Latest / The Breakfast Club / It's Up There: Corey Holcomb & Anton Daniels Beef Explained — Why This Went Left

Transcript

It's Up There: Corey Holcomb & Anton Daniels Beef Explained — Why This Went Left · The Breakfast Club

• 0:00
  Speaker 1: I don't what you're talking about. I don't. If you
• 0:04
  Speaker 1: want to get back to the conversation, ain't because you
• 0:06
  Speaker 1: ain't gonna do it, because you're not gonna come at
• 0:09
  Speaker 1: me with that up. You're not gonna come see what
• 0:12
  Speaker 1: you see. I suck again. We can go off back
• 0:15
  Speaker 1: right now. We're going back right now. I'm with I bet.
• 0:20
  Speaker 2: Yeah, I ain't gonna lie right there. He looked in
• 0:22
  Speaker 2: his eyes and said this might be the moldy snap.
• 0:26
  Speaker 2: He looked in at boy eyes. At boy eyes told
• 0:29
  Speaker 2: him he might actually swim.
• 0:33
  Speaker 3: So he got him and got out of harm's way.
• 0:35
  Speaker 1: Because I'm not a askissling of nobody as you are.
• 0:39
  Speaker 1: You sucked when you people Right now.
• 0:42
  Speaker 2: This particular point, Anton Daniels has lost all faith that
• 0:46
  Speaker 2: Corey Holcom is willing to get aggressive and actually get
• 0:52
  Speaker 2: violent with him on set again. If I rewind you
• 0:56
  Speaker 2: back to that first thirty seconds when he first got
• 0:58
  Speaker 2: in his face and he he said say something else again,
• 1:01
  Speaker 2: that two or three minute time lapse, and Tom Daniels
• 1:05
  Speaker 2: feared that at some point this would get physical.
• 1:09
  Speaker 1: I tell you don't know that you're doing it right now.
• 1:13
  Speaker 1: I don't suck. You're doing it right now. Believe me
• 1:16
  Speaker 1: when I tell you I don't do that. Tell you
• 1:18
  Speaker 1: I don't do that. Listen, listen, so don't come, and
• 1:22
  Speaker 1: I'm gonna give you the.
• 1:24
  Speaker 2: If I'm one of them, gooon, I'm creeping over there
• 1:27
  Speaker 2: to him.
• 1:27
  Speaker 1: He'll look over, I got that.
• 1:29
  Speaker 2: I had it in the sleephole. He'll look over, I
• 1:32
  Speaker 2: had it in the tear dB. I sleep whole old
• 1:36
  Speaker 2: even like it's right here cross.
• 1:37
  Speaker 3: Fake chicken way, he'd be sleeping.
• 1:40
  Speaker 2: And then I let him go, and then with an
• 1:43
  Speaker 2: tom you're still talking like that. This year FUSS is
• 1:47
  Speaker 2: about community. We're gonna spend a lot of time on
• 1:49
  Speaker 2: that man. So I want to thank all y'all man,
• 1:52
  Speaker 2: and continue to watch the videos, continue to share them.
• 1:55
  Speaker 3: Put the hype points on him.
• 1:57
  Speaker 2: I don't even know what that is, but the production
• 1:59
  Speaker 2: people are telling me there's something new called heype points.
• 2:02
  Speaker 2: So put hype points on the videos and and let
• 2:06
  Speaker 2: people know it's up their podcast. New episodes drop every
• 2:09
  Speaker 2: Thursday on YouTube. If you're signed up the Patreon, you
• 2:14
  Speaker 2: get three shows a week, and we're gonna start doing
• 2:17
  Speaker 2: a call in show I think Saturday. Even if we
• 2:20
  Speaker 2: do it live, it'll only be available for replay on Patreon.
• 2:24
  Speaker 2: So we're gonna do a call in show where the
• 2:26
  Speaker 2: fans will be able to get interactive and I get
• 2:29
  Speaker 2: to hear from y'all, hear some of your thought process
• 2:32
  Speaker 2: and you know, some of what y'all going through, some
• 2:34
  Speaker 2: of what's going on in the world, and we can
• 2:37
  Speaker 2: debate some of the topics. You know, we can flush
• 2:40
  Speaker 2: out some of the ideas this year. Also want to
• 2:42
  Speaker 2: start a book club. I'm closing in on a building
• 2:46
  Speaker 2: right now, nine thousand square feet in which I'm gonna
• 2:49
  Speaker 2: have a state of the art. It's up there podcast headquarters.
• 2:53
  Speaker 2: Right There's gonna be a lot of different things going on,
• 2:55
  Speaker 2: so for sure, we're gonna make sure that things are
• 2:58
  Speaker 2: taking place in an orderly fast and so thank y'all
• 3:01
  Speaker 2: man for your supporting. Just keep supporting and make sure. Man,
• 3:05
  Speaker 2: if you're somebody that's in tune with the content, I
• 3:07
  Speaker 2: would like to hire from my community. I'm noticing that
• 3:11
  Speaker 2: that's the best thing for us to do. So I
• 3:13
  Speaker 2: like to hire from internally, from someone that's watching us
• 3:16
  Speaker 2: or know how we get out, or just has been
• 3:19
  Speaker 2: around us for.
• 3:19
  Speaker 1: The years that we've been in the game.
• 3:21
  Speaker 2: I like to reach back and hire some of those individuals.
• 3:25
  Speaker 2: So if you're out there, you have a skill set,
• 3:28
  Speaker 2: send an email to talent at Itsupderepard dot com. Send
• 3:33
  Speaker 2: an email with a resume in some of your work,
• 3:36
  Speaker 2: and we'll get you in touch with the people you
• 3:38
  Speaker 2: need to be in touch with. Listen, we got a
• 3:39
  Speaker 2: lot to talk about today. What I want to start
• 3:41
  Speaker 2: that is, I ain't gonna lie to y'all. Man, that's
• 3:43
  Speaker 2: a situation going on with Corey HOLKERM and Anton Daniels,
• 3:48
  Speaker 2: and I won't examine it today. You know, everybody's been
• 3:51
  Speaker 2: tagging me in salute everybody that every time something happened
• 3:54
  Speaker 2: in culture, y'all tagging me, sending it to me.
• 3:57
  Speaker 3: People on Twitter, people on.
• 3:58
  Speaker 2: Instagram, on TikTok, y'all continue to do that, keep us
• 4:03
  Speaker 2: informed as a community so we can understand the direction
• 4:06
  Speaker 2: we want to take the culture. But everybody's tagging me
• 4:09
  Speaker 2: in its Anton Daniels and Corey Holcomb's situation. Can't wait
• 4:12
  Speaker 2: to hear your thoughts on it, so let's talk about it.
• 4:15
  Speaker 2: For people who don't know, Corey Holcom is a comedian.
• 4:18
  Speaker 2: Anton Daniels is a content creator. So this antion guy
• 4:22
  Speaker 2: supposedly has a lot of YouTube channels and a lot
• 4:24
  Speaker 2: of views. Corey Holcomb is, you know, legendary comedian has
• 4:29
  Speaker 2: probably touched every city in America, every club in America
• 4:33
  Speaker 2: at some point in his career.
• 4:34
  Speaker 3: He's been doing it for quite some time.
• 4:36
  Speaker 2: The interesting thing about what we're about to watch is
• 4:38
  Speaker 2: Corey has this bravado about him that his audience has
• 4:42
  Speaker 2: attached to the way that he talks and some of
• 4:44
  Speaker 2: the things that he says, like his consequences for certain conversations, right,
• 4:50
  Speaker 2: there's consequences behind certain things dealing with him, And so
• 4:54
  Speaker 2: he has presented itself in a way where his audience
• 4:58
  Speaker 2: has received him as our and what they believe authentic
• 5:02
  Speaker 2: is once you draw a line, if somebody crossed the line,
• 5:07
  Speaker 2: you're gonna handle let like the old Vikings handle this. Yeah,
• 5:11
  Speaker 2: that's all they really saying, you know what I mean.
• 5:13
  Speaker 2: They want you to handle it like the old Vikings,
• 5:15
  Speaker 2: handler like the old warriors, the old cave men. Yeah,
• 5:19
  Speaker 2: if a nigga disrespect you, get out where you're mad at.
• 5:24
  Speaker 2: And so people looked at Corey Hokum with this level
• 5:28
  Speaker 2: of admiration because he always said wowd shit.
• 5:32
  Speaker 3: But you know, it's so many niggas online talking.
• 5:34
  Speaker 2: Everybody can say wow, shit, But if they don't think
• 5:37
  Speaker 2: you stand on it, it don't weigh nothing. I was
• 5:41
  Speaker 2: paying attention, and we're gonna get to my interview with
• 5:43
  Speaker 2: Glasses Malone and that conversation. I was paying attention that
• 5:47
  Speaker 2: some of the viewing audience, not my audience, but the
• 5:49
  Speaker 2: viewing audience on Twitter and other things, the comprehension skills
• 5:53
  Speaker 2: was kind of low because what they saw in that conversation,
• 5:58
  Speaker 2: they didn't understand that me and that commerce was saying,
• 6:01
  Speaker 2: let's not talk about what we're gonna do to somebody,
• 6:04
  Speaker 2: Let's not alert the authorities that there's possibly a threat
• 6:08
  Speaker 2: taking place. Let's just go handle the business. And so
• 6:11
  Speaker 2: standing on it for me is action. And so you
• 6:15
  Speaker 2: always hit me down played on camera unless they doneemotionally
• 6:18
  Speaker 2: triggered me. But if I'm in my right state of mind,
• 6:21
  Speaker 2: you're gonna always hit me. Distance myself from any kind
• 6:24
  Speaker 2: of behavior that puts this business in jeopardy. But what
• 6:28
  Speaker 2: I've noticed after my conversation with Glasses and watching the
• 6:32
  Speaker 2: field react to Aiden and Glasses and all these different things,
• 6:35
  Speaker 2: because a lot of these dudes just be talking and
• 6:38
  Speaker 2: they ain't really these kind of individuals. I've noticed that
• 6:43
  Speaker 2: the Internet and corporate America will take threats in certain
• 6:47
  Speaker 2: things from certain people, Like they'll let you come out
• 6:51
  Speaker 2: and say I stabbed this dude on my podcast, and
• 6:55
  Speaker 2: they won't even pull your sponsors. They won't even boycott you.
• 6:58
  Speaker 2: Nobody won't believe it. They just said we like his passion.
• 7:03
  Speaker 2: But certain of us say that, and the sponsorship start
• 7:07
  Speaker 2: the question. The business partners start to clutch their pearls
• 7:12
  Speaker 2: because they believe that we'll weaponize our success like so
• 7:16
  Speaker 2: many black people have done priud to us. I know
• 7:20
  Speaker 2: there was a lot of people that's in business, and
• 7:22
  Speaker 2: a lot of these guys by now thought that a
• 7:25
  Speaker 2: lot of the podcasters that still in position wouldn't be
• 7:28
  Speaker 2: in position today, that they would make the same mistakes.
• 7:32
  Speaker 2: I would notice when I first came in, they would
• 7:35
  Speaker 2: say he's just another tax stone. And I would tell
• 7:39
  Speaker 2: Charlemagne and I would tell texts, I would tell other people.
• 7:42
  Speaker 2: What they trying to say is they believe I'm a
• 7:44
  Speaker 2: crash out. They don't believe you can come from some
• 7:49
  Speaker 2: outside of what they believe to be normal life, because
• 7:52
  Speaker 2: they don't even know what I come from. They don't
• 7:54
  Speaker 2: even really understand what I've come from and what I've encountered,
• 7:58
  Speaker 2: been through and conquered. See, you boys have encountered some things.
