Latest / The Breakfast Club / Birth Of A Nation Starring Nat Turner...Not Nate Parker

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Birth Of A Nation Starring Nat Turner...Not Nate Parker · The Breakfast Club

• 0:03
  Speaker 1: Room anywhere else. So your friend on Friday, the pop
• 0:05
  Speaker 1: that puts you the world's most stagers, Morning Show, the camera,
• 0:11
  Speaker 1: I agree? Show is this listen cy DJ Harry, the
• 0:18
  Speaker 1: captain of this the only one who can keep these
• 0:21
  Speaker 1: guys in chat. Charlomagne, the guard by the breath was competition.
• 0:37
  Speaker 1: Good morning, Usa, Hey, good morning, good morning angela ye
• 0:42
  Speaker 1: money damning. Charlomagne will be here in a second. It's Thursday,
• 0:50
  Speaker 1: all day, all day, all day, all day, Oh day.
• 0:53
  Speaker 1: Welcome morning, everybody. It's Thursday. The weekend is almost here.
• 0:57
  Speaker 1: We got a special guest. I'm excited about this guest.
• 1:00
  Speaker 1: A lot of talk about this guess. Yes, Nate Parker
• 1:04
  Speaker 1: will be joining us today because The Birth of a
• 1:06
  Speaker 1: Nation actually comes out tonight at midnight, midnight tonight. That's right.
• 1:09
  Speaker 1: We also have his book The Birth of a Nation,
• 1:11
  Speaker 1: Nat Turner and the Making of a Movement, edited by
• 1:14
  Speaker 1: Nate Parker. It's a tie into the movie. Right autograph
• 1:17
  Speaker 1: to us, right right right ahead of time. I'm excited
• 1:20
  Speaker 1: about this movie. My parents are actually excited as well.
• 1:22
  Speaker 1: A lot of people are talking about this movie. Want
• 1:24
  Speaker 1: to see the movie Birth of a Nation? I want
• 1:26
  Speaker 1: to check it. Out. I'm gonna be in Boston tonight,
• 1:28
  Speaker 1: so I'm gonna try to find well. I don't think
• 1:30
  Speaker 1: they have it at midnight in Boston maybe, but I'm
• 1:32
  Speaker 1: gonna try to find a place that has it. I'm
• 1:34
  Speaker 1: gonna take maybe twenty listeners, twenty people that follow me
• 1:37
  Speaker 1: on Instagram, Snapchat, and I'll just pay for them and
• 1:40
  Speaker 1: we'll just all watch it together. I'm excited about this one.
• 1:42
  Speaker 1: So is it like you do like a family for Like,
• 1:47
  Speaker 1: how do you pick twenty people with me? The first
• 1:49
  Speaker 1: twenty people that hit me? Tell you meet me at
• 1:51
  Speaker 1: whatever movie theater and I'll just pay for they. Should
• 1:53
  Speaker 1: they start hitting you now? No, I'm just wondering how
• 1:57
  Speaker 1: does this work. I gotta find a place for us.
• 1:59
  Speaker 1: I gotta find some place that's actually hit you now,
• 2:01
  Speaker 1: and then you tell them the place. You'll do it
• 2:04
  Speaker 1: later on when I find when I find out where
• 2:06
  Speaker 1: it's playing, I don't want to say all right now, no,
• 2:07
  Speaker 1: we'll find a movie there. Let's say it's The Loans
• 2:10
  Speaker 1: at someone sole place. I'll say the first, you're gonna
• 2:12
  Speaker 1: pre buy the tickets before you tell people? Absolutely, you
• 2:15
  Speaker 1: should start looking now. I am well, not now, but
• 2:19
  Speaker 1: if they're showing it right, right, right, But we'll do
• 2:24
  Speaker 1: that late. I'm excited to see the movie. You've seen
• 2:25
  Speaker 1: the movie, Remaine seeing it already. I haven't seen it
• 2:28
  Speaker 1: as a yet. Yeah, it was Listen, it's now envy.
• 2:32
  Speaker 1: I know both you and I cry a lot during movie.
• 2:34
  Speaker 1: Don't cry a lot. Don't stop saying I cry a
• 2:36
  Speaker 1: lot one time during Creed. During Creed, I it's definitely
• 2:41
  Speaker 1: a thousand times more tarried than Creed. So I'm probably
• 2:44
  Speaker 1: gonna cry definitely on police take a selfie. When it happened,
• 2:47
  Speaker 1: and it was more than just the Creed movie. We
• 2:50
  Speaker 1: were it was it was late on the airplane. Just
• 2:55
  Speaker 1: made it sound like we know we were on a flight.
• 2:56
  Speaker 1: We weren't even sitting next to each other. I was
• 2:58
  Speaker 1: sitting in a whole another across the road. We were
• 3:01
  Speaker 1: high in the air. It was more than just Creed.
• 3:04
  Speaker 1: It wasn't high. I was high. We were high. We
• 3:07
  Speaker 1: were up in the air high. You know, I wasn't.
• 3:12
  Speaker 1: I don't know how what drugs you were taking, but
• 3:13
  Speaker 1: I wasn't high. I meaning the airplane was. We were
• 3:15
  Speaker 1: hiding it. Yes, it's an airplane, but that had something
• 3:18
  Speaker 1: to do with it. I didn't just cry because I've
• 3:20
  Speaker 1: seen Creed. I was like, oh my god, saying the
• 3:22
  Speaker 1: altitude has something the altitude, yeah, and then I was hungry.
• 3:25
  Speaker 1: It was a lot. It was more than just. It
• 3:29
  Speaker 1: was more than just. I cried because I've seen Creed.
• 3:31
  Speaker 1: Every time you take a flight, you cry if I
• 3:34
  Speaker 1: see a sad movie. Yes, I'm just confused, all right,
• 3:38
  Speaker 1: but it is a great movie. Um and n Parker
• 3:40
  Speaker 1: will be joining us this morning, so we're excited about that.
• 3:42
  Speaker 1: And I do recommend that everybody see it because it's
• 3:45
  Speaker 1: a story that doesn't get told too often. Right. I
• 3:49
  Speaker 1: think it's a place in like the eighteen thirties. All right,
• 3:52
  Speaker 1: I'm sorry about this. Now, we got front page news. Next.
• 3:54
  Speaker 1: What we're talking about, Oh man, we'll talk about hurricane
• 3:56
  Speaker 1: at Matthew. It's in the Bahamas right now. I'll tell
• 3:59
  Speaker 1: you what happened. And it's on its way here to
• 4:01
  Speaker 1: the United States, so we'll tell you where. You gotta
• 4:03
  Speaker 1: be really careful if you live in these places. A
• 4:05
  Speaker 1: lot of flights were canceled even today, so make sure
• 4:07
  Speaker 1: if you're planning to fly, you go ahead and check
• 4:09
  Speaker 1: that out. Also, Samsung more issues with these phones overheating,
• 4:13
  Speaker 1: the same one. They're saying, this is a little different.
• 4:16
  Speaker 1: I'll tell you what happened. Okay, we'll get into that
• 4:17
  Speaker 1: when we come back. Keep the lostics to breakfast Club.
• 4:19
  Speaker 1: Good morning, here's Drake. There's one dance. Come onring morning everybody.
• 4:24
  Speaker 1: It's DJ M v Angela. Ye, Charlemagne the God. We
• 4:27
  Speaker 1: all the breakfast club. Let's getting some front page news now.
• 4:31
  Speaker 1: In sports, the Giants beat the Mets three oh in
• 4:34
  Speaker 1: the wild card game in advance of the division divisional round.
• 4:38
  Speaker 1: It was actually ninth inning, I don't scoreless game to
• 4:40
  Speaker 1: the ninth thing and ninth inning, and then the Giants
• 4:42
  Speaker 1: actually won. I hate baseball because it's so damn born.
• 4:45
  Speaker 1: I didn't know that they do one game eliminations. Had
• 4:48
  Speaker 1: no idea for a while, very born sport. It was
• 4:51
  Speaker 1: very exciting when everybody used to be on steroids and
• 4:53
  Speaker 1: performance and hands and drugs. Did you really watch them
• 4:55
  Speaker 1: back then? Yes? I did. I was actually in the
• 4:57
  Speaker 1: Lanta Brace fan. This is back in the day when
• 4:58
  Speaker 1: they had that great pitching staff, Tom Claveland and John
• 5:01
  Speaker 1: Smokes David just as she used to play for them.
• 5:05
  Speaker 1: You the type of person to seem like you had
• 5:07
  Speaker 1: a lot of baseball cards back then too. I used
• 5:09
  Speaker 1: to have a lot of baseball cars because I realized
• 5:11
  Speaker 1: how much money you could make collecting cards. Because you
• 5:13
  Speaker 1: know when you used to get those trading card books
• 5:16
  Speaker 1: and you see that those cards are worth man money.
• 5:18
  Speaker 1: Like I saw Lebron James card. Rookie card is worth
• 5:21
  Speaker 1: like three hundred thousand dollars. Now, just that was only
• 5:24
  Speaker 1: what twelve years ago? Twelve years ago, somebody got that card,
• 5:27
  Speaker 1: and my son has all those cards. Well, I was
• 5:29
  Speaker 1: reading the story about Brooks Marlowe. He was trying to
• 5:32
  Speaker 1: he was a prospect for the Houston Astros. And you
• 5:34
  Speaker 1: saw that tweet he put out. No, he tweeted, no
• 5:37
  Speaker 1: lady needs to be on ESPN talking during a baseball game,
• 5:40
  Speaker 1: especially Mendoza. Sorry, oh, why would you. He's trying to say,
• 5:45
  Speaker 1: no women, women talking about baseball. I don't think nobody
• 5:48
  Speaker 1: should be talking about baseball. It was just that Born
• 5:51
  Speaker 1: deleted the tweet, but still everybody's seen it. So I
• 5:53
  Speaker 1: don't know about this guy. All right, I'm bored with
• 5:56
  Speaker 1: this conversation. Too much baseball talk, all right. Well, on
• 5:58
  Speaker 1: Thursday night football, Oh, the Colinals played a forty nine
• 6:01
  Speaker 1: is now let's talk about Hurricane Matthew. Yes, hurricane and
• 6:04
  Speaker 1: Matthew is in the Bahamas right now, battering parts of
• 6:08
  Speaker 1: the Bahamas. They landed there early this morning. They're saying
• 6:11
  Speaker 1: it will intensify going towards Florida's coast right now, which
• 6:15
  Speaker 1: means mass evacuations. A lot of people have been told
• 6:17
  Speaker 1: to evacuate in Florida and in South Carolina. So what
• 6:22
  Speaker 1: they are saying now is if you are told to evacuate,
• 6:25
  Speaker 1: please leave. You can leave now, get out of there now.
• 6:27
  Speaker 1: If you're able to leave early, just go. We can
• 6:30
  Speaker 1: rebuild your home, we can rebuild your business, we cannot
• 6:32
  Speaker 1: rebuild your life. Yes, people in the eight forty three
• 6:36
  Speaker 1: on my family in a forty three, it say it's
• 6:37
  Speaker 1: gonna be a category two by the time it hit
• 6:39
  Speaker 1: South Carolina. But they're saying it's still very powerful, still
• 6:42
  Speaker 1: very dangerous hurricane. There's gonna be a lot of storm surge,
• 6:45
  Speaker 1: flooding in high winds, so be careful. Officials in Haiti
• 6:48
  Speaker 1: did raise the death toll to ten. They say that
• 6:50
  Speaker 1: number is expecting to further increase as they reach some
• 6:54
  Speaker 1: remote areas and the storm Moosto had hit Jamaica, the
• 6:57
  Speaker 1: Dominican Republic and Cuba. Yes, super say you talk to evacuate,
• 7:01
  Speaker 1: Please get out. We would rather you live than stay
• 7:04
  Speaker 1: behind me. We can people feel like you can ride
• 7:06
  Speaker 1: out the stormy. Yea, I've had to evacuate from a
• 7:09
  Speaker 1: couple of hurricanes in my day, did you, Yeah, Hugo
• 7:12
  Speaker 1: and um it was another one. I can't remember another
• 7:13
  Speaker 1: one's name. All right, Yeah, there's everything all right with
• 7:16
  Speaker 1: the household. Though. Um let me see when Hugo here,
• 7:20
  Speaker 1: we used to live in a mobile home trailer. We didn't. Yeah,
• 7:22
  Speaker 1: the trailer didn't get messed up, not like other people's
• 7:24
  Speaker 1: houses next to us, to other people's trailers next to us. Yeah,
• 7:27
  Speaker 1: all right, let's talk about Samsung, right, Well, more issues
• 7:30
  Speaker 1: with Samsung. Now, there was another overheating, smoking Samsung smartphone
• 7:35
  Speaker 1: and that caused a Southwest Airlines jet to land. They
• 7:38
  Speaker 1: were about to take off from the Louisville Airport. It's
• 7:40
  Speaker 1: the new Galaxy Note seven. Remember they recalled that device
• 7:44
  Speaker 1: last month because of overheating. Yeah, they said only like
• 7:47
  Speaker 1: fifteen percent of the people actually traded their phone in
• 7:49
  Speaker 1: or something. But this person did trade their phone in
• 7:52
  Speaker 1: and got a replacement, and unfortunately now this replacement for
• 7:55
  Speaker 1: his recalled phone still has issues. Yeah, so I don't
• 7:59
  Speaker 1: know what they're gonna do about this, but there looks
• 8:01
  Speaker 1: like there's still some problems. I ain't gonna front man yesterday.
• 8:04
  Speaker 1: You know, I never ever ever paid my full phone
• 8:06
  Speaker 1: bill because that's just not what I feel like a
• 8:08
  Speaker 1: real man should do. I feel like anybody that's worth
• 8:10
  Speaker 1: their salt, man, all women should only pay the pass
• 8:13
  Speaker 1: to amount. Okay, they complain when your phone gets shut
• 8:15
  Speaker 1: off and you got to figure out a way to
• 8:16
  Speaker 1: turn them. They cut me off yesterday, right, So I
• 8:19
  Speaker 1: paid the pass to amount like I do because I'm
• 8:22
  Speaker 1: a real one, okay, and they did not turn my
• 8:24
  Speaker 1: phone back on. I had to pay the full amount.
• 8:27
  Speaker 1: They probably they never did that. They never did that.
• 8:29
  Speaker 1: I'm like, I hope they say't some new policy. They
• 8:32
  Speaker 1: listen to the show they here you want here, trying
• 8:34
  Speaker 1: to be cute, encouraging people not to pay their full bill,
• 8:36
  Speaker 1: encouraging people not to do whoa whoa whoa prismatic. They
• 8:39
  Speaker 1: cut me off Monday, and they cut me off midnight,
• 8:42
  Speaker 1: And I was so mad that they cut me off midnight.
• 8:44
  Speaker 1: Usually they cut me off in the day when I
• 8:45
  Speaker 1: could figure it out so late I couldn't really figure out.
• 8:48
  Speaker 1: They cut me off yesterday mid text, like I had
• 8:51
  Speaker 1: just text somebody and it was like call me. When
• 8:53
  Speaker 1: I went to call the person, they directed me right
• 8:55
  Speaker 1: to financial services at Verizon and they maybe end up
• 8:58
  Speaker 1: having to pay the full amount. Then they they didn't
• 9:00
  Speaker 1: turn my phone on that say zero balance. They should
• 9:02
  Speaker 1: charge your extras their charge for people like you. That
• 9:06
  Speaker 1: makes no sense to leave because they offer you to pay.
• 9:08
  Speaker 1: They say you can pay the pass to amount or
• 9:10
  Speaker 1: you can pay the full amount. You can pay the
• 9:11
  Speaker 1: pass to the amount and get your phone turned on it.
• 9:12
  Speaker 1: They want you to pay the full amount, then get
• 9:14
  Speaker 1: rid of the past due option. Right, just pay your bill.
• 9:16
  Speaker 1: Don't have a pass due. Well, you're fine for the
• 9:18
  Speaker 1: next thirty days. Yeah, well forty five days since you
• 9:21
  Speaker 1: paid the full amount. I just want to say thanks
• 9:23
  Speaker 1: to you guys. I have automatic payment on my phone.
