Latest / What's Your (Least) Favorite Scary Movie? / #161: The Hunt (2020)

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#161: The Hunt (2020) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello. What's your least favorite scary
• 0:08
  movie? My mommy used to tell me the
• 0:11
  story about the Jackrabbit and the Box Turtle.
• 0:13
  Jack Rabbit is a real Dick and he brags all the time, says
• 0:16
  nobody's faster than him. And well, it's true, because
• 0:18
  every time the Jackrabbit races, he always wins.
• 0:21
  Whole fucking force has to put up with this shit day in and day
• 0:24
  out. The fucker always wants to race
• 0:26
  just so he can rub it in some more.
• 0:27
  So the Box Turtle figures. Why not?
• 0:30
  I'll give it a try, The Jackrabbit laughs.
• 0:32
  This will be fun. So let's fucking go.
• 0:34
  Jackrabbit leaves the Box Turtle in the fucking dusk.
• 0:37
  It's way out in front. Jackrabbit always wins, but the
• 0:41
  Jackrabbit wants to put on a show, so he stops to make it
• 0:44
  seem close and takes a nap, but he sleeps longer than he wanted
• 0:48
  to. By the time he wakes up, I mean
• 0:50
  he knows he's fucked and the Jackrabbit goes full tilt, but
• 0:53
  it's too late and the Box Turtle crosses the finish line and the
• 0:56
  crowd whoosh goes fucking wild. Later that night, the box
• 1:01
  turtles having dinner with his family, he's telling those
• 1:03
  little box turtles how he did it.
• 1:05
  I mean, you never give up. I just keep crawling forwards
• 1:09
  and you can overcome just about anything.
• 1:13
  The door smashes in. It's the Jack rabbit and he has
• 1:16
  a hammer. He smashes up the wife and kids
• 1:19
  spurs so the box turtle has to watch him die and then it's his
• 1:22
  turn. Once the whole family is broken
• 1:24
  into little pieces, he sits down and eats their dinner every last
• 1:27
  bite, 'cause the jackrabbit always wins.
• 1:32
  Your mother told you that story. Welcome to What's your least
• 1:35
  favorite scary movie? The podcast where we talk about
• 1:38
  the good, the bad, the ugly, and the absurd.
• 1:41
  And all of our favorite. And least favorite scary movies.
• 1:43
  Because we believe every horror movie rightfully has its fan
• 1:46
  base, even if we don't always get it.
• 1:48
  My name is Travis, my name is Jesse, and I did that monologue
• 1:51
  in one track. Yeah, I was.
• 1:53
  I wasn't expecting that. But boy, boy, how do you did it.
• 1:56
  I'm proud of you. I'm glad you picked up on the
• 1:58
  the finishing line. Yeah, we did that twice today.
• 2:01
  We did that with our 2B or not to be as well.
• 2:05
  Cool. All right, Good job, man.
• 2:06
  All right, let's kick this thing off.
• 2:08
  So if you're not familiar with what that story's from, that's
• 2:11
  from 20 Twenty's the Hunt and that's what we'll be talking
• 2:14
  about. That's right.
• 2:16
  But first, the only announcement I have is that on Sunday we
• 2:20
  released our monthly 2B or Not To Be episode.
• 2:23
  We took another visit to Trombeville and we talked about
• 2:26
  the class of Newcomb High. So yeah, fun, weird little movie
• 2:30
  that we had there. And it was a weird time learned
• 2:34
  about, you know, how birthing happens.
• 2:37
  Yeah, Travis got like a really good biology education.
• 2:40
  We got a sex education going on there, folks, so if you need
• 2:42
  some, you need some teaching there.
• 2:44
  Go on over there. We got you covered.
• 2:46
  But all right. Was that all you got for that?
• 2:49
  Yes. OK, cool.
• 2:50
  Well, I've got our poll results. OK, so last week we talked about
• 2:53
  Green Room and we wanted to know which of the desert island bands
• 2:58
  that they ain't rights had did you guys like the best.
• 3:01
  And the options were Misfits, Steely Dan Simon and Garfunkel
• 3:07
  and Creedence Clearwater Revival.
• 3:10
  Good job I've had it written down right here, so I cheated.
• 3:14
  But you know, I I'm still proud of you.
• 3:16
  Thank you. Thank you.
• 3:17
  So let's start off on Twitter. Our band there that won was
• 3:23
  Misfits, so they had a vote of 50%.
• 3:26
  Steely Dan had zero, Simon and Garfunkel had 25 and Creedence
• 3:30
  Clearwater Revival had 25. Over on Instagram, Misfits had
• 3:36
  27%, Steely Dan had 7%, Simon and Garfunkel had 33 and
• 3:41
  Creedence. Clearwater Revival had 33.
• 3:43
  So tie between Simon and Garfunkel and had Creedence just
• 3:48
  say CCR. Ccr people abbreviate.
• 3:51
  It oh, OK. I guess I'm not like a CCR head.
• 3:54
  So is that what they call themselves?
• 3:57
  The fan club over there? Oh my God.
• 3:59
  I don't know. I don't know.
• 4:00
  That's the band that I would choose.
• 4:02
  Like if I Yeah, I guess so. It's between them and Misfits.
• 4:05
  I've been getting into the Misfits here lately.
• 4:07
  And yeah, I like both of them pretty much equally.
• 4:12
  CCR for me. Yeah, obviously.
• 4:14
  OK, yeah, I know you're a big fan of that too.
• 4:17
  Okay. Cool.
• 4:17
  All right, well, that's our polls, so let's get on into our
• 4:21
  episode on the Hunt. All right, what you got for us,
• 4:24
  Jesse? So The Hunt, originally
• 4:27
  scheduled to be released September 27th, 2019, got pushed
• 4:31
  back to March 13th, 2020. I have a little bit more
• 4:34
  information on that coming up in The Fun Facts.
• 4:36
  OK, we watched it on Blu-ray, but as of today you can stream
• 4:42
  it on Peacock or rent it from YouTube, Google Play, Redbox,
• 4:46
  Voodoo or Prime. Written by Nick Kuse and Damon
• 4:50
  Lindelof. Directed by Craig Zobal.
• 4:53
  Music by Nathan Barr and special effects Makeup done by
• 4:56
  autonomous effects. Autonomous.
• 4:58
  Nice. Starring now I went with the
• 5:02
  people that lasted the longest. Slash had the most lines.
• 5:05
  Like, first for Todd Billing. Yeah, this is a very stacked
• 5:10
  cast. It is.
• 5:11
  A lot of them don't last long. Yeah, a lot of people don't last
• 5:14
  long. But I I That's how I tried to
• 5:17
  pick who to put as the starring roles.
• 5:20
  Betty Gilpin is Crystal. Hilary Swank is Athena.
• 5:24
  Wayne Duvall is Don. Ethan Soupley is Shut the fuck
• 5:28
  up, Gary. Amy Madigan is MA Read, Bernie
• 5:33
  is Pop, and Glenn Howerton is Richard.
• 5:36
  Now I want you guys to know that they're actually credited as Don
• 5:39
  and Shut the fuck up, Gary. Shut.
• 5:41
  The fuck up, Gary in the credits.
• 5:42
  I love it, man. Yeah.
• 5:44
  And the other one, Stu had an interesting name.
• 5:46
  Sue, right? Yeah, we had Sturgill Simpson.
• 5:49
  Is vanilla. Nice.
• 5:50
  Vanilla. Nice.
• 5:51
  Yes, Ike. Baron Holtz is.
• 5:53
  He's Staten Island. OK.
• 5:55
  Yeah, the other girl that's with them at the gas station, the
• 5:58
  woman with them, she's Big Red. Mmhmm.
• 6:01
  Emma Roberts is yoga pants. Yoga pants.
• 6:04
  The woman that falls into the spike pit twice.
• 6:07
  She's dead sexy. Dead sexy, OK, yeah, her shirt's
• 6:10
  so sexy. Oh, OK.
• 6:12
  Dead sexy. God, that's so cool.
• 6:14
  Yeah, so they had a lot of fun with this.
• 6:17
  Like Ma and Pop, they have like actual names, but this is how
• 6:20
  they're credited on IMDb is by the characters they play in it.
• 6:24
  Megan Blair, he's phone boy FAUXNVOY.
• 6:29
  Instead of being a convoy, he's a phone boy.
• 6:32
  I yeah, I like that. Yeah, it's clever, man.
• 6:34
  Yeah, they had a lot of fun with it, yeah.
• 6:36
  Not clever, I guess, but just fun.
• 6:38
  Yeah, yeah, they had fun with it and now it's time for our
• 6:41
  favorite. Budget or butted?
• 6:45
  What do you think Jez? I it's Blum house, so they're
• 6:52
  notoriously bug Ted. So I'm gonna go bug Ted.
• 6:54
  Actually they are just this side of budget.
• 6:57
  Really. Yeah, 14,000,000.
• 6:58
  Okay. Cool, yeah.
• 7:00
  The numbers get a little squeaky here and part.
• 7:03
  Of that, yeah. Part of that is because of the
• 7:06
  pandemic, yeah. Affected their theatrical
• 7:10
  releases. So there was home streaming and
• 7:15
  so opening box office was 5.3 million.
• 7:18
  I feel good with that number because it was like that weekend
• 7:21
  it was able to go for about 3 days before shutdowns happened
• 7:26
  and they released it to streaming it.
• 7:27
  Was like twoish, I think, right? Because like we saw it on the
• 7:30
  Friday. Which I guess Thursday would
• 7:34
  have been. You could watch it at night
• 7:36
  Friday, you could watch it all day, cuz we had a like early
• 7:38
  showing on Friday. And then Saturday the world shut
• 7:41
  down. Yeah, so now it was the only two
• 7:42
  days I think. Yeah, it was like 3 days after
• 7:44
  release is when they decided to put it make it available on home
• 7:47
  streaming. OK, I got you.
• 7:49
  So on IMDb it says the worldwide gross is 10.5 million, but on
• 7:55
  Wikipedia they've got a little bit more details because there's
• 7:58
  a lot more money, like broken down from different countries
• 8:02
  and stuff, and it says it's 42.8 million.
• 8:05
  OK, that's a whole lot better, yeah.
• 8:06
  And just based on, like the way it's broken down in the
• 8:08
  Wikipedia article, I'm more inclined to believe that one.
• 8:11
  Yeah, but it's just weird because normally, like, what's
• 8:14
  on IMDb and what's on Wikipedia and like other places that you
• 8:17
  can search, like, all generally match.
• 8:20
  And that's a that's a bigger disparity than I would expect,
• 8:23
  currently sitting at a 6.5 out of 10 on IMDb.
• 8:26
  Okay solid. Not bad.
• 8:29
  I picked 3 movies from 2020. I was unsure of what I was gonna
• 8:34
  be able to find, but I found ones that we've actually seen
• 8:37
  all three of. Them okay cool.
• 8:38
  So the first one's spree. Okay That was released August
• 8:43
  14th, 2020, so it's coming up on his three-year birthday.
• 8:46
  The movie's still. That old?
• 8:48
  I can't believe it came out in 2020.
• 8:50
  I know, yeah. So that.
• 8:53
  I couldn't find any budget information on that, but I'm
• 8:56
  pretty sure that's a low budget. Yeah, definitely.
• 8:58
  With the way that they filmed it and just the people involved,
• 9:01
  they have Steve Harrington, which is like their big get.
• 9:04
  Oh, and fucking Dewey. Oh yeah, I forgot, David.
• 9:08
  David Arquette. Yeah, he's in there.
• 9:10
  He's like his dad or something. Yeah, yeah, I completely forgot
• 9:12
  about. That man, I forgot about that
• 9:13
  too. OK, decent enough cast.
• 9:14
  Yeah, it's a pretty it's a pretty good movie.
• 9:16
  Yeah, it is actually. I enjoyed it, Dad, because it
• 9:21
  was not a theatrical release. It's worldwide gross is at
• 9:24
  50,000. OK, and it has a 5.9 out of 10
• 9:28
  on IMDb. That, yeah.
• 9:30
  I mean, it's it's a surprisingly good movie, honestly.
• 9:33
  You bought it for us on DVD because they had it on DVD at
• 9:37
  Dollar Tree and we just watched it and like, oh shit, yeah, it
• 9:39
  was one of those. And I was like, I've heard of
• 9:40
  this and it was a dollar, so. Might as well at that point,
• 9:44
  yeah. It was worth it for sure. 2nd
• 9:46
  movie very specifically tied to COVID.
• 9:51
  It's called Host. It's the yeah, we're all on a
• 9:55
  zoom call and it lasts. It ends after 40 minutes because
• 9:59
  of. The freeze is it 60?
• 10:01
  Was it 40? It was for.
• 10:02
  I'm pretty sure it's 40. OK, I remember it was like a
• 10:04
  fairly short movie. But yeah, because it was perfect
• 10:07
  for it to be a zoom call. Yeah, yeah, yeah.
• 10:10
  So that was released July 30th, 2020.
• 10:14
  Again, I couldn't find budget because it it just came straight
• 10:17
  out into a shutter. Yeah, it did, Yeah.
• 10:20
  And it did make a worldwide gross of 445,000 and it has a
• 10:25
  6.5 out of 10 on IMDb. It's good.
• 10:29
  I don't know. Would you call it a novelty at
• 10:31
  this point? I think it's a more adult
• 10:35
  version of like Unfriended. It kind of is.
• 10:38
  It's just the whole thing is like COVID, you know, cuz like I
• 10:42
  think it was, that one had a lot more impact in the moment.
• 10:46
  I don't know if they will hit the same.
