, Kitty, don't George all right? Talks? That's better now,
• 15:06
  Speaker 3: Doc at your turn. Don't you hurt him? Why gonna
• 15:09
  Speaker 3: hurt him?
• 15:10
  Speaker 5: None?
• 15:10
  Speaker 1: I'm I'm just gonna send him back to the ridge.
• 15:14
  Speaker 1: There's a message for that big Marshal. I'm not going
• 15:17
  Speaker 1: and leave her better. But there ain't no chance for
• 15:20
  Speaker 1: her at all, or for you neither.
• 15:23
  Speaker 3: Go on talk.
• 15:25
  Speaker 1: That's more like you head right back there and tell
• 15:28
  Speaker 1: the Marshal that I'm in the mood to do some
• 15:30
  Speaker 1: horse trading.
• 15:53
  Speaker 3: Crimes. They talk about you.
• 15:54
  Speaker 1: What you just went down to Jones the store for
• 15:57
  Speaker 1: a minute. Just hear his pants were just about or
• 16:00
  Speaker 1: Chester Chester.
• 16:02
  Speaker 3: I've never seen him right away.
• 16:04
  Speaker 4: I saw you walking to Leofice. What are you doing
• 16:06
  Speaker 4: back here? They've got Kitty who's got kitty.
• 16:09
  Speaker 1: They held up the stage bout an hour out of town, Matt.
• 16:11
  Speaker 3: They're holding her for Pete Brass, and you've got to do.
• 16:14
  Speaker 4: Something right dog, all right, just slow down, I'll tell
• 16:16
  Speaker 4: me just how it has.
• 16:17
  Speaker 3: They held up the stage and took Kitty off.
• 16:19
  Speaker 1: They say they won't let her go into you turn
• 16:21
  Speaker 1: Brass loose.
• 16:22
  Speaker 3: Now that's holders to it. Well, you know who they were? No,
• 16:24
  Speaker 3: I don't know their.
• 16:25
  Speaker 1: Names, and they weren't hiding anything. I can recognize their faces.
• 16:28
  Speaker 1: They were the two men who were so interested in
• 16:30
  Speaker 1: us the del Monica is last night.
• 16:34
  Speaker 3: You know where they're holding her? No, man, I don't.
• 16:37
  Speaker 1: I just had to have Brass ride down the stage
• 16:39
  Speaker 1: road until he does.
• 16:41
  Speaker 3: They're holding kitty. Now you gotta do something, man.
• 16:43
  Speaker 1: Because this Mdillan will let Brass out Chester. But mister Dyllan,
• 16:47
  Speaker 1: they've got me as kidding.
• 16:48
  Speaker 3: I know they've got our Chester.
• 16:49
  Speaker 4: Welly aren't you got to help her at And I'm
• 16:51
  Speaker 4: gonna try.
• 16:52
  Speaker 3: Well, then, little.
• 16:52
  Speaker 5: Listener may bother you.
• 16:55
  Speaker 4: Now, we don't know where they've got her, don't we No, No,
• 16:58
  Speaker 4: we don't. It's no sure thing that they will let
• 17:00
  Speaker 4: her go, even nebrask go is loose.
• 17:03
  Speaker 3: I'm I guess you're right. Well, what do you plan
• 17:05
  Speaker 3: to do? Wait?
• 17:07
  Speaker 4: Waits not likely to hurt her as long as she
• 17:10
  Speaker 4: can be some good to them.
• 17:12
  Speaker 3: If they don't hear from it, they'll have to try again.
• 17:17
  Speaker 3: I've got to wait, don't I sure do? Hope you
• 17:22
  Speaker 3: know what you're doing? Yeah, so wi shuster.
• 17:25
  Speaker 1: So you're glad you decided to do the cooking, Miss Kitty.
• 17:42
  Speaker 3: Maybe you'll choke on it and it'll be worth it.
• 17:46
  Speaker 3: See me like you're acting too friendly? Any reason why
• 17:50
  Speaker 3: I should? Sure, Miss Kitty? You and me, You and me.
• 18:00
  Speaker 3: That's the way it's gonna be.
• 18:01
  Speaker 1: It's never gonna be like that. You kind of caught
• 18:05
  Speaker 1: into that big Marshall.