• 9:26
  Speaker 1: I don't even have to worry about it. Boogie. People
• 9:28
  Speaker 1: pay their full amount of their phone bill. Okay, rest
• 9:30
  Speaker 1: of us pay the paths to the mind. We use
• 9:32
  Speaker 1: that little money for us business call coming in and
• 9:34
  Speaker 1: they get that message this person does not accept incoming calls.
• 9:38
  Speaker 1: That's y'all, ball does not getting twisted. It's only all
• 9:41
  Speaker 1: for about well when I figured it out, but it's
• 9:42
  Speaker 1: usually about thirty minutes. No, they got me yesterday for
• 9:44
  Speaker 1: two hours. I tell you had to call the operator.
• 9:46
  Speaker 1: I had to pay the full amount and then call
• 9:49
  Speaker 1: the operator and tell the operator. Look, man, I ended
• 9:52
  Speaker 1: up paying the full amount. I got zero balance, what's up?
• 9:54
  Speaker 1: And then they reconnected me. All right, well that's front
• 9:57
  Speaker 1: page news. Tell them why you're mad. They don't. I've
• 10:00
  Speaker 1: eighty five one oh five one. If you're upset, you
• 10:02
  Speaker 1: need the vent callers right now. Maybe i'd bad you
• 10:05
  Speaker 1: got to go to a pay phone. Yeah, maybe they
• 10:06
  Speaker 1: didn't turn the phone back on. Eight hundred five eighty
• 10:09
  Speaker 1: five one oh five one. Tell him why you're mad.
• 10:11
  Speaker 1: It's the Breakfast Club. Co morning, the Breakfast Club. Hey
• 10:18
  Speaker 1: ya ya, the mad Rapper. Something real. I'm mad and
• 10:21
  Speaker 1: I stay mad, I stay angry, I stay heated, I
• 10:23
  Speaker 1: stay fisted, all mad Breakfast Club. Let's go. This is
• 10:26
  Speaker 1: I can't really tell y'all my name because I'm work
• 10:28
  Speaker 1: in the medical field, and what I have to say,
• 10:32
  Speaker 1: I'm very upset, but First, I want to say hi
• 10:34
  Speaker 1: to Charlottamagne here. Remind me and my uncle I always
• 10:37
  Speaker 1: say that, why mad mama. Okay, so on my job,
• 10:43
  Speaker 1: ware are working like I'm always getting bully bot is
• 10:45
  Speaker 1: My body is one girl now, y'all. I'm trying to
• 10:48
  Speaker 1: be very professional, but I just want to let her
• 10:50
  Speaker 1: know that stop bullying me, because you know, I don't
• 10:53
  Speaker 1: want to be mean. I don't want to get go
• 10:56
  Speaker 1: back at us. First of all, you're a black woman.
• 10:58
  Speaker 1: As a black woman, sometimes you gotta put the fair
• 11:00
  Speaker 1: God and people. You know what to do. You walk
• 11:02
  Speaker 1: up on her, smacking your hands together in her face,
• 11:05
  Speaker 1: giving her old hair claps, and tell her it can
• 11:07
  Speaker 1: and will go down if she ain't right. I love.
• 11:12
  Speaker 1: I don't know about that advice, but don't let her
• 11:15
  Speaker 1: bully you. Mama. I ain't telling it hit nobody, y'all.
• 11:17
  Speaker 1: I almost quit my job because of her. Oh you
• 11:20
  Speaker 1: can nobody make you quit your job now. I know
• 11:23
  Speaker 1: it was that serious this morning, y'all. It's not like
• 11:26
  Speaker 1: that for like a good thirty days. And I've been
• 11:28
  Speaker 1: trying to be humble nable. Sometimes something f being humble.
• 11:32
  Speaker 1: Sometimes you just gotta go put the fear God and people. Hello,
• 11:35
  Speaker 1: who's this? Yes, this is Nicole, Nicole from you in
• 11:39
  Speaker 1: age ten. Tell them about you, man, mamma man man,
• 11:42
  Speaker 1: I was listening listening to Nook while you buck man
• 11:44
  Speaker 1: I fly, you know. But anyways, I'm not Yes, I was,
• 11:49
  Speaker 1: so I gave him the mouthful before I even you
• 11:51
  Speaker 1: hold out on the air. But what I'm mad about
• 11:53
  Speaker 1: is people who come to this country, certain illegals or
• 11:56
  Speaker 1: so who come here. Mccondo's think that better than my
• 11:59
  Speaker 1: peace people. Okay, but I start acting like they wipe.
• 12:02
  Speaker 1: These mofos are getting free money from the IRS. Look
• 12:05
  Speaker 1: at us. Bu's for real, because they're claiming kids up
• 12:07
  Speaker 1: in Mexico don't even live here. They're getting extra money
• 12:10
  Speaker 1: from the government from the IRS. Freaking My people can't
• 12:14
  Speaker 1: get reparations. We got soldiers who can't get their disability,
• 12:16
  Speaker 1: can't get their social maturity. So that's the problem. You know,
• 12:19
  Speaker 1: want the Mexicans be the new black twist realized here,
• 12:24
  Speaker 1: Homie realized Homie Baby listens talking about we as black people,
• 12:30
  Speaker 1: gonna really criticize somebody for claiming other people's kids on
• 12:33
  Speaker 1: our taxes. That ain't nab rod nab na you ain't
• 12:39
  Speaker 1: never claim another You ain't never claim another kid on
• 12:42
  Speaker 1: your taxes. If they don't matter, they get they get
• 12:45
  Speaker 1: check to the address. They can't come make it. Some
• 12:46
  Speaker 1: text can repot your account. Mofo, repost your account. Don't
• 12:50
  Speaker 1: get into seeds. The bacons on you up that that's right.
• 12:56
  Speaker 1: And I worked, and I worked like the Mexicans. They
• 12:58
  Speaker 1: don't get it. It's called new slavery. The only different
• 13:00
  Speaker 1: things the mobiles get paid, but they ever come from
• 13:02
  Speaker 1: a black person on that bitch, I come knocking onside
• 13:05
  Speaker 1: their head. They don't want. I'm gonna tell you straight
• 13:07
  Speaker 1: up like this, stay away from all home depots for
• 13:09
  Speaker 1: about a month. Girl, you're gonna get jumped. Right, anything
• 13:21
  Speaker 1: you're gonna get, you're gonna get jumped by a bunch
• 13:23
  Speaker 1: of essays. A bunch of MS thirteen is gonna get you.
• 13:28
  Speaker 1: Wall Jesus Christ, Wow, tell them why you man eight
• 13:32
  Speaker 1: hundred and five eight five one on five one. If
• 13:34
  Speaker 1: you're upset, you need to VIC callers. Now. It's the
• 13:35
  Speaker 1: breakfast Club. Good morning, the breakfast Club that was real
• 13:43
  Speaker 1: even needed me morning. Everybody is DJ mzy Angela Yee Charlomagne,
• 13:47
  Speaker 1: the guy we are the Breakfast Club and sleut to
• 13:49
  Speaker 1: my guy, Nape Parker. He'll be here next hour. He'll
• 13:51
  Speaker 1: be joining us the next hour. Birth of a Nation
• 13:53
  Speaker 1: hit steadus tonight at midnight. Yeah. I got his book,
• 13:56
  Speaker 1: The Birth of the Nation That Turner in the Making
• 13:58
  Speaker 1: of a Movement at a by Nate Parker, the official
• 14:01
  Speaker 1: movie tie in. A lot of people are still mad man,
• 14:04
  Speaker 1: especially a lot of women are mad about his um.
• 14:07
  Speaker 1: I guess he was found innocent, but his charge and
• 14:09
  Speaker 1: they're saying that they necessarily don't want to see the
• 14:11
  Speaker 1: movie because of the charge that he got when he
• 14:13
  Speaker 1: was in college, or that's ignorant um. I think, I mean,
• 14:17
  Speaker 1: you know, I'm not even gonna say that's ignorant, that's ignorant,
• 14:19
  Speaker 1: that's that's your that's your choice. But I feel like
• 14:21
  Speaker 1: this movie Birth of a Nation has nothing to do
• 14:24
  Speaker 1: with Nate Parker and everything to do in that Turner.
• 14:27
  Speaker 1: I think it's a very teachable a movie that can
• 14:29
  Speaker 1: teach people a lot of things. I think that you
• 14:30
  Speaker 1: can take your kids to this movie and have a
• 14:32
  Speaker 1: lot of teachable moments. And I just think that this
• 14:34
  Speaker 1: movie is bigger than than Ny Parker. Plus, can we
• 14:37
  Speaker 1: all keep in mind that ny Parker got found not guilty.
• 14:39
  Speaker 1: Like it kills me that if a woman comes to
• 14:42
  Speaker 1: me and a woman says she got sexually assaulted, rape,
• 14:45
  Speaker 1: we have to take her serious. We can't dismiss her
• 14:47
  Speaker 1: right right. So if a guy says, hey, I didn't
• 14:50
  Speaker 1: do it, and he gets found not guilty, why do
• 14:52
  Speaker 1: we just dismiss that. I guess people are reading the
• 14:54
  Speaker 1: transscript right, and he did at that school, did have
• 14:57
  Speaker 1: to set up with them harassing her afterwards. In other words,
• 15:00
  Speaker 1: they were before the trial. I'm telling you to do
• 15:05
  Speaker 1: it again. I'm telling you what happened. These are facts,
• 15:09
  Speaker 1: what I know. What I'm saying, not guilty, all right,
• 15:11
  Speaker 1: he got found not guilty. But a lot of times
• 15:13
  Speaker 1: people are very sensitive about this because there are times
• 15:15
  Speaker 1: that people get found not guilty because for other reasons,
• 15:18
  Speaker 1: especially on college campus. We don't know. Once again, how
• 15:22
  Speaker 1: come as a man, when a man is found not guilty,
• 15:26
  Speaker 1: nobody gives us the benefit of the doubt. We're still
• 15:28
  Speaker 1: guilty in the court of public found not guilty. But
• 15:30
  Speaker 1: I think people were upset because they said the girl
• 15:32
  Speaker 1: was drunk and he invited his friend over while the
• 15:35
  Speaker 1: girl was found guilty and then he appealed. But you know,
• 15:37
  Speaker 1: it's a conversation that we should have. And I was
• 15:40
  Speaker 1: having this conversation with a friend of mine yesterday that
• 15:42
  Speaker 1: went to Temple, and he was saying, this is true.
• 15:45
  Speaker 1: It's sad, but it's true that in college that's what
• 15:47
  Speaker 1: people would do. They would get drunk and they would small.
• 15:52
  Speaker 1: But it isn't even just in college. In life. It
• 15:54
  Speaker 1: is an important conversation for everybody to have. Now, just
• 15:57
  Speaker 1: in other words, just let people know if a woman
• 16:00
  Speaker 1: is drunk or incapacitated and just walk away and leave
• 16:04
  Speaker 1: it alone. If that's the most that comes out of
• 16:06
  Speaker 1: this conversation, I think that's a great thing to really,
• 16:08
  Speaker 1: especially on college campuses where kids are getting drunken for
• 16:11
  Speaker 1: the first time, experimenting with different things. Girl, I think
• 16:17
  Speaker 1: they had some type of interaction prior to that, but
• 16:19
  Speaker 1: I don't think they had an intercourse. Well, we'll talk
• 16:22
  Speaker 1: about it more, and of course Nate Parker will be
• 16:24
  Speaker 1: joining us. The Nat Turner movie Birth of a Nation
• 16:27
  Speaker 1: is out tonight eleven fifty nine pm. You can go
• 16:29
  Speaker 1: see at midnight. But we got rumors on the way. Yes,
• 16:32
  Speaker 1: let's talk about Drake. I had no idea he was
• 16:35
  Speaker 1: hurt this badly. I'll tell you about what he had
• 16:37
  Speaker 1: to put out there for his fans. Some shows that
• 16:39
  Speaker 1: will be rescheduled, all right, we'll get into all that
• 16:42
  Speaker 1: when we come back. Keep it locked. As to Breakfast Club,
• 16:44
  Speaker 1: good morning, the Breakfast Club I didn't come out of.
• 16:50
  Speaker 1: This is the Rumle Report with angela year Breakfast Club.
• 17:00
  Speaker 1: We have some very unfortunate news. Drake actually has to
• 17:03
  Speaker 1: put off at least three of his shows that are
• 17:05
  Speaker 1: coming up now. He posted on his ovo website as
• 17:08
  Speaker 1: a blog site. The love that my fans aka my
• 17:11
  Speaker 1: family have shown to me on the Summer sixteen tour
• 17:13
  Speaker 1: has been something I will ever forget. We are over
• 17:15
  Speaker 1: fifty shows in and I've done everything to power through
• 17:18
  Speaker 1: my recent ankle injury and leave it all out there
• 17:20
  Speaker 1: on the stage every night. I hate to be told
• 17:22
  Speaker 1: I can't do something, but under doctor's orders to allow
• 17:24
  Speaker 1: me time to recuperate, being forced to postpone with intense
• 17:28
  Speaker 1: three shows in a row in cities which have only
• 17:30
  Speaker 1: ever shown me unconditional support, So as far as Toronto
• 17:35
  Speaker 1: and Philly, He's gonna have to postpone, he said. He
• 17:37
  Speaker 1: was also asked to postpone both New York shows that
• 17:40
  Speaker 1: he has but I have yet to perform there, and
• 17:42
  Speaker 1: so we compromised at one. So for all those people
• 17:46
  Speaker 1: that were planning to go to these shows, he's only
• 17:48
  Speaker 1: going to do one of the two New York shows
• 17:50
  Speaker 1: and then he will be postponing Toronto and Philly. By
• 17:54
  Speaker 1: the way, this is the longest summer ever. It seemed
• 17:56
  Speaker 1: like Drag and Future been on tour forever. Well, let's
• 17:58
  Speaker 1: coming back around because member they did in New York
• 18:00
  Speaker 1: for then it seemed like they came back around and
• 18:02
  Speaker 1: did the ball Clays summer sixteen and Nickel doing York,
• 18:07
  Speaker 1: so they came a bunch of times for us. Now,
• 18:10
  Speaker 1: Drake also went to Drake University and did a surprise visit.
• 18:14
  Speaker 1: He stopped by the campus. It's in Iowa. They actually
• 18:17
  Speaker 1: had did this huge online campaign, a social media campaign
• 18:21
  Speaker 1: trying to get Drake to visit. The ladies of Kappa
• 18:23
  Speaker 1: Kappa Gamma were doing that and here's what happened when
• 18:26
  Speaker 1: he showed up early Wednesday morning. Look, Kappa Kappa Gamma,
• 18:30
  Speaker 1: I'm outside your sorority house right now and you're all sleep.
• 18:34
  Speaker 1: You're all the Kappa Alpha theater. You're out here waiting
• 18:40
  Speaker 1: on you who ain't on you. They must got curfew
• 18:43
  Speaker 1: on that campus because somebody should have been awake. I
• 18:45
  Speaker 1: didn't believe it was those cragglers away. Nobody on a
• 18:47
  Speaker 1: college camp and they were studying. Nobody was there playing spades.
• 18:51
  Speaker 1: When I went to college, we played spades all night. Oh,
• 18:53
  Speaker 1: we definitely played spades today that one of What time
• 18:55
  Speaker 1: did he actually go there? It was after his show,
• 18:57
  Speaker 1: so you have to figure it was pretty late, you know,
• 19:00
  Speaker 1: after the show. So unfortunately for them, they missed out.
• 19:04
  Speaker 1: I know they were so mad when they woke up
• 19:06
  Speaker 1: and saw this video, and they actually posted video too,
• 19:09
  Speaker 1: trying to convince him to come back. But who knows
• 19:11
  Speaker 1: when that's going to happen, all right. Kim Kardashian update.
• 19:14
  Speaker 1: Her bodyguard actually deleted every mention of her from his
• 19:17
  Speaker 1: social media. They don't think that her bodyguard was involved.
