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Transcript

From Monique's Eulogy Drama to Kanye's Twitter Meltdown · The Mixed Vibez Podcast

• 0:03
  Speaker 1: What's going on?
• 0:03
  Speaker 1: Y'all know what time it is.
• 0:04
  Speaker 1: Another episode of the Mixed Rise Podcast, your favorite amateur podcast that you can find wherever you get your podcasts, like Apple, spotify, pandora.
• 0:13
  Speaker 1: Wrong part of the show, it's your boy, young Craig.
• 0:16
  Speaker 1: To the journey.
• 0:16
  Speaker 1: What's going on?
• 0:18
  Speaker 2: Hey, bro, you ain't know the rest of the show Boy, Mr Bill aka, can't say your name in front of the spot, might not put you in mind.
• 0:25
  Speaker 2: What's going on, Quirk?
• 0:26
  Speaker 2: Ah shit, Shout out, Dierks.
• 0:27
  Speaker 2: What's going on, Quirk?
• 0:32
  Speaker 1: What's good bro.
• 0:33
  Speaker 2: Shit, I can't call it bro.
• 0:36
  Speaker 2: Another day in paradise bro.
• 0:37
  Speaker 2: Hey bro, let me shout out King Batch real quick.
• 0:42
  Speaker 2: Hey bro, I went to see bro.
• 0:43
  Speaker 2: Hey bro, let me shout out King Batch real quick.
• 0:44
  Speaker 2: Hey bro, I went to see.
• 0:45
  Speaker 2: I got a picture with bruh.
• 0:48
  Speaker 2: I went to see bruh.
• 0:51
  Speaker 1: This nigga here, bruh.
• 0:54
  Speaker 2: Did he ask?
• 0:54
  Speaker 1: you to take the picture.
• 0:55
  Speaker 1: Nah, bruh chill.
• 0:57
  Speaker 2: Come on, put some respect on that man's name.
• 0:59
  Speaker 2: Nah, he said hey, I'm doing free meet and greets, you know, if y'all wanna come over and take a picture real quick, cause I got another show in 30 shit we slid in line.
• 1:08
  Speaker 2: I was like shit, let's get the picture real quick.
• 1:10
  Speaker 2: Nah, bro's cool, bro's funny.
• 1:12
  Speaker 2: I ain't gonna lie, bro's funnier than I thought he was gonna be.
• 1:14
  Speaker 2: Because when you see them internet dudes you wonder if they actually funny, if they like stand, if they can actually do the stand up for it.
• 1:23
  Speaker 2: Does anybody?
• 1:25
  Speaker 2: You know, doing skits is like doing movies.
• 1:27
  Speaker 2: You can take as many takes as you want, you don't know if you're really funny.
• 1:31
  Speaker 2: But nah, bro was actually.
• 1:31
  Speaker 2: He was actually funny in his his opener.
• 1:34
  Speaker 2: I think his name was Adrian Grant or Mark Sean Grant, something like Grant, something Grant.
• 1:40
  Speaker 2: He was funny too.
• 1:41
  Speaker 2: So I just want to give a shout out.
• 1:43
  Speaker 2: We're going to see Adele Gibbons this weekend, so I'll let you know about that one too.
• 1:52
  Speaker 2: That's what's up.
• 1:53
  Speaker 2: I'll be showing it up.
• 1:54
  Speaker 2: Look, I wasn't in the millennium until I, like you, I'm just in the comedy show, that's all.
• 2:00
  Speaker 2: This ain't no ass Jers, ain't right.
• 2:05
  Speaker 2: This ain't no ass Jerks ain't here.
• 2:06
  Speaker 2: So ain't no ass jerks.
• 2:07
  Speaker 2: But I ain't tell you this before pod, I wanted to get your reaction.
• 2:13
  Speaker 2: On the pod.
• 2:15
  Speaker 2: It's two things.
• 2:16
  Speaker 2: All right, you want the layup first or you want the whole.
• 2:24
  Speaker 1: Give me the layup.
• 2:25
  Speaker 2: Give you the layup.
• 2:26
  Speaker 2: Give you the layup, all right.
• 2:28
  Speaker 2: So Patti LaBelle, stephanie Mills, chaka Khan and Gladys Knight is going on tours.
• 2:35
  Speaker 2: It's going on tours, they're going on tours.
• 2:38
  Speaker 2: It's called a Queens tour.
• 2:39
  Speaker 2: I asked Mom Deuce, who's the headliner, who's the opener?
• 2:44
  Speaker 2: So I'm going to ask you who's the headliner, who's the opener?
• 2:48
  Speaker 2: So I'm going to ask you who you think the headliner is and who you think the opener is.
• 2:54
  Speaker 1: Patti LaBelle.
• 2:55
  Speaker 2: Which one?
• 2:57
  Speaker 1: Chaka Khan.
• 2:58
  Speaker 1: Okay, gladys Knight.
• 3:02
  Speaker 2: Stephanie Mills.
• 3:03
  Speaker 2: Stephanie Mills.
• 3:04
  Speaker 1: Stephanie Mills.
• 3:04
  Speaker 1: Stephanie Mills, I honestly want to say I know Patty's a close one, I know that's Reynolds right there, okay, and and I want to say I'm going to surprise you with this one.
• 3:32
  Speaker 1: I was going to say Stephanie Mills was going to be the opener, okay, but she can't.
• 3:39
  Speaker 1: I don't think they're going to do that.
• 3:41
  Speaker 1: I think they're going to get Chaka Khan to open her.
• 3:43
  Speaker 1: Let her come out here, because I don't know, maybe going to do that.
• 3:44
  Speaker 1: I think they're going to get Chaka Khan to open her.
• 3:45
  Speaker 1: Let her come out here.
• 3:46
  Speaker 1: I don't know, maybe I might be wrong, maybe I might be unfamiliar with her game.
• 3:52
  Speaker 1: All these ladies is getting older.
• 3:54
  Speaker 1: I don't know exactly who the oldest one is.
• 4:00
  Speaker 1: It might be Patty, but we know Patty going to close, okay, and I hate to do this to her, but sometimes them high-calorie people, they run out of gas.
• 4:20
  Speaker 1: And I'm not saying she gonna run out of gas, but I'm saying she might Wow.
• 4:27
  Speaker 1: So we don't want no drama, we just going to get her out the way.
• 4:33
  Speaker 1: We'll give you, you know, your 15 minutes of fame.
• 4:35
  Speaker 1: I'm not saying she nivy, she might give you 30 for an opener, you never know.
• 4:40
  Speaker 1: But I think she also, you know want to get in and get out.
• 4:45
  Speaker 1: She ain't got time to be bullshitting around with y'all.
• 4:50
  Speaker 2: No disrespect you said the calorie people bruh that, hey, bruh.
• 4:58
  Speaker 2: That starts off with disrespect.
• 5:00
  Speaker 2: Alright, so who's second and who's third?
• 5:06
  Speaker 1: I think you go Stephanie and then Gladys Knight.
• 5:09
  Speaker 1: Okay.
• 5:11
  Speaker 2: Cool.
• 5:11
  Speaker 2: Stephanie Mills is 67.
• 5:15
  Speaker 2: Chaka Khan is 71.
• 5:16
  Speaker 2: Patty Labeel and Gladys Knight are both 80.
• 5:19
  Speaker 2: Does that change anything for you?
• 5:26
  Speaker 1: You said Shaka Khan, how old 71 and Gladys and Patty.
• 5:33
  Speaker 2: Both are 80.
• 5:36
  Speaker 1: I mean, my statement still stands, depending on what these individuals look like In 2025.
• 5:44
  Speaker 1: I think it sounds fucked up.
• 5:53
  Speaker 1: It sounds real bad.
• 5:54
  Speaker 1: Let's keep it real, though.
• 5:58
  Speaker 1: I like big women.
• 6:01
  Speaker 1: I'm not saying nothing bad.
• 6:03
  Speaker 1: What I'm not saying nothing bad.
• 6:06
  Speaker 1: What I'm saying is maybe she Alright.
• 6:13
  Speaker 1: Honestly, if we're going off my argument, I'm thinking the oldest.
• 6:16
  Speaker 1: I honestly was going to say Gladys Knight, gladys Knight go first, because she the oldest, she older, you close it out with an old one and you let it.
• 6:23
  Speaker 1: You end it out with an old one, so we'll go change it up.
• 6:26
  Speaker 1: I swapped Gladys and Chaka Khan.
• 6:29
  Speaker 2: Okay, so you go with Gladys, Stephanie, Chaka Khan, then Brady yeah.
• 6:34
  Speaker 1: Okay, cool, I think Gladys still put on a show, but, like I said, she might come out there and do a 30-minute opening set, type shit.
• 6:40
  Speaker 2: Okay.
• 6:41
  Speaker 2: So it's kind of like I know you don't watch it, but like WWE when they do their PLEs.
• 6:48
  Speaker 2: The second biggest match is the opening, because it sets the vibe.
• 6:54
  Speaker 2: And then you have a closing match that also sets the vibe and then your middles the middles kind of ride it out.
• 7:02
  Speaker 2: So from that I see why you went that way.
• 7:05
  Speaker 2: I'll tell you what Mama said.
• 7:06
  Speaker 2: Mama first said Stephanie Mills, chaka Khan, gladys and the band, but then she switched Chaka Khan and Stephanie Mills Because Mama feels like Chaka Khan got more songs, more songs and her songs are more up-tempo, so it'll keep the party going it gets to get the crowd going.
• 7:27
  Speaker 1: I feel it the crowd going.
• 7:29
  Speaker 2: It gets the crowd going off the set, right off the uh starts to show off, right.
• 7:33
  Speaker 2: So that's what mom said.
• 7:35
  Speaker 2: I ain't gonna lie.
• 7:37
  Speaker 2: When I thought of, I thought the same way you said it, because I didn't think Gladys wanted to go in front of Patty.
• 7:48
  Speaker 2: So that's why I thought Gladys was going to be the opening.
• 7:50
  Speaker 1: Right in front of Patty too.
• 7:52
  Speaker 2: That's why I figured Gladys was going to be the opening, because she didn't want to go in front of Patty.
• 7:57
  Speaker 1: But do Shaka, though.
• 7:58
  Speaker 1: I mean she ain't ducking no smoke, I don't doubt it.
• 8:00
  Speaker 2: I don't think none of them duck in the smoke, but, gladys, they had their little riffs and I'm sure everything's moved over now, but it wasn't always that way.
• 8:15
  Speaker 2: Stuff can go back at any point.
• 8:17
  Speaker 2: You know what I'm saying, not?
• 8:22
  Speaker 1: one of them catch the mention, they forget what year it is and they start beefing again on the tour they ain't forget.
• 8:29
  Speaker 2: It's a reason they don't like each other and even if they smooth it over, that reason still stands.
• 8:34
  Speaker 2: So I don't think Gladys is going to go up.
• 8:36
  Speaker 2: I don't think Gladys is going right in front of Patty.
• 8:39
  Speaker 2: So for that reason I think it's Gladys.
• 8:42
  Speaker 2: I think it'll be Shaka Khan dead step and dead Patty.
• 8:44
  Speaker 2: For that reason I think it's the latest.
• 8:47
  Speaker 2: I think it'll be Chaka Khan, then Stephanie, then Patty.
• 8:49
  Speaker 2: That's what I think All right cool.
• 8:51
  Speaker 2: I don't know if you want to call this the harder one, but the Department of Defense has removed Jackie Robinson's Army story from their website, Jackie Robinson's army story from their website.
• 9:06
  Speaker 2: Trump is on his DEI initiative and they took down Jackie Robinson serving in World War II.
• 9:16
  Speaker 1: What do you mean?
