Latest / Stuff You Should Know / PT Barnum: More Complicated Than You've Heard
Transcript
- 0:01Speaker 1: Welcome to Stuff you should know from how Stuff Works
- 0:04Speaker 1: dot com. Hey, and welcome to the podcast. I'm Josh Clark.
- 0:13Speaker 1: There's Charles W. Chuck Bright. There's Jerry Hello. Hello, Hello, Hello.
- 0:22Speaker 1: Jerry's got a top hat on. I know, I don't
- 0:25Speaker 1: know why. I don't know. She's trying to be all
- 0:28Speaker 1: Mr Monopoly or P. T. Barnum. Oh yeah, I forgot
- 0:34Speaker 1: he wore a top hat allegedly. Oh no, he did.
- 0:38Speaker 1: I saw a picture of it. Yeah, Hugh Grant certainly did.
- 0:42Speaker 1: Hugh Grant, Hugh Jackman, Hugh Laurie. I think it's no,
- 0:47Speaker 1: it's Clive Owen. You're thinking, yeah, Hugh Jackman, Man, where's
- 0:51Speaker 1: that top hat? Like a champ? He does? Um, I
- 0:54Speaker 1: don't know how much you went on the internet for
- 0:57Speaker 1: this one, because this is a pretty comprehensive article actually was,
- 1:02Speaker 1: but um, The Greatest Showman really set the Internet on
- 1:05Speaker 1: fire Man and a lot of like it really brought
- 1:09Speaker 1: out a lot of people saying like, whoa, whoa whoa
- 1:11Speaker 1: whoa whoa whoa whoa whoa. Yeah, this is the the
- 1:18Speaker 1: very definition of the word fantasy. Yeah, it seemed like
- 1:22Speaker 1: that movie was can be best described as a musical
- 1:26Speaker 1: whitewashing mm hmm in every sense of that word. So
- 1:33Speaker 1: let's destroy it. Yeah, I mean after reading this, I
- 1:36Speaker 1: didn't think, like man P. T. Barnum, what a complete
- 1:40Speaker 1: a whole. No, he was just a lot more complicated
- 1:44Speaker 1: than that and did a lot of stuff that you
- 1:47Speaker 1: just shouldn't just pass over because you can't figure out
- 1:50Speaker 1: lyrics too. What what why? What raps with racism? Uh? Yeah,
- 1:57Speaker 1: I mean he was. He was definitely an enigma and um,
- 2:01Speaker 1: it seems like he did some good. But also, I
- 2:05Speaker 1: mean he was a hustler man for sure. So this
- 2:09Speaker 1: is what I didn't fully understand until researching this chuck.
- 2:12Speaker 1: He he was He's known as the greatest showman, right,
- 2:17Speaker 1: but there were plenty of other showmen out there at
- 2:19Speaker 1: the time, which makes sense because you have to have
- 2:23Speaker 1: something to compare, to be compared to, to be the greatest, right.
- 2:27Speaker 1: But I I guess I had just assumed he was
- 2:29Speaker 1: like the first or the originator. No, he was not
- 2:32Speaker 1: the first showman. He was a great showman. What he
- 2:35Speaker 1: really left his mark on was introducing America to pure,
- 2:41Speaker 1: unadulterated hucksterism and using it for marketing. Humbug that's what
- 2:47Speaker 1: he called it, and he had he had a lot
- 2:49Speaker 1: of quotes somewhere somewhere, definitely something he said like every
- 2:53Speaker 1: crowd has a silver lining, which means you can shake
- 2:57Speaker 1: it out of him and get some money from a
- 2:58Speaker 1: bunch of people. Right, Yeah, the one about a sucker
- 3:02Speaker 1: board every minute. That's never been successfully attributed to him. Well, yeah,
- 3:07Speaker 1: And one thing is for sure, and uh is that
- 3:11Speaker 1: his autobiography is I think if you order it, it
- 3:14Speaker 1: comes with a salt lick, so you can just lick
- 3:18Speaker 1: on that salt while you're reading it. Right. I don't
- 3:21Speaker 1: know what that means, but it seems like something that
- 3:23Speaker 1: they would do. Yeah, I mean he he uh. I
- 3:27Speaker 1: think when the man is writing about himself, it's like,
- 3:30Speaker 1: you know what, you may just want to believe a
- 3:33Speaker 1: third of this. I would take it with a grain
- 3:35Speaker 1: of salt, but so much so that you need an
- 3:37Speaker 1: actual salt lick. I got it, now, I got it. So,
- 3:42Speaker 1: So there is one quote that I think kind of
- 3:44Speaker 1: describes this guy best, or at least his philosophy, and
- 3:47Speaker 1: it also kind of reveals like you can't call him harmless,
- 3:52Speaker 1: but also the intentions were not entirely evil, right, he
- 3:57Speaker 1: had a quote it said that, um, people don't mind
- 4:01Speaker 1: being deceived so long as they're being amused at the
- 4:05Speaker 1: same time, which it does, and it largely lets him
- 4:09Speaker 1: off the hook as far as being a huckster. Right.
- 4:11Speaker 1: But the thing that that The Greatest Showman really glossed over,
- 4:16Speaker 1: just outright ignored, was that a lot of the the
- 4:20Speaker 1: amusements that he was presenting to the public were extraordinarily
- 4:25Speaker 1: degrading two people at the time, Um, they were super racists.
- 4:30Speaker 1: There were, um, just a lot of There was just
- 4:34Speaker 1: a lot of exploitation. He made his money not just
- 4:36Speaker 1: by hustling Americans, but by exploiting other Americans too, right. Um.
- 4:41Speaker 1: And again, like this, a lot of this is contextual.
- 4:45Speaker 1: It's not necessarily fair for later generations to judge previous generations,
- 4:49Speaker 1: although it's really fun to do. Um. But yes, you
- 4:53Speaker 1: could say, like this guy was exploitative even even in
- 4:57Speaker 1: compared even compared to like his contemporary right. Perhaps so
- 5:01Speaker 1: he is just this very complex character who I think
- 5:04Speaker 1: you and I can agree was not an evil person.
- 5:08Speaker 1: He just did some horrible things here there. Should we
- 5:11Speaker 1: go back in time? Yes, let's all right, let's go
- 5:14Speaker 1: back to the beginning, let's hop in the way back machine,
- 5:16Speaker 1: which is appropriately steampunky right now. It takes many forms.
- 5:21Speaker 1: I don't know if people realize that it has a
- 5:23Speaker 1: clock without the glass and you can see the parts inside,
- 5:28Speaker 1: but it doesn't actually function. It's strictly for decoration. So
- 5:38Speaker 1: let's go back to eight ten, back to Bethel, Connecticut,
- 5:42Speaker 1: where this man was born, Mr Phineas Taylor Barnum. Um.
- 5:46Speaker 1: He had sort of a mixed family life. He I mean,
- 5:48Speaker 1: he was they point out in this article. He was
- 5:50Speaker 1: firmly American. His great great great grandfather came over from
- 5:54Speaker 1: England as an indentured servant in the seventeenth century. Eventually
- 6:00Speaker 1: became a landowner, but they didn't It's not like they
- 6:04Speaker 1: had a ton of money. His dad, Filo great name, yeah,
- 6:07Speaker 1: all these are great names. Was he was not super successful. Um.
- 6:11Speaker 1: So it was kind of up to young pt to
- 6:15Speaker 1: Um to make his own way in life. Right as
- 6:17Speaker 1: his father was a farmer, which introduced um Phineas to
- 6:22Speaker 1: the idea that he really hated like manual, mindless work. Now,
- 6:26Speaker 1: he didn't like doing that farm work, but it's that's
- 6:29Speaker 1: not to say he didn't like work. He just liked
- 6:32Speaker 1: very specific kinds of work where his energies were appropriately
- 6:35Speaker 1: chanted building people out of money. Sure, yeah, I mean
- 6:38Speaker 1: that was that was kind of it. He liked. Um.
- 6:41Speaker 1: He was the definition of the word enterprising, right, she
- 6:43Speaker 1: could figure out a way. He could look at something
- 6:46Speaker 1: literally look at something that you couldn't you could almost
- 6:49Speaker 1: not give away, you certainly couldn't sell, and turn it
- 6:52Speaker 1: into pure profits like like he got into lauteries for
- 6:56Speaker 1: a little while once, right, Yeah, I mean he went
- 6:58Speaker 1: he went to work. He left the farm into work
- 7:00Speaker 1: at a country store and realized quickly, like, just because
- 7:03Speaker 1: you're in the country doesn't mean there aren't like swindlers
- 7:06Speaker 1: and cheaters out here. So he kind of learned some
- 7:09Speaker 1: of the tricks of the trade there. His old man
- 7:11Speaker 1: died when he was fifteen, uh, and he was kind
- 7:14Speaker 1: of his his mom had his mom had to get
- 7:16Speaker 1: a job. But he was basically like, all right, it's
- 7:19Speaker 1: kind of up to me now to provide for my family.