• 19:20
  Speaker 1: They really like him everything he's been with her since
• 19:23
  Speaker 1: I think twenty twelve, but they just felt like he
• 19:26
  Speaker 1: should clean it out. They don't want people to know
• 19:28
  Speaker 1: and connect where he's going to be with where she's at,
• 19:31
  Speaker 1: and they say that she is closer to catching who
• 19:34
  Speaker 1: did it? Who stole her jewelry, because they do have
• 19:36
  Speaker 1: a camera that caught a reflection of the thieves in
• 19:39
  Speaker 1: a mirror during their getaway. So Paris cops did seize
• 19:43
  Speaker 1: that footage Tuesday morning, and they spoke with a nail
• 19:46
  Speaker 1: salon owner because it was a nail salon that had
• 19:48
  Speaker 1: that in the camera outside. The mirror outside got a
• 19:50
  Speaker 1: clear shot up the crooks as they were fleeing. Now,
• 19:53
  Speaker 1: they also said the president is very involved and making
• 19:57
  Speaker 1: sure that these thieves are caught. It's hurts tourism, yeah, absolutely,
• 20:02
  Speaker 1: and it's you know, Kim Kardashian's a high profile case.
• 20:04
  Speaker 1: Kim Kardashian, on her behalf, feels like she is also
• 20:08
  Speaker 1: partly at fault. She agrees with critics who are saying
• 20:10
  Speaker 1: that she put a target on her back by just
• 20:13
  Speaker 1: flaunting her wealth and her jewelry on social media. They
• 20:15
  Speaker 1: say a number of people have been critical as we
• 20:18
  Speaker 1: know of her for flaunting her ring. So right now,
• 20:20
  Speaker 1: she's gonna take a month off of work. When she
• 20:22
  Speaker 1: gets back, she's not going to be on social media
• 20:24
  Speaker 1: the same way displaying her personal wealth and all of
• 20:28
  Speaker 1: that she was supposed to be. I think in Dubai
• 20:30
  Speaker 1: or something doing a makeup class, so she's postponed that.
• 20:32
  Speaker 1: It isn't that kind of like victim blaming though, I mean,
• 20:34
  Speaker 1: she of course you're not. You can't entice the wools,
• 20:37
  Speaker 1: and you should be able to protect what you post.
• 20:38
  Speaker 1: But isn't that like the same thing as saying, well,
• 20:40
  Speaker 1: you kind of deserved it because of what you were wearing.
• 20:42
  Speaker 1: It is, well, I guess for her own precautions. She
• 20:45
  Speaker 1: just feels like, you know what, when I have certain things,
• 20:48
  Speaker 1: I just won't flaunt. I don't want people to know
• 20:51
  Speaker 1: what I have and therefore make me a target. I
• 20:53
  Speaker 1: guess that's how she's looking at It's like a woman said,
• 20:57
  Speaker 1: I'm gonna start wearing more clothes now because I don't
• 21:00
  Speaker 1: want to wear revealing stuff because I don't want to
• 21:02
  Speaker 1: get raped. Almost got raped. A start wearing a bunch
• 21:05
  Speaker 1: of clothes. Now, you're right, I mean, I understand that,
• 21:07
  Speaker 1: but I even felt like, you know, on my behalf,
• 21:10
  Speaker 1: not like I have anything on the level of a
• 21:11
  Speaker 1: Kim Kardashian, but I feel like I'm also pretty careful
• 21:14
  Speaker 1: about what I have and you know, putting it out
• 21:17
  Speaker 1: there like that because you don't want to be like, hey,
• 21:18
  Speaker 1: look what I have come. You know, I would love
• 21:20
  Speaker 1: the flaws on Instagram, But I ain't got nothing, bro.
• 21:22
  Speaker 1: I'm a part time mover driver in the afternoon. You
• 21:25
  Speaker 1: know what I'm saying. I don't know a white talking
• 21:28
  Speaker 1: T shirt right now from baby liar I Now. Derek
• 21:32
  Speaker 1: Rose's attorneys are saying that he's not going to settle.
• 21:36
  Speaker 1: He said, I want to take it to court because
• 21:37
  Speaker 1: I didn't want to settle. He said, I don't feel
• 21:40
  Speaker 1: like I did anything wrong, and this is all for
• 21:41
  Speaker 1: the rate case that he has. If I go up
• 21:43
  Speaker 1: there and just tell my side of the story, I
• 21:45
  Speaker 1: think I'll be all right. The problem is that they
• 21:48
  Speaker 1: feel like there's a lack of black people in the
• 21:50
  Speaker 1: jury pool. An attorney for Derek roses two co defendants,
• 21:54
  Speaker 1: so that that only two of the fifty perspective jurors where
• 21:57
  Speaker 1: African American and all three defendants are blacks. So they
• 22:00
  Speaker 1: want to make sure that this is a little bit
• 22:03
  Speaker 1: more fair. Okay, all right, and that is your rumor report.
• 22:06
  Speaker 1: I'm angela ye, all right, thank you, mischee. Now, when
• 22:09
  Speaker 1: we come back, Nate Parker will be joining us. His
• 22:11
  Speaker 1: movie Birth of a Nation hits theaters tonight at midnight.
• 22:15
  Speaker 1: I know you guys have a lot of questions. We
• 22:16
  Speaker 1: want to chop it up with him. We got a
• 22:17
  Speaker 1: lot to talk about. Keep it, Grab some popcorn and relax.
• 22:21
  Speaker 1: It's the Breakfast Local Morning. That was Usher No Limit Morning.
• 22:24
  Speaker 1: Everybody is DJ MVY, Angela Yee, Charlomagne and the guy.
• 22:28
  Speaker 1: We are the Breakfast Club. We got a special guest
• 22:30
  Speaker 1: in the building, the Man of the Hour. A lot
• 22:32
  Speaker 1: of controversy around his movie. Charlomagne and Angela, Ye have
• 22:35
  Speaker 1: seen it? I have it. Yes, I am going tomorrow.
• 22:37
  Speaker 1: I'm gonna be in Boston. I'm gonna see in Boston.
• 22:40
  Speaker 1: Could be dangerous ladies and gentlemen. Nate Parkers in the building.
• 22:46
  Speaker 1: What's up? What's up? Two things I thought I would
• 22:48
  Speaker 1: never see on a Hollywood screen as Luke Cage in
• 22:50
  Speaker 1: any form and Nat turn In the movie. I've been
• 22:53
  Speaker 1: screaming for a Nat Turning movie because I don't like
• 22:55
  Speaker 1: slave movie. I've been denounced him. I said, are you
• 22:57
  Speaker 1: gonna make any slave movie? Let it be Nat Turning
• 22:59
  Speaker 1: because that Turner wasn't a victim and you got it
• 23:02
  Speaker 1: done well. Let's explain in that turn of two for
• 23:03
  Speaker 1: people that don't know because I've never learned it in
• 23:06
  Speaker 1: my history books. It was it wasn't anything that I've
• 23:08
  Speaker 1: ever read, and I've went to Hampton University with the HBCU.
• 23:11
  Speaker 1: I've been in here to know you from Norfolk? So
• 23:14
  Speaker 1: what what made that so special to you? That story? Well,
• 23:16
  Speaker 1: a lot of it is what you just said. I
• 23:18
  Speaker 1: grew up in Norfolk, forty two miles east of Southampton
• 23:20
  Speaker 1: County where the revolt happened, and I never heard about
• 23:22
  Speaker 1: this brother, right, so Wiley, Yeah, I never heard about Yeah,
• 23:26
  Speaker 1: we learned about it growing up, but yeah, I've never
• 23:29
  Speaker 1: learned about it in school. Uh. And it's significantly because
• 23:31
  Speaker 1: when you think of the proximity, you would think that
• 23:33
  Speaker 1: someone would have said something. But it speaks to the
• 23:36
  Speaker 1: danger of the revolutionary, you know, the person that looks
• 23:38
  Speaker 1: like us, that fought for its own freedom. We don't
• 23:40
  Speaker 1: get those stories like you you said, you know what
• 23:42
  Speaker 1: I mean. Like even when we learn about slavery, we
• 23:44
  Speaker 1: learned through the context stuff the victim, victim and honest
• 23:47
  Speaker 1: and we laid down into honest. Abe said enough is enough,
• 23:50
  Speaker 1: you know he you know, honestly, Abe couldn't tell a lie.
• 23:52
  Speaker 1: Moden's chin pensive slave problem. We got to figure it out,
• 23:56
  Speaker 1: us up and now we're free. Right. We don't learn
• 23:58
  Speaker 1: about you know, TUCSONID. We don't learn about Denmark VC.
• 24:02
  Speaker 1: You know, we don't learn about Gabriel Prosser. We don't
• 24:04
  Speaker 1: learn about any of them. Right, and so you have
• 24:06
  Speaker 1: to ask yourself, why is that? Why are the why
• 24:08
  Speaker 1: is our history of being hit and things that would
• 24:10
  Speaker 1: empower us, you know what I mean? I mean, even
• 24:11
  Speaker 1: when I was trying to make this film, people were like,
• 24:13
  Speaker 1: if you make this film, bro, like it's gonna be
• 24:15
  Speaker 1: a problem. Like, don't make this film like black people.
• 24:17
  Speaker 1: Like prominent directors was like, make the story of John Brown.
• 24:21
  Speaker 1: You know, John Brown's a white abolitionist, theill let a
• 24:22
  Speaker 1: slave revolt. It was like, that'll be easier for people
• 24:25
  Speaker 1: to digest, you know what I mean. I had another
• 24:26
  Speaker 1: prominent black director told me. He was like, well, I
• 24:29
  Speaker 1: liked your script, but I didn't love it. One thing
• 24:31
  Speaker 1: would have made me love And I was like, what
• 24:32
  Speaker 1: you know, I got my notebook. He said, you need
• 24:35
  Speaker 1: more good white people. Wow. I was like, what do
• 24:37
  Speaker 1: you mean? He was like, white people are gonna watch that.
• 24:38
  Speaker 1: Man gonna watch this eighteen a period piece, and it
• 24:42
  Speaker 1: was America. And that's the thing. It's like, you know,
• 24:44
  Speaker 1: when it comes to other demographics that have endured torture
• 24:47
  Speaker 1: and genocide and holocaust and this never forget, you know
• 24:50
  Speaker 1: what I mean. It's very important that we hold those
• 24:51
  Speaker 1: stories up so they never repeat themselves. But in this
• 24:54
  Speaker 1: country we have this this habit of kind of closing
• 24:57
  Speaker 1: off the things that don't reflect us in the best
• 24:59
  Speaker 1: of lights, you know. So in telling the story, you know,
• 25:02
  Speaker 1: I said, man, I learned about Nat Turner twenty one.
• 25:05
  Speaker 1: But if I'd learn about him at twelve, how did
• 25:06
  Speaker 1: he learn about him at twenty one? African American studies class?
• 25:09
  Speaker 1: You know what I'm saying, Like made you read the
• 25:10
  Speaker 1: confessions in that turn up? I did read that, you know,
• 25:13
  Speaker 1: And it's funny because confessions is fiction, you know, that's
• 25:16
  Speaker 1: not That's like I always wondered about if somebody told
• 25:18
  Speaker 1: me that before. It's well, it won a Pulitzer, which
• 25:20
  Speaker 1: is was it tricky because it won the Pulitzer for fiction?
• 25:22
  Speaker 1: But the writer, he said, it's a reimagining of Nat
• 25:25
  Speaker 1: Turner's life. It's not Naturn's life. So when you read
• 25:27
  Speaker 1: the fires of Jubilee, you know, or William Drewry's book
• 25:30
  Speaker 1: in Southampton Interaction. You read the real stuff, You're like,
• 25:33
  Speaker 1: wait a minute, well I need to read the real stuff.
• 25:34
  Speaker 1: I only they have a red with the confessions in
• 25:36
  Speaker 1: that time. I don't menna tell you how like it's
• 25:37
  Speaker 1: a fiction book. We said, okay, well Nat Turner, um
• 25:41
  Speaker 1: he is. All of his motivation came for his lust
• 25:44
  Speaker 1: after the handmaid of his master, like a white woman,
• 25:47
  Speaker 1: Like that's why. And he was crazy, he was a fanatic,
• 25:49
  Speaker 1: he was homosexual, like all these things that they made up. Yeah,
• 25:52
  Speaker 1: you know what I mean. So when you get to
• 25:53
  Speaker 1: the real you're like, well, why would they detegrate it's life?
• 25:56
  Speaker 1: Why would they mysticize the things that actually happened when
• 25:58
  Speaker 1: they had Like why would they make it so he
• 26:00
  Speaker 1: didn't have children or didn't have a wife. He had
• 26:02
  Speaker 1: a wife, He had a child, you know what I'm saying.
• 26:04
  Speaker 1: So it's like the attack of the black man, the
• 26:07
  Speaker 1: demonizing of the black man is something it ain't knew.
• 26:10
  Speaker 1: This is age old, you know. So when we get
• 26:13
  Speaker 1: to celebrate this story, you know, like I said, you
• 26:16
  Speaker 1: know a lot of people I grew up with when
• 26:17
  Speaker 1: the president not here with us today, had that chip
• 26:20
  Speaker 1: on his shoulder and had no context as to why
• 26:22
  Speaker 1: or where you know they could put that energy. But
• 26:25
  Speaker 1: he rose when you can say oh no, no, no no, no,
• 26:27
  Speaker 1: Nat Turner rose and stood, so I can stand natur
• 26:30
  Speaker 1: with Jangle the real jack Men and Chris Rock had
• 26:33
  Speaker 1: a debate about that because he thought I was trying
• 26:35
  Speaker 1: to insult in that Turner by saying that. But the
• 26:36
  Speaker 1: reason I loved Jangles because he wasn't a victim Jango
• 26:38
  Speaker 1: Burton the plantation he did, and he stood up and
• 26:40
  Speaker 1: he was like, Nah, it's not happening in this way.
• 26:42
  Speaker 1: I'll take it even a step further though. Nat Turner said,
• 26:44
  Speaker 1: I'm going to sacrifice on behalf of people that I'll
• 26:46
  Speaker 1: never meet. You get what I'm saying, Like and Biblically
• 26:49
  Speaker 1: it says a good man leaves an inheritance for his
• 26:51
  Speaker 1: children's children, right. Nat Turner was like, Okay, I'm going
• 26:54
  Speaker 1: to walk to these gallows, but I know that what
• 26:56
  Speaker 1: I did will echo into eternity. We're celebrating that turn
• 27:00
  Speaker 1: They scanned him lampshades out of his skin and pursues
• 27:04
  Speaker 1: like this is what they did? You know what I'm saying.
• 27:05
  Speaker 1: So it's like all and they did what they did
• 27:08
  Speaker 1: in the name of God. He did what he did
• 27:09
  Speaker 1: in the name of God. Well, there are certain things
• 27:11
  Speaker 1: that you originally had in the movie that you felt
• 27:13
  Speaker 1: like you had to take out our people said, okay,
• 27:15
  Speaker 1: maybe that's nope, And it goes back to your question. Seriously,
• 27:19
  Speaker 1: like you said, I didn't you know, I went on
• 27:21
  Speaker 1: for money. Everybody that said they passed or how did
• 27:23
  Speaker 1: you pay for it? I knocked on doors man. You know,
• 27:26
  Speaker 1: I went to school. A lot of friends were in finance.
• 27:28
  Speaker 1: You know, one guy in particularly I contacted. He connected
• 27:31
  Speaker 1: me to one of his friends that actually worked in
• 27:33
  Speaker 1: New York that had a hedge fund, and I asked
• 27:35
  Speaker 1: him for the money. He said no. I said, okay,
• 27:37
  Speaker 1: that was what you're asking for millions. You got seven.
• 27:42
  Speaker 1: You're ade seven to get it done, right? Yeah? I
• 27:43
  Speaker 1: remember you think you needed the budget? Said we need
• 27:47
  Speaker 1: it like thirty right to make it. Oh my, it's
• 27:50
  Speaker 1: a battle film. Yeah, they said we needed forty days.
• 27:53
  Speaker 1: We shot in twenty seven days. You know what I'm saying.
• 27:55
  Speaker 1: So I knocked on doors. I went to anyone who
• 27:57
  Speaker 1: would listen. My lowest contribution was like seventy five thousand.
• 28:00
  Speaker 1: My biggest contribution was like two million, you know. And
• 28:02
  Speaker 1: the guy that gave me the two million, I just
• 28:04
  Speaker 1: I just begged him. I stepped away from acting for
• 28:06
  Speaker 1: two years. I thought I finished Beyond the Lights. Uh.