• 8:02
  Speaker 2: I've conquered some things. Yeah, you went through some things,
• 8:06
  Speaker 2: got defeated and picked yourself back up. I've been involved
• 8:10
  Speaker 2: in situations where I've been encountered with things and I've
• 8:13
  Speaker 2: conquered them, got over them, kept it moving. And so
• 8:18
  Speaker 2: a lot of these people don't know who I am,
• 8:20
  Speaker 2: and they ain't really interested in who I am. They
• 8:22
  Speaker 2: just want to hear my takes about whatever the hell
• 8:24
  Speaker 2: is going on in coach and I get that. But
• 8:28
  Speaker 2: when we peel back the layers, as it pertains the content,
• 8:32
  Speaker 2: some of us can't use that violent language because people
• 8:34
  Speaker 2: actually believe us. Picture me getting on my podcast and
• 8:38
  Speaker 2: really sending a thread out being who I am, being
• 8:43
  Speaker 2: how I really move and my background, because that's the problem.
• 8:48
  Speaker 2: You know, My first question be to some of these
• 8:50
  Speaker 2: dudes is when the last time you have been arrested?
• 8:53
  Speaker 2: When they go to kicking that kind of shit, because
• 8:55
  Speaker 2: my whole thing is if you ain't been arrested recently,
• 8:58
  Speaker 2: you want me see a lot of people want you
• 9:00
  Speaker 2: to believe they'll jump right out of bridge.
• 9:03
  Speaker 3: Well, hold on, I don't really think that's how it worked.
• 9:07
  Speaker 2: Like, there's signs and tendencies in violent people, right, and
• 9:14
  Speaker 2: even people that's been violent in their life, right, they
• 9:17
  Speaker 2: may put it down and they may have been removed
• 9:19
  Speaker 2: from acting that way, but in that past, at some
• 9:22
  Speaker 2: point you can see, oh yeah, oh yeah, that motherfucker
• 9:25
  Speaker 2: might be violent. Some of these guys are able to
• 9:30
  Speaker 2: get on these podcasts with such violent rhetoric because don't
• 9:33
  Speaker 2: nobody believe them, And that's.
• 9:36
  Speaker 3: Crazy, but it's true.
• 9:39
  Speaker 2: Corey Hocomb was someone that people actually believed and that's
• 9:43
  Speaker 2: why when he got into it with Anton Daniels and
• 9:46
  Speaker 2: it unfolded this way, people were surprised. Let's take a
• 9:51
  Speaker 2: look at what happened between Corey Hokum and Anton Daniels.
• 9:55
  Speaker 2: We're gonna come back with some commentary. I'm gonna break
• 9:58
  Speaker 2: down what I see happening in real time, and then
• 10:01
  Speaker 2: we'll get to a pay attention.
• 10:04
  Speaker 1: I'm shoot, you ain't nothing you can do about it.
• 10:06
  Speaker 1: Oh my god, this is so this is so crazy.
• 10:09
  Speaker 1: Do you think that's what I said? It's so insane?
• 10:12
  Speaker 1: Is that what? What I said, I said, when the
• 10:13
  Speaker 1: cops shoot you, ain't nothing you could do about it?
• 10:16
  Speaker 1: Is that a lot? This is so insane, But you
• 10:18
  Speaker 1: didn't answer it. I'm gonna answer your question. Okay, I'm
• 10:21
  Speaker 1: gonna ask you a question. It depends on the circumstance.
• 10:26
  Speaker 4: And the interesting thing about it is this the majority
• 10:29
  Speaker 4: of the people. Because you like to use a blanket statement.
• 10:32
  Speaker 4: That's like me saying all black people are stupid. Well
• 10:35
  Speaker 4: you have you said all white people stupid?
• 10:37
  Speaker 1: No, I'm talking you should say that one time, talking
• 10:41
  Speaker 1: aboutcause it's easy to say, oh, black gas was stupid.
• 10:44
  Speaker 1: As an example, say something about the white people. No, no, no, no, no,
• 10:47
  Speaker 1: you know I don't think all the town Well I
• 10:50
  Speaker 1: didn't hear you. Can you tell me about liberal literally
• 10:54
  Speaker 1: being the biggest enemy of the United States of America.
• 10:56
  Speaker 1: That's everything female, the biggest really white liberal women are
• 11:02
  Speaker 1: the worst thing that ever happened to this country? What
• 11:04
  Speaker 1: about their men? But but we gonna get there because.
• 11:07
  Speaker 4: You you keep trying to get me to qualify it
• 11:09
  Speaker 4: by participating and joining in on the court.
• 11:12
  Speaker 1: I think you're doing what's easy. No no, no, no, no, I'm
• 11:14
  Speaker 1: doing what's real. I think you don't want to go
• 11:15
  Speaker 1: against you, you know, because if you go against them,
• 11:18
  Speaker 1: it'll be some video or you going against them, and
• 11:20
  Speaker 1: when I say them, I'll talk about your boss.
• 11:23
  Speaker 4: I don't have a boss. It's all sucker shit or
• 11:26
  Speaker 4: every day. It's just not physical anymore. Well, that's the problem.
• 11:30
  Speaker 4: We need physical wars. No, it's not ready to jump
• 11:34
  Speaker 4: it off.
• 11:34
  Speaker 1: It's not.
• 11:35
  Speaker 2: We're gonna always and so we're gonna break this down
• 11:38
  Speaker 2: on a totally different level. Now, I want you to
• 11:42
  Speaker 2: pay attention to why the audience is surprised that Corey
• 11:47
  Speaker 2: Holcomb didn't get violent in this interaction. I'm gonna speak
• 11:50
  Speaker 2: to why he didn't, in my opinion, even though it
• 11:53
  Speaker 2: was the right thing to do.
• 11:54
  Speaker 1: I'm glad he didn't.
• 11:57
  Speaker 2: I'm gonna speak to all of that, right, but I'm
• 11:59
  Speaker 2: also make up on what's going on in real time.
• 12:02
  Speaker 2: The first thing I want you guys to understand some
• 12:05
  Speaker 2: of the rhetoric that we hear Corey Hokum spew when
• 12:08
  Speaker 2: he's on the internet is why people have that image
• 12:10
  Speaker 2: and outlook on him. Right if you even listen to
• 12:13
  Speaker 2: the conversation that he's having now, he's talking about there's
• 12:16
  Speaker 2: no need for conversation. Let's get to the walls. We
• 12:19
  Speaker 2: need physical right And so that kind of rhetoric boxes
• 12:24
  Speaker 2: you in. And so I tell young black boys be
• 12:27
  Speaker 2: careful with that rhetoric, not with the actions. If you
• 12:31
  Speaker 2: own that, beyond that, stand on that. Don't have no favorites,
• 12:36
  Speaker 2: be on that. But it ain't no need to talk
• 12:40
  Speaker 2: about it. You ever think the line Rod before he killed?
• 12:45
  Speaker 2: Have you ever seen the line Roy before he make
• 12:48
  Speaker 2: a kill? If anything, he want to be quiet. The
• 12:51
  Speaker 2: ry might scare off dinner for the family. So real lines,
• 12:57
  Speaker 2: in particular when they hunting, are definitely trying to be
• 13:01
  Speaker 2: as discreet as possible. And so I don't agree with
• 13:05
  Speaker 2: the forward facing and the peacocking. And again I understand
• 13:09
  Speaker 2: you can be emotionally triggered, But because Corey puts off
• 13:12
  Speaker 2: this bigger than life image, it's why people look at
• 13:15
  Speaker 2: him like that. And I just wanted to point out
• 13:17
  Speaker 2: as soon as we click in, we're not even two
• 13:19
  Speaker 2: minutes into the video and we're dealing with a scenario
• 13:22
  Speaker 2: where he's already talking about forget the conversations.
• 13:26
  Speaker 1: Let's get right to the war.
• 13:29
  Speaker 2: We need war and people to be physical for people
• 13:31
  Speaker 2: to know better, pay attention ward.
• 13:35
  Speaker 1: No, it's not ready to jump it off. It's not.
• 13:39
  Speaker 1: We gonna always be talking. But see, real gladiators don't talk.
• 13:44
  Speaker 1: Real gladiators make it happen. And the gladiators, I ain't
• 13:48
  Speaker 1: gonna lie. We are under control right now. We haven't
• 13:52
  Speaker 1: rose up and did what need to be done. Who
• 13:55
  Speaker 1: are you under control by it? It ain't you under control
• 13:58
  Speaker 1: by the people who will motherfucking blow it? This motherfucker up?
• 14:01
  Speaker 1: We ain't stupid? Who is he? Because I want to
• 14:03
  Speaker 1: know who do you think that I was able to shoot?
• 14:06
  Speaker 1: They want to know what? Hold on, hold on, let's
• 14:08
  Speaker 1: let's let's be real. Fuck that woman, Well that's that's
• 14:12
  Speaker 1: that's what you would say to somebody you don't know
• 14:15
  Speaker 1: or whatever. No, no, no, no, no no. I'm on the streets.
• 14:17
  Speaker 1: I've been pulled over by the police. You you and
• 14:23
  Speaker 1: you in l A. I'm in Detroit. I'm in the
• 14:26
  Speaker 1: blackest city in the United States of America. I can
• 14:29
  Speaker 1: move anywhere I want to go.
• 14:30
  Speaker 4: I choose to stay in the core of my city,
• 14:33
  Speaker 4: and I choose to participate in my neighborhood. I choose
• 14:36
  Speaker 4: to tap to the streets. I choose to put kids
• 14:39
  Speaker 4: through college. I choose to.
• 14:41
  Speaker 1: Interact and and truly use my tax dollars.
• 14:44
  Speaker 2: And I also think it's interesting that as this unfolds,
• 14:50
  Speaker 2: this gentleman an Tom Daniels, is gonna be able to
• 14:52
  Speaker 2: paint Corey Hokhm as the gentleman. It says wild things.
• 14:56
  Speaker 2: The gentleman that is very outlandish with his approach and
• 15:00
  Speaker 2: behavior coming off of saying, fuck a lady that was
• 15:04
  Speaker 2: killed by ice agent.
• 15:06
  Speaker 1: Why do you think that I was able to shoot?
• 15:09
  Speaker 1: You want to know? Hold on, hold, let's let's let's
• 15:11
  Speaker 1: be real, fuck that woman.
• 15:14
  Speaker 3: And I'll repeated that young lady death.
• 15:16
  Speaker 2: In my opinion of unarmed individuals that's not involved in
• 15:20
  Speaker 2: any kind of extracurricular activities, it's a very sad scenario,
• 15:26
  Speaker 2: deaf and general and particular in that way. It's just
• 15:30
  Speaker 2: it's very sad. So I just think it's interesting that
• 15:33
  Speaker 2: he's again I want y'all. That's why I always tell y'all, man,
• 15:36
  Speaker 2: if y'all listen to me, we three years ahead of everybody.
• 15:39
  Speaker 2: If y'all been listening to me, every conversation we've been
• 15:41
  Speaker 2: having two and three years ago, they are just now having.
• 15:45
  Speaker 2: That's why I was telling Charlemagne. It's time for us
• 15:47
  Speaker 2: to update again. Man, Me and Charlemagne were having a
• 15:51
  Speaker 2: conversation two or three years ago that people are just
• 15:53
  Speaker 2: now having. You understand a lot of the shit we
• 15:57
  Speaker 2: Go listen to the I'm talking about the audio. A
• 16:00
  Speaker 2: lot of y'all ain't on Patren. You will never see
• 16:02
  Speaker 2: the videos. Go listen to the audios episode ninety nine,
• 16:06
  Speaker 2: one hundred, one hundred and one. Go listen to when
• 16:09
  Speaker 2: I was in that bag and figuring out all this
• 16:11
  Speaker 2: game as I was breaking into the industry.
• 16:13
  Speaker 3: Go listen to all of that.