• 9:17
  Speaker 1: They took it down.
• 9:18
  Speaker 2: So it was articles and stuff on their website.
• 9:21
  Speaker 2: They erased all of those articles.
• 9:24
  Speaker 2: Now the website doesn't mention that Jackie Robinson was served in the Army.
• 9:33
  Speaker 2: So what's your thoughts on the President?
• 9:38
  Speaker 2: Well, not even the President, it's not even him.
• 9:41
  Speaker 2: What are your thoughts on the Department of Defense taking down these articles?
• 9:47
  Speaker 2: Because even in a DEI situation, cool, that's one thing to get rid of these articles, but we're talking about Jackie Robinson.
• 9:55
  Speaker 2: He's not.
• 9:57
  Speaker 2: He's a Hall of Fame baseball player.
• 10:01
  Speaker 1: They'll honestly probably put him back up for his birthday.
• 10:03
  Speaker 1: I forgot, never mind, they don't do that no more.
• 10:10
  Speaker 1: I told you we just celebrated our last black history month.
• 10:13
  Speaker 1: I hope y'all had a good time with it.
• 10:17
  Speaker 1: I ain't gonna lie, this is the first black history month, or maybe last year was the first Black History Month.
• 10:26
  Speaker 1: I paid bills.
• 10:30
  Speaker 2: Yeah, bro, you got that off.
• 10:30
  Speaker 2: I ain't never was able to get that off.
• 10:32
  Speaker 1: Yeah, I always was like yeah, I'm not paying no bills until February, type, shit, shit man.
• 10:41
  Speaker 2: Look, I need this electricity to come on when I'm a professor with you, bro.
• 10:44
  Speaker 2: Yes, sir, to come on when I'm supposed to.
• 10:46
  Speaker 2: Yes, sir, I do that while I'm at the turner.
• 10:47
  Speaker 2: I don't know how you got that off of that deal, man Years.
• 10:50
  Speaker 2: See, because when I get up here and that light switch don't flip if I get home and that ain't going, then I got to talk to this kid about what's going on because ain't no Wi-Fi.
• 11:05
  Speaker 2: You know they don't know how to go outside there.
• 11:06
  Speaker 2: No more for real.
• 11:08
  Speaker 2: They go outside for a little bit and then be ready to come back in.
• 11:14
  Speaker 1: Right.
• 11:16
  Speaker 2: So yeah, 9%.
• 11:17
  Speaker 2: What did you think about the Jacket Rocks?
• 11:18
  Speaker 2: Did you think he was going to come back?
• 11:21
  Speaker 1: for his birthday.
• 11:22
  Speaker 1: Okay, I think that.
• 11:26
  Speaker 1: Look, they wanted to touch it up a little bit.
• 11:28
  Speaker 1: That's all they was trying to do.
• 11:30
  Speaker 1: They didn't think, honestly, I ain't going to hold you.
• 11:33
  Speaker 1: I didn't even know.
• 11:33
  Speaker 1: Jackie Robinson served.
• 11:35
  Speaker 2: I didn't know he.
• 11:36
  Speaker 2: I knew he served, but I didn't know he served as long as he did.
• 11:42
  Speaker 1: And then went and played ball.
• 11:43
  Speaker 2: He served for two years.
• 11:44
  Speaker 2: He was drafted well.
• 11:51
  Speaker 2: Well, he was drafted in 1942 and served until 1944.
• 11:55
  Speaker 2: Like I said, I ain't know.
• 11:56
  Speaker 2: I mean, I know he was in there, but I ain't think he actually did.
• 11:58
  Speaker 2: No, you know actual time or whatnot.
• 12:00
  Speaker 2: Uh, I think as well.
• 12:02
  Speaker 2: I think it's the world part.
• 12:03
  Speaker 2: Where are we at in history, in this country, in this world, at this point, where the president doesn't want everybody to feel included, knowing this country's history, it's like they're really trying to whitewash history, as if everything was always peaches and cream and everything was normal.
• 12:24
  Speaker 2: It's still places in America where black people ain't safe or hell, not even just black people, hispanics or Asians.
• 12:35
  Speaker 2: Still, racism is not safe, but they want to whitewash it, act like everything's peaches and cream.
• 12:42
  Speaker 2: That's not the world we live in.
• 12:43
  Speaker 2: Try to erase everything in history that black people or people that are not white contribute to.
• 12:52
  Speaker 2: This country is, at this point, it's a joke.
• 12:56
  Speaker 2: Imagine we should have known it was a joke.
• 12:58
  Speaker 2: When he's trying to make Canada the 51st state, he's trying to make a country like 51st state, even if he's trying to make a country of like 51st state, even if he's playing like.
• 13:08
  Speaker 2: That ain't something you say.
• 13:09
  Speaker 2: You shouldn't be playing as the president.
• 13:11
  Speaker 2: You're going to change the Gulf of Mexico to the Gulf of America.
• 13:13
  Speaker 2: Come on, bro, what we doing?
• 13:16
  Speaker 2: Hey bro, I don't know.
• 13:23
  Speaker 2: Speaking of what we're doing, get to the entertainment news.
• 13:27
  Speaker 2: Let's start off with Monique.
• 13:28
  Speaker 2: Monique had some things to say, as we know, rip to Angie Stone.
• 13:35
  Speaker 2: Tyler Perry was giving her eulogy and, in response, monique released some things, released some responses from her husband, and I'm just going to read one because she.
• 13:53
  Speaker 2: There's four reasons, but let me just read one.
• 13:55
  Speaker 2: You expressed anger over Angie's mistreatment.
• 13:58
  Speaker 2: Yeah, you labeled me difficult to work with, despite never having worked with me.
• 14:05
  Speaker 2: How can you condone poor treatment of others when you're imposed the same on me?
• 14:12
  Speaker 2: We have audio of meeting you alone.
• 14:15
  Speaker 2: Now let's go to the fourth one.
• 14:17
  Speaker 2: You mentioned being tired of us not receiving the benefits we deserve.
• 14:21
  Speaker 2: Yet you asked me to promote precious for free, without a contract or compensation, which highlights your double standard.
• 14:28
  Speaker 2: I ain't going to read the other two Because I mean we get the gist.
• 14:33
  Speaker 2: Right, we get the gist.
• 14:35
  Speaker 2: We know what she doing.
• 14:37
  Speaker 2: We know what she doing, we know where she going with it.
• 14:41
  Speaker 2: Like my boy, it's at one point at least.
• 14:44
  Speaker 2: For me, at one point is at least for me.
• 14:46
  Speaker 2: At what point is enough, but I don't want to step over yours.
• 14:50
  Speaker 2: What you get.
• 14:58
  Speaker 1: I heard the Tyler Perry video and I was like, hmm, what could Monique have had to say about Tyler Perry speaking about Angie Stunker?
• 15:08
  Speaker 1: He spoke so eloquently, you know, spoke highly of her and I, you know, I appreciate everything he had to say about it.
• 15:13
  Speaker 1: You feel me.
• 15:14
  Speaker 1: I was like that's what's up Now.
• 15:17
  Speaker 1: Why'd you call on Tyler Perry to speak at her funeral?
• 15:20
  Speaker 1: I mean, I don't know.
• 15:21
  Speaker 1: I guess because he was a fan.
• 15:22
  Speaker 1: I don't know.
• 15:24
  Speaker 1: I don't know, I guess because he was a fan.
• 15:26
  Speaker 1: I don't know the way he was talking.
• 15:27
  Speaker 1: Like you know, these songs meant something to him.
• 15:32
  Speaker 1: Not knocking him, you feel me.
• 15:34
  Speaker 1: Maybe he was done wrong by a man.
• 15:36
  Speaker 1: You never know.
• 15:37
  Speaker 1: What I'm saying is he was feeling it on a different note the way he was talking.
• 15:43
  Speaker 1: That's just from what I heard.
• 15:47
  Speaker 2: Hey bro, he talked about being poor and stuff I don't know.
• 15:49
  Speaker 2: He ain't go into all of it.
• 15:51
  Speaker 2: He ain't talking about nothing but a man.
• 15:53
  Speaker 2: Why you give Vitalik Brady some unnecessary shots.
• 15:58
  Speaker 1: You know what them folks be saying, man.
• 16:00
  Speaker 2: All right, bro Chill.
• 16:06
  Speaker 1: Nah she, bro, chill, Nah she.
• 16:07
  Speaker 1: I'm like.
• 16:08
  Speaker 1: What can Monique have negative to say about this?
• 16:13
  Speaker 2: A lot apparently.
• 16:18
  Speaker 1: Of course she took it back to the olden days, To her beef with Tyler Perry.
• 16:23
  Speaker 1: I was like, ah, I read the first bullet, I read them all, perry.
• 16:25
  Speaker 1: I was like, ah, I read the first bullet, I read them all.
• 16:27
  Speaker 1: And then I was like, okay, it's just the same old, same old.
• 16:30
  Speaker 1: Monique, when is enough going to be enough?
• 16:32
  Speaker 1: I guess, if you, if you wrong me, you wrong me, but shit Leave that alone, leave that alone.
• 16:43
  Speaker 2: You didn't got you a.
• 16:44
  Speaker 1: Netflix special.
• 16:45
  Speaker 1: I thought we was moving past that.
• 16:48
  Speaker 1: Did you need to jump back into the news cycle this early?
• 16:53
  Speaker 2: it's March.
• 16:54
  Speaker 1: I guess we haven't seen her since last year for real, since her special yeah so I guess it was time for her to it's 2025.
• 17:04
  Speaker 1: We hadn't said Monique yet.
• 17:05
  Speaker 1: Leave it alone, baby.
• 17:14
  Speaker 2: Hey bro.
• 17:14
  Speaker 2: Hey bro, I know this is dust.
• 17:17
  Speaker 2: Alright, we heard Tyler Perry.
• 17:19
  Speaker 2: Like you said, we talked about the audio.
• 17:21
  Speaker 2: We heard what the audio said.
• 17:22
  Speaker 2: We got it.
• 17:24
  Speaker 2: We heard it, we heard, we understand.
• 17:26
  Speaker 2: Monique, you was wrong.
• 17:27
  Speaker 2: We're not knocking you for being wrong, and I guess you can't tell a person how to handle being hurt or how to handle being disrespected.
• 17:37
  Speaker 2: Disrespected or mistreated.
• 17:38
  Speaker 2: That's what she felt like she was doing.
• 17:41
  Speaker 2: Tyler perryed her.
• 17:42
  Speaker 2: That's cool, and we can't tell you when to stop feeling that way.
• 17:47
  Speaker 2: But using a eulogy, using a eulogy to get off your more claims and take shots at Tyler Perry while he's giving a eulogy, that's no offense, but that's disrespectful to Angie Stone.
• 18:07
  Speaker 2: You ain't have to insert yourself into that conversation.
• 18:11
  Speaker 2: Don't use what he's doing at her funeral service to continue to promote your wrong, that you being wrong, that's disrespectful to her.
• 18:21
  Speaker 2: And then you're going to start it off talking about giving the condolences to the family and the friends, and you ain't.
• 18:28
  Speaker 2: You don't really feel that way no, not at all you don't feel that way, because if you felt that way and you really thought that through, you wouldn't have done that.
• 18:35
  Speaker 2: That's disrespect, I'm gonna keep saying it.
• 18:38
  Speaker 2: That's the ultimate disrespect to Angie Stone.
• 18:40
  Speaker 2: You taking a shot at him, you using her funeral service to take a shot at him.
• 18:45
  Speaker 2: You using her funeral service to take a shot at him.
• 18:46
  Speaker 2: That ain't the time or the place.
• 18:48
  Speaker 2: This ain't what you're supposed to do.