• 28:08
  Speaker 1: That Monday I went into my team, was like, I'm
• 28:10
  Speaker 1: not acting anymore, writing anything else. I'm not acting anything else,
• 28:14
  Speaker 1: I'm not directing. Don't call me. The next skin I
• 28:16
  Speaker 1: live in will be na turning period. Um. It's a
• 28:19
  Speaker 1: different comment. And and you know, leafing yourself from it.
• 28:23
  Speaker 1: It's a belief in God, like my faith really had.
• 28:25
  Speaker 1: It really reeled me in. The first hundred grand into
• 28:28
  Speaker 1: this film was my own money, and that's all I had.
• 28:31
  Speaker 1: You know what I'm saying, Like I ain't a millionaire.
• 28:32
  Speaker 1: I'm a thousand there, you know what I mean. And
• 28:34
  Speaker 1: to put up one hundred grand it hurts, you know.
• 28:37
  Speaker 1: I mean talking to my wife, I was like, this
• 28:38
  Speaker 1: is important, Like I didn't know it will be a
• 28:40
  Speaker 1: hunting HU stands at this point because baby, you ain't
• 28:43
  Speaker 1: working and you want to take everything. And we got lights,
• 28:47
  Speaker 1: you know, they got kid and kids need to be
• 28:49
  Speaker 1: turned on. But she had faith. Man, she was just
• 28:51
  Speaker 1: like you know, you know the lords called you to
• 28:53
  Speaker 1: do this. You know I got your back. Um, yeah,
• 28:58
  Speaker 1: you know. I was gonna say, like Nat Turner was
• 28:59
  Speaker 1: a choke in one from when he was a child.
• 29:02
  Speaker 1: From the point, did you feel like you were a
• 29:04
  Speaker 1: chosen one in telling this story, that it was something
• 29:07
  Speaker 1: that you were kind of born to do? I felt
• 29:09
  Speaker 1: like it was written on my spirit, you know what
• 29:11
  Speaker 1: I'm saying. Like I wouldn't say I'm chosen. I just
• 29:13
  Speaker 1: felt like, you know how you like you know what?
• 29:14
  Speaker 1: You know, we all struggle and rustle with our faith
• 29:16
  Speaker 1: and trying to get strong and whatever that means. And
• 29:19
  Speaker 1: U and I was like, you know, Lord, like, I
• 29:20
  Speaker 1: feel like you want me to tell this story? How
• 29:22
  Speaker 1: many times can you get offered crypt number four or blood?
• 29:29
  Speaker 1: At some point you're like, man, there's got to be
• 29:31
  Speaker 1: something better, you know. And it's like I go a
• 29:33
  Speaker 1: whole year and pass on fifty projects and they'd be
• 29:37
  Speaker 1: one great debaters. Now I got to compete against the
• 29:39
  Speaker 1: whole world to get that and then hope that Denzel
• 29:42
  Speaker 1: see something in me that works. At some point you're like, man, well,
• 29:45
  Speaker 1: what is the story I want to If I could
• 29:46
  Speaker 1: tell any story I want to be. That's brave heart.
• 29:51
  Speaker 1: We never had a brave heart, but we have more
• 29:53
  Speaker 1: with Nate Parker when we come back. Keep it locked.
• 29:56
  Speaker 1: It's the breakfast Club. Good Morning, the breakfast Club that
• 30:03
  Speaker 1: was Tory Lanez with Love Morning. Everybody is DJ M,
• 30:06
  Speaker 1: v Angela Yee, Charlomagne the guy. We are the breakfast Club.
• 30:09
  Speaker 1: We have Nate Parker in the building. That Birth of
• 30:12
  Speaker 1: a Nation hit status everywhere tonight at midnight. You must
• 30:16
  Speaker 1: see it. And it took you seven years to get done. Right.
• 30:18
  Speaker 1: This is my eighth year. So how did you eat
• 30:21
  Speaker 1: in between? Oh, we're acting. I only stepped away from
• 30:24
  Speaker 1: acting the last two years because you know how she's
• 30:26
  Speaker 1: so you're asking people for money. It's like, all right,
• 30:28
  Speaker 1: you know, Amy, I need a million dollars. You're like,
• 30:30
  Speaker 1: all right, we'll get me a business plan. I say,
• 30:32
  Speaker 1: all right, I'm gonna shoot this movie first and then
• 30:34
  Speaker 1: i'll be back with a business plan. So then I
• 30:36
  Speaker 1: get back, You're like, if you were serious, you wouldn't
• 30:37
  Speaker 1: have went and did that thing. So that's why I
• 30:39
  Speaker 1: walked away from acting, because I felt like it was
• 30:41
  Speaker 1: distracting from raising the money. You know, So when I
• 30:44
  Speaker 1: went for broke, and I literally like, hail Mary, closed
• 30:47
  Speaker 1: my eyes, went for broke. I'm asking black folks, anyone
• 30:50
  Speaker 1: you do think? I asked, I asked anybody and hip
• 30:52
  Speaker 1: hop step up like all these rich ass wrappers. Tony
• 30:55
  Speaker 1: Parker gave me money, Michael Finley gave me money, Derek
• 30:59
  Speaker 1: Brooks any money. Look, and I'm not blaming anyone for
• 31:02
  Speaker 1: not because all the models said, don't do it. They're like, wait,
• 31:05
  Speaker 1: you want to make a movie with a black mode
• 31:08
  Speaker 1: and he killing all these white people, right, and that's
• 31:10
  Speaker 1: never been seen on screen? Like they're reading the scripts
• 31:13
  Speaker 1: like so the black guy baptizes the white dude, okay, right,
• 31:17
  Speaker 1: and as a black angel, so the angels are black, okay?
• 31:21
  Speaker 1: And you want this to sell overseas, okay? How about No,
• 31:25
  Speaker 1: it's hard out there in these streets, like in hind
• 31:26
  Speaker 1: the Hollywood, it is hard to get projects off the
• 31:28
  Speaker 1: ground that reflect people of color in a positive light.
• 31:30
  Speaker 1: Were you surprised it actually made it in theaters because
• 31:33
  Speaker 1: we've been hearing about it for why? Look that's why
• 31:37
  Speaker 1: I said, I said, Look, the reality is you still
• 31:40
  Speaker 1: whispering like you ain't having that. I'm saying, look, but
• 31:47
  Speaker 1: that's what I'm saying. I'm saying that the I'm actually
• 31:49
  Speaker 1: saying the ops. I'm like, come for me. That's okay.
• 31:51
  Speaker 1: The movie exists, that Turner is alive and well right,
• 31:56
  Speaker 1: and and young people will see it, old people will
• 31:58
  Speaker 1: see it. Healing will be had, will be had, Solidary
• 32:01
  Speaker 1: will be achieved. In the name of Jesus, I'm not tripping.
• 32:05
  Speaker 1: My whole thing is I would have released this on YouTube,
• 32:08
  Speaker 1: no joke when we went to Sunday if I wouldn't
• 32:09
  Speaker 1: have gotten Sundance. You know, I went to my investors
• 32:11
  Speaker 1: and said, look, this is like, you know, six and
• 32:13
  Speaker 1: a half million dollars equity loss. I'm sorry, but I
• 32:16
  Speaker 1: do think this film needs to be seen. So we're
• 32:17
  Speaker 1: gonna do We're gonna make a deal with YouTube, you know,
• 32:21
  Speaker 1: and dropping on YouTube. Let people know. I'll plug it,
• 32:24
  Speaker 1: whatever I gotta do. For me. It ain't about the money.
• 32:26
  Speaker 1: It ain't about no accolades. It ain't I didn't step
• 32:29
  Speaker 1: away from acting and bankrupt my life and put my
• 32:32
  Speaker 1: mortgage in jeopardy to be fly, you know, Like, that's
• 32:35
  Speaker 1: not what this is about. This is about a story
• 32:37
  Speaker 1: that if I had when I was twelve, I mean,
• 32:39
  Speaker 1: you know, we lose young brothers and sisters eleven twelve,
• 32:42
  Speaker 1: they don't have heroes and people to connect to. Now
• 32:45
  Speaker 1: to have a kid on a playground saying well, I'm
• 32:48
  Speaker 1: that Turner like it's priceless. I learned about Denmark VC
• 32:51
  Speaker 1: at about thirteen fourteen because I'm from most CORNERSYC line
• 32:55
  Speaker 1: up A born in Charleston. Yes, would take us to
• 32:57
  Speaker 1: field trips to Denmark VC's house. I knew about Denmark
• 33:01
  Speaker 1: VCI since decades ago. What does that do for your
• 33:03
  Speaker 1: self esteem? When someone says black people that fight, You're like, wait, no, no, no, no, no,
• 33:07
  Speaker 1: let's get this straight right now. And what we're working
• 33:09
  Speaker 1: on right now is like a monument for Nat Turner,
• 33:12
  Speaker 1: the things we're trying to put together. So my young
• 33:15
  Speaker 1: eleven year old self in Norfolk at tied with a
• 33:17
  Speaker 1: park were rough in the middle middle school. They say, everyone,
• 33:20
  Speaker 1: this is the path that Nat Turner took with his
• 33:22
  Speaker 1: rebels when they were fighting for the liberation that you
• 33:25
  Speaker 1: enjoy and even watching this afterwards, you feel like you
• 33:27
  Speaker 1: can apply a lot of different things to what's going on.
• 33:30
  Speaker 1: Even today, I walked out of there and I was like, wow,
• 33:32
  Speaker 1: there's just so many things that you see when you
• 33:34
  Speaker 1: watch Bertha the Nation that what's going on in the
• 33:36
  Speaker 1: news today was going on the communities. And I saw
• 33:39
  Speaker 1: that you were on TD Jake's and you spoke about
• 33:42
  Speaker 1: the first police officers were overseers. Well, yeah, first police
• 33:45
  Speaker 1: officers were slave catchers, were called Patty Woo who you
• 33:47
  Speaker 1: belonged to? Boy? Yeah, they go straight, they go through
• 33:49
  Speaker 1: the plantation. It's funny how like when you have contexts,
• 33:53
  Speaker 1: you just think differently. Right, So, look, the first police
• 33:56
  Speaker 1: officers right on seeing in South Carolina. Their job us
• 34:00
  Speaker 1: to go in between the plantation and make sure nobody
• 34:02
  Speaker 1: was wandering or deserted or ran. And if they caught someone,
• 34:05
  Speaker 1: sometimes they just kill them. Sometimes they bring them back
• 34:07
  Speaker 1: and beat them publicly. Right, so you fast forward the
• 34:10
  Speaker 1: twenty sixteen you look at our communities. Right, if we
• 34:12
  Speaker 1: can understand the damaged relationship between us and law enforcement
• 34:16
  Speaker 1: back then, then we have context as to right now
• 34:19
  Speaker 1: we're twenty and sixteen, and we're not saying, oh, a
• 34:22
  Speaker 1: couple of bad apples. We're saying, no, something systemic has happened.
• 34:25
  Speaker 1: The rat correlate driving the wrong neighborhood. If you want
• 34:28
  Speaker 1: to as a black man for your pass. Yeah, if
• 34:31
  Speaker 1: they don't ask you for your pass and then get
• 34:33
  Speaker 1: out of the car, get the f on the curb.
• 34:35
  Speaker 1: That's the game, you know. But if you have that
• 34:37
  Speaker 1: context right, then you can deal with it in a
• 34:39
  Speaker 1: way that's made more progressive rather than saying there are
• 34:41
  Speaker 1: a couple of bad cops, I for one. And people
• 34:43
  Speaker 1: may disagree with this. I don't think a cop wakes
• 34:46
  Speaker 1: up and says, man, I hope I can kill me today.
• 34:48
  Speaker 1: Excuse my language. I don't think you know. But we're
• 34:51
  Speaker 1: they're taught in condition to believe black ones and white
• 34:53
  Speaker 1: Boughton conditions to believe that when you see someone of color,
• 34:57
  Speaker 1: they are presumed dangerous and guilty. Bad guy, a bad
• 35:01
  Speaker 1: guy dangerous, or they call it criminal policing. Hot to
• 35:04
  Speaker 1: police tell me. He was like, dude, we went in
• 35:06
  Speaker 1: with the good neighborhoods. That is administrative policing. You know
• 35:09
  Speaker 1: what I'm saying. We see someone, How are you, sir?
• 35:11
  Speaker 1: How are you ma'am? Can you please? He was like,
• 35:13
  Speaker 1: but when we're in the jungle, and he said the
• 35:15
  Speaker 1: word jungle, but just because it's like in him, it's
• 35:17
  Speaker 1: the hunt. Criminal policing. You know, you got your in probation,
• 35:20
  Speaker 1: you know your prole get on the curb. But it's
• 35:22
  Speaker 1: a mentality, and that same mentality says, make it home
• 35:25
  Speaker 1: no matter what, protect yourself, no matter what. All of
• 35:28
  Speaker 1: that has past, that all that fear, like all of
• 35:30
  Speaker 1: this trauma that we're feeling, is it is directly connected
• 35:33
  Speaker 1: to the worst period of American history that we do,
• 35:36
  Speaker 1: like this cognitive dissonance. The movie. The movie is graphic,
• 35:40
  Speaker 1: but if you noted that turning the story, it's not
• 35:42
  Speaker 1: as graphic as they That's exactly did you purposely not
• 35:45
  Speaker 1: kill women and kids in the movie? Yeah, what I
• 35:47
  Speaker 1: deal with. Maybe you look at any story you look
• 35:49
  Speaker 1: at I'm not gonna name movies because it's gonna look
• 35:51
  Speaker 1: like I'm going at him. But you look at any
• 35:52
  Speaker 1: films that deal with you know, the Roman times, or
• 35:55
  Speaker 1: deal with different you know, different battle and revolution in
• 35:57
  Speaker 1: films with white people, right, every single one of them.
• 36:00
  Speaker 1: You look it up, there were casualties that were men, women,
• 36:02
  Speaker 1: and even in America, we've dropped a couple bombs, kill
• 36:05
  Speaker 1: a lot of people, you know what I mean. But
• 36:06
  Speaker 1: we don't have to go graphically and put it on it,
• 36:08
  Speaker 1: you know, show the baby. But what I wanted to
• 36:10
  Speaker 1: do I didn't want to rely on shock value. There's
• 36:12
  Speaker 1: a scene in the film where he's looking at the
• 36:14
  Speaker 1: Bible and he's like, something has to change. If this
• 36:18
  Speaker 1: Bible is right, then they're wrong. If they're wrong, and
• 36:20
  Speaker 1: I'm a leader of men, I gotta do something. And
• 36:23
  Speaker 1: as the page comes up and you see what he's
• 36:25
  Speaker 1: reading and it says, go and kill everyone men, women,
• 36:28
  Speaker 1: children and their animals. Smite emilec. That's how I deal
• 36:31
  Speaker 1: with it, in the same way that there are different
• 36:33
  Speaker 1: things that happened throughout that I didn't want to make
• 36:35
  Speaker 1: this the grossest film you ever saw. A couple scenes
• 36:38
  Speaker 1: that are hard to watch, but for the most part,
• 36:40
  Speaker 1: I mean even just the scene with one spoiler because
• 36:42
  Speaker 1: it's in the trailer. The scene with a little girl
• 36:45
  Speaker 1: comes out with the skipping with the rope, and then
• 36:47
  Speaker 1: the rope is around a little girl's neck. But the
• 36:49
  Speaker 1: crazy thing is she's skipping too and smiling. That's twenty sixteen.
• 36:53
  Speaker 1: A lot of us have ropes around our neck and
• 36:55
  Speaker 1: we don't even realize. Right. Yeah, A lot of people
• 36:58
  Speaker 1: give you flat for the image of you with the
• 37:00
  Speaker 1: American flag around you. I didn't understand what people got
• 37:05
  Speaker 1: upset about, for the same reason they don't teach us
• 37:07
  Speaker 1: our history. You know what I'm saying. It's like, like,
• 37:09
  Speaker 1: are we to really grasp and wrestle with white supremacy
• 37:13
  Speaker 1: in this country? Do we really want to? Or are
• 37:15
  Speaker 1: we going to attack everyone that ever brings it up?
• 37:18
  Speaker 1: That's the question we have to ask. Like that hold
• 37:20
  Speaker 1: the news image was America has a stranglehold on black men.