• 10:47
  If I watched it today, yeah, it definitely like it.
• 10:51
  It felt like Unfriended meets COVID because it was very much
• 10:55
  playing on that. Like we've all been super
• 10:56
  isolated and not just like from each like in real life.
• 11:00
  It hit where you know the way we can all talk to each other is
• 11:03
  basically through zoom. Exactly, yeah.
• 11:05
  But also like, this is how we're watching Movies Now, is we're
• 11:09
  streaming at home. Yeah, yeah.
• 11:11
  No, it was good for the time for sure.
• 11:14
  I don't know it's. I'd say it's definitely worth
• 11:17
  checking out if you haven't watched.
• 11:18
  It, yeah, for sure. Yeah.
• 11:19
  And then the third, maybe we actually were just talking about
• 11:22
  that earlier this week. Freaky.
• 11:25
  Oh, wow. OK.
• 11:26
  Yeah. Yeah, that was released November
• 11:29
  13th 2020 That had a budget of 5 million and a worldwide gross of
• 11:36
  18,000,000 and has a 6.5 out of 10 on IMDb.
• 11:41
  That's one I need to rewatch, I think mostly because, like,
• 11:46
  there's a lot of it. I just don't remember.
• 11:48
  But yeah, I'm also just kind of wanting to check out more of was
• 11:53
  it Chris Landon? Is that his name?
• 11:55
  Yeah. Christopher Landon, Yeah,
• 11:55
  because he's taking over the Scream franchise now.
• 11:58
  He's going to do Scream 7, which is cool.
• 12:00
  So. And I think that's actually why
• 12:01
  we're talking about. It.
• 12:02
  Yeah, it was. Yeah.
• 12:02
  Yeah. OK.
• 12:05
  All right, nice, nice little batch of movies there in 2020,
• 12:07
  even though it was a disaster of a year for theatrical.
• 12:11
  Releases all right. We have one tagline and it
• 12:15
  pisses me off. What is it?
• 12:18
  The most talked about movie of the year is one that no one has
• 12:20
  actually seen. I get it.
• 12:24
  I get it. They were playing off of the
• 12:26
  novelty of the controversy surrounding this movie.
• 12:31
  But like. Yeah, I think everybody at this
• 12:33
  point knows my stance on movies being like taglines, being like
• 12:39
  many reviews of a movie. Yeah, yeah.
• 12:42
  It's not really about the movie itself.
• 12:43
  It's about the controversy surrounding it.
• 12:46
  Yeah. Yeah, cuz that was why I got the
• 12:48
  way originally, right? We'll get into that, surely,
• 12:51
  Yeah. Well, I can go ahead and get
• 12:52
  into that, cuz it's time for fun facts.
• 12:54
  Those are only tagline. OK.
• 12:55
  Sure. Go ahead.
• 12:56
  So they kind of flip flops on the release date a little bit.
• 13:00
  It was September 27th, and then they pushed it back to October
• 13:03
  18th and then pushed it back to September 27th.
• 13:06
  The marketing was really kind of like getting some people up in
• 13:09
  arms, you know, about it. And especially because rumors
• 13:13
  were that the working title was Red State versus Blue State,
• 13:17
  which is pretty politically charged.
• 13:19
  Blum House has said that this was never the working title.
• 13:24
  Could it be true? Could it be a CYA moment on Blum
• 13:26
  Houses part? I don't really know.
• 13:28
  But what actually ended up delaying the movie was that
• 13:34
  there was multiple mass shootings, but specifically the
• 13:37
  ones in Dayton and. Think New Mexico, El Paso.
• 13:42
  OK. Those happened so close to the
• 13:46
  release date and so close to one another that they made the
• 13:49
  decision to stop marketing the movie and they just kind of
• 13:52
  quietly pulled it from their release schedule.
• 13:54
  Yeah, I remember that being something which I don't fully
• 13:58
  understand because I don't really feel like that has
• 14:00
  anything to do with this movie at all.
• 14:02
  Yeah, but like, it was a lot of the way it was being marketed
• 14:06
  and perceived by people as a very politically charged.
• 14:09
  And I think unfortunately there's so much politics that
• 14:15
  comes along with a tragedy, like a mass shooting.
• 14:18
  I can see it from the studio standpoint, ironically enough,
• 14:21
  considering the the crux of what causes the action of this movie
• 14:26
  to happen that, like for optics reasons, they pulled it.
• 14:29
  Yeah, but what actually ended up getting it brought back to the
• 14:33
  theaters was that the Joker had some controversy surrounding it
• 14:38
  as well, and it ended up being a very successful release.
• 14:42
  So they decided that they were just going to release it in
• 14:45
  March. That's true.
• 14:46
  I mean, the Joker's whole thing was like about an insole that
• 14:49
  just goes, you know, snaps and goes after people in society.
• 14:53
  And then, yeah, like, I could see, Yeah, I mean, I guess,
• 14:56
  like, I understand. But at the same time like.
• 15:00
  It's just a movie, yeah. And they did revamp their
• 15:03
  marketing when they decided that they were going to release it
• 15:06
  later on. And a lot of people thought that
• 15:08
  they took that time to make adjustments to the movie.
• 15:11
  But Jason Blum has said in interviews that, like, not a
• 15:13
  single frame of the movie was changed in that time.
• 15:16
  Good. Cuz I I love the movie as it is.
• 15:19
  Yeah. And like, because I watched the
• 15:21
  bonus features this morning and they were very clear, like right
• 15:24
  from the very beginning that they like, they wanted to write
• 15:27
  a fun movie, but they also wanted to address like, politics
• 15:31
  on both sides of the spectrum and essentially how we're like
• 15:36
  devouring each other. And everybody, everybody that
• 15:42
  was interviewed was just like absolutely delightful.
• 15:45
  Like the people that were involved in the writing,
• 15:48
  directing and production of. It just seemed like wonderful
• 15:50
  people. They were so kind on the on the
• 15:54
  footage. That's good.
• 15:55
  I'm glad that, you know, good people wrote it.
• 15:57
  I mean, and it it's just, it's good to make fun of people.
• 16:01
  Yeah, Like. Like everybody, You know what I
• 16:03
  mean? Like everybody needs like a
• 16:04
  little jabbing every now and then just to.
• 16:07
  Remind them how silly they act? Yeah, and I'm a person that
• 16:11
  definitely like healing through humor.
• 16:14
  Yeah, yeah, it like, it is kind of, you know, a nice way to be
• 16:19
  like. So in addition to all of that
• 16:25
  being important to them, they also like costuming was really
• 16:29
  important to how they wanted to do the storytelling like it.
• 16:31
  Nothing that they did was intent, like unintentional.
• 16:34
  They wanted the clothing to tell, like a story of who that
• 16:38
  person is. Like you see Emma Roberts, you
• 16:40
  instantly know what her thing is, you know what type of, like,
• 16:44
  conservative person she is, right?
• 16:47
  Crystal's whole thing was that she they wanted her to look like
• 16:51
  somebody whose interest and effort in fashion ended in the
• 16:55
  90s. So that's why she's got like
• 16:57
  kind of that design on her shirt and why the cuts are the way
• 17:00
  they are with her, like the fit of her clothing.
• 17:02
  I could see that. That's why, like when we see the
• 17:06
  liberals and their fatigues, the fatigues are super clean and
• 17:10
  well pressed because like we're pointing out, like they haven't
• 17:13
  actually used these, like. It is literally a costume and
• 17:17
  outfit that they're putting on. I like that.
• 17:19
  That's cool, yeah. They made sure that the ending
• 17:23
  was a nod to the ending of Animal Farm.
• 17:25
  Because the ending of Animal Farm, like all of the pigs, are
• 17:28
  inside the barn, standing on 2 feet drinking a beer while the
• 17:31
  other animals are outside looking into the barn.
• 17:33
  I'd never actually read Animal Farm God.
• 17:35
  Not familiar at all, but this is how they described it in the
• 17:38
  bonus and you know, and they said that's what happens with
• 17:42
  crystal. Is that like at the end of the
• 17:44
  movie, she puts on Athena's clothing and she gets onto the
• 17:48
  jet and she's having that champagne and she's sharing it
• 17:50
  with the flight attendant? Right.
• 17:53
  OK, Yeah. The stunt choreographer.
• 17:56
  I didn't. I'm not 100% sure I got her
• 17:59
  name. I think I was like Heidi
• 18:00
  Moneymaker is what it sounded like.
• 18:02
  Something like that. That's what I ended up writing
• 18:06
  down. But she gave each of she did the
• 18:10
  fight scene between Betty Gilpin and Hilary Swank, and she wanted
• 18:15
  to make sure each of their characters had a distinctive
• 18:17
  fight style. So like, Hillary sank as a
• 18:20
  person just likes using kicking moves.
• 18:23
  So they incorporated that a lot with her.
• 18:24
  That's cool. They said that she was a lot
• 18:26
  more precise and she was like a found weapons kind of person.
• 18:29
  So which really tracks with what we see, whereas Crystal's going
• 18:32
  to be a whatever it takes kind of person.
• 18:34
  She's like a straight up military that, Yeah.
• 18:36
  So. And.
• 18:38
  Kudos to her, like, because whenever I was watching that,
• 18:41
  anytime I see that fight sequence, I'm like, God damn,
• 18:43
  whoever choreographed this did an amazing job because it is an
• 18:47
  amazing fight. Well, and it's not even just
• 18:49
  that. Like, it's such an amazing
• 18:51
  choreographed fight, but the set was built specifically for this
• 18:55
  fight scene. Oh, that's cool.
• 18:56
  Like, so they built it specifically so they could do
• 18:59
  everything they wanted to do with it and they could get all
• 19:01
  of the imagery they wanted to get with it and have like fun
• 19:03
  with like the setting, right? I like that.
• 19:07
  I want. And obviously they rehearsed the
• 19:10
  hell out of this and just filming it took five days.
• 19:13
  I can only imagine. I mean, they do so many things
• 19:15
  in that. Yeah, yeah, it's it's great.
• 19:17
  And filming for them, maybe as a whole, went from February 20th,
• 19:21
  2019 to April 5th, 2019. And it was filmed in New
• 19:25
  Orleans. Oh wow, OK, this doesn't look
• 19:27
  like a swampy area. Looks like Croatia pretty well,
• 19:33
  yeah. And that was like another thing
• 19:35
  that they talked about with like the the gas station set.
• 19:39
  They wanted it to look very realistic for like a country
• 19:43
  store. Like they hand painted the sign.
• 19:44
  But they also wanted there to be like little hints that like
• 19:48
  maybe they're not actually in Arkansas.
• 19:49
  So, like, they had, like, you know, the candy, but they had
• 19:52
  like boxes stacked in the storage room that said, like
• 19:54
  American candies. Oh really?
• 19:56
  Yeah, like little hints and pieces that I haven't caught,
• 19:59
  but now I don't like. Want to go rewatch it again?
• 20:01
  That is cool. Yeah.
• 20:02
  I didn't even think about that. Yeah, shit.
• 20:04
  Yeah. So they put little details like
• 20:05
  that throughout. So there was a lot of
• 20:07
  thoughtfulness that went into this movie.
• 20:09
  You can tell them in, you can tell that they worked really
• 20:11
  hard on this one, cuz it's just it's so fucking good.
• 20:15
  Yeah, OK, cool all. Right.
• 20:17
  So that brings us into good, bad, ugly, and absurd.
• 20:21
  Travis. Yep.
• 20:22
  OK, so I I do like the commentary in this movie.
• 20:26
  It's not like it's not beating you over the head with it.
• 20:29
  Like it is present throughout. But I think it's like all
• 20:34
  surface levels to the point where it's just making fun of
• 20:36
  like, stupid shit that both sides like, say, which, you
• 20:40
  know, like, I think it's. I just think it's fun to like
• 20:42
  even stuff that you agree with. Like you can realize that people
• 20:46
  are absurd with the way that they behave with it, yeah.
• 20:49
  And I think climate change is real.
• 20:51
  I'm not gonna like gas somebody for disagreeing with that.
• 20:56
  You know, like favorite thing from that is whenever he is in
• 20:59
  there and he turns on the news, it's like climate change took
• 21:02
  another hit today and you just hear me.
• 21:04
  Go. He just turns the TV off.
• 21:07
  That's just like, that's what I'm talking about right there.
• 21:09
  It's just so funny. Yeah, climate change is real.
• 21:12
  And like, yeah, like, it's important to, like, make sure
• 21:15
  people realize it's real and talk about it.
• 21:17
  But like. But they really are so fragile
• 21:20
  in their views, yeah, and that's the thing.
• 21:22
  About it I like. Also like.
• 21:26
  There's a lot of wild stuff that the the Hunted people are saying
• 21:30
  too. Yeah, exactly like you got the
• 21:32
  guy that you pointed out. Gary.
• 21:34
  Shut the fuck up, Gary. He's.
• 21:35
  Clearly an Alex Jones analog. Yeah, exactly.
• 21:38
  Because like, he's like talking about like, the Crisis Actors
• 21:41
  and shit like that. And like, I think that stuff
• 21:43
  right there. Like, I think that they went a
• 21:46
  little bit more towards like the really hurtful things for like
• 21:49
  the right side, like Crisis Actors and well, that was
• 21:53
  actually really just the worst one.
• 21:55
  Yeah, I I mean, I've spoken about my stance on the crisis,
• 22:00
  crisis, acting conspiracies. Yeah, I've spoken about that
• 22:03
  pretty recently. And I think that's a see, The
• 22:06
  thing is most of the right wing people in this movie get killed
• 22:09
  off so fast. So you don't get a whole lot of
• 22:11
  jokes at their expense because like, they all just fucking die.