- 7:21Speaker 1: So he moved got that another job as a store clerk,
- 7:25Speaker 1: and as you said, got into lotteries. Yeah, And he
- 7:28Speaker 1: was early on pursuing a career at clerkship, which I
- 7:32Speaker 1: guess is a thing. But but yeah, so there's this.
- 7:36Speaker 1: He saw easy money and lottery, so he set up
- 7:38Speaker 1: one himself. Apparently when he was working for these owners
- 7:41Speaker 1: of the store, um, they were away at one point
- 7:45Speaker 1: and he got his eyes on some um tin kitchenware
- 7:49Speaker 1: that just would not sell. So he took some other
- 7:53Speaker 1: stuff that wouldn't sell at that store. These things weren't his,
- 7:55Speaker 1: by the way, and he traded him for a bottle
- 7:58Speaker 1: collection of I guess was the thing that people wanted
- 8:01Speaker 1: at the time. And he put those things up as prizes, right,
- 8:06Speaker 1: and he started a lottery and these were the prizes,
- 8:08Speaker 1: and there were cash prizes. But he ended up selling
- 8:11Speaker 1: like a thousand tickets or something like that in this
- 8:14Speaker 1: little town store, um based on these prizes and some
- 8:18Speaker 1: cash prizes, saying like half of all tickets were going
- 8:21Speaker 1: to be winners and you might win a bottle or
- 8:24Speaker 1: you might win like a tin muffin pan, but you
- 8:26Speaker 1: could also win this cash. And so these things that
- 8:29Speaker 1: had just been sitting on these shelves forever were suddenly
- 8:31Speaker 1: turned into something valuable thanks to his marketing expertise. And
- 8:35Speaker 1: this is while he's still a teenager. Yeah, it's we've
- 8:38Speaker 1: covered this and something before that. Lotteries were a thing
- 8:41Speaker 1: back then that someone could just cook up, you know,
- 8:45Speaker 1: Like it's not like the lotteries we have today, like
- 8:47Speaker 1: be sanctioned, uh, sanctioned ways of stealing people's money, right,
- 8:52Speaker 1: But back then, you could just cook up a lottery
- 8:54Speaker 1: in a small town and be like, you know what
- 8:55Speaker 1: I've got. Uh. It was almost like a Ponzi thing,
- 8:58Speaker 1: like I can raise money, give away some of that
- 9:01Speaker 1: money and prizes, and then keep the rest, right. I
- 9:04Speaker 1: think that was in our lotteries episode. Oh really yeah, Okay, Well,
- 9:08Speaker 1: in order to do that, though, you have to be
- 9:11Speaker 1: a natural born salesperson, which is what he was. You
- 9:14Speaker 1: really do And like lottery has been played like a
- 9:16Speaker 1: theme throughout his early career, like that's how he ended
- 9:19Speaker 1: up making his initial I don't know if fortune is
- 9:22Speaker 1: the right word, but that's how he staked himself and
- 9:25Speaker 1: his family was through lotteries and working in stores and
- 9:28Speaker 1: then eventually owning stores like general stores, grocery stores, that
- 9:32Speaker 1: kind of thing. But the lotteries are where he made
- 9:34Speaker 1: his money, and he actually figured out that you could
- 9:37Speaker 1: make more money with less work than having to go
- 9:40Speaker 1: to the trouble of setting up a lottery. Like you said,
- 9:43Speaker 1: anybody could just set up a lottery, um by taking
- 9:48Speaker 1: tickets from somebody else's lottery and selling them further out
- 9:52Speaker 1: at an increased price. But then he figured out one
- 9:55Speaker 1: more thing, Chuck, You didn't even have to go out
- 9:57Speaker 1: and sell these things yourself. You could hire other are
- 10:00Speaker 1: people to sell them even further out. All you had
- 10:02Speaker 1: to do was give them the tickets and collect the
- 10:04Speaker 1: money that they brought you. So he ended up making
- 10:06Speaker 1: money by basically expanding other people's lotteries for a while,
- 10:12Speaker 1: that's right. And in the middle of this, and he
- 10:14Speaker 1: had moved to Brooklyn at this point, he's kind of
- 10:16Speaker 1: kind of hopping all over the place there in the northeast.
- 10:19Speaker 1: But uh and and to be fair, we're hopping kind
- 10:22Speaker 1: of all over his early life right now. Yeah, chronologically. Yeah. Yeah.
- 10:27Speaker 1: So in this time period he met um who would
- 10:30Speaker 1: become his wife, a woman named Charity Hallett, who he
- 10:33Speaker 1: described in his autobiography as a fair, rosy cheeked buxom girl,
- 10:39Speaker 1: beautiful white teeth. Did I mention she had big boobs,
- 10:44Speaker 1: but those teeth, man. Uh. So they would get married
- 10:49Speaker 1: and I think they had four daughters, Um. But during
- 10:53Speaker 1: all this time he he did he had a little
- 10:55Speaker 1: Josh Clark in him, because how do you mean, Well,
- 10:59Speaker 1: he was writing letters to local papers that weren't getting published,
- 11:04Speaker 1: so he said, you know what, I'm gonna start my
- 11:05Speaker 1: own paper. Yeah, where he clarked himself a paper I'll
- 11:09Speaker 1: see you all in hell media. Yeah, and much like yourself,
- 11:13Speaker 1: you started your own paper, which was kind of cool. Sure,
- 11:16Speaker 1: I mean like, if people won't print your crank ideas,
- 11:19Speaker 1: go start your own paper. It's like if you want
- 11:22Speaker 1: to get your manifesto out there and either either yeah,
- 11:25Speaker 1: either become un obomb or esque, which we don't recommend,
- 11:28Speaker 1: or start your own paper. That's right. And his was
- 11:30Speaker 1: called Harold of Freedom, which is terrible. And this is
- 11:34Speaker 1: where it gets a little weird because he he kind
- 11:36Speaker 1: of went after people. Um was eventually hit with a
- 11:40Speaker 1: libel suit and spent sixty days in jail. But that
- 11:44Speaker 1: sold a lot of papers, and he was also hailed
- 11:46Speaker 1: as a hero because apparently he was legitimately exposing corruption.
- 11:51Speaker 1: So to me, Chuck, that one really stood out, um,
- 11:54Speaker 1: because it shows just how huge this guy's life still
- 12:00Speaker 1: where he is. That that even if you make a
- 12:02Speaker 1: movie out of it all. The best you can hope
- 12:05Speaker 1: for is to pick like five or six or ten
- 12:07Speaker 1: different things and try to find a thread throughout him. Right,
- 12:10Speaker 1: whether that's an accurate portrayal or not, it can't possibly be,
- 12:14Speaker 1: because this guy's life was just so enormous and he
- 12:17Speaker 1: did so many things, and he was such an outsize
- 12:20Speaker 1: character that a lot of times you either vilify him
- 12:24Speaker 1: or glorify him, and it was much more a combination
- 12:28Speaker 1: of both of those things. And I think that example
- 12:30Speaker 1: really says it all. Like he had his his notions,
- 12:33Speaker 1: and he started his own paper and ended up going
- 12:35Speaker 1: to jail and subscription boosted, so he ended up making
- 12:38Speaker 1: money from it. But at the same time, he was
- 12:40Speaker 1: legitimately trying to call out corruption in this town that
- 12:43Speaker 1: he cared about. So his character was much more complex
- 12:48Speaker 1: than than you get just from just about any source
- 12:52Speaker 1: unless you read biographies about him. Agreed. Um, So finally
- 12:57Speaker 1: he says, or I'm sorry, Connecticut said no more lotteries
- 13:01Speaker 1: in Connecticut. So he's like, all right, what am I
- 13:04Speaker 1: doing here? Even if I can't do this little scam?
- 13:07Speaker 1: He's like, I love this time, but not that much.
- 13:10Speaker 1: So in eighteen thirty four, he left the paper, shut
- 13:12Speaker 1: that down, moved his family to New York City, and uh,
- 13:16Speaker 1: should we take a break? Perfect ail, Right, we're in
- 13:19Speaker 1: New York City and we'll be back right after this.
- 13:21Speaker 1: If you want to know then you're in luck. Just
- 13:25Speaker 1: listen up to chuck shoo. Shoot, I got a falafel?
- 13:49Speaker 1: Is it good? It's pretty good? Is it from the
- 13:51Speaker 1: Hallau guys? Of course? Man? Who else you going to
- 13:54Speaker 1: get a falafel from? That's good stuff? Yeah? Uh so, man,
- 13:59Speaker 1: this guy really just reading through this thing. He did
- 14:02Speaker 1: so many jobs, right, he was a factotem dozens and
- 14:08Speaker 1: dozens of jobs through his lifetime. Yeah, and I'm glad
- 14:11Speaker 1: he didn't just stick to clerking, right, or even lottery.