• 37:24
  Speaker 1: I didn't make that up, you know, And like I said,
• 37:26
  Speaker 1: I have to say publicly, dude, Fox releasing that like
• 37:30
  Speaker 1: they've been the best partner. They've been like, we want
• 37:33
  Speaker 1: to help this film along in the way that you
• 37:35
  Speaker 1: made this film. We don't want to dictate. So when
• 37:38
  Speaker 1: that art came up, they were like, we have chosen
• 37:40
  Speaker 1: our line. We have to, we have to. We will
• 37:42
  Speaker 1: stand with you. Next thing, you know, the art goes out,
• 37:45
  Speaker 1: most people are like, oh my god. Other people are like,
• 37:47
  Speaker 1: they're desecrating the flag, Like do you know how many
• 37:50
  Speaker 1: people have been Thousands of people have been lynched, you know,
• 37:53
  Speaker 1: castrated with their genitalius stuff in their mouths to protect
• 37:56
  Speaker 1: white privilege. You know, And let's be clear, this film.
• 37:59
  Speaker 1: I mean, you saw the film. You saw this film
• 38:01
  Speaker 1: is like it's not anti white, anti evil, you know.
• 38:05
  Speaker 1: You know, Turner said very clearly, he said in his visions,
• 38:08
  Speaker 1: we will cut the head from the serpent. If God
• 38:11
  Speaker 1: is real, these people are even we got to do something.
• 38:13
  Speaker 1: Black empowerment doesn't mean white hate, you know. And there
• 38:16
  Speaker 1: will be people mark my words, when this film comes out.
• 38:18
  Speaker 1: Oh it's propaganda. It's not propaganda, which is why the
• 38:20
  Speaker 1: white people you see aren't bad people. They're just in
• 38:23
  Speaker 1: a situation where the system is as crafted in such
• 38:26
  Speaker 1: a way that it makes it very difficult to go
• 38:28
  Speaker 1: against the everyday norms of life. All right, well, we
• 38:31
  Speaker 1: have the director and the star of the movie Birth
• 38:34
  Speaker 1: of a Nation with us right now. When we come back,
• 38:36
  Speaker 1: we have to address all the rape allegations and rape
• 38:38
  Speaker 1: talks to keep it locked. As to breakfast Slugal Morning
• 38:41
  Speaker 1: and that was Drakarrerie with two good morning. Everybody is
• 38:44
  Speaker 1: DJ envy angela yee. Charlemagne the God, we are the
• 38:47
  Speaker 1: breakfast club. We have Nate Parker in the building. His
• 38:50
  Speaker 1: movie Birth of a Nation hits everywhere tonight at midnight
• 38:53
  Speaker 1: to definitely go. Said now Charlemagne, I honestly, don't know
• 38:56
  Speaker 1: who's demonizing you at this point, because I see it
• 38:58
  Speaker 1: from all angles, because I'm gona tell this story. I remember,
• 39:01
  Speaker 1: maybe a month before I saw the movie, had an
• 39:03
  Speaker 1: og triple og in the game hit me up and
• 39:05
  Speaker 1: he goes, look, we gotta support this film. He said
• 39:07
  Speaker 1: he's gonna try to crucify an A Parker. And then
• 39:10
  Speaker 1: two three weeks later, all the different allegations came out.
• 39:12
  Speaker 1: It was, oh he got a white wife, it was
• 39:14
  Speaker 1: oh he's homophobic, it was oh he has rape charges?
• 39:17
  Speaker 1: Did you expect that to happen? M Let's just say
• 39:22
  Speaker 1: I was warned early on. You know, people in the industry,
• 39:26
  Speaker 1: people that love me, people that I love that just said,
• 39:29
  Speaker 1: you know, are you ready for what may come with
• 39:31
  Speaker 1: this film? You know It's like it's look, I'm gonna say, look,
• 39:34
  Speaker 1: you know, how do you rediscover something you already knew.
• 39:38
  Speaker 1: I've never hid anything from my life, never ran from nobody, Mama,
• 39:41
  Speaker 1: and I'm not gonna run now. No one's gonna stop
• 39:43
  Speaker 1: me from telling stories that I think I've left my people.
• 39:45
  Speaker 1: They're just not gonna do it. It can come for me.
• 39:46
  Speaker 1: That's okay. I'm a grown up. I'm a man. I'm
• 39:49
  Speaker 1: I'm so anchored in the Lord, Bro. My faith is
• 39:51
  Speaker 1: so strong that I'm not tripping. I know the power
• 39:55
  Speaker 1: of Nat Turning, what he can do for our people,
• 39:57
  Speaker 1: what he can do for America. What happens if we
• 40:00
  Speaker 1: starts celebrating Nat Turner as a hero and who you know,
• 40:02
  Speaker 1: look the African American Museum. Just open Nat Turner's Bible, right,
• 40:07
  Speaker 1: George Bush said, you know Nat Turner, Like, what happens
• 40:11
  Speaker 1: if if he if it becomes normal to celebrate every
• 40:14
  Speaker 1: one of every color that has contribute to the narrative
• 40:16
  Speaker 1: of this country, things will change. Privilege will be challenged,
• 40:20
  Speaker 1: but things will change. Doesn't pitch you off through because
• 40:23
  Speaker 1: we were watching your Good Morning America and you look like,
• 40:26
  Speaker 1: all right, enough is enough? You look like you on
• 40:27
  Speaker 1: the screen put some respect on my name, because I mean,
• 40:31
  Speaker 1: because they showed some of the stuff that you went
• 40:34
  Speaker 1: through when you were in college. You look like, come
• 40:35
  Speaker 1: on now, I'll just say this. I posted out there.
• 40:38
  Speaker 1: I probably in trouble. It was an ambush, you know,
• 40:40
  Speaker 1: just it looked like anybud. It looked like you just happened,
• 40:43
  Speaker 1: Like what the fuck? You know, because this is bigger
• 40:45
  Speaker 1: than me. Nat Turner is so much bigger than me,
• 40:48
  Speaker 1: like in my in my thirty six year old life
• 40:50
  Speaker 1: and anything you could ever dig up or whatever. Nat Turner,
• 40:54
  Speaker 1: a film about Nat Turner exists. It's gonna drop on Friday,
• 40:56
  Speaker 1: like for real. I don't believe it exactly until until
• 40:59
  Speaker 1: you go to the theater and you see that title card.
• 41:02
  Speaker 1: It's even hard for me to believe. Like when I
• 41:04
  Speaker 1: and every morning I pray and I'm in like a
• 41:06
  Speaker 1: devotional space, I'm like, Lord, thank you. I'm not playing
• 41:09
  Speaker 1: the victim. I'm not crying. I'm not walking around sad
• 41:12
  Speaker 1: at all. I'm rejoicing every day because the film exists.
• 41:16
  Speaker 1: Did you feel like it would be in jeopardy at
• 41:18
  Speaker 1: any point the film, Yeah, just with everything coming up,
• 41:21
  Speaker 1: like we can't put this out because I remember thinking, oh, man,
• 41:23
  Speaker 1: are they gonna try to not put the movie out? Now?
• 41:26
  Speaker 1: There's a there's a verse in the Bible says I
• 41:28
  Speaker 1: tell you these things so that you will find peace
• 41:30
  Speaker 1: in me. You know, in the world there will be tribulation.
• 41:32
  Speaker 1: Would be a good cheer if I've overcome the world.
• 41:35
  Speaker 1: God is God, the same guy that helped me to
• 41:38
  Speaker 1: make this film. The same guy that got me through
• 41:40
  Speaker 1: you know, whatever options I have in my life, the
• 41:42
  Speaker 1: same guy that made it so this film is coming
• 41:44
  Speaker 1: out on Friday. The same god has made it so
• 41:46
  Speaker 1: people will be able to gain something perspective young people.
• 41:49
  Speaker 1: Fifty years from now, some ten year old kid is
• 41:52
  Speaker 1: going to be able to watch this film. In the
• 41:53
  Speaker 1: same way that they use the original Birth of a
• 41:56
  Speaker 1: Nation as a recruitment tool for the KKK, We're gonna
• 41:59
  Speaker 1: use it as a recruit tool for revolution and resistance
• 42:02
  Speaker 1: for people that recognize something needs to change that's bigger
• 42:04
  Speaker 1: than me. If I died today and the film can live,
• 42:07
  Speaker 1: I'm not tripping. I'm good, bro'. I'm in such peace
• 42:11
  Speaker 1: right now because this film exists. So for me, it's
• 42:14
  Speaker 1: kind of like, Okay, well cool, let's get the film out. Okay, cool,
• 42:17
  Speaker 1: all right, fine, let's get the film out. Okay, yeah,
• 42:20
  Speaker 1: next question, Let's get the film out. Because when the
• 42:22
  Speaker 1: film comes out, it will speak for itself. I mean,
• 42:24
  Speaker 1: I think we've all been guilty of it. It judges
• 42:26
  Speaker 1: your character, you know. When we hear in Nate Parker,
• 42:29
  Speaker 1: we hear this accusation, his friend is this his friend
• 42:31
  Speaker 1: is that that has to affect you in a way
• 42:34
  Speaker 1: because now people who don't know you might look at
• 42:37
  Speaker 1: you at a different life. But guess what we gotta
• 42:39
  Speaker 1: we gotta rise up to the ten thousand foot view. Right,
• 42:42
  Speaker 1: Like when you're in a moment and you're set on fire,
• 42:45
  Speaker 1: it's easy to be like, oh my god, I'm on fire, right,
• 42:48
  Speaker 1: But when you rise up to the ten thousand foot
• 42:49
  Speaker 1: view and you see the Lord's resume, everything that's happening
• 42:53
  Speaker 1: up into that moment, and you're looking forward and say, okay,
• 42:55
  Speaker 1: this moment will cause a reaction forward, then then you realize, look,
• 43:00
  Speaker 1: this is bigger than my character. People will get to
• 43:03
  Speaker 1: know me, They'll get to know my heart, you know
• 43:05
  Speaker 1: what I mean. I'm cool with that. I'm cool. I
• 43:06
  Speaker 1: didn't know you guys until I knew you. I didn't
• 43:08
  Speaker 1: know you until I knew you. If I could go
• 43:10
  Speaker 1: out and meet every single person in glad hand and
• 43:12
  Speaker 1: shake their hand, would I do? Yeah? I can't do that.
• 43:14
  Speaker 1: I'm gonna let my art, let my activism speak in
• 43:18
  Speaker 1: ways that my mouth on these shows with these headline
• 43:22
  Speaker 1: hunters and these clickbait people, I'm gonna let them do
• 43:24
  Speaker 1: that thing. I'm not tripping on the news. I feel
• 43:26
  Speaker 1: this is just me talking. I feel like it was
• 43:28
  Speaker 1: a conspiracy by some powers that be the reality release
• 43:31
  Speaker 1: of the film, because all of this information has been
• 43:33
  Speaker 1: out there, it's been public. You will found not guilty.
• 43:35
  Speaker 1: You spoke about it before. Why now? That's all I
• 43:37
  Speaker 1: wanted to like, why why now? You know what? You know?
• 43:40
  Speaker 1: There's some people that say, you know, why me? And
• 43:43
  Speaker 1: then there's some people that say, well, what can come
• 43:45
  Speaker 1: out of this moment? You know? And I try to
• 43:47
  Speaker 1: be the latter. I try to be the person that says,
• 43:49
  Speaker 1: regardless of the moment, what can change because of these actions?
• 43:53
  Speaker 1: Because look, if people forever kick dirt on me forever,
• 43:57
  Speaker 1: but this film exists by itself, and then a hundred
• 44:01
  Speaker 1: years when I'm dead and gone, they got this film.
• 44:05
  Speaker 1: We win. We all win if we release this film
• 44:08
  Speaker 1: right and all the old heads see it and all
• 44:11
  Speaker 1: the old heads are like, yeah, we get it. We're
• 44:12
  Speaker 1: moving forward. And the kid in best Start, the fifteen
• 44:15
  Speaker 1: year old kids don't know who that turning is still
• 44:18
  Speaker 1: Oakland or the kid in Decatur don't it doesn't know.
• 44:21
  Speaker 1: We lose. So I reached out to the dopest artists
• 44:24
  Speaker 1: I could find Gucci Maine and talk to them on
• 44:26
  Speaker 1: the phone. I said, brother, I know you care about
• 44:28
  Speaker 1: your care. I haven't heard the music, so I'm not
• 44:31
  Speaker 1: gonna judge it, but I didn't understand. But you gotta
• 44:35
  Speaker 1: you gotta hear the music. This is the thing. Look,
• 44:37
  Speaker 1: guess what Gucci got the streets, little Wayne got. I
• 44:39
  Speaker 1: don't have the streets. And every listen, everyone is on message.
• 44:47
  Speaker 1: It's kind of crazy. You got two chains on message
• 44:50
  Speaker 1: talking about go up to the state House. Tell them
• 44:52
  Speaker 1: to provise a system good chains, you know what I mean.
• 44:54
  Speaker 1: It's like if you can get them on message, because
• 44:57
  Speaker 1: I just as you know, music in a ways corporate tize.
• 45:01
  Speaker 1: You know a lot of them. You know the politics
• 45:03
  Speaker 1: around making music and who we're making it for, who's
• 45:05
  Speaker 1: consuming it. A lot of times it doesn't help our people.
• 45:08
  Speaker 1: A lot of times in this country, they give a
• 45:10
  Speaker 1: little bit to a few and then tell those few
• 45:12
  Speaker 1: to time kinda be happy with what you got and
• 45:14
  Speaker 1: turn your back and your power against the people that
• 45:16
  Speaker 1: needed the most. I mean that things happened. It happens
• 45:18
  Speaker 1: in my industry too. So if I can get people
• 45:20
  Speaker 1: that do care about the community but don't have the
• 45:22
  Speaker 1: platform to release it. So I had the chance to
• 45:24
  Speaker 1: sit with all these these guys, you know, Vic Mensa,
• 45:27
  Speaker 1: all of them, you know, Tray Songs, Neo. Everyone is
• 45:31
  Speaker 1: on message, talking about the system, talking about the pressure,
• 45:33
  Speaker 1: talking about faith. You know what I'm saying. Like Little
• 45:36
  Speaker 1: Wayne was like I got to feed the family, but
• 45:38
  Speaker 1: I had to leave the family. I left the CNB.
• 45:41
  Speaker 1: I'm an empathy, but I would never leave Christianity. I
• 45:43
  Speaker 1: heard it gets submitted a track, but you turned it down.
• 45:46
  Speaker 1: I didn't turn anything down. You know, It's like anything else.
• 45:51
  Speaker 1: Things like everyone that wants to be on your show
• 45:52
  Speaker 1: can't get a show you get really submitted a track? No, no, no,
• 46:00
  Speaker 1: I'm saying that I'm trying to be fair. A lot
• 46:03
  Speaker 1: of people submitted albums, but we really you know, when
• 46:06
  Speaker 1: you track list, when you make a track list, you
• 46:08
  Speaker 1: want to make sure everything fits. NAS has an incredible
• 46:11
  Speaker 1: song called war that's on brand. Huh na, But why
• 46:16
  Speaker 1: would you do something obvious? You know what I'm saying,
• 46:18
  Speaker 1: Like at some point like if I can get lu Wayne,
• 46:20
  Speaker 1: you know, to talk about the streets in the context
• 46:23
  Speaker 1: of message, And then a young person was like, wait
• 46:25
  Speaker 1: a minute, just say that and wait he was inspired
• 46:28
  Speaker 1: by a movie to like be on message. I need
• 46:30
  Speaker 1: to see this movie. These artists care about what's happening,
• 46:33
  Speaker 1: they just don't always have the platform. So I just
• 46:35
  Speaker 1: was trying to create some space man, you know, and
• 46:38
  Speaker 1: to get young people in the theater so they can
• 46:40
  Speaker 1: feel empowered. All right, we have more with Nate Parker
• 46:42
  Speaker 1: when we come back. Keep it locked. It's the Breakfast Club.
• 46:45
  Speaker 1: Good Morning, the Breakfast Club that was challenge for Free Morning.