• 22:14
  Yeah, like so soon. Which is another thing that I
• 22:17
  like about this movie is how you have this huge cast of people at
• 22:20
  the beginning and then you think that they're all going to be so
• 22:23
  important, but they all get, like, wiped out in, like,
• 22:26
  entertaining and hilarious ways. I just, I don't know.
• 22:29
  Every character in this movie I feel like serves their purpose
• 22:33
  and does a great job. Like, yeah, I don't feel like
• 22:36
  anything is wasted here. Yes.
• 22:38
  All right. What do you.
• 22:39
  What do you like? I I really like that it does.
• 22:44
  It doesn't feel like it takes a side.
• 22:46
  You know what I mean? Yeah, it.
• 22:47
  Feels like a nonbiased storytelling, even though it is
• 22:51
  like ultra right wing versus ultra left wing.
• 22:55
  It points out the problematic aspects of both like, like you
• 22:58
  said, the hurtful things that come out from some like ultra
• 23:02
  right wing conspiracy theorists. But like, we've got the ultra
• 23:06
  left wing and they're very hypocritical.
• 23:08
  Yeah, and very like fragile. Honestly, Yeah.
• 23:13
  I don't have a better way of like describing it, but that
• 23:15
  that is what it is. And I think they're quick to
• 23:17
  judge people just based off of like you know who they are or
• 23:20
  where they're from. Like the fucking dude in the
• 23:22
  beginning they're like are you fucking Hick?
• 23:25
  Just cuz he's like, yeah, Southern you.
• 23:26
  Know. Yeah.
• 23:28
  And I think, you know what they were saying in the behind the
• 23:30
  scenes stuff I watch like, like that is how a nation kind of can
• 23:34
  cannibalize itself, you know? So I think that's really good.
• 23:37
  And I also just like, they're writing is so funny.
• 23:41
  It is, dude. And you can tell everybody on
• 23:44
  set felt really comfortable and good with everything.
• 23:47
  And I think that's that says a lot.
• 23:50
  I think Betty did so good in this.
• 23:53
  She injected what I'm gonna assume is a lot of like her own
• 23:57
  things here. Like whenever she she like, does
• 24:01
  like makes like funny little faces sometimes during like the
• 24:03
  scraps, like whenever she's in the bunker and finding the
• 24:05
  dudes, like there's a part where like the gun hits the fore and
• 24:07
  she just like makes it like funny little face goes and then
• 24:10
  like lunches for the weapon. She talked about some of her
• 24:13
  approach to playing Crystal is that she characterizes Crystal
• 24:18
  as somebody who kind of gave up on herself a long time ago.
• 24:21
  OK, I could see that. Which I think really kind of
• 24:24
  tracks and especially like when she's talking about like how you
• 24:28
  know she feels and you know she works at a car rental place and
• 24:35
  there's not a lot of place for her place for.
• 24:37
  Her to put that, Yeah. Yeah.
• 24:41
  And like, yeah, you know, So I I think, I think it's really just
• 24:46
  well done. She did an amazing job.
• 24:48
  And she really did. Honestly, she's great.
• 24:50
  That is funny. She also said when she got the
• 24:52
  script, she had her husband read it and she was like, a lot of
• 24:55
  people are gonna be mad when they read this.
• 24:56
  He's like, yeah, they sure are. And then they realize that they
• 24:58
  were talking about different sides of the political aisle.
• 25:00
  Yeah, that's awesome. OK, well, I guess bad about
• 25:06
  this. What it is bad about this, man.
• 25:11
  Like, like, it's good that we don't get a lot of those people
• 25:14
  flushed out in the beginning. But I guess it also is kind of
• 25:16
  sad because I feel like there was a lot of potential with some
• 25:18
  of those people. Like, I think that it would have
• 25:22
  been great to have Sturgill Simpson's character survive,
• 25:24
  because I think he's like a surprisingly good actor.
• 25:28
  And I think they can bring like a lot of comedy to the roles
• 25:32
  that he does. Which we talked about.
• 25:35
  Righteous gemstones on our TV are not to be episode, but to
• 25:39
  bring it up again. Man, Sturgill Simpson keeps
• 25:41
  getting cast as like a ultra right wing person, doesn't he?
• 25:45
  What? He does a great job every single
• 25:47
  time that he is. I don't know, he's awesome, Ike
• 25:51
  or Staten Island in this movie. At least I like him.
• 25:55
  We watched Neighbors with him last night and he's he's just
• 25:58
  funny. He's entertaining.
• 25:59
  I don't know. Emma Roberts, your girl we don't
• 26:02
  get. I mean, I think it's cool that
• 26:03
  they kill her off right away because you don't expect it, but
• 26:05
  at the same time, I think she would have helped.
• 26:08
  But then at the same time like this is but Crystal's movie.
• 26:12
  Yeah, it is. It's Betty Gilpin's movie.
• 26:15
  Also, like, not for nothing, but like if I want to see that
• 26:18
  characterization from them or Robert's, I'm gonna.
• 26:20
  I'm gonna go watch Screen Queens like or any other.
• 26:23
  Emma Robert's movie because she's like the same person and
• 26:25
  everything, which is nothing bad about that.
• 26:27
  I wouldn't. Necessarily agree with that?
• 26:29
  Really. You don't think so?
• 26:31
  No, I think she's different in Scream Four, and I think she's
• 26:33
  different in Holiday. OK, fine.
• 26:37
  Yeah, fine. You're right.
• 26:39
  She's got rage. But yeah, I mean, I just.
• 26:42
  I don't know. I.
• 26:43
  Mean. What about unfabulous?
• 26:46
  Unfabulous. God?
• 26:47
  Well, that was ancient. That was a long, long time ago.
• 26:50
  But you're right, she played the guitar in that.
• 26:53
  I don't know, man. Like I struggle to think of a
• 26:55
  lot of bad with this one. I got one, OK?
• 26:58
  Betty Gilbin's makeup is fucking perfect the entire time, OK?
• 27:02
  To the point that it's distracting.
• 27:04
  I think it would make more sense for her to not have makeup at
• 27:06
  all. And like, they tried to do a no
• 27:08
  makeup makeup thing, which like, obviously, I can tell because
• 27:12
  like, oh, is that what they were going for?
• 27:14
  Yeah, OK, yeah. But like, she never breaks a
• 27:17
  sweat. Like she never looks sweaty.
• 27:20
  I can see like a hint of contour and a hint of like, eyeshadow on
• 27:24
  her at times. Like.
• 27:26
  Her hair is always in a perfect ponytail after she puts it up.
• 27:29
  I guess. Yeah, for somebody that like,
• 27:31
  has nothing to lose, she's a pretty perfect character.
• 27:34
  Yeah, like it's just it's so distracting.
• 27:37
  And maybe that's because that's one of those things that I have
• 27:40
  an interest in. I notice it more than others,
• 27:43
  but it is like she looks fucking gorgeous the entire time.
• 27:47
  Yeah, like she obviously she's an attractive woman.
• 27:49
  She is working after who is working, but like flawless.
• 27:55
  Yes, I I yeah, you're right. Perfect ponytail the entire
• 27:58
  time? Yeah, anybody who has done a
• 28:00
  ponytail while working out can tell you that shit ain't staying
• 28:02
  on the crown of your head the whole time, OK, ugly.
• 28:07
  I I the. I guess the easy thing is like
• 28:11
  the whole idea of like pitting two sides against each other,
• 28:14
  like just the whole idea of like, that division.
• 28:19
  You know it. It's uncomfortable.
• 28:21
  It sucks. But I don't know.
• 28:23
  I always say I make fun of it in this movie, which is nice.
• 28:26
  It's an ugly concept, yeah. The idea of, like, people
• 28:29
  picking sides and then like, just because you're on one side
• 28:33
  means that you have to be. You have to hate the other
• 28:35
  person. I don't know.
• 28:37
  It's it's it just sucks. Yeah, I I'd say, yeah.
• 28:41
  The extreme ideology is held by both sides.
• 28:43
  Because The thing is like, yeah, there are some things that I'm
• 28:46
  never gonna be able to get on board.
• 28:48
  Yeah, with if I hear a person say.
• 28:50
  Certain things that, particularly if they're gonna
• 28:54
  like, present a dangerous ideology towards a group of
• 28:58
  people, you know, like any kind of bigotry, things like that.
• 29:04
  But I also like, don't get what the joke is about saying you're
• 29:08
  going to hunt human beings for sport.
• 29:10
  You know what I mean? Like, Yeah, like, what's the
• 29:13
  joke? Explain the joke to me.
• 29:14
  Yeah, well it was a stupid joke to begin with.
• 29:17
  Like, but it's not even funny. Yeah, it's the thing.
• 29:20
  So you know, and not something too that even though I would
• 29:24
  definitely say I'm, you know, a little bit left of center, like
• 29:30
  I I don't. That's not the type of person
• 29:33
  that I would necessarily condone their behavior for either.
• 29:37
  I agree, yeah. I think it's just it's.
• 29:41
  And The thing is too, that like I think riding off just because
• 29:46
  somebody is more conservative or more liberal than you, if they
• 29:49
  haven't done anything other than say like oh, I vote Republican
• 29:53
  versus I vote Democrat. Like making stereotypes and and
• 29:58
  judgments based off of that can be just as dangerous and it
• 30:01
  doesn't give people any room for for growth or understanding.
• 30:06
  Yeah, if you just immediately discount people.
• 30:10
  Yeah. And like, I don't know.
• 30:11
  Like I said, there are things that I'm never gonna be cool
• 30:13
  with once I've heard somebody say, like, I'm gonna, I'm gonna
• 30:17
  have trust issues with you probably for a long, long while.
• 30:21
  But I also do think that there are, there's room for like,
• 30:27
  understanding, You know, Like, I think there there's room for
• 30:32
  conversation. Yeah.
• 30:33
  Like, you know, like you can have like an actual conversation
• 30:35
  without it being heated and having to.
• 30:37
  Like you can agree to disagree. Yeah, I think if if people
• 30:41
  aren't actively being harmed, yeah, by the things you're
• 30:45
  talking about, you can agree to disagree.
• 30:48
  And I like, I want to be very clear about that kind of stuff.
• 30:51
  I think talking about crisis acting, I feel like that
• 30:54
  actively can harm people. Well, there are things where the
• 30:57
  a line is crossed where you can't really necessarily.
• 30:59
  I I understand what you're saying.
• 31:01
  Yeah, if it's really fucked up, you can say something about it.
• 31:04
  But if it's just like people liking like just other certain
• 31:08
  harmless aspects, I think that it's perfectly fine.
• 31:10
  It's just let people be who they want to be.
• 31:12
  I I think you should be able to have a conversation with another
• 31:15
  human being without it becoming so cutthroat.
• 31:20
  But I also think it's important to, like, not support things
• 31:24
  that are gonna put other people's lives in danger.
• 31:25
  I think we're all on board with that.
• 31:27
  I think it's pretty clear. We just Yeah, it's fine, OK,
• 31:31
  Absurd. My absurd is Orwell, the pig
• 31:36
  that is just, like constantly running around the battlefield
• 31:40
  the entire time until he's not. Poor Orwell, Poor Orwell.
• 31:44
  Actually, no mine. I think mine's going to be the
• 31:46
  fact that they they choose, like the way that they went about
• 31:52
  choosing these people for their hunt.
• 31:56
  It felt like they were trying to find people to give a bid to on
• 32:01
  bid data fraternity, like just reviewing their Facebook and
• 32:04
  just like making quick judgments based off of their profile
• 32:07
  picture. Yeah, you know what I mean?
• 32:09
  Like, 'cause that's what they were doing.
• 32:10
  They saw a picture of people like, OK, no, no, like, all
• 32:13
  right, we're gonna get that guy. He's obviously a racist piece of
• 32:15
  shit, you know, like, stuff like that.
• 32:18
  Yeah, I think my absurd is just going to be.
• 32:23
  I think it's gonna be dead sexy, cuz she falls into the pit and
• 32:26
  they get her out and then she gets plowed right back, right
• 32:28
  back onto the same spike. Oh yeah, it's great.
• 32:32
  I like that. OK, cool.
• 32:35
  I think I'm gonna rate this 9.5. I like this movie a whole lot.
• 32:41
  I'm gonna rate it 9 9OK. So we have a starting average of
• 32:46
  9.2 5. All righty, strong movie.
• 32:49
  All right, all right. Ready to do it?
• 32:51
  So we start off somebody's at a woman's at her desk and we can
• 32:55
  see her text conversation and you know, they're just talking
• 32:57
  about various things, complaining about certain
• 33:02
  political figures. Ted starts off with a thing that
• 33:07
  is like Reese from Green Room where he's like I've told I have
• 33:10
  something that I haven't shared with any of you guys ever
• 33:13
  before, and they just sends like a video of a turtle having sex
• 33:16
  with something. Yeah, and then like Athena's
• 33:18
  like, well, at least the Hunt's coming up soon.
• 33:21
  Nothing better than going out to the manner and slotting a couple
• 33:24
  dozen deplorables. Yeah.
• 33:26
  And then everybody, like, goes along with them immediately and
• 33:28
  like, oh, you can't talk about it over the text.
• 33:30
  And then one person's like, oh, I'm deleting this thread and
• 33:32
  then boom, that's it. Yeah.
• 33:34
  So then we caught it to a plane. OK, I need to talk about this.
• 33:39
  The flight attendant. Yes, the actress's name is Ali.
• 33:43
  Ha. Oh God, how the how God shut.
• 33:48
  Up. Hannah Allen, Hannah Allen Okay.