- 14:16Speaker 1: He had this thing like something about show business attracted
- 14:21Speaker 1: this guy. I don't know what it was. Maybe nobody
- 14:24Speaker 1: but him knows what it was. Maybe he doesn't even
- 14:27Speaker 1: know what it was. But he was attracted to the
- 14:29Speaker 1: idea of like wowing and amusing and amazing crowds. And
- 14:36Speaker 1: he he did that pretty early on. I think he
- 14:39Speaker 1: was twenty five when he got into exhibiting a human
- 14:45Speaker 1: being who he purchased and owned for a while, which
- 14:48Speaker 1: by the way does not show up in the Greatest Showman. Right,
- 14:51Speaker 1: And this is after in New York he started a
- 14:54Speaker 1: boarding house for a while and co owned a grocery
- 14:57Speaker 1: store for a while, right, And so like his life
- 15:01Speaker 1: is full of him just trying to do these kind
- 15:03Speaker 1: of regular things and then being like, Nope, I gotta
- 15:06Speaker 1: go buy a lady and put her on display. Right,
- 15:09Speaker 1: And this is after Chuck. By the way, he had
- 15:11Speaker 1: come down with smallpox for a while. Oh did we
- 15:15Speaker 1: miss a small box. Yeah, that's what I'm saying. Like,
- 15:18Speaker 1: this guy had a huge life. But let's get a
- 15:21Speaker 1: Joyce Heath right, because she is a very controversial part
- 15:25Speaker 1: of um P. T. Barnum's life. She was the first,
- 15:29Speaker 1: his first foray in the show business. And there's no
- 15:32Speaker 1: other way to put it. Like he purchased her. She
- 15:34Speaker 1: was a slave and elderly slave, um who he purchased
- 15:39Speaker 1: from another promoter who had been touting her as General
- 15:42Speaker 1: George Washington's nursemaid from when George Washington was a child.
- 15:48Speaker 1: This is eighteen thirty five, right, she was supposedly a
- 15:53Speaker 1: hundred and sixty one years old. Yeah, so he negotiates
- 15:57Speaker 1: a price. He went, he went and sour, and she
- 16:00Speaker 1: was blind, she had no teeth, she was partially paralyzed,
- 16:05Speaker 1: but she could talk and tell her story. Yeah, she
- 16:07Speaker 1: told stories about young George as a boy. And and
- 16:12Speaker 1: to be fair, she she was already being exploited. It's
- 16:15Speaker 1: not like he which is not great, but it's not
- 16:18Speaker 1: like Barnum introduced this into her life. No, he just
- 16:22Speaker 1: purchased her and took it over, took over the exploitation
- 16:26Speaker 1: for for a thousand dollars, and he toured with her
- 16:31Speaker 1: until she died. Um not that long later, just like
- 16:34Speaker 1: a year later, not even inty six. He made a
- 16:37Speaker 1: lot of dough Um and it was it was sort
- 16:41Speaker 1: of a watershed moment for him where I think he
- 16:43Speaker 1: was like, wait a minute, I've realized that I can
- 16:46Speaker 1: get people um in a room by cooking up these
- 16:51Speaker 1: stories and and getting things in the newspaper and printing
- 16:55Speaker 1: these posters. Uh. And even if, like if if business
- 17:00Speaker 1: was down, he would do these crazy things like one
- 17:03Speaker 1: of them when business was down, appearing with Heth. At
- 17:07Speaker 1: one point he accused her of being a robot what
- 17:10Speaker 1: they called at the time an automaton in an anonymous
- 17:14Speaker 1: letter to the editor in a newspaper. Yeah, a robot
- 17:17Speaker 1: made of whalebone rubber in springs. So everyone was like, whoa, whoa, whoa.
- 17:21Speaker 1: Not only is she George Washington's nurse maid, but she's
- 17:25Speaker 1: really a robot. Right. What that did was it got
- 17:29Speaker 1: the people who had been avoiding going to see her,
- 17:32Speaker 1: because even at the time, people were like, this is
- 17:36Speaker 1: pure exploitation. This woman is being exhibited like a giraffe
- 17:40Speaker 1: would be or something like that. She's an old lady's
- 17:43Speaker 1: working or ten to twelve hours a day. Some people
- 17:46Speaker 1: think that he worked her to death literally, um. And
- 17:49Speaker 1: so there was part of the press that was saying
- 17:53Speaker 1: and reporting on this with with great distaste. So there's
- 17:55Speaker 1: a segment of American society who would not be caught
- 17:58Speaker 1: dead seeing George Washington's a hundred and sixty year old
- 18:02Speaker 1: nurse maide, but they would conceivably go see an autonomouton
- 18:07Speaker 1: if that's really what was going on. So he managed
- 18:10Speaker 1: to dupe the very people who were critical of this
- 18:15Speaker 1: exploitation that he was undertaking. He got everybody in that one. Well, yeah,
- 18:20Speaker 1: and it gets even worse. Um. Finally, when she passed away,
- 18:23Speaker 1: he actually sold tickets to a public autopsy in a
- 18:27Speaker 1: saloon so people could come look at this poor woman's insides.
- 18:32Speaker 1: And this is where it was finally revealed. Doctor said
- 18:36Speaker 1: she's maybe like eight eight one years old at most, right,
- 18:39Speaker 1: And this was so so Jane um McGrath kind of
- 18:43Speaker 1: walks past, like what a controversy this was. Like this
- 18:47Speaker 1: guy had been like very much touting that she was
- 18:51Speaker 1: the nurse Maide, like he supposedly had the bill of
- 18:54Speaker 1: sale to George Washington's father for her. So like he
- 18:58Speaker 1: was saying, like, this is legitimately hundred and six year
- 19:00Speaker 1: old woman, so in this autopsy that he charged for.
- 19:03Speaker 1: When when it was exposed that she was actually half
- 19:06Speaker 1: that age, um, it was there was a bit of
- 19:10Speaker 1: disgrace there and he had to learn to roll with
- 19:12Speaker 1: the punches. And it was about this time that that
- 19:15Speaker 1: he basically said to himself, you can you can take
- 19:20Speaker 1: this as a lesson and go on the straight and narrow,
- 19:23Speaker 1: maybe get back into clerking, or you can double maybe
- 19:28Speaker 1: triple and quadruple down on this and and see where
- 19:32Speaker 1: that goes. And he chose the ladder of the two
- 19:34Speaker 1: for sure, that's right. He sure did. The next thing
- 19:38Speaker 1: that he did the next person that he kind of
- 19:40Speaker 1: took under his wing. Was his greasy greasy wing? Was
- 19:45Speaker 1: someone called signore senior? Is that senior? Yeah? Was it
- 19:52Speaker 1: spelled that way? Uh? That is the Italian spelling of senor.
- 19:56Speaker 1: Oh well, let me turn it on then, s an
- 20:00Speaker 1: Daniel Antonio. Antonio had an extra bit in there. Senor
- 20:07Speaker 1: Antonio is another way to say, well, sure, if you're
- 20:12Speaker 1: a dullard, I'm a bit of a dullard. Chuck. I
- 20:14Speaker 1: think you know that after ten years, So this guy,
- 20:18Speaker 1: we're really milking that tenure thing. Huh. I've got my
- 20:22Speaker 1: s y s k ten your army short. I see that.
- 20:24Speaker 1: It's very nice, thank you. I've been working on my bucksomeness.
- 20:29Speaker 1: You're quite bucksom. So. Senor Antonio was a balancer. He's
- 20:34Speaker 1: he's one of these guys like a plate spinner, walked
- 20:36Speaker 1: on stilts, juggles. Um. He could throw things in the
- 20:40Speaker 1: air and catch them very fast. Yeah, he's like a hippie.
- 20:44Speaker 1: Yeah exactly. He would be on tour with he'd had
- 20:47Speaker 1: those little sticks what are those called, devil sticks? Devil
- 20:50Speaker 1: sticks or a hackey sack, any of those things. You
- 20:53Speaker 1: pull a hackey stack out of his ear at any moment.
- 20:56Speaker 1: So this guy, he said, all right, you need to
- 20:57Speaker 1: be my newest client. I will make you famous. Change
- 21:01Speaker 1: your your stage name from Senior Antonio to Senor Viva
- 21:06Speaker 1: La because that's a little more I don't know, exciting.
- 21:11Speaker 1: I guess Senor Antonio. Yeah, it's a lateral move. Uh.
- 21:16Speaker 1: Here's the thing, though, is there were a lot of
- 21:19Speaker 1: dudes out there spinning plates. So he it wasn't like
- 21:21Speaker 1: he was so unique, but uh, Barnum thought, you know what,
- 21:26Speaker 1: I think you're better than the rest. So here's what
- 21:28Speaker 1: I'll do. And again this is just another example of
- 21:31Speaker 1: how how good he was at promotion. He said, I'll
- 21:35Speaker 1: do a free performance for a theater. Uh, and I'll
- 21:38Speaker 1: even be your assistant on stage. And people came, and
- 21:42Speaker 1: so the theater said, all right, I guess if people
- 21:45Speaker 1: come for free, they'll pay. I think I think what
- 21:48Speaker 1: he was saying was he Yeah, I think that's exactly.