• 18:08
  Speaker 3: That's none of your business. You think he's gonna get
• 18:11
  Speaker 3: you out of this. He'll be here. Sure he's gonna
• 18:15
  Speaker 3: be here.
• 18:16
  Speaker 1: Milt went down to talk to him, make sure he'd
• 18:18
  Speaker 1: be here. I know that thee my birth not. I
• 18:23
  Speaker 1: know something else that you want to hear about it?
• 18:29
  Speaker 3: Not much?
• 18:30
  Speaker 1: You better want to. I done mean some figuring. Milt
• 18:35
  Speaker 1: ain't the only one to do the figuring. He thinks
• 18:38
  Speaker 1: he is sure he does this time, I've done some
• 18:41
  Speaker 1: figuring all by myself.
• 18:43
  Speaker 3: I got it all worked out about.
• 18:45
  Speaker 1: That, big Marshal, What do you mean even if he comes,
• 18:52
  Speaker 1: even if he lets brass go, he ain't gonna get you.
• 18:58
  Speaker 3: How do you plan to stop? Why? There ain't nothing
• 19:03
  Speaker 3: to it after the figuring is done? What's that? I
• 19:07
  Speaker 3: just ain't gonna let him ride out of here? That's
• 19:09
  Speaker 3: all already be getting pretty close now it's done. Yeah,
• 19:32
  Speaker 3: got along in here. Do you think they'll really show
• 19:35
  Speaker 3: up with miss Kitty? How thought they want this? Man?
• 19:38
  Speaker 3: They will?
• 19:39
  Speaker 1: They really got you square, and ain't they, Marshal.
• 19:42
  Speaker 3: Don't worry about it, Press, I told you my boys,
• 19:45
  Speaker 3: and study it out. They haven't finished it yet. Don't
• 19:49
  Speaker 3: stare under them freeze. Yeah, come on, look there, I
• 20:00
  Speaker 3: can see this kiddy and one of them fellas. Let's
• 20:02
  Speaker 3: keep your eyes up, untest, all right, Marshall, let's barn up,
• 20:12
  Speaker 3: let her go. Mister, Well now, let's do this nice
• 20:15
  Speaker 3: and regular life.
• 20:17
  Speaker 5: Just mount all of it, right, yeah, mil all right,
• 20:29
  Speaker 5: ain't nothing wrong with me?
• 20:30
  Speaker 3: Set my hands the time, walk over here. We'll fix that.
• 20:34
  Speaker 1: Let her go, all right, Marshall, say I blame him,
• 20:39
  Speaker 1: mighty pretty little lady.
• 20:40
  Speaker 3: She ain't going no place. You all right what you're going? Yeah?
• 20:47
  Speaker 3: Yees you wait? Oh man, it's all right. You got
• 20:57
  Speaker 3: both of them. Yeah, it's all over here. This isn't
• 21:01
  Speaker 3: still alive, Miss Dylan. H It, It don't right, k.
• 21:22
  Speaker 4: No, that doesn't seem right. All right, brass, I'll tie
• 21:31
  Speaker 4: your hands now. I'm tire you letting me go. No,
• 21:38
  Speaker 4: but you're gonna need your hands to dig two graves
• 21:41
  Speaker 4: with for your boys.
• 21:45
  Speaker 3: Before you go back to jail.
• 21:47
  Speaker 6: M h.
• 22:20
  Speaker 2: Gun Smoke Broduston directed by Norman McDonald's, stars William Conrad
• 22:25
  Speaker 2: as Matt Villon Us Marshall. The story was especially woking
• 22:29
  Speaker 2: for gun Smoke by Marion Clark, with aeditorial supervision by
• 22:32
  Speaker 2: John Meston. Featured in the cast were Harry Bartel, Viccaren,
• 22:36
  Speaker 2: James Nusser and Ken Lynch. Harley Bear is Chester, Howard
• 22:41
  Speaker 2: mcneer is Doc, and Georgia Ellis is Kiddy.
• 22:46
  Speaker 1: We Leave Dodge City with Gun Smoke episode three hundred
• 22:49
  Speaker 1: and seventy five Kiddies Kidnap. Follow Gun Smoke for more
• 22:53
  Speaker 1: classic broadcasts.