• 33:52
  Yes, and so my notes say Glenn Howerton is a jerk to a murdered
• 33:58
  girl. And that's because we were
• 34:01
  watching your worst nightmare from Investigation, Discovery
• 34:06
  and. We were watching this girl being
• 34:09
  held hostage in her own house. And I was like, she looks really
• 34:12
  familiar. And Travis was like, yeah,
• 34:13
  whatever. And I pulled up the IMDb and I
• 34:16
  was like, oh, it's her. So she's.
• 34:20
  Yeah. So this actress has actually
• 34:23
  been in a lot of different things, but.
• 34:25
  Oh, really? OK Yeah.
• 34:25
  One of the things she's been in is this.
• 34:27
  She she was good in this. Yeah.
• 34:29
  She's better than she was in that episode.
• 34:31
  She wasn't terrible in that episode.
• 34:32
  She knew she was going to be murdered, Travis.
• 34:34
  Usually in those shows, people are pretty bad at acting, but
• 34:37
  she was, yeah, she's probably one of the better actors and all
• 34:39
  of that. Yeah, at least she wasn't the
• 34:42
  dad down at the bottom this year is going save you.
• 34:47
  Yeah, OK. So yeah, Glenn Howerton or
• 34:50
  Dennis, I don't know, he, he plays Dennis essentially in
• 34:53
  everything that he's done. Like, honestly, it's just Glenn
• 34:56
  Howerton. Yeah, he is kind of harassing
• 34:59
  her. He's requesting Mediterranean
• 35:01
  fish, which can't really do that.
• 35:03
  It's. Like, we don't have a full
• 35:04
  kitchen. Yeah, well, and I love the way
• 35:06
  she says that. He's like, this is an airplane,
• 35:10
  but then suddenly somebody wakes up and they're super confused.
• 35:14
  And it's ready. Yeah.
• 35:18
  Yeah. And that's how he's credited.
• 35:22
  And he is clearly coming off of some tranquilizers.
• 35:25
  And the doctors like, OK, I need you to lie down.
• 35:28
  All right, we're going to get you back to sleep.
• 35:30
  And then he stabs him in the neck.
• 35:31
  Ted the Turtle. Fuck dude.
• 35:34
  Yeah, that's just how I did it. Ted the Turtle.
• 35:36
  Fuck yeah, Ted the turtle. Fuck Ted over here.
• 35:40
  He yeah, he weighs him now to comfort her and he's like, don't
• 35:42
  worry, you weren't supposed to wake up yet.
• 35:44
  So he takes the pin and stabs him in the neck, which only gets
• 35:47
  Randy to go a little bit more crazy.
• 35:51
  Well then he does, you know, try to defend him.
• 35:53
  So yeah, he grabs a stab, grabs a champagne.
• 35:56
  Bottle hits Ted with it. Do you want to do your
• 36:00
  obligatory That fucks you up, that fucks you up, dude,
• 36:03
  seriously, did we get a sound effect?
• 36:05
  Because, like, if it goes like the that's how you know that.
• 36:09
  Oh shit, that hurt the skull. If it shatters, you're good.
• 36:12
  Actually, if it shatters, you're not good because that's just
• 36:14
  going to, like, cut you up hard. You're just fucked no matter
• 36:18
  what. If you get hit in the head with
• 36:19
  a bottle, honestly. It does end up being shattered,
• 36:22
  but what happens is Athena is woken up and she comes out and
• 36:26
  stabs him in the eye with her heel and this is.
• 36:29
  And the little detail that I absolutely love because she is a
• 36:32
  very, very rich woman. Part of Glenn's whole speech at
• 36:36
  the beginning was that she bought 3 bottles of this
• 36:39
  $250,000 champagne that went down like was sunken.
• 36:45
  They had to go get it with a robot.
• 36:46
  Like she's super. This is her private jet.
• 36:48
  Like she's filthy, disgusting rich.
• 36:51
  Like, hypocritically Rich, considering what her.
• 36:54
  So-called political viewpoints are yes, but she's got Lebatans,
• 36:59
  which are, or. I don't know if they're
• 37:02
  necessarily Lebatans, but it's like that kind of a thought,
• 37:06
  except instead of the red soul on the bottom, it's blue because
• 37:10
  of political affiliation. Yes, I love that little detail.
• 37:13
  It's a nice touch. I didn't catch it the first or
• 37:15
  even second time we watched it. But when we bought it on Blu-ray
• 37:17
  and watched it at home, I was like, yeah, that's a good thing
• 37:20
  about this movie. Like if you, when you watch him
• 37:22
  multiple times, you start to pick up on other things.
• 37:25
  All right. So now we cut.
• 37:27
  Yeah, by the way. So they're dragging the body
• 37:30
  into like, one of the closets there.
• 37:32
  And then he's drugged next to Emma Roberts, who is still
• 37:36
  knocked out. Yeah.
• 37:37
  And then we cut to in the field. Emma Roberts wakes up.
• 37:41
  She's got a gag in her mouth and she's panicking.
• 37:44
  There are a bunch of other people scattered across the
• 37:46
  field that are also waking up. Crystal.
• 37:49
  Not groggy at all. She immediately gets up and
• 37:53
  makes a compass out of her name tag.
• 37:55
  Super fucking resourceful dude. Like, yeah, I never.
• 37:58
  Whenever I first watch it, I didn't really understand what
• 37:59
  she was doing. I thought she was unlocking the
• 38:02
  thing and then I thought she was gonna sell it across the water
• 38:05
  to Emma Roberts. But I noticed now, like this
• 38:08
  time. Oh, it made a compass.
• 38:10
  So what she did was she took the pin off the back of her name tag
• 38:12
  and she basically got like some static charge to it by like
• 38:17
  rubbing her hair on it and then she put it on the leaf in the
• 38:20
  water so it could, yeah, rotate. Yeah, yeah, I get to.
• 38:24
  Which makes me think, if she still had her name tag on, did
• 38:26
  they attack her or kidnap her while she was at work?
• 38:30
  Or while she was coming home. Or while she was coming home,
• 38:32
  like, but I wouldn't have my name tag on while I'm driving.
• 38:35
  I take that shit off as soon as I get in the car, man.
• 38:36
  Well, I mean, she was still wearing her like, like her
• 38:40
  uniform shirt. So I have a feeling you know the
• 38:43
  orange shirt? Yeah, yeah, it almost looked
• 38:45
  like a jumpsuit to me. Like a when I was in jumpsuit.
• 38:49
  It was a single piece because she.
• 38:52
  She takes off the red closure later and has on different
• 38:55
  pants. Yeah, OK, well, yeah.
• 38:57
  So they they all start to wander out into a field.
• 39:00
  The 11 other yeah, they wander out, there's a crate in the
• 39:03
  middle of the field and they open it and a pig comes running
• 39:07
  out and then they roll out this weapons crate.
• 39:11
  But Emma Robert, she goes up and she finds the this tiny little
• 39:15
  envelope on the back of the crate lid that they just threw
• 39:18
  to the side. And it's got keys in it, so
• 39:19
  everybody gets to take their gags off.
• 39:22
  And she's talking to big game Shane.
• 39:25
  Yes. And he's like trying to be
• 39:28
  comforting to her. And we're like, oh God, are we
• 39:31
  getting, are we really gonna force like a romance type thing
• 39:33
  into this? Maybe that's not what I'm here
• 39:35
  for. But don't worry, because she
• 39:36
  gets shot in the head. Yeah, well, cuz like you start
• 39:38
  hearing gunfire, she's like, Oh my God, that almost hit me.
• 39:40
  And then it's like right through her and she's like, oh shit,
• 39:43
  she's dead. Which was a big shock whenever
• 39:46
  we watched her first time in the theater.
• 39:47
  Yeah, I was so sad. Yeah, I'd heard that.
• 39:50
  She wasn't in all of the. The movie, but I didn't think
• 39:53
  she was going to be out in like 2 minutes.
• 39:55
  Yeah, so they all go running. Dead sexy falls into a pit of
• 40:00
  some spikes and Shane helps her out and then when they run he
• 40:05
  steps on a mine so they explode and dead sexy.
• 40:09
  Well, the top half of her one step back.
• 40:11
  On the exact same spike that she was on originally and then.
• 40:14
  She stops to Staten Island as he's running by and she's like,
• 40:16
  shoot me, he's like, I can't. And she says Fucking snowflake
• 40:19
  takes the gun and shoots herself.
• 40:20
  Yes, which like. She has no legs and she's been
• 40:24
  stabbed multiple times. She's put it out of her misery.
• 40:26
  She's in a field. She's probably not going to get
• 40:29
  medical attention from the people currently actively
• 40:31
  shooting at her. No, I kind of get where she's
• 40:33
  coming from. Like, I'm gonna die either way.
• 40:36
  It is kind of crazy though, that they all just start opening
• 40:39
  fire. Like, isn't the whole point of
• 40:40
  this supposed to be that they're hunting?
• 40:42
  Like, they're not. Like, they're just like killing.
• 40:45
  They kill so many of them right away.
• 40:46
  Like, you even got the one dude that's like dual wielding.
• 40:49
  He's just running up the hill trying to like, shoot, We don't
• 40:51
  even get anything from that guy. He's just dual wielder.
• 40:53
  Like he's just like, gets fucking eviscerated like that.
• 40:55
  Yeah. And also another weird thing
• 40:57
  about this Hilary Swank's character or Athena, she was the
• 41:02
  one that organized this whole thing.
• 41:03
  Yet she's not participating in the hunt at all.
• 41:05
  She's not with the group. She was waiting for Snowball,
• 41:08
  but how does she know that she's going to be there?
• 41:10
  How do they know that one person is going to make it and going to
• 41:12
  come like all the way up to the manner?
• 41:14
  Like, I don't think that she knows that's going to happen.
• 41:16
  It makes sense from a movie standpoint, but she like she's
• 41:19
  the one that organizes the whole thing and she is not
• 41:21
  participating. I think she was waiting.
• 41:24
  I think she was waiting until like the final one.
• 41:26
  OK, well and. She was really hopeful that it
• 41:28
  was snowball, OK. Let's see.
• 41:32
  So, so a group of people was running.
• 41:34
  They found a fence and like climb over top of it.
• 41:37
  But Target? That's what he's credit as.
• 41:39
  He doesn't make it because he gets shot by a bunch of arrows.
• 41:41
  Yeah, Staten. Island Vanilla I I like how on
• 41:44
  when he gets shot by the arrows like you get like a grenade that
• 41:47
  rolls over to him and you think it's going to explode and like
• 41:49
  why isn't it going like did you pull the pin and then like you
• 41:52
  see like a second one just roll up to the and then like you just
• 41:55
  see the explosion later from like the other three running
• 41:58
  away. Yeah, yeah.
• 41:59
  So, Staten Island Vanilla Nice and Big Red get to Mom Pops gas
• 42:04
  station they. Ask for a phone and they're
• 42:07
  pretty rude about it, but mom and pop are pretty rude too, I'm
• 42:11
  gonna say. I mean, I think it's justified
• 42:14
  for these three people to be behaving the way that they are
• 42:17
  as they're being chased. Oh yeah.
• 42:19
  And they try to like, they try to ask them why they have guns
• 42:23
  because we're being hunted by a bunch of people.
• 42:25
  And then they're like, oh. I would be confused by that,
• 42:29
  like that we're being hunted. Well, why do you have guns for
• 42:34
  self-defense? It feels very confusing.
• 42:38
  It does, but at the same time I get it.
• 42:40
  But then, like they try, it feels.
• 42:41
  Like panic moments where he's not making any sense.
• 42:43
  I like having watched the movie. I understand what's happening.
• 42:46
  Yeah. But like I I just.
• 42:48
  They like, but the ma and PA are like oh so they're exercising
• 42:51
  the same rights that you are. All are exercising is like, why
• 42:54
  the fuck are you making this about that?
• 42:56
  Like, I get it from their point because, you know, they're
• 43:00
  obviously in on it. But like, from everybody else's
• 43:03
  standpoint, like, why the fuck are you making this like a
• 43:04
  debate about, yeah, you know what you feel about guns.
• 43:08
  Yeah, well and then they asked him to please stop pointing the
• 43:11
  gun towards him. He goes, I have 7 guns.
• 43:13
  I know how to be safe with guns. Which first of all, never point
• 43:17
  at a gun at somebody you don't intend to shoot because of
• 43:20
  accidental fires. Yes.
• 43:21
  And she said, why do you have on that many guns?
• 43:23
  He's like for self-defense. She goes, are you gonna really
• 43:25
  use seven guns at all time? Which?
• 43:27
  I feel like it's a fair question.
• 43:28
  I mean, some people do just like to shoot for sport, not even
• 43:31
  necessarily shoot at like, animals, and I think that's
• 43:33
  fine. Yeah, I personally don't own any
• 43:37
  guns, but that's like a much more personal thing than like a
• 43:40
  political stance. Yeah, I'm not much of A gun guy
• 43:44
  myself. But I have like gone to shooting
• 43:47
  ranges and stuff before. Yeah, I have two.
• 43:48
  Like, I don't judge people for doing that.
• 43:51
  Yeah, nothing wrong with it. I cause nine on one and the 911
• 43:56
  operator is super unhelpful. Yeah, he is like asking well.
• 44:01
  It's clearly Macon. Well, yeah, he is, yeah.
• 44:04
  But he's like trying his best to be super obtuse about
• 44:07
  everything. And then he's like, OK, where
• 44:09
  you at? I don't fucking know.