- 21:51Speaker 1: I think you're right. He just wild them enough. I
- 21:53Speaker 1: think that's that's the impression I have. Yeah. But even still,
- 21:57Speaker 1: despite Vivala being genuinely good, he was I think head
- 22:01Speaker 1: and shoulders above most of his contemporary spinners. Yeah, I
- 22:06Speaker 1: think people saw in the press. Oh there's a really
- 22:08Speaker 1: good plate spinner. We saw a plate spinner at you know,
- 22:11Speaker 1: the at the office last week. So I'm not gonna
- 22:14Speaker 1: go anywhere to see another plate spinner. I'm certainly not
- 22:16Speaker 1: gonna pay. So Barnum had a pretty good idea, but
- 22:20Speaker 1: it actually came out of um an uncomfortable situation that
- 22:24Speaker 1: fell into his lap with Robert's another plate spinner. Yeah,
- 22:30Speaker 1: so this is a rival plate spinner who apparently would
- 22:33Speaker 1: go to prove West Coast. Yeah, he was. He was
- 22:36Speaker 1: a crip and he would go to uh Vivalo's performances
- 22:41Speaker 1: and heckle him. I guess you call that plate spinning boo,
- 22:45Speaker 1: terrible plate spinning stuff like that. And so uh p T.
- 22:49Speaker 1: Barnum cooked up a thing where he was like, all right,
- 22:51Speaker 1: I'll of for one thousand American dollars to anyone who
- 22:55Speaker 1: can perform Vivalo's act in public. Roberts accepted. But here's
- 23:00Speaker 1: what really happened. As he got together with Roberts and
- 23:03Speaker 1: they all three hatched a plan to do these kind
- 23:07Speaker 1: of staged competitions, right, So they promoted in the spinning
- 23:11Speaker 1: competitions East Coast, West Coast plate spinning rivalry is going
- 23:15Speaker 1: on right now. Everybody's gonna come see this, and everybody did.
- 23:19Speaker 1: And in that first performance, Roberts as was staged, conceded
- 23:24Speaker 1: he could not replicate Vivala's act. It was too good.
- 23:28Speaker 1: But I would love to see Vivola replicate my act.
- 23:32Speaker 1: And I challenge you, Senor Vivola, to replicate my act
- 23:36Speaker 1: tomorrow night at this same theater. And they kept going
- 23:40Speaker 1: back and forth like that, Um, with this staged rivalry
- 23:44Speaker 1: that they they they made some cash off of thanks
- 23:47Speaker 1: to Barnum's ingenuity. They did. Finally, in eighteen thirty six,
- 23:51Speaker 1: the circus comes into the picture. He joined a traveling circus.
- 23:55Speaker 1: Barnum did as a ticket seller, which I take it
- 23:58Speaker 1: to mean he doesn't sit in a booth and sell tickets,
- 24:00Speaker 1: but he goes around town selling tickets. Yeah, like chambers
- 24:03Speaker 1: of commerce or something like that. Yeah. And of course
- 24:06Speaker 1: he got a little uh commission off this thing, so
- 24:09Speaker 1: he was making some dough. Favola joined the same circus
- 24:12Speaker 1: as a performer. Of course they were attached at the
- 24:15Speaker 1: hip at that point. That was Chang and Ang bunker
- 24:18Speaker 1: you're thinking of. That's a dad joke. It totally um,
- 24:26Speaker 1: and this one I thought was a little bit weird.
- 24:29Speaker 1: Apparently the circus proprietor, a guy named Turner, was into
- 24:33Speaker 1: practical jokes, and not very good ones. Because this practical
- 24:38Speaker 1: joke was he convinced the crowd that Barnum was the
- 24:42Speaker 1: reverend from Avery who had been acquitted of murder. But
- 24:46Speaker 1: everyone thought that this guy had committed murder, and back
- 24:48Speaker 1: then no one knew anyone looked like So he said,
- 24:50Speaker 1: this guy is from Avery, and he almost got lynched. Apparently, yeah,
- 24:55Speaker 1: like from Avery's name was not very well liked in
- 24:59Speaker 1: the area. He was at the very least he, through
- 25:03Speaker 1: having an adulterous affair with a young woman, had induced
- 25:06Speaker 1: her to kill herself, or at worst, had murdered her
- 25:10Speaker 1: to prevent her from having his illegitimate child. But he's
- 25:13Speaker 1: gonna quit it, right, Andy's a reverend, did we mentioned Um?
- 25:17Speaker 1: So yeah, the crowd, like, according to Barnum, almost killed him.
- 25:21Speaker 1: That's a real funny joke, I know. But then later on,
- 25:24Speaker 1: Jane says that Um that Barnum got got even with
- 25:28Speaker 1: him with his own practical joke. I could find nothing anywhere,
- 25:32Speaker 1: including in Barnum's autobiography that that mentions that I think
- 25:36Speaker 1: he covered his toilet and seran rep cruads. That's so nasty.
- 25:43Speaker 1: Uh No, No, he gave him an upper decker grows.
- 25:47Speaker 1: That's even worse. So apparently these guys got into business
- 25:51Speaker 1: together and it became a thing where people would go
- 25:55Speaker 1: see the circus, where the two ringmasters would would kind
- 25:58Speaker 1: of go at each other with these practical jokes, right,
- 26:01Speaker 1: that became a thing. So so there's a transition going on,
- 26:05Speaker 1: another transition now he is he started out store clerking,
- 26:10Speaker 1: lottery ng when got into show business where it's like
- 26:13Speaker 1: basically a Colonel Tom two different performers, and then now
- 26:19Speaker 1: he's transitioning into the circus. But by now he's been
- 26:22Speaker 1: like married to the road about as much as he's
- 26:25Speaker 1: been married to Charity as as well. And from all accounts,
- 26:28Speaker 1: um like he was very much in love with her
- 26:31Speaker 1: and they were like he was faithful and they were
- 26:34Speaker 1: they were a real couple. But he was on the
- 26:36Speaker 1: road a lot. There's just no if and or butts
- 26:38Speaker 1: about it. He was out there on the road quite
- 26:40Speaker 1: a bit. So transitioning to a circus was basically the
- 26:44Speaker 1: same thing. It was just a little bigger of an outfit,
- 26:46Speaker 1: so it was like a step up. But you got
- 26:48Speaker 1: to also keep in mind here that he's spending a
- 26:51Speaker 1: lot of time on the road at a time when
- 26:53Speaker 1: travel was really long and really tough. That's right, And
- 26:57Speaker 1: so he eventually decides working for when else's circus is
- 27:00Speaker 1: for the birds, I'm gonna start my own. You buy
- 27:03Speaker 1: some horse and wagons. I'm gonna get a clown. You
- 27:06Speaker 1: gotta have a clown. Uh. I think he still had
- 27:09Speaker 1: Vivala at the time. Yeah, and started Barnum's Grand Scientific
- 27:15Speaker 1: and Musical Theater toward all over the place for a
- 27:18Speaker 1: little while, and then they disbanded. Right, Nothing never seemed
- 27:23Speaker 1: to work out for very long. No, I think that
- 27:26Speaker 1: Um he got fed up and says with some of
- 27:29Speaker 1: the rivalries with other showmen, Um that they, you know,
- 27:34Speaker 1: you would build your whole circus around like an act,
- 27:37Speaker 1: and all of a sudden, the act would be like,
- 27:38Speaker 1: I'm I'm sick of this, I'm sick of being on
- 27:40Speaker 1: the road. I'll see you later, and all of a
- 27:42Speaker 1: sudden your circus would fall apart. I think they were
- 27:44Speaker 1: kind of tenuous outfits, right, but he he The thing
- 27:49Speaker 1: about Barnum was like something about this called to him
- 27:52Speaker 1: like he would when his circus collapsed and he was
- 27:55Speaker 1: out in the middle of the country on the road
- 27:57Speaker 1: and he had to go back home. The first thing
- 28:00Speaker 1: you would do is start figuring out his next circus
- 28:02Speaker 1: or his next act, or whatever it was. He would
- 28:05Speaker 1: go back out again. He he was into fact indefatigable
- 28:10Speaker 1: and into fatiguablele in that sense. Uh. Yeah, so I
- 28:16Speaker 1: mean we'll quickly speed through the next couple of years.
- 28:18Speaker 1: He did a little steamboat circus for a little while
- 28:22Speaker 1: along the Mississippi River. Um, that didn't come along. He
- 28:25Speaker 1: tried to do a respectable business again. Uh, went into
- 28:29Speaker 1: business with a guy who manufactured grease paste and cologne.