• 16:15
  Speaker 2: But back to this, I just wanted to point out again,
• 16:18
  Speaker 2: and I know I'm gonna stop stopping it so much,
• 16:21
  Speaker 2: but I'm sure everybody has saw this, so at this
• 16:23
  Speaker 2: point we're reacting and breaking it down. But I wanted
• 16:26
  Speaker 2: to point out the fact that Anton is about to
• 16:29
  Speaker 2: paint Corey as the guy that says all this outland
• 16:32
  Speaker 2: this stuff, as he's rolling off of saying something very outlandish,
• 16:35
  Speaker 2: in my opinion, like fuck that lady that got killed
• 16:38
  Speaker 2: by the ice agent in Minnesota, very interesting, pay attention
• 16:43
  Speaker 2: whatever it is, and give jobs.
• 16:44
  Speaker 1: I employed over fifty people.
• 16:48
  Speaker 4: I put my money in my community with my people,
• 16:52
  Speaker 4: so I choose to engage. So when we talking about
• 16:56
  Speaker 4: being in the streets, that don't count to me.
• 16:59
  Speaker 1: I don't and that's what should count. I don't hear
• 17:01
  Speaker 1: us out there in the streets where the people live
• 17:04
  Speaker 1: that you're helping. They could get pulled over and shot
• 17:07
  Speaker 1: by a cop and an investigation will be said. But
• 17:11
  Speaker 1: here's the truth. We know if I believe you know
• 17:15
  Speaker 1: this already, when the cops shoot you, ain't nothing you
• 17:17
  Speaker 1: can do about it. Well, you have you said all
• 17:19
  Speaker 1: white people stupid? No, I'm talking. You should say that
• 17:23
  Speaker 1: one time talking because it's easy to say a black
• 17:26
  Speaker 1: gas was stupid. As an example, say something about the
• 17:29
  Speaker 1: white people. No, no, no, no, no, you know I don't
• 17:31
  Speaker 1: think you town. Well, I didn't hear you. Can you
• 17:34
  Speaker 1: tell me?
• 17:34
  Speaker 4: Because I talk about liberal literally being the biggest enemy
• 17:38
  Speaker 4: of the United States of America. Everything female, the biggest literally,
• 17:43
  Speaker 4: White liberal women are the worst thing that ever happened
• 17:46
  Speaker 4: to this country?
• 17:46
  Speaker 1: What about their men? But but we gonna get there.
• 17:49
  Speaker 1: Do we say that? But here's the truth. It's the
• 17:52
  Speaker 1: reason you go after black males or black people, they
• 17:56
  Speaker 1: were quicker than you will go after white males. What
• 17:59
  Speaker 1: a white man was responsible for in this country as
• 18:02
  Speaker 1: the downfall of all accountability. Smoke giver, I talk about everybody.
• 18:06
  Speaker 1: I'm just saying I heard you talk about white men.
• 18:09
  Speaker 1: You ain't been listening, listening, I've been listening to you.
• 18:13
  Speaker 1: I have. I'll hear you.
• 18:15
  Speaker 4: If you don't have the capacity to be able to
• 18:16
  Speaker 4: listen because you're too busy.
• 18:18
  Speaker 2: No no, no, no. There was another shot. And if I'm
• 18:21
  Speaker 2: not mistaken, I think we already passed it. Another shot
• 18:25
  Speaker 2: from Anton Daniels. Is you talking loud, but you ain't
• 18:29
  Speaker 2: saying nothing. So these are intellectual shots disrespect in the
• 18:34
  Speaker 2: intellectual field. You understand, we look at these things like
• 18:39
  Speaker 2: beneath us. Oh you want to talk that way, so
• 18:42
  Speaker 2: you want to be contemptuous, scornful, disrespectful. And so while
• 18:48
  Speaker 2: Anton Daniels understands that these are shots some of the
• 18:52
  Speaker 2: low hanging fruit in the black community as sex play.
• 18:56
  Speaker 2: That's why I was off putting when people looked on
• 18:58
  Speaker 2: the West Coast, it's our brick baby being Adam twenty
• 19:00
  Speaker 2: two will never behavior some of it, even though they're
• 19:03
  Speaker 2: using it for content, because there's a boundary. There's a
• 19:09
  Speaker 2: boundary set and so if you're asking me, Antonny had
• 19:12
  Speaker 2: already started with a lot of reductionists talking points, as
• 19:16
  Speaker 2: it pertains the corey, and that's prior to we get
• 19:18
  Speaker 2: into the sex play.
• 19:20
  Speaker 3: Now it's about to blow up.
• 19:23
  Speaker 2: But again he said, Yo, you're doing a lot of talking,
• 19:27
  Speaker 2: but you ain't really saying nothing, and you don't have
• 19:29
  Speaker 2: the capacity to keep up. Nigga, your mental skills and
• 19:32
  Speaker 2: comprehension is low. You understand me, if you're asking me,
• 19:36
  Speaker 2: that's what a problem came in at way before the
• 19:40
  Speaker 2: sex play. Pay attention that you just criticized.
• 19:47
  Speaker 1: That's an opinion. Here's the fact. Have you seen something
• 19:50
  Speaker 1: about Caucasian males and how to destroy this nation? Well?
• 19:53
  Speaker 1: What did I miss? Let's let's slow down because you're
• 19:57
  Speaker 1: talking loud, but you're not saying a lot. No, you
• 19:59
  Speaker 1: talk and you're still talking to run.
• 20:03
  Speaker 3: So there it is.
• 20:05
  Speaker 2: When you study the art of debating and arguments, you
• 20:08
  Speaker 2: know some of the styles and technique that is in play.
• 20:11
  Speaker 2: When you hear someone start with a compliment and end
• 20:16
  Speaker 2: with disrespect, a lot of times they'll do it the
• 20:20
  Speaker 2: other way, start with disrespect and end with a compliment.
• 20:25
  Speaker 2: And that's what he done because that's how that's what
• 20:28
  Speaker 2: you call a soft landing. And depending on the intellectual
• 20:32
  Speaker 2: level or the person you're talking to, they don't know
• 20:34
  Speaker 2: how to take that. It kind of confused them. It's
• 20:37
  Speaker 2: like telling your old lady, you really got fat over
• 20:40
  Speaker 2: the last six months, but in that dress, you look good.
• 20:43
  Speaker 2: You get what I'm saying. So these are the games
• 20:46
  Speaker 2: niggas is playing. You don't have the capacity to keep up,
• 20:50
  Speaker 2: which basically says that you're too dumb to understand the
• 20:52
  Speaker 2: level of conversation with having. But I'm gonna clean it
• 20:57
  Speaker 2: up at the end with because you're too busy, appeal
• 21:02
  Speaker 2: to your ego a little bit. Maybe you work so
• 21:05
  Speaker 2: much you ain't even read up on all of this.
• 21:07
  Speaker 2: I ain't gonna just charge you know you're a busy guy. Man,
• 21:10
  Speaker 2: all that work you're doing, you know you're that what
• 21:12
  Speaker 2: I'm saying, if you're asking me right when I view this,
• 21:15
  Speaker 2: both of these guys kind of went out bad. Both
• 21:19
  Speaker 2: of them went out bad. Twenty twenty six. I'm gonna
• 21:21
  Speaker 2: tell the truth. Twenty twenty six. I'm gonna tell the truth.
• 21:25
  Speaker 2: Both of these boys went out bad, and I'm explained
• 21:28
  Speaker 2: to you why. But I just wanted to set a
• 21:30
  Speaker 2: pressing in and let you guys know, ear Mark before
• 21:33
  Speaker 2: we even get to the sex play and understand that
• 21:35
  Speaker 2: there was already levels of aggression that was already violative
• 21:40
  Speaker 2: kind of language being used by Anton.
• 21:42
  Speaker 3: But pay attention to when it blows up once.
• 21:46
  Speaker 1: The Caucasian mail gets to America. I'm not bring it down.
• 21:50
  Speaker 1: I'm not getting into that. You bans around it. And
• 21:52
  Speaker 1: that's why I lose respect for you when you start
• 21:55
  Speaker 1: dancing and kissing Caucasian males ass, But I don't don't
• 21:58
  Speaker 1: do that in front of me because I ask kissing
• 22:02
  Speaker 1: of nobody? Yes, you are? You sucked the dick of
• 22:05
  Speaker 1: you people right now? You you doing the easy shit?
• 22:08
  Speaker 3: What you do?
• 22:09
  Speaker 1: Let me tell you what you do.
• 22:11
  Speaker 2: I absolutely love that the cameraman caught his face when
• 22:14
  Speaker 2: he said that dick.
• 22:17
  Speaker 1: Of nobody.
• 22:17
  Speaker 2: Yes you are w to the cameraman for catching his
• 22:21
  Speaker 2: face when he first said something about dick to him.
• 22:35
  Speaker 2: And so the conversation online is who was wrong in
• 22:37
  Speaker 2: this moment if you didn't Earmark the first two times
• 22:40
  Speaker 2: where Anton Daniels kind of undercut Corey Holcomb intellectually and
• 22:45
  Speaker 2: told him that he's talking loud that ain't saying nothing,
• 22:49
  Speaker 2: and that he does not have the capacity to keep up.
• 22:52
  Speaker 2: Then you think the first encounter of disrespect is when
• 22:55
  Speaker 2: Corey Holcomb said you kissed white man's ass. You still
• 22:59
  Speaker 2: took it into a weird place when you say that.
• 23:02
  Speaker 2: In the black community, we don't play the dick jokes.
• 23:06
  Speaker 2: As you get older, you look at some of this
• 23:08
  Speaker 2: shit like petty shit, but you know it's a contract.
• 23:12
  Speaker 2: It's an unnegotiated contract. In the black community. Certain dick
• 23:16
  Speaker 2: jokes shit go platinum. And that's unfortunate because niggas can
• 23:20
  Speaker 2: trick you right out your spot.
• 23:21
  Speaker 1: But sometimes you gotta goal.
• 23:24
  Speaker 2: Sometimes it just is what it is, my nigga, I
• 23:27
  Speaker 2: gotta go, Like if I've been through some of the
• 23:30
  Speaker 2: shit some of these boys been through, I'm saying, ain't
• 23:33
  Speaker 2: no more content, ain't no more rapping, Ain't no more nothing, man,
• 23:37
  Speaker 2: it's my life dedicated to man.
• 23:39
  Speaker 1: Is that.
• 23:41
  Speaker 2: It's unfortunate, but it's that it's a contract. So I'm
• 23:46
  Speaker 2: saying there's a contract in the black community as it
• 23:49
  Speaker 2: pertains to some of these sex playing dick jokes. But
• 23:52
  Speaker 2: this is where I looked at it and I said,
• 23:54
  Speaker 2: all right, now we're about to see some action because
• 23:59
  Speaker 2: you think about this disrespect as it pertains to something
• 24:02
  Speaker 2: on these cameras. And if you got this bravado, when
• 24:05
  Speaker 2: you got this certain kind of character, you gotta go.
• 24:08
  Speaker 2: It's unfortunate, but you just gotta go. It's just here,
• 24:11
  Speaker 2: is what it is. You just gotta go. So I
• 24:14
  Speaker 2: ain't playing that kind of game with you niggas. I'm
• 24:16
  Speaker 2: staying away from you niggas. Catch me somewhere behind the scenes.
• 24:20
  Speaker 2: We can get them up at any moment any one
• 24:22
  Speaker 2: of you niggas that really want it. But I don't
• 24:24
  Speaker 2: have no problems with nobody, so I don't worry about that.
• 24:27
  Speaker 2: But any time that any one of you niggas think
• 24:29
  Speaker 2: y'all want that, you can get that on it.
• 24:31
  Speaker 3: On everything.
• 24:32
  Speaker 2: I love one of you niggas that's worrid of is
• 24:35
  Speaker 2: some of you niggas better buy down something greater than you.