• 46:52
  Speaker 1: Everybody's DJ Envy Angela Yee, Charlomagne the guy. We are
• 46:56
  Speaker 1: the Breakfast Club. Now. Usually we do rumors right here,
• 46:59
  Speaker 1: but Nate talks in the building. Birth of a Nation
• 47:01
  Speaker 1: hits theaters tonight at midnight. Are you I don't want
• 47:05
  Speaker 1: to say, concerned that this movie will cause some type
• 47:07
  Speaker 1: of revolte now because this could this could be a
• 47:10
  Speaker 1: dangerous time to put this. Let me let me be clear.
• 47:12
  Speaker 1: It's a quotable. I hope it makes people uncomfortable. I
• 47:16
  Speaker 1: hope that it inspires a riotous disposition. Now. Do I
• 47:19
  Speaker 1: want violence? Absolutely not. We're above that. Now. Why we
• 47:23
  Speaker 1: need to be violent? When we got journalists, we got
• 47:25
  Speaker 1: radio personalities that have power. We have social media, but
• 47:28
  Speaker 1: that's not like the same most social media is not.
• 47:30
  Speaker 1: But everything else out like the same. Watch that Turner
• 47:33
  Speaker 1: had ax handles and broomsticks, right, and he didn't have
• 47:36
  Speaker 1: the right to as symbol. So what does that mean?
• 47:38
  Speaker 1: That means what we're doing right now in this room
• 47:39
  Speaker 1: would have been illegal and we would all have been lunched. Right. Well,
• 47:42
  Speaker 1: we do have a white man in the room. Oh good, good, good,
• 47:45
  Speaker 1: I couldn't see your whole face good. As soon as
• 47:50
  Speaker 1: I said that, he was like, no, you're wrong, but
• 47:57
  Speaker 1: the right. We didn't have the rate. This a symbol.
• 47:59
  Speaker 1: It's right here, dead right right, not turn it out
• 48:02
  Speaker 1: of that only tools he had, his only Yeah, he
• 48:05
  Speaker 1: couldn't have been like I'm calling the meeting every bend
• 48:07
  Speaker 1: the plantation. We're gonna strike, We're gonna protest and walk
• 48:10
  Speaker 1: around the main house like he didn't. He couldn't do nothing.
• 48:13
  Speaker 1: So he fought and in the tools he had. You
• 48:15
  Speaker 1: look now, right, if we I mean the power we have,
• 48:18
  Speaker 1: you look at like Colin Kaepernick, like the I always
• 48:20
  Speaker 1: say when athletes get involved, it's around like things are
• 48:22
  Speaker 1: gonna change because we're messing with the money. You get
• 48:24
  Speaker 1: what I'm saying. So if nothing else, They walk out
• 48:26
  Speaker 1: of that film and says, I'm gonna use my occupation
• 48:29
  Speaker 1: to spearhead the systemic crisis I see in my own life,
• 48:32
  Speaker 1: my own community. Things will change immediately. Does that mean
• 48:36
  Speaker 1: marching maybe? Does it mean more than marching? Does it
• 48:39
  Speaker 1: mean some people saying, Nah, I ain't gonna do that.
• 48:41
  Speaker 1: I'm gonna walk into my producer and tell him I'm
• 48:43
  Speaker 1: not saying that thing ever again. What in sacrificing somebody
• 48:47
  Speaker 1: get fired? You know? Is it whatever your occupation, what
• 48:51
  Speaker 1: is your contribution? I want people? You know. The biggest
• 48:54
  Speaker 1: difference I believe between the civil rights movement of old
• 48:57
  Speaker 1: and the civil rights movements of new is that people
• 48:59
  Speaker 1: aren't willing to die anything that's ever anything and done
• 49:01
  Speaker 1: anything for our community that actually resulted in progress had
• 49:04
  Speaker 1: to take a bullet to their head. The good thing
• 49:06
  Speaker 1: about the movie too, it is like, when you say
• 49:08
  Speaker 1: systemic oppression, I like that because it's not just seeing
• 49:10
  Speaker 1: white people because they had to go battle against their
• 49:13
  Speaker 1: own who on the side of systemic oppression as well. Right,
• 49:15
  Speaker 1: You're absolutely right. Brother. Frederick Douglas has this dope quote
• 49:18
  Speaker 1: where he says, when I became free, I begin to
• 49:20
  Speaker 1: see the effects lavery had not only on slave but
• 49:23
  Speaker 1: on slave masters. Right, like we all of everyone around
• 49:26
  Speaker 1: us has been passed down something this tum this trauma,
• 49:30
  Speaker 1: this wound that we won't he let he or we
• 49:33
  Speaker 1: won't face it. We just won't because it's too uncomfortable,
• 49:36
  Speaker 1: too painful. Man, how many times do you hear someone say,
• 49:38
  Speaker 1: like in politics, you know, we got to have the
• 49:40
  Speaker 1: race of conversation. Have you ever had the race conversation
• 49:43
  Speaker 1: with like like, have we haven't? Been? Like, okay, everyone,
• 49:45
  Speaker 1: this is race conversation day. Race conversation Day is gonna
• 49:48
  Speaker 1: be October ten, Right, call your friends or the pizza,
• 49:52
  Speaker 1: you know, and coke and in Coca cola. And when
• 49:56
  Speaker 1: come over to the right come over to the house
• 49:58
  Speaker 1: headline like part encourages people, you know, come over, We're
• 50:04
  Speaker 1: gonna have a conversation on race. Invite people that don't
• 50:06
  Speaker 1: look like you. When come to the table's gonna eat
• 50:07
  Speaker 1: and be like yo, so race, like you know, black privilege.
• 50:11
  Speaker 1: You what you think no one's having that conversation. Yeah,
• 50:14
  Speaker 1: you know. So at some point, you know they say,
• 50:16
  Speaker 1: if you always do what you're always done, you always
• 50:17
  Speaker 1: get what you always got. America's always doing what they're
• 50:20
  Speaker 1: always done. That's shutting people up, that's attacking the people
• 50:23
  Speaker 1: that that resist, and that's a problem for America. I
• 50:26
  Speaker 1: always say, a healthier Black community, healthier Latino community, is
• 50:30
  Speaker 1: a healthier United States of America. Do you think your
• 50:33
  Speaker 1: past rape charges will cause people not to see this
• 50:36
  Speaker 1: movie with an objective eye? Because I saw an article
• 50:38
  Speaker 1: in The New York where the author didn't give it
• 50:40
  Speaker 1: the best review, but it kept mixing you with the movie,
• 50:43
  Speaker 1: and I'm like, listen, listen, presume dangerous and guilty. Presume
• 50:46
  Speaker 1: dangerous and guilty, Like that's you know, the attack is
• 50:48
  Speaker 1: the attack. You know, you know, you know what I'm saying.
• 50:50
  Speaker 1: I think anyone that thinks it's important to hear stories
• 50:55
  Speaker 1: that have been a race from history that can aid
• 50:58
  Speaker 1: in our progress as America, he needs to see this film.
• 51:01
  Speaker 1: In my humble opinion, right to take me out of it.
• 51:04
  Speaker 1: Whatever you feel about me, whatever you feel about my acquittal,
• 51:06
  Speaker 1: whatever you feel about my innocence or whatever you have,
• 51:09
  Speaker 1: just for a second recognize, if you call yourself a patriot,
• 51:12
  Speaker 1: I think you have to take steps toward healing America.
• 51:15
  Speaker 1: And if this film stands for something like that outside
• 51:18
  Speaker 1: of me. Then let's have that conversation. Let's let's not
• 51:21
  Speaker 1: take the baggage of whatever you've read in a headline
• 51:25
  Speaker 1: and just say, I'm gonna see what the film does.
• 51:27
  Speaker 1: And a black man ever be not guilty in America,
• 51:30
  Speaker 1: even you're you're acquitted, you're not guilty. But even when
• 51:33
  Speaker 1: you was on sixty minutes, they would like you should
• 51:35
  Speaker 1: have apologized. I'm like, but he's maintained his innocence. Thing
• 51:38
  Speaker 1: I found not guilty. What do you want to apologize for? Um,
• 51:42
  Speaker 1: it's it's it's it's a it's a question worth asking.
• 51:44
  Speaker 1: But at the same time, I think that we're more
• 51:46
  Speaker 1: concerned about how we've been conditioned to see ourselves and
• 51:49
  Speaker 1: less concerned about how other people see us, then we'll
• 51:51
  Speaker 1: be able to really deal with crisis. We have to
• 51:54
  Speaker 1: make ourselves smaller, bigger picture that Turner made himself small.
• 51:58
  Speaker 1: You know, it doesn't say a good man make sure
• 51:59
  Speaker 1: his name is good when he dies, Like I'm not
• 52:01
  Speaker 1: tripping on me. You know, everything I'm doing, I'm doing
• 52:03
  Speaker 1: for my children and my children's children so that when
• 52:05
  Speaker 1: they look up at that image of me wherever it is,
• 52:07
  Speaker 1: and I'm in hopefully looking fly in the oil painting.
• 52:10
  Speaker 1: They can be like, you know what, man, my dad tried,
• 52:13
  Speaker 1: you know, my great, great great, you know whatever, he
• 52:14
  Speaker 1: tried to do something. He tried to deal with it.
• 52:16
  Speaker 1: Even if they say they came for him whatever, but
• 52:19
  Speaker 1: he tried to do something. They definitely try to divide, yea,
• 52:22
  Speaker 1: but that ain't new, man, that ain't new. Like, all
• 52:25
  Speaker 1: I'm saying is, can we try to start with women
• 52:27
  Speaker 1: and African American women and that women against you? And
• 52:29
  Speaker 1: then you know with the headlines, they definitely try to divide. Yeah,
• 52:32
  Speaker 1: I mean, it's it's interesting to me that a black
• 52:34
  Speaker 1: man can't be black if he's married to a white woman.
• 52:36
  Speaker 1: That's the picture they try to paint. All I'm saying
• 52:39
  Speaker 1: is this, look at my resume. Do I care about
• 52:41
  Speaker 1: black people? Do I care about systemic oppression? Have I
• 52:45
  Speaker 1: dedicated anything to raising all ships when it comes to
• 52:48
  Speaker 1: progress in the conversation around America. I don't have to
• 52:52
  Speaker 1: answer that question, you know what I mean? I will
• 52:54
  Speaker 1: continue like I said, no one's gonna take take my seat.
• 52:57
  Speaker 1: What I believe the Lord is putting me to to
• 53:00
  Speaker 1: do for our community, to do for our country. I'm
• 53:03
  Speaker 1: just staying the course and staying focused man, and the
• 53:05
  Speaker 1: hope that you know, the next what's the next project?
• 53:07
  Speaker 1: You know, That's what I was going to ask you,
• 53:09
  Speaker 1: what's next for an eight Parker now after you put
• 53:10
  Speaker 1: out such a huge movie with Tyler Perry, because you're
• 53:13
  Speaker 1: gonna have to listen. All right, Look, I'm gonna say
• 53:21
  Speaker 1: this publicly. All right, we leave Tyler Perry alone. He's
• 53:26
  Speaker 1: a friend of mine. And uh, he's a good brother.
• 53:28
  Speaker 1: He's giving some money. He did not give me money. Um,
• 53:31
  Speaker 1: but he's a good brother. He's a good you know.
• 53:32
  Speaker 1: I don't know what I'm gonna do next. You know,
• 53:34
  Speaker 1: I'm gonna do, you know, whatever makes me as passionate about,
• 53:37
  Speaker 1: you know, doing the work in the art as this has.
• 53:40
  Speaker 1: You know, like I said, I stepped away two years
• 53:42
  Speaker 1: to really get it together. Um so the next thing,
• 53:44
  Speaker 1: who knows, the next thing might take eight more years.
• 53:46
  Speaker 1: I don't know. You know, My arts are function my activism. Man.
• 53:49
  Speaker 1: I'm not tripping on Hollywood. Am I tripping on money?
• 53:51
  Speaker 1: By tripping on awards? Like I just want to wake
• 53:54
  Speaker 1: folks up. I can get a ten year old kid
• 53:56
  Speaker 1: to have a you know, walking out the street playing
• 53:58
  Speaker 1: with his friends. I'm not Turner. We win. That's the
• 54:01
  Speaker 1: biggest win of them all. So yeah, until he's chasing
• 54:04
  Speaker 1: for a little white kids. Now, when people get to
• 54:12
  Speaker 1: see it, how many theaters is it in? Because you
• 54:14
  Speaker 1: know sometimes when these movies come out of being five theaters,
• 54:16
  Speaker 1: it's a massive release. And again I got to give
• 54:20
  Speaker 1: props to to Fox. You know, there's a lot to
• 54:22
  Speaker 1: be gained from this film. You know, October seventh, You know,
• 54:24
  Speaker 1: I want to say tonight it will uh you know,
• 54:27
  Speaker 1: Thursday night, tonight midnight, you'll be able to watch the
• 54:29
  Speaker 1: film and guess what if if young people you know,
• 54:33
  Speaker 1: I don't beg but I'm begging you. I'm begging you
• 54:35
  Speaker 1: to go to see this film. If you don't like it,
• 54:37
  Speaker 1: don't say nothing. If you're not pulled in it, hooked
• 54:39
  Speaker 1: in it, walk out. You know I'm not, but just
• 54:42
  Speaker 1: give it a shot to see if there's anything for
• 54:45
  Speaker 1: you win it. There's a lot in the film where
• 54:47
  Speaker 1: they said they're killing black people from no original norm
• 54:48
  Speaker 1: but being black like this. I got to write this film,
• 54:51
  Speaker 1: so I wrote it for young people. There you will
• 54:53
  Speaker 1: see the themes it'll attach to you. You know what
• 54:55
  Speaker 1: I'm saying, you get out of school, you get out
• 54:57
  Speaker 1: of practice wherever. Go check the film out and if
• 54:59
  Speaker 1: you love it. Man, Luke Cage ain't got nothing on
• 55:01
  Speaker 1: that turning. And I love Luke King, I love Luke Cave.
• 55:05
  Speaker 1: Ain't got nothing on that can. I always say things
• 55:07
  Speaker 1: like I could have never been a slave man when
• 55:09
  Speaker 1: a minute they told me to do this. This is
• 55:10
  Speaker 1: the movie for you, This is the movie. We appreciate you, Jordan,
• 55:14
  Speaker 1: We really appreciate it. The movie. Go see it tonight midnight,
• 55:17
  Speaker 1: also tomorrow. Like I said, I'm in Boston this weekend.
• 55:19
  Speaker 1: I'm gonna call some tissues with you. I'm some I know,
• 55:22
  Speaker 1: I know you are crying. Ain't gonna want to talk
• 55:24
  Speaker 1: to none of them white people in Boston people And
• 55:27
  Speaker 1: guess what, And that's that's the white folks. I'm telling
• 55:29
  Speaker 1: to tell you that are gonna be down and give
• 55:30
  Speaker 1: you the proper handshake after they walk out. I'm trying,
• 55:33
  Speaker 1: you know what I'm saying. I appreciate I'm talking to
• 55:37
  Speaker 1: my brother. Please, no movie dating Boston, that show and
• 55:40
  Speaker 1: we're gonna go see. I'm gonna pay for some of
• 55:41
  Speaker 1: the listeners. That's about. That's that's big. I appreciate you much.
• 55:46
  Speaker 1: I appreciate y'all. Thank you for the time. Man's the
• 55:49
  Speaker 1: best club. Good Morning's time for Donkey of the day
• 56:00
  Speaker 1: and Donkey of the day a little bit like a
• 56:02
  Speaker 1: dog the other day. I've been called a lot of
• 56:10
  Speaker 1: my twenty three years, but donkey of the day is
• 56:12
  Speaker 1: a new wife. Yes, Donkey to day for Thursday, October
• 56:17
  Speaker 1: six goes to the Weather Channels, Jin Delgado not a
• 56:20
  Speaker 1: Weather channel has to be one of the most reputable
• 56:22
  Speaker 1: networks ever. It's been around since nineteen eighty two, and
• 56:24
  Speaker 1: if you want to accurate whether assessment, this is the
• 56:27
  Speaker 1: place to go. They are to whether what es began
• 56:30
  Speaker 1: is the sport. So we would expect the report is
• 56:32
  Speaker 1: there to be accurate on all things, all things weather,
• 56:36
  Speaker 1: and jin Delgado made me realize this week that is
• 56:38
  Speaker 1: quite possible that maybe, just maybe all the reporters on
• 56:41
  Speaker 1: the Weather Channel maybe only know his weather because Jim
• 56:44
  Speaker 1: Delgado was reporting on Hurricane Matthews a few days ago.