- 28:35Speaker 1: That did all right for a little while, but then
- 28:37Speaker 1: that failed. Uh. And then this whole time, he still
- 28:41Speaker 1: feels that pool to the tent. Right. He sold illustrated
- 28:45Speaker 1: bibles for a little while. Finally, here's the thing he
- 28:50Speaker 1: wanted stability, Like being out on the road was tough,
- 28:54Speaker 1: as Steve Perry, right, but he wanted this this to
- 29:01Speaker 1: be tied to show business in some way. Finally, one day,
- 29:05Speaker 1: and I think the eighteen forty one, he um he
- 29:11Speaker 1: had another big break or another big vision. There was
- 29:14Speaker 1: a there was a place in New York museum and
- 29:18Speaker 1: what you would call today a museum that was up
- 29:22Speaker 1: for sale in I'm not sure where it was, but
- 29:25Speaker 1: it was in New York, right, and it was called
- 29:27Speaker 1: Scudder's American Museum. And Barnum heard that um Scudder wanted
- 29:31Speaker 1: to get out and was putting the whole collection up
- 29:35Speaker 1: for fifteen grand, which is a substantial amount of money
- 29:38Speaker 1: and definitely more money than than Barnum had. But he said,
- 29:41Speaker 1: that's it right there. I can have a permanent place
- 29:44Speaker 1: where people come to me, and I can be home
- 29:47Speaker 1: with my wife and daughters, but I can still have
- 29:50Speaker 1: this daily interaction with show business. I gotta buy that
- 29:54Speaker 1: thing well, and it will also accomplish this is um.
- 29:58Speaker 1: I can still have my freak show performers. But because
- 30:03Speaker 1: it's a museum, somehow it has a little bit more
- 30:06Speaker 1: respectability because apparently at the time, theaters weren't like they
- 30:11Speaker 1: are today. It wasn't like we're going to the theater.
- 30:14Speaker 1: Theaters could be a little bit like a a second
- 30:17Speaker 1: tier entertainment, right. It was like hoi POLOI tawdry. Crowds
- 30:22Speaker 1: went to the theater that was associated with like burlesque
- 30:25Speaker 1: or something like that, or even like um human oodities
- 30:29Speaker 1: exhibition stuff like that that was theater stuff. A museum
- 30:32Speaker 1: like Scudder's, like respectable people could go there. So what
- 30:36Speaker 1: Barnum did was he he bought a museum and then
- 30:39Speaker 1: dragged it down into the mud, right And this this
- 30:42Speaker 1: whole the way he financed the museum, I didn't fully understand,
- 30:46Speaker 1: to be honest. Do you want me to explain it
- 30:48Speaker 1: if you want, or we could just say he ended
- 30:51Speaker 1: up with the museum in eighteen forty one through a
- 30:53Speaker 1: lot of work, and I think that's that's fair enough
- 30:57Speaker 1: because it is a little bit like you know, Robin
- 30:59Speaker 1: Peter to pay Paul. It wasn't just a straight up purchase.
- 31:02Speaker 1: Let's just say that, right. But so one thing that
- 31:04Speaker 1: you can say about this museum, which he renamed Barnum's
- 31:07Speaker 1: American Museum, it was a big success. And one of
- 31:11Speaker 1: the reasons it was a big success was because he
- 31:16Speaker 1: was he tirelessly worked at finding new and interesting ways
- 31:20Speaker 1: to market the thing, right um, and by I'm not
- 31:26Speaker 1: sure exactly when, but by a very short time after
- 31:30Speaker 1: he opened it, I think that same year, in one
- 31:33Speaker 1: um he he was charged. He charged twenty five cents
- 31:38Speaker 1: a person for admission. He had something like four thousand
- 31:42Speaker 1: visitors a day. And he took this thing, like I
- 31:46Speaker 1: say that he dragged the word museum down in the mud.
- 31:49Speaker 1: He definitely added and expanded to the definition of museum.
- 31:53Speaker 1: And then he also had this lecture hall where he
- 31:55Speaker 1: had like performances that you would see like in a
- 31:58Speaker 1: circus or something like that. And he turned this place
- 32:01Speaker 1: into an emporium just something huge in a an enormous spectacle.
- 32:06Speaker 1: And something like eight hundred and fifty thousand pieces were
- 32:10Speaker 1: on display in his museum. So you definitely got your
- 32:13Speaker 1: quarters worth for sure. Yeah, and those are just the
- 32:16Speaker 1: pieces he also, I mean as far as the circus element,
- 32:19Speaker 1: he had everything covered. He had dancers, musicians, plate spinners, ventriloquists.
- 32:26Speaker 1: Well you gotta have the plate spin He had little people,
- 32:29Speaker 1: he had big people. He had ladies with beards, and
- 32:32Speaker 1: robots and puppets and animals. He had drafts and grizzly bears.
- 32:37Speaker 1: Like he really had everything humming on all cylinders at
- 32:41Speaker 1: this point. Yeah, he really did um. And again there
- 32:44Speaker 1: was still there was that whole thread of like you know,
- 32:47Speaker 1: there are people being exploited. There were people who were
- 32:51Speaker 1: complicit in that. There were people who were Um. Anyone
- 32:56Speaker 1: who came to the museum was gawking at, you know,
- 33:01Speaker 1: the weirdness of these other people or whatever, which again
- 33:04Speaker 1: today is very odd to us, but at the time
- 33:07Speaker 1: um was still odd. Like that's the thing that I
- 33:10Speaker 1: think it's lost on people. Like there were sideshows and
- 33:13Speaker 1: things like that, but Barnum took it to an extraordinary
- 33:18Speaker 1: degree and really ran with it and became extremely rich
- 33:22Speaker 1: as a result. Actually, should we take a break. I'm
- 33:26Speaker 1: ready to all right, the museum's coming along. We're gonna
- 33:28Speaker 1: take a break. We'll be back right after this. If
- 33:31Speaker 1: you want to know you're in luck, just to chuck, Okay,
- 33:57Speaker 1: we're back. Yeah. So we mentioned earlier about the humbug
- 34:01Speaker 1: Um this kind of hucksterism in his biography there or autobiography,
- 34:06Speaker 1: which was rewritten by himself, by the way, after people
- 34:09Speaker 1: read the first version and said, what a jerk. Yeah. Yeah,
- 34:13Speaker 1: he was like just openly boastful and braggart about how
- 34:17Speaker 1: much he exploited people and how much he duped the
- 34:19Speaker 1: American public. He turned it down a little bit in
- 34:22Speaker 1: this in the revision, but he he did talk a
- 34:26Speaker 1: little bit about being slightly embarrassed about kind of how
- 34:29Speaker 1: shameless he was. But then again in the next line
- 34:32Speaker 1: he would say, but you know what, this is how
- 34:34Speaker 1: everyone is in my business. I'm just better at it
- 34:37Speaker 1: than them. Basically, yeah, he said, Um, he said, oh,
- 34:43Speaker 1: there's a great quote. I can't find it anywhere though
- 34:45Speaker 1: where Basically if he if he oh, here it is um.
- 34:50Speaker 1: If his advertising was quote more audacious than his competitors,
- 34:54Speaker 1: it was not because I had less scrupled than they,
- 34:57Speaker 1: but more energy, far more ingenuity, and better foundation for
- 35:01Speaker 1: such promises. He thought a lot of himself. He definitely did.
- 35:04Speaker 1: But he also worked pretty hard at it, for sure.
- 35:06Speaker 1: And I think if you, if you compared apples to
- 35:09Speaker 1: apples at the time, Barnum's jam was way better than
- 35:13Speaker 1: anybody else's jam. Yeah, for sure. So uh. He had
- 35:18Speaker 1: three really big successes in a row with his with
- 35:22Speaker 1: his museum here. The first one was called the Fiji
- 35:25Speaker 1: Mermaid f E j E and um and this was
- 35:31Speaker 1: a big, big deal. He got a man named Levi
- 35:33Speaker 1: Lyman or Levy Lyman. He was an old colleague of his,
- 35:39Speaker 1: and he said, here's what I'll do. You're gonna you
- 35:41Speaker 1: are now, Dr J. Griffin. You're a naturalist for the
- 35:45Speaker 1: British Lyceum of Natural History, which was not a real place,
- 35:50Speaker 1: and you were the you're an ownership of what we'll
- 35:54Speaker 1: call the Fiji mermaid, which was a uh what do
- 35:59Speaker 1: we call it in a taxidermy? Rogue taxidermy. Yeah, it
- 36:03Speaker 1: was rogue taxidermy. It totally was. It was like a jackalope,
- 36:06Speaker 1: except what was it. It was a head of a
- 36:08Speaker 1: baboon torso and orange and tang and a fish tail
- 36:13Speaker 1: just for good measure. Yeah, And as far back as
- 36:15Speaker 1: they can tell, it was probably made by a Japanese
- 36:19Speaker 1: sailor in the eighteen twenties and it passed through a
- 36:22Speaker 1: few hands before Barnum finally leased it and put it
- 36:25Speaker 1: on display. I wonder where that thing is now. I looked.
- 36:28Speaker 1: I I don't know there are other Fiji mermaids out there.
- 36:32Speaker 1: There was it was like kind of a thread of
- 36:34Speaker 1: rogue taxidermy in the mid nineteenth century, and I think
- 36:37Speaker 1: Harvard has went on display. But I looked to find
- 36:39Speaker 1: out where P. T. Barnum's is, and um, I can't find.