• 24:38
  Speaker 1: Kiss the Caucasian males ass. But I don't don't do
• 24:41
  Speaker 1: that in front of me because I'm not as nobody
• 24:44
  Speaker 1: as you are. You suck the dick of your people
• 24:48
  Speaker 1: right now. And so now my new question is is
• 24:51
  Speaker 1: that intentional? Is it intentional? I don't think it's intentional.
• 24:56
  Speaker 2: I think that he was just disconnected from that contrary
• 25:00
  Speaker 2: that's in place. And the reason I say that is
• 25:03
  Speaker 2: is because when you from Detroit and you from the
• 25:06
  Speaker 2: streets of Detroit, I don't know none of them niggas
• 25:08
  Speaker 2: that's gonna get into it with you and say I'm
• 25:10
  Speaker 2: from Detroit. You're gonna be able to tell by how
• 25:14
  Speaker 2: they get out, how they dress, how they look, whether
• 25:16
  Speaker 2: they play us, if they getting some money, what type
• 25:19
  Speaker 2: niggas they is that they from Detroit. Ain't no nigga
• 25:22
  Speaker 2: getting into it and trying to pour from the equity
• 25:25
  Speaker 2: of Detroit. And I say that, respectfully, Antion, this ain't
• 25:28
  Speaker 2: even about you. This is about people that do that
• 25:30
  Speaker 2: in general. I spoke about some of the New Orleans
• 25:33
  Speaker 2: individuals that we ran into that was doing that in
• 25:35
  Speaker 2: the early days, because New Orleans had a very very
• 25:39
  Speaker 2: interesting reputation. And my best friends is from One of
• 25:43
  Speaker 2: my best friends is from New Orleans, so you know,
• 25:46
  Speaker 2: I got a lot of love down there. So I
• 25:48
  Speaker 2: know a lot of good niggas from down there. But
• 25:50
  Speaker 2: I'm just saying, first thing, niggas want to let you know.
• 25:52
  Speaker 2: And I'm from Chicago, I'm from New nigga, I'm from
• 25:56
  Speaker 2: it like brother, that shit don't matter. You don't never
• 25:58
  Speaker 2: hear me say one from because it don't mind. I'm
• 26:00
  Speaker 2: gonna show you where I'm at with it. Yeah, I
• 26:03
  Speaker 2: ain't gonna nigga no matter where I'm from. I'm gonna
• 26:05
  Speaker 2: show you right here where I'm at with it, and
• 26:08
  Speaker 2: I'm taking the money back to where I'm from. Don't
• 26:10
  Speaker 2: you worry about it if anybody word the money going
• 26:13
  Speaker 2: right back to where I'm from every time. But it
• 26:16
  Speaker 2: felt like the contract that's in place wasn't acknowledged by
• 26:20
  Speaker 2: this gentleman, and then they got into this weird place
• 26:22
  Speaker 2: where sex play was involved. This next step, if you're
• 26:25
  Speaker 2: asking me, exposed Corey to his audience in a way
• 26:29
  Speaker 2: that they were not prepared for.
• 26:31
  Speaker 3: A pay attention.
• 26:32
  Speaker 1: You doing the easy ship. What you do, let me
• 26:35
  Speaker 1: tell you what you do? Ain't nobody can tell you something.
• 26:38
  Speaker 1: I don't gonna tell you. You're doing it right now.
• 26:42
  Speaker 1: I don't suck. You're doing it right now. Believe me
• 26:45
  Speaker 1: when I tell you I don't do that. Tell you
• 26:47
  Speaker 1: I don't do that. Listen, listen, so don't come and
• 26:49
  Speaker 1: me with I'm gonna give you the same. I don't
• 26:56
  Speaker 1: do no. I don't do ship. I'm a motherfucking man.
• 27:01
  Speaker 1: I don't do no.
• 27:02
  Speaker 2: All right, let me point out a few things that
• 27:04
  Speaker 2: nobody else is really pointing out if you're asking me
• 27:08
  Speaker 2: or I haven't sew any videos. When Corey Holkam walks
• 27:11
  Speaker 2: up on this gentleman with the ad shirt on, he's
• 27:15
  Speaker 2: supposed to create distance. You don't let no man get
• 27:18
  Speaker 2: that close to you, especially if he talking high power.
• 27:22
  Speaker 2: He don't win high pitch. You understand. You don't let
• 27:25
  Speaker 2: a man go on high pitch get that close. First thing.
• 27:27
  Speaker 2: People like me because I know I'm someone that I
• 27:31
  Speaker 2: have that aggressive state in me that once I if
• 27:34
  Speaker 2: I get there, it's over with. So I know the
• 27:36
  Speaker 2: first thing I'm gonna do. Bag up my boy, don't
• 27:41
  Speaker 2: be that close up on me, don't get all in
• 27:43
  Speaker 2: my face and all that. Now, the first thing I
• 27:46
  Speaker 2: saw Anton do was kind of lean away and look away.
• 27:49
  Speaker 2: Now I get it, he's regrouping, because this is a
• 27:52
  Speaker 2: serious situation. You in another Nigga city, in his studio,
• 27:55
  Speaker 2: You in another man's studio. You don't know what you
• 27:58
  Speaker 2: may encounter. It's a couple dudes over here in the background.
• 28:01
  Speaker 2: You got your one little security guard you done hire
• 28:03
  Speaker 2: from little local security guard.
• 28:06
  Speaker 1: Yeah.
• 28:06
  Speaker 2: Man, come on, man, this shit can get ugly in here.
• 28:09
  Speaker 2: You know, you in another man spot on his location.
• 28:12
  Speaker 2: You don't know how this can turn out. This can
• 28:13
  Speaker 2: get ugly. It can get ugly quick. And so Anton
• 28:16
  Speaker 2: had to regroup and understand. I think in his mind
• 28:19
  Speaker 2: is content if he don't do something in the next
• 28:22
  Speaker 2: twenty seconds. This is content because when he got that close,
• 28:26
  Speaker 2: what he's doing is and this is what I tell me,
• 28:29
  Speaker 2: and I tell people all the time, you gotta be
• 28:33
  Speaker 2: careful when you make these agreements, cause nigga break the
• 28:35
  Speaker 2: agreement and you gotta move on it. You make these contracts,
• 28:39
  Speaker 2: niggas don't agree with that, they break it, you gotta
• 28:41
  Speaker 2: move on it. I always tell niggas this. Now, what
• 28:45
  Speaker 2: he's saying is, see there's two different things happening. His
• 28:50
  Speaker 2: contract to Anton Daniels is don't say that dick sucking
• 28:53
  Speaker 2: shit again. To me, what the Internet is understanding is
• 28:57
  Speaker 2: you ain't putting no contract on disrespect.
• 29:00
  Speaker 1: Eight.
• 29:03
  Speaker 2: You only put a contract on the dick sucking shit.
• 29:06
  Speaker 2: So now they're thinking that disrespect it's supposed to trigger
• 29:09
  Speaker 2: the same result as that dick sucking shit, because that
• 29:13
  Speaker 2: dick sucking shit ultimately is disrespect. So if you ain't
• 29:16
  Speaker 2: moving on disrespect as a whole, why are you so
• 29:20
  Speaker 2: moving on the dick sucking shit? Is what the internet
• 29:22
  Speaker 2: is trying to understand. Now, what I'm telling you is
• 29:25
  Speaker 2: is that when he gets that close, the first thing
• 29:28
  Speaker 2: someone who is used to fighting and squabbling and shit,
• 29:32
  Speaker 2: they gonna create distance.
• 29:33
  Speaker 1: You don't get that close to me, you can stab me.
• 29:35
  Speaker 2: I was raised like that and I done done things
• 29:38
  Speaker 2: to people, so I know you don't let nobody get
• 29:40
  Speaker 2: that close to you. You create some distance. Nigga, you
• 29:43
  Speaker 2: don't get this close to me. Now, pay attention to
• 29:46
  Speaker 2: what happens again. Remember his agreement is don't say that
• 29:50
  Speaker 2: dick sucking shit again. But there should be if you're
• 29:53
  Speaker 2: asking me a contract on disrespect as a whole, because
• 29:56
  Speaker 2: you do not already cross the line. Now either pipe
• 29:59
  Speaker 2: down or get beat on. Yeah, ain't but two options.
• 30:03
  Speaker 2: Now you trying to create a third option, which.
• 30:06
  Speaker 1: Is talk back.
• 30:07
  Speaker 2: Ain't no back talk, pipe down to get beat on? Yeah, man,
• 30:14
  Speaker 2: ain't nobody with big glasses talk to me like that.
• 30:20
  Speaker 3: Now, I'm just playing Pay attention ship.
• 30:23
  Speaker 1: Don't gonna give a fuck about now. Well, I'll tell
• 30:25
  Speaker 1: you what wants that dick sucking ship, because that bad
• 30:28
  Speaker 1: falling what you want? I don't do no dick saying
• 30:31
  Speaker 1: a lot of ship that. I don't fuck what either you? Okay,
• 30:33
  Speaker 1: but that I'll tell you what putting no what dick
• 30:39
  Speaker 1: sucking ship. Don't put no dick on me, nigga, I'm
• 30:43
  Speaker 1: from these traits way I sucking dick again. I'm right
• 30:45
  Speaker 1: here right now. Respect can surround it, then surround it.
• 30:50
  Speaker 2: He wouldn't say it, but he also ain't bowing down,
• 30:54
  Speaker 2: and the Internet really doesn't understand the encounter. If you're
• 30:59
  Speaker 2: asking me from a hole right at least the people
• 31:01
  Speaker 2: that speaking about it, I don't see them representing what's
• 31:04
  Speaker 2: really going on in my opinion. If you're asking me
• 31:08
  Speaker 2: this energy right here, up until this point, he's still
• 31:12
  Speaker 2: not sure if this is gonna get violent. You gotta
• 31:14
  Speaker 2: remember this dude is just in his face for the
• 31:16
  Speaker 2: last twenty seconds, so he don't know whether or not
• 31:19
  Speaker 2: this nigga really finish socking mat. So he's trying to
• 31:22
  Speaker 2: find ways to bail. If you're asking me, he ain't
• 31:26
  Speaker 2: got the energy of nigga, Fuck you, nigga, and bag
• 31:29
  Speaker 2: up off me before he gets he don't got that
• 31:31
  Speaker 2: kind of energy he trying to He trying to bail,
• 31:34
  Speaker 2: which is the right thing to do, to have that
• 31:36
  Speaker 2: they're to have a conversation, but he's legitimately trying to bail.
• 31:42
  Speaker 3: Pay attention to what he's saying.
• 31:43
  Speaker 2: I'm right here right now, respectround him there, surrounding nont.
• 31:52
  Speaker 1: I'm gonna respect you because it's your platform and I'm
• 31:54
  Speaker 1: out here to have a conversation. Were good, but we
• 31:56
  Speaker 1: good already. I don't microphone right down right now. I'm
• 32:04
  Speaker 1: you just running your mouth. I'm not running out.
• 32:08
  Speaker 2: And I think this is where he flipped the table
• 32:11
  Speaker 2: on Core because he pulled out a mean bluff card,
• 32:16
  Speaker 2: because I don't think he was really finna take that card.
• 32:19
  Speaker 2: I think he has that security there. He knows the
• 32:21
  Speaker 2: security probably gonna step in your security. Ain't finna just
• 32:24
  Speaker 2: let you take a fade in another city at a
• 32:28
  Speaker 2: nigga studio. Man, niggas might pack you out. This shit
• 32:31
  Speaker 2: might turn to a gun battle. Like I think it
• 32:34
  Speaker 2: was all bluffing. Both of these niggas were bluffing, But
• 32:37
  Speaker 2: he flipped the table on Corera right here. When he
• 32:39
  Speaker 2: said we can go out back, Corey is supposed to
• 32:43
  Speaker 2: accept it. That Now the situation gets sticky because in
• 32:47
  Speaker 2: the alternate universe, if it was in my studio, one
• 32:50
  Speaker 2: of my homeboards would be right now creeping towards the security.