• 44:11
  I would. Do you want me to give you my
• 44:12
  address in Staten Island? Like, because they realize that
• 44:15
  they're in Arkansas. They have no idea where they
• 44:17
  are. And then the guys, like, can't
• 44:18
  you just use my fucking cell phone to triangulate where I'm
• 44:20
  at? He's like, wow, you know what?
• 44:22
  That's a great idea. Which should know right off the
• 44:25
  bat that there's no way a 9/11 operator would be this
• 44:28
  incompetent. Like you should know,
• 44:30
  something's funky with this. It has happened, but it has.
• 44:33
  But come on like this is like, this is intentionally not giving
• 44:37
  a fuck. Yeah, hang up or just realize
• 44:39
  that something is not right. Big Red is just eating food off
• 44:44
  of the shelf, but then she starts to choke.
• 44:49
  What? What was it that vanilla nices
• 44:51
  like she's chalking or something like that?
• 44:54
  I don't remember. It was like a quick throwaway
• 44:56
  live, but it was really funny. Mom Pop throw some gas bombs at
• 45:01
  them. Yeah they they gas them and then
• 45:06
  they pass on. Then he goes up to pro track and
• 45:09
  or Staten Island is like for the record asshole, climate change
• 45:13
  is real and they shoots them, yeah.
• 45:15
  And then? As they're cleaning up because
• 45:18
  they get a radio called that snowball is headed down and
• 45:21
  she's unarmed, so they're trying to clean up so it looks like a
• 45:24
  normal gas station again. And she ma starts to feel bad
• 45:28
  because one of them's wearing a wedding ring and he goes don't
• 45:30
  feel bad. He probably says the N word and
• 45:33
  in public, and not even privately like probably on
• 45:36
  Twitter. One, the speculation of it all.
• 45:40
  Yeah. Two, you've already looked
• 45:42
  through their Twitter. Yeah, right.
• 45:43
  Which she? I mean, I guess that that won't.
• 45:45
  I don't know. Did he?
• 45:46
  He might have. I don't know. 3 The whole
• 45:49
  argument they have about what is the correct language to refer to
• 45:52
  people of color as. And then he like quotes NPR And
• 45:56
  she goes, and NPR is made-up and almost entirely of who and he
• 45:59
  goes white people. I'm the fucking worst.
• 46:03
  And he turns on the climate change TV, he's like and he took
• 46:05
  another hit. It's just I love how like he's
• 46:10
  just super concerned about climate change is hilarious so
• 46:13
  they get a radio further around they.
• 46:15
  Should be concerned about climate change.
• 46:16
  Well, yeah, but I mean, come on, man, I'm not gonna whimper
• 46:19
  whenever I see bad news about climate change in the news, you
• 46:21
  know? Anyway, so they get a radio call
• 46:24
  from Athena warning them that snowflake or snowball is on the
• 46:29
  way. So Crystal enters the store and
• 46:34
  she asks what state they're in. And then she asked for some
• 46:38
  Sigs. And then as she gets the six,
• 46:42
  she's kind of giving them an uneasy fill too, because they
• 46:44
  think that she might be on to them.
• 46:46
  And then, as soon as she gets her change back, you see her
• 46:48
  face, she realizes that something's fucked up.
• 46:50
  Gives them a 20 and she gets $10 and some change back.
• 46:54
  And so she slams Ma's face into the counter, launches herself
• 46:58
  over, grabs their rifle under the counter, shoots pop, turns
• 47:02
  around to her and says cigarettes are only $6 in
• 47:06
  Arkansas. You fucked up.
• 47:08
  Bitch, I love the way that she says that.
• 47:11
  You fucked up bitch. Yeah, and she shoots her.
• 47:16
  That's what I'm saying, dude. That's the energy that she
• 47:18
  brings to this and it's so fun to watch her.
• 47:20
  Do this stuff to people, It's great.
• 47:23
  She goes outside and sees a truck and she peels off the
• 47:26
  license plate and discovers foreign license plate.
• 47:31
  She's not entirely sure yet, but she ends up making some guesses.
• 47:34
  Later puts it together that she is in Croatia and then she
• 47:37
  realizes that the truck is wired.
• 47:39
  So if you open up, you're gonna blow up.
• 47:41
  Yep. So she here's the radio go off
• 47:45
  trying to figure out whether they're not getting a response
• 47:46
  from mom pop. So they sent out a drone and she
• 47:49
  hides. Only the drone gets shot down
• 47:53
  and she's mad at Gary. She points out that she's a
• 47:55
  friendly and he's like, how can I trust you?
• 47:57
  She goes, Well, you could get in the truck and blow the fuck up
• 48:00
  and then you'd know. And he's like, oh, and she was
• 48:04
  like, all right, we need to get going.
• 48:06
  And he's like, why they just shot down their camera.
• 48:09
  And she was like, so then they know we're here.
• 48:12
  And he's like, oh, I like that. She, like, is thinking four or
• 48:16
  five steps ahead. Yeah, This is why she survives.
• 48:19
  Exactly. So she's like, OK, I saw some
• 48:21
  tracks down the road, so let's go follow them.
• 48:24
  He says. What kind of tracks?
• 48:26
  I thought that that was a fair question, cuz I didn't
• 48:28
  understand railroad tracks. That's what you say whenever you
• 48:30
  talk about railroad tracks. So they start walking down the
• 48:34
  tracks. And he's like, you know what
• 48:35
  this is? This is goddamn man or gate.
• 48:37
  Yeah. Which?
• 48:38
  Which? Here's the thing.
• 48:40
  It's a crazy, seriously theory, but in this case, it's actually
• 48:43
  true. Well, yeah, And they made it
• 48:45
  true, but it wasn't true beforehand.
• 48:48
  Like, it's the whole thing about like taking the conspiracy
• 48:50
  theory, throwing gate at the end and then everybody like creating
• 48:54
  it's crazy scenario. But yeah, it ends up being real
• 48:57
  here. But she, like, stops to take a
• 48:59
  pee and then she's like. He's like, my name's Gary, by
• 49:03
  the way. She goes shut the fuck up, Gary.
• 49:06
  I love that. That's his credit to shut the
• 49:07
  fuck up, Gary. So they get to the railroad.
• 49:12
  She senses the vibration and she's like, it'll be going slows
• 49:15
  at the curve. Let's run.
• 49:16
  And she gets on there. Gary's not going to make it, and
• 49:19
  she's a good person, so she pulls them aboard.
• 49:23
  So on there they realize that they're not alone.
• 49:26
  There's some refugees hiding also, so.
• 49:30
  Gary is like, oh, these are crisis actors.
• 49:32
  And she's like, what the fuck? And he goes, oh, what is this
• 49:35
  supposed to do? Make me feel bad about refugees?
• 49:38
  Change my stance on immigration, which is a very narcissistic
• 49:41
  point of view. Yeah, You were put on this train
• 49:42
  specifically to change your viewpoint on immigration.
• 49:46
  Like, she's like, they got a baby Gary.
• 49:47
  He's like, I don't know, they could be crisis babies.
• 49:50
  No, he says. There are crisis babies.
• 49:53
  It's funny, but the train ends up being stopped and they are
• 49:58
  escorted out by some kind of military.
• 50:01
  And Gary is trying to explain to them what is going on and you
• 50:04
  pointed this out that like. All of the refugees, the people
• 50:08
  of color, are being patted down and checked, and Gary and
• 50:12
  Crystal, the two white people are they hop off of the train
• 50:16
  and they're like looking around cuz they're swarming the other
• 50:18
  people and patting them down and force them up against the train.
• 50:20
  But they're like shrugging, like, what?
• 50:21
  Is it not happening to us? OK?
• 50:23
  And then they just walk off and they get interrogated by some
• 50:26
  other like a Croatian dude. Yeah, and Gary's trying to
• 50:29
  explain what's going on, but he doesn't.
• 50:32
  He's not listening. He doesn't really care.
• 50:33
  He walks away. And one of the guys signing
• 50:36
  goes, I don't think they believe you, Gary.
• 50:37
  Yeah, Gary. Did you hear that?
• 50:40
  So good. Yeah.
• 50:41
  So they do. Is actually part of like the
• 50:43
  thing. But he's like, yeah, he's still
• 50:45
  one of them. He wasn't actually the.
• 50:47
  I think it was. Yeah.
• 50:48
  Something I don't remember his. He's not really super important.
• 50:50
  He's barely in the movie, but I he reveals like they're actually
• 50:54
  real refugees. He ingrained himself in there
• 50:56
  for like weeks for whatever reason.
• 50:58
  I don't really fully understand how he got wrapped up into this.
• 51:01
  Yeah, he said. The train wasn't supposed to be
• 51:02
  stopped. They're real refugees.
• 51:05
  You guys weren't supposed to be here.
• 51:07
  I'm not supposed to be here. So let's just shut up and get
• 51:10
  out and I will give you guys a head start.
• 51:12
  And Gary takes a grenade and puts it down his pants.
• 51:16
  Yeah. Which is like, I mean, it's good
• 51:18
  because they're, they're kind of tight pants, so he can't really
• 51:20
  reach in there and get it out fast enough cause of them to
• 51:23
  explode. But like, I don't fully
• 51:25
  understand how because he's part of the group that's haunting
• 51:27
  them. I don't like, I don't understand
• 51:30
  how he wound up where he is. Like, why was he not with the
• 51:33
  rest of them? I don't feel like they fully
• 51:36
  they don't ever really explain. They just like whenever, later
• 51:40
  on, whenever they're like picking out the people that
• 51:42
  they're gonna hunt. He mentions like what his role
• 51:44
  is going to be, but it doesn't hint at anything like this.
• 51:49
  Yeah, I don't. Well, because they need to get
• 51:51
  making Blair there to act like he's part of the American
• 51:54
  Embassy. Yeah, just they planned that far
• 51:56
  ahead at least. Yeah, well leave us is supposed
• 51:59
  to be there. Nobody was supposed to be here.
• 52:01
  It's all kind of not really going according to plan.
• 52:03
  I think that they had making Blair's thing as a backup type
• 52:09
  deal cuz they are just in a random country so if they manage
• 52:13
  to find other people they at least have him to go out there
• 52:16
  and pick him up. Yeah, so we see Crystal gets
• 52:21
  escorted to this building. And they're like, do you know
• 52:24
  where you are? And she was like, well, I was
• 52:25
  leaving work. I got drugs.
• 52:27
  I was asleep for probably 18 hours.
• 52:30
  So I'm gonna guess somewhere. She guesses a bunch of countries
• 52:32
  and she lands on Croatia. This guy is so fucking
• 52:35
  disgusting. And he's like, oh, let me guess,
• 52:42
  you're hunted like Don? He's just eating boiled eggs the
• 52:38
  entire time. Like, just so gross.
• 52:43
  And she goes what? Show me papers.
• 52:45
  Hunted like Don And she was like, who's Don?
• 52:49
  And then he, like, is over at the next table in the wizard and
• 52:52
  she goes, yeah, Hunt is like, gone.
• 52:57
  So yeah, they sent an embassy representative and envoy, I'm
• 53:03
  not sure the exact word for it. And so he picks them up and he's
• 53:08
  like, I'm horrified that this is happening to you.
• 53:11
  This is awful. Like this.
• 53:13
  Just this feels. We're gonna go and we're gonna
• 53:16
  get military support and get people to come in and we're
• 53:18
  gonna figure out what happened. This seems really personal
• 53:20
  though, right? Yeah, like, why would they do?
• 53:22
  Why are they doing this to you? Like why you specifically?
• 53:25
  It just, it seems very targeted and Don's just like, this is a
• 53:29
  weird conversation and Crystal's like me like she like picks up
• 53:34
  her feet. She has like the little like, I
• 53:38
  don't know, dude. Like, it's just like shit like
• 53:40
  that that I love about this. Yeah, she just like, straight
• 53:43
  up, kicks him out of the moving car, drive like gets in the
• 53:46
  driver's seat and then backs over his head.
• 53:48
  Yeah. And Don is like he.
• 53:50
  Cracked me up during all this because oh God, Oh my God, oh
• 53:54
  God no dude, he's good. Like he was like a good person
• 53:59
  to be heard sidekick in this because he just brings like, I
• 54:02
  don't know, like another bit of comedy with his performance, but
• 54:05
  like. Yeah, and so she's trying to
• 54:07
  explain that. He's clearly not who he says he
• 54:10
  is and he's like, no, he was gonna get us out of this.
• 54:13
  And she opens the trunk and Don goes Jesus and Chris goes Nope,
• 54:17
  just Gary cuz he's in his body's in the trunk with a knife to the
• 54:21
  skull. So I don't fully understand why
• 54:23
  he was trying. Was he trying to act?
• 54:25
  Cuz she's like, I think he was trying to figure out why we're
• 54:27
  here too. But like, he was there, part of
• 54:30
  the whole team that was getting them, so he knows why they're
• 54:33
  there. No he wants.
• 54:35
  They all want that. That's why they say this in the
• 54:38
  flashback sequence that's coming up, that they don't want to just
• 54:42
  kill these people. They want them to know why
• 54:44
  they're being They're doing a terrible job at it because
• 54:46
  they're just straight up killing these people.
• 54:48
  Yeah, I I don't disagree with you.
• 54:51
  I think they're bad at what they're It's like what she says.
• 54:54
  They're either smart pretending to be stupid or stupid
• 54:56
  pretending to be smart. I think they're stupid
• 54:58
  pretending to be smart. That's exactly what it is.
• 55:01
  Because yeah, like, they're not really.
• 55:03
  Figuring out why they're there, Yeah, but OK, so they now
• 55:07
  realize that it's just the two of them now that Gary's dead.