• 18:53
  Speaker 2: I think, for as much as Monique talked about how she's a classy woman and the way she speaks on herself and these things I believe to be true the way she wants to present herself or attempt to carry herself, this is not what this is showing.
• 19:07
  Speaker 2: This is actually showing the complete opposite.
• 19:10
  Speaker 2: It's showing ratchet.
• 19:13
  Speaker 2: It's showing not matured.
• 19:15
  Speaker 2: It's showing hey, I'm not ready for the spotlight.
• 19:21
  Speaker 2: I'm still not ready for the spotlight because of the fact I can't get over the fact of what you did years ago.
• 19:26
  Speaker 2: We all agree with you.
• 19:28
  Speaker 2: You did a special you did with the Club Shay Shay interview.
• 19:33
  Speaker 2: You released the audio.
• 19:35
  Speaker 2: We all on your side Back, cool.
• 19:40
  Speaker 1: And this is a thank you.
• 19:41
  Speaker 1: We all know he did you wrong.
• 19:44
  Speaker 1: It ain't like nobody's denying it.
• 19:46
  Speaker 1: I mean I guess him, him and Oprah but we, everybody else we know the truth, we know what was said.
• 19:58
  Speaker 1: We know what the dealio is.
• 20:01
  Speaker 1: At some point out of sight, out of mind and low-key, I ain't gonna hold you.
• 20:08
  Speaker 1: I think it's really the husband.
• 20:09
  Speaker 1: Still, I don't care what nobody say.
• 20:11
  Speaker 1: Yeah, good point.
• 20:13
  Speaker 1: I think this him you know he's your manager, your social media, he's your this, he's your that, he's your rock.
• 20:22
  Speaker 1: He got all that huh.
• 20:23
  Speaker 1: He lean you down the wrong path, down the path of he's your dad, he's your rock.
• 20:25
  Speaker 2: He got all that.
• 20:26
  Speaker 1: huh, he's leading you down the wrong path, down the path of, I mean, at some point you still Two wrongs don't make a right.
• 20:38
  Speaker 1: Okay, he did that to you.
• 20:39
  Speaker 1: You ain't got to necessarily do that to him.
• 20:42
  Speaker 1: You outed him.
• 20:43
  Speaker 1: That should be enough.
• 20:44
  Speaker 1: You feel me?
• 20:46
  Speaker 1: I mean, mean I understand, getting your get back, don't get me wrong.
• 20:49
  Speaker 1: But I mean Tyler Perry, he funding his own shit.
• 20:54
  Speaker 1: Tyler Perry's studio still gonna go, it ain't it?
• 21:01
  Speaker 1: Ain't them folks no more behind you?
• 21:02
  Speaker 1: Like what do you want him to offer you a role or something?
• 21:04
  Speaker 1: You ain't them folks no more behind you.
• 21:05
  Speaker 1: Like what do you want him to offer you a role or something?
• 21:06
  Speaker 2: You ain't going to work with him.
• 21:10
  Speaker 1: What is it that you exactly?
• 21:11
  Speaker 1: I guess you just want him to come out and say it.
• 21:14
  Speaker 1: I don't know.
• 21:15
  Speaker 1: But baby girl, this ain't the way, shawty.
• 21:20
  Speaker 2: Okay, that's a good point.
• 21:21
  Speaker 2: I didn't even think about that At this point.
• 21:23
  Speaker 2: What is your end goal?
• 21:24
  Speaker 2: What is your end goal?
• 21:26
  Speaker 2: To continue to express these feelings and continue to drag his name through the mud?
• 21:29
  Speaker 2: Mind you, he put the mud on himself.
• 21:32
  Speaker 2: He said these things.
• 21:34
  Speaker 2: We're not disputing that he did say these things, but at the same time, you continue to try to throw more mud on him.
• 21:41
  Speaker 2: Man, you fighting in the mud, you can get yourself dirty for no reason.
• 21:44
  Speaker 2: We all rock with it.
• 21:47
  Speaker 2: Cool, let's move on.
• 21:47
  Speaker 2: And then you talk about that.
• 21:49
  Speaker 2: He likes you difficult to work with.
• 21:51
  Speaker 2: This is showing that you are difficult to work with, because if somebody they ain't going to want to work with you because they're going to think the slightest thing we do wrong to her, she's going to talk about it for years.
• 22:05
  Speaker 1: Years.
• 22:08
  Speaker 2: Years and years and years, even after we, the audio come out of us saying, hey, yeah, I did it.
• 22:16
  Speaker 1: My bad, I'll come out and apologize.
• 22:19
  Speaker 1: I guess that's what it is it's got to be.
• 22:21
  Speaker 1: She just wanted to apologize.
• 22:23
  Speaker 2: Hey, bro, you were right.
• 22:24
  Speaker 2: Her man might be leaving her down the wrong path.
• 22:26
  Speaker 2: We got to figure out what the end goal is, so we ain't got to continue to hurt this or, better yet, not even for us to continue to hurt.
• 22:36
  Speaker 2: She needs to figure out what the end goal is so she can no longer feel the same.
• 22:42
  Speaker 1: Yeah, that's the thing I think at the end of it it's like we await your response To say what he did that shit.
• 22:55
  Speaker 1: I mean, and that's that we know he did that shit.
• 22:58
  Speaker 2: You want him to respond to comments about.
• 23:02
  Speaker 2: You want him to respond to your comments that you took off of his eulogy that he was giving to a deceased person.
• 23:13
  Speaker 1: He wasn't thinking about you and, honestly, still ain't.
• 23:19
  Speaker 2: He's seen it.
• 23:20
  Speaker 2: He was made aware of these comments and he just looked.
• 23:23
  Speaker 2: Alright, let me go on back to work.
• 23:26
  Speaker 2: He ain't even tripping off your comments.
• 23:30
  Speaker 2: The only person still tripping off is you.
• 23:34
  Speaker 1: He gonna fuck around and get petty with her and put a bitch that look like Monique in the movie, act like Monique in the movie.
• 23:42
  Speaker 1: I ain't gonna hold you.
• 23:44
  Speaker 1: Now that I think about it, he, low-key got one.
• 23:46
  Speaker 1: I don't know who she is, but she's been in two things.
• 23:51
  Speaker 1: Now that I think about it.
• 23:52
  Speaker 1: She was in the Megan Good and a Hardick movie.
• 23:59
  Speaker 1: She's in the new show, the stripper show, black and Beauty, beauty and Black, something like it.
• 24:08
  Speaker 1: I don't know, but she kind of give you more neat vibes.
• 24:11
  Speaker 1: I think he might be throwing his little shots.
• 24:15
  Speaker 2: Hey, I can make another you.
• 24:19
  Speaker 1: Got it right here.
• 24:23
  Speaker 2: I don't know.
• 24:24
  Speaker 2: Look first everybody.
• 24:25
  Speaker 2: Most importantly, rip to Angie Stone.
• 24:25
  Speaker 2: I don't know.
• 24:25
  Speaker 2: Look, prayers to everybody.
• 24:25
  Speaker 2: Most importantly, rip to Angie Stone.
• 24:28
  Speaker 2: Prayers and condolences to her family.
• 24:30
  Speaker 2: I can't believe she used.
• 24:34
  Speaker 2: She used to use.
• 24:36
  Speaker 1: I do got a question though where that money at?
• 24:39
  Speaker 1: Where is that money at?
• 24:42
  Speaker 2: Angie Stone's money uh, huh you know when is that money at Andy Stone's money?
• 24:46
  Speaker 2: Uh-huh, you know, bro.
• 24:46
  Speaker 2: You All right, bro.
• 24:47
  Speaker 2: Chill Bro, you know how to.
• 24:50
  Speaker 2: I'm not even going to let you get this out, bro, you probably will anyway, but we know how the music industry is.
• 24:55
  Speaker 2: These artists do all this work.
• 24:57
  Speaker 2: They do their art.
• 24:58
  Speaker 2: Somebody else get paid for it.
• 25:05
  Speaker 1: Interesting question to add when do you think that money at Q?
• 25:07
  Speaker 1: You think her label got it still.
• 25:11
  Speaker 2: Yeah, the Caucasian people that own that label.
• 25:13
  Speaker 2: Or it might be some black people on the floor too.
• 25:17
  Speaker 2: Let me not say Caucasian.
• 25:19
  Speaker 2: The people who own the record label, that's who's getting that money?
• 25:22
  Speaker 2: What if one Tyler Perry came into the?
• 25:23
  Speaker 2: The people who own the record label that's who's getting that money?
• 25:27
  Speaker 1: What if one Tyler Perry came into the fold and found out where that money was and took some of that money, All of that money maybe?
• 25:38
  Speaker 2: Nah, I don't think.
• 25:39
  Speaker 2: I don't think, tyler Perry.
• 25:43
  Speaker 2: I know you want a conspiracy theory here.
• 25:44
  Speaker 2: Conspiracy theory time.
• 25:45
  Speaker 2: Let me get it off.
• 25:45
  Speaker 2: I don't think, tyler.
• 25:45
  Speaker 1: Perry, I know you want Conspiracy Theory here.
• 25:46
  Speaker 1: Conspiracy Theory time.
• 25:47
  Speaker 1: Let me get it off.
• 25:49
  Speaker 2: I don't think Tyler Perry would do.
• 25:52
  Speaker 2: I don't think Tyler Perry would do stuff like that.
• 25:55
  Speaker 2: Now, the stuff like he did with Monique, I think he gets that off.
• 26:00
  Speaker 2: But like going on the record labels and stuff like that, I don't think Tyler Perry gets that off.
• 26:05
  Speaker 1: I'm saying you buy the Angie Stone, the Angie Stone rights she worth how much?
• 26:13
  Speaker 1: She got a death clause.
• 26:15
  Speaker 1: I speak at the funeral and give this nice drawn out eulogy and hit them with the where the money at?
• 26:25
  Speaker 1: Where is that money at, Tyler Perry?
• 26:29
  Speaker 1: You tell us.
• 26:33
  Speaker 2: Yeah, bro, I got Tyler Perry.
• 26:35
  Speaker 2: We ain't never be on Tyler Perry's studio I just want to be on the ground.
• 26:39
  Speaker 2: See what it look like.
• 26:40
  Speaker 2: We ain't going to make it Not with them.
• 26:42
  Speaker 2: Comments.
• 26:43
  Speaker 1: I'm just asking questions like he is.
• 26:47
  Speaker 2: I don't know the questions that we should be asking.
• 26:50
  Speaker 2: Bad, let's get to it.
• 26:51
  Speaker 2: Your boy, is this your boy?
• 26:53
  Speaker 2: Nah, this ain't Boosie.
• 26:55
  Speaker 2: I don't even want to put this on you.
• 26:57
  Speaker 2: All right, bro Kanye, I heard two in the end.
• 26:58
  Speaker 2: That's what I said.
• 26:59
  Speaker 2: This ain't your boy.
• 27:02
  Speaker 2: I ain't gonna put.
• 27:02
  Speaker 2: That's what I said.
• 27:02
  Speaker 2: This ain't your boy.
• 27:03
  Speaker 2: I ain't gonna put that on you.
• 27:04
  Speaker 2: My bad, I ain't gonna cause.
• 27:05
  Speaker 2: It ain't Boosie.
• 27:06
  Speaker 2: It ain't Boosie or Sgt Boy.
• 27:08
  Speaker 2: That ain't your boy, my bad, my bad.
• 27:10
  Speaker 2: Kanye had her tweet again and he's talking about Jay-Z and Beyonce's kids.
• 27:15
  Speaker 2: This man ain't gonna never learn, but I'm gonna read these tweets.
• 27:20
  Speaker 2: Wait, has anyone else?
• 27:21
  Speaker 2: It's kanye.