• 32:55
  Speaker 3: Yeah, like he watching what's going on.
• 32:57
  Speaker 2: He ain't really paying attention, but he really creeping towards
• 33:00
  Speaker 2: your security as it's going down.
• 33:03
  Speaker 3: You understand me.
• 33:04
  Speaker 2: Creeping towards the security as it's going down. Two three
• 33:07
  Speaker 2: of my guys, they creeping towards the security.
• 33:10
  Speaker 3: You understand them. Pay attention.
• 33:13
  Speaker 1: You're doing it on the Internet. You're doing it for
• 33:16
  Speaker 1: the Internet. Now, if you want to say your time, no, no,
• 33:18
  Speaker 1: hold on, hold on, if you want to show you
• 33:20
  Speaker 1: I ain't doing it for the Internet, said.
• 33:26
  Speaker 2: If you want, and I'm gonna be honest with you.
• 33:29
  Speaker 2: When he said you just doing this for the Internet,
• 33:31
  Speaker 2: he done flipped the table. Now what the Internet is
• 33:34
  Speaker 2: calling it supposed to go on right now, And I
• 33:36
  Speaker 2: ain't gonna lie. Some of my guys that I know,
• 33:39
  Speaker 2: some of the scenarios I'm familiar with. His security would
• 33:42
  Speaker 2: already been knocked out by now. Niggas don't crib huim
• 33:45
  Speaker 2: on the security and hit him with a crow bob
• 33:48
  Speaker 2: put him to bed. Nigg ain't gonna hurt him, like
• 33:51
  Speaker 2: try to kill him or nothing, but he gotta go
• 33:53
  Speaker 2: to sleep because you making me think he got an
• 33:55
  Speaker 2: ar fifteen.
• 33:56
  Speaker 3: You don raised the vibration in here.
• 33:58
  Speaker 2: We gotta put dude because we know he probably got
• 34:02
  Speaker 2: a gun or something, and the way you talking, he
• 34:04
  Speaker 2: ain't scared to use it cause I don't believe you
• 34:07
  Speaker 2: got no gun. You finnah do nothing. So this dude
• 34:10
  Speaker 2: you got with you, you putting him in danger. If
• 34:13
  Speaker 2: I'm one of them goon niggas, I'm creeping over there
• 34:15
  Speaker 2: to him, he'll look over. I got that nigga. I
• 34:18
  Speaker 2: had that nigga in the sleep ahole.
• 34:19
  Speaker 1: He'll look over.
• 34:20
  Speaker 2: I had that nigga to tell dbosis sleep ahole. Nigga
• 34:24
  Speaker 2: holding him like this right here across face chicken way
• 34:27
  Speaker 2: he be sleeping, and then I let him go and
• 34:30
  Speaker 2: then with an tom you're still talking like that. Yeah,
• 34:36
  Speaker 2: you ain't got no security no more. You're still talking
• 34:38
  Speaker 2: like that. Nigga, gonna put your security down. You still
• 34:42
  Speaker 2: talking like that? What's dangerous about this? For Corey hokum,
• 34:45
  Speaker 2: and his image is he's always been someone that talks
• 34:48
  Speaker 2: that high power shit. So his audience is saying, you
• 34:52
  Speaker 2: gotta hit him, he gotta get taught a lesson. You know,
• 34:56
  Speaker 2: they looking at him like a well to do guy.
• 34:58
  Speaker 2: He gotta get taught lesson and from the big goldriller Gladiator.
• 35:03
  Speaker 2: This is how his audience looking at it. Because he
• 35:05
  Speaker 2: didn't move on it. It was a bad play. Now
• 35:09
  Speaker 2: when he got that close to him, and that nigga
• 35:12
  Speaker 2: still said we can go outside. That nigga still said,
• 35:14
  Speaker 2: you ain't talking bout shit. I ain't studying that shit
• 35:17
  Speaker 2: you talking about. He found clever ways to try to
• 35:19
  Speaker 2: bail out, but after these few encounters right here, he
• 35:22
  Speaker 2: lost faith in Corey that he'll do anything.
• 35:26
  Speaker 3: And I truly believe that pay attention.
• 35:28
  Speaker 1: Say, Anton, don't disrespect me like that. I'll respect you,
• 35:32
  Speaker 1: but don't boss up on me, because you said a
• 35:34
  Speaker 1: lot of shit to me today that I don't fuck
• 35:37
  Speaker 1: with either. But I'll let that ship ride because you
• 35:39
  Speaker 1: don't know me. You don't know me, so I'm gonna
• 35:42
  Speaker 1: extend the same respect to you. You caught me out
• 35:44
  Speaker 1: of my name. You said some wild shit, especially with
• 35:46
  Speaker 1: regard to how would they call this nigga, I'm telling
• 35:49
  Speaker 1: you that you did. You can't tell me how.
• 35:51
  Speaker 3: I got a question from bro No, hold.
• 35:55
  Speaker 1: On one second, hold on, we just getting loud. I
• 35:58
  Speaker 1: ain't getting loud. Then, don't switch seats. My show, My show. Cool.
• 36:04
  Speaker 1: But I take that ship as a threat. Okay, well
• 36:06
  Speaker 1: it is a threat if you're calling me dick sucking
• 36:10
  Speaker 1: matter fuck what you talking about. I don't big something.
• 36:12
  Speaker 1: If you want to get back to the conversation, ain't
• 36:14
  Speaker 1: because you ain't gonna do it. Because you're not gonna
• 36:17
  Speaker 1: do coming me with that dick stuff. You're not gonna
• 36:21
  Speaker 1: see again. We can go back right now. We're going
• 36:25
  Speaker 1: back right now. I'm winning. I bet you're gonna say
• 36:27
  Speaker 1: that ship.
• 36:28
  Speaker 2: Yeah, I ain't gonna lie right there. He looked in
• 36:30
  Speaker 2: his eyes and said, this might be the moldy snap.
• 36:35
  Speaker 2: He is smart nigga, This Anton nigga, This Anton niggas
• 36:38
  Speaker 2: a savvy and swift nigga. Now he looked in that
• 36:41
  Speaker 2: boy eyes, and boy eyes told him he might actually swim.
• 36:47
  Speaker 2: So he got him and got out of harm's way. Yeah,
• 36:50
  Speaker 2: a nigga, don't act like you ain't get out of
• 36:52
  Speaker 2: harms way. I seen you get out of harm's way.
• 36:55
  Speaker 2: But that's the right thing to do. You looked in
• 36:57
  Speaker 2: his eyes. But again, this is why I think he's
• 37:00
  Speaker 2: losing faith. Every ten or fifteen seconds, that's the seconds
• 37:05
  Speaker 2: go by, he's losing more and more faith that something
• 37:08
  Speaker 2: actually can happen now for people unaware, his co host,
• 37:11
  Speaker 2: Corey Hogum's co host is whispering something in his ear.
• 37:15
  Speaker 2: I was told she was whispering to him. You've already
• 37:18
  Speaker 2: been sued. This dude is trying to sue you. That's
• 37:21
  Speaker 2: what I was told she was whispering.
• 37:26
  Speaker 1: I got money for all this, whatever I got. No,
• 37:29
  Speaker 1: nobody give a fuck about that shit. No, it's just
• 37:32
  Speaker 1: not respect. I ain't following. Get out the waves. Don't
• 37:37
  Speaker 1: get in the way of two niggas. Let me tell
• 37:39
  Speaker 1: you something on me. I ain't got to go out
• 37:41
  Speaker 1: back right now because we got to go back to
• 37:43
  Speaker 1: lead this motherfucker. But I'm saying that dick sucking shit.
• 37:46
  Speaker 1: Watch that. That's all I'm saying. And if I don't
• 37:48
  Speaker 1: say it, how you like it, if you want to
• 37:50
  Speaker 1: get back to the conversation, when we get back to
• 37:52
  Speaker 1: the conversation. But just no I'm not. I'm not listening
• 37:55
  Speaker 1: to another. I'm not listening to none of that ship.
• 37:57
  Speaker 1: If you want to get back to the conversations as
• 37:59
  Speaker 1: you know, that conversation that you not, Bro, you not
• 38:01
  Speaker 1: you not because that you're not that tight straight. Ain't
• 38:06
  Speaker 1: nobody saying them sucking dick no more ed things straight?
• 38:08
  Speaker 1: For sure? For sure.
• 38:10
  Speaker 3: I got a question from Bro though.
• 38:13
  Speaker 1: And I'm gonna respect them on that. Yes, sir, he
• 38:15
  Speaker 1: said what he said, So I'm gonna respect them on that.
• 38:17
  Speaker 5: Yes, sir, Yes, sir so. Question given that black.
• 38:20
  Speaker 1: People, don't you.
• 38:24
  Speaker 5: Given that black people are on the Democratic plantation, what
• 38:26
  Speaker 5: do you say about the use of Christianity to make
• 38:29
  Speaker 5: slaves out of black people.
• 38:30
  Speaker 1: And what today's time or historically historically? Yeah, absolutely it
• 38:35
  Speaker 1: was used in a negative way, but anything could be
• 38:37
  Speaker 1: used in a positive or negative way. You can you
• 38:39
  Speaker 1: can weaponize literally anything, Corporate America, for example, you can
• 38:44
  Speaker 1: use the Internet in order to push out propaganda, or
• 38:46
  Speaker 1: you can use it to communicate effectively with the people.
• 38:49
  Speaker 1: You can use you can use money to manipulate people,
• 38:52
  Speaker 1: or you can use it to help people. And so
• 38:54
  Speaker 1: you can't just say that Christianity itself is used Muslim
• 38:58
  Speaker 1: The Koran is used in a negative way in order
• 39:00
  Speaker 1: to control people. So it depends on the person. And
• 39:03
  Speaker 1: that's why we evaluate the person based off of their
• 39:05
  Speaker 1: fruits instead of valuating them based off of Christianity itself.
• 39:08
  Speaker 1: Because everybody, everybody that calls himself a Christian is not
• 39:13
  Speaker 1: a Christian.
• 39:14
  Speaker 5: So I agree that the teachers of Jesus are pure. However,
• 39:17
  Speaker 5: in the hands of Caucasian white males.
• 39:19
  Speaker 1: That's not true. Ruse.
• 39:20
  Speaker 2: I know, Like to be honest, Corey, like, I don't
• 39:24
  Speaker 2: know what the fuck your co host is doing, Like
• 39:27
  Speaker 2: after heate the moment they go into this out of
• 39:32
  Speaker 2: everything we can talk about. Look at Corey can't even
• 39:35
  Speaker 2: adjust hisself, Like he's wondering, Like what conversation is you
• 39:39
  Speaker 2: niggas having? Like is this your pivot? This is trash? Like,
• 39:44
  Speaker 2: I ain't gonna lie. The pivot is trash. The pivot
• 39:47
  Speaker 2: that they just did from that last subject and what
• 39:50
  Speaker 2: just happened to this is unsettling. This isn't going away.
• 39:58
  Speaker 2: You did not address the elephant in the room. That's
• 40:00
  Speaker 2: what I try to tell people. At some point, you
• 40:02
  Speaker 2: got to get an elephant in the room.
• 40:04
  Speaker 1: Some peanuts and I know some bad Okay, so look
• 40:09
  Speaker 1: check this out. This is what I listen, listen, listen,
• 40:12
  Speaker 1: this is what I'm saying. I don't believe you knew
• 40:15
  Speaker 1: what you was doing when you said something about dick sucking. Brother.
• 40:19
  Speaker 1: I can't. I can apologize. Okay, Hey bro, I appreciate that.
• 40:23
  Speaker 1: I apologize. I appreciate that because this ain't This ain't
• 40:27
  Speaker 1: no show. The last thing I want to do is
• 40:29
  Speaker 1: get into it with you physically. But I have a switch.