- 36:43Speaker 1: It's probably like on Richard Branson's headboard or something. It
- 36:47Speaker 1: may have actually burned up in one of the many
- 36:49Speaker 1: fires that plagued PiZZ Barnum's life. Things are going to
- 36:52Speaker 1: get fiery here in this last bit too. Yeah well, ay, well,
- 36:56Speaker 1: let's get back to the Fiji mermaid though. Okay, so
- 37:00Speaker 1: Dr J. Griffin is touring, touring with this supposedly touring
- 37:05Speaker 1: with this mermaid, right sure, and Barnum, but the guy's
- 37:09Speaker 1: actually not out there touring. Barnum basically creates out a
- 37:12Speaker 1: whole cloth tour of this mermaid, writes letters about how
- 37:16Speaker 1: great this thing is uh in different people's names, and
- 37:20Speaker 1: then mails them two friends that live around the country
- 37:23Speaker 1: and asks them to mail those letters in to two
- 37:27Speaker 1: newspapers in New York, talking about how this thing has
- 37:30Speaker 1: to be seen to be believed. Yeah, so people came
- 37:33Speaker 1: far and wide to see this piece of taxidermy. Yeah.
- 37:37Speaker 1: And by the way, this whole Jay Griffin thing, like
- 37:41Speaker 1: this guy was posing as him. He was giving public
- 37:44Speaker 1: lectures made up as a naturalist, British naturalist, and he
- 37:49Speaker 1: was an American promoter. He had nothing to do. He
- 37:53Speaker 1: was just making all this stuff up. But he would
- 37:55Speaker 1: give like public lectures on it, like the audacity. It's amazing.
- 38:00Speaker 1: Uh So the second big victory was when he met
- 38:03Speaker 1: up with a four year old named Charles Stratton. Uh
- 38:06Speaker 1: he was a little person, his cousin actually, and he
- 38:10Speaker 1: stopped growing when he was two ft tall and he
- 38:13Speaker 1: changed his name, rebranded him as General Tom Thumb and
- 38:17Speaker 1: that name probably rings a bell. They became very famous together.
- 38:20Speaker 1: He said, he was eleven years old, and they were
- 38:24Speaker 1: a a media and ticket selling sensation. Yeah. They would
- 38:28Speaker 1: be like invited in to meet like royalty whatever country
- 38:32Speaker 1: they toured. Um, he was a huge hit at the museum.
- 38:36Speaker 1: It was like a big deal for both barnol Man
- 38:40Speaker 1: and Charles Stratton. The sensation, that's the best way to
- 38:44Speaker 1: put it. In The final big victory of of the
- 38:46Speaker 1: trifecta when he was in Europe with UM with Stratton,
- 38:50Speaker 1: he heard of Jenny Lynn. He was a Swedish opera
- 38:53Speaker 1: singer and this was the kind of thing where he
- 38:55Speaker 1: was like, you know what, she doesn't have a beard.
- 38:59Speaker 1: She's all she is as a talented singer. But she's
- 39:03Speaker 1: amazing and this would really legitimize me if I did
- 39:07Speaker 1: like a straight up act for a change. So even
- 39:11Speaker 1: though she's big over here, they don't know about her
- 39:13Speaker 1: in America and she could blow up there. So I'm
- 39:15Speaker 1: gonna offer her a thousand dollars per performance, which was
- 39:18Speaker 1: a ton of money and a big risk, but he
- 39:21Speaker 1: made about a half a million dollars with her or more.
- 39:24Speaker 1: We branded the Swedish Nightingale by trotting her around the
- 39:28Speaker 1: United States. And uh, she was like beyond a sensation
- 39:33Speaker 1: in the United States. Yeah, that was another thing too.
- 39:35Speaker 1: I mean, like she was pretty big in Europe, but
- 39:38Speaker 1: I don't think she was well known, if known at all,
- 39:40Speaker 1: in America. But by the time she showed up for
- 39:43Speaker 1: the tour starting in eighteen fifty, he had managed to get,
- 39:47Speaker 1: like you said, just turned her into a national sensation.
- 39:50Speaker 1: Like people had like beat a beatlemania for this lady. Um.
- 39:55Speaker 1: This article says that she was not a very nice person.
- 39:59Speaker 1: I didn't see that anywhere else, and I actually saw that.
- 40:02Speaker 1: So after the contract between her and Barnum was up
- 40:06Speaker 1: in eighteen fifty one, she continued to tour America with
- 40:10Speaker 1: like an actual orchestra, I believe um. And she made
- 40:14Speaker 1: three hundred thousand dollars in eighteen fifties money Um from
- 40:18Speaker 1: this whole American tour and donated every single penny of
- 40:22Speaker 1: it to Sweden's public school system, which burgeoning at the time. Yeah,
- 40:27Speaker 1: so I don't know what Jane was talking about, but
- 40:30Speaker 1: I think she just kind of didn't find America very cultured,
- 40:34Speaker 1: is what I get. But apparently Jane didn't like that
- 40:38Speaker 1: America probably wasn't very cultured, right, But I thought that
- 40:42Speaker 1: was pretty neat man. She took all that money and
- 40:44Speaker 1: donated it to the public school system in Sweden. That's crazy.
- 40:48Speaker 1: But yeah, so, so Barnum was not legitimized thanks to that.
- 40:51Speaker 1: I think it actually didn't go all that well. But
- 40:54Speaker 1: he did enrich himself thoroughly through Jenny Lynn, for sure,
- 40:58Speaker 1: that's right. But he go broke again because he's P. T.
- 41:01Speaker 1: Barnum and that's what he does. On the eighteen fifties,
- 41:05Speaker 1: he bought up a lot of land near Bridgeport, Connecticut,
- 41:08Speaker 1: because he wanted to make east Bridgeport. That happened in place. Uh.
- 41:13Speaker 1: He invested in a in the Jerome Clock Company wanted
- 41:15Speaker 1: to relocate it to east Bridgeport. It was not a
- 41:18Speaker 1: smart thing to do. The company went bankrupt and all
- 41:22Speaker 1: of a sudden he was broke again, and this is
- 41:25Speaker 1: fire number one. He moves out of his mansion because
- 41:28Speaker 1: he's broke, and then when after he had moved out,
- 41:31Speaker 1: the mansion burned down. Right, But if he had to
- 41:34Speaker 1: move out, you would think that he had relinquished ownership.
- 41:37Speaker 1: So why does it matter as far as his life goes,
- 41:42Speaker 1: unless he had a bunch of money stuffed into the
- 41:44Speaker 1: insulation or something. I don't know, making bad thing going on.
- 41:48Speaker 1: It might have just been a footnote or something, or
- 41:50Speaker 1: he maybe maybe he did no I guess if he
- 41:53Speaker 1: had moved out then I didn't known it. It's I
- 41:56Speaker 1: just thought that was a little weird. Yeah, so he Um,
- 42:00Speaker 1: he was in debt like big time, like broke bankrupt,
- 42:03Speaker 1: in debt um because of this terrible clock company thing,
- 42:07Speaker 1: which you should always take as a reason to never
- 42:10Speaker 1: put all of your eggs in one basket, which I
- 42:13Speaker 1: guess is what he did. But he managed to um
- 42:17Speaker 1: emerge from debt after I think five years UM, and
- 42:21Speaker 1: he ended up during this time, he pawned his museum,
- 42:27Speaker 1: but he also put the name of the museum in
- 42:31Speaker 1: his wife's name, who was not bankrupt, and so they
- 42:34Speaker 1: were able to make some income off of the lease
- 42:37Speaker 1: for the museum, and then when he managed to buy
- 42:40Speaker 1: the museum back after five years, he just went like
- 42:44Speaker 1: right back to it, like like like he didn't miss
- 42:46Speaker 1: a beat. Yeah, I mean this this tenure period from
- 42:49Speaker 1: eighteen fifty eighteen sixty he went broke. He did the
- 42:52Speaker 1: smart thing, like he said, with his wife. He started
- 42:54Speaker 1: giving lectures about making money. He went on tour again
- 42:58Speaker 1: with Tom Thumb. He got a dead whale. He bought
- 43:02Speaker 1: a dead whale and said, surely people will pay money
- 43:06Speaker 1: to see this. So he was still doing all this
- 43:08Speaker 1: crazy stuff. Um, he bought a hippopotamus, he bought two
- 43:14Speaker 1: beluga whales. Like, it's just crazy the things that he
- 43:18Speaker 1: was doing. Also, Chuck, we have to say that the
- 43:21Speaker 1: title of the lecture tour the Art of money getting.
- 43:27Speaker 1: It's not even the art of making money, the art
- 43:28Speaker 1: of money getting. Yea. So um so the the he's
- 43:35Speaker 1: his stars starting to rise again at the very least,
- 43:38Speaker 1: his fortunes are reversing from from you know, just doing
- 43:41Speaker 1: any kind of work he can get his hands on.
- 43:43Speaker 1: And then all along this way, like Barnum was a
- 43:47Speaker 1: pretty he was what's known as the jackson Ian Democrat.