• 27:22
  Speaker 2: Wait, has anyone ever seen jay-z and beyonce's younger kids?
• 27:26
  Speaker 2: They're retarded.
• 27:28
  Speaker 1: No, like oh, I understand you just reading the tweet I'm just reading the tweet.
• 27:34
  Speaker 2: Okay, I can't, don't.
• 27:34
  Speaker 2: You don't read the tweet word for word I just say say r word for me okay wait, has any?
• 27:41
  Speaker 2: has anyone ever seen j-Z and Beyonce's younger kids?
• 27:44
  Speaker 2: They are R-word no like literally, and this is why artificial insemination is such a blessing.
• 27:53
  Speaker 2: Having an R-word children is a choice.
• 28:01
  Speaker 2: I need everyone to know that I took the post about Jay-Z and Beyonce's family down and Jerry Lorenzo's family's down because there was a possibility of my Twitter being canceled, not because I'm a good person.
• 28:11
  Speaker 2: I took it down like Down Syndrome Get it.
• 28:14
  Speaker 2: Am I right or am I right F the world?
• 28:18
  Speaker 2: Real talk F everybody Cool.
• 28:28
  Speaker 2: Let me read this other post that came at 11.06 am.
• 28:30
  Speaker 2: I love Jay-Z and I do feel bad.
• 28:35
  Speaker 2: I always felt like the black sheep, like I wanted family in this music and I run on stages thinking I was doing the right thing and would always be a slight hove, always be a slight hove.
• 28:49
  Speaker 2: Not, it would always be.
• 28:52
  Speaker 2: I'm okay, that don't make sense and would always be a slight hove not coming to my first wedding, him putting Kendrick on the Super Bowl over me, or even us Never being invited to something, taking jabs about my red hat on Donald.
• 29:09
  Speaker 2: I felt like both him and his wife could have helped me have more leverage with my kids.
• 29:15
  Speaker 2: They could have used their cultural position to not just watch the Kardashians run me over.
• 29:22
  Speaker 2: Shit hurts so blank both of them, because when I need them it was F me.
• 29:28
  Speaker 2: Kanye said a lot, dog, he said a lot that man sound hurt.
• 29:41
  Speaker 1: He sound more than hurt, but he also sound hurt.
• 29:44
  Speaker 1: Um, first of all, we, we got a code we stick by.
• 29:54
  Speaker 1: We don't speak on the dead.
• 29:59
  Speaker 1: We don't speak on the dead.
• 30:00
  Speaker 1: We don't speak on people's kids.
• 30:07
  Speaker 1: You kind of speaking on them, people's kids.
• 30:10
  Speaker 2: Kinda Jimmy, kinda he's got them kids to all work.
• 30:21
  Speaker 1: Ain't no kind of tool, I mean.
• 30:27
  Speaker 2: I mean, what you mean.
• 30:31
  Speaker 1: You speaking on them, folks', kids, man.
• 30:34
  Speaker 1: Why you want to knock that nigga out boy, you making people have to be like look, I think this is.
• 30:41
  Speaker 1: It's the thing.
• 30:43
  Speaker 1: You always think he can't take it no further.
• 30:45
  Speaker 1: And he do every time, like this time last year.
• 30:51
  Speaker 1: There's no way that you could have fathomed that he would have got to this level.
• 30:54
  Speaker 1: And guess what?
• 31:00
  Speaker 1: He'll go further, further this time next year.
• 31:06
  Speaker 1: Ain't no telling what he gonna be saying.
• 31:08
  Speaker 1: Like I said, if he make it through the weekend, I don't think he gonna make it through the weekend.
• 31:14
  Speaker 2: I think he'll make it through the weekend you talking about?
• 31:19
  Speaker 1: these people are word kids that's the thing.
• 31:24
  Speaker 2: If he don't make it through the weekend, you talking about these people are word kids.
• 31:26
  Speaker 2: That's the thing.
• 31:27
  Speaker 2: If he don't make it through the weekend, it's going to automatically be pointed at him.
• 31:29
  Speaker 2: I'm saying he don't make it through the weekend.
• 31:31
  Speaker 2: That's why I said he better watch out for Solange more than him.
• 31:35
  Speaker 1: Make it look like an accident.
• 31:36
  Speaker 1: He took himself in the closet and did that to himself.
• 31:40
  Speaker 1: That's how it's going to be.
• 31:41
  Speaker 1: They going to make it look like an accident and then we all going to be like it wasn't an accident.
• 31:48
  Speaker 1: But who are we to be like it's not an accident?
• 31:51
  Speaker 1: He was just talking about his look.
• 31:53
  Speaker 1: They going to do that.
• 31:54
  Speaker 1: Then grab his phone and then do some more tweets.
• 31:56
  Speaker 1: Look like I said.
• 32:00
  Speaker 1: We don't swing on a day.
• 32:02
  Speaker 1: You don't give people kids now.
• 32:03
  Speaker 1: If you do, then you gotta be ready to.
• 32:05
  Speaker 1: You know.
• 32:05
  Speaker 2: Face them consequences are you ready to face them?
• 32:11
  Speaker 2: consequences hey, though, I ain't gonna lie, I'm hurt and the reason I'm hurt.
• 32:22
  Speaker 2: And the reason I'm hurt is I hate to see Kanye falling down like this.
• 32:25
  Speaker 2: I hate to see Kanye in this mind frame.
• 32:29
  Speaker 2: I don't even know if Kanye knows where he at.
• 32:36
  Speaker 2: I think no-transcript, I think and right since his mother's gone, and we all know that Kanye has not been the same Kanye since his mother was being gone.
• 33:04
  Speaker 2: At this point, it is how do we save Kanye from Kanye?
• 33:11
  Speaker 2: And he got an album about to come out.
• 33:15
  Speaker 2: Actually, I think it came out today.
• 33:17
  Speaker 2: It's either came out today or it's coming out tomorrow.
• 33:19
  Speaker 2: This is the worst Pro Bowl tour ever.
• 33:21
  Speaker 2: You hear me, the worst.
• 33:22
  Speaker 2: It either came out today or it's coming out tomorrow.
• 33:22
  Speaker 2: This is the worst promo to ever.
• 33:22
  Speaker 2: You hear me the worst promo it's already out.
• 33:26
  Speaker 2: Yeah, I think it's either out today or it'll come out tomorrow.
• 33:29
  Speaker 2: Worst promo to ever.
• 33:31
  Speaker 2: Yeah, bro.
• 33:33
  Speaker 2: This is why I feel bad for Kanye, like you can't.
• 33:37
  Speaker 2: I just want to help the dude instead of judge him at this point, because at first it was like I'm just he's tripping, it's just funny to see At one point it was funny, now it's.
• 33:52
  Speaker 2: Bruh needs somebody to help him and guide him through life at this point.
• 33:59
  Speaker 2: So you take a hold, you mad because Bernie put you at the halftime show.
• 34:05
  Speaker 2: Do you actually show that you want to be at the halftime show?
• 34:08
  Speaker 2: You deserve to be on a halftime show.
• 34:11
  Speaker 2: You heard talking about the Jews.
• 34:13
  Speaker 2: You out here with the Donda hat.
• 34:15
  Speaker 2: I mean the.
• 34:16
  Speaker 1: Magna hat.
• 34:22
  Speaker 2: He put you on the halftime show.
• 34:23
  Speaker 2: That goes against everything that he's been standing for.
• 34:25
  Speaker 2: So he can't put you on the halftime show.
• 34:29
  Speaker 2: So what you want him to do, you're not helping him, help you.
• 34:33
  Speaker 2: So you can't be mad at him because he didn't put you on the halftime show.
• 34:38
  Speaker 2: But now you're talking about this means kids.
• 34:40
  Speaker 2: You don't play with nobody's kids.
• 34:41
  Speaker 2: Dog, you don't play with nobody's kids.
• 34:44
  Speaker 2: We just talked about the Tyler Perry and the Mommy stuff.
• 34:50
  Speaker 2: Tyler Perry probably looked at the Mommy comments and just laughed them off.
• 34:53
  Speaker 2: Jay ain't looking at these tweets and laughing it off.
• 34:59
  Speaker 1: At all.
• 35:02
  Speaker 2: This is personal.
• 35:03
  Speaker 2: Now, this is personal.
• 35:04
  Speaker 2: You don't talk about nobody.
• 35:06
  Speaker 2: It's kids dog and then you want him.
• 35:10
  Speaker 2: You mad at him because they not happy to get your kids back or get you more visitation with your kids.
• 35:16
  Speaker 2: So in turn, you talk about his kids.
• 35:18
  Speaker 2: But that's supposed to be your dog, but you want to do halftime show with him.
• 35:22
  Speaker 2: None of this makes sense.
• 35:24
  Speaker 2: That's why I said I feel bad for him now, because none of it makes sense and that ain't even.
• 35:32
  Speaker 2: That's not even.
• 35:33
  Speaker 2: Let me get to this other tweet, too, about Cassie.
• 35:37
  Speaker 2: Let the girl get this Cassie tweet.
• 35:42
  Speaker 2: This isovy.
• 35:43
  Speaker 2: Is this Cassie?
• 35:43
  Speaker 2: This is stuff that just happened today.
• 35:46
  Speaker 2: He said so Cassie ain't a sport puff.
• 35:50
  Speaker 2: Cassie came to puff and said give me 30 million, I'm going to release a tell-all book.
• 35:54
  Speaker 2: That looks like it's torching to me.
• 36:03
  Speaker 1: Oh, I thought you was talking about the one that said the one that said Cassie was running them freak-offs too, bro, what we doing?
• 36:16
  Speaker 1: She had her own freak-off.
• 36:17
  Speaker 1: She was running on the side.
• 36:19
  Speaker 1: She had a hey, nah, nah, nah, nah, nah.
• 36:27
  Speaker 1: I mean, if you think about it, I thought she did kind of extort him and it worked.
• 36:35
  Speaker 2: Cool, even if me, me and you can say that Me and you can say that 30 minutes Me and you can say that Kanye, and you can say that 30 minutes Me and you can say that Kanye, with all the shit that's coming with you, nah, bro, you can't say that.
• 36:50
  Speaker 1: That's his name, bro.
• 36:51
  Speaker 1: Do you know a nigga like Kanye?
• 36:53
  Speaker 1: I know a nigga like Kanye.
• 36:55
  Speaker 2: Yeah, but I don't know if they.
• 36:56
  Speaker 2: I know a dude that's similar to this, but not like this.
• 37:01
  Speaker 1: I'm saying I ain't gonna say his name because people know him, but that he I feel like if he had a Twitter he'd be saying some of the same shit.
• 37:18
  Speaker 1: Look the shit Kanye be saying he'd be saying that about the same shit.
• 37:22
  Speaker 1: Look the shit Kanye be saying.
• 37:22
  Speaker 1: He be saying that about people around town, regular people.
• 37:26
  Speaker 1: He all on Facebook talking about some.
• 37:29
  Speaker 1: I ain't gonna lie, he talking about his own sister-in-law, bro.
• 37:35
  Speaker 1: He's like hey, she's the nastiest bitch in this world, bro.
• 37:38
  Speaker 1: Like when I say real schizo, he be doing that shit.
• 37:45
  Speaker 2: I don't know bro.
• 37:47
  Speaker 2: Celebrities and shit.
• 37:48
  Speaker 2: We all know people that's like Kanye, but I don't know bro Kanye.
• 37:52
  Speaker 2: I guess it's not because we know Kanye We've seen Kanye go from college dropout to this.
• 37:56
  Speaker 2: But they said Kanye always kind of was nutty.
• 38:03
  Speaker 2: I wasn't going to use eccentric, that's the word I was going to use off okay, look, kanye was different.