• 56:47
  Speaker 1: When she was discussing the impact that the hurricane would
• 56:50
  Speaker 1: have on Haiti, and she spoke on the lack of
• 56:53
  Speaker 1: trees in the region. She informed us that areas in
• 56:56
  Speaker 1: Haiti have been deforested, and she decided to discuss kids
• 57:00
  Speaker 1: in Haities culinary preference. Okay, Jen Delgatto is aware of
• 57:05
  Speaker 1: a delicacy that kids in Haiti love, that kids in
• 57:08
  Speaker 1: Hades weren't even away that they loved. Let's go to
• 57:10
  Speaker 1: Jin Delgatto on the Weather Channel for the report. We're
• 57:13
  Speaker 1: really concerned about Haiti. So we look at the area
• 57:15
  Speaker 1: of Dominican Republic and you notice what's differ in this
• 57:17
  Speaker 1: NASA image. You see all brown here and then green
• 57:21
  Speaker 1: to the east. That's because this whole area has been
• 57:24
  Speaker 1: essentially deforesting. They take all the trees down, they burn
• 57:28
  Speaker 1: the trees. Even the kids there, they're so hungry they
• 57:30
  Speaker 1: actually eat the trees. Oh what oh what Haitian Matthew
• 57:36
  Speaker 1: did you hit with? Jindalgatto just said play the clip
• 57:39
  Speaker 1: again please. The whole area has been essentially deforesting. They
• 57:44
  Speaker 1: take all the trees down, they burn the trees, even
• 57:46
  Speaker 1: the kids there, they're so hungry they actually eat the trees.
• 57:50
  Speaker 1: Oh that's Jindalgatto. Did you even hit a word that
• 57:55
  Speaker 1: came out of your mouth? I would love to know
• 57:57
  Speaker 1: your perception of Haitian people. What Acian people have you
• 58:00
  Speaker 1: spoken to? What if you've been your experiences with Haitian
• 58:03
  Speaker 1: people to be able to hear and believe that Haitian
• 58:06
  Speaker 1: kids eat trees. I can't speak for all Haitians because
• 58:09
  Speaker 1: I'm not Haitian, but I got a lot of Haitian partners.
• 58:11
  Speaker 1: And we have a proud Haitian that works here at
• 58:13
  Speaker 1: the Mothership the Breakfast Club, or we broadcast live from
• 58:15
  Speaker 1: Power one on five one in New York. Shop on
• 58:17
  Speaker 1: a close bombs of Power one on five in New York,
• 58:19
  Speaker 1: and we have a Haitian who works here named m Easy.
• 58:21
  Speaker 1: Say tell me how you feel about Jin del Goto,
• 58:25
  Speaker 1: Am Easy? Wear me a mom by mun Pie Boy,
• 58:29
  Speaker 1: second the mom figil look at my mom. Let need
• 58:33
  Speaker 1: to bike o sa bike onsa. We're good people, and
• 58:36
  Speaker 1: put somewhere speck on my name. I have no idea
• 58:39
  Speaker 1: what you just said, but before you go, give me
• 58:40
  Speaker 1: an oh oh now, please, everybody, can we stop these
• 58:44
  Speaker 1: generalizations about other cultures? Okay? If you truly don't know
• 58:48
  Speaker 1: about other cultures and what they do, just shut the
• 58:50
  Speaker 1: f up forever. And if you have questions about other
• 58:53
  Speaker 1: coaches and you know people from that culture before, you
• 58:56
  Speaker 1: just assume ask questions for example, and easiest been established
• 59:00
  Speaker 1: your Haitian? Right, We have you ever eaten a tree? No?
• 59:04
  Speaker 1: What did you have for breakfast? Tree? Eggs? Okay, now
• 59:10
  Speaker 1: gets confused? Yeah, yeah, I mean yeah, I mean. Just
• 59:14
  Speaker 1: to play Devil's advocate, she might have been in the
• 59:17
  Speaker 1: McDonald's with a bunch of Haitians and heard them trying
• 59:20
  Speaker 1: to order a number tree off the value menu and
• 59:23
  Speaker 1: got confused with the tree. Maybe na, no, no, okay.
• 59:28
  Speaker 1: Iif Jindell got on the biggest seahart police shout to
• 59:34
  Speaker 1: all the Haitian people outlet. Yes, Haitian people get a
• 59:41
  Speaker 1: bad rap sometimes. Man, that's a new one too. By
• 59:44
  Speaker 1: the way, I never ate a tree. Haitian kids eat trees.
• 59:48
  Speaker 1: Come on that smoke him? All right, all right, will
• 59:51
  Speaker 1: thank you for that dog of the day. When we
• 59:53
  Speaker 1: come back, ask ye eight hundred five eight five one
• 59:56
  Speaker 1: oh five one. If you got a question for Eye,
• 59:58
  Speaker 1: you could ask her right now. Should put your live
• 1:00:00
  Speaker 1: on the air and help you with your problems. Eight
• 1:00:02
  Speaker 1: hundred five eight five one on five one. It's the
• 1:00:05
  Speaker 1: breakfast club. Come on, that was Tupac would keep your
• 1:00:10
  Speaker 1: head up morning. Everybody's dj M vy Angela. Ye, Charlemagne
• 1:00:14
  Speaker 1: the guy. We are the breakfast club. Now it's time
• 1:00:17
  Speaker 1: for asking ye eight hundred five eighty five one on
• 1:00:20
  Speaker 1: five one one. You're gonna go to ye. Hello, who's
• 1:00:23
  Speaker 1: this yo? What's up? Is Jays from Seattle? What's up? Bro?
• 1:00:26
  Speaker 1: What's your question for? Ye? Man? My question? For years,
• 1:00:28
  Speaker 1: I went in with my homeboy. He came up with
• 1:00:31
  Speaker 1: the idea to get us paid. Okay, we got paid,
• 1:00:34
  Speaker 1: We got paid, right, But when it got time to
• 1:00:37
  Speaker 1: actually do what we were supposed to do, he bitched up.
• 1:00:41
  Speaker 1: So I went through with it. Is this illegal? Yes?
• 1:00:46
  Speaker 1: About that? So we went through with you? Right? I
• 1:00:48
  Speaker 1: mean I went through with it for two years. Then
• 1:00:51
  Speaker 1: the bad team I got everything because he came in minding.
• 1:00:55
  Speaker 1: Now he's looking at me and this is my best
• 1:00:57
  Speaker 1: friend since third grade. He's looking at me like it
• 1:01:00
  Speaker 1: was my half. He got to go on with his
• 1:01:02
  Speaker 1: whole life, though my whole life stopped for two years.
• 1:01:04
  Speaker 1: All right, here's my question. But y'all had a deal
• 1:01:06
  Speaker 1: from the beginning, right, The deal was we were gonna
• 1:01:10
  Speaker 1: it was it was just his ideas, but okay, it
• 1:01:12
  Speaker 1: was half and half. That was the deal. Yeah, Okay,
• 1:01:17
  Speaker 1: whether or not. You felt like he did what he
• 1:01:18
  Speaker 1: was supposed to do. Y'all still had a deal. You
• 1:01:21
  Speaker 1: wouldn't have done it if it wasn't for him. It
• 1:01:23
  Speaker 1: was his idea, so you didn't. He just half if
• 1:01:25
  Speaker 1: he didn't have to take anything, if he didn't have
• 1:01:27
  Speaker 1: to sacrifice anything. I would never do another deal with
• 1:01:30
  Speaker 1: him again. This was illegal. Ye okay, but he got
• 1:01:34
  Speaker 1: a good advice. I'm not gonna you had to do
• 1:01:36
  Speaker 1: two years in prison. No. I didn't do two years
• 1:01:38
  Speaker 1: in prison. He just had to go through it everything
• 1:01:40
  Speaker 1: another guy put everything, and then I couldn't work. I
• 1:01:43
  Speaker 1: couldn't I couldn't go to job, get I had to
• 1:01:45
  Speaker 1: do other stuff to give him. But he got to
• 1:01:47
  Speaker 1: go on throughout his life. Here's the thing. Just never
• 1:01:50
  Speaker 1: do nothing with him again. I never agree with letting
• 1:01:53
  Speaker 1: money interfere with a friendship. Sometimes it's not good for
• 1:01:56
  Speaker 1: you to do business with your friends. And you just
• 1:01:58
  Speaker 1: realized this is your best friend. Is it worth it
• 1:02:01
  Speaker 1: for you to sacrifice not being friends with this person
• 1:02:03
  Speaker 1: anymore over money? I told him. I I was like, okay,
• 1:02:08
  Speaker 1: from the one who actually thirty And what did he
• 1:02:10
  Speaker 1: say to me? He was like, no, I'm cool man. No,
• 1:02:15
  Speaker 1: you you you're a sucker. Okay, I just think this.
• 1:02:19
  Speaker 1: There's a lot of times I've been in situations where
• 1:02:21
  Speaker 1: I wanted to do something with somebody and it's supposed
• 1:02:24
  Speaker 1: to be half and half. Nothing illegal, though, but I
• 1:02:27
  Speaker 1: do feel like a lot of times I carry my
• 1:02:28
  Speaker 1: weight and do more work than the other person. But
• 1:02:30
  Speaker 1: if we had a deal from the beginning, I still
• 1:02:33
  Speaker 1: got to honor my part of the deal. But I'll
• 1:02:34
  Speaker 1: just never do nothing with them again, not if it's
• 1:02:36
  Speaker 1: illegal though. Well, listen, I'm just talking in general. Evy,
• 1:02:40
  Speaker 1: you want to say something here, envy. I want to
• 1:02:43
  Speaker 1: know what he did? What you doing? Bro? We ain't
• 1:02:44
  Speaker 1: gonna tell nobody. Yeah, right, I listen to every morning,
• 1:02:47
  Speaker 1: you know, every telling. If anybody telling, you know, I'm
• 1:02:52
  Speaker 1: not gonna tell anybody. I honestly felt like I'm gonna
• 1:02:56
  Speaker 1: do my part and always hold up my part of
• 1:02:58
  Speaker 1: the deal. That's it. You went up and beyond. You
• 1:03:00
  Speaker 1: could have chose to bitch out and not do it too,
• 1:03:03
  Speaker 1: but you didn't. Did he did? He moved away the
• 1:03:06
  Speaker 1: way he should have to split it. But all the
• 1:03:08
  Speaker 1: last thing you want to do, I think is have
• 1:03:09
  Speaker 1: somebody mad at you over some money. Just give him,
• 1:03:14
  Speaker 1: give him his half him and move on. You did
• 1:03:16
  Speaker 1: something illegal. You wasn't supposed to do it anyway. It
• 1:03:19
  Speaker 1: was his idea. You wouldn't have did it if it
• 1:03:21
  Speaker 1: wasn't for him. You got away with it. You did
• 1:03:23
  Speaker 1: him illegal ish and you got whatever amount of money.
• 1:03:26
  Speaker 1: Give him his half. Don't do nothing with him again
• 1:03:27
  Speaker 1: and try to get right. He might tell on your work.
• 1:03:30
  Speaker 1: He's right, it's too late. It's too late for that.
• 1:03:33
  Speaker 1: I appreciate something that will late for him to tell
• 1:03:36
  Speaker 1: on you. Yeah, all right, Well don't worry. We have
• 1:03:39
  Speaker 1: your number. We're gonna find him, all right. Ask ye
• 1:03:45
  Speaker 1: eight hundred five eight five one o five one. If
• 1:03:47
  Speaker 1: you got a question for ye, even if it's illegal,
• 1:03:49
  Speaker 1: call help you out. I'm not gonna tell on you.
• 1:03:51
  Speaker 1: This is a safe haven. Safe haven is the breakfast
• 1:03:54
  Speaker 1: glocal boarder that was re rewneeded me mourning? Everybody is
• 1:03:58
  Speaker 1: DJ MVY Angel Yee, Charlomne the guy. We are the
• 1:04:01
  Speaker 1: breakfast club we're in the middle of. Ask Ye eight
• 1:04:04
  Speaker 1: hundred five eight five one oh five one? What line
• 1:04:06
  Speaker 1: you want to go to? Five? Hello? Who's this? Hey?
• 1:04:09
  Speaker 1: My question is um, what would you do if if
• 1:04:13
  Speaker 1: you have a person that you married and been married
• 1:04:17
  Speaker 1: too for five years and you love them, but you're
• 1:04:22
  Speaker 1: not in love with them, and it's also three kids
• 1:04:24
  Speaker 1: involved two Okay, so you guys have three kids, you've
• 1:04:27
  Speaker 1: been married, you were in love at some point and
• 1:04:29
  Speaker 1: I don't really know, no, So what made you get married? Um?
• 1:04:33
  Speaker 1: I think that's that's what I needed. You know, I
• 1:04:36
  Speaker 1: was getting a little older, and you know you settled.
• 1:04:39
  Speaker 1: So for you, settling down mean settling exactly. Okay, But
• 1:04:43
  Speaker 1: you love this person, you care, you just feel like
• 1:04:45
  Speaker 1: you're not in love. What do you want to feel?
• 1:04:47
  Speaker 1: You want to feel like butterflies all the time? Passionate love, yeah,
• 1:04:51
  Speaker 1: something like you know, like I mean, we're very different people,
• 1:04:54
  Speaker 1: you know what I mean. It's like now I'm a
• 1:04:56
  Speaker 1: little hooding street and she's like it's square, you know
• 1:04:59
  Speaker 1: what I mean. You guys balance each other out. Yeah,
• 1:05:02
  Speaker 1: I mean, so it's like I felt like I needed that,
• 1:05:05
  Speaker 1: something called me down. So now you married her, had
• 1:05:07
  Speaker 1: three kids with her, and you want to be selfish
• 1:05:09
  Speaker 1: and go out and find somebody that WHOA no, no, no no,
• 1:05:13
  Speaker 1: I don't want to be selfish. Its just that and
• 1:05:15
  Speaker 1: I didn't. I don't have three kids with her. She
• 1:05:17
  Speaker 1: has already had three kids. She had three kids, So
• 1:05:19
  Speaker 1: you've been playing daddy to somebody else's kids and you
• 1:05:23
  Speaker 1: out the stepfather. I mean, listen, that's a difficult one
• 1:05:26
  Speaker 1: because you're saying you were never in love. You just
• 1:05:28
  Speaker 1: got married because you felt like that was what you needed. Yeah,
• 1:05:31
  Speaker 1: I mean, but they also needed me as well. You
• 1:05:33
  Speaker 1: know what I'm saying for you know, stability, and I
• 1:05:35
  Speaker 1: felt like that that's what you know, that I could
• 1:05:37
  Speaker 1: provide for them and give them a better life, and
• 1:05:38
  Speaker 1: at the same time that can help me as well.
• 1:05:40
  Speaker 1: Do you feel like you would regret it if you
• 1:05:42
  Speaker 1: guys weren't together, because sometimes, you know, they always say
• 1:05:46
  Speaker 1: the grass is greener on the other side, so you
• 1:05:49
  Speaker 1: being in this relationship might make you feel like, man,
• 1:05:52
  Speaker 1: it would be so much fun. My friends are running
• 1:05:53
  Speaker 1: around single having a good time. I'm stuck here with
• 1:05:56
  Speaker 1: three kids married. It's not it's not that I want
• 1:05:58
  Speaker 1: to be single, it's that I think I don't know,
• 1:06:01
  Speaker 1: I think I can do better. Wow, you think you
• 1:06:03
  Speaker 1: could do better? Yeah? And you've been feeling like this
• 1:06:09
  Speaker 1: for how long since we got married. I don't even
• 1:06:12
  Speaker 1: understand what you got married for in the first place.