• 55:10
  Yeah, they've done the math on it.
• 55:11
  There were twelve of them and 10 have died.
• 55:13
  So it's just the two of them left and they find a map in the
• 55:16
  trunk and they're gonna, they're gonna go win, cuz the Jack
• 55:20
  rabbit always wins. This is where she the whole
• 55:22
  Jack. Yeah.
• 55:22
  She tells him the story that her mommy used to tell her, and I
• 55:25
  was like, your mom told you that, which is like kind of a
• 55:29
  fucked up story to tell, like. I mean, a lot of the Grimm's
• 55:33
  Fairy Tales, like the original versions, are, well, super
• 55:36
  fucked up. I don't understand why she feels
• 55:38
  the need, like everybody's heard this story.
• 55:40
  Why does she feel the need to tell Don about it?
• 55:42
  Like Don looks like honestly, I'm used the entire time, but
• 55:46
  still like everybody knows it. I never heard the part at the
• 55:51
  end of the DRAC rabbit killing the yeah cuz she added that,
• 55:55
  yeah, but you don't need all of that, you know, just wait, you
• 55:58
  know the story of the rabbit in the turtle, you know, blah blah
• 56:00
  blah. I guess for theatrics or?
• 56:02
  I mean, I've heard the story before and I was willing to
• 56:04
  listen to her. She's She tells a convincing
• 56:07
  story. I guess I'm it's just we've all
• 56:09
  heard him in. Go on, get on to the killing
• 56:12
  parts. Yeah, Orwell pops up and they
• 56:14
  have a plan. So we see all of the hunters are
• 56:18
  in the bunker and they're making fun of.
• 56:23
  One of the guys? Haiti troops.
• 56:25
  Wait, no, this is Martin. I don't know who the crisis
• 56:28
  actor was then. Yeah, yeah, thank God Martin is
• 56:31
  taking on AIDS, cuz he's like says that he went to Haiti to
• 56:35
  help assist with an aid like fundraiser or whatever, but he
• 56:39
  ended up also knocking up somebody while he was over
• 56:41
  there. Yeah, so this is like a thing.
• 56:44
  This is another thing here where they're making fun of people
• 56:47
  trying to be like overly politically correct to the point
• 56:50
  to where it's like ruining every, like any bit of flow in a
• 56:53
  conversation. Yeah, like, I don't know.
• 56:55
  I think that it's funny there because like it's just straight
• 56:59
  up saying, like you guys and I go, did you just gender that and
• 57:01
  like. Which here's the thing, though,
• 57:04
  is that I do think language is important, and it is important
• 57:06
  for us to like. Kind of move away from gendered
• 57:10
  language like that. Like, I've really tried to
• 57:12
  change the way. Like I'd like saying, folks,
• 57:14
  now, Alright folks, guys has always been like everybody to
• 57:18
  me. I've never seen that as like a
• 57:20
  gendered thing. I I've had the same experience
• 57:23
  but there are people that who are trans and non binary that
• 57:29
  have had like very targeted language used against them so
• 57:33
  having like. Gendered language, just thrown
• 57:36
  around so casually, can be a little bit upsetting.
• 57:38
  It's marginalizing in a way that's maybe not necessarily
• 57:41
  like intentional, but it does have an impact.
• 57:45
  And I just like I see what you're saying.
• 57:47
  I get the point you're making. They're stopping the flow of
• 57:49
  conversation, having this whole, like, political correction.
• 57:51
  It would just be insufferable to talk to these people.
• 57:54
  But I do also think it's a discussion worth having, is the
• 57:57
  point. I understand.
• 57:58
  But at the same time, God damn, it's just like, like there's
• 58:02
  politically correct, but then there's also to the point where
• 58:05
  you're correcting every little thing that everybody is saying.
• 58:07
  And I think that that is like annoying.
• 58:09
  I think like nitpicking in a conversation all the time, yes.
• 58:12
  But I do think that it is also important to, especially like if
• 58:16
  you're in a group of. Friends like where you can
• 58:18
  comfortably be like, hey, this language use bothers me.
• 58:22
  I don't think the way they were going about it was necessarily
• 58:24
  productive, OK. So Richard Glenn goes to pee and
• 58:30
  he is ambush. As he's leaving the bunker, they
• 58:32
  send in Orwell and everybody panics and shoots him.
• 58:36
  It's sad, man. They all just light up Orwell,
• 58:38
  which I they missed so many times.
• 58:40
  I feel like they would be able to tell that they're shooting at
• 58:42
  a pig, but they don't. They just keep firing at the
• 58:46
  pig. I wrote that the libs get
• 58:48
  pounded, libs get pounded. But yeah, Crystal comes in
• 58:54
  swinging, and she kills most of them.
• 59:04
  The dude, the military dude. Liberty and Dale are both in bad
• 59:00
  states by the time that Dawn comes back in.
• 59:06
  Yeah, the consultant. Yeah, they have like a dude
• 59:07
  that, like they hired as a consultant.
• 59:10
  He did work for the movies. He did Tears of the Sun, which
• 59:13
  had Bruce Willis, had Bruce Willis.
• 59:15
  So he's got some legitimacy to him.
• 59:17
  Yeah. So the radio comes on and Athena
• 59:21
  asked Don and if he got her and Don's like, Oh no, she's
• 59:26
  tricking you, she's tricking you.
• 59:27
  She goes drop the gun Don. And Don's like, no, he's like
• 59:30
  she is lying and she's like and Crystal's like, drop the gun
• 59:33
  Don. And he won't.
• 59:35
  So she shoots him, I think, which is OK.
• 59:38
  So do you think that he was actually bad or do you think he
• 59:41
  was good? I think he was like one of the
• 59:45
  hunted people. I think he was Sue.
• 59:47
  Yeah. Ohh, you don't want to.
• 59:49
  Yeah. I'm not saying like his
• 59:50
  character. I'm just talking about like, do
• 59:51
  you think he was like? Hunter or hunted?
• 59:53
  Yeah, exactly. Yeah.
• 59:55
  Yeah, yeah, like I think that, that, and we never get full
• 1:00:00
  confirmation cuz even when we see like shots of all of the
• 1:00:03
  people, like if he's there, he's always like one of the ones off
• 1:00:07
  to the side. Yeah, I mean, I don't really.
• 1:00:10
  I mean, I feel like in that situation, like, just drop your
• 1:00:13
  gun if you're good, you know that she's good.
• 1:00:15
  No, because he's like, shown repeatedly that he's not gonna,
• 1:00:19
  like, listen to her. Because I don't know he's
• 1:00:22
  listened to her the entire time. No, he hasn't.
• 1:00:24
  He's fought with her every single step of the way, even
• 1:00:27
  though she proved to him time and time again that she knows
• 1:00:28
  what she's talking about. I think he's just confused, like
• 1:00:32
  I I think that they went along with this plan just fine.
• 1:00:34
  I don't know. Yeah, I think he should have
• 1:00:35
  just dropped his gun. But she didn't want to take any
• 1:00:37
  chances, and I don't necessarily blame her.
• 1:00:39
  Yeah, I guess. So she goes and talks to
• 1:00:41
  Sergeant Dale and says, how much are they paying you?
• 1:00:44
  He said nothing. I owe Athena a favor.
• 1:00:46
  And then she says, oh, they've shot Liberty too.
• 1:00:51
  Before the radio came on, Don was like, you can't shoot her,
• 1:00:54
  She's a woman. And Crystal goes miss.
• 1:00:58
  Do you think that you should be afforded mercy just cause you're
• 1:01:00
  a girl and she goes, of course not.
• 1:01:02
  Boom. Yeah.
• 1:01:04
  So now everybody's dead except for Crystal and Sergeant Dale.
• 1:01:07
  And she has Sergeant Dale and he clocks that.
• 1:01:10
  She's got some military background and she said, yeah,
• 1:01:13
  toured in Iraq and she said what about you?
• 1:01:17
  National Guard so, well, thank you for your service.
• 1:01:21
  And then she shoots him one year ago.
• 1:01:25
  Athena gets up to her office and there's some folks in there and
• 1:01:29
  he they say, as you're aware, Martin's account got hacked.
• 1:01:33
  And all of the information, your text messages, stuff about Manor
• 1:01:37
  Gate, comments about the present, everything have come to
• 1:01:41
  light. It's bad optics.
• 1:01:43
  People out there believe it and everybody else did what they had
• 1:01:46
  to do and stepped down. And so basically she's fired and
• 1:01:51
  she keeps saying it's a joke, it's a joke, it's a joke.
• 1:01:55
  It doesn't come across as a joke and it's not a fucking funny
• 1:01:58
  joke. Yeah, is the thing.
• 1:02:00
  Yeah, it's a stupid joke. Yeah, like, I get it.
• 1:02:03
  Like it was a private conversation.
• 1:02:04
  But, like, that's just. I mean, I've got a dark sense of
• 1:02:08
  humor, but talking about killing real human beings is a little
• 1:02:12
  who's. Yeah, I guess.
• 1:02:14
  Yeah, it's a little, yeah. But I mean, at the same time, I
• 1:02:18
  get where she's coming from. Like, yeah, I get it.
• 1:02:22
  Like, I mean, it was a private conversation with friends and it
• 1:02:25
  got weaked out into the public. Like, you're like, it's like you
• 1:02:28
  have that different personality when you are with different
• 1:02:31
  people. You know what I mean?
• 1:02:32
  It doesn't necessarily reflect you as like a person because
• 1:02:35
  that's not who you choose to like, to present yourself as
• 1:02:38
  normally like, that's just she felt comfortable with him.
• 1:02:40
  She felt comfortable saying that behind closed doors.
• 1:02:43
  It's unfortunate that I got weaked out to a bunch of other
• 1:02:45
  people, but I mean. I mean, I disagree about it not
• 1:02:48
  being who she is, but I do think that you have different faces
• 1:02:51
  you put on around different people.
• 1:02:54
  And I mean, I'm not. I'm saying it's.
• 1:02:55
  Yeah, sorry, hold on. I'm saying she's not a killer.
• 1:02:58
  I'm saying she's just joking. Like you can feel.
• 1:03:01
  You feel more comfortable telling darker jokes around
• 1:03:03
  certain people compared to, like, other people.
• 1:03:05
  She felt comfortable telling that dark joke with her friend.
• 1:03:07
  Yes, in a private conversation. Yes, it's very different than
• 1:03:11
  the professor. No, your, you know, your
• 1:03:12
  audience type thing exactly like, I don't think that she's a
• 1:03:14
  killer. I'm just saying, like, you know,
• 1:03:15
  like dark humor is allowed. So eight months ago, they're in
• 1:03:21
  a home theater. And they are rating people who
• 1:03:25
  post about who posted about Manor Gate and they decide
• 1:03:29
  they're like they have to cap it at 12, Dale says.
• 1:03:33
  Because it's their first time, they don't want it to be too
• 1:03:35
  large. That's another reason I think
• 1:03:37
  Don like was an actual hunted person, because I don't think
• 1:03:39
  they would have wanted to waste one of their slots with one of
• 1:03:43
  their own, I guess. But like also on the first time
• 1:03:45
  you want to make sure it runs smoothly, so maybe plant
• 1:03:48
  somebody on the inside, you know?
• 1:03:50
  I guess I could see it either way.
• 1:03:52
  Yeah, they're like reviewing all of the photos and profiles of
• 1:03:55
  all the people that they're going to go for.
• 1:03:57
  You get Gary. He has a podcast called
• 1:03:59
  Confederate Files. And yeah, he talks about, like,
• 1:04:04
  crisis. Yeah, he's Jesse made, like, a
• 1:04:07
  good comparison. He's basically like Alex Jones.
• 1:04:09
  Yeah, big game. Shane hunts Endangered Species.
• 1:04:15
  It's really gross profile pictures, him standing over like
• 1:04:17
  a rhino, a rhinoceros or whatever.
• 1:04:20
  Yeah. And then they start reading
• 1:04:25
  Justice for Y'all, which is Crystal May Creasey's Twitter
• 1:04:28
  account. They start reading her tweet
• 1:04:31
  about how clearly Athena and Manorgate are, like actual real
• 1:04:36
  things, and they're killing real people.
• 1:04:38
  All they get to though, is fuck this bitch, and then they start
• 1:04:41
  to read more. But then I think it's like, no,
• 1:04:42
  that's all I need to hear. That's our snowball right there.
• 1:04:45
  Yeah, so then. It cuts back to present.
• 1:04:49
  Yes, she. Athena makes Crystal leave her
• 1:04:52
  gun in the mailbox and lets her know that there's mines in the
• 1:04:54
  ground. So you know she should just go
• 1:04:57
  ahead and leave her gun because otherwise she can blow her up
• 1:04:58
  right then and there. When Crystal gets inside, she
• 1:05:02
  sees the photos on the wall of everybody that was being
• 1:05:05
  haunted. Let's see there's some examples
• 1:05:10
  of why some of them are there. Staten Island was one of the
• 1:05:16
  Tiki marchers, Tiki marchers. Yeah, the new like, white
• 1:05:21
  supremacy group. Remember when they did their
• 1:05:22
  like, protest with the Tiki torches?
• 1:05:25
  I don't remember that. Oh, God, is it was it was bad.
• 1:05:30
  So yeah, he's a white supremacist.
• 1:05:32
  Say OK, that is bad. We see a mug shot of Vanilla
• 1:05:36
  Nice. He's from Florida.
• 1:05:37
  Go figure, I wonder what he was in prison for.
• 1:05:40
  I'm sure if we'd paused, we could have seen maybe something
• 1:05:43
  on his little sign. Yeah.