• 38:13
  Speaker 2: Look at people like that.
• 38:15
  Speaker 1: They said Kanye was always different he was just excited, bro, a kid in a candy store.
• 38:21
  Speaker 1: And when you take them Kid in the candy store, and when you take him out to that candy store, they act up.
• 38:28
  Speaker 2: Because he's so used to getting candy whenever he want.
• 38:30
  Speaker 2: Yeah, I don't know.
• 38:32
  Speaker 2: Like I said, at this point I'm just praying for Kanye and I hope he figures it out.
• 38:36
  Speaker 2: I hope somebody touches him and guides him to something better.
• 38:42
  Speaker 1: Look, they better take a page out the Empire book and get that nigga in the music therapy.
• 38:46
  Speaker 1: They better have that nigga seeing colors or something.
• 38:52
  Speaker 1: Y'all better figure something out If he make it to the weekend.
• 38:57
  Speaker 2: Bruh bruh still releasing music on the regular at this point too.
• 39:01
  Speaker 1: Which is crazy.
• 39:02
  Speaker 1: I mean you talking about he dropping an album.
• 39:06
  Speaker 1: I'm like I just saw that a single dropped the other day.
• 39:08
  Speaker 1: What's going on?
• 39:09
  Speaker 2: I didn't know it was out here like that.
• 39:12
  Speaker 2: Some of his albums now don't sound like they mixed all the way it did stuff get added at the end.
• 39:22
  Speaker 2: It wasn't there on the first day.
• 39:23
  Speaker 2: So it's like Kanye's albums, I don't even.
• 39:27
  Speaker 2: It's kind of like Kanye's mind man.
• 39:29
  Speaker 2: This shit ain't done.
• 39:29
  Speaker 2: But I'm gonna put it out.
• 39:30
  Speaker 2: Okay, let me let me backtrack and let me fix this up and let me take this off and let me add it's like Kanye's albums, is like Kanye's albums, is like Kanye's man.
• 39:39
  Speaker 2: But I guess I mean, I don't know man.
• 39:41
  Speaker 2: First of the dude.
• 39:43
  Speaker 1: That's how I feel he better do the smart thing and call Drake.
• 39:49
  Speaker 2: Drake wouldn't touch him with a 30-foot club.
• 39:56
  Speaker 2: But if you, drake, would you work with Kanye right now?
• 39:59
  Speaker 1: I mean, I don't think he would, after you know everything that happened.
• 40:03
  Speaker 2: Okay so before the Jay-Z tour, before the day, would you work with Kanye?
• 40:13
  Speaker 1: I'd listen to what he had to say.
• 40:14
  Speaker 1: I wouldn't go to him.
• 40:16
  Speaker 1: He'd have to come to me, okay, okay, but I'd entertain it.
• 40:24
  Speaker 2: Can we talk about the residuals, the R Kelly version?
• 40:29
  Speaker 1: We didn't.
• 40:30
  Speaker 2: Let's go get on, because you know we talked about people writing for R Kelly because he did that interview but he did the residuals Joy talking about where his paper at Speaking of, like Andy Stone asking for the money at these labels Get these people's money.
• 40:44
  Speaker 2: Hey man, watch these contracts y'all sign.
• 40:46
  Speaker 2: What do you think about the residuals joint?
• 40:50
  Speaker 1: It was decent.
• 40:50
  Speaker 1: I mean for what it was.
• 40:52
  Speaker 1: It sounded like he recorded over a jail phone, but I wouldn't admit it.
• 40:58
  Speaker 2: The phone that he recorded over, compared to the phone that Tory Lanez be recording over, is not the same type of phone.
• 41:03
  Speaker 2: I don't know.
• 41:04
  Speaker 2: Tory Lanez sound like he's in the studio for real.
• 41:07
  Speaker 2: R Kelly sound like he in jail.
• 41:09
  Speaker 2: R Kelly's in jail.
• 41:13
  Speaker 2: R Kelly's in real jail.
• 41:15
  Speaker 2: Tory Lanez sound like he's at a halfway house and he can record in somebody's closet.
• 41:20
  Speaker 2: Hey, john, I know I'm saying if I'm lying, somebody tell me I'm lying.
• 41:26
  Speaker 1: Look, no, no, no.
• 41:26
  Speaker 1: I'm going to tell you what it is.
• 41:27
  Speaker 1: Tory know where his money at.
• 41:32
  Speaker 2: That's what it is.
• 41:34
  Speaker 1: Tory got his money.
• 41:36
  Speaker 2: Okay, kel's still fishing.
• 41:39
  Speaker 1: Look Kel's still asking people.
• 41:41
  Speaker 1: Let me know $20.
• 41:47
  Speaker 2: Kale's money going to the lawyers.
• 41:48
  Speaker 2: That's who got it.
• 41:51
  Speaker 2: That's who got Kale's money.
• 41:52
  Speaker 2: It's going to the lawyers.
• 41:53
  Speaker 2: But we talked about I know we talked about previously because Kale said he got out of Alvin's road, Cool and we said that we would use the Kel's albums.
• 42:04
  Speaker 2: We might not put his name on it, but we would use it.
• 42:07
  Speaker 2: Tank said something about that.
• 42:12
  Speaker 2: Before I get into that, I'll come back to that.
• 42:13
  Speaker 2: You said the residuals was decent.
• 42:16
  Speaker 2: I think it was pretty good.
• 42:17
  Speaker 2: Kel's is Kel's, Kel's is Kel's.
• 42:21
  Speaker 2: He know chaos is chaos, Chaos is chaos.
• 42:23
  Speaker 2: He could put some shit together.
• 42:25
  Speaker 2: What I took from the Residuals joint with the R Kelly version was he ain't lost his step.
• 42:34
  Speaker 1: Oh, no, no, I never doubted that, Especially when you ain't got nothing but time.
• 42:39
  Speaker 2: Yeah yeah, he still could cook some shit up.
• 42:42
  Speaker 2: Jordan came back in a wizard uniform.
• 42:48
  Speaker 2: We knew it wasn't the same Jordan, but it was Jordan.
• 42:49
  Speaker 2: I don't feel like that's what Kills said.
• 42:54
  Speaker 1: What if this, the what if we saw young Kills, then we saw that to 93.
• 43:03
  Speaker 1: The 93 to, or was it 91 to 93?
• 43:08
  Speaker 1: That's what we were just seeing.
• 43:11
  Speaker 2: And we on the 93 to 96 KL's.
• 43:13
  Speaker 1: We on the 96 to 99.
• 43:15
  Speaker 1: Or 96 to what is it 678?
• 43:20
  Speaker 2: Yeah, 678,.
• 43:21
  Speaker 2: Yeah, I'm, sure.
• 43:23
  Speaker 1: What are we on the 6, 7, 8?
• 43:24
  Speaker 1: Yeah nah.
• 43:25
  Speaker 1: Just writing for people for the next 20 years, okay.
• 43:31
  Speaker 1: And then come out, look, ron Isley was locked up.
• 43:38
  Speaker 1: We forget about that.
• 43:39
  Speaker 1: These niggas get locked up and then get out and then go right back to work.
• 43:45
  Speaker 2: I don't think his is going to get out.
• 43:46
  Speaker 2: Ron Osley's tax evasion is not the same as our tax evasion.
• 43:54
  Speaker 1: Okay, bear with me, bruh, bear with me.
• 43:57
  Speaker 1: That's crazy.
• 44:00
  Speaker 1: Bear with me now's crazy.
• 44:02
  Speaker 1: Bear with me now.
• 44:03
  Speaker 1: What if DT on his way out make a call?
• 44:11
  Speaker 1: What if, now, just bear with me?
• 44:14
  Speaker 2: DT ain't going out bro.
• 44:20
  Speaker 2: I don't sad comment bro.
• 44:22
  Speaker 2: I don't believe Donald Trump would ever not be president again till he's dead.
• 44:27
  Speaker 1: I think that's what bruh's aiming for okay, hypothetically we'll just say okay, he let him out.
• 44:35
  Speaker 1: Dropped the charges.
• 44:38
  Speaker 1: Y'all railroading this man and he come out and go nuts.
• 44:44
  Speaker 1: Drop the charges, y'all railroading this man and he come out and go nuts.
• 44:48
  Speaker 1: Win a championship with the Wizards.
• 44:57
  Speaker 2: I don't think I don't think he gonna be able to do that in the climate that we in, because in this conversation, if DT get out of office, it's going to be a whole bunch of reversing and a bunch of DEI back on everybody's websites and everybody feeling occlusive and when he went to jail for people's going to be they're.
• 45:23
  Speaker 2: They gonna be trying to make him target number one so I don't.
• 45:32
  Speaker 2: I don't know if Kels can ever come out and do that now.
• 45:34
  Speaker 2: Kels the pen, he released it, he sent a bunch of tracks to some people and it don't come out to like 10, 15 years after the fact that Kells wrote them.
• 45:45
  Speaker 2: Okay, dude, we gonna look at it and it's like damn, kells went on the run and we ain't know nothing about.
• 45:49
  Speaker 2: I think that's what Kells did.
• 45:51
  Speaker 2: I think Kells will go on the run and we don't know nothing about until 10, 15 years later.
• 45:55
  Speaker 2: But Tank was they talked about this on the Breakfast Club with Tank.
• 46:01
  Speaker 2: But Tank was they talked about this on the Breakfast Club with Tank.
• 46:03
  Speaker 2: We didn't get to the Breakfast Club in a minute Talked about this on the Breakfast Club with Tank.
• 46:05
  Speaker 2: Tank was like people don't mess with the old artists, because he talked about Jimmy John, terry Lewis and then Babyface.
• 46:13
  Speaker 2: He said all these young artists, these young R&B artists, they don't hit the OG R&B artists to work with him.
• 46:19
  Speaker 2: At least not many of them do.
• 46:21
  Speaker 2: Some of them do, but not many of them do.
• 46:23
  Speaker 2: So he's like I think that's.
• 46:26
  Speaker 2: He said I don't think it's the jail that's preventing R Kelly people from getting in touch with R Kelly to get some of the records that he wrote.
• 46:34
  Speaker 2: I think it's the mind frame that's preventing people from getting in touch with R Kelly, because it sounds old, Anything that sounds old.
• 46:42
  Speaker 2: They don't want to work with it.
• 46:47
  Speaker 1: You think that's what it is.
• 46:48
  Speaker 2: That's what Tank said.
• 46:49
  Speaker 2: It is.
• 46:49
  Speaker 1: So what was Tank's excuse for not getting in touch with him?
• 46:54
  Speaker 2: Tank said because people was asking him why did he repost the Resilience Challenge that R Kelly did?
• 47:01
  Speaker 2: He said why do y'all want me to insert myself into that conversation, Basically saying why y'all want me to mess up my bag to support R Kelly?
• 47:14
  Speaker 2: I mean, it's basically what Tank's saying.
• 47:15
  Speaker 2: Can you be mad at him for it?
• 47:17
  Speaker 2: He get on there and he said R Kelly lost it.
• 47:20
  Speaker 2: We know R Kelly's a talented man.
• 47:24
  Speaker 2: We separate things he did from the music that he made.
• 47:26
  Speaker 2: But why would I insert myself in that conversation?
• 47:28
  Speaker 2: That's basically what me and you do.
• 47:30
  Speaker 2: What he did was effed up, but the music that man made Shit, you ain't effing with that.
• 47:39
  Speaker 2: The music he can make and not many people gonna helping with that, the music he can make, and not many people gonna help with that.
• 47:45
  Speaker 2: But, like I said, it's gonna sound old.
• 47:47
  Speaker 2: So I think it's a little too.
• 47:48
  Speaker 2: I think two things can be true at once.