• 40:34
  Speaker 1: I respect your switch. I respect you to Okay, good,
• 40:39
  Speaker 1: I'm glad. It ain't no fake shit right here. Absolutely
• 40:43
  Speaker 1: with it we straight. I respect your switch, brother, And I'm.
• 40:46
  Speaker 2: Saying I'm also watching Anton Daniel's eyes. Just pay attention
• 40:51
  Speaker 2: to his eyes.
• 40:52
  Speaker 1: A lot of people don't know the way I was
• 40:54
  Speaker 1: brought up. You can't step to me in like like that.
• 40:57
  Speaker 1: So I'm not I'm not checking you. I'm just trying
• 41:00
  Speaker 1: to let you know when when we talk to each
• 41:03
  Speaker 1: other a certain way, like if dick sucking is brought up,
• 41:06
  Speaker 1: that's just like motherfuck pissing on my shoes. So I'm saying,
• 41:10
  Speaker 1: like I could get back I could get back straight.
• 41:13
  Speaker 1: I could get back straight. Just when I said, so listen,
• 41:16
  Speaker 1: it wasn't phony. Listen and time. My mind is set
• 41:20
  Speaker 1: up when people do things like throw the I call
• 41:24
  Speaker 1: it back door you on my show. When people throw
• 41:27
  Speaker 1: that at you, it's to set off you.
• 41:30
  Speaker 4: Pick and shoes. What's disrespectful because you applying it to you.
• 41:33
  Speaker 4: It's other people out there that don't take that shit. Okay,
• 41:36
  Speaker 4: well I'm glad you said that, So listen to me
• 41:39
  Speaker 4: at time. But but hold on, hold on me laying.
• 41:42
  Speaker 1: But I get it because you don't know me, and
• 41:45
  Speaker 1: I don't know you, so you don't know what I
• 41:47
  Speaker 1: look at is disrespectful.
• 41:48
  Speaker 4: And the reason that that is is because the only
• 41:50
  Speaker 4: thing that set me off is if somebody make it
• 41:53
  Speaker 4: seem like they ready to do something, then I'm like, okay,
• 41:55
  Speaker 4: well let's all have some fuck the conversation.
• 41:57
  Speaker 1: Well how about this. People may be ready to do
• 42:00
  Speaker 1: something for whatever reason they want to be ready to
• 42:02
  Speaker 1: do something. But what I'm saying to you is, you know,
• 42:05
  Speaker 1: in this world, they are trying to normalize men and dresses.
• 42:09
  Speaker 1: They're trying to normalize a woman wearing a thong in
• 42:13
  Speaker 1: front of a church gathering or whatever. And you know
• 42:17
  Speaker 1: what I'm saying I could. I can handle whatever is
• 42:19
  Speaker 1: happening out there. But I'm saying like I'm still standing
• 42:21
  Speaker 1: on this. I'm special on this. If a man walking
• 42:24
  Speaker 1: up to me with some homosexual talk like I could take.
• 42:28
  Speaker 1: I said this before I could take a meeting at
• 42:31
  Speaker 1: a brother like Tyler Perry's house, because I know what's
• 42:35
  Speaker 1: gonna happen. If it go bad, it's gonna the house
• 42:37
  Speaker 1: gonna get towed up. I ain't saying that to act
• 42:39
  Speaker 1: like I'm tough. There are certain things that we as
• 42:42
  Speaker 1: men cannot say to each other without clashing. And it
• 42:46
  Speaker 1: is my opinion with niggas that I know and where
• 42:49
  Speaker 1: I'm from, if we like, if I say to one
• 42:51
  Speaker 1: of my homies man sucker dick, everybody will get quiet
• 42:54
  Speaker 1: that we know and they'll be like, what is that?
• 42:57
  Speaker 1: What is that? Because it's like, that's that homosexual talk.
• 43:00
  Speaker 1: What I'm saying is, you know what I'm saying, if
• 43:02
  Speaker 1: it's one way to get a brother like me, I
• 43:04
  Speaker 1: know brothers who are preachers that would put their religion
• 43:09
  Speaker 1: down for that right there. That's all I'm saying, black man,
• 43:11
  Speaker 1: that's all this.
• 43:12
  Speaker 4: Listen, listen, that's what That's what you're where you at
• 43:15
  Speaker 4: So I'm gonna respect that.
• 43:16
  Speaker 1: Thank you. Brother. I don't I don't want no drama.
• 43:19
  Speaker 1: That's why I don't want no drama. My life. My
• 43:21
  Speaker 1: life is good too. I believe you. My life is good.
• 43:24
  Speaker 1: If somebody says that to you, like, what is it
• 43:27
  Speaker 1: in you that gets bothered by a switch? Okay, so
• 43:29
  Speaker 1: listen to me. Manhood is all we have left. You
• 43:34
  Speaker 1: really got to understand this. Just give me a second
• 43:35
  Speaker 1: to lamb on this. If we don't have our manhood,
• 43:39
  Speaker 1: we ain't got nothing. So when a man walk up
• 43:43
  Speaker 1: to you and say something flirtatious to you, when a
• 43:46
  Speaker 1: man walk up to you and say something what he's
• 43:48
  Speaker 1: challenging your manhood and things like that, trust me, I
• 43:52
  Speaker 1: don't care how savage it may seem. When you're dealing
• 43:54
  Speaker 1: with a man. You can set a man off if
• 43:58
  Speaker 1: you in his face and you say things that are
• 44:01
  Speaker 1: not I'm not talking about somebody just saying anything. I'm
• 44:04
  Speaker 1: talking about there a certain things like I can't walk
• 44:05
  Speaker 1: up to a man walking down the street with his
• 44:07
  Speaker 1: wife and time and say, man, your bitchtick. You can't
• 44:10
  Speaker 1: disrespect men face to face. You can do it online
• 44:14
  Speaker 1: because seas see that's where we disagree. Okay, I want
• 44:17
  Speaker 1: to hear this. That's where we disagree because you got
• 44:18
  Speaker 1: to keep the same energy across the board.
• 44:20
  Speaker 4: You can't pick and choose when you can disrespect somebody
• 44:23
  Speaker 4: and when you can't disrespect somebody, and then pick and
• 44:25
  Speaker 4: choose when you're going to react to somebody disrespecting you.
• 44:29
  Speaker 1: You're wrong, bro, you wrong. It is two left shoes.
• 44:31
  Speaker 1: You're wrong. Bro. You you how fucking somebody finish? Stand
• 44:36
  Speaker 1: in front of my face and talk to me like
• 44:38
  Speaker 1: they on my level when it comes to homosexuality like that?
• 44:42
  Speaker 1: Will that a start of war? That a start of
• 44:44
  Speaker 1: We can agree to disagree.
• 44:45
  Speaker 4: I think you're wrong, bro, I think I personally, I'm
• 44:48
  Speaker 4: telling you directly you're hypocritical.
• 44:50
  Speaker 1: Okay, well you can say that. I don't think I'm
• 44:52
  Speaker 1: gonna win that argument with you now. But what I
• 44:53
  Speaker 1: am saying to you at time is when you are
• 44:56
  Speaker 1: talking to men face to face, trust me when I
• 45:00
  Speaker 1: tell you this, man, it's different than online, face to
• 45:03
  Speaker 1: the face person in real life.
• 45:05
  Speaker 4: As I am Onlinema, I'm gonna tell you that straight up.
• 45:08
  Speaker 4: Anybody listen, I go city to city. I'm not an
• 45:11
  Speaker 4: online nigga bro like. I create content online, but I
• 45:14
  Speaker 4: really am out in every single city. I didn't visit
• 45:16
  Speaker 4: it almost every single state. I have real meetups in
• 45:19
  Speaker 4: real life. I shake hands, I kick it with people
• 45:21
  Speaker 4: in real life, and I go out there and kick
• 45:23
  Speaker 4: it with the people.
• 45:24
  Speaker 1: I'm not different online than I am in real life.
• 45:26
  Speaker 1: When men stand between each other, there is energy that
• 45:30
  Speaker 1: is being transferred and trusts me. When men disrespect each
• 45:34
  Speaker 1: other face to face, motherfuckers can die. I agree. You
• 45:39
  Speaker 1: asked me for the feedback. I didn't volunteer it. You
• 45:41
  Speaker 1: force me.
• 45:42
  Speaker 4: I said, you know what, No, I don't want to
• 45:43
  Speaker 4: do that. Okay, you said, okay, well antime, go ahead
• 45:45
  Speaker 4: and keep their name and names and.
• 45:46
  Speaker 1: Let's get to it. Okay, well let's get let's get
• 45:48
  Speaker 1: to it then, if that's what you want to do.
• 45:49
  Speaker 1: How about this? How about this?
• 45:50
  Speaker 4: Can I reacase Darlene is real chill and she and
• 45:53
  Speaker 4: she not gonna cause no friction, and Craig is.
• 45:55
  Speaker 1: Happy to be here. Okay, so can I say something
• 45:57
  Speaker 1: about it? But see, I don't get me. I don't
• 45:59
  Speaker 1: give a fuck because I'm rich too, so I'm cool.
• 46:02
  Speaker 1: I got my own movement. I got my own on
• 46:04
  Speaker 1: my own motion, so I can tell you the truth.
• 46:06
  Speaker 4: And I think that you also surround yourself with somebody,
• 46:09
  Speaker 4: with people that will not challenge you because you big
• 46:11
  Speaker 4: dog to them, You big brother.
• 46:13
  Speaker 1: Okay, so let me say this, since you brought up
• 46:14
  Speaker 1: Darlene and Craig, let me bring let me let me
• 46:16
  Speaker 1: say that whenever I see a woman with a man,
• 46:20
  Speaker 1: most of the time, if it ain't your wife, I
• 46:22
  Speaker 1: already say to myself, what is this? Fuck? Shit? Why
• 46:26
  Speaker 1: is this motherfucking the streets with you? That's how I
• 46:29
  Speaker 1: feel about life. So I'm saying, like that might be
• 46:33
  Speaker 1: a prejudice that I have. I can admit if a
• 46:36
  Speaker 1: woman is in the streets with a man, fuck is this? Why?
• 46:41
  Speaker 1: Why do you care about that? Why is that meaningful
• 46:43
  Speaker 1: to you? It's not that I care at all, because
• 46:46
  Speaker 1: it's not my business. But I'm saying, like, if a
• 46:48
  Speaker 1: man stepped to me with a woman and it ain't
• 46:51
  Speaker 1: his wife, all I do is say to myself, you
• 46:54
  Speaker 1: mean like checking you, not not checking me. Brother. I'm
• 46:56
  Speaker 1: saying like, if a man has a woman with him, okay,
• 46:59
  Speaker 1: and you know what I'm saying, it's not his wife,
• 47:03
  Speaker 1: I don't know what the fuck that he is? And
• 47:05
  Speaker 1: I don't want nothing to do with it. That's all
• 47:07
  Speaker 1: across the board. As I've gotten older and wiser, Like
• 47:10
  Speaker 1: if a man, if a man got a warmer with
• 47:12
  Speaker 1: him and he say, hey, hold on, man, how you
• 47:14
  Speaker 1: doing this is my lady so and so so and so,
• 47:16
  Speaker 1: it makes my It makes me say, okay, this is
• 47:20
  Speaker 1: this lady. It ain't been explained. I'm like, hold on,
• 47:23
  Speaker 1: what the fuck is this ship? Especially if it's imposed
• 47:27
  Speaker 1: in any way. That's what I'm saying. G And I
• 47:30
  Speaker 1: know you know what I'm talking about, because you ain't
• 47:32
  Speaker 1: gonna act like you ain't smart. You smart than I'm motherfucker.
• 47:34
  Speaker 1: I don't know what you're talking about. Well, if somebody introduces.
• 47:39
  Speaker 3: About if somebody actually takes walks.