• 1:05:46
  Let's see. Emma Roberts is like standing
• 1:05:49
  with some political person in front of the White House, so you
• 1:05:52
  can assume she's like an aide or an intern or whatever to some
• 1:05:56
  right wing politician. Big Red is at a protest and her
• 1:06:01
  sciences Stop being gay. God.
• 1:06:06
  So those are all the ones, I mean, just right down.
• 1:06:07
  OK. Yeah.
• 1:06:10
  Crystal gets into the kitchen and Athena is making a grilled
• 1:06:13
  cheese, and she's being very pretentious talking about all
• 1:06:16
  the best ways to cook a grilled cheese.
• 1:06:19
  Yes. And I think she's also not
• 1:06:22
  realizing how immensely privileged she is to be able to
• 1:06:27
  get to the fancy she uses and fancy breads and what's not.
• 1:06:30
  It's not. A lot of people make grilled
• 1:06:32
  cheese because it's cheap and easy to make, not because they
• 1:06:35
  are. Yeah, right.
• 1:06:37
  I know. It's good, though.
• 1:06:38
  You know anybody can enjoy a simple grilled cheese, I'm sure.
• 1:06:41
  I'm not gonna lie, though. Like grilled cheese sounded
• 1:06:45
  really good. It did, yeah.
• 1:06:49
  But yeah, so she asked Crystal if she knows who she is and
• 1:06:53
  Crystal's like, I have no clue who you are.
• 1:06:56
  And she goes, well, I know all about you and she like.
• 1:06:59
  Rattles off this biography of Crystal Macresi and she was very
• 1:07:03
  unsympathetic to what this person went through.
• 1:07:06
  Where her father had a meth lab which ended up exploding and her
• 1:07:11
  mother overdosed on the last batch of the meth.
• 1:07:14
  And as a result of that, and probably never getting proper
• 1:07:19
  treatment from all of the childhood trauma that comes
• 1:07:22
  along with that kind of shit, Crystal had a hard time holding
• 1:07:25
  down a job and. She gets through all of this and
• 1:07:30
  Crystal goes. I don't want to interrupt your
• 1:07:33
  grilled cheese speech, but you got the wrong Crystal Mae
• 1:07:37
  Creasy. She spells hers with a Yi.
• 1:07:41
  Get her mail sometimes. I know she spells hers.
• 1:07:43
  Mae, Yes. I can't get them mixed up either
• 1:07:47
  way they spell. Their mae's different, yeah.
• 1:07:49
  Either way and not important, so she.
• 1:07:51
  Was like, my mom's still alive. We can call her if you want.
• 1:07:53
  My dad, He's kind of a Dick, but he's alive too, so they decided
• 1:07:58
  to just fight it out. So now they this is like one of
• 1:08:01
  the best fights. It's so fucking good.
• 1:08:03
  Like the camera work is amazing. The choreography is amazing.
• 1:08:06
  The music that goes along with it?
• 1:08:08
  Really well done, Yeah. The use of the props and
• 1:08:11
  everything, like it's just it is such a well done fight sequence.
• 1:08:15
  Yeah, just do yourself a favor and just watch that if.
• 1:08:18
  Yeah, Anything else from this whole movie?
• 1:08:19
  Because it's a treat to watch. So they end up like stabbing
• 1:08:23
  each other. Yeah.
• 1:08:24
  And they both, like, end up. It's basically a draw.
• 1:08:27
  Yeah, well, it ends up like the thing that they stab each other
• 1:08:29
  with. So Crystal had like, the blade
• 1:08:33
  of a food processor in her stomach, and she pulls Athena to
• 1:08:36
  her and basically transfers the blade over, which I think is
• 1:08:38
  just a really intense finishing move.
• 1:08:40
  Yes. And they're both laying bleeding
• 1:08:42
  out on the kitchen floor. And Crystal says, can I ask why
• 1:08:46
  you called me Snowball? And I think it's like it's a
• 1:08:50
  reference to George Orwell's Animal Farm.
• 1:08:52
  And Crystal's like, yeah, yeah, I get that, but.
• 1:08:54
  Why am I snowball like he's the idealist.
• 1:08:57
  That's why the other animals like go on a smooth campaign
• 1:09:00
  against him. And I think it's just kind of
• 1:09:02
  like shocked. And then she goes, can I ask you
• 1:09:06
  a question? I mean, we're bleeding out
• 1:09:08
  anyways, to be honest. I got the right one.
• 1:09:12
  Right you're you're justice for you all.
• 1:09:15
  And Crystal goes, No, ma'am, I'm not.
• 1:09:18
  There's a gut punch right there. Yep.
• 1:09:21
  And then Athena dies, but Crystal gets up.
• 1:09:24
  And she she eats the grilled cheese.
• 1:09:26
  She takes like the little toaster thing, like the little.
• 1:09:29
  The little flame thing. Yeah.
• 1:09:32
  And she cauterizes her tummy stab.
• 1:09:34
  Yeah. So she's not bleeding out
• 1:09:35
  anymore. Yeah, she eats the food like the
• 1:09:37
  Jack rabbit. Yeah, well, she also sees the
• 1:09:40
  Jack rabbit while she's laying on the ground there, so she's
• 1:09:42
  like, OK, I'm gonna do. That and I love her facial
• 1:09:44
  expression. Like, yeah, so Eats the grilled
• 1:09:47
  cheese, goes on, puts on a fancy dress.
• 1:09:50
  And she takes Athena's dog. Yeah, which is cool.
• 1:09:53
  And she she climbs the and she takes the big expensive bottle
• 1:09:57
  of champagne. She climbs toward the plane and
• 1:09:59
  she tells the pilot and the flight attendant, she goes, the
• 1:10:01
  assholes you work for are all dead, and I would like to go
• 1:10:03
  home. Is that OK?
• 1:10:05
  And they're like, yeah, yes. And the flight attendant is
• 1:10:09
  like, would you like me to pour that?
• 1:10:10
  And Chris says, yes, please. And she goes, would you like
• 1:10:13
  some caviar? And she's like, sure.
• 1:10:16
  And she asked her if she's ever had caviar.
• 1:10:17
  And she was like, I don't think I really allowed to.
• 1:10:19
  And she goes. Caviar, Sit down and she shares
• 1:10:22
  the caviar and champagne with her.
• 1:10:24
  Gross. That's it.
• 1:10:24
  Caviar's so nasty. I get it.
• 1:10:27
  That's cool. And then she drinks like the
• 1:10:29
  bottle and it's like, how does it taste?
• 1:10:30
  It's like, so fucking good. And then boom, that's it.
• 1:10:35
  That's the. All right.
• 1:10:39
  I'll keep mine 95 I'm. Gonna bump it up to 95 as well.
• 1:10:43
  OK, cool. It's it's just a fucking good
• 1:10:47
  movie, man. Like, I just can't.
• 1:10:48
  It's it. Yeah, it's not a whole lot that
• 1:10:50
  I don't like about it. There's just a whole lot that I
• 1:10:53
  love about it. It's like every time I watch it,
• 1:10:56
  I just have so much fun. It's just great.
• 1:10:58
  I don't know, it's funny. It's got a lot of action.
• 1:11:00
  It's got a lot of like nice kills.
• 1:11:04
  Characters are solid. It's just good.
• 1:11:06
  Can't really think of much to complain about.
• 1:11:08
  Yeah, the The only thing I would change is just like let Betty
• 1:11:12
  Gilpin look a little less dish, a little more disheveled.
• 1:11:15
  Yeah, like. It's reasonable.
• 1:11:17
  Yeah, it's reasonable. Let's how you rate it.
• 1:11:19
  All right. Well, Talia, as we put in the
• 1:11:22
  DVD, was very itchy, and we made it one second before.
• 1:11:25
  It was very clear she needed a Benadryl.
• 1:11:26
  Yes, so we did that. She climbed up on the couch.
• 1:11:30
  She farted. She played with her toys.
• 1:11:34
  She kept throwing the Mattis at 29 minutes and 27 seconds.
• 1:11:39
  She had to go out again, and she came in.
• 1:11:40
  She's a little sleepy for the rest of the movie.
• 1:11:43
  So I think all of that all said, she is going to rate this a 10
• 1:11:47
  because she had a really good time watching it and the dog
• 1:11:50
  specifically survived. But the dog is in a plane and
• 1:11:54
  the dog is super high up and Talia does not like being that
• 1:11:56
  high up. So she might be like, oh, it's
• 1:11:58
  going to be a scary movie for that dog.
• 1:12:00
  Or maybe she would think that the plane is like an even better
• 1:12:03
  car ride. Oh, it could be that too, yeah.
• 1:12:06
  Right. Zoe ran in as soon as we started
• 1:12:09
  it. She's not Hunter.
• 1:12:11
  Yeah, she jumped up on the couch.
• 1:12:12
  Yeah, she likes to hunt. So a little hunter, yeah.
• 1:12:15
  OK, who'd you relate to? Probably the flight attendant.
• 1:12:23
  Flight attendant. Yeah, we're like, I'm just
• 1:12:25
  trying to do my job. I don't think I'm allowed to eat
• 1:12:28
  the caviar. Yeah, shit.
• 1:12:33
  Who that relates to? Cuz I've been there, I've been a
• 1:12:36
  server, I've been low man on the totem pole and understanding
• 1:12:40
  that you gotta do what you gotta do to take the bills sometimes,
• 1:12:44
  yeah. Even if you don't like the
• 1:12:47
  assholes you work for. Not my case now, but like, I've
• 1:12:50
  been there in the beginning of the movie.
• 1:13:02
  Yeah. Dennis is, I just call him
• 1:12:54
  Dennis. Glenn Howerton's character is
• 1:12:56
  like, do you like actually working for Athena?
• 1:12:58
  She's like, yeah, it's great. She's like, don't really hear
• 1:13:00
  that much from people that work for.
• 1:13:02
  She's like, she's sweet. And he was like, don't let her
• 1:13:04
  hear you say that. Yeah.
• 1:13:07
  Who did I relate to? I relate to the dude with the
• 1:13:10
  dual welding machine guns as he's running up because like if
• 1:13:14
  I'm going now, man, just gonna Take Me Out while I'm looking.
• 1:13:17
  Cool and stunning. Just down in a blaze of glory,
• 1:13:19
  he went like Rick Silva, and I respect it.
• 1:13:22
  I would go Rick Silva in this moment too.
• 1:13:25
  OK, Do you have a dream sequel in mind for this?
• 1:13:29
  MMM. Do.
• 1:13:32
  Does another hunt continue? Do they do?
• 1:13:35
  Another hunt does. Maybe like reverse this ads.
• 1:13:39
  Ooh, you know what? That actually would be an
• 1:13:41
  interesting I did, yeah, just reverse the sides, yeah.
• 1:13:46
  'Cause I like the whole thing was that, like the manner and
• 1:13:49
  the hunting was never a real thing.
• 1:13:53
  But then because Athena wanted revenge, she turned it into a
• 1:13:56
  real thing. And she kept trying to say,
• 1:13:57
  like, you're all the ones that made it real.
• 1:14:00
  And I was like, well, Athena, you're actually the one that
• 1:14:01
  made it real. Yeah.
• 1:14:03
  I guess, like if you wanted to do that, you could do that and
• 1:14:06
  just like update it with modern, like current political things
• 1:14:11
  that are happening. If you wanted to do that to
• 1:14:13
  just, you know, make fun of the current climate, Yeah.
• 1:14:16
  Which you know, it's always changing.
• 1:14:18
  I would like to see how that cuz climate change is real.
• 1:14:22
  Yeah, climate change. You're right.
• 1:14:24
  Damn that was good, good, good. Catch up.
• 1:14:27
  There, yeah. So I would like to see a
• 1:14:29
  reversal of the roles and how the different things would be
• 1:14:32
  handled that way. Yeah, I can't really think of
• 1:14:34
  like a logical way. If you to, like, keep any of the
• 1:14:39
  characters, Yeah, I mean, you would only have crystal, you
• 1:14:42
  know, maybe like the flight attendant is like, all right,
• 1:14:44
  I'm gonna get revenge on these fuckers.
• 1:14:46
  Like I've had caviar. I can like I wanna get my
• 1:14:49
  payback now. Yeah, OK.
• 1:14:52
  Caviar. Flaming panties.
• 1:14:54
  Flaming batons. Satan's panties.
• 1:14:56
  Yeah, a new tagline. So this one needs a new tagline,
• 1:15:01
  cuz the tagline it has is not a whole lot.
• 1:15:04
  Yeah. HM OK the hunt, You fucked up
• 1:15:10
  bitch, because they got the wrong one.
• 1:15:13
  Oh yeah, yeah, I like. I like that.
• 1:15:16
  You fucked up, bitch. Yeah.
• 1:15:18
  OK. All right.
• 1:15:21
  Internet review. OK.
• 1:15:23
  What'd you pull for us? So I was really concerned what
• 1:15:29
  kind of reviews I was going to be able to get if it was just
• 1:15:31
  going to be people on one side of the.
• 1:15:34
  I also to speak or the other being mad about the
• 1:15:37
  representation of their personal alignment.
• 1:15:41
  But honestly, a lot of the more negative refuse because I knew
• 1:15:44
  we would be positive. So I wanted to get that other
• 1:15:47
  viewpoint. I was trying to find ones that
• 1:15:49
  weren't just like I didn't like this movie, you know what I
• 1:15:52
  mean? I wanted to get a little bit
• 1:15:53
  more understanding of why they didn't like it, and I thought
• 1:15:56
  this one kind of really is a good explanation for why
• 1:16:00
  somebody might not like this movie.