• 47:50
  Speaker 2: I think the jail has something to do with it, but I do also believe in the fact that they don't want R Kelly gonna write a bunch of older records that these young dudes ain't gonna want, or these females ain gonna write a bunch of older records that these young dudes ain't gonna want, or these females ain't gonna want one.
• 48:04
  Speaker 2: You know he already works for everybody.
• 48:05
  Speaker 2: They not gonna want the records that he made because they gonna feel like it's old.
• 48:09
  Speaker 2: He said, hey, I don't know why they wouldn't, because you know what that man can do.
• 48:18
  Speaker 1: I don't think it's that.
• 48:20
  Speaker 1: Who are we?
• 48:22
  Speaker 1: Are we expecting a Jacquees to reach out to R Kelly?
• 48:27
  Speaker 1: Are we expecting Because I'm thinking more of a bigger name a Chris Brown?
• 48:34
  Speaker 1: I'm thinking an Usher, you feel me.
• 48:39
  Speaker 1: I'm thinking a couple of A Coco Jones, maybe?
• 48:44
  Speaker 2: Okay, I can see that Chris ran out of his own.
• 48:47
  Speaker 2: I don't see Chris, but I feel you the Coco Jones.
• 48:53
  Speaker 2: The Money Longs people from that hill.
• 48:56
  Speaker 1: Yeah, they scared to reach out.
• 48:59
  Speaker 1: I mean, maybe not a good look but you know there's ways around it.
• 49:12
  Speaker 2: Drayton didn't mind giving that man his credit.
• 49:14
  Speaker 2: I mean, that man got the evil service credit.
• 49:19
  Speaker 2: He a big-time legend in the game.
• 49:22
  Speaker 2: All alright, man, let's get into the breakfast club.
• 49:23
  Speaker 2: Jess with the mess.
• 49:27
  Speaker 2: Jess went to Instagram, did a live video, basically how she felt disrespected and you know people felt like the narrative was being pushed that she had beef with the other young lady, lorenza.
• 49:43
  Speaker 2: I forgot, I forgot, but I felt like she had beef with the other lady and then she don't feel like the people was coming to her defense.
• 49:52
  Speaker 2: She also said that Angela Yee wasn't crazy.
• 49:55
  Speaker 2: There is a bunch of drama and stuff that go on up at the breakfast club.
• 49:58
  Speaker 2: She had a lot to say.
• 50:01
  Speaker 2: Of course.
• 50:01
  Speaker 2: She responded to Corey Holcomb.
• 50:03
  Speaker 2: Corey Holcomb may be going back and forth for years, years, years, years, years.
• 50:09
  Speaker 2: Corey Holcomb has a lot to say about Jess.
• 50:10
  Speaker 2: Allure Cool.
• 50:13
  Speaker 2: They went on the breakfast club the next morning.
• 50:15
  Speaker 2: They had some back and forth words.
• 50:19
  Speaker 2: Envy called the whole situation corny because of the fact he felt like Jess, if you had a problem, you should have said it's us.
• 50:28
  Speaker 2: Charlamagne was trying to make jokes out of the whole situation, but Charlamagne and Envy both told her don't pay attention to the internet and if you felt slighted, this was your show.
• 50:41
  Speaker 2: This is your show.
• 50:44
  Speaker 2: You were the third co-host.
• 50:45
  Speaker 2: You brought her for a reason.
• 50:46
  Speaker 2: So if you feel slighted in any way, you got a problem with how stuff is going on and dressed in the meetings.
• 50:55
  Speaker 2: Supposedly it was a meeting that day.
• 50:56
  Speaker 2: So that's what made Jessica laugh between the EP and the EP.
• 51:03
  Speaker 2: I'm going to look up the woman's name because I don't want to keep stepping over her name because, jess, it was a little bang for they had.
• 51:12
  Speaker 2: You know.
• 51:13
  Speaker 2: Let me look up this lady's name.
• 51:15
  Speaker 2: What's your thoughts?
• 51:17
  Speaker 1: let me look up her name uh, okay, I thought it was over with, for, like I said, when I saw it, I saw Let me look up her name real quick Okay, I thought it was over with for her.
• 51:28
  Speaker 1: Like I said, when I saw it I saw the headline said Jess Hilarious fired.
• 51:30
  Speaker 1: So I thought she was gone and you was like you ain't see Breakfast Club today.
• 51:35
  Speaker 1: I was like you ain't no watch the Breakfast Club and I definitely wouldn't watch it.
• 51:38
  Speaker 1: Now that Jess ain't on there.
• 51:41
  Speaker 1: You hear me Like she's still on me.
• 51:42
  Speaker 1: She's still on there.
• 51:42
  Speaker 1: She's still on there.
• 51:43
  Speaker 1: Wait, I thought she got fired.
• 51:45
  Speaker 1: Yeah, she's still sitting on there popping her mess For one.
• 51:52
  Speaker 1: Honestly, can we keep it a bean?
• 51:55
  Speaker 1: This woman did just have a baby.
• 51:56
  Speaker 1: Y'all her emotions is here, there.
• 52:04
  Speaker 1: Everywhere you famous, do your thing.
• 52:10
  Speaker 1: I mean, this is similar to the Kanye thing.
• 52:13
  Speaker 1: If she didn't work at such a prominent job, you feel me, we just attribute it to what it is.
• 52:25
  Speaker 2: Yeah, so old girl's name.
• 52:28
  Speaker 2: Let me say her name Lauren LaRosa.
• 52:31
  Speaker 2: Jess said we had a whole plan how I pick her to fill in for me.
• 52:37
  Speaker 2: Right, I come back.
• 52:38
  Speaker 2: She ain't never leave.
• 52:40
  Speaker 2: So it was Jess with the mess and I noticed a couple weeks ago or however long ago it was it wasn't Jess with the mess.
• 52:48
  Speaker 2: no more Lorena was at her doing that part of the show and Jess said me and basically me and her both fight for Eritrea.
• 52:58
  Speaker 2: That's what they said to me.
• 52:59
  Speaker 2: We both fight for Eritrea and we shouldn't fight for Eritrea.
• 53:02
  Speaker 2: That's like it's my show.
• 53:03
  Speaker 2: You're just doing basically the rumor segment.
• 53:08
  Speaker 2: Basically, why am I fighting for Eritrea with a lady who's doing the new rumor segment, lorenzo?
• 53:18
  Speaker 2: Did I pronounce her name wrong?
• 53:20
  Speaker 2: I keep pronouncing that woman's name wrong La Rosa.
• 53:25
  Speaker 2: La Rosa said I'm a producer.
• 53:29
  Speaker 2: I was working.
• 53:30
  Speaker 2: When you got back from maternity leave, I was in the background.
• 53:33
  Speaker 2: I was helping do interview questions.
• 53:35
  Speaker 2: I was helping get the news stories for you to report on.
• 53:38
  Speaker 2: That's all I was doing.
• 53:39
  Speaker 2: Then I came out and we started doing it like that.
• 53:42
  Speaker 2: Jess was like nah, you ain't never leave.
• 53:49
  Speaker 1: You was here the whole time.
• 53:50
  Speaker 1: I mean, I don't know if she was hearing that I wasn't really to me.
• 53:53
  Speaker 2: I think she left a little bit Because I know she held it down when Jess was on maternity leave.
• 53:58
  Speaker 2: It was her and another young lady, another reporter, and shit, I ain't gonna lie, brother, it's probably a good time to do it.
• 54:08
  Speaker 2: This guy here hung me.
• 54:09
  Speaker 2: Look, you got co-hosts.
• 54:14
  Speaker 2: If you got, it's your show.
• 54:19
  Speaker 2: I think.
• 54:20
  Speaker 2: All three of us in the same, from the same perspective of them three.
• 54:23
  Speaker 2: It's all three of us.
• 54:25
  Speaker 2: You got something you want to say?
• 54:26
  Speaker 2: Say your shit.
• 54:28
  Speaker 2: We.
• 54:31
  Speaker 2: You know we can have the means, we can do whatever it is, and I'm not I know it sound bad like I'm taking a shot at church.
• 54:37
  Speaker 2: I'm not taking a shot at church, but you know it goes for all three of us.
• 54:45
  Speaker 2: Hey, it's your show.
• 54:45
  Speaker 2: You got a problem with how something was done or how something was said.
• 54:47
  Speaker 2: Speak your truth and have your peace.
• 54:48
  Speaker 2: I think shit.
• 54:50
  Speaker 2: I would be lying if it didn't, if shit like that didn't happen with us.
• 54:55
  Speaker 2: Or it happened.
• 54:56
  Speaker 2: It happened with them too, with Envy and Charlamagne.
• 55:00
  Speaker 2: Going back to Angela, yee, I think the biggest thing with any relationship, whether it's spouse relationship, boyfriend, girlfriend, brother, sister, son and father, father and mother and daughter co-host friends you gotta communicate.
• 55:15
  Speaker 2: If you got a problem with something, you gotta speak on it before it fester into something else, anything, any relationship.
• 55:24
  Speaker 2: The biggest thing is communication.
• 55:26
  Speaker 2: Somebody got to say you got to say how you feel, because the other person doesn't know how you feel.
• 55:34
  Speaker 2: Shit.
• 55:38
  Speaker 2: I got to say how I feel, because you and Jerry don't know how I feel about shit.
• 55:41
  Speaker 2: And the same thing with this Jets shit.
• 55:42
  Speaker 2: If Jets don't say nothing to them, how are they supposed to know what's going on?
• 55:49
  Speaker 2: Now Jess is saying she did say it.
• 55:52
  Speaker 2: If she did say it and then they didn't pay attention to her, they didn't take heed, or she expressed herself and they didn't hear her and they ignored it anyway, then that's a problem.
• 56:02
  Speaker 2: She got her right to feel the way she did.
• 56:04
  Speaker 2: But going on Instagram Live, I think me from my perspective, I think I understand why she did it.
• 56:12
  Speaker 2: I still I kind of slide to the envy stuff because you took y'all's problems to the end of that.
• 56:18
  Speaker 2: Why you take your problems to the end of that, especially if y'all just had a meeting earlier that day.
• 56:22
  Speaker 2: To me that goes with the mess stuff.
• 56:27
  Speaker 2: I don't know if you should have did that.
• 56:28
  Speaker 2: What you think?
• 56:29
  Speaker 2: Am I chirping?
• 56:30
  Speaker 2: I mean, it's his business, it's work.
• 56:34
  Speaker 2: Breakfast is a million dollar company.
• 56:39
  Speaker 1: And you?
• 56:39
  Speaker 1: I mean honestly, you just put everybody back on the breakfast club.
• 56:43
  Speaker 1: We was all for that for real.
• 56:45
  Speaker 2: You think this was a ploy?
• 56:48
  Speaker 1: I don't, but it turned into one eventually, or it will, If she's still working.
• 56:56
  Speaker 1: She didn't lose her job.
• 56:57
  Speaker 1: She's going to be on there tomorrow.
• 56:59
  Speaker 2: Nah, I ain't going to find her girl.
• 57:03
  Speaker 1: Yeah, nah, I mean, I look at it like this what if jurors went on TikTok and did that to us Not necessarily us, but you know, oh, they don't care about me, etc.
• 57:15
  Speaker 1: Etc.
• 57:16
  Speaker 1: I'm just, you know, I'm ass out.
• 57:19
  Speaker 1: I'm ass out, I ain't gonna lie.
• 57:25
  Speaker 1: I reposted and laughed at me like I have.
• 57:28
  Speaker 1: What are we doing?
• 57:30
  Speaker 2: You will take the Charlamagne.
• 57:32
  Speaker 2: We gonna make a joke out of this Like all right man, whatever.
• 57:35
  Speaker 2: As well I would be the envy side like bro.