- 43:51Speaker 1: Jack Andrew Jackson was a populist president, and um he
- 43:55Speaker 1: was Uh I think, didn't we lay? Uh? He was
- 44:01Speaker 1: the one who was responsible for the Trail of tears. Right,
- 44:04Speaker 1: I'm pretty sure that was Andrew Jackson. It was remember
- 44:08Speaker 1: our two part on Trail of Tears. Okay, so he
- 44:11Speaker 1: was he was um P. T. Barnum was of this
- 44:14Speaker 1: man's party. He was Jackson supporter. And then the Civil
- 44:18Speaker 1: War breaks out and all of a sudden, Um Barnum
- 44:24Speaker 1: has this like total conversion. He was not like an
- 44:28Speaker 1: outright bigoted racist who worked to keep African Americans enslaved,
- 44:36Speaker 1: worked as a Confederate sympathizer anything like that. He was
- 44:40Speaker 1: fairly unremarkable and pretty normal, like for example, at his
- 44:43Speaker 1: at his museum, Um, if you were black, you couldn't
- 44:46Speaker 1: come in. It was a segregated museum. But that was
- 44:49Speaker 1: like a lot of businesses at the time. So he
- 44:51Speaker 1: was a very normal pedestrian person as far as his
- 44:53Speaker 1: politics go, and and and socially as well. But something
- 44:59Speaker 1: happened and around the time of the Civil War and
- 45:01Speaker 1: he converted and actually became an abolitionist, huge union supporter,
- 45:06Speaker 1: and um just basically became patriotic and dedicated this idea
- 45:11Speaker 1: of preserving the Union and abolishing slavery. Yeah, and he
- 45:15Speaker 1: used that museum as a sort of ground zero for
- 45:19Speaker 1: his cause. Uh. He had speeches, he had plays that
- 45:23Speaker 1: sort of endorsed this. He had Southern copper heads that
- 45:27Speaker 1: were protesting outside. They threatened his life. And then he said,
- 45:32Speaker 1: at this point, you know what, I might as well
- 45:33Speaker 1: just get into politics, um, legitimately. And in April of
- 45:37Speaker 1: eighteen sixty five, he actually won an election to the
- 45:40Speaker 1: Connecticut General Assembly, where he worked really hard to ratify
- 45:44Speaker 1: the thirteenth Amendment and supported another cause to allow the
- 45:49Speaker 1: rights of black people to vote in Connecticut. Yeah. So
- 45:53Speaker 1: like he was, he was legitimately dedicated to the cause
- 45:56Speaker 1: of abolition, which is totally bizarre. Right. And about this time, too,
- 46:00Speaker 1: is when the revisions to his autobiography are starting to
- 46:03Speaker 1: get much more contrite, much less boastful, um, and even
- 46:07Speaker 1: more apologetic. Uh so he he like he something happened
- 46:12Speaker 1: and he was converted to um the right side of history.
- 46:15Speaker 1: I guess you could call it, you know. Yeah, So
- 46:17Speaker 1: here's where fire number two comes in. After a few
- 46:20Speaker 1: months after this election, his museum burned down along with
- 46:24Speaker 1: the animals in the exhibit, which is super sad is
- 46:28Speaker 1: the first of like two animal fires. Uh. He opened
- 46:31Speaker 1: a new museum a couple of months after that. Three
- 46:34Speaker 1: years later that museum burned down. Didn't want to rebuild
- 46:38Speaker 1: that one. Uh. And then finally in the eighteen seventies,
- 46:43Speaker 1: like it took a long long time before he became
- 46:46Speaker 1: the P. T. Barnum that most people know as the
- 46:49Speaker 1: big circus guy, right, the greatest show on Earth guy. Yeah,
- 46:54Speaker 1: he um hooked up with Barnum and Bailey after hooking
- 46:57Speaker 1: up with a guy named William Cameron or Coup I'm
- 47:01Speaker 1: not sure which one it is, Um, But he had P. T.
- 47:04Speaker 1: Barnum's Grand Traveling Museum, Menagerie, Caravan and Circus. That was
- 47:10Speaker 1: eighteen seventy one. And then, Um, did you cover the
- 47:14Speaker 1: eighteen seventy two fire. No, there was another fire that
- 47:19Speaker 1: killed circus animals that the winter at the winter Um
- 47:23Speaker 1: uh camp, which is on the site of where Madison
- 47:27Speaker 1: Square Garden is right now, there's a horrific fire in
- 47:30Speaker 1: the winter Camp in eighteen seventy two killed a bunch
- 47:33Speaker 1: of other circuits animals, which this is this is why
- 47:37Speaker 1: this is one of the reasons why years later Um
- 47:40Speaker 1: Barnum and Bailey's Wrinkling Brothers Circus went away was because
- 47:45Speaker 1: of animals. Yeah, and he, I mean he was by
- 47:48Speaker 1: the time this uh fire happened. That the what was
- 47:51Speaker 1: it called the Hippo Theatron? I think so he uh,
- 47:56Speaker 1: he was very successful with that circus circus he started
- 48:00Speaker 1: with Coupe or coup. Uh. They've made about four grand
- 48:04Speaker 1: in the first year, and it was the very first
- 48:05Speaker 1: circus to kind of do the traditional thing that we
- 48:08Speaker 1: all think of is travel by train, acrobats, clowns, exotic animals,
- 48:12Speaker 1: stuff like that. Uh. And that's when it officially was
- 48:16Speaker 1: called the Greatest show on Earth. So the Hippo Theatron,
- 48:22Speaker 1: such a strange word, burns down and then he's visiting
- 48:26Speaker 1: his friend in England, uh, John Fish. And this is
- 48:29Speaker 1: when his wife, Charity passes away. And as Jane put it,
- 48:34Speaker 1: he was supposedly to grief stricken to return for her funeral,
- 48:38Speaker 1: But the grief must have subsided quickly because he secretly
- 48:41Speaker 1: married Fish's daughter at sixty three years old. He married
- 48:45Speaker 1: twenty two year old Nancy Fish about three and a
- 48:48Speaker 1: half months later after his wife passed. No word about
- 48:51Speaker 1: her teeth no no, or her brass eyes. So um,
- 48:56Speaker 1: they got married secretly fourteen weeks after Charity died, and
- 49:00Speaker 1: then and when they came to the US, they had
- 49:02Speaker 1: a public wedding nine months after that. So um, yeah,
- 49:08Speaker 1: he married her, and I guess he was with her
- 49:11Speaker 1: until his death, right, Well, yeah, in eighteen sixty or
- 49:14Speaker 1: I'm sorry, seventy five, he took a break from the circus,
- 49:18Speaker 1: got back into politics and became the mayor of Bridgeport
- 49:22Speaker 1: for a little while, not US Bridgeport, though he's talking
- 49:25Speaker 1: trash about the Bridgeport And apparently he gets a little
- 49:29Speaker 1: on his high horse now because even though he was
- 49:31Speaker 1: a drinker, pretty heavy drinker for a while, he quit
- 49:35Speaker 1: drinking and then campaigned against um like Sunday sales and
- 49:40Speaker 1: saloons and kind of got a little self righteous, it
- 49:43Speaker 1: seems like. Yeah. He also sponsored the Comstock Law in Connecticut,
- 49:48Speaker 1: which banned contraception, which puts a lot of onus onto
- 49:53Speaker 1: the ladies. Um. And it was in place apparently until
- 49:57Speaker 1: nineteen sixty five and was a really important word in
- 50:01Speaker 1: their chuck sponsored like that means you're the person who
- 50:05Speaker 1: brought it to the General Assembly, not you didn't just
- 50:09Speaker 1: vote yes on it, Like you're the one who said, everybody, everybody,
- 50:13Speaker 1: let's ban contraception for a hundred years and it was successful. Actually,
- 50:17Speaker 1: so yeah, he was. He was a weird dude with
- 50:21Speaker 1: a lot of different weird um thoughts about things and
- 50:24Speaker 1: that were sometimes very contradictory over time. And then finally,
- 50:29Speaker 1: ironically here at the very end of this podcast, in
- 50:33Speaker 1: eighteen eighty he partnered with one James A. Bailey for P. T.
- 50:37Speaker 1: Barnham's Great London Combined. It's it's a terrible name for
- 50:41Speaker 1: a circus, worst circus name ever. Then he had the
- 50:44Speaker 1: word circus in there, and uh, this is when he
- 50:48Speaker 1: got Jumbo the Elephant, which it was. Jumbo was a
- 50:52Speaker 1: legendary attraction until eighty five when Jumbo was killed by
- 50:57Speaker 1: a train and probably caught fire too. And did you
- 51:00Speaker 1: know we were just in Boston that Toughs University their
- 51:04Speaker 1: mascot is Jumbo the Elephant. No, I didn't know that. Yeah,
- 51:07Speaker 1: my buddy Robert explained that to me. And um, apparently
- 51:11Speaker 1: Barnum was one of the early Um what do you
- 51:16Speaker 1: what do you call the people who give universities a
- 51:18Speaker 1: lot of money? Uh, endowment and donors grand person. Sure,
- 51:24Speaker 1: he was all of that. What is that word? I
- 51:26Speaker 1: know what you're talking about. He was all that two
- 51:28Speaker 1: toughs and so Jumbo the elephant became their mascot. And
- 51:32Speaker 1: I think because it does say in here he he
- 51:35Speaker 1: displayed Jumbo's preserved hide and skeleton. I think it was,
- 51:39Speaker 1: or maybe is on display at toughs Um. I'm not
- 51:43Speaker 1: sure if it still is, but I think at one
- 51:44Speaker 1: time it was. So wait a minute, this guy also
- 51:47Speaker 1: gave a substantial amount of money to help found a university.