• 47:41
  Speaker 5: In and takes the time to introduce you to something
• 47:43
  Speaker 5: that's being imposed, I'm.
• 47:44
  Speaker 1: Like, it's people in the chest say, what is Corey
• 47:46
  Speaker 1: talking about? All the uninitiated don't know what I'm talking about,
• 47:50
  Speaker 1: especially if I know that person. I believe that this
• 47:52
  Speaker 1: is what I know. I admit that I am a
• 47:56
  Speaker 1: C student. Believe me, he said it, laughing, pheel silly.
• 47:59
  Speaker 1: He's really trying to look it was an intense moment
• 48:02
  Speaker 1: in here a time, and we're trying to make it
• 48:04
  Speaker 1: where it is professional. We're trying to make it where
• 48:07
  Speaker 1: it ain't where everybody said might be or whatever the fuck,
• 48:10
  Speaker 1: because I ain't with all that. I ain't got to
• 48:12
  Speaker 1: go to war with no man who visited our show
• 48:14
  Speaker 1: and probably didn't understand one thing how I was thinking,
• 48:18
  Speaker 1: and I probably didn't understand one thing how he was sinking.
• 48:20
  Speaker 1: We're not gonna have me back on the show. Y'all
• 48:22
  Speaker 1: you funny man. If I wan't go have you back
• 48:25
  Speaker 1: on the show, I wouldn't shook your head. I hope
• 48:27
  Speaker 1: you believe that. When I caught myself, I was like,
• 48:29
  Speaker 1: you know what I'm doing right now. I'm putting pressure
• 48:31
  Speaker 1: on him to get me back on the show. But
• 48:33
  Speaker 1: it ain't work by saying that he's not going to
• 48:34
  Speaker 1: because it ain't gonna work like that. But I'm saying,
• 48:37
  Speaker 1: we don't like this, he don't like this, why you're
• 48:41
  Speaker 1: talking to that man over there.
• 48:42
  Speaker 2: So I need people to understand what we are as
• 48:44
  Speaker 2: it pertains to the timeline. At this particular point, Anton
• 48:48
  Speaker 2: Daniels has lost all faith that Corey Holcom is willing
• 48:53
  Speaker 2: to get aggressive and actually get violent with him on
• 48:57
  Speaker 2: set again, if I rewind you back to that first
• 49:01
  Speaker 2: thirty seconds when he first got in his face and
• 49:03
  Speaker 2: he says say something else again, that two or three
• 49:06
  Speaker 2: minute time lapse, and Tom Daniels feared that at some
• 49:11
  Speaker 2: point this would get physical. Not that he's not willing
• 49:14
  Speaker 2: to get physical, but he believed it.
• 49:16
  Speaker 1: In that moment.
• 49:17
  Speaker 2: We are now five, ten, fifteen, twenty minutes removed from
• 49:21
  Speaker 2: that interaction, and you see a man who is now
• 49:25
  Speaker 2: in his bag and he's starting to talk jazzy and
• 49:27
  Speaker 2: talk to your other people and let you know, I
• 49:30
  Speaker 2: may know what you're talking about and act like I
• 49:32
  Speaker 2: don't know what you're talking about. Don't even play with
• 49:34
  Speaker 2: me like that, love one. If you know what I'm
• 49:37
  Speaker 2: talking about, say you know what I'm talking about. We
• 49:39
  Speaker 2: don't got time to play these games. But you dealing
• 49:42
  Speaker 2: with a man that's now back in his bag, and
• 49:45
  Speaker 2: he feels like, oh this nigga just be talking. You
• 49:49
  Speaker 2: done let him down. You done actually let him down.
• 49:53
  Speaker 2: As it pertains to how he felt about this nigga
• 49:56
  Speaker 2: might get active. He don't believe it no more. And
• 49:59
  Speaker 2: how I'm gonna prove that to you, is he's gonna
• 50:01
  Speaker 2: reverse right back to the disrespect. If he believed when
• 50:05
  Speaker 2: he got that close that it was this close to
• 50:07
  Speaker 2: five crack that's going off, he would do everything in
• 50:10
  Speaker 2: his power to avoid another interaction of that magnitude. But
• 50:14
  Speaker 2: guess what, ladies and gentlemen, he did the opposite. Pay
• 50:18
  Speaker 2: attention because.
• 50:20
  Speaker 1: I gotta talk to Phil. I'm talking to Corey through Phil.
• 50:25
  Speaker 1: You know what I'm saying. If you know, you know,
• 50:28
  Speaker 1: here's the thing. Them the games, when niggas get in
• 50:30
  Speaker 1: the fights. I'm telling you this is how to jump
• 50:32
  Speaker 1: off Corey.
• 50:33
  Speaker 4: Not gonna have me back on the show because Corey
• 50:36
  Speaker 4: is not having fun right now.
• 50:38
  Speaker 1: This is Corey.
• 50:39
  Speaker 4: This is gonna be one of Corey's best shows, but
• 50:42
  Speaker 4: he's not having fun right now. And Corey seems to
• 50:45
  Speaker 4: be seems to be a feeler. I'm more of a
• 50:49
  Speaker 4: results driven guy. Corey seems to be the type of
• 50:52
  Speaker 4: person that goes off of how he feels.
• 50:55
  Speaker 1: If you notice, I'm doing a lot of explaining to
• 50:57
  Speaker 1: you about how the line can get crossed, but you're
• 50:59
  Speaker 1: doing a lot of time telling me what I am.
• 51:01
  Speaker 1: I think that's homosexual people. I said that, I.
• 51:02
  Speaker 4: Said Corey seems to be meaning that I'm leaving open
• 51:06
  Speaker 4: the door to get corrected. I want him to correct
• 51:10
  Speaker 4: me if I'm wrong, but I still want the freedom
• 51:11
  Speaker 4: to be able to get my opinion.
• 51:12
  Speaker 1: So you don't want me to get my You canna
• 51:14
  Speaker 1: have a freedom, brother from you?
• 51:17
  Speaker 4: No, no, no, I'm starting to feel some type of way, bro,
• 51:19
  Speaker 4: because why is everything homosexual to you? Well, this is
• 51:21
  Speaker 4: what I'm saying, Like I'm gonna to conversation turning a
• 51:23
  Speaker 4: homosexuality again.
• 51:24
  Speaker 1: Okay, I'm gonna leut you lay it. I'm gonna let
• 51:26
  Speaker 1: you lad because I don't want I don't want to
• 51:27
  Speaker 1: talk over you. I'm trying to understand why is everything gay?
• 51:29
  Speaker 1: I can explain it. I can explain it. Maybe I'm
• 51:32
  Speaker 1: not saying Okay, I'm not saying that you gay, But
• 51:34
  Speaker 1: what I'm saying is if you looking at another man
• 51:38
  Speaker 1: and you say you talking to me through another man,
• 51:41
  Speaker 1: if I'm a man, I'm gonna say, well, I'm right here,
• 51:43
  Speaker 1: but you're not getting it. You still talk about me, homie.
• 51:46
  Speaker 1: This is a gay conversation. It's not. I don't never out.
• 51:49
  Speaker 1: I don't when you talking to men who playing riddles
• 51:52
  Speaker 1: and stuff, like that. I'm telling you that's talking to riddles.
• 51:55
  Speaker 1: You ain't never gonna tail heavy. I could tell, I
• 51:58
  Speaker 1: could tell. So what the that meaning? I'm just saying, like,
• 52:02
  Speaker 1: if you went to jail, they would have to start
• 52:04
  Speaker 1: you over from scratch. What would they do to you?
• 52:06
  Speaker 1: The people who I would beat, the tough one, no, no, no,
• 52:08
  Speaker 1: just let me land with this. The people who are
• 52:10
  Speaker 1: from a jail perspective, Nigga, I'm not a jail bird.
• 52:12
  Speaker 1: I'm never going to jail. I see, you can't say
• 52:14
  Speaker 1: what you will never do, but I'm never going to jail. Bro.
• 52:16
  Speaker 1: They don't even have that in though. I don't even
• 52:17
  Speaker 1: like that type of energy. I'm just trying to make
• 52:19
  Speaker 1: a point. I'm just trying to make a point that Ton.
• 52:21
  Speaker 1: What I'm saying is I have been around enough people
• 52:24
  Speaker 1: who have been institutionalized where I know how to carry
• 52:28
  Speaker 1: myself around men who are not finna play with you.
• 52:32
  Speaker 1: That's all I'm saying. That's all I'm saying.
• 52:33
  Speaker 4: Don't hang around niggas that have been in jail. So
• 52:34
  Speaker 4: I saw for it that way. The way you saw
• 52:36
  Speaker 4: for it is a little bit different than the way
• 52:37
  Speaker 4: I saw for it.
• 52:38
  Speaker 1: Okay, I don't believe that you tried to disrespect me.
• 52:42
  Speaker 1: Now that I've been talking to you, I don't believe that.
• 52:44
  Speaker 1: I believe that you are the way you are. I
• 52:47
  Speaker 1: am the way I am. And it can clash if
• 52:51
  Speaker 1: people are not educated on how to be around each other,
• 52:54
  Speaker 1: because men can go to war over misunderstanding.
• 52:57
  Speaker 4: It's throwing an intellectual shot right now, what am I doing?
• 53:00
  Speaker 4: So without saying it, he's basically saying, oh, you from
• 53:02
  Speaker 4: a different space, so you don't get the way that
• 53:05
  Speaker 4: we move over here.
• 53:07
  Speaker 1: Over here or anywhere in the United States of America.
• 53:09
  Speaker 1: And that's not a black thing. Again, he chasing it.
• 53:13
  Speaker 2: If a man feared for his life, if a man
• 53:15
  Speaker 2: feared that things could have got physical in a way
• 53:18
  Speaker 2: that you're clearly out doubled your one security guard.
• 53:21
  Speaker 3: And that's another thing.
• 53:22
  Speaker 2: A lot of y'all got a little too much faith
• 53:24
  Speaker 2: in y'all one and two security. Like, I don't know
• 53:27
  Speaker 2: where this shit coming from. I don't come from this
• 53:29
  Speaker 2: era where one and two security make you feel like
• 53:32
  Speaker 2: you're moving like the president. You got a couple niggas
• 53:35
  Speaker 2: with you, that's cool, but yo, bruh, Like, relax on
• 53:38
  Speaker 2: thinking one and two security is like you moving with
• 53:41
  Speaker 2: the Navy. You understand at this particular point, Anton is
• 53:46
  Speaker 2: chasing the smoke. If you're asking me what I believe
• 53:49
  Speaker 2: happened right here. He's lost all faith that this thing
• 53:51
  Speaker 2: can get physical, and he's about to raise the temperature again,
• 53:55
  Speaker 2: and let's see where it goes.
• 53:57
  Speaker 1: Maybe you walked into something that you was and expected.
• 54:00
  Speaker 1: I don't know it. I don't know it. Maybe maybe
• 54:03
  Speaker 1: I knew what you was gonna do before you did it. Maybe,
• 54:06
  Speaker 1: But I tell you what, I tell you what. That's
• 54:08
  Speaker 1: a dangerous game to play, especially if you got a
• 54:11
  Speaker 1: life that you live in. Because I'm telling you, man,
• 54:14
  Speaker 1: it's a lot of people in the cemetery that didn't
• 54:16
  Speaker 1: know it was gonna happen like that that fast. That's
• 54:18
  Speaker 1: why out here I try to walk under the cold
• 54:23
  Speaker 1: down here. No you don't, And that's why I said
• 54:25
  Speaker 1: I don't. No, you're hypocritical. I told you that to
• 54:27
  Speaker 1: your face. Oh, world of hypocrite. But what are you
• 54:29
  Speaker 1: talking about. You're a hypocrite. You're a hypocrite.