• 57:38
  Speaker 2: That was corny what you doing.
• 57:39
  Speaker 2: Bro, you got my phone on.
• 57:41
  Speaker 2: You can hit me any other time.
• 57:44
  Speaker 1: Why you ain't hit me with it.
• 57:45
  Speaker 1: I feel how they was coming, but I also feel, if she was like you said, if she would have said it and they just didn't hear.
• 57:53
  Speaker 1: Alright, that's one thing, y'all tweak it.
• 57:56
  Speaker 1: But if she's just coming out here and you know, fucking up the bag but also setting the bag up, I mean hate it or love it, I mean it is what it is.
• 58:11
  Speaker 1: Jerk, don't ever do no bullshit like that.
• 58:16
  Speaker 1: Though man, I will, we'll come on here and fry your ass up.
• 58:23
  Speaker 2: Nah.
• 58:23
  Speaker 2: I'm just up.
• 58:24
  Speaker 2: Like I said, I'm with the indie side of it.
• 58:27
  Speaker 2: You know, hit my phone, get my phone number.
• 58:30
  Speaker 2: You got a problem with it?
• 58:32
  Speaker 2: Cool, let's have a meeting about it, because it's like we said, at the end of the day, this is a business, breakfast Club is a business.
• 58:40
  Speaker 2: You know what I mean.
• 58:41
  Speaker 1: Say your truth, Meaning what you say and say your truth.
• 58:45
  Speaker 1: We really the Breakfast Club.
• 58:46
  Speaker 2: Don't say it to Instagram Live.
• 58:48
  Speaker 2: I was just using us for comparison.
• 58:51
  Speaker 1: I'm saying it's three of them, three of us.
• 58:53
  Speaker 1: I'm saying maybe old Breakfast Club, not new Breakfast Club.
• 58:58
  Speaker 1: Breakfast Club went through a change like 106 and Park.
• 59:02
  Speaker 1: That's crazy.
• 59:04
  Speaker 2: They did.
• 59:04
  Speaker 2: I ain't's crazy, they did.
• 59:05
  Speaker 2: I ain't gonna lie, they did.
• 59:05
  Speaker 2: I don't know which version is better.
• 59:10
  Speaker 2: That's a question I think.
• 59:11
  Speaker 2: I guess I still give it to Angela.
• 59:13
  Speaker 2: Yee.
• 59:14
  Speaker 1: Really.
• 59:16
  Speaker 2: I think because of the long jet I guess Look the jet stuff.
• 59:20
  Speaker 2: It only been like a year and they done had a bunch of you know what I'm saying publicly even Angelina Jolie stuff.
• 59:28
  Speaker 2: It came out late, them first couple years nah them niggas.
• 59:32
  Speaker 1: They used to disrespect her on the air and they wouldn't say nothing.
• 59:35
  Speaker 1: They be quiet as hell that's true and you right.
• 59:40
  Speaker 2: I think that's the difference between the Angelina Jolie and the Jocelyn Lurie stuff.
• 59:43
  Speaker 2: They did it on the earth with Angelina Jolie, you're right.
• 59:43
  Speaker 2: I think that's the difference between the Angel Lee and the Jessalurian stuff.
• 59:44
  Speaker 2: They didn't own the earth with Angel Lee.
• 59:47
  Speaker 2: As a matter of Corey Holcomb stuff, he's doing it on his show.
• 59:51
  Speaker 2: What you want us to get, you want us to get involved in the Gucci man stuff.
• 59:55
  Speaker 2: I forgot about the Gucci man stuff with Angel Lee.
• 1:00:00
  Speaker 1: And then Charlamagne sat down with him too.
• 1:00:03
  Speaker 2: Charlamagne just sat there in the interview and didn't check bro.
• 1:00:07
  Speaker 2: I think Plies that's cause him and Plies used to date so you don't say no, off the wall shit yeah, cause I remember we talked about that.
• 1:00:20
  Speaker 2: I was like shit, I wouldn't let nobody say shit about jurors like in the interview.
• 1:00:23
  Speaker 2: I'm gonna shit.
• 1:00:23
  Speaker 2: I went and let nobody say shit about jurors Like in the interview.
• 1:00:25
  Speaker 2: I'm going to cut that off Like all right, chill, charlamagne, let Kanye get I mean not Kanye, let Gucci get that stuff off and continue to post it.
• 1:00:31
  Speaker 2: And he edited it out.
• 1:00:33
  Speaker 2: So yeah, that is different, that is.
• 1:00:42
  Speaker 1: Today's edition of Hot Thoughts is brought to you by Banana Smash.
• 1:00:46
  Speaker 1: If you brought it back, deacon Lil Jon thought I had a better Hot Thought than this, but I honestly kind of don't.
• 1:01:01
  Speaker 1: I have a simple question for you Q.
• 1:01:05
  Speaker 2: All right.
• 1:01:07
  Speaker 1: Sock, sock, shoe, shoe, or sock shoe, sock, shoe, Sock sock, shoe, shoe.
• 1:01:13
  Speaker 1: Your man's Jalen Branson.
• 1:01:18
  Speaker 1: I'm sorry, my man's Jalen Branson.
• 1:01:20
  Speaker 2: I was going to say, bro, that's your team.
• 1:01:22
  Speaker 1: I forgot my man's.
• 1:01:24
  Speaker 2: No, I don't want to up with them.
• 1:01:25
  Speaker 2: Knicks boy, Don't put that on me Whoa, whoa, whoa.
• 1:01:27
  Speaker 1: Calm down now.
• 1:01:28
  Speaker 2: Hey bro, you knew what it was.
• 1:01:29
  Speaker 2: Hey bro, we can turn this into a I hate the Knicks segment.
• 1:01:37
  Speaker 2: You feel me what?
• 1:01:39
  Speaker 1: have the Knicks ever done to you personally?
• 1:01:42
  Speaker 1: I?
• 1:01:42
  Speaker 2: don't know.
• 1:01:42
  Speaker 2: I'm saying like come on, man, you know what it is, bro, up them, knicks, up them.
• 1:01:52
  Speaker 1: Bucks too.
• 1:01:56
  Speaker 2: I ain't talking about the Bucks.
• 1:01:57
  Speaker 1: The Bengals?
• 1:01:58
  Speaker 1: I ain't talking about them, it was just crazy.
• 1:02:00
  Speaker 1: I didn't know you had beef with them, like you do.
• 1:02:03
  Speaker 2: Real beef bro.
• 1:02:04
  Speaker 2: Like I hate people and um, Back to Manzo.
• 1:02:10
  Speaker 1: He out here faking the funk, Out here putting on sock shoe, sock shoe.
• 1:02:15
  Speaker 1: Yeah, Nah, I don't necessarily care, but that's just like some sitting down to wipe your ass type shit.
• 1:02:24
  Speaker 1: Like what are we doing?
• 1:02:26
  Speaker 1: That's when you.
• 1:02:27
  Speaker 1: That's like flipping the toilet roll the other way.
• 1:02:29
  Speaker 1: Under, not over.
• 1:02:33
  Speaker 1: I'm an under person personally because I'm an under person.
• 1:02:42
  Speaker 2: It's going on the roll.
• 1:02:44
  Speaker 1: It's going on.
• 1:02:44
  Speaker 1: It's going on the road.
• 1:02:46
  Speaker 2: It's going on the road, bro.
• 1:02:48
  Speaker 2: It's got to do the job, bro.
• 1:02:49
  Speaker 2: It's here for a job.
• 1:02:50
  Speaker 2: I don't care which way it is, I'm going to have to pull that motherfucker.
• 1:02:55
  Speaker 2: Either way, it's before it got rolled down.
• 1:02:57
  Speaker 2: Either way, bro, I don't care, that's me, that's me, bro, when I had a toilet paper.
• 1:03:02
  Speaker 2: Bro, I don't care, that's her to wipe my ass, bro, I don't care, I'm here to blow my nose bro.
• 1:03:08
  Speaker 1: I feel that, I feel that, but it's just certain stuff that you know has to be done a certain way and, honestly, I feel like this is one of them sock shoe, sock shoe you standing there barefoot with a shoe on.
• 1:03:26
  Speaker 1: Not to say that I ain't never ended up in that way, but I ain't never purposely, like routine sat there and was like let me put a sock on and then put my shoe on right behind it.
• 1:03:42
  Speaker 2: Bruh, I ended up that way, like if I'm coming in from the snow, Let me put a sock on and then put my shoe on right behind it.
• 1:03:45
  Speaker 2: Bruh, I ended up that way, Like if I'm coming in from the snow or the rain.
• 1:03:49
  Speaker 2: I just want to get everything off that one foot.
• 1:03:52
  Speaker 1: You end up that way, you don't start that way.
• 1:03:55
  Speaker 2: Right, I don't start yeah.
• 1:03:58
  Speaker 1: So then it was the second video.
• 1:03:59
  Speaker 1: A couple nights later they had a game.
• 1:04:01
  Speaker 1: Bruh tried, okay, he put the sock on, but then he had.
• 1:04:11
  Speaker 1: He was like fuck, I don't have a shirt on either.
• 1:04:14
  Speaker 1: So he look, he put the sock on halfway, then put his shirt on and then proceeded to go sock, sock, shoe, shoe.
• 1:04:24
  Speaker 1: It was like nah, bro, you can't fake it, we saw you, we caught you, bro.
• 1:04:32
  Speaker 1: Then he came out like maybe I am, maybe I do got a problem.
• 1:04:37
  Speaker 1: No, you definitely got a problem.
• 1:04:40
  Speaker 2: Bro trying to hide the fact that he put his sock shoe, sock shoe on.
• 1:04:43
  Speaker 2: Yeah, after they torched him for it hey, bro, stand to your truth at this point.
• 1:04:50
  Speaker 2: Stand to your truth.
• 1:04:51
  Speaker 1: We already know who you are um, speaking of knowing who they are, this one is real sensitive for me.
• 1:05:03
  Speaker 1: I don't understand it.
• 1:05:05
  Speaker 1: I I hate to see it.
• 1:05:06
  Speaker 1: I've been there, but you feel me.
• 1:05:09
  Speaker 1: Tia Mowry did a TikTok and it was a challenge of yourself and then, like I guess it was your evil twin or the sad twin, happy twin, whatever it was, but she just boomeranged herself into the video and the caption said why is you doing a video with yourself when you got a real twin?
• 1:05:42
  Speaker 2: Also, I was just thinking as soon as you said it doing that when you got an actual twin.
• 1:05:48
  Speaker 1: It's kind of wild, you couldn't take the opportunity to reach out and make amends.
• 1:05:52
  Speaker 1: I'm sorry.
• 1:05:56
  Speaker 1: Let's do this TikTok, though.
• 1:05:57
  Speaker 1: We got to hop on this new challenge.
• 1:06:04
  Speaker 2: What.
• 1:06:04
  Speaker 2: Damn.
• 1:06:06
  Speaker 2: Okay, to each their own.
• 1:06:08
  Speaker 2: That's all I can say.
• 1:06:10
  Speaker 1: Hey, bro, shout out to them.
• 1:06:11
  Speaker 1: I hope they make amends, though, for real, I hope they get that figured out.
• 1:06:16
  Speaker 2: We ain't gonna talk about old dude that dressed up as a cow.
• 1:06:21
  Speaker 1: We ain't gonna talk about old dude dressed up as a cow.
• 1:06:23
  Speaker 1: We can talk about him last, but hold on, I got to get this out.
• 1:06:26
  Speaker 1: Y'all playing with Boosie name Cut that out.
• 1:06:31
  Speaker 2: That's your boy.
• 1:06:32
  Speaker 1: No, he's playing with Boosie name.