• 1:16:02
  I love crazy horror flicks, but this movie portrays the worst
• 1:16:05
  stuff during this time. I hope you actors and producer
• 1:16:08
  are proud about the money you made releasing this crazy.
• 1:16:10
  Like I said, I like hostile in the collection.
• 1:16:13
  This is too real to reality. I hope your carriers are
• 1:16:19
  affected. Karma what?
• 1:16:22
  I don't know. That last sentence isn't.
• 1:16:24
  I don't know what they're trying to say, but I can understand why
• 1:16:28
  somebody would be like, hey, I watch movies too.
• 1:16:32
  Disengage. And I don't necessarily want to
• 1:16:35
  be reminded of how at each other's throats people are right
• 1:16:43
  now. Particularly, I totally
• 1:16:45
  understand that. Like, if you like, because
• 1:16:47
  that's so much of life right now, if you pay attention, Yeah,
• 1:16:51
  to any of that. Like, it's just so much arguing
• 1:16:54
  and division and shit like that. And then when you're wanting to
• 1:16:58
  just watch like a fun horror movie and then it's the same
• 1:17:01
  thing. Like, I can totally understand
• 1:17:03
  that being just not what you want.
• 1:17:06
  Yeah, when you watch a movie. And I've always been of the
• 1:17:09
  stance that horror is an inherently political genre.
• 1:17:13
  Yeah. But I do think that there are
• 1:17:15
  plenty of movies that are a lot more subtle, which, yeah, I
• 1:17:21
  mean, like. Without outright being like your
• 1:17:24
  political beliefs are causing you to be hunted or to hunt like
• 1:17:29
  that is very like. On the nose and I could see
• 1:17:32
  like, because it God, 2020 was a bad fucking year.
• 1:17:37
  It just was a culmination of a lot of things and it was really
• 1:17:41
  nasty leading up to the election and with the pandemic and
• 1:17:44
  everything. Like, I could see that hitting
• 1:17:47
  at the exact wrong time for a lot of people.
• 1:17:50
  Yeah. I mean, it's just really
• 1:17:51
  exhausting anyways, just in general, so like, I get it, but.
• 1:17:56
  But that's why I like it personally.
• 1:17:58
  Yeah, it feels, I feel like it. It does a good job.
• 1:18:01
  Like, I mean, it doesn't like it.
• 1:18:03
  It takes that and it has fun with it.
• 1:18:05
  And honestly, like, like I said, I feel like it where it does
• 1:18:09
  kind of make fun of both sides. It does kind of remind me to
• 1:18:12
  rein in some of my more like, knee jerk reactions sometimes.
• 1:18:16
  And I think it's really important to try and understand.
• 1:18:22
  Where people come from with different beliefs, yeah, even if
• 1:18:25
  you don't necessarily agree with them.
• 1:18:26
  Because sometimes that can be a good way to build a bridge and
• 1:18:29
  understand. Well, I think like one of the
• 1:18:31
  things like in this movie, it even shows you like, yeah,
• 1:18:35
  Hilary Swank's character, like she is, you know, a left wing
• 1:18:39
  person and she feels very strongly about those.
• 1:18:42
  But she ended up becoming the exact same thing that she hated.
• 1:18:46
  Yeah, She ended up being like this person that just like, is
• 1:18:49
  hunting people and. Well, and she became
• 1:18:53
  disenfranchised, which is why, like some people like.
• 1:18:57
  And not to get too political, but that's why a lot of people
• 1:19:00
  in our region ended up voting for Trump because he promised to
• 1:19:03
  bring back industries that aren't necessarily thriving very
• 1:19:06
  well right now. Yeah.
• 1:19:08
  And that was a huge thing. That was kind of an eye opener
• 1:19:10
  for me when I was reading some of the articles on people from
• 1:19:13
  this area talking about why people in their hometown were
• 1:19:15
  voting for him. Because it was just almost an
• 1:19:18
  act of desperation. Yeah.
• 1:19:21
  You know, and I think having that little bit of empathy can
• 1:19:26
  kind of make a difference because there are a lot of
• 1:19:30
  people that just stopped seeing each other as human beings.
• 1:19:36
  Yeah. And when as long as people
• 1:19:38
  weren't like, I'm voting for him because he's going to outlaw the
• 1:19:41
  gays, you know what I mean? Like, that's a whole different
• 1:19:45
  thing. But being like he said, he's
• 1:19:47
  going to save the coal industry and that's what this town
• 1:19:50
  survives on. I could see that being like a
• 1:19:53
  beacon of hope for people. Yeah, I got it.
• 1:19:55
  I mean, I'm from a town that was very cold dependent, so I
• 1:19:58
  totally understand why people felt that way down there.
• 1:20:01
  But like, at the same time, you have to understand who you're
• 1:20:03
  talking to. Yes.
• 1:20:05
  Like, you have to understand why like some of these people are
• 1:20:09
  saying this should just to get your vote, even though they have
• 1:20:12
  no intentions of doing anything. Yeah.
• 1:20:15
  Either way, it's whatever. That's not even what.
• 1:20:17
  That's just a whole other thing. I don't want to get super.
• 1:20:20
  Yeah, I'm trying not to get like I'm trying not to insert too
• 1:20:23
  many of our own politics in this, but because it's such a,
• 1:20:28
  it's such a delicate line to walk because some of these
• 1:20:30
  people do push ideologies that are harmful to groups of people.
• 1:20:34
  But also like, you can't have the black and white discussion
• 1:20:39
  about things. Yeah, it's not productive.
• 1:20:42
  Yeah. OK.
• 1:20:44
  All right, let's get some listener reviews.
• 1:20:46
  OK, so we got a couple of them. Let's.
• 1:20:50
  Start off with Instagram. So First off we have Horror Nerd
• 1:20:56
  86, he says. Or they say I gendered it.
• 1:21:02
  He did. Good catch.
• 1:21:04
  Yeah. I thought our conversation
• 1:21:06
  earlier was actually productive. Yeah, honestly.
• 1:21:09
  Fantastic movie that rags on every political stereotype.
• 1:21:12
  Betty Gilpin is a badass. Betty Gilpin is a badass.
• 1:21:16
  And I do like that it doesn't seem to pick a side.
• 1:21:20
  Yeah, fuck yeah, Michael E Howard says.
• 1:21:23
  The Hunt really digs into the extremism of left and right wing
• 1:21:26
  politics. Coming out in 2021, it is hard
• 1:21:29
  to tell whether it was meant to be a tell of what could be a
• 1:21:32
  farce or a blanket statement of the world.
• 1:21:35
  Maybe it is all of these and more.
• 1:21:37
  The movie grabs you from the moment it kicks off and never
• 1:21:40
  relents. The movie's ending has one of
• 1:21:43
  the best fight scenes since Kill Bill.
• 1:21:45
  I would argue even better. In the end, it left me with a
• 1:21:48
  lot of thoughts about our world 9.5 out of 10.
• 1:21:52
  Yes, Michael, Which? Which?
• 1:21:55
  Fight Scene and Kill Bill Rank? Rank the Fight scenes.
• 1:21:58
  I want to know which ones you're thinking of.
• 1:22:00
  I I feel like it's got to be the finale, right?
• 1:22:02
  And like where we see who is like there with her game part
• 1:22:08
  one. We got a whole part too, too,
• 1:22:10
  where she faces off with Bill. Yeah, I well, maybe he's opens
• 1:22:14
  up with her in the kitchen with. I feel like if you're talking
• 1:22:18
  about, which that's a good one, I know what you're talking about
• 1:22:20
  with the mom. Yeah.
• 1:22:21
  Yeah, that's a great one too. But that's not anywhere near as
• 1:22:24
  good as the final fight. Come on, you keep saying final
• 1:22:27
  fight. It's the final fight of part
• 1:22:28
  One. Hold on.
• 1:22:28
  I was about to make this point, OK.
• 1:22:30
  If you're talking about, then I feel like you, you know, kill
• 1:22:33
  Bill. Kill Bill to.
• 1:22:34
  If you're talking about both of them as a thing, it's the whole
• 1:22:37
  bloody affair or the bloody affair.
• 1:22:39
  Whole bloody affair. I think that's what it is, yeah.
• 1:22:41
  But then we we got the fight with every single, every single
• 1:22:44
  member, yeah, of the deadly Viper Assassin squad.
• 1:22:47
  That's true. I need to know.
• 1:22:48
  I need to know how all of those different fights are.
• 1:22:50
  Making all right. Yeah.
• 1:22:50
  Please elaborate. Yes, let us know specifically
• 1:22:53
  which one you're thinking of. I'm hoping it's Lucy Liu because
• 1:22:55
  her versus the crazy 80 eights. Yeah, that's that's it.
• 1:22:59
  That's the fucking thing. It's so fucking good.
• 1:23:01
  But I do feel like in a movie like that, you have to clarify.
• 1:23:04
  Yeah. OK, and Twitter.
• 1:23:07
  We have movies for days. They say.
• 1:23:09
  A friend was so excited to show me this after it became
• 1:23:12
  available with the stream. I kind of hated it, but was too
• 1:23:14
  embarrassed to say anything negative at the time because his
• 1:23:16
  friend was so convinced I'd love it like he did, and I didn't
• 1:23:20
  want to disappoint him. I love that guy.
• 1:23:23
  You know what? I like this right here, so I
• 1:23:24
  have both been on that that experience with the other.
• 1:23:29
  Dude, I yeah, I back in elementary school, I had a kid
• 1:23:34
  that it was one of my friends and he really liked the show.
• 1:23:37
  And I pretended I liked it because, you know, he liked it
• 1:23:40
  so much. And then he kept talking about
• 1:23:42
  it for weeks after. And then one day on the way back
• 1:23:44
  from lunch, I stopped. I was like, listen, man, I hate
• 1:23:47
  that show. I don't watch it.
• 1:23:48
  Like please stop talking about it.
• 1:23:50
  And his frown. Just went.
• 1:23:53
  I felt so bad. But at the same time I was like,
• 1:23:55
  dude, stop talking about it. Like, I don't know, it's sweet.
• 1:23:59
  It's sweet that you care that much about your friend and you
• 1:24:03
  don't want to disappoint him. But maybe, I don't know, try it
• 1:24:06
  again. You might have a different
• 1:24:07
  opinion about it. I would be curious to know what
• 1:24:09
  it is about it that you don't like.
• 1:24:11
  Yeah, that's you. Yeah, yeah, I like, fully
• 1:24:14
  respect. But this maybe isn't for
• 1:24:16
  everybody. But I do like to.
• 1:24:17
  I like to understand why it isn't for everybody.
• 1:24:19
  Yeah, I yeah, yeah. It's good to know.
• 1:24:22
  But respect that. You don't have to like it.
• 1:24:24
  No biggie. All right, that is it for this
• 1:24:27
  week's episode. Y'all it sure is.
• 1:24:29
  So next week we will be coming at you guys with Nope, Yeah, I
• 1:24:34
  can't believe it's gonna be our first word appeal film.
• 1:24:36
  I know. Me too.
• 1:24:37
  It's been long overdue. But it's finally happening.
• 1:24:40
  So we're gonna do it right now. You can stream it on Amazon
• 1:24:44
  Prime, or you can rent it from Redbox, YouTube, Voodoo, or
• 1:24:48
  Google Play. It's listen, just go in without,
• 1:24:53
  like, any expectations. Just let the movie take you
• 1:24:56
  where it's gonna take you. I didn't even know what it was
• 1:24:58
  about until I watched it and I was blown away.
• 1:25:00
  It was a fucking good movie. Yeah.
• 1:25:02
  I had absolutely no clue. Lovecraftian is the the
• 1:25:09
  adjective. I will give a hint that's good
• 1:25:11
  for it, yeah. I think that's fair.
• 1:25:14
  Yeah. Yeah.
• 1:25:15
  It's really good maybe. And I'm really excited to
• 1:25:16
  finally talk about it. Yeah, so watch it if you can.
• 1:25:19
  We recommend it. Yes, absolutely.
• 1:25:21
  Watch it. But if you wanna hear us talk
• 1:25:23
  about it first, feel free. Yeah, so in the meantime, you
• 1:25:28
  can catch us on social media. We have a Twitter at least faith
• 1:25:32
  pod. Our Instagram and Threads
• 1:25:34
  account is least favorite security movie Podcasts Facebook
• 1:25:37
  What's your least favorite scary movie website?
• 1:25:39
  What's your least favorite scary movie.com?
• 1:25:42
  And you can find us on Patreon. Yes, and hang out with Eric and
• 1:25:46
  VV of Shaken Not Scared Joe. As is his name, Amber and
• 1:25:49
  Michael. And we greatly appreciate your
• 1:25:52
  all's support. And we've appreciated the
• 1:25:55
  feedback we've gotten that you like the perks you get from
• 1:25:57
  supporting the show, and we appreciate the support.
• 1:26:01
  If you want to support us in other ways, you can do so by
• 1:26:05
  rating us or viewing us, following us on whatever app
• 1:26:08
  you're listening on that makes a big difference to you.
• 1:26:12
  It. Makes a big difference to us, a
• 1:26:13
  difference on the platform and the system and it just is, it's
• 1:26:17
  nice and it's good to, you know, have that there and we
• 1:26:21
  appreciate any bit of feedback you guys give us.
• 1:26:24
  Yes, absolutely is. That it, that will be it.
• 1:26:29
  Okay. So we will catch you guys next
• 1:26:31
  week with Nope. So we'll TuneIn, then?
• 1:26:34
  Until then, bye budget.
• 1:26:48
  Or bucket okay, we're doing that again.