- 51:51Speaker 1: I don't know found, but to the university. That's a benefactor.
- 51:54Speaker 1: Is that the word benefactor? Yeah? Maybe the found found it.
- 51:56Speaker 1: And I'm not sure the timeline there. Man, that's that's
- 51:58Speaker 1: really crazy. He did lot of stuff. So go jumbos, Yeah,
- 52:03Speaker 1: the fighting jumbos or the passive aggressive jumbos or the
- 52:06Speaker 1: stomping jumbos. Yeah, that's a pretty kid. So Barnem and
- 52:11Speaker 1: Bailey weren't together for too long. Initially they parted ways
- 52:14Speaker 1: but then again joined in seven ultimately finally for the
- 52:19Speaker 1: Barnum and Bailey circus. Yep, they broke up and then
- 52:23Speaker 1: they got back together, and then it stayed that way
- 52:25Speaker 1: until two thousand and sixteen, I think, and then the
- 52:28Speaker 1: circus finally closed down. I went to that thing as
- 52:30Speaker 1: a kid. I think we talked about that. Sure I
- 52:32Speaker 1: did too, um and now we will only go to
- 52:35Speaker 1: the Big Apple Circus, as you know. And I took
- 52:38Speaker 1: a long break because Emily and I were tired of going,
- 52:42Speaker 1: and then uh, now we got a kid. My mom
- 52:45Speaker 1: was like, you know, you gotta start going again. You
- 52:47Speaker 1: have to. So we went this year. How was it. Oh,
- 52:52Speaker 1: it's okay. You know, I'm not the biggest circus guy.
- 52:55Speaker 1: I've realized. Are you afraid of clowns? No? Not these?
- 52:59Speaker 1: Are you afraid of acro bat? I could take these clowns.
- 53:02Speaker 1: Um No. And actually the acrobats at the Big Apple
- 53:05Speaker 1: Circus or the the what's it called, it's the famous ones.
- 53:09Speaker 1: The family, Oh, the Flying Zamboni's Yeah, or was it
- 53:13Speaker 1: Zamboni's not Zamboni's, I don't remember. It's something like that,
- 53:17Speaker 1: but it's them. It's still still that family. Wow, that's
- 53:20Speaker 1: really that's something. And they you know, they did a
- 53:22Speaker 1: great job. But at the end of the day, I'm
- 53:24Speaker 1: just kind of about a third of the way through,
- 53:27Speaker 1: I'm looking at my watch you know. Oh, I got you.
- 53:31Speaker 1: I've seen a couple of circus so lates. Those are
- 53:33Speaker 1: the last circus as I saw. Those are okay. But
- 53:35Speaker 1: we saw the Michael Jackson one in Las Vegas and
- 53:38Speaker 1: man Alive was good. Yeah, there's a Michael Jackson cirque. Yes, dude.
- 53:42Speaker 1: And I have to tell you, like, I'm not some
- 53:45Speaker 1: die hard Michael Jackson fan, but you don't have to
- 53:49Speaker 1: be this to appreciate this. It is amazing, like like
- 53:53Speaker 1: it's worth going to Vegas to go see, turning around
- 53:56Speaker 1: and going home. I don't know. There's probably a few
- 54:00Speaker 1: I bet we hear from some Michael Jackson anti Michael
- 54:02Speaker 1: Jackson fans. Uh. Finally, p T. Barnum has a stroke
- 54:09Speaker 1: during a performance. He has one weird, strange wish at
- 54:13Speaker 1: the end of his life is to have his obituary
- 54:17Speaker 1: published before he dies. Yeah. I don't know why I
- 54:20Speaker 1: did that, maybe too, I don't know either. I think
- 54:23Speaker 1: I don't know, but that's a heck of a way
- 54:25Speaker 1: to end this podcast. And so maybe he wanted to
- 54:27Speaker 1: feel the public outpouring or something. Uh, it could be that,
- 54:31Speaker 1: or he wanted to proof read it or something. I
- 54:34Speaker 1: don't know, but if he wanted. If that was what
- 54:36Speaker 1: he was after, why didn't they just um send it
- 54:40Speaker 1: to him ahead of time to actually published it. Yeah,
- 54:43Speaker 1: it's weird. Well, we'll find out one day when we
- 54:48Speaker 1: die and go to heaven and meet P. T. Barnum. Agreed,
- 54:53Speaker 1: So are you got anything else? Nope, there's probably tons
- 54:57Speaker 1: more that we missed. And if you know something about
- 54:59Speaker 1: Pete Barnum that we didn't know, let us know. We'll
- 55:03Speaker 1: just add to this guy's story over time. Okay. Uh.
- 55:06Speaker 1: In the meantime, if you want to read this great
- 55:08Speaker 1: article by Jay McGrath, type im P. T. Barnum in
- 55:12Speaker 1: the search bar. How stuff works. Since I said search bars,
- 55:15Speaker 1: time for listener mail. All right, I'm gonna call this
- 55:19Speaker 1: Uni Bomber follow up. Okay. I was into that one,
- 55:24Speaker 1: The UNI Bomber. Yeah, yeah, that was a good episode.
- 55:27Speaker 1: That was a good tenth anniversary episode. Milk. Hey, guys,
- 55:33Speaker 1: congratulation on ten years milk, Milk. I look forward to
- 55:36Speaker 1: many more listen to Uni Bomber and thought it would
- 55:38Speaker 1: share something that covers a related, if somewhat different, aspect
- 55:41Speaker 1: of the story about ten years ago when I was
- 55:43Speaker 1: still a wee law student taking a legal ethics course.
- 55:46Speaker 1: One of the situations we discussed was Ted Kazinski and
- 55:49Speaker 1: the ethical dilemma his lawyers faced. Criminal defendants had the
- 55:53Speaker 1: absolute right to dictate certain aspects of their representation, like
- 55:57Speaker 1: whether or not flee guilty, but there are other aspects
- 56:00Speaker 1: of the representation that the lawyer controls, the most notable
- 56:03Speaker 1: being trial strategy. While lawyers should always listen to the
- 56:06Speaker 1: clients overall goals, sometimes as necessary to override a client's
- 56:10Speaker 1: wishes on how to achieve their goals, but because the
- 56:14Speaker 1: client's desired strategy is either legally incorrect, unethical, or simply
- 56:18Speaker 1: ill advise, Kazynski's case presented an interesting ethical problem for
- 56:22Speaker 1: the attorneys because he refused to allow them to pursue
- 56:25Speaker 1: what they perceived to be his best defense and his
- 56:28Speaker 1: only hope of avoiding the death penalty, namely claiming he
- 56:31Speaker 1: was not guilty by reason of mental disease, known as
- 56:35Speaker 1: the insanity defense. The conflict was that, on one hand,
- 56:39Speaker 1: his attorneys had a duty to zealously represent him, but
- 56:42Speaker 1: Kazinski objected so vehemently to the chosen defense. At at
- 56:45Speaker 1: one point he attempted to go pro say a k
- 56:49Speaker 1: a represent himself, which would have been an utter disaster. Uh.
- 56:53Speaker 1: As you noted, he pled guilty, so we'll never know
- 56:56Speaker 1: what they would have decided to do had he conned
- 56:58Speaker 1: a trial. But his case is one which most lawyers
- 57:01Speaker 1: thought about or discussed at some point in their careers.
- 57:05Speaker 1: That is good Fordham Walk go Rams And that is
- 57:09Speaker 1: from Deb. Thanks Deb, appreciate that. Yeah, I remember what
- 57:14Speaker 1: kind of saying like this whole thing was. He didn't
- 57:16Speaker 1: he played guilty because they didn't want to plead insane
- 57:20Speaker 1: because his ramblings would have been the ramblings of a
- 57:22Speaker 1: convicted insane mad man. Very interesting. Uh again, thanks Deb.
- 57:27Speaker 1: We always love hearing from lawyers out there. That whole
- 57:30Speaker 1: joke about lawyers at the bottom of the sea being
- 57:33Speaker 1: a good start. We have always found it tasteless. So
- 57:36Speaker 1: get in touch with us. You can via Twitter. I'm
- 57:39Speaker 1: at josh Um Clark and at s y s K podcast,
- 57:43Speaker 1: and Chuck is at movie Crush, Chuck's on Facebook dot com,
- 57:48Speaker 1: Slash Charles W. Chuck Bryant and slash stuff. You should
- 57:51Speaker 1: know you can send us and Jerry an email to
- 57:54Speaker 1: Stuff podcast at how Stuff Works dot com and has
- 57:57Speaker 1: always joined us at our home on the Web Stuff
- 58:00Speaker 1: you Should Know dot com. For more on this and
- 58:06Speaker 1: thousands of other topics, visit how Stuff Works dot com.
- 58:16Speaker 1: Mhm m