• 1:06:33
  Speaker 1: Look, there was a person, a famous person I can't really remember their name, but they got they part of the alphabet community.
• 1:06:46
  Speaker 1: Ok, that sounds so insensitive.
• 1:06:53
  Speaker 1: Jesus Christ, we understand.
• 1:06:56
  Speaker 1: Y'all understand what I mean.
• 1:06:57
  Speaker 1: It's the weed talking.
• 1:06:58
  Speaker 1: They, they pretty, pretty prominent in the A.
• 1:07:02
  Speaker 1: They, they pretty, pretty prominent in the A and they, uh, they posted a uh Instagram story where they was door dashing and they pulled up and dropped the door dash off the Boosie house.
• 1:07:14
  Speaker 1: So automatically people get on there and they uh, when they was leaving, they, you know, uh, took pictures of the cars on their way out the driveway.
• 1:07:25
  Speaker 1: So automatically people like we knew Boosie was this, we knew Boosie was that.
• 1:07:33
  Speaker 1: Blah, blah, blah.
• 1:07:34
  Speaker 1: Boosie on tour, boosie on the Millennium Tour.
• 1:07:37
  Speaker 1: I looked at the dates just to make sure he was actually on tour.
• 1:07:43
  Speaker 1: Bro, they had a three actually on tour.
• 1:07:44
  Speaker 1: They had a three-night tour.
• 1:07:47
  Speaker 1: It was 14, 15, 16.
• 1:07:48
  Speaker 1: I think it was DC, philly and somewhere else up there.
• 1:07:54
  Speaker 1: It was like three shows in a row up there.
• 1:07:56
  Speaker 1: I think it was Brooklyn, dc, philly, something crazy like it.
• 1:07:58
  Speaker 1: I was like yeah, y'all tweaking, y'all Boosie on tour.
• 1:08:03
  Speaker 1: And that person said they was just doing door dash Like they was like.
• 1:08:07
  Speaker 1: If you would look at the rest of the story you would have saw I was doing door dash.
• 1:08:13
  Speaker 1: So y'all stop playing with that man.
• 1:08:18
  Speaker 1: Name Shit.
• 1:08:21
  Speaker 1: I ain't gonna lie, I did go to make sure he was on tour.
• 1:08:27
  Speaker 1: But y'all stop playing with that man.
• 1:08:29
  Speaker 1: His kids at that career, that goddamn compound they ordering DoorDash.
• 1:08:34
  Speaker 1: Y'all stop it, man.
• 1:08:35
  Speaker 1: Get the bullshit out you done.
• 1:08:40
  Speaker 2: Sorry, man Boosie can't order DoorDash that's what I'm saying, man.
• 1:08:44
  Speaker 1: Now they automatically, because that person is trans, they automatically like oh, they leaving Boosie house?
• 1:08:53
  Speaker 1: You know the deal?
• 1:08:53
  Speaker 1: Okay, okay, that was the narrative that was painted.
• 1:09:00
  Speaker 1: Oh, okay, okay, okay.
• 1:09:02
  Speaker 1: But they was like I was doing door dance, like what are y'all talking about?
• 1:09:07
  Speaker 1: Calm down.
• 1:09:07
  Speaker 1: Y'all just trying to.
• 1:09:08
  Speaker 1: Y'all just trying to, you know, get clickbait.
• 1:09:10
  Speaker 1: Y'all trying to spark a story.
• 1:09:12
  Speaker 1: That man on tour.
• 1:09:15
  Speaker 2: That person about to lose their job because y'all made it a story that ain't the truth, that ain't the real story.
• 1:09:19
  Speaker 2: I'm saying, man, calm down with that, but let's get to the real Bruh.
• 1:09:31
  Speaker 1: Andre bruh.
• 1:09:32
  Speaker 1: Let me.
• 1:09:33
  Speaker 1: I want to find the entire article Bruh.
• 1:09:37
  Speaker 2: Bruh, dressed up as a cow.
• 1:09:39
  Speaker 2: It was getting to work.
• 1:09:41
  Speaker 2: Literally, bruh, it's getting to work.
• 1:09:47
  Speaker 1: Literally Bro, it's getting to work.
• 1:09:51
  Speaker 2: Okay, bro.
• 1:09:55
  Speaker 1: Okay, okay, okay, okay, I found it, I found it, I found it.
• 1:09:59
  Speaker 2: It's a different level of fetish for her boy.
• 1:10:03
  Speaker 1: Hold on.
• 1:10:03
  Speaker 1: Can I post a picture of him while I read it?
• 1:10:05
  Speaker 1: All right, Lee, when is he at?
• 1:10:10
  Speaker 2: It's a nasty-ass nigga, he's disgusting dog All right.
• 1:10:19
  Speaker 1: The caption reads man pretends to be a cow in milking competition.
• 1:10:25
  Speaker 1: Gets jacked off for hours, All right.
• 1:10:32
  Speaker 1: A man named Carl Twinley was arrested in Texas after he pretended to be a cow in a milking competition.
• 1:10:43
  Speaker 2: Hey, bro, that's some Texas shit right there too.
• 1:10:45
  Speaker 2: That's some Texas shit right there.
• 1:10:54
  Speaker 1: Carl.
• 1:10:54
  Speaker 1: Oh, my, what kind of name is Twinley bro?
• 1:11:00
  Speaker 2: Bro, a nasty nigga who won't get his jerked off in a cow competition.
• 1:11:08
  Speaker 1: Carl Twinley of Beaumont, texas, has been arrested on charges of public indecency and masturbation by deception.
• 1:11:14
  Speaker 1: Mr Twinley posed as a dairy cow.
• 1:11:18
  Speaker 2: I didn't know that was a charge.
• 1:11:19
  Speaker 1: Masturbation I feel like they made that one.
• 1:11:23
  Speaker 1: I think that is a thing, because motherfuckers be cutting holes in their pockets and being like stick your hand in my pocket.
• 1:11:29
  Speaker 1: I think they had to make that a charge.
• 1:11:31
  Speaker 1: Alright, bro.
• 1:11:32
  Speaker 1: Mr Twinley poses as a dairy cow during the local 4-H milking competition.
• 1:11:39
  Speaker 1: Carl was milked by.
• 1:11:43
  Speaker 1: Carl was milked by a total of 13 contestants before his ruse was uncovered.
• 1:11:55
  Speaker 1: This is not a genuine news story.
• 1:12:00
  Speaker 1: This image is a screenshot of a fictional story that was published on a satire site.
• 1:12:06
  Speaker 1: Either way, this is a nasty motherfucker, bro.
• 1:12:16
  Speaker 2: Alright, bro, that's better, because the story ain't real.
• 1:12:18
  Speaker 2: Let's see.
• 1:12:22
  Speaker 1: Hey, mr Carl Twinley, I'm saying bruh, at what point?
• 1:12:29
  Speaker 1: Let's just even say, if it was real.
• 1:12:32
  Speaker 1: At what point did y'all not realize this wasn't a female cow?
• 1:12:36
  Speaker 1: I wasn't asking the first tug.
• 1:12:40
  Speaker 1: They was like oh y'all got a bull up.
• 1:12:46
  Speaker 2: Hey, bruh, At one point you realize that's a dick.
• 1:12:49
  Speaker 2: Bruh, you don't realize that's a dick?
• 1:12:52
  Speaker 1: Hey, this gotta be a big-ass nigga too bruh For them not to be like.
• 1:12:56
  Speaker 1: Hey, what kind of cow is this?
• 1:13:03
  Speaker 2: Hey bruh, the most elaborate costume ever Ain't nobody ever could've untagged it.
• 1:13:12
  Speaker 1: Hey, look, he was on all fours but he had his head down in the hay.
• 1:13:15
  Speaker 1: He was over there mooning.
• 1:13:19
  Speaker 1: He was getting that shit off, boy.
• 1:13:26
  Speaker 1: Hey, that first motherfucker said hey, this ain't milk.
• 1:13:31
  Speaker 1: Hey, y'all got this.
• 1:13:36
  Speaker 1: Y'all got this sick ass cow in here got this spoiled ass milk.
• 1:13:40
  Speaker 1: Or look, look, look.
• 1:13:43
  Speaker 1: The motherfucker that was like they wasn't taking the competition seriously was like nah, I'm going to squirt some milk in my mouth.
• 1:13:52
  Speaker 1: Wait, wait, wait.
• 1:13:55
  Speaker 1: What is we doing?
• 1:13:56
  Speaker 1: Man, calm down man look, look.
• 1:14:02
  Speaker 1: I'm really hoping that number two really went and reported them After they got done.
• 1:14:10
  Speaker 1: They were still having a competition so they were swapping cows around.
• 1:14:14
  Speaker 1: So number two, hopefully.
• 1:14:16
  Speaker 1: The second person was like fuck, I got to tell somebody about this shit, they got to boil up.
• 1:14:20
  Speaker 1: But they were like fuck, I'm not trying to lose, let me go to the next cow.
• 1:14:26
  Speaker 1: You feel me Fuck this cow here?
• 1:14:29
  Speaker 2: Hey, but they waited until they circled around and got close to the end.
• 1:14:31
  Speaker 1: Yeah, when they got to the end they was like that second cow up there, y'all got a he up here.
• 1:14:38
  Speaker 2: Hey, nah for real A he.
• 1:14:44
  Speaker 1: They caught the last one.
• 1:14:45
  Speaker 1: They caught the last person.
• 1:14:48
  Speaker 1: He was up there on the couch.
• 1:14:49
  Speaker 1: He was getting it, he was like damn bro.
• 1:14:50
  Speaker 1: He said you my toughest test yet nah nah, this is the thing.
• 1:14:58
  Speaker 1: This is the thing, I got it, I got it, I got it.
• 1:14:59
  Speaker 1: They finished the competition.
• 1:15:01
  Speaker 1: Everybody done, you know, everybody done got around everybody you know, everybody done got around.
• 1:15:05
  Speaker 1: Everybody you know.
• 1:15:06
  Speaker 1: At the end, at the end of the competition, you gotta see how much milk you got and then the person that drank their milk the fastest they win All right Brunchy, all right Brunchy.
• 1:15:18
  Speaker 1: Hey, it was a female that had some of his milk.
• 1:15:22
  Speaker 1: She took that shit to the head.
• 1:15:23
  Speaker 1: She said wait a minute, this ain't milk.
• 1:15:25
  Speaker 1: She recognized the taste.
• 1:15:27
  Speaker 1: She recognized the taste, she said this ain't milk.
• 1:15:35
  Speaker 2: I know this.
• 1:15:36
  Speaker 2: It ain't it.
• 1:15:40
  Speaker 1: It tastes a little strong.
• 1:15:42
  Speaker 1: Look, it tastes a little strong, though she wasn't expecting that black shit if that story was real look at that chocolate milk.
• 1:15:52
  Speaker 1: Is that what she got?
• 1:15:53
  Speaker 1: This has been another episode of Beat Mixed Vibes Podcast, your favorite amateur podcast.
• 1:16:01
  Speaker 1: You can find us on YouTube Podcast like Apple Spotify Pandora they fuck with.
• 1:16:06
  Speaker 1: Find us wherever you get your podcasts like Apple Spotify Pandora they fuck with us.
• 1:16:09
  Speaker 1: Over there you get the Instagram, facebook, twitter for questions.
• 1:16:12
  Speaker 1: Comments concerns I'm your boy, young Quack.
• 1:16:14
  Speaker 2: It's here to dream.
• 1:16:14
  Speaker 2: Hey, you already know the guys.
• 1:16:15
  Speaker 2: This is your boy, Mr Bill.
• 1:16:17
  Speaker 2: I can't say your name.
• 1:16:18
  Speaker 2: If I'm on the spot Might not fuck with you, ma Be out.