• 1:06:14
  Speaker 1: But I tell you this, I always feel like you're
• 1:06:16
  Speaker 1: doing the other person a disservice as well. To be
• 1:06:18
  Speaker 1: with somebody that you're not in love with, yeah, just
• 1:06:21
  Speaker 1: out of convenience. So we might think, Okay, I don't
• 1:06:24
  Speaker 1: want to hurt this person's feelings, but I think not
• 1:06:27
  Speaker 1: allowing them to find the true happiness that they want
• 1:06:29
  Speaker 1: to find is also very hurtful. It's hurtful for you
• 1:06:32
  Speaker 1: and it's hurtful for them. My thing is I don't
• 1:06:34
  Speaker 1: want to it's the king that's my first concern, right
• 1:06:39
  Speaker 1: of course, And just because you guys aren't married or
• 1:06:42
  Speaker 1: not living together or whatever anymore, doesn't mean that you
• 1:06:45
  Speaker 1: can't still be in these children's lives because they look
• 1:06:47
  Speaker 1: at you as a father. I'm sure. Yeah, So I
• 1:06:51
  Speaker 1: don't think that that ends that, but I will say
• 1:06:53
  Speaker 1: that maybe you need to give it some time. I'm
• 1:06:55
  Speaker 1: never against couples doing therapy to get to the root
• 1:06:57
  Speaker 1: of whatever the issues might be and figure it out.
• 1:07:00
  Speaker 1: If you feel like it's worth something that you could
• 1:07:02
  Speaker 1: potentially salvage, I would highly recommend that you guys go
• 1:07:05
  Speaker 1: into couples therapy because it might be some things you
• 1:07:08
  Speaker 1: discover about her son and it didn't so and you
• 1:07:11
  Speaker 1: still feel this way. Well yeah, but I also feel
• 1:07:15
  Speaker 1: like if I give it more time, maybe I'll end
• 1:07:18
  Speaker 1: up falling into love, maybe out of long Well, maybe
• 1:07:21
  Speaker 1: what you guys need to do is reconnect. Maybe what
• 1:07:23
  Speaker 1: you should do is do certain things, like if you
• 1:07:26
  Speaker 1: guys are dating and rediscovering each other again, and take
• 1:07:30
  Speaker 1: it back to that, because it seems like you never
• 1:07:32
  Speaker 1: were really that into it from the beginning. I don't
• 1:07:34
  Speaker 1: know at this point if you can possibly fall in love.
• 1:07:37
  Speaker 1: I know what's happened for people before. But I would say,
• 1:07:40
  Speaker 1: you know, give it some time. If you feel like
• 1:07:41
  Speaker 1: there's children involved, if you feel like she's a good woman,
• 1:07:44
  Speaker 1: she's worth it. It has potential, and you need to
• 1:07:46
  Speaker 1: really dig deep. I'm glad that you guys went to
• 1:07:48
  Speaker 1: therapy and that you're making every effort possible because marriage
• 1:07:52
  Speaker 1: is a serious business. I feel like nowadays people get married,
• 1:07:56
  Speaker 1: you know, they don't realize that this is something that's
• 1:07:58
  Speaker 1: supposed to be permanent and forever. That's the plan in
• 1:08:01
  Speaker 1: and sometimes that does take some extra work. You're right,
• 1:08:03
  Speaker 1: but if so put in put in that work. And
• 1:08:07
  Speaker 1: if you really really feel like it's not salvageable, make
• 1:08:09
  Speaker 1: sure you guys communicate always because she deserves that. You're right,
• 1:08:13
  Speaker 1: good luck? Right, all right, let's asking eight hundred five
• 1:08:16
  Speaker 1: eight five one oh five one day. We got rumors
• 1:08:18
  Speaker 1: coming up. Yes, Halloween is coming up, and there's some
• 1:08:20
  Speaker 1: crazy costumes that have been on the shelves. We'll tell
• 1:08:22
  Speaker 1: you about one of them they actually had to pull. Also,
• 1:08:25
  Speaker 1: while what was he so mad about? We'll tell you
• 1:08:28
  Speaker 1: why he went crazy on this woman? And it was
• 1:08:30
  Speaker 1: all caught on video. All right, all that and more,
• 1:08:32
  Speaker 1: keep it locked. It's the Breakfast Club. Good morning, the
• 1:08:35
  Speaker 1: Breakfast Club. Listen up, it just oh gosh, report go Well,
• 1:08:50
  Speaker 1: while was leaving Bootsy Bellows and I guess he got
• 1:08:53
  Speaker 1: into a little bit of an altercation with the woman
• 1:08:56
  Speaker 1: who blew some smoking I feel them too, Yes, So
• 1:09:00
  Speaker 1: this is how he handled it. This is what happened
• 1:09:02
  Speaker 1: with the woman that he was I guess he kind
• 1:09:05
  Speaker 1: of was following her. She was going crazy. But we'll
• 1:09:08
  Speaker 1: explain the whole situation. Here's the video of what the
• 1:09:10
  Speaker 1: woman was saying to him. Are you really following me? Really? Really? Anyway?
• 1:09:26
  Speaker 1: All right? Well, what happened. We had no idea until
• 1:09:30
  Speaker 1: while they called into TMZ. Here's what he said. She says,
• 1:09:32
  Speaker 1: I'm like you like you people are so disrespectful DA
• 1:09:36
  Speaker 1: and like, I don't know where y'all from, but when
• 1:09:38
  Speaker 1: I'm from, like when you say you people like it
• 1:09:40
  Speaker 1: just enrages me. When I walked up to her and
• 1:09:43
  Speaker 1: then she took a whip out of the I guess
• 1:09:46
  Speaker 1: there's a bape thing blew it in my face. She said,
• 1:09:49
  Speaker 1: what are you gonna do? What are you gonna do?
• 1:09:50
  Speaker 1: I said, I'm not gonna hit a girl, Like what
• 1:09:52
  Speaker 1: do you like? Come on, man, So I just smacked
• 1:09:54
  Speaker 1: their food. You don't even deserve to eat. Rest in
• 1:09:57
  Speaker 1: peace to your meal. I'm not mad at while they
• 1:10:00
  Speaker 1: with doing that, And I probably would have just cursed
• 1:10:01
  Speaker 1: her out because it just looks bad on camera when
• 1:10:04
  Speaker 1: you're knocking the girl's food out of hand, it looks
• 1:10:05
  Speaker 1: like you're almost assaulting her. In the era we live
• 1:10:08
  Speaker 1: in right now, where people can press charges and you
• 1:10:11
  Speaker 1: get arrested for things like that, I personally wouldn't have
• 1:10:14
  Speaker 1: moved like, I'm not mad at them. I mean, the
• 1:10:16
  Speaker 1: way she blew smoke in his face is so disrespectful.
• 1:10:18
  Speaker 1: I mean, that's why you got your home girl or
• 1:10:21
  Speaker 1: your wife handle home girl. And he was walking up
• 1:10:23
  Speaker 1: the club she said you people said, what do you mean?
• 1:10:24
  Speaker 1: You people all right on the floor. I feel like
• 1:10:29
  Speaker 1: you should get a woman to handle a woman. No
• 1:10:32
  Speaker 1: more leftovers for you. Yeah, but sometimes when things happened
• 1:10:34
  Speaker 1: in the spur of a moment, I'm glad he didn't
• 1:10:35
  Speaker 1: put his hands on her. Now he didn't, though, No,
• 1:10:38
  Speaker 1: he smacked the food out of hand. That's what I'm
• 1:10:40
  Speaker 1: saying though. But people can watch that video and be like, oh,
• 1:10:43
  Speaker 1: that's an assault. That's not in the sault. I don't
• 1:10:44
  Speaker 1: think it is, but hey, they I've seen people get
• 1:10:48
  Speaker 1: arrested for a little than nothing. It was her, The
• 1:10:50
  Speaker 1: food was in her hand, it was on her person,
• 1:10:52
  Speaker 1: it was part of her. You hit her, you knocked
• 1:10:54
  Speaker 1: it out of her hand. You're rested for assault. Can't
• 1:10:55
  Speaker 1: go that far, all right. Halloween is coming up, and
• 1:10:58
  Speaker 1: there's some Halloween costumes that are getting pulled from websites
• 1:11:01
  Speaker 1: already now. Walmart and Amazon had to pull their Granny
• 1:11:06
  Speaker 1: Men's costume. Okay, it was basically like a transgender costume.
• 1:11:11
  Speaker 1: It's I don't know if you guys saw it, but
• 1:11:13
  Speaker 1: if you have Revolt TV, you can see a picture
• 1:11:15
  Speaker 1: of what it looks like. My dear to me, that's granny,
• 1:11:19
  Speaker 1: I look like my deal. Well, Walmart had to tell
• 1:11:21
  Speaker 1: the LGBT, Oh it's a trend. Oh, I just thought
• 1:11:25
  Speaker 1: it was a granny. So it's listed on some of
• 1:11:27
  Speaker 1: their websites. Oh, my dear is a transsexual. That's what
• 1:11:30
  Speaker 1: you're telling me, my dear is transgender? Because that looked
• 1:11:32
  Speaker 1: like my dear to me. What's the problem that looked
• 1:11:34
  Speaker 1: like miss doubtfire, my deal. What's the problem. They can't
• 1:11:36
  Speaker 1: even say that word. That word is this disrespect? We
• 1:11:38
  Speaker 1: can't say that word. So now they have it as
• 1:11:40
  Speaker 1: a manny granny. Now if they if they had like
• 1:11:42
  Speaker 1: a fake penis in front of the thing too, and
• 1:11:44
  Speaker 1: that's different. That's just my deal, missedoubtfire, right right. So
• 1:11:50
  Speaker 1: the description was all the guys will be dressing at
• 1:11:53
  Speaker 1: the superheroes and princes, but you will stand out among
• 1:11:55
  Speaker 1: the rest in this hilarious granny men's costume. So people
• 1:11:58
  Speaker 1: were upset about that. So that's why they should take
• 1:12:01
  Speaker 1: all the clown outfits off the shells where the clowns
• 1:12:03
  Speaker 1: are kidnapping kids, kids, all right, Jake, Clowns have never
• 1:12:08
  Speaker 1: been funny, by the way, I don't know whoever that
• 1:12:09
  Speaker 1: By the way, always been scared. Cuns have always been guys.
• 1:12:11
  Speaker 1: Are Stephen King's it before it before I've Clowns have
• 1:12:14
  Speaker 1: always been creepy. First of all, you know what I'm not.
• 1:12:16
  Speaker 1: You know what I am going some a clown? Shame
• 1:12:18
  Speaker 1: right now. Further of all, who grows up and says
• 1:12:20
  Speaker 1: they want to be a clown, think about that. That
• 1:12:23
  Speaker 1: within itself is creepy. Okay, Crone asked men, and your
• 1:12:26
  Speaker 1: occupation is a clown all right now. Drake had to
• 1:12:29
  Speaker 1: postpone some of his upcoming shows in Toronto, Philly and Newark,
• 1:12:33
  Speaker 1: and that is because of his ankle. He posted on
• 1:12:35
  Speaker 1: his Obo block. He said, I hate to be told
• 1:12:37
  Speaker 1: I can't do something, but under doctor's orders to allow
• 1:12:40
  Speaker 1: me time to recuperate. On being forced to postpone the
• 1:12:42
  Speaker 1: intense three shows in a row in cities which have
• 1:12:45
  Speaker 1: only showed me unconditional support. So if you were going
• 1:12:47
  Speaker 1: to go see him in Toronto and Philly, and he's
• 1:12:50
  Speaker 1: gonna do one show in New York, he had two planned.
• 1:12:52
  Speaker 1: The reason he's doing one is because he's never been
• 1:12:54
  Speaker 1: there before so performed there. So I guess he wants
• 1:12:56
  Speaker 1: to make sure he makes good on at least one
• 1:12:58
  Speaker 1: of them. But he did promise he will make it
• 1:13:00
  Speaker 1: up to you and with new music and a stronger ankle.
• 1:13:03
  Speaker 1: He do notice some of the the twenty sixteen is over.
• 1:13:05
  Speaker 1: He ride away, bro, So we'll see when that show
• 1:13:08
  Speaker 1: is okay. Beanie Seagull, Now somehow Nby got his hands.
• 1:13:12
  Speaker 1: I don't believe this Beanie Seagull record. I guess it's
• 1:13:14
  Speaker 1: a disrecord. Are you sure? This is different day and
• 1:13:18
  Speaker 1: it's entirety? But I do have a snippet for you
• 1:13:21
  Speaker 1: for the rumor report with the cripple keeper grim Reaper
• 1:13:25
  Speaker 1: just a tweeter. I'm knocking the devil speaker stop to
• 1:13:28
  Speaker 1: spick it in on Mika. I wanted you and Nazi.
• 1:13:31
  Speaker 1: Why let's see fu switch this hard flick double feature.
• 1:13:35
  Speaker 1: See what you can do for money. My brother's keep up.
• 1:13:38
  Speaker 1: I sunk away out of silly faces. It look a
• 1:13:41
  Speaker 1: mint size and killing and get weak for reals and
• 1:13:45
  Speaker 1: diet that for me. You shouldn't get it for meals,
• 1:13:48
  Speaker 1: all right? Listen, I thought the interview with taxtone was entertaining,
• 1:13:51
  Speaker 1: but we can't act like Beanie didn't come off as
• 1:13:53
  Speaker 1: a complete, jealous, envious hater who can't be trusted. And
• 1:13:56
  Speaker 1: on that same podcast, he said he wasn't putting out
• 1:13:59
  Speaker 1: any disrecords. But now you're telling me he got dish records.
• 1:14:02
  Speaker 1: Not just one, what you mean, not just one? I
• 1:14:05
  Speaker 1: think they got one today trilogy, then we got a
• 1:14:07
  Speaker 1: different one tomorrow. He was on tact On podcast and
• 1:14:12
  Speaker 1: saying that's not how Muslims move, and he's not putting
• 1:14:14
  Speaker 1: out no dish records, and he's gonna see him on
• 1:14:16
  Speaker 1: the day at judgment, and now he got dis records.
• 1:14:19
  Speaker 1: Beni Siegel is a rapper. You can't stop him from rapping.
• 1:14:22
  Speaker 1: Beans can't be trusted. And he's spitting bars and that's
• 1:14:25
  Speaker 1: this is Charlotte man, this is this is DJ me
• 1:14:28
  Speaker 1: mixtape days talking these days back to spit. Don't you
• 1:14:31
  Speaker 1: love the bars? Back? I do love the bars. I
• 1:14:34
  Speaker 1: just want some consistency as a human being. You're in
• 1:14:36
  Speaker 1: the studio with Mikey ready to go to LA and
• 1:14:38
  Speaker 1: three hours, eight days later, he's not real. He's a sucker.
• 1:14:41
  Speaker 1: You're not making any dish records. Now you got a
• 1:14:43
  Speaker 1: week later, you got dish records out. I just want
• 1:14:45
  Speaker 1: some consistency as a human being, that's all I want.
• 1:14:47
  Speaker 1: But we gotta have three consistent records. All right, let's
• 1:14:51
  Speaker 1: get into because I don't like this little babe boy.
• 1:14:55
  Speaker 1: I don't like Luke Bagee. Luke bage don't be liking
• 1:14:58
  Speaker 1: to tell me stuff. Okay, what do you tell me?
• 1:15:01
  Speaker 1: He got three dish records? Yes, it's three. It's a trilogy.
• 1:15:03
  Speaker 1: He called me this morning. Do you remember when I
• 1:15:05
  Speaker 1: was on the phone that was being he got three records.
• 1:15:09
  Speaker 1: He said he's gonna send one today, one tomorrow and
• 1:15:11
  Speaker 1: one on Monday. All right, well that is your room
• 1:15:13
  Speaker 1: and report. I'm man to the year and we get
• 1:15:15
  Speaker 1: to your DJ. Oh you're trying to be funny. Now
• 1:15:20
  Speaker 1: what you said? Why? He said? No? See you stupid?
• 1:15:23
  Speaker 1: So starting like that because it's just like I need
• 1:15:28
  Speaker 1: some consistency as a man. It's like, like I said,
• 1:15:30
  Speaker 1: beans can't be trusted. All right, he's flip flops too much.
• 1:15:33
  Speaker 1: But let's let's play the full version right now. Let
• 1:15:35
  Speaker 1: us know what you think. Add us on Twitter, Instagram,
• 1:15:38
  Speaker 1: People's choice mixes up. Next, it's the Breakfast logan revote
• 1:15:42
  Speaker 1: later