• 54:31
  Speaker 2: When it comes Damn Corey, you're gonna let him break
• 54:33
  Speaker 2: the fourth wall. If that nigga believe you would have
• 54:36
  Speaker 2: stalked him. Mind, he wouldn't even be talking like this
• 54:39
  Speaker 2: right here. He wouldn't be talking like this, You hypocritical.
• 54:43
  Speaker 2: This is that he'll be trying to have a pleasant conversation.
• 54:46
  Speaker 2: That boy got Bravado on his breath.
• 54:48
  Speaker 1: Man.
• 54:49
  Speaker 2: The boy got Bravado on his breath. Man, You supposed
• 54:52
  Speaker 2: to beat it. Man, it's unfortunate. That why I'm trying
• 54:55
  Speaker 2: to tell me in about something.
• 54:56
  Speaker 1: Bro.
• 54:58
  Speaker 2: He lost all faith in Corey. And the problem is,
• 55:01
  Speaker 2: you can't draw a line like that and not move.
• 55:03
  Speaker 2: For example, if me and some niggas are arguing and
• 55:05
  Speaker 2: I say, man, the next nigga, this motherfucker say anything,
• 55:09
  Speaker 2: I'm putting him to bed, and a nigga say something
• 55:12
  Speaker 2: and you don't find him.
• 55:14
  Speaker 3: You just lost all your superpowers.
• 55:17
  Speaker 2: For everybody that believed it before that you lost all
• 55:19
  Speaker 2: your superpowers. That's why they trick you niggas into the
• 55:22
  Speaker 2: jail sayers, because they use the fact that you gotta
• 55:25
  Speaker 2: go against you. You gotta go, but you ain't gotta
• 55:28
  Speaker 2: go right now. You ain't gotta go on camera, and
• 55:31
  Speaker 2: damn sure, you ain't gotta let him know you going.
• 55:33
  Speaker 3: See this new generation.
• 55:35
  Speaker 2: They hope to let you know they going, so they
• 55:37
  Speaker 2: don't never gotta go a lot of y'all to get scared.
• 55:41
  Speaker 2: If a nigga, let you know he coming, nigga, I'll
• 55:43
  Speaker 2: come knock you off. Man, my fault. It ain't that serious.
• 55:46
  Speaker 2: You ain't never seen him knock nothing off. For all
• 55:51
  Speaker 2: you know, everybody around him killers in here a hole.
• 55:54
  Speaker 2: You don't never see him by itself. He don't got
• 55:56
  Speaker 2: no faith in his hands or nothing. But when you
• 55:59
  Speaker 2: draw him what kind of lines as a man, you
• 56:01
  Speaker 2: gotta fucking move on them. It's just like the agreements
• 56:04
  Speaker 2: that we have with NATO and some of the geopolitics
• 56:08
  Speaker 2: that's in place, like the world politics will will be like, Yo,
• 56:11
  Speaker 2: if you touch that land over there, it's a violation
• 56:13
  Speaker 2: to America and we coming. We ain't got to say
• 56:16
  Speaker 2: it no more. Matter of fact, we really don't got
• 56:18
  Speaker 2: to say it. If you see us doing business with them,
• 56:21
  Speaker 2: that mean as alliance. That means don't fuck with this
• 56:23
  Speaker 2: land over here. See, power is felt. That's why the
• 56:27
  Speaker 2: more you talk, the less it's powerful. Powers felt, not
• 56:31
  Speaker 2: heard is felt. You just cannot draw a line like
• 56:36
  Speaker 2: this and fall back on it.
• 56:38
  Speaker 3: Pay attention when it.
• 56:40
  Speaker 4: Comes to specifically you moving by a code. I don't
• 56:43
  Speaker 4: understand what you're saying because you think that you can
• 56:45
  Speaker 4: say what you want to say when you want to
• 56:46
  Speaker 4: say it, and that people are supposed to respect your
• 56:49
  Speaker 4: respect the way that you move. But I don't think
• 56:52
  Speaker 4: that you moved the way that you're supposed to anyway.
• 56:54
  Speaker 4: I want this thing to be studied because here's the truth.
• 56:57
  Speaker 4: Brother Anton is talking about everybody else but himself and
• 57:01
  Speaker 4: white men.
• 57:02
  Speaker 1: This is a fact I like. I like this chat.
• 57:04
  Speaker 1: Let me tell y'all like everything but hisself white men. Listen.
• 57:08
  Speaker 4: I told y'all want to come back and have a
• 57:10
  Speaker 4: full conversation about it, or we can talk about it
• 57:11
  Speaker 4: right now.
• 57:11
  Speaker 1: Ain't got nothing better to do. Study this episode on
• 57:18
  Speaker 1: nobody on black people. You shop it on mother? I
• 57:22
  Speaker 1: should I feel like I should it on you to
• 57:24
  Speaker 1: your to your face.
• 57:27
  Speaker 2: Now, he left you no choice. He left you no choice, Corey.
• 57:33
  Speaker 2: Right now, he left you no motherfucking choice. I feel
• 57:36
  Speaker 2: like I'm shitting on you. He left you no choice
• 57:39
  Speaker 2: of God, and you gotta gone cook him. He left
• 57:43
  Speaker 2: you no choice. You gotta beat the glasses off of him.
• 57:45
  Speaker 2: He left you no choice. You understand now, you got
• 57:50
  Speaker 2: to grab him. Yeah, Nah, he left you no.
• 57:52
  Speaker 1: Choice because I feel like you're talking it again. I'm
• 57:56
  Speaker 1: not talking. I'm telling you. I'm telling you. You shop it
• 57:58
  Speaker 1: on me to my face. But that's it. Need to
• 58:00
  Speaker 1: dang we Please stop the trust me, the tough talk.
• 58:03
  Speaker 1: I got security, You got security, You got security. That's
• 58:05
  Speaker 1: my people. Cool. Then you gotta hire a motherfucker to
• 58:08
  Speaker 1: be with you. Absolutely, I'm always gonna to hire somebody.
• 58:10
  Speaker 1: You better. How you be talking? He stop talking tough.
• 58:13
  Speaker 1: Stop talking to you. You just said that. I'm not
• 58:14
  Speaker 1: talking tough. I'm talking to you straight up. Why why
• 58:17
  Speaker 1: are you so? You said you disrespected me in my face,
• 58:19
  Speaker 1: and then you actual disrespected you to your face, So
• 58:23
  Speaker 1: I'm confining what you said.
• 58:24
  Speaker 2: You felt disrespected, so see, thank you playing man games
• 58:27
  Speaker 2: with him? So then you're gonna take that what I
• 58:31
  Speaker 2: know to be blatant disrespect.
• 58:32
  Speaker 1: When you say, nigga, I shitted on you and flip it.
• 58:36
  Speaker 2: Oh no, I was just saying it because you said
• 58:38
  Speaker 2: you did respect for y'all. A nigga playing the count,
• 58:41
  Speaker 2: So he really thinks he's smarter than Core. I'm telling y'all, man,
• 58:45
  Speaker 2: he done gained all this super powers on Core rem
• 58:48
  Speaker 2: buffed up on him. Ain't he telling them you ain't
• 58:50
  Speaker 2: gonna do stop the tough day, man, stop the when
• 58:53
  Speaker 2: the nigge you gotta hit this dude, When a nigga
• 58:55
  Speaker 2: doing that to man, come on man, stop, you gotta gone, yeah,
• 58:59
  Speaker 2: you gotta gone, yeah, come on man, he gotta come
• 59:03
  Speaker 2: on man. But again they both went out said because Anti,
• 59:08
  Speaker 2: they ain't supposed to let him get that close. Back
• 59:10
  Speaker 2: up off for me, my boy, and out of the
• 59:12
  Speaker 2: South Anton Bell a couple of times. But as it
• 59:14
  Speaker 2: pertains to as we get into the deeper depths of it,
• 59:19
  Speaker 2: the way he's treating Core recalls for some kind of action.
• 59:21
  Speaker 2: If you play that kind of game, I think is irresponsible,
• 59:25
  Speaker 2: you're gonna go viral. Then you're gonna lose sponsorships, and
• 59:28
  Speaker 2: you're gonna be looked at like a nigga that can't
• 59:30
  Speaker 2: control itself.
• 59:31
  Speaker 3: Like it's just it's no good. It's no good, no boy.
• 59:34
  Speaker 1: No, I am telling you that I disrespected you. If
• 59:37
  Speaker 1: that's the way you felt, is that not what you said?
• 59:40
  Speaker 1: You said that out of your mouth, and so I
• 59:42
  Speaker 1: apologize when you said that you felt this was no no.
• 59:44
  Speaker 1: The reason you said you disrespected me, and because you
• 59:47
  Speaker 1: don't accept the apology, because you still talking about everybody else,
• 59:49
  Speaker 1: accept yourself, invite me. I'm telling you what I said.
• 59:52
  Speaker 1: You felt offended by it, so I apologize. All I'm
• 59:55
  Speaker 1: doing is rehashing the conversation that happened. Why you so
• 59:58
  Speaker 1: easily offended? We still talking about me? It sounds like
• 1:00:01
  Speaker 1: I'm arguing because I'm right. I'll be around bitches and
• 1:00:04
  Speaker 1: they tell me about myself.
• 1:00:05
  Speaker 2: All the time up until this point right here. Again,
• 1:00:08
  Speaker 2: this is why I'm saying. This is content. This is
• 1:00:10
  Speaker 2: high level jiu jitsu, mind tricks, mind games being played.
• 1:00:13
  Speaker 2: If you're asking me, this is Corey giving his fan
• 1:00:16
  Speaker 2: based material. He understands like, all right, you done cross
• 1:00:20
  Speaker 2: the line twice. You think you can play with me,
• 1:00:22
  Speaker 2: I'm finnah gone and cross the line in the show.
• 1:00:25
  Speaker 2: It's probably better this.
• 1:00:26
  Speaker 1: Way because because I just proved my point. Be down, Yo,
• 1:00:29
  Speaker 1: you grew the point democratic Hommy just gone. Man's gone.
• 1:00:32
  Speaker 1: Man you gone. You didn't did this? Get your bitch
• 1:00:37
  Speaker 1: ass to fuck on and walk over there with your
• 1:00:39
  Speaker 1: bodyguard and your bitch. Nigga, walk over there with your
• 1:00:41
  Speaker 1: bodyguard and your bitch. I got ship to do. Don't
• 1:00:45
  Speaker 1: bring bitches up here, dog that you ain't finished stand
• 1:00:47
  Speaker 1: on Remember I told you that if you got a bitch,
• 1:00:49
  Speaker 1: what you explain the bitch don't answer to be on
• 1:00:52
  Speaker 1: my show? Nigga? Can she be on the show? I
• 1:00:55
  Speaker 1: don't know that bitch. Nigga. Now get your whole ass
• 1:00:58
  Speaker 1: to fuck on and pay for your pussy like he
• 1:01:00
  Speaker 1: got to. Can't cass nigga and go get you a
• 1:01:02
  Speaker 1: bodygud cause a nigga benna, slap the shit out of your
• 1:01:04
  Speaker 1: bitch heads. I got shit to do. I ain't gonna
• 1:01:06
  Speaker 1: follow that nigga out of the dope. I am who
• 1:01:09
  Speaker 1: I say I am. I stand on it.
• 1:01:11
  Speaker 2: So again, if you're asking me at that particular time,
• 1:01:14
  Speaker 2: as we ended this conversation with Anton Dames and Corey Holcomb,
• 1:01:18
  Speaker 2: Corey realized that Yo, I gotta redeem myself, give my
• 1:01:22
  Speaker 2: fan base something to work with. In the event this
• 1:01:24
  Speaker 2: interview went the duration and these gentlemen sat down for
• 1:01:27
  Speaker 2: two hours and had a conversation. After that interaction, it
• 1:01:30
  Speaker 2: would have looked even worse if it didn't end this way.
• 1:01:35
  Speaker 2: Corey Holcomb didn't give his